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March 6-12 archive

March 12, 2006

A Rocker's First Experience at a Bluegrass Festival

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Written by Joyce L Chow & William Hoehne March 12 2006

MBN

www.montebubbles.com for more MBN news

MONTEBUBBLISM: expect the unexpected and be happy if it does not happen.

 

BREAKING NEWS: FOUR SERVICEMEN KILLED IN AFGHANISTAN more info to follow

 

A Rocker's First Experience at a Bluegrass Festival 

Homemade bombs pose the biggest threat to U.S. servicemembers

Senate Youth Program learned about life in the Pentagon

Cingular releases two high-speed phones

The Torino 2006 IX Paralympic Winter Games

Stock News:TOKYO, Japan, Marc- Honda decided at its Board of Directorsmeeting to acquire all of the shares of Honda Express Co., Ltd. and Komyo Co., Ltd. by a share exchange and thereby make them wholly
owned subsidiaries.


 

A Rocker's First Experience at a Bluegrass Festival 

Written by Steve Matthews

Music is a huge part of my life.  I consider myself not only a fan of various music styles, but also a student of music.  I am also a musician and consider myself to have a deep knowledge of musical form and composition.

So what did I expect to see at a gathering of bluegrass fans and performers?  Perhaps a lot of cowboy hats and leather boots.  Maybe some fancy belt buckles and people walking around wearing Garth Brooks or Brooks & Dunn tee shirts.  When I got to the Midwinter Bluegrass Festival in Denver (Feb 17-19), I found no such connections to the world of country music.  Prior to this experience I thought to myself, “Isn’t that bluegrass stuff just a different type of country music?”  I never experienced or knew anything about bluegrass (until that weekend), so my misconceptions were many.
 

The Midwinter Bluegrass Festival is one of many bluegrass events held across the country, and the world.  This mid-sized festival is hosted annually by bluegrass enthusiast and player Ken Seaman in Denver, Colorado (see http://www.seamanevents.com/midwinter/).  A  workshop at this festival was co-sponsored by the International Bluegrass Music Association (www.ibma.org), the leading industry organization dedicated to promoting bluegrass music.  This year marked the 21st festival in the series.  Among the acts who performed throughout the weekend were The Special Consensus, Roni Stoneman (who is hilarious and quite the amazing banjo player, and who many would recognize from her many years on the Hee Haw television show), BlueRidge, Cedar Hill, Hit and Run Bluegrass and the Bluegrass Patriots.  With the exception of Roni Stoneman, I was completely unfamiliar with any of these acts before attending the festival.
 

The weekend proved to be a very powerful introduction into the world of all things bluegrass.  I found this out almost immediately after entering the doors of the venue.  Outside it was a bitterly cold 13 degrees below zero, but inside things were cooking.  Although it was late at night and the scheduled events were over with, strains of music filled the halls as numerous groups of individuals had spontaneously gotten together to “jam,” playing familiar bluegrass tunes on their respective instruments.  This, I would learn, is the very essence of the bluegrass movement—an enthusiastic group of fans who love to watch and play a form of music in which there is an amazing amount of acceptance and involvement, both musically and socially.
 

In this festival  people had come from far and wide to be entertained, to jam, to see old friends and to participate in workshops on bluegrass music.  This festival is one of over 600 yearly festivals hosted around the world, a good indicator of the popularity of the bluegrass phenomenon.  According to Nancy Cardwell, Special Projects Director with the International Bluegrass Music Association, “The IBMA has members in all 50 states, as well as in 30 additional countries.  Although it originated in the Southeastern United States around 60 years ago, bluegrass music has literally spread around the world.  In fact, there are reportedly more bluegrass bands per capita in the Czech Republic than in the state of Kentucky (the Bluegrass State, and home of the father of bluegrass music, Bill Monroe).  It is also very popular in Japan, throughout Western and Central Europe, and Great Britain.” 

Cardwell explained that several factors are contributing to the continuing growth in the popularity of bluegrass.  “We got some recent mainstream media attention because of the popularity of the O, Brother Where Art Thou? movie and six-time platinum selling soundtrack CD.  The tremendous popularity of artists like Alison Krauss, Nickel Creek, Ralph Stanley, Del McCoury, and Ricky Skaggs are also factors.  A younger audience is also being drawn into bluegrass through “jam bands” (progressive bluegrass bands that incorporate extended jams into their arrangements).  Bands like Phish, The String Cheese Incident, Yonder Mountain String Band, and Left Over Salmon are examples of new forms of bluegrass-influenced music.  The Internet has also offered a huge opportunity for bluegrass bands, along with other types of indie artists not signed to major labels, to introduce their music to a wide audience with eclectic tastes.”      
 

So what exactly is bluegrass music?  Among the things I learned are –

·          Bluegrass is a distinctively non-electric/electronic type of music.  The banjo is to bluegrass what the electric guitar is to rock.  The other standard bluegrass instruments include the fiddle (think violin), mandolin, upright bass, and guitar – all of which are played acoustically.  One other instrument that is sometimes used include the Dobro (a type of a resonator guitar which is played with fingerpicks and a type of a slide).  There are no electric guitars, drums, or keyboards in this type of music, but vocal harmonies are  a central part of bluegrass songs.
 

·          Bluegrass finds its roots in old-time music (Scottish and Irish dance music, English ballads), gospel music and African American blues.  (The banjo originally came from Africa.)  Virtues such as God, family and country are common themes which run throughout the lyrical content of the songs.  The songs frequently tell stories, and they perhaps more often than not romanticize a connection to one’s roots and the geography from which the songwriters have come from. 
 

·          As previously alluded to, bluegrass is not just about getting entertained, but is really about participation.  A large part of the bluegrass fan base are players (commonly referred to as “pickers”) themselves.  Bluegrass is all about finding other like-minded fans of this style of music and jamming spontaneously with other musicians, with lots of improvised “breaks” where each instrument takes a turn doing a solo.
 

·          One characteristic of bluegrass songs, I would find, is a bit of a problem for me. By and large, bluegrass tend to be musically very predictable.  After a very short exposure to bluegrass, I was able to hear completely unfamiliar songs and know exactly where the songs were going and which chords and bass notes were coming up next.  As a devoted fan of rock music, I find this to be a primary weakness in the composition and arrangement of bluegrass music.  Even though I now enjoy bluegrass music, I find it often formulaic  I prefer the “there are no rules” attitude in the songwriting process which almost defines rock and roll.  For me, rock runs the gamut from tear-jerking ballads, to that powerful, driving and highly energetic sound that sets your soul on fire, to some amazing virtuosity on the cranked up and “plugged in” instruments which we have heard for the past half century.  On the other hand, the predictable structure of bluegrass music is essential to its playability.  Somewhat like the defined structure of the blues (i.e. the 12 bar blues pattern), a familiarity with what the music is going to do next allows the musicians to jump in and immediately play along with a barely familiar number.  Without the often similar feel of the music, there could not be any real jamming which, as I stated, really is the essence of bluegrass.
 
I am still trying to process and interpret some of my experiences from this wonderfully enjoyable weekend.  I had a great time being exposed to this whole new world of music.  I truly enjoyed a large portion of what I heard, and was so moved by the powerful song “This One Belongs To Me” by the family group “Sons and Brothers” that I found myself crying uncontrollably.  What I do realize about the attraction of this type of music, probably above all others I have experienced, was the incredible sense of community among the fans and musicians.  There is a very real sense of inclusion and acceptance in these free-spirited and spontaneous jam sessions.  The participants appeared to have such a great time in these jamming circles, that I would sometimes become jealous because of my inability to join in with them (since I play the keyboards, a very non-bluegrassy instrument!).
 

So where do I go from here?  Well, I’m a rocker, and will always be one.  I love the wide range of musical styles within rock (and pop) music.  While there are definite bursts of virtuosity among the artists and jammers I’ve heard so far in the world of bluegrass, I am still whole heartedly first drawn to the melodic, rhythmic qualities, overall songwriting and virtuosity that appears throughout much of rock. 
 

One thing which I took home with me is that bluegrass sometimes offers positive lyrical messages that need to be reinforced in today’s society, which are often sorely missing in rock and often non-existent in rap/hip hop/ modern R&B.  I’ll continue to take my rock with me in my home, car, and mp3 player, but I’m grateful for the experiences of the weekend when I met bluegrass for the first time.  I am constantly hungry and looking for enjoyable new music to listen to and see performed, and I’m now already looking forward to visiting future bluegrass festivals.  It only took a weekend, but now I’m a fan!

Homemade bombs pose the biggest threat to U.S. servicemembers

Crude, homemade bombs hidden in cars or by the side of the road pose the biggest threat to U.S. servicemembers and the future of a free Iraq, President Bush said today in his weekly radio address. "As we take the fight to the terrorists, they realize they cannot defeat us directly in battle, so they have resorted to brutal attacks against innocent Iraqis and American forces using improvised explosive devices," he said.

Bush said he is dedicating "every available resource, the ingenuity of our best scientists and engineers and the determination of our military to defeat this threat." "We face an enemy that will use explosive devices in order to shake our will, in order to foment violence in Iraq, in order to try to convince the American people that we can't win in Iraq," Bush said. "We're not going to rest until this danger to our troops has been removed." With this goal in mind, Bush said his administration has established a new high-level command at the Department of Defense, led by retired Army Gen. Montgomery Meigs, former commander of U.S. Army forces in Europe and NATO's peacekeeping force in Bosnia.

The Joint IED Defeat Organization comprises representatives from all services as well as retirees, all dedicated full-time to defeating the IED threat. "The general has spent a lot of time thinking about the enemy's tactics and techniques and how our military can adjust to them," Bush said during remarks to the press earlier today, after the latest in a series of IED briefings at the White House. The briefings from Meigs, along with input from commanders and Pentagon experts, "let me know what we're doing, so I can let the American people know that we recognize the nature of this enemy.

We're addressing our tactics to defeat this enemy for the sake of peace, for the sake of the security of the United States of America, and for the sake of peace in the world," the president explained. Bush said he plans to inform the public about America's strides in the war during a series of speeches this month, as the nation marks the three-year anniversary of the start of Operation Iraqi Freedom March 19.

The speeches will address the nation's strategy for victory in Iraq, progress made, lessons learned, and "how we're fixing what has not worked," the president said. Bush's first speech, scheduled for March 13, will focus on the security element of the nation's strategy, the task of defeating terrorists and training Iraqi security forces. The president gave a preview of his speech during his radio address. "The Iraqi security forces have made great strides in the past year," Bush noted. "And they performed well after the recent bombing of the Golden Mosque of Samarra."

The mosque, Bush explained, is one of Shiia Islam's holiest sites. After it was bombed, bands of armed militia exacted revenge, with attacks on Sunni mosques and acts of random violence that killed hundreds of innocent Iraqis. "Immediately after the attack, Iraqis' leaders came together and acted to restore calm and end the violence," Bush said. "These forces moved rapidly and effectively to protect religious sites, enforce a curfew and re-establish civil order when necessary. We commend them for their good work." Bush said the Iraqi security forces' performance was proof that "our hard work to build up and train these forces is paying off."

The goal, Bush said, is to have the Iraqis control more territory than the coalition forces by the end of the year. "By helping the Iraqi people build a free and representative government, we will deny the terrorists a safe haven to plan attacks against America," the president said. "The security of our country is directly linked to the liberty of the Iraqi people," he continued. "This will require more difficult days of fighting and sacrifice. Yet I am confident that our strategy will result in victory, and then our troops can come home with the honor they have earned. Bush said that amid the daily news of car bombs, kidnappings and brutal killings, he understands that Americans are wondering if the entire mission was worth it. "I strongly believe our country is better off with Saddam Hussein out of power," he said. "The last three years have tested our resolve," he continued. "The fighting has been tough. The enemy we face has proved to be brutal and relentless. And the sacrifice being made by our young men and women who wear the uniform has been heartening and inspiring."

 

Senate Youth Program learned about life in the Pentagon

 

High School seniors involved in the Senate Youth Program learned about life in the Pentagon and got to ask questions of senior military leaders as part of their Washington program today. A total of 104 students from throughout the country and DoD schools overseas got a tour of the Pentagon and a chance to ask questions of Army Lt. Gen. C.V. Christianson, Joint Staff director for logistics.

The two DoD Education Activity students are both from Japan. Anthony Soroka is a senior at Kadena High School, and Elizabeth Michael is a senior at Yokota High School. Both participated in the DoDEA-wide competition for the program, which includes an all-expense-paid "Washington Week" and a $5,000 scholarship.

Soroka, who hopes to attend Princeton University in the fall, said the week gave him an excellent overview of the federal government. "We visited the museums, of course, and then spoke to people at the State Department, the Supreme Court, here and other agencies," he said. He said he was especially excited to meet Pakistani Ambassador to the United States Jehangir Karamat. Michael said she appreciated the opportunity to meet students from all over the United States. "It's been a great experience," she said. "I'm glad I did it and would recommend it to everyone." The U.S. Senate and the William Randolph Hearst Foundation sponsor the program. It began in 1962 to expose student delegates to the highest-ranking members of government. Accompanying the delegates are military officers who also go through a selection process.

This year, Navy Lt. Janelle, a lawyer at Little Creek, Va., was one of those selected. She is no stranger to the program, having been a delegate herself from Hawaii in 1997. "It was an amazing experience for me then," Kuroda said. "It was one of the most significant weeks of my life in helping me choose what I wanted to do. "Coming from Hawaii, I didn't know how well I would deal with people from all over the country," she said. "After meeting the delegates, I found that anything is possible, if you apply yourself." The lieutenant volunteered to be an escort officer as her way of "paying back" to the program. "I hope I can make it as great for these students as the escort officers made it for me," she said.

Christianson spoke about the role of the military in the United States, saying that the most important aspect of the U.S. military is that it is under civilian control. "The only body that is authorized to raise an army in this country is the Congress of the United States," he said. Civilian control of the military is important to the country, and that's why the students see military officers and civilian officials from the Defense Department on Capitol Hill. "There are not many countries in the world who have that kind of concept embedded in their constitution," Christianson said. Checks and balances in the federal system prevent any one portion of the government from growing too powerful, he said. "Day to day the military works for the Department of Defense," Christianson said. "But we answer to Congress and ultimately work for the people of the United States."

 

Cingular releases two high-speed phones

 

Cingular released its first two high-speed phones on its new UMTS/HSDPA network today, along with a video-clip service delivering TV content to subscribers with the new phones.

Like Verizon's V CAST service, Cingular Video brings branded, TV-quality video clips to your phone, from a variety of partners: CNN, Fox News, and NBC in the news arena; ESPN, Fox Sports, Fuel TV and Speed Channel for sports; and a range including ABC, Fox, the Cartoon Network and most notably HBO for entertainment programming. Cingular does not offer any live TV or radio channels.

Most of the video clips are free for subscribers to Cingular's $19.99/month Media Works package, but content from HBO Mobile and some MusicChoice music video content costs an extra $4.99/month.

The Cingular Video service, which is included in the Media Works package, doesn't require subscribers to live in one of Cingular's 16 high-speed cities because it also works on the carrier's nationwide EDGE network. Competing services from Verizon and Sprint require that you be connected to their high-speed EV-DO networks, which are in many major cities, but not some smaller cities or rural areas.

The Samsung ZX10 flip phone and LG CU320 slider are both midrange phones, with midrange features. Both phones are $149.99 with a two-year contract, and there's currently a $50 rebate on top of that pricing. The ZX10's case has an attractive soft-touch feel, and the 4 oz. phone has a swiveling megapixel camera. Other major features include a TransFlash memory card slot, MP3 player, speakerphone, e-mail support and, of course, the new Cingular Video service.

The CU320 is similar, but in a slider form factor: a swiveling 1.3 megapixel camera, TransFlash memory card slot, MP3 player, e-mail client, and speakerphone.

Cingular's rollout is as notable for what's missing as for what's new.

The two new phones don't use Cingular's top-speed HSDPA network, which allows downloads of around 600 kbps/sec. Instead, they run on the mid-speed UMTS network, which clocks in at 200-300 kbps/sec. That should be at least 50% faster than their existing EDGE phones, but pales before Sprint's and Verizon's EV-DO networks, which are slightly faster than even Cingular's HSDPA system.

Samsung told us a few months ago that HSDPA equipment wasn't ready fast enough for this launch; HSDPA phones such as the Samsung ZX20 will be coming later this year, along with more cities to add to Cingular's current list of 16.

The two phones also don't have any sort of video-sharing function which would take advantage of UMTS networks' ability to simultaneously transmit voice and data. Two-way video calling was a selling point for UMTS networks in Europe and Asia. Some sort of point-to-point live video sharing will come later this year, There is not any obvious way to use the phones as PC modems – though we'll look into that as we test the two devices. If we can get that running, UMTS would let you make phone calls and use your phone as a modem at the same time, which other networks don't permit.

Cingular's 3G launch is more of a dip than a splash. They're still far behind Verizon and especially Sprint in terms of the number of high-speed cities, devices and features they offer. Both Verizon and Sprint offer faster speeds and let you use 3G phones as modems, and Sprint has live TV and radio channels over their Sprint Power Vision network.

 

The Torino 2006 IX Paralympic Winter Games

 

The Torino 2006 IX Paralympic Winter Games will be inaugurated tonight with a live show of great visual impact, which will be seen by millions of spectators in Italy and around the world. IOC President Jacques Rogge will attend the Opening Ceremony.


Uniting all athletes

The Opening Ceremony wants to be, above all, the celebration of this sporting spirit that unites all the athletes, regardless of the type of disability that characterises them. The creative team has chosen to stage a bold show, with a strong identity and autonomy that will amaze and directly involve the spectators, conveying a message of energy and positivity.


Break down every obstacle

The idea of producing a bold, emphatic Ceremony led to the choice to emphasise (visually, too) the need to break down every obstacle. For this reason, the spaces and set design have been created so as to physically portray the guiding concept of the Ceremony: beyond every limit, beyond every barrier, ensuring that athletes and spectators feel emotionally united within the same show. Closing Ceremony in Piazza Castello


The Closing Ceremony, scheduled for 19 March 2006 in Piazza Castello in the centre of Turin, will join athletes and spectators in a universal embrace, renewing their appointment for the following edition of the Games.

http://www.paralympic.org/


 

March 11, 2006

Crufts 2006, Largest Dog Show in the World

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Written by Joyce L Chow & William Hoehne March 11 2006 

MBN

www.montebubbles.com for more MBN news

 

MONTEBUBBLISM: Remember when you volunteer you accept the conditions that go with it.

Centre Pompidou in Paris hosts  Los Angeles 1955-1985 THE BIRTH OF AN ARTISTIC CAPITAL through July 17, 2006.

According to MPPA The movie business was down both in the U.S. and worldwide last year

Crufts 2006, Largest Dog Show in the World 

U.S. Marine was killed

End of the Tomcats

 

Centre Pompidou in Paris hosts Los Angeles 1955-1985 THE BIRTH OF AN ARTISTIC CAPITAL through July 17, 2006.

Launching a new generation of young artists, the period 1955-1985, brought the Los Angeles recognition as an alternative to the New York scene.  Today, it is one of worldly intrigue, and  one in which the Pompidou considers essential for France and Europe to foster appreciation to better understand contemporary American art via this fascinating, and largely undiscovered period. 

Displayed chronologically as a walk-around-Los Angeles(European flair, with an LA flair – we’d be driving), the approximately 350 works on show by 85 artists, retrace the history of the Los Angeles art scene through paintings, sculptures, installations, photographs, film and video. 

Familiar artists such as David Hockney and Dennis Hopper are present along as other internationally famous artists such as Ed Kienholz, Allan Kaprow, Ed Ruscha, John Baldessari, Bill Viola, Paul McCarthy, Mike Kelley, Charles Ray and Raymond Pettibon.  Lesser known artists are included to create a rich, productive, experimental environment.  20th Century Fox and the MGM lion are familiar images representative of Hollywood.

Running concurrently is “Morphosis”, a Santa Monica architectural firm, whose founder Thom Mayne, received the 2005 Pritzker Prize, architecture’s highest honor, is displaying recent projects.  “Continuities of the Incomplete” is both an exposition and a new work in a self-illuminating aluminum frame skinned with sloping glass panels.  It’s inspiration makes one consider both the Louvre’s Pyramid and Robert Schuller’s Crystal Cathedral.

According to Ada Louise Huxtable, architecture critic and jury member for the 2005 Pritzker Prize, “The work of Thom Mayne moves architecture from the 20th to the 21st century in its use of today’s art and technology to create a dynamic style that expresses and serves today’s needs.”  The Morphosis exhibition will tour at the Los Angeles Museum of Contemporary Art from April 1 to July 2, 2007

James Turrell’s historic Alta(White) is also on exhibition.  This benchmark work from the Projection Pieces series explores light and perception.  Alta(White) is a new acquisition and 1967 installation donated by the Clarence Westbury Foundation, Houston, Texas.  
 

With the Pompidou’s endorsement as an artistic capital, Los Angeles artists know there’s much more to being in LA LA land. 

According to MPPA The movie business was down both in the U.S. and worldwide last year

The movie business was down both in the U.S. and worldwide last year, final box-office figures show. Revenues in the United States dropped 6 percent to $8.99 billion last year compared to 2004. The worldwide market fell 7.9 percent to $23.24 billion from a 2004 all-time high, the Motion Picture Association of America said Thursday.

The number of tickets sold in the U.S. also continued its three-year decline. Total U.S. attendance fell by 9 percent to 1.4 billion the lowest level in nearly a decade. About 240 million fewer tickets were sold last year compared to 2004. At the same time, the average ticket price rose from $6.21 to $6.41.


It was more expensive for Hollywood to market pictures last year. The average cost rose about 5 percent, from $34.4 million to $36.2 million. Little feature films, such as the hits "Brokeback Mountain" and "March of the Penguins," marketing costs soared by 33 percent, reflecting the increasing competition for movies that often start in limited release.

Blockbusters continued to draw the largest audiences. "Star Wars: Episode III Revenge of the Sith" was the top-grossing film with $380.3 million. Altogether, eight movies grossed more than $200 million each.

Good news for studios was that their average cost to make a movie dropped by about $2.5 million to $60 million. That figure didn't count the often substantial contributions of outside investors, which in some cases made up half of the budget. Meaning the films cost more then actually being reported.

Theaters continue to worry that ticket sales are being undercut by DVD sales for home theaters. However, the MPAA unveiled results of an August study by Nielsen Entertainment/NRG of 3,000 moviegoers that indicated theaters remain popular.

It found that those who had the most DVD players, big-screen TVs, digital cable and other high-tech movie options also saw the most movies at theaters an average of 8.2 per year. Theatres seem to fuel there desire to spend.

Also, 69 percent of those polled said they preferred to see a movie in a theater rather than at home although nearly a third agreed that their home offered "the ultimate movie-watching experience."

"Despite increasing competition for consumers' time and entertainment dollars, theatergoing remains a satisfying constant in people's lives," said Dan Glickman, MPAA chairman and chief executive officer. "That said, we can't bury our heads in the sand. We do have to attract customers and keep regulars coming back."

Crufts 2006, Largest Dog Show in the World

Crufts, the Guinness Book of Records largest dog show in the world, is happening now in Birmingham, England.   With over 24,000 dogs to bring down the woof, there are people from   26 countries and 120,000 visitors over a 4-5 day period.  Crufts finishes tomorrow at the NEC, The National Exhibition Centre, with many aiming for the coveted Best in Show title to succeed the 2005 champion, a Norfolk Terrier named “Coco”, which fit in the trophyOrganized by the Kennel Club and supported by Pedigree Masterfoods, yes, the familiar blue ribbon Pedigree name we’re accustomed to seeing here at dog shows in the U.S.  I couldn’t locate it being televised here in the U.S., similar to Westminster of the AKC/Eukanuba Nationals, but if we thought 2500 dogs was a lot…
 

Similar to the U.S., there’s the well known Best in Show Competition, Agility and Obedience(Obedience World Cup Competition), but there are also other categories such as Flyball and Heelwork to Music, the Kennel Gazette Junior Warrant Winner of the Year competition final which must be similar to our Junior Handler’s program.   This year, there’s also a “Lady and the Tramp” look-a-like competition, which has been organized by the Kennel Club Charitable Trust and Disney to celebrate the release of this classic soon to be released as a special edition DVD. 
 

The group categories too are a bit different too with: Working and Pastoral Dogs; Terriers and Hounds; Toy and Utility and Gundogs.   With such an enormous amount of dogs, I wondered how might be entered according to various breeds.  Soft Coated Wheatens, Monte Bubbles’ breed has 156 entries.  The largest number of entries was for Labrador Retrievers at 605, then 576 Golden Retrievers, 468 Whippets, 465 Irish Setters, 458 Flat-Coated Retrievers, 429 Rottweilers, and 420 Cocker Spaniels closing out the breed with over 400 entries.  The smallest number of entries was 1 for the Hungarian Kuvasz, 4 Belgian Shepherd Dogs (Laekenois), 7 Greenland Dog, and 8 Canadian Eskimo Dogs. 
 

To sum up Crufts…Said Caroline Kisko, Kennel Club Secretary: “Crufts is now a huge global event that celebrates the world of dogs and the great diversity that they offer. The finest show dogs share space with those who provide invaluable assistance and support to their owners, and the event allows the Kennel Club the opportunity to promote dogs of all shapes, sizes and backgrounds.”

U.S. Marine was killed

A U.S. Marine was killed yesterday when a car bomb detonated near the city of Fallujah, Iraq, military officials in Iraq reported. Three members of an Iraqi family and a soldier from the Iraqi army were also killed by the blast. No further details were available. The name of the deceased is being withheld pending notification of next of kin.

The Defense Department recently released the names of four servicemembers killed supporting Operation Iraqi Freedom. - Marine Gunnery Sgt. Justin R. Martone, 31, of Bedford, Va., died March 7 when an improvised explosive device detonated in the Iraq's Anbar province. Martone was assigned to 9th Engineer Support Battalion, 3rd Marine Logistics Group, 3rd Marine Expeditionary Force, Okinawa, Japan. - Marine Gunnery Sgt. John D. Fry, 28, of Lorena, Texas, died March 8 when an IED detonated in Anbar province. Fry was assigned to 8th Engineer Support Battalion, 2nd Marine Logistics Group, 2nd Marine Expeditionary Force, Camp Lejeune, N.C. - Marine Cpl. Adam O. Zanutto, 26, of Caliente, Calif., died March 6 at the National Naval Medical Center, in Bethesda, Md., from wounds received Feb. 25 as a result of an IED in Anbar province. He was assigned to 3rd Battalion, 7th Marine Regiment, 1st Marine Division, 1st Marine Expeditionary Force, Twentynine Palms, Calif. - Army Pfc. Ricky Salas Jr., 22, of Roswell, N.M., died in Mosul, Iraq, March 7 when an IED detonated near his military vehicle. Salas was assigned to the 2nd Battalion, 37th Armored Regiment, Friedberg, Germany

End of the Tomcats

Two strike fighter squadrons arrived at Naval Air Station Oceana here today, ending a six-month deployment and closing the book on the Tomcat as an asset in the Navy's war fighting arsenal. The "Tomcatters" of Strike Fighter Squadron 31 and the "Black Lions" of Strike Fighter Squadron 213 were deployed with Carrier Air Wing 8 embarked on the aircraft carrier USS Theodore Roosevelt.

The squadrons' "fly-off" marked the last operational flight of the F-14D Tomcat and the final stage of the squadrons' transition to the F/A-18 E/F Super Hornet. VF-213 pilots will begin F/A-18F training next month and VF-31 pilots, who are transitioning to the F/A-18E, will remain operational until September when they will fly the last Tomcat in the Navy's inventory from Oceana.

"Everyone has worked very hard, pulled together and with purpose to ensure we retire this naval aviation icon appropriately and commensurate with its long and proud legacy," Cmdr. Richard LaBranche, VF-31 commanding officer, said. The Navy decided to decommission the Tomcat and move to the Super Hornet to lighten the workload on its people after recognizing the excessive amount of maintenance needed to keep them operational.

"It takes about three to four times more maintenance man-hours per flight hour to maintain than the newer Hornet," LaBranche said. "Retiring the extremely relevant but maintenance intensive Tomcat was a way to save the exhaustive efforts of our people and better spend their labors." For the pilots who fly them and the crews who keep them operational, the loss of the Tomcat hits close to home. "I will miss flying the Tomcat very much," LaBranche said. "Saying good bye to the Tomcat will be like saying good bye to an old friend, but in the best interest of our people, it must be done."

Throughout its 32-year service to the fleet, the Tomcat has been synonymous with excellence. Since the first aircraft entered operational service in September 1974, the Grumman Aerospace Corporation-built F-14 has seen numerous upgrades and modifications to meet the demands of the Navy as the premier carrier-based multi-role strike fighter. "It is one of the greatest fighter planes in history," Lt. Chris Rattigan, a pilot with VF-31, said. "When you think of naval aviation, you think of the Tomcat."

The Tomcat saw its first major improvements to the initial design with the F-14B, introduced in November 1987, which incorporated new General Electric F-110 engines. In 1995, an upgrade program brought the Tomcat new digital avionics and weapon system improvements. "The F-14 may be old, but with all the upgrades (over the years), there isn't anything out there tougher and more capable than the Tomcat," Petty Officer 2nd Class Michael Houlihan, an aviation structural mechanic with VF-31, said. During this deployment, VF-31 flew more sorties and with the highest sortie completion rate of any other Tomcat squadron in recent history, LaBranche said. With a more than 99 percent sortie-completion rate and a 100 percent on-target rate when ordnance was expended during this, their final deployment, VF-31 is confident they sent the Tomcat out on a high note.

"Our successes on this deployment have been huge," Houlihan said. "We accomplished more than we had set out to do. I honestly think that VF-31 has proved that these aircraft, despite the amount of maintenance required to maintain it, have a lot of life left in them." While deployed, VF-31 provided invaluable close-air support to troops on the ground and, together with VF-213, completed 1,163 combat sorties totaling 6,876 flight hours and dropped 9,500 pounds of ordnance. "Our entire crew is acutely aware of the historic nature of being the very last Tomcat squadron," said LaBranche, noting the attention VF-31 is facing as they return from this final deployment in support of Operation Iraqi Freedom.

"To see the sailors of this command perform so magnificently throughout five months of arduous combat operations has been inspirational for me," LaBranche said. "(The unit) has met every challenge head-on, succeeded in every endeavor and left a legacy befitting our new slogan as 'The Last Cat Standing.'"



 

March 10, 2006

Apple iPod Focuses on Expanding Their Niche

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 Written by Joyce L Chow & William Hoehne March 10 2006

MBN

www.montebubbles.com for more MBN news

MONTEBUBBLISM: What goes down tasting good does not taste the same going back up.

Apple iPod Focuses on Expanding Their Niche

Setback for XM-Radio

General Motors Corp is recalling about 900,000 pickup trucks

DOD Identifies Army Casualty

Tivo still in the red

NBC rolls out a version similar to Youtube.com

McClatchy high bid for Knight Ridder

MySpace -- The Movie removed

Freeipods.com

Taiwan semicon firms deliver diversity

Sawyer to be new anchor?

"HOLLYWOOD is spending money to get fewer ticket buyers.”

 

Apple iPod Focuses on Expanding Their Niche and re-invention of itself in a rapidly growing industry

Apple’s two latest introductions are the iPod Hi-Fi and the new Multi-Pass. The iPod Hi-Fi home stereo works seamlessly with the iPod adding hi-fidelity sound. The iTunes partnership Multi-Pass that allows users to buy TV shows on a monthly basis for $9.99, with episodes available the day after airing.

Apple’s two latest introductions are the iPod Hi-Fi and the new Multi-Pass. The iPod Hi-Fi home stereo works seamlessly with the iPod adding hi-fidelity sound. The iTunes partnership Multi-Pass that allows users to buy TV shows on a monthly basis for $9.99, with episodes available the day after airing.

Apple is trying to maintain its dominance in digital music, accounting for 78% of the portable music players sold in the United States in January. ITunes Music Store, available via Macs and PCs, eliminates the hassle of subscription services, with a single purchase of 99 cents to keep a song. It’s been so popular, music fans have purchased and legally downloaded over 1 billion songs in three years.

Right on the heels of Apple are Samsung Corp., Sony Corp. and Toshiba Corp. Whether it be portable multimedia players, satellite radios, Sony PSPs, or cell phones, devices are catching up as memory becomes more affordable. Competitors are often cheaper and sometimes do more as digital music functions become incorporated into other devices.

Add to the mix established media companies Like Disney and AOL are expanding into the distribution of material. Download capabilites are also being added to digital game boxes.

Apple’s reputation for design and ease of use, while searching for a digital music player, have made it the top choice for those in the market. The iPod,  unfortunately like the Apple Computer before may be one of those must have trend products. When you have one  you love and you keep it forever but you always go to the other product because it comes cheaper with more perks. 

I know, I have a apple computer but replaced it long ago as my main computer because others do more and at a cheaper price.

Right now Apple iPod has a substantial lead, selling over 42 million since 2001, only 15% of the households in the U.S. have digital music players according to a Consumer Electronics Association white paper.If the trend continues  Apple will have reached it’s peak soon as was the case with transitor radios,Cd players, video tape players and now DVD players.

Will digital music players expand and reach a market saturation point similar to the 98% of the households that own a tv or 71% and 73% for wireless phones and PCs, respectively, Probably but Apple’s market penetration point at this time, is similar to Apple Computer at 11.6% in 1994, which has now dropped to 4.2% today, according to IDC Corp.

A large barrier to the market expanding is the speed of the internet connection, the speed of the downloads leave much to be desired. The downloads simply take too long.  Most people according to a CEA brief do not have a fast system to download with. They may have internet but just basic.

The internet is the key to the future for Ipod and devices like it but till speed is improved for all to download Ipod has hit a major bump in the road.

Will it go the way of the Apple computer? When your on top your aimed for and the players in this game all have deep pockets.

By William Hoehne

 

 Setback for XM-Radio

XM SATELLITE RADIO THURSDAY ANNOUNCED plans carrying advertising on four channels programmed by radio giant Clear Channel Communications. The decision is a setback for XM, which has promoted its content as commercial-free. Sirius Satellite, which also issued an annual report detailing financial difficulties, announced programming it hopes will draw more listeners from key market sectors.

 

The company has struggled against accepting commercials in arbitration, XM's announcement seems to be in line with hints--made after its financial statement--that it would soon adopt more advertising. XM has suffered from high costs for acquiring new subscribers, with an expenditure of $196.5 million trying to fly in the face of Howard Stern's high-profile move to Sirius in January of this year. Accepting advertisements may offset some of these costs, or allow XM to offer cheaper subscriptions, or both--but also undermines the company's commitment to "ad-free" programming. some XM channels carry advertising already.

XM's move to adopt advertising may also be intended to shore up investor confidence in the company, which was shaken by the departure of director Pierce Roberts Jr., disclosed in the annual filing. Roberts struck an ominous note in his resignation, writing that: "Given the current course and speed there is, in my view, a significant chance of a crisis on the horizon. Even absent a crisis, I believe that XM will inevitably serve its shareholders poorly without major changes now."

Clear Channel, which owns 3.2 percent of XM's stock, programs a current hits station, a recent hits station, light music, and country on XM. Meanwhile, XM's competitor, Sirius, announced Wednesday that it was rolling out four new talk and entertainment channels: Fox News and Talk, Blue Collar Comedy, Cosmo Radio, and the Playboy Channel. The programming changes, which take effect on Tuesday, March 14th, are intended to net a larger share of the young adult market of both genders. The introduction of Blue Collar Comedy and the renaming of Sirius' channel for cross-country truckers--now called "Road Dog Trucking"--may also indicate that the channel is aggressively pursuing the working-class demographic.

General Motors Corp is recalling about 900,000 pickup trucks

General Motors Corp. said Friday it is recalling about 900,000 pickup trucks worldwide to fix tailgate cables that can corrode and break when loads are placed on

The recall involves 1999-2000 models of the Chevrolet Silverado and GMC Sierra trucks. GM said there have been 84 injuries, most of them minor scrapes and bumps, but no crashes or deaths linked to the problem.

GM, the world's No. 1 automaker, said the galvanized, braided-steel support cables that keep the tailgates in place can corrode or fracture over time because of moisture seeping through cracks in the plastic sheathing of the cable or entering between the cable's metal The automaker had recalled about 4 million 2000-2004 pickups worldwide in March 2004 because the tailgates could break without warning. The recall involved a broader range of vehicles, including the Chevrolet Silverado, GMC Sierra, Chevrolet Avalanche and Cadillac Escalade EXT trucks.

GM spokesman Alan Adler said the vehicles covered by the new recall had different materials used in the support cables and involved fewer complaints. He said the automaker decided to issue the recall after "an exhaustive investigation."

"We worked with (the National Highway Traffic Safety Administration) and agreed to do the recall to get this behind us," Adler said.

NHTSA had been investigating the vehicles. More than 800,000 of the trucks are located in the United States, and about 90,000 vehicles are in Mexico and Canada. About 3,800 of the recalled trucks were exported to countries around the globe.

Owners are expected to receive recall notices in April, but they can bring their trucks into a dealership for inspection if they suspect problems with the cables, Adler said. Under the recall, dealers will replace the galvanized support cables with ones made with stainless steel.

Most of the injuries stemmed from people sitting on the tailgate or occurred while people were unloading items from the truck bed. The company has advised owners not to sit on the tailgate.

GM said if both cables fractured, the tailgate would drop and strike the top of the rear bumper, which could cause someone standing or sitting on the tailgate to fall.

In a separate action, GM plans to issue a "special policy" letter in June regarding the cables to more than 950,000 owners of Chevrolet S-10 and GMC Sonoma pickups from the 2000-2003 model years. The action is not a recall, but provides owners with an inspection procedure to check the tailgate for any problems.

If owners notice any bulges in the cable or tears in the plastic covering, they can bring their S-10 or Sonoma to a dealer for inspection and replacement of the cables.

About 2.7 million trucks from the 2004 recall have been repaired and the automaker is trying to track down owners who have not participated, Adler said.

DOD Identifies Army Casualty

The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Pfc. Ricky Salas, Jr. 22, of Roswell, N.M., died in Mosul, Iraq, on March 7, when an improvised explosive device detonated near his military vehicle while conducting mounted operations. Salas was assigned to the 2nd Battalion, 37th Armored Regiment, Friedberg, Germany.

Tivo still in the red

TiVo has improved its financial picture with its latest earnings results. The digital video recorder service and equipment company also announced a new consumer pricing structure to spur better financial results.

For its fourth quarter that ended January 31, TiVo narrowed its losses to $19.5 million from $33.7 million the year before. For the year, the company also cut its losses in half to $34.4 million from $79.8 million the year before.

For the year, TiVo boasted a 45 percent growth rate for its subscription base to 4.4 million. TiVo said all new subscriptions during the fourth quarter signed on for a minimum 1-year period, which helped to reduce its low churn rate--customers who drop TiVo.

TiVo's revenues for the year increased 48 percent to $170.9 million, compared to $115.5 million last year. Fourth-quarter revenues also improved 37 percent to $47.0 million, compared to $34.2 million for the same period last year. TiVo also claimed its first positive cash flow from operations in fiscal 2006.

TiVo's new pricing structure will offer one price for both service and equipment. Previously, TiVo had offered consumers a separate fee for service and equipment.

For a one-year contract, consumers can pay $19.95 a month, or $224. A two-year commitment is$18.95 a month or $339; a three-year deal is 16.95 a month, or $469. TiVo believes this will drive improved subscription sales.

TiVo has also announced a partnership with Verizon Wireless for a new service called TiVo Mobile, which will enable its subscribers to program their digital video recorders by using their cell phones.

NBC rolls out a version similar to Youtube.com

NBC rolls out a version similar to Youtube.comNBC has ordered YOUTUBE.COM stop distributing its popular videos, at the sametime the network has begun offering the clips on its own site with YouTube-like functionality.

NBC.com is allowing visitors to view the buzz-heavy clips such as "Lazy Sunday" and "Natalie Raps"--both rap spoofs from "Saturday Night Live"--and then easily send e-mails to friends linking to them. One of YouTube's key features is the opportunity to start a viral video chain.

NBC lawyers last month demanded that YouTube remove the "Lazy Sunday" video, and followed that up this week with the same request for Natalie Portman's mock rap.

Stephen Andrade, NBC's vice president of interactive development, said that NBC supports video sharing and hopes to facilitate it, but wants the chain to start at NBC.com.

"We were concerned about building their corporation instead of ours, since it's our

video," he said. "We would like to make it as easy for people to share as we can, so we're trying to provide as many tools as we can to do that."

The new video-sharing functionality is only one aspect of NBC's strategy to turn NBC.com into a thriving site with features such as message boards, blogs, and video sharing that create a community--a sort of MySpace around the NBC brand.

NBC has hired Dana Robinson as senior community manager to seed the blogosphere and Web ether with messages about new offerings on NBC.com. For example, she may encourage visitors to the MySpace forum on "The Office" to check out "Dwight's Blog," kept by one of the show's characters.

"We have a lot of good, interesting content on NBC.com," Andrade said. "And people don't know it exists. They think we're just this old media brand."

NBC.com also plans to begin promoting hot discussion topics on its message boards in prominent spots on the site, hoping to entice visitors to join in.

McClatchy high bid for Knight Ridder

Knight Ridder has collected bids as high as $4.8 billion yesterday and has scheduled a weekend board meeting to consider the offers. McClatchy Co., which owns 12 dailies but is smaller than Knight Ridder, made that top offer in cash and stock. A group of equity firms including Thomas H. Lee Partners, whose investments include American Media, and the Texas Pacific Group made a nonbinding bid of $4.7 billion in cash. The bids were reported by The New York Times.

It was unclear, however, whether a team of newspaper powerhouse Gannett and MediaNews Group submitted a bid. Officials at each company declined to comment.

Knight Ridder, which also had no comment on the bids, put itself on the block in November after its three biggest shareholders demanded a sale because of “limited growth across the newspaper industry,” “continuing consolidation among the traditional sources of print-advertising revenue” and “the redirection of advertising dollars to other media,” as the largest shareholder put it. The process is viewed by many as a referendum on the future of newspapers in the digital age.

Edward J. Atorino, a media analyst with Benchmark & Co. in New York, said that Knight Ridder presents a lot of opportunities for McClatchy. McClatchy, armed with Knight Ridder’s 32 newspapers, would rival Tribune Co. in revenue and could blanket the West Coast, particularly Northern California, in a compelling way for advertisers, Mr. Atorino said. “It’s a much better deal for McClatchy than it would be for Gannett.”

Mr. Atorino added that he hadn’t expected McClatchy to make a powerful bid. “I didn’t think they had the wherewithal to do it,” he said.

McClatchy’s offer is equivalent to $65 a share. Knight Ridder shares closed at $62.66 yesterday, when bids were due, but was trading above that at noon today.

MySpace -- The Movie removed

Since Jan. 31, more than 4 million people have used YouTube.com to watch “MySpace -- The Movie,” a parody of News Corp.’s social networking site MySpace. But YouTube users attempting to watch the video earlier this week were unable to do so. Instead, they saw a discouraging message: “Status: Rejected (copyright infringement).”
The 11-minute short film was created by 21-year-old David Lehre, who owes a lot to YouTube, because the exposure his video got on the film-sharing site led to his snagging a development deal with MTVU. The film became one of YouTube’s most-viewed clips of all time. It was originally posted by a 17-year-old blogger who uses the screen name Eggtea. “MySpace -- The Movie" can also be viewed at Mr. Lehre’s own Web site, DavidLehre.com, but due to traffic overwhelming his server, his site directs people back to YouTube.

So where was the copyright infringement?

Eggtea angrily speculated on his blog that the video was removed because “YouTube got tired of it being there [sic] most popular video ever.”

A more reasonable conclusion, in light of NBC’s recent objection to YouTube’s posting of “Saturday Night Live” sketches, is that News Corp. had called for the removal of the movie, objecting to use of the MySpace brand.

But it wasn’t News Corp. either. In fact, the social networking site has been very supportive of the short film -- going so far as to promote it on MySpace’s front page, Mr. Lehre said. In recent months, Mr. Lehre met with the two co-founders of MySpace, and he said they were “cool with" the short.

The culprits responsible for removing the movie from the site were the site’s own users. Julie Supan, senior director-marketing at YouTube, said the film’s removal was the unintentional result of a database function that automatically removes a clip after a certain number of users flag the material as either being inappropriate or in violation of a copyright.

“The users are very diligent about policing themselves,” Ms. Supan said.

After a clip receives a certain number of flags, it is reviewed by YouTube for objectionable material. If the video does not violate YouTube’s user agreement, it is restored to the site after review. “Sometimes the community can be a little overzealous,” Ms. Supan said. “But, generally, they know and understand the rules.”

Because so many people viewed “MySpace -- The Movie,” it accrued a high number of flags. Once YouTube learned of the removal, the site reinstated the popular clip.

YouTube plans to change the rules of community policing to add another step to the flagging process to prevent the removal of other widely viewed shorts.


YouTube offers unparalleled exposure, but some creators of content want to be the only source through which users can access their material. NBC recently asked YouTube to remove “SNL” sketches, choosing instead to make the viral favorites available on its own Web site and on iTunes.

Mr. Lehre, however, is not interested in the advertising revenue he could get by controlling access to his film. “I don’t plan to get rich off of online stuff,” he said. “I just want people to watch the film and have a good time.”

In fact, he plans to utilize YouTube to publicize future films. “I plan to use any and all ways to get my work out there.”

Freeipods.com

The $20 million-a-year FreeiPods.com site that has become a poster child of the increasingly important online incentive marketing business was originally started as a "get a free condom" come-on.

At lunch one day in the college cafeteria, then University of North Carolina-Chapel Hill senior Rob Jewell overheard some people talking about wanting free condoms. Entrepreneur that he was, Mr. Jewell began thinking about how he could build a business model around their needs. He hooked up with friend Peter Martin and the two started a Web site called freecondoms.com, which made money by signing up users for PayPal with the reward of free condoms. PayPal paid them $10 per new customer.


Today, Messrs. Jewell and Martin own Gratis Internet, the flagship of which is FreeiPods.com. They work with customer-acquisition agencies and directly with marketers in a pay-for-performance business model that grossed more than $20 million in 2004.

They also started a craze that shows little sign of ending. Apple CEO Steve Jobs likely never intended it, but thanks to that first FreeiPods.com pitch, the iPod has become the ultimate come-on in online incentive marketing. The sleek machine has been offered up as bait for the purchase of vacations, cars, credit cards, bank accounts, and magazine subscriptions.

It’s actually an extension of the Apple halo effect. Electronics accessories makers have capitalized on the iPod’s popularity by introducing a plethora of add-on devices, and so too have marketers looking to grab cachet with a link to the ubiquitous white player. Gratis counts among its clients AOL, Blockbuster, Citibank, BMG Music, Stamps.com and Netflix. Consumers must sign up for an offer and refer several friends who must also sign up. The customer gets the free iPod and Gratis gets paid an estimated $40 to $60 per person.


Although sometimes derided as a scam, it’s not, at least through Gratis and a few other established players. The process may be time consuming or include difficulties persuading friends, but the legit ones do pay out the iPods when the customer completes all the steps.

Part of the reason for the popularity is the demographic involved, mainly 18-to-24 year olds, Mr. Martin said, although they are trying to expand to an older group. To the younger group, social networking on the Web is their way of life and that contributes to the word of mouth as well. Destitute (or denied by parents) young people head online to ask friends and network associates to help them complete referrals and get that player. This youthful networking has in turn helped spawn an entire cottage industry of pay-for-referral Web sites and “conga lines” where people put their names on a list and are bumped up as the top person gets their referrals and collects their iPod prize.

FreeiPods is also cashing in on the trend of customer acquisition. And the grown-up sibling of those offers -- the online customer acquisition business -- is only just beginning its zenith. Lead generation and referrals are the fastest-growing segment of the online advertising business, according to the Internet Advertising Bureau, jumping more than 200% from the first half of 2004 to the first half of 2005, going from $114 million to $347 million and from 2% to 6% of all online marketing spending.


And what about the iPod ploy? It’s been going strong for two years, and while Mr. Martin said his company is working on offering products “not even on the market yet,” some wonder about the overuse of the tech-giveaway technique. “The whole iPod giveaway thing is about six months to a year away from jumping the shark,” said Mike Vorhaus, managing director at research consultancy Frank N. Magid Associates. “My guess is that if you went out and found young trendsetters in their 20s and talked about an iPod giveaway, they’d say ‘Come take one of the ones lying around my house.’” Maybe, but hipsters aside, the reality is that the allure exists for marketers as well as consumers.

“For marketers what it comes down to is it’s hard to say no to someone who is providing you a steady stream of leads,” said interactive analyst Gary Stein.

Taiwan semicon firms deliver diversity

Shift to digital consumer electronic ICs pays off

FOR IMMEDIATE RELEASE. TAIPEI, TAIWAN, March 10, 2006 ¡V Taiwan is the world¡¦s third largest semiconductor manufacturing country, producing roughly 15 percent of the world¡¦s semiconductors. The proliferation of design, manufacturing, and package and testing companies has led Taiwan to be dubbed the ¡§Silicon Island.¡¨

¡V Taiwan is the world¡¦s third largest semiconductor manufacturing country, producing roughly 15 percent of the world¡¦s semiconductors. The proliferation of design, manufacturing, and package and testing companies has led Taiwan to be dubbed the ¡§Silicon Island.¡¨

However, transition is occurring in the industry, as semiconductor companies once mainly reliant on Taiwan¡¦s thriving computer industry have realigned their strategies to include the production of higher margin semiconductors for consumer electronics devices.

This new strategy makes Taiwan a formidable foe, as both the IT and CE industries are experiencing high growth. The combination may be enough to propel Taiwan to become the world¡¦s second largest IC nation.

Foundations in foundries

Taiwan saw its rise through the ranks of semiconductor-producing nations come from its innovative foundry business model.

Under the foundry production method, outside companies commission Taiwanese manufacturers to produce custom silicon semiconductors. This strategy mirrored Taiwan¡¦s information technology OEM and ODM production methods.

Taiwan Semiconductor Corp., and United Microcontrollers, the world¡¦s first two foundries, ranked as the eighth and nineteenth largest semiconductor firms in 2005, respectively, on revenues of USD 7.6 billion and USD 3.9 billion, according to research firm IC Insights.

This foundry method also had other effects, as fables design companies, or those without factories, and package and testing firms sprung up alongside Taiwan¡¦s two giants.

All told, Taiwan¡¦s IC industry created a production value of USD 32.8 billion in 2004, and is slated to reach USD 34.2 billion in 2005, according to statistics from the Taiwan Semiconductor Industry Association.

Dynamic diversification

Taiwanese semiconductor firms have been steadily diversifying their product lines over the past few years in an effort to drive revenues through new markets.

A report from high-tech market research firm In-Stat shows that the worldwide semiconductor industry will continue strong growth on new technologies in the wireless, broadband equipment, and consumer electronics segments.

In-Stat found that the market for video game consoles will double by 2008. Similarly, In-Stat notes that in combination with growth of notebooks, the PC market has only slowed down slightly, increasing the number of computer semiconductors across two platforms.

Information technology research firm Gartner had a similar optimistic view, releasing its industry forecast that the total semiconductor industry would reach a record high of USD 235 billion in 2005.

Gartner analysts stated that demand for digital consumer products, including flash cards, MP3 players, and new gaming devices helped drive the industry.

This is especially true as consumer electronics products increase in scope and functionality. From digital music and video players to cell phones with integrated cameras, ¡§more multimedia¡¨ has become the key words.TSMC expands expertise

New Taiwan Semiconductor CEO Rick Tsai echoed these sentiments in 2005 when speaking at the Semicon Taiwan trade show.

Tsai noted that the growth of digital consumer electronics was outpacing that of consumers, and presented a challenge to manufacturers as they work to integrate more functionality into single devices.

The company has taken steps to develop technologies for the manufacture of many types of semiconductors. TSMC has manufacturing specialties to produce mixed signal / radio frequency chips; embedded flash devices; system-on-chip (SoC) embedded high density memory; high voltage chips for flat panel displays; CMOS image sensors; and CMOS image sensor color filters, among others.

As Tsai explained, with the explosion of digital devices in the house, families may have more than 100 electronic products with integrated ICs, including phones, TVs, gaming devices, recording devices, music players, and of course computers.Alternative thinking

As alternative platforms become more widely accepted, fabless IC companies are joining in the rush to provide innovative solutions. One of the early leaders is VIA Technologies, which gained fame for standing up to Intel in the late 1990s.

VIA now has shifted gears and is developing a line of unique processors and embedded platforms for personal electronics and other fields. These devices are built upon the familiar x86 architecture that makes up the majority of computer CPUs, but are original for their low-power and fanless designs.

VIA processors, including the VIA EDEN line, are built for embedded computing, such as would be found in Panel PCs, point-of-sale or information kiosks, and even digital devices such as set top boxes. These fanless processors eliminate the heat problems that could potentially crash a stand-alone device.

Please visit www.taiwantrade.org.tw or www.taiwaninnovalue.com for more information.

---

Taiwan Semiconductor Manufacturing Corp.

www.tsmc.com.tw

+886 3 563 6688

VIA Technologies Inc.

www.via.com.tw

+886 2 2218 5452Taiwan External Trade Development Council (TAITRA)

The Taiwan External Trade Development Council (TAITRA) was founded in 1970 to promote Taiwan¡¦s foreign trade and competitiveness in world markets. Over the past 35 years, TAITRA has played a key role in the development of the Taiwan economy. TAITRA is jointly sponsored by the government and commercial associations and is viewed by all as the business gateway to Taiwan for the international business community.

US Contact:

Sabrina Kor

Taiwan Trade Center in San Francisco

5201 Great America Parkway Suite 306, Santa Clara, CA 95054

Tel: (408) 988-5018 Ext: 202, Fax: (408) 988-5029,

E-mail: sabrina.kor@taiwantradesf.org

Taiwan Contact:

Nicolaus Wilk

Tel: 886-2-2722-5369, ext 624

Email: nwilk@golinharris.com

Sawyer to be new anchor?

Sources now report that Diane Sawyer has secured the position of anchor of the nightly ABC network news show at 6:30 p.m. Thisis because newly appointed anchor Bob Woodruff is recuperating from his terrible accident in Iraq. In addition, his co-anchor, Elizabeth Vargas, is pregnant.

Where this leaves Vargas is the remaining question. She could not have foreseen Woodruff's accident, and her pregnancy now is poorly timed. When Sawyer moves to nighttime, it's conceivable (pun intended) that Vargas will move to "Good Morning America." Woodruff, is at the beginning of a long recovery; the chances of his return as full-time anchor are slim to none.

Katie is beaming about the "Today" show's ratings. Usually, "Good Morning America" gets a boost from the Oscars on the Monday after the awards show. But the Oscar ratings were so poor this year that "Today" beat "Good Morning America" by 800,000 viewers on Monday. It was their best ever post-Oscar Monday rating

Women may soon be the anchors on the evening news for two of the four television networks."HOLLYWOOD is spending money to get fewer ticket buyers.”

TV buyers have been spending more on network TV shows for years, while getting fewer viewers.

Everybody is scrambling to keep up, paying more and getting less--with no end in sight.

Theatrical film marketing costs rose 5.2 percent to $36.2 million per picture in 2005.

That's music to the ears of network, cable, and syndication TV sellers, who depend heavily on this seemingly never-ending growing advertising category. Interestingly, that 5.2 percent was the average program price hike that all advertisers paid during last year's TV upfront.

Looking closer should give TV sellers even more pleasant dreams. Movie spending in newspapers dropped significantly, from 19.7 percent in 2004 to just 15.5 percent of total film marketing expenditures in 2005, while television, online and other media showed gains.

Gross film marketing dollars don't have the same story. Overall film marketing dollars were the same last year versus 2004, say the studios. Fewer wide-release movies could be the reason. Another bad movie stat: U.S. ticket sales fell 6 percent and total attendance slipped 9 percent--the third straight year of losses.

Studio media dollars will continue to be used as a springboard in starting TV's upfront ad business. The bigger question is whether enough big tent-pole theatrical features will still deliver massive TV ad revenues--especially during the final weeks of the TV season, when studios push big summer theatrical releases.

As witnessed at the recent Academy Awards, smaller and more modestly produced and marketed movies may be in vogue. Those costs have been rising as well. Studio boutique brands such as NBC Universal's Focus Films and Fox Filmed Entertainment's Fox Searchlight witnessed a 33 percent jump in the marketing money spent on an average movie, up to $15.2 million.

All this might change the TV advertising dynamic a bit, perhaps easing movies' TV ad prices as smaller films replace bigger pictures. So TV sellers shouldn't get too comfortable that their movie studio older brothers will continue to pay TV's big upfront meal tickets

In the fast world of technology, maintaining will have your company in a downward spiral faster than you can say TiVo. Apple, striving to expand their iPod niche market, needs only to look at their own company history to know the perils of sitting on your laurels.

March 09, 2006

Reel-Talk Scurries to Reschedule “Hip Hop for Hunger”

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 Written by Joyce L Chow & William Hoehne March 9 2006

MBN

www.montebubbles.com for more MBN news

Breaking News: Reel-Talk Scurries to Reschedule “Hip Hop for Hunger”

MONTEBUBBLISM: When you put off till tomorrow what should have been done a week ago it often leaves you angry at those trying to tell you it needs to get done.

Two Marines die in Iraq

HAI INTRODUCES LUMINA LIGHTING CONTROL

Consumer Confidence Down But Future Brighter

Maybe people are not as stupid as our government thinks we are: Soft Drink sales are down

MGM Hope to return its glory days.

Airman Lost In 1942 Crash Is Identified

Google to pay big time

DOD Announces Marine deaths


 

News: Reel-Talk Scurries to Reschedule “Hip Hop for Hunger”

March 11, 2006 Fresno Convention Center comes to the rescue to “Hip Hop for Hunger”, originally designed to benefit Visalia Emergency Aid.  Re-venued, from 7- 11 pm for 4 hours, of non-stop Hip Hop and R & B, the artists hope to make a difference

The Visalia Police Department was concerned about potential violence and suggested there might be problems if “Hip Hop for Hunger” happened.  Visalia Emergency Aid withdrew as beneficiary of the concert.  Reel-Talk Entertainment was featuring up-and-coming Hip Hop and R & B artists focused on creating a positive image for Hip Hop while raising funds to prevent homelessness and care for the local needy.When Visalia Emergency Aid came to Bonnie Thompson, founder and CEO of Reel-Talk Entertainment, requesting her to help them with a fund-raiser for the community she couldn’t resist.  Ms. Thompson, a single mother who relocated from the Bay Area to Visalia after her back was injured, had once struggled to avoid homelessness in the 80s, and had recently completed construction of a state-of the-art recording studio in Visalia.  As far as Thompson knows, there has never been a Hip Hop benefit concert for the sole purpose of raising awareness to the struggle that the working poor face everyday. 


When word got out this was a charity event with a mission, artists from diverse backgrounds from all over the country wanted to perform at “Hip Hop for Hunger” said Thompson.  Over 20 Hip Hop and R & B artists are performing.  E-40, from Vallejo known as the Bay Area Ambassador, and a legend in Hip Hop from the 90s, is the headliner.  MTV planned on airing a special on E-40 just after the event.  Other artists that are planned to be there, as of flyers printing, include: Blac Da Rippa, Sole Profit (recently signed with Sony/BMG and a Fresno State graduate), and Quay. There’s even a Hip Hop classical violinist opening a musical production called “Air Raid” and a collaboration of Reel-Talk artists, produced by “Phoenix” a Masters Degree in Music Arts student at Fresno State, with the theme song “What Would You Do?”


Three months later and rumored to be upwards of over $40,000 invested, Thompson had the rug pulled out from beneath her 10 days before “Hip Hop for Hunger” was to occur.  In an email from Charlie Wolf, the Director of Fund Development of Visalia Emergency Council, on March 1, “Please pull all mentions of Visalia Emergency Aid to the benefit concert.  Due to concerns of potential violence that would be reflected on VEAC, Visalia Emergency Aid Council must withdraw as beneficiary of this benefit.  Any financial considerations such as remaining schedule must be cancelled.  Please remove or enhance all poster or flyers that reference VEAC.  Fees related to talent or live broadast may be refunded as they are no longer under consideration.  Any business in association with Reel-Talk Entertainment must be handled directly with Reel-Talk CEO Bonnie Thompson.” 

“This is more of a George Strait area…It’s a little more of a redneck audience.” Interim Visalia Police Chief Bob Williams was quoted.  Due to his research, there were concerns of possibilities of potential gang violence from E-40 attendees, even though the promotional flyer stated No Alcohol.  Unfortunately, as was seen in the case of an all day Punk Rock concert in San Bernardino, with “British Invasion 2K6” , a riot broke out this past Saturday.  Greg Hoffman, the Program Director of B-95, a local radio station, has held 5 events with E-40 without incident.

Fast forward a few days and Thompson has miraculously pulled a rabbit out of the hat with rescheduling at the Fresno Convention  Center.  Meanwhile, obvious costs have increased, even from the headliner band.  Hoping that costs may be recouped, Thompson’s intended beneficiary is the Poverello House in Fresno.  The Poverello House, a well known local charity is a private, nonprofit, denominational organization that has been serving the hungry and homeless of our community since 1973. 

Unfortunately for Visalia, the original benefiting community, is part of Tulare County. According to the Visalia Emergency Aid website (www.veac.org), Tulare County is the 8th ranked worst county in the United States with 33.2% of children under 18 years old living in poverty. 

In discussing the artists’ reaction, “They are speechless.  They are astounded that a growing community in such need would reject help. They’re going on to Fresno and are going to do a show that will make Visalia proud” shared Thompson with MBN in a telephone interview. “I’m just praying for a successful show to show Visalia that it really can be done.”

Two Marines die in Iraq

Two Marines assigned to 1st Marine Logistics Group were killed in Anbar province, Iraq, March 7 and 8, military officials in Iraq reported.

No further details were available. Names of the deceased are being withheld pending notification of next of kin.

The Defense Department recently released the names of three servicemembers killed supporting Operation Iraqi Freedom.

- Army Staff Sgt. Kevin P. Jessen, 28, of Paragould, Ark., died in Rawah, Iraq, March 5, when a roadside bomb detonated. Jessen was assigned to the 22nd Chemical Battalion (Technical Escort), Aberdeen Proving Ground, Md.- Marine Lance Cpl. Matthew A. Snyder, of Finksburg, Md., died March 3 from a non-combat-related vehicle accident in Anbar province. He was assigned to Combat Service Support Group 1, 1st Marine Logistics Group, 1st Marine Expeditionary Force, Twentynine Palms, Calif.- Army Staff Sgt. Dwayne P.R. Lewis, 26, of New York City, died in Baghdad Feb. 27 when his unit was attacked by enemy forces using small-arms fire during a dismounted patrol. Lewis was assigned to the 2nd Battalion, 22nd Infantry Regiment, 1st Brigade Combat Team, 10th Mountain Division, Fort Drum, N.Y.

 

HAI INTRODUCES LUMINA LIGHTING CONTROL

Utilizing Universal Powerline Bus (UPB™) Technology, Lumina Offers an Affordable, Sophisticated Lighting Controller that is Simple to Operate and Install.

Home Automation, Inc. (HAI), the premier manufacturer of home control products since 1985, introduces Lumina; a sophisticated affordable central lighting and control system.  The Lumina whole house lighting control system offers all of the options and amenities that consumers desire,
while maintaining a price point that most can afford.

Lumina allows for the setting of elegant lighting scenes throughout the home, with the ability to preset “modes” for each room that can be scheduled (according to sunrise/sunset, motion, or event) or controlled manually with the push of a button.  Create a gentle light for morning in
your kitchen, low lights for movie viewing in your home theater, night lights for a nightcap by the fireplace or “all off” for when your day is done.    Lumina's mode controller goes by the entry door so you can simply tap Home, Away, Party, Sleep, Special or Vacation to set lighting appropriately for convenience and energy savings.

Installation is easy: replace existing light switches with HAI's full selection of switches and dimmers, then mount the Lumina controller on a wall and plug it in.  Set it up using the included LCD keypad/console and you're ready to go.  HAI includes the transformer and back up battery for a complete kit.

Lumina is available in two versions:  the Lumina, capable of 8 rooms and 64 loads, and the Lumina Pro, capable of 31 rooms and 217 loads.  Each has built-in Ethernet port and three serial ports for easy expansion.  Because Lumina is based on HAI's award winning controllers, customers can expand their Lumina's connectivity with HAI options such as Telephone Access with voice menus, Web-Link II (for internet control), Home Control for Windows Media Center (for control with a single remote), HAI thermostats and temperature sensors (for energy management), HAI Wireless door and motion sensors for lighting control and numerous other accessories.  Lumina Pro also supports multi-room audio systems.

Lumina has a built in astronomical clock for sunrise and sunset calculations and automatic daylight savings time adjustment, ensuring accurate dusk to dawn lighting control year round.

“With our Lumina product, we're making lighting control accessible to a wider base of individuals by keeping costs low and making the installation and operation of the control system uncomplicated” said Jay McLellan, CEO and Founder of HAI.  “Now, anyone can enjoy the beauty and convenience of home lighting control”.

Lumina is ideal for new or retrofit construction, as it uses Universal Powerline Bus (UPB™) , the most advanced digital communication standard available to transmit commands over existing standard electrical wires.  UPB is a digital power line communications standard for lighting and
home control that has been used in commercial environments since 2001. It has been extensively tested and researched in residential environments and found to be 99.9 percent reliable.  Lumina can also operate lighting devices by other manufacturers, including X-10 based devices, ALC
and others.

Lumina and Lumina Pro are shipping now.  For more information please visit www.homeauto.com or call 800-229-7256.  For a high resolution picture of this product, please follow this link,
http://www.homeauto.com/mediacenter/haiprimage.asp?image=LuminaPropackageRev.tif

About HAI:  HAI is a privately held manufacturer of integrated automation and security products for residential and commercial use based in New Orleans, LA.  Incorporated in 1985, HAI has developed a full line of award-winning automation products, including automation controllers,
communicating programmable thermostats, smart light switches, and software that allows access and control of an automation system over the Internet.  All products are sold through HAI's worldwide network of Distribution Partners and installed by over 1000 trained dealers.

 

Consumer Confidence Down But Future Brighter

The February BIGresearch Consumer Intentions & Actions Survey finds that consumer confidence declines three points from last month yet the 90 day outlook brightens as all categories improve from January and fewer consumers contend they've become more practical in the last 6 months.

Some of the leading projection categories provide clues about the consumer marketplace immediate future:

Confidence in chances for a strong economy declines 44.3%...also down from '05 (47.7%) and '04 (49.4%)

Those concerned about political and national security issues rise in February to 18.2%, compared to 16.4% last month, though relatively even with '05 (18.0%)

Fewer consumers have become more practical in the last 6 months, now at 42.2% (down from 44.6% last month), thought an increase from last year (39.2%)

The majority of consumers say they focus more on needs over wants in purchases (51.5%), relatively flat from January (51.8%) and an increase from '05 (47.4%)

Considering the personal and financial attitudes of the consumer:

42.8% expect "more" layoffs over the next 6 months (up from 34.4% last month), while those concerned with becoming laid off themselves rises slightly from 4.7% in January to 4.9%

More plan to "pay down debt" (43.5%) over the next three months, compared to last month (42.3%), though fewer contend they'll pay with cash more often (24.4%) and decrease overall spending (31.5%)

Last month, 31.4% said gas prices were having "no major impact" on spending, compared to 29.9% this month. In February '05, 48.4% cited "no major impact."

And with regards to retail plans for consumers:

38.6% say familiar fashion labels are important, up from 35.9% in '05

72.1% say price is the driving force behind their preference to shop a particular store for Electronics, followed by selection (57.2%), location (46.2%), quality (38.6%), and service (27.6%)

Those in the 25-44 year old age range spent about 5% more than the average for major electronics in the last 12 months, but about twice the monthly average on smaller items like CDs, DVDs, and flash memory

Find more information about the BIG Executive Briefing here.

 

Maybe people are not as stupid as our government thinks we are: Soft Drink sales are down

Sales volume of carbonated soft drinks across retail, vending and fountain channels fell last year for the first time in two decades. According to Beverage Digest, volume slid 0.2% -- and if it hadn’t factored in energy drinks like Red Bull and Monster -- carbonated beverage volume would have tumbled even further, 0.7%.


“The carbonated soft drink business in the U.S. has basic fundamental problems,” said John Sicher, editor of Beverage Digest. “This is the first generation of children that are going to grow up not viewing soft drinks as the ultimate treat. They’re growing up on things like sports drinks, water and noncarbonated drinks. As these little kids move into late teens and early adulthood, their drinking habits are going to be different than past generations.”

Trends so far this year appear to continue the downward slide, said Bill Pecoriello, beverage analyst for Morgan Stanley. He estimates the category will slip at rate of 1% over the next few years. Increase in overall revenue


Though volume fell, sales in the $70 billion category grew 3.3%, mostly on price increases for regular and diet drinks and on premium pricing for energy drinks.

Even diet drinks have taken a hit, as sales have slammed on the brakes since the beginning of 2004, according to Information Resources Inc. data. Volume gains in diet carbonated soft drinks have steadily dropped to a 6% decline during the fourth quarter of 2005 from a volume gain of 8% during late 2004.

“Consumers say they don’t like the taste, are worried about artificial sweeteners and don’t view diet carbonated soft drinks as ‘healthy,’” Mr. Pecoriello wrote, citing Morgan Stanley research that showed 64% of water growth is coming from carbonated soft drinks.

“The rules for success in the soft-drink industry are changing rapidly,” he wrote in a note today to investors. Carbonated soft drinks “continue to lose their positive image as a popular, versatile, fun beverage choice as consumers are cutting back on sugar, drinking more water and watching calories.” Citing Morgan Stanley’s own consumer research, Mr. Pecoriello pointed to the growing mountain of articles linking sodas with obesity. Schweppes, Mountain Dew make gains.


There were some winners, however. Of the top three soft-drink marketers, Cadbury Schweppes grew its volume by 0.6% in contrast to leader Coca-Cola Co., down 0.1%, and Pepsi-Cola Co., down 1.2%. Among the top five brands, Coke Classic dropped 2%, Pepsi-Cola slid 3.2%, Diet Coke slipped 0.1% and Diet Pepsi 1.9%. No. 4 brand Mountain Dew grew 1.8%.

MGM Hope to return its glory days.

Metro-Goldwyn-Mayer Studios, hoping to return to its glory days as a Hollywood powerhouse, today hired Palisades Media Group to handle media buying and planning for MGM’s domestic theatrical distribution division.

Billings were undisclosed, but estimates run as high as $100 million. MGM is the second movie maker to move its account to Palisades since August, when it won the $150 million media-buying account for Weinstein Co.

At a news conference today, MGM unveiled plans to distribute close to 20 films from Weinstein Co. and a number of other independent film companies. (Weinstein Co. was founded by Harvey and Bob Weinstein, who left Walt Disney Co. last year. The brothers are best-known as the founders of Miramax, which they sold to Disney a decade ago.)

At a news conference today, MGM unveiled plans to distribute close to 20 films from Weinstein Co. and a number of other independent film companies. (Weinstein Co. was founded by Harvey and Bob Weinstein, who left Walt Disney Co. last year. The brothers are best-known as the founders of Miramax, which they sold to Disney a decade ago.)

Harry Sloan, MGM Chairman since late last year, has plans to return the roar to the iconic MGM lion by beefing up the company’s domestic theatrical distribution business.

MGM spent $88.6 million in measured media last year and $113.2 million in 2004, according to TNS Media Intelligence.

Airman Lost In 1942 Crash Is Identified


The Department of Defense POW/Missing Personnel Office (DPMO) announced today that the remains of a U.S. Army Air Forces airman, missing since 1942, have been identified and will soon be returned to his family for burial.


He is Aviation Cadet Leo Mustonen, 22, of Brainerd, Minn.  The family has not set a date for his burial.


Mustonen was one of four men aboard a routine navigation training flight that departed Mather Field, Calif., on Nov. 18, 1942.  Their AT-7 Navigator aircraft carried about five hours of fuel, and when the plane did not return to base, a search was initiated.  It was suspended about a
month later with no results.


In 1947, several hikers on Darwin Glacier in the Sierra Nevada mountain range discovered the aircraft wreckage.  Human remains of three of the crew found at the site were buried in the Golden Gate National Cemetery in San Bruno, Calif.


Several other hikers on Mendel Glacier, which is adjacent to Darwin Glacier, discovered frozen human remains, circumstantial evidence and personal effects in October 2005.  Park rangers from Sequoia and Kings Canyon National Parks and a forensic anthropologist from the Joint POW/MIA Accounting Command (JPAC) recovered the remains, which were later shipped to the
JPAC laboratory in Hawaii.


Scientists from JPAC and the Armed Forces DNA Identification Laboratory also used mitochondrial DNA as one of the forensic tools in the process.  U.S. Army casualty and mortuary officials located and briefed representatives of the families of all four crewmen.

Google agreed to pay up to $90 million

Google agreed to pay up to $90 million to settle a lawsuit filed against it and other internet companies claiming they conspired with their advertising partners to overcharge for online ads. The money will go to advertising credits and legal fees for the plaintiffs. A judge must still approve the settlement. The lawsuit was originally filed in Miller County, Ark. in February 2005.

The plaintiffs are Lane's Gifts & Collectibles, a store in Texarkana, Ark., and Max Caulfield, a Florida private investigator. They allege that internet search companies, including Google and Yahoo, charged them for illegitimate clicks on ads. Google and other internet companies base advertisers' fees on the number of times internet users click on their ads that appear next to search results and other content.

Competitors or others seeking to make mischief can click on the ads manually or generate software programs to automatically click on them to inflate charges for the advertisers. Under terms of the settlement, any advertiser that can show it was improperly charged for ads going back to 2002 can receive a credit for future ads on Google. It currently requires companies to file claims for illegitimate ads within 60 days.

The settlement would enable Google to avoid disclosing more about its ad system and anti-fraud methods in court. Yahoo said yesterday that it plans to contest the suit.

DOD Announces Marine deaths

The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom. Cpl. Adam O. Zanutto, 26, of Caliente, Calif., died March 6 at National Naval Medical Center, Bethesda, Md., from wounds received as a result of an improvised explosive device in Al Anbar province, Iraq on Feb. 25. He was assigned to 3rd Battalion, 7th Marine Regiment, 1st Marine Division, I Marine Expeditionary Force, Twentynine Palms, Calif.

DoD Identifies Marine Casualties The Department of Defense announced today the death of two Marines who were supporting Operation Iraqi Freedom. Gunnery Sgt. Justin R. Martone, 31, of Bedford, Va. Gunnery Sgt. John D. Fry, 28, of Lorena, Texas Martone died March 7 and Fry died March 8 from improvised explosive devices in Al Anbar province, Iraq. Martone was assigned to 9th Engineer Support Battalion, 3rd Marine Logistics Group, III Marine Expeditionary Force, Okinawa, Japan. Fry was assigned to 8th Engineer Support Battalion, 2nd Marine Logistics Group, II Marine Expeditionary Force, Camp Lejeune, N.C.

March 08, 2006

Cell Phone Radiation

  logo

Written by Joyce L Chow & William Hoehne March 8 2006

MBN

www.montebubbles.com for more MBN news

 

MONTEBUBBLISM: When you win because the other contestants don’t show up it is still a victory

 

Cell Phone Radiation Studied on Human Skin by Finns

Can Verizon Wireless save TiVo?

New FUSION™ Series mounts 

PGA Tour Tip

The telephone companies getting into TV again?

Problems selling ads on cellphone

NHL Games Tanking on TV  

Gefen Introduces HDTV Over CAT-5 Extension Solutions

Cingular leaps into race

The Defense Department presented an award to the Indianapolis Motor Speedway.

DOD Identifies Army Casualty


Cell Phone Radiation Studied on Human Skin by Finns                                 By Joyce Chow 

Finland’s radiation and nuclear safety watchdog, will be studying the effects of mobile phones on human proteins by direct tests on people’s skin, to see if handset transmission affect their health.  Once a concern, affects of radiation from cell phone usage has dwindled. 

STUK, the Radiation and Nuclear Safety Authority of Finland regulates the use of radiation and nuclear energy and carries out research on radiation and its effects and monitor radiation safety.  Finland is also home to global cell phone manufacturer, Nokia. 

STUK’s Research Professor and head of the laboratory of radiation biology, Dariusz Leszczynski has also been invited by SNF, the Swiss National Science Foundation, to join the Steering Committee of a research program on mobile phone radiation.  SNF is currently running 15 programs, among them the programm on non-ionizing radiation, which will be focused on the effects of mobile phone radiation.  The 4 year program is budgeted at 3.3 million


 On Friday, Leszczynksi said “a pilot study, to be conducted next week, will expose a small area of skin on volunteers' arms to cellphone radiation for the duration of a long phone call, or for one hour.  Researchers will then take a skin sample to study and compare with one taken before the radiation exposure.”  "Cells function in a different way when they are in the body than in laboratory surroundings. Now we want to confirm whether radiation causes cell level changes in humans as well," he said.
The results of the study are due by the end of the year, and Leszczynski's team hopes to show if radiation has any impact on the body's natural barrier that prevents toxins and other dangerous proteins that might be in the bloodstream from reaching brain cells.
Some researchers suspect brain cancer has become more common as a result of cellphone use, but there is no clear evidence to support that, Leszczynski said.

 

Can Verizon Wireless save TiVo?                                                               By Joyce Chow
TiVo, now since you’re trying to get back into the game, it may be too late. 

 
TiVo Inc. and Verizon Wireless announced today an agreement that will allow TiVo subscribers to remotely schedule television recording using a Verizon mobile phone.  The new service, called TiVo Mobile, will debut later this year.  Pricing is unknown at this time. 
In January, Yahoo! Chairman and CEO Terry Semel, announced the Yahoo! Go service, which would allow
programming of your television through your cell phone.  He was joined by talk show host Ellen DeGeneres for the announcement at the International Consumer Electronics Show in Las Vegas. The wireless company in partnership with them is Cingular Wireless. 

 
TiVo, is  still the best known brand among DVRs, which can pause live TV and skip commercials, but it faces increased competition from rival devices provided by cable operators. To combat that challenge, TiVo has worked to add unique features such as the ability to move recorded shows to portable devices. TiVo’s earlier plan to allow users to watch targeted advertisements, has been mute as of late.

 
New FUSION™ Series mounts   

ChiefÆ Manufacturing, the industry leader in mounting solutions, introduces the new FUSION™ Series mounts for Small Flat Panel TVs. The FUSION line offers custom and universal mounting solutions with high functionality and low-profile designs.

The addition of the FSR and FTR completes the FUSION Series, which now offers fixed and tilt mounting solutions for small, medium and large flat panel TVs. All FUSION Series mounts feature Chief’s Q-Latch Mounting System for increased security, and easy screen placement and removal.

FSR Fixed Wall Mount (10”-26” displays)

The new FUSION FSR Fixed Wall Mount is designed to provide ultra low-profile installation and built-in security. The FSR includes Chief’s Q-Latch Mounting System for portrait and landscape installations. Available in custom or universal. Weight capacity: 50 lbs.

FTR Tilt Wall Mount (10”-26” displays)

The new FTR Tilt Wall Mount features smooth, fingertip tilt adjustments without tools, and a low-profile depth of less than 2”. The FTR provides fast installation and built-in security with multiple installation options and portrait/landscape mounting. Available in custom or universal. Weight capacity: 50 lbs.

About Chief

Chief Manufacturing, a division of CSAV – Chief/Sanus Audio Visual, has more than 28 years of proven product and service excellence. Committed to responding to industry needs in the Pro AV, Residential and Office markets, Chief offers a complete line of mounts, lifts and accessories for flat panel displays and projectors.

Chief continues to design innovative mounting solutions that complement the technology they support. With multiple product awards and patented designs, Chief provides unique mount features, and is recognized for delivering not only quality products, but knowledgeable, helpful customer service.

U.S. and Europe sales offices support a global network spanning the Americas, Europe, the Pacific Rim and beyond. Chief distribution centers are located in Minnesota and the Netherlands. www.chiefmfg.com.

PGA TOUR TIP

There are 22 countries represented among the Top 100 in the Official World Golf Ranking. The U.S. far and away leads the pack with 40 players, but Australia has 13 and England 10 to lead the international contingent.

 

The telephone companies getting into TV again?

Cable operators think so and are on the warpath again concerned about the new merger of AT&T and Bell South. They are being attacked by satellite companies on one side and now,telephone companieson the other. They are scared the new AT&T is on the verge of putting back the old monopoly AT&T.

AT&T is already bigger than the biggest cable companies, and the new company's market capitalization will be more than the entire cable industry combined. Canble companies  have warned that new IPTV technologies from AT&T, Verizon, and others will give them a stranglehold on video business--similar to what they had with the phone business up to the late 1970s, before the government broke up AT&T.

Bell Atlantic at one time was going to take over video content with its proposed merger with the large cable system operator, Tele-Communications Inc.? In October 1993, Bell Atlantic said it planned to develop a full-fledged fiber distribution network, in the wake of its proposed $30 billion acquisition of Tele-Communications Inc. The deal fell apart.

Then five years later, in 1998, another telco-cable deal stuck--sort of. AT&T bought the Tele-Communications, a deal valued at just short of $50 billion. Then AT&T was supposed to rule the video world. But it got out of the business because AT&T couldn't figure out cable's complex and sludgy financial scale--cable systems still being more a regional business than the national one that AT&T knows.

