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December 28, 2006

Entertainment,Arts,Fashion & Technology

Jan11

CHILDREN OF MEN, ILLUSIONIST, GOOD SHEPHERD, APOCALYPTO and BLACK DAHLIA Earn Outstanding Feature Noms From Cinematography Society

Emmanuel Lubezki, ASC, AMC, (CHILDREN OF MEN), Dick Pope, BSC (THE ILLUSIONIST), Robert Richardson, ASC (THE GOOD SHEPHERD), Dean Semler, ASC, ACS (APOCALYPTO), and Vilmos Zsigmond, ASC (THE BLACK DAHLIA) are vying for top honors in the feature film category at the 21st Annual American Society of Cinematographers Outstanding Achievement Awards competition. The winner will be announced during the awards gala on February 18 at the Hyatt Regency Century Plaza Hotel.

"There is no textbook formula for artful cinematography," says Russ Alsobrook, ASC who chairs the organization's Awards Committee. "It takes talent and skill to mas

ter a complex craft, as well as a collaborative spirit. These five, amazingly talented individuals were selected by their peers who believe they have set the standard for artful visual story-telling in a sharply competitive field from 2006."

This is the eighth ASC nomination for Richardson, the third for Zsigmond, the second for Lubezki and Semler, and the first for Pope. They were nominated for movies that occur in different places and eras, with themes varying from pure fantasy to stark reality.

Okada also points out that all five nominees trace their origins to different countries. Semler was born and launched his career in Australia, Zsigmond in Hungary, Lubezki in Mexico, Richardson in the United States, and Pope in England where he still resides.

The ASC was founded in 1919. There are some 290 members from many nations today, and approximately 140 associate members from allied sectors of the industry.

For more information about the 21st Annual ASC Outstanding Achievement Awards, visit www.theasc.com or call 323-969-4333.

Source: American Society of Cinematographers

 

Carly Simon's Critically-Acclaimed New Album, 'Into White,' Debuts at #1 on Soundscan Top Internet Album Chart & Enters Billboard Top 200 at #15

Grammy & Oscar Winning Performer Slated for Appearance on 'The Oprah Winfrey Show' Tuesday, January 16

 Carly Simon's new album Into White, a collection of best-loved pop standards and traditional songs, has just entered the Top Internet Sales chart at #1, according to SoundScan, and is debuting on the Billboard Top 200 with the highest-ranking chart position (#15) of any album debuting on that chart this week.

Carly Simon, an Academy Award, Golden Globe and Grammy-winning singer and composer, is slated to appear on "The Oprah Winfrey Show" on Tuesday, January 16 (check your local listings). Sally Taylor and Ben Taylor (each an accomplished songwriter and performer in her/his own right) will join their mother on "Oprah" to perform a new rendition of James Taylor's "You Can Close Your Eyes" (a song from Into White originally appearing on Taylor's 1971 album Mud Slide Slim and the Blue Horizon).

Into White is a soothing return to Carly's primary musical roots, a pure and evocative showcase of best-loved songs, old and new, performed in the trademark dusky vocal style that's unmistakably Carly. The album has been drawing rave reviews from the music and mainstream press:

"Entering the world of Carly Simon's new album Into White (Columbia) is like tiptoeing into an enchanted garden," wrote The New York Times, calling the album "luminous" while noting: "Singing quietly in a low throbbing alto caressed by an exquisite folk-pop arrangement, Ms. Simon projects the warmth and intimacy of a parent caught up in the magic of the bedtime stories she is reading to her children."

USA Today observed that "Simon has covered a lot of musical terrain, but no album has flattered her soft, warm alto more fetchingly than this collection of lyrical ballads ... " while the San Francisco Chronicle said " ... she shows her genius for interpreting a song and turning it into an object of intimacy and awe."

Taking its title from a wistful Cat Stevens song from the legendary 70's singer/songwriter's Tea For The Tillerman album, Into White conjures a series of gentle moods in a collection of unforgettable tunes drawn from many sources including "Over The Rainbow," "All I Have To Do Is Dream"/"Devoted To You," "Blackbird," "Jamaica Farewell" and "You Can Close Your Eyes" (written by James Taylor and sung as a trio with Ben and Sally Taylor). Also included is Stephen Foster's classic "Oh! Susanna" along with other traditional folk airs: "Hush Little Baby"/"My Bonnie," "I Gave My Love A Cherry [The Riddle Song]" and "Scarborough Fair."

Carly rounds out the album with "Love of My Life" (a song she first wrote and recorded for the film "This Is My Life"), "Quiet Evening" (written by David Saw) and "I'll Just Remember You" (written by David Saw and Ben Taylor). Both "Quiet Evening" and "I'll Just Remember You" were written during the course of recording Into White and Carly was so enthused about both of them that she stopped the record in its tracks and went out of her way to include them on the record.

Produced by Carly Simon, and engineered and mixed by Jimmy Parr, the songs on Into White are performed by an intimate group of friends and family including Teese Gohl (who not only contributed all the keyboard and synthesizer parts but also arranged strings and played kalimba on the album), Peter Calo on guitar and dobro, Jan Hyer on cello, David Saw on guitar, and Jimmy Parr on various percussion.

www.carlysimon.com

www.columbiarecords.com

Source: Columbia Records

 

The World's Most Popular Doll(1) Stars in a Captivating New Magical Fairy Adventure Full of Music, Mystique and Enchantment

'Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)'

A Full-Length Original Barbie(TM) Adventure Begins on DVD March 6, 2007, From Universal Studios Home Entertainment

Barbie(R), the most popular doll in the world(2) stars as the beautiful and brilliant flower fairy Elina(TM) in the all-new movie "Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)," premiering on DVD on March 6, 2007, from Universal Studios Home Entertainment. A magical new tale, "Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)" follows Elina(TM) as she discovers the secrets of the mysterious Crystal Palace. The third Barbie(TM) adventure set in the luminously magical world of Fairytopia(TM), "Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)" is a shimmering blend of music, dance, color and mystery.

Fun, fantasy and friendship bring together a group of fairies in a quest to learn the Flight of Spring and create the season's first rainbow. The cast features more fairies than any previous "Barbie(TM) Fairytopia(TM)" story, including new friends Glee(TM), a sweet wood nymph, Lumina(TM), a blue-violet fairy with wings shaped like moons, and a spunky sparkle fairy named Sunburst(TM). Elina(TM) fairy's cuddly puffball Bibble(TM) joins the adventure making his own new friends with a new puffball named Dizzle(TM). A must-own addition for every Barbie(TM) DVD collection, "Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)" is sure to capture fans' hearts with its inspiring story of teamwork, as well as entertaining bonus features.

"Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)" represents the third distinct entertainment property to come out of the collaboration between Universal and Mattel, following the successful 2006 releases of "Barbie(TM) in the 12 Dancing Princesses" and "PollyWorld(TM)," said Craig Kornblau, President, Universal Studios Home Entertainment. "We are confident it will make a highly appealing Easter season offering and will create further velocity for this burgeoning, profoundly creative brand."

"We are delighted to offer girls and parents a choice when it comes to quality home entertainment and, with more than 37 million units of movies sold worldwide since 2001, Barbie is a clear favorite among families," said Richard Dickson, Senior Vice President of Marketing, Media and Entertainment Worldwide for Mattel. "The valuable lesson surrounding the spirit of teamwork makes 'Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)' a truly memorable experience that only Barbie(TM) can deliver."

In "Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)", Elina(TM) and an entire new group of imaginatively-rendered, fantastical friends face down her evil nemesis Laverna(TM) in a race to save Fairytopia(TM). Elina(TM) must learn important lessons about the power of friendship, courage and teamwork in order to prevent 10 years of dark and gloomy winter from enveloping the colorful fairy world. The DVD is priced at $19.98 SRP. Preorder close is February 6, 2007.

BONUS FEATURES WILL WORK THEIR MAGIC ON BARBIE(TM) FANS

The "Barbie(TM) Fairytopia(TM): Magic of the Rainbow(TM)" DVD includes special features that will captivate Barbie(TM) fans for hours, including:

* Rainbow Adventure(TM) Mini-Games -- Explore the remarkable land of

Fairytopia(TM) with two interactive DVD games from Mattel's

"Fairytopia(TM) Rainbow Adventure(TM) Elina(TM) Doll and DVD Game."

* Groovy Memory Moves with Bibble(TM) -- Elina(TM) fairy's puffball

Bibble(TM) sure has some of the coolest dance steps in Fairytopia(TM).

After he demonstrates his style for players, they try to repeat the

order of his moves. If they get them all right, Bibble(TM) will

perform a delightful congratulatory dance.

* PLUS Downloadable Extras including interactive coloring pages and

enough printable fun pages to keep kids happy for hours.

SYNOPSIS

Join Barbie(TM) as Elina(TM) in an all-new Fairytopia(TM) adventure! Elina(TM) travels with her puffball Bibble(TM) to Fairy School at the magnificent Crystal Palace. There, she meets the other fairy apprentices, chosen to learn the annual Flight of Spring and magically create the first rainbow of the season. But when the evil Laverna(TM) tries to stop the Flight, threatening to plunge Fairytopia(TM) into ten years of bitter winter, Elina(TM) and her new friends must learn that "together we are strong." But are they strong enough to defeat Laverna(TM) and bring the rainbow to life? And will Bibble(TM), who has a loose tooth, fall in love with the adorable puffball Dizzle(TM)?

TECHNICAL INFORMATION

DVD

Street Date: March 6, 2007

Pre-Order Close: February 6, 2007

Copyright: 2007 Universal Studios. All Rights Reserved.

Price: $19.98 SRP

Selection Number: 63100594

Running Time: 1 Hr. 15 Mins.

Layers: DVD-5 (Single Sided)

Aspect Ratio: Anamorphic Widescreen (1.78:1)

Rating: Not Rated

Technical Info: English Dolby Digital 5.1 Surround, English Dolby

Digital 2.0 Stereo, French Dolby Digital 2.0 Stereo, Spanish Dolby

Digital 2.0 Stereo, English SDH

About Universal Studios Home Entertainment

Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric, with 20% owned by Vivendi.

About Mattel

Mattel, Inc., (NYSE:MAT) (www.mattel.com) is the worldwide leader in the design, manufacture and marketing of toys and family products, including Barbie(R), the most popular fashion doll ever introduced. The Mattel family is comprised of such best-selling brands as Hot Wheels(R), Matchbox(R), American Girl(R), Radica(R) and Tyco(R) R/C, as well as Fisher-Price(R) brands (www.fisher-price.com), including Little People(R), Rescue Heroes(R), Power Wheels(R) and a wide array of entertainment-inspired toy lines. With worldwide headquarters in El Segundo, Calif., Mattel employs more than the 30,000 people in 42 countries and sells products in more than 150 nations throughout the world. Mattel's vision is to be the world's premier toy brands -- today and tomorrow.

MATTEL, BARBIE, FAIRYTOPIA and associated trademarks and trade dress are owned by, and used under license from Mattel, Inc. (C) 2006 Mattel, Inc. All Rights Reserved.

 

 

Nintendo Records Best Holiday Selling Season in U.S. Video Game History

Virtually Every New Wii and Nintendo DS System Sold Out Across America

There has never been anything like it. Independent U.S. sales figures released by the NPD Group today confirmed a red-hot launch for the new Wii(TM) system by Nintendo, and the crowning of the portable Nintendo DS(TM) as the best-selling video game device of any type for both the holidays and all of 2006.

Along with stunning success for The Legend of Zelda(R): Twilight Princess and historic sales of accessories, including more than 1.5 million extra controllers for Wii alone, Nintendo recorded the most successful across-the-board holiday performance in U.S. video game history.

Among key results:

* Consumers purchased every Wii console available at retail -- more than

a million in just the 44 days between U.S. launch and year end.

* With sales of another 1.6 million systems in December alone, Nintendo

DS achieved full year sell-through of 5.3 million.

* The Legend of Zelda: Twilight Princess was purchased by an

extraordinary 86 percent of Wii buyers, or more than 900,000 games for

that system alone. Coupled with the companion version released in

December for Nintendo GameCube(TM), the two versions of the newest

Zelda title totaled approximately 1.5 million unit sales in less than

seven weeks, which would represent one of the five best-selling games

for the entire year.

* Wii owners also purchased an average of three additional games from a

wide library of choices, in addition to the Wii Sports title packed in

with every hardware system.

* Two Nintendo DS titles, New Super Mario Bros.(R) and Brain Age(TM):

Train Your Brain in Minutes a Day, also were top-10 sellers for the

year.

* Throughout the November/December holiday shopping period, Nintendo

accounted for more than half of all video game hardware systems sold in

America.

Earlier this week, Nintendo increased its projected worldwide financial performance for the year ending on March 31 to be the best in company history.

"Millions of players, both hard-core and brand-new, are already enjoying the unique entertainment provided by Wii, but demand for the system remains incredibly high," says Nintendo of America President Reggie Fils-Aime. "So our work is just beginning. We're dedicating ourselves to maximizing both manufacturing and distribution full bore throughout 2007, to make sure everyone who wants to experience the future of video gaming can do so just as soon as possible."

The momentum behind Wii will continue unabated through the early weeks of 2007, with retail debuts of WarioWare(TM): Smooth Moves, Wii Play(TM) and Mario Party(R) 8 from Nintendo; a host of third-party releases; and a steady stream of classic games made available via download with the Wii Shop Channel.

The worldwide innovator in the creation of interactive entertainment, Nintendo Co., Ltd., of Kyoto, Japan, manufactures and markets hardware and software for its Wii(TM), Nintendo DS(TM), Game Boy(R) Advance and Nintendo GameCube(TM) systems. Since 1983, Nintendo has sold nearly 2.2 billion video games and more than 387 million hardware units globally, and has created industry icons like Mario(TM), Donkey Kong(R), Metroid(R), Zelda(TM) and Pokemon(R). A wholly owned subsidiary, Nintendo of America Inc., based in Redmond, Wash., serves as headquarters for Nintendo's operations in the Western Hemisphere. For more information about Nintendo, visit the company's Web site at www.nintendo.com.

 

 

Television Maverick & Emmy Award(R) Winner Mark Burnett Set to Executive Produce the 16th Annual 2007 MTV MOVIE AWARDS

Star-Studded Ceremony to Air Live for First Time on Sunday, June 3rd

 MTV: Music Television announced today that revolutionary, Emmy Award(R) winning producer, Mark Burnett will executive produce the 2007 MTV MOVIE AWARDS. The network also announced that for the first time in Movie Awards history, the sixteenth annual show will premiere live on MTV, Sunday June 3rd from Los Angeles, California. With the legendary golden popcorn up for grabs in such eccentric categories as "Best Kiss," "Best Villain," and "Best Comedic Performance," along with the debut of several new awards, the 2007 MTV MOVIE AWARDS promises to be as memorable as ever.