The lesson learned here is to look at media mergers in the same way one observes new consumer media technologies. In the 1980s, VCRs were supposed to rule the media world and make network programming schedules obsolete, putting the then-big network programming chiefs--Brandon Stoddard at ABC, Brandon Tartikoff at NBC and Kim LeMasters at CBS--out of business. That never happened either.

In 90s, AT&T and other big bell companies had similar opportunities with assets and cable holdings to leapfrog over other longtime media companies and truly dominate video and the pipes in which they ran.

People have hung up on the bells before. With little track record, and slow IPTV development and rollout for these companies, this smells like the past all over again. The cards are in place for another massive disconnect.

Problems selling ads on cellphones 

Despite the glowing predictions of the wireless industry, advertising and cellphone-based content distribution do not appear to be jelling well yet. The latest big wireless content plays are exclusively subscription based and fear of consumer backlash is one of the reasons for that.

The problem is facing media companies looking to capitalize on their archives via wireless platforms.  Despite marketers’ obvious interest in mobile ad options, and a host of smaller players in the space making bold pronouncements for the future of cellphone marketing, the advertisers are nowhere in sight and not on new services from Fox Corp. and CBS Corp.

Fox Mobile Entertainment is launching global phone-content company Mobizzo, offering premium content at $5.99 a month, while CBS is rolling out two news products, “CBS News to Go” and Entertainment Tonight branded “ET to Go,” priced respectively at 99¢ cents and $3.99 a month

There are about 200 million cellphone users in the U.S., but only around 4 million are video-equipped, and marketers have yet to strike out and do for mobile what BMW Films did for the online in 2001.

Cyriac Roeding, VP-wireless at CBS, said advertisers aren’t involved in the subscription-video products yet because “we’re creating a lot of things on the sly and advertisers need a lot longer lead time. It’s about getting the two development cycles aligned.”

Besides the news alerts, the Eye Network has other projects in development, including a mobile soap opera and an online shop where subscribers can buy wallpaper and ringtones. Both offer the potential for ad involvement, according to Mr. Roeding.

Aa survey by Airwide Solutions, a mobile software company, suggests that there’s a huge appetite among marketers to get connected to cellphones, given their very personal nature. The survey, published Feb. 27, claims that 89% of major brands are planning to market via mobile phones by 2008, and more than half of brands plan to spend between 5% and 25% of their marketing budget in the medium in the next five years.

Tim Hanlon, senior VP-ventures at Denuo, the media-futures practice at Publicis Groupe, agrees that eventually advertisers will play a bigger role in the wireless universe once consumers start feeling “digital sticker shock,” as they add up all the seemingly small charges for new content. When that point arrives, he said, “judicious ad messaging could and should have a role.”

A number of commentators feel that wireless carriers are standing in the way of progress and suggest that carriers want to protect a pricing model that favors subscriptions over a wide array of free ad-supported content that cuts them out of the revenue picture.

“Carriers are in danger of replicating the arrogance and ignorance of cable operators when it comes to video on demand,” said Mr. Hanlon     

NHL Games Tanking on TV    
    
    
   
How to market the games is the dilemma faced by new NHL Chief Marketing Officer Michael LaBroad, named last week to oversee planning, advertising, promotions, creative services and fan development as the league fends off a potential gambling scandal. Most recently CMO at Bass Pro Shops, Mr. LaBroad spent 23 years at Anheuser-Busch Cos., including time as senior VP-chief marketing officer at Busch Entertainment -- a stint he says will help him better market the league to families.

And get them back watching. Although Nielsen Media Research figures show the 21% drop, to be fair, NBC has had only four telecasts so far this season. On Comcast’s OLN, the league’s new cable partner, ratings are flat with that of ESPN2 two years ago, but are down more than 60% from games on ESPN in the 2003-04 season.

Interest is so low that one national TV writer quipped in a syndicated column that OLN no longer uses Nielsen ratings for games; it simply asks viewers to sign in to its guest book. loyal fans

Mr. LaBroad said his initial thought to increase viewership is to tap into NHL players themselves in marketing campaigns. “NHL players are people like you and me,” he said. “They’re relatable and they’re humble. We need to get them in front of the public more. It allows people to build a connection to the individual.”

Ed Horne, president of NHL Enterprises, acknowledged that the NHL has a viewership problem, but said, “Our objective this season was to bring back the fan that stuck with us. They’ve come back, and it’s been remarkable.”

Mr. LaBroad may also have to confront a potential gambling scandal. Just days before the NHL took a two-week break to allow its players to compete in the Olympics last month, federal investigators said Phoenix Coyotes assistant coach and former NHL star Rick Tocchet spearheaded a nationwide sports-betting ring. Gamblers allegedly include actress Janet Jones, the wife of Coyotes head coach and NHL legend Wayne Gretzky, and at least a half-dozen former and current NHL players.

The league has been proactive in aiding the investigation, and has also hired former federal prosecutor Robert Cleary to conduct its own investigation. Commissioner Gary Bettman and his deputy commissioner “have been very clear and very swift about this,” said league spokeswoman Bernadette Mansur.

Gefen Introduces HDTV Over CAT-5 Extension Solutions


Though Gefen has been supplying DVI and HDMI over CAT-5 cable extension
solutions for a while now, two new models are being introduced at NSCA.

The DVI-CAT5 Extreme and the HDMI-CAT5 Extreme offer enhanced features
that provide greater support for even the most challenging HD video
installations.

Upgraded chip technologies inside the sender and receiver units of each
makes the system more tolerant of CAT-5 cable skew variations,
especially noticeable at distances over 100 feet, and better able to function
in “patch bay” scenarios.

Gefen’s CAT-5 extension solutions have always supported HD video up to
1080p, but the DVI-CAT5 Extreme and HDMI-CAT5 Extreme support HD
resolutions up to 2048x1080—a leap that benefits both digital HD home
entertainment and computer systems with a more stable output at these higher
levels.

Up to 150 feet at 165MHz is achieved with better regulated power
consumption, and up to 200 feet can be reached with both the DVI-CAT5 Extreme
and HDMI-CAT5 Extreme at resolutions up to 1080i.

EMI protection is also improved, allowing both units to function
optimally in more challenging environments, such as those found in the
medical and security industries.

Gefen’s DVI-CAT5 Extreme and HDMI-CAT5 Extreme solutions will retain
the pricing of $499 each, and are expected to begin shipping in March.


For more information:

Linda Morgan
linda@gefen.com
610.436.4759

Cingular leaps into race

Cingular leaps into a race already started by Verizon Wireless to offer its own brand of video content on cellphones. At the moment, neither the Verizon Wireless plan nor the new Cingular plan sells advertising into the mobile video content.

Sprint operates its TV service via a MobiTV channel under the name Sprint PowerVision. Cingular also offers its subscribers a service from MobiTV, an independent company whose service allows for advertising. Cingular now will also have its own Cingular-branded channel, at the moment ad free, in addition to its MobiTV channel.

Two tiers is a model Verizon may soon adopt. Verizon Wireless’ chief marketing officer, John Stratton, said at Advertising Age’s Madison & Vine conference that he has considered offering subscribers a two-tier video service, one without ads and a second lower-priced, ad-supported offering.

Ads running on MobiTV's live programming reflect ads airing on live TV. In addition, MobiTV offers the equivalent of cable TV’s local ad slots. A number of marketers have signed up with MobiTV, including Gemeral Motor Corp.'s Jeep, Unilever's Axe and Nokia. Most recently, Visa became a MobiTV sponsor. American Express, meanwhile, kicked off its MobiTV buy around the Oscars with ads on MobiTV’s live content, as well as two longer spots that ran on MobiTV’s made for mobile programming.

Cingular Video will include clips from an assortment of content providers, including ABC trailers of the network's hit shows “Desperate Housewives” and “Lost”; Cartoon Network’s “The Powerpuff Girls”; Adult Swim’s “Aqua Teen Hunger Force” on Comedy Central; news content from CNN and Fox; and extensive local-weather information. It also is offering HBO Mobile content for $4.99 a month and HBO Family Mobile content for $2.99 a month. Music video clips, from Music Choice, will be available on a pay-per-view basis for 24 hours.

In marketing the service, Cingular is taking the tack that it is the most personalized of all the wireless service companies' offerings, allowing for a personalized home page with links to three favorite video sites as well as local weather information. The service will roll out nationally, starting with 16 markets, including Boston, Chicago, Dallas, San Diego and Seattle.

The Defense Department presented an award to the Indianapolis Motor Speedway

 The Defense Department presented an award to the Indianapolis Motor Speedway, an America Supports You member, at the U.S. Navy Memorial here yesterday evening.

The speedway was recognized as one of the first corporate sponsors to join America Supports You, a Defense Department initiative facilitating grassroots and corporate support for America's troops and their families.

"I'm here on behalf of the secretary of defense to present the Indianapolis Motor Speedway with an award that signifies the importance of when corporations and communities reach out and support our military members and their families," said Allison Barber, deputy assistant secretary of
defense for public affairs. "We're thrilled to be here tonight to highlight the long tradition of the Indianapolis Motor Speedway and their support for our military."

The speedway, which joined America Supports You in May 2005, has several programs that offer public recognition for the troops, Barber said. Those programs include a memorial service in downtown Indianapolis each year before the Indy 500 and a ceremony swearing-in military recruits
during its Armed Forces Day. Before the big race in 1999, the speedway hosted a gathering of Medal of Honor recipients.

"It's not about the war; it's not about the policy," Barber said. "It's about the people."

Joie Chitwood, the speedway's president and chief operating officer, accepted the Office of the Secretary of Defense Medal for Exceptional Public Service.

"On behalf of the (speedway's owners), it's an honor to be here tonight and to accept this recognition," Chitwood said. "We have a unique event that is specifically tied in to Memorial Day weekend. ... It only makes the greatest spectacle in racing that much more special."

Veteran auto race sportscaster Bob Jenkins served as master of ceremonies for the ceremony.

"I'm very, very honored to be here tonight in this facility and in this city," Jenkins said. "You cannot come to this city without the realization that this is the seat of American government, and you can't come here without feeling a little patriotic, especially in a building such as this."

Jenkins invited the crowd to stand and face the American flag and pledge allegiance to it. Later, he called on members of the crowd to ask questions to a panel of famous Indy car drivers, including:

- Johnny Rutherford, three-time Indy 500 winner in the 1970s;
- Janet Guthrie, the first woman to drive in the race, in 1977;
- Michael Andretti, who came out of retirement to race with his son this year;
- Marco Andretti, Michael's 19-year-old son, who will drive in the race for the first time in May;
- Helio Castroneves, from Sao Paolo, Brazil, winner of both the 2001 and 2002 races; and
- Dan Wheldon, a native of Emberton, England, who won the race in 2005.
The drivers answered questions about safety issues, their favorite driving moments, the Indy 500's history, their opinions of other drivers, and what it's like to be part of an event with such close military ties.

"The Indianapolis Motor Speedway has always strongly supported our troops, and we're doing the same," Wheldon said. "I think no matter which beliefs people have, we would like to show our support to the troops."

The Indianapolis 500 will run for the 90th time Sunday, May 28th.

DOD Identifies Army Casualty


The Department of Defense announced today the death of a soldier who
was supporting Operation Iraqi Freedom.

Staff Sgt. Dwayne P. R. Lewis, 26, of New York City, died in Baghdad,
Iraq on Feb. 27, when his unit was attacked by enemy forces using small arms fire
during a dismounted patrol.  Lewis was assigned to the 2nd Battalion, 22nd
Infantry Regiment, 1st Brigade Combat Team, 10th Mountain Division, Fort Drum,N.Y.




 

March 07, 2006

Army Casualty In Iraq

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 Written by Joyce L Chow & William Hoehne March 7 2006

 

MBN

www.montebubbles.com for more MBN news

MONTEBUBBLISM: Playing in the dirt is fun till you have to get a bath.

 

CBS renews 14 of its prime-time programs.

People like idea of commercial sponsored downloads

DOD Identifies Army Casualty

Flood protection system in New Orleans is on track

The status quo is a difficult hurdle to leap.

AOL plans to sell programing on its Web site

 

CBS renews 14 of its prime-time programs.

Among the series gaining the go-ahead for future episodes were last season’s newcomers “Criminal Minds,” “Ghost Whisperer” and “How I Met Your Mother.” CBS did not give any news yet on sibling freshman shows “Close to Home” and “Out of Practice.”

The renewals account for 13 hours of CBS’s schedule, which also includes the reality show “The Amazing Race” and a slew of the network's successful procedural dramas, such as “Cold Case,” “CSI: Crime Scene Investigation” (and its two spin-offs), “NCIS,” “Numbers” and “Without a Trace.” Also renewed are the long-lived Sunday news program “60 Minutes,” reality blockbuster “Survivor” and the Charlie Sheen sitcom “Two and a Half Men.”

People like idea of commercial sponsored downloads

Broadcast networks like ABC are selling some of their most popular shows on Apple’s iTunes for $1.99, but a new study finds that most consumers would be willing to watch an ad if the sponsor picked up the cost of the show.

And if that model becomes the standard, more would be interested in buying a video iPod.


The survey, which explored video iPods, found that 54% of respondents would be more likely to purchase an iPod if TV programs could be downloaded free of charge in exchange for watching a 30-second advertisement.

Among those actually planning to purchase a video iPod, 72% said they would be more likely to download a TV program in exchange for watching an ad. The Magid study surveyed 798 iPod owners between the ages of 12 and 55. Market research firm Frank N. Magid Associates conducted the study.

“It appears that the option to download content of choice for free will dramatically increase interest in purchasing a video iPod, thus potentially increasing video iPod sales and penetration,” the study concluded.

Some free TV content exists on iTunes. The pilot episode of NBC’s “Conviction,” for example, was available for free a week before its first airing.

DOD Identifies Army Casualty

The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Staff Sgt. Kevin P. Jessen, 28, of Paragould, Ark., died in Rawah, Iraq, on March 5, when an improvised explosive device detonated during combat operations. Jessen was assigned to the Army's 22nd Chemical Battalion (Technical Escort), Aberdeen Proving Ground, Md. Flood protection system in New Orleans is on track

Flood protection system in New Orleans is on track

Restoration of the flood protection system in New Orleans is on track and by June 1 will be equal to or better than it was before Hurricane Katrina, the Army general in charge of the program said here yesterday. To date, 100 of the 169 damaged miles of levee have been repaired, and 85 percent of pumping capacity is restored, Lt. Gen. Carl Strock, commander and chief of engineers, Army Corps of Engineers, said at a White House news conference. In meeting President Bush's June 1 commitment, the Corps of Engineers will restore all damaged levees and floodwalls and will put three temporary closures on canals that presented problems during Katrina, Strock said. Also, the Canal at 17th Street, the Canal at Orleans and the London Avenue Canal will all have closures to prevent the storm surge of a future weather event from getting into vulnerable areas, he said. By September 2007, the entire flood protection system around the New Orleans area will be up to its full and authorized design levels, Strock said. "I say that and make that distinction because pre-Katrina, some of the system was not at its full authorized design, so we'll complete the construction of that," he added. During the rebuilding process, 91 percent of contracts have gone to local firms, providing about $770 million of work, Strock said. "We see this not only as a way to help set the conditions for the physical recovery of New Orleans, but also to help create some economic opportunities for local businesses," he said. By December 2007, the Corps of Engineers will have completed its study of what is required to give the ultimate protection level to New Orleans, Strock said. This study will give officials a good idea of what needs to be done in the future to protect the city, he said. Strock challenged media reports about poor construction standards and materials, and said that the Corps of Engineers is doing the right thing in New Orleans. "We are using the right material, and we're putting it down in the right way," he said. "We're giving tremendous scrutiny into not only how we do this, but also into the results after the fact. So we're doing extensive testing of the in-place structures to ensure that they are up to standard." The Corps of Engineers is now determining whether to replace many of the city's undamaged floodwalls with more structurally stable walls and is considering using a navigable flood-control structure to isolate the Inner Harbor, Strock said. As the June 1 start of the next hurricane season approaches, military and government officials are committed to the safety of the people of New Orleans, Strock said. "The people of the Corps of Engineers and our partners down there in the area are working very hard to ensure that we reduce the vulnerabilities to the people to the very highest degree we can, and that any remaining vulnerabilities are clearly understood by the people as they make decisions on when and how to reoccupy the city," he said.

The status quo is a difficult hurdle to leap.

Philips Electronics and its agency, Omnicom’s DDB, New York, came up with a great idea recently. Why not do something that its audience will really appreciate? The idea was to buy the four minutes of screen time that cinemas usually sell to advertisers and run a 15-second spot that told the audience Philips was helping the movie start sooner. Only problem was Screenvision, seller of cinema ads, wouldn’t let them do it.

Screenvision didn't like that a big-screen ad was poking fun at movie advertising

The status quo is a difficult hurdle to leap.

Hollywood, as evidenced by the Oscar show’s relentless promotion of seeing movies the old-fashion way on the big screen, has been fighting new distribution methods for its wares fiercely for some time now. It’s probably the last place that will willingly give up control of its distribution.

Philips and DDB have given up on the idea for now, but we hope they try again. It definitely seems like an idea that has legs in an on-demand world. Broadband video and video on demand will pave the way for TV programs to switch to a sponsor-like model much faster. And the more marketers and agencies that figure out how to reach consumers in a way that makes them grateful for their participation are the ones that will win.

AOL plans to sell programing on its Web site

Time Warner Inc.'s AOL plans to sell programing on its Web site by the middle of this The market for online media is booming after Apple Computer Inc. began offering shows for sale on its popular iTunes digital music and videos service last year.

The expansion of AOL's video service, which will combine free and pay-per-download shows from established programmers and user-created video clips, aims to address complaints about the rigid pricing structure and the mix of available programing on iTunes.

It also puts the Dulles, Virginia unit in competition with Yahoo Inc., which this week said it planned to scale back on creating original programing, and Google Inc..

The service will sell Time Warner-owned shows and those created by other programmers and networks, the company said, declining to name partners.

The video store will appear gradually and is a part of a redesign of an existing video on-demand service on AOL.com, its free Web site.

Ahead of the revamped video offering, AOL will this month introduce In2TV, a site that will carry more than 4,800 free vintage TV shows, mostly from the Warner Brothers archive.

The expanded service is also likely to sell videos on a subscription basis as early as next year to complement its pay- per-download and free video service.

The shows can be viewed on PCs and other devices in the home, using Intel Corp.'s Viiv technology. It will also be viewable on portable media players that use Microsoft Corp. software.

The business model AOL plans to employ and said it would face stiff competition against lower cost alternatives, such as EchoStar System Corp.'s PocketDish system.

The PocketDish lets viewers move recorded shows from their living room digital video recorders to a portable media device.

AOL's plans to sell videos is part of a broader plan this year to make playing and searching for online videos a cornerstone to the company's turnaround.

In December, it purchased video search engine technology firm Truveo, which uses a technology it calls "Visual Crawling" to locate video files and information on Web pages, finding video text-based search engines miss.

"AOL plans to share its technology with Google, as part of an earlier deal in which Google pledged to take a 5 percent stake in AOL.

AOL has spent the last few years offering more of its programing for free to boost online advertising as its dial-up modem access is in decline. It currently has about 19.5 million subscribers, down from a high of about 26 million in 2002.

Written by Joyce L Chow & William Hoehne March 7 2006

 

MBN

www.montebubbles.com for more MBN news

MONTEBUBBLISM: Playing in the dirt is fun till you have to get a bath.

 

CBS renews 14 of its prime-time programs.

People like idea of commercial sponsored downloads

DOD Identifies Army Casualty

Flood protection system in New Orleans is on track

The status quo is a difficult hurdle to leap.

AOL plans to sell programing on its Web site

Can Verizon save TiVo?

 

CBS renews 14 of its prime-time programs.

Among the series gaining the go-ahead for future episodes were last season’s newcomers “Criminal Minds,” “Ghost Whisperer” and “How I Met Your Mother.” CBS did not give any news yet on sibling freshman shows “Close to Home” and “Out of Practice.”

The renewals account for 13 hours of CBS’s schedule, which also includes the reality show “The Amazing Race” and a slew of the network's successful procedural dramas, such as “Cold Case,” “CSI: Crime Scene Investigation” (and its two spin-offs), “NCIS,” “Numbers” and “Without a Trace.” Also renewed are the long-lived Sunday news program “60 Minutes,” reality blockbuster “Survivor” and the Charlie Sheen sitcom “Two and a Half Men.”

People like idea of commercial sponsored downloads

Broadcast networks like ABC are selling some of their most popular shows on Apple’s iTunes for $1.99, but a new study finds that most consumers would be willing to watch an ad if the sponsor picked up the cost of the show.

And if that model becomes the standard, more would be interested in buying a video iPod.


The survey, which explored video iPods, found that 54% of respondents would be more likely to purchase an iPod if TV programs could be downloaded free of charge in exchange for watching a 30-second advertisement.

Among those actually planning to purchase a video iPod, 72% said they would be more likely to download a TV program in exchange for watching an ad. The Magid study surveyed 798 iPod owners between the ages of 12 and 55. Market research firm Frank N. Magid Associates conducted the study.

“It appears that the option to download content of choice for free will dramatically increase interest in purchasing a video iPod, thus potentially increasing video iPod sales and penetration,” the study concluded.

Some free TV content exists on iTunes. The pilot episode of NBC’s “Conviction,” for example, was available for free a week before its first airing.

DOD Identifies Army Casualty

The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Staff Sgt. Kevin P. Jessen, 28, of Paragould, Ark., died in Rawah, Iraq, on March 5, when an improvised explosive device detonated during combat operations. Jessen was assigned to the Army's 22nd Chemical Battalion (Technical Escort), Aberdeen Proving Ground, Md. Flood protection system in New Orleans is on track

Flood protection system in New Orleans is on track

Restoration of the flood protection system in New Orleans is on track and by June 1 will be equal to or better than it was before Hurricane Katrina, the Army general in charge of the program said here yesterday. To date, 100 of the 169 damaged miles of levee have been repaired, and 85 percent of pumping capacity is restored, Lt. Gen. Carl Strock, commander and chief of engineers, Army Corps of Engineers, said at a White House news conference. In meeting President Bush's June 1 commitment, the Corps of Engineers will restore all damaged levees and floodwalls and will put three temporary closures on canals that presented problems during Katrina, Strock said. Also, the Canal at 17th Street, the Canal at Orleans and the London Avenue Canal will all have closures to prevent the storm surge of a future weather event from getting into vulnerable areas, he said. By September 2007, the entire flood protection system around the New Orleans area will be up to its full and authorized design levels, Strock said. "I say that and make that distinction because pre-Katrina, some of the system was not at its full authorized design, so we'll complete the construction of that," he added. During the rebuilding process, 91 percent of contracts have gone to local firms, providing about $770 million of work, Strock said. "We see this not only as a way to help set the conditions for the physical recovery of New Orleans, but also to help create some economic opportunities for local businesses," he said. By December 2007, the Corps of Engineers will have completed its study of what is required to give the ultimate protection level to New Orleans, Strock said. This study will give officials a good idea of what needs to be done in the future to protect the city, he said. Strock challenged media reports about poor construction standards and materials, and said that the Corps of Engineers is doing the right thing in New Orleans. "We are using the right material, and we're putting it down in the right way," he said. "We're giving tremendous scrutiny into not only how we do this, but also into the results after the fact. So we're doing extensive testing of the in-place structures to ensure that they are up to standard." The Corps of Engineers is now determining whether to replace many of the city's undamaged floodwalls with more structurally stable walls and is considering using a navigable flood-control structure to isolate the Inner Harbor, Strock said. As the June 1 start of the next hurricane season approaches, military and government officials are committed to the safety of the people of New Orleans, Strock said. "The people of the Corps of Engineers and our partners down there in the area are working very hard to ensure that we reduce the vulnerabilities to the people to the very highest degree we can, and that any remaining vulnerabilities are clearly understood by the people as they make decisions on when and how to reoccupy the city," he said.

The status quo is a difficult hurdle to leap.

Philips Electronics and its agency, Omnicom’s DDB, New York, came up with a great idea recently. Why not do something that its audience will really appreciate? The idea was to buy the four minutes of screen time that cinemas usually sell to advertisers and run a 15-second spot that told the audience Philips was helping the movie start sooner. Only problem was Screenvision, seller of cinema ads, wouldn’t let them do it.

Screenvision didn't like that a big-screen ad was poking fun at movie advertising

The status quo is a difficult hurdle to leap.

Hollywood, as evidenced by the Oscar show’s relentless promotion of seeing movies the old-fashion way on the big screen, has been fighting new distribution methods for its wares fiercely for some time now. It’s probably the last place that will willingly give up control of its distribution.

Philips and DDB have given up on the idea for now, but we hope they try again. It definitely seems like an idea that has legs in an on-demand world. Broadband video and video on demand will pave the way for TV programs to switch to a sponsor-like model much faster. And the more marketers and agencies that figure out how to reach consumers in a way that makes them grateful for their participation are the ones that will win.

AOL plans to sell programing on its Web site

Time Warner Inc.'s AOL plans to sell programing on its Web site by the middle of this The market for online media is booming after Apple Computer Inc. began offering shows for sale on its popular iTunes digital music and videos service last year.

The expansion of AOL's video service, which will combine free and pay-per-download shows from established programmers and user-created video clips, aims to address complaints about the rigid pricing structure and the mix of available programing on iTunes.

It also puts the Dulles, Virginia unit in competition with Yahoo Inc., which this week said it planned to scale back on creating original programing, and Google Inc..

The service will sell Time Warner-owned shows and those created by other programmers and networks, the company said, declining to name partners.

The video store will appear gradually and is a part of a redesign of an existing video on-demand service on AOL.com, its free Web site.

Ahead of the revamped video offering, AOL will this month introduce In2TV, a site that will carry more than 4,800 free vintage TV shows, mostly from the Warner Brothers archive.

The expanded service is also likely to sell videos on a subscription basis as early as next year to complement its pay- per-download and free video service.

The shows can be viewed on PCs and other devices in the home, using Intel Corp.'s Viiv technology. It will also be viewable on portable media players that use Microsoft Corp. software.

The business model AOL plans to employ and said it would face stiff competition against lower cost alternatives, such as EchoStar System Corp.'s PocketDish system.

The PocketDish lets viewers move recorded shows from their living room digital video recorders to a portable media device.

AOL's plans to sell videos is part of a broader plan this year to make playing and searching for online videos a cornerstone to the company's turnaround.

In December, it purchased video search engine technology firm Truveo, which uses a technology it calls "Visual Crawling" to locate video files and information on Web pages, finding video text-based search engines miss.

"AOL plans to share its technology with Google, as part of an earlier deal in which Google pledged to take a 5 percent stake in AOL.

AOL has spent the last few years offering more of its programing for free to boost online advertising as its dial-up modem access is in decline. It currently has about 19.5 million subscribers, down from a high of about 26 million in 2002.

Can Verizon Save TiVo?

TiVo, no since you're trying to get back into the game, it may be too late.

TiVo, Inc. and Verizon Wireless announced today an agreement that will allow TiVo subscribers to remotely schedule television recordings using a Verizon mobile phone.  The new wervice, called TiVo Mobile, will debut later this year.  Pricing is unknown at this time. 

In January, Yahoo! Chairman and CEO Terry Semel, announced the Yahoo! Go Service which would allow programming of your television through your cell phone.  He was joined by talk show host Ellen DeGeneres for the announcement at the International Consumer Electronics Show in Las Vegas.  Yahoo! is partnered with Cingular Wireless. 

TiVo is still the best known brand among DVRs, which can pause and record live TV and skip commercials, but it faces increased competition from rival devices provided by cable providers.  To combat that challenge, TiVo has worked to add unique features such as the ability to move recorded shows to portable devices.  TiVo's earlier plan to allow users to watch targeted advertisements, has been mute as of late. 

March 06, 2006

Why Brokeback Mountain Failed

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 Written by Joyce L Chow & William Hoehne March 6 2006

MBN

www.montebubbles.com for more MBN news

Montebubblism: On why Brokeback Mountain failed at the Oscars. When the serious becomes a joke you forget it was ever meant to be serious and only remember the joke.

EDITORIAL

What did go wrong with the express train that was Brokeback Mountain?

The feature film that was meant to change the way that most Americans felt about the gay lifestyle.

First it fell victim to its own expectations. The buzz was supposed to make it a massive hit in the red states. How dare you not go to the film and be declared homo-phobic.(It was forgotten that the people in the red states thrive on being called homo-phobic.)

The gross never increased over what it was getting no matter how many more theatres were added. It just remained steady. While in effect it was lossing money by added theatres and advertising.

Then there was the problem of its theme, GAY COWBOYS. It was such a bad choice of a theme that even the most liberal out there laughed at it or made jokes about it. Look no further then the opening of the Oscar telecast to see the joke it had became with Billy Crystal and Chris Rock in the tent passing on hosting the show.

Capote and Crash both were little films that remained true to their original intentions, to tell a story and let it speak for itself. Neither made alot of money but both were low budget in nature so neither was expected to.

The Academy decided to support all three films in a fit of political correctness. Each was given something to show support for what they had to say.

Brokeback was not abandoned by the Academy and its voters but in actuality shot itself in the foot and the Academy gave the big award to the little film that just was the little film that stayed the little film with something to say.

BREAKING NEWS: Kirby Puckett died Monday, a day after the Hall of Fame outfielder had a stroke at his Arizona home, a hospital spokeswoman said. He was 44. Puckett died at St. Joseph's Hospital and Medical Center in Scottsdale, Ariz., Kimberly Lodge said. He had been in intensive care since having surgery at another hospital following his stroke Sunday morning.

 

The Scientific and Technical Academy Awards were presented at The Beverly Hilton on Saturday, February 18, 2006

Tiger Woods gets 48th win

Early ratings for last night's telecast were off from last year.

A soldier was killed in Iraq yesterday

DoD Identifies Marine Casualty

Ad Revenue down at TV networks for 2005

Wireless the new Frontier:going where no one has gone before? 

Programing for the internet; still no set plans

Ma Bell Coming Back with AT & T and BellSouth Merger

 

The Scientific and Technical Academy Awards were presented at The Beverly Hilton on Saturday, February 18, 2006.

Scientific and Technical Awards are given for devices, methods, formulas, discoveries or inventions of special and outstanding value to the arts and sciences of motion pictures that also have a proven history of use in the motion picture industry.

Awards may be granted in any of three classifications: Academy Award of Merit (Oscar statuette), for basic achievements that have a definite influence upon the advancement of the industry; Scientific and Engineering Award (Academy plaque), for those achievements that exhibit a high level of engineering and are important to the progress of the industry; and Technical Achievement Award (Academy certificate), for those accomplishments that contribute to the progress of the industry.

Academy Awards for Scientific and Technical achievements for the year 2005 are:


Scientific and Engineering Awards
(Academy Plaques)
 

To David Grober for the concept and mechanical design and Scott Lewallen for the electronic and software design of the Perfect Horizon camera stabilization head.

Perfect Horizon effectively neutralizes the extraneous motion encountered in boats, camera cars, snowmobiles or other vehicles, leaving the pan/tilt head and camera stable and level with the horizon.

To Anatoliy Kokush, Yuriy Popovsky and Oleksiy Zolotarov for the concept and development of the Russian Arm gyro-stabilized camera crane and the Flight Head.

The Russian Arm and Flight Head opened new possibilities for filmmakers. With the ability to be mounted on the roof of almost any car, this remotely-operated crane and camera head can move smoothly in a 360˚ circle around the car, even while it is being
driven at high speeds by actors, creating heretofore impossible perspectives.

To Anatoliy Kokush for the concept and development of the Cascade series of motion picture cranes.

The lightweight structure of the Cascade and Traveling Cascade Cranes enables the filmmaker to achieve heights of up to 70 feet, allowing for the placement of the camera in otherwise impossible locations.

To Garrett Brown for the original concept of the Skycam flying camera system – the first use of 3D volumetric cable technology for motion picture cinematography.

In creating the first remote controlled, cable supported flying camera system, Garrett Brown’s pioneering efforts have influenced all subsequent development in this area of technology.

To David Baraff, Michael Kass and Andrew Witkin for their pioneering work in physically-based computer-generated techniques used to simulate realistic cloth in motion pictures.

Their 1998 paper titled “Large Steps in Cloth Simulation” was a seminal work, providing the key in demonstrating to the industry that the calculations necessary to simulate realistic, complex cloth could be achieved efficiently and robustly. Their work provided the conceptual foundation for many cloth simulation systems in use today.

To Laurie Frost, Peter Hannan and Richard Loncraine for the development of the remote camera head known as the Hot-Head.

In use for over a quarter of a century, the Hot-Head has brought the possibility of safe, remotely-operated shots to every filmmaker.

To Gary Thieltges for the design and development of the remotely-operated, lightweight camera head known as the Sparrow Head.

This well-integrated remote system enables filmmakers to remotely pan and tilt their camera from virtually any moving vehicle, giving the opportunity for unprecedented dynamic camera angles.

To Frank Fletcher and Dave Sherwin for the introduction and continuing development of the Power Pod modular camera head system.

The Power Pod system enables filmmakers to configure a remote controlled head to meet their own unique requirements.

To Alvah Miller, Michael Sorensen and J. Walt Adamczyk for the design and development of the Aerohead motion control camera head and the J-Viz Pre-Visualization system.

This remote head not only serves the needs of the live-action filmmaker, but also provides the functionality of a motion-controlled head, allowing for sophisticated tiling and pre-visualization techniques.

To Scott Leva for the design and development of the Precision Stunt Airbag for motion picture stunt falls.

The Precision Stunt Airbag is designed to envelope the stunt jumper, even on off-center hits. This feature serves to enhance the safety of stunt performers in falls from up to 200 feet.

To Lev Yevstratov, George Peters and Vasiliy Orlov for the development of the Ultimate Arm Camera Crane System for specialized vehicle photography.

Representing a significant evolutionary improvement in camera car technology, this remotely-controlled, gyro-stabilized and flexible camera crane offers a highly stable platform for high-speed, rough terrain action shots. Its ingenious applications of sophisticated technology solve many of the problems inherent in chase vehicle filming.

To James Rodnunsky, Alex MacDonald and Mark Chapman for the development of the Cablecam 3-D volumetric suspended cable camera technologies.

The evolution of the Cablecam technology has made it possible to move a camera safely and accurately anywhere through a three-dimensional space.

To Tim Drnec, Ben Britten Smith and Matt Davis for the development of the Spydercam 3-D volumetric suspended cable camera technologies.

The evolution of the Spydercam technology has made it possible to move a camera safely and accurately anywhere through a three-dimensional space.

To John Platt and Demetri Terzopoulos for their pioneering work in physically-based computer-generated techniques used to simulate realistic cloth in motion pictures.

Their 1987 paper, “Elastically Deformable Models,” was a milestone in computer graphics, introducing the concept of physically-based techniques to simulate moving, deforming objects.

To Ed Catmull, for the original concept, and Tony DeRose and Jos Stam for their scientific and practical implementation of subdivision surfaces as a modeling technique in motion picture production.

Subdivision surfaces has become a preferred modeling primitive for many types of motion picture computer graphics.

To Harold Rattray, Terry Claborn, Steve Garlick, Bill Hogue and Tim Reynolds for the design, engineering and implementation of the Technicolor Real Time Answer Print System.

This system provides a method by which filmmakers can preview real-time color corrections using actual film prints, reducing both the turn-around time and the number of reprints required.

To Udo Schauss and Hildegard Ebbesmeier for the optical design and Nicole Wemken and Michael Anderer for the mechanical design of the Cinelux Premiere Cinema Projection Lenses.

The Cinelux Premiere Lenses incorporate an iris and aspheric elements which provide a more uniform modulation transfer function and better light transmission to the sides and corners of the theater projection screen. This reduces the traditional problems of softness in the corners, hot-spotting and varying brightness between film format.

Tiger Woods gets 48th win

48th career PGA Tour victory at the age of 30 years, 2 months, 5 days in his 189th career professional start on tour. He is the 9th player in history to win the tournament multiple times (2005-06), but only the second player to win in back to back joining Raymond Floyd who won in 1980 and 1981. He passes the 2-million dollar mark ($2,535,600) in earnings at the tournament in just four starts. Along with his two victories, he also finished second in 2002 and tied for ninth in 1998.Woods has held a lead of two strokes or more through 54 holes 20 times in his career and has gone on to win every time. He wins in defense of a title for the 13th time in his career. His 48th career PGA Tour victory is the seventh-most in tour history. Billy Casper stands next in sixth with 51 victories. He has won in 48 out of 189 of his professional starts on the PGA Tour. PGA Tour official money now stands at $57,803,760. He wins for the ninth time in the state of Florida (Bay Hill Invitational - 4; FUNAI Classic at Walt Disney World Resort -2, Ford Championship at Doral-2, THE PLAYERS Championship-1).

$57,803,760. He wins for the ninth time in the state of Florida (Bay Hill Invitational - 4; FUNAI Classic at Walt Disney World Resort -2, Ford Championship at Doral-2, THE PLAYERS Championship-1).

 

Early ratings for last night's telecast were off from last year.

This year’s Academy Awards featured the most socially conscious group of Best Picture nominees ever, but it lacked a box office heavyweight. And that, more than any of Hollywood's social commentary, is what viewers crave from the Oscars.

Early ratings for last night's telecast were off from last year. ABC’s three and a half hours of Academy Awards earned a 27.1 metered market household rating from 8 p.m. to 11:30 p.m., according to numbers released by the network this morning, down 10 percent from a 30.1 for last year’s telecast.

It was also down 9 percent from a 29.8 in 2004, though it was a 6 percent improvement on 2003’s 25.5. That year, when "Chicago" won Best Picture, was the lowest-rated ever.

This year’s Oscars could still outdraw last year, even though the early ratings indicate otherwise. Metered market ratings for last month’s Super Bowl were down from the previous year, but when final numbers were released later that day, the game was the most-watched in 10 years.

The 10 percent year-to-year ratings dip does hold, it wouldn’t be a shocker. Host Jon Stewart received mixed reviews for his surprisingly tame performance, and the telecast didn’t feature any major upsets until the final minutes, when “Crash” won Best Picture over heavily favored “Brokeback Mountain.”

It didn’t help ABC that many of this year’s Oscar nominees were smaller independent films rather than traditional Hollywood blockbusters, which tend to attract more viewers to the Oscars.

“Crash” pulled in $53.4 million at the box office, well short of the $100 million blockbuster plateau, while “Brokeback” pulled in $78.9 million. No Best Picture nominee topped $100 million, the traditional measure of a blockbuster.

ABC of course finished first for the night among households, followed by CBS, NBC, Fox and WB. The 22.9 metered market household rating ABC averaged from 7 to 11 p.m. was 36 percent higher than the 16.8 rating the other networks combined for.

At 7 p.m. ABC led among households with a 10.7 rating for its Oscars pre-show. CBS was second with a 7.6 for “60 Minutes,” NBC third for its first hour of “Dateline” and Fox fourth with the combination of “Malcolm in the Middle” (2.7) and the first half hour of the movie “Bad Boys 2.”

At 8 p.m. ABC led with its Oscars coverage, followed by a 5.8 for CBS for a repeat of “Criminal Minds” and the second half of NBC’s “Dateline,” which averaged a 5.4 rating over its two hours. Fox remained in fourth that hour with “Bad Boys 2,” which pulled a 3.6 from 7:30 to 10 p.m.

ABC remained in the lead at 9 p.m., with CBS still second with a 6.2 for a repeat of “Cold Case.” NBC was third with a 4.9 for a repeat of “Law & Order: Criminal Intent” and Fox fourth with its movie.

At 10 p.m. ABC led with the Academy Awards, followed by a 7.3 for CBS for a “CSI” rerun and a 3.6 for NBC for a repeat of “Crossing Jordan.”

A soldier was killed in Iraq yesterday

A soldier was killed in Iraq yesterday, and Defense Department officials have identified two soldiers previously reported killed. A soldier assigned to U.S. Marine Regimental Combat Team 7 died as a result of enemy action while operating in Anbar province. The soldier's name is being withheld pending notification of the family. The Defense Department also announced the identities of two soldiers who died supporting Operation Iraqi Freedom: - Army Sgt. Joshua V. Youmans, 26, of Flushing, Mich., died at Brooke Army Medical Center in San Antonio on March 1 of injuries suffered in Habbaniyah, Iraq, on Nov. 21, when a roadside bomb detonated near his Humvee. Youmans was assigned to the Army National Guard's 1st Battalion, 125th Infantry Regiment, Saginaw, Mich. - Army Spc. Christopher S. Merchant, 32, of Hardwick, Vt., died in Ramadi, Iraq, on March 1, when his Humvee came under attack by enemy forces using a car bomb and rocket-propelled grenade. Merchant was assigned to the Army National Guard's 3rd Battalion, 172nd Infantry Regiment, Jericho, Vt. - Army Pfc. Tina M. Priest, 20, of Austin, Texas, died in Taji, Iraq, on March 1 of a non-combat related injury. Priest was assigned to the 4th Support Battalion, 1st Brigade Combat Team, 4th Infantry Divison, Fort Hood, Texas.

 DoD Identifies Marine Casualty


            The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom.

            Lance Cpl. Matthew A. Snyder, of Finksburg, Md., died March 3 from a non combat-related vehicle accident in Al Anbar province, Iraq.  He was assigned to Combat Service Support Group-1, 1st Marine Logistics Group, I Marine Expeditionary Force, Twentynine Palms, Calif.

 

Ad Revenue down at TV networks for 2005

Freshly released figures from TNS Media Intelligence show that the Big Six networks, ABC, CBS, Fox, NBC, UPN and WB, collectively took in $22.3 billion last year, down from $22.37 billion the prior year.

General Electric Co.’s NBC, which carried the 2004 Olympics, was the biggest loser among the networks last year, with a $1.17 billion decline in ad revenue to $5.7 billion. (The only other network to see a decline in revenue, according to TNS, was the WB, which went from $1.06 billion to $968.6 million). Yet the Peacock Network still placed second behind CBS’s $6.36 billion in total ad revenue for the full year. ABC’s ad revenue also rose from $4.66 billion to $5.17 billion.

Not boding well for the upfront is a more tepid reaction for big-event TV broadcasts in recent months. Media consultant Joseph Jaffe, a senior fellow at the Center for the Digital Future at the University of Southern California Annenberg School, cited weaker demand for spots at this year’s Super Bowl as evidence of volatility in the network-TV market.

Wireless the new Frontier: Going where no one has gone before? 

By William Hoehne

Wireless is the new China. Both are huge, untapped markets for news and entertainment media companies. Executives have made a lot of Looking over the Rainbow statements about both of these markets and pumped a lot of effort into them. Neither market has as yet translated into a lot of new businesses for established companies, which are seeking ways to grow in a world of technological and business obstacles.

China's media moment seems right around the corner and mobile may be approaching its own at last and may just take a lot longer and be less earth-shaking than the recent press may suggest. Last week alone there were announcements of ventures by media companies looking to place themselves into the rear pockets of teenagers and their parents. All are part of a flood of wireless moves and offer looks at new ways of distributing products and using big-media strength to start new businesses.

One of the deals last week, MTV Networks said it would sell mobile versions of its MTV, VH1, CMT and Comedy Central channels to Sprint customers; the services will include video clips from shows including "The Daily Show With Jon Stewart."

Mobizzo, a arm of News Corp, which is a kind of online studio and store for selling games, ring tones and adornments for mobile handsets announced its enter into the fray.

CBS which is perhaps best known for its notably older skewing television network, plans to start a venture along the lines of Mobizzo in a few weeks. CBS unveiled a plan to sell multimedia message alerts nationwide that will play short video clips on some cellphones. CBS aims to show that it wants to compete in this arena along with MTV, NBC and ESPN ,rivals that have been making their content available across a range of new mobile formats and toys.

What is important about the News Corporation and CBS announcements is that both companies plan to sell their new services directly to consumers. Instead of buying these services through a mobile phone carrier, users can go directly to Web sites or can send text messages to an address that will instantly sign them up for, say, a "Monte Bubbles" wallpaper that they can use to amuse themselves and their friends. CBS's new service, users can sign up to pay 99 cents a month for news alerts from CBS News, and $3.99 for alerts from the syndicated program "Entertainment Tonight."

Direct selling for media companies is just one advantage that mobile technologies have over other forms of distributing information and entertainment, including the Internet.

Another is that consumers, have come to view their mobile phones as fashion accessories, giving rise to a whole new category of personal media products, such as ring tones and avatars, which are animated images of oneself that are sent to friends with messages.

Things bought through a mobile phone even if not purchased through your service provider itself can be automatically added to your monthly phone statement, avoiding the bother of having to enter a credit card number.

These features show why mobile media could be something major, they turn consumption into a fashion statement and an impulse purchase.

The United States' mobile market compares with markets in places like South Korea — where users enjoy all sorts of interactive features and pristine television signals on their handsets and wireless carriers here have invested some $10 billion to catch up quickly. Established media companies, as well as the Internet giants want to try to capture everything from the growth of the ring tone and games markets to emerging forms of mobile advertising.

The question about all the activity around mobile is whether the United States will embrace these new products the way other nations have. Here we burn thru new technology like we throw away toilet paper.

In the United states people don’t sit around thinking about watching video clips on their computers or send instant messages to one another until these services hit critical mass.

It seems early to set the vibrator for wireless at anything but the lowest possible setting.

Programing for the internet; Still no set plans  

Steven Spielberg, actor-producer Ashton Kutcher and Mark Burnett are just a few of the Hollywood heavyweights trying to develop new programs for the Web.
They are dealing with a fundamental question: What defines a hit on the Internet?

That confusion became all the more apparent Thursday when Yahoo Inc., an early favorite to navigate the complex 21st century media landscape, said it would scale back efforts to create original entertainment offerings.
For monthsYahoo spread the word that it wanted to capture mass audiences by producing new Web programming to be seen only on Yahoo. With Thursday's shift Yahoo signaled it had changed its views about what it took to succeed online had changed.

the company would instead highlight content created by its millions of users as well as serve as an online distributor for traditional media companies.

Yahoo will still create the occasional original program, but the company has put the brakes on big-ticket projects such as "The Runner," and "Treasure Hunt," an online game show developed with Spielberg's production company, until it can figure out how to make money on such deals.

The Internet has become a hip place to launch shows and squeeze more money out of old ones. TV networks, Internet portals and television producers chasing ad dollars online are developing reality shows, comedies and scripted dramas specifically for the new medium.

The big Internet companies are trying to build even bigger audiences with video programming.

Few of their efforts have worked. .

Developing a hit show has always been hit and in the network television business, which has been at it for more than 60 years, shows that attract 10 million viewers are generally considered successes. During the week of Feb. 20, 25 shows pulled in at least that many viewers, led by "American Idol" with 31.7 million.

The Internet has become a viable way to distribute video to the masses only in the last year or so, and Web shows have little hope of drawing the numbers of viewers that TV can.

The number of U.S. households with fast Internet connections is half that of households with televisions.

Hollywood producers are creating "webisodes" and other entertainment fare for such distributors as NBC Universal, Fox Broadcasting, America Online and Yahoo.

Those distributors hope to cover their costs with advertising revenue. The old fashioned by tried and true way of paying the bills


Online advertising is growing as advertisers are placing commercials in front of music videos, news stories and other video clips.

Video ads contributed only $225 million of the $12.9 billion in U.S. Internet ad revenue last year.

Broadcast, cable and local TV ads pull in $60 billion a year. But ad dollars aren't the only way to recoup investments in Web programming. Amazon.com Inc., the e-commerce giant, is developing a TV-style talk show specifically for its website.

NBC has bigger ambitions. The network plans this summer to launch "StarTomorrow," an "American Idol"-like search for music talent. NBC plans to release video clips of 20 bands or singing groups each week for eight weeks, then let users winnow the field until a victor emerges.

Executive producer Dave Broome said that because production costs on the show were one-fifth those of a network series, NBC probably would be more patient about letting the show find its audience.

"If your show doesn't do well on the network, they may have four or five more shows waiting in the wings" to take its place, Broome said. "On the Internet, you can have more time. If we don't get the response the first week, we might let it sit for more time before we launch the next 20 bands."

So is this the beginning of the much ballyhooed end for network TV? Certainly not, Network TV is not going to see things growing as fast as in the past, but it will hold its own because it reaches the masses and it is FREE. the operative word. 

Ma Bell Coming Back with AT & T and BellSouth Merger

AT & T agreed to buy BellSouth Corp. for $67 billion in stock which would make AT & T the dominant carrier in 22 states.  If this transaction is completed, the seven regional Baby Bells created in the government's breakup of AT  & T's in 1984 would now become three.  

We knew something must be in the works at the Consumer Electronics Show when Yahoo's keynote address introduced Yahoo! Go Mobile, which will soon be embedded on millions of U.S. phones in partnership wtih AT & T and Cingular, joined owned by Bell South(40%) and AT & T(60%).  There was already a SBC Yahoo! partnership. 

This on the heels of AT & T selling its' wireless customers to Cingular, with the change over of plans to Cingular from AT & T cellular phone plans finishing these last several months.  AT & T announced earlier this year plans to offer AT & T branded cellphone service to corporations in the nine Southeastern states covered by BellSouth. 

Consumer groups are up opposing AT & T's purchase of BellSouth Corp., arguing that it would reduce competition and drive up prices in the telecommunications industry, as they look at the restructuring of Ma Bell. The merged company would have 70 million local line phone customers, 54.1 million wireless subscribers and nearly 10 million broadband subscribers in nearly two dozen states. 

"This is a devastating blow to the consumer," said Gene Kimmelman, policy director at Consumers Union, publisher of Consumer Reports magazine.  "This one will lead to the end of the era of falling prices for telephone and cellphone service."

Since 1984, the world has changed much.  Competition to traditional telephone service comes from cable and satellite, cellphone providers and internet telephone service, including Skype, Vonage, and AT & T's own CallVantage.   

"New technologies, such as high-speed wireless and broadband over power lines, soon will be providing fast pipes into the home," shares industry consultant Ford Cavallari of Adventis Corp. "What used to be a fairly stable market, and was a monopoly market is undergoing a substantial change."

 

 

 

March 05, 2006

Oscars were Politically Correct

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Written by Joyce L Chow & William Hoehne March 6 2006

MBN

www.montebubbles.com for more MBN news

Montebubblism: If you feel everyone has to walk away a winner then why give awards in the first place.

 

No less then John Trovolta called the Oscars Politically Correct.There were awards for everyone

Tiger Woods 2nd Consecutive Win at Doral Midst the PGA Fashion Show

 
Tiger Woods congrats on your 2nd consecutive win today at the Ford Championship at Doral in Miami, Florida.  He finished at 20 under to finish at 268 for a one shot victory over David Toms and Colombian rookie Camilo Villegas amongst record crowds of more than 37,000 in attendance each day. 

Tiger’s 48th career victory enhanced his reputation as golf’s best closer.  With a record 34-3 when he has at least a share of the 54 hole lead, and always winning in 20 attempts when leading by at least 2 going in to the last round.  Perhaps that’s why Camilo Villegas refers to him as “the best player in the world.”
 
Meanwhile on the golf course, the golfers stepped into fashion while the audience wore the traditional spectator golf attire.   The female golfers  wore shorts noticeably shorter, shirts a wee bit tight, and a new absence of undergarments.  Meanwhile an abundance of baby strollers makes you wonder if this is a new trend for golf. 
 
Fashion Highlights from Ford’s Championship at Doral:
 
Bubba Watson uses the bright pink shaft on his driver. Very handsome and tall man with almost Elvis-like sideburns.
 
Trevor Immelman from Cape Town, South Africa looks like a Southern Caifornia beach model with his sculpted body, gorgeous tan and California. brown blond hair.
 
Sergio Garcia came out Saturday,attired in Adidas, with yellow pants and a black shirt with stripes. His shoes even matched and he can pull it off without any problems.
 
Jesper Parnevik on Saturday had on black pencil leg pants and a silver grey shirt. Jesper is a very thin man and he accompanied his outfit with a belt buckle that was almost as wide as he was and looked great with his patent leather belt.
 
Conservative but classic were Davis Love III and Tom Pernice Jr. who played together on Saturday. The only thing they forgot to discuss is if they should wear black or navy pants. Davis chose navy, Tom chose black...both wore coral shirts that were almost a matching set.
 
Camilo Villegas wore the outfit for the day on Saturday. Black bell bottom pans with fuschia insets in the sides and topped off with a bright fuschia top with some black side insets. Flashback to the 70's, but it really looked good on him. Sunday he wore all white except for the orange belt and shoes he wore. This tournament has pretty much guaranteed that he will have won enough $$$ this season to give him his PGA tour card next year.
 
Fun Saturday shots. Rocco Mediate hit his drive on #18 into #1 fairway. His second shot ended up nesting on top of one of the sponsor tents and did not hit the ground until the rules official was present.
 
Bubba Watson, from Bagdad, FL,  chipped in a birdie on #9 on Saturday and then proceeded to knock his ball on the edge of the water on #10. He saved par, but it helped as he is a left-handed player and did not have to stand in the water. Retief Goosen who was playing with him was not so lucky with water efforts.
 
Paul Stankowaki stepped up to the #1 tee on Saturday and stopped in mid-swing as he thought the head of his driver was going to come off. He regrouped and hit one of the best drives on #1 on Saturday.
 
A big thanks to Commerce Bank for the tent side view of the golf tournament, complete with gourmet fair and plenty of Grey Goose Vodka, and hospitality.
 
Tiger Woods repeat victory, makes him the first repeat winner at Doral since Raymond Floyd won in 1980 and 1981. Tiger Wood’s now has won four of his last six tournaments worldwide with the last four victories have come in playoff – the World Golf Championships – American Express Champsionship, Dunlop Phoenix, Buick Invitational and the Dubai Desert Classic.
 
The Leaderboard
-20 Tiger Woods                  
-19 David Toms                    
-19 Camilo Villegas              
-15 Fredrik Jacobson          
-14 Lucas Glover                  
-14 Tag Ridings                   
-13 Jeff Sluman                     
-13 Jerry Kelly                       
-13 Carlos Franco
-13 Ernie Els                         
 
Club sponsors are pretty limited now. Currently out there are: Taylor Made; Nike; Titleist; Cleveland; Calloway; Wilson Staff; and Ping.
 
The other interesting part of the tournament is that the course lays in the flight path for Miami International Airport and some of the planes can be as low as a few thoudsand feet. Sometimes you think you can see the people in them overhead. And they can make some noise, but the players and spectators were all glancing up occassionally. It had to make it a bit of an obstacle dourse for the Met Life blimp driver overhead. By Sunday though, NBC and the tournament had made an agreement with the MIA tower to have the planes avoid the course so that the TV broadcast could be a bit more peaceful, and I am sure the players and spectators were appreciative.
 
Based on player brochure there were (56) domestic U.S. residents and (16) international residents:
(1) from Fiji Islands
(2) England
(2) South Africa
(1) Australia
(1) India
(3) Sweden
(1) Paraguay
(1) Columbia
(1) Argentina
(1) Spain
(1) Ireland
(1) Canada
 
Next year’s format will be entirely different with Ford  no longer being the sponsor at Doral.   Preparations are being made to make it a championship tournament, which generally means no celebrities.  Unfortuately, this typically means good-bye to the record attendance experienced this year and sponsors. 

 

Written By Patti Lankford and Joyce Chow
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March 1-5 archives

 Oscar Coverage and Transcripts

 

Written by Joyce L Chow & William Hoehne March 5 2006

MBN

www.montebubbles.com for more MBN news

Montebubblism: It really is about the award not the honor of being nominated

 

The 78th Oscars is now on. Theme is Return to Glamour

Box Office down again

EDITORIAL: What is wrong with the feature film industry. 

Red Carpet now underway at 3pm PST

And the Awards go to :  Your list to keep track with.

Pat Tillman death to Be reopened

 

property of Oscars

Opening computer generated bits from old motion pictures.

Then Billy Crystal and Chris Rock in Brokeback Mountain setting and Steve Martin, Whoopie Goldberg, David Letterman, Mel Gibson and finally Jon Stewart in bed with George Clooney being the only one willing to be the host of the show.

Then opening jokes by Stewart.

Film clips taken out of sequence making fun of Gay theme in westerns 

Nicole Kidman presents best supporting actor: Winner George Clooney - SYRIANA

Tom Hanks taped explaination on speaking to long. Music actually comes up behind him and poison darted to get him off stage.

Ben Stiller Visual Effects award comes out dressed in a green suit for green screen joke. KING KONG  WINNER

Reese Witherspoon Best Animated Feature: WALLACE & GROMMIT IN THE CURSE OF THE WERE-RABBIT

Naomi Watts first Best Song introduction  "Traveling Thru"  from TRANSAMERICA with Dolly Parton singing her own composition

Stewart talking like Tom Cruise, bad jokes.

Luke and Owen Wilson: Live Action Film Shorts: SIX SHOOTER

Chicken Little Abby Mallard present Best Animation Shorts:THE MOON AND THE SON:AN IMAGINED CONVERSATION

Jennifer Aniston presents based costume design: MEMOIRS OF A GEISHA

Will Farrell And Steve Corell presnet best make-up: THE CHRONICLES OF NARNIA:THE LION, THE WITCH AND THE WARDROBE

Russell Crowe presents film clips on motion picture biographies

Jon Stewart make political jokes

Morgan Freeman Best Supporting Actress: Rachel Weisz -THE CONSTANT GARDENER

Film Noir with Lauren Bacall. Looks very old and having a problem speaking her lines, very sad as she shook on stage but hung in there like the pro she is.

Jon Stewart talk about how great they would have been in color and lobbying about films.

Terrance Howard presents Documentary Short Subjects: A NOTE OF TRIUMPH: THE GOLDEN AGE OF NORMAN CORWIN

Charlize Theron presents Feature Documentary award: MARCH OF THE PENGUINS

Jennifer Lopez presents Best Picture song from Crash "In the Deep"

Keanu Reeves and Sandra Bullock present Art Direction:  MEMOIRS OF A GEISHA

Samuel L. Jackson presents films that make you think.

Jon Stewart introduces the President of the Academy of Arts and Science talking about the art of story telling.

Selma Hayek music for orginal score: BROKEBACK MOUNTAINCATEGORY: LIVE ACTION SHORT

Jon Stewart pokes fun of music.

Jake Gyllenhaal larger then life motion pictures.

Jon Stewart making fun of clips.

Eric Bana and Jessica Alba present Sound Mixing: KING KONG

Special Award presented by Lilly Tomlim  and Meryl Streep present award to Robert Altman whom thanks everyone for his long and continuing career.

Jon Stewart iintruduces Chris Bridges to introduce the song Hustle and Flow

Queen Latifa presents the award for Best Song:"It’s Hard Out Here for a Pimp" -HUSTLE & FLOW

Jon Stewart jokes about Hustle and Flow that they knew how to accept a Oscar and lobbing about sound editing.

Sound editing award presented by a very with child Jennifer Gardner: King Kong

George Clooney introduces those that were lost last year.

Will Smith presents best Foreign Language Film: SOPHIE SCHOLL - THE FINAL DAYS

Jon Stewart pokes fun at directors.

Film Editing award presented by Zhang Ziyi :CRASH

Hillary Swank presents Best Actor Award: Philip Seymour Hoffman - CAPOTE

Jon Stewart Bill Conte and band plug for applause.

John Travolta presents CINEMATOGRAPHY award:MEMOIRS OF A GEISHA

Jamie Fox presents best actress award: Reese Witherspoon - WALK THE LINE

Jon Stewart presents Dustin Hoffman

Dustin Hoffman presents Best Adaption to the Screen: BROKEBACK MOUNTAIN

Uma Thurman presents Best Screenplay: CRASH

Jon Stewart intro Tom Hanks.

Tom Hanks presents Best Director Award: Ang Le BROKEBACK MOUNTAIN

Jack Nicklson presents Best Picture: CRASH

Jon Stewart sign off.

 

CATEGORY: ACTOR IN SUPPORTING ROLE

INTERVIEW WITH: GEORGE CLOONEY

FILM: SYRIANA

Wow. Wow. All right, so I'm not winning director. It's the funny thing about winning an Academy Award, it will always be synonymous with your name from here on in. It will be Oscar winner, George Clooney. Sexiest Man Alive, 1997. Batman, died today in a freak accident at a -- Listen, I don't quite know how you compare art. You look at these performances this year, of these actors and unless we all did the same role, everybody put on a bat suit, and we'll all try that. Unless we all did the same role, I don't know how you compare it. They are stellar performances and wonderful work, and I'm honored, truly honored to be up here. And finally, I would say that, you know, we are a little bit out of touch in Hollywood every once in a while. I think it's probably a good thing. We're the ones who talk about AIDS when it was just being whispered, and we talked about civil rights when it wasn't really popular. And we, you know, we bring up subjects. This Academy, this group of people gave Hattie McDaniel an Oscar in 1939 when blacks were still sitting in the backs of theaters. I'm proud to be a part of this Academy, proud to be part of this community, and proud to be out of touch. And I thank you so much for this.

CATEGORY: COSTUME DESIGN
INTERVIEW WITH: Colleen Atwood
FILM: "MEMOIRS OF A GEISHA" 


Thank you all very much. Oh, so many people to thank for making this film. It was an effort that circled the globe, and came together here in Los Angeles. Thanks to Sony Pictures who were brave enough to make a movie about a woman. Fantastic. Thank you very much to Rob Marshall, my
fantastic director, whose vision I only share. To my amazing daughters who are with me here tonight. To my team of people who really kept it together for me, Cheryl, Christine, and Colleen. And to the most beautiful cast anybody could ever dream of dressing. And most of all, to the
people of Japan, who gave me so much knowledge and grace. Thank you.
 

CATEGORY: LIVE ACTION SHORT INTERVIEW WITH: Martin McDonagh FILM: "SIX SHOOTER”

Hi. I'd just like to thank everybody who was involved in the film, especially Brendan Gleeson and Ruaidhri Conroy. And Ruaidhri, I'm sorry that you couldn't be here tonight, but I hope next time if they let you into the country. I'd like to say hi to my mom and dad back in Ireland. And, a big hello to everyone involved with Lieutenant of Inishmore in Atlantic, New York. Thanks.

CATEGORY: ACHIEVEMENT IN VISUAL EFFECTS

INTERVIEW WITH: Joe Letteri, Brian Van't Hul, Christian Rivers and Richard Taylor

FILM: "KING KONG"

JOE LETTERI: Thank you. This is tremendous. For those of us who aren't actors it's really a thrill to be able to create a character and a performance like Kong. But I've got to say we had a great actor working with us the whole time to show us how it's done. I've got to thank Andy Serkis for really giving us the heart of Kong, thank you. Peter Jackson, Peter, thank you for continuing to surprise us, and delight us, guide us, and for making films that we all love. Fran Walsh, Philippa Boyens thank you for giving us this incredible story, to our producers Carol Cunningham, Jan Blenkin, Eileen Moran, Annette Wullens thank you for keeping it all together. To everyone at WETA, just a fantastic group of artists, we loved working with you, thanks for your dedication and to all of our friends at Universal, thank you for making it all happen.

CATEGORY: ANIMATED SHORT
INTERVIEW WITH: John Canemaker and Peggy Stern
FILM: "THE MOON AND THE SON: AN IMAGINED CONVERSATION" 


John: Peggy and I thank the Academy for this great honor. And also for your faith in hand-drawn animation, which still can pack an emotional wallop. I want to thank my brother and sister Tony and Kathleen Cannizzaro. My talented life partner, Joseph Kennedy. Sheila Nevins, and Jackie
Glover at HBO. Ron Sadoff's music, David Mehlman's wonderful editing. And all my students and colleagues at NYU Tisch School of the Arts. Peg?

Peggy: Thank you to Eli Wallach and John Turturro for your sensitive vocal performances. Thank you to my brother Tom Stern, and my husband Alan Ruskin. And to those of you who are moms and juggle working in this business, you'll understand my tremendous thank you to my children, Ben and Emma, and my mom, Joanne Stern. Thanks.

CATEGORY: ANIMATED FEATURE FILM INTERVIEW WITH: Nick Park and Steve Box FILM: "WALLACE & GROMIT IN THE CURSE OF THE WERE-RABBIT"

Nick: Oh. Actually, we've got a little thing, just to match the old bow ties for coordination. We just happened to bring them along, just in case. Just want to give a great big thank you to Helena Bonham Carter, and particularly to Peter Sallis who has been the voice of Wallace. He's here tonight, ladies and gentlemen at the Oscars. He's been the voice of Wallace for the last 23 years and you've been an absolute gem, Peter and you've sparkled all the way. Also, thank you to Jeffrey Katzenberg and to Dreamworks, who also sparkle, and have been a great support to this very personal film of ours. And the whole crew back in Bristol, England at Aardman Animations thank you so much you're great. And a little message from Steve. Steve: Somebody once said if you make a bad film, you make it alone. If you make a great film, everybody made it with you. We all made it together, guys. Steve & Nick: Cracking cheese, Gromit.

CATEGORY: BEST SUPPORTING ACTOR
INTERVIEW WITH: GEORGE CLOONEY
FILM: "Syriana" 

MR. CLOONEY:  Hi everybody. 

Q. Hey, George.  Ted from ETV.  Congratulations? 
A. I know Ted.  Where is the tie? 

Q. [Oh|Owe], you have it.  You stole it last night, right?
A. That's true.

Q. On that note, since this is the night [have|of] gay chic.  If you had to direct yourself in a gay love story, what would it be?  And the world wants to know, are you or are you not dating Teri Hatcher? 
A. Right off the bat.  Thank you for those important [confess|questions|question].  I've been to dinner with you.  Shame, shame on you.  The answers are a sequel to Batman would be the gay thing, and I never talk about my personal life other than that.  How is that?  Is that okay?

Q. Congratulations? 
A. Thanks, bud.

Q. Mr. Clooney, hello.  Listen, I think you touched on this when you made [your|you're] acceptance, but let's be clear about it.  [It's|Its] long been considered that art does not push forward culture, it reflects culture.  Is it possible this year that what we're seeing is really
where [occur|our] nation is going, it's just that the more sensitive artistic people have picked up on it?
A. I don't even know that we're all that ahead [have|of] the curve.  We usually take a couple [have|of] years to do things.  Last year, you know, Rwanda story is a ten year old story.  I think what's important is that we are starting now to reflect two years later some [have|of] the
social and political issues that are, for the first time, probably since Watergate concerning us and we're talking about them.  And then films start to reflect that a couple years later.  It won't last very long, but done this on and off.  We did it in the 30's, we did it in the 50's, we certainly did it in the 60's and 70's and we'll probably continue to do that, which is reflect society, not truly lead it.

Q. Mr. Clooney, back here.  Did you   
A. Mr. Clooney.

Q. Did you intend to be uplifting up there, an uplifting inspirational speech?  Was that sort of a plan or did it come over you?
A. Well, it was a little thing I was working on for the BAFTAs so I saved it up.  When Jon Stewart, who I adore, was making pretty funny jokes    and you know, listen, you all know this, you hear this every day how out of touch Hollywood is and you go, well, maybe, but sometimes that's a
good thing along the way.  No, I didn't really work on anything, except that I thought that [may be|maybe] there were four other actors who were probably going to [within|win].  So [it's|its] strange.

Q. Congratulations? 
A. Thanks.  And you look very nice.

Q. Thank you.  Tuxedos do wonders. 
A. Some people wear ties.

Q. George, you gained a lot [have|of] [weight|wait] for this role.  Do you think that was really a factor, they say that the Academy  
A. Loves fat people, is that what you're saying? 

Q. No, but they like thin actors that get fat for roles.  You made a joke, I guess this means I'm not going to [within|win] best director.  Do you think this is one for three?  It is all settled?  You don't
[have|of] any hope in [your|you're] heart for what's to come?

A. Listen, we all do this.  We all [have|of] these little games where you fill out the things where they say we'll give him this for that and we'll do that and he won't get that because he gets this.  So I just thought I would articulate that moment.  What was the other part of your question?  I don't know.  To me the gentleman that I was playing in the [move|movie], Bob Baer, when I first took the role was sort of pudgy and, you know, out of shape and I thought that was probably a good thing, and then he found out the Hollywood guy was playing him and he got in shape.  So it kind of screwed the whole thing up for me.  So I don't know [when|whether] it matters or not.  I think it's a good part.  I think.

Q. Mr. Clooney, in the unlikely event this is [your|you're] only appearance down here tonight, I would like to ask you about Good Night, and Good Luck in the sense in terms [have|of] distribution there is this theory being promulgated that these films like Good Night, and Good Luck
are out of the mainstream, and what I'm wondering is, do you think that there is any credence to that theory or is it a matter of accessibility and the fact that Good Night, and Good Luck at its peek is playing at 450 theatres perhaps and Big Momma's House II comes out and plays 3,000
theaters all at once, the simple fact that people in the heartland have a hard time getting to some [have|of] these films because they only play in the art houses? 
A. There are films that are designed to [open|ownership] on 3,500 screens and there aren't.  Good Night, and Good Luck would not [have|of] done a huge amount more of business.  It still did over $30 million bucks for a black and white film period piece, which I think is [okay|observing].  Marty won in the 50's.  You know, this is not an industry that says, "Okay, there has to be about big business or big budget."  In fact, I think the beauty [have|of] the Academy is that it finds little
moments to say, let's talk about these films and let's talk about things that maybe the rest of the mainstream doesn't get a chance to see at the time.

Q. So do you think this is a bum rap to say that these are out of the mainstream liberal films?
A. They might be out of the mainstream at times, but mainstream keeps changing.  These two films would [have|of] been the dead center in the middle [have|of] the main stream in 1976.
ACADEMY REP:  I'm sorry he has to go.

Q. ETV from Taiwan, so I have to ask you these [confess|questions|question].  Tell us from [your|you're] professional point [have|of] view what do you think [have|of] Brokeback Mountain and Ang Lee?
A. Is this about Ang Lee? 

Q. Yes?
A. Let me tell you something right now.  I don't like that guy.  I've [scene|seen] him a lot, I've been spent a lot [have|of] time with him.  I caught him stealing at the last awards show.  So you take that home and you tell everyone.  I'm very proud to be even in a game with those
guys.  There's three first time directors on this and then there is Steven Spielberg and Ang Lee.  So I'm just    to put my name on that card. 

Congratulations to him.

CATEGORY: LIVE ACTION SHORT
INTERVIEW WITH: Martin McDonagh
FILM: "SIX SHOOTER" 



Q. Congratulations.  You didn't think you would make it in here.
A. We didn't think we would make it period.

Q. Congratulations. 
A. Thank you.

Q. You're a noted historian and teacher and filmmaker, yet this film is more of a documentary, as was last year's winner, Ryan.  What is your perspective of that as a historian now?  Are you starting a trend?  Is this something that may be continuing?  What impact do you think this
has?
A. I think it's pointing towards the future in which independent visions are going to become more and more prominent as technology is more available to a wider selection of artists.  You're going to see more personal stories, sort of a niche kind of, you know, type of filmmaking done, and I think it's going to bode well for the future of animation.

Q. Are you going to be speed up the process now on going onto your next film?  You said you were going to take a hiatus?
A. I think we would like to do another film.  I'm not sure what it would be, but perhaps another personal story. John and I have working using documentary and animation before so it's really wonderful to see a film like this get recognition because I think more and more people want to use animation in different ways.

Q. Congratulations. 
A. Thank you.

Q. I'm wondering if you're finding with so many cable channels with Cartoon Network and so many outlets now that are looking for programming that your film is being seen more than animated shorts were seen in the past?
A. Definitely.  I mean, we had    especially getting the nomination.  I mean, the nomination opens up doors even without winning.  It's really exciting.  Like Magnolia Films, who really are working to get short films, both the dramatic and the animation has been in theaters all over the country for the past two weeks thanks to Magnolia doing distributions.  So I think that's just a lot more opportunities.  And iTunes is launching the films that way.  So it's incredible what we can hope to see more of in the future. 

CATEGORY: VISUAL EFFECTS
INTERVIEW WITH: JOE LETTERI, BRIAN VAN'T HUL, CHRISTIAN RIVERS
FILM: "KING KONG" 



Q. Hi, guys.  Back here. 
A. Okay.

Q. David Cohen, from Variety. Congratulations. 
A. Thanks. 

Q. For those of us that grew up visual effects fans, looks like the most fun job on the face of the planet. 
A. Yeah.

Q. Is it?  Can you talk about that a little bit?
A. What's great about it is it's sort of like an incredible variety because every time you have to do something, you have to immerse yourself in it.  For Kong, we have to learn the history of New York.  We have to learn all about gorillas in the wild, learn about the history of the film itself.  You sort of take all that and you get to do it in as big a way as possible.  It's hard to ask for anything more.  It's also celebration of the geeks in the world which is a good thing.
 
Q. Christopher Hartz for Visual Effects World Magazine.  Congratulations. 
A. Cheers to you.  Thanks for all the support.

Q. You guys used pre visualization to a great extent to plan everything out very carefully beforehand.  Was there anything real surprising that ran that you ran into or that ran into you? 
A. You know, I think what was most amazing about it was the fact that where in the past visual effects had been considered post  production, now with so much reliance in previews, in planning the film, we're actually there right at the beginning even as the script is being written to
develop the ideas and the story.  Chris, maybe can speak to that a bit. We were there before the script was written.  We were actually there before Peter and Fran actually started pre vissing (sic) and involved Peter, Fran, and Phillipa started writing the script for a lot of key action sequences.  So, it's becoming a lot more of an integrated part of the film making process rather than post production. 

Q. Jackie    Below The Line News you did all this in King Kong.  It was so incredible.  What are we going to see 10 years from now? 
A. You know, it's hard to say because again it's always just driven by the story.  I mean, that    that page gives you the canvas that you get to start with and until you know what the story is, you don't know what you are going to be putting on the screen. As visual effects technicians, all we want is a beautiful and compelling story.  The technique actually places second to it.  So in the case
of King Kong, that gave us that ingredient, but going forward, that's obviously what we are dreaming of for the next project.  In 10 years, I think we will see Peter's directors cut on DVD.

Q. Over here.  Hi, congratulations. 
A. Thank you. 

Q. New Zealand.  Richard, this is your fifth award, and part for the Lord of Rings trilogy.  So, was it good to have another one under the belt and what happens to them now? 
A. They go back to WETA, to be shared with all of the technicians.  None of the awards are at home.  They are all on the shelves so the guys can take them home and have them with their families and enjoy them.  And this is an important Oscar for our company because we were caught up in the phenomenon of Lord of Rings, but this Oscar says we are part of the industry.  We are here to stay, and we have got a lot still to offer, and that's a good thing to be. 

Q. And you are confident the industry is still strong Down Under?
A. I would like to think so.  A lot of really amazing up and coming directors.  We are working on a small splatter movie at the moment called Black Sheep right down to our Brain Dead days, but the industry is sound because there's an amazing community of film makers in New Zealand
that want to keep making an incredible product.


Q. Congratulations. 
A. Thank you.

Q. Hi guys.  Mario here.  Congratulations.  I was actually watching my Two Towers DVD, section on Gallum, and the pre Andy Serkis Gollum as opposed to the post Andy Serkis Gollum gives me a new appreciation for what he must have brought to the role of Kong.  With more and more
characters coming up and major parts, layers in the movies.  How crucial is this going to be to have somebody like Andy or any other actor like that contributing and working with you guys to create these characters? 
A. It's an amazing, you know, asset to have because what an actor brings to it is years of training in their craft in kind of understanding spontaneously how to react to a given situation and just having someone to work with and talk that through.  Andy did a lot of Kong, but he couldn't do all of it.  A lot of it came back to us to figure out on our own, but because Andy set the blueprints for it, we knew what he was thinking, and how he might carry that through that gave us the character. 
It's like writing a character in a novel.  Once you get started, that character takes on a life of his own, and he will really gave us that. Christian. Just to mention, really, Joe and Christian who put Kong together with their team, I think what's worthy of note with this if I am that is certainly worth commenting on is this is the first time a digital character has risen to a level of performance that's    that's got an audience to a point that they cry, that they can empathize with this character,
that means cinema    digital cinema has a bright future.  We can form a relationship with a digital characters on the screen utilize the likes of Andy Serkis, but it's all relative to the performances of the actors around them.  If Naomi hadn't given such a performance,Kong would have
been nothing.  So it's an amazing amalgam of traditional and modern day techniques. 

Q. Hi.  Sara Basely (sic) from Animation World Network.  You did it in Lord Of Rings with the collaboration of the performer and the green screen.  And now in King Kong, do you see this as a growing trend in movies the collaboration of performers and visual effects artists for
upcoming movies?
A. Yes.  If you look at the last four years with the Two Towers and Return Of The King with I,Robot they used an actor in the same mold.  And now with Kong.  I know, it has    it has real validity.  Something has been working to create really great performances it's where you want
that to be.  It's like I was saying earlier, we are so blessed because we can pull from all these different things to make it work.  So if you are creating a character in a performance why not pull from what an actor knows.  I mean that is the heart of it    that's what we are all trying
to learn is to how to tell these stories on the screen.  That's goes back to traditional filmmaking and, you know, we are just sort of learning that craft. 
A. Thank you everyone. 
A. I'm Joe Lettieri.  Brian Van't Hul.  Christian Rivers and Richard
Taylor. 

CATEGORY: MAKEUP
INTERVIEW WITH: Howard Berger and Tami Lane
FILM: "THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE" 


HOWARD BERGER: Well, I'm just glad that Clooney doesn't do makeup. So it worked out well. This is really an amazing life. It all started when I was a little boy and my mother read me "Where the Wild Things Are" by Maurice Sendak and at that point I knew I wanted to go live with the
monsters. Real quick I want to thank Disney, Mark Johnson, Walden Media, Cary Granat, Perry Moore, my partners in crime at K.N.B effects group, Robert Kurtzman and Gregory Nicotero. Everyone that was there with me through the journey a year and a half of this magnificent project. My Aslan, Andrew Adamson, my inspiration, Kelsey Travis and Jake, my best friend, Sandy. Rick Baker, Dick Smith, Stan Winston, Richard Taylor, Danny Striepeke, and I want to dedicate this to my parents Kenneth and Susan Berger, right now I know they're looking down upon me and saying
we're proud of you that you're living with the monsters and running through the forest with the wild things. Thank you. 

CATEGORY: ACTRESS IN A SUPPORTING ROLE
INTERVIEW WITH: Rachel Weisz
FILM: "THE CONSTANT GARDENER" 


Thank you so much to the Academy for this tremendous, tremendous honor. I share it with others, Ralph Fiennes my luminous acting partner. Fernando Meirelles our director who is brimming over with such humanity and our dignified sensitive producer, Simon Channing Williams, and of
course, John le Carré, who wrote this unflinching, angry story. And he really paid tribute to the people who are willing to risk their own lives to fight injustice. And they're greater men and women than I. But thank you, thank you so much. Thank you.

CATEGORY: DOCUMENTARY FEATURE
INTERVIEW WITH: Luc Jacquet and Yves Darondeau
FILM: "MARCH OF THE PENGUINS" 



Luc: [whistles] It means, thank you in penguins. I'd like to dedicate this statuette to all the children in the world who saw that movie. In 2041, they will decide to ruin you or not, the treaty that protects Antartica. I will, maybe, the "March of the Penguins" will inspire them.
Sorry for my English.

Yves: Looking out on these tuxedos tonight, it's like seeing the movie again. Thank you for this homage. Thank you very much. Goodbye. Thank you. Thank you.

CATEGORY: ACTRESS IN A SUPPORTING ROLE
INTERVIEW WITH: RACHEL WEISZ
FILM: "THE CONSTANT GARDENER" 


Q. I'm right here, Rachel.  Congratulations.  I'm from Brazil, Buenos Aires.  I would like to know if you had a second guess of working for a relatively unknown Latin American director or on the other hand if it was a draw for you to work in this movie?  And second question, also, how many awards    how many awards so far?
A. I thought you meant how many months am I.  To answer the first part of the your question, I had seen City of God and I think that's one of the most extraordinary pieces of filmmaking I'd ever seen in my life, so when I knew he was directing The Constant Gardener I chased him for
this role.  I pursued him, and he's an incredible filmmaker and it was an honor to work with him. 

Q. And how many awards?
A. Well, I won the Golden Globe and the Screen Actors Guild for best supporting actress.

Q. Will all of them be lined up?  Where will you keep them?
A. Gosh, I don't know.  I don't know.  I've got  there's many places for them.  Yeah, I don't know.

Q. Congratulations? 
A. Thank you. 

Q. Constant Gardener, Good Night, Brokeback, tough films.  Make the audiences work a lot, great for award seasons, but do they make commercial sense? 
A. Well, none of them cost a lot of money to make and they all made their budgets back and more.  I think I'm right in saying.  So none of them were commercial upsets.  They didn't cost a hundred million dollars and they didn't need to earn back a hundred million dollars.  They were
small to medium budget movies.  So if that answers your question? 

Q. People are saying this is a return to the Golden era of the 1970s?
A. I hope so.

Q. Do you think it's nice to be part of that, if it's true?
A. It's definitely nice to be a part of a moment where fiction is holding a mirror up to contemporary culture and asking questions about what's going on.  In the case of Good Night, and Good Luck it's a historical piece, but it certainly made me think when I watched it what's changed, you know, in a funny way.  Anyway, I won't get into that right now.

Q. Congratulations.  Rachel?
A. Sounds like Baz    I can't see you.

Q. Well done. 
A. Thank you.

Q. Hi, darling.  Tell me, any little kicks in the tummy when you went up on stage?
A. You know, with the lead up to that, the adrenaline, the baby was going crazy.  Poor baby.  It was kicking around, but once I went onto the stage I think it's so overwhelming that I couldn't even    I couldn't even    I couldn't have hardly told you my name.  So I didn't feel anything when I was up on stage.

Q. Well done. 
A. Thank you.

Q. Rachel, congratulations.  Sandy Kenyon for (unintelligible) radio.  What were you thinking the moment they called your name?
A. Gosh, my brain is    I think it's because I'm pregnant my brain is a bit like porridge.  Anyway, I think I was a big blank.  I don't think    I really don't think I was thinking anything at all.  It's a very surreal, strange, strange feeling.  I was just feeling kind of   just very strange.

Q. Has it kicked in that your life has changed yet?
A. No.  No.  Definitely not.  No. 

Q. Rachel, hello.  How are you?
A. Nice to see you.

Q. As the camera took a picture of you, when your name was announced, the gentleman next to you whispered something into your ear.  What did he say to you? 
A. Gosh, I'm not using the pregnant thing as an excuse, but I don't know.  Did he? 

Q. He kissed you and he whispered something right in your ear?
A. When I won you mean? 

Q. Yeah? 
A. Oh, I love you.  He said I love you.  Yeah, that I remember.  He
says it often, but it was    I remember.

Q. Hello Rachel over here?
A. Hello.

Q. I don't know whether you've had any thoughts of naming your child yet, but would there be a possibility of Oscar?
A. There are a few names that we've    we don't know if it's a boy or a girl, so we had to think of a little more, but Oscar isn't amongst them, for sure. 

Q. Can I ask you as well, how will you be celebrating tonight?
A. Going to go to the Governors' Ball afterwards, and then going to the Vanity Fair party.  Let's see how long I last.  I might have to put some flat shoes on.  You know, I'm like the Virgin Mary.

Q. Congratulations? 
A. Hello.  It's very blinding here.

Q. Congratulations.  First of all, and then I'd like to ask you, having this kind of aura that you might be the front runner going into this, did that make you a little more nervous perhaps?
A. Definitely.  Definitely.  Of course I've been told by people that I'm not    I don't know about gambling, but the odds    they didn't make sense to me, the odds, but I was told I had good odds, but no, that makes it    because you just never know I mean Adrian Brody won, and his odds were terrible.  You just never know.  In a way it was probably made it a little more nerve wracking, because everyone kept saying, you have good odds.

Q. Hi, Rachel.  You've done cleanup in the awards season this year.  I'm just curious, is there anything you carry with you as you've kind of gone through this?  Is there something you have to have with you as good luck?  And the other half of this is, where do you go from here when
you've been to the top?  What's next?
A. In answer to your first question, the thing is when you go to the ceremony, it's too late for luck because the votes have been cast, the die is cast, so it's kind of a democratic process.  It's too late for luck.  So I don't have anything that I bring with me to bring good luck, if you see what I mean.  Democracies    anyway, do all sorts of funny things sometimes you never know what way you go and where do you go from here?  I don't know, as I've just got here I don't know I really don't
know how to answer that yet.  I just    I don't know.  I'm next on having a baby, so that's next for me there.

Q. Just to say two things, first of all, is this one in the eye for BAFTA?
A. Absolutely not.  Absolutely not.  As you know, in England, the BAFTAs first of all decided to put me in the best actress category, against Miss Witherspoon, I think, she absolutely deserves the Best Actress prize.  So absolutely not.  And again, it's a democratic process.  It's not luck.  It's a group of people who voted, and they vote for who they think is best.  So I don't think it's    no, I don't think so.

Q. And also, who do you think will win Best Actress tonight?
A. Well, I mean, gosh, I really wouldn't really like to say.  As I mentioned, I think Miss Witherspoon's performance was absolutely tremendous, but I'm not a member of the Academy.  Next year I get to vote, but I haven't been able to vote yet.

Q. Thank you very much and congratulations. 
A. Thank you.



CATEGORY: ANIMATED FEATURE
INTERVIEW WITH: NICK PARK AND STEVE FOX
FILM: "WALLACE & GROMIT IN THE CURSE OF THE WERE RABBIT" 


Q. Best animated feature film of the year.

Q. Hello, guys, over here.  Waving at you.  Hello?
A. Hi.

Q. Okay.  Hello, THIS is Katie Bale (sic) from IRN in the U K.  Guys, you've been coming here and you look good.  You've done these so many times (inaudible). 
A. I mean, you can never really tell.  I mean, we knew we had a one in three chance.  But it's a, this is, the first time actually other three Oscars we've got are for Best Short Animated film.  This is our first one for full length feature, so it's a new one for both of us.

Q. What does it mean, is it special, this first?
A. Absolutely.  You get just as nervous, probably even more.

Q. Thank you. 
A. Thank you.

Q. I'd just like to know.  You had a terrible fire that destroyed your studios.  Can you tell me how you're coming back from that?  And then what are your plans now for the next film? 
A. Well, the great thing was the studio itself was not damaged.  It was a fire that burnt down a lot of memorabilia that we keep in the warehouse.  And it was four and a half million dollars worth of stuff gone (memoriabilia from the short films).  And it was but, and Gromit are and chicken run.  And it was sad but, you know, these things happen.  And it was very touching just to see how the English and the people around the world actually treated us as a great loss.  And I didn't realize it was very valuable to people, so it was very touching.

Q. Hi, (unintellible) from BBC news world? Congratulations.
A. Oh, thank you.

Q. It was really nice to hear.  And what next are you going to do?  What are you filming? 
A. Well, I think, you know, Wallace and Gromit are Nick's children really.  He's the one to answer that question. 

But, you know, Nick has always been generous enough to invite me to work with Wallace and Gromit, and we're forever thinking of new idea so they're going to go on forever.  Soon isn't a word you apply to animation.  You're looking at animation in five years' time.

Q. What do you think your win means for the British film industry?
A. It's a great boost, you know, to be a    just to be treated, you know, in the animated feature category as a proper film.  I think from the earliest days we wanted to make movies.  Short films and feature films (unintelligible) with Wallace and Gromit actually come here and win.  It's just amazing.  You know, I mean, to us, it is movies, all our references are from the real movies and from movie history.

Q. Duncan Kennedy from BBC television news.  What is it about this film so quintessentially British that travels around the world and makes it a success?
A. I think, you know, I think Nick's great invention was Gromit and because he's a character that doesn't speak.  You know, it just translates to any language; it's universal.  And, you know, Nick and I are great fans of silent moments in films and so many films these days seems to be
full of wise cracking comedians desperate to keep their job almost.  So, you know, whether people are, you know, they can experience the film through Gromit eyes on a kind of deeper level almost; it rises above words.

Q. Comedy is comedy?
A. Yeah, I mean, the great thing about animation is timing.  You can be really controlling about the timing.  Yeah, comedy is universal.  You know, Gromit is silent.  He doesn't have a mouth, but he gets all the best lines.

Q. Congratulations.  Hi, Jeanne Wolf from movies.com.  You know what the Oscars are really about.  Like who are you wearing?  We want to hear about the ties.  And soon is not a word you use for animation.  You certainly could go in the tie manufacturing business so we need explanation on the ties and how, you know, the guts to bring those little ties to the Oscars?
A. We didn't know we're going to wear these ties.  We should have called each other first.  The top fashion designer Paul Smith in the U.K.. He designed them for us and made them for us.

Q. And did you have those little guys in your pocket?
A. Yeah.  Actually, my wife made these when we're over here waiting. It was kind of a last minute idea.  We were very nervous about it because we know how sacred the Oscars are.  So we thought, what the heck.

Q. Congratulations, press.  Japanese Inquirer, could you tell us about what you think of fellow nominees, director Miyazaki Hayao, director, Tim Burton and Mr. Bach?
A. Yeah.  I mean, we're really up with the giants this year.  It was really   we couldn't really predict who might get up there tonight.  I mean, we've always been big admirers of Mr. Miyazaki's work.  He's respected in the world let alone Japan.  And so incredibly just privileged to be nominated with them, really.

Q. Congratulations.  Kind of off that question, we all hear about 3D animation these days.  What does it mean to you that the Academy chose to nominate a two dimensional animated film and two stop motion features?
A. You know, I think, I mean, I hope that, you know, what matters most of all is the films that are entertaining and well made.  And but, you know, maybe there is a kind of a message there, you know, the hand crafted, more unique, more unusual kind of [all] films are important, you know, the original one, say I hope there's a message from the Academy there.  The three films it's hard to say yourself are beautiful and very unique.  And maybe the CGI films this year just didn't hit that mark.  I think any technique is fine.  It's just a different tool to use. 
It's how well you use it, really.
A. We're big admirers of CGI films.  I'm glad Pixar didn't have a movie out this year.

Q. Thank you very much, congratulations? 
A. Can you.
A. I'm Nick Park and this is Steve Box.

CATEGORY: ART DIRECTION
INTERVIEW WITH: John Myhe 
FILM: "MEMOIRS OF A GEISHA" 


Q. You made a reference to Gretchen not being here.  Why isn't she here?
A. Gretchen is unfortunately having serious health issues right now, and I'd rather let her family talk about that.  I think that would be more appropriate.

Q. Jack Kegan (sic) with Below the Line. 
A. Hello, Jack.

Q. Tell me how you absorbed Japan.  You had never been there before you started prepping for this movie?
A. Well, it was a dream to go to Japan.  And the moment I got off the plane.  I just completely fell in love.  I loved the book so much. Arthur Goldman's beautiful book is so rich in detail.  And everywhere we would look in Japan would be these fantastic details from small little flowers painted to huge pagodas, so it was a dream come true.  It was a real pleasure.

Q. I was wondering you mentioned in your acceptance speech and we've had some traffic back here, we didn't hear.  But you talked about Gretchen, could you tell us a little bit?
A. Well, Gretchen Rau, our decorator, fantastic, one of the best people in the world.  I've been lucky enough to work with her a couple of times.  She's been having some serious health issues right now.  And as I said before, I think it's probably more appropriate to let her family
speak of that.

Q. Do you think she's watching the show tonight?
A. Oh, I guarantee you, she's watching the show.  Yes.  I'm sure it was very  I hope it was very noisy at her house tonight

CATEGORY: ART DIRECTION
INTERVIEW WITH: John Myhre and Gretchen Rau
FILM: "MEMOIRS OF A GEISHA" 



Well, thank you very, very much. I'm really lucky to share this award tonight with a really lovely, lovely woman, our set decorator, Gretchen Rau, who unfortunately couldn't be with us here tonight. She asked me to read a little note. Gretchen wishes she could be here with all of you. She thanks everyone. In the films she's collaborated with in work and her life. She loves you all. Gretchen, our thoughts and prayers are with you tonight. I'm sure Gretchen would also like to thank our brilliant
director, Rob Marshall, because this really is his movie. Every single frame of it. So thank you for letting us be part of that. And I want to thank my team, my whole crew, led by the team of Tomas Voth, John Hoskins, Clyde Zimmerman, thank you very much. And thank you to my agent,
Sandra Marsh who got me here. Thank you.


CATEGORY: DOCUMENTARY SHORT
INTERVIEW WITH: Corinne Marrinan and Eric Simonson
FILM: "A NOTE OF TRIUMPH: THE GOLDEN AGE OF NORMAN CORWIN" 


Eric: Attention must be paid, indeed. I'd like to dedicate this award to Norman Corwin, I hope you're watching tonight and I hope your words last forever. I'd like to thank Sheila Nevins, I'd like to thank my wife, Susie, and my producing partner here, Corinne Marrinan.

Corinne: Thank you, Eric. We'd also like to thank our families, mothers, fathers, Amy. Mark Herzog, and HBO, thank you very much. And I'd like to thank the Academy for seating me next to George Clooney at the Nominees Luncheon.

CATEGORY: ORIGINAL SCORE
INTERVIEW WITH: GUSTAVO SANTAOLALLA
FILM: "BROKEBACK MOUNTAIN" 


Thank you so much, members of the Academy. I'm so proud to have work in this movie "Brokeback Mountain." A movie that once again showed us that love is what makes us all very similar, in spite that we can be so different. I want to thank a few people. I want to thank Ang Lee for his vision, his support, his guidance. I want to thank Diana Ossana, Larry McMurtry, Annie Proulx for their inspiration. James Schamus, and David Linde, everybody at Focus. Kathy Nelson. Robert Messinger at First Artists, my coproducer and brother Anibal Kerpel. My orchestrater, David
Campbell, Bob Bernstein, Ron Goldstein. I want to thank my family, my wife Alejandra, my kids Anna, Luna and Don Juan, and last but not least, I want to dedicate this to my mother, a mi madre, to my country, Argentina, and to all the latinos. Para todos Latinos, muchas gracias, thank
you.

CATEGORY: DOCUMENTARY FEATURE INTERVIEW WITH: Luc Jacquet and Yves Darondeau FILM: "MARCH OF THE PENGUINS" 

 Luc: [whistles] It means, thank you in penguins. I'd like to dedicate this statuette to all the children in the world who saw that movie. In 2041, they will decide to ruin you or not, the treaty that protects Antartica. I will, maybe, the "March of the Penguins" will inspire them. Sorry for my English. Yves: Looking out on these tuxedos tonight, it's like seeing the movie again. Thank you for this homage. Thank you very much. Goodbye. Thank you. Thank you.

CATEGORY: BEST DOCUMENTARY FEATURE INTERVIEW WITH: LUC JACQUET, YVES DARONDEAU, CHRISTOFE LIOUD FILM: "MARCH OF THE PENGUINS"

Q. Wonderful penguins. If you do a sequel to this film, considering how cold it is in Antarctica, will you instead use a green screen and computer generated snow? A. I don't think so. We like the cold. We like very much the cold. So if we make maybe one sequel, maybe one day, which will be in real ice.

Q. (French). A. (French). Q. (French). A. (French).

Q. Sorry to be rude and keep quoting French, but (French)? A. (French.)

Q. (French). A. (French).

Q. Those are nice penguins. Did you win them like at a carnival? A. Our distributor in Japan made them for us for good luck and they are right, because we had a lot of good luck tonight.

Q. Congratulations. What do you think it means that one of the most what do you think it means that one of the most successful movies this year didn't involve human beings? What do you think it means about the future of cinema? A. I don't think it's a question of human beings or not. It's a question of interesting good story, I would say refreshing story. And with our films, small documentary, you can touch the hearts of millions of people, and you don't need to have special effects or naked women or violence to do such a thing. So I think that means that people are not stupid, and they look at the film and (untintelligible) and are interested in it.

Q. (French) I'm going to ask the question actually in French and English. So, if you could answer in French and then in English, that would be great. There are many versions of the song. I know American is March of the Penguins. The music has changed. It's not English anymore, but it's Alex Wurman. There's a Japanese version. How did it work to make it such a phenomenon all around the world and have like different version? A. (French). A. In English now. There are only two versions of the film; one is original French version with three voices symbolizing the male penguin, female penguin, baby penguins. Different sound track with music. (Inaudible) National Geographic film to release the film in the U.S. we thought for American audience, it would be better to have one, I would say, classical type of narration. And choose Morgan Freeman, which is great he did a great, great job on this film, and we change the music because maybe the music was a bit risky for the American market I would say, but the rest of the world, Japan, China, India and all Europe, except U.K., it's the original music and three voices. And we and this music won yesterday night in Paris, we were not there, they won the best music for feature film in France.

Q. Congratulations. When you were talking about the two versions then will there ever be a chance for Americans to see the original French version with it and was anything changed visually in the film? Were there cuts made? Is it the exact same length and exact same visual thing. Only the music and narration has been changed? A. The film is only three minutes shorter. They just cut one moment with the predation of the big bird killing the baby penguins, but it is exactly the same edit except three minutes shorter, but we hope, we would love to show the original version to the American public, and I'm sure that some people could like it too. So maybe now we have the Oscar, then we show the film in this original version here in the U.S.

Q. Did you see the version of Brokeback Penguin? And what did you think of it? A. I don't want to make a lecture about the breeding process about Brokeback Penguins. There is not only one model in the nature, there are many, many model of the nature, they do not read the nature of the model with our way of the nature. So don't worry about the Brokeback Penguins.

CATEGORY: SOUND EDITING INTERVIEW WITH: MIKE HOPKINS AND ETHAN VAN DER RYN FILM: "KING KONG"

Q. King Kong has won three awards tonight. You've worked actually your fellow nominees, Oscar winners, were watching you as you won your award and got to kiss Jennifer Garner out here. A. That was fun.

Q. How much do you attribute the fact you guys worked together so much on the Lord of the Rings and so forth to the success you are having now? A. Well I I think it's actually pretty important for the last I think it's quite important. Over the last four films, we were the same team and were a very tight, sort of cohesive unit. We are all respond well to some pressure. It's like a well oiled machine and Ethan and I are incredibly proud of the work our team does. And when something big happens, major changes, whatever, there's no drama. The team knows exactly what to do. We all get like an obligatory three minutes to piss and whine about it, and then we just go on. Q. Is it satisfying after the success of Lord of the Rings, too, to prove it wasn't a one time thing? A. Absolutely. Absolutely. You want to add to this? A. Yeah, no, I mean, I want to basically second everything you said. Want to say that going through the Lord of the Rings experience was tremendous sort of learning experience for us and for our whole crew, and we have gotten to a place now where everyone just knows what needs to happen and does it, and that's fantastic situation to work in. So we feel very fortunate.

Q. This is David Cohen from Variety; congratulations. Does this ever get old? A. No. This is only the second time for us. So it's, you know, probably take another 20 times before it would get old. A. In fact, people at home ask me if it's any easier this time around, and I say actually, no. It's actually much worse because I know what to expect now. So it's been it's been, it's been nervous here. Q. How did you do on Kong's voice? I heard you had a device? A Kong alizer? A. We did have a device that was developed by the crew during production, which allowed Andy Serkis to perform on set for Naomi Watts to act against, and it took his voice and pitched it down in realtime and went out to the whole for everyone to be able to react against. And we ended up incorporating that into the sound design of his actual finished voice.

CATEGORY: FILM EDITING INTERVIEW WITH: HUGHES WINBORNE FILM: "CRASH"

Q. Hi. Sheila Crabtree from the Hollywood Reporter. A. Hi.

 Q. During the course of this award season, you've talked a lot about crying and getting choked up and pulling the car over to cry with your son waiting for A. You're bringing that up now. I see.

Q. Has this been a very emotional experience for you and has your son Wyatt talked at all to you about being a film editor with you? A. You know, it's funny you should ask that. We I guess I don't know. The ACE Awards was two weeks ago, and he was so excited about that. And at one point he turned to me, and he said, "Daddy, I'm so nervous. I think I'm going to throw up." But the next day he wanted me to teach him how to edit, and so he cut a few scenes on the film that I'm working on right now. Has it been emotional? It's been very it's been you know, it's been incredible, but it's been stressful. And I'm happy that it ended in this way.

Q. So does your son know how to use Avid Xpress Pro? A. He does a little bit, yes. Q. Did you make it here okay today, or were there any accidents, and was A. No crashes.

 Q. No crashes at all? A. No crashes. Thank you. Q. ET TV from Taiwan. So sorry for asking this question that might not be relevant to you. A. That's all right.

 Q. But I would like to know how it feels for you to receive an award from Ziyi Zhang? And what do you think about her look today and whether or not you think her English has improved? Because last year she only spoke, the award goes to, and this year it was a little more. So what do you think about that? A. Funny you should ask me that question as well. Because when I walked up, I told her how beautiful she looked. Now, I have no have no idea what her English was like last year but she's extremely lovely and it was an honor to receive it from her, and she's quite beautiful.

 Q. Thank you very much. Congratulations. A. That's it? Not my troubled childhood? No? Okay.


 

CORRECTION: THIS TRANSCRIPT WAS PREVIOUSLY SENT WITH INCORRECT TITLE (LIVE ACTION SHORT). CATEGORY: ANIMATED SHORT INTERVIEW WITH: JOHN CANEMAKER AND PEGGY STERN FILM: "THE MOON AND THE SON: AN IMAGINED CONVERSATION"

Q. Congratulations. You didn't think you would make it in here. A. We didn't think we would make it period. Q. Congratulations. A. Thank you.

 Q. You're a noted historian and teacher and filmmaker, yet this film is more of a documentary, as was last year's winner, Ryan. What is your perspective of that as a historian now? Are you starting a trend? Is this something that may be continuing? What impact do you think this has? A. I think it's pointing towards the future in which independent visions are going to become more and more prominent as technology is more available to a wider selection of artists. You're going to see more personal stories, sort of a niche kind of, you know, type of filmmaking done, and I think it's going to bode well for the future of animation.

Q. Are you going to be speed up the process now on going onto your next film? You said you were going to take a hiatus? A. I think we would like to do another film. I'm not sure what it would be, but perhaps another personal story. John and I have working using documentary and animation before so it's really wonderful to see a film like this get recognition because I think more and more people want to use animation in different ways.

Q. Congratulations. A. Thank you. Q. I'm wondering if you're finding with so many cable channels with Cartoon Network and so many outlets now that are looking for programming that your film is being seen more than animated shorts were seen in the past? A. Definitely. I mean, we had especially getting the nomination. I mean, the nomination opens up doors even without winning. It's really exciting. Like Magnolia Films, who really are working to get short films, both the dramatic and the animation has been in theaters all over the country for the past two weeks thanks to Magnolia doing distributions. So I think that's just a lot more opportunities. And iTunes is launching the films that way. So it's incredible what we can hope to see more of in the future.

 

CATEGORY: MAKEUP INTERVIEW WITH: Howard Berger and Tami Lane FILM: "THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE"

Q. And do you feel somewhat A. It's two different Academy Awards rules and BAFTA pulled from the credits, you know. And my co partner at KNB, when it came time for the Oscar nominations, there's only allowed two people in the ticket. So the makeup voting the makeup committee decided that it would be team over Nicky, if there were Nicky Gouli as well. Nicky's fantastic and magnificent, and was a giant team player with us. I mean we all have worked together as one. It's the way it went. I'm really proud to have the team here by my side. She worked as hard as I did on the show, so and are there any other questions? We'll go.

Q. Did you interact with orb work with the electronic effects that is the computer generated effects people? A. Oh, absolutely. I think that's what's revolutionary about this film is that it's a giant combination of both techniques. It's a new magic trick as opposed to going all practical or all digital. It's a great combination. And Dean Wright, who's the visual effects producer and supervisor, really pulled a great team together with Rhythm & Hues and Sony, Image Works and ILM. And we all worked together. It really was a magnificent team effort. And first positive experience I've had working with digital companies just because we were there from the beginning. We figured out how we were going to do it. It wasn't that's my shot; that's your shot. We shared everything. So, to me, I walked away feeling so great and trusting that the characters we had created would then be translated properly and faithfully digitally. And I think it was a huge, huge success. You know, I'm just sad that the guys didn't get to win and Bill and Scott and Dean and Jim. I feel they deserved it. But they know the work they did and it's pretty spectacular. Q. Congratulations. A. Thank you very much.

 Q. Hi? A. Yeah. Q. I wanted to ask you do you feel in a battle between practical makeup effects or digital makeup effects? And the digital makeup effects are actually winning out? A. Well, I think we're coming back to the world of how everything is so digital that many people just expect the digital. And when you can pull something off in a practical realm, it kind of adds a new spice to the movie you're going to [see]. Well, how did that they do that? That doesn't look digital. And so I don't know. They just A. I think also the thing that nowadays directors are wanting more physical creatures or makeups or whatever it is on set for numerous reasons. One I think it really helps the actors. I think if we hadn't built all the Asland puppets we had for the stone table sequence and all that, the girls would have been reacting to a blue ball or something. You just can't pull performance out of a nine year old. So, you know, I felt that that really worked well to have the practical stuff as Andrew did. A lot of directors Jon Favreau is a great director who loves practical stuff. I just think at the end of the day, you can go ahead and go watch your dailies and see a bunch of effects stuff as opposed to waiting six months down the road and going oh, yeah, maybe something's not just right. So there's a huge influx of practical effects wanting to be utilized for filmmaking today.

Q. I just I want to ask you one more time. What did you hear about the I'm a little confused about the Nikki Gooley's question as to who's on the committee that decides Could you just explain that one more time for us? A. Sure. As far as the makeup committee goes, there's it's quite a number of makeup artists that are within this voting committee. Each, you know, category has its own pockets or what have you. Leonard Engleman runs the makeup committee. There was, I know, a lot of battling going on between who should be on and who shouldn't be on it. And it was a decision that it was Tammy or Nikki. And they felt that they were judging the film on prosthetic work, you know, the overall of the film. But mostly about the prosthetics. Be it all the other makeups, the hundreds and hundreds of makeups we did every single day for 150 days in New Zealand. So Tammy was the next person that rightfully deserves to have the nomination.

 Q. Do you feel a little bit sorry for Nikki at all? A. You know, I don't feel sorry for Nikki. I don't think Nikki feels sorry. I think Nikki feels very proud. Nikki received a nomination for Star Wars along with Dave Elsey. I think Nikki is very supportive of Tammy and myself and very supportive of the film. And she's a great sport. And if the decision had to come down that it should be between Tammy and Nikki, then I would probably feel the same way. Q. Thank you very much. Congratulations. A. Thank you very much

CATEGORY: SOUND EDITING
INTERVIEW WITH: Mike Hopkins and Ethan Van der Ryn
FILM: "KING KONG" 


Ethan: We want to thank Peter Jackson and Fran Walsh for their spectacular vision which is matched only by their spectacular generosity of spirit and heart. We are so proud to stand here and accept this award on behalf of our whole crew who continue to prove that with unconditional
creative collaboration, the impossible becomes possible. And in particular, we want to thank the amazing Brent Burge, and the one of a kind Andy Serkis who brought the voice of Kong to life.

Mike: I'd like to especially thank Chris Ward, Martin Kwok, and Pippa Anderson. And the amazing Peter's Park Road, and the guy that paved the way for us, Murray Spivack, the original sound designer for the 1933 vision of "King Kong." Murray, Thank you. Thank you so much.

CATEGORY: ORIGINAL SONG
INTERVIEW WITH: Jordan Houston, Cedric Coleman and Paul Beauregard
FILM: "It's Hard Out Here for a Pimp" from "Hustle & Flow"


Oh, my. Hey, we want to thank Keith Young our choreographer. And the
whole Sony Records, Lisa Ellis, our moms, our whole families. Thank you,
Jesus. And for giving us a chance, the Academy. We love the Academy.
You know what I'm saying? Gil Cates. Everybody. I got plenty of time.
Ain't nobody else. I want to thank everybody. Yeah. Donnie Einer. Once
again our families. Ludacris. What's up? Going down. George Clooney, my
favorite man, he showed me love when I first met him. We bringing the
house. We out of here. Memphis, Tennessee!

CATEGORY: CINEMATOGRAPHY
INTERVIEW WITH: DION BEEBE
FILM: "MEMOIRS OF A GEISHA"




Q.Congratulations.  Half South African, half Australian. 
A.Thank you.

Q.You were born in Australia and grew up in South Africa.  How would you say your upbringing has affected the way you approach your cinematography? 


A.I think that everything, and you know, everything that you experience in your life informs who you are and how you see the world I feel very, very proud, and growing up in Capetown and then Australia and Brisbane and Sydney, it does, it creates, you know, everything creates who
you are, so...  it's a big part of, you know, a big part of sort of my, I suppose vision of the world.

Q.You had mentioned that it was going to be terrifying to get on stage
if you won this award.  Was it?  A. It was complete terrifying.  It was    I had a lot of things I
wanted to say, but, I mostly sort of blanked out, but I remembered my mum, my wife, and my son, so... I feel like I did okay.

Q.And anyone back in Australia, the whole country?


A.You know, my family in Brisbane and friends and family in Sydney, you know, a shout out to all of them.

Q.Congratulations. 


A.Thank you.

Q.Jack Egan, Below the Line.  Dion, it's getting to be a habit, but tonight, you as well as Colleen and John all from Geisha have distinguished yourselves.  What is it about the movie that threw this group of crafts people together? 


A.It was Rob Marshall.  I think so much of the credit lies with him, and he has such a unique vision.  We had all collaborated with him before on Chicago, and had had such a wonderful experience.  You know, you become sort of a family.  And it's a creative family.  And Colleen and
John and, you know, and our wonderful crew were sort of that family on this movie.  And I certainly share this with them as well as Rob.  Thank you.

Q.Congratulations, Dion. 


A.Thank you.

Q.Why is it there are so many Australians who end up holding one of those in this category?  And secondly, how validating is it for you to actually win one of these personally?


A.I think it's a little suspicious how many Australians are nominated, but I think there's a strong tradition of cinematography in Australia, and I follow in the footsteps of John Seale and Dean Semler and Russell Boyd, and Andrew Lesnie and just to name a few of the really great
cinematographers out of Australia.  And look, this means    it means a lot.  I think it    it's such sort of a huge acknowledgment.  And, you know, it's hard to really truly sort of comprehend, but I'm sort of trying to with all the lights in my eyes, but it's great.

Q.Dion, Nick (unintelligible) from News 10 in Australia, congratulations. 


A.Thank you.

Q.You mentioned your mother during your speech.  Can you tell us a little bit about why you mentioned her and what sort of an influence or inspiration she was for this moment?


A.I need to sort of go on a little bit after Phillip Seymour Hoffman sort of mentioned raising four.  My mum raised five, five boys, and we all sort of came out okay.  And she's    she's a great woman.  And it's just    for a night like this, which is sort of so crazy and surreal, it helps having your mum in the room to just keep it, keep it a little more down to Earth.  So, she is, as any mother, she's    they're    they are a big influence or your life.

Q.And as the sole Australian winner here tonight, mate, you are carrying the flag, how does that feel?

A.It feels pretty good.  I suppose it's sort of strange to be the one and only Australian.  It's been a great history here at the Academy, and you know, I'm proud to be flying the flag for, you know, for both Australia and South Africa tonight.

Q.I'm going to ask you three questions.  Firstly, what part of the Oscar is Australian and what part is South African, if you had to list those?

A.I am going to split it right down the middle.

Q.Okay.  A.It's, like, which is left and which is right.  Right now, probably Australia is to the right.

Q.Politically correct.  How are you celebrating tonight? 
A.You know, with my mum, with my father in law, and, with my wife.

Q.Will you be partying?
A.I think there will be a little bit of that.  I'm going to try to use this to get my mum into the Governors' party.

Q.And also, what's your next project you're working on?
A.I just finished about 10 months in Miami with Michael Mann doing Miami Vice.  So, I'm currently recovering from that.

Q.Fantastic.  Congratulations.  Thanks.

 

CATEGORY: Honorary Award INTERVIEW WITH: Robert Altman

Here I am. Bob. A. You all have numbers?

Q. We all have numbers. A. Who's 206?

Q. I'm 241. I'm first. A. What's your name?

Q. Chaffer, Steven. I'm here to your left, right here standing. A. Oh. Hello.

Q. Yes? A. Yes. Q. Okay. Congratulations. A. Thank you.

Q. You said a shocking bit of news nothing we've heard before about a full heart transplant ten years ago. This was A. I'm in my 11th year.

Q. How did you keep that a secret in this town, and why did you decide to reveal it Oscar night to a global audience with a billion people? A. I don't know. It just occurred to me. I kept it secret. I mean I didn't make a big secret out of it, but I thought nobody would hire me again. You know, there's such a stigma about heart transplants, and there's a lot of us out there. And I got to tell you, I have the female heart, I think. It feels like it. And it's about 40 years old now. And it came from Tacoma or someplace in Washington. Usually people fall out of trees and hurt their heads, and so they take the heart out and rush it to wherever they somebody waiting for it, and I was waiting for it.

Q. This is Bridget Burn from U.S.A. Weekend? A. Hello, Bridget Burn.

Q. I'm over here, Bob, to your left. A. Oh, hi, babe.

Q. There was a lot of fun made by Meryl and Lily about, you know, you being a maverick, you being out of, you know, the Hollywood loop, all of that sort of stuff. But could you be succinct about what quality you thought you think you have that have made you lucky and successful all these years?

A. Well, luck, you can't account for. I have been fortunate. But I haven't, you know, I haven't been this anti Hollywood thing that is tagged on me for some reason, it's just apocryphal; it's not true. This is I've been nominated five times, and I've come every time. And I love it, and I plan to be back again.

Q. And can I ask one more succinct question? You talked in your thing about conversation with your actors. But can you recall specifically one very succinct thing you said to one of your stars that brought out a great performance in them? A. No. They give the performance. The performance is in them. I watch it and say, "Wow, isn't that good?" No. I'm a cheerleader. Q. Congratulations, Mr. Altman. A. Thank you.

 Q. Ted from ETV, right in front of you. George Clooney has expressed an interest in being in a gay love story or a gay film if you were to direct him in a gay story or any other actor, what would you like that story to be? A. A gay story?

Q. Yes. A. That's no different than any other story. I mean, you know, let's see. There's males and there's females, and there's plants and vegetation and there's man and woman and man and man and woman and woman. And then there's woman and man and woman. I like that one a lot.

Q. For the man and the man, would you put in as many as sex scenes as you would for a straight film? A. I don't like to put in sex scenes. I don't think that should be shared. That's something to write songs about. Thank you. Q. Bruce Carpenter, the Toronto Sun? A. Had he

Q. Congratulations. A. Thank you.

Q. Over the years you and I've talked as you've talked to many of my colleagues in this room and often the subject has been your sometimes animosity towards the people who run Hollywood? A. Oh, I

Q. And here, you know, you're considered an outsider, a maverick, maybe those are terms we brought to it. But here they are you've maybe even called them on their idiocy over the years in backing certain films and not backing others. And here they are thanking you for it. I'm wondering if you see any paradox or irony or pleasure in that?

A. No, I think that's the way it should be. No, I don't see any you know, this is a tag that someone else puts on me. This isn't the way I feel. I mean the only difference is the reason is that the major studios through the years that I've been involved in the last 20, 30, 40 years they sell shoes and I make gloves, but there's nothing, I don't have we're just in a little different business. That's all. Q. Hi, Mr. Altman, David Carr from the New York Times. Do you look at this crop of movies this year, there's small movies, story driven. . . A. I think they're great.

Q. Do you take any credit for that or do you think Hollywood has come to its senses and learned?

A. No, no. I think everything is a wave. I'm just happy this is the year I'm very happy to be included in that mix because I think these are terrific films. I think Clooney's well, all of them I think they're just terrific. And I'm real happy to be in that at that particular party this time. Q. Mr. Altman. Patrick Stoner of PBS, it's rather parochial of me, I suppose, because Prairie Home Companion is one of ours, but you made it very clear how excited you are to be doing this. It's coming out A. June.

Q. Will you share it with us exactly what it is that excited you about it? A. About Prairie Home Companion. Q. Yes?

 A. Well, Meryl Streep, Lily Tomlin, Kevin Kline. Garrison Keillor. Tommy Lee Jones, Woody Harrelson, John C. Reilly, that's the I mean I'd go to that party anytime. Q. Congratulations. A. Thank you.

Q. I'm back here on your right. I believe. Chris Stanley with KNX radio. Great pleasure and well deserved. Do you have a sense people talk about how your movie making changed movie making. Things that you did, the overlapping dialogue that was first prominent in M*A*S*H and Nashville? A. Did you ever see a Howard Hawks film?

Q. Yes, I did. A. That's where it came from.

Q. You stole that from Howard Hawks? A. I didn't steal it. I just borrowed it. Q. It is an homage, do you acknowledge the fact that you have had an impact on the way the film industry has evolved since M*A*S*H came out? A. I don't think I think I've been in this current. I've been in the wave with everybody but there's hundreds of us that do this and we all progress and ride at the same time. I'm very proud to be involved with these people that do this. It's very hard. It's heartbreaking. And yet it's one of the most gratifying thing I know to do. I wouldn't have it any other way.

Q. Does it seem like yesterday since you learned how to run a filling station in 1953? A. That was a good one. That was a good one. Okay, I can't remember the name of any of the lead actors but Q. Right here. Right here, right down in front, Mr. Altman. Hi how are you. A. Good.

Q. Tonya Hart, American Urban Radio Networks. Congratulations. A. Thank you. Q. You have been such a purveyor of culture for a long time and in looking back over those years, is there a moment that stands out in your mind where you felt that it was like a "wow" moment just like "ooh, that was awesome"? A. Oh, listen, I am so blinded by actors and what they do. And that happens to me every time. There's not one film that I've ever done that I would take any moment of it back, that I would change any of it. It is what it is and it's really the actors that do this. And they, you know, they get a lot of credit but they should get all the credit because I really just stand back and watch. They're the ones that take an idea, a script and take it from two dimensions into three, they give it the third dimension. Not me.

Q. Hello, Mr, Altman? A. Hello, 298.

Q. Gary Sussman from Entertainment Weekly I'm to your left, right here. A. Oh, of course. Hi.

Q. I wonder how you felt when you first heard that you were going to get this award if you said to yourself, something like didn't any of these people watch the Player? A. No. I was very happy. I didn't think I was going to be able to accept it because I didn't think I was going to be here. I was starting to do this play in London and it just timing was such that we open Friday night and I was able to come right over and I got to go back tomorrow. But no I what was the question but no, I I I don't know. Sorry for the incoherent answer. But that's my usual answer.

Q. Thank you

 

CATEGORY: FOREIGN LANGUAGE FILM
INTERVIEW WITH: Gavin Hood
FILM: "TSOTSI" (SOUTH AFRICA)


God bless Africa. Wow. I have a speech, it's in my pocket, but that thing says 38 seconds. But mine's way too long. Go to tsotsi.com and there is a huge long list of people. Because I'm accepting this not for myself. This is for best foreign language film. It is sitting right there to
start with. Please stand up Presley Chweneyagae and Terry Pheto. My two fantastic young leads. Put the cameras on them, please. Viva Africa. Viva. I've got ten seconds. Ten seconds I just want to thank my fellow nominees who I've become deep friends with. We may have foreign language
films, but our stories are the same as your stories. They're about the human heart and emotion. It says please wrap. Thank you so much. Thank you to the Academy. Thank you.

CATEGORY: ORIGINAL SONG
INTERVIEW WITH: JORDAN HOUSTON, CEDRIC COLEMAN, PAUL BEAUREGARD
SONG: "IT'S HARD OUT HERE FOR A PIMP"
FILM: "HUSTLE AND FLOW




Q. Hi.  You guys seemed genuinely surprised.  Were you? 
A.I was so, so, so, so, so surprised, because I was actually ready to clap for the winner and go to the dressing room because I didn't think we were going to win, and when they said "Hard Out", I didn't even write an acceptance speech, so that's why I was blah, blah, blah, blah.

Q.What do you think that this is going to mean for your group?
A.This is such a blessing right now.  Let me slow down for a second.  This means, like, more movies to write, write more songs for more movies.  We have some independent movies ourselves.  We're going to try to put out our own movies out ourselves.  This is so huge for the group.  I mean, there's so much stuff.  We make music for other artists, you know, as far as Ludacris and Mike Jones and Powwow, and a lot of production, you know, there is so much I can't even stop.  You know, maybe some commercials, writing music for commercials.  I don't know. 
Congratulations.


A.Thank you.  Thank you.

Q.Hi there.  I wanted to ask first of all, Jon Stewart mentioned on stage how exciting, and excited, you guys were and you certainly made an impression on everyone.  If you can discuss that first, and then I have a second question. 
A.When we ran out?  I just couldn't believe it.  I couldn't stand still.  I had to run somewhere.  My heart was beating so fast, I automatically just ran.  I started to run down stairs and run back and run all over the place.  People probably thought the police were going to be
chasing me.  I was just running.

Q.Do you think you guys are the only award winners to wear diamond grills, or do you expect more to come into the fold of the Oscars, especially with hip hop representation?
A.I know tonight we are obviously the first, and I think there are going to be more after us.  I think so.  I'm hoping.

Q.Hi.  Congratulations.  I was wondering if you thought that your winning an award, an Oscar, would have any profound effect on the respectability of hip hop, and do you think it will change its perception among non hip hop fans?
A.Yes, yes, yes.  Because like right now when you look around and listen to radio and watch television, hip hop is taking over.  I mean, we're doing a Snicker deal now, Ludacris has got a Snicker deal.  Hip hop is taking over.  Clothes, underwear, there is so much going on.  Hip hop
is taking over right now.

Q.Gentlemen, hi.  You sang for us on the red carpet, you sang wonderfully on stage.  Who were you just texting?
A.I was cutting my ringer off, because people are calling me.  I don't know why people would think I would want to talk to them.

Q.Your friends were calling you?
A.Oh, yeah, friends, mom is calling and dad's calling.  We love you.  We'll answer the phones in a few minutes after we get interviewed for this beautiful press.

Q.Where were you guys a year ago?
A.A year ago we were in Memphis, Tennessee.  We still live in Memphis.  We were just putting out albums.

Q.So how big a trip is it from a year ago to right now?
A.That's a big trip.  It's like jumping on a spaceship and going past the moon and going to a planet they haven't even discovered yet.  We're just a small, small little original rap group from Memphis, Tennessee, and we have, like, ten gold records and maybe two platinum albums and a
new one that's going platinum, but this is    come on, man, look how shiny it is.    It smells good too.

Q.Congratulations.  Just to give people an update on what's going musically right now.  What's going on? 
A.A single we brought out last year, which was State Flowers, which was a real big hit for us, it went pop, and we've got a new single out that's called Popping My Collar, and it's blowing the radio charts right now, and I think it's going to cross over to pop radio as well.

Q.Hi.  Bill from USA Today.  Did you know you got bleeped during the song?  Or that's what our editor said. 
A.For real?

Q.Yeah. 
A.On what lyric?  What part?

Q.I don't know.  We're trying to track it. 
A.I didn't know that.

Q.I think it was witches and bitches or something. 
A.No, it wasn't us.  You must be talking about somebody else who was performing.  It couldn't have been us.  We changed the lyrics up completely.

Q.You changed them for the show?
A.Yes.  I had to because my mom was watching.  I didn't want to say any cuss words.  My mom would have been, like, Hey, boy. I told you.

Q.Could each of all of you guys give your names. 
A.My rap name is Juicy J and my real name is Jordan Houston and the rap group I'm in is Three 6 Mafia. Cedric Frazier Boy, Coleman, D.J. Paul, Three 6 Mafia.

Q.Hi.  Jeannie Wolfe from movies.com.  Congratulations. 
A.Thank you.

Q.We're real happy for you, but I can promise you that tomorrow I'm going to get calls going, I saw the one with the word "pimp" in it won.  How is this for our kids?  You know, the whole world is not going to be happy about this, and the signal it sends for artists or for Hollywood.  What do you say to people like that?
A.Well, I mean, when you look at the song, you look at the movie.  That's why they chose it.  You're watching the movie, the characters are making the song and the movie so dramatic    so what?  "Pimp" this, "pimp" that.  It's constantly    they chose the song because it was in the
movie.  You know what I'm saying?  It wasn't really because of the word "pimp".  It was because it went together    it was so dramatic in that scene.  That's why they chose this song to be nominated, and that's why we have these Oscars in our hands. I think I'm going to pray for those
people.  It's just entertainment, on the radio, in the street and in the movies, it's just entertainment.

Q.Are you going to join Itzhak Perlman posse like Jon Stewart suggested, and what does your mom think about some little kid saying the word "pimp"?
A.I don't know.  I need to call and ask her.  Actually, I'm going to call her and ask her, I promise you.

Q.Did you hear Jon Stewart say  
A.I'm sorry.  I didn't  

Q.Jon Stewart said the famous violinist, that you should join his posse?
A.Sure.  Let's do it.  Where's he at?  Do I have to get branded?

CATEGORY: FILM EDITING
INTERVIEW WITH: Hughes Winborne
FILM: "CRASH"


First of all, I'd like to wish my father in North Carolina a happy 83rd birthday. Secondly, Paul Haggis, a force of nature. Thank you, Paul. I would not be here without Paul. I would not be here without Cathy Schulman, and I want to thank both of you from the bottom of my heart.
Thanks to Bob Yari, Lions Gate for seeing a powerful film. Thanks to my assistant Sean Hubbert, 9, Jesus. Thanks to... I have to name some friends of mine who have supported me over the years. Donna, Bruce, Bob, Raq, Leslie, I can't remember any of them. And my girlfriend, Looloo who has
gotten me through the last three weeks, and I've been a bull, believe me. And last but not least, my editing partner. Don't start the music, I can see you. My editing partner, my film partner, my movie buddy, my son who makes my life wonderful every day, Wyatt. And I'd like to dedicate my award to a friend, the memory of a friend, Dan Petrie Sr. who passed away last year. Thank you very much. Thank you

 CATEGORY: LEAD ACTRESS
INTERVIEW WITH: Reese Witherspoon
FILM: "WALK THE LINE"




Q.Reese Witherspoon?  Reese, congratulations. 
A.Thank you.

Q.If you could sum up this win with a June Carter or Johnny Cash song which one would it be?
A.Gosh, I don't know.  None of their songs were celebratory enough, I don't think.

Q.Which one comes to mind, then?
A.Oh, gosh, I don't know my whole mind is blank.  I just found out my husband's movie won the big award.  So that's exciting.

Q.Forgive us the frivolous question but we've all been admiring your gown, and I'd like to know about it?
A.Okay.  It's an original Christian Dior from 1955.  And I found it in a vintage store in Paris, and it's mine.  I'm so happy about that.

Q.What did you do today to prepare?
A.What did I do?  Oh, so much.  Well, I woke up and fed the kids and changed a lot of diapers and chased them around the house.  And got my hair done and I got my nails done and got my make up done and then I was out the door.

Q.Hi, Reese.  I want to know a little bit more about your gown because you look very elegant. 
A.Thank you.

Q.And with this old Hollywood theme and I think the dress kind of suits the evening.  Do you really get to keep it, and did anybody wear this dress before you that you know of?
A.Not that I know of.  And, no, I worked with wonderful people, and they helped me find this wonderful dress, and they helped repair it and bring it back to its original condition.  And it has a lot of love in it.  And it really only had one original owner, and she's passed now.  And so I feel very lucky to be able to wear this dress.  It's very special to me from the moment I saw it.  It had a lot of love in it.

Q.Can I ask you one more follow up about the dress?  Is it heavy?  It looks so beaded. 
A.No it actually isn't.  It's so light.  It's very nice.

Q.To your right.  Channel One News, we go into high schools across the country.  You mentioned June says she's just trying to matter.  What would you say to teens that just want to matter or maybe want to pursue a career in this industry?
A.I think it's important to follow your heart and follow your dreams and have dreams.  And I think a lot of the movies this year sort of had that theme in them, but it's so important to believe in yourself.  And I've been really, really lucky to have such a wonderful family support me and believe in me so much.  I really feel like that's the reason I'm here.

Q.Anyone in particular who inspired you?
A.Particularly my mother and my grandmother.  I mean, really they taught me a lot and a lot of characteristics that a woman should have in life and how tough women are and how strong we are.  And I feel like it really helped my performance with June, because I sort of came in with an innate knowledge of who she was as a woman.

Q.I wonder, does this mean we can see more dramatic work or maybe a Legally Blonde 4? 
A.Well, there's not even a three yet.  Lucky me.  I    I don't know.  Ted got that.  I don't know what I'll do next.  I actually have no idea.  I have no work.  I'm completely unemployed.  So I'm looking actively for a job and hoping this isn't the end of the line.

Q.And you spoke a lot about your grandmother.  Do you think she'd be particularly proud of you?
A.Yeah, you know, she's a real important lady to me, and she sort of taught me how to say, excuse me ma'am, and pardon me, sir, and never to chew gum in public.  And she was one of those very wonderful feminine women that just was so warm but also very strong.

Q.I just wanted to ask you at that very moment you just had this look on your face just before your name was called, I'm wondering what did you feel when you did hear your name?
A.Oh, no.  Oh, no.  Oh, no I hope I don't have to say anything.  I just    you know, it's really hard for me.  One of the hardest things about this movie was talking in front of a large group of people or singing in front of a large group of people.  Because I'm used to the filmmaking experience for me has always been very small and very intimate.  It's never more than 50 people watching your performance.  They're all busy doing more important things, like lighting, the set.  So, for me, this
was    it was a great sort of accomplishment to just learn to stand in my own shoes and in my own self and be proud of myself which is, you know, it's different for me.


Q.A lot of great artists overcome a lot of hard knocks and adversity in life.  And you seem just like you came from a loving well adjusted family.  Has that always been a liability for you, or did it actually help you in ways that maybe it wouldn't have and if you had a different experience?
A.Well, you haven't met them yet, so    no.  I came from a wonderful family; very intelligent people, very eccentric people, wonderful southern family.  I've been very lucky and blessed that there was a lot of love in my family, no matter what else was going on.  We all love each
other very much so it really is a gift and I think that's a huge part of how I was able to achieve what I did tonight.

Q.I wanted to ask you    five or six years ago probably people would think of you as a very beautiful woman with a good comedic talent.  Now you're considered a good singer, a very serious actress, an Oscar winner, and probably the highest grossing actress in Hollywood and do you
even begin to fathom the change in your life?
A.I have no idea.  Just keep working hard, man, I usually don't come up for air very much, and this is a wonderful moment where I finally actually got to stand back for a couple of months and go, wow did I really do that?  It's hard for me to even think about that.  I do feel it's sort of in my life right now.  It's sort of forcing me to look at what I've achieved and, you know, I'm very happy.

Q.From the moment I saw this    and I'm not alone.  I think that everybody felt it    they saw you in this movie, and they said you're going to win the Oscar for it.  Why do you think there was such a connection at this time in your life and at this time in your career with June Carter Cash that this became this defining Oscar winning role?
A.I have no idea.  I think it's a wonderful community of artists that, you know, I've been able to work with for a long time now, it's been 16 years since I've been in this business.  It's just nice to have this opportunity to play this character.  Just getting the job was a huge part of it.  This woman was just an amazing person to portray so, I think that was more than a lot of it and just having the opportunity.  I was lucky that I just didn't blow it. 

CATEGORY: LEAD ACTOR
INTERVIEW WITH: Philip Seymour Hoffman
FILM: "CAPOTE"


Wow, I'm in a category with some great, great, great actors. Fantastic actors, and I'm overwhelmed. I'm really overwhelmed. I'd like to thank Bill Vince and Caroline Baron. And Danny Rosett, the film wouldn't have happened without them. I'd like to thank Sarah Fargo, I'd like to thank Sara Murphy. I'd like to thank Emily Ziff, my friends, my friends, my friends. I'd like to thank Bennett Miller, and Danny Futterman, who I love, I love, I love, I love. You know, the Van Morrison song, I love, I
love, I love, and he keeps repeating it like that. And I'd like to thank Tom Bernard, and Michael Barker. Thank you so much. And my mom's name is Marilyn O'Connor, and she's here tonight. And I'd like if you see her tonight to congratulate her. Because she brought up four kids alone,
and she deserves a congratulations for that. Oh, I'm at the party, mom, you know? And she took me to my first play, and she stayed up with me and watched the NCAA final four. And my passions, her passions became my passions. And, you know, be proud, mom, because I'm proud of you, and we're here tonight, and it's so good. Thank you.

CATEGORY: CINEMATOGRAPHY
INTERVIEW WITH: Dion Beebe
FILM: "MEMOIRS OF A GEISHA"

Oh, God, what an amazing feeling. Terrifying but amazing. Mom, I know you're up there somewhere. I think. Rob Marshall, I know you're here, too. I want to thank you for, you know, like we said earlier, this was your vision, and we feel like we were part of it. And you know, I hope we
made you proud, and you know, to Sony Pictures for being brave enough to make this movie. And our great producers. My beautiful wife, who is over there, who is my inspiration, and my muse. To our beautiful boy at home, Axel, who was born during the making of this movie, and it will
be a beautiful part of my life forever. Thank you.

CATEGORY: ADAPTED SCREENPLAY
INTERVIEW WITH: LARRY McMURTRY AND DIANA OSSANA
FILM: "BROKEBACK MOUNTAIN"

Q.David Cohen, from Variety.  Congratulations. 
A.Hi, thank you.

Q.Diana, Larry said a lot of nice things about you up there, and I just want to know if you have any reaction? 
A.I was startled.
A.I was going say half of them at the Globes but I forgot.  So you got two for the price of one tonight.

Q.As a follow up, I have friends in the business, actors, and I was shocked because they didn't want to see the movie.  Men, who were just, like, too uncomfortable with it. 
A.Really? 
Q.Yeah.  You had the same reaction I did.  "Really?" 
A.Yeah.

Q.I am just wondering if you have anything to say to people that are having that reluctance to see the film?
A.That's just silly, you know...
A.It's a movie.  Go see it.
A.Yeah.  It's a movie.  I don't know what they are so afraid of.
A.It's not going to threaten anybody's manhood going to see a movie in which there is gay sex. 
A.Well, or it's    you know, I mean, the fact is, we'll say the same thing we said to everybody:  Whatever preconceived notions you have, you need to set those aside; go see the film.  The film will shatter those notions.  It really isn't what people are    are imagining it is in their heads.
A.Or encompassing in a human way.
A.It's much more encompassing in a human way.  And also, you know, there are a lot of jokes about the film, which don't bother us at all. They really don't have anything to do with the movie.  The movie is separate and apart from that.  They should just give it a chance.

Q.Congratulations.  Over here. 
A.Oh, hi.

Q.Congratulations to you two.  I wonder if it is kind of half sour because the movie didn't win.  Are you, like, half happy, half disappointed? 
A.Yeah. 
A.I mean, it's bittersweet certainly, because, you know, it's wonderful that we won for the screen play, but...
A.And the song.
A.Yes, and the song and the directing.  It's wonderful.  But, you know, this was a journey of nearly nine years for me getting this to the screen.  So, it's bittersweet for me certainly.  I was just going to say  and the picture honors everyone who worked on the film.  So, of course it's bittersweet.

Q.Do you think it might be kind of a compromise, the Academy didn't want to give such a subject the main award, so they gave the rest   the other awards instead?
A.I don't know.  They are individual votes.  I'm not quite sure.
A.I do have an opinion, because I have had four movies nominated for Best Picture and the three that were rural lost.  The one that was urban, Terms of Endearment, won.
A.I don't think a lot of people know that Larry    films derived from Larry's works have garnered now 13 Oscars and 34 Oscar nominations. 
A.But members of the Academy are mostly urban people.  We are an urban nation.  We're not a rural nation.  It's not easy even to get a rural story made.  And in the four instances that I have had, Hud, The Last Picture Show, Brokeback Mountain and Terms of Endearment, the urban story won, and the three rural stories didn't.

Q.I remember you said earlier that you were a nervous wreck.  You actually look very composed right now, so I commend you for that. 
A.Thank you.

Q.And I want to know these are big wins for this movie.  And do you think these wins will open doors for gay themed films in terms of critical acceptance or acceptance in the middle of the country for instance? 
A.Well, you know, I don't think, if it    you know, if the movies tell good stories with strong characters, I think that's what opens doors ultimately.  If it's a good story. 
A.Talking about the opening of doors, seeing a lot of movies over a lot of years and perhaps Brokeback produced a little softening, or, perhaps, the truth, it really is:  Americans don't want cowboys to be gay.

Q.Get back to your urban theme.  Put it another way, do you believe that Crash benefited from the fact it was a Los Angeles based movie?
A.Yeah.  Home town movie.

Q.I've asked April this question before:  What's the first reaction when they know that Ang Lee is picking up the movie?  And Annie said she's scared. 

So what's your first reaction when you know that Ang Lee was the one directing the movie?  I know you also said it took you nine years to get the movie done.  It took Ang Lee X amount of years and after the Hulk too to get this done, so what took so long? 
A.You know, they say all films take an average of seven years to be made but each one has specific obstacles.  The obstacle for this one was casting.  It was difficult to get a cast.  We had at various times directors and studios involved and money, but we couldn't get the film cast.  Actors wouldn't commit and it's Larry's belief that it was their representatives dissuading them from it.  Ang, we wanted Ang. 
A.We wanted him a lot.  We were happy when he came on. 
A.I was a fan of Ang's since the Ice Storm and when Crouching Tiger came out, I saw this amazing film, a large landscape with these intimate stories of repressed love taking place in this film, and I said, Larry, you need to see this.  We wanted Ang.  We were sure he could do this film and do it brilliantly.

Q.First, congratulations.  I guess we'll end on sort of a trivial note but one of curiosity.  Diana, your gown is gorgeous.  Larry, what made you decide to wear jeans tonight? 
A.I always wear jeans.  My native costume.  Why should I change?  I just put on a bespoke tuxedo top.

Q.Went for the top but couldn't bear to part with the jeans on the bottom?
A.That's right.  They go with my boots.

Q.Goes with the Brokeback theme, right? 
A.I always wear jeans.

Q.Thank you, congratulations.

CATEGORY: LEAD ACTRESS
INTERVIEW WITH: Reese Witherspoon
FILM: "WALK THE LINE"


Oh, my goodness. I never thought I'd be here my whole life growing up in Tennessee. I want to say Johnny Cash and June Carter had a wonderful tradition of honoring other artists and musicians and singers, and I really feel that tradition tonight. It is very important, and I really feel it. So I want to thank the Academy for this incredible honor. I want to say thank you to so many people who helped me create this role. Everyone at Fox, Cathy Konrad, James Keach, for producing the film. A very special thank you to Jim Mangold who directed the film and also wrote this character. Who is a real woman. Who has dignity and honor, and fear, and courage, and she's a real woman. And I really appreciate that. It was an incredible gift that you gave me. So thank you. And T-Bone
Burnett for helping me realize my lifelong dream of being a country music singer. Thank you T-Bone. And I want to say thank you to Joaquin Phoenix who just put his heart and soul into this performance. His commitment and passion for this character and for this performance was just
remarkable, and I feel so lucky to have gone on this journey with you.

I am so blessed to have my family here tonight. My mother and my father are here. And I just want to say thank you so much for everything, for being so proud of me. It didn't matter if I was making my bed or making a movie. They never hesitated to say how proud they were of me. And
that means so very much to a child. So thank you, Mom and Dad. I want to say thank you to my wonderful husband and my two children who should be going to bed. And thank you for loving me so much and supporting me. And I want to say that, my grandmother was one of the biggest
inspirations in my life. She taught me how to be a real woman, to have strength and self respect, and to never give those things away. And those are a lot of qualities I saw in June Carter. People used to ask June how she was doing, and she used to say -- "I'm just trying to matter." And I know what she means. You know, I'm just trying to matter, and live a good life and make work that means something to somebody. And you have all made me feel that I might have accomplished that tonight. So thank you so much for this honor.

CATEGORY: DIRECTING
INTERVIEW WITH: ANG LEE
FILM: "BROKEBACK MOUNTAIN"


Wow. I wish I knew how to quit you. First of all, I want to thank two people who don't even exist. Or I should say, they do exist, because of the imagination of Annie Proulx and the artistry of Larry McMurtry and Diana Ossana. Their names are Ennis and Jack. And they taught all of us who made "Brokeback Mountain" so much about not just all the gay men and women whose love is denied by society, but just as important, the greatness of love itself. Thank you. Thank you members of the Academy for this tremendous honor. And to everyone at Focus Features, in particular, David Linde, James Schamus, thank you for your love and support. To Bill Pohlad, Tory Metzger, Ira Schreck, Joe Dapello, many thanks, and a special thanks to David Lee. And thanks to my wife, Jane Lin, and my boys, Han and Mason. I love you. On "Brokeback Mountain," I felt you with me every day. I just did this movie after my father passed away. More than any other, I made this for him. And finally, to my mother and family, and everybody in Taiwan, Hong Kong and China. Thank you.


CATEGORY: Foreign Language Film INTERVIEW WITH: GAVIN HOOD FILM: "TSOTSI" (South Africa)

 Q. Congratulation. We were crying. We were so emotional. How do you think this is going to change the way that Hollywood views South African movie making in general? A. I think it's going to change the way South Africans view their moviemaking. In the sense that we're the second film nominated. Last year, Yesterday was nominated but we're the first film to win, and I feel very, very proud to hold this because it tells me, and all of us at home, that we can do it. And that hopefully it means that people will keep investing in our local stories, because this gives investors a little more confidence and what we want more than anything else is that people and human emotion is universal and we're more alike than we think we are around the world, and we grew up watching American films and I hope that Americans will watch our stories and just as we 've learned about Americans and the rest of the world people will know more about us from our stories, and find that we're actually so similar as human beings inside. So thanks, South Africa.

Q. How are you doing? Good to see you. A. I'm sweating and terrified. But I'm holding this.

Q. I was just wondering, you just saluted the whole continent of Africa. How is African film? And where is South Africa within the African cinema community? A. Well, I think we're priveliged in South Africa to have possibly the strongest economy, so we have an enormous amount of foreign production that has come to our country over the last 20 years, so we have, so you can rent any kind of gear you want, a huge amount. I mean, lots of Hollywood movies are shooting in South Africa now, huge amounts of European films and commercials, so we have a very solid base and commercials, so we have a very solid base, we're very fortunate in that sense. We have that infrastructure. And what has started to happen is now we're beginning to use that infrastructure to tell our own stories. I shouldn't say now we're beginning; we have been doing so, some very brave filmmakers like Anant Singh and Darrell Roodt they have been doing it for years, but we used to do one or two films a year. If we're lucky, now we're making ten or twelve and hopefully that will just keep growing and it encourages more young South African filmmakers to just keep telling their story, then I feel very proud. I really do, and I'm very proud of the whole cast and crew. Let me tell you now no kidding it's 4:00, 5:00 in the morning at home, and I know they're going crazy, I know where all the parties are. We have all the (unintelligible) before, there is so much celebrating. It's like a sports team, guys. It's like having a sports team. It's like if you're a Yankee fan. You know, people at home, we just won something that we've never won before, and I know that makes people at home very happy, so thanks.

Q. Alan Silverman, we're on on Cape Talk. A. We're live?

Q. Well, we're going to be in a few minutes. A. Wow. Q. Don't worry, we can edit it all out. A. Okay.

Q. You mentioned before that there was a sense of relief. Did that sense pass over you as you were waiting for your name to be announced? A. You know, I've said before, the film has been fortunate enough to win a number of festivals over the last six to eight months, and a lot of times I felt relieved instead of fully overjoyed. I felt relieved because there were so many expectations for the film and I knew so many people, my producers, my investors, our actors, our country had expectations and as the director sometimes you carry a bit too much pressure because you think you might be the guy that screwed it up. So a lot of time I felt relief but tonight, tonight I don't feel relief, mate, I feel damn great. I feel truly overjoyed. It doesn't get better than this. This is the Olympics of filmmaking and I I'm so proud of everyone in South Africa that worked on this film. I really am. Go to Tsotsi.com and read the credits. Every person put their best into this movie. It's really good.

Q. I don't think we've heard "Amandla" (sic) before. A. Buy a donkey, buy a donkey, buy a donkey. (In Afrikaan) Q. Your two stars are complete unknowns in South Africa. A. Yeah.

Q. What do you think that means for acting in South Africa? We have had Charlize win, but she had to come here. Now, we get an Oscar won by two indigenous South Africans speaking A. In their own language? Q. In their own language.

Q. I think I think that the fact that the actors were able to work in their own language we're so used to seeing stories told about our country but not always by our own people and some of those stories have been good and some have not, but as a matter of dignity story telling is important for people. It's not just not about learning about other people it's also about how we learn about ourselves and I hope we will do it more and more and it also reveals our common humanity to the rest of the world. And our struggles. But deep down inside people are more similar than we think. So, I hope South Africans keep telling all kinds of stories. I really do. Thank you.

Q. Congratulations. A. Thank you. You were confident on that red carpet and you made me even more nervous.

Q. Good for you. You know (unintelligible) you have extraordinary actors as the young lady was just saying. Is there a lot of other people like this in South Africa. What about the acting community in South Africa will we see other people? A. I hope so, yes, absolutely. I'll tell you the thing: Let me tell you the films cost money even a film like Tsotsi costs $3 million is $3 million that people want back and we have a relatively small market at home for films. So we need our films to travel. We need to have people see them outside of our country because our local market is not huge. Although I have to say Tsotsi is breaking box office records at home too. So maybe it it will help change that too. But we do have great actors and great story tellers it's just that film has been an expensive media for us. Our theater tradition as you know is very strong. The book on which this film is based is by Athol Fugard and Fugard is known all over the world for his great plays. He's won many, many awards and many Tony Awards. And so we've always had great story tellers. We've had great novelists, great musicians. We have Miriam Makeba and Hugh Masekela who came to America during the apartheid years. They went into exile. But we've had many, many great artists. But our film is such an expensive medium. And it requires the talents of so many individuals. All of whom have to be so very good in their own departments that it's the industry that is coming up last. And the fact that it's coming up in South Africa to take its place with the other art forms that are already is very. Exciting. Thank you, everyone

 

CATEGORY: BEST PICTURE INTERVIEW WITH: Paul Haggis and Cathy Schulman FILM: "CRASH"

Cathy: Thank you. Oh, my gosh. Oh, thank you so, so much. What an amazing night. Thank you to all of the members of the Academy for embracing. Paul: Can you mention them by name? Every single one. Cathy: For embracing our film, about love and about tolerance, about truth. Thank you to the people all around the world who have been touched by this message. And we are humbled by the other nominees in this category. You have made this year one of the most breathtaking, and stunning, maverick years in American cinema, thank you. We'd like to thank Lions Gate. Boy, did you do a job. Jon Feltheimer, and everyone in every office of that building, and we would not be here today if it were not for Tom Ortenberg, and for Sarah Greenberg, thank you. Thank you also to our financiers Andy Reimer, Jan Korbelin, Marina Grasic, Bob Yari. To our producers, our partners, Mark Harris, and Bob Yari, and Don Cheadle, and Bobby Moresco. Thank you. Don Cheadle, our partner, we wish he could be here with us tonight. Thank you everybody. Thank you to my husband, to my wife, to all of our families

CATEGORY: ADAPTED SCREENPLAY
INTERVIEW WITH: Larry McMurtry and Diana Ossana
FILM: "BROKEBACK MOUNTAIN"



Diana: Thank you to the Academy. The duty of art is to send light into the darkness of men's hearts. Thank you Annie Proulx, she's right over there, for trusting us with your brilliant short story. Thank you to Ang Lee, and our brilliant cast for breathing life into our words. Thank you to Universal, Focus Features, Bill Pohlad, Michael Costigan, my dear friend. My good friend Mark Poirier, for giving me "The New Yorker" that had that short story in it. And thank you to my writing partner, Larry. And thank you for giving him this award as well. Larry: Since somehow I unaccountably failed to thank my brilliant partner Diana at the Golden Globes, I'm going to rattle off all the attributes I was going to thank her for at the Golden Globes. Smarts, guts, drive, good judgment, tenacity, loyalty, and generosity. That's the kind of virtues you need in the rough strife of movie making. I'd like to thank also James and Curtis, my son and grandson, with love and pride. I thank our loyal lawyers, Robert Thorne and Greg Redlitz. And finally I'm going to thank all the booksellers of the world. Remember, "Brokeback Mountain" was a book before it was a movie. From the humblest paperback exchange to the masters of the great bookshops of the world. All are contributors to the survival of the culture of the book. A wonderful culture, which we mustn't lose. Thank you.

CATEGORY: LEAD ACTOR INTERVIEW WITH: Philip Seymour Hoffman FILM: "CAPOTE"

MR. HOFFMAN: This is like an auction. $10,000 for the Oscar? Q. Did you for any moment consider barking as you had promised your friends? A. You know, I literally lost all control of my bowels up there. The bark I did think, like maybe I'll bark at the end for my friend or something a quick ooh, you know, something but, I couldn't think. I was swimming in my head. So I was lucky to get out what I got out.

Q. You know, they say they're really going to go after you. I think the quote was they were going to be on you like horseradish on gefilte fish. A. That's Steve Shub [sic]. That's my friend, yes.

Q. What are they going to do with you? A. And it's not they. It's one guy, and I went to college with him. So it's like I think he's going to give me a big fat hug, is what I think he's going to do.

Q. What was it like for you shooting this movie in Manitoba Canada? A. Cold. It was perfect. It was a perfect place for the film. That's what I have to say. Actually, the town treated me very well. And I'm not just saying that. I actually have fond memories of being dealt with very well and I had a couple hangouts and I couldn't remember the titles of them, so don't ask me. But just kind of places on my day off I could sit and talk to the people and just kind of relax and but it was cold. Cold.

Q. How did it help you focus, because you stayed in character both on and off the screen, so how did the isolation of Manitoba help? A. Well, you know, I grew up in Rochester, New York, it's not small anymore but it was somewhat small when I grew up outside of Rochester, New York, so isolations not something foreign to, you know.

Q. You're such a great character actor. Will you be looking to take more lead roles now after this win? A. I hope all the roles I take are character roles. That's just kind of how I look at it. So lead, supporting, gaffer. You know what I'm saying? I don't think a character role is a supporting role. Thank you.

Q. Steve Schaefer. A. Nice to see, thank you. Q. You seem, you know, in the nicest way to say this temperamentally unsuited for this kind of thing? A. Does it show?

Q. You seem like a shy guy and you've been going through this whole awards season winning. Has it changed you in any way? Have you become a different person? By what we hear sometimes, is it an ordeal for actors A. Yeah.

Q. being the front runner, or did that make it easier? A. You know what made it easier? And I'm not just saying this and when I said, you know, like a crude, crazy person tonight at the top of the speech was this category is full of great actors, great actors, great actors and everybody, they all know, because anytime I've won, I've made a point of saying that really what helped me through it and hopefully what helped us all through it was each other. And I don't know if I said that before, but that's really how I felt. We all really had a great time together. And we really like each other. And the other nominees, not just for my category, but the other categories throughout, were very giving, compassionate, friendly, fun and it made it an easier thing.

Q. Hello? I'm from Montreal, where it's also cold like Manitoba. A. Oh, yeah, cold.

Q. You managed to stay very cool, calm and collected when you got your other awards; Golden Globes, SAG, BAFTA. What A. Golden Globes, I was not I don't remember that. I was like I think I was I walked off.

Q. True. Very true. But tonight you look like you were almost going to lose it. What is it about tonight? Your mother in the room or A. Oh, God. Why do you even ask? It's a no brainer. It's not the most comfortable environment. I don't know what else to say. You know, you're trying to do your best. It's very nervewracking, very exciting, various mix of a lot of things.

Q. It's obviously the very high point of someone's career? A. It has nothing to do with that. It has to do with the fact that millions of people are watching you. That is what it has to do with. I'm not because it's like the high point. No, I've had high points in my career that have been all the way along and those are high points for personal reasons.

Q. Hi, Phillip. Congratulations. I wanted to ask you what do you think what would you think Truman would think of your winning tonight? What would he say? A. I have no idea. I really have no idea. He's a pretty elusive guy, so I don't know. I don't know. It depends on if he liked me or not and I don't know if he would.

Q. You've had such extraordinary roles, Love Liza, one of the best performances I've ever seen. When you were doing this film, did you think this is the role this is the one that's going to win me something, or this one stands out for me? A. No. I never thought of a role as an "award" role. If I thought that way I'd be a pretty miserable person I think. If I was making choices based on a role that was going to bring me something. You can't make choices in life like that. I don't think you can. Not when you're in an art form. That's how I see it. So I just saw the roles and opportunity that was going to be a great one, it was going to be a challenge.

Q. Once you did the picture, once you had already done the performance was there ever a time A. Same thing. You're still caught in a world of, you know, watching it and scrutinizing it and everything like that.

Q. Harry Hamlin told me playing gay ended his career. How do you account for, what has changed since then and is this is gay chic something that you think will continue? A. Gay chic? Q. It's a gay chic year. A. No, I know it's the way you put it.

Q. You want something butch er? A. No, no, I don't. I played maybe three or four roles of men that are gay or one role of a man who is transsexual. I've never really thought about it that way. It's the person you're playing. I don't know how to answer that question. It's the person you're playing. If you're playing the role just because of their sexual preference and that's why you want to play it, I think that's not a good idea. And it's got to be about the person. If that person has sexual preference of straight or gay or any other, it's the heart you're getting at, the soul you're getting at and if the heart and the soul are singing in the part and in the film, it works. And I think that's what happened this year, I think you had a lot of great roles for characters that, you know, are gay and transsexual, Felicity, they were great roles and actors embraced them and brought the heart and the soul to them. And that's it.

Q. Do you have any comment on what happened to Hamlin, that he was sort of left out in the cold back then? A. No.

CATEGORY: Foreign Language Film INTERVIEW WITH: GAVIN HOOD FILM: "TSOTSI" (South Africa)

Q. Congratulation. We were crying. We were so emotional. How do you think this is going to change the way that Hollywood views South African movie making in general? A. I think it's going to change the way South Africans view their moviemaking. In the sense that we're the second film nominated. Last year, Yesterday was nominated but we're the first film to win, and I feel very, very proud to hold this because it tells me, and all of us at home, that we can do it. And that hopefully it means that people will keep investing in our local stories, because this gives investors a little more confidence and what we want more than anything else is that people and human emotion is universal and we're more alike than we think we are around the world, and we grew up watching American films and I hope that Americans will watch our stories and just as we 've learned about Americans and the rest of the world people will know more about us from our stories, and find that we're actually so similar as human beings inside. So thanks, South Africa.

Q. How are you doing? Good to see you. A. I'm sweating and terrified. But I'm holding this.

Q. I was just wondering, you just saluted the whole continent of Africa. How is African film? And where is South Africa within the African cinema community? A. Well, I think we're priveliged in South Africa to have possibly the strongest economy, so we have an enormous amount of foreign production that has come to our country over the last 20 years, so we have, so you can rent any kind of gear you want, a huge amount. I mean, lots of Hollywood movies are shooting in South Africa now, huge amounts of European films and commercials, so we have a very solid base and commercials, so we have a very solid base, we're very fortunate in that sense. We have that infrastructure. And what has started to happen is now we're beginning to use that infrastructure to tell our own stories. I shouldn't say now we're beginning; we have been doing so, some very brave filmmakers like Anant Singh and Darrell Roodt they have been doing it for years, but we used to do one or two films a year. If we're lucky, now we're making ten or twelve and hopefully that will just keep growing and it encourages more young South African filmmakers to just keep telling their story, then I feel very proud. I really do, and I'm very proud of the whole cast and crew. Let me tell you now no kidding it's 4:00, 5:00 in the morning at home, and I know they're going crazy, I know where all the parties are. We have all the (unintelligible) before, there is so much celebrating. It's like a sports team, guys. It's like having a sports team. It's like if you're a Yankee fan. You know, people at home, we just won something that we've never won before, and I know that makes people at home very happy, so thanks.

Q. Alan Silverman, we're on on Cape Talk. A. We're live?

Q. Well, we're going to be in a few minutes. A. Wow. Q. Don't worry, we can edit it all out. A. Okay.

Q. You mentioned before that there was a sense of relief. Did that sense pass over you as you were waiting for your name to be announced? A. You know, I've said before, the film has been fortunate enough to win a number of festivals over the last six to eight months, and a lot of times I felt relieved instead of fully overjoyed. I felt relieved because there were so many expectations for the film and I knew so many people, my producers, my investors, our actors, our country had expectations and as the director sometimes you carry a bit too much pressure because you think you might be the guy that screwed it up. So a lot of time I felt relief but tonight, tonight I don't feel relief, mate, I feel damn great. I feel truly overjoyed. It doesn't get better than this. This is the Olympics of filmmaking and I I'm so proud of everyone in South Africa that worked on this film. I really am. Go to Tsotsi.com and read the credits. Every person put their best into this movie. It's really good.

Q. I don't think we've heard "Amandla" (sic) before. A. Buy a donkey, buy a donkey, buy a donkey. (In Afrikaan)

Q. Your two stars are complete unknowns in South Africa. A. Yeah. Q. What do you think that means for acting in South Africa? We have had Charlize win, but she had to come here. Now, we get an Oscar won by two indigenous South Africans speaking A. In their own language? Q. In their own language.

Q. I think I think that the fact that the actors were able to work in their own language we're so used to seeing stories told about our country but not always by our own people and some of those stories have been good and some have not, but as a matter of dignity story telling is important for people. It's not just not about learning about other people it's also about how we learn about ourselves and I hope we will do it more and more and it also reveals our common humanity to the rest of the world. And our struggles. But deep down inside people are more similar than we think. So, I hope South Africans keep telling all kinds of stories. I really do. Thank you.

Q. Congratulations. A. Thank you. You were confident on that red carpet and you made me even more nervous.

Q. Good for you. You know (unintelligible) you have extraordinary actors as the young lady was just saying. Is there a lot of other people like this in South Africa. What about the acting community in South Africa will we see other people? A. I hope so, yes, absolutely. I'll tell you the thing: Let me tell you the films cost money even a film like Tsotsi costs $3 million is $3 million that people want back and we have a relatively small market at home for films. So we need our films to travel. We need to have people see them outside of our country because our local market is not huge. Although I have to say Tsotsi is breaking box office records at home too. So maybe it it will help change that too. But we do have great actors and great story tellers it's just that film has been an expensive media for us. Our theater tradition as you know is very strong. The book on which this film is based is by Athol Fugard and Fugard is known all over the world for his great plays. He's won many, many awards and many Tony Awards. And so we've always had great story tellers. We've had great novelists, great musicians. We have Miriam Makeba and Hugh Masekela who came to America during the apartheid years. They went into exile. But we've had many, many great artists. But our film is such an expensive medium. And it requires the talents of so many individuals. All of whom have to be so very good in their own departments that it's the industry that is coming up last. And the fact that it's coming up in South Africa to take its place with the other art forms that are already is very. Exciting. Thank you, everyone

 

CATEGORY: BEST PICTURE INTERVIEW WITH: Paul Haggis and Cathy Schulman FILM: "CRASH"

Cathy: Thank you. Oh, my gosh. Oh, thank you so, so much. What an amazing night. Thank you to all of the members of the Academy for embracing. Paul: Can you mention them by name? Every single one. Cathy: For embracing our film, about love and about tolerance, about truth. Thank you to the people all around the world who have been touched by this message. And we are humbled by the other nominees in this category. You have made this year one of the most breathtaking, and stunning, maverick years in American cinema, thank you. We'd like to thank Lions Gate. Boy, did you do a job. Jon Feltheimer, and everyone in every office of that building, and we would not be here today if it were not for Tom Ortenberg, and for Sarah Greenberg, thank you. Thank you also to our financiers Andy Reimer, Jan Korbelin, Marina Grasic, Bob Yari. To our producers, our partners, Mark Harris, and Bob Yari, and Don Cheadle, and Bobby Moresco. Thank you. Don Cheadle, our partner, we wish he could be here with us tonight. Thank you everybody. Thank you to my husband, to my wife, to all of our families

 

CATEGORY: DIRECTING INTERVIEW WITH: ANG LEE FILM: "BROKEBACK MOUNTAIN"

Q. Congratulations for winning. A. Thank you.

Q. I know you won Best Director but there must be some disappointment in the fact that you didn't win the best film, and do you think looking back on it that it was hard to get enough people in the Academy to actually watch your film, and if you had to do it again, what would you do differently? A. I would do exactly the same. I'm so proud of the movie. They didn't vote for it. I don't know. You asked me one question, and I don't know the answer. I was backstage enjoying kind of the buildup I was familiar with, get writers and me and then there was a surprise this year for me, frankly, but congratulations to the Crash filmmakers; it seems to be very enjoyable.

Q. A lot of the movies this year were about tolerance and love in some ways. When you were putting this movie together at the very beginning from now to the moment where you are, do you think that you've seen some changes in society, people's attitudes, tolerance in general? A. Not at the time when I made the movie. All of us we spend many, many years trying to get our movies made, but for our project, it was eight years; some, I think, even longer. So it happened not just for accident. I think we sense that there's some calling, there's some need to do certain movies about how we felt three, two years ago, and somehow this year the society catches up I think. That means it happens. I don't think we planned it. We speak through our heart. I'm just glad the audience embraced it. I think the society is the audience is very hungry for love, for understanding, for respect, for complexity, for maturity. I think that's what we need.

Q. Congratulations. Nick Papst here from News Limited in Australia. Over the awards season, Heath Ledger has been up for so many awards and has left them all pretty well empty handed. Can you tell us how he's feeling now if you've spoken to him and also how you feel for him after, I guess, what must be a few disappointments? A. I think his performance is not only outstanding in the history in film history, when you look back, there is something that's rememberable (sic). I think it's not only remarkable, it's almost like a miracle. A lot of people told me that his performance remind them of a young Brando. It's just outstanding. The movie awards over the years, there's a tide. You know, Seymour Hoffman, he did a brilliant job also. It's award, but in my mind, it is no less of what I think of him. I think he did a marvelous, marvelous, miraculous performance, so original. It would stand by itself; that's in my mind. I cannot tell you what the superficial value about his value.

Q. So have you spoken to him at all down how he's feeling? A. No. I haven't got a chance. I was coming from backstage. In the past, I didn't really talked to him about that. I will hug him; I will praise him; I will tell him what he meant in my mind. I think that's all I can say.

Q. Thank you. Q. High. I'm so happy for your award. Tonight you encouraged so many Asian filmmakers, they try to follow you. Could you give the message to them and also the advice to them. A. I think it's important to be honest and be loyal and treasure your own culture root and do your best, because that's your best: Where your root is. That's how I did it, and then you'll find a way. You'll find something to move your heart. But being honest and being brave and be proud of your culture I think I cannot say anything more valuable than that, but that's how it worked for me.

Q. Thank you.

Q. This Melissa, National Public Radio. I'm wondering if you feel that Brokeback Mountain was slighted this evening for Best Picture because of its subject matter? A. I don't know. I really don't know. Actually, in box office, we did the best of all five movies, and we've been winning, sweeping, whatever, and it just happened this way. I really don't know.