Salli Frattini, who has served as executive producer of the Movie Awards for the past 10 years, will return and work closely with Burnett as well. The star-studded event is MTV's irreverent nod to the typical awards shows celebrating the year's best in movies, stand-out musical performances and more. Hailed for clever, one-of-a-kind film parodies, sexy lip locking moments from the likes of Sarah Michelle Gellar and Selma Blair, and outrageous acceptance speeches such as Jim Carrey's comedic rant surrounded by 60 angels, the MTV Movie Awards has produced some of the most unforgettable and outrageous moments in award show history!

One of the driving forces behind reality television and a true visionary, Mark Burnett has enjoyed a long history of executive producing Emmy Award(R)- winning television, with "Survivor," "The Apprentice," "Rock Star," "Contender" and the upcoming "On The Lot." Burnett's entrepreneurial spirit pioneered the success of the reality "unscripted" drama series, garnered skyrocketing ratings and introduced millions worldwide to an entirely new television genre. He is also credited with revolutionizing product integration on television and creating new multimedia platforms, such as "Gold Rush" for advertisers and online audiences.

"Mark has great ideas and vision for the Movie Awards, and I know he's going to bring some fresh energy to the show," said Christina Norman, President, MTV. "I can't wait to see how his vision comes together to create a one of a kind experience for the Movie Awards, on television and on line."

"I began my career at MTV with Eco-Challenge and worked closely with Salli Frattini on every aspect of that project. I love MTV and I especially love its Movie Awards, so when you combine MTV, Salli Frattini and movies it was easy to say yes," said Mark Burnett. "Adding a live element to the Movie Awards irreverence and spoofs, it simply means ... anything can happen. Buckle your seatbelts!"

Location and nominees for the 2007 MTV MOVIE AWARDS will be announced in the spring.

About MTV Networks

MTV Networks, a unit of Viacom (NYSE:VIA) (NYSE:VIA.B) , is one of the world's leading creators of programming and content across all media platforms. MTV Networks, with more than 100 channels worldwide, owns and operates the following television programming services - MTV: MUSIC TELEVISION, MTV2, VH1, mtvU, NICKELODEON, NICK at NITE, COMEDY CENTRAL, TV LAND, SPIKE TV, CMT, NOGGIN, VH1 CLASSIC, LOGO, MTVN INTERNATIONAL and THE DIGITAL SUITE FROM MTV NETWORKS, a package of 13 digital services, all of these networks trademarks of MTV Networks. MTV Networks connects with its audiences through its robust consumer products businesses and its more than 95 interactive properties worldwide, including online, broadband, wireless and interactive television services and also has licensing agreements, joint ventures, and syndication deals whereby all of its programming services can be seen worldwide.

About Mark Burnett Productions

Mark Burnett Productions (MBP) is a leading production company in content for both primetime television and the internet. MBP revolutionized television with hits such as Eco-Challenge, Survivor, The Apprentice, The Contender, Rock Star: INXS, Rock Star: Supernova and its upcoming co-production with Steven Spielberg and DreamWorks Television, On The Lot. MBP has also partnered with AOL on the highly successful adventure Gold Rush, the first-ever unscripted project to be produced exclusively for the internet. MBP also successfully reintroduced product placement as an integral part of each of its shows and has garnered a total of 42 Emmy nominations since 2001. Mark Burnett was listed as the #1 Most Valuable Player by TV Guide and was named one of the Top 100 most influential people in the world today by Time Magazine.

Source: MTV

 

 

Three 6 Mafia Takes Tinseltown by Storm in the New MTV Series 'Adventures In HollyHood' Premiering Wednesday, March 14th at 10:30pm ET/PT

Leaving Their Memphis Home Behind, Academy Award Winning Rap Group Three 6 Mafia Face Their Biggest Adventure Yet - HOLLYWOOD, CA

Plus, Experience Original 'Adventures' Content On-Air, Online & On The Go With Exclusive Features On MTV.com, MTV Mobile & More

 As the first hip-hop group ever to win an Oscar for Best Song, a music career defined by multi-platinum success, and recognized by millions of loyal fans across the globe, some may say hip-hop super group Three 6 Mafia has accomplished it all. However, it is only the beginning for this hip-hop powerhouse as MTV follows them on their biggest adventure yet -- Hollywood, CA. Leaving the comforts of their Memphis home behind, Juicy J, DJ Paul, and their entourage of friends hit the road to conquer Tinseltown and try to become major Hollywood players in the new comedic-reality series, "Adventures In HollyHood" premiering March 14th at 10:30pm ET/PT.

The series begins as Three 6 Mafia and their entourage pack their bags in their hometown of Memphis, Tennessee, and head west to Hollywood, California. Along with maintaining their success as multi-platinum hip-hop artists, finishing their anticipated follow-up album, and keeping true to themselves and their southern ways, the group tries to make the most of their fame by pursuing everything that Hollywood has to offer. The guys have set out however, to make sure the fame and fortune don't go to their heads as they put the "hood" into Hollywood ... Three 6-style. Audiences will be introduced to the following cast of characters never before seen on television: Juicy J and DJ Paul, the Oscar-winning members of Three 6 Mafia; Big Treice, their personal assistant; Computer, their internet consultant; and finally Project Pat, Three 6 Mafia's rap protege and underground hip-hop superstar.

In addition, fans will be able to experience a completely un-televised side of Three 6 Mafia and their adventures as they visit http://www.hollyhood.mtv.com/, along with MTV Mobile services, MTV VOD and more. On these platforms MTV will showcase completely original content including the comedic Cooking With Three 6 Mafia, as they showoff their hilarious down-home culinary skills. Fans will also be able to watch as the guys face new 'firsts' in Hollywood, as well as showcase the new music from their forthcoming album, "Last 2 Walk," due in Spring 2007. At http://www.hollyhood.mtv.com/, visitors will also be able to watch the premiere and finale episodes of "Adventures In HollyHood," as well as read cast bios, see photos, preview Three 6 Mafia's new album, and much more.

Three 6 Mafia's beginnings date back to the early '90s, as their underground mix tapes quickly made a name for themselves on the streets and in the clubs of Memphis, TN. The group made their proper debut in 1995 with the album entitled "Mystic Stylez." In the years since, the group has left a trail of gold and platinum records, exploding out of the local Memphis scene, and carrying their inventive southern, hip-hop sound to the masses around the world. Together DJ Paul and Juicy J have remained at the core of the group, not only as acclaimed rappers themselves, but also as renowned music producers, lending their skills to some of rap's elite including Mike Jones, Ludacris and the Ying Yang Twins. However, it was Sunday, March 5, 2006 when the rap ensemble truly secured its place in hip-hop history when, in a surprise upset, the Academy of Motion Picture Arts & Sciences awarded "It's Hard Out Here For A Pimp," from acclaimed MTV Film "Hustle & Flow," the Oscar for Best Achievement In Music Written for Motion Pictures (Original Song). Propelled to a new level of success, now Three 6 Mafia takes on Hollywood with their own MTV series, "Adventures In HollyHood," and gears up for the anticipated release of their next album "Last 2 Walk," in Spring 2007 on Hypnotize Minds/Columbia Records.

For more information about MTV's "Adventures In HollyHood," visit http://www.hollyhood.mtv.com/.

Rod Aissa, Kevin Lee and Melanie Graham are executive producers. Ashton Kutcher, Jason Goldberg and Karey Burke are executive producers for Katalyst Films. Aaron Rosenberg and Three 6 Mafia are co-executive producers. "Adventures In HollyHood" is developed by Rod Aissa, Aaron Rosenberg, and Three 6 Mafia. Lois Curren is EVP, MTV Series Entertainment & Programming.

MTV Networks, a unit of Viacom (NYSE:VIA) (NYSE:VIA.B) , is one of the world's leading creators of programming and content across all media platforms. MTV Networks, with more than 130 channels worldwide, owns and operates the following television programming services - MTV: MUSIC TELEVISION, MTV2, VH1, mtvU, NICKELODEON, NICK at NITE, COMEDY CENTRAL, TV LAND, SPIKE TV, CMT, NOGGIN, VH1 CLASSIC, LOGO, MTVN INTERNATIONAL and THE DIGITAL SUITE FROM MTV NETWORKS, a package of 13 digital services, all of which are trademarks of MTV Networks. MTV Networks connects with its audiences through its robust consumer products businesses and its more than 200 interactive properties worldwide, including online, broadband, wireless and interactive television services. The network also has licensing agreements, joint ventures, and syndication deals whereby all of its programming services can be seen worldwide.

 

 

Jer-ry, Jer-ry, Jer-ry

VH1 Takes a Behind-the-Scenes Look at the Craziest Talk Show Ever! The Jerry Springer Show

'The Springer Hustle' to Premiere Sunday, March 4 at 10 PM*

 For 16 years, America has been riveted by the outrageous guests and topics that make up "The Jerry Springer Show." It showcases some of America's most colorful characters, wild relationships and truly amazing stories.

Now, for the first time, backstage cameras capture life behind the curtain with VH1's new docu-soap, "The Springer Hustle," an in-depth, insider's look at how America's most controversial television show is put together.

Premiering Sunday, March 4 at 10 PM*, the 8 half-hour episodes will focus on the dedicated team of producers in the eye of the Springer hurricane; a tight-knit family charged with filling the show with the wildest real American stories possible. There's Selena, the beautiful and obsessively driven producer who works relentlessly to make her shows shine. Toby, one of the show's top producers, whose recent run of bad luck has sent him into an emotional tailspin. Annette, one of the original producers, who left the show for a few years, only to be drawn back by the day-to-day mayhem she couldn't find anywhere else. And all of them, practically working round the clock to impress their demanding boss Richard Dominick, who is stingy with the compliments, but loyal to the core.

"The Jerry Springer Show" is a tough place to work. The office is far from glamorous. The daily grind of making the magic happen takes its toll. Yet this devoted crew digs deep to present a rogues' gallery of the most outrageous people ever to sit down in front of a TV camera.

At the center of it all, ringmaster Jerry Springer, the icon whose name has become synonymous with the never-ending parade of human oddities we've come to know and love. Springer is currently hosting "The Jerry Springer Show's" 16th season in national syndication.

For additional show content, log onto VSPOT (http://vspot.vh1.com/), VH1's broadband channel.

Mike Maloy and Richard Dominick serve as executive producers for NBC Universal Domestic Television Distribution. Jim Ackerman and Michael Hirschorn serve as executive producers and Christian McLaughlin serves as supervising producer for VH1.

VH1 connects viewers to the music, artists and pop culture that matter to them most with series, specials, live events, exclusive online content and public affairs initiatives. VH1 is available in nearly 88 million households in the U.S. VH1 also has an array of digital services including VH1 Classic and VH1 Soul. Connect with VH1 at http://www.vh1.com/.

VH1 is a registered trademark of MTV Networks, a unit of Viacom International Inc. MTV Networks also operates and offers joint ventures, licensing agreements and syndication deals whereby its programming can be seen worldwide.

 

The-N.com Takes Home its Very First Emmy!

The Nightime Network for Teens Receives Prestigious Award for Technology & Engineering

Recipient of the Emmy Award Win for Category of "Outstanding Achievement in Advanced Media Technology for the Non Synchronous Enhancement of Original Television Content"

The N, the nighttime network for teens, garnered its first Technology & Engineering Emmy Award for The-N.com Video Mixer in the category of "Outstanding Achievement in Advanced Media Technology for the Non Synchronous Enhancement of Original Television Content."

The N, the nighttime network for teens, garnered its first Technology & Engineering Emmy Award for The-N.com Video Mixer in the category of "Outstanding Achievement in Advanced Media Technology for the Non Synchronous Enhancement of Original Television Content."

"We are honored to win an Emmy -- this award confirms The N's leadership in both fantastic video content and creative software," said Kenny Miller, EVP and Creative Director, MTV Networks Global Digital Media. "MTV Networks has a storied record of developing new forms of entertainment, and The N is continuing this tradition in producing interactive content for our digital audience."

The nominees for "Outstanding Achievement in Advanced Media Technology for the Non Synchronous Enhancement of Original Television Content" were The N's Video Mixer - The N / http://www.the-n.com/; CNN Enhanced - CNN; Fantasy Football Tracker - BIAP Systems Inc.; Passions Vendetta - NBC.com; Sopranos: Crime. Organized - Deep Focus/HBO and The Cultivated Life: Thomas Jefferson & Wine - NetBlender.

"This is a thrilling achievement for The-N.com and we are over the moon with our very first Emmy," said Sarah Tomassi Lindman, SVP and GM, The N. "This award is a reflection of how our brand continues to speak to our millions of viewers across all platforms."

The Emmy Award-winning website, The-N.com is the ultimate resource for fans of The N's hit shows. More than just a TV network site, The-N.com features behind-the-scenes interviews, pictures and videos, and a robust community of two million members who interact with message boards, user profiles and blogs. It is also a premiere destination for gaming online, featuring hit games such as Avatar Prom, Avatar High and The Hookup. The site makes extensive use of user-generated content, creating a site for the audience, of the audience, by the audience.

The National Television Academy presented the Emmy Awards for Technology & Engineering for six achievements as selected by a panel of industry experts at the Computer Electronics Show on Monday, January 8 in Las Vegas. The award honors excellence in the technical development of programming across broadcast, cable, broadband, portable devices and other non-traditional delivery platforms.

The N, the nighttime network for teens, is a programming arm of MTV Networks and is currently available in 54 million households via cable, digital cable and satellite television. The N's mission is to be the authentic voice for teens and help them figure out their lives with relevant, topical programming on-air and online at the network's Emmy Award winning web site www.The-N.com. The N airs everyday from 6:00 p.m. to 6:00 a.m. (ET). The N and all related titles, characters and logos are trademarks of Viacom International Inc.

Source: The N

 

 

So You Wanna Be a Rock 'n Roll Star ...

ROCK 'N ROLL FANTASY CAMP ROCKS HOLLYWOOD, 2/15-19

Rock Icons Brian Wilson, Paul Stanley, Mickey Hart, Bret Michaels and Dickey Betts Join Other Rock Luminaries as Camp Counselors

PAUL STANLEY SET TO PLAY KISS CLASSICS WITH CAMPERS-ONSTAGE AT FINAL HOUSE OF BLUES BATTLE OF THE BANDS BLOWOUT!!

 Welcome to the Hotel California!! Rock 'n Roll Fantasy Camp (RRFC) goes Hollywood (Presidents' Day Weekend, 2/15-19) -- giving campers a once-in-a-lifetime opportunity to learn rock from the masters. Over five-days -- and guided by a Who's Who of rock legends -- campers of all musical abilities and backgrounds will form bands, hone their skills, jam with their idols and become "rock stars." The camp culminates in a Battle of the Bands blowout at the House Of Blues on Sunset.