Q. (Foreign Language) (Unintelligible) Intelligence Bureau and sorority sending their congratulations. Would you care to share how you're feeling with the entire population of Taiwan in Mandarin, please, and also which part of the Oscar is America and which part of it is Taiwan? A. I don't make that distinction. Oscar is Oscar; it's for filmmakers. Very proud that they share it with any color, any background. As long as they do a job and make a movie that moves people, they award them and they're very appreciative [answer in Chinese].

Q. How do you feel about the whole Oscar show try to ignore the Brokeback? A. I think it's funny in a very good way.

Q. Why? A. Well, it poked fun of authority, of something. It's provocative and it's funny. I think that's what an award show should be. Especially with the gay cowboy sequence. That was hilarious. That was quite genius (sic). It's been going on for a long time. I think it (unintelligible) the whole way of thinking. It's right there, and if somebody pushes it over, it's not easy once somebody starts it.

Q. Congratulations. How did you did it? You were born in a very very far away country and now you're standing in the middle of America between two Oscars in front of a lot of press and holding one Oscar in your hand. This time it's the Oscar, not the foreign language Oscar. How did you do it? A. I don't know. I work hard. I think I'm a talented filmmaker; there's no false modesty about that, and I think I'm used to adapt because I've been here for a long time and my parents from China, so I adapted Taiwanese way of life, so I'm always adapting. And I grew up watching Hollywood movies like everybody, most part of the world, so that's like nothing, and then I worked for (unintelligible) and somehow my Chinese film let me to do things like Sense & Sensibility, and gradually, I learned how to be more sure about portraying the Western world by details and how I did period piece and I pick up quicker I guess I work hard, and I'm sensitive and when I do foreign language film for me I'm more careful in smelling around to see if I did the right thing on set a lot of consulting, a lot of learning, there is no shortcut. I think that really explained that a movie is really sight and sound, the language doesn't really get in the way if you really get into it. Q. What's the thing that you do best? A. Drama. I would say, something deal with repression. Q. Chinese A. Answer Chinese.

Q. Congratulations on winning Best Director. You are the first Asian director to get this honor. How do you think the film will be perceived in Asia? And the second question is, it's been said that younger generations doesn't really care about the Oscar nominated film. What did your children say about your film? A. My children loved my film. You know, in the past, they like John Woo's movie, they don't care about my movie, making women cry pretty much, and they think they're boring, but this is the first time, they're very proud of me. They're proud of the movie; they'll watch it again and again. It's really bringing my family together again and all my efforts in leaving them really worthwhile. They both talk to me in depth about the movie. And there here in Oscar I'm sure they're having a great time I think that the movie, the movie in Asia is already opened, most of the places, Japan opened, I think, two days ago very well. I think not only Oscar, will be in the Oscar running for a some time, so that's free publicity. Something I want to point out, in both Asia and Japan, in Hong Kong and Taiwan, and it's rated PG and it's R rated here, they really liked the movie and they're doing great.

Q. Hi. Jeannie Wolf from movies.com. Congratulations. You said that this movie spoke to you. How did it change you in the process of fighting for it to be made and the process of adapting to understand the hearts of these people, and I have to tell you to make it fast because people are waiting. A. It certainly changed me. Before I get into making this movie, I was very tired from two very ambitious work, The Hulk and Crouching Tiger Hidden Dragon. I almost wanted to retire. I felt I had enough, I hit the bottom, sort of like my mid life crisis or something, and this movie teach me how to look at myself, how to manage myself in movie making again, enjoying making them, and the movie was shot very simple, nothing special, but most important, it taught me again, it's about human emotions, drama and acting. So I feel like I had a rejump start. In ways, it remind me of me making my first little movie. There is a certain freshness to it, actually, coming from tiredness ironically. Of course, the Western world.

CATEGORY: BEST PICTURE AND ORIGINAL SCREENPLAY INTERVIEW WITH: PAUL HAGGIS, BOBBY MORESCO AND CATHY SCHULMAN FILM: "CRASH"

Q. Question for Paul Haggis. Congratulations. Obviously Canada feels pretty good tonight, having hometown winning this, but it's a very urban L.A. film, but it's also been marked by a lot of controversy among the producers, as has been documented this week. I'm curious if that mutes somewhat the joy that you may all feel tonight in regards to winning this? A. Do we look muted? Do our reactions come off as muted? Because we're pretty fuckin' happy. And, you know, a lot of people made this film, and we owe being here to a lot of people and those people who are listed as producers on this, Bob and Mark and Don and Bobby here, you know, are the reasons we're here, Cathy and I are here. We're here representing them. So we're, very, very proud to represent them.

Q. Did you ever think that the momentum, the so called momentum, for Brokeback was, in fact, something that Crash would overcome in the end? A. I didn't believe that for a second. I didn't believe any of that nonsense. In fact, we were so shocked. I mean, shocked I mean we're still trying to figure out if we got this. A. Or if we're actually even here. A. No, it's lovely. Thank you.

Q. Congratulations to all of you. Now, through this whole award season, Paul in particular, has been cool, calm and collected every step of the way. A. Now I fall apart. Thank you. When millions of people are watching. Thanks for noticing.

Q. What made you fall apart in this moment? A. Well, my mom's ring was the thing that just got me. My sister Jess gave me that during the commercial break and I just went... She said, she knows you're here, and this is so you know it. And I was going, oh Jesus, why did you do that to me? And it just threw off everything I was going to say. And, yeah, I miss my mom very, very much.

Q. Hi, Paul. I just want to say Crash explores race relations in America? A. That's what you want to say?

Q. No, but yet you tell stories through a Canadian sort of view. How does being Canadian influence the way you tell stories? A. Well, I think it's the same thing with Bobby, I would answer this as being an outsider in this town is a good thing. Being an outsider as an artist anywhere is a good thing. Even though we've lived in Los Angeles for, I don't know, 25 years how long have you lived here, Bobby? A. 1993. A. Yeah, so it's been a long time. So even though we're here and we look like we're Americans well, Bobby, in fact, looks more like an American than I do A. I'm actually not. I'm from New York. A. That's good. You know, you're just a half step back from everybody else, I've said this before, but I notice things, just on the studio lot, things people would take for granted, and I would take it for granted, and I would say hold it, what just happened here? And they would say, no, that was nothing, that was nothing. And I'd go, something just happened. I'm pretty sure something happened. So they would tell me that I was crazy, and I would go write it down.

Q. What would you tell your friends and colleagues back in Canada? A. What would I tell my friends and colleagues back in Canada? I don't know. Let me think about that, okay? Q. A lot has been said about A. I love your accent by the way. It's fabulous.

Q. 13 years and it's still there. A lot has been said about the social and political issues of the films nominated this year, and others have been made throughout the show tonight as well. And I'm wondering if you had a comment about that and if you think that (unintelligible) themes that are important today? A. I think it's pretty obvious that it is. When you look at films like Good Night, and Good Luck and Brokeback and Munich and Capote, these are important films. These are films that are telling very human stories, but risky human stories and we're so proud to be listed among them. This is a hell of a year to be nominated.

Q. So many movies in this era are made to may seem to close the week after they open, and Crash on the other hand is a movie that keeps getting bigger and bigger. So I'm wondering what you think are the reasons for, again, the sort of resonant, spreading ripples of Crash, and also I'm wondering if looking at the films that have been nominated this year if Hollywood's finally getting the message that a lot of people want movies that they can think about and talk about in the car on the way home and so on?

Q. My favorite kind of films are the films when you walk outside and you argue about something outside and you break up with your date, because she disagreed with your opinion. So that's what we wanted to make here, and I think good stories will always well, I'm mumbling. You go ahead. No, next question. Please?

Q. Cathy, I wanted to ask you, you said on stage I want to thank my husband and my wife. Can you elaborate a little bit about what that meant? A. Did I really say that? I meant my husband and my daughter Leah. If I said that, it proves how nervous I was. Oh my God. Did I really say that? A. I was sitting with her husband, and he said to me, "who's her wife?" A. Mistake, sorry.

Q. Hi. Congratulations on your win. I'm just wondering, with the win if your win opens up ensemble cast? Is that something you would want to do again? Is the win with the ensemble cast A. No. I think we're all just selling out and going for the big budget blockbuster picture now. A. Oh, no. I will.

Q. Do you think your win sends the message about substance and movies with substance? A. Yeah, I think it does. I think we're in a time when a lot of stuff is going on in the world and people are interested in what's happening to the person that's standing next to them. That's opening up the doors to hear a bunch of different stories about a bunch of different ways of living your life.

Q. Congratulations to the three of you. A. Thank you.

Q. To Paul. Tell us what was going through your mind the minute they said Crash for Best Picture, and tell us how you did it? How did you upset and beat the favored picture for Best Picture? A. Oh, that's easy. I have no idea. Were you watching here? Because I don't think I had a mind when they called that. It was just mush. So I don't think none of us expected this and I mean you hope, but no, we had a tiny picture. We opened at the wrong time. You know, but thank God for Lion's Gate because they did in doing everything wrong, they did everything right. And they were so smart the way they did this. They broke all the rules, and I guess this is the year that Hollywood rewarded rule breakers.

Q. Mr. Haggis, a few years ago you were still working for television? A. Yes. Q. Last year you missed the Oscar for Best Screenplay? A. Yes.

Q. And this year you both Best Screenplay and Best Film. Do you think the things are going very fast for you, soon? A. You mean

Q. suddenly? A. You mean that I wrote the last two Best Pictures, right? And are you asking me if it's a good thing? Yeah, it's a really good thing. I would really recommend it as a career move. Anybody who's thinking about, you know, going out and writing the next two Best Pictures, and I think it's a good thing. A. It's a good thing, three is better. A. It's a pretty amazing 13 months, I'll tell you that. A. Yeah, Clint's just finished shooting Flags of Our Fathers, which I wrote for him, and Steven Spielberg is producing, and I have something I'm doing this summer, and Bobby and I are doing a TV show. We love TV, so we're going back to do that.

Q. And is your next thing already written? A. You know, that's the problem. I've been hiding away and trying to write during all this madness, and I actually went to France to write, and it's almost impossible to do so at this time of year, but no, I got a draft done and I read it and said this is really bad and so I'm re writing it, yeah.

Q. Mr. Haggis in Crash, Sandra Bullock's character talks about how she's angry every day. Do you think even her mood would be lightened by today's events, and how much do you think the Oprah show, where she had where she did it with the DVD release, how much do you think that affected momentum for the show? A. Who knows? I mean, at the time, Sandy's character, yeah, I think she would be a little happier with this, Sandy is wasn't she marvelous in this? She was really marvelous. What was the question? Oprah. You know, I thought we did this huge bump after Oprah and I charted the I looked at the DVD sales and they didn't actually go up that much after that but I think the awareness went up a lot. Yeah, I think it's obviously not Oprah or any one thing Lion's Gate was so, so smart in the way they did this, and I'm not just saying this because they're our distributor, if they had done a shitty job, I'd be telling you, but they did a great job, and Oprah was one part of that.

Q. Paul over here. A. Over here means nothing. To your right, to you left, these are good things.

Q. Steve Futterman, CBS. A. Hey, Steve.

Q. I'd like to ask you, can you just talk about what you hope, now that this film has received worldwide publicity, national publicity; what you hope people will learn when they see this film, because obviously, you're going to get a much larger audience now. A. You know I don't think filmmakers should tell you what their film should how they should inform the audience. I think filmmakers, the best of them, the best of them this year, asked really important questions and I think our film asked some questions that, things that were in our hearts, you know, when Bobby and I were writing it, things that troubled us. And so hopefully the audience will draw their own conclusions because when you speak to people, I don't know, with your experience, or, well, actually I do. Everyone you talk to draws something different from the film. So I'd hate to try and dictate what that was for anybody.

Q. At the same time can you give a general idea of what you want people to learn about tolerance, you want people to learn about what other people are thinking, understanding? A. I think we we're all deeply I know what I am A. Exactly. A. I'm the villain and the hero of my own life. We all embody these contradictions. I think if there was one thing I would like to say, is we as Americans tend to judge things, judge people really quickly and one of the it was for Bobby and I writing this, we wanted people to just step back, just wait five seconds before condemning someone or before blaming, someone or pointing a finger at a country and saying evil. Q. You and George Clooney both won Oscars tonight, you both worked on "Facts of Life" and Cloris Leachman was an Oscar winner, also from "Facts of Life." A. You know the secret hidden connection; you got it, no one else has and I've been very surprised.

Q. So what is it about "Facts of Life" that has made it such a breeding ground for Oscar winners? A. I wish I had a really good answer for that.

Q. You're a writer. A. I know. I'll write it down and send it to you, okay? Sorry, I have no idea, but it's a great question.

Q. Well, congratulations to all of you. I'm Jonathan Mumm with News 10 in Sacramento, and Bobby, after our chat in the pizza parlor there A. Hi, Jonathan.

Q. I told you that night I thought we would see you backstage and congratulations. It's great to see you. A. Thank you. You were right. Thank you for these guys right here.

Q. And I'll tell you what and I'm sure we were all wondering, what were you about to say when they played the music and we didn't get to hear from you? A. That's very sweet for you to ask but I'll keep that to myself, but I appreciate you asking that. Thank you very much.

 

Another weak box office week-in.

It was a yet another bad weekend performance for Hollywood, where attention was focused on the Academy Awards on Sunday and not on turning out movies that anyone wishes to see in the theaters. The top 12 movies took in $83.8 million, down 23 percent from the same weekend last year. 

EDITORIAL: Whats wrong with the feature film industry. 

Maybe part of the problem with films today, as was pointed out at the Razzies that only 19 feature films made the magic 100 million dollar mark this past year, is that no only does the industry turn out really bad movies today they no longer know how to promote them.

Maybe Tom Cruise was over the top with his pronounced love for Katie Holmes on couches all over America but it helped the box office of both his and her films. 

The INTERNET which should be viewed as a weapon to help make a movie profitable is in most cases viewed as a enemy just as television, cable and movies rentals once were.

Showest which is the largest gathering in this country dealing with the business of feature films limits reporters to the event when if you had one reporter there for every individual coming to the event you would be better off.

Go no further then the Razzies which had every legal inch of the IVAR Theater filled with reporters to get the message out.

The press is the main sales force of the industry. The more coverage the better and the more areas that can give coverage to the business the better.

We are not the enemy of feature films but just another tool to be used to help make them money.

Red Carpet now underway at 3pm PST

The first reviews of women and how they are dressed are starting to come in. Retro back to old Hollywood fashion seems to be in.

Jack Nicholson shows up without his standard dark sun glasses on.

Alive or taped? Actors and actresses that were interviewed as much as a hour ago on E or Tv Guide being interviewed by local stations, Live or Tape?

 

And the awards go to?

ACTOR -- LEADING

Philip Seymour Hoffman - CAPOTE

Terrence Howard - HUSTLE & FLOW

Heath Ledger - BROKEBACK MOUNTAIN

Joaquin Phoenix - WALK THE LINE

David Strathairn - GOOD NIGHT,AND GOOD LUCK.

ACTOR -- SUPPORTING

George Clooney - SYRIANA WINNER

Matt Dillon - CRASH

Paul Giamatti - CINDERELLA MAN

Jake Gyllenhaal -BROKEBACK MOUNTAIN

William Hurt - A HISTORY OF VIOLENCE

ACTRESS -- LEADING

Judi Dench -

MRS. HENDERSON PRESENTS

Felicity Huffman - TRANSAMERICA

Keira Knightley - PRIDE & PREJUDICE

Charlize Theron - NORTH COUNTRY

Reese Witherspoon - WALK THE LINE

ACTRESS -- SUPPORTING

Amy Adams - JUNEBUG

Catherine Keener - CAPOTE

Frances McDormand - NORTH COUNTRY

Rachel Weisz -THE CONSTANT GARDENER

Michelle Williams -

BROKEBACK MOUNTAIN

ANIMATED FEATURE

HOWL’S MOVING CASTLE

TIM BURTON’S CORPSE BRIDE

WALLACE & GROMIT IN THE CURSE OF THE WERE-RABBIT

CINEMATOGRAPHY

BATMAN BEGINS

BROKEBACK MOUNTAIN

GOOD NIGHT, AND GOOD LUCK.

MEMOIRS OF A GEISHA

THE NEW WORLD

COSTUME DESIGN

CHARLIE AND THE CHOCOLATE FACTORY

MEMOIRS OF A GEISHA

MRS. HENDERSON PRESENTS

PRIDE & PREJUDICE

WALK THE LINE

DIRECTING

BROKEBACK MOUNTAIN

CAPOTE

CRASH

GOOD NIGHT, AND GOOD LUCK.

MUNICH

DOCUMENTARY FEATURE

DARWIN’S NIGHTMARE

ENRON: THE SMARTEST GUYS IN THE ROOM

MARCH OF THE PENGUINS

MURDERBALL

STREET FIGHT

FOREIGN LANGUAGE FILM

DON’T TELL

JOYEUX NOËL

PARADISE NOW

SOPHIE SCHOLL - THE FINAL DAYS

TSOTSI

ORIGINAL SCORE

BROKEBACK MOUNTAIN

THE CONSTANT GARDENER

MEMOIRS OF A GEISHA

MUNICH

PRIDE & PREJUDICE

ORIGINAL SONG

"In the Deep" - CRASH

"It’s Hard Out Here for a Pimp" -HUSTLE & FLOW

"Travelin’ Thru" - TRANSAMERICA

DOCUMENTARY SHORT

THE DEATH OF KEVIN CARTER:

CASUALTY OF THE BANG BANG CLUB

GOD SLEEPS IN RWANDA

THE MUSHROOM CLUB

A NOTE OF TRIUMPH: THE GOLDEN AGE OF NORMAN CORWIN

ART DIRECTION

GOOD NIGHT, AND GOOD LUCK.

HARRY POTTER AND THE GOBLET OF FIRE

KING KONG

MEMOIRS OF A GEISHA

PRIDE & PREJUDICE

MAKEUP

THE CHRONICLES OF NARNIA:THE LION, THE WITCH AND THE WARDROBE

CINDERELLA MAN

STAR WARS: EPISODE III

REVENGE OF THE SITH

FILM EDITING

CINDERELLA MAN

THE CONSTANT GARDENER

CRASH

MUNICH

WALK THE LINE

VISUAL EFFECTS

THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE

KING KONG  WINNER

WAR OF THE WORLDS

SOUND EDITING

KING KONG

MEMOIRS OF A GEISHA

WAR OF THE WORLDS

SCREENPLAY -- ADAPTED

BROKEBACK MOUNTAIN

CAPOTE

THE CONSTANT GARDENER

A HISTORY OF VIOLENCE

MUNICH

SCREENPLAY -- ORIGINAL

CRASH

GOOD NIGHT, AND GOOD LUCK.

MATCH POINT

THE SQUID AND THE WHALE

SYRIANA

SOUND MIXING

THE CHRONICLES OF NARNIA:THE LION, THE WITCH AND THE WARDROBE

KING KONG

MEMOIRS OF A GEISHA

WALK THE LINE

WAR OF THE WORLDS

SHORT FILM -- LIVE ACTION

AUSREISSER (THE RUNAWAY)

CASHBACK

THE LAST FARM

OUR TIME IS UP

SIX SHOOTER

BEST PICTURE

BROKEBACK MOUNTAIN

CAPOTE

CRASH

GOOD NIGHT, AND GOOD LUCK.

MUNICH

SHORT FILM -- ANIMATED

BADGERED

THE MOON AND THE SON:AN IMAGINED CONVERSATION

THE MYSTERIOUS GEOGRAPHIC EXPLORATIONS OF JASPER MORELLO

9

ONE MAN BAND

®

 

 

Pat Tillman Death to reopened

The Defense Department has asked the U.S. Army to launch a criminal investigation into the circumstances surrounding the death of Cpl. Pat Tillman, who was killed in the spring of 2004
during a combat operation in Afghanistan.

On March 3, the DoD inspector general's office notified the U.S. Army Criminal Investigation Command at Fort Belvoir, Va., of the need to reexamine the details of Tillman's death to determine if he died as the result of a possible criminal act, a U.S. Army spokesman said here today.

Tillman, who'd been a National Football League player with the Arizona Cardinals before he enlisted in 2001, was killed April 22, 2004 in Afghanistan. He was 27 years old. Tillman and his brother enlisted in the Army after the terrorist attacks on the United States.

Tillman was a member of the 75th Ranger Regiment from Fort Lewis, Wash., when he was killed.

Today on NBC's "Meet the Press," host Tim Russert asked Marine Gen. Peter Pace, chairman of the Joint Chiefs of Staff, why previous investigations apparently haven't answered all questions on the Tillman's death.

"First of all, the Tillman family has gone through enormous anguish, and the fact that that has happened to them is really regrettable," Pace said.

And, each of the previous investigations was performed as thoroughly as possible by the investigating officers at the time, Pace said. "But, in the review process it was determined that some other factor needed to be looked at to ensure that we had a complete picture," Pace said.

For example, previous investigations into Tillman's death had concluded there was no apparent evidence of wrongdoing.

However, "the investigators did not specifically look at whether or not there was criminal activity" involved in Tillman's death," Pace said.The Army conducted three investigations into Tillman's death - two at unit level and one by U.S. Army Special Operations Command at Fort Bragg, N.C. The inquiries concluded that friendly fire killed Tillman, the Army spokesman said.

The service disciplined seven soldiers in Tillman's unit. Three received reprimands for failing to "provide adequate command and control" during the incident and four received article 15 non-judicial punishment for "failure to exercise sound judgment and fire discipline," according
to Army officials.

"The U.S. Army remains committed to thoroughly investigating each battlefield death case," Army spokesman Paul Boyce said today. "We owe this to the families and to the American public and we take this seriously."

Boyce extended the Army's condolences to Tillman's family, "and to every family who has lost a loved one in the war on terrorism."

Boyce said that reopening a death investigation is not a rare occurrence.

 

March 04, 2006

Razzie Coverage

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 Written by Joyce L Chow & William Hoehne March 4 2006

MBN

www.montebubbles.com for more MBN news

 

MonteBubblism: If life was fair then God would never had created kitty kats.

Razzies covered today

IOC TO AWARD 2006 WOMEN & SPORT TROPHIES

Philip Morris USA Supports Eliminating Its Brand Imagery in Movies

DOD Identifies Army Casualty

Pakistan Partnership With USA In War On Terror.

Help for Wounded from war

 

Razzie Winners are:

WORST PICTURE: DIRTY LOVE

WORST ACTOR: ROB SCHNEIDER-Duce Bigalow:European Gigolo

WORST ACTRESS: JENNY McCARTHY- Dirty Love

MOST TIRESOME TABLOID TARGETS: TOME CRUISE-KATIE HOLMES

WORST SUPPORTING ACTOR: HAYDEN CHRISTENSEN-Star Wars Three

WORST SUPPORTING ACTRESS: PARIS HILTON-House of Whacks

WORST SCREEN COUPLE: WILL FERRELL & NICOLE KIDMAN-Bewitched

WORST REMAKE OR SEQUEL: SON OF THE MASK

WORST DIRECTOR: JOHN ASHER-Dirty Love

WORST SCREENPLAY: JENNY McCARTHY-Dirty Love. 

 

IOC TO AWARD 2006 WOMEN & SPORT TROPHIES

On International Women's Day, 8 March 2006, the International Olympic Committee (IOC), jointly with the International Labour Organization (ILO), will hold a round-table discussion on women in sport and will award the 2006 Women and Sport Trophies at the ILO headquarters in Geneva. The two organisations traditionally celebrate International Women’s day each year by rewarding, in their respective fields, the role and achievements of women. This year, sport will become the common denominator to lead this joint event.

Participating in the event from the IOC will be Anita DeFrantz, IOC. member and Chairwoman of the IOC Women and Sport Commission, Nawal El Moutawakel, IOC Member and Olympic gold medallist, the members of the IOC Women and Sport Commission, and Urs Lacotte, IOC Director General.

What:

The trophy, established in 2000, is awarded annually to a person (former athlete, coach, administrator or journalist) or to an organisation in recognition of their outstanding contribution to developing, encouraging and strengthening the participation of women and girls in sports activities, in coaching, in administrative and sports leadership structures, as well as in the promotion of women’s sport in the media and of women journalists. Five continental trophies and one at world level are awarded.

When:

Wednesday, 8 March 2006

10.00 a.m. Round-table on women and sport

11.00 a.m. Awards Ceremony

12.00 p.m. Interviews and photo opportunities

Where:

Governing Body room (level R-3) International Labour Organization 4, route des Morillons
Geneva Switzerland

 

Philip Morris USA Supports Eliminating

Its Brand Imagery in Movies

Research indicates that youth exposure to smoking in movies can have an impact on whether or not young people smoke.

“With the Oscars just a few days away, we want to reaffirm that Philip Morris USA does not pay for or endorse any product placement of its brands in movies.” said Jennifer Hunter, vice president, Youth Smoking Prevention and Cessation Support for Philip Morris USA.

For more than 15 years Philip Morris USA has had a voluntary policy declining all third-party requests to use, display or reference its cigarette brands, packages or advertisements in any production intended for general audiences.

The 1998 Master Settlement Agreement reinforced Philip Morris USA’s policy by strictly prohibiting participating manufacturers such as Philip Morris USA from paying for product placement in movies, television shows, music videos or video games. Although some continue to believe that the appearance of cigarette brands and brand imagery in movies and television shows is the result of product placement by tobacco companies, Philip Morris USA continues to deny all product placement requests for its brands.

In addition, Philip Morris USA believes that producers, directors, and others involved in the creative process should take voluntary steps to reduce or eliminate smoking scenes in movies and other entertainment media directed at youth.

As a manufacturer of a product intended for adults that is addictive and causes serious diseases, Philip Morris USA believes that it has a role to play to help prevent youth smoking. The company’s initiatives are guided by ongoing research to understand the latest developments in youth smoking prevention. Since 1998, Philip Morris USA has spent more than one billion dollars in its company wide youth smoking prevention efforts.

DOD Identifies Army Casualty

DoD Identifies Army Casualty The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Spc. Christopher S. Merchant, 32, of Hardwick, Vt., died in Ar Ramadi, Iraq, on March 1, when his HMMWV came under attack by enemy forces using a vehicle-borne improvised explosive device and rocket-propelled grenade. Merchant was assigned to the Army National Guard's 3rd Battalion, 172nd Infantry Regiment, Jericho, Vt.

Pakistan Partnership

Defense Department Statement on Pakistan Partnership The defense relationship between the United States and Pakistan is a critical element of the War on Terror, and a key component of the security and stability of South Asia. Since 2001, the United States and Pakistan have worked to build a strong and enduring defense relationship which supports our common interests in fighting the War on Terror, building a stable and democratic Afghanistan, and maintaining peace and stability in the region. Pakistan is a key partner in the War on Terror. Pakistan supports U.S. military operations in Afghanistan and roots out terrorists and their allies in the border region.

Pakistan's military and security services have conducted operations in the Pakistan-Afghanistan border region, and have killed or captured hundreds of terrorists. Pakistan's military is also playing an important role providing intelligence and support to Coalition forces operating on the Afghanistan side of the border. The United States is committed to a long-term partnership with Pakistan. Pakistan currently is one of the largest recipients of U.S. security assistance. The United States has pledged $1.5 billion of Foreign Military Financing to Pakistan from 2005-2009. In June 2004, President Bush designated Pakistan as a Major Non-NATO Ally. The United States supports Pakistan's defense needs through sales of advanced systems (recent sales include TOW 2A missiles, P-3 maritime patrol aircraft, AH-1 Cobra Helicopters, and Harpoon missiles).

Last year, the President also announced the U.S. intention to move forward with the possible sale of F-16 fighter aircraft to Pakistan. These commitments are a clear signal that the U.S. is determined to stand by Pakistan for the long run, to support Pakistan's capabilities in the War on Terror, as well as to meet other legitimate defense needs. The strength of U.S.-Pakistan ties was also reflected in the immediate U.S. response to Pakistan's call for assistance following the Oct. 8th earthquake. To date, the United States has pledged $110 million in military support for earthquake relief operations, including providing airlift, logistics support, road-clearing, and medical treatment. The U.S. military has also transferred approximately $8 million in medical, engineering, and flight-refueling assets to the Government of Pakistan to continue assisting those affected by the earthquake. Pakistani and U.S. troops have worked side by side coordinating extensive relief operations. The United States and Pakistan will continue to strengthen our defense relationship in the future. The U.S.-Pakistan Defense Consultative Group is a key forum for overseeing and developing the relationship

Help for Wounded from war

WASHINGTON, March 3, 2006 - When Nova Radke's husband came back from Iraq with pieces of shrapnel embedded in his skin from head to toe, she needed help supporting him. Military funds allowed her to fly to her husband's bedside, but once there, she found she needed additional moral support. Lucky for Radke, "Operation First Response," an all-volunteer nonprofit organization, specializes in just this kind of situation.

The group provides frequent flier miles and other aid to families of wounded troops, supporting them as they help their loved ones recuperate. "Anybody that contacts us and asks for assistance, if we can do a flight, we'll do it," said Elizabeth Fuentes, the group's secretary and co-founder. "If we can't do it, then we'll find somebody who can." Spc. Brian Radke, a member of the Arizona National Guard, was wounded in October when his Humvee hit an improvised explosive device. Brian has suffered three strokes so far due to his injuries, and doctors have pulled over 100 pieces of shrapnel from his body, Fuentes said. "He has shrapnel in his eye," she said. "He's covered from one end of him to the other.

It looks like he has a really bad case of chicken pox." Corina Miller, a mental health professional at Walter Reed Army Medical Center here, contacted the group soon after the Radkes arrived and explained the issues the couple was facing, including financial trouble. The group went into action, offering financial support and flying Nova's mother and grandmother from Arizona for a visit Dec. 13-17, Fuentes said. The family has faced many obstacles in the last few months, she said. After Brian was wounded, Nova's grandmother had a heart attack, and the rest of her family went to Texas to respond to that situation. "(Nova) was at the point of breaking," Fuentes said, "and we had heard that she would like to have a friend brought in for moral support." Fuentes said she contacted a donor in Missouri, and he provided the needed frequent flier miles. Within an hour and a half, the group secured a ticket for Nova's friend to travel from Mesa, Ariz. to be with her in this time of need. The friend arrived here Feb. 28.

The Radkes represent a large population in need, Fuentes said. Many more soldiers and their families have similar concerns, and they need to know they have a place to turn. "We were just fortunate (this case) caught the eye of someone," Fuentes said. "I think people need to know that these needs exist constantly, and that if you can help -- if it's not Operation First Response, then another nonprofit that helps the wounded -- they absolutely need us." Peggy Baker, Operation First Response's president and co-founder, said the group works with other organizations to give wounded troops and their families the best care possible, even after servicemembers leave the hospital. Such coordination is easier thanks to the group's membership in America Supports You, a Defense Department initiative fostering grassroots and corporate support for troops and their families. "I send our soldiers (to the America Supports You Web site) all the time," Baker said. "They can go in, they can go to the Web sites of these other organizations, too, so it's a huge benefit." Baker says her group is staying in close contact with the Radkes, as they do with many people they help. "I talk a lot to Nova on the telephone," she said. "You can't be involved with people during such a traumatic time and not be bonded. And that's part of our services. If you need somebody to talk to in the middle of the night, call us."

March 03, 2006

Monte Bubbles Takes Second Best Of Breed

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Written by Joyce L Chow & William Hoehne March 3 2006

MBN

www.montebubbles.com for more MBN news

Monte Bubbles the little lady from which this has came continued her unbeaten streak in her category plus won her second Best of Breed today. She partied all night with friends and family celebrating the victory and couldn’t keep her tail up the next day for group.

A Monte Bubblism: If a puppy in her prime can’t party all night what makes you think you can!

 

DOD CAUSALITIES LISTINGS

DOD Releases Guantanamo records

Blast injures troops

Vail supports the Troops

Presenters at Academy Awards

World Baseball Classic

 

DOD CAUSALITIES LISTINGS

The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom. Lance Cpl. John J. Thornton, 22, of Phoenix, Ariz., died Feb. 25 of wounds received as a result of an enemy mortar attack in Ar Ramadi, Iraq. He was assigned to 3rd Battalion, 7th Marine Regiment, 1st Marine Division, I Marine Expeditionary Force, Twentynine Palms, Calif. During Operation Iraqi Freedom, his unit was attached to 2nd Marine Division, II Marine Expeditionary Force

DoD Identifies Army Casualty The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Pfc. Tina M. Priest, 20, of Austin, Texas, died in Taji, Iraq on March 1, from non-combat related injury. Priest was assigned to the 4th Support Battalion, 1st Brigade Combat Team, 4th Infantry Divison, Fort Hood, Texas.

The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Sgt. Joshua V. Youmans, 26, of Flushing, Mich., died at Brooke Army Medical Center in San Antonio, Texas, on March 1, from injuries sustained in Habbaniyah, Iraq on Nov. 21, when an improvised explosive device detonated near his HMMWV during combat operations. Youmans was assigned to the Army National Guard's 1st Battalion,125th Infantry Regiment, Saginaw, Mich.

DOD Releases Guantanamo records

DoD has released 317 "unredacted" records on detainees being held at the U.S. facility in U.S. Naval Station Guantanamo Bay, Cuba. The records, containing about 5,000 pages, are being released as part of an Associated Press Freedom of Information Act litigation decided in late January. A federal judge in New York ordered DoD release records of combatant status review tribunals and administrative review board summaries to the Associated Press by March 3.

Those documents were originally provided to AP, but with names and identifying information redacted for privacy reasons, as part of a Freedom of Information Act request in June 2005. "The court's ruling applies to those documents that have been provided under FOIA in June 2005," a senior official speaking on background said. The list does not give the names of all 490 detainees being held at Guantanamo. Senior defense officials said the 317 records only cover the previously released redacted documents. These will be "unredacted," and names, nationalities and other personal identifying information will be released. Other protected information -- names of American servicemembers for example -- will remain redacted, officials said.

This is only a portion of the combatant status review tribunals and administrative review boards that have been held to date. There have been 558 tribunals and 463 administrative boards, officials said. The judge ordered DoD to release personal information that DoD originally withheld because it feared the release could endanger lives or safety. "We removed the information from the transcripts that identified the detainees," the official said. "Detainee personal information was removed ... because of concern of potential harm to detainees if the documents were made public." In some cases, detainees made incriminating statements about other detainees or about others in their home countries. In others, detainees made statements that could be taken by enemy forces as "disloyal acts" against them, and in other transcripts detainees indicated that they had cooperated with U.S. forces, acts that could be held against them in their countries. These situations and others "could result in retaliation against the detainee from other detainees at Guantanamo or against their families in their home countries," the official said.

Blast injures troops

March 3, 2006 - Five coalition servicemembers were injured today in a suspected improvised explosive device attack east of here. Officials did not release the nationalities of the servicemembers. The troops, assigned to the coalition's Multinational Brigade South, were traveling in an armored vehicle to the Kandahar Provincial Reconstruction Team site at about 10:30 a.m. when the attack occurred.

They all received on-scene medical care and were evacuated to the military hospital at Kandahar Airfield for further treatment. One servicemember was listed in serious but stable condition. Information on the condition of the other four servicemembers was not available. A reaction force from Kandahar Airfield, joined by Afghan National Army soldiers, secured the site. The attack will not deter Afghan and coalition forces from combat patrols and reconstruction efforts to set the conditions for a stable, democratic society, U.S. Army Col. Jim Yonts, a coalition spokesman, said. "We're working with our international partners to remove the causes that enabled terrorism to take root in Afghanistan," he said. "Events such as these only solidify our resolve to eradicate terrorism now."

Vail supports the Troops

VAIL, Colo., March 3, 2006 - Twenty-four servicemembers who lost limbs in Iraq and Afghanistan are here reaping the hospitality of a community first established by returning World War II veterans and to schuss down the slopes of this world-class ski resort. The guests, all patients at Walter Reed Army Medical Center in Washington, D.C., along with their spouses or guests, are participating in the third annual Vail Veterans Program that kicked off March 1 and continues through March 5.

The all-expenses-paid program is hosted by Vail Mountain and the Vail community and gives wounded war veterans an opportunity to learn how to ski and snowboard, event organizer Cheryl Jensen said. "For many of these veterans, the trip to Vail is their first adventure outside the hospital," Jensen said. "This program is all about providing an inspirational experience that focuses on the abilities versus disabilities." Jensen said the experience is a huge confidence builder for young, athletic troops who are now learning to live with disabilities. The event includes three all-day private ski and snowboard lessons through Vail's Adaptive Ski Program. The program specializes in providing ski and snowboard classes for people with disabilities. Using specially modified ski equipment, including "outriggers" -- poles with miniature skis attached to them for balance -- the skiers are learning to maneuver through Vail's slopes and trails.

Five of this year's group members participated in the program last year, and Jensen said it's exciting to see how much they've improved, both in terms of their medical conditions and their skiing abilities. Many other of this year's participants are on skis for their first time, but Jensen said they're making great progress and supporting each other as they tackle the challenges of skiing. "These servicemembers have been through a lot of trials and tribulations together, but this gives them the opportunity to experience something positive together as well," Jensen said. "They're a really wonderful group and have been tremendously supportive of each other." Countless volunteers and 25 local businesses and organizations are donating lodging, meals, lift tickets, ski equipment and personal time to make the grassroots effort a success. "Without the community, it just couldn't happen," Jensen said.

Participants arrived in Vail to a hero's welcome from local elementary school children and are getting the red-carpet treatment during their stay. Tonight, guests will ride the gondola to the top of Vail Mountain for dinner at the Eagle's Nest Restaurant, and tomorrow night, the Vail Fire Department will treat them to a homemade lasagna meal at the fire station. "There is an unsaid promise to protect their families while they protect our freedom serving abroad," said Craig Davis, president of the Vail Professional Firefighters Association. "Inviting the veterans to dinner at our home is the least we can do to pay tribute."

Jensen introduced the Vail Veterans Program because she recognized the value it could bring to wounded veterans. "I knew what adaptive skiing can do for people with disabilities, especially people like these who are healthy and athletic," she said. "Skiing can change their lives." One former participant told Jensen it had done just that for him. "That's the inspiration for this program, to see that it can make a difference," Jensen said. Jensen called the program just one small way to show support for the troops. "They've all made tremendous sacrifices for us, and this is an opportunity to thank them," she said.

The program is small by design to promote bonding among participants, but Jensen said she's hoping to add a second winter program and possibly a summer program as well. The Vail community has a strong track record in supporting the troops and actively supports the Defense Department's "America Supports You" program. In late January and early February, the Vail community hosted the 2006 Vail Armed Forces Week event. Two Marines who had been awarded the Purple Heart Medal, a 3rd Cavalry Division soldier who served in Iraq, and their families, and three wives of Navy SEALs killed in June 2005 participated. "I want to express my appreciation for the invaluable support you provide to our men and women in uniform," Defense Secretary Donald Rumsfeld wrote to Paul Donen, the key organizer, following the event. "As a member of the 'America Supports You' team, your organization helps strengthen the bonds between our military and the Americans they serve. "Thank you for letting servicemembers and their families know how much their fellow Americans value their courage, commitment and sacrifice," Rumsfeld wrote.

Presenters at Academy Awards

Academy Award®-winning actor Jack Nicholson will join Oscar® nominee Jake Gyllenhaal, Eric Bana, Samuel L. Jackson, Ben Stiller, John Travolta and Ziyi Zhang as presenters at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

These presenters will join Hilary Swank, Jamie Foxx, Morgan Freeman, Jessica Alba, Owen Wilson, Luke Wilson, Jennifer Aniston, Tom Hanks, Sandra Bullock, Keanu Reeves, Will Ferrell, Queen Latifah, Terrence Howard, Meryl Streep, Will Smith, Steve Carell, Nicole Kidman, Chris "Ludacris" Bridges, Uma Thurman, Charlize Theron, Naomi Watts, Lily Tomlin, Reese Witherspoon, George Clooney, Jennifer Lopez and Salma Hayek on the telecast.

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

©A.M.P.A.S.®

 World Baseball Classic

Right-hander Min Han Son of Korea needed a couple of batters to find the strike zone Saturday, thenhe settled into a groove and pitched four shutout innings as Korea came closer to clinching a trip to the World Baseball Classic quarterfinals in Anaheim with a 10-1 victory over China at the Tokyo Dome.

With the win, Korea also cam close to pitching another shutout. That bid ended in the eighth inning, when China left fielder Shuo Yang greeted right-handed reliever Jae Hun Chung with a home run to left field.

Son walked the first batter he faced on four pitches, fell behind the next one with a first-pitch ball and then suddenly became a strike-throwing machine as 32 of his final 41 pitches were strikes. The only hit he surrendered was a two-out single to ninth-place hitter Yi Feng in the third inning.

When Son departed after the fourth inning, Team Korea had a five-run lead.

Three of those runs came in the third inning, when Korea sent nine batters to the plate. Second baseman Jong Kook Kim started the inning with a double, left fielder Byung Kyu Lee smacked a run-scoring double to left-center, and Seung Yeop Lee drove a Chen Kun pitch into the bleachers in right field for a two-run home run, the first of his two fence-clearing blasts.

Seung-Yeop drove in five runs with four hits, Kim doubled twice and scored two runs, and third baseman Bum Ho Lee contributed two singles as a replacement for Dong Joo Kim, who sustained a left shoulder injury during Friday's Round 1 opener against Chinese Taipei.


 

March 02, 2006

Monte Bubbles Takes Best of Breed

 

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Written by Joyce L Chow & William Hoehne February 28,2006

MBN

www.montebubbles.com for more MBN news

Monte Bubbles the little lady from which this has came continued her unbeaten steak in her category today plus won her first ever Best of Breed. Her Owner Handler our very own Joyce Chow with no experience as a handler before continues to do well with her baby dog. She learns more each time out.

A Monte Bubblism: There is more to wining a beauty pageant then just looking good and having talent.

 

DoD Identifies Casualties

An American diplomat was killed today

CENTCOM To Use Blogs

NBC Still Tanking

Viacom to challenge MYSPACE

Salma Hayek will be a presenter

Fox thinks people will pay thru teeth for Hi-Def material.

FilmLight To Launch Northlight 2

 

DoD Identifies Casualties

DoD Identifies Army Casualty The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Pfc. Benjamin C. Schuster, 21, of Williamsville, N.Y., died in Ar Ramadi, Iraq on Feb. 25, from a gunshot wound. Schuster was assigned to the Army National Guard's 2nd Battalion, 101st Cavalry Regiment, Buffalo, N.Y.

Defense Department officials have announced the identities of six Operation Enduring Freedom and Operation Iraqi Freedom soldiers who died in recent days. - Army Master Sgt. Emigdio E. Elizarraras, 37, of Pico Rivera, Calif., died in Tarin Kowt, Afghanistan, on Feb. 28 when an improvised explosive device detonated near his Humvee during a reconnaissance mission. Elizarraras was assigned to the 3rd Battalion, 7th Special Forces Group, Fort Bragg, N.C. - Army Staff Sgt. Christopher J. Schornak, 28, of Hoover, Ala., died in Baghdad on Feb. 26 when his dismounted patrol was engaged by enemy forces using small-arms fire. Schornak was assigned to the 1st Battalion, 12th Infantry Regiment, 4th Brigade Combat Team, 4th Infantry Division, Fort Hood, Texas. - Army Spcs. Clay P. Farr, 21, of Bakersfield, Calif.; and Joshua U. Humble, 21, of Appleton, Maine, died in Baghdad on Feb. 26 when an improvised explosive device detonated near their Humvee. Both soldiers were assigned to the 1st Squadron, 71st Cavalry, 1st Brigade Combat Team, 10th Mountain Division of Fort Drum, N.Y. - Army Sgt. Dimitri Muscat, 21, of Aurora, Colo., died in Balad, Iraq, on Feb. 24 of non-combat related injuries suffered earlier that day in Samarra, Iraq. Muscat was assigned to the 1st Battalion, 8th Infantry Regiment, 3rd Brigade Combat Team, 4th Infantry Division, Fort Carson, Colo. - Army Pvt. Joshua F. Powers, 21, of Skiatook, Okla., died in Baghdad on Feb. 24 from a non-combat related injury. Powers was assigned to the 2nd Battalion, 502nd Infantry Regiment, 2nd Brigade Combat Team, 101st Airborne Division, Fort Campbell, Ky.

An American diplomat was killed today

An American diplomat was killed today in a suicide car-bomb attack near the U.S. consulate in Karachi, Pakistan. "We have lost at least one U.S. citizen in a bombing, a foreign service officer, and I send our country's deepest condolences to that person's loved one and family," President Bush said during a joint news conference with Indian Prime Minister Manmohan Singh in New Delhi, India, today. "We also send the condolences to the people from Pakistan who lost their lives." The U.S. diplomat and at least three others were killed in two explosions this morning that rocked a Marriott hotel parking lot adjacent to the consulate, U.S. officials said. According to news reports, more than 50 people were injured in the blast. Press reports also identified one of those killed as the diplomat's driver. The explosions occurred within minutes of each other. In the first incident, a car loaded with explosives drove directly into the car carrying the U.S. diplomat, reports state. President Bush is scheduled to travel to Pakistan following his visit to India. Press reports say the president is not scheduled to visit Karachi. "Terrorists and killers are not going to prevent me from going to Pakistan," he said. "It's important to talk with (Pakistani) President (Pervez) Musharraf about continuing our fight against terrorists. After all, he has had a direct stake in this fight -- four times, the terrorists have tried to kill him." Steve Hadley, the president's national security adviser, said today in New Delhi that the attack is a reminder that the United States is at war, and he reaffirmed that Pakistan is an ally in the war on terrorism. "One of the reasons ... why the president is going to Pakistan is to show his solidarity with Pakistan and President Musharraf as he deals with the terror challenge that Pakistan faces," Hadley said. Bush also reaffirmed the importance of the United States, India and Pakistan working together to defeat terrorism. "The way to defeat terrorism in the short run is to share intelligence and to take action," he said. "The way to defeat terrorism in the long run is to defeat the ideology of hate with an ideology of hope."

CENTCOM To Use Blogs

 

The widespread use of Web logs, or "blogs," by online writers has proliferated information on topics as varied as the authors. Blogs, in essence, are online journals or forums for their authors, known as "bloggers." Public affairs officials here said thousands of blogs are created each day, and they estimate that more than 21 million blogs are posted on the World Wide Web today. Blogs sometimes include information -- accurate and otherwise -- about the U.S. military's global war on terror. U.S. Central Command officials here took notice and created a team to engage these writers and their electronic information forums. "The main interest is to drive their readers to our site," Army Reserve Maj. Richard J. McNorton said. McNorton is CENTCOM's chief of engagement operations. Anyone who wants a virtual voice can create a blog and share information with the online world. The ease with which bloggers spread information is what public affairs officials at CENTCOM saw when they created the blog team. McNorton said the team contacts bloggers to inform the writers about any given topic that may have been posted on their site. This outreach effort enables the team to offer complete information to bloggers by inviting them to visit CENTCOM's Web site for news releases, data or imagery. The team engages bloggers who are posting inaccurate or untrue information, as well as bloggers who are posting incomplete information. They extend a friendly invitation to all bloggers to visit the command's Web site. Many bloggers appreciate the team's contact, blog team officials said, and most post CENTCOM's Web site as a link on their blog sites. This, McNorton said, has a "viral effect" that drives Internet news consumers to CENTCOM's Web site. "Now (online readers) have the opportunity to read positive stories. At least the public can go there and see the whole story. The public wants to hear these good stories," he said, adding that the news stories the military generates are "very factual." From his desk at CENTCOM headquarters here, Army Reserve Spc. Claude Flowers of the 304th Mobile Public Affairs Detachment from Kent, Wash., fights in the global war on terrorism daily in his own way. It is an effort, officials here said, that is making a big difference in the communications arena in the online world. The team's motto is "Engage," and Flowers and others work with more than 250 bloggers to try to disseminate news about the good work being done by U.S. forces in the global war on terror. The effort, officials here said, has reached more than 17 million online readers. "We were given the mission to do electronic media engagement," Flowers said. "The idea was put forth that so many people are getting their news from online sources that we would be remiss if we neglected that audience." Flowers is one of three people who read blogs and try to drive Internet readers to the CENTCOM Web site, where readers can learn more about operations Iraqi Freedom and Enduring Freedom. "We needed to do something to make people aware of the fact that we had this clearinghouse of photos and information," Flowers said. "We can get the whole story out there. We let them know we have a Web site." Flowers said the Web site is filled with informative facts, figures, imagery, data and information that readers can digest before a third party processes and presents the information for them through other media. "Certainly anyone is welcome to use the material on the Web site," Flowers said. "So far, the reception has been tremendous." Team members said they have contacted a full spectrum of bloggers. In one instance, a blogger was writing about the opening of a water treatment plant in Iraq. The writer was presenting the information as a positive milestone for the U.S. military in Iraq, but the information was not complete. The team contacted the writer and offered information via the CENTCOM Web site, and more information was added to the blog to make the article more accurate. In another blog contact, the team wrote a blogger who had written untrue information about U.S. military tactics. The blogger stated that the U.S. military routinely used children in Iraq and Afghanistan as human shields during their operations by using candy to entice and lure kids near them. The team posted a comment on the writer's blog stating that the U.S. military did not use human shield tactics and explained the full circumstances of the incident where Iraqi children died in 2004 when insurgents attacked U.S. forces in Baghdad. Most blogs ordinarily have a feature that enables readers to contact the writer or allows readers to post comments. When the team "reaches out" to a blogger, the team members do not conceal their identity. They fully disclose that they are public affairs personnel and identify themselves accordingly. And, McNorton said, they are there to correct information, no more. "We don't go in there and get into a debate," he said. And officials here are quick to point out that they are not policing Web sites. They are simply offering bloggers the opportunity to get raw information directly from the source. Flowers said that many military personnel have also become bloggers during their deployments as a way to keep friends and family informed on their activities in the war. Here too, the team members don't police content, but if they do discover an operational security violation, they contact the blogger's command to point out the security violation. "(Operational security) for a Web site is no different than OPSEC for a letter," Flowers said. "You shouldn't publish anything you don't want everyone to read," he said, adding that the enemy uses open sources of information to wage war on coalition forces. But, he said, "The power of military blogs is that they're a letter home from servicemen and women that the entire world can read," Flowers said. All bloggers have their niche audience, Flowers said. Some are faith-based, others are military community members, and yet others are involved in mustering humanitarian aid for people in Iraq or Afghanistan. But while the reasons for their blogs differ, most bloggers consistently offer the same comment to Flowers and his team. "Repeatedly we hear from people, 'I never would have heard this story in the mainstream media,'" Flowers said. "People really are interested in what soldiers are doing. Blogs are individual statements. They're the voice of individuals. They're a way of understanding this war on a very human level."

NBC Still Tanking

Now, having just wrapped up the worst-ever Games among adults 18-49, not only will NBC not win the February sweeps, it will likely finish in third place behind both ABC and Fox.

NBC is already set to become the first network since the advent of people meters in 1987 to carry the Olympics during the February sweeps and not win the ratings period.

What’s worse for NBC is that things don’t look any better going forward. After a humiliating sweeps, it’s facing a spring that could be just as bad.

NBC’s problems started with the Olympics, which averaged a 6.1 among 18-49s, the worst in Games history. But its problems were compounded by the rest of its schedule.

Only one of its new shows from the fall, “Earl,” is still on the schedule.

The Apprentice,” the network’s fourth-highest-rated show, finished fourth in its new Monday timeslot this week, and NBC buried its only new midseason drama, Dick Wolf’s “Conviction,” on little-watched Friday nights.

Looking to next fall, there are some positives. “Sunday Night Football” will give NBC a welcome boost on a night where it consistently ranks fourth, and “Earl” and “The Office” show promise on Thursdays.

Viacom to challenge MYSPACE

Viacom, the parent company of MTV, is making eyes at the internet. This year the company aims to muscle into the social networking scene for youth, currently dominated by two-year-old MySpace.com, which Rupert Murdoch’s News Corp. bought for $580 million last year. Tom Freston, CEO of Viacom, told an audience at the Reuters Global Technology, Media and Telecoms Summit in New York yesterday that the company has been meeting with other players in the internet teen scene, but has not decided if Viacom should enter the marketplace through partnerships or by purchasing existing businesses. Freston also explained that Viacom is well aware of the difficulties facing companies in the online teen social networking business. Key among these are: eeking out a profit, maintaining appeal to often fickle teens and combating the threat of sex predators on the site.

 

Salma Hayek will be a presenter

 

Academy Award®-nominated actress Salma Hayek will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Hayek was nominated for a Best Actress Oscar in 2002 for her portrayal of Frida Kahlo in "Frida." She will be seen next in Robert Towne's "Ask the Dust." Hayek's other film credits include "After the Sunset," "Once Upon a Time in Mexico," "Dogma" and "Fools Rush In."

Hayek will join fellow presenters Hilary Swank, Jamie Foxx, Morgan Freeman, Jessica Alba, Owen Wilson, Luke Wilson, Jennifer Aniston, Tom Hanks, Sandra Bullock, Keanu Reeves, Will Ferrell, Queen Latifah, Clint Eastwood, Terrence Howard, Meryl Streep, Will Smith, Steve Carell, Nicole Kidman, Chris "Ludacris" Bridges, Uma Thurman, Charlize Theron, Naomi Watts, Lily Tomlin, Reese Witherspoon, George Clooney and Jennifer Lopez.

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

©A.M.P.A.S.®

Strange dreams by Newscorp

News Corp. is betting that people will pay $25-$30 to watch Fox films at home in high-definition quality via cable and satellite TV 60 days after their theatrical release.

Speaking during the second day of the annual Bear Stearns Media Conference in Palm Beach, Fla., in a session available via webcast, News Corp. president and chief operating officer Peter Chernin said Tuesday the conglomerate has been "talking to the cable operators and satellite operators about the idea of a 60-day, high-priced hign-def rental offer costing $25-$30.


He later repeated the $25 price range as a possible model in a hint that this could be closer to the final price point but didn't specify what kind of revenue split was likely for the HD-to-home product.

At this year's Consumer Electronics Show, Chernin first mentioned that Fox was working on a plan for HD-to-home video on-demand offers 60 days after theatrical releases to establish a new HD window between theatrical and DVD runs amid a recent trend of shrinking distribution windows. However, pricing and other details of the planned HD service had not been clear.

Tuesday indirectly admitted that $25-plus might sound like a high price point, but he argued that more than 1 million Americans spent more than $25,000 last year on a home cinema setup, and they would be "desperate consumers" of such offers.

With movie tickets in New York costing well above $10, the pricing actually could be attractive to high-end users, another industry observer suggested.

FilmLight To Launch Northlight 2


FilmLight To Launch Northlight 2 and Show Unique 4K Scanning and Grading Colour Managed Workflow At NAB 2006

London, UK. 2nd March 2006 - FilmLight, a leading provider of digital filmmaking technology, announced today that at NAB 2006 it will exhibit the most comprehensive end to end scanning and grading workflows in the industry ranging from 4K to SD. Technology innovations include the launch of Northlight 2, real-time 4K grading on Baselight Eight and new Truelight capabilities responding to demands from high end film makers.

For the first time, FilmLight will give demonstrations of the Northlight 2 scanner with speed and architecture advances plus new features including infra-red scanning, support for third party dustbust applications and archive/restoration. With new sensor technology, optics and electronics, Northlight 2 will provide a 4X increase in scanning speed - faster than two frames/second at 2K and 1 frame/second at 4K.

Also demonstrated will be the shipping version of Baselight v3 that offers video and film clients major speed and productivity increases. Baselight Four and Baselight Eight systems offering real-time 2K and 4K grading will be demonstrated, plus the Baselight Blackboard hardware control surface that has now shipped to over 20 customers worldwide.

Visitors to FilmLight's booth will also see innovations to Truelight - the system of choice for facility-wide colour management, which has been adopted throughout the industry by companies including Rhythm & Hues, Modern VideoFilm, Pacific Title, FotoKem, and others.

About FilmLight Ltd


FilmLight was established to develop an integrated digital film mastering process by providing the world's highest quality digital film scanning, grading and colour management techniques. The FilmLight team has been pioneering digital film techniques for nearly 20 years enabling it to offer unsurpassed industry knowledge. The company's products are now gaining market share in the wider post-production market place. The company's clients for its pioneering Northlight, Baselight and Truelight digital film technology include Cinesite, ILM, Éclair, Rhythm & Hues, Pacific Title, FotoKem, Framestore CFC, Matchframe and The Moving Picture Company. FilmLight has offices in London, Los Angeles and Sydney. For more information visit www.filmlight.ltd.uk

March 01, 2006

Oscar Nominated Live Action Shorts on iTunes

  

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Written by Joyce L Chow & William Hoehne March 1,2006

MBN

www.montebubbles.com for more MBN news

 

Oscar shorts to I-Tune

War  Casualties

Showest News

Olympics a rating bust

Commercials Coming to you

 

Oscar shorts to I-Tune

LOS ANGELES (Hollywood Reporter) - The five pictures competing for the live-action short film Oscar on Sunday are available to buy on Apple's iTunes Music Store.

Shorts International and Magnolia Pictures, which recently partnered to bring all 10 live-action and animated short film nominees to theaters before the ceremony, have teamed again to bring the live shorts to the Internet.

The five available films are Ulrike Grote's "Ausreisser (The Runaway)," Sean Ellis' "Cashback," Runar Runarsson's "The Last Farm," Rob Pearlstein's "Our Time Is Up" and Martin McDonagh's "Six Shooter."

War  Casualties

BAGRAM AIR BASE, Afghanistan, March 1, 2006 - A U.S. servicemember was killed and two were wounded in offensive operations in Afghanistan's Uruzgan province yesterday, military officials reported. Seven suspected Taliban fighters were captured in the engagement, in which coalition forces attacked the enemy with small-arms fire. An improvised explosive device damaged one coalition vehicle during the engagement, which took place near Tarin Kowt. The wounded servicemembers were evacuated for medical treatment at a nearby facility. Officials reported they were in stable condition. Names are being withheld pending notification of next of kin. "We are deeply saddened by the loss of one of our fellow servicemembers," Army Maj. Gen. Benjamin C. Freakley, commanding general of the coalition's Combined Joint Task Force 76, said. "He selflessly volunteered to serve his country and to build a better future for Afghanistan. His death is mourned by his comrades in arms, but he is not nor ever will be forgotten." Coalition forces conduct offensive operations in partnership with Afghan security forces to deny insurgents sanctuary, to destroy Taliban and al Qaeda forces and to prevent their re-emergence, officials

DoD Identifies Army Casualties The Department of Defense announced today the death of two soldiers who were supporting Operation Iraqi Freedom. They died in Baghdad, Iraq on Feb. 26, when an improvised explosive device detonated near their HMMWV during patrol operations. Both soldiers were assigned to the 1st Squadron, 71st Cavalry, 1st Brigade Combat Team, 10th Mountain Division of Fort Drum, N.Y. Killed were: Spc. Clay P. Farr, 21, of Bakersfield, Calif. Spc. Joshua U. Humble, 21, of Appleton, Maine.

DoD Identifies Army Casualty The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Staff Sgt. Christopher J. Schornak, 28, of Hoover, Ala., died in Baghdad, Iraq, on Feb. 26, when his dismounted patrol was engaged by enemy forces using small arms fire. Schornak was assigned to the 1st Battalion, 12th Infantry Regiment, 4th Brigade Combat Team, 4th Infantry Division, Fort Hood, Texas.

WASHINGTON, March 1, 2006 - A U.S. soldier died in a non-combat incident in Iraq today, and Defense Department officials announced the identities of six servicemembers who died previously. The soldier who died today was assigned to Multinational Division Baghdad. No further details were available. The soldier's name is being withheld pending notification of next of kin. Defense officials have identified the following casualties: - Army Spc. Joshua M. Pearce, 21, of Guymon, Okla., was killed in Mosul, Iraq, when an improvised explosive device detonated near the Stryker military vehicle he was patrolling with Feb. 26. Pearce was assigned to the 2nd Battalion, 1st Infantry Regiment, 172nd Stryker Brigade Combat Team, Fort Wainwright, Alaska. - Marine Lance Cpl. Adam J. Vanalstine, 21, of Superior, Wis., was killed Feb. 25 by an improvised explosive device in Ramadi, Iraq. He was assigned to 3rd Battalion, 7th Marine Regiment, 1st Marine Division, 1st Marine Expeditionary Force, Twentynine Palms, Calif. - Army Sgt. Jessie Davila, 29, of Greensburg, Kan., died in Baghdad Feb. 20 when an improvised explosive device detonated near his vehicle. He was assigned to the National Guard's 2nd Battalion, 137th Infantry, Lawrence, Kan. Three soldiers died near Balad, Iraq, on Feb. 22, when a roadside bomb exploded near their Bradley fighting vehicle. All three soldiers were assigned to the 1st Battalion, 8th Infantry Regiment, 3rd Brigade Combat Team, 4th Infantry Division, Fort Carson, Colo. Killed were: - Staff Sgt. Curtis T. Howard II, 32, of Ann Arbor, Mich.; - Sgt. Gordon F. Misner II, 23, of Sparks, Nev.; and - Spc. Thomas J. Wilwerth, 21, of Mastic, N.Y.

Showest News

LOS ANGELES — ShoWest has named Brandon Routh ShoWest “Male Star of Tomorrow,” it was announced today by Mitch Neuhauser, co-managing director of the event that will be held March 13-16, 2006 in Las Vegas. Routh will make his major motion picture debut starring in the highly anticipated Superman Returns, scheduled for release on June 30, 2006 by Warner Bros. Pictures. Routh will be presented with the ShoWest Male Star of Tomorrow award at ShoWest’s closing night ceremony on Thursday, March 16, 2006 at Bally's and Paris Las Vegas.

"ShoWest has a history of identifying and recognizing major talents at the very earliest points in their emerging careers and there may be no better example of such talent than that displayed by Brandon Routh in the epic role of Superman," said Neuhauser. "We are extremely pleased to bestow Brandon with the ShoWest Male Star of Tomorrow Award."

When director Bryan Singer came aboard to direct Superman Returns, he insisted that a fresh face be cast in the part in the tradition of film’s most famous Man of Steel, Christopher Reeve. Routh, born and raised in Iowa, was tapped by Singer after extensive casting calls in the U.S., Britain, Canada and Australia. Impressed by his resemblance to the comic book icon and finding the actor’s humble Midwestern roots a perfect fit for the hero’s all-American persona, Singer anointed Routh as the next screen Superman.

Following a mysterious absence of several years, the Man of Steel comes back to Earth in the action-adventure Superman Returns, a soaring new chapter in the saga of one of the world’s most beloved superheroes. In an attempt to protect the world he loves from cataclysmic destruction, Superman embarks on an epic journey of redemption that takes him from the depths of the ocean to the far reaches of outer space.

ShoWest is the largest annual convention for the motion picture industry. It is the only international gathering devoted exclusively to the movie business and the single largest international gathering of motion picture professionals and theatre owners in the world. The 2006 edition of ShoWest will be held March 13–16, 2006 at Bally’s and Paris Las Vegas and is expected to draw more than 5,000 members of the motion picture industry. Each year, ShoWest attracts delegates from more than 50 countries in North and South America, Europe, Asia and Australia. ShoWest is managed by the VNU Expositions Film Group, a division of VNU Business Media.

Olympics a rating bust

As expected, this year’s Olympics will go down as the worst ever in terms of total viewers. Nielsen issued final numbers for the Games yesterday. Torino averaged 20.2 million viewers, down 37 percent from Salt Lake City in 2002, but that was expected as domestic Olympics always rate higher than foreign ones. What was more troubling was that the Games were also down 19 percent from Nagano in 1998. NBC barely made its advertiser guarantee of between a 12 and 14 houseld rating, averaging a 12.2 for the Opening Ceremonies through the Closing Ceremonies on Sunday and off 25 percent from Nagano. Salt Lake City averaged a 19.2/31 rating. Among 18-49s, this year’s Olympics scored a 6.1 rating, a 45 percent drop from 2002 and also the worst ever.

 

Commercials Coming to you


Staples has built a great wall in its latest campaign that debuted Feb. 26. "The Wall" goes back in history to ancient China. The 30-second spot shows an Emperor on a hill with a small group of allies behind him. A large army of warriors is making their way toward the Emperor just as one of the emperor's cohorts pulls out a lacquer box that contains the infamous Easy Button. The Emperor gives the command to push the Easy Button. Within seconds, the Great Wall of China is erected, preventing the enemies from reaching the men. Unfortunately for the Emperor, the Great Wall has sprung up behind him, leaving him alone to face the enemy

has built a great wall in its latest campaign that debuted Feb. 26. "The Wall" goes back in history to ancient China. The 30-second spot shows an Emperor on a hill with a small group of allies behind him. A large army of warriors is making their way toward the Emperor just as one of the emperor's cohorts pulls out a lacquer box that contains the infamous Easy Button. The Emperor gives the command to push the Easy Button. Within seconds, the Great Wall of China is erected, preventing the enemies from reaching the men. Unfortunately for the Emperor, the Great Wall has sprung up behind him, leaving him alone to face the enemy

Everyone is Irish on St. Patrick's Day. Guinness has launched its latest "Brilliant!" ad to ring in the holiday. "Dance" features the Guinness Brewmasters as they channel Michael Flatley (Mr. Lord of the Dance) in honor of St. Patty's Day. The two get so carried away step-dancing that they wind up falling through the floor and into the basement, stating, "Maybe all we need for St. Patrick's Day is our Guinness." The ad is airing on national cable networks including ESPN, USA and F/X until March 17

Tylenol has launched two ads promoting its Rapid Release Gels and Web site. "Holes" focuses on Tylenol's Rapid Release Gels, emphasizing that the holes are the cutting-edge technology behind the gels and simulates a pill dissolving in water. The ad is running through September. "Bowling Pin" goes after Tylenol's competition, Advil, Aleve and Celebrex and promotes the Tylenol Web site. With bowling pins being knocked down in the background, the spot defines the three competing drugs as NSAIDS and notes that Tylenol is not an NSAID. Those curious about what the heck an NSAID is and why it's important are encouraged to visit Tylenol.com for an explanation. The ad will run intermittently throughout the year. Both campaigns are running on Network TV, Cable and Syndication.

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January 31, 2006

Entertainment

Oscar Nominations 

 Academy of Motion Picture Arts and Sciences.

- NOMINATIONS BY CATEGORY - 78TH AWARDS

 

Performance by an actor in a leading role

Philip Seymour Hoffman in “Capote” (UA/Sony Pictures Classics)

Terrence Howard in “Hustle & Flow” (Paramount Classics, MTV Films and New Deal Entertainment)

Heath Ledger in “Brokeback Mountain” (Focus Features)

Joaquin Phoenix in “Walk the Line” (20th Century Fox)

David Strathairn in “Good Night, and Good Luck.” (Warner Independent Pictures)

 

Performance by an actor in a supporting role

 

George Clooney in “Syriana” (Warner Bros.)

Matt Dillon in “Crash” (Lions Gate)

Paul Giamatti in “Cinderella Man” (Universal and Miramax)

Jake Gyllenhaal in “Brokeback Mountain” (Focus Features)

William Hurt in “A History of Violence” (New Line)

 

Performance by an actress in a leading role

 

Judi Dench in “Mrs. Henderson Presents” (The Weinstein Company)

Felicity Huffman in “Transamerica” (The Weinstein Company and IFC Films)

Keira Knightley in “Pride & Prejudice” (Focus Features)

Charlize Theron in “North Country” (Warner Bros.)

Reese Witherspoon in “Walk the Line” (20th Century Fox)

 

Performance by an actress in a supporting role

 

Amy Adams in “Junebug” (Sony Pictures Classics)

Catherine Keener in “Capote” (UA/Sony Pictures Classics)

Frances McDormand in “North Country” (Warner Bros.)

Rachel Weisz in “The Constant Gardener” (Focus Features)

Michelle Williams in “Brokeback Mountain” (Focus Features)

 

Best animated feature film of the year

“Howl’s Moving Castle” (Buena Vista) Hayao Miyazaki

“Tim Burton’s Corpse Bride” (Warner Bros.) Tim Burton and Mike Johnson

“Wallace & Gromit in the Curse of the Were-Rabbit”

(DreamWorks Animation SKG)

Nick Park and Steve Box

Achievement in art direction

“Good Night, and Good Luck.”

(Warner Independent Pictures)

Art Direction:

Set Decoration:

Jim Bissell

Jan Pascale

“Harry Potter and the Goblet of Fire”

(Warner Bros.)

Art Direction:

Set Decoration:

Stuart Craig

Stephenie McMillan

“King Kong”

(Universal)

Art Direction:

Set Decoration:

Grant Major

Dan Hennah and

Simon Bright

“Memoirs of a Geisha”

(Sony Pictures Releasing)

Art Direction:

Set Decoration:

John Myhre

Gretchen Rau

“Pride & Prejudice”

(Focus Features)

Art Direction:

Set Decoration:

Sarah Greenwood

Katie Spencer

Achievement in cinematography

“Batman Begins” (Warner Bros.) Wally Pfister

“Brokeback Mountain” (Focus Features) Rodrigo Prieto

“Good Night, and Good Luck.”

(Warner Independent Pictures)

Robert Elswit

“Memoirs of a Geisha” (Sony Pictures Releasing) Dion Beebe

“The New World” (New Line) Emmanuel Lubezki

Achievement in costume design

“Charlie and the Chocolate Factory” (Warner Bros.) Gabriella Pescucci

“Memoirs of a Geisha” (Sony Pictures Releasing) Colleen Atwood

“Mrs. Henderson Presents” (The Weinstein Company) Sandy Powell

“Pride & Prejudice” (Focus Features) Jacqueline Durran

“Walk the Line” (20th Century Fox) Arianne Phillips

 

Achievement in directing

“Brokeback Mountain” (Focus Features) Ang Lee

“Capote” (UA/Sony Pictures Classics) Bennett Miller

“Crash” (Lions Gate) Paul Haggis

“Good Night, and Good Luck.”

(Warner Independent Pictures)

George Clooney

“Munich” (Universal and DreamWorks) Steven Spielberg

Best documentary feature

“Darwin’s Nightmare” (International Film Circuit)

A Mille et Une Production

Hubert Sauper

“Enron: The Smartest Guys in the Room”

(Magnolia Pictures)

An HDNet Films Production

Alex Gibney and Jason Kliot

“March of the Penguins” (Warner Independent Pictures)

A Bonne Pioche Production

Luc Jacquet and Yves Darondeau

“Murderball” (THINKFilm)

An Eat Films Production

Henry-Alex Rubin and Dana Adam Shapiro

“Street Fight”

A Marshall Curry Production

Marshall Curry

Best documentary short subject

“The Death of Kevin Carter: Casualtyof the Bang Bang Club”

A Dan Krauss Production

Dan Krauss

“God Sleeps in Rwanda”

An Acquaro/Sherman Production

Kimberlee Acquaro and Stacy Sherman

“The Mushroom Club”

A Farallon Films Production

Steven Okazaki

“A Note of Triumph: The Golden Age

of Norman Corwin”

A NomaFilms Production

Corinne Marrinan and Eric Simonson

 

Achievement in film editing

“Cinderella Man” (Universal and Miramax)

“The Constant Gardener” (Focus Features)

“Crash” (Lions Gate)

“Munich” (Universal and DreamWorks)

“Walk the Line” (20th Century Fox)

Mike Hill and Dan Hanley

Claire Simpson

Hughes Winborne

Michael Kahn

Michael McCusker

Best foreign language film of the year

“Don’t Tell”

A Cattleya/Rai Cinema Production

“Joyeux Noël”

A Nord-Ouest Production

“Paradise Now”

An Augustus Film Production

“Sophie Scholl - The Final Days”

A Goldkind Filmproduktion and

Broth Film Production

“Tsotsi”

A Moviworld Production

Italy

France

Palestine

Germany

South Africa

Achievement in makeup

“The Chronicles of Narnia: The Lion, the Witch Howard Berger and Tami Lane

and the Wardrobe” (Buena Vista)

“Cinderella Man” (Universal and Miramax) David Leroy Anderson and Lance Anderson

“Star Wars: Episode III Revenge of the Sith” Dave Elsey and Nikki Gooley

(20th Century Fox)

Achievement in music written for motion pictures (Original score)

“Brokeback Mountain” (Focus Features) Gustavo Santaolalla

“The Constant Gardener” (Focus Features) Alberto Iglesias

“Memoirs of a Geisha” (Sony Pictures Releasing) John Williams

“Munich” (Universal and DreamWorks) John Williams

“Pride & Prejudice” (Focus Features) Dario Marianelli

 

Achievement in music written for motion pictures (Original song)

“In the Deep” from Music by Kathleen “Bird” York and Michael Becker

“Crash” (Lions Gate) Lyric by Kathleen “Bird” York

“It’s Hard Out Here for a Pimp” from Music and Lyric by Jordan Houston, Cedric Coleman

“Hustle & Flow” and Paul Beauregard

(Paramount Classics, MTV Films and

New Deal Entertainment)

“Travelin’ Thru” from Music and Lyric by Dolly Parton

“Transamerica”

(The Weinstein Company and IFC Films)

Best motion picture of the year

“Brokeback Mountain” (Focus Features) Diana Ossana and James Schamus, Producers

A River Road Entertainment Production

“Capote” (UA/Sony Pictures Classics) Caroline Baron, William Vince and Michael Ohoven,

An A-Line Pictures/Cooper’s Town/ Producers

Infinity Media Production

“Crash” (Lions Gate) Paul Haggis and Cathy Schulman, Producers

A Bob Yari/DEJ/Blackfriar’s Bridge/

Harris Company/ApolloProscreen

GmbH & Co./Bull’s Eye Entertainment

Production

“Good Night, and Good Luck.” Grant Heslov, Producer

(Warner Independent Pictures)

A Good Night Good Luck LLC Production

“Munich” (Universal and DreamWorks) Kathleen Kennedy, Steven Spielberg and

A Universal Pictures/DreamWorks Barry Mendel, Producers

Pictures Production

 

Best animated short film

“Badgered”

A National Film and Television

School Production

Sharon Colman

“The Moon and the Son: An Imagined

Conversation”

A John Canemaker Production

John Canemaker and Peggy Stern

“The Mysterious Geographic Explorationsof Jasper Morello” (Monster Distributes)

A 3D Films Production

Anthony Lucas

“9”

A Shane Acker Production

Shane Acker

“One Man Band”

A Pixar Animation Studios Production

Andrew Jimenez and Mark Andrews

Best live action short film

“Ausreisser (The Runaway)”

A Hamburg Media School,

Filmwerkstatt Production

Ulrike Grote

“Cashback” (The British Film Institute)

A Left Turn Films Production

Sean Ellis and Lene Bausager

“The Last Farm”

A Zik Zak Filmworks Production

Rúnar Rúnarsson and Thor S. Sigurjónsson

“Our Time Is Up”

A Station B Production

Rob Pearlstein and Pia Clemente

“Six Shooter” (Sundance Film Channel)

A Missing in Action Films and

Funny Farm Films Production

Martin McDonagh

Achievement in sound editing

“King Kong” (Universal) Mike Hopkins and Ethan Van der Ryn

“Memoirs of a Geisha” (Sony Pictures Releasing) Wylie Stateman

“War of the Worlds” (Paramount and DreamWorks) Richard King

 

William Hoehne

January 22, 2006

Thinking Out Of The box

 

MBN: The creation of an Internet television network

To Think Out Of the Box

We live in a nation where growing old has become virtually a crime while those between the ages of 18 and 49 are the only ones thought to have any value.

Yet besides having real economic clout those over the age of 49 also have one other very valuable commodity, "KNOWLEDGE."

Knowledge of what has came before, what mistakes have been made and what wrong turns have been taken.

Since the days of Edison and DW Griffith my family has been in either the film or television business.

We have seen the hand-cranked camera replaced by the spring ran camera then the battery powered then the digital camera.

Black and white to color to Technicolor to video.

We have seen the film companies fight tooth and nail to keep television from being born then the studios becoming the major suppliers to the networks and now owners of networks.

Television networks then fighting the advent of cable then buying cable networks as cable took their audiences away.

Then cable in a battle with satellite companies and HI-Def taking the place of standard analog broadcasting freeing bands for more and creative uses.

2006 marks the 102nd year my family has been in the film and television business and we see now Internet pod casts and the start of broadcasting over the net.

Internet broadcasting is in its infancy like feature films, television networks and production, and cable and satellite once were.

There is no difference between this baby and the infancy of the feature film or television, cable and satellite.

All were thought to be impossible and were the products of men and women whom refused to be defeated in their quest to bring something new and exciting to the world.

At the CES in Las Vegas it was estimated that there were more then 70 million Internet users whom averaged 30 hours a week infront of a screen.

Those used to be the figures that network television would give till it was decided in the days of too much rural programming that the 18 to 49 years old were who the nets were after.

In today’s economic climate it is almost impossible to bring forth a network of any kind due to the high cost of programming.

Look no further then UPN and the WB merging.

To make a net such as MBN work you must have programming available 24 hours a day. Costs have to be kept at a minimum; far less then those of a television network or cable network or failure is guaranteed.

Today there are nets already on the internet that are depending on subscriptions and programming supplied free by others to fill in the time and it is repeats after repeats.

Repeats destroy; original programming is a must.

There was a time when shows only repeated a few shows a year, today it is over 30 weeks of repeats and 22 or less of new programming.

Where does the programming come from you need to operate?

From the thousands of creative people that come to the Natpe every year and are turned away. From every country in the world that has creative people wanting to show they can produce for our country.

From those people that helped create what we now see but have been told they are too old to be of any value.

How do you deliver what you have and make any money?

You use as many methods as possible for delivery because you’re only as good as your slowest connection.

You use broadband to deliver straight to your computer for free with commercials, you make arrangements like we are for businesses to have broadband downloading services for the shows to be downloaded either to DVD’s or I pods are whatever device they have that the program can be downloaded to.

Whom do you aim for as an audience?

Many years ago at a lecture given by the founder of Warner brothers, Jack L. Warner told us he didn’t care who came to see his films as long as they had the money to pay for a ticket.

That is our audience, anyone that has a computer or device for downloading. No demographics, just every person willing to download.

With every passing day we do more, we add more to what we have and we get one more step closer to fully being on the air.

We gladly are available to answer any questions you have.

 

William Hoehne & Joyce Chow

MBN

MBN

 

 

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February 28, 2006

New Military Casualty List

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Written by Joyce L Chow & William Hoehne February 28,2006

MBN

www.montebubbles.com for more MBN news

 

ANNOUNCEMENT: We will be giving same hour coverage of Academy Awards March 5

The Oscars are showing that it is becoming increasingly, immensely difficult to create new, sustainable stars.

Singer Jennifer Lopez will be a presenter at the 78th Academy Awards ceremony.

Product Placement

News Corp. and CBS Corp. today announced plans to provide new content for mobile devices including cellphones

DoD Identifies Casualties

The Supreme Court dealt a setback Tuesday to abortion clinics

 

This year’s Academy Awards wouldn’t seem to hold great meaning for the producers of consumer products and services.

The Oscars are showing that it is becoming increasingly, immensely difficult to create new, sustainable stars.

Just look at the nominees for best actor: Philip Seymour Hoffman, Terrence Howard, Heath Ledger, Joaquin Phoenix and David Straithairn. , few will ever emerge from this bunch, able to “open” a film by virtue of marquee attraction alone.

Sit is this way also with the best actress nominees. Judi Dench, Felicity Huffman, Keira Knightley, Charlize Theron and Reese Witherspoon, hard to imagine that any one will ever become a bankable name, to the same degree that Katharine Hepburn (or, in the last decade, Julia Roberts) did.

This year’s Oscar process is being dismissed as an anomaly, the selections of an Academy out of touch with popular taste. Hits are now the exception, not the rule. Stardom is not an enduring, phenomenon. And brands are growing smaller in scale and transferability.

We are now in a world where your average teenager can manipulate video, images, sound and text with the mastery of an old Hollywood studio technician, and where each computer with broadband access is becoming its own personalized multimedia network,

To establish a brand, you need to be able to attract a crowd, and to attract a crowd, you have to fill an unmet need -- respectively, in their cases, for unlimited information, infinite product choice, unrestricted community and really fast cleaning. And -- vitally important -- you have to innovate continually, to anticipate the fresh demands that will creep up and around those consumer needs.

Singer Jennifer Lopez will be a presenter at the 78th Academy Awards ceremony.

Singer Jennifer Lopez will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Lopez was recently seen in "Monster-in-Law" and "An Unfinished Life. " She recently completed "Bordertown" and will be seen next in "El Cantante." Her other film credits include "Maid in Manhattan," "Enough," "Money Train," "Out of Sight," "The Cell," "The Wedding Planner" and "Angel Eyes."

Lopez will join fellow presenters Hilary Swank, Jamie Foxx, Morgan Freeman, Jessica Alba, Owen Wilson, Luke Wilson, Jennifer Aniston, Tom Hanks, Sandra Bullock, Keanu Reeves, Will Ferrell, Queen Latifah, Clint Eastwood, Terrence Howard, Meryl Streep, Will Smith, Steve Carell, Nicole Kidman, Chris "Ludacris" Bridges, Uma Thurman, Charlize Theron, Naomi Watts, Lily Tomlin, Reese Witherspoon and George Clooney.

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. ©A.M.P.A.S.®

PRODUCT PLACEMENT

PRODUCT PLACEMENT IS STILL AN Nearly 11 percent of all programming minutes now include some sort of brand reference, and some shows now have more minutes of product placement time than they do TV commercial time. Those are some of the findings of an analysis of brand appearances on network prime-time TV during the fourth quarter of 2005, released late Monday by TNS Media Intelligence. The study found the average prime-time network TV show contained four minutes and 25 seconds of branded appearances vs. 17 minutes and 35 seconds of national and local commercial TV times. At that rate, branded references now represent about 20 percent of all brand mentions on network prime-time TV. That's a much higher rate than Nielsen Media Research found when it introduced its product placement measurement service in August. At that time, Nielsen estimated that about 15 percent of all brand mentions on network TV were product placement, the balance being conventional commercials.

Neither Nielsen nor TNS can determine whether product placements are paid for, or whether they occur organically within programming, but the trend line suggests they are growing, they are growing more in some types of TV programming than others - especially reality shows, which had an average of 11 minutes and five seconds of in-program brand exposure per hour vs. 17 minutes and 4 seconds of commercial time. Scripted series had the least amount of brand exposure - only an average of three minutes and seven seconds of product placement time.

However, some scripted series had pervasive amounts of branded content. CBS' "King of Queens" was the champ with an average of 18 minutes and 13 seconds of branded content per hour equivalent vs. only 16 minutes and 49 seconds of commercial time.

But the most egregious example of branded content was NBC's "The Apprentice: Martha Stewart," which had an average of 33 minutes and 51 seconds of branded content per hour vs. only 16 minutes and 32 seconds of commercial time.

News Corp. and CBS Corp. today announced plans to provide new content for mobile devices including cellphones

 

News Corp. and CBS Corp. today announced separate plans to provide a multitude of new content for mobile devices including cellphones.News Corp. unit Fox Mobile Entertainment today rolled out a new cellphone content company, Mobizzo (cellphones in the U.K. are often referred to as "mobbies"). Mobizzo, which is intended to operate on a global basis, is offering games, ring tones, screen savers and video clips, which can be accessed either online or by using a cellphone's key pad, for between $1.99 and $2.49 with monthly subscription plans averaging $5.99.

Consumers whose wireless plans are with Cingular or T-Mobile can access Mobizzo, though Fox Mobile intends to hook up with other wireless providers. A multimillion-dollar ad campaign backs Mobizzo's launch. Rather than simply raiding its vault for clips from Fox movies and TV shows, Fox Mobile is tapping the street for content, too: Mobizzo will offer street art and tattoo designs.

Next week CBS Corp., aiming to better exploit its news and entertainment programming, will launch “CBS News to Go” and “ET to Go” as daily alerts with accompanying video. "News to Go" will sell for 99 cents a month and and “ET to Go” for $3.99 a month.

The moves by the two entertainment giants appear to cement a pricing model that has consumers, rather than advertisers, at its heart. CBS said its twin offerings do not carry advertising at present but may seek ad support down the line.

The emergence of cellphones as an advertising-free medium could raise the stakes for media buyers, as anything that pulls consumers away from advertising is a concernAs video-equipped cellphones become more widespread, only a couple of million subscribers can currently receive video content, and consumers may be willing to see advertisers support that content.

The nation's No. 2 carrier is experimenting with a two-tier content service for subscribers, one supported by ads and a more expensive service without ads.


The bigger issue is what sort of advertising will work in the mobile marketplace. . How do you do it in a way that doesn’t piss off the consumer?

There’s definitely a breaking point coming very soon.

 

DoD Identifies Army Casualties

DoD Identifies Army Casualties The Department of Defense announced today the death of three soldiers who were supporting Operation Iraqi Freedom. They died near Balad, Iraq, on Feb. 22, when an improvised explosive device detonated near their Bradley Fighting Vehicle. All three soldiers were assigned to the 1st Battalion, 8th Infantry Regiment, 3rd Brigade Combat Team, 4th Infantry Division, Fort Carson, Colo. Killed were: Staff Sgt. Curtis T. Howard II, 32, of Ann Arbor, Mich. Sgt. Gordon F. Misner II, 23, of Sparks, Nev. Spc. Thomas J. Wilwerth, 21, of Mastic, N.Y.

 

The Department of Defense announced today the death of a Marine

The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom. Lance Cpl. Adam J. Vanalstine, 21, of Superior, Wis., died Feb. 25, from an improvised explosive device in Ar Ramadi, Iraq. He was assigned to 3rd Battalion, 7th Marine Regiment, 1st Marine Division, I Marine Expeditionary Force, Twentynine Palms, Calif. During Operation Iraqi Freedom, his unit was attached to 2nd Marine Division, II Marine Expeditionary Force

The Supreme Court dealt a setback Tuesday to abortion clinics

The Supreme Court dealt a setback Tuesday to abortion clinics in a two-decade-old legal fight over abortion protests, ruling that federal extortion and racketeering laws cannot be used to ban demonstrations.

 

The 8-0 decision ends a case that the 7th U.S. Circuit Court of Appeals had kept alive despite a 2003 ruling by the high court that lifted a nationwide injunction on anti-abortion groups led by Joseph Scheidler and others.

Anti-abortion groups brought the appeal after the appellate court sought to determine whether the injunction could be supported by charges that protesters had made threats of violence.

In Tuesday's ruling, Justice Stephen Breyer said Congress did not intend to create "a freestanding physical violence offense" in the federal extortion law known as the Hobbs Act. Congress chose to address violence outside abortion clinics in 1994 by passing the Freedom of Access to Clinic Entrances Act, which set parameters for such protests.

Social activists and the AFL-CIO had sided with abortion demonstrators in arguing that lawsuits and injunctions based on the federal extortion law could be used to thwart their efforts to change public policy or agitate for better wages and working conditions.

The legal battle began in 1986, A federal judge issued a nationwide injunction against the abortion protesters after a Chicago jury found in 1998 that demonstrators had engaged in a pattern of racketeering by interfering with clinic operations, menacing doctors, assaulting patients and damaging clinic property.

But the Supreme Court voided the injunction in 2003, ruling that the extortion law could not be used against the protesters because they had not illegally "obtained property" from women seeking to enter clinics to receive abortions.

Justice

Samuel Alito did not participate in the decision

February 27, 2006

Slow news day

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Written by Joyce L Chow & William Hoehne February 27,2006

MBN

www.montebubbles.com for more MBN news

 

Editorial:Are there any sports in this country that are not fixed or tainted with the feeling of improper conduct.

This week in I observed a dog show in which a sick dog was given a ribbon not once but twice.

I observed a judge not even looking at the dogs in a line and pointing to the winners before the dogs had all lined up and one of the dogs was standing up holding onto its handlers.

I saw a judge place two dogs in first and second position then give the ribbons to two dogs down the line in the next move.

It seems that not even dog shows are immune from the appearance of impoprity.

 

George Clooney will be a presenter at the 78th Academy Awards ceremony

 

Academy Award®-nominated actor George Clooney will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Clooney received his first three Oscar® nominations this year, for directing and co-writing "Good Night, and Good Luck." and for his supporting role in "Syriana." He will next be seen in "The Good German" and is currently filming "Michael Clayton." His other film credits include "Ocean's Twelve," "Three Kings," "Intolerable Cruelty," "Confessions of a Dangerous Mind," "The Perfect Storm" and "O Brother, Where Art Thou?"

Clooney will join fellow presenters Hilary Swank, Jamie Foxx, Morgan Freeman, Jessica Alba, Owen Wilson, Luke Wilson, Jennifer Aniston, Tom Hanks, Sandra Bullock, Keanu Reeves, Will Ferrell, Queen Latifah, Terrence Howard, Meryl Streep, Will Smith, Steve Carell, Nicole Kidman, Chris "Ludacris" Bridges, Uma Thurman, Charlize Theron, Naomi Watts, Lily Tomlin and Reese Witherspoon.

©A.M.P.A.S.®

February 25, 2006

Olympics success or failure?

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 Written by Joyce L Chow & William Hoehne February 25,2006

MBN

www.montebubbles.com for more MBN news

 

Olympics failure or success? 

Casualties this week

Medal Count

 

 

Olympics failure or success? 

At this games as of the last day we are expected to win any medals the US team will walk away with 25 medals.  Our team had a total of 34 in the last games and was favored to do at least that well this time.

Teams were more evenly matched in this games then in the last. And there was more of a me first attitude on the American team then the last games team. Was 25 medals a failure, not if you ask all those teams that finished below the US team.Was it what was expected ,no.

In other words it was sort blah. Not a success and not a failure. The lack luster coverage of the games by NBC represented this blah attitude. Not great, not what was expected.

Maybe if we have realistic expectations and a team that remembers they are a team representing this country the next games will be not blah.

 Casualties this week

WASHINGTON, Feb. 25, 2006 - A U.S. soldier in Iraq died yesterday, and Defense Department officials have announced the identities of seven U.S. servicemen and an Air Force civilian killed in action this week. A Multinational Division Baghdad soldier died of non-combat related injuries yesterday, officials said. The incident is under investigation, and the soldier's name is being withheld pending notification of next of kin.

Defense officials announced the following identities of Operation Iraqi Freedom casualties: - Marine Corps Cpl. Matthew D. Conley, 21, of Killen, Ala., died Feb. 18 when his vehicle hit a roadside bomb in Ramadi, Iraq. Conley was assigned to the 3rd Battalion, 7th Marine Regiment, 1st Marine Division, 1st Marine Expeditionary Force, Twentynine Palms, Calif. During Operation Iraqi Freedom, Cpl. Conley's unit is attached to 2nd Marine Division, 2nd Marine Expeditionary Force

Sgt. Charles E. Matheny IV, 23 of Stanwood, Wash., died in Baghdad on Feb. 18, when a roadside bomb detonated near his Humvee. Matheny was assigned to the Army's 704th Support Battalion, 4th Brigade Combat Team, 4th Infantry Division, Fort Hood, Texas.

Air Force civilian employee Daniel J. Kuhlmeier, 30, of Omaha, Neb., died Feb. 20 in Baghdad when a roadside bomb struck his convoy. Kuhlmeier was assigned to Detachment 204, 2nd Field Investigations Region, Offutt Air Force Base, Neb.

Marine Corps 2nd Lt. Almar L. Fitzgerald, 23, of Lexington, S.C., died Feb. 21 at Landstuhl Regional Medical Center, Germany, of wounds suffered in a roadside bomb explosion Feb. 18 in Iraq's Anbar province. He was assigned to the 3rd Battalion, 7th Marine Regiment, 1st Marine Division, 1st Marine Expeditionary Force, Twentynine Palms, Calif. During Operation Iraqi Freedom, his unit is attached to the 2nd Marine Division, 2nd Marine Expeditionary Force

Four U.S. soldiers died Feb. 22 in Hawijah, Iraq, when a roadside bomb detonated near their Humvee during a patrol. All four soldiers were assigned to the Army's 1st Battalion, 327th Infantry Regiment, 1st Brigade Combat Team, 101st Airborne Division, Fort Campbell, Ky. Dead are: - Staff Sgt. Gregson G. Gourley, 38, of Salt Lake City, Utah; - Sgt. Rickey E. Jones, 21, of Kokomo, Ind.; - Pfc. Christopher L. Marion, 20, of Pineville, Mo.; and - Pfc. Allan A. Morr, 21, of Shiawassee County, Mich.

 

Medal Count

Germany Eleven Gold Twelve Silver Six Bronze

Germany Eleven Gold Twelve Silver Six Bronze

United States Nine Gold Nine Silver Seven Bronze

Canada Seven Gold Ten Silver Seven Bronze

Austria Nine Gold Seven Silver Six Bronze

Russia Eight Gold Five Silver Eight Bronze

Norway Two Gold Eight Silver Nine Bronze

Switzerland Five Gold Four Silver Five Bronze

Sweden Six Gold Two Silver Five Bronze

South Korea Six Gold Three Silver Two Silver

China Two Gold Four Silver Five Bronze

Italy Four Gold Six Bronze

France Three Gold Two Silver Four Bronze

Netherlands Three Gold Two Silver Four Bronze

Finland Five Silver Three Bronze

Czech Republic One Gold Two Silver One Bronze

Estonia Three Gold

Croatia One Gold Two Silver

Australia One Gold One Bronze

Poland One Silver One Bronze

Ukraine Two Bronze

Japan One Gold

Belarus One Silver

Bulgaria One Silver

Great Britain One Silver

Slovakia One Silver

Latvia One Bronze

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February 24, 2006

Port Transfer

 

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Written by Joyce L Chow & William Hoehne February 24,2006

MBN

www.montebubbles.com for more MBN news  

The Department of Defense announced today the death of four soldiers who were supporting Operation Iraqi Freedom. They died in Al Hawijah, Iraq, on Feb. 22, when an improvised explosive device detonated near their HMMWV during patrol operations. All four soldiers were assigned to the Army's 1st Battalion, 327th Infantry Regiment, 1st Brigade Combat Team, 101st Airborne Division, Fort Campbell, Ky.



            Killed were:

            Staff Sgt. Gregson G. Gourley, 38, of Salt Lake City, Utah.

            Sgt. Rickey E. Jones, 21, of Kokomo, Ind.

            Pfc. Christopher L. Marion, 20, of Pineville, Mo.

            Pfc. Allan A. Morr, 21, of Shiawassee County, Mich.

            Killed were:            Staff Sgt. Gregson G. Gourley, 38, of Salt Lake City, Utah.            Sgt. Rickey E. Jones, 21, of Kokomo, Ind.            Pfc. Christopher L. Marion, 20, of Pineville, Mo.            Pfc. Allan A. Morr, 21, of Shiawassee County, Mich.

Editorial on port transfer

NBC continues to tank with Olympics

Reese Witherspoon to Present at 78th Academy Awards

Consumers would really prefer to view TV shows the good-old-fashioned way -- on the TV set

Iraqi security forces are leaning forward to provide security

Medal Count

 

Editorial on port transfer

Look no further then to Muslim outrage over cartoons to understand why this transfer is a really bad idea. If something as simple as a cartoon could set the Muslim world on fire then how could we place trust for a state owned and Muslim business running a port operation in our country.

Everyday in print in this country are things that offend someone. We on a daily basis offend one religious group or another.

Freedom of the press means just what it says, freedom and in Muslim countries there is no such freedom. Can you truly trust a company that is ran by those that do not believe in freedom to speak with keeping their word.

Mohammad was a great man. He created a religion that was one meant to be of peace. Do you think that such a great man would have ever set the world on fire because of cartoons poking fun of him? I think he would no more approve of what was done then Jesus would approve of those using his name to wage a religious war.

The company has been treated badly in that the deal should never have been approved and should and will be rewarded for this mess caused by a panel that didn't have the sense to come in out of the rain.

NBC continues to tank with Olympics

When it comes to explaining the low ratings for these Winter Games place the blame directly is on NBC for doing a super-terrible job of presenting the Olympics.

The network blew it, the biggest beef with NBC is how it programmed and promoted the events.

The announcers are awful, the Games run way too late into the evening, and there’s not enough focus on foreign athletes.to the new technology that allows viewers to find out results well before the taped competitions air.

"It appears as though the announcers are grasping for chitchat to fill the time slots."

NBC continues to present the Games as strictly an American event rather than a global competition. Americans may want their countrymen to win, but they’d also like to hear about the other competitors.

The network erred by airing the marquee events way too late at night, when many viewers have stopped watching.

The network guaranteed advertisers an average household rating of between 12 and 14 for the Games, and it’s just above 12 as of Wednesday

Reese Witherspoon to Present at 78th Academy Awards®

Beverly Hills, CA — Academy Award®-nominated actress Reese Witherspoon will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cate's announced today.

Witherspoon recently received her first Oscar nomination for her 2005 leading role as June Carter Cash in "Walk the Line." She will be seen next in "Penelope."

Her film credits include "Election," "Vanity Fair," the "Legally Blonde" films, "Sweet Home Alabama," "Pleasantville" and "Freeway."

Witherspoon will join fellow presenters Hilary Swank, Jamie Foxx, Morgan Freeman, Jessica Alba, Owen Wilson, Luke Wilson, Jennifer Aniston, Tom Hanks, Sandra Bullock, Keanu Reeves, Will Ferrell, Queen Latifah, Clint Eastwood, Terrence Howard, Meryl Streep, Will Smith, Steve Carrell, Nicole Kidman, Chris "Ludacris" Bridges, Uma Thurman, Charlize Theron, Naomi Watts and Lily Tomlin.

Gregg Field Orchestra to Lead Entertainment at Governors Ball

Marking its sixth appearance at the Governors Ball, the Gregg Field Orchestra will kick off the post-telecast celebration following the 78th Academy Awards® on Sunday, March 5, Governors Ball Chair Cheryl Boone Isaacs announced today.

Field will lead the 27-piece orchestra, which also will accompany Grammy®-nominated singer Patti Austin, as it performs for the 1,650 Ball guests – Academy Award winners and nominees, show presenters and telecast participants.

Joining the orchestra will be three-time Grammy Award-winning saxophonist Tom Scott who will perform solos throughout the evening. Scott, who has 26 solo recordings and 13 Grammy nominations, has numerous film and television scoring credits.

The evening’s entertainment also will feature a performance by Mindi Abair, a jazz artist whose 2003 album was recognized by Billboard magazine as one of the Top 10 contemporary jazz albums of the year.

The Ball will cap the celebration of the film achievements of 2005 in the Governors Ballroom on the top level of the Hollywood & Highland Center® following the Awards Presentation.

©A.M.P.A.S.®

Consumers would really prefer to view TV shows the good-old-fashioned way -- on the TV set.

Results of a study by Points North Group and Horowitz Associates found that consumers would really prefer to view TV shows the good-old-fashioned way -- on the TV set.

While 25% of Internet users surveyed expressed interest in watching downloaded TV shows and movies on their PCs, 38% of those surveyed preferred to watch that downloaded material on a TV screen. For 18- to 34-year-olds, there is even more preference for TV-set viewing: 68% would watch downloads on their TV while only 45% would watch on their PCs.


Consumers still want to watch TV shows and movies on a TV, whether the programs are broadcast or downloaded.

While Sony and Microsoft have developed “media-center” PCs designed to manage digital content in the home, the technology falls well short of seamless integration of platforms. Analysts have speculated that in the not-so-distant future Apple will unveil a product that facilitates the transfer of digital content between PCs, TVs and portable devices. But at the moment no hardware is currently available that easily and wirelessly connects the PC and the TV, although anyone with a digital video recorder can load a TV show on to that device’s hard drive.

If you want to watch Web-only content, like videos, it’s still pretty inconvenient to view it on your TV screen, unless you are one of the few who have hardwired your computer to your TV. Video files also can be burned onto a DVD then transferred via “sneaker net,” hacker slang for physically carrying a removable media (like a DVD) from one computer to another.

The picture quality of downloaded material is not great; the quality is analogous to VHS rather than DVD.

Getting Web-based content to the TV should be the industry’s primary goal and will unlock by far the biggest revenue opportunities.

In the past few months there has been a proliferation of deals to make TV programming available for download through the Internet. Apple’s iTunes offers, among other things, replays of current ABC hits “Desperate Housewives” and “Lost” for $1.99 each. Google also has a video-download service that sells everything from rebroadcasts of NBA games to episodes of classic series such as the “Brady Bunch.”

Networks are starting to realize that they may be able to make money out of old programming gathering dust in their vaults. The pay-per-download business model could generate revenue with little further cost to the network.

Downloaded content could also become an effective platform for advertisers. In time, consumers will see a mix of free, ad-supported, pay-on-demand and subscription options.

Iraqi security forces are leaning forward to provide security

WASHINGTON, Feb. 24, 2006 - Iraqi security forces are leaning forward to provide security in areas of sectarian strife prompted by this week's terrorist bombing of a prominent Shiite religious shrine, a U.S. military official said here today. "Iraqis are in the lead; coalition forces are prepared to support as required," DOD spokesman Army Lt. Col. Barry Venable said. The world-famed Golden Mosque, a Shiite religious shrine located in Samarra, Iraq, was bombed Feb. 22.

WASHINGTON, Feb. 24, 2006 - Iraqi security forces are leaning forward to provide security in areas of sectarian strife prompted by this week's terrorist bombing of a prominent Shiite religious shrine, a U.S. military official said here today. "Iraqis are in the lead; coalition forces are prepared to support as required," DOD spokesman Army Lt. Col. Barry Venable said. The world-famed Golden Mosque, a Shiite religious shrine located in Samarra, Iraq, was bombed Feb. 22.

The mosque's golden dome was blown off in the explosion, which touched off a round of Sunni-Shiite discord across the country. Some Shiites have accused the Sunnis, who constitute the majority group in Samarra, of complicity in the shrine bombing. At least 100 Iraqis have died in street fighting and other violence in recent days. Iraqi security forces provided security during the country's constitutional referendum in October and December's nationwide voting held to select a general assembly, Venable said. Today, Iraqi security forces have secured the area around the damaged mosque and some other areas in Iraq touched by sectarian violence over the bombings.

Still, Venable cautioned that Iraqi police and soldiers aren't yet ready to assume security for the entire country. "But, in the places where they are responsible for the battle space, they've done a very credible job," Venable said of Iraqi soldiers and police. This "is another indicator of the continued forward progress we see in Iraq," he said. U.S. officials have downplayed the possibility of an Iraqi civil war erupting between Shiites, who compose about 60 percent of the population, and Sunnis, who make up around 20 percent of the populace.

Sunnis were favored during the reign of former dictator Saddam Hussein, while Shiites and Kurds were persecuted. Iraqi government and religious leaders have appealed to the general population not to allow peaceful demonstrations over the bombing to descend into violence. Those entreaties seem to be working, Army Col. Jeffrey J. Snow, a senior U.S. military officer stationed in Baghdad, told Pentagon reporters during a satellite teleconference today. "It appears as though the people have really listened to the government of Iraq, as well as the religious leadership, in terms of not allowing this to break down into violent acts," said Snow, the commander of the 1st Brigade of the 10th Mountain Division.

Snow said his unit works closely with Iraqi military units. There's no apparent split or animosity between the Sunni and Shiite soldiers, the colonel said. "We're not seeing any indications within the ranks of an allegiance on way or another," Snow said. "The allegiance is to the government of Iraq. "They have conveyed that to their soldiers. Their soldiers are complying," he said. Snow's report "is completely consistent with what I'm hearing" from other U.S. officials with knowledge of the situation on the ground in Iraq, senior DOD spokesman Bryan Whitman told Pentagon reporters today. The Iraqi government has urged its citizens to eschew violence, Whitman said, while curfew hours have been lengthened in efforts to dissipate the current strife. "Everyone has called for calm, and they've extended the curfew and we'll see," Whitman said.

 

 

Medal Count

Germany Nine Gold Ten Silver Five Bronze

United States Eigtht Gold Nine Silver Six Bronze

Russia Eight Gold Four Silver Eight Bronze

Canada Six Gold Eight Silver Six Bronze

Austria Eight Gold Six Silver Five Bronze

Norway Two Gold Eight Silver Eight Bronze

Switzerland Five Gold Four Silver Four Bronze

Sweden Five Gold Two Silver Five Bronze

Italy Four Gold Six Bronze

France Three Gold Two Silver Four Bronze

Netherlands Three Gold Two Silver Four Bronze

China Two Gold Three Silver Four Bronze

South Korea Four Gold Three Silver One Silver

Finland Five Silver Three Bronze

Estonia Three Gold

Croatia One Gold Two Silver

Czech Republic One Gold Two Silver

Australia One Gold One Bronze

Ukraine Two Bronze

Japan One Gold

Belarus One Silver

Bulgaria One Silver

Great Britain One Silver

Slovakia One Silver

Latvia One Bronze

Poland One Bronze

 

 

WASHINGTON, Feb. 24, 2006 - Iraqi security forces are leaning forward to provide security in areas of sectarian strife prompted by this week's terrorist bombing of a prominent Shiite religious shrine, a U.S. military official said here today. "Iraqis are in the lead; coalition forces are prepared to support as required," DOD spokesman Army Lt. Col. Barry Venable said. The world-famed Golden Mosque, a Shiite religious shrine located in Samarra, Iraq, was bombed Feb. 22.

February 23, 2006

Four more Casualties in Iraq

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Written by Joyce L Chow & William Hoehne February 23,2006

MBN

www.montebubbles.com for more MBN news

BREAKING NEWS:  Figure skating-Japanese Arakawa wins women's gold Shizuka Arakawa of Japan won the women's figure skating gold medal at the Turin Winter Olympics on Thursday. Sasha CDohen of the U.S. won the silver and Russia's Irina Slutskaya took the bronze.

Four more Casualties

DoD Identifies Marine Casualty

Patti Austin to Set Jazz Mood at Governors Ball

ShoWest has named Jennifer Hudson ShoWest “Female Star of Tomorrow,”

Art Show News

JOHNSON & JOHNSON ANNOUNCED AS WORLDWIDE OLYMPIC PARTNER

Chief News

Servicemembers throughout the world are getting handmade "cool ties

Honda Motor Co., Ltd. announced the introduction of the new ZEST minicar

Lily Tomlin to Make Oscar® Show Appearance

Medal Count

 

Four more Casualties

WASHINGTON, Feb. 23, 2006 - Four U.S. soldiers from 1st Brigade Combat Team, 101st Airborne Division, were killed near Hawijah, Iraq, yesterday when their vehicle struck a roadside bomb, military officials reported today. The soldiers were on a combat patrol at the time of the incident. Names are being withheld pending notification of next of kin.

 DoD Identifies Marine Casualty  

The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom.

2nd Lt. Almar L. Fitzgerald, 23, of Lexington, S.C., died Feb. 21 at Landstuhl Regional Medical Center, Germany from wounds received Feb. 18 as a result of an improvised explosive device while conducting combat operations against enemy forces in Al Anbar Province, Iraq.  He was assigned to the 3rd Battalion, 7th Marine Regiment, 1st Marine Division, I Marine Expeditionary Force, Twentynine Palms, Calif.  During Operation Iraqi Freedom, his unit was attached to the 2nd Marine Division, II Marine Expeditionary Force

Patti Austin to Set Jazz Mood at Governors Ball

Grammy®-nominated jazz performer Patti Austin will be the featured artist at the Governors Ball, the celebration immediately following the 78th Academy Awards® telecast on Sunday, March 5, Governors Ball Chair Cheryl Boone Isaacs has announced.

“Patti’s renditions of songs by jazz greats are the perfect accompaniment to a night of celebration at the Governors Ball,” said Boone Isaacs.

With sixteen solo albums to her credit including the 2002 Grammy-nominated “For Ella,” a tribute to Ella Fitzgerald, Austin will perform for the Ball’s 1,650 guests, who include Academy Award winners and nominees, show presenters and telecast participants.

The Ball will celebrate the film achievements of 2005 in the Governors Ballroom on the top level of the Hollywood & Highland Center® following the Awards Presentation.

Academy Awards for outstanding film achievements for 2005 will be presented on March 5, 2006, at the Kodak Theatre at Hollywood & Highland, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m. PST.

©A.M.P.A.S.®

 

ShoWest has named Jennifer Hudson ShoWest “Female Star of Tomorrow,”

ShoWest has named Jennifer Hudson ShoWest “Female Star of Tomorrow,” it was announced today by Mitch Neuhauser, co-managing director of the event that will be held March 13-16, 2006, in Las Vegas. Hudson will be presented with the ShoWest Female Star of Tomorrow award at ShoWest’s closing night ceremony on Thursday, March 16 at Bally's and Paris Las Vegas.

"We are thrilled to honor the multi-talented Jennifer Hudson as ShoWest’s Female Star of Tomorrow," said Neuhauser. "In her motion picture debut, Hudson is sure to delight audiences with her portrayal of Effie in the upcoming big-screen version of the Tony Award-winning musical Dreamgirls. With her combination of acting and singing talent, Jennifer has the star qualities that promise her a bright future in Hollywood.”

Hudson will make her feature film debut in the DreamWorks Pictures’ and Paramount Pictures’ Dreamgirls. Twenty-five years after first bringing Broadway audiences to their feet, the Tony Award-winning musical sensation opens in theatres nationwide on Dec. 22, 2006. Set in the turbulent early 1960s to mid-70s Dreamgirls follows the rise of a trio of women -- Effie (Jennifer Hudson), Deena (Beyoncé Knowles) and Lorrell (Anika Noni Rose) -- who have formed a girl group called The Dreamettes. At a talent competition, they are discovered by an ambitious manager named Curtis Taylor Jr. (Jamie Foxx) who offers them the opportunity of a lifetime to become the back-up singers for headliner James “Thunder” Early (Eddie Murphy). The girls eventually get their own shot in the spotlight and although they become a crossover phenomenon, they soon realize that the cost of fame and fortune may be higher than they ever imagined.

Dreamgirls is being directed by Bill Condon from a screenplay he adapted from the stage musical’s original book by Tom Eyen. An Academy Award winner for his screenplay for Gods and Monsters, which he also directed, Condon received another Oscar nomination for his screenplay adaptation of Chicago.

is being directed by Bill Condon from a screenplay he adapted from the stage musical’s original book by Tom Eyen. An Academy Award winner for his screenplay for which he also directed, Condon received another Oscar nomination for his screenplay adaptation of .

Best known for her stand-out performances as a top-12 competitor on the television hit “American Idol,” Hudson is also currently writing and recording her much-anticipated debut album, which is expected to hit the airwaves in the spring of 2006.

ShoWest is the largest annual convention for the motion picture industry. It is the only international gathering devoted exclusively to the movie business and the single largest international gathering of motion picture professionals and theatre owners in the world. The 2006 edition of ShoWest will be held March 13 –16, 2006 at Bally’s and Paris Las Vegas and is expected to draw more than 5,000 members of the motion picture industry. Each year, ShoWest attracts delegates from more than 50 countries in North and South America, Europe, Asia and Australia. ShoWest is managed by the VNU Expositions Film Group, a division of VNU Business Media.

Art Show News

Sorry this is so very last-minute,I've been accepted in a group art showing at the Arena 1 Gallery, located in the Santa Monica Art Studios, located at the south border of the Santa Monica Airport. the show starts this Saturday Feb. 25th with an artists' reception from 6 to 8 pm. My art will be adjacent to the "Leaving Aztlan" exhibit, in the "north hangar." They're serving wine and probably cheese. the art will be there for about a month if you can't make it by the reception. Would really love to have your support if you could come by.. address is 3026 Airport Ave., Santa Monica. Web site is www.santamonicaartstudios.com. Please pass this along to anyone else you think might be interested

JOHNSON & JOHNSON ANNOUNCED AS WORLDWIDE OLYMPIC PARTNER

The International Olympic Committee (IOC) announced today that Johnson & Johnson will join The Olympic Partners (TOP) Programme as the first broad health care products sponsor.

The agreement, with global marketing rights beginning at the close of the Torino 2006 Olympic Winter Games, involves Johnson & Johnson’s consumer products, over-the-counter pharmaceuticals and medical devices and diagnostics. This partnership is up to and including the Beijing 2008 Olympic Games.

In July 2005, Johnson & Johnson became a domestic partner of the Torino 2006 and Beijing 2008 Games. Today’s announcement allows Johnson & Johnson to activate their marketing rights globally.

IOC President, Jacques Rogge, welcomed the partnership with Johnson & Johnson, stating that the agreement will be positive for both the Olympic Movement and the athletes.

“We are proud to welcome Johnson & Johnson to the Olympic family of worldwide partners. Johnson & Johnson’s contribution to the Olympic Games, National Olympic Committees and of course the athletes will be invaluable.”

Johnson & Johnson Corporate Vice President, Corporate Affairs, Brian Perkins sees a great synergy between the two organisations. “This partnership reflects a shared philosophy in caring for people, whether they are athletes or, in the case of Johnson & Johnson, people around the world,” Perkins said. “This global opportunity will enable Johnson & Johnson to provide enhanced health education, services and care to people around the world while expanding our reach in emerging markets and strengthening our businesses in developed areas.”

Chairman of the IOC Marketing Commission, Gerhard Heiberg commented that Johnson & Johnson will make a significant contribution to the Olympic Movement. “The support that Johnson & Johnson will bring to the athletes and the Olympic Movement is greatly welcomed,” Heiberg said. “This partnership brings to 12 the number of worldwide sponsors of the Olympic Games and clearly shows the success and strength of our marketing programme. I look forward to our association with this company,” Heiberg said.

The IOC worldwide partners are: Coca-Cola, Atos Origin, GE, Johnson & Johnson, Kodak, Lenovo, Manulife, McDonalds, Omega, Panasonic, Samsung, Visa

Chief News

Chief is excited to announce their newest design innovation, the In-Wall Accessories for swing arm mounts! The PAC-500 and MAC-500 can be used with Chief's large and medium flat panel swing arm mounts to convert a low-profile mounting solution to no profile and flush with the wall!

Not your ordinary wall mount, the PLP Universal Pull-N-Tilt mount from Chief Manufacturing is a breakthrough solution for 37"-65" flat panel TVs. The PLP offers innovative features like fingertip tilt and a low-profile design, plus it fits up to 90% of plasma screens on the market!

Delivered with Chief's proven quality and superior service, the new CYNERGY Series JWD Dual Arm Swing Arm Mount is the latest product designed with innovative features for easy installation and increased functionality. The JWD is part of Chief's new line of mounts for medium flat panel displays.

Servicemembers throughout the world are getting handmade "cool ties

WaSHINGTON, Feb. 23, 2006 - Karen Stark never liked to sew. But thanks to her efforts, deployed servicemembers throughout the world are getting handmade "cool ties." The Oklahoma woman has found her mission organizing groups through "The Hugs Project," a nonprofit organization manufacturing reusable neck scarves and helmet liners with polymer gel inserts that keep cold for hours at a time. For years Stark wrote to deployed troops and sent occasional care packages overseas to show her support, but she was looking for a way to help more, she said. One day she opened an e-mail illustrating how to make cooling ties for golfers, hikers and vacationers. "I knew this was something that could help our military, that they were fighting really hot conditions," she said. "I got goose bumps, and I knew this was what my mission was, that I was supposed to make cool ties."

Stark said she hadn't sewn in 40 years and asked friends with sewing experience to teach her. But instead of teaching her, they took the patterns and started making and sending cooling ties on their own. That, Stark said, is when her husband gave her some helpful advice. "My husband said, 'Maybe your job isn't sewing; maybe your job is telling other people what they can do.'" After she learned how to make the cool ties, Stark went on the Internet, telling people about her project. She met hundreds of people willing to help make cooling ties, or "hugs" as Stark began to call them. "People would say, 'I pray for the military every day, but I'm a hands-on person. I want to do something to help,'" Stark said. "This is what they can do."

The project works in a decentralized way, sharing information on the Internet and encouraging most members to manufacture, pack and send goods on their own. With 1,500 formal members and thousands working independently, The Hugs Project works with individuals in nearly every state and 10 foreign countries. Stark said her particular group meets about twice a week in and around Oklahoma City, where she lives. They also travel to outlying towns and sometimes go on longer trips to spread the word, setting up formal groups (called "group hugs") in Colorado, Texas, Missouri, California and Arizona.

The project also gets help coordinating through America Supports You, a Defense Department program facilitating grassroots and corporate support for the nation's servicemembers. The project's members continue perfecting their designs thanks to feedback from deployed troops, Stark said. "We make a helmet cooler that cushions their helmet," she said, referring to the helmet coolers as "kisses." "It's got the same polymer gel in it -- we don't put very much in there because if you put too much, their helmet gets bouncy, which is a bad thing the way I hear it."

The project doesn't just keep troops cool, Stark said. In the winter, the polymer gel inserts can retain heat just as well as they keep cold, and they can be reused many times over. Each "hug" or "kiss" comes with instructions on how to make it a cooler or a heater. When cold weather comes on, the project switches to winter mode, adding other cold weather items-- such as hats, neck warmers, fingerless mittens, blankets and colorful hats to pass out to Iraqi and Afghan children -- to their care packages. In all, the group has sent an estimated 150,000 polymer gel items to troops serving abroad. Stark said she is happy to hear from new members on the project's Web site, but she suggests that people she hasn't met personally go to their local VFW to find addresses for troops overseas.

"When we go out and meet the people personally and we know in our hearts that they're not terrorists, then we share addresses that we have with them," she said. "But we're very protective of military addresses -- in fact, to the point that I've been called paranoid by more than one military mother who wants me to put their son's address on the Internet." Helping the troops in this way feels best when she gets feedback from them, she said. "That a stranger actually wants to do something for them, they think that's wonderful."

Honda Motor Co., Ltd. announced the introduction of the new ZEST minicar

TOKYO, Japan, February 23, 2006 - Honda Motor Co., Ltd. announced the introduction of the new ZEST minicar, created to enhance the active lifestyles of today’s consumers and provide comfort and utility for the entire family. The ZEST delivers superior power and performance, while its efficient low-floor design and generous storage area with a convenient access bay help give it class leading spacious cabin1. The new ZEST will be available for sale through Honda’s automobile dealer network in Japan starting March 1. Further, a ZEST equipped with a tilt-up sliding front passenger seat and wheelchair-accessible models will be available starting March 17.

The ZEST was developed as a minicar that can satisfy both individual and family users in a variety of occasions including daily shopping and weekend leisure activities. The key to the design of the ZEST is Honda’s unique low-floor platform technology, which results in a high-capacity storage area with a maximum of 739 liters2 of space accessed via one of the lowest tailgates in its class1. In addition, ZEST achieves a spacious cabin with a height equivalent to StepWGN. The ZEST features Honda’s i-DSI engine or i-DSI turbocharged engine, combined with a 4-speed electronically controlled automatic transmission to deliver strong and smooth performance in accelerating from low and medium speeds to higher speed ranges.

The ZEST also offers a full range of advanced safety features. In addition to being the first minicar1 to be equipped with a front and rear side curtain airbag system, the ZEST also features Honda’s Advanced Compatibility Engineering (ACE) body for significantly enhanced self-protection and damage mitigation in vehicle-to-vehicle collisions. Regarding environmental performance, all FWD models have earned Japanese Ministry of Land, Infrastructure and Transport certification as Low-Emissions Vehicles, with emission levels 75% lower than those required by 2005 standards, while some models meet or exceed Japanese government fuel economy standards for 2010 by 5%.

The ZEST also comes fully equipped with a range of advanced features for enhanced passenger comfort and peace of mind, including Honda’s HDD InterNavi system; newly-developed high-performance deodorizing air cleaning filters treated with anti-allergenic materials to control pollen and other allergens; and a security alarm and immobilizer for effective anti-theft protection.

Lily Tomlin to Make Oscar® Show Appearance

Beverly Hills, CA — Academy Award-nominated actress Lily Tomlin will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Tomlin was nominated for her supporting role in 1975's "Nashville." She will be seen next in "A Prairie Home Companion" with Meryl Streep and "The Last Guy on Earth." Her film credits include "I Heart Huckabees," "Tea with Mussolini," "Flirting with Disaster" and "Short Cuts."

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m. Information about the 78th Annual Academy Awards can be accessed on line at www.oscar.com.

©A.M.P.A.S.®

Medal Count

Germany Nine Gold Ten Silver Five Bronze

United States Seven Gold Eight Silver Five Bronze

Austria Eight Gold Six Silver Five Bronze

Russia Eight Gold Three Silver Eight Bronze

Canada Five Gold Eight Silver Six Bronze

Norway Two Gold Eight Silver Eight Bronze

Switzerland Five Gold Four Silver Four Bronze

Sweden Five Gold Two Silver Four Bronze

Italy Four Gold Six Bronze

France Three Gold Two Silver Four Bronze

China Two Gold Three Silver Four Bronze

South Korea Four Gold Three Silver One Silver

Netherlands Two Gold Two Silver ThreeBronze

Finland Three Silver Three Bronze

Estonia Three Gold

Croatia One Gold Two Silver

Australia One Gold

Czech Republic Two Silver

Ukraine Two Bronze

Japan One Gold

Belarus One Silver

Bulgaria One Silver

Great Britain One Silver

Slovakia One Silver

Latvia One Bronze

 

 

 

 


 

February 22, 2006

3 more die in Iraq

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Written by Joyce L Chow & William Hoehne February 22,2006

MBN

www.montebubbles.com for more MBN news

 

DOD Identifies

French & French A Katerina Success Story at Magic in Las Vegas

Stingray Info

Naomi Watts to Present at 78th Academy Awards®

Universities Selected for DOD Research Funding

HENKEL BUYS RIGHT GUARD FROM P&G FOR $420 MILLION

Metal Count

DOD Identifies

DoD Identifies Air Force Casualty The Department of Defense announced today the death of a Department of the Air Force civilian who was supporting Operation Iraqi Freedom. Daniel J. Kuhlmeier, 30, of Omaha, Neb., died Feb. 20 in Baghdad, Iraq when the convoy he was traveling in was struck by an improvised explosive device. He was assigned to Detachment 204, 2nd Field Investigations Region, Offutt Air Force Base, Neb.

DoD Identifies Marine Casualty The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom. Staff Sgt. Jay T. Collado, 31, of Columbia, S.C., died Feb. 20 from an improvised explosive device near Baghdad, Iraq. He was assigned to Marine Light/Attack Helicopter Squadron-267, Marine Aircraft Group-39, 3rd Marine Aircraft Wing, I Marine Expeditionary Force, Camp Pendleton, Calif. During Operation Iraqi Freedom, he was attached to the U.S. Army's 4th Infantry Division.

DoD Identifies Army Casualty The Department of Defense announced today the death of a soldier who was supporting Operation Iraqi Freedom. Sgt. Charles E. Matheny, IV, 23 of Stanwood, Wash., died in Baghdad, Iraq, on Feb. 18, when an improvised explosive device detonated near his HMMWV. Matheny was assigned to the Army's 704th Support Battalion, 4th Brigade Combat Team, 4th Infantry Division, Fort Hood, Texas.

French & French A Katerina Success Story

Two young and very intelligent young women, E Thane French and Amey French decide they needed a change from their grueling careers as a doctor and nurse. French & French founded by these two energetic and fashion savvy women, introduces affordable chic couture designs to the marketplace. French & French desires to create designs with a contemporary, classic style that will endure each season's trends.

Frecn&French

They took hidden talents and started to design Stingray wallets, handbags, backpacks and belts and shoes.

That’s right, I said stingray.

Stingray leather has become a new fashion statement trend in the world leather market. It brings a touch of class and peerless style to your accessories. Stingray skin creates a wide new range of possibilities for your original designs for wallets, belts, shoes, garments and other leather accessories.

Stingray leather will endure a much longer life than you may have come to expect from ordinary leather products. You need not worry about moisture damage to this handsome marine leather portion of your accessory, and no special cleaning is required. Rather than taking volatile solvents to clean your leather, simply huff occasionally with a damp cotton cloth to maintain its natural radiance.

Stingray is neither an endangered nor threatened species.

Stingray is unique with its texture of luxurious pearls and its renowned durability. Once used only to accent the finest and rarest accessories, stingray is the signature leather of French & French.

French & French, synonymous with timeless style and impeccable quality, desires to reward every person of taste with its couture stingray handbag.

What makes these young ladies stand out more then anyone else marketing their products at Magic in Las Vegas this week is where the business is located, New Orleans Louisiana.

During the flood of the city Dr. French and family were forced to leave the city.

While watching television they were horrified to see their house being looted.

The husband was allowed to back to the home to get one thing and one thing only . Would it be personal positions, clothes.

Dodging snipers and even afraid to go upstairs one box in plain sight was chosen.

It was the box of samples. Samples needed to show, samples needed to see, samples needed to keep the business in operation.

While others have given up due to losses from the Katernia flooding French & French should stand as a beacon for others.

They could have given up. They could have walked away and simply went back to careers they had grown weary in.

Instead they followed their hearts and being at Magic in Las Vegas was the result.

www.frenchandfrench.net

 

Some info on the stingray

Common Names: Blue spotted stingray, Kuhl’s stingray

Latin Name: Dasyatis Kuhlii stingray

Family: Dasyatidae

Identification: Rhomboid disc, Anterior and posterior margins of disc mildly convex. Rostrum grey or tan with blue (occasionally white) spots about eye size and smaller black spots. Tail about 2 times body length. End of tail banded with black and white.

Size: Max disc width 50cm

Habitat: Sandy bottoms often adjacent to reefs. Prefers deeper areas but may be seen in shallow lagoons.

Abundance and distribution: Common in sandy bays in South East Asia . Widespread throughout the Indo Pacific from the Red Sea to Japan and south to Australia .

Behavior: Buries in sand or cruises over reef flats looking for crabs and shrimps.

Reproduction: Ovoviviparous

Similar species: Blue stingray (Dasyatis marmorata), Blue spotted ribbontail ray (Taeniura lymma

 

 Naomi Watts to Present at 78th Academy Awards®

Beverly Hills, CA —Naomi Watts will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Watts was nominated for a Best Actress Oscar in 2003 for her role in "21 Grams." She stars in "King Kong" and will be seen next in "The Painted Veil." Her film credits include "Stay," The Ring", "I Heart Huckabees" and "Mulholland Drive."

Seventy-Eighth Academy Awards® Telecast producer Gil Cates and production designer Roy Christopher today revealed the set design of the March 5 Oscar telecast.

"When designing the Oscars, I try to make the current show as different from the year before as possible," said Christopher. "Last year's show was distinguished by a hi-tech, 'cutting-edge' style. So this year, there's nothing hi-tech — it's a no-holds-barred return to classic Hollywood glamour, paying homage to old movie theaters." "I wanted to celebrate the movies and to include great movie houses and screens," said Cates. "So Roy went back to the classic ornate movie houses for his inspiration, which, I think, is superbly reflected in the final design."

"I have always loved the movie theaters of the '30s, '40s and '50s," Christopher said. "The man who designed many of them was S. Charles Lee, who was remarkably imaginative and architecturally daring, making movie theaters in styles ranging from the ornate Hollywood baroque to the sleek art-moderne. His spaces were exciting places that upon entering made you feel that something extraordinary was going to happen."

That anticipation of what is about to happen is exactly what Christopher hopes the Academy Awards audience and the millions watching at home will experience on Oscar night. His homage to the world of movie theater design comes complete with a 65-foot-long giant "Oscar" marquee, a pair of 20-foot-tall frosted glass Oscars, an art deco box-office and several movie screens ranging from the elegant movie palace traditional to the gigantic wide-screen deco.

This is the 17th time that Christopher has designed the Oscar set, 11 with telecast producer Gil Cates. Christopher has received 35 Emmy nominations, 16 of them for his work on the Oscar telecast, for which he has won six Emmy Awards.

Academy Award®-winning actress Charlize Theron will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Theron just received her second Oscar nomination for her leading role in "North Country." Two years ago, at the 76th Academy Awards, she took home the Best Actress Oscar for her leading role in "Monster."

©A.M.P.A.S.®

Universities Selected for Research Funding  

The Department of Defense (DoD) announced today plans to award 30basic research grants to 20 universities totaling about $13.5 million in
fiscal year 2006 and about $30.2 million per year starting in fiscal year 2007for a total of $150.6 million over five years.


These academic institutions will receive the grants to conductmultidisciplinary research in 26 topic areas of basic science and engineering under the DoD Multidisciplinary University Research Initiative (MURI) program. All awards are subject to the successful completion of negotiations
between DoD research offices and the academic institutions.


The MURI program is designed to address large multidisciplinary topic areas representing exceptional opportunities for future DoD applications and technology options.  The awards will provide long-term support for research, graduate students and laboratory instrumentation development that supports specific science and engineering research themes vital to
national defense.


The average award will be $1 million per year over a three-year period.  Two additional years of funding will be possible as options to bringthe total award to five years.  Out-year funding is subject to satisfactory progress in the research and the availability of funding appropriations.

Beverly Hills, CA — Academy Award®-winning actress Charlize Theron will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Theron just received her second Oscar nomination for her leading role in "North Country." Two years ago, at the 76th Academy Awards, she took home the Best Actress Oscar for her leading role in "Monster."

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

HENKEL BUYS RIGHT GUARD FROM P&G FOR $420 MILLION

Henkel has agreed to buy Right Guard and two other deodorant brands from Procter & Gamble Co. The move makes Henkel's Dial unit a major player in the U.S. category.

It paid $420 million for Right Guard, Soft & Dri and Dry Idea brands, which had global sales of $275 million last year. Right Guard, has declined in recent years as it has been passed by P&G’s Old Spice and Unilever’s Axe in men’s deodorants, remains the No. 3 brand in the segment.

The deal makes Dial a much bigger player in men’s personal care, as its flagship deodorant soap and Coast products already skew toward men.

The deal makes Dial a much bigger player in men’s personal care, as its flagship deodorant soap and Coast products already skew toward men.

P&G was required to sell the brands as part of its deal with the Federal Trade Commission to approve its $57 billion acquisition of Gillette in October.

Henkel’s entry into deodorants comes amid some major marketing changes in the category. Dial’s purchase also leaves other smaller players in deodorant facing some big choices. Industry analysts and others familiar with the matter said Church & Dwight Co. and Japan’s Kao Brands were also interested in the Gillette brands.

Henkel’s entry into deodorants comes amid some major marketing changes in the category. Dial’s purchase also leaves other smaller players in deodorant facing some big choices. Industry analysts and others familiar with the matter said Church & Dwight Co. and Japan’s Kao Brands were also interested in the Gillette brands.

Acquiring the brands was a make-or-break factor for the Church & Dwight deodorant business, which has been declining amid major marketing inroads by Unilever and P&G. Having failed to buy the Gillette brands, Church & Dwight may sell or license its own, which include Arrid and Arm & Hammer.

Acquiring the brands was a make-or-break factor for the Church & Dwight deodorant business, which has been declining amid major marketing inroads by Unilever and P&G. Having failed to buy the Gillette brands, Church & Dwight may sell or license its own, which include Arrid and Arm & Hammer.

Medal Count

Germany Nine Gold Eight Silver FiveBronze

Austria Eight Gold Six Silver Five Bronze

United States Seven Gold Seven Silver Four Bronze

Canada Five Gold Eight Silver Five Bronze

Norway Two Gold Eight Silver Eight Bronze

Russia Seven Gold Three Silver Six Bronze

Switzerland Four Gold Two Silver Four Bronze

Sweden Four Gold Two Silver Four Bronze

Italy Four Gold Six Bronze

South Korea Four Gold Three Silver One Silver

France Three Gold One Silver Two Bronze

China One Gold Three Silver Four Bronze

Netherlands Two Gold Two Silver ThreeBronze

Finland Three Silver Three Bronze

Estonia Three Gold

Croatia One Gold Two Silver

Australia One Gold

Czech Republic Two Silver

Ukraine Two Bronze

Bulgaria One Silver

United Kingdom One Silver

Slovakia One Silver

United Kingdom One Silver

Latvia One Bronze

 

 

 

 

February 20, 2006

SIRIUS SATELLITE'S SUBSCRIBER BASE INCREASED

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Written by Joyce L Chow & William Hoehne February 21,2006

MBN

www.montebubbles.com for more MBN news

 

 

Uma Thurman to Present at 78th Academy Awards®

Dolly Parton and Kathleen "Bird" York to Perform at 78th Academy Awards®

Mayer in psychiatric hospital, police raids uncover doping equipment

Medal Count

SIRIUS SATELLITE'S SUBSCRIBER BASE INCREASED

Do not e-mail" child protection registries

Didn’t even know NBC was promoting the Olympic online.

THE DISH NETWORK IS GOING live with a CNN Enhanced TV

The joint military response to a devastating Feb. 17 mudslide

 

 

Uma Thurman to Present at 78th Academy Awards®

Beverly Hills, CA — Academy Award®-nominated actress Uma Thurman will be a presenter at the 78th Academy Awards ceremony on March 5, telecast producer Gil Cates announced today. Thurman

Thurman received an Oscar® nomination in 1994 for her supporting role in "Pulp Fiction." She currently can be seen in "The Producers" and will be seen next in "Super Ex-Girlfriend." Thurman's other film credits include "Be Cool," "Paycheck," "Vatel," "The Truth about Cats and Dogs" and the "Kill Bill" films.

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

Dolly Parton and Kathleen "Bird" York to Perform at 78th Academy Awards®

Beverly Hills, CA —Academy Award nominees Dolly Parton and Kathleen "Bird" York will perform at the 78th Academy Awards, telecast producer Gil Cates announced today.

Grammy Award-winning artist Parton will perform her nominated original song, "Travelin' Thru" from "Transamerica" (music and lyric by Dolly Parton).

York will perform "In the Deep," from the film "Crash," for which she is nominated for writing the music and lyric. (Her co-composer Michael Becker also is nominated for the music.) York's debut CD on EMI "Wicked Little High," which features "In the Deep," will be released February 21.

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m. Information about the 78th Annual Academy Awards can be accessed on line at www.oscar.com.

©A.M.P.A.S.®


 

Mayer in psychiatric hospital, police raids uncover doping equipment

An Austrian ski coach who bolted the Winter Games following a surprise anti-doping raid wound up in a psychiatric ward. Authorities were still analyzing 100 syringes and other material seized from athletes' housing.

Authorities took Walter Mayer into custody Sunday after he crashed his car into a police blockade . Police later took him to a psychiatric facility

Mayer was banished from the Olympics over allegations of blood doping at the 2002 Olympics in Salt Lake City. He resurfaced with the team in Turin, triggering police raids late Saturday. The first-ever doping sweep by police on athletes competing at the games.

Mayer left the Austrian biathlon and cross country team base in the Italian Alps sometime before or during the overnight raids. He made it back to his native Austria, driving at least 250 miles before he stopped on the side of the road, reportedly to take a nap.

Mayer seeing the police sped away, striking and slightly injuring an officer

Austria's cross country relay team came in last out of 16 teams the morning after the raids, which kept some of the athletes up all night.

Austrian ski officials said they had severed all ties with Mayer.

Mayer could be charged with evading arrest and causing bodily harm to a police officer.

During the raids, six skiers and four biathletes were taken for tests by the International Olympic Committee, hours before some were due to compete. The tests were still being analyzed.

Two biathletes Wolfgang Perner and Wolfgang Rottmann were suspended from the team for leaving Turin before the conclusion of the games.

 

Medal Count

Germany Seven Gold Seven Silver FourBronze

Norway Two Gold Seven Silver Eight Bronze

United States Seven Gold Five Silver Three Bronze

Austria Seven Gold Five Silver Three Bronze

Russia Six Gold Two Silver Five Bronze

Canada Three Gold Six Silver Five Bronze

Switzerland Two Gold Two Silver Four Bronze

South Korea Three Gold Three Silver One Silver

Italy Three Gold Four Bronze

Sweden Two Gold Two Silver Three Bronze

China One Gold Two Silver Four Bronze

France Three Gold One Silver Two Bronze

Netherlands Two Gold Two Silver Two Bronze

Finland Three Silver Three Bronze

Estonia Three Gold

Croatia One Gold Two Silver

Czech Republic Two Silver

Ukraine Two Bronze

Australia One Gold

Slovakia One Silver

United Kingdom One Silver

Bulgaria One Silver

Latvia One Bronze

 

SIRIUS SATELLITE'S SUBSCRIBER BASE INCREASED

SIRIUS SATELLITE'S SUBSCRIBER BASE INCREASED by almost 200 percent in 2005, ending the year with 3.3 million subscribers--about half of which came in the fourth quarter in anticipation of Howard Stern's high-profile move to Sirius on Jan. 6.

Sirius' fourth-quarter surge was bad news for its main competitor XM. Although XM remains the larger of the two--with 5.9 million net subscribers by the end of 2005--last week it disclosed serious losses in 2005, including big increases in the average amount of money spent to lure new subscribers. XM's expenses included a $196.5 million marketing blitz to counter Sirius' massive campaign for Stern.

Sirius reported a substantial decrease in average spending for subscription recruiting for 2005, although it was still higher than XM. Sirius also boasted a 262 percent increase in revenue over 2005, with a year-end total of $242 million. Meanwhile, XM reported net revenue growth of only 128 percent over 2004, taking in $558.3 million in 2005.

Both companies reported net losses as they invested heavily in acquiring new subscribers and fending off each other's sallies, with Sirius posting an $863 million net loss for 2005 versus XM's net loss of $666.7 million.

XM pioneered satellite radio broadcasting in 2001, but has been steadily overtaken in the last five years by Sirius, which opened up shop in late 2002.

One key question for media planners and buyers is whether either of the satellite radio broadcasters, which are jockeying for position, will begin accepting more advertising in a bid to lower subscription fees or offset costs.

Currently, Sirius doesn't carry advertising on any of its 68 music channels--but it does sell limited ad time on its entertainment, news, and sports channels.

XM has indicated it plans to significantly increase ad revenue in 2006.

Do not e-mail" child protection registries

 

NEW PROPOSALS TO ESTABLISH CONTROVERSIAL "do not e-mail" child protection registries advanced this month in three states, bringing to five the total number of states now considering such legislation--Connecticut, Georgia, Hawaii, Illinois, and Iowa. Michigan and Utah remain the only states to have established do not e-mail registries, although Utah's law currently faces a court challenge.

The laws generally prohibit marketers from sending material considered harmful to minors to children's e-mail addresses. In Michigan and Utah, parents can submit their children's e-mail addresses to a registry, and then marketers of potentially inappropriate messages pay a fee to ensure that their e-mail lists don't contain any addresses on the registry.

 

Proponents of do not e-mail registries say they will prevent purveyors of pornography, alcohol, and cigarettes, among other material, from marketing to children.

 

COLDWELL BANKER LAUNCHED ITS NEW ad campaign Sunday night on prime-time television, but rather than simply plug its brand, the 15-second spots are expressly designed to drive consumers online.

The campaign includes a significant online ad buy, advertising will appear through the year across major portals like MSN and Yahoo, as well as more targeting buys such as MarthaStuart.com and HGTV.com.

Commercials will run during prime-time airings of "Law & Order," "Crossing Jordan," and "Grey's Anatomy"--the spots interspersed "60 Minutes" on Sunday night. They will also run on cable.

Didn’t even know NBC was promoting the Olympic online.

AMERICAN IDOL" MIGHT BE TROUNCING the Olympics on TV, but NBCOlympics.com is poised to win the online competition for viewers.

For the week ending Feb. 12, NBCOlympics.com drew 2.3 million unique users at home and work--nearly five times as many visitors as the site of "American Idol," IdolonFox.com, which attracted just 509,000 uniques, according to new data from Nielsen//NetRatings.

In a testament to the growing use of home broadband, NBCOlympics.com overall has garnered 55 percent more visitors from home than the 2002 Olympics in Salt Lake City, Utah. On TV, however, ratings have plummeted compared to the 2002 Olympics.

Two other Olympics sites, Torino2006 and Olympic.org, also lured large numbers of Web surfers. Torino2006 drew 748,000 visitors, while Olympic.org received 433,000 visitors.

THE DISH NETWORK IS GOING live with a CNN Enhanced TV

THE DISH NETWORK IS GOING live with a CNN Enhanced TV channel, featuring a new interactive system that allows viewers to explore background on stories of interest through a simple TV and remote interface.

The Dish Network's parent company, satellite service provider EchoStar, employed technology provided by digital TV programming and equipment maker OpenTV to create the interactive TV news program. CNN Enhanced TV will allow viewers to continue watching CNN's live broadcast while navigating through up to five different CNN news reports in text format. The text journalism will in most cases be the same content featured on CNN's Web site.

The joint military response to a devastating Feb. 17 mudslide

The joint military response to a devastating Feb. 17 mudslide in southern Leyte in the Philippines continues today, much of it being provided by sailors, Marines and airmen who were already in the region for a joint multinational training exercise, Balikatan, officials reported.

 

help sent

Continuous ship-to-shore movements of relief supplies, including food, water and blankets, continues today off the southern Leyte coast. Sailors and Marines from the Forward Deployed Amphibious Ready Group, 31st Marine Expeditionary Unit, Joint Task Force Balikatan and USS Curtis Wilbur arrived off the coast Feb. 19 to provide humanitarian assistance and disaster relief to the victims. An initial group of 96 Marines from the 31st MEU went ashore by CH-53E Super Stallion helicopters with digging equipment to immediately assist with rescue efforts, officials reported.

A complement of 22 helicopters, landing craft air cushions, and more than 4,000 Marines and sailors will conduct the disaster relief mission, officials reported. "We plan to utilize Forward Deployed ARG assets to effectively provide maximum amount of aid to victims in order to mitigate suffering and prevent further loss of life in the wake of this tragic event," said Capt. Mark E. Donahue, commodore of Amphibious Squadron 11, the ARG's task group commander. "The sailors and Marines here are extremely dedicated individuals, ready to rise to the challenge ahead.

" USS Essex, USS Harpers Ferry, USS Curtis Wilbur and the 31st MEU arrived in Subic Bay Feb. 17 for Balikatan 06, but were immediately called to assist in the relief efforts in Leyte. USS Juneau, an amphibious transport dock known as "Mighty J," is also participating. Meanwhile, airmen from the 36th Contingency Response Group based at Andersen Air Force Base, Guam, are working alongside the Filipino government to assess requirements for support of mudslide relief efforts. "Opening and securing airfields are the areas of expertise for the 36th CRG," said Capt. Kevin Walker, 736th Security Forces Squadron commander.slide

"Members of the 36th CRG leadership have gone forward to the affected area to assess the situation and find the best ways to bring in support." The Pacific Air Forces first C-17 Globemaster III from Hickam Air Force Base, Hawaii, is scheduled to land in the region on its first strategic airlift mission. In addition to support personnel, this aircraft will carry water, meals ready to eat, tents, cots and heavy equipment. Airmen of the 36th CRG were already deployed to the Philippines for the Balikatan '06 exercise when mudslides engulfed a village and 1,800 people Feb. 17.

Days of continuous heavy rain and flooding hit Leyte Island, about 420 miles southeast of Manila, and led to the landslide, which has virtually washed away the farming village of Guinsahugon, as well as two other villages. Many of the military responders have previous disaster relief experience under their belts. Many 36th CRG airmen supported tsunami relief efforts of Operation Unified Assistance in early 2005. Forward-deployed ARG assets, Essex and Fort McHenry previously participated in Operation Unified Assistance, providing aid to victims of the 2004 tsunami in Indonesia. The ships delivered approximately 6 million pounds of relief supplies during the operation. Fort McHenry also provided humanitarian assistance after a series of early December 2004 typhoons and tropical storms caused massive flooding and landslides on the Philippine island of Luzon.

During that humanitarian assistance effort, Fort McHenry delivered 30,000 pounds of supplies and helped treat 100 patients, according to U.S. Embassy officials in the Philippines. "The sailors and Marines of the Forward Deployed ARG have a strong history of providing much-needed assistance during difficult times. slide

That legacy, that we do not take lightly, and our long enduring friendship that we have established with the people of the Philippines, gives me confidence that we will together get through this crisis," said Donahue. The Forward Deployed ARG is part of Task Force 76, the Navy's only forward-deployed amphibious force. It is headquartered at White Beach Naval Facility, Okinawa, Japan, with an operating detachment in Sasebo, Japan. The U.S. Agency for International Development has authorized immediate dispersal of $100,000 to the Philippine Red Cross and is airlifting additional emergency supplies to the area.

 

 

 

 

 

Shirt off Brokeback Mountain on Ebay

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Written by Joyce L Chow & William Hoehne February 20,2006

MBN

www.montebubbles.com for more MBN news

 

Deaths of two soldiers supporting Operation Iraqi Freedom

Shirts Of Their Backs

The Defense Department announced today the deaths of two soldiers supporting Operation Iraqi Freedom.

Army Capt. Anthony R. Garcia, 48, of Fort Worth, Texas, died in Tikrit, Iraq, Feb. 17, from a gunshot wound. Garcia was assigned to the 1st Battalion, 101st Aviation Regiment, 101st Aviation Brigade, 101st Airborne Division, out of Fort Campbell, Ky.

Army Sgt. 1st Class Amos C. Edwards, Jr., 41, of Savannah, Ga., died in Ar Rutbah, Iraq, Feb. 17, from a non-combat related cause. Edwards was assigned to the Army National Guard's 1st Battalion, 118th Field Artillery Regiment, 48th Brigade Combat Team, Savannah, Ga.

The incidents are under investigation.

Brokeback Shirts

 It's midnight and just over 16 hours to go until the Ebay auction ends, and Jake Gyllenhaal and Heath Ledger's shirts worn early in the Brokeback Mountain movie will find a new home. The current bid is $59,388.88 with 154 bids. 

The shirts are original and authentic and blood-stained, however they've been studio cleaned, so those wanting to get a true wiff will have to leave it to their imagination, and watch their own personal dvd copy of Brokeback Mountain.  Do you think they might autograph a copy of the dvd or a movie poster for the price, oops, I mean generous contribution to a charity to own a piece of movie history?

Brokeback Mountain is the most Academy Award nominated film this year, and definitely the most talked about. 

Before you think, it might be fun to bid just because, remember that all bids are binding contracts and you could get a Porsche Boxster or these shirts.  So you wonder, who would? A company such as Golden Palace?  Or that company that bought advertising space on some guy's head for a month?

The proceeds from the sale of Jake and Heath's worn Brokeback Mountain shirts is Variety - the Children's Charity's Mission.  Variety assists addicted, abused, neglected and physically-challenged children with 90 % of proceeds raised going to the special needs children. 

Checking one last time, before posting.  The current bid is now $59.588.88 with 155 bids. 

 deaths of two soldiers supporting Operation Iraqi Freedom

 

February 19, 2006

Amphibious Ready Group To Philipines

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Written by Joyce L Chow & William Hoehne February 19,2006

MBN

www.montebubbles.com for more MBN news

Amphibious Ready Group To Philippines

US Team and NBC both Tanking

Walter Mayer crashes following police chase

BREAKING NEWS: TEN DEAD IN HELO CRASH

Metal Count

Nissan Open

Editorial on American Sports

 

Team To Philippines

Sailors and Marines from the Forward Deployed Amphibious Ready Group and elements of the 3rd Marine Expeditionary Brigade were called upon yesterday to help the victims of a mudslide on southern Leyte Island in the Philippines, U.S. 7th Fleet officials reported. USS Essex, USS Harpers Ferry and elements of the 3rd Marine Expeditionary Brigade immediately left port Subic Bay en route to the disaster zone area."Our primary mission is to provide as much assistance as possible to the victims of this tragic event," said Capt. Mark E. Donahue, commodore, Amphibious Squadron 11, the task group commander of the Forward Deployed ARG. "We are here to prevent the further loss of life and to mitigate any further suffering." Continuous days of heavy rain and flooding hit Leyte Island, about 420 miles southeast of Manila, and led to the landslide, which has washed away the farming village of Guinsahugon as well as two other villages.

The United States has authorized the Philippine Red Cross to use about $50,000 of emergency relief funds already granted to the Red Cross from an earlier disaster to aid in this disaster. The Philippine Red Cross has asked the United States for helicopter support to assist with rescue and relief operations in the area. Just as in Operation Unified Assistance, a multi-nation effort to help victims of the Indian Ocean tsunami, the ships of the Forward Deployed ARG will use various ship-to-shore assets to get landslide victims the assistance they need in the form of food, water and medical supplies, officials said.

During the tsunami operation, USS Essex and USS Fort McHenry delivered about 6 million pounds of relief supplies. Fort McHenry also provided humanitarian assistance after a series of early December 2004 typhoons and tropical storms caused massive flooding and landslides on the island of Luzon. During that humanitarian assistance effort, Fort McHenry delivered 30,000 pounds of supplies and helped treat 100 patients, according to U.S. Embassy officials in the Philippines. USS Essex, USS Harpers Ferry and elements of the 3rd Marine Expeditionary Brigade arrived in the Philippines yesterday to conduct Exercise Balikatan 2006, an annual Philippines-U.S. bilateral combined exercise, which was scheduled Feb. 20 through March 5. The purpose of the exercise is to further develop the Philippines military's crisis action planning, enhancing its ability to effectively conduct counterterrorism operations, and promote interoperability.

Also emphasized in the training events will be cooperation and execution of humanitarian and civic assistance, officials said. "The strong partnership and professional ties between the Philippines and U. S. military will be instrumental in providing rapid and valuable relief assistance," said Donahue. "We are fortunate to be at the right place to help our friends and their families in their time of need." The Forward Deployed ARG is part of Task Force 76, the Navy's only forward-deployed amphibious force, which has its headquarters at White Beach Naval Facility, Okinawa, Japan, with an operating detachment in Sasebo, Japan.

 US Team and NBC both Tanking

Shani Davis would have been a feel-good story about the first black athlete to win an individual gold in the Winter Olympics, but his painful NBC interview to feel much kinship with him.

Those who were still watching, that is. Ratings on NBC have been dropping fast,and, without Kwan not around to anchor women's figure skating the worst seems yet to come.

America loves its stars, but so far the country's biggest names have been its biggest busts. Kwan made a graceful exit even before she could make a graceful appearance. Hedrick began with one gold medal and talk of matching Eric Heiden's record of five, but is 0-for-2 since and may end up being remembered more for his sniping at Davis for being unpatriotic.

Hard to get mad at the snowboarders even though they don't understand that a gold medal means more to most Americans than style points and partying.

Almost half the American medals so far -- six of 13 -- have been won in a sport that wasn't even part of the Olympics until 1998. Take them away and this team more resembles the American teams that won a total of 13 medals in 1994 and 1998 than the team that rocked Salt Lake City with a record 34 medals in 2002.

As an Olympics, Turin has been so-so for the United States.

 Walter Mayer crashes following police chase

Walter Mayer, the banned Austrian ski coach whose presence at the Olympics touched off anti-doping raids and an IOC investigation, was taken into protective custody after crashing his car into a police barrier Sunday evening to end a bizarre chase.

Mayer was not injured in the accident, in which he struck a police car at an impromptu roadblock set up in the town of Paternion in the southwestern province of Carinthia, about 15 miles from the Italian border, police said.

The unusual chain of events began when Mayer -- returning to his native Austria just hours after Italian authorities raided Austria's biathlon and cross country team quarters for banned substances -- pulled over to the side of the road and took a nap in his car, a police statement said.

A suspicious local resident alerted police that a man was sleeping in a car with the engine turned off, and when officers arrived on the scene to wake him up, Mayer sped away, striking and slightly injuring an officer, the statement said.

The officers on the scene then called for backup, and authorities parked an empty police vehicle across the highway as a roadblock. Mayer then slammed into the squad car, totaling both vehicles.

Police said Mayer was taken into protective custody. It was unclear whether he would face criminal charges, and authorities declined to say whether they searched his vehicle for doping substances or equipment.

Mayer, the nation's former Nordic team coach who was banned from the Olympics under suspicion of performing blood transfusions at the 2002 Salt Lake City Games, triggered the latest investigation after he showed up in Turin, arousing suspicion among officials of the World Anti-Doping Agency.

The Austrian Ski Federation said Sunday night it had ended its relationship with Mayer effective immediately. In a brief statement, federation president Peter Schroecksnadel cited the accident as the reason. He did not elaborate.

Ten Dead in Crash

DOD Identifies Marine and Air Force Casualties The Department of Defense announced today the death of eight Marines and two airmen who were supporting Operation Enduring Freedom.

All 10 died Feb. 17, when two CH-53 helicopters crashed into the Gulf of Aden in the vicinity of Ras Siyyan, northern Djibouti, while flying a training mission in the Godoria Range area.

The Marines and airmen were deployed to Djibouti as part of the Combined Joint Task Force-Horn of Africa.

The Marines were assigned to Marine Heavy Helicopter Squadron 464, Marine Air Group 29, 2nd Marine Aircraft Wing, II Marine Expeditionary Force, New River, N.C.

1st Lt. Brandon R. Dronet, 33, of Erath, La.

Sgt. James F. Fordyce, 22, of Newton Square, Pa.

Lance Cpl. Samuel W. Large, Jr., 21, of Villa Rica, Ga.

Sgt. Donnie Leo F. Levens, 25, of Long Beach, Miss.

Cpl. Matthieu Marcellus, 31, of Gainesville, Fla.

Sgt. Jonathan E. McColley, 23, of Gettysburg, Pa.

Lance Cpl. Nicholas J. Sovie, 20, of Ogdensburg, N.Y.

Capt. Bryan D. Willard, 33, of Hummelstown, Pa.

The airmen were: SrA. Alecia S. Good, 23, of Broadview Heights, Ohio. Good was assigned to the 92nd Communications Squadron, Fairchild Air Force Base,Wash.

Staff Sgt. Luis M. Melendez Sanchez, 33, of Bayamon, Puerto Rico. Sanchez was assigned to the 1st Communications Squadron, Langley Air Force Base, Va.

The cause of the incident is under investigation.

 

Medal Count

Germany Seven Gold Seven Silver Four Bronze

Norway Two Gold Seven Silver Seven Bronze

United States Seven Gold Four Silver Two Bronze

Russia Six Gold Two Silver Five Bronze

Canada Two Gold Six Silver Five Bronze

Austria Four Gold Five Silver One Bronze

Switzerland Two Gold Two Silver Four Bronze

South Korea Three Gold Three Silver One Silver

Italy Three Gold Four Bronze

China One Gold Two Silver Four Bronze

Netherlands Two Gold Two Silver Two Bronze

Sweden Two Gold One Silver Three Bronze

France Three Gold Two Bronze

Finland Two Silver Three Bronze

Czech Republic Two Silver

Australia One Gold

Slovakia One Silver

United Kingdom One Silver

Bulgaria One Silver

Ukraine One Bronze

Latvia One Bronze

 

Nissan Open

Rory Sabbatini -13

Adam Scott -12

Craig Barlow -11

Fred Couples -10

Lee Westwood -9

John Rollins -9

Carl Pettersson -8

Tom Lehman -8

Dean Wilson -8

Trevor Immelman -8

Editorial on American Sports

What do Bodie Miller, Tiger Woods, Shani Davis and Michelle Kwan have in common? The same thing all athletes in our country seem to have in common today.

It is all about them and not the team or country. Tiger Woods could be the greatest golfer that ever lived but he is more concerned with making money playing in tournaments outside of this country then playing ones in this country.

Bodie Miller blames everyone but himself about losing.

Shani Davis only plays for himself even though the Olympics is about team and country.

Kwan simply quits when the going gets hard.

Basically they represent the professional athlete in this nation.

To condemn them for simply being what others are is wrong.

Instead condemn a system where you is more important then us.

 

 

 

 

February 18, 2006

Olympic Bulletin

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Written by Joyce L Chow & William Hoehne February 18,2006

MBN

www.montebubbles.com for more MBN news

STATEMENT BY THE INTERNATIONAL OLYMPIC COMMITTEE

The IOC can confirm that unannounced out-of-competition doping tests have been conducted on a number of Austrian cross country and biathlon athletes.
The IOC can confirm that unannounced out-of-competition doping tests have been conducted on a number of Austrian cross country and biathlon athletes.

As part of its anti-doping rules for the Torino 2006 Olympic Winter Games (article 5.6.1.1), doping tests can be done on blood and urine at any time, based on a number of criteria, including any fact as determined by the IOC at its sole discretion.

In this instance, the IOC has acted on information it received in a report given to it by the World Anti-Doping Agency (WADA) which indicates the possible presence of Mr Walther Mayer in the private accommodation of the Austrian biathlon and cross country teams. Given that Mr Mayer has been declared ineligible to participate in all Olympic Games up to and including Vancouver 2010, based on his involvement in blood manipulation offences committed in Salt Lake City 2002, the IOC is fulfilling its responsibility to conduct anti-doping controls on athletes who might have been under his influence.

The IOC can also confirm that it transmitted the WADA report to the Italian authorities for their information and subsequent follow up as they deem appropriate.

Fashion Editorial

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Written by Joyce L Chow & William Hoehne February 18,2006

MBN

www.montebubbles.com for more MBN news

 

U.S.-based airlines last year lost about 10,000 bags a day

Medal Count

Editorial: Womens Fashion

Nissan Open

 

U.S.-based airlines last year lost about 10,000 bags a day on average, the worst performance since 1990.

The rate of lost suitcase reports per 1,000 passengers on flights soared 23% from a year earlier, according to recent numbers from the U.S. Department of Transportation. Among the reasons: a surge in the number of passengers, airline budget cuts, backed-up flights and tighter inspections of luggage.

In all, passengers filed with airlines more than 3.5 million reports of lost bags, most of which eventually find their way back to owners. Inside the 2005 numbers.

US Airways, which exited Chapter 11 bankruptcy last year, had the highest lost-bag rate of major carriers.

Southwest Airlines' rate of lost bags jumped nearly 27%. Southwest blames the airline's cranky new bag systems in Baltimore, Las Vegas and Phoenix.

 

Delta Air Lines, third-biggest airline, lost more bags than any other carrier. Its customers filed 573,419 lost bags.

Medal Count

Norway Two Gold Seven Silver Seven Bronze

Germany Six Gold Six Silver Two Bronze

United States Seven Gold Four Silver One Bronze

Russia Six Gold Two Silver Five Bronze

Canada Two Gold Four Silver Five Bronze

Austria Four Gold Five Silver One Bronze

South Korea Three Gold Three Silver One Silver

Switzerland Two Gold Two Silver Three Bronze

China One Gold Two Silver Four Bronze

Italy Two Gold Four Bronze

France Three Gold Two Bronze

Sweden Two Gold One Silver One Bronze

Czech Republic Two Silver

Australia One Gold

Slovakia One Silver

United Kingdom One Silver

Bulgaria One Silver

Ukraine One Bronze

Latvia One Bronze

 

Women’s Fashion: By William Hoehne

Has anyone bothered to tell those that design and sale clothes in this nation that not all women are a size 14.

I went out for the umpteenth time with Joyce looking for clothes today and once again we came back empty handed.

In this weight conscious world Joyce is 5 foot five, 121 pounds, 34-24-34 and 42 years old.

She is by no means tiny but try as hard as we can we are unable to find clothes that fit.

Size small is too large in skirts, shorts and pants. It looks like they will fall off of her when she puts them on.

Small shirts are too tight and medium is too small.

Try and find athletic wear, can’t be done.

Swimsuits are a joke.

Why can’t she find anything that fits, because the industry raised the size of all clothes to fit larger women. They either forgot or simply didn’t care there are a great many women like Joyce in this country that are shapely and very proud of the fact that they take care of themselves.

Are nation is becoming more and more conscious of their health as it grows older.

Wouldn’t it be nice is those that design and sale clothing realized this also.

Nissan Open

Rory Sabbatini -14

Fred Couples - 10

Craig Barlow -10

Tim Clark -9

Trevor Immelman -9

John Rollins -8

Jim Furyk -7

Mark Brooks -7

Dean Wilson -7

Bob Estes -7

February 17, 2006

Motorola's New Razrs

 

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Written by Joyce L Chow & William Hoehne February 17,2006

MBN

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Got a news tip: tips@montebubbles.net

 

BREAKING NEWS: MUCH SEC FILINGS ON PROCTOR & GAMBLE STOCK TODAY. SOMETHING IS UP AT P&G.

New Razrs

Motorola's plans for Oscar night.  I wonder what they'll have for the press?

IOC SANCTIONS BIATHLETE OLGA PYLEVA

Army Casualties

Navy to help out in Philippines 

Russian biathlon star Olga Pyleva in more trouble

(Compiled from Defense Department news releases.)

Medal Count

Two U.S. H-53 military helicopters crashed

Each night worst then last for NBC

 

Motorola Future Brings More Custom RAZRs

By Joyce Chow

Motorola’s future brings stylizing of their popular RAZR phone in more colors and more co-branding such as with fashion icons Dolce & Gabbana in a gold RAZR. You can even have it engraved, just see Motorola.

Motorola chooses to create a sophisticated image for the higher end of the market vs. the most sophisticated technology. The latest Samsung phone has the same shape as a RAZR but is a 3G phone while the RAZR is not. Ron Garriques, President Motorola Mobile Devices, doesn’t believe it makes good business sense to introduce the RAZR as a 3G phone for a second-generation network, because the faster 3G networks do not offer compelling services consumers want.

Motorola is the world’s second biggest phone maker with almost 19 percent of the global market, expects to ride the popularity of the RAZR three years, one year longer than the average lifespan of a mobile phone model. Analysts from market research group iSuppli estimated the RAZR generated at least one third of Motorola's fourth-quarter shipments of close to 45 million mobile phones.

I realize the Motorola RAZR continues its popularity, I’ve been trying to get a limited edition version for the past 3 weeks. Motorola, can you make more available?

Motorola’s RAZR V3x Wins Coveted “Best 3GSM Handset 2006” Award at 3GSM World Congress

By Joyce Chow

2006 in Barcelona, the world’s biggest wireless communications trade show.

“The RAZR V3x epitomises everything we hope for...wickedly compelling design and a wickedly compelling consumer experience, it truly is a great day for the brand.” Said Ron Garriques, President Motorola Mobile Devices.

With it’s ultra-slim clamshell form and clever integration of the design features that made the RAZR the company’s most globally acclaimed product, the Motorola RAZR V3x is the ultimate in mobile entertainment devices. Delivering an impressive range of multimedia tools, including a 2-megapixel camera, real-time two-way video calling, still and moving image capture, progressive downloading and 3D graphics this UMTS/3G handset has it all.

“The RAZR V3x epitomises everything we hope for...wickedly compelling design and a wickedly compelling consumer experience, it truly is a great day for the brand.” Said Ron Garriques, President Motorola Mobile Devices. With it’s ultra-slim clamshell form and clever integration of the design features that made the RAZR the company’s most globally acclaimed product, the Motorola RAZR V3x is the ultimate in mobile entertainment devices. Delivering an impressive range of multimedia tools, including a 2-megapixel camera, real-time two-way video calling, still and moving image capture, progressive downloading and 3D graphics this UMTS/3G handset has it all.