The camp's professors of rock include: Paul Stanley (KISS), Brian Wilson (Co-founder, The Beach Boys), Mickey Hart (The Grateful Dead), Bret Michaels (Poison), Dickey Betts (Allman Bros), Scott Ian (Anthrax), legendary guitar player Steve Vai, Simon Kirke (Bad Company/Free), Spike Edney (Queen), Kelly Keagy (Night Ranger), Bruce Kulick (KISS), Jane Wiedlin (Go-Go's), Artimus Pyle (Lynyrd Skynyrd), Sully Erna (Godsmack), Spencer Davis. Mark Slaughter (Slaughter) and Clem Burke (Blondie).

When RRFC comes to Hollywood, there will be events galor to make rock dreams come true:

-- Grateful Dead Night (2/17) -- Featuring the Grateful Dead's drummer

Mickey Hart leading a jam with each band.

-- Beach Boys Night (2/18) -- Beach Boy's co-founder Brian Wilson serves

as judge as the bands compete in a play-off featuring Beach Boys songs.

-- Original Song Contest (2/18) -- Each band will perform its original

song -- which will be judged, mixed, recorded, and put on CD and on

iTunes!

-- House of Blues Battle of the Bands (2/19) -- Paul Stanley (lead singer,

guitarist and songwriter of KISS) will perform a KISS song on stage

live with every band at the House of Blues Battle of the Bands. Dickey

Betts of The Allman Brothers will join each band for some Southern

rock.

The RRFC dawn-to-midnight schedule includes master classes, private sessions, dinners with the stars, late night jams with renowned studio musicians and special guests. Offering pointers throughout are some of rock's royalty, who help the bands come together, collaborate and create. Campers get the opportunity to rock with their idols on top-notch instruments and stay at the glamorous Hollywood Renaissance Hotel. Cost for this five-day experience is $9499.

The RRFC frenzy doesn't stop in Hollywood-coming up is RRFC London (5/24-29, Memorial Day Weekend), where campers -- joined by English rockers including Jack Bruce (Cream) and Gary Brooker (Procol Harum) -- will have the incredibly rare chance to record at London's Abbey Road Studios and perform at the legendary Cavern Club in Liverpool, where the Beatles got their start.

Further information on Rock 'n Roll Fantasy Camp is available at 1-888 ROC-BAND (762-2263); http://www.rocknrollfantasycamp.com/.

Source: Rock 'n Roll Fantasy Camp

 

 

Lifetime to Premiere 'Army Wives,' from The Mark Gordon Company and Touchstone Television

New Ensemble Drama Series Starring Kim Delaney ('NYPD Blue') and Catherine Bell ('JAG') Premiering in June on Lifetime Television

13 Episodes Ordered from Creative Team behind 'Grey's Anatomy' and 'Criminal Minds'

 Lifetime Television has ordered production of 13 episodes of "Army Wives," from The Mark Gordon Company and Touchstone Television. The new ensemble drama series about the struggles, dreams and friendships of a diverse group of women -- and one man -- living with their spouses and families on an active army post and the pressures and traditions of the military on those who are left behind while their partners serve their country. "Army Wives" premieres in June on Lifetime Television.

Filmed on location in Charleston, South Carolina, the series stars Kim Delaney ("NYPD Blue"), Sally Pressman ("Shark"), Brigid Brannagh ("Over There"), Brian McNamara ("The O.C."), Sterling K. Brown ("Starved"), Wendy Davis ("Commander in Chief"), Drew Fuller ("Charmed") and Catherine Bell ("JAG"). Mark Gordon ("Grey's Anatomy," "Criminal Minds") and The Mark Gordon Company's President of Production, Deborah Spera ("Criminal Minds") serve as executive producers. Samantha Corbin-Miller ("Kevin Hill") also serves as executive producer and show runner. The pilot, directed by Ben Younger ("Prime"), was written by Katherine Fugate ("The Prince & Me"), who created the series and also serves as executive producer. The series is based on the book Under the Sabers: The Unwritten Code of Army Wives by Tanya Biank, who serves as a consultant. "Army Wives" is produced by Touchstone Television.

"We're pleased to bring an entertaining and relevant drama series in 'Army Wives' to our viewers. This show will resonate strongly with our audience as Mark, Deb and Katherine have created authentic, relatable and powerful characters set in a highly charged and complex environment," said Susanne Daniels, President, Entertainment, Lifetime Entertainment Services, in making the announcement.

"Building on Touchstone Television's cable business model and growth strategy to produce on all platforms, this deal is a key opportunity to expose the studio's quality content to new audiences," said Mark Pedowitz, president, Touchstone Television. Adding, "Lifetime has proven a crucial partner in the expansion of Touchstone's hits 'Desperate Housewives' and 'Grey's Anatomy' into syndication and we plan to aggressively develop this engrossing original drama into a franchise success for the network."

In "Army Wives," an unlikely tribe is formed when four women and one man create a bond based on one common theme: they all love a soldier who could die at any moment. Yet, they are all isolated by secrets that buck the armed forces system. They include: Claudia Joy Holden (Delaney), strong and respected wife of Colonel Michael Holden (McNamara), who the other women admire; Denise Sherwood (Bell), a devoted homemaker to her Major husband and teenage son, who harbors a shocking secret; Pamela Moran (Brannagh), a former cop, now earning money as a surrogate, who must keep her secret or face blackballing by the other women in their tight knit community; Roxy LeBlanc (Pressman), a feisty woman from the wrong side of the tracks who marries a soldier, Trevor (Fuller), after only knowing him for a few days. Now instantly living with her children on the post, she quickly experiences the politics of being housed in an ultra competitive environment. The "wives" also includes one husband, Roland Burton (Brown), who is trying to adapt to his Lieutenant Colonel wife's (Davis) post-traumatic stress syndrome after her return from the war.

Executive Producer Mark Gordon stated, "All of our shows are driven by characters that audiences fall in love with and look forward to immersing themselves in every week. Katherine Fugate has created a show that moves you to laugh, cry, and thoroughly entertain the audience."

Said Creator/Executive Producer Katherine Fugate, "This entire experience has been magic-filled, starting with the opportunity to tell the often-untold and unseen stories of female (and male) empowerment from the 'Army Wives' point of view, rather than that of the soldiers at war. Then, working with Mark Gordon, Deb Spera and Marshall Persinger, as well as the executives at Touchstone Television and finally Lifetime Television, all of whom have been so nurturing and highly supportive in our shared vision to tell the best stories we can tell. Lastly, I cannot be more thrilled with the cast we've assembled, all unique in their voice and talent. This truly is an opportunity of a lifetime and I can't wait for it all to unfold."

Touchstone Television has established itself as one of Hollywood's leading production companies, producing critically acclaimed, quality entertainment to the television industry. Since the Touchstone banner first appeared on the sitcom "Golden Girls" over 20 years ago, the studio has produced many of the most recognizable television programs in the world. Currently, "Grey's Anatomy," "Lost" and "Desperate Housewives" are international sensations while "Ugly Betty" and "Brothers & Sisters" have launched as two of the most popular new series this season. Touchstone is currently in production on an additional 13 programs including fan favorites "According to Jim" and "Scrubs..." both in their sixth year on television, the popular CBS dramas "Criminal Minds" and "Ghost Whisperer," ABC Family's most watched original series "Kyle XY," and ABC's late-night talk show "Jimmy Kimmel Live." Touchstone Television is part of Disney-ABC Television Group, a division of The Walt Disney Company.

Lifetime is the leader in women's television and one of the top-rated basic cable television networks. A diverse, multi-media company, Lifetime is committed to offering the highest quality entertainment and information programming, and advocating a wide range of issues affecting women and their families. Lifetime Television, LMN, Lifetime Real Women, Lifetime Home Entertainment and Lifetime Online (www.lifetimetv.com) are part of Lifetime Entertainment Services, a 50/50 joint venture of The Hearst Corporation and The Walt Disney Company.

Source: Lifetime Television

 

 

Treat Williams, Samaire Armstrong And Kevin Pollak Star In The Lifetime Original Movie 'The Staircase Murders'

A Riveting True Crime Story Based On The Disturbing Case Of A Best-Selling Novelist Accused Of Murdering His Wife

Real Case Has Captured the Attention of Millions with Extensive Media Coverage on NBC's Dateline, ABC's Primetime Live, CNN and Court TV

 Treat Williams (Brothers & Sisters," "Everwood"), Samaire Armstrong ("Entourage," "The O.C.") and Kevin Pollak ("The Usual Suspects") star in the Lifetime Original Movie, "The Staircase Murders," a provocative drama based on the famed murder case of Michael Peterson, the novelist accused of killing his socialite wife in their North Carolina home. Production is underway in Louisiana. Produced by Lionsgate, "The Staircase Murders" premieres Sunday, April 8 at 9PM ET/PT with a special encore airing on Monday, April 9 at 9PM ET/PT on Lifetime Television.

"This is a fascinating story with lots of bizarre twists and turns. It has all the gripping elements of great drama with mysterious deaths, sensational rumors and shocking revelations," said Libby Beers, Vice President, Original Movies. Beers continues, "Treat Williams and Kevin Pollak are perfectly cast to capture the complex mind of Michael Peterson and his skeptical lawyer David Rudolf, while Samaire Armstrong sensitively portrays the determination of the grieving daughter."

In "The Staircase Murders," loving father, aspiring politician and successful New York Times best-selling novelist Michael Peterson (Williams) was the picture perfect husband to his wife Kathleen. But when a panic- stricken Michael frantically calls 911 to report Kathleen has accidentally fallen down the stairs, investigators arrive at their home to discover several suspicious findings at the crime scene and soon begin to question the truth about Kathleen's death.

Michael's children, biological sons Todd and Clayton from a previous marriage, adopted daughters Margaret and Martha and step-daughter Caitlin (Armstrong), quickly rally to their father's defense until autopsy findings reveal Kathleen's injuries could not have been sustained by a fall. Shocked and betrayed by her accused father's actions, Caitlin breaks rank with the family to publicly accuse Michael of murder.

All the while, Michael consistently maintains his innocence, even going so far as to allow cameras into his home to document his legal team's defense strategies. But as the trial looms, shocking discoveries about Michael's sexuality, previous marriage, war service and the mysteriously similar circumstances of an old friend are revealed, making even his own lawyer, David Rudolf (Pollak), question his client.

Treat Williams is an accomplished Broadway stage, theatrical and television actor, appearing most recently in the ABC drama series "Brothers & Sisters." Previously, Williams starred in the critically acclaimed WB drama, "Everwood," as Dr. Andrew Bowen, a role that won him two SAG Award nominations. He scored his first Golden Globe nomination for his part in the smash Broadway musical "Hair." He later went on to earn two additional nods - one for the feature film "Prince of the City," and the other for the television adaptation of "A Streetcar Named Desire." Williams also received an Emmy nomination for Best Actor for his role on the HBO film "The Late Shift." Williams is also a director, winning two festival awards for his direction of "Texan" in Showtime's Chanticleer series.

Samaire Armstrong is best known for her role as sassy co-ed Anna on the Fox drama series "The O.C." She began acting in high school productions before attending Parsons School of Design which fostered her passion for design and fashion. Later, she moved to Los Angeles where she was cast in "Freaks and Geeks," "NYPD Blue," "Judging Amy" and "CSI: Miami." Armstrong has a recurring role as Emily on HBO's "Entourage." She was recently seen in the theatrical "Just My Luck" opposite Lindsay Lohan.

Stand-up comedian and actor Kevin Pollak landed his film debut in George Lucas' "Willow." Pollak received critical acclaim for his work in "Avalon," but gained wide recognition for his role in Rob Reiner's "A Few Good Men." Pollak also won fans with his appearances on the cult classic "The Usual Suspects" and "Casino." Pollak later co-created and co-executive produced "The Underworld." Recently, he starred alongside Bruce Willis and Matthew Perry in "The Whole Ten Yards."

"The Staircase Murders" is produced by Lionsgate for Lifetime Television. Judy Polone ("Widow on the Hill," "Infidelity") serves as executive producer and Judy Cairo ("One Day") produces. Aphrodite Jones, who wrote the book "A Perfect Husband" on which this movie is based, serves as co-producer. Tom McLoughlin (Lifetime Television's "Odd Girl Out," "Murder in Greenwich") serves as director and Donald Martin ("The Amber Frey Story," "Family Sins") wrote the screenplay.

Lionsgate (NYSE:LGF) is the leading independent filmed entertainment studio, winning this year's Best Picture Academy Award(R) for CRASH, generating two consecutive years of $300 million-plus domestic theatrical box office, operating a $500 million-plus home entertainment business and producing a broad slate of primetime television series for fiscal 2007. It is a premier producer and distributor of motion pictures, television programming, home entertainment, family entertainment, and video-on-demand content. Its prestigious and prolific library is a valuable source of stable, recurring revenue and is a foundation for growth of the Company's core business. The Lionsgate brand name is synonymous with original, daring quality entertainment in markets around the globe.

Lifetime is the leader in women's television and one of the top-rated basic cable television networks. A diverse, multi-media company, Lifetime is committed to offering the highest quality entertainment and information programming, and advocating a wide range of issues affecting women and their families. Lifetime Television, LMN, Lifetime Real Women, Lifetime Home Entertainment and Lifetime Online (www.lifetimetv.com) are part of Lifetime Entertainment Services, a 50/50 joint venture of The Hearst Corporation and The Walt Disney Company.

 

 

Carrie Underwood's 'Some Hearts' Is Certified 5x Platinum!

 

Billboard's #1 Album of 2006 Continues to Break Records

Reigning CMA Female Vocalist of the Year Carrie Underwood begins the New Year with another incredible accomplishment as her Arista Records/Arista Nashville/19 Recordings debut album, "Some Hearts," vaults to RIAA Quintuple-Platinum certification for sales of five million units. The record-setting milestone earns Carrie the fastest 5x Platinum certification of any female country debut in history.

With this accomplishment, "Some Hearts" has now become the best-selling, single-disc country album by a solo female in the new millennium.

"Some Hearts" is also the best-selling, single-disc country album by a solo artist (male or female) in the last six years -- since Tim McGraw's "Greatest Hits" released in November of 2000.

And with January 10 SoundScan information, "Some Hearts" earns the further distinction of becoming the best-selling, single-disc country album by any artist (solo, male, female, group, duo, etc.) since the Dixie Chicks' "Home" released in August of 2002.

Released November 15, 2005, "Some Hearts" has now logged a total of 20 weeks at #1 on Billboard's Top Country Albums chart, beginning and ending 2006 at #1 and holding the top country spot for 14 weeks last year -- more than any other artist.

In 2006, Underwood's chart-topping singles also led all country artists as she tallied a whopping 11 weeks at #1 on the country airplay charts.

Carrie's sales and airplay success were celebrated across multiple charts in Billboard's year-end recap, which recognized the Best New Artist GRAMMY nominee at #1 among Top New Country Artists, Top Country Artists -- Female, and Top Billboard 200 Artists -- Female. "Some Hearts" garnered the #1 spot amid year-end Top Country Albums and, impressively, #1 on the all-genre chart of Top Billboard 200 Albums.

In addition to her recent GRAMMY nomination in the all-genre category of Best New Artist, the ACM Top New Female Vocalist winner earned a GRAMMY nomination as Best Country Female Vocalist, for her six-week #1 single, "Jesus, Take the Wheel" (which also garnered songwriter nominations as Song of the Year and Best Country Song).

Fans can soon be listening for Carrie's upcoming single, "Wasted," hitting country radio in February.

Source: Arista Records

 

 

 

Emmy(R) Award Winner Kirstie Alley ("Cheers") To Star In And Executive Produce The Lifetime Original Movie "And She Was"

This Film Is About A Middle-Aged Screenwriter Whose Script-Selling Scheme To Beat Hollywood's Youth Obsession Goes Awry

 Kirstie Alley ("Cheers," "Fat Actress") will star in and executive produce the upcoming Lifetime Original Movie "And She Was," a satiric comedy about a middle-aged screenwriter who learns she is all washed up in Hollywood because she is considered too old. She enlists the help of her 20-something nephew who passes himself off as the writer of her scripts. But when he falls in love with a studio executive, her plan to reveal that she is, in fact, the talented wordsmith, is jeopardized. "And She Was" will premiere this summer on Lifetime Television.

In making the announcement, Susanne Daniels, President, Entertainment, Lifetime Entertainment Services said, "This movie's audacious humor deftly skewers the entertainment industry's unfortunate age bias that sidelines so much creative talent." She added, "The caliber of Kirstie's comedic talents and unique perspective into our industry, offers a great lense for this wonderfully funny material."

In "And She Was," Birdie Landgon (Alley) is an Academy Award(R)-winning writer approaching her 50th birthday who gets continually stonewalled finding work in an industry that prizes youth above all else. In desperation, she dreams up a plan to have her attractive car-salesman nephew Neil (Eric Christian Olsen, "The Loop," "Tru Calling") pose as a screenwriter using her scripts. The ruse succeeds perfectly. But just as Birdie begins to feel twinges of conscience, Neil falls for a studio development executive named Andrea. If Birdie decides to expose the deception, it could cost Neil his budding relationship and Andrea her job. While she struggles with her quandary, Birdie discovers for herself, and demonstrates to others, that being a woman of a certain age does not mean life is over, and that there are second chances for everyone.

Kirstie Alley's career has been punctuated by multiple awards and success in top-grossing films and highly acclaimed television programs. Alley most recently appeared in her own Showtime series "Fat Actress" and the television movies "Family Sins" and "While I Was Gone." She is best known for her portrayal of Rebecca Howe on NBC's "Cheers," for which she won Emmy(R), Golden Globe(R), and People's Choice(R) Awards during her six years on the hit comedy. Other television credits include "Veronica's Closet," the CBS movie "David's Mother," for which she won an Emmy(R) and two miniseries "The Last Don" and "Salem Witch Trials." In 2003, Alley portrayed the mentally disabled Donna Lee Shelby Thornton in the CBS film "Profoundly Normal." Alley's film credits include "Star Trek II: The Wrath of Khan," "Look Who's Talking," "Look Who's Talking Too," "Look Who's Talking Now," "Deconstructing Harry," "Drop Dead Gorgeous" and "For Richer or Poorer."

Eric Christian Olsen was most recently seen in the FOX series "The Loop" and had a recurring role on "Tru Calling." He will soon be seen in the feature films "License to Wed" and "The Comebacks." His additional film credits include "The Last Kiss" with Zach Braff, "Beerfest," "Cellular," "Dumb and Dumberer: When Harry Met Lloyd," "The Hot Chick," "Local Boys," "Not Another Teen Movie" and "Pearl Harbor."

"And She Was" is produced by Jaffe/Braunstein Films for Lifetime Television. Executive producers are Howard Braunstein, Michael Jaffe (Lifetime's "Not Like Everyone Else" and "Odd Girl Out"), Richard Fischoff (Lifetime's "For One Night") and Kirstie Alley. Graeme Clifford ("Profoundly Normal") directs from a script written by George Beckerman ("Man of the People").

Lifetime is the leader in women's television and one of the top-rated basic cable television networks. A diverse, multi-media company, Lifetime is committed to offering the highest quality entertainment and information programming, and advocating a wide range of issues affecting women and their families. Lifetime Television, LMN, Lifetime Real Women, Lifetime Home Entertainment and Lifetime Online (www.lifetimetv.com) are part of Lifetime Entertainment Services, a 50/50 joint venture of The Hearst Corporation and The Walt Disney Company.

*Photography is available at www.lifetimepress.com

 

 

Amino and Orb Networks Announce Partnership at 2007 CES to Bring All Digital Media onto the TV Screen

-- Amino, leading IPTV platform supplier, and Orb Networks, the software developer whose MyCasting service unlocks all digital content on the home PC to be enjoyed on any Internet- enabled device, announced a partnership during the Consumer Electronics Show that will give consumers the freedom to enjoy all of the personal digital media on their PCs directly on their living room TV screens.

The two companies plan to integrate Amino's AmiNET series of set-top boxes (STBs), among the most proven and widely deployed in the world, with Orb's software and roll out a series of product offerings throughout the year. The combination of technologies will close the gap between the STB and the PC, using the Orb MyCasting application platform as the bridge. Orb and Amino also are working to improve the consumer experience by providing an enhanced user-friendly interface.

"This integration of technologies really unleashes the power of what IPTV ever promised to be," said Joe Costello, Chairman and CEO of Orb Networks. "People increase their media consumption when you give them more control of the type of digital content they want to enjoy -- they get to mix and match their programs. Grandparents can look at home movies on their big screen TV, powered by Amino and streamed from the Orb PC of their grandchildren, thousands of miles away. This opens up so many options for how consumers can unleash all of their digital media -- and how service operators can bring their own customers to participate in the promise of IPTV."

"The partnership between Orb and Amino reemphasizes they way the video over IP industry is headed," said Karthik Ranjan, Vice President, Internet TV, Amino. "Consumers are looking for a lot more than just 'traditional media.' They want to access video content on the open internet as well as user generated media which is on their PC. The Orb application combined with our STB has finally enabled this to be a reality."

About Amino

Amino Communications ( www.aminocom.com ) supplies the AmiNET(TM) series of set-top boxes renowned for their low-cost and reliability. The AmiNET range materially reduces service operators' capital expenditure, whilst offering the full range of specification required. The high performance coupled with the innovative design of Amino's set-top boxes, have brought the series industry accolades and the company a leading position within the IPTV market.

The AmiNET series of IPTV set-top boxes has been used by more than 600 customers in commercial deployments and trials in over 50 countries worldwide. The set-top boxes have also been sampled by another additional 800 customers. Amino Communications' principal customers are telecommunications, broadcast and hospitality service operators. Generally, AmiNET products are supplied with the IntAct(TM) IPTV software stack pre-loaded.

Amino Communications is a wholly owned subsidiary of Amino Technologies plc. listed on the London Stock Exchange AIM, symbol AMO. Amino is based near Cambridge, UK, and has offices in Atlanta (Georgia) and Hong Kong.

About Orb Networks, Inc.

Orb Networks is an award-winning developer of software and services that unlock the digital media stored on personal computers. Orb MyCasting gives consumers secure, free, instant, and everywhere-access to everything from their photos and video to TV and music on virtually any Web-enabled device. The company's partners and affiliates include: AOL Winamp, AMD, Creative Labs, Hauppauge, Hutchison, Nokia, Orange and Vodafone. Orb Networks is a privately held company in Emeryville, Calif. For more information about Orb Networks and the Orb MyCasting service, please visit www.orb.com.

www.Orb.com

NOTE: Orb and MyCast are trademarks of Orb Networks, Inc. All other trademarks and/or registered trademarks are the property of their respective owners.

Source: Orb Networks, Inc.

 

 

 

Macworld Announces 2007 Best of Show Winners

For the first time, award-winning editors present annual Best of Show awards as a feature presentation at Macworld Conference and Expo.

Macworld, the world's foremost Mac authority in print and on the Web, revealed the annual Best of Show award winners during the 2007 Macworld Conference and Expo on Wednesday, January 10, 2007 in San Francisco. And, for the first time ever, the Macworld Best of Show awards were showcased as a feature presentation in front of an audience of approximately 1,000 Expo attendees. Hosted by Macworld VP/Editor in Chief Jason Snell and Macworld.com News Director Jim Dalrymple, the 11 winners were announced through short video clips created by the editors discussing the award-winning attributes of honorees interspersed with live demos on stage.

(Logo: http://www.newscom.com/cgi-bin/prnh/20060914/SFTH066LOGO )

The 2007 Macworld Best of Show winners are:

Photoshop - Adobe

Premiere - Adobe

Apple TV - Apple

iPhone - Apple

Prey - Aspyr Media

ModBook - Axiotron and Other World Computing

George - Chestnut Hill Sound

IntelliScanner mini - IntelliScanner

LCD2690WUXi - NEC

Parallels Desktop for Mac - Parallels

Toast 8 - Roxio

"Each year, Macworld editors see more imaginative, innovative, and inspired products in the Mac market," said Jason Snell, VP/Editor in Chief of Macworld. "The 2007 Best of Show honorees are some of the most creative we've ever seen -- these winners help define industry standards and raise the bar for creativity in the future. Congratulations to everyone!"

To qualify for an award, products must be making their first major trade show appearance and must be recognized by Macworld's editors as among the most notable products being displayed at Macworld Conference and Expo. Hundreds of products were considered before the field was narrowed down to the 11 winners.

About Mac Publishing, LLC:

Headquartered in San Francisco, Mac Publishing, LLC publishes the world's leading independent Macintosh publication and Web sites. Every month Macworld, winner of the Folio: 2005 and 2006 Gold Eddie award for best consumer technology/computing magazine and WPA's 2006 Maggie award for best computer/consumer magazine, reaches 1.2 million Macintosh professionals and enthusiasts while the Mac Publishing Web presence garners an average of over 3.5 million unique visitors. The Mac Publishing sites include: Macworld.com, PlaylistMag.com, MacOSXHints.com, MacworldProductFinder.com, and MacUser.com.

A subsidiary of International Data Group (IDG), the world's leading technology media, events, and research company, more information about Mac Publishing, LLC can be found at www.macworld.com.

About IDG:

International Data Group (IDG) is the world's leading technology media, research, and event company. A privately-held company, IDG publishes more than 300 magazines and newspapers including Bio-IT World, CIO, CSO, Computerworld, GamePro, InfoWorld, Network World, and PC World. The company features the largest network of technology-specific Web sites with more than 400 around the world. IDG is also a leading producer of more than 170 computer-related events worldwide including LinuxWorld Conference & Expo(R), Macworld Conference & Expo(R), DEMO(R), and IDC Directions. IDC provides global market research and advice through offices in 50 countries. Company information is available at http://www.idg.com/ .

NOTE: All product and company names are trademarks of their respective companies.

Contact: Heidi Tanaka, +1-415-978-3168, or htanaka@macworld.com.

Photo: NewsCom: http://www.newscom.com/cgi-bin/prnh/20060914/SFTH066LOGO
AP Archive: http://photoarchive.ap.org/
PRN Photo Desk, photodesk@prnewswire.com

Source: Macworld; International Data Group

 

 

 

 

 

 

 

 

VH1 Digital Grooves Into 2007 With New Installments of Its 'Box Set' and 'Live@Vh1.Com' Series

VH1'S ONLINE MUSIC SERIES 'BOX SET' MOVES TO LINEAR TV FOR THE FIRST TIME WITH 'BOX SET: GWEN STEFANI'

ON WEDNESDAY, JANUARY 24 AT 11 PM*

'LIVE@VH1.COM: NORAH JONES' LAUNCHES ONLINE TUESDAY, JANUARY 16

 VH1's "Box Set," a made-for- broadband original music program, is migrating to VH1's linear channel this month for the first time with "Box Set: Gwen Stefani," a music retrospective that includes a compilation of the artist's music videos, performances, and exclusive interview clips. "Box Set: Gwen Stefani" will premiere on VH1 on Wednesday, January 24 at 11 PM*. It will also be available on demand on VSPOT, VH1's broadband channel beginning the same day.

"Box Set" joins other VH1 music series and programs such as "You Oughta Know," "Hear Music First," and "Live@VH1.com" in the growing list of VH1's made-for-broadband franchises that have made the uncommon shift from online to on-air. Included in "Box Set: Gwen Stefani" are exclusive, never-before-seen interview clips of the artist as she walks through the videos she's created as a solo artist, including the latest hits from her second solo album, The Sweet Escape (Interscope).

VH1's in-studio performance series "Live@VH1.com" kicks off the new year with "Live@VH1.com: Norah Jones," launching on VSPOT on January 16. The Grammy-winning artist will perform acoustic versions of "Little Room," "Until The End," "Thinking About You," and "Sinking Soon" -- four songs from her upcoming third album, Not Too Late (Blue Note). Additionally, beginning January 23, fans can stream Norah Jones' Not Too Late in its entirety, exclusively on VH1.com through its "Hear Music First" program, one week before the album is released.

*** For up-to-the-minute and archival press information

including releases and photographs, visit VH1's press-only Web site at

www.vh1.com/press ***

About "Live@VH1.com" and VSPOT's "Boxset"

VSPOT's "Boxset" and "Live@VH1.com" music series have propelled VSPOT growth throughout 2006. Average monthly streams for the "Boxset" and "Live@VH1.com" franchises have grown 61 percent and 81 percent, respectively (2005 vs. 2006).

Recent "Live@VH1.com" in-studio performances include: John Legend, Beck, Snow Patrol, Corrine Bailey Rae, John Mayer, The White Stripes, Evanescence, Stephen and Damien Marley, Talib Kweli, KT Tunstall, Nickelback, Blue October, and Hinder. VH1's online performance series began in 2003 and has welcomed close to 150 artists to the VH1 studios for striped-down and acoustic versions of their most popular songs. To view the archived Live@VH1.com events on demand visit http://www.vh1.com/music/live_at_vh1/.

VSPOT's "Boxset" compilations include a selection of videos, combined with exclusive interview footage and live performances from today's hottest artists. Recent "Boxsets" include: Beyonce, Beastie Boys, Dixie Chicks, Justin Timberlake, Weird Al Yankovic and Pearl Jam. More than 40 "Boxset" compilations launched in 2006 and archived at http://www.vh1.com/music/boxset/.