Motorola Gets Red Carpet Ready With Special Edition PEBL Phone For Top Directing and Acting Nominees 

By Joyce Chow

Motorola makes its annual walk down the red carpet on Hollywood’s biggest night by continuing its tradition of providing a not-yet-available, state-of-the-art mobile phone to the Academy Award nominees in the top directing and four acting categories. In honor of their nominations, the 78th Annual Academy Award nominees will receive a special-edition PEBL phone in a gunmetal color finish - the only consumers to have this edition of the just-available phone. Combining sophisticated technology with innovative design, the special edition Motorola PEBL is sure to help the nominees stand out and shine on their big night. Recipients will also receive Motorola’s new H700 Bluetooth® headset and three (3) months of T-Mobile wireless service. T-Mobile USA is the exclusive carrier of the PEBL phone.

In keeping with Motorola’s traditional Oscar phone efforts, the Academy Award’s directing and acting nominees’ phones are packaged in a custom made, keepsake box. This year’s package is reminiscent of a classic movie theatre ticket and is personalized with the category and name of each nominee in acknowledgement of their recognition by the Academy.

Inspired by the feel of a stone worn smooth by water, the Motorola PEBL captures attention for its innovative form with rounded edges, a vertical external display and unique dual-hinge mechanism for effortless, one-handed opening. Its smooth and sophisticated feel presents a timeless elegance with a unique finish sure to garner notice. In addition to the eye-catching shape, the feature-forward PEBL is fully functional allowing users to browse the World Wide Web*, share multimedia files* and includes integrated Bluetooth technology. The Bluetooth headset H700 provides Motorola’s most advanced features in its most discreet headset. It boasts unsurpassed call clarity from noise reduction technology to Motorola's exclusive RapidConnect® technology, and it’s an amazing 30% smaller than its predecessor. Additional features include video capture and playback, integrated VGA digital camera for quality still photography, speech activated and digit dial, a color display, picture caller-ID* and downloadable games.

Joyce Chow, Contributing Wireless News stories.
IOC SANCTIONS BIATHLETE OLGA PYLEVA FOR FAILING ANTI-DOPING TEST

The International Olympic Committee (IOC) today announced that biathlete Olga Pyleva, Russian Federation, has been excluded from the XX Olympic Winter Games in Turin in 2006 after failing an anti-doping test carried out by the IOC.
Pyleva, 30, tested positive for Carphedon, a prohibited substance, on 13 February after the women's 15 km Individual, Biathlon event, in which she won the silver medal.
The IOC Disciplinary Commission decided that:
I. The athlete Mrs Olga Pyleva:
(i)         is disqualified from the Biathlon, Women’s 15 km Individual, where she had placed second;
(ii)         is excluded from the XX Olympic Winter Games in Turin in 2006;
(iii)        shall have her Olympic identity and accreditation card immediately withdrawn.
II. The International Biathlon Union is requested to modify the results of the above-mentioned event accordingly and to consider any further action within its own competence.
III. The Russian Olympic Committee is ordered to return to the IOC, as soon as possible, the Medal and the Diploma awarded to the Athlete in relation to the above-noted event.
IV. This decision shall enter into force immediately.
Please see full decision below.
The IOC Anti-Doping Rules for the Torino 2006 Games are applicable from 31 January (the opening of the Olympic Village) to 26 February. Within that period, the IOC systematically performs tests pre and post competition. For sports competed on an individual basis, each athlete finishing in the top five, plus two selected at random, are tested by the IOC. A copy of the rules is available at www.olympic.org/medical.
So far, over 400 tests have been performed out of the 1,200 tests that the IOC is expected to conduct throughout the period of the Games.

DOD Identifies Army Casualties

The Department of Defense announced today the death of four soldiers who were supporting Operation Enduring Freedom. They died north of Deh Rawod, Afghanistan, on Feb. 13, when an improvised explosive device detonated near their HMMWV during combat operations.

Killed were: Sgt. 1st Class Chad A. Gonsalves, 31, of Turlock, Calif. Gonsalves was assigned to the 3rd Battalion, 7th Special Forces Group, Fort Bragg, N.C.

Staff Sgt. Edwin H. Dazachacon, 38, of Belleville, Ill. Dazachacon was assigned to the 3rd Battalion, 7th Special Forces Group, Fort Bragg, N.C.

Staff Sgt. Clinton T. Newman, 26, of San Antonio, Texas. Newman was assigned to the 321st Civil Affairs Brigade, San Antonio, Texas

Sgt. Alberto D. Montrond, 27, of Suffolk, Mass. Montrond was assigned to the Group Support Battalion, 7th Special Forces Group, Fort Bragg, N.C.

Navy to help out in Philippines 

A U.S. Navy ship already in the area for an exercise is steaming for Leyte Island in the Philippines to provide disaster relief assistance. The ship has been dispatched from Subic Bay, less than 1,000 kilometers from Leyte Island, where it was participating in Exercise Balikatan '06. Officials did not provide the name or type of the ship. The United States has received a request from the Philippine Red Cross for helicopter support to assist with rescue and relief operations in the area, State Department officials said. "We will continue to coordinate with Philippine authorities, including the National Disaster Coordinating Council, regarding needs, and will assist to the best of our abilities," an official with the U.S. Embassy in Manila said in a statement today. Leyte Island has endured heavy rains in recent days, according to news reports. Those rains caused a mudslide that swept through Guinsaugon, a farming village in the municipality of St. Bernard, covering all but four of the more than 300 homes in the area, and reportedly an elementary school in session, with mud. A representative of the Philippine Red Cross has indicated that at least 200 residents were killed, but warned that the death toll could be much higher, as there are 1,500 to 2,000 people still missing, according to news reports. The United States has authorized the Philippine Red Cross to use about $50,000 of emergency relief funds already granted to the Red Cross from an earlier disaster. The Philippine National Red Cross also plans to distribute protective masks for rescue workers, plastic sheeting, and body bags donated by the U.S. government in response to previous disasters tomorrow morning. Rescue efforts have ended for today because of continuing rain and darkness, news sources said. Balikatan is an annual military exercise aimed at improving Philippine-U.S. combined planning, combat readiness, and interoperability. It also enhances security relations and demonstrates U.S. resolve to support the Republic of the Philippines against external aggression.

Russian biathlon star Olga Pyleva maybe in more trouble

Russian biathlon star Olga Pyleva, already tossed from the Turin Games and stripped of her silver medal for a positive drug test, was banned for two years Friday Her problems do not end there though. She will be investigated under Italy’s criminal anti-doping law.

The IBU has turned over documents to Italian magistrates in accordance with Italian law.

Doping carries a maximum two-year term under Italian law.

The IOC, which favors only sports sanctions, accepted the law and in return was given full control of the testing program

She is allowed to go back to her country because the criminal process against her hasn't begun yet.

Russian officials at the Olympics continue to explain that a doctor treating Pyleva for an ankle injury in the Siberian city of Krasnoyarsk gave her an over-the-counter medication in January that did not list the banned substance.

Under the IOC's rules, athletes testing positive at the Olympics are considered guilty if a banned substance is found, regardless of the circumstances

The IBU also banned Pyleva's personal physician, Dr. Nina Vinogradova, for two years. She is considering suing the manufacturer of the medication in question, the ITAR-Tass news agency reported.

Pyleva is one of the biggest stars in biathlon, which typically draws more than 30,000 spectators to World Cup events and is Europe's most popular televised winter sport. She also won gold and bronze medals at the 2002 Salt Lake City Games in the event that combines cross country skiing and rifle target shooting.

The IOC has conducted 380 tests since the athletes' village opened Jan. 31; Pyleva is the first to be caught by the most rigorous doping-control program ever at a Winter Olympics. A total of 1,200 samples are being tested -- a 72 percent increase over the number in Salt Lake City, where there were seven doping cases.

Died recently in Afghanistan and Iraq

The Defense Department has announced the identities of 13 U.S. servicemembers who died recently in Afghanistan and Iraq. - Marine Lance Cpl. Matthew R. Barnes, 20, of West Monroe, La., and Marine Cpl. Rusty L. Washam, 21, of Huntsville, Tenn., died Feb. 14 when a suicide car bomber attacked their vehicle near Qaim, Iraq. They were assigned to 3rd Battalion, 6th Marine Regiment, 2nd Marine Division, 2nd Marine Expeditionary Force, Camp Lejeune, N.C. - Marine Lance Cpl. Michael S. Probst, 26, of Irvine, Calif., died Feb. 14 of injuries suffered in a roadside bomb explosion near Abu Ghraib, Iraq. He was assigned to 1st Tank Battalion, 1st Marine Division, 1st Marine Expeditionary Force, Twentynine Palms, Calif. During Operation Iraqi Freedom, his unit was attached to 2nd Marine Division, 2nd Marine Expeditionary Force (Forward). Four soldiers supporting Operation Enduring Freedom were killed Feb. 13 when a roadside bomb detonated near their Humvee during north of Deh Rawod, Afghanistan: - Sgt. 1st Class Chad A. Gonsalves, 31, of Turlock, Calif. He was assigned to the 3rd Battalion, 7th Special Forces Group, Fort Bragg, N.C. - Staff Sgt. Edwin H. Dazachacon, 38, of Belleville, Ill. He was assigned to the 3rd Battalion, 7th Special Forces Group, Fort Bragg. - Staff Sgt. Clinton T. Newman, 26, of San Antonio. He was assigned to the 321st Civil Affairs Brigade, San Antonio. - Sgt. Alberto D. Montrond, 27, of Suffolk, Mass. He was assigned to the Group Support Battalion, 7th Special Forces Group, Fort Bragg. - Army Spc. Felipe J. Garcia Villareal, 26, of Burke, Va., died at Washington Hospital Center in Washington, D.C., on Feb. 12 of injuries suffered in Ramadi, Iraq, on Feb. 9 when his tent caught fire. He was assigned to the 54th Engineer Battalion, 130th Engineer Brigade, Warner Barracks, Bamberg, Germany. - Army Cpl. Andrew J. Kemple, 23, of Cambridge, Minn., died in Tikrit, Iraq, on Feb. 12 when his Humvee came under small-arms fire. He was assigned to the 3rd Battalion, 187th Infantry Regiment, 3rd Brigade Combat Team, 101st Airborne Division, Fort Campbell, Ky. - Navy Petty Officer 3rd Class Nicholas Wilson, 25, of Newark Valley, N.Y., died Feb. 12 as a result of a roadside bomb explosion in Anbar province, Iraq. He was assigned to Explosive Ordnance Disposal Mobile Unit 3, based in San Diego. - Marine Pfc. Matthew L. Bertolino, 20, of Hampstead, N.H., died Feb. 9 when the vehicle he was traveling in rolled over during a combat patrol near Jalalabad, Afghanistan. He was assigned to the 1st Battalion, 3rd Marine Regiment, 3rd Marine Division, 3rd Marine Expeditionary Force, Kaneohe Bay, Hawaii. - Marine Cpl. Ross A. Smith, 21, of Wyoming, Mich., and Pfc. Javier Chavez Jr., 19, of Cutler, Calif., died Feb. 9 of wounds suffered in a roadside bomb blast near Fallujah, Iraq. They were assigned to 3rd Battalion, 5th Marine Regiment, 1st Marine Division, 1st Marine Expeditionary Force, Camp Pendleton, Calif. During OIF their unit is attached to 2nd Marine Division, 2nd Marine Expeditionary Force (Forward). (Compiled from Defense Department news releases.)

Medal Count

Norway One Gold Six Silver Six Bronze

Germany Five Gold Four Silver Two Bronze

Russia Five Gold Two Silver Four Bronze

Canada Two Gold Four Silver Five Bronze

United States Six Gold Three Silver One Bronze

Austria Three Gold Two Silver One Bronze

Switzerland One Gold Two Silver Two Bronze

China One Gold Two Silver Three Bronze

Italy Two Gold Three Bronze

Finland Two Silver Three Bronze

Sweden Two Gold One Silver One Bronze

France Two Gold Two Bronze

Netherlands One Gold Two Silver

Estonia One Gold

South Korea One Gold One Silver One Silver

Czech Republic One Silver

Australia One Gold

Slovakia One Silver

Croatia One Silver

United Kingdom One Silver

Bulgaria One Silver

Ukraine One Bronze

Latvia One Bronze

Two U.S. H-53 military helicopters crashed

Two crewmembers have been rescued and the search continues for 10 others after two U.S. H-53 military helicopters crashed in waters off Djibouti in the Horn of Africa, a Defense Department spokeswoman reported today. Though some initial reports say both were U.S. Marine Corps helicopters, the spokeswoman could confirm only that they were U.S. helicopters and that they were part of Combined Joint Task Force Horn of Africa. The helicopters were on a night training mission over the Gulf of Aden when the crash occurred, the spokeswoman said, adding that an investigation will be conducted to determine why the helicopters went down.

NBC tanking with this games.


It has become routine for the Olympics to be beaten by regularly scheduled programming on Fox and ABC.

The 17.9 million average total viewers NBC averaged during primetime Wednesday may have been the single worst night in Winter Olympics history.

Wednesday’s average 11.3 household rating also marked the lowest Winter Olympics night on record according to Nielsen, and the fifth-lowest rated night of any Olympics behind several nights at the Sydney Summer Games of 2000.

The Sydney Games averaged a record-low 21.5 million total viewers over 16 nights. The Torino Games are averaging 21.1 million total viewers per night.

NBC is at risk of not making its ratings guarantees. Its six-day household average has now fallen to a 12.5, which is closer to the lower end of the 12 to 14 average it promised advertisers.

Unless NBC makes major changes in its presentation, reflecting the fact that results are available online many hours before the events air on NBC. I put the medal count up hours before NBC lets the viewers know what has happened.

Nobody is going to stick around and wait till 11 p.m. to find out if Bode Miller won a medal, and very few over age 35 are going to do it.”

Indeed, NBC has drawn its broadcasts out well past 11 p.m. for results that were available on the internet hours earlier.

Critics say the network needs to do two things to revive viewer interest in the Olympics, and one is to show the big results throughout the night, rather than waiting until the end of the broadcast.

The other is to build interest in foreign competitors by giving them the sort of coverage and feature play it now gives only to U.S. athletes. The Games are truly an international competition, they say, and NBC has been short-sighted in treating them as American events. This one of course is not likely to ever

 

 

 

 

 

 

 

 

 

 

 

 

February 16, 2006

Russian caught taking drugs

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Written by Joyce L Chow & William Hoehne February 16,2006

MBN

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Got a news tip: tips@montebubbles.net

 

Soon flyers can be found here when they are ready.

Talk to our sales people about inclusion

Russian biathlon star Olga Pyleva was thrown out of the Turin Games and stripped of her silver medal Thursday for doping.

New York Bill Bans Call Records Sale

Never Hear of modern earth movers (Picture)

Two Marines Die

Editorial on Brokeback Mountain.

Dancing with the Stars

Medal Count

NBC Losing sweeps

Digital Photographers Would Rather Capture Family Moments Over Celebrity Sightings

Nicole Kidman to Present at 78th Academy Awards

Bond girl and villian finally cast

 

First Doping removal

Russian biathlon star Olga Pyleva was thrown out of the Turin Games and stripped of her silver medal Thursday for doping, the first athlete caught in the tightest drug net in Winter Olympics history.

Pyleva was favored heading into Thursday's 7.5km sprint to win her second medal of the games. As athletes were walking up to the starting line, an announcer told the crowd that Pyleva was scratched because she had fallen ill.

But it didn't take long for news of the real reason to spread. A urine sample Pyleva submitted after the 15km event on Monday tested positive for the stimulant carphedon, which she said was in an over-the-counter medication she'd taken.

An IOC panel was hastily convened to hear Pyleva's case. Less than two hours after the race went on without her, she was kicked out of the Turin Games.

The 30-year-old Pyleva is one of the biggest stars in biathlon, which typically draws more than 30,000 spectators to World Cup events and is Europe's most popular televised winter sport. She also won gold and bronze medals at the 2002 Salt Lake City Games

New York Bill Bans Call Records Sale

In the latest wrinkle surrounding online brokers of user call data legislation to ban the access and sale of telephone customer calling records and also hold carriers accountable has been introduced into the New York State Assembly.

The proposed bill – introduced by Democratic Assemblyman Jeffrey Dinowitz and Republican state Senator Martin Golden imposes civil penalties on persons convicted of stealing and selling phone records and allow those whose information was sold to sue for damages.

The measure already has more than 20 co-sponsors ad its passage is being given a good chance at the state capitol in Albany; there is also support for the measure from consumer and public interests groups as well as Verizon Wireless and T-Mobile.

The measure would prohibit carriers from releasing personal telephone account records to anyone except account holders in order to prevent third parties from selling the records, with the exception of authorization by court order .The law would apply to mobile wireless cellular, land line, satellite and Internet Protocol telephony activities.

Shock over the Internet call details business has prompted other state legislators to look into possible bills, state attorneys general and carriers to file suits, drafting of bills in the U.S. Senate and House of Representatives to make such transactions illegal and deepening investigations and of regulatory proceedings by the Federal Communications Commission, the Federal Trade Commission and the Federal Bureau of Investigation.

Meanwhile, the House Committee on Energy and Commerce said federal investigators have identified individuals behind 22 Web pages that may offer criminals, stalkers and any other paying customer the detailed records of private telephone calls. Its Oversight and Investigations Subcommittee is sending out additional letters to the individuals demanding that the companies provide information about business. William Hoehne

 Never heard of equipment to move dirt

 earth movers

 

 

 

Two Marines Die

DOD Identifies Marine Casualties  The Department of Defense announced today the death of two
Marines who were supporting Operation Iraqi Freedom.


            Killed were:


            Lance Cpl. Matthew R. Barnes, 20, of West Monroe, La.



            Cpl. Rusty L. Washam, 21, of Huntsville, Tenn.



Both Marines died Feb. 14, when a suicide car bomber attacked their vehicle near Al Qa'im, Iraq.  They were assigned to 3rd Battalion, 6th Marine Regiment, 2nd Marine Division; II Marine Expeditionary Force, Camp Lejeune, N.C.


BrokeBack Mountain 

This is movie of two young men, a Wyoming ranch hand and a rodeo cowboy, who meet in the summer of 1963 shepherding in the harsh, high grasslands of contemporary Wyoming.

The word that counts most in the movies bio is SHEPHERDING. That made them SHEEP HERDERS not cowboys.

A COWBOY is a hired man, especially in the western United States, who tends cattle and performs many of his duties on horseback. Also called cowman, cowpoke; Also called cowpuncher; also called regionally buckaroo.

A SHEEP HERDER is  a person who herds sheep, especially on an open range; a shepherd.

Cow, Sheep, Cowboy, Shepard.

It is not the story of two cowboys that fell in love but the story of two shepherds that fell in love.

What their jobs were before and after their eventful meeting is really irrelevant to the plot. It is what they were when they first met that counts.

Dancing with the Stars rigged?

Figure it out for yourself with the bio on the celebrity amateur dancer Stacy Keibler.

She was born in Baltimore, Maryland. She began dancing when she was three years old and has a background in ballet, tap and jazz. Stacy went to school in Baltimore and was also one of Baltimore's first "Raven Cheerleaders". She stayed with the Ravens for a period of three years before signing with WCW.

She looks as good as she does on the dance floor because she should look that good. Only if a viewer induced miracle like that forced ABC to have a dance off in the first Dancing with the Stars will Drew Lachey have any chance to win.

A shame to in that day in day out he is the best dancer out there. His feet work is exceptional and he takes it seriously plus he has the strain of his wife getting ready to give birth upon him each time he steps out to dance.

But he is short, not blond haired with long legs. Odd are very much against him.

Olympic Medal Count

Norway One Gold Six Silver Six Bronze

Russia Five Gold Two Silver Four Bronze

Germany Five Gold Four Silver One Bronze

United States Six Gold Two Silver One Bronze

Canada One Gold Three Silver Four Bronze

Austria Three Gold Two Silver One Bronze

China One Gold Two Silver Three Bronze

Italy Two Gold Three Bronze

Finland Two Silver Three Bronze

Sweden Two Gold One Silver One Bronze

France Two Gold Two Bronze

Netherlands One Gold Two Silver One Bronze

Switzerland One Gold Two Silver One Bronze

South Korea One Gold One Silver One Silver

Estonia Two Gold

Australia One Gold

Slovakia One Silver

Croatia One Silver

United Kingdom One Silver

Czech Republic One Silver

Bulgaria One Silver

Ukraine One Bronze

Latvia One Bronze

 

NBC Losing sweeps

Nearly halfway through, it trails behind ABC

February should be NBC’s month but disappointing ratings for its Olympics coverage, compounded by solid performances by its competitors, has the network in a slump.

Indeed, many media buyers had predicted before the Olympics' Opening Ceremonies last Friday that NBC’s ratings would fall short of past Games.

Buyers sensed there were no breakout Olympics stories to capture the attention of viewers.

NBC's struggles are not all that surprising, say media researchers.

“The Olympics rarely go up against original programming, and the other networks decided to put their best products forward,” explains Jordan Breslow, director of broadcast research at MediaCom. “It has never gone up against ‘American Idol,’ and I don’t think anyone should be surprised that the older-skewing Olympics should not have any impact on ‘Idol.’

"I look at the Olympics as fallback programming" says Breslow. "It’s like, take your pick of first-run product and if there isn’t anything there, then, great, tune into NBC.”

Says John Spiropoulos, vice president and group research director at MediaVest: “The problem for NBC is that they are still struggling, putting the Olympics aside. The network has not yet shown that they have hit bottom, although they said they have.”

Indeed, many media buyers had predicted before the Olympics' Opening Ceremonies last Friday that NBC’s ratings would fall short of past Games.

One reason, as Spiropoulos suggests, is that NBC’s faltering ratings weakened its ability to promote the Games.

But also, and beyond the network's control, going into the Games, buyers sensed there were no breakout Olympics stories to capture the attention of viewers. That's turned out to be the case.

“You look at the Winter Games and the biggest superstar that we had has withdrawn, Michelle Kwan, and the outspoken [skier] Bode Miller can’t get his act together," says Breslow. "There’s no real draw, there’s nothing really pulling you in.”

What is surprising is how soundly NBC’s competitors are beating the Olympics in head-to-head competition.


The big question for NBC is whether or not it can bounce back in the next 11 nights of Olympics coverage.

that's unlikely with the Olympics will facing tougher competition in original programs such as the “Dancing with the Stars” finale, “American Idol,” and programs like CBS’s “Survivor.”

Survey Finds Amateur Digital Photographers Would Rather Capture Family Moments Over Celebrity Sightings

A recent survey commissioned by Duracell(R) PowerPix(TM) shows that an overwhelming majority of Americans would be more upset at missing a photo of a family event(1) than one of a celebrity sighting.

Respondents ranked images of a baby's first step (47 percent) or a child's graduation (38 percent) as the most important moments to capture on camera. By contrast, celebrity sightings like Johnny Damon's first at-bat as a New York Yankee (two percent) or the first photo of Brad Pitt and Angelina Jolie's baby (one percent) landed at the bottom of the list. Family moments also scored significantly higher than ego-driven ones: fewer than 10 percent of respondents said that their top priority would be an image of themselves snagging the largest catch on an annual fishing trip.

While the increasing popularity of digital photography has resulted in more snap-shooting to capture spontaneous or "once-in-a-lifetime" moments, battery power remains crucial to the equation. Roughly one-third of respondents indicated that they've missed a memorable moment because their digital camera wasn't powered properly.

In an effort to better meet the needs of today's digital camera users, Duracell has introduced a disposable battery called PowerPix. This new digital camera battery uses advanced NiOx(TM) Technology to deliver up to twice as many pictures as an ordinary alkaline battery in digital cameras. Available in AA and AAA sizes, Duracell PowerPix is sold at mass market, drug, grocery and electronics stores throughout North America. (The suggested retail price of a four-pack is $5.99).

Nicole Kidman to Present at 78th Academy Awards®

Beverly Hills, CA — Academy Award®-winning actress Nicole Kidman will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today. Kidman

Kidman, who has been nominated twice for an Academy Award, took home a Best Actress Oscar in 2002 for portraying Virginia Woolf in "The Hours." She also received a nomination in 2001 for her leading role in "Moulin Rouge."

Kidman will be next seen in "The Visiting" and "Fur." Her other film credits include "Cold Mountain," "Dogville," "The Others," "The Portrait of a Lady," "To Die For" and "Dead Calm."

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

 

Nissan Open

They were two shots clear of a group that included Fred Couples who was so sick upon returning from Australia that he stayed in bed Monday and Tuesday, skipped the pro-am Wednesday. He wound up with a 66, then went back to bed. nissan

Also ill was Tiger Woods and it had nothing to do with being allergic to Riviera. Woods, 2-0 for the year but 0-10 at his hometown tournament, recovered from an early double bogey by making four birdies in a five-hole stretch and finished with a 69.

 

Rounding out the trio of big names under the weather was Ernie Els, who sniffled his way to a 70. The Big Easy made two careless mistakes at the end of his round, missing the green to the right at No. 18 and pulling his approach left of the green, leaving himself little room to get it close.

 

 

Justin Rose -7

Dean Wilson -7

Fred Couples -5

Billy Mayfair -5

Jesper Parnevik -5

Bob Estes -5

Rod Pampling -4

Harrison Frazar -4

Rory Sabbatini -4

Chad Campbell -4

 

Bond Film finally cast 

After months of searching, and with filming on Casino Royale already underway in Prague, the  love interest and a nemesis for Daniel Craig's super spy have ben cast. French actress Eva Green will essay the role of vixen Vesper Lynd.  Danish actor Mads Mikkelsen will play the villainous Le Chiffre.

Martin Campbell, who helmed GoldenEye, announced the Mikkelsen news  at a Wednesday night press conference at the Czech Republic's Brandov Studios flanked by Craig, Judi Dench (who's returning as M) and the film's producers, Barbara Broccoli and Michael Wilson.

Green's casting wasn't confirmed until Thursday, when producers released a press release touting her addition to the cast. She'll play the latest in the storied line Bond babes.

"Vesper is a pivotal role in Casino Royale and it takes much more than beauty to make this role work," says Columbia Pictures studio boss Amy Pascal, whose studio is distributing Royale.

"When you think about the great James Bond adventures, of course you think about action and espionage, but you need to have palpable sexual tension in the movie and in casting Vesper, we really needed to up the ante, because this character is very much an equal to Bond and central to our story.

Mikkelsen, 40, is best known for his role as Tristan opposite Clive Owen and Keira Knightley in the 2004 version of King Arthur. After an eight-year stint as a professional dancer, he became one of Denmark's biggest stars with his breakthrough role as a junkie in 1996's Pusher. Other credits include 2000's Flickering Lights, 2001's Shake Your Heart, the 2003 Dogma film Open Hearts and 2004's Pusher II: With Blood On My Hands.

He will play Le Chiffre, the character Ian Fleming variously called "the Number" and "the Cipher" in his franchise-launching novel, Casino Royale. Le Chiffre is a banker for terrorists and criminals who enjoys torture and gives Bond a run for his money at the baccarat tables.

February 15, 2006

Nissan Open Pro Am Today

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Written by Joyce L Chow & William Hoehne February 15,2006

MBN

www.montebubbles.com for more MBN news

Got a news tip: tips@montebubbles.net

 

Procter & Gamble Files Lawsuit Against Vi-Jon Laboratories

Nissan Open Pro Am Starts today

Steve Carell to  Oscar® Show Appearance

StarBucks Makes China Move

2 young  men die of injuries in Iraq.

Medal Count


Riviera Country Club in Pacific Palisades, Calif.


Adam Scott defeated Chad Campbell on the first hole of sudden death for the 2005 victory.

We saw Mr. Scott doing a photo-shoot near the right hand side of the 18th hole as the sun was going down.


The victory was unofficial since the tournament was shortened to 36 holes by record heavy rains.

Should not have this problem this week but going to be cold. Today felt like a ice cube as it got later in the day.

People were talking at the course today about Tiger Woods who has played the Nissan Open at Riviera Country Club 10 times without winning, and even though that represents the biggest shutout of his career. According to PGA Stats it's not even close to the measure of futility some players have experienced. Arnold Palmer went 0 for 37 at the PGA Championship while Tom Watson went 0 for 31. Greg Norman went winless in 22 Masters.

Woods is in good company at Riviera, sharing yet another golf experience with Jack Nicklaus who was 0 for 25 at the Bell Canadian Open, won his paycheck at the 1962 Los Angeles Open, but he never won the event in 14 appearances. He also finished second to Hal Sutton in the 1983 PGA at Riviera.

Procter & Gamble Files Lawsuit Against Vi-Jon Laboratories -- Private Label Oral Mouthrinse Manufacturer

 

Procter & Gamble Company (NYSE: PG) today filed a lawsuit against a private label manufacturer of health and beauty products, Vi-Jon Industries, in the United States District Court for the Southern District of New York. The lawsuit alleges that Vi-Jon infringed and diluted the unique trade dress of P&G's Crest Pro-Health, a highly effective antiplaque/antigingivitis oral rinse, and also engaged in false advertising of its mouthwash product. The Vi-Jon product is sold in retail stores under store brand names.

"We had to take this action to protect our business and the interests of our consumers," stated Diane Dietz, general manager North America oral care. Conduct from private label manufacturers that can mislead consumers cannot be tolerated. P&G invests heavily in research, development, and intellectual property and design, and must protect that investment."

The lawsuit specifically alleges that Vi-Jon's packaging of its mouthwash product mimics many aspects of P&G's packaging, including P&G's distinctive "faceted diamond" bottle shape, the precise shade of blue mouthwash rinse, and the shape, metallic finish and general color scheme of the label.

The lawsuit also alleges Vi-Jon's label communicates (i) that the Vi-Jon product is comparable to P&G's Crest Pro-Health, and (ii) that the Vi-Jon product is effective in killing germs that cause plaque and gingivitis. In fact, P&G's testing shows that Vi-Jon's product is not comparable to Crest Pro-Health and is not effective in reducing plaque or gingivitis to a meaningful degree.

The lawsuit seeks to enjoin Vi-Jon from this conduct. It also seeks to recover damages for unfair competition and violations of P&G's intellectual property rights

Steve Carell to Make First Oscar® Show Appearance

Beverly Hills, CA — Actor Steve Carell will be a presenter at the 78th Academy Awards® ceremony, telecast producer Gil Cates announced today.

Carell, who recently starred in "The 40 Year-Old Virgin," will next star in the ensemble comedy "Little Miss Sunshine." Carell's other film credits include "Bewitched," "Anchorman: The Legend of Ron Burgundy" and "Bruce Almighty."

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

StarBucks Makes China Move

McDonald’s Corp. veteran Shantel Wong joined Starbucks in Shanghai on Feb. 10 as VP-marketing for Greater China in the coffeehouse chain’s latest move to transform the mainland into a nation of coffee drinkers.

Her new boss Howard Schultz has spent the last few days traveling in China. Starbucks’ founder and chairman has become increasingly vocal about his determination to make China the company’s No. 2 market behind North America.

Although China has been nearly synonymous with tea for centuries, urban consumers show a surprising predilection for java. Starbucks has opened 386 sites in 18 mainland cities as well as Hong Kong and Taiwan since 1999, and they are nearly always packed.

Unlike American consumers who prefer to get their coffee on the go, and often buy coffee beans and merchandise alongside drinks and snacks, Chinese linger in the stores for hours, chatting with friends, surfing online and soaking up the Western atmosphere.

The company has seen its share of controversy in China as well. In 2004, it sued a local firm for trademark infringements, because the rival chain’s Chinese name, Shanghai Xing Ba Ke Coffee Shop Co, was almost an exact translation of the Mandarin name chosen by Starbucks in China. Local courts ruled in Starbucks’ favor earlier this year, a rare victory in China for a multinational company.

Marine  and Soldier Die of injuries.

            The Department of Defense announced today the death of a Marine who was supporting Operation Iraqi Freedom.

Lance Cpl. Michael S. Probst, 26, of Irvine, Calif., died Feb. 14  from an improvised explosive device while conducting combat operations near Abu Ghraib, Iraq.  He was assigned to 1st Tank Battalion, 1st Marine Division,I Marine Expeditionary Force, Twentynine Palms, Calif.  During Operation Iraqi Freedom, his unit was attached to 2nd Marine Division, II Marine Expeditionary Force .


Spc. Felipe J. Garcia Villareal, 26, of Burke, Va., died at Washington Hospital Center in Washington, D.C., on Feb. 12, of injuries sustained in Ramadi, Iraq on Feb. 9, when his tent caught fire.  Garcia Villareal was assigned to the 54th Engineer Battalion, 130th Engineer
Brigade,Warner Barracks, Bamberg, Germany.

            The incident is under investigation.

Medal Count

Norway One Gold Five Silver Five Bronze

Russia Four Gold Three Silver Two Bronze

United States Five Gold Two Silver One Bronze

Germany Four Gold Two Silver Two Bronze

China One Gold Two Silver Three Bronze

Austria Two Gold Two Silver One Bronze

Canada One Gold One Silver Two Bronze

Italy One Gold Three Bronze

Finland Two Silver Two Bronze

Sweden Two Gold One Bronze

Netherlands One Gold Two Silver

South Korea One Gold One Silver One Silver

France One Gold One Bronze

Switzerland One Gold One Bronze

Estonia One Gold

Australia One Gold

Croatia One Silver

Czech Republic One Silver

Bulgaria One Silver

Latvia One Bronze



 

 

February 14, 2006

Valentine's Day Chocolate Massacre

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Written by Joyce L Chow & William Hoehne February 14,2006

MBN

www.montebubbles.com for more MBN news

 

Eat your heart out.

Early numbers for Monday night are lowest yet.

Kwan out in more then one way.

Medal Count

Will Smith to Present at 78th Academy Awards®

Democrat Hackett drops out of race.

Moonbeam VOD

 

Chocolate

In a violent display of competitive eating, Chicago native Patrick Bertoletti, was victorious, eating nearly 2 pounds of chocolate at the GoldenPalace.com Valentine's Day Chocolate Massacre to win $5000. 

The challenge? Eat the most milk chocolate hearts in 7 minutes, one minute to honor each of the men killed in Capone's 1929 mob hit.   

Held on Valentine's Day Eve in Chicago, the chocolate and candy capital of America for the past century, at the Chicago Chocolate Company.   Each of the competitors were presented with a bottomless supply of custom milk chocolate hearts weighing 3.5 oz each.  This was a sanctioned event for the International Federation of Competitive Eating (IFOCE). 

If you're a fan of eating contests, you'll notice a buzz around Patrick Bertoletti. He has "earned a place in the hearts of women all over America", says Kate Westfall of the IFOCE. 

Goldenpalace.com has devised some of the more memorable and outrageous advertising campaigns in the past few years.  Recent worldwide media attention has been for the Virgin Mary grilled cheese sandwich, Britney Spear's pregnancy test, William Shatner's kidney stone, and even at Prince Charles and Camilla Parker Bowles audience in waiting.

Companies turning o web to advertise

Not even , figure skating, could provide relief for the ailing Winter Olympics.

The first figure skating medals were awarded last night, but instead of bumping up ratings for the Games, they hit their lowest level yet.

The primetime portion of the Olympics, from 8 to 11 p.m., averaged a 6.5 Nielsen overnight rating among adults 18-49, the lowest through four nights of Games and Opening Ceremonies coverage.

What’s perhaps more surprising is that the coverage also hit a low among total viewers, averaging 20.96 million. That compares to overnight totals of 22.8 million for the Opening Ceremonies, 23.6 million for Saturday, and 23.2 million for Sunday. Figure skating usually skews older, with the median age of the audience jumping on nights when it airs, according to Nielsen data analyzed by Magna Global.

For the night, NBC averaged a 12.8 household rating, down 35 percent from the 19.6 average for the pairs finals during the 2002 Olympics. It was down even more from the 20.2 average for the pairs skating during the 1998 Nagano Games, though that aired on Sunday, not Monday, night.

Other networks continue to program aggressively against the Games. Fox’s “24” averaged a 5.4 rating at 9 p.m., and ABC’s “Bachelor” turned in a 4.6, up week to week. But NBC will see far tougher competition tonight, when Fox’s “American Idol” airs.

NBC still took the night among 18-49s with a 6.5 average rating and a 16 share. Fox was second at 4.0/10, ABC third at 3.9/10, CBS fourth at 3.7/9, WB fifth at 1.6/4, Univision sixth at 1.5/4 and UPN seventh at 1.3/3.

NBC finished first during each hour of the night, beginning with a 5.7 rating at 8 p.m. for its first hour of Olympics. ABC was second with a 3.5 for a repeat of “Wife Swap,” CBS third with a 3.0 for repeats of “The King of Queens” and “How I Met Your Mother,” and Fox fourth with a 2.6 for “Skating with Celebrities.” WB came in fifth during the hour with a 2.2 for “7th Heaven,” Univision sixth with a 1.8 for “Contra Viento y Marea” and UPN seventh with a 1.1 for “One on One” (1.0) and “All of Us” (1.2).

During the 9 p.m. hour, NBC led once again with a 6.9 average for Olympics. Fox moved to second that hour with a 5.4 average for “24,” with CBS third with a 4.0 for a repeat of “Two and a Half Men” (4.4) and a new “Courting Alex” (3.7), ABC fourth with a 3.7 for the first of two hours of “The Bachelor” and Univision fifth with a 1.7 for “Alborada.” UPN was sixth that hour with a 1.4 for “Girlfriends” (1.5) and “Half and Half” (1.4), and WB seventh with a 1.0 for “Related.”

NBC continued to grow into the 10 p.m. hour, leading with a 7.1 rating for the Olympics. ABC was second with a 4.6 for “The Bachelor,” CBS third with a 4.2 for a repeat of “CSI: Miami” and Univision fourth with a 1.1 for “Vecinos.”

Among households, NBC led the night with a 12.8 average rating and a 19 share. CBS was second at 7.5/11, ABC and Fox tied for third at 6.2/9, WB fifth at 3.0/4 and Univision and UPN tied for sixth at 2.1/3.

Day three was the real killer

NBC was already struggling on Sunday when Michelle Kwan dropped out, bad boy skier Bode Miller failed to medal in the first of his five events, and Apolo Anton Ohno, a 2002 Salt Lake favorite, fell during his first event, not even making the final.

NBC went into the 2006 Winter Olympics with three good storylines, only to see all three evaporate on the third day. NBC immediately felt the defeats in the ratings, and going forward there seems little chance of recovery.

There’s nothing NBC can do about this, of course. The network can’t control what the athletes do on the slopes or the skating rink, but it makes it much harder to build momentum when there is no reason for viewers to stick around.

Kwan is gone and with her the seemingly hourly updates and speculation about her health. Miller, who was attempting to become the first athlete to medal in five alpine ski events, can now only medal in four, making the hype surrounding him seem overblown. While Kwan provided a great resurrection story, Miller does not have enough history to do the same, and viewers will care much less if he gets four medals after he failed to pocket his first.

As for Ohno, he too was a disappointment. Though he was a star at the last Games, his name recognition has faded since then. He needed a good showing to get people interested in him again. Failure to even make the medal round will kill some of the buzz around him.

It does not look good for NBC.

Kwan really out

Michelle Kwan is definitely out of the Winter Games. But what about commercials featuring her image? Yesterday several advertisers who had built campaigns around the figure skating star were pondering what to do: scrap them or air them. It seems they’ve decided on different solutions. While Visa will run its Kwan-themed ad, Coca-Cola has decided to edit out references to Kwan in a series of spots that show fans supporting their favorite Olympic athletes. The five-time world champion was pulled from the ad, with other athletes subbed in. But Coke will keep a reference to Kwan in a separate ad, one that also features speed skater Apolo Anton Ohno. Meanwhile, Visa decided to keep an ad that heralds Kwan’s grace as a skater. The 15-second commercial began running during last night’s figure skating pairs competition. Visa said it kept the spot because it was not tied to a specific event and served as a sort of tribute to Kwan, who pulled out of ladies’ figure skating Sunday with a groin injury.


Eighty percent of companies now use the web

Medal Count

Norway One Gold Five Silver Five Bronze

Russia Four Gold Three Silver Two Bronze

United States Five Gold Two Silver

Germany Four Gold One Silver Two Bronze

China Two Silver Three Bronze

Netherlands One Gold Two Silver

South Korea One Gold One Silver One Silver

Canada One Gold One Silver One Bronze

Italy One Gold Two Bronze

France One Gold One Bronze

Austria Two Silver One Bronze

Sweden Two Gold

France One Gold One Bronze

Finland One Silver One Bronze

Estonia One Gold

Croatia One Silver

Czech Republic One Silver

Latvia One Bronze

Switzerland One Bronze

Will Smith to Present at 78th Academy Awards®

Beverly Hills, CA — Academy Award®-nominated actor Will Smith will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Smith received an Academy Award nomination in 2001 for his leading role in "Ali." He will be seen next in "Pursuit of Happyness." Smith's film credits include "Hitch," "I, Robot," the two "Bad Boys" films, the "Men in Black" franchise, "Enemy of the State," "The Legend of Bagger Vance," "Independence Day" and "Six Degrees of Separation."

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.


Eighty percent of companies now use the web


Eightly percent of advertisers now use some form of web advertising, according to Outsell, a Burlingame, Calif., research firm. In its annual ad spending study, released yesterday, Outsell found that among 1,200 advertisers surveyed with a collective ad budget of $2.4 billion, four fifths are using or will use online advertising this year, and it forecasts that will jump to 90 percent by 2008. Those adoption rates are much higher than the 40 to 70 percent various studies over the past three years have suggested. Outsell predicts that online ad spending will grow another 19 percent this year, which it says is eight times the pace of TV and radio and six times that for print. Chuck Richard, Outsell’s vice president and lead analyst, talks about how widespread web advertising will get, why buyers now find it so attractive, and how much blog advertising will grow in the next year.



We look at advertisers who serve the consumer, business and healthcare markets. We have a large sample that represents $2.4 billion of advertising. The figure may be a little bit lower, but not significantly.


We’re now doing the next round of this work, and we’re looking at those three segments separately. Advertisers targeting businesses turn out to be a little bit lower, but the overall numbers hold up.

The growth is very healthy. It was not too long ago that people were asking, "Should we advertise online?" Now they are saying, "Let me get into that."


The tracking is a huge plus, the ability to know what you’re getting for the money you’re spending. You don’t have to run a campaign and wonder if you’re getting what you want. You can count clicks and impressions.

The other thing I would say is the extreme of the reach, especially with search engines. You reach people that other methods like direct mail or outdoor just don’t reach because the audience is global.


The small companies are the last to embrace it. We actually anticipate that by 2008 it will be 90 percent.

Then you’ll basically be left with those who’re trying to reach a niche audience that for whatever reason just isn’t online. There are just some markets where you’re just going to say, my clients aren’t online.

 

The people who find Google the most effective are the smaller advertisers. That's from the ease of use. You don’t have to call somebody, you can arrange for search ads yourself. It’s low-cost and you can control it. The risk is totally controlled.

For $50 you can run a campaign and see if you like it or not. If you’re having a slow month, you can stop it for a while. The impact of Google, Yahoo and MSN have made smaller companies comfortable with online advertising.

There’s never been a company that was in the press as much as Google. Ten stories a day is a slow day for them. The beauty of it for Google is that they themselves don’t advertise.

This rating is for effectiveness, as perceived by online advertisers. They’re spending money on Google and they know what they’re getting back. It’s a pretty hard, results-oriented rating.

Google has a good formula for ad positioning on a page and pricing. Yahoo and MSN only go by bid price, meaning the highest bidder will get the priority position. Google goes by both price and traffic. If you’re an advertiser and you're offering $10 per click for a keyword, and no one clicks on it, Google's not making any money. That ad will get a lesser position than the $8 ad that does get traffic. The effect is to favor ads that are the most effective for advertisers and Google.


There are areas of media, not just online, that are saturated with advertising. What’s happened with blogs, and wireless too, is that there’s a lot of eyeballs looking at them without much advertising. It’s just a rule: Where there’s traffic, advertising will follow. It’s just not saturated yet, so there’s a lot of unclaimed inventory there.

Categories vary by types of blogs. On the business sites you see the standard range, but it’s all very targeted, following the subject of the blog. It’s a broad range, there’s no one category that dominates blog advertising.

Wireless is also projected to grow by 19 percent. It’s becoming a fast-growing medium, and same thing, it’s under-saturated with ads.

The other interesting thing is that wireless, by accident of history, has grown up with people expecting to pay. You expect to pay for your monthly service, extra feeds, etc. You expect to pay for ringtones.

Growth is a little slower there because the providers aren’t relying exclusively on advertising. So I’m not surprised that the growth rate is a little slower than blogs.


What advertisers are realizing is that the user is in control of what they want to receive. The same way they watch only the cable channels they want, they pick what they want online. People design their own pages on Yahoo, MySpace, etc.

So as an advertiser you have to realize just one method isn’t going to get you where you want to go.

But all that said, trade magazines, trade shows and direct mail marketing were rated the top three methods in effectiveness.

The highest-rated online method was actually email. Next was search. For branding, search engines didn’t rank so highly. No. 5 for branding was general print magazines and newspapers.

The trends look pretty clear that it’s somewhat of a race between TV and print. Print and TV and radio are losing the most share right now. They still get the largest share, but in terms of growth rates they are slowing the most.

But in the coming years I think TV and radio will be the hardest hit. They all will survive, but online will become more of an equal partner.

Hackett drops out of race

Iraq war veteran Paul Hackett, a Bush administration critic who had been recruited by top Democrats to run for U.S. Senate, said Tuesday he was dropping his campaign and declared his political career over.

Hackett said he was pressured by party leaders to drop out of the Senate primary and run for the House against Republican Rep. Jean Schmidt instead.

National Democratic leaders, especially Sen. Charles Schumer, added to that pressure by telling his top fundraisers to stop sending money, Hackett said.

"For me, this is a second betrayal," Hackett told The New York Times. "First, my government misused and mismanaged the military in Iraq, and now my own party is afraid to support candidates like me."

The deadline for candidates to file for the May 2 primary is Thursday.

Hackett, a Cincinnati attorney and Marine Reservist, captured national attention last summer by blasting Bush's war policies, raising huge sums on the Internet and capturing 48 percent of the vote in one of the country's most conservative House districts. Republican Jean Schmidt won the special election in a tight race.

Moonbeam VOD

MovieBeam, a service being introduced in 29 major markets today. The service was originally developed and tested in three cities in 2004 by the Walt Disney Company. Disney has brought in new investors and streamlined the service's pricing to offer it on a broader scale.

MovieBeam is built around a technology that broadcasts movies slowly over unused portions of the television signals to set-top boxes that store them on a hard disk. Users will have a choice of 100 movies — mainly those that have been recently released on DVD's — with 10 new titles replacing old ones each week.

Consumers will buy the MovieBeam box for $250 from electronics stores. They can send for a $50 rebate, but must also pay a $30 activation fee, making the effective upfront cost $230. The service does not charge a monthly fee, but movies cost $3.99 each for current titles and $1.99 for older ones. (The company will also offer some movies in a high-definition format for an additional $1.) The customers will be able to watch the movie for a 24-hour period.

The service was meant to appeal to the 30 million people who rent at least four movies a month. Four-fifths of those rentals, he said, are releases of the sort that will be in the MovieBeam service.

The major studios have agreed to provide movies to the service, except ,Sony, with which negotiations are continuing. Disney's studios will make movies available on the service on the same day they are released on DVD. The other studios will make them available several weeks later when they are released to video-on-demand services offered by cable systems and Internet rental services like Movielink.

As with other video-on-demand services, most of the rental fee is paid to the studios. Still, studios have been wary about the expansion of video-on-demand services because they could eat into DVD sales, the most-profitable form of movie distribution.

MovieBeam's broadcast system, the cost of delivering a movie was negligible. In contrast, industry executives say sending a movie over the Internet typically costs 50 to 75 cents for a transmission

 

 

 

February 13, 2006

NBC Buried Deeper

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Written by Joyce L Chow & William Hoehne February 14,2006

MBN

www.montebubbles.com for more MBN news

Got a news tip: tips@montebubbles.net

 

BREAKING NEWS: MBN to be on the air this week with our first broadcast.

 

NBC In deep Do Do

NBC would be happy just to have the team they spent so many hours promoting. By the second day of the Olympics their biggest star was gone, their biggest mouth was muted and there were still nearly 400 hours of television time left to be filled.

Hour after hour of material on the air so far with litlle or no excitement for America unless you count the working on pure guts performance by the Chinese pair silver metal winners.

Michelle Kwan left us tearfully with an injury, then rejected NBC's pleas to stay on as a commentator. Bode Miller finished failed in the downhill, and Apolo Anton Ohno fell over his own hand. Miller and Ohno will have more chances, while the 17-year-old sister of 2002 gold medalist Sarah Hughes will fly to Italy to take Kwan's place. Some good lineage can't hurt, but there was a reason Emily Hughes wasn't brought to the games in the first place.

Outside of dressing Chad Hedrick in a Elvis suit and teaching him a quick two step though, options were limited.

Things got worse Monday when America's gold medal hope in the women's downhill, Lindsey Kildow, crashed horribly at high speed and had to be airlifted to a hospital. Later in the day, American luger Samantha Retrosi suffered a concussion and short-term memory loss when she crashed on the ice.

Hedrick may turn into the star that saves this team. He won the first gold for the United States in speedskating, will be favored in two other races and has a chance to medal in yet two more.

 

 

Four Marines die today

 

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Written by Joyce L Chow & William Hoehne February 13,2006

MBN

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Advertising to College students

NBC Winter Olympics

Fox lining up programing

Oscar® Countdown 2006

Playboy To Publish Women Of MySpace

To Publish Women Of MySpace

DOD Identifies Marine Casualties

Youngest and Oldest athletics

Medal Count

 

College students

According to the results of a recent survey conducted by Roper Public Affairs and Media for the InFocus Corporation, traditional methods of advertising are lost on today’s average 18-24 year old because of (DVRs) and the Internet.

Candace Petersen, Vice President and General Manager, The University Network, said “(The) results confirm TUN’s success in engaging campus viewers… who don’t consume as much traditional media sources as previous generation.”

The University Network, in over 125 of the largest U.S. university in student unions and recreation centers, conducted the study to measure student engagement and advertising recall. Some of the key findings revealed:

Seventy-eight percent of the students recalled one or more of the TUN-placed ads

26-59 percent of the students who saw the ads claimed the only recent TV advertising they saw for a given ad was from TUN.

Nearly four out of ten ad aware students found the advertising for specific brands on TUN more effective than on regular television, vs. only one in six who said less effective.

If interested in purchasing a product, more than twice as many students chose TUN over campus newspapers as having the greatest impact on their purchasing decision.

One-third of the ad aware students were more likely to purchase a specific brand after seeing an ad on TUN.

NBC not fooling the viewers

There are few stories to tell so far: U.S. skier Bode Miller came up empty in the downhill event and U.S. figure skater Michelle Kwan bowed out because of an injury--more or less the same one that kept her out of last month's U.S. Championships. As far as the TV controversy was concerned, Miller wasn't holding a can of Miller Beer at the top of the mountain; Kwan wasn't found hissing other skaters.

NBC doesn't count on such drama--that's only a bonus. Advertisers also take the conservative approach. That said, NBC's marksmanship on ratings guarantees has been pretty much on the money so far. It promised between a 12 and 14 prime-time household rating. On Friday, the opening ceremonies, NBC pulledi n a 12.8 rating / 21 share.

No. These aren't the big numbers of the last Winter Olympics in 2002 in Salt Lake City. But how could they be? First off, those games were in the U.S., viewed in easily watchable time zones, which gave the ratings a boost. In addition, the U.S. was only a few months removed from 9/11. All eyes focused back then on something dramatic or, perhaps, tragic to happen. Neither occurred. Ratings still soared for the 2002 first-night ceremonies to a 25.5 household rating/42 share.

For NBC, that's the good news. Now comes the bad.

These Olympics are up against some competition--major original episodes from the likes of "American Idol," "Desperate Housewives," big-rated network heavyweight shows. Considering the lower urgency of watching these games, since most of the coverage will be on a taped delay basis thanks to the European time zone differences, NBC could be in for a tough bobsled ride over the last two weeks of February.

NBC will take heart in the fact it pulled in a still-strong 6.6 rating/19 share in adults 18-49 on that first night, strong numbers that are always welcomed in this ratings-challenged world. NBC will at least make a dent in the February sweep, as well as look to boost its still struggling prime-time lineup with scores of promos spots for its shows.

Either way, it's all downhill from here.

Fox Television stations have begun to outline its plans to replace

UPN station programming with its own nationally distributed shows, most likely from syndication unit Twentieth Television and other outside producers.

The Fox Station Group’s UPN affiliation in Chicago, Los Angeles, New York and Washington will be lost as a result of the Viacom weblet’s merger with Time Warner's WB to form CW. 'No sense' to sign with CW


Station Group President Jack Abernethy sent a memo Feb. 8, obtained by Advertising Age, to station general managers. Mr. Abernethy wrote: “It makes no sense for our four UPN stations to sign with the CW. Handing over 30 hours of valuable time, receiving little inventory to sell and being asked to pay compensation, makes no sense for our TV stations. This would ensure continuing losses, less growth opportunities and continue station brand confusion in this competitive media landscape.”

Station Group President Jack Abernethy sent a memo Feb. 8, obtained by , to station general managers. Mr. Abernethy wrote: “It makes no sense for our four UPN stations to sign with the CW. Handing over 30 hours of valuable time, receiving little inventory to sell and being asked to pay compensation, makes no sense for our TV stations. This would ensure continuing losses, less growth opportunities and continue station brand confusion in this competitive media landscape.”

Mr. Abernethy said News Corp. would firm up its plans over the next few weeks. His intention seems to be to draw shows from syndication companies to produce first-run series during broadcast's prime time.

“We will be providing an alternative national program service this fall which will be more flexible, offer better marketing and branding opportunities and be more station friendly.” He said the company is "looking at production models and show concepts that are consistent with the digital challenges we face. Rather than the $2 million an episode model which hasn’t worked after ten years.”

Telenovela 'Desire'


A spokesman for the Syndicated Network Television Association said the group did not have a comment until it had digested the news. Twentieth Television's upcoming English-language "telenovela" (or soap opera) "Desire" is under consideration, according to one executive close to the company. Local Fox stations will get some time to sell, as they usually do, but the ad sales into syndicated shows will be handled by the companies behind them.

A spokesman for the Syndicated Network Television Association said the group did not have a comment until it had digested the news. Twentieth Television's upcoming English-language "telenovela" (or soap opera) "Desire" is under consideration, according to one executive close to the company. Local Fox stations will get some time to sell, as they usually do, but the ad sales into syndicated shows will be handled by the companies behind them.

Twentieth Television executives had no comment.

Separately, media buyers said they are interested to hear about programming plans for the CW at the network development meetings, which begin March 13. CBS Corp. and Time Warner each own half of the CW.

Oscar® Countdown 2006 Co-Hosts Are Named

Beverly Hills, CA — Billy Bush, Chris Connelly, Cynthia Garrett and Vanessa Minnillo have been set to co-host the Academy's hour-long red carpet arrivals show "Oscar Countdown 2006" preceding the 78th Academy Awards® on Sunday, March 5. This is the seventh Oscar Night® association for Connelly, the third for Bush, and the first for Garrett and Minnillo. Each correspondent will be trying to capture the thoughts,

nervousness and excitement of the nominees as they proceed down the red carpet to what may be one of the most exciting nights of their lives.

Bush is co-anchor of "Access Hollywood." He joined the program in December 2001 as the east coast correspondent and became the co-anchor in June of 2004.

Connelly is a correspondent for ESPN and a contributing correspondent for "20/20." Prior to ESPN, he was an on-air correspondent and editorial director of MTV News.

Garrett was most recently seen as co-host of "Life & Style" and can be seen regularly on HBO. Prior to joining "Life & Style," she spent four years with VH1, where she began her on camera career.

Minnillo is a recent addition to the Entertainment Tonight family as a New York-based correspondent. She also serves as a co-host for MTV's "Total Request Live" and has hosted several MTV specials.

The pre-show will be produced by Dennis Doty and executive produced by Gil Cates. It will air at 4 p.m. PST/ 7 p.m. EST and will segue directly into the 78th Academy Awards presentation at 5 p.m.

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABCTelevision Network beginning at 5 p.m. PST

Playboy To Publish Women Of MySpace

To Publish Women Of MySpace

The magazine's Web site, Playboy.com, is tapping into the Internet for a "Girls of MySpace" photo spread, featuring women from the social and blogging site.

Playboy.com Editor John Thomas , "MySpace is a very hot piece of pop culture," he said. "Be it Enron, or Starbucks, or 7-11, or whatever--what they've always done is focus on cultural flashpoints."

The upcoming Playboy.com spread could now pose additional challenges for the site, . "Because MySpace is so popular with teens, you might have a higher degree of sensitivity."

MySpace is not participating in the pictorial, but Playboy.com has established its own MySpace page, which is promoting the search for women to pose; Playboy.com also has purchased ad space on MySpace.

Thomas said that the response thus far has been good. "This ranks up there with the best searches we've done," he said. "We'll probably shoot more than we usually do. We've been overwhelmed with the number and quality of submissions that we've gotten." He estimated that the site could have up to 30 different young women in the feature.

According to some industry-watchers, the question of sexual predators on a site is a major impediment to ad dollars. "'How do you intend to deal with sexual predators?' wrote entrepreneur Robert Young, on the media blog GigaOm.com. "Put simply, if that question is on the table, you can pretty much kiss major ad buys goodbye; and even if you're lucky enough to persuade a few of them with a well-thought-out containment plan, good luck securing high ad rates."

In a comments section of Young's blog entry, Shawn Gold, senior vice president of marketing for MySpace, said that the site was devoting significant resources to combating the problem of Internet predators. "We have been innovating in the area of child safety since the inception of the company," he wrote. "As most of the news has pointed out, we have 1/3 of our staff working on these issues

DoD Identifies Marine Casualties

The Department of Defense announced today the death of two Marines who were supporting Operation Iraqi Freedom. Pfc. Javier Chavez Jr., 19, of Cutler, Calif., died Feb. 9 from wounds received as a result of an improvised explosive device while conducting combat operations near Fallujah, Iraq. Cpl. Ross A. Smith, 21, of Wyoming, Mich., died Feb. 9 from an improvised explosive device while conducting combat operations against enemy forces near Fallujah, Iraq. Both Marines were assigned to the 3rd Battalion, 5th Marine Regiment, 1st Marine Division, I Marine Expeditionary Force, Camp Pendleton, Calif. During OIF their unit is attached to 2nd Marine Division, II Marine Expeditionary Force (Forward).

Youngest and Oldest

13 February 2006

First record broken at the 2006 Olympic Winter Games in Turin: the age of the oldest competitor has risen from 53 to 54. Scott Baird, a member of the US curling team at the Turin Games, has dethroned James Coates. Coates took part in the skeleton competitions at the St Moritz Games in 1948 when he was 53.

Beating her own record

The oldest woman is still Anne Abernathy, also American, who already held the women’s record in Salt Lake City, aged 48. Today she is competing in the Games at the age of 52.

Youngest female athlete a snowboarder

The youngest female competitor at the Turin Games is a snowboarder: China’s Sun Zhifeng aged 14, ranked 103rd in the world. Her objective is clear: she is in Turin to learn. Although very young, she has not beaten the absolute record for youngest athlete at the Winter Games, which is held by Britain’s Cecilia Colledge, who skated at the Lace Placid Games in 1932 at just 11 years old. Youngest male athlete Italian


The youngest male athlete is Italian: snowboarder Manuel Pietropoli is only just 15. He was preceded by Jan Hoffmann (Germany), who took part in the 1988 Calgary Games in figure skating. This would not be possible today owing to the age limit fixed in all the sports by the federations concerned.

The youngest male athlete is Italian: snowboarder Manuel Pietropoli is only just 15. He was preceded by Jan Hoffmann (Germany), who took part in the 1988 Calgary Games in figure skating. This would not be possible today owing to the age limit fixed in all the sports by the federations concerned.

Medal Count

Norway One Gold Three Silver Four Bronze

Russia Three Gold Three Silver One Bronze

United States Four Gold Two Silver

Germany Two Gold One Silver

Netherlands One Gold Two Silver

South Korea One Gold One Silver One Silver

Italy One Gold Two Bronze

China One Silver Two Bronze

France One Gold One Bronze

Canada One Gold One Bronze

Austria Two Silver

Finland One Silver One Bronze

Estonia One Gold

Czech Republic One Silver

Latvia One Bronze

Switzerland One Bronze

February 12, 2006

Torino Winter Olympics - Michelle Kwan Withdraws

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Written by Joyce L Chow & William Hoehne February 12,2006

MBN

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Got a news tip: tips@montebubbles.net

 

Breaking News

Michelle Kwan withdraws from 2006 Torino Winter Olympic Games.  Fives hours from now at 5:30 am Eastern Standard Time, Michelle Kwan will have statements for the media on MSNBC.

AT&T

Kwan out

AT&T Pebble Beach Winner

Medal Count

 

Weir, tied for the lead with Oberholser at the start of the day, was five shots behind after three holes. He went out of bounds at the par-5 second to make double bogey, then hit over the green at No. 3 to drop another shot.

Oberholser built his lead to six shots with six holes, then began to limp home.

He took bogey from the fairway bunker on the 13th, and was made another bogey on the par-5 14th when he hit under a tree and had to punch out into the fairway. Then came the tee shot on the 15th, even farther to the right.

"Hits the path not once, but twice"

Weir stumbled to a 78, his worst score in the final round with a share of the lead since he shot 80 in the 1999 PGA Championship at Medinah

Oberholser made a safe bogey on the par-3 17th and closed with a two-putt par to finish at 17-under 271, five shots ahead of Rory Sabbatini (72), who was never within four shots of the lead all day. Weir and Jonathan Byrd (69) were another stroke behind.

Oberholser won in his 76th start on the PGA Tour, and became the first player since Matt Gogel in 2002 to make the AT&T Pebble Beach National Pro-Am his first tour win.

Kwan Withdraws

Dressed in black Michelle Kwan flashed none of the spark and charisma the world has come to admire. Her smile did little to hide her misery.

No one owned the spotlight at these games like Kwan -- even if she was here only four days. She was heavily promoted on television previews by NBC and in ads for several major sponsors.

According to sources she looked sharp during a Jan. 27 monitoring session that solidified her spot on the team, doing back-to-back run-throughs of her long and short programs. She also was examined several times by doctors, who said the injury had healed.

She took the ice but didn't look quite like herself. She didn't do her first jump, a smooth triple toe loop, until almost 14 minutes into the workout. When she tried a triple flip, she landed on two feet and according to her felt a pull in her right groin muscle

She tried the jump again and crashed hard, sprawling on the ice.

End of Olympics for her.

Medal Count

Norway Two Gold Three Silver Three Bronze

United States Two Gold One Silver

Netherlands One Gold Two Silver

Russia One Gold One Silver One Bronze

Italy One Gold Two Bronze

Germany Two Gold

South Korea One Gold One Silver

France One Gold One Bronze

Canada One Gold One Bronze

Austria Two Silver

Findland One Silver One Bronze

Estonia

Czech Republic One Silver

Latvia One Bronze

China One Bronze

Switzerland One Bronze

 

February 11, 2006

Entertainment

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Written by Joyce L Chow & William Hoehne February 11,2006

MBN

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Got a news tip: tips@montebubbles.net

 

BREAKING NEWS: KWAN PULLS OUT. MORE ON SUNDAY

Starbucks:Becoming a digital network

Editorial:Did Kwan even mean to skate?

Starbucks

Olympic Medal Count

AT&T Leaderboard

Americans in sixth after short program

 

Starbucks Digital Network


In its attempts to extend the brand beyond its four walls into entertainment and the community called “the Starbucks effect,” the company has the largest Wi-Fi footprint of Internet hotspots, but it has yet to adequately leverage the service. Hopes to soon use that footprint to tap into the digital downloading craze by providing content for consumers.

Wi-Fi gives Starbucks a "unique proprietary competitive advantage.” “They understand the cultural relevancy of digital fill-up. I can’t say when, but it’s in our future.” He wouldn't provide many specifics but said the company may partner with entertainment or Internet providers to create a proprietary network. “Starbucks is a network, five years ago Starbucks couldn’t get record companies to return calls but now the coffee chain is “bombarded” with offers ever day.”

 

Olympic picture of day

 

 

 

 

 

 

 Credit: ©Kodak/Rolf Kosecki, Sportbildagenture

 

Was there ever any intention for Kwan to skate ?

She looked tired, she said she was stiff. She appeared to lack confidence, she admitted as much. She said she had no regrets about the controversial, circuitous way she made the Olympic team, but she didn't rule out dropping out, either.

Anyone with any knowledge of the sport knows that if she is in this kind of shape today then she was worst off during her appearance before the judges.

Did the Judges ignore what they saw or was something else behind her being granted a final Olympic appearance other then reputation?

Could the fact she was featured in NBC promo’s and ads sold based on her being at the games have anything to do with her being there?

People like to believe in the last pure sporting event left but if catering to sponsors can get you into the games what else might the sponsors might be given to keep them happy

 

Medal Count     

Norway                 Two Gold       Two Silver 

Germany              Two Silver

United States        One Gold

Canada                One Gold

Netherlands          One Silver

Austria                 One Silver     

Italy                    One Bronze       

France                 One Bronze       

AT&T Leaderboard

Despite a breeze that came in from the ocean, the biggest breath of wind on the Monterey Peninsula Saturday was the sigh of relief exhaled by Mike Weir after his round at Spyglass Hill.

Weir, who has struggled at the course, shot a 3-under-par 69 to tie Arron Oberholser for the third-round lead at the $5.4 million AT&T Pebble Beach National Pro-Am.

Both golfers are at 17-under 199 and lead Luke Donald by six strokes.

There are three golf courses used in the first three days of the tournament, that has amateurs and celebrities paired with professionals. Weir shot 63 at Pebble Beach and a 67 at Poppy Hills and had a three-stroke lead entering the third round.

PosNameThruTotal
(+/- par)
T1 Oberholser F -17
T1 Mike WeirF -17
3 Luke DonaldF -11
T4 Nick WatneyF -10
T4 Brian DavisF -10
T4 Rory Sabbatini F -10
T4 Harrison FrazreF-10
T8 Tom ClarkF -9
T8 Daniel Chopra F -9
T8 MMark WilsonF -9

 

Americans in trouble in Pairs skating

Americans Rena Inoue and John Baldwin are almost out of metal range after placing sixth following the short program in pairs figure skating on Saturday.

Inoue and Baldwin posted a career-best score of 61.27 after landing the first throw triple axel in Olympic history. The duo had become the first team in history to accomplish the maneuver at the 2006 U.S. Championships last month in St. Louis.

Russians Tatiana Totmianina and Maxim Marinin, the 2005 World Champions, received a score of 68.64 to lead after the short program.

Since 1964, Russian skaters have dominated the event, claiming 11 consecutive gold medals.

The Chinese duo of Dan Zhang and Hao Zhang was second (64.72), followed by Russians Maria Petrova and Alexei Tikhonov (64.27), who earned silver at the World Championships last year.

"Americans Marcy Hinzmann and Aaron Parchem were 13th (49.58).

Parchem fell on the side-by-side triple toes, but it was the duo's only major mistake.

February 10, 2006

Olympics Open

 

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Written by Joyce L Chow & William Hoehne February 10,2006

MBN

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Olympics Open

Breaking News

 For the first time, eight women carried the Olympic flag: Italian actress Sophia Loren, Chilean writer Isabel Allende, American actress Susan Sarandon, Nobel Peace-prize winner Wangari Maathai of Kenya, and three Olympic medal winners. They were Nawal El Moutawakel of Morocco, Manuela Di Centa of Italy, and Maria Mutola of Mozambique. The eighth was Cambodian human rights activist Somaly Mam.

BRIAN WILLIAMS OF NBC MAKES INSULTING AND SELF RIGHTEOUS SMEAR OF OLYMPIC ATHLETICS

U.S. OLYMPIC WINTER GAMES AMERICAN TEAM FLAG BEARERS

Monte Bubblism

AT&T leaders

BACK TO THE FUTURE:TIME FOR MBN?

EDITORIAL:Opening Ceremony

 

Brian Williams

During coverage of the  opening ceremonies while the athletics walking into the stadium Mr. Williams showing his world renown knowledge of sports pronounced all but a few of the athletics there as losers.

That they had no realistic chance of winning a metal and that they were there to test themselves against the best and that their only moment was during the parade of nations.

For the information of this learned sports expert any athletic can be beaten or win on any given day.

They are there to walk away with a metal for themselves and their country Mr Williams. 

 

 

 

20 Olympics of American Flag Bearers1924 Clarence John Abel (Ice Hockey)

1928 Godfrey Dewey (President, Lake Placid Organizing Committee)

1932 William Mead Fiske III (Bobsled)

1936 Rolf B. Monsen (Nordic Skiing)

1948 John R. Heaton (Bobsled)

1952 James John Bickford (Bobsled)

1956 James John Bickford (Bobsled)

1960 Donald J. McDermott (Speedskating)

1964 William D. Disney (Speedskating)

1968 Richard T. McDermott (Speedskating)

1972 Dianne Holum (Speedskating)

1976 Cynthia Nelson (Alpine Skiing)

1980 Scott Hamilton (Figure Skating)

1984 Frank Masley (Luge)

1988 Lyle Nelson (Biathlon)

1992 Bill Koch (Nordic Skiing)

1994 Cammy Myler (Luge)

1998 Eric Flaim (Short Track Speedskating)

2002 Amy Peterson (Short Track Speedskating)

2006 Chris Witty  (Speed skating)

 

Monte Bubblism

It is said you can never go home again but it sure worth the try.

 

AT&T leaderboard

 

PosNameThruTotal
(+/- par)
1 Mike WeirF -14
2 Arron OberholserF -11
T3 Jonathan ByrdF -10
T3 Luke DonaldF -10
T3 Fedrik JacobsonF -10
T6 Mark WilsonF -8
T6 Nick WatneyF -8
T6 Greg ChlamersF -8
T6 Davis Love IIIF -8
T6 Michael AllenF -8

 

BACK TO THE FUTURE

For Many Fox-owned stations and other UPN and WB affiliates, it's like Michael J. Fox in "Back to the future."

Fox wants to start a new national program service focusing on daily Monday to Friday strip programming rather than use pricey up to $2 million an episode weekly dramas and expensive sitcoms.

The message sent is this: It's 1986 all over again,thats when  the new Fox network began.

The back-to-syndication movement was what every TV executive was mumbling while on the NATPE floor in Las Vegas when the news broke in late January that UPN and WB would go away, to be replaced by a new jointly owned CBS/Time Warner network, The CW.

Handing over 30 hours of valuable time, receiving little inventory to sell and being asked to pay comp makes no sense . They are looking at production models and show concepts that are consistent with the digital challenges we face, rather than the $2 million an episode model which hasn't worked after 10 years"

For the most part, this is how Fox-owned UPN affiliates in New York, Los Angeles, Chicago and Washington, have lived under UPN network rule. If it wasn't good before, why didn't Fox do something about it then?

The history of News Corp. is that of a bully,but you have to feel a little sorry for stations left out in the rain including Fox outlets, in having the rug suddenly pulled out from under them. It seemed a little unfair to ask stations with only an eight-and-a-half month lead time to put together a brand new prime-time programming lineup from scratch.

Quick medicine will come from programming time-slot filling Monday through Friday or strip programming.

We need to see if, as in 1986, when News Corp. revolutionized the concept of a new type of broadcast network, the company can morph another TV programming business in the age of the iPod, TiVo and mobile phones. If so will the FCC allow it.

 

EDITORIAL:What the hell was that!!!

Fiery skaters, alps horns,  waltzers , women in lumpy outfits that we are told represents the ALPs and protocol segments.

Those words more important then any other describe the opening, we are told.

I remember watching the late great Milton Berle when television was an infant telling the audience that if you have to explain what you did it was really bad.

Really bad is how to explain the opening ceremonies of the games. Not just this games but each preceding ceremony seems to try and to outdo the last in gregarious and overblown content.

The planners of these monstrous events have never heard that less is better.

By now it has became quite obvious that those that create the opening ceremonies must have went to the same schools at those that each year try and make each Tony award and Grammy award event worst then the last.

You have to feel sorry for all those that work their hearts out in the ceremonies and have but one thought when finished. "WHAT THE HELL WAS THAT!!!"

 

 

February 09, 2006

Let the Games Begin

 

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Written by Joyce L Chow & William Hoehne February 9,2006

MBN

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Got a news tip: tips@montebubbles.net

Olympic Games open Feb 10

PROUDLY ANNOUNCING COVERING THE AT&T AT PEBBLE BEACH

Games open Feb 10

Monte Bubblism about the Grammies low ratings

On 10 February, as the world celebrates the XX Olympic Winter Games, www.olympic.org will launch the “virtual village” with facts, figures, interviews, background information on the Torino 2006 Olympic Winter Games and much more.

On the evening of 9 February 2006, IOC President Jacques Rogge attended the opening ceremony for the Visa Olympians Reunion Center at the Armida Rowing Club in Valentino Park on the River Po. Located a short distance from the Olympic Medals Plaza, the Center offers Olympians a place to socialise while enjoying the Olympic events through live television feeds.

A Strong Tradition

Visa founded the Visa Olympians Reunion Center at the 1996 Olympic Games. At each Olympic Games since then, the Center has been operated by the World Olympians Association (WOA), the host Olympic alumni association, and Visa. Visa sponsors the Center to thank all Olympians for their undaunted spirit, their devotion to teamwork, and their dedication to the Olympic ideals.

Visa Supports Olympic Athletes

Visa has provided more than US$100 million worldwide in direct support to Olympic athletes through their Olympic organisations since the company became a Worldwide Olympic Partner more than 20 years ago. Visa is committed to supporting numerous Olympic teams as well as individual athletes for the Olympic Winter Games.

An Olympian Expresses Gratitude

IOC President Jacques Rogge said, “We are all grateful that Visa provides us with an exciting place to gather at the Olympic Games. Our partners at Visa have said that the Olympians Reunion Center is Visa’s way of recognising the Olympians’ spirit and devotion to the Olympic ideals. As an Olympian, I would like to express my appreciation for Visa’s dedication to the Olympic athletes.”

 

PGA's AT&T Pebble Beach Celebrity Tournament Pleases Crowdpebble beach

 

The AT&T Pebble Beach National Pro-am Golf 3M Celebrity Challenge couldn't have been better.  The weather was perfect with sunny 81 degree weather and the clear-blue Pacific Ocean made a picturesque backdrop. 

timberlake

Celebrities including Bill Murray, George Lopez, Ray Romano, Justin Timberlake (AT RIGHT), Samuel Jackson, Michael Bolton, Andy Garcia, and Kenny G put on a great show.  Murray as usual teased the crowd as well as ended the celebrity challenge with an amazing eagle on hole #18 from the fairway.  Nine thousand five hundred dollars will go to both Bill Murray's favorite charity, Josephine Kernes Memorial Pool, and Andy Garcia's, The First Tee of Monterey County.

George Lopez was having fun grabbing the announcer's microphone and shouting in Spanish to spectators watching from rooftops.  Girls were screaming for Justin Timberlake who with teammate, Michael Bolton won
the third hole.  Each won $5,000 to their favorite charity, Justin Timberlake Foundation and Michael Bolton Charities, respectively.  Justin commented that he "was thinking of starting his own golf tournament with loud music playing the whole time" because he was used to performing in front of loud music.


Official tournament play begins tomorrow with celebrities paired with professional golf players over three courses, Pebble Beach, Spyglass, and Poppy Hills.  The weather forecast for the rest of the week is sunny and warm so if you want to watch great golf with some of your favorite celebrities on the most picturesque venue, you won't regret going to the AT&T in Monterey.

By Cindy Quan
Photos: Russell Chow

 
PGA’s AT & T Pebble Beach National Pro-Am
 

Breathtaking views and picture perfect days like this week, remind players of the joy of golf.  Add in celebrities from the world of entertainment with the best players of golf in the world for three or four days, and you’ve got a magical experience.  

“It’s the Masters of the pro-am circuit,” says Huey Lewis of the music group Huey Lewis and the News.  He speaks from experience making the cut four times after coming there for nearly 20 years.

Justin Timberlake of music group ‘N Sync admits, “I’ve played in sold out stadiums before half a million people, but this makes me nervous.”  Justin is paired with fellow musician Michael Bolton,

Ask any celebrity who has a played a few of these at Pebble Beach and they’ll tell you how many cuts they’ve made over the years.  Dennis Quaid’s a 2 handicap, Samuel Jackson a 7 handicap, Kenny G. a scratch golfer, Andy Garcia an 11 handicap, whose lone cut made in 

Bill Murray is Bill Murray.  The lovable, huggable, put-one-foot-in-front-of-another, and one of the more well known celebrities associated with golf.  Don’t let that fool you, he can be serious about golf, making the cut 3 times or the time when he was near the top of the leaderboard and the tournament was shortenend. 

Clint Eastwood, unfortunately was not with us, with his mother’s passing this past weekend.  We miss you.   The elected mayor of quaint Carmel in 1986, Clint is also a restauranteer and the owner of Pebble Beach Golf Links. 

Meanwhile on the pro front, Luke Donald took a one shot lead over Mike Weir when he holed out for eagle from 96 yards.  Shooting a 10 under at Spyglass, traditionally the toughest among the three Pebble Beach courses, is quite an accomplishment by anyone’s standards.  Phil Mickelson, the defending champion from year, is currently tied for 10th.

With the forecast of picture perfect weather and greens and record crowds predicted, we’ll see how well everyone performs under the heat.  This may be one for the record books.

By Joyce Chow 

 First day scores AT&T

 

 Luke DonaldF -10
2 Mike WeirF -9
T3 Michael AllenF -7
T3 Arron OberholserF -7
T3 Nick WatneyF -7
T6 Brian DavisF -6
T6 Darron StilesF -6
T6 Tim ClarkF -6
T6 Greg ChalmersF -6
T10 Mark BrooksF -5

 

Monte Bubblism on the Grammies.

The audience you seek watches little television so why not go after those that do.

Spiderman 3 - Oscar Nominee Thomas Haden Church to Play Flint Marko

 By Joyce Chow
Oscar® Nominee Thomas Haden Church to play Flint Marko. Latest Adventure set to debut worldwide on May 4, 2007
Thomas Haden Church, who was most recently nominated for an Academy Award for Best Supporting Actor in Sideways, will portray Flint Marko in the next chapter of the Spider-Man® adventure. Spider-Man® 3, which is scheduled for release on May 4, 2007, will reunite the successful team that was responsible for the first two blockbuster films. The franchise has grossed more than $1.5 billion in worldwide ticket sales and the new film will again re-team actors Tobey Maguire as Peter Parker/Spider-Man and Kirsten Dunst as M.J with director Raimi and producers Ziskin and Avi Arad.

"In addition to the on-going relationship between Peter Parker and M.J., these films are driven by the great actors who have brought our villains to life," said Raimi.

Since his star-making role in Sideways, Church has been in demand. The actor is voicing one of the characters in the upcoming animated film Charlotte's Web, and he recently appeared in Columbia Pictures' Spanglish. Church previously appeared in such other films as George of the Jungle, 330 Miles to Graceland, and Tombstone. In 2003, he also starred in, co-wrote and directed the comedy Rolling Kansas. From 1990 to 1995, Church played Lowell Mather in the TV series "Wings."

February 08, 2006

Grammys

 

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Written by Joyce L Chow & William Hoehne February 8,2006

MBN

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Grammy Award winners

February 08 2006 XX Olympic Games

2006 GRAMMY Celebration

 

Grammy Award winners

Album of the Year: "How to Dismantle an Atomic Bomb," U2.

Record of the Year: "Boulevard of Broken Dreams," Green Day.

New Artist: John Legend

Male R&B Vocal Performance: "Ordinary People," John Legend.

Pop Vocal Album: "Breakaway," Kelly Clarkson

Rap/Sung Collaboration: "Numb/Encore," Jay-Z featuring Linkin Park.

Song of the Year: "Sometimes You Can't Make It on Your Own," U2.

Female Pop Vocal Performance: "Since U Been Gone," Kelly Clarkson.

Country Album: "Lonely Runs Both Ways," Alison Krauss and Union Station.

Rap Album: "Late Registration," Kanye West.

Rock Album: "How to Dismantle an Atomic Bomb," U2.

Rap Solo Performance: "Gold Digger," Kanye West.

Rap Performance by a Duo or Group: "Don't Phunk With My Heart," The Black Eyed Peas.

Rap Song: "Diamonds From Sierra Leone," D. Harris and Kanye West.

Solo Rock Vocal Performance: "Devils & Dust,. Bruce Springsteen

Rock Performance by a Duo or Group With Vocal: "Sometimes You Can't Make It on Your Own," U2.

Hard Rock Performance: "B.Y.O.B.," System of a Down.

Metal Performance: "Before I Forget," Slipknot.

Rock Instrumental Performance: "69 Freedom Special," Les Paul and Friends.

Rock Song: "City of Blinding Lights, U2, (U2).

Alternative Music Album: "Get Behind Me Satan," The White Stripes.

Female R&B Vocal Performance: "We Belong Together," Mariah Carey

R&B Performance by a Duo or Group With Vocals: "So Amazing," Beyonce and Stevie Wonder

R&B Performance by a Duo or Group With Vocals: "So Amazing,"

Traditional R&B Vocal Performance: "A House Is Not a Home,"Arethea Franklin

Urban/Alternative Performance: "Welcome to Jamrock," Damian Marley.

R&B Song: "We Belong Together," J. Austin, M. Carey, J. Dupri & M. Seal, (D. Bristol, K. Edmonds, S. Johnson, P. Moten, S. Sully & B. Womack, (Mariah Carey).

R&B Album: "Get Lifted," John Legend.

Contemporary R&B Album: "The Emancipation of Mimi," Mariah Carey.

Male Pop Vocal Performance: "From the Bottom of My Heart," Stevie Wonder.

Pop Performance by a Duo or Group With Vocal: "This Love," Maroon 5.

Pop Collaboration With Vocals: "Feel Good Inc.," Gorillaz Featuring De La Soul.

Pop Instrumental Performance: "Caravan," Les Paul.

Pop Instrumental Album: "At This Time," Burt Bacharach

Traditional Pop Vocal Album: "The Art of Romance," Tony Bennett

Female Country Vocal Performance: "The Connection," Emmylou Harris

Male Country Vocal Performance: "You'll Think of Me," Keith Urban

Country Performance by a Duo or Group With Vocal: "Restless," Alison Krauss and Union Station.

Country Collaboration With Vocals: "Like We Never Loved at All," Faith Hill & Tim McGraw

Country Instrumental Performance: "Unionhouse Branch," Alison Krauss and Union Station.

Country Song: "Bless the Broken Road," Bobby Boyd, Jeff Hanna and Marcus Hummon, (Rascal Flatts).

Latin Pop Album: "Escucha," Laura Pausini

Latin Rock/Alternative Album: "Fijacion Oral Vol. 1," Shakira.

Traditional Tropical Latin Album: "Bebo De Cuba," Bebo Valdes.

Salsa/Merengue Album: "Son Del Alma," Willy Chirino.

Mexican/Mexican-American Album: "Mexico En La Piel," Luis Miguel.

Tejano Album: "Chicanisimo," Little Joe Y La Familia.

Engineered Album, Classical: "Mendelssohn: The Complete String Quartets," Da-Hong Seetoo, engineer (Emerson String Quartet).

Producer of the Year, Classical: Tim Handley.

Classical Album: "Bolcom: Songs of Innocence and of Experience," Leonard Slatkin, conductor (Christine Brewer and Joan Morris, University of Michigan School of Music Symphony Orchestra).

Orchestral Performance: "Shostakovich: Symphony No. 13," Mariss Jansons, conductor (Sergei Aleksashkin, Bavarian Radio Symphony Orchestra and Chorus).

Opera Recording: "Verdi: Falstaff," Sir Colin Davis, conductor (London Symphony Chorus, London Symphony Orchestra).

Choral Performance: "Bolcom: Songs of Innocence and of Experience," Leonard Slatkin, conductor (Christine Brewer, Measha Brueggergosman, Ilana Davidson, Nmon Ford, Linda Hohenfeld, Joan Morris, Carmen Pelton, Marietta Simpson and Thomas Young, Michigan State University Children's Choir, University of Michigan Chamber Choir, University of Michigan Orpheus Singers, University of Michigan University Choir and University Musical Society Choral Union, University of Michigan School of Music Symphony Orchestra).

Instrumental Soloist(s) Performance (with Orchestra): "Beethoven: Piano Cons. Nos. 2 & 3," Claudio Abbado, conductor; Martha Argerich (Mahler Chamber Orchestra).

Instrumental Soloist Performance (without Orchestra): "Scriabin, Medtner, Stravinsky," Evgeny Kissin.

Chamber Music Performance: "Mendelssohn: The Complete String Quartets," Emerson String Quartet.

Small Ensemble Performance: "Boulez: Le Marteau Sans Maitre, Derive 1 & 2," Pierre Boulez, conductor, Hilary Summers, Ensemble Intercontemporain.

Classical Vocal Performance: "Bach: Cantatas," Thomas Quasthoff (Rainer Kussmaul, Members of the RIAS Chamber Choir, Berlin Baroque Soloists).

Classical Contemporary Composition: "Bolcom: Songs of Innocence and of Experience," William Bolcom (Leonard Slatkin).

Classical Crossover Album: "4 plus Four," Turtle Island String Quartet and Ying Quartet.

Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media: "Ray," Ray Charles.

Score Soundtrack Album for Motion Picture, Television or Other Visual Media: "Ray," Craig Armstrong, composer.

Song Written for Motion Picture, Television or Other Visual Media: "Believe," Glen Ballard and Alan Silvestri, songwriters, from "The Polar Express."

Instrumental Composition: "Into the Light," Billy Childs, composer.

Instrumental Arrangement: "The Incredits," Gordon Goodwin, arranger (Various Artists).

Instrumental Arrangement Accompanying Vocalist(s): "What Are You Doing for the Rest of Your Life?" Billy Childs, Gil Goldstein and Heitor Pereira, arrangers (Chris Botti and Sting).

Traditional Blues Album: "80," B.B. King and Friends.

Traditional Folk Album: "Fiddler's Green," Tim O'Brien.

Contemporary Folk Album: "Fair & Square," John Prine

Native American Music Album: "Sacred Ground — A Tribute to Mother Earth," Various Artists.

Hawaiian Music Album: "Masters of Hawaiian Slack Key Guitar — Vol. 1," Various Artists.

Reggae Album: "Welcome to Jamrock," Damian Marley.

Traditional World Music Album: "In the Heart of the Moon," Ali Farka Toure and Toumani Diabate.

Contemporary World Music Album: "Eletracustico," Gilberto Gil.

Polka Album: "Shake, Rattle and Polka!" Jimmy Sturr and His Orchestra.

Musical Album for Children: "Songs From the Neighborhood — The Music of Mister Rogers," Various Artists.

Spoken Word Album for Children: " Marlo Thomas & & Friends: Thanks & Giving All Year Long," Various Artists.

Spoken Word Album: "Dreams From My Father," Sen. Barack Obama.

Comedy Album: "Never Scared," Chris Rock

Musical Show Album: "Monty Python's Spamalot."

Gospel Performance: "Pray," CeCe Winans

Rock Gospel Song: "Be Blessed," Yolanda Adams James Harris III, Terry Lewis and James Q. Wright, (Yolanda Adams).

Rock Gospel Album: "Until My Heart Caves In," Audio Adrenaline.

Pop/Contemporary Gospel Album: "Lifesong," Casting Crowns.

Southern, Country, or Bluegrass Album: "Rock of Ages ... Hymns & Faith," Amy Grant.

Contemporary Soul Gospel Album: "Purified," CeCe Winans.

Gospel Choir or Gospel Chorus: "One Voice," Gladys Knight, choir director.

New Age Album: "Silver Solstice," Paul Winter Consort.

Jazz Vocal Album: "Good Night, and Good Luck," Dianne Reeves

Jazz Instrumental Solo: "Why Was I Born?" Sonny Rollins. Jazz Instrumental Album, Individual or Group: "Beyond the Sound Barrier," Wayne Shorter Quartet.

Contemporary Jazz Album: "The Way Up," Pat Metheny Group.

Large Jazz Ensemble Album: "Overtime," Dave Holland Big Band.

Latin Jazz Album: "Listen Here!" Eddie Palmieri.

Traditional Soul Gospel Album: "Psalms, Hymns & Spiritual Songs," Donnie McClurkin.

Dance Recording: "Galvanize," The Chemical Brothers featuring Q-Tip.

Electronic/Dance Album: "Push the Button," The Chemical Brothers.

Bluegrass Album: "The Company We Keep," The Del McCoury Band.

Contemporary Blues Album: "Cost of Living," Delbert McClinton.

Producer of the Year, Non-Classical: Steve Lillywhite.

Short Form Music Video: "Control," Missy Elliott Featuring Ciara and Fat Man Scoop.

Best Long Form Music Video: "No Direction Home" Bob Dylan

Recording Package: "The Forgotten Arm," Aimee Mann and Gail Marowitz, art directors (Aimee Mann).

Boxed or Special Limited Edition Package: "The Legend," Ian Cuttler, art director (Johnny Cash).

Album Notes: "The Complete Library of Congress Recordings by Alan Lomax," John Szwed, album notes writer (Jelly Roll Morton).

Historical Album: "The Complete Library of Congress Recordings by Alan Lomax," Jeffrey Greenberg and Anna Lomax Wood, compilation producers (Jelly Roll Morton).

Engineered Album, Non-Classical: "Back Home," Alan Douglas and Mick Guzauski, engineers Eric Clapton

Remixed Recording, Non-Classical: "Superfly (Louie Vega EOL Mix)," Louie Vega, remixer (Curtis Mayfield).

Surround Sound Album: "Brothers in Arms — 20th Anniversary Edition," Chuck Ainlay, Bob Ludwig, Mark Knopfler (Dire Straits)

February 08 2006 XX Olympic Games

 Out of the 84 events and 252 medals at stake during the XX Olympic Winter Games – Torino 2006, the six International Skiing Federation (FIS) disciplines will be responsible for 38 of the events and 114 of the medals. This is two golds and a total of six medals more than four years ago in Salt Lake City, USA. Cross-Country Skiing


Since 2002, the most changes for any FIS discipline have taken place in cross-country skiing. While the total number of events has remained at 12, six for both women and men, one of the individual competitions has been replaced by a new team event: the team sprint, in which nations are represented by two-member teams. In Turin, the team sprint will use the classical skiing technique with each team member skiing a 1.5-km loop three times. Another big change within cross-country has been the continuing development of the pursuit race. In Salt Lake City, the pursuit was staged as two separate competitions on a single day, with a several-hour-long break in between and with the starting order for the second, the freestyle race, being determined by the time differences in the first one. In Turin, there will be no break but rather the skiers will switch their equipment during a “pit stop” with the clock running. As in 2002, the combined time is what counts, only now the entire race is staged as a single, mass start event. Similarly, the long distance races, 30km for women and 50km for men, are also staged as mass start races rather than using the traditional individual start method still in use in Salt Lake City.

Ski Jumping
In ski jumping, there have been three main changes since the last Olympic Games: first, the athletes are now required to have a minimum Body Mass Index (BMI) of 18.5, though the measurement takes into consideration that the athletes are wearing their jumping boots and suit. They need to fulfil minimum weight requirements to be allowed to jump with the maximum length of skis (146% of the athlete’s height). Second, to provide all athletes with more equal weather conditions, the permissible starting time, the so-called “Green Period” during which the jumper must leave the start bar, has been increased from five to ten seconds. Finally, in the team event, only the best eight teams will continue to the second round. To keep the excitement high until the end, the starting order of the last jumper group is reversed so that the representative of the leading team will perform the very last jump of the competition.

Nordic Combined
In Nordic combined, the same BMI and equipment control rules apply as for ski jumping. The only other changes include a change in the point/time equivalent in the team event, with 60 points on the jumping hill now equalling 1min on the cross-country course. To make the competitions more spectator-friendly, the course length has also been reduced from 5km to 3.75km, ensuring that the athletes pass more regularly in front of the grandstands.

Alpine Skiing
In Alpine skiing, the only critical change has been the increase in the required minimum length of the racing skis. Contrary to 2002, when the minimum length for all events was 150cm/155cm for women/men, there are now specific minimum length requirements for each event and sex in order to protect the athletes’ health and safety.

Snowboard
The additional six Olympic medals for the FIS disciplines are awarded in snowboarding where snowboard cross is now an Olympic event, in addition to half pipe and parallel giant slalom. As opposed to the races in Salt Lake City, delayed start gates will be in use in the parallel giant slalom in Turin. This means that during the second run, competitors will start based on the time differences gained in the first run and the athlete crossing the finishing line first will be the winner!

Freestyle Skiing
Last but not least, in freestyle skiing the greatest change is that inverted jumps, i.e. off-axis jumps and flips, are now allowed in the moguls competitions. Before, only upright and straight jumps were allowed. As a result, the audience in Turin will see jumps with a higher degree of difficulty and up to 720° rotations.

TORINO 2006
The Olympic Winter Games will run from 10 to 26 February 2006 in Turin. The Winter Games comprise seven different sports and 15 different disciplines, which will be played out in eight different competition sites. Around 2,500 athletes, 650 judges and umpires and one million spectators are expected to participate in this 20th edition of the Winter Games.

 2006 GRAMMY Celebration

The Recording Academy once again will partner with highly regarded event producers Along Came Mary (ACM) to produce the post-telecast GRAMMY Celebration Party, overseeing all of the event entertainment, décor, menu, and other logistics. ACM and its design and lighting team will take the vast convention space and transform it into a modernist Midsummer Night's Dream theme, complete with an eclectic mix of live exotic flora and performance art. A mainstay in the entertainment industry, ACM has masterfully orchestrated many of Hollywood's most distinguished events and has been named top caterer in the nation by numerous publications. The Recording Academy has hired ACM to co-produce the GRAMMY Celebration Party seven times, as well as both the 1st, 3rd and 5th Annual Latin GRAMMY post-parties.

The event's menu will feature more than 70 buffets with fare that includes American bistro (with roasted sirloin, onion rings, and a steakhouse chopped salad), Caribbean (Jamaican jerk chicken ceviche shooters, and cornbread-yam pudding), Asian (mirin-lacquered salmon, potstickers and spring rolls), French (lamb bourguignon, mascarpone polenta cakes, and a roasted Provencal ratatouille) and Italian (Tuscan vegetable lasagna and an assortment of antipasti). And desserts will feature ACM's signature miniatures including turtle bars, mini-banana cream pies, apple galette, winter sundaes, crispy rice pudding, and an assortment of ACM's famous cookies.

The 2006 GRAMMY Celebration Party, presented by Heineken, also will feature wines and spirits provided by Patrón Tequila, Belvedere Vodka, Pyrat Rum, Forest Glen Wines and Domaine Laurier Champagne.

This year's GRAMMY Celebration will again approach the traditional "gifting" of party guests in a whole new way. The Recording Academy has partnered once again with gifting company Distinctive Assets to create a specially designed area where guests will be able to preview luxury products such as a Privia digital piano package provided by Casio; his and her Oceanus and G-Shock watches; a nine.com gift certificate; a his and her set of Lancel luggage; free Lasik surgery from Dr. Kerry Assil; a spring purse collection from Elliott Lucca; two tickets to the PAC 10 basketball finals in March, courtesy of Dr Pepper; Hilton "Competitive Advantage" (including a bed, a hotel stay, an alarm clock and other items); a House of Blues Gold Membership; a U.S. Racing School package; Lukie jewelry; ski accessories featuring Fendi goggles, a Samora cashmere scarf and hat, a women's Escada ski jacket and a men's Napapijiri jacket; and a Verizon package including a Gateway laptop computer and an Olympus Stylus 800 digital camera and P-11 photo printer pack. These companies will be showcasing special surprises that will delight party guests while redefining the traditional party gift bag. Additionally, every guest in attendance will receive a parting gift courtesy of S Factor.

Established in 1957, the National Academy of Recording Arts & Sciences, Inc., also known as The Recording Academy, is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards, The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs — including the creation of the national public education campaign What's The Download® (www.WhatsTheDownload.com). For more information about the Academy, please visit www.grammy.com.

 

 

 

 

February 07, 2006

Entertainment

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Written by Joyce L Chow & William Hoehne February 7,2006

MBN

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Got a news tip: tips@montebubbles.net

Clint Eastwood to Present at 78th Academy Awards®

MEET THE OSCARS®

CELLPHONE Crackdown

Editorial on the war in Iraq

Bulletin: Olympic Coverage from beginning to end coming

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Clint Eastwood
to Present
at 78th Academy Awards®

eastwood

Beverly Hills, CA — Four-time Academy Award®-winning actor-director-producer Clint Eastwood will be a presenter at the 78th Academy Awards ceremony, telecast producer Gil Cates announced today.

Eastwood earned four Oscars® and an Irving G. Thalberg Memorial Award, which is awarded to a producer whose body of work consistently reflects a high quality of motion picture production. He received both Directing and Best Picture Oscars for 1992's "Unforgiven" and 2004's "Million Dollar Baby;" he also received leading actor nominations for those films. Eastwood was also nominated for Best Picture and Directing Oscars in 2003 for "Mystic River."

His next directing stint will be for "Flags of Our Fathers," which he is also producing. Eastwood's other film credits include "Space Cowboys," "Dirty Harry," "The Outlaw Josey Wales," "Every Which Way But Loose," "In the Line of Fire" and "The Bridges of Madison County."

Academy Awards for outstanding film achievements of 2005 will be presented on Sunday, March 5, 2006, at the Kodak Theatre at the Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m.

MEET THE OSCARS®

Oscar Statuettes for the 78th Academy Awards®

to be Displayed in HollywoodBeverly Hills, CA —

oscars

After a cross country flight on United Airlines' "Oscar 1," the statuettes of the 78th Academy Awards have arrived in Hollywood where they will be on display in a public exhibition, “Meet the Oscars: The 50 Golden Statuettes,” beginning on Friday, February 10 at the Hollywood & Highland Center® in Hollywood, California.

The exhibition is free and open from 10 a.m. to 10 p.m. Fridays and Saturdays and noon to 8 p.m. Sunday through Thursday on the third level of Hollywood & Highland.

Featuring 50 statuettes as well as other Academy Award-related displays, guests will have the opportunity to hold an Oscar as well as visit a gallery of photographs featuring winners from previous ceremonies. This year's limited edition, vintage commemorative posters, "Black Tuxedo," and "White Gloves," also will be available for purchase.

After the close of the exhibition on March 3, the Oscars, under heavy security, will march down the red carpet on Hollywood Boulevard to the Kodak Theatre where they will be handed out during the Awards Presentation on Sunday, March 5.

The Academy will not know how many statuettes will be awarded until the envelopes are opened on Oscar Night® because there can be ties as well as variable numbers of winners in some categories.

Weighing in at eight-and-a-half pounds, each statuette is thirteen-and-a-half inches tall and is made of gold-plated britannium, a metal alloy. Each year a new crop is handmade by R.S. Owens and Company in Chicago.

 "Meet the Oscars," will be presented by the Academy of Motion Picture Arts and Sciences, in cooperation with Hollywood & Highland Center, home of the Kodak Theatre. For more information about the exhibition, call 310-247-3600.

Academy Awards for outstanding film achievements for 2005 will be presented on March 5, 2006, at the Kodak Theatre at Hollywood & Highland Center, and televised live by the ABC Television Network beginning at 5 p.m. PST. A one-hour red carpet arrivals show will precede the telecast at 4 p.m. PST.


©A.M.P.A.S.®

 

CELLPHONE Crackdown

In a crackdown reminiscent of the campaign against nicotine addicts, a widening array of states and businesses are restricting cellphone use. There are limits not just on planes, trains and automobiles but also in restaurants, gyms, golf courses, churches, banks and post offices. Some restaurants are creating cellphone areas, akin to smoking sections, where people can talk without bothering other diners.

"As the number of cellphone subscribers grows nationwide, from 28 million in June 1995 to 202 million last month, states are accelerating efforts to address the hazards of talking while driving.

Already this year, at least 24 states have introduced legislation to restrict cellphone use.

Some bills were held over from last year, he says, but many of the initiatives are new and focus on either hand-held phones or cellphone use by young drivers.

Last year, 39 states considered some kind of restriction, and 10 passed legislation. No state bans all cellphone use in cars, although New Jersey, Connecticut, New York and the District of Columbia ban use of hand-held phones while driving. Ten other states ban any cellphone use by teen drivers who have only a permit, not a license.

"There's a reluctance to outright ban them, because kids have them, and parents want to know where they are," says Dan Walters, president of the Public Library Association. "There's a recognition that the cellphone - love it or hate it - is an aspect of contemporary life." He says many libraries ask patrons to talk in the lobby.

This device has changed the way we live for the better still many businesses say customers often speak louder on cellphones than on land lines.

Some businesses adopted restrictions, then gradually softened their approach.

With proliferation of cellphones we're seeing more people being rude on them.

You should be aware of your surroundings.

 

Editorial on the war in Iraq

The problem in Iraq is not now and never has been not enough troops in Iraq.

The Military will tell you they need more troops to control the insurgents and members of the Democratic party will tell you to remove all the troops.

In the history of mankind military force has never been able control insurgents. They simply wait you out.

They hit, they run and hide. People protect them because they feel they should be in charge of the country and not those in power and insurgents are used by them.

The more troops you have in the country the easier it is to be hit. Troops have to be set aside to protect the troops and more time is spent in the simple duties of trying to survive then can be spent in reconstruction.

Those that say reconstruction should be the role of the country itself are right.

But this can only be accomplished with support from our troops.

This is not a contradiction in terms. The government needs to know that we are there standing behind them and behind them is where we should be.

Training, supplying equipment knowledge and acting as a reserve unit to fill in the gaps if needed during emergencies.

In others words, teachers, supply personnel and a mike force.

What is a mike force? It is a mobile unit composed of a division. A division is composed of brigades.

 

Brigade/Group/Regiment
1,500-3,200 Personnel

 

1,500-3,200 PersonnelBrigade/Group/Regiment:
Three to five brigades normally compose a Division. There are currently 33 combat (Infantry and Armor/Cavalry) Brigades in the Army. During combat operations each of these Brigades have a field artillery battalion, engineer battalion and combat service support battalion in direct support. Brigades also exist in combat service and combat service support branches (e.g., Engineer Brigade, Signal Brigade).

Armored Cavalry units of this size are referred to as Regiments (Armored Cavalry Regiment). Ranger and Special Forces units are referred to as Groups.

The division would be used to fill in behind Iraq forces when under attack. The Calvary coming to the rescue.

They would only be used in this manner and none others.

It has to be understood that the security forces are to take the forefront ready or not.

It makes our forces less attractive targets and means time can be spent in reconstruction rather then defending oneself.

 

 

 


 

 

February 06, 2006

Spiderman 3 great for Monte

 

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Written by Joyce L Chow & William Hoehne February 6,2006

MBN

www.montebubbles.com for more MBN news

Got a news tip: tips@montebubbles.net

 

Spider man drives thousands to Monte.

It may take a day and a half....but MB received this for much less than
$2.5 million. Bulletin By Joyce Chow

From Palankford on the Super Bowl and Superbowl halftime show

Lingerie Bowl 3

Superbowl spots review

 

Spider man drives thousands to Monte.

Simply mentioning that we came upon a location shoot for Spider man 3 drove over 10,000 to visit www.montebubbles.com

Sony looks to have a major winner on its hand.

 

Bulletin By Joyce Chow

It may take a day and a half....but MB received this for much less than
$2.5 million. Very much less.

Within 10 minutes of the ad for Dove airing, 7,000 people logged onto the
related website, www.campaignforrealbeauty.com, said Dove marketing head
Philippe Harousseau.

www.Montebubbles.com hits more then 10,000 in the same time period.

'Magic fridge' of Bud Light ices an advertising win - Yahoo! News



 


PALANKFORD

PITTSBURGH STEELERS INVADE THE MOTOR CITY IN 21-10 VICTORY OVER THE SEATTLE SEAHAWKS
With all of the pre-game hype, you would have thought the Pittsburgh Steelers win 21-10 over the Seattle Seahawks in Superbowl XL would have been full of excitement and eye-popping advertisements. Instead it ended up being a bit bland with Ben Roethlisberger racking up a 22.6 quarterback rating (the lowest ever for a winning Superbowl quarterback) but also being the youngest ever quarterback to win at the ripe old age of 23.
The Motor City was full of Steel City fans as many of Seattle's loyal fans were unable to make the trip East nor get tickets
Possibly due to fact that Pittsburgh has always considered Detroit games to be home games because of the large number of fans able to travel to Detroit for the games. (FANS PLAYED A MAJOR ROLE IN VICTORY.)
 Pittsburgh fans had waited 26 years to add their fifth Lombardi trophy and to many it was a trip that they would have given up anything for. Besides, what else is there to do in Pittsburgh in the dead of winter except watch sports.
The game should have been a battle between Pittsburgh's Jerome Bettis, "The Bus" and the league's MVP Shaun Alexander from Seattle. Unfortunately, neither were the big playmakers for the game. Many expected it to be a battle between the defenses and it really did turn out that way, especially with the somewhat inconsistent officiating. In reality the game really boiled down to a few plays.
The first quarter had Seattle scoring a field goal, but Josh Brown missed two other long attempts that may have changed the complexion of the game.
The second quarter finally saw Roethlisberger make a dive toward the end zone for Pittsburgh's first touchdown of the day to make the score 7-3.
On the second play of the third quarter, Willie Parker ran the ball 76 yards for a touchdown which put the Steelers up 14-3, which ended up being enough to clinch the win.
Seattle's only score in the third quarter was really the result of an interception by cornerback Kelly Herndon who ended up finally being caught on Pittsburgh's 20 yard line. After that, Matt Hasselback was able to finally lead his team to their one and only touchdown by completing a 16 yard pass to tight end Jeremy Stevens.
Hines Ward, the game's MVP, cemented his race for the award midway through the fourth quarter when he caught a 43-yard touchdown pass from fellow wide receiver Antwaan Randle El.
But, for many, watching the game was not the primary goal of the day. It was really to see what would normally be the most creative commercials to be offered by the most talented agencies. At $2.5 million per 30 second spot, the overall contributions this year were in one word boring. Most creative would go to the Fed Ex Cavemen commercial with the reference that no matter what we do, in our boss's minds we better make it all work. Other cute ones were the Budweiser Man Kitchen which involves the rotating refrigerator, Bud Light with the rather creative camping encounter with a bear and the Michelob Tackle spot which demonstrated that a woman can possess a heck of a wallop.  The funniest though may have been when Shaq appears with a tear in his eye showing his devotion for "Desperate Housewives."
As for the bottom tier of rather boring and rather confusing commercials, Diet Pepsi may have come up with the winners. Unfortunately, the spots were stupid for lack of another word.  When Jay Mohr appeared promoting a Pepsi can you somehow had visions of "Jerry Maguire." And Nationwide tried to appeal to the female audience with Fabio who after going under a bridge on a gondola comes out as something from a really nasty Charles Dickens novel. I asked those around me if they got it and we all just looked at each other. And one word to Budweiser...the Clydesdales have lost their charm even though they like streakers.
Strange but creative awards would go to Burger King with the Whopperet spot where pseudo-Rockettes form a Whopper. Flying female burger patty topped with lettuce pickle and onion with a splash of ketchup. It was different and worthy of remembering. Then there was the Hummer H3 Li'l monster spot where a robot and monster meet and the monster then gives birth to an Hummer H3. To be honest, the group of individuals that I watched the game with were a bit perplexed by the whole concept.  And then last, but not least, was the Godaddy.com ad which was a continuation of last year's bra strap popping event. I think I may have needed an oxygen mask as well if I have to watch one more of their commercials. What does that have to do with web hosting?
So after all of this you ask did we all have a good time? Why of course we did. Superbowl is still tradition and then you always have all of your squares in your local pools that seem to keep everyone on their toes on what scoring combinations can get them extra cash to make the day even more fun. Congrats to the Pittsburgh Steeler fans, and the the retiring Jerome Bettis who finally got his Superbowl ring in his hometown, and to Seattle, better luck next time. Both teams were good and the end result showed that Cowher's team made less costly errors than Holmgren's team. Next year it will be on to Miami for Superbowl XL.
The Rolling Stones preformed three songs during halftime in a 12 minute span. Watching the 62-year-old Mick Jagger jump around on stage like a 20-something. Due to past snafus during half-time, ABC incorporated a 5-second time delay that did come into play when Mick Jagger looked like he tried to slip some verbiage that was not acceptable by television standards but in reality a agreement had been reached with the stones to censor the lyrics.  The half-time show was good, but I still don't get it with all of the Motown talent in Detroit, why did we go to England for our half-time presentation. I guess we should have Aretha Franklin perform at the next big soccer match in London. Somehow, I do not think that will happen

By Palankford           

 

Lingerie Bowl

Yesterday, was a very long day for the two of us. We attended our first red carpet event for Monte, the Lingerie Bowl 3.

Over 2,500 pictures were taken during the day that started out early in the morning and ended at the post party at the Hollywood Roosevelt late that night.

It was a experience seeing our MBN alongside the BBC, Getty Images, Entertainment Tonight, The National Enquirer and others covering the event.

 

Bowl

Arriving we parked in a lot where there was tail gaiting going on as if it were a normal football game.

Having first entered the Coliseum as a teenage athletic I marveled at how small the field seemed when I walked out onto it then looked down on it from high in the seating area while talking pictures.

I had always remembered how big the field was when I was running on it. Never seemed to be able to get to the end zones.

At 50 yards for the Lingerie bowl it became even smaller.

There have been those in the media that took the event to task that it was as titillating as tossing a football through a tire hanging from a backyard tree. Objectionable because they were wearing what was obviously custom made outfits that resembles more swimsuit’s then lingerie.

 Suits

 

titillating as tossing a football through a tire hanging from a backyard tree. Objectionable because they were wearing what was obviously custom made outfits that resembles more swimsuit’s then lingerie.

I realize the whole idea behind this Pay Per View was to be dressed in lingerie with the hope that something would come off.

The event took place in the Coliseum, a public facility not a private one. The rules had to be obeyed. Everyone got all that could be seen.

As far as the game itself quarterbacks both stunk. Neither had a arm and all but a few plays were ran either to the fans or to the press covering the event.

You have to give the ladies that were playing credit for taking it seriously. They hit an took hits. Some ending up scrapped and bloody off the field.

hits

All considered it was what it was. Just something to have fun with.

Found out that www.Bodog.com signed a 10 year agreement sponsor the event.

Tomorrow. The post game party

 

 

 

 Superbowl spots review

We were delighted to see that the Rolling Stones at halftime.  Now to the commercial spots which may or may not help sales of the products they were made to pitch.

Budweiser
It’s easy to trot out special effects, but it isn’t easy to make them special. Bud managed to wow the crowd by using computer graphics to simulate the oldest special effect of all—stadium cards.

It’s easy to trot out special effects, but it isn’t easy to make them special. Bud managed to wow the crowd by using computer graphics to simulate the oldest special effect of all—stadium cards.

Burger King
A homage to the 30’s overblown musical numbers. The Whopperettes, dancers dressed as hamburger ingredients. The tomato could be in a couture collection. The beef patty, well what can you do with a beef patty. The payoff comes when the king fires a cannon to unleash sandwich assembly.

A homage to the 30’s overblown musical numbers. The Whopperettes, dancers dressed as hamburger ingredients. The tomato could be in a couture collection. The beef patty, well what can you do with a beef patty. The payoff comes when the king fires a cannon to unleash sandwich assembly.

Dove

Used kids to pander to your feelings to sell its products.
FedEx
A prehistoric air express delivery—of a stick, via pterodactyl—is stymied by a hungry tyrannosaurus, leading to the first-ever mailroom firing.

Ford
Kermit was a is a charming, charming way to over promise the eco-benefits of a hybrid SUV.

Kermit was a is a charming, charming way to over promise the eco-benefits of a hybrid SUV.

Hummer
Monsters give birth to a cute, little(r) H3.

Monsters give birth to a cute, little(r) H3.

MobileESPN

A guy walks down the street in a city populated only with athletes in competition total sports immersion, according to the ad, “Heaven.

Motorola Moto Pebl,
A meteor falls to Earth and erodes over the eons, eventually washing up on a beach as a Pebl wireless phone.

A meteor falls to Earth and erodes over the eons, eventually washing up on a beach as a Pebl wireless phone.

Newell Rubbermaid’s Sharpie
How to introduce a retractable Sharpie? Why, with a theme-park pirate, of course. He can’t pull off the cap because he wears a hook. Now he can sign autographs for little kids with ease.

How to introduce a retractable Sharpie? Why, with a theme-park pirate, of course. He can’t pull off the cap because he wears a hook. Now he can sign autographs for little kids with ease.

Sprint-Nextel
The guying throwing his Sprint phone at the other guy’s head to demonstrate the “crime-deterrent” function will make beer spurt out of America’s nose. A second spot, about music downloads, is more absurd and almost as funny.

The guying throwing his Sprint phone at the other guy’s head to demonstrate the “crime-deterrent” function will make beer spurt out of America’s nose. A second spot, about music downloads, is more absurd and almost as funny.

American Home Health,
You can go to great lengths to prevent germs—wearing a biohazard suit 24/7—or you can use the new PS line of disinfectants.

You can go to great lengths to prevent germs—wearing a biohazard suit 24/7—or you can use the new PS line of disinfectants.

American Honda Motor Co.,
The pinup silhouette on the mud flaps of your truck comes alive and slinks into the passenger’s seat of the newish Honda Ridgeline pickup. ).

The pinup silhouette on the mud flaps of your truck comes alive and slinks into the passenger’s seat of the newish Honda Ridgeline pickup. ).

Ameriquest
We were probably insufficiently exuberant about last year’s spots, which were brilliantly, hilariously acted and directed. We doubted that the selling point—Ameriquest doesn’t One, about a woman trying to squeeze from her coach seat to the aisle, is plausibly funny. The other, about the abuse of defibrillation paddles, is just absurd.

We were probably insufficiently exuberant about last year’s spots, which were brilliantly, hilariously acted and directed. We doubted that the selling point—Ameriquest doesn’t One, about a woman trying to squeeze from her coach seat to the aisle, is plausibly funny. The other, about the abuse of defibrillation paddles, is just absurd.

Beer Institute
. It’s a reminder that beer is not just a refreshing beverage and means of getting stinking blotto, but also a cherished tradition and important thread in the social fabric. OK, we’ll drink to that.

. It’s a reminder that beer is not just a refreshing beverage and means of getting stinking blotto, but also a cherished tradition and important thread in the social fabric. OK, we’ll drink to that.

Budweiser

Clydesdale colt sneaks into barn and harnesses himself to the Bud beer wagon, as the adults (equine and human) look on. .

CareerBuilder.com
The chimpanzees are back, and we have to give them their due. This year’s spots aren’t as funny as last years.

The chimpanzees are back, and we have to give them their due. This year’s spots aren’t as funny as last years.

Degree
Revisiting Stunt City, where nothing is done the easy way and commuting to work is a hair-raising thrill ride. This is cool and funny and way fun

Emerald Nuts,
The idea to using tortured mnemonics to remember Emerald Nuts is inspired—because the letter associations are so overwrought nobody could ever remember them—which is exactly why they will remember Emerald Nuts. A badly designed logo on a low-interest product will be a shopper magnet at retail.

The idea to using tortured mnemonics to remember Emerald Nuts is inspired—because the letter associations are so overwrought nobody could ever remember them—which is exactly why they will remember Emerald Nuts. A badly designed logo on a low-interest product will be a shopper magnet at retail.

Godaddy.com.
This advertiser’s Super Bowl campaign ran for two weeks before the game, a contrived stunt of getting 14 previous versions of this spot rejected by ABC.

This advertiser’s Super Bowl campaign ran for two weeks before the game, a contrived stunt of getting 14 previous versions of this spot rejected by ABC.

Michelob

The clever introduction of a darker light beer uses the metaphor of a co-ed touch-football game suddenly getting very serious: a cute babe being body slammed by her male opponent.

Sierra Mist
The Mist-Takes– is just plain funny, and the bit with the TSA employee wanding a Sierra Mist bottle is terrific.

The Mist-Takes– is just plain funny, and the bit with the TSA employee wanding a Sierra Mist bottle is terrific.

Toyota Tacoma,
A good example of Super Bowl cinema: simple and dramatic. Man leaves his pickup on the beach at low tide and is swallowed and battered by the surf. But when he returns, when the tide is again low and the truck back above the water line, he jumps in and drives away.

A good example of Super Bowl cinema: simple and dramatic. Man leaves his pickup on the beach at low tide and is swallowed and battered by the surf. But when he returns, when the tide is again low and the truck back above the water line, he jumps in and drives away.

United Airlines

The story itself is St. George and the Dragon through the eyes of the modern, travel-afflicted road warrior. The slain monster winds up being a toy for the kid. For the cities in this limited spot buy, a lovely interlude designed to assure that United understands and cares.

Aleve
Leonard Nimo ,this is about occasional arthritis pain, such as does increasingly affect the hands of aging baby boomers. And they all know the Vulcan sign of peace. No masterpiece, this, but no embarrassment, either.

Leonard Nimo ,this is about occasional arthritis pain, such as does increasingly affect the hands of aging baby boomers. And they all know the Vulcan sign of peace. No masterpiece, this, but no embarrassment, either.

Bud Light
The advertiser appealed to its arrested-adolescent target with a series of loud noises. This stuff isn’t as funny .

The advertiser appealed to its arrested-adolescent target with a series of loud noises. This stuff isn’t as funny .

Cadillac Escalade
This is beauty photography, ostensibly eye-catching and sexy, in which slinky, exotic runway models strut their couture fashions while dripping with liquid chrome. Then, up from the vat, rises the 2006 Escalade, also slick with chrome. The visual is designed to stop you in your tracks. It won’t.

This is beauty photography, ostensibly eye-catching and sexy, in which slinky, exotic runway models strut their couture fashions while dripping with liquid chrome. Then, up from the vat, rises the 2006 Escalade, also slick with chrome. The visual is designed to stop you in your tracks. It won’t.

Coca-Cola’s FullThrottle
FullThrottle is the liquid meth for real men. The trucking industry is displeased with the characterization.

FullThrottle is the liquid meth for real men. The trucking industry is displeased with the characterization.

Diet Pepsi
In one spot, a Diet Pepsi can—agented by Jay Mohr—co-stars in an action flick with Jackie Chan. In the other, the can cuts a record for P Diddy.

In one spot, a Diet Pepsi can—agented by Jay Mohr—co-stars in an action flick with Jackie Chan. In the other, the can cuts a record for P Diddy.

Gillette Fusion
The best a man can get is now six blades and optional battery power.

The best a man can get is now six blades and optional battery power.

Westin
That swirling, bluish void you see isthe air at the new smoke-free Westin.

That swirling, bluish void you see isthe air at the new smoke-free Westin.

MasterCard
Richard Dean Anderson vaguely making fun of his old adventure series for no particular reason whatsoever?

Richard Dean Anderson vaguely making fun of his old adventure series for no particular reason whatsoever?

Nationwide
The lucky lass has Fabio as her gondolier, but when he passes the Bridge of Sighs, he becomes a gnarly old guy.

The lucky lass has Fabio as her gondolier, but when he passes the Bridge of Sighs, he becomes a gnarly old guy.

NFL.
Football is a religion.

Football is a religion.

Toyota
This spot, which plays on the idea of hybrid technology by showing a Latino speaking in accented English with his English-speaking little boy, treats the viewer like a moron.

This spot, which plays on the idea of hybrid technology by showing a Latino speaking in accented English with his English-speaking little boy, treats the viewer like a moron.

February 04, 2006

Editorial: Vod Downloads collapse

 

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Written by Joyce L Chow & William Hoehne February 4,2006

MBN

www.montebubbles.com for more MBN news

Got a news tip: tips@montebubbles.net

 

Editorial: VOD & Other Downloads.

The Bloom is Coming Off The Rose, they Just Don’t Know It Yet.

The history of the 20th century teaches us that technology is its worst enemy.

Each advancement in the field hurries the destruction of the very area the advancement was meant to save.

Silent film brought about sound which took out most of the great actors of the day because they could not speak well.

They were replaced by Broadway actors which drained the best and brightest from the Great White Way.

Black and White film was replaced by Color which was replaced by Technicolor which was replaced by Cinemascope to stave off the advent of the new medium of television.

Television took the best and brightest from the feature film industry and viewers from the theatrical box office.

Black and White television was replaced by color that then became so cheap to manufacture that it drove all the American manufactures out of business

Television was replaced by cable and satellite with the internet now coming on strong.

To combat the flight to the internet we have VOD from cable and satellite companies. We have television networks now downloading their programming to I pods which were created to download music of whom sales have been on the decline since the very equipment used to record the music became affordable to buy by consumers.

The consumers bought one record then CD’s and passed it on to others thru recordings they made.

Destroyed CD sales and companies that ran record store.

Then downloads from the internet bypassed the purchasing of the lone CD.

The telegraph was created to speed messages which was replaced by the telephone then by cell phones and once again the internet.

To keep the sales of cell phones moving cameras where added then the ability to shoot video then the ability to download music and now VOD and they now can connect to the internet.

Now companies are competing for the ability to download to I Pods, cell phones and other recording devices.

The download price is now as low as 99 cents which does not bowed well for making money off of downloads.

As was the case of radios, then televisions and cell phones there is a limit that is being reached with I Pods, and equipment for VOD and other equipment meant to download.

As was seen in the flat Video store business and sales of DVD’s there is a limit to what customers are willing to rent or purchase.

The more equipment produced to download hastens the collapse of downloading by overloading the VOD and download market. The more downloaded material the more it will be passed around for free the less material purchased.

Each time a advancement has been made it resulted changes that resulted in industries being destroyed and unemployment.

Each day even while VOD and downloading is still in its infancy it comes one step closer to its demise.

There is a answer to saving VOD and downloading and jobs but it takes some one very smart to know it.

I know one that has the answer.

Do you know the answer?

February 03, 2006

MBN Covers the World Friday February 3, 2006

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Written by Joyce L Chow & William Hoehne February 3,2006

MBN

www.montebubbles.com for more MBN news

Got a news tip: tips@montebubbles.net

Featured stories

 

Del Monte to Stop Hawaii Pineapple Growing

Super Bows XL sponsors

2006 Infiniti QX56

President Bush next week will request a $439.3 billion Defense

Department budget for 2007.

Tiger Wood playing in the Dubai Desert Classic.

JetBlue Airways in trouble.

 

Del Monte to Stop Hawaii Pineapple Growing

Pineapple is beloved in Hawaii. It is sold by the box at airport souvenir shops, and the Dole Plantation is one of the state's top tourist attractions.

Pineapple is beloved in Hawaii. It is sold by the box at airport souvenir shops, and the Dole Plantation is one of the state's top tourist attractions.

Pineapples have long been a proud symbol of Hawaii, along with hula dancers, palm trees, Diamond Head, surfers and the spirit of aloha.

The future of Hawaii's top agricultural product is now in question as Fresh Del Monte Produce Inc. announced it will cease pineapple operations here in a little more than two years.

It is all about money, it is no longer economically feasible to grow pineapple in Hawaii because it can be produced for less elsewhere. Today it would be cheaper for Del Monte to buy pineapples on the open market than for the company to grow, market and distribute Hawaiian pineapple.

Add to the mix difficulty in obtaining a long-term lease extension with landowner Campbell Estate.

Planting at Del Monte's Kunia plantation on Oahu was set to end Feb. 19 and the current crop will produce fruit through mid-2008.

Worldwide, the top pineapple producers are Thailand, the Philippines, Brazil, China, India and Costa Rica, according to a USDA report.

American workers everywhere, literally from Hawaii to Maine to Texas to Michigan, are vulnerable to outsourcing and that's what this is about.

Super Bows XL sponsors

American Home Health One 30-second spot in the second pod of the second half The creative is humorous, using people in biosuits to illustrate the strength of its PS line of home antibacterial soaps and disinfectants.

American Honda Motor Co. One 30-second spot in the 3rd or 4th Quarter Creative promotes the Honda Ridgeline pickup truck.

One 30-second spot in the 3rd or 4th Quarter Creative promotes the Honda Ridgeline pickup truck.

Ameriquest Mortgage Co. Two 30-second spots

Anheuser-Busch 10 spots throughout the game

Bayer One 30-second spot in the first quarter Leonard Nimoy, the actor who plays Mr. Spock on 'Star Trek,' uses Bayer's Aleve to relieve his pain.

Buena Vista Pictures One spot, length unknown Will promote the 'Shaggy Dog' remake starring Tim Allen

One spot, length unknown Will promote the 'Shaggy Dog' remake starring Tim Allen

Burger King One 60-second spot after kickoff Marketer is hoping to grab viewers attention with an old Hollywood-style ad featuring a cast of 'Whopperettes," 92 dancers dressed as burgers, flames, pickles, lettuce and tomatoes who will sing and dance to a new "Have it Your Way" jingle.

One 60-second spot after kickoff Marketer is hoping to grab viewers attention with an old Hollywood-style ad featuring a cast of 'Whopperettes," 92 dancers dressed as burgers, flames, pickles, lettuce and tomatoes who will sing and dance to a new "Have it Your Way" jingle.

Cadillac One 60-second spot, 2nd Quarter  Features the redone Escalade SUV making an appearance on a fashion-model runway. One 60-second spot, 2nd Quarter The creative features the redone Escalade SUV making an appearance on a fashion-model runway.

Career Builder.com Two 30-second spots Expect another humorous spot as the monkeys are back for another year. Two 30-second spots Expect another humorous spot as the monkeys are back for another year.

Dove One 45-second spot The spot is a continuation of the marketer's series of 'Real Beauty' ads that emphasize the importance of female self-esteem.

Degree One 30-second spot Entitled 'Stunt City,' the spot shows men involved in a series of unlikely stunts as they go about their work-a-day lives.

Emerald One 30-second spot in fourth quarter The humorous spot builds on the word-game approach Emerald took last year using the letters 'e' and 'n'. It focuses on a druid and a machete enthusiast.

ESPN One 60-second spot The spot will launch Mobile ESPN, the network's mobile-phone service that delivers ESPN-branded sports content.

One 60-second spot The spot will launch Mobile ESPN, the network's mobile-phone service that delivers ESPN-branded sports content.

Ford Motor Co. One 30-second spot, second quarter A backpacking Kermit the Frog shows off the fuel-efficient Escape Hybrid SUV. JWT, Detroit

Gillette/Procter & Gamble Co. One 30- and one 60-second spot Uses computer animation and photography shot on location in the Mojave Desert reprising Gillette's long-running 'The Best a Man Can Get' theme. Related teaser ads are running in the days before the Bowl.

GoDaddy.com Two 30-second spot The marketer produced 14 versions of a spot before it received approval from ABC. Creative details are unknown.

Magnolia Films Length unknown, third quarter Promotion of 'The World's Fastest Indian,' a movie about a New Zealander who seeks to set the world motorcycle speed record at the Bonneville Salt Flats.

MasterCard 30-second, fourth quarter Richard Dean Anderson, reprises his role as "MacGyver", from McCann Erickson, NY Also doing a 30-second pregame spot Motorola Details unknown Details unknown.

Nationwide Insurance

 

Details unknown Details unknown.One 30-second spot in second break of the third quarter Romance novel icon Fabio stars in a new spot in the marketer's "Life Comes at You Fast" branding campaign. New Line Cinema One Spot, length unknown Spot will promote 'Running Scared,' an action thriller with Paul Walker.

Pepsi-Cola Co. Two 30-second and one 60-second spots Diet Pepsi commercials include one featuring Sean (P. Diddy) Combs singing a new song, 'Brown and Bubbly.' Another, called 'Stunt can,' puts the drink shoulder to shoulder with Jackie Chan in an action film. Another 30-second continues the antics of the Mis-Takes improve group.

Two 30-second and one 60-second spots Diet Pepsi commercials include one featuring Sean (P. Diddy) Combs singing a new song, 'Brown and Bubbly.' Another, called 'Stunt can,' puts the drink shoulder to shoulder with Jackie Chan in an action film. Another 30-second continues the antics of the Mis-Takes improve group.

Pizza Hut Ten 30-second spots in pre-kickoff pod The pizza chain is launching its new Cheesy Bites Pizza with a spot featuring Jessical Simpson and the Muppets singing 'These Bits Are Made for Poppin'.'

Ten 30-second spots in pre-kickoff pod The pizza chain is launching its new Cheesy Bites Pizza with a spot featuring Jessical Simpson and the Muppets singing 'These Bits Are Made for Poppin'.'

Sprint Two 30-second spots, one in second quarter and one in the third, plus sponsorship of the halftime show featuring the Rolling Stones Agency is testing four humorous spots; one was created by a special effects master that worked on 'The Lion, Witch & the Wardrobe.'

Toyota One 30-second spot, first quarter A Hispanic spot for the new hybrid-engine Camry featuring a father and son who compare the hybrid car to their own hybrid English/Spanish language habits.

Warner Bros. Three 30-second spots Will promote three films -- 'Poseidon,' the remake of 'Poseidon Adventure'; 'V for Vendetta,' with Natalie Portman; and '16 Blocks,' starring Bruce Willis and Mos Def.

Three 30-second spots Will promote three films -- 'Poseidon,' the remake of 'Poseidon Adventure'; 'V for Vendetta,' with Natalie Portman; and '16 Blocks,' starring Bruce Willis and Mos Def.

2006 Infiniti QX56

 

infinity

 

2006 Infiniti QX56 Provides the Ultimate Sport

 

Utility Vehicle Experience

The Infiniti QX56 meets and exceeds the expectations of full-size luxury SUV owners with ample power from the 315-horsepower* V8 engine, interior roominess with seating for up to eight and maximum utility with generous cargo, excellent towing capacity and rugged off-road capability.

The QX56 enters the 2006 model year with minor enhancements – most notably the addition of power folding outside mirrors with heat, electrochromic auto-dimming, power adjust and integrated turn signal, Bluetooth® Hands-Free Phone System, mp3 playback capability and added 60/40 split for the 3rd row seat to the vehicle’s extensive list of standard technology and convenience features.

“The QX56 offers the power, roominess, innovation and utility that SUV owners demand in their vehicles,” said Mark Igo, vice president and general manager, Infiniti Division. “The QX56 addresses the unmet needs in the SUV class admirably from a hardware standpoint. But it also asserts itself with tremendous luxury and style, more than with just its physical scale and capabilities.”

True Luxury in Look and Feel

Infiniti QX56 is designed for luxury SUV buyers who are looking for something new and different, providing a combination of practical elegance and ergonomic thoughtfulness with a rewarding level of comfort and indulgence.

The exterior styling of the QX56 projects a very powerful presence, beginning with its large hood, Infiniti-style chrome "waterfall" grille and taut, barrel-shaped sides. The jewel-like xenon headlights are located low in the fenders, which, combined with the integrated halogen fog lamps, help give the QX56 a strong resemblance to the elegant front end design established by the original Infiniti QX4. The large 18-inch tires are placed close to the edge of the wheelwells, enhancing the athletic stance, while the standard 7-spoke chromed aluminum-alloy wheels and chrome wheel lip moldings – connected visually by the standard body side cladding and running boards – complement the QX56's sophisticated luxury imagery.

In the rear, Infiniti-style LED tail and brake lights provide additional visual distinction. A power-operated liftgate with opening rear glass and a large bumper with integrated towing hardware complete the rear exterior appearance.

The exterior design also offers a long list of additional features, including chrome front door handles, dual power-adjustable heated chrome side mirrors with puddle lamps, privacy glass for the 2nd and 3rd rows and power-operated flip-out rear quarter windows. Also offered as standard equipment is a Rear Proximity Sensor (back-up obstacle warning system) in the rear bumper.

The Infiniti RearView Monitor system, like that offered with the flagship Q45 sedan, utilizes a small CCD camera discretely located in the rear license plate finisher to provide a picture of what is behind the vehicle (projected on the QX56's standard navigation system LCD monitor) to help assist in backing up.

Standard power folding exterior mirrors with heat, electrochromic auto-dimming power adjust and integrated turn signal have been added for 2006.

Material supplied by Infinity

 

President Bush next week will request a $439.3 billion Defense Department budget for 2007.

The spending plan would include $84.2 billion for weapons programs, a nearly 8 percent increase, including billions of dollars for fighter jets, Navy ships, helicopters and unmanned aircraft. The total includes a substantial increase in weapons spending for the Army, which will get $16.8 billion in the 2007 budget, compared with $11 billion this year but does not about $50 billion that they would request as a down payment for the wars in Iraq and Afghanistan in 2007.

 

The budget proposal represents the fifth year in a row that spending on weapons has increased, after years of cutbacks during the 1990s.It also provides funding for 42 Army Brigade Combat Teams as part of the ongoing effort to increase the number of combat units from 33. The expansion would allow soldiers to spend two years at their home station for every year they are deployed to a war front.

Overall, the Army would receive $111.8 billion, including $42.6 billion for personnel. The Army National Guard would receive about $5.25 billion for personnel, and the Army Reserves would receive $3.4 billion

The Air Force will receive about $2.2 billion for the F-22 fighter — slashing the 2006 total nearly in half. The drop in funding, however, is actually a contract restructuring that would return that money — and more — over the long run by stretching out the program for an additional two years and buying four more planes. The new plan calls for buying 20 of the aircraft, built by Maryland-based Lockheed Martin, each year in 2008, 2009 and 2010, rather than 56 in the next two years.

The Navy will receive about $2.5 billion for the next Virginia Class submarine, built by Electric Boat in Connecticut and Newport News Shipbuilding in Virginia, and there is $360 million in the budget for development of the new CH53K heavy lift helicopter, built by Connecticut-based Sikorsky Aircraft for the Marine Corps.

$5.6 billion to support a wide variety of programs to address the multiple needs of military families, including child care, family counseling, tuition assistance and family centers.

About $1.8 billion for 81 Army Black Hawk and Navy Hawk helicopters.

$1.3 billion for five of the new Joint Strike Fighters.

Tiger Wood playing in the Dubai Desert Classic.

His 5-under 67 in Thursday's first round in Dubai put him three strokes off the lead.

This is Woods' third attempt to win at the Emirates Golf Club, a palm-lined oasis surrounded by one of the world's fastest growing cities. Dubai is the Middle East's economic boomtown, and the most westernized city in the region.

Although the prize money is $2.4 million, Woods is reportedly being paid about $3 million just to appear. His superstar status is evident, with attendance expected to top the record 43,000 for four days.

JetBlue Airways in trouble.

The No. 2 U.S. discount airline shocked investors and analysts on Wednesday by disclosing that not only had it posted its first quarterly loss since going public in April 2002 but that it expected to stay mired in the red for the rest of 2006

JetBlue, analysts said, has lost altitude through a combination of bad luck and its own missteps.

"They' have simply grown to fast."

The airline faces several headwinds: the soaring cost of fuel, a breakneck expansion that includes the addition of a second aircraft type, and tough competition that has loomed as an obstacle to fare hikes in key markets.

Analysts are questioning the airline's failure to buy contracts that could have softened the blow of soaring oil prices.

Ordering 100 regional jets from Brazilian planemaker Embraer bringing a second fleet type alongside its larger Airbus A320s in a move that adds potential opportunity -- but also increases problems.

The Embraer's introduction in November, flying between New York and Boston, has been marred by technical glitches as well as slower-than-expected aircraft deliveries.

Those mistakes, which JetBlue insists are typical with the introduction of a plane, may be a sign that managers adept at starting up an airline struggle to run a maturing one.

JetBlue last week said it was relocating its yield management department -- which aims to fill seats with the highest possible fares -- to its New York City headquarters from Salt Lake City.

People were expecting a lot from them and they stumbled.

February 02, 2006

MBN Covers The World

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Written by Joyce L Chow & William Hoehne February 2,2006

MBN

www.montebubbles.com for more MBN news

Got a news tip: tips@montebubbles.net

Featured stories

Product Preview: OTTER

Bloom off DVD Market

Last Western union telegram delivered.

Soon to be your meeting place for fine entertainment.

Jumping The Shark: The New James Bond 

Rep. Boehner Elected House Majority Leader

World Baseball Classic announces rules and rule modifications

 

otter

 

Otter Products, LLC. releases the OtterBox for iPod video, another rugged addition to the interactive, virtually indestructible line of iPod cases. Waterproof and drop-resistant, this case is ready for any adventure!

Now iPod video users can take their iPods hiking, biking, to the gym, beach, on vacation and more! Suggested retail is $49.95

”The OtterBox for iPod video allows iPod users to take their music, photos and movies anywhere without fear of damaging their iPod,” said Curt Richardson, CEO of Otter Products, LLC. “The case completely transforms the delicate iPod video into a rugged device.”

Similar to others in the OtterBox for iPod line, the video case offers an interactive membrane that provides Click Wheel access and a hard screen cover to shield the display. Rubber lining inside the case cradles the video and a secure-close latch adds protection.

Bloom off DVD Market

Boom in DVD sales is coming to an end in Europe and the U.S., markets, as well as Japan.

A huge uncertainty for the media that has profited well from movie-related advertising in recent years, from television to newspapers and magazines to the internet. Movie advertising in the U.S. was $1.744 billion during the first half of 2005.

Forecasters anticipate slow growth in the U.S. and Japan, with American spending up only 2.2 percent last year and Japan's rising only 4.4 percent.

Declines in VHS sales, falling DVD prices, and flat rental spending in Europe mean that in 2005 spending on video fell for the first time since 1999

New technology will come along, as was reported at the 2006 CES that will revive sales, such as high-definition DVDs, and video on demand will gain wider acceptance. This is not going to plug the revenue gap anytime soon. In the U.S., industry watchers believe traditional DVDs will continue to make up some 80 percent of the market through the end of the decade.

What will Hollywood do, is the next question.

DVD sales have have been a hedge against the increasing uncertainty at the box office and the rise of other media, such as the internet, competing for consumers' attention. That and other factors have led to greater ad spending by the movie studios over the last two years.

Will studios continue to put out the same number of movies while spending even more to promote them and the DVDs that follow, not likely with cost conscious board of directors seein how well smaller films have done this year.

The first half of 2005 saw a slowdown in movie studios' ad spending, down 3 percent to $1.74 billion, according to Nielsen Monitor-Plus.

One thing that could be affected is the time between a movie’s theatrical release and its appearance on DVD. Already the trend is to shorten the window, so the DVD is released when the original advertising campaign is still fresh in people’s minds.

The movie “BUBBLES” has already set into motion a plan that may well be the future of the business, simultaneous release of a feature film in the theatres and on other media.

One can only guess what will happen but having been in the business for nearly eight decades and my family since 1904 you know the industry always follows the money.

Soon to be your meeting place for fine entertainment.

The Chosen One

REO

The Adventures of Monte Bubbles

Battle of the Bands

Azn news magazine.

Stephanie Le Gee’s Import Car Shows

Circle of Confusion

MBN Night at the Movies

MBN World of Sports

More shows to be added.

 

Last Western Union telegram delivered.

For more than 150 years, messages of happiness, sadness and success came in yellow envelopes hand delivered by a courier. Now the Western Union telegram is officially a thing of the past, Western Union sent its last telegram Jan. 27.


The company formed in April 1856 to exploit the hot technology of the telegraph to send cross-country messages in less than a day. It is now focusing its attention on money transfers and other financial services.


Western Union was created by several telegraph companies that combined to become Western Union in 1851. Western Union built its first transcontinental telegraph line in 1861.

Telegrams reached their peak popularity in the 1920s and 1930s when it was cheaper to send a telegram than to place a long-distance telephone call. People would save money by using the word "stop" instead of periods to end sentences because punctuation was extra while the four character word was free.

Telegrams were used to announce the first flight in 1903 and the start of World War I. During World War II, the sight of a Western Union courier was feared because the War Department, the precursor to the Department of Defense, used the company to notify families of the death of their loved ones serving in the military.

With long distance rates dropping and different technologies for communicating evolving Western Union phased out couriers in the late 1960s 1970s.

By last year, only 20,000 telegrams were sent at about $10 a message, mostly from companies using the service for formal notifications.

Last week, the last 10 telegrams included birthday wishes, condolences on the death of a loved one, notification of an emergency, and several people trying to be the last to send a telegram.

Western Union Financial Services was acquired by First Financial Management Corp. in 1994 which First Data Corp. bought for $7 billion the following year. Last week, First Data said it would spin Western Union off as a separate company.

Jumping The Shark: The New James Bond

Filming on the new 007 adventure, Casino Royale, kicked off last Friday in the Czech capital of Prague with newcomer Daniel Craig taking over for Pierce Brosnan as the suave secret agent but without babe and baddie.

There are reports that Thandie Newton (Mission: Impossible 2) and Rachel McAdams (The Wedding Crashers) are some of the high-profile actresses currently in the running to join the pantheon of Bond babes.

As for the next bad guy, the Casino brain trust is reportedly much closer to cast that role than the love interest, but no names have been specifically mentioned. (Meaning they have no one.)

Sony, the film's distributor, will probably have to cough up a lot of money to get the actors given the fact that shooting has already begun. The actor or actress chosen can have them over a barrel. Not to have your two principal leads cast now is not a good sign.

The ill conceived and planned film. will show 007 at age 28, when he's just starting out on Her Majesty's Secret Service, the 21st installment in cinema's longest running and most successful series, would take the iconic character back to his roots. The film is said to feature a character-driven script exploring Bond's past and eschewing the special effects and gadgets that have come to define the later Bond flicks, particularly the ones starring Brosnan and Roger Moore and is said to explain such mysteries as to why he likes his vodka martinis prepared incorrectly. It will also be the first Bond mission since Live and Let Die not to feature the character of Q.

In other words they are jumping the shark

Rep. Boehner Elected House Majority Leader

House Republicans elected Rep. John Boehner of Ohio as their new majority leader Thursday, choosing a self-proclaimed reform candidate to replace indicted Rep. Tom DeLay as the party struggles with an ethics scandal. "I'm humbled by the support of my colleagues to be new majority leader of the house," Boehner said. "I never came here to be a congressman," he said. "I came here to solve the problems that the American people face everyday."

World Baseball Classic announces rules and rule modifications

The World Baseball Classic, Inc. (WBCI) announced today the rules for play for the inaugural World Baseball Classic. The tournament, which will be played under the Official Rules of Major League Baseball and will include the use of a designated hitter, will feature the following rules:

ROSTERS
• Five days before its first game, a team shall submit to WBCI, a Tournament Roster of no more than 30 players, each of whom must have been on that team's Provisional Roster (submitted on January 17, 2006), plus one manager and at least five (and up to six) coaches.

• Each player on the Provisional Roster is subject to pre-competition anti-doping testing.

PLAYER ELIGIBILITY
• A player is eligible to participate on a World Baseball Classic team if:
• The player is a citizen of the nation the team represents. (Additionally, if a player is qualified for citizenship or to hold a passport under the laws of a nation represented by a team, but has not been granted citizenship or been issued a passport, then the player may be made eligible by WBCI upon petition by the player or team.)
• The player is a permanent legal resident of the nation or territory the team represents.
• The player was born in the nation or territory the team represents.
• The player has one parent who is, or if deceased was, a citizen of the nation the team represents.
• The player has one parent who was born in the nation or territory the team represents.

Note: In the event a player appropriately appears on more than one provisional roster, he may select the team for which he wishes to play.

PLAYER RESTRICTIONS PER MLB CLUB
• WBCI will not approve a player's participation if such participation would cause a Major League Baseball Club to have more than 14 players from its organization, or more than 10 of its players who were on any Club's Major League Active or Disabled List as of August 31, 2005, participate in the Tournament, unless the Major League Club informs WBCI in writing that it has no objection to allowing such additional players to participate.

• WBCI also may deny participation to players whose participation would otherwise impose an undue hardship on a Major League Baseball Club (e.g., too many starting pitchers, too many catchers, etc., participating in the Tournament, collectively).

DISABLED PERSONNEL
• A World Baseball Classic team may replace a player, manager or coach on its Tournament Roster if the player, manager or coach is disabled. A player is disabled only if WBCI grants a petition of a team to declare a player disabled.

• A Disabled player shall be ineligible to participate in any further Tournament games. A team may replace a disabled player on the Tournament Roster with another player who had appeared on that team's Provisional Roster. The following system will be in place depending upon when such an injury occurs:
• If a player is injured in Round One of the Tournament, no replacement for such player shall play until the beginning of Round Two of the Tournament.
• If a player is injured in Round Two of the Tournament, no replacement for such player shall play until the semifinals of the Tournament.
• If a player is injured in the semifinals of the Tournament, no replacement for such player shall be permitted.

• Replacements are subject to the player restrictions per MLB Club.

• A replacement shall be subject to the same game and tournament Roster restrictions to which the player he is replacing was subject.

BEREAVEMENT LEAVE
• A World Baseball Classic team may submit a request to WBCI that a player be given Bereavement Leave.

• A player given Bereavement Leave may be replaced on the Tournament Roster by another player who had appeared on that team's Provisional Roster.

• The minimum period of Bereavement Leave shall be three consecutive days and the maximum period of replacement shall be seven consecutive days.

• A replacement shall be subject to the same game and tournament Roster restrictions to which the player he is replacing was subject.

PITCHER USE LIMITATIONS
• The Official Baseball Rules shall be supplemented for Tournament games played by a team, as follows:
A pitcher must:
• Not pitch until a minimum of four days have passed since he last pitched, if he threw 50 or more pitches when he last pitched;
• Not pitch until a minimum of one day has passed since he last pitched, if he threw 30 or more pitches when he last pitched;
• Not pitch until a minimum of one day has passed since any second consecutive day on which the pitcher pitched; and
• Throw no more than:
• 65 pitches per game in Round One of the tournament;
• 80 pitches per game in Round Two of the tournament; and
• 95 pitches per game in the Semifinals and Final of the tournament.

Note: A pitcher may exceed the maximum per-game limits in order to complete a batter's plate appearance.

• There are no restrictions on the use of position players.

• If a pitcher is within 20 pitches of a prescribed limit at the beginning of an inning, the Game Operations Technical Committee (appointed to each game by WBCI) shall so inform the umpire-in-chief, both managers and the ballpark public address announcer. The Game Operations Technical Committee shall immediately notify the umpire-in-chief when a pitcher has reached a limit set forth in the Rule (which includes finishing a batter's plate appearance, if necessary), whereupon the umpire-in-chief shall inform the pitcher's manager to remove the pitcher from the game immediately.

EARLY TERMINATION FOR LARGE LEADS
The umpire-in-chief will award a regulation game in Rounds 1 or 2 of the tournament to the Team that:
• Is ahead by 10 or more runs when the opposing team has batted in at least seven innings;
• Is ahead by 15 or more runs when the opposing team has batted in at least five innings.

Note: A game can be terminated in the middle of an inning if the team reaches the necessary number while at bat. The game will end immediately after that run is scored, unless it is because of a home run, in which case all runs score(similar to games won in a team's last turn at bat).

WINNING PITCHER
Pitchers will be awarded wins on the basis of Rule 10.19(g), and no other facet of the rule, which states:
"In some non-championship games (such as the Major League All-Star Game) it is provided in advance that each pitcher shall work a stated number of innings, usually two or three. In such games, it is customary to credit the victory to the pitcher of record, whether starter or reliever, when the winning team takes a lead which it maintains to the end of the game, unless such pitcher is knocked out after the winning team has a commanding lead, and the scorer believes a subsequent pitcher is entitled to credit for the victory."

STANDINGS AND TIE-BREAKING PROCEDURES
• In Round 1, the Teams in each pool shall be ranked according to the percentages of games won in Round 1. The two Teams with the highest such percentages in each pool shall advance Round 2. In Round 2, the Teams in each pool shall be ranked according to the percentages games won in Round 2, without regard to the results of Round 1. The two Teams with the highest such percentages in each Round 2 pool shall advance to the Semifinal round.

• Ties shall be broken in the following order of priority:
• The team that defeated the other tied team head-to-head in a given Round shall be ranked higher in the pool standings for such Round.
• The tied teams shall be ranked in the standings for that Round according to fewest runs allowed divided by the number of innings (including partial innings) played in defense in the games in that Round between the teams tied.
• The tied teams shall be ranked in the standings according to fewest earned runs allowed divided by the number of innings (including partial innings) played in defense in the games in that Round between the teams tied.
• The tied teams shall be ranked in the standings according to highest batting average in games in that Round between the teams tied.
• Standings shall be determined by the drawing of lots, conducted by WBCI.

Note: Standings and Tie-Breaking Procedures are based on International BAseball Federation rules.

DISPUTES
All disputes between and among players and teams (other than anti-doping disputes) shall be referred to WBCI for decision.

PROTESTS
The Game Operations Technical Committee shall convene immediately upon any protest. A decision will be made as soon as possible, so as not to interfere with the flow of the game or the well-being of the participating players.

HOME/VISITOR DESIGNATIONS
In each pool in Round 1 and Round 2, home team designations shall be as follows:

• Team 1 home, Team 2 visitor;
• Team 3 home, Team 4 visitor;
• Team 1 home, Team 3 visitor;
• Team 2 home, Team 4 visitor;
• Team 4 home; Team 1 visitor;
• Team 2 home, Team 3 visitor.

Prior to the start of play in Round 1, WBCI shall conduct a draw for each pool in which each team is designated as "Team 1," "Team 2," "Team 3" or "Team 4" for purposes of determining the home team in the pool schedule. (Two teams in each pool shall be home team twice and visiting team once; and the other two teams shall be home team once and visiting team twice.)

In each pool in Round 2, the two winners of the Round 1 pools participating in that Round 2 pool shall be either Team 1 or Team 2. WBCI shall conduct a draw for each pool to determine which of those two is designated as "Team 1" or "Team 2" and another draw to determine which of the two remaining teams in the pool is designated as "Team 3" or "Team 4." (Two teams in each pool that won a Round 1 pool shall be home team twice and visiting team once, and the other two teams shall be home team once and visiting team twice.)

In each of the semifinal games, the Team that finished in first place in its Round 2 pool shall be the home team. In the championship game, if one team had finished in first place in its Round 2 pool and the other had not, the team that had finished first in its Round 2 pool shall be the home team; otherwise WBCI shall conduct a coin flip or draw to determine the home team.

PLAYING RULES All Tournament games shall be played according to the provisions of the Official Baseball Rules as Recodified, Amended and otherwise Adopted at New York City, December 21, 1949, and thereafter amended by the Official Playing Rules Committee, as supplemented by these Rules. The role of the "League President" in the Official Baseball Rules, with respect to the Tournament, shall be performed by the designees of WBCI.

Five days before its first game, a team shall submit to WBCI, a Tournament Roster of no more than 30 players, each of whom must have been on that team's Provisional Roster (submitted on January 17, 2006), plus one manager and at least five (and up to six) coaches.• Each player on the Provisional Roster is subject to pre-competition anti-doping testing. • A player is eligible to participate on a World Baseball Classic team if:• The player is a citizen of the nation the team represents. (Additionally, if a player is qualified for citizenship or to hold a passport under the laws of a nation represented by a team, but has not been granted citizenship or been issued a passport, then the player may be made eligible by WBCI upon petition by the player or team.)• The player is a permanent legal resident of the nation or territory the team represents. • The player was born in the nation or territory the team represents.• The player has one parent who is, or if deceased was, a citizen of the nation the team represents.• The player has one parent who was born in the nation or territory the team represents. In the event a player appropriately appears on more than one provisional roster, he may select the team for which he wishes to play. • WBCI will not approve a player's participation if such participation would cause a Major League Baseball Club to have more than 14 players from its organization, or more than 10 of its players who were on any Club's Major League Active or Disabled List as of August 31, 2005, participate in the Tournament, unless the Major League Club informs WBCI in writing that it has no objection to allowing such additional players to participate.• WBCI also may deny participation to players whose participation would otherwise impose an undue hardship on a Major League Baseball Club (e.g., too many starting pitchers, too many catchers, etc., participating in the Tournament, collectively). • A World Baseball Classic team may replace a player, manager or coach on its Tournament Roster if the player, manager or coach is disabled. A player is disabled only if WBCI grants a petition of a team to declare a player disabled.• A Disabled player shall be ineligible to participate in any further Tournament games. A team may replace a disabled player on the Tournament Roster with another player who had appeared on that team's Provisional Roster. The following system will be in place depending upon when such an injury occurs:• If a player is injured in Round One of the Tournament, no replacement for such player shall play until the beginning of Round Two of the Tournament.• If a player is injured in Round Two of the Tournament, no replacement for such player shall play until the semifinals of the Tournament.• If a player is injured in the semifinals of the Tournament, no replacement for such player shall be permitted.• Replacements are subject to the player restrictions per MLB Club.• A replacement shall be subject to the same game and tournament Roster restrictions to which the player he is replacing was subject. • A World Baseball Classic team may submit a request to WBCI that a player be given Bereavement Leave.• A player given Bereavement Leave may be replaced on the Tournament Roster by another player who had appeared on that team's Provisional Roster.• The minimum period of Bereavement Leave shall be three consecutive days and the maximum period of replacement shall be seven consecutive days.• A replacement shall be subject to the same game and tournament Roster restrictions to which the player he is replacing was subject. • The Official Baseball Rules shall be supplemented for Tournament games played by a team, as follows:A pitcher must:• Not pitch until a minimum of four days have passed since he last pitched, if he threw 50 or more pitches when he last pitched;• Not pitch until a minimum of one day has passed since he last pitched, if he threw 30 or more pitches when he last pitched;• Not pitch until a minimum of one day has passed since any second consecutive day on which the pitcher pitched; and• Throw no more than:• 65 pitches per game in Round One of the tournament; • 80 pitches per game in Round Two of the tournament; and • 95 pitches per game in the Semifinals and Final of the tournament. A pitcher may exceed the maximum per-game limits in order to complete a batter's plate appearance. • There are no restrictions on the use of position players.• If a pitcher is within 20 pitches of a prescribed limit at the beginning of an inning, the Game Operations Technical Committee (appointed to each game by WBCI) shall so inform the umpire-in-chief, both managers and the ballpark public address announcer. The Game Operations Technical Committee shall immediately notify the umpire-in-chief when a pitcher has reached a limit set forth in the Rule (which includes finishing a batter's plate appearance, if necessary), whereupon the umpire-in-chief shall inform the pitcher's manager to remove the pitcher from the game immediately. The umpire-in-chief will award a regulation game in Rounds 1 or 2 of the tournament to the Team that:• Is ahead by 10 or more runs when the opposing team has batted in at least seven innings;• Is ahead by 15 or more runs when the opposing team has batted in at least five innings. A game can be terminated in the middle of an inning if the team reaches the necessary number while at bat. The game will end immediately after that run is scored, unless it is because of a home run, in which case all runs score(similar to games won in a team's last turn at bat). Pitchers will be awarded wins on the basis of Rule 10.19(g), and no other facet of the rule, which states:"In some non-championship games (such as the Major League All-Star Game) it is provided in advance that each pitcher shall work a stated number of innings, usually two or three. In such games, it is customary to credit the victory to the pitcher of record, whether starter or reliever, when the winning team takes a lead which it maintains to the end of the game, unless such pitcher is knocked out after the winning team has a commanding lead, and the scorer believes a subsequent pitcher is entitled to credit for the victory." • In Round 1, the Teams in each pool shall be ranked according to the percentages of games won in Round 1. The two Teams with the highest such percentages in each pool shall advance Round 2. In Round 2, the Teams in each pool shall be ranked according to the percentages games won in Round 2, without regard to the results of Round 1. The two Teams with the highest such percentages in each Round 2 pool shall advance to the Semifinal round.• Ties shall be broken in the following order of priority:• The team that defeated the other tied team head-to-head in a given Round shall be ranked higher in the pool standings for such Round. • The tied teams shall be ranked in the standings for that Round according to fewest runs allowed divided by the number of innings (including partial innings) played in defense in the games in that Round between the teams tied. • The tied teams shall be ranked in the standings according to fewest earned runs allowed divided by the number of innings (including partial innings) played in defense in the games in that Round between the teams tied.• The tied teams shall be ranked in the standings according to highest batting average in games in that Round between the teams tied. • Standings shall be determined by the drawing of lots, conducted by WBCI. Standings and Tie-Breaking Procedures are based on International BAseball Federation rules. All disputes between and among players and teams (other than anti-doping disputes) shall be referred to WBCI for decision. The Game Operations Technical Committee shall convene immediately upon any protest. A decision will be made as soon as possible, so as not to interfere with the flow of the game or the well-being of the participating players. In each pool in Round 1 and Round 2, home team designations shall be as follows:• Team 1 home, Team 2 visitor;• Team 3 home, Team 4 visitor;• Team 1 home, Team 3 visitor;• Team 2 home, Team 4 visitor;• Team 4 home; Team 1 visitor;• Team 2 home, Team 3 visitor. Prior to the start of play in Round 1, WBCI shall conduct a draw for each pool in which each team is designated as "Team 1," "Team 2," "Team 3" or "Team 4" for purposes of determining the home team in the pool schedule. (Two teams in each pool shall be home team twice and visiting team once; and the other two teams shall be home team once and visiting team twice.) In each pool in Round 2, the two winners of the Round 1 pools participating in that Round 2 pool shall be either Team 1 or Team 2. WBCI shall conduct a draw for each pool to determine which of those two is designated as "Team 1" or "Team 2" and another draw to determine which of the two remaining teams in the pool is designated as "Team 3" or "Team 4." (Two teams in each pool that won a Round 1 pool shall be home team twice and visiting team once, and the other two teams shall be home team once and visiting team twice.) In each of the semifinal games, the Team that finished in first place in its Round 2 pool shall be the home team. In the championship game, if one team had finished in first place in its Round 2 pool and the other had not, the team that had finished first in its Round 2 pool shall be the home team; otherwise WBCI shall conduct a coin flip or draw to determine the home team. All Tournament games shall be played according to the provisions of the Official Baseball Rules as Recodified, Amended and otherwise Adopted at New York City, December 21, 1949, and thereafter amended by the Official Playing Rules Committee, as supplemented by these Rules. The role of the "League President" in the Official Baseball Rules, with respect to the Tournament, shall be performed by the designees of WBCI.

 

 

 

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Oakland Athletics/Dodger Postgame Alert

July 9, 2006

LA Angels 4, Oakland 2 at McAfee Coliseum
LA Angels Record: (43-45)
Oakland Record: (45-43)

Winning pitcher - Ervin Santana (10-3)
Losing pitcher - Dan Haren (6-7)
SV - Francisco Rodriguez (21)


 123456789 RHE
 LA Angels110002000 4111
 Oakland100010000 251


LAA HR - J. Molina (2)
OAK HR - None

San Francisco 1, Los Angeles 3 at Dodger Stadium
San Francisco Record: (45-44)
Los Angeles Record: (46-42)

Winning pitcher - Aaron Sele (6-2)
Losing pitcher - Jason Schmidt (6-5)
SV - Takashi Saito (8)


 123456789 RHE
 San Francisco000010000 160
 Los Angeles20000100X  370

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Disney's swashbuckling sequel sailed past the previous all-time best debut, 2002's Spider-Man which took in $114.8 million in its first weekend.

The boozy, woozy buccaneer Jack Sparrow has plundered the box office, with "Pirates of the Caribbean: Dead Man's Chest" taking in a record $132 million in its first three days, according to studio estimates Sunday.

Disney's swashbuckling sequel sailed past the previous all-time best debut, 2002's  Spider-Man which took in $114.8 million in its first weekend.

"Dead Man's Chest" also did nearly three times the business of its predecessor, "Pirates of the Caribbean: The Curse of the Black Pearl," which took in $46.6 million over opening weekend in 2003.

The sequel surpassed that total in its first day alone, taking in $55.5 million Friday to beat the previous single-day record of $50 million, set last year by "Star Wars: Episode III Revenge of the Sith." With $44.7 million on Saturday, "Dead Man's Chest" also became the first movie to top $100 million in just two days.

Despite sky-high projections for the "Pirates" sequel from industry analysts, producer Jerry Bruckheimer said he had expected "Dead Man's Chest" to open closer to the $77 million debut weekend of last spring's "The Da Vinci Code."

"When people in the industry predicted these high numbers, I thought they were just trying to be mean. So no matter how good we did, if we did $100 million, we'd be failures," Bruckheimer told The Associated Press on Sunday. "I didn't think we'd get near these numbers."

The movie sent Hollywood's overall business soaring. The top 12 films grossed $206.5 million, up 48 percent from the same weekend last year, when "Fantastic Four" opened with $56.1 million.

"Dead Man's Chest" raked in nearly double the total of the rest of the top 12 combined. The previous weekend's top film, "Superman Returns," fell to No. 2 with $21.85 million, down 58 percent from opening weekend.

"Superman Returns" has grossed $141.7 million in 12 days and should fly past the $200 million mark, said Dan Fellman, head of distribution for Warner Bros., which released the film.

The sci-fi tale of drug addiction "A Scanner Darkly" debuted strongly in limited release with $406,000 in 17 theaters. Shot in live action then painted over with digital animation, the movie is a hallucinatory tale adapted from Philio K. Dicks's novel.

In a single weekend, "Dead Man's Chest" reeled in 43 percent of the $305 million total domestic gross the original "Pirates" rang up in its entire six-month theatrical run.

The movie's audience was equally divided between males and females, and it drew strongly from all age groups, according to Disney.

"It is straight across the board," said Chuck Viane, head of distribution for Disney, which based the movies on its "Pirates of the Caribbean" theme park ride. "Everybody's coming. Whoever it is, they're there."

Even factoring in higher admission prices since 2002, "Dead Man's Chest" still set a record of just under 20 million tickets sold, about 200,000 more than "Spider-Man."

"Maybe the only movie that has a chance to beat this record might be the next `Pirates' movie," said Paul Dergarabedian, president of box office tracker Exhibitor Relations.

Audiences won't have to wait long. Disney shot much of the third installment at the same time as "Dead Man's Chest," which ends in a cliffhanger leading into part three, due in theaters over Memorial Day weekend next year.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Exhibitor Relations Co. Inc. Final figures will be released Monday.

1. "Pirates of the Caribbean: Dead Man's Chest," $132 million.

2. "Superman Returns," $21.85 million.

3. "The Devil Wears Prada," $15.6 million.

4. "Click," $12 million.

5. "Cars," $10.3 million.

6. "Nacho Libre," $3.3 million.

7. "The Lake House," $2.8 million.

8. "The Fast and the Furious: Tokyo Drift," $2.5 million.

9. "Waist Deep," $1.9 million.

10. "The Break-Up," $1.6 million.