*all times are ET/PT

VH1 connects viewers to the music, artists and pop culture that matter to them most with series, specials, live events, exclusive online content and public affairs initiatives. VH1 is available in nearly 88 million households in the U.S. VH1 also has an array of digital services including VH1 Classic and VH1 Soul. Connect with VH1 at www.VH1.com.

VH1 is a registered trademark of MTV Networks, a unit of Viacom International Inc. MTV Networks also operates and offers joint ventures, licensing agreements and syndication deals whereby its programming can be seen worldwide.

VSPOT at VH1.com (http://vspot.vh1.com/) -- VH1's broadband channel -- brings viewers the richest music and pop-culture video content while it's happening: live events, series sneak peeks, exclusive celeb Q&A's, movie trailers, in-studio performances and original series, not to mention thousands of music videos, customizable play lists and artist interviews.

 

 

VH1, Jack Black and Channel 101 Join to Stem Tide of 'Unacceptable Media'

'Acceptable TV' to Launch on the Web in February 2007 and Premiere on VH1 Friday, March 23 at 10 PM*

 VH1, Jack Black and the team from Channel101.com have announced the first step in reforming the runaway user-generated content movement with the newly formed "Acceptable TV." The "Department" will be responsible for a website that will launch in February 2007 followed by a weekly TV series premiering on VH1 Friday, March 23 at 10 PM*.

Jack Black, Dan Harmon and Rob Schrab became pioneers of the do-it-yourself TV movement with Channel 101, a competitive forum for digital shorts founded in 2003, anticipating the YouTube revolution by a several years. Realizing they could not stand by while the tidal wave of user-generated content threatened to overwhelm the internet, "Acceptable TV" on the principle that, in Black's words, "some stuff is just not acceptable."

Harmon compared this post-YouTube era of media to the dawn of the automotive age. "There was a time when there were so few cars that we didn't even need stop signs. A handful of rich people drove where they wanted as fast as they wanted. Then came a day when so many people had cars that drivers needed to be licensed. That day has come with digital media. We are the DMV of camcorders."

"Acceptable TV" builds off the innovations of Channel 101. Each week viewers will see new three-minute episodes of six proposed TV series -- most produced by the "Department" staff, some produced by web users. Viewers will then be able to vote, via the Web site www.acceptable.tv, for three of those series to return with a new episode. The three with the least votes are cancelled and replaced by three new pilots the following week. All shows -- acceptable and unacceptable -- will be shown on the website. The best of these shorts could eventually grow to a full series on VH1.

"Over the years, Dan Harmon and Rob Shrab have assembled an incredible group of young filmmakers at their internet event, Channel101.com," said actor and series producer Jack Black. Channel 101 alumni include Andy Samberg, Akiva Schaffer and Jorma Taccone, who were recently brought on board Saturday Night Live, where they created the infectious 'Lazy Sunday' digital short. "They have mastered the art of the three-to-five minute entertainment power nugget. I am proud to be a producer of this breakthrough television series. This is the first show in TV history to be programmed by the audience," he continued. "For their brave choice to put this on the air, the executives at VH1 should be applauded, and then fired."

"The formation of the 'Department' places VH1 and its viewers again at the forefront of the user-generated content revolution. VH1 tapped into the online video explosion early with our weekly 'Web Junk 20' series nearly a year ago. The show found the funniest videos on the internet and shared them with our viewers -- thousands of whom uploaded their own videos to us," said Brian Graden, President, Entertainment, MTV Networks Music Group and Logo. "Now our viewers can be part of the overall development process in any way they want ... from playing TV programmer and voting online for their favorite entries to actually creating a pilot to evaluated by this community of devout television fans."

"Yes, this show will be web-savvy, viral and cross-platform compliant through 2010. You'll be able to watch it on your wristwatch, iPod or subdermal sex offender GPS unit. But honestly, it's just going to be a funny TV sketch show. You're going to be able to tune into VH1 for a half hour and get a couple belly laughs and then get on with your week. That's our goal," stated Harmon.

Users of the site will be able to do more than vote on their favorite videos. They can join the "Department" and rise through the ranks by finding quality entertainment on the web, or by making their own shows, uploading them to the site, and getting the support and votes of other users.

"Acceptable TV" is executive produced by Jack Black, Dan Harmon, and Rob Schrab. Benjamin Cooley will oversee for Electric Dynamite Productions. VH1 senior vice president of films and scripted series, Maggie Malina, will oversee television production for VH1, along with Michael Hirschorn, executive vice president of production and programming for VH1. Writers for the series include Dan Harmon (co-creator of "Heat Vision and Jack"), Justin Roiland (creator of the early viral video sensation "House of Cosbys") and JD Ryznar (creator of equally early, equally viral, and equally sensational "Yacht Rock").

VH1 will produce 8 episodes to premiere Friday, March 23 at 10PM* with its companion website, www.acceptable.tv to launch in February 2007.

VH1 connects viewers to the music, artists and pop culture that matter to them most with series, specials, live events, exclusive online content and public affairs initiatives. VH1 is available in 90 million households in the U.S. VH1 also has an array of digital services including VH1 Classic, VH1 Soul and VSPOT, VH1's broadband channel. Connect with VH1 at www.VH1.com.

VH1 is a registered trademark of MTV Networks, a unit of Viacom International Inc. MTV Networks also operates and offers joint ventures, licensing agreements and syndication deals whereby its programming can be seen worldwide.

*All times at ET/PT

 

 

January 2007 Marks the 40th Anniversary of Legendary Singer Engelbert Humperdinck's First Smash Hit 'Release Me'

'Release Me' Topped the Charts and Ushered in the 'King Of Romance' Engelbert Humperdinck Who Crosses Generations With His Unmistakable Voice and Talent

Iconic performer and Grammy Award winning singer Engelbert Humperdinck has defined romance for countless generations and this month he celebrates a milestone with the 40th anniversary of his first international breakout hit, "Release Me." Beating out The Beatles song "Strawberry Fields Forever" by early February of 1967, "Release Me" was an instantaneous hit that topped the British music charts at number-one and soared in the U.S. music charts for 56 consecutive weeks. In its peak the powerful ballad sold an unprecedented 85,000 copies daily.

"When I first heard Engelbert perform 'Release Me,' I knew a legend was being born. His unmistakable voice, magnetism and ability to mesmerize an audience made it clear he was and always will be a class act. I had the pleasure of going to one of Engelbert's concerts last year and his voice and showmanship has improved and matured like a fine wine," said producer, Richard Perry.

"Release Me" sparked Engelbert's impressive career that has spanned 40 years. In the late 60's and early 70's, he set the standard for Las Vegas-style glamour with his extravagant and lavish stage shows. With his signature sideburns, swanky wardrobe and rich 3-1/2 octave range, he was a bigger than life heartthrob who drove female fans wild. He also performed alongside fellow musical legends of the time including his personal friend Elvis Presley (who stole his sideburns) and Dusty Springfield.

Engelbert Humperdinck continues to perform over 100 dates a year. He has made 77 albums and generated sales in excess of 130 million records, including 64 gold albums and 24 platinum. He's received four Grammy's, a Golden Globe (Entertainer Of The Year, 1989) and a star on the Hollywood Walk of Fame. Engelbert has performed for the Queen of England and royal heads of state around the world.

Engelbert has lived up to his "King Of Romance" moniker with countless hits over the years including: "Can't Take My Eyes Off Of You," "Misty Blue," "After The Loving," "Spanish Eyes" and "Quando, Quando, Quando." Last year he added his personal imprint to the theme song ("Little Boxes") for the popular television hit, "Weeds."

As Engelbert gears up to celebrate the 40th anniversary of "Release Me," he continues to make music he loves. Last month he appeared in his first U.S. commercial in a national Staples holiday campaign. He recently released a new single in the UK, "Jerusalem" which will be featured in the "World Rugby Cup." He went back into the studio to celebrate his anniversary in the business and his roots with a new CD, "Best of British Composers", produced by Richard Perry and Lauren Wild. For more information go to: http://www.engelbert.com/

Source: EH Productions

 

T'Zerah(TM) Selected as Exclusive Skin Care Line at the Backstage Creations Retreat during the 2007 Golden Globe(R) Awards

 

The Scoop: The celebrity presenters at the Golden Globe Awards may look

especially radiant this year, as they will be given the

opportunity to experience t'Zerah(TM), the luxurious

award-winning skin care line based on pure plant based

ingredients, during rehearsals the two days prior to the

show!

t'Zerah has been selected to be the exclusive skin care line

at the "Backstage Creations Retreat during the 2007 Golden

Globe Awards." Celebrity presenters will have the opportunity

to sample the brand's full line of luxurious, couture-quality

natural skin care, and will go home with a complete t'Zerah

skin regimen, including Or' l'Or de Nuit Illuminating Lifting

Serum, made with pure white powder gold and inspired by the

Golden Globes themselves!

When: Saturday, January 13th and Sunday, January 14th, 2007.

Where: Backstage Creations Retreat at the 2007 Golden Globe Awards

Beverly Hilton Hotel, Beverly Hills, CA

BY INVITATION ONLY

What: The 60 celebrity presenters at the 2007 Golden Globes will be

invited to experience the t'Zerah line on-site at the Beverly

Hilton Hotel during the two days of rehearsals prior to the

live broadcast on Monday January 15th. They will then go

home with an exclusive collection of t'Zerah products

presented in a custom made ivory silk box filled with flower

petals and wrapped in hand made Japanese rice paper.

The collection will feature 7 products, including:

-- Creme Bois de Rose Velvet Hydrating Cream, made with pure

rose water, skin-smoothing Panama tree extract and rose

wood essential oil.

-- Serum Grenade Intensive, a night repair serum rich in

pomegranate and perilla oils, plant extracts and naturally

occurring salicylic acid to exfoliate, decongest and

even-out skin tone and texture. This "does it all"

treatment is clinically proven to make skin not only look

younger, but actually behave like younger skin.

-- Or l'Or de Nuit Illuminating Lifting Serum, a luxurious

skin treatment made with pure white powder gold, marine

algae and pure plant extracts to instantly tighten and

lift while softly diffusing light for a glamorous glow.

Background: t'Zerah is a luxurious couture-quality line of skin care

inspired by the ancient knowledge of the restorative power of

plants. It is made in France, in small batches, using only

the freshest, purest essences of flowers, plants and natural

minerals carefully selected for their ability to harmonize

with the skin. You can truly feel the difference -- the

products have a freshness and vitality that has become the

t'Zerah signature.

t'Zerah was awarded "Best Natural Product" at the brand's

Extracts Trade Show launch in New York City earlier this

year, and is available in select specialty boutiques, at

makeup.com, and at the brand's own website www.tzerah.com. In

2007 t'Zerah will debut at one of the world's premier

prestige department stores.

Backstage Creations is the leading company providing

corporate clients an exclusive opportunity to personally

introduce their products and services to celebrities. Invited

celebrities visit custom designed "Retreats" to relax and

choose products selected by event organizers as "thank-you"

gifts. Backstage Creations has created celebrity retreats at

various industry events including the Golden Globes Awards,

People's Choice Awards and Billboard Music Awards

 

 

 

Emmy(R)-Award Winning Actress Debra Messing stars in 'THE STARTER WIFE'

POND'S(R) Face Care Brand Sponsors USA Network Television Event Celebrating Grown-Up Beauty

Offers Viewers Multiple Opportunities to Join the Celebration

 The POND'S(R), the anti-aging skin care line has teamed up with USA Network for THE STARTER WIFE, a major television event that celebrates the sexiness, sassiness and confidence of the 40-something woman. Starring Debra Messing, and chronicling the life and times of the newly single and utterly fabulous Molly Kagan, the six-hour television event premieres on Thursday, May 31 at 9pm/8c and runs through Thursday, June 28 on USA Network.

With a lineup of anti-aging products that gives women the beauty "edge," POND'S and THE STARTER WIFE are perfectly aligned: both celebrate the grown-up beauty of women who are full of life and life's experience. In fact, according to a recent POND'S survey, 80 percent of 40-something women say that they are more self-confident now than their former 20-something selves.

Nationwide Search for Fabulous 40-somethings

To encourage women to tune in, POND'S is unleashing a coast-to-coast search for the five 40-something women who best embody the POND'S brand of grown-up beauty. "These women know exactly what their assets are and know how to play them up because when you look good, you feel good and the confidence shows," said Srini Sripada, Unilever, marketing director.

To enter The Starter Wife 40s and Fabulous Contest presented by POND'S, women can log onto http://www.ponds-thestarterwife.com/ from Wednesday, February 7 to Friday, March 16 to share how their sassiness and confidence shines through in their own lives. Each of the five winners will be featured in separate on-air vignettes highlighting their unique stories and beauty philosophies, which will air during THE STARTER WIFE.

Along with the vignettes, the five winners also will receive the "star treatment" with a weekend of glitz, glamour and grown-up beauty in Los Angeles. From their red carpet Hollywood "debut" at the exclusive, star-studded THE STARTER WIFE premiere party in May to a hair, make-up and clothing makeover with a stylist, the winners will have an action-packed three-day, two-night experience with POND'S. Gigi Levangie Grazer, author of THE STARTER WIFE and executive producer, will be one of four judges.

Saying "I do" to Grown-Up Beauty

POND'S also is giving THE STARTER WIFE viewers the chance to win dazzling right hand diamond rings -- the ultimate symbol of empowerment and confidence for 40+ women. Starting in May, consumers can look for specially marked packages of POND'S products featuring a sticker with a unique game code. One winning code will be revealed each week during THE STARTER WIFE on USA Network (May 31-June 28).

THE STARTER WIFE also stars Tony(R) winner and Emmy(R) nominee Joe Mantegna ("Joan of Arcadia"), Golden Globe(R) winner, Emmy Award winner and Academy Award(R) nominee Judy Davis ("Life with Judy Garland: Me and My Shadow"), Tony winner Anika Noni Rose ("Dreamgirls"), Miranda Otto ("Lord of the Rings") and Emmy winner Peter Jacobson ("As Good As It Gets"), Stephen Moyer ("Quills"), Aden Young ("The Crocodile Hunter: Collision Course") and Chris Diamantopoulos ("Boston Legal") and is directed by Jon Avnet ("Fried Green Tomatoes"). Sara Parriott and Josann McGibbon ("Runaway Bride") penned the project which is produced by NBC Universal Television Studio in association with 3 Arts Entertainment. Stephanie Davis ("The Caveman's Valentine") and Howard Klein ("The Office," "Carnivale") serve as executive producers for 3 Arts, with Jon Avnet, Gigi Levangie Grazer, Josann McGibbon and Sara Parriott also serving as executive producers. Jeff Hayes serves as co-executive producer.

About POND'S(R):

With a rich heritage for more than 100 years, POND'S(R), a Unilever trusted face care brand, was first made famous for its classic Cold Cream. Today, the POND'S product line consists of anti-aging cleansers and moisturizers as well as several classics that meet the needs of women whose faces have begun to show signs of aging. POND'S keeps skin looking its best and helps women feel confident by delivering significant and noticeable skin benefits through innovative and effective ingredients. POND'S products are available at drug, mass merchandisers, club stores and supermarkets nationwide. Suggested retail price ranges from $3.99 to $19.99. For more information and skin care tips on POND'S products, visit http://www.ponds.com/.

About Unilever:

Unilever (NYSE:UL) (NYSE:UN) , one of the world's largest consumer products companies, aims to add vitality to life by meeting everyday needs for nutrition, hygiene and personal care. Each day, around the world, consumers make 150 million decisions to purchase Unilever products. The company has a portfolio of brands that make people feel good, look good and get more out of life.

In the United States these brands include recognized names such as: Axe, "all," Ben & Jerry's, Bertolli, Breyers, Caress, Country Crock, Degree, Dove personal care products, Hellmann's, Lipton, Knorr, Popsicle, Promise, Q-Tips, Skippy, Slim-Fast, Snuggle, Suave, Sunsilk and Vaseline. All of the preceding brand names are registered trademarks of the Unilever Group of Companies. Dedicated to serving consumers and the communities where we live, work and play, Unilever in the United States employs approximately 15,000 people in 66 office and manufacturing sites in 24 states and Puerto Rico- generating more than $9 billion in sales in 2005. For more information visit http://www.unileverusa.com/.

About USA Network:

USA Network is cable television's leading provider of original series and feature movies, sports and entertainment events, off-net television shows, and blockbuster theatrical films. The #1 basic cable network across the board for 2006, USA Network is seen in 90 million U.S. homes. The USA Network Web site is located at http://www.usanetwork.com/. Characters Welcome.

USA Network is a program service of NBC Universal Cable a division of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience.

Source: USA Network

 

Invasion of Sexy in the Kingdom of Las Vegas

 There's a new ruler in the Kingdom of Sexy. Prince. He, and his iconic gender-melding symbol, tower some twenty stories over Las Vegas. Twenty years after the inauguration of his Purple Reign, the illustrious icon and King of Sexy is back commanding the music scene in Las Vegas. This four-time Grammy winner is performing to sold out shows at The Rio Las Vegas' new 3121 nightclub. On Wednesday nights, the singer/songwriter/producer hosts and presents various artists whom he has signed.

Prince, The Rio All Suite Hotel and Casino and Pepsi has enlisted Sky Tag, the innovators of the largest Tall Walls and Building Wraps, in producing Prince's Mega Mural which dominates the Las Vegas

 

M*A*S*H is a Major Ratings S*M*A*S*H on TV Land!!

An Average of 1.3 Million Viewers Tune in to Week-Long Prime Time Marathon

Network Scores Double-Digit Gains in Rating and Delivery for the Week in Prime

 The launch of M*A*S*H on TV Land proved to be a "major major" smash! The series, which kicked off with a week-long "Major Major M*A*S*H Marathon" on Monday, January 1 through Sunday, January 7, scored spectacular ratings in prime time for the week, attracting an average of 1.3 million total viewers and scored double-digit increases in demo rating and delivery. The marathon showcase also included all the major episodes from the series; the original major motion picture of the same name; the 20th and 30th major reunion specials and the major landmark series finale, all of which scored huge numbers for the network. TV Land's "Major Major" marathon made TV Land a Top Ten ranked network in all of basic cable among Adults 25-54 for the week in prime.

According to Nielsen Media Research, for the week in prime time (8 p.m. to 11 p.m. ET/PT), the marathon averaged 1.3 million total viewers, up +24% over last year. It posted a 0.6/587,000, up +50% in rating and +38% in delivery among its core A25-54 demo over last year for the week. Among Boomers (Adults 40-54), the showcase posted a 0.8/443,000, up +60% in rating and +62% in delivery over last year.

"The show's strong delivery and ratings are a true testament to how M*A*S*H continues to stand the test of time," states Larry W. Jones, President, TV Land. "As the #1 show among Boomers, M*A*S*H remains one of the most beloved and enduring series ever."

Highlights for the week of TV Land's "Major Major M*A*S*H marathon" include the following:

* On Tuesday, January 2, TV Land aired the M*A*S*H series finale at 10

p.m., posting a 0.7/685,000 among A25-54, up +75% in rating and +100%

in delivery over last year. Among total viewers, the telecast averaged

over 1.3 million, up +102% vs. YAGO. Among Boomers, Adults 40-54, the

finale posted a 1.0/519,000, up +150% in rating and +184% in delivery

compared to last year.

* M*A*S*H's 20th Anniversary retrospective, which aired on Wednesday,

January 3 at 10 p.m., boasted triple-digit increases for the network in

prime, averaging a 0.8/838,000 among A25-54, an increase of +300% in

rating and +284% in delivery over YAGO. Among total viewers, TV Land

attracted an average of over 1.5 million, up a whopping +222% over last

year. The special continued to perform among Boomers as well, scoring

a 1.1/560,000 among A40-54, up +267% in rating and +286% in delivery

vs. YAGO.

* TV Land aired the series' 30th Anniversary reunion special on Thursday,

January 4 at 10 p.m., posting a 0.7/692,000 among A25-54, up +75% in

rating and +85% in delivery over last year. Additionally, the network

averaged over 1.4 million total viewers, an increase of +73% vs. YAGO.

Among the A40-54 Boomer audience, it scored triple digit gains, with a

1.0/513,000, up +150% in rating and +158% in delivery over last year.

* The original M*A*S*H movie, which inspired the landmark series, aired

on Friday, January 5 at 10 p.m., averaging 906,000 total viewers, up

+25% over 2006. The film scored a 0.5/473,000, up +25% in rating and

+39% in delivery over last year. Among A40-54, it posted a 0.7/368,000,

up +75% in rating and +70% in delivery versus YAGO.

TV Land and all related logos and titles are trademarks of Viacom International Inc.

About TV Land

Now seen in over 88 million U.S. homes, TV Land is a division of MTV Networks. TV Land's program mix features original programming, popular dramas, sitcoms, westerns, Retromercials and a TV-referential interstitial environment, all programmed to superserve Baby Boomers -- the first generation of Americans to grow up watching television. TV Land Productions was created in 2003 to develop original programming that complements the network's successful acquired programming slate. TV Land Productions has produced The TV Land Awards Show (March 2003, 2004, 2005 and 2006) and Chasing Farrah (Spring 2005). In 2006, TV Land premiered several original productions including Generation Boom, I Pity The Fool starring Mr. T and Sit Down Comedy with David Steinberg. The network features all-time Classic hits like All in the Family, M*A*S*H, I Love Lucy, The Andy Griffith Show and Bonanza.

MTV Networks, a unit of Viacom (NYSE:VIA) (NYSE:VIA.B) , is one of the world's leading creators of programming and content across all media platforms. MTV Networks, with more than 130 channels worldwide, owns and operates the following television programming services - MTV: MUSIC TELEVISION, MTV2, VH1, mtvU, NICKELODEON, NICK at NITE, COMEDY CENTRAL, TV LAND, SPIKE TV, CMT, NOGGIN, VH1 CLASSIC, LOGO, MTVN INTERNATIONAL and THE DIGITAL SUITE FROM MTV NETWORKS, a package of 13 digital services, all of these networks trademarks of MTV Networks. MTV Networks connects with its audiences through its robust consumer products businesses and its more than 200 interactive properties worldwide, including online, broadband, wireless and interactive television services and also has licensing agreements, joint ventures, and syndication deals whereby all of its programming services can be seen worldwide.

Source: TV Land

 

iTunes Store Tops Two Billion Songs

50 Million TV Shows & Over 1.3 Million Movies Sold

Apple(R) today announced that more than two billion songs, 50 million television episodes and over 1.3 million feature-length films have been purchased and downloaded from the iTunes(R) Store (www.itunes.com), making it the world's most popular online music, TV and movie store.

"iTunes has crossed another major milestone by selling over two billion songs -- with over a billion of them sold in the last year alone -- making it by far the world's most popular music store," said Steve Jobs, Apple's CEO. "And by selling 50 million TV shows and over 1.3 million movies to date, iTunes is already the largest online video store in the world as well."

The iTunes Store now features the world's largest catalog by far with over four million songs, 250 feature films, 350 television shows and over 100,000 podcasts. Beginning today, iTunes has added more than 100 movies from Paramount Pictures priced at just $9.99 including "School of Rock," "The Italian Job," "Mean Girls," "Zoolander," "Coach Carter," "Lemony Snicket's A Series of Unfortunate Events," "Lara Croft Tomb Raider: The Cradle of Life," "Chinatown" and "Breakfast at Tiffany's."

The world's most popular music jukebox, iTunes 7 delivers stunning features such as the new album and Cover Flow views of music, TV shows and movies, enabling users to quickly find titles in their library as well as casually browse through and re-discover titles they already own. Videos purchased from the iTunes Store are downloaded in near-DVD quality at a resolution of 640 by up to 480, depending on the content's aspect ratio. And now with Apple TV, you can wirelessly play all your favorite iTunes content from your Mac(R) or PC, including movies, TV shows, music, photos and podcasts on your widescreen TV.

With Apple's legendary ease of use, pioneering features such as integrated podcasting support, iMix playlist sharing, seamless integration with iPod and groundbreaking personal use rights, the iTunes Store is the best way for Mac and PC users to legally discover, purchase and download music and video online.

Pricing & Availability

iTunes 7 for Mac and Windows includes the iTunes Store and is available as a free download from www.itunes.com. Purchase and download of content from the iTunes Store for Mac or Windows requires a valid credit card with a billing address in the country of purchase. Television shows and feature films are available in the US only, and video availability varies by country. Games are available for download in the 22 countries in which iTunes operates and play on the fifth generation iPod(R). New release feature films are $14.99 (US) each and other feature-length films are $9.99 (US) each, television shows are $1.99 (US) per episode, music videos and short films are $1.99 (US) each and games are $4.99 (US) each.

Apple ignited the personal computer revolution in the 1970s with the Apple II and reinvented the personal computer in the 1980s with the Macintosh. Today, Apple continues to lead the industry in innovation with its award-winning desktop and notebook computers, OS X operating system, and iLife and professional applications. Apple is also spearheading the digital music revolution with its iPod portable music players and iTunes online store.

NOTE: Apple, the Apple logo, Mac, Mac OS, Macintosh, iTunes and iPod are trademarks of Apple. Other company and product names may be trademarks of their respective owners.

FCMN Contact: hoover1@apple.com

Source: Apple Computer, Inc.

 

'Live with Regis and Kelly' Announces the Return of 'Live's Beautiful Baby Search'

Grand Prize-Winning Baby Will Appear on Cover of Parenting Magazine

Every mom or dad thinks their baby is the cutest ... and "Live with Regis and Kelly" is giving parents the chance to turn their cute baby into a cover baby! "Live" and Parenting magazine invite proud parents to enter their little ones in "Live's Beautiful Baby Search 2007." Five finalists will be featured on "Live with Regis and Kelly" and the winner will be showcased as the cover model on a future issue of Parenting.

Beginning today, January 9, 2007, parents of beautiful babies between the ages of 6 months and 48 months will be able to enter their children in the contest by submitting a non-professional photo of their little one online at www.liveregisandkelly.com, where full details and contest rules are available. Entries also can be mailed to LIVE'S BEAUTIFUL BABY SEARCH, Ansonia Station - P.O. Box 234027, New York, NY 10023-9490.

"Live" producers and Parenting editors will narrow down the competition to ten finalists. Voting then will be turned over to "Live's" viewing audience, who will vote online to determine the five finalists. The final five beautiful babies will travel to New York to appear on "Live With Regis and Kelly" the week of February 19, 2007, and take part in a professional photo shoot hosted by Parenting. Hosts Regis Philbin and Kelly Ripa will announce the picture-perfect winner on February 23, and he or she will be showcased on the cover of a future issue of Parenting.

Parenting, with a guaranteed circulation of 2,150,000 and a readership of over 11 million, is the nation's leading magazine for moms. It provides the emotional support and affirmation they want and the mom-tested information and ideas they can really use. Parenting is the flagship magazine of The Parenting Group, which includes the monthly Babytalk magazine and its siblings Babytalk First Months and Babytalk Mom-to-Be. The Parenting Group's other extensions include: a sampling operation, First Moments; a website, Parenting.com; a custom publishing unit, and MomConnection(R), an online research community. Taken cumulatively, Parenting Group properties deliver over 20 million consumer touchpoints each month. The Group is a division of Time Inc., a wholly owned subsidiary of Time Warner Inc.

"Live with Regis and Kelly" is executive produced by Michael Gelman, and has been distributed in national syndication by Buena Vista Television since 1988. Produced by WABC-TV in New York, "Live with Regis and Kelly" airs in more than 200 markets across the country.

Source: Buena Vista Television

 

Apple TV Coming to Your Living Room

Movies, TV Shows, Music & Photos on Your Big Screen TV

 Apple(R) today premiered Apple TV(TM), an easy to use and fun way to wirelessly play all your favorite iTunes(R) content from your Mac(R) or PC on your widescreen TV, including movies, TV shows, music, photos and podcasts. Using Apple TV's stunning new interface, anyone can quickly browse and view their entire collection of digital media from across the room using the simple and intuitive Apple Remote. Apple TV easily connects to almost all modern widescreen televisions, and will be shipping in February for just $299.

"Apple TV is like a DVD player for the 21st century -- you connect it to your entertainment system just like a DVD player, but it plays digital content you get from the Internet rather than DVDs you get from a physical store," said Steve Jobs, Apple's CEO. "Apple TV plays the same iTunes content that users enjoy on their computers and iPods, so now they can even watch part of a movie in their living room, and watch the rest later on their iPod."

Apple TV has a 40GB hard drive to store up to 50 hours of video, 9,000 songs, 25,000 photos or a combination of each and is capable of delivering high-definition 720p output.* Apple TV is easy to connect to a broad range of widescreen TVs and home theater systems and comes standard with HDMI, component video, analog and optical audio ports. Using high-speed AirPort(R) 802.11** wireless networking, Apple TV can auto-sync content from one computer or stream content from up to five additional computers right to your TV without any wires.***

The seamless integration of Apple TV and iTunes lets users choose from over 250 feature-length movies and 350 TV shows in near DVD quality; four million songs, 5,000 music videos, 100,000 podcasts and 20,000 audiobooks. Users can enjoy their favorite music on a home entertainment system and view slideshows of their photo albums on a widescreen TV. Apple TV makes it easy for users to explore their entire media collection with an easy to use and intuitive new interface. With the Apple Remote, consumers can easily browse through their favorite movies, TV shows, music and photos from up to 30 feet away.