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Captain Jack Sparrow Drops Anchor in Disney Parks’ Classic Pirates of the Caribbean Attraction



Popular Adventure in California and Florida Welcomes Aboard Cinematic Buccaneers from the Hit Film Franchise, Disney’s Pirates of the Caribbean;
Disney Cruise Line Adds Ghost Ship

 - Pirates of the Caribbean, the popular Disney theme park attraction brought to the big screen in Disney’s Pirates of the Caribbean: The Curse of the Black Pearl, welcomed new characters and elements today from the blockbuster entertainment franchise as part of a spectacular, star-studded world premiere for Pirates of the Caribbean: Dead Man’s Chest at Disneyland in Southern California. The attraction officially re-opens to guests at Disneyland on June 26 and in Florida’s Magic Kingdom on July 7.


The crafty Captain Jack Sparrow, his ruthless and cunning nemesis Barbossa, and Davy Jones, the legendary ruler of the ocean depths, have joined the “Wildest crew to ever sack the Spanish Main” in the classic Disney Park adventure at both the Disneyland Resort in California and Walt Disney World Resort in Florida. The enhanced attraction opens in time for the highly anticipated major motion picture release of Pirates of the Caribbean: Dead Man’s Chest, in theaters nationwide on July 7.


Additionally, in late June, guests sailing on a Disney Cruise Line vacation will find a 175-foot ghost ship, The Flying Dutchman, anchored at Disney’s private island Castaway Cay. The actual movie set piece from the new film provides the perfect setting and an incredible backdrop for would-be pirates.


“Bringing these popular characters from the ‘Pirates of the Caribbean’ film franchise to Disneyland and Walt Disney World is a great example of how we are bringing new magic to a classic attraction,” said Jay Rasulo, chairman of Walt Disney Parks and Resorts. “Our parks are where the Disney magic comes alive, and we’re excited to give Captain Jack Sparrow and his cohorts a home in our Pirates of the Caribbean attractions and on Castaway Cay – much to the delight of our guests.”

In a unique twist of events, the concept of Pirates of the Caribbean has come full circle with the attraction initially inspiring the successful film franchise and now the films inspiring additions to the attraction. Both versions of the attraction closed in March 2006 in preparation for the installation of the enhancements that have been made over the past three months.


“While the attraction has endured as a favorite for generations, many fans, particularly young kids, may have experienced the movie series before the attraction,” said Kathy Rogers, Walt Disney Imagineering senior show producer. “So bringing some of the movies’ characters and themes into the attraction helps us maintain that continuity between these wonderfully interconnected worlds.”


Captain Jack Sparrow appears in the attraction on three different occasions. His first appearance occurs during the familiar “Dunking Scene” where one of the pirate leaders is interrogating the village’s mayor, trying to find out Captain Jack’s whereabouts by consistently dunking the poor magistrate in the well. Captain Jack Sparrow appears again in a barrel next to a salty old pirate who is reviewing a treasure map. And lastly, Captain Jack can be spotted in the finale of the attraction relishing in his good fortune to be the first to find the town’s cache of treasure.
Additionally, the treacherous Barbossa can now be seen as the Captain of the Wicked Wench in the attraction’s famous battle scene. An apparition of the ghostly Davy Jones, a prominent character in Pirates of the Caribbean: Dead Man’s Chest, can be seen in the attraction’s mysterious grotto labyrinth, materializing via a fantastic waterfall effect.


In addition to weaving the characters of Captain Jack Sparrow, Barbossa and Davy Jones into the attraction’s storyline, the Disney Imagineers have enhanced the attraction experience with an all-new dynamic digital sound design, the addition of musical cues from the movie soundtracks, enhanced theatrical lighting designs and an improved battle sequence between a pirate galleon and Spanish fortress.

“Captain Jack Sparrow and Barbossa are great new Audio-Animatronics figures, and we’ve featured them in ways that fit into what’s already happening in the attraction but expands the story just enough to include their personalities,” added Michael Sprout, WDI senior concept writer. “We want it to feel like they were there all along.”


One of the largest scene scenes to be enhanced is the impressive “Treasure Cache,” found in the attraction’s mysterious grottos. Imagineers removed the scene entirely and fabricated more than 400,000 new shimmering gold coins and set pieces. The scene at Disneyland will contain original movie props from the hit 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
“This new chapter in the legacy of Pirates of the Caribbean is testament to our Disney Imagineers, both past and present, who contributed their skills and talents in creating one of the great three-dimensional entertainment experiences of all-time,” said Tom Fitzgerald, senior creative executive for Walt Disney Imagineering. “Pirates is considered by many to be the quintessential Disney theme park adventure, and these enhancements ensure its timeless appeal and honored place at Disney Parks around the world.”

Created under the direct creative supervision of Walt Disney himself, Pirates of the Caribbean is a classic Disney theme park adventure, a swashbuckling voyage that transports guests back to the days when pirates and privateers roamed the Spanish Main. Starring a comical cast of rascals, scoundrels, villains and knaves, the world-famous attraction sends guests of all ages on a voyage through mysterious caverns where “Dead men tell no tales” and then into a colonial era Caribbean seaport under siege by a band of fun-loving pirates. The attraction’s jaunty theme song, “Yo Ho (A Pirate’s Life for Me),” sets the show’s light tone with its tongue-in-cheek depiction of high seas lawlessness now featuring Captain Jack Sparrow, Barbossa and Davy Jones.


Featuring more than 120 Audio-Animatronics performers, lavishly decorated sets and special effects, Pirates of the Caribbean is one of the most spectacular attractions ever created for Disney Parks. More than 500 million people have experienced the rollicking fun of the immersive adventure in California and Florida over the past 39 years.


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A Midsummer Night’s Glam Jam

Those listed as attending.

 

 

Baron Davis (Co-host of A Midsummer Night’s Dream)
Paul Pierce (Co-host of A Midsummer Night’s Dream)
Aksent
Al Shearer (Glory Road, Who’s Your Daddy?)
Ali Vegas
Angie Stone
Antoine Walker (Miami Heat)
Bobby Simmons (Milwaukee Bucks(
Brandy
Brittney Daniel
Burn the Fields
Caliste
Chapter 4 (J Recording Artist)
Damion “Dante” Wayans
David Banner (Universal Recording Artist)
D-Ray
G.L.C.
Hilary Duff
Jason Richardson
Jeff Branson (All my Children)
Jermaine Dupri
Jerry Stackhouse (Dallas Mavericks) and wife
Joel Madden
Kandi
Kareem Abdul-Jabbar Jr.
Kelis
Nate Butler
Nikki Deloach (Windfall)
Noz
Penny Marshall
Ricky Manning
Sam Jones and guest
Sam Jones III w/Nadia (Glory Road, Smallville)
Shar Jackson (Toxic, Family Reunion)
Shawn Marion and Antoine Walker
Snoop Dogg
Steve Jackson
Sway
Tyson Chandler
Z James
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Joint Strike Fighter Rolled Out, Named Lightning II

TSeal of the Pentagonhe first F-35 Joint Strike Fighter, which will be known as the Lightning II, was unveiled at Lockheed-Martin's facility at Fort Worth, Texas, today.
Air Force Chief of Staff Gen. T. Michael Moseley announced the
fighter's name, which pays homage to two predecessors.

The P-38 Lightning was a Lockheed fighter that fought in all theaters
during World War II. The aircraft had the legs to go long distances, and
it was fast. Army Air Forces Maj. Dick Bong, the leading U.S. ace of
the war with 40 kills, flew P-38s in the Pacific. Army Air Force Maj.
Thomas McGuire, who had 38 kills in the Pacific, also flew Lightnings.

The name also remembers the Lightning jet the British developed in the
mid-1950s. The aircraft was the first British aircraft to pass Mach 2,
and it remained in the inventory until the late 1980s. Britain has been
part of the Joint Strike Fighter program since the beginning.

The Lightning II is designed to meet the needs of the Air Force, Navy
and Marine Corps. The F-35A version is designed for conventional
takeoffs and landings, and will be used by the Air Force. It will replace the
F-15, F-16 and A-10. The B variant has vertical lift capability, and
will be used by the Marines as a replacement for the AV-8B Harrier. The C
variant will be for carrier launches and will ultimately replace the
Navy's F-18s.

Deputy Defense Secretary Gordon England congratulated the team that
built the stealth-technology fighter, and said the aircraft will serve far
into the future. "The F-35 Lightning II will be the centerpiece of
airpower in the 21st century for America and our allies," England said.

In addition to Britain, the consortium of countries that will field the
aircraft includes Italy, the Netherlands, Turkey, Australia, Norway,
Denmark and Canada.

The first flight for the aircraft is set for later this year. Some 15
F-35s will undergo testing in the next few years.

LEADERSHIP TEAM

Tom Fillingham

BAE SYSTEMS

Vice President and Deputy Program Manager

Joint Strike Fighter

 

Tom joined British Aerospace in 1982 and progressed through a number of posts covering Future Studies. Tom moved onto the Eurofighter programme in the Systems Engineering area in 1989 and moved through a variety of positions including areas such as EW, Cockpit Systems and Systems Integration. In April 2000, Tom was appointed to the role of Avionics lead on the Eurofighter Typhoon programme. In early 2002 Tom became Deputy Chief Engineer for Eurofighter.

Tom is a Chartered Engineer and a member of the Institute of Mechanical Engineers.

In January 2003, Tom was appointed as Vice President and Deputy Program Manager JSF based in Fort Worth, Texas. In this role Tom takes full responsibility for the delivery of the BAE SYSTEMS JSF business and he is also closely linked to the BAE SYSTEMS North America business.

Born in Wigan, Lancashire, U.K., Tom was educated in Manchester and graduated from the University of Manchester Institute of Science and Technology (UMIST) with a first class degree in Mechanical Engineering. While working on his degree, Tom also worked part-time at BAE SYSTEMS as an apprentice.

BAE SYSTEMS is an international company engaged in the development, delivery and support of advanced defence and aerospace systems in the air, on land, at sea and in space. The company designs, manufactures and supports military aircraft, surface ships, submarines, radar, avionics, communications, electronics and guided weapon systems. It is a pioneer in technology with a

heritage stretching back hundreds of years. It is at the forefront of innovation, working to develop the next generation of intelligent defence systems.

BAE SYSTEMS has major operations across five continents and customers in some 130 countries. The company has more than 90,000 people and generates annual sales of approximately £12 billion through its wholly-owned and joint venture operations.

 

Robert H. Griswold

GE Aircraft Engines

General Manager

Joint Strike Fighter Program

F136 Project Department

 

R.H. (Bob) Griswold is General Manager of the F136 Joint Strike Fighter Program, reporting to the Vice President of Military Systems. He currently has GE Aircraft Engines’ (GEAE) responsibility for developing the JSF F136 Propulsion System as well as developing both the domestic and international customer base.

Bob brings 30 years of technical and program management experience to this current role.

Joining GEAE in 1967 as a design engineer, Bob has held increasing leadership positions in commercial, marine/industrial and military engine programs.

Bob also has an extensive background working with our military customers on new applications such as the YF120 for the Advanced Tactical Fighter, and engines for the A/F-X, which has become the Joint Strike Fighter. Bob also led the initiative to field the next growth version of the F110 for longer life, higher thrust options and reduced life cycle costs.

Bob received a B.S. in Mechanical Engineering from the University of Pennsylvania in 1965. He joined GE Aircraft Engines in 1967 after working for a small high technology company in Philadelphia.

In addition to his current engine responsibilities, Bob is very active in GEAE’s effort to improve product and process quality through the use of Six Sigma tools. The primary Six Sigma focus has been on Affordable Readiness.

GE Aircraft Engines, part of GE Transportation of General Electric Company (NYSE: GE), is the world's leading manufacturer of jet engines for civil and military aircraft, plus gas turbines derived from these engines for marine and industrial applications.

 

Robert H. Griswold

GE Aircraft Engines

General Manager

Joint Strike Fighter Program

F136 Project Department

 

R.H. (Bob) Griswold is General Manager of the F136 Joint Strike Fighter Program, reporting to the Vice President of Military Systems. He currently has GE Aircraft Engines’ (GEAE) responsibility for developing the JSF F136 Propulsion System as well as developing both the domestic and international customer base.

Bob brings 30 years of technical and program management experience to this current role.

Joining GEAE in 1967 as a design engineer, Bob has held increasing leadership positions in commercial, marine/industrial and military engine programs.

Bob also has an extensive background working with our military customers on new applications such as the YF120 for the Advanced Tactical Fighter, and engines for the A/F-X, which has become the Joint Strike Fighter. Bob also led the initiative to field the next growth version of the F110 for longer life, higher thrust options and reduced life cycle costs.

Bob received a B.S. in Mechanical Engineering from the University of Pennsylvania in 1965. He joined GE Aircraft Engines in 1967 after working for a small high technology company in Philadelphia.

In addition to his current engine responsibilities, Bob is very active in GEAE’s effort to improve product and process quality through the use of Six Sigma tools. The primary Six Sigma focus has been on Affordable Readiness.

GE Aircraft Engines, part of GE Transportation of General Electric Company (NYSE: GE), is the world's leading manufacturer of jet engines for civil and military aircraft, plus gas turbines derived from these engines for marine and industrial applications.

 

Rear Admiral Steven L. Enewold

Program Executive OfficerF-35 Joint Strike Fighter Program

Rear Admiral Steven “Smiley” Enewold, a native of Denver, Colorado, graduated from the University of New Mexico and its Naval Reserve Officer Training Candidate Program in December 1972. After commissioning, he entered flight training and postgraduate studies at Pensacola, Florida. In June 1974, he received his Masters of Science in Aeronautical Systems from the University of West Florida and shortly thereafter, “Wings of Gold” at Training Squadron FOUR.

Operational training began in January 1975 when he transitioned to the A-6A/E INTRUDER at Whidbey Island, Washington. His initial Fleet squadron was the MAIN BATTERY (VA-196) where he completed a WESTPAC/Indian Ocean Deployment and won his first Air Wing “TOP TEN” Tailhook Award. His follow-on assignment was with VA-128 as an A-6 instructor pilot, serving as the AIRPAC NATOPS Model Manager and lead instructor for the Familiarization, Weapons, and Tactics training phases.

His second operational tour with the VA-52 KNIGHTRIDERS was shortened by selection to Air Force Test Pilot School at Edwards AFB where he served as the Class Leader for Class 83A, “The Class with NO Class”. After graduation in December 1983, he reported to the A-6 Weapon System Support Activity, China Lake, California. His projects included the A-6E weapon integration of HARM, HARPOON 1C, IR and LASER Maverick, Skipper II, GATOR, BIGEYE, AWW-13 Data Link Pod, and A-6F software design. In 1987, he was selected as an Aeronautical Engineering Duty Officer and started his third operational tour with the VA-115 EAGLES station in Atsugi, Japan.

In 1988, he transferred to the Naval Test Pilot School where he served as Chief Flight Instructor, teaching in the Systems and Fixed Wing curricula. In June 1991, he transferred to Naval Air Systems Command Headquarters, serving as both the A-6 “Class Desk” and Director, Air Vehicle Division (AIR-530).

In August 1994, he assumed command of the Aircrew Systems Program (PMA-202) where he managed the development, procurement and support of personal flight equipment, night vision goggles, escape systems and survival radios. In April 1997, he transferred to the Program Executive Office for Tactical Aircraft Programs (PEO (T)) and assumed command of the EA-6B Program (PMA-234) until August 1999. In 2000, he completed a one-year assignment in the Secretary of Defense Corporate Fellowship Program where he was assigned to Lockheed Martin Mission Systems in Gaithersburg, MD.

He served as the Program Executive Officer for Air ASW, Assault and Special Mission Programs (PEO (A)) 13 December 2000 until 30 January 2002. His current assignment is as the Program Executive Officer for the F-35 Joint Strike Fighter Program.

Rear Admiral Enewold has flown over 4800 flight hours in more than fifty different types of aircraft and has over 660 carrier arrested landings. Rear Admiral Enewold’s personal decorations include: Legion of Merit (3), Meritorious Service Medal (3), Navy Commendation Medal, and Navy Achievement Medal. He is married to the former Judi Stoever of Albuquerque, New Mexico and has two married daughters, Jeanine Goldberg and Lynnette Johnson.

 

 

Mr. John C. McKeown

Technical Director

F-35 Joint Strike Fighter Program

 

A Pennsylvania native, Mr. McKeown earned his bachelor’s degree in Aero-Space Engineering from Pennsylvania State University and holds graduate degrees from the University of Northern Colorado and the John F. Kennedy School at Harvard University.

Mr. McKeown began his professional career at Sikorsky Aircraft, where he served on new product design teams and was responsible for flight control and structural design for military and commercial helicopters, as well as development of computer simulations and computer-aided design methods.

Mr. McKeown entered public service at the Naval Weapons Laboratory as supervisor, Aircraft Systems Section. His responsibilities included weapon systems integration, airborne fire control, and systems software evaluation.

Joining the Naval Air Systems Command, McKeown was test, evaluation, and reliability officer for the CONDOR standoff weapons system. Assigned as deputy project manager for H-53 helicopters, he managed H-53 modernization and CH-53E development programs; after that, he was the deputy project manager for Airborne Mine Countermeasures Helicopters, including RH-53 fleet support and MH-53E full-scale development.

Mr. McKeown then joined the Department of Research and Information at the Defense Systems Management College (DSMC) as Professor of Acquisition/Program Management.

He managed contracts, taught systems management courses, consulted for government agencies and program managers, and coordinated government workshops.

On returning to the Naval Air Systems Command, Mr. McKeown assumed the position of Head, light Controls Branch. He was responsible for flight control engineering research and development through fleet support for electronic, electrical, hydraulic, and mechanical systems.

Mr. McKeown then became Head of the Acquisition Plans, Programs and Policy Branch, where he led aggressive efforts to expand the competitive supplier base for fl ight-critical spare parts procurement and reduce the costs of personal accommodation equipment. He also headed the Specifications, Standards and Data, and the Land-based Aircraft Branches.

Selected for promotion to the Senior Executive Service, and appointed as Technical Director of the Air Vehicle Division, Mr. McKeown was responsible for the airworthiness, design, development and qualification of all Navy aircraft. This included engineering disciplines of aerodynamics, flight controls, materials, structures, and mechanical systems.

As Director, Systems Engineering, Mr. McKeown oversaw the conversion of mission needs into technical requirements for all air vehicles and weapons in Navy’s unique operating environment, through an integrated, balanced engineering effort which addressed cost, schedule and performance objectives across the entire aircraft life cycle.

Mr. McKeown is now Technical Director for the Joint Strike Fighter Program in Arlington, Virginia. This multi-billion dollar joint-service program will develop and produce the next generation strike warfare weapon system for the U.S. Navy, Marine Corps, Air Force, the Royal Navy, Royal Air Force, and for other countries under partnership and foreign military sales plans. The focus of the program is on affordability ~ reducing development, production, and ownership costs for the JSF family of aircraft.

McKeown has completed graduate courses in digital control systems, holds two patents for flight control design, and was a private pilot.

He served on the Congressional Aeronautics Advisory Committee, and is a member of the American Helicopter Society in which he served on its Technical Council, and Handling Qualities, Scholarship, and Awards Committees. McKeown was an active participant in the National Rotorcraft Technology Center and a Board Member of the Rotorcraft Industry Technology Association. He was a member of the Government Steering Group of NDIA’s Systems Engineering Division, and the Corporate Advisory Board of the International Council on Systems Engineering. He served on NASA’s Shuttle Independent Assessment Team, The Institute For Defense Analysis’ Comanche Independent Review Team, and the Navy’s Shipbuilding Computer-Aided Design Assessment.

McKeown’s professional recognition includes election as a Penn State Outstanding Engineering Alumnus, a NASA Group Achievement Award, Secretary of Defense Superior Management and Productivity Awards, the Defense Meritorious Service Medal, the Vice-President’s Reinventing Government (‘Hammer’) Award, a Presidential Rank Award, and an Aviation Week and Space Technology ‘Laurel.’

 

.T. Burbage

Lockheed Martin Aeronautics Company

Executive Vice President and General Manager

F-35 Joint Strike Fighter Program Integration

 

Tom Burbage, Executive Vice President and General Manager for Program Integration, has been with the Joint Strike Fighter since November 2000. Prior to this assignment he had served in a series of senior management assignments including Vice President and General Manager, F-22 Program, President Lockheed Martin Aeronautical Systems Company in Marietta, Ga., and most recently, as Executive Vice President, Customer Requirements for the new Lockheed Martin Aeronautics Company.

Mr. Burbage joined Lockheed Martin in 1980 in the business development branch and later became manager of business development for U.S. government programs at the Lockheed California Company operations in Burbank. In December 1987, he was appointed vice president for Washington operations and coordinated the company’s relationships with the Department of Defense and the U.S. Congress, as well as the embassies of foreign governments. He moved to Marietta, Ga., in 1990 as vice president for Business Development and Product Support at Aeronautical Systems. He was named vice president and AFX program manager in 1992 and vice president and general manager for Navy Programs in 1994.

From 1969 to 1980, Mr. Burbage served on active duty in the United States Navy, achieving the rank of lieutenant commander. After completing the U.S. Navy Test Pilot School in 1975, he accumulated more than 3,000 hours in 33 different types of military aircraft. On Oct. 31, 1994, he retired from the Navy Reserves as a captain.

Mr. Burbage was born in San Diego, California. In 1969, he received a bachelor’s degree in aerospace engineering from the U.S. Naval Academy. He also has master’s degrees in aeronautical systems from the University of West Florida and business administration from UCLA.

Lockheed Martin Aeronautics Co., a business area of Lockheed Martin, is a leader in the design, development, systems integration, production and support of advanced military aircraft and related technologies. Its customers include the military services of the United States and allied countries throughout the world. Products include the F-16, F/A-22, F-35 JSF, F-117, C-5, C-130, C-130J, P-3, S-3 and U-2. The company produces major components for the F-2 fighter, and is a co-developer of the C-27J tactical transport and T-50 advanced jet trainer.

Headquartered in Bethesda, Md., Lockheed Martin Corp. employs about 130,000 people worldwide and is principally engaged in the research, design, development, manufacture and integration of advanced technology systems, products and services.

The corporation reported 2003 sales of $31.8 billion.

 

Robert T. (Bob) Elrod

Lockheed Martin Aeronautics Company

Executive Vice President and General Manager

F-35 Joint Strike Fighter Program

 

Robert T. Elrod is executive vice president and general manager of the F-35 Joint Strike Fighter Program for Lockheed Martin Aeronautics Company. Previously, Mr. Elrod was executive vice president of Programs for the company.

Mr. Elrod was president of Lockheed Martin Skunk Works in Palmdale, California, from November 1999 through March 2000. As president, he was responsible for all company activities and integration of Skunk Works operations with corporate and aeronautics line of business strategies. The Skunk Works designed, manufactured and tested the Concept Development Aircraft for the F-35 Joint Strike Fighter (JSF), Joint Air-to-Surface Strike Missile (JASSM) and X-33, the eventual successor to the space shuttle.

From October 1998 until November 1999, Mr. Elrod served as executive vice president of Lockheed Martin Tactical Aircraft Systems. He was responsible for the day-to-day operation of the company and leadership of special initiatives for improved company operations.

Mr. Elrod joined General Dynamics in 1978 as business manager in the F-16 Program Office. He has performed jobs of increasing scope and responsibility in Program Management, Special Projects and Contract Management.

Mr. Elrod served 21 years with the U.S. Air Force in a variety of jobs and assignments.

His last Air Force job was financial manager for the Strategic Systems Program Office (B-1, B-52 Mods, air-launched cruise missile [ALCM]) at Wright-Patterson Air Force Base, Ohio.

In 1969, Mr. Elrod received a master of business administration degree from Ohio State University and a bachelor of business administration from the University of Oklahoma in 1967.

He is married to the former Toni Maze Eagleton and has one stepdaughter, three sons, a daughter and two grandchildren.

 

 

JANIS PAMILJANS

Northrop Grumman Corporation

Vice President and Manager

F-35 Joint Strike Fighter Program Integration

 

Janis G. Pamiljans is vice president and manager of the F-35 Joint Strike Fighter program for Northrop Grumman Corporation’s Integrated Systems sector in El Segundo, Calif. He was appointed to this position in September 2004.

As a principal member of the Lockheed Martin F-35 JSF team, Northrop Grumman's Integrated Systems sector is responsible for design and integration of the F-35's center fuselage section, including integration of the subsystems; development of a substantial portion of F-35 mission systems software; ground and flight test support; signature- and low-observables development support, and modeling and simulation activities.

Mr. Pamiljans had served as the deputy F-35 program manager for Operations since January 2004. He joined Northrop Grumman in 1987 as manager of flight test engineering for the B-2 stealth bomber and held a number of key positions on the B-2 and F/A-18 Hornet strike fighter programs in the areas of production, integrated logistics support and production support. In 2001 he was appointed vice president of Lean Operations and Quality Assurance for the Air Combat Systems business area of the Integrated Systems sector. He served as vice president of Production for the Integrated Systems sector from May 2003 until his appointment to the F-35 program.

His career began as a systems engineer with Lockheed Space Operations Company in support of the NASA Space Shuttle program, and he was subsequently promoted to manager of Orbiter Systems.

Mr. Pamiljans received a bachelor’s degree in aeronautical engineering from San Jose State University in 1983. He has completed the Duke University Advanced Management Program, UCLA Advanced Marketing Program, California Institute of Technology Systems Engineering Program and the Defense Science Management College in Acquisition Management. He also is a flight test engineering graduate of the National Test Pilot School.

Northrop Grumman Integrated Systems is a premier aerospace and defense systems integration organization. Headquartered in El Segundo, Calif., it designs, develops, produces and supports network-enabled integrated systems and subsystems optimized for use on networks. For its government and civil customers worldwide, Integrated Systems delivers best-value solutions, products and services that support military and homeland defense missions in the areas of intelligence, surveillance and reconnaissance; space access; battle management command and control; and integrated strike warfare.

 

William J. Gostic

Pratt & Whitney, Military Engines

Director

F135/Joint Strike Fighter Program

 

Bill is director of the F135/JSF program for the Military Engine Division of Pratt & Whitney in East Hartford, Conn., with responsibility for all technical and business aspects of the program. In this position, Bill leads the F135 IPMT and is responsible for meeting all SDD contract deliverables relating to budget, schedule and performance. In addition, Bill leads efforts to manage and grow the F135 business from a profit and loss perspective. These activities include domestic business development, technology planning and investment, achieving production and logistics support contracts as well as related business agreements.

Prior to assuming this position, Bill was Director of Aftermarket Services Business Development where he was responsible for all aftermarket related sales campaigns as well as development of joint ventures. Bill integrated the program management, business and engineering functions of the Military Engine Division with the maintenance, repair and overhaul operations of the Aftermarket Services Division.

Bill held various positions within the Military Engines Program Management Office and Engineering. Bill was the F100-PW-229 Program Manager, the F100-PW-232 Program Manager and the Manager of Failure Analysis. Responsibilities in these positions included for fleet safety, production delivery, customer support and critical engineering investigations.

Bill received his Bachelor of Science degree in Materials Engineering from Johns Hopkins University in 1979 and his Masters of Business Administration from the Sloan School of Management at Massachusetts Institute of Technology in 1998. Bill has received 8 U.S. patents for his work in metallurgy and was awarded the UTC George Mead Medal for engineering excellence.

Pratt & Whitney military engines are built and supported in facilities located in Arkansas, Connecticut, Florida, Georgia, Maine, Oklahoma, and Texas. Models include the F119 powering the F/A-22 Raptor; the F135 for the Joint Strike Fighter; the F117 for the C-17 Globemaster III; the F100 for the F-15 and F-16 fighters; the J52 for the EA-6B Prowler; the TF-33 powering AWACS, Joint STARS, B-52, C-141 and KC-135 aircraft; the PT6 for the T-6A, C-12, T-34C and UH-1N aircraft; and the JT15 for the T-1A, US-35A, and the Pegasus UCAV.

Pratt & Whitney, a United Technologies company (NYSE: UTX), is a world leader in the design, manufacture and service of aircraft engines, space propulsion systems and industrial gas turbines.

 

Thomas J. Hartmann

Rolls-Royce Corporation

Vice President

Joint Strike Fighter Programs

 

Tom Hartmann, Vice President Joint Strike Fighter Programs for Rolls-Royce Corporation, joined Allison Engine Company (then a part of General Motors) as a General Motors Institute Cooperative Education Student in June of 1976. He graduated from General Motors Institute of Technology with a Bachelor of Mechanical Engineering in 1981.

Upon completion of his degree, Tom held various positions within Allison Engine Company’s Industrial Engines organization, from sales engineer to a senior position as Director of Industrial Engine Customer Support.

When Allison became part of Rolls-Royce plc in 1995, Tom joined the Better Performance — Faster reengineering program serving as team leader on two action teams. In October 1996, Tom became Director of Business Development for Rolls-Royce, coordinating company-wide strategy development.

In June 1999, Tom was appointed Vice President, Fighter and Trainer Programs with responsibility for all aspects of fighter and trainer programs for Rolls-Royce Defense North America. This led to a two year assignment at Rolls-Royce facilities in Bristol, England where he worked from 2000 to 2002 as Program Director for the Pegasus and Adour engine lines while also serving as a member of the Rolls-Royce Turbomeca (RRTM) Board of Directors.

In his most recent assignment, Vice President of Joint Strike Fighter Programs, Tom is responsible for all aspects of Rolls-Royce participation in the Joint Strike Fighter program and is based in Indianapolis, Ind..

During July of 2002, Tom joined the Board of Directors of the newly formed GE Rolls-Royce Fighter Engine Team LLC, a joint venture with General Electric to design, develop, manufacture and support the F136 engine for the F-35 Joint Strike Fighter aircraft.

Rolls-Royce is teamed with Pratt & Whitney to develop the F135 STOVL elements which are common to both the F135 and to the GE Rolls-Royce F136 engines. Rolls-Royce is a leading provider of power systems for air, land and sea, and operates in four global markets — civil aerospace, defence aerospace, marine and energy.

F-35 Joint Strike Fighter (JSF)

 

The F-35 Joint Strike Fighter (JSF) is being developed for the U.S. Air Force, Navy and Marine Corps, as well as the UK’s Royal Air Force and Royal Navy, to replace the AV-8B Harrier, A-10, F-16, F/A-18 Hornet and the United Kingdom’s Harrier GR.7 and Sea Harrier.

 

The three variants of the aircraft in development feature a high degree of commonality, and are being tailored to meet each service’s unique requirements. The variants include: the conventional takeoff and landing aircraft (CTOL) for the U.S. Air Force, a short takeoff and vertical landing (STOVL) variant, for the U.S. Marine Corps and the UK, and a carrier takeoff and landing (CV) aircraft, for the U.S. Navy. Current stated requirements from initial customers will result in the manufacture of around 3,000 aircraft.

The first F-35 JSF will be operational in 2010.

 

F-35 JSF Involvement Across BAE Systems

A major part of the UK industrial contribution to JSF will come from BAE Systems aircraft manufacture facilities in Warton and Samlesbury and avionics facilities of BAE Systems Avionics at Rochester and Edinburgh, as well as BAE Systems North America.

The aft fuselage and empennage (tails and fins) for each F-35 JSF will be designed, engineered and built at the BAE Systems Samlesbury site, using the latest in advanced development and manufacturing technology.

The F-35 JSF will set new standards for assembly precision and pace. New milling machines are accurate to within 50 microns - about one-third the width of a human hair - to ensure that the JSF’s outer shape is exact and meets its low observability (stealth) requirements. During full-rate production, assembly time for a JSF is expected to be less than half that of current-generation fighters.

BAE Systems is also involved in the key areas of the weapon systems’ design, such as mission systems, the vehicle systems and autonomic logistics. Through its Integrated Electronic Warfare Systems division, BAE Systems will be responsible for the Electronic Warfare systems. BAE Systems will also provide advanced affordable Low Observable Apertures, and advanced countermeasure systems. BAE Systems will provide critical and complex electronic circuits, as well as modelling and simulation capability in support of the Systems Development and Demonstration (SDD) and production phases of the program.

BAE Systems Platform Solutions business in North America is providing the aircraft’s Vehicle Management Computer.

BAE Systems brings with it a rich heritage of Short Takeoff and Vertical Landing (STOVL) experience from the Harrier program as well as advanced lean manufacturing technology from its facilities at Warton and Samlesbury.

The SDD phase is estimated to be worth $2.4 billion to BAE Systems in the UK and a further $750 million to BAE Systems North America.

Production could be worth $16.5 billion to BAE Systems UK, and a further $4.5 billion in the U.S. These figures do not include export sales, support or other business opportunities such as upgrade programs. Estimates show that this amount could double with exports, which could reach 3,000 aircraft.

 

About BAE Systems:

BAE Systems is an international company engaged in the development, delivery and support of advanced defence and aerospace systems in the air, on land, at sea and in space. The company designs, manufactures and supports military aircraft, surface ships, submarines, radar, avionics, communications, electronics and guided weapon systems. It is a pioneer in technology with a heritage stretching back hundreds of years. It is at the forefront of innovation, working to develop the next generation of intelligent defence systems.

 

BAE Systems has major operations across five continents and customers in some 130 countries. The company has more than 90,000 people and generates annual sales of approximately £12 billion through its wholly-owned and joint venture operations.

 

BAE Systems, innovating for a safer world.

For further information contact:

 

Rachel Decker, BAE Systems, JSF

 

 

F-35YEAR INREVIEW2003ONE INPURPOSEANDMISSION

 

A Letter From

Our F-35 JSF

Program Manager

The F-35 Joint Strike Fighter is unquestionably one of the most important, most unique military aircraft programs in history. It is the first truly transformational program with the potential to deliver unmatched capabilities and advantages to joint and coalition forces in the pursuit of freedom and stability in our world. The JSF Program is based on the four design pillars of survivability, lethality, supportability and affordability. An additional critical element is providing true joint and coalition capability by ensuring that our partners and coalition allies can fight “shoulder to shoulder” with the United States in future conflicts. Enabling this aradigm shift requires fully capturing the economies of commonality and scale in our family of airplanes and fully leveraging the contributions of all partner countries.

The second year, just completed, has been incredible for our F-35 JSF Team. We have begun to move from concept to reality or, as our Mission Systems team says, we are going from “PowerPoint to Power On!” Many elements of the program are meeting success after success and doing it very early in this extraordinary development program. As our customers work with us to help refine our design, they are gaining increased insight into the F-35’s transformational character. The U.S. Air Force recently announced its interest in the short takeoff vertical landing (STOVL) F-35B, joining the U.S. Marine Corps and the United Kingdom’s Royal Air Force and Royal Navy in planning for deployment of the world’s first stealthy, supersonic STOVL aircraft.

Many challenges lie ahead. Scaling up the collaborative engineering environment across our global engineering team and integrating all of the Air Vehicle system’s revolutionary features into a fully optimized structural arrangement have proven more difficult than originally envisioned. We are close to resolving these challenges and 2004 will be the year we instill real confidence with all stakeholders in our F-35 family of designs. Although we are not the first team to take on a tough project, I can assure you that no team in history has had a greater challenge.

We have been saying for a while that our next major milestone would be the conventional takeoff and landing (CTOL) and Common Critical Design Review. But we have gotten smarter and our data has become much more refined. An interim step called the Design Integration and Maturation Review has been added to help more comprehensively optimize our design, so that the successive, progressive milestones meet their original objectives. Other necessary schedule adjustments are being considered that will ensure a truly optimized design. These adjustments involve much trust on the part of our customers, who have been very involved and supportive by providing additional resources to ensure our success. It is now up to all of us. We must perform to our commitments, making 2004 the year we prove we can deliver on our promises.

The JSF has many stakeholders, and we recognize the responsibility we have to each of them. Although often missing from the media reports on our program’s progress, our international partners are key to our success, and achieving acceptable industrial participation from their companies is a top objective. Additionally, we take equally seriously our responsibility to involve small businesses, disadvantaged businesses, women-owned businesses and veteran-owned businesses. Excellent progress was made in all these areas in 2003 and that focus will continue in 2004.

 

Now let’s take a look inside the team. The team is ever growing and its character

is really developing. The only way this program can truly succeed is by tapping into

this rich asset. An extensive series of employee interviews was conducted to identify

a comprehensive set of issues. The input provided management with the insight to

hone and refine processes and improve the work environment to further improve the

enterprise’s performance and endurance. The JSF Effectiveness Team (JET) was formed

with membership from the JSF Program Office, Lockheed Martin, Northrop Grumman,

BAE SYSTEMS, Pratt & Whitney and General Electric. Enterprise guiding principles

have been proposed to help effectively guide behavior and decision-making and build a

performance-enhancing culture. These guiding principles will be deployed throughout

the F-35 enterprise in the coming year as the basis for this necessary action.

Now let me try to put all of this in perspective. The celebration of our “first thousand

days” will occur on July 23. So much has happened in that time . . . our design has

matured, systems are coming together, factories are coming to life, pilots and maintainers

are engaged and engineers are working their magic. The issues are in clear focus –

we know what we need to do and have a clear path forward. Our “next thousand days”

will take us to April 2007. With a little luck and a lot of hard work, we will be on the

verge of receiving our first production contract. We will be launching off on our next

great adventure to build this family of airplanes at production rates we have not seen in

many decades.

The following sections of this report will review 2003 accomplishments and lay out

our challenges for 2004. We hope this report captures the “wonder” of this extraordinary

program. Our charter on the JSF Program is unprecedented in terms of potential to

reshape the way the United States and allied nations conduct future combat operations

in defense of the freedoms we enjoy and sometimes take for granted. The JSF Program

is also setting the precedent for how the family of nations will design, develop, produce

and maintain defense systems of the future. It is that important. We must deliver on that

potential. The year 2003 was phenomenal across this huge, talented enterprise ...we will

make history again in 2004.

TomBurbageF-35JSFProgramManager

LockheedMartinExecutiveLeadership,lefttoright:

MikeWalters,TomBlakely,TomBurbageandHenryLevine.

Contents: 2. Partners 14. Program Highlights 30. Improving Effectiveness 1

PARTNERS

4Background:Weapons bay loading demonstration.

Topleft:Preparations are being made at the Northrop Grumman

production facility in Palmdale, Calif.

Bottomright:BAC 1-11 test-bed aircraft used

for test-flying the F-35 avionics sensors.

Northrop GrummanTangible proof of the F-35 becoming an actual

aircraft emerged in 2003 as Northrop Grumman joined

Lockheed Martin in producing the fighter’s first major

airframe components.

Northrop Grumman’s contributions will increase as its

F-35 Joint Strike Fighter Team continues to design components and systems at its state-

of-the-art center fuselage assembly facility currently being developed in Palmdale, Calif.

Northrop Grumman’s efforts intensified in 2003 with the team’s first simulated

weapons-loading exercise in El Segundo, where military ordnance personnel used a

full-scale model of the F-35’s weapons bay to load weapons and evaluate its design. The

involvement of operational users was unprecedented for a military aircraft program in this

stage of design.

Work on the F-35’s advanced fire control radar (AN/APG-81) progressed at Northrop

Grumman Electronic Systems in Baltimore, Md., with the successful completion

of a Preliminary Design Review of the software modes and Critical Design Review of

the hardware. And first-flight testing of the F-35’s radar and Electro-Optical Targeting

Demonstration System was conducted on board a Northrop Grumman BAC 1-11 test-bed

aircraft. This up-front testing will reduce risk to the program and enable any problems to

be solved before the sensors are flight-tested on the F-35 itself.

Northrop Grumman Space Technology celebrated its second year on the JSF Program

with the grand opening of a high-tech integration and test facility. In 2003, the team

also completed the initial phase of the integration and test of the flight-essential

Communications, Navigation and Identification System.

Northrop Grumman demonstrated its commitment to international industrial

participation by awarding some of the most financially significant contracts to companies

based in F-35 JSF partner countries, including the first contracts to Italy and Australia.

Many more milestones await Northrop Grumman in 2004. Foremost is the assembly

and installation of the F-35’s first APG-81 hardware on Northrop Grumman’s Baltimore

manufacturing facility rooftop to mark the preliminary phase of stationary testing. Our

Electro-Optical Distributed Aperture System (EO DAS) Early Risk Reduction pod will

arrive at Edwards Air Force Base in 2004 for flight-testing aboard an F-16 fighter. This

pod will be used to provide a 360-degree protective sphere of coverage around the aircraft

and a view outside through the pilot’s helmet-mounted display system.

Well-positioned to meet the F-35’s aggressive development schedule, the Northrop

Grumman F-35 Team is eager to demonstrate how its components and systems perform in

the most advanced multirole combat aircraft in history.

Steve BriggsF-35 Deputy Program Manager, Northrop Grumman5

 

6Background:F35facilityatBAESYSTEMSinSamlesbury,England.

Topright:MajorGeneralHudsontourstheBAESYSTEMSfacilityinSamlesbury.

Bottomleft:InstallationoftheflexibleinfrastructureinthenewF35assemblyfacility.

BAE SYSTEMSBAE SYSTEMS marked a year of significant progress

in 2003 for the F-35 Joint Strike Fighter Team. One of

the highlights of the year was the official opening of the

state-of-the-art assembly facility at BAE SYSTEMS in

Samlesbury, England. This facility will assemble the

aircraft’s aft fuselage and empennage.

This past year also included such achievements as completing the Preliminary Design

Review, obtaining the F-35 Assembly Interchangeability Machine – a critical part of the

assembly process, completing the horizontal tail static test and releasing engineering

designs to suppliers so parts fabrication can begin. The designs of a large number of

“big bone” parts on the empennage were frozen, Technical Assistance Agreement (TAA)

Amendment 8 was signed and significant strides made in reducing the estimated weight

of the aft fuselage and empennage.

In February 2004, a milestone was met when first cuts were made in Samlesbury on

Frame 609 which forms part of the aft fuse. Continuing to look forward, 2004 is the year

that the program prepares for the submittal of a low-rate initial production proposal and

future production phases of the program. BAE SYSTEMS also is continuing its pursuit

of worldwide suppliers on a best-value basis to fulfill commitments to F-35 JSF partner

countries and reinforce the importance of the JSF Program’s international charter.

The TAA Amendment 9 will be signed in 2004, providing access to the technology

necessary to complete the requirements for the System Development and Demonstration

phase. Toward the end of the year, the BAE SYSTEMS Team will deliver the first major

subassemblies to Fort Worth for the first conventional takeoff and landing aircraft.

This will be a key achievement for BAE SYSTEMS and the focus of the company’s

manufacturing facility setup for 2004.

BAE SYSTEMS looks forward to building upon the success of 2003, with the

anticipated accomplishments of completing upcoming system-level Design Integration

and Maturation Reviews in 2004.

TomFillinghamF-35JSFDeputyProgramManager,BAESYSTEMS7

 

8Background: Afterburner testing.

Top right: CEO Conference participants watch as the

engine is tested to military power.

Bottom left: FX631 first engine to test.

Pratt & WhitneyThe F-35 propulsion system is remarkably complex. It

has to be to meet all the F-35’s performance, affordability

and reliability requirements. As the prime contractor for the

propulsion system, Pratt & Whitney is tackling the challenge

of creating a revolutionary engine and ensuring integration

for the entire propulsion system.

With the help of teammates Rolls-Royce and Hamilton Sundstrand, Pratt & Whitney

reached many noteworthy milestones in 2003. The seven-month Critical Design Review

process demonstrated that the F135 propulsion system is meeting or exceeding System

Development and Demonstration requirements. This process included more than

100 part-level reviews, 28 module and functional-area reviews and, once completed,

established the production configuration of the F135.

Myriad accomplishments followed the Critical Design Review. In September, the first

production configuration F135 conventional takeoff and landing (CTOL)/carrier vehicle

(CV) engine was completed. A month later, the team achieved ground idle on FX631, the

first F135 development engine in production configuration. The run-time tests included

throttle transients to flight idle to verify control-logic preliminary flight-control, leak and

sensor checks and fan vibratory response.

October also saw the successful achievement of FX631 military power – the engine

running at full power without the use of the afterburner. And by November, the FX631

completed its first test run with the use of thrust-augmenting afterburner, which included

lighting the afterburner and running it into the first of its three zones.

In February 2004, the clutch that couples the F-35B’s Rolls-Royce LiftFan® to its

enormously powerful engine successfully completed a total of 1,500 engagements.

The tests demonstrated that the system is able to meet the required number of lifetime

engagements for a single set of clutch plates. The milestone represents a tenfold increase

in clutch life since the JSF X-35B concept-demonstration flights in 2001. During short

takeoffs, hovers and vertical landings, the engine will transmit up to 27,000 horsepower

through the clutch to the LiftFan. Also in February, a Rolls-Royce LiftFan began the first

in a series of STOVL tests to measure operational capability. The LiftFan, a 50-inch,

two-stage, counter-rotating fan driven by the F135, supplies the forward vertical lift for

the F-35B. Finally, Rolls-Royce completed the assembly, successful functional test and

shipment to Pratt & Whitney of the first 3 Bearing Swivel Module (3BSM), a swiveling

jet pipe that can redirect the rear main engine thrust from the horizontal to the vertical in

just 2.5 seconds.

Thisstellaryearofaccomplishmentwasonlyapreludetothesuccessesexpectedin2004.

Theteamcontinuestosolicitinternationalindustrialparticipationinthepropulsionsystem.

The first quarter of the year should see the first production configuration short takeoff

vertical landing (STOVL) propulsion system completed and sent to test. And by year’s

end, the second and third CTOL/CV development engines in the production configuration

should be completed. Pratt & Whitney will use these two engines to provide the data

necessary to ensure the F135 power plant is ready for the F-35’s impending first flight.

Bill GosticF135 Engine Programs Director9

 

10GE Rolls-RoyceFighter Engine

TeamPerhaps nowhere is the F-35’s unique

and complex design more evident than in the propulsion

arena. GE Aircraft Engines and Rolls-Royce are working

together to help produce this revolutionary technology.

In 2003, the GE Rolls-Royce Fighter Engine Team made significant strides in the

creation of the F136 propulsion system. This high level of success is underscored by

the successful completion of the Phase II Critical Design Review, which not only

validated the performance goals of the F136 against the aircraft system, but also

verified the F136 team is on track to meet weight and cost requirements.

After completing analytical work to confirm the engine’s performance parameters

early in the year, the Fighter Engine Team was able to meet a series of stringent design,

test and manufacturing milestones. By the fourth quarter of 2003, the F136 team began

receiving hardware from the F-35 Joint Strike Fighter suppliers, including those in

international partner countries, for the upcomingFirstEnginetoTest,slatedforearlyinthethirdquarterof2004.Theprocurementoftheseinternationalcomponentsunderscorestheteam’scontinueddevelopmentofinternationalpartner/industryrelationshipsthataidindevelopment,designandmanufacturingfortheupcomingSystemDevelopmentandDemonstrationphase.

Two engines are earmarked for testing in 2004. Engine 625-002, with testing scheduled

for early part of the third quarter, will be comprised of 400 hours of testing in a high-

altitude facility, with primary emphasis placed on mechanical characterization. The

second engine to test, 625-003, is a “near production” configuration that will be tested

in the STOVL model for approximately 200 hours.

The chief goal of testing is to match engine design as closely as possible to that of the

final aircraft configuration, thereby minimizing changes and keeping pace with evolving

aircraft demands.

The GE Rolls-Royce Fighter Engine Team will continue to find best-value

development, design and manufacturing solutions to help ensure the F-35’s

groundbreaking propulsion system is delivered on time ...and that the F136 engine

contributes to program success.

Bob GriswoldBob GriswoldoldTom HartmannPresident Senior Vice-PresidentGE Rolls Fighter Engine Team GE Rolls Fighter Engine Team11

 

ExtendedTeamSubcontractManagementMuch of the uniqueness of the F-35 Joint Strike Fighter

enterprise lies in its international character. Nine countries

are combining their talent and treasure to develop the

world’s most advanced multirole fighter, and industries from

each of those nations combined with U.S. domestic contractors are already beginning to

create F-35 parts and systems. Assimilating the Extended Subcontractor Team into the

F-35 JSF enterprise has offered a series of unique challenges and subsequent rewards.

Our collective corporate futures are inextricably linked and this fact alone has dictated

revolutionary change in our subcontract management practices. We selected our key

subcontractors very early in the process (when compared to previous aircraft programs)

and have actively engaged those companies in resolving the variety of issues that confront

our enterprise. Included in our strategy is a person-to-person outreach program to

international partners that is designed to advance their prospects for winning F-35 work

on a best-value basis.

Early in the execution process, we recognized our integrated product teams required

location in the same work areas with the Lockheed Martin F-35 JSF Team of key

subcontractors. Regular Joint Product Assessment Team (JPAT) meetings are required to

keep the entire extended team focused on overall program goals and solutions. In 2003,

we established a Strategic Supplier Advisory Council, comprising the executive leadership

of the critical subcontractors, to help influence and shape policy. The council is chaired

by an elected member from the subcontractor community, and each meeting concludes

with recommendations to program leadership. These interactive meetings have resulted in

significant teaming activities without the need for contractual changes.

The extended team has embraced multitier, small-business reporting, and the

establishment of a JSF Opportunities Database has enabled the program to track

the team’s efforts to resolve small and international sourcing challenges. Additionally, in

2003 these interactive resources enabled the team to incorporate best-value participation

for industry in our nine partner countries.

In 2004 we will employ interactive Strategic Supplier Advisory Councils, JPATs

and a dedicated team to jointly develop low-rate initial production and Total Installed

System Performance Requirements support strategies. We will develop incentive plans

that motivate the extended team to ensure our mutual success. In addition, we will

tap the wealth of talent from this extended enterprise to solve the problems inevitably

experienced in a development program. Together we are developing a transformational

weapon system. We are engaging world-class industrial talent from around the world.

And we are committed to improving our subcontract management processes to meet the

21st-century challenges.

Art PriceDirector, F-35 JSF Subcontract Management13

PROGRAM

HIGHLIGHTS

 

Air VehicleEngineering the most advanced multirole fighter in history

is hard work, and only on occasion do we get the chance to

step back and take a look at the technological jewel we are

all so busy fashioning. When we shift our focus to see what

hasbeenaccomplishedinjustovertwoyears,wetendtohavea bit more appreciation for where all that hard work has gone. During 2003, the program

continued to clear many hurdles on its way to creating the world’s best multirole fighter.

Thanks to the myriad accomplishments of the F-35 Joint Strike Fighter Air Vehicle

Team, the JSF Program successfully completed Preliminary Design Review by mid-2003.

This was the most significant accomplishment by the program to date and the fourth of

25 major milestones that define the F-35 System Development and Demonstration phase.

FortheAirVehicleTeam,thiseventincludedspecialreviewsonvehicleweight,integrationissues and more than 16,000 hours of wind tunnel testing. Achieving this milestone was

not easy; the team worked very hard to mature the structural design and to reduce the

uncertainty that surrounded the program’s weight projections for the airplane.

By October, the Air Vehicle Team had completed design work on the F-35 prototype

radome, initial Flight Control System development testing and F135-PW-100 engine tests

in afterburner mode. A month later, the F-35 airframe itself was beginning to take shape

as milling machines started cutting first “big bone” structural components.

Many of the astonishing capabilities that will set the F-35 apart from other aircraft and

contribute to its transformational nature are embodied in Mission Systems, sometimes

called the “heart and soul” of the F-35. Mission Systems includes targeting, threat-

detection, weapon systems and other high-tech wizardry that enables the plane to fight,

win and survive. What began as complex concepts are translated to cutting-edge software

and hardware and, finally, into systems that merge and prioritize information that helps

warfighters carry out their missions with new levels of effectiveness. In early March,

Mission Systems held its Critical Design Review and achieved great success. Among

its accomplishments were contributions to F-35 weight-reduction efforts with even

more weight savings identified, confirmation of nearly 100 percent Mission Systems

commonality across the three F-35 variants and affirmation of tremendous growth

potential as the F-35 matures as a next-generation weapon system.

In March 2004, F-35 JSF Vehicle Systems underwent a successful Critical Design

Review, with significant progress and design maturation demonstrated since the

Preliminary Design Review one year earlier. Vehicle Systems hardware is entering

development and qualification testing at supplier sites and software is now running

in development labs.

The key milestone for 2004 is now in sight. The Air Vehicle Team will begin assembly

of the first SDD aircraft. Many other milestones will also be accomplished, including

short takeoff vertical landing (STOVL) system design and testing, readiness review of the

interchangeable GE Rolls-Royce F136 engine and vehicle and mission systems testing.

As the team achieves these objectives, the F-35 will begin to emerge as the most

advanced strike fighter in history.

John Fuller

Vice President, F-35 JSF Air Vehicle Product Development IPT Lead17

Topright:F-35 static inlet model.

Bottomright:Motion base assembly takes place in the Netherlands

in preparation for the Acceptance Test Procedure.

 

Autonomic LogisticsFor the F-35 Joint Strike Fighter Autonomic Logistics

Team, 2003 proved to be an exceptional year with the team

meeting or exceeding the majority of its goals while

remaining on schedule and under budget. The Preliminary

Design Review in March helped clarify the Autonomic

Logistics System (ALS) design philosophy and enabled the team to make significant progress

in developing ALS capability in many areas, including the technical aspects of support,

training and information systems.

Development of the Autonomic Logistics Information System (ALIS) progressed with a

System Requirements Review and an analysis of commercial software to support the ALIS

architecture. The team enhanced systems engineering processes to trace activities back to

customer requirements, while the Support Systems Integrated Product Team stayed on pace

to support the F-35 from its first flight forward.

The F-35 JSF training system remains on track with curriculum development and

identification of training scenario alternatives for customer evaluation. Autonomic Logistics

reached many other training milestones, including the introduction of F-35 familiarization

courses and the opening of the Building 200 classroom.

Through the Depot Harmonization initiative, 29 LM-STAR™ depot support-equipment

test stations were delivered to F-35 suppliers for integration into the production cycle. The

stations will test F-35 avionics systems. Using common equipment throughout the worldwide

F-35 fleet will reduce support costs. In addition, 17 support-equipment supplier contracts were

awarded, with the first piece of equipment delivered three months ahead of schedule.

Another area of growth for Autonomic Logistics was the Supply Chain Management Team,

which began its search for a supply services provider to provide systems for overseeing

inventory, purchasing and asset visibility of the F-35 program’s global supply support

pipeline. Additionally, the team held two supplier conferences to communicate Autonomic

Logistics’ vision and gain insight from suppliers on the best way to achieve capability while

ensuring that F-35 support systems are affordable and continually evolving.

Because the F-35 will be used by nations around the world, its support and sustainment will

be a vast, global undertaking. The approach to F-35 Global Sustainment has matured with the

baseline definition of Autonomic Logistics Operations (ALO). ALO will provide functionality

for fleet management, supply chain management, business operations, field operations and

other required functions as the program transitions to production and sustainment. Some

elements of ALO will begin prototyping in 2004. Procedures have been through Internal

Design Review and will continue to mature with the international partners through the

Autonomic Logistics Working Group for the next two years.

Autonomic Logistics must reach many more milestones in 2004, including the Design

Integration and Maturation Review. A key goal for the year will be to demonstrate a sound

business case analysis to both U.S. services and U.K. partners. This demonstration of

affordable sustainability and supportability of the Autonomic Logistics System is imperative

to the success of the program as it moves into low-rate initial production. Essentially, 2004

will be a pivotal year for Autonomic Logistics because all of the plans, concepts of operations

and contract vehicles must be crystallized before production can begin.

Luke Gill

Vice President,Autonomic Logistics1918Background:Trainedpersonnelwithinformation,instructions,tools,partsandmaterialswillkeeptheF35flying.

Left:EngineerworkingonanRFvariantLMSTARTMwithadigitalstationinthebackground.

Right:StudentsattendingtheF35JSFfamiliarizationcourseinFortWorth.

 

F-35 JSF Chief EngineerSuccessfully completing the Preliminary Design Review

in 2003 was a major achievement for the F-35 JSF Chief

Engineer Team. And with the planned sequence of Design

Integration and Maturation Reviews in 2004, the team

continues to define the F-35’s engineering systems.

The incredible progress of 2003 set the stage for another series of challenges to be met

in 2004. These design reviews provide the engineering team the opportunity to move from

concept to reality. This intense period of innovation also allows for hardware fabrication to

begin, a significant step in bringing the design of the F-35’s complex integrated system into

physical existence.

While plans are under way for F-35 aircraft assembly, the design continues for the

conventional takeoff and landing (CTOL) variant, carrier vehicle (CV) and short takeoff

vertical landing (STOVL) variant.

The Basing and Ship Suitability Integration Center (BASSIC) was dedicated in 2003

to ensure that the F-35 incorporates the needs of the U.S. Navy and allied naval air forces.

BASSIC features scale models of Navy, Marine Corps and Royal Navy aircraft carriers

and aircraft, as well as real shipboard hardware, such as tie-down chains, cables and

maneuvering equipment. Also, successful testing concluded on a full-size metal mock-up

of the F-35’s center and aft fuselage to determine the airplane’s vulnerability to combat

threats. These tests will ultimately increase the survivability of the pilot and aircraft in

combat situations.

In 2003, Lockheed Martin and the JSF Program Office reached an agreement with the

Deputy Secretary of the Air Force for Acquisition to allow Lockheed Martin and Northrop

Grumman F-35 assembly plants in Fort Worth, Texas, and Palmdale, Calif., to operate

as unclassified facilities. The team reached additional agreements to downgrade the

classification of some F-35 parts and materials, which will result in a significant reduction

in factory operation and supplier costs.

Developing a proactive approach to the growing challenge of diminishing manufacturing

sources and product obsolescence was also a major priority for the engineering team in

2003. Their work resulted in the establishment of a collaborative database to maintain

awareness of these issues along with supplier design reviews to ensure adequate information

is available to assess product obsolescence risk.

Many milestones lie ahead in our planned sequence of reviews, building to completion of

the Design Integration and Maturation Review. The team has positioned itself to meet these

challenges to ensure a successful design and demonstrate the F-35 is ready to be built and

released to the flight-test program.

Jim Engelland

F-35 JSF Vice President and Chief Engineer21

 

Integrated Test ForceFlight-testingtheF-35willgenerateanalmostinconceivableamountofdata.Megabytesand gigabytes

will quickly balloon to terabytes and petabytes. As the data

for the F-35 accumulate, keeping track of it all will be

like trying to find a specific grain of sand on a beach. The

mission of the Integrated Test Force is to do just that – design the hardware and software

that can acquire, store and retrieve all of the F-35’s invaluable grains of data.

Making our job even more interesting is the requirement to test three different versions

of the same airplane and gather volumes of relevant information on each variant. This has

never been done before, and it will be very much like conducting three separate flight-test

programs at once.

The Integrated Test Force combines U.S. government, U.S. contractors and U.K.

government and contractor personnel into a single test force operating out of the Naval

Air Warfare Center-Aircraft Directorate, Patuxent River, Md.; the Air Force Flight Test

Center, at Edwards AFB, Calif.; and the Lockheed Martin test site in Fort Worth, Texas.

All phases of the F-35 aircraft and its Autonomic Logistics System will be evaluated by

this diverse and highly talented group of testers. Data from the flight-test program will

be made available to the partner countries for their independent review and analysis. At

selected times, the pilots from other partner countries will also evaluate the F-35 in flight.

In 2003, the Integrated Test Force made significant headway on the designs for these

vital data systems. Specifically, designs of some pieces that will go into the F-35 on the

production line were released, and some of the first hardware became operational in our

laboratories. The team also began planning the first-flight test program, mapping out in

great detail the fighter’s first flight, as well as many of its subsequent flights.

As design starts to become reality in 2004, the Integrated Test Force will play a

significant role in the assembly and installation of flight-test data systems into actual

F-35 airframes. In addition, the more than 1,700 people who comprise the flight-test team

will begin to congregate at the Edwards Air Force Base, Calif., and Patuxent River Naval Air Station, Md., test sites.

The Integrated Test Force undoubtedly has many challenges ahead in 2004, such as confronting continued design issues and modifying the Cooperative Avionics Test Bed, a Boeing 737-300, used for flight-testing F-35 mission systems. But as the actual construction phase of the JSF Program begins, the flight-test plans are being completed and the data systems which will acquire, store and sift through digital mountains of data are indeed beginning to take shape.

PaulMetzVicePresident,F-35IntegratedTestForce23

 

Production OperationsThe JSF Program will set new standards for low-cost, efficient and speedy production. Its structural features and modular subsystemsarespecificallygearedtorapid,accurateassembly. It is the first fighter in history designed from start to finish in a universe of digital, 3-D solids. No paper, ink or blueprints. This “digital thread” physically defines the aircraft and its systems. It enables the F-35 to be engineered collaboratively across continents and time zones and brings unprecedented precision and efficiency to the aircraft’s design and production.

The recipe required to produce the groundbreaking F-35 is unlike any other fighter recipe, full of new ingredients, new tools and new processes. And ensuring that thisinnovative recipe is prepared just right is the responsibility of Production Operations.

Preparations are fully under way for the F-35’s impending production. In 2003 alone, the team installed a Flexible Operating Gantry (FOG) machine and prepared to begin machining composites in the south end of Lockheed Martin’s Fort Worth factory.

Cincinnati Machine Co. delivered production machinery as well, including an automated drill center. New equipment and tools are arriving daily and new buildings are under construction around the world. New partners are coming on board and bringing their enthusiasm to the program.

For 2004, foundations are being prepared for the jigs and other critical parts that will be loaded on the factory floor. Here, team members are testing and simulating the innovative continuously moving assembly line, a process that has never before been used in the development of a modern jet fighter. Compared to conventional production methods, the moving assembly line will reduce the time required to build the F-35. The team has held numerous “kaizen” events to evaluate and improve production processes and consulted with renowned industrial production experts from Japan and the United States.

New platforms are being designed, tested and modified daily to ensure the best working environment for the mechanics and support teams who must be in place when production begins. In addition, the team is preparing for the evolution of the JSF Program and working hard with other Integrated Product Teams to ensure that the right processes and solutions are in place to meet the needs of a growing program. New innovations and processes continue to be developed to support the JSF Program’s transition from design to production.

As with all recipes, the most essential element is the preparation. With new partners, suppliers and support teams joining the program daily, Production Operations’enthusiastic and dedicated management and staff are committed to ensuring that the F-35 is in full production and soaring through the skies as soon as possible.

Ed Linhart

Vice President, F-35 JSF Production Operations2524Background:The fit-up of F-35 JSF Building Block 39 is tested.

Topright:Testing on the Flexible Operating Gantry machine.

Bottomright:Kaizenparticipantssimulatethemovingassemblylineprocess.

 

26InternationalProgramOfficeAn undertaking as significant as producing the

revolutionary F-35 requires contributions from many

people with diverse skills to bring the aircraft to fruition.

So it should come as no surprise that the JSF Program tree

has grown many invaluable international branches.

Growth abounded in International Programs during 2003. This was clearly evidenced

by increased international industrial participation in the development, design and

building of the F-35 and the interaction between the Lockheed Martin-led contractor

team and partner governments and industries.

The F-35 Joint Strike Fighter Integrated Product Teams, groups which already included

a force of engineers from the United Kingdom and the Netherlands, grew to include

engineers from Italy, Denmark and Australia.

International Programs also reached out to other nations in a variety of ways,

conducting supplier workshops to assist international industry in responding to requests

for proposals and sending the Fort Worth design team and major suppliers to partner

countries to identify companies that can help make the F-35 a better product.

The team worked closely with the government-operated JSF Program Office to improve

the U.S. disclosure policy and facilitate international industrial participation. Access to

F-35 JSF work also took a major leap forward with the approval of the Global Project

Authorization (a U.S. arrangement which allows international companies to join the

JSF Program) and the use of a special JSF bid and proposal exemption which allows U.S.

companies to exchange technology information with prospective international bidders.

As the ever-expanding international component of the JSF Program culture grew in

2003, we continued to experience the positive influence of engineers from around the

world. This was particularly evident at the first JSF International Expo, an event attended

by more than 2,000 team members who enjoyed a bit of the life and culture of their

colleagues from F-35 partner countries.

International expansion of the JSF Program is expected to continue in 2004 now that

Singapore has joined Israel as a Security Cooperation Participant and as the team begins

to pursue F-35 foreign military sales. The team also expects more disclosure and export

policy success, along with identification of new opportunities for international industry.

MikeCosentinoDirector,F-35JSFInternationalProgramOffice27

Background:X-35 flies over flags of partner countries.

Topright:Members from the Netherlands Department of Defence

receive a briefing on the F-35 JSF full-scale model.

Bottomleft:International pilots inspect the helmet-mounted display.

 

28Background:X35inflight.

Topright:F35testpilots.

Centerright:Navy pilot with helmet-mounted display device.

Bottomright:Development test pilot during

helmet-mounted display fit assessment.

Chief Test PilotAs a former test pilot, I feel a special kinship to those

who will be the fi rst to climb into an F-35 and actually

guide it into the sky. The test pilot serves as both pioneer

and engineer. In a new aircraft like the F-35, he is constantly

generating and interpreting data, testing fi rst-of-their-kind

systems and gaining insight into the aircraft that only a pilot can convey back to the

engineering staff. If you have had the pleasure of meeting or knowing our F-35 test

pilots, you probably have observed that they don’t at all fi t the Hollywood stereotype

of a cocky, reckless fi ghter-jock. Rather, they tend to be quiet, humble and even a

bit professorial. Ours are the best in the world, and they bring an incredible talent

and force to our team. We look forward to seeing them in the cockpit of the best

multirole fi ghter ever. – Tom BurbageThe F-35 test pilots had many accomplishments in 2003. They were involved in

engineering design trade studies on the fuel system, speed brake, flight control actuators

and aircraft handling qualities. They also worked closely with design engineers and

customer pilots in further development of the pilot vehicle interface, electronic flight

manual and pilot flight equipment. The pilots were involved in all flight-test planning

efforts and developed concept-of-operations documents to define F-35 handling

characteristics for all variants. They performed in-flight evaluations of different

helmet-mounted display (HMD) configurations and extensive handling-qualities in the

F-35 simulator, developing the flight control laws in preparation for the April 2004

Design Integration and Maturation Review.

During 2003, five new members were added to the test pilot team: Jeff Knowles,

Lockheed Martin CV project pilot; Dave Nelson, Lockheed Martin Mission Systems

project pilot; Lt. Col. Dave Sizoo, resident U.S. Air Force test pilot; Cdr. Brian

Flachsbart, resident U.S. Navy test pilot; and Bill Gigliotti, Lockheed Martin test pilot.

Team challenges in 2003 included participating in aircraft weight-reduction efforts,

developing STOVL operations with a revolutionary concept of control designed to

greatly improve handling characteristics, defining a true electronic flight manual and

incorporating an electronic checklist into the Mission Systems’ plan.

In 2004, test pilots expect to work on the first large-motion simulations of CTOL, CV and STOVL handling characteristics. The year should also bring initial draft versions of the F-35 flight manual, participation in design trade studies, definition of systems operations and ongoing flight-test planning. Additionally, the team will carry out STOVL control-law flight test on an experimental VAAC (vectored-thrust aircraft advanced flight control) Harrier, embedded training demonstrations and helmet-mounted display evaluations in an F-16.

JonBeesleyF-35ChiefTestPilot29

 

IMPROVING

EFFECTIVENESS

 

 

 

32The individual team members on the JSF Program, and the talents they contribute, are

essential to achieving the program’s challenging objectives. We are a diverse family and

it is important we continue to nurture an environment that provides guidance for leading

and making effective decisions. The program has employed several important initiatives

to make this possible. The following guiding principles create a common language

throughout the enterprise.

“JSF First – We, Not Me” F-35 Guiding Principles

By focusing on and embodying the following principles in day-to-day activities,

the F-35 Team will build the success-oriented environment that is critical to the

program’s effectiveness.

Inspire ExcellenceExpect the ExceptionalSeek To ConnectFoster Trust and RespectValue the IndividualJSF On-BoardingThe On-Boarding Team processed more than 3,618 new employees in 2003 at

Fort Worth, Texas; El Segundo, Calif.; and Warton, England. The team also conducted

classes at Alenia in Italy and Fokker Aerostructures in the Netherlands. On-Boarding

is more than just an orientation. It is the extended process of orientation, induction,

indoctrination, assimilation and affiliation of new team members into the F-35 Joint Strike

Fighter family. The On-Boarding process is an organized one that gives team members

both a favorable “first impression” and a continued sense of belonging to the JSF Program

by encouraging affiliation, commitment and loyalty. It is the first step toward networking

and team building.

WizardsThe Wizards concept has been enormously successful and its Wizard Award remains

the top F-35 Team recognition program. As part of the JSF Program organizational

restructuring, the team will take the Wizards concept to a new level as the new Chief

Engineer organization assumes the technical mentoring and development role. This

organizational element will be the new home of the Wizards.

Workforce Vitality TeamThe Workforce Vitality Team acts as an interface between JSF Program executive

leadership and the workforce by suggesting initiatives that will enhance the F-35 Team

environment and culture. The V-Team works to boost employee morale by organizing

and overseeing all aspects of team communications, work/life balance, facilities,

culture and events.

ImprovingEffectivenessBy 2012, the F-35 Joint Strike Fighter is

recognized as a worldwide enterprise that

enables the transformation of U.S., U.K. and coalition acquisition processes, reshapes

military doctrine and enhances international security.

JSF is supported by the fully integrated Autonomic Logistics System and will be the

preferred, affordable and innovative weapons system providing superior, relevant solutions

to national and international customers.

The JSF Program will be a sound and growing multinational business, a value-based

aviation industry partnership, engaging highly trained, team-oriented, motivated people

that are passionate about and committed to their work.

 

NORTHROP GRUMMAN • BAE SYSTEMS • PRATT & WHITNEY • GE AIRCRAFT ENGINES • ROLLS-ROYCE

LOCKHEED MARTIN

 

www.lockheedmartin.com

 

F-35 Joint Strike Fighter (JSF)

 

The F-35 Joint Strike Fighter (JSF) is being developed for the U.S. Air Force, Navy and Marine Corps, as well as the UK’s Royal Air Force and Royal Navy, to replace the AV-8B Harrier, A-10, F-16, F/A-18 Hornet and the United Kingdom’s Harrier GR.7 and Sea Harrier.

 

The three variants of the aircraft in development feature a high degree of commonality, and are being tailored to meet each service’s unique requirements. The variants include: the conventional takeoff and landing aircraft (CTOL) for the U.S. Air Force, a short takeoff and vertical landing (STOVL) variant, for the U.S. Marine Corps and the UK, and a carrier takeoff and landing (CV) aircraft, for the U.S. Navy. Current stated requirements from initial customers will result in the manufacture of around 3,000 aircraft.

The first F-35 JSF will be operational in 2010.

 

F-35 JSF Involvement Across BAE Systems

A major part of the UK industrial contribution to JSF will come from BAE Systems aircraft manufacture facilities in Warton and Samlesbury and avionics facilities of BAE Systems Avionics at Rochester and Edinburgh, as well as BAE Systems North America.

The aft fuselage and empennage (tails and fins) for each F-35 JSF will be designed, engineered and built at the BAE Systems Samlesbury site, using the latest in advanced development and manufacturing technology.

The F-35 JSF will set new standards for assembly precision and pace. New milling machines are accurate to within 50 microns - about one-third the width of a human hair - to ensure that the JSF’s outer shape is exact and meets its low observability (stealth) requirements. During full-rate production, assembly time for a JSF is expected to be less than half that of current-generation fighters.

BAE Systems is also involved in the key areas of the weapon systems’ design, such as mission systems, the vehicle systems and autonomic logistics. Through its Integrated Electronic Warfare Systems division, BAE Systems will be responsible for the Electronic Warfare systems. BAE Systems will also provide advanced affordable Low Observable Apertures, and advanced countermeasure systems. BAE Systems will provide critical and complex electronic circuits, as well as modelling and simulation capability in support of the Systems Development and Demonstration (SDD) and production phases of the program.

BAE Systems Platform Solutions business in North America is providing the aircraft’s Vehicle Management Computer.

BAE Systems brings with it a rich heritage of Short Takeoff and Vertical Landing (STOVL) experience from the Harrier program as well as advanced lean manufacturing technology from its facilities at Warton and Samlesbury.

The SDD phase is estimated to be worth $2.4 billion to BAE Systems in the UK and a further $750 million to BAE Systems North America.

Production could be worth $16.5 billion to BAE Systems UK, and a further $4.5 billion in the U.S. These figures do not include export sales, support or other business opportunities such as upgrade programs. Estimates show that this amount could double with exports, which could reach 3,000 aircraft.

 

About BAE Systems:

BAE Systems is an international company engaged in the development, delivery and support of advanced defence and aerospace systems in the air, on land, at sea and in space. The company designs, manufactures and supports military aircraft, surface ships, submarines, radar, avionics, communications, electronics and guided weapon systems. It is a pioneer in technology with a heritage stretching back hundreds of years. It is at the forefront of innovation, working to develop the next generation of intelligent defence systems.

 

BAE Systems has major operations across five continents and customers in some 130 countries. The company has more than 90,000 people and generates annual sales of approximately £12 billion through its wholly-owned and joint venture operations.

 

BAE Systems, innovating for a safer world.

 

Combining the expertise of two of the world’s foremost engine manufacturers, theGE Rolls-Royce Fighter Engine Team (FET) is developing the F136 engine to meet the diverse mission demands and multi-service requirements of tomorrow’s F-35 JointStrike Fighter.

Today’s FET can trace its technical roots to 1994, when GE and the then Allison Engine Companyformed a teaming agreement to work together on IHPTET – the U.S. Government’s Integrated High Performance Turbine Engine Program. Three years later, the GE and Rolls-Royce team completed an engine definition program that provided the technology basis for several elements of today’s F136, including the counter-rotating turbine and metal matrix composites.

A MODEL OF INTERNATIONAL COOPERATION

Following this initial engine development phase, the pace has accelerated on both sides of the Atlantic -- with the build-up of engineering work and testing at GE's Evendale facility in Ohio, as well as at Rolls-Royce's Bristol and Indianapolis, IN sites. Under today’s arrangement, Rolls-Royce is primarily responsible for the F136 front fan and combustor, and shares the counterrotating turbine design work with GE -- the focal point for the high pressure (HP) compressor and afterburner.

Phase II of the Pre-System Development Demonstration Phase (SDD), which ran from 1997-2001, included 80 hours of intense core testing at Indianapolis, plus successful fan testing. The follow on Phase III contract, to test a full turbofan engine in both the CTOL and STOVL modes was awarded in November 2001, marking the final stages of the development of the engine up to the anticipated SDD contract in 2005. In July of 2002 the GE Rolls- Royce Fighter Engine Team was formally established as a Limited Liability Corporation.

Over this time frame, the FET’s primary objective is to successfully test and demonstrate of a low-risk, reliable engine that can enter into production for all three versions of JSF – a STOVL for the US Marines and UK Royal Navy, a CV variant for the US Navy and CTOL for the US Air Force.

A YEAR OF MAJOR PROGRESS

In 2003, the GE Rolls-Royce FET made significant strides in the creation of the F136 propulsion system. This high level of success is underscored by the successful completion of the critical design review, which not only validated the performance goals of the F136 against the aircraft system, but also verified the FET is on track to meet weight and cost requirements.

After completing analytical work to confirm the engine’s erformance parameters early in the year, the FET was able to meet a series of stringent design, test and manufacturing milestones.

By the fourth quarter of 2003, the F136 team began receiving hardware from the both US and JSF partner country sources for the upcoming First Engine To Test, slated for early 3Q04.

The procurement of these international components underscores the FET’s continued development of international partner/industry relationships that aid in the development, design and manufacturing in the SDD phase.

 

ON PACE WITH PROGRAM SCHEDULE

The first GE Rolls-Royce F136 development engine (625-002) for the JSF program successfully began ground-testing on July 22, 2004 at GE’s facility in Evendale, OH. The first engine to test marks the most significant milestone in the highly successful Phase III pre-System Development and Demonstration (SDD) phase for the FET. Added significance to this milestone is that the test occurred on the historic 1000th day of the JSF Program, one day ahead of schedule. 625-002 has accumulated 22 hours of testing and has demonstrated smooth starts, throttle transients, stall free operation and a run up to 105% max design speed. Overall testing will be comprised of 400 hours of testing in a high-altitude facility, with primary emphasis placed on mechanical characterization. The second engine to test, 625-003, is a “near production” configuration that will be tested in the STOVL model for approximately 200 hours. The chief goal of F136 testing is to match engine design as closely as possible to that of the final aircraft configuration, thereby minimizing changes and keeping pace with evolving aircraft demands. Testing is scheduled to commence in February 2005 at the GE facility in Peebles, OH.

The early part of Phase III also witnessed an unprecedented sense of cooperation between GE,Rolls-Royce and Pratt & Whitney, as all three worked together on Engine Interchangeability (EI) initiative that calls for common interface designs that will enable all JSF variants to seamlessly use either engine.

Assuming the timetable for the JSF as a whole holds firm, the F136 Initial Service Release will take place during 2011, making the engine available for the fourth JSF production lot (after approximately 90 aircraft).

LESSONS LEARNED FROM A PROMINENT PAST

Boasting vast experience with Carrier (CV) operations and lessons learned from ship borne use, GE Aircraft Engines powers more than 70% of today’s most modern F-16C/D fighters and is the only engine manufacturer with production Stealth experience in both Strategic and tactical applications. Rolls-Royce provides an unrivalled four-plus decades of STOVL experience that is fundamental to JSF success, plus world leadership in blade design and “blisk” (integral bladed disk) manufacturing technology that yields high-performance, lightweight design.

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DEAD MEN DO TELL TALES! BEHIND-THE-SECRETS OF PIRATES OF THE CARIBBEAN AT DISNEYLAND IN CALIFORNIA


Original Version of Attraction Steeped in Back-Story and Trivia 

 

                Since its debut at Disneyland in California in 1967 the rollicking fun of Walt Disney’s Pirates of the Caribbean adventure has thrilled guests from around the world. It is an immersive and engaging entertainment experience steeped in detail. Here are just a few of the fun facts and trivia associated with one of Walt Disney’s greatest entertainment achievements.

 

DISNEYLAND PIRATES OF THE CARIBBEAN SECRETS

 

·   Pirates of the Caribbean was the last Disneyland attraction personally supervised by Walt Disney.

 

·   The attraction was originally envisioned as a New Orleans-themed Blue Bayou Mart featuring a Pirate Wax Museum, housed in a 70-foot deep basement. The basement now serves as the grotto section of the attraction. 

 

·   Pirates of the Caribbean was loosely inspired by such Hollywood films as Captain Blood, The Sea Hawk and The Buccaneer, plus Disney’s Treasure Island, Kidnapped and Swiss Family Robinson.

 

·   The fire effects in the Burning Town scene were so realistic that prior to the attraction’s grand opening the Anaheim Fire Chief asked that the effects automatically shut off in the event of a real fire.

 

·   The attraction opened to the public at Disneyland on March 18, 1967, with an official grand opening on April 19.

 

·   It cost $15 million to build New Orleans Square ($8 million of which was spent on Pirates of the Caribbean). This is equal to the amount the United States paid for the real New Orleans in the Louisiana Purchase of 1803

 

·   The façade of the attraction was partly inspired by the Cabildo building in Jackson Square in New Orleans that served as the seat of the Spanish colonial government in 1799.  It is also noted for being the site where the Louisiana Purchase was signed in 1803.

 

·   The attraction is housed within two large show buildings totaling 112,826 feet and featuring 750,000 gallons of water that flow through a 1,838-foot canal.

 

·   There are approximately 122 animated characters (68 lifelike humans and 54 animated animals) in the Audio Animatronics cast of Pirates of the Caribbean.

 

·   Disney Imagineer X Atencio, who wrote the attraction’s memorable title tune – “Yo-Ho (A Pirate’s Life for Me),” is the voice of the Jolly Roger skull and crossbones before you plunge down the waterfalls. 

 

·   The film Pirates of the Caribbean: The Curse of the Black Pearl had its world-premiere on June 28, 2003, at Disneyland in California and featured the longest red carpet in history (trailing from Main Street into New Orleans Square

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Night of Fashion, "A Midsumer Nights Dream."

Thru the courtesy of BWR , Baron Davis And Paul Pierce we were allowed to cover this event also.

 

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Athletics, actors, actresses, singers all getting together for a great cause.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

If it were at all possible all those involved with this event were even more open and friendly then the first evening.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

It seemed as if they were trying to make us feel comfortable and going out of their way not only to have pictures taken but to talk to as many people in line as wished to talk to them.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

They laughed and had a good time while giving interviews out.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

What also made this event unique was that those from the party inside kept coming down to where the pictures were being taken and the interviews given to mingle with everyone.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

Seems like those at the party were just as star struck as those that pay to hear the records the stars make or the films and TV shows they are in are the NBA games they play.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

Let us not forget though that this fun filled week-in had a reason. It was to raise money for charity and continue Magic Johnson's legacy for helping the community.

 

(C) MBn 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

Baron Davis and Paul Pierce have very big shoes to fill following Magic Johnson but after meeting and talking to these two young men they are very capable and up to any challenge that can be placed before them.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

Judging from the fact that after the last photographer left the line, this being me that there was still a line trying to get into the event I would say it was a smashing success.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

One other thing that has to be said.

 (C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

In a time when professional athletics have gotten a bad rap due to misbehavior on and off the field 

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

The NBA players here were a compliment to all professional athletics.  

 

 (C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

They presented themselves with a class and style and dignity that all could look up to in our country.

Roles models for all to follow.

 

(C) MBN 2006

 

 

 

 

 

 

 

 

 

 

 

 

(C) MBN 2006 (William Hoehne)

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