Pricing & Availability

Apple TV, which includes the Apple Remote, will be shipping in February through the Apple Store(R) (www.apple.com), Apple's retail stores and Apple Authorized Resellers for a suggested retail price of $299 (US).

Apple TV requires iTunes 7 or later running on a Mac with Mac OS(R) X version 10.3.9 or later, or a Windows PC with Windows XP Home/Professional (SP2). An 802.11b/g/n wireless network using AirPort, AirPort Extreme(R) or 10/100 Base-T Ethernet networking required. Internet access is required and a broadband connection is recommended. Apple TV requires an enhanced-definition or high-definition widescreen TV. iPod(R) games will not play on Apple TV. iTunes is available in the US and select countries.

*Video playback based on 640x480 iTunes video content. Music capacity based on four minutes per song and 128-Kbps AAC encoding. Photo capacity based on Apple TV viewable photos transferred from iTunes. Actual capacity varies by content.

**Compatible with 802.11b/g/n. Based on an IEEE 802.11n draft specification.

***Wireless video streaming requires an 802.11g/n network.

Apple ignited the personal computer revolution in the 1970s with the Apple II and reinvented the personal computer in the 1980s with the Macintosh. Today, Apple continues to lead the industry in innovation with its award-winning desktop and notebook computers, OS X operating system, and iLife and professional applications. Apple is also spearheading the digital music revolution with its iPod portable music players and iTunes online store.

NOTE: Apple, the Apple logo, Mac, Mac OS, Macintosh, iTunes, Mac, Apple TV, AirPort, Apple Store, AirPort Extreme and iPod are trademarks of Apple. Other company and product names may be trademarks of their respective owners.

Source: Apple Computer, Inc.

 

 

Apple Chooses Cingular as Exclusive US Carrier for Its Revolutionary iPhone

Apple(R) and Cingular announced that Cingular, the largest wireless carrier in the US, will be Apple's exclusive US carrier partner for Apple's revolutionary iPhone unveiled today. As part of this multi-year partnership, Apple and Cingular are working together to provide innovative new features to mobile phone users, such as iPhone's pioneering and unique Visual Voicemail, a first on any mobile phone in the world.

"Apple chose Cingular because they are the best and most popular carrier in the US," said Steve Jobs, Apple's CEO. "We are thrilled to be offering our revolutionary new iPhone exclusively with Cingular, and look forward to working together with them to create some wonderful new features for our customers."

"By partnering with Apple, we are continuing our commitment to raising the bar for customers," said Stan Sigman, Cingular's president and CEO. "We think the iPhone is one of the most innovative devices ever created, and we look forward to letting our customers be the first in the world to experience the future of mobile phones."

iPhone's unique Visual Voicemail was co-developed by Apple and Cingular. Visual Voicemail makes voicemail as fast and convenient as email by allowing users to go directly to any of their voice messages without listening to any of the prior messages.

iPhone will be available in the US beginning in June 2007 in a 4GB model for $499 and an 8GB model for $599, and will work in combination with Apple's iTunes(R) running on either a PC or Mac(R).

iPhone will be sold in the US through Apple's retail and online stores (www.apple.com), and through Cingular's retail and online stores (www.cingular.com).

Cingular wireless is the largest wireless carrier in the United States, serving 58.7 million customers. Cingular is solely owned by AT&T Inc. (NYSE:T) , a premier communications holding company in the united states and worldwide. Cingular has the largest digital voice and data network in the nation -- the Allover Network -- and the largest mobile-to-mobile community of any national wireless carrier. Cingular is a leader in third generation wire- less technology, featuring the first widely available HSDPA (high speed downlink packet access) service in the world. Cingular is the only US wireless carrier to offer Rollover, the wireless plan that lets customers keep their unused monthly minutes.

Apple ignited the personal computer revolution in the 1970s with the Apple II and reinvented the personal computer in the 1980s with the Macintosh. Today, Apple continues to lead the industry in innovation with its award-winning desktop and notebook computers, OS X operating system, and iLife and professional applications. Apple is also spearheading the digital music revolution with its iPod portable music players and iTunes online store.

NOTE: Apple, the Apple logo, Mac, Mac OS, Macintosh and iTunes are trade- marks of Apple. Other company and product names may be trademarks of their respective owners.

 

Source: Apple Computer, Inc.

 

Apple Reinvents the Phone With iPhone

 Apple(R) today introduced iPhone, combining three products-a revolutionary mobile phone, a widescreen iPod(R) with touch controls, and a breakthrough Internet communications device with desktop-class email, web browsing, searching and maps-into one small and lightweight handheld device. iPhone introduces an entirely new user interface based on a large multi-touch display and pioneering new software, letting users control iPhone with just their fingers. iPhone also ushers in an era of software power and sophistication never before seen in a mobile device, which completely redefines what users can do on their mobile phones.

"iPhone is a revolutionary and magical product that is literally five years ahead of any other mobile phone," said Steve Jobs, Apple's CEO. "We are all born with the ultimate pointing device -- our fingers -- and iPhone uses them to create the most revolutionary user interface since the mouse."

iPhone is a Revolutionary Mobile Phone

iPhone is a revolutionary new mobile phone that allows users to make calls by simply pointing at a name or number. iPhone syncs all of your contacts from your PC, Mac(R) or Internet service such as Yahoo!, so that you always have your full list of up-to-date contacts with you. In addition, you can easily construct a favorites list for your most frequently made calls, and easily merge calls together to create conference calls.

iPhone's pioneering Visual Voicemail, an industry first, lets users look at a listing of their voicemails, decide which messages to listen to, then go directly to those messages without listening to the prior messages. Just like email, iPhone's Visual Voicemail enables users to immediately randomly access those messages that interest them most.

iPhone includes an SMS application with a full QWERTY soft keyboard to easily send and receive SMS messages in multiple sessions. When users need to type, iPhone presents them with an elegant touch keyboard which is predictive to prevent and correct mistakes, making it much easier and more efficient to use than the small plastic keyboards on many smartphones. iPhone also includes a calendar application that allows calendars to be automatically synced with your PC or Mac.

iPhone features a 2 megapixel camera and a photo management application that is far beyond anything on a phone today. Users can browse their photo library, which can be easily synced from their PC or Mac, with just a flick of a finger and easily choose a photo for their wallpaper or to include in an email.

iPhone is a quad-band GSM phone which also features EDGE and Wi-Fi wireless technologies for data networking. Apple has chosen Cingular, the best and most popular carrier in the US with over 58 million subscribers, to be Apple's exclusive carrier partner for iPhone in the US.

iPhone is a Widescreen iPod

iPhone is a widescreen iPod with touch controls that lets music lovers "touch" their music by easily scrolling through entire lists of songs, artists, albums and playlists with just a flick of a finger. Album artwork is stunningly presented on iPhone's large and vibrant display.

iPhone also features Cover Flow, Apple's amazing way to browse your music library by album cover artwork, for the first time on an iPod. When navigating your music library on iPhone, you are automatically switched into Cover Flow by simply rotating iPhone into its landscape position.

iPhone's stunning 3.5-inch widescreen display offers the ultimate way to watch TV shows and movies on a pocketable device, with touch controls for play-pause, chapter forward-backward and volume. iPhone plays the same videos purchased from the online iTunes(R) Store that users enjoy watching on their computers and iPods, and will soon enjoy watching on their widescreen televisions using the new Apple TV(TM). The iTunes Store now offers over 350 television shows, over 250 feature films and over 5,000 music videos.

iPhone lets users enjoy all their iPod content, including music, audiobooks, audio podcasts, video podcasts, music videos, television shows and movies. iPhone syncs content from a user's iTunes library on their PC or Mac, and can play any music or video content they have purchased from the online iTunes store.

iPhone is a Breakthrough Internet Communications Device

iPhone features a rich HTML email client which fetches your email in the background from most POP3 or IMAP mail services and displays photos and graphics right along with the text. iPhone is fully multi-tasking, so you can be reading a web page while downloading your email in the background.

Yahoo! Mail, the world's largest email service with over 250 million users, is offering a new free "push" IMAP email service to all iPhone users that automatically pushes new email to a user's iPhone, and can be set up by simply entering your Yahoo! name and password. iPhone will also work with most industry standard IMAP and POP based email services, such as Microsoft Exchange, Apple .Mac Mail, AOL Mail, Google Gmail and most ISP mail services.

iPhone also features the most advanced and fun-to-use web browser on a portable device with a version of its award-winning Safari(TM) web browser for iPhone. Users can see any web page the way it was designed to be seen, and then easily zoom in to expand any section by simply tapping on iPhone's multi- touch display with their finger. Users can surf the web from just about anywhere over Wi-Fi or EDGE, and can automatically sync their bookmarks from their PC or Mac. iPhone's Safari web browser also includes built-in Google Search and Yahoo! Search so users can instantly search for information on their iPhone just like they do on their computer.

iPhone also includes Google Maps, featuring Google's groundbreaking maps service and iPhone's amazing maps application, offering the best maps experience by far on any pocket device. Users can view maps, satellite images, traffic information and get directions, all from iPhone's remarkable and easy- to-use touch interface.

iPhone's Advanced Sensors

iPhone employs advanced built-in sensors -- an accelerometer, a proximity sensor and an ambient light sensor -- that automatically enhance the user experience and extend battery life. iPhone's built-in accelerometer detects when the user has rotated the device from portrait to landscape, then automatically changes the contents of the display accordingly, with users immediately seeing the entire width of a web page, or a photo in its proper landscape aspect ratio.

iPhone's built-in proximity sensor detects when you lift iPhone to your ear and immediately turns off the display to save power and prevent inadvertent touches until iPhone is moved away. iPhone's built-in ambient light sensor automatically adjusts the display's brightness to the appropriate level for the current ambient light, thereby enhancing the user experience and saving power at the same time.

Pricing & Availability

iPhone will be available in the US in June 2007, Europe in late 2007, and Asia in 2008, in a 4GB model for $499 (US) and an 8GB model for $599 (US), and will work with either a PC or Mac. iPhone will be sold in the US through Apple's retail and online stores, and through Cingular's retail and online stores. Several iPhone accessories will also be available in June, including Apple's new remarkably compact Bluetooth headset.

iPhone includes support for quad-band GSM, EDGE, 802.11b/g Wi-Fi and Bluetooth 2.0 EDR wireless technologies.

iPhone requires a Mac with a USB 2.0 port, Mac OS(R) X v10.4.8 or later and iTunes 7; or a Windows PC with a USB 2.0 port and Windows 2000 (Service Pack 4), Windows XP Home or Professional (Service Pack 2). Internet access is required and a broadband connection is recommended. Apple and Cingular will announce service plans for iPhone before it begins shipping in June.

Learn More About iPhone

To learn more about iPhone, please visit Apple.com or watch the video of the iPhone introduction at www.apple.com/iphone/keynote.

Apple ignited the personal computer revolution in the 1970s with the Apple II and reinvented the personal computer in the 1980s with the Macintosh. Today, Apple continues to lead the industry in innovation with its award- winning desktop and notebook computers, OS X operating system, and iLife and professional applications. Apple is also spearheading the digital music revolution with its iPod portable music players and iTunes online store.

NOTE: Apple, the Apple logo, Mac, Mac OS, Macintosh, iPod, iTunes, Apple TV and Safari are trademarks of Apple. Other company and product names may be trademarks of their respective owners.

 

 

The 2007 AVN Adult Entertainment Expo Opens Tomorrow!

Biggest Adult Trade Show in the World Will Attract Thousands

The convention that boasts the largest collection of naughty pleasures and hottest entertainers from around the globe -- the 2007 AVN Adult Entertainment Expo -- opens tomorrow at the Sands Expo Center in Las Vegas, Nevada and will run through Saturday. With thousands of adult stars, industry leaders, and fans from around the world scheduled to attend, what happens in Vegas this week won't stay in Vegas for long.

The Expo will kick off with Jenna Jameson, the adult industry's famous star and business executive, and her Club Jenna Girls, cutting the ribbon to open the show in front of Hall A at 10:00 a.m. on Wednesday, January 10.

For many attendees, the highlight of the show will be meeting and getting autographs from their favorite adult stars. More than 250 of the most famous adult actresses and actors will be on hand to greet their fans.

To date, more than 340 companies are scheduled to exhibit at the show, including the adult industry's leading entertainment producers. Please refer to www.AdultEntertainmentExpo.com for a complete list of exhibitors.

At the nine seminars scheduled, some of the adult industry's leading business people and attorneys will be present to discuss important topics such as censorship, techniques to curb growing piracy, recordkeeping requirements, how to build and expand business in adult products, technological advancements that are revolutionizing the adult entertainment market, and the rapid growth of female consumers in the market.

The 2007 AVN Adult Entertainment Expo is sponsored by Adult Video News and produced by Home Entertainment Events.

Also to be held in conjunction with the event is the GAYVN Expo, a designated portion of the show floor devoted to this thriving segment of the adult industry. Additional information can be found at www.GAYVNExpo.com.

Adult industry trade attendees can register for the show by going to www.AdultEntertainmentExpo.com. Trade registration is $145 per person.

Fan tickets are available onsite. One-day fan passes cost $75. New this year is the 3-day fan pass, available for $160. Onsite VIP tickets cost $100.

 

Hollywood Stars to Celebrate at First-Ever Golden Green Party

EMA and E! to Stage Golden Globe Awards Party with Focus on Environment

This year's Golden Globe Award winners will be going green on January 15 as they celebrate at the EMA & E! Golden Green Party Presented by Lexus @ 9900 Wilshire Beverly Hills. The party @ 9900 Wilshire Beverly Hills will be the first "green" party in the history of the Golden Globe Awards and is expected to attract environmentally-friendly Golden Globe winners, nominees, celebrities and high-profile industry executives. New Pacific Realty, owner and developer of 9900 Wilshire Beverly Hills, donated use of the site to the Environmental Media Association (EMA) for the Golden Globe Awards event to help raise awareness about green living and building green.

"Green living has become a way of life for many of today's celebrities," noted Debbie Levin, President of the EMA, "and we are proud to be the first ones to step up and create a party that unites talent and social responsibility. We are not only celebrating the best that Hollywood has to offer, but also their commitment to making a positive difference to our environment."

9900 Wilshire Beverly Hills is the perfect place for the Golden Green Party because the site, a former Robinsons-May department store, is being developed into the first luxury residential project of its kind in the Western United States to qualify for the U.S. Green Building Council's LEED(TM) (Leadership in Energy and Environmental Design) Gold rating. Developer New Pacific was recognized by the U.S. Green Building Council-L.A. with its 2006 Visionary Leadership Award. 9900 Wilshire was also a winner of a 36th annual L.A. Architectural Award and a 2006 Urban Solutions Award.

Designed by Pritzker Prize-winning architect Richard Meier, 9900 Wilshire is sure to become one of the hottest addresses in the world, combining innovative, environmental technologies with landmark architecture. Meier is at home designing for celebrities, having created residences for Nicole Kidman, Martha Stewart and Calvin Klein, among others. Located at the western entrance to the City of Beverly Hills, 9900 Wilshire will set the standard for luxury and environmental sustainability.

The EMA and E! party being hosted at 9900 Wilshire will be a truly eco-friendly affair, incorporating gourmet organic food and recycled party materials and decorations, set in a landscape of sustainable plants and flowers. To promote the green message even further, Tree People will plant a tree for each attendee. Tree People is a nonprofit organization that has been serving the Los Angeles area for over three decades, helping nature heal cities by offering sustainable solutions to urban ecosystem problems.

"We are pleased to donate use of the site to the EMA charity to create the first Globes Green party in history," said David P. Margulies, chief executive officer of New Pacific Realty. "When Hollywood embraces Green, it helps to promote awareness around the world, and we are indeed pleased that so many have already planned to make their future residence at 9900 Wilshire."

About 9900 Wilshire - Beverly Hills

9900 Wilshire Beverly Hills will become the first residential project of its kind in the Western United States to qualify for the U.S. Green Building Council's LEED(TM) (Leadership in Energy and Environmental Design) Gold rating. It is being developed by New Pacific Realty and designed by Pritzker award-winning architect Richard Meier, renowned for the Getty Center in Los Angeles, the Barcelona Museum of Contemporary Art in Barcelona, Spain, and the High Museum of Art in Atlanta, Georgia, among many others. The future home of a veritable Who's Who of green-minded celebrities and industry executives, 9900 Wilshire has already received the 2006 Visionary Leadership Award from the United States Green Building Council-LA; the 2006 Los Angeles Architecture Award and the 2006 Urban Solutions Award. Located at the western entrance to the City of Beverly Hills on the site of the former Robinsons-May department store, 9900 Wilshire will set the standard for future sustainable green luxury residential projects in the world. Beverly Hills-based New Pacific Realty is led by principals David P. Margulies and Arnold S. Rosenstein, who have acquired and developed more than 5 million square feet of prime commercial and residential space in Southern California since 2002, valued in excess of $2 billion. For more information on 9900 Wilshire, please visit www.9900wilshire.com.

About EMA

The Environmental Media Association (EMA) mobilizes the entertainment industry in a global effort to educate people about environmental issues and inspire them into action. EMA was created in 1989, as a non-profit 501(c) 3, with the simple but powerful concept that through music, television and film, the entire entertainment community could influence the environmental awareness of millions of people. Through the use of weaving environmental messages within entertainment programming and utilizing "celebrity" for positive role modeling, EMA continues to have a profound effect on how the public receives environmental information. EMA serves as a valuable link between the entertainment industry and the environmental community. For more information, please visit www.ema-online.org.

About E! Networks

Based in Los Angeles, E! Network is the world's largest producer and distributor of entertainment news and lifestyle-related programming. The company operates E! Entertainment Television, the 24-hour network with programming dedicated to the world of entertainment; Style Network, the destination for women 18-49 with a passion for the best in relatable and inspiring lifestyle programming, and E! Online, located at Eonline.com. E! is currently available to over 89 million cable and direct broadcast satellite subscribers in the United States. Style Network currently counts over 50 million subscribers. Internationally, E! programming can be seen in more than 120 countries worldwide, reaching 600 million homes. In addition to its ventures for locally programmed E! branded channels outside the U.S., the company operates the E! International Network, a 24-hour English language global entertainment channel available via satellite in Europe, Africa, Asia Pacific and the Middle East. Earlier this year, E! launched the E! Everywhere initiative underscoring the company's dedication to making E! content available on all new media platforms any time and anywhere -- from online to broadband at The Vine @ E!Online to wireless to satellite radio to VOD.

Source: New Pacific Realty

 

 

Warner Music Group and MobiTV Partner on Original Artist Programming

First Music Company to Bring Content Created and Conceived by Linkin Park and Other WMG Artists Directly to All MobiTV Platforms

Warner Music Group Corp. (NYSE:WMG) and MobiTV, Inc., the global leader in mobile and broadband television and music services, today announced the exclusive availability of WMG artist-branded TV channels across MobiTV's vast mobile and broadband platforms.

Beginning in February, MobiTV subscribers in the United States can view unique video programming conceived and created by their favorite WMG artists.

WMG artists including Linkin Park are expected to go behind the camera and direct original video programming to populate their personally branded MobiTV channels. Content will include original video filmed by and featuring artists, as well as music videos from the expansive WMG catalogue. Videos will be updated on a monthly basis.

"Our partnership with a mobile leader like MobiTV is another way that WMG is harnessing the promise of the mobile platform to better connect our artists to their fans' video watching experience," said George White, Senior Vice President, Strategy and Product Development, WMG.

"We want to stimulate the music industry with the best videos, TV shows and artist programming, while ensuring all parties get paid in the process," said Nancy Levin, executive producer of Music Television for MobiTV. "Because of this partnership we are able to sweeten our library even more for our one million plus subscribers and we look forward to a long, successful partnership with WMG."

MobiTV subscribers currently can view video content from WMG's extensive library of music videos, including videos from artists Green Day, Mana, My Chemical Romance, Pretty Ricky, Red Hot Chili Peppers, directly to their mobile phones and personal computers.

Initially, MobiTV will offer the additional content provided by WMG on its four genre-focused music channels in the areas of hip-hop, pop, rock & metal, and alternative.

About MobiTV

MobiTV, Inc. (www.mobitv.com ) is leading the convergence of television, film and music content across the mobile and personal computing markets. The Emmy(R) Award winning service has more than one million subscribers and offers popular TV and digital radio channels from top labels, networks and cable providers. The MobiTV(R) service is available in the US through AT&T, Sprint, Cingular, Alltel; the UK through 3UK and Orange; in Canada through Bell Canada, Rogers and TELUS Mobility; in Latin America through America Movil, Claro and Telcel; and other regional carriers internationally. Founded in 1999, MobiTV is a privately-held company headquartered in Emeryville, CA.

About Warner Music Group

Warner Music Group became the only stand-alone music company to be publicly traded in the United States in May 2005. With its broad roster of new stars and legendary artists, Warner Music Group is home to a collection of the best-known record labels in the music industry including Atlantic, Bad Boy, Elektra, Lava, Maverick, Nonesuch, Reprise, Rhino, Rykodisc, Sire, Warner Bros. and Word. Warner Music International, a leading company in national and international repertoire operates through numerous international affiliates and licensees in more than 50 countries. Warner Music Group also includes Warner/Chappell Music, one of the world's leading music publishers. For more information, visit www.wmg.com .

NOTE: MobiTV and the MobiTV logo are trademarks, service marks, and/or registered trademarks of MobiTV, Inc. in the United States and in other countries. All other trademarks, service marks, and product names used herein are the property of their respective owners.

Source: MobiTV, Inc.

 

 

TiVo's Interactive Advertising Platform Wins Emmy Award

National Television Academy Recognizes TiVo for Outstanding Innovation and Achievement

TiVo Inc. (NASDAQ:TIVO) , the creator of and a leader in advertising solutions and television services for digital video recorders (DVRs), today announced that its Interactive Advertising Platform was presented with the Emmy Award for Outstanding Innovation and Achievement in Advanced Media Technology.

"TiVo's interactive advertising features and custom advertising applications, such as Product Watch, Interactive Tags, and Program Placement, are prime examples of TiVo's ability to lead the industry in helping advertisers reach the fast forwarding consumer which increasingly defines advertising consumption in the household," said TiVo's CEO, Tom Rogers. "As we have continued to build out our advertising business, we have taken great strides to ensure that we continue to innovate and provide consumers with product and service information on their own time. We have proven that consumers will opt in to an advertising message if relevant and provided the ability to not miss their favorite shows. TiVo has successfully created a way for advertisers to reach viewers in an opt-in environment and we are proud to have our interactive advertising features receive recognition from the National Television Academy."

This year's Technology & Engineering Emmy Awards recognized seven categories, including nominations in the areas of interactive television, On Demand television, the Internet, and personal media display and presentation technology. Other finalists in the specific category of Outstanding Innovation and Achievement in Advanced Media Technology for Best Use by Commercials in Creation and Use in Non Traditional Platforms and Technologies included ABC.com's Full Episode Streaming Player and Ravenstoke by Turner Broadcasting Systems, Inc.

"This is a truly dynamic time for the television industry, and we are recognizing the significant contributions made by technology and engineering professionals in enhancing and redefining the consumer's experiences with the media," said Peter Price, President/CEO, National Television Academy. "This year, we are particularly pleased to commend those who are contributing to the technical development of television anytime, anywhere through the advancement of broadband and portable delivery platforms."

The Technology & Engineering Emmy(R) Awards were presented at the opening evening event of the International Consumer Electronics Show (CES) on Monday, January 8, 2007. CES, the world's largest consumer technology tradeshow, is celebrating its 40th anniversary and is currently being held in Las Vegas.

About National Television Academy

The National Television Academy is a professional service organization dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements within the television industry. It recognizes excellence in television with the coveted Emmy Award for News & Documentary, Sports, Daytime, Creative Arts, Public & Community Service, Technology & Engineering/Advanced Media and Business & Financial Reporting. Excellence in Primetime programming and international programming is recognized by its affiliate, the Academy of Television Arts & Sciences. Regional Emmys are given in 19 regions across the United States. Beyond awards, the National Television Academy has extensive educational programs including National Student Television and its Student Award for Excellence for outstanding journalistic work by high school students, as well as scholarships, publications, and major activities for both industry professionals and the viewing public. For more information, please visit the website at www.emmyonline.tv .

About TiVo Inc.

Founded in 1997, TiVo pioneered a brand new category of products with the development of the first commercially available digital video recorder (DVR). Sold through leading consumer electronic retailers, TiVo has developed a brand which resonates boldly with consumers as providing a superior television experience. Through agreements with leading satellite and cable providers, TiVo also integrates its full set of DVR service features into the set-top boxes of mass distributors. TiVo's DVR functionality and ease of use, with such features as Season Pass (TM) recordings and WishList(R) searches and TiVo KidZone, has elevated its popularity among consumers and has created a whole new way for viewers to watch television. With a continued investment in its patented technologies, TiVo is revolutionizing the way consumers watch and access home entertainment. Rapidly becoming the focal point of the digital living room, TiVo's DVR is at the center of experiencing new forms of content on the TV, such as broadband delivered video, music and photos. With innovative features, such as TiVoToGo(TM) transfers and online scheduling, TiVo is expanding the notion of consumers experiencing "TiVo, TV your way.(R)" The TiVo(R) service is also at the forefront of providing innovative marketing solutions for the television industry, including a unique platform for advertisers and audience measurement research. The company is based in Alviso, Calif.

NOTE: TiVo, TiVoCast, 'TiVo, TV your way.' Season Pass, WishList, TiVoToGo, Series2, Series3 and the TiVo Logo are trademarks or registered trademarks of TiVo Inc. and its subsidiaries worldwide

 

 

Jan 4

 

Scientific and Technical Achievements to Be Honored with Academy Awards®

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences today announced the 15 winners of Scientific and Technical Academy Awards, which will be presented at the Beverly Wilshire hotel on Saturday, February 10.

Awards Administration Director Rich Miller said that unlike other Academy Awards, achievements receiving Scientific and Technical Awards do not have to have been developed and introduced during 2006. “The achievement can be a device or a discovery, a formula or a method, but it must demonstrate a proven record of contributing significant value to the process of making motion pictures,” Miller said.

Academy Awards for Scientific and Technical achievements for 2006 are:

Technical Achievement Awards
(Academy Certificate)

To Joshua Pines and Chris Kutcka of Technicolor Digital Intermediates for the design and development of the TDI process for creating archival separations from digital image data.

The TDI process is based on the production of digital separation negatives creating archival elements that can be scanned and digitally recombined in the future.

To Bill Feightner and Chris Edwards of E-Film for the design and development of the E-Film process for creating archival separations from digital image data.

The E-Film process is based on the production of digital separation negatives creating archival elements that can be scanned and digitally recombined in the future.

To Albert Ridilla, Papken Shahbazian, Ronald Belknap and Jay McGarrigle for the design and development of the Hollywood Film Company Brumagic MPST Densitometer.

The Brumagic MPST was designed specifically to measure density in the motion picture soundtrack and has become the densitometer of choice for reading soundtrack negative and positive densities worldwide.

To Klemens Kehrer, Josef Handler, Thomas Smidek and Marc Shipman Mueller for the design and development of the Arriflex 235 Camera System.

Designed for handheld photography, the features of this small, lightweight MOS camera also allow it to be used as a secondary production camera.

To Florian Kainz for the design and engineering of OpenEXR, a software package implementing 16-bit, floating-point, high dynamic range image files.

Widely adopted, OpenEXR is engineered to meet the requirements of the visual effects industry by providing for lossless and lossy compression of tiered and tiled images.

To Walter Trauniger and Ernst Tschida for the design and engineering of the Arri WRC wireless remote lens control system.

This highly modular system permits accurate and reliable wireless control with multiple hand controls of all lens functions.

To Christian Tschida and Martin Waitz of cmotion for the design and engineering of the cmotion Wireless Remote System.

The graphical user interface of the cmotion system eases the difficult task of following focus and the unique lens tag system recalls the calibration for each lens.

To Peter Litwinowicz and Pierre Jasmin for the design and development of the RE: Vision Effects family of software tools for optical flow-based image manipulation.

A unique user interface and relatively low cost have made these tools ubiquitous in the visual effects community.

Scientific and Engineering Awards
(Academy Plaque)

To Phillip J. Feiner, Jim Houston, Denis Leconte and Chris Bushman of Pacific Title and Art Studio for the design and development of the Rosetta process for creating digital YCM archival masters for digital film restoration.

With elements that may be recombined either digitally or optically, the Rosetta separations process offers a uniquely great versatility in achieving high quality results for digital YCM archiving.

To Steve Sullivan, Colin Davidson, Max Chen and Francesco Callari for the design and development of the ILM Image-based Modeling System.

This highly integrated system facilitates interactive construction and editing of 3D models from digital photographs and addresses the three-dimensional scanning needs of motion pictures in unique and innovative ways.

To Dr. Bill Collis, Simon Robinson, Ben Kent and Anil Kokaram for the design and development of the Furnace integrated suite of software tools that robustly utilizes temporal coherence for enhancing visual effects in motion picture sequences.

The Furnace toolset’s modularity, flexibility and robustness have set a high standard of quality for optical flow-based image manipulation.

To Howard Preston and Mirko Kovacevic for the design and engineering of the Preston Cinema Systems FI+Z wireless remote system.

Pioneering unprecedented reliability and flexibility in wireless lens and camera operation, the FI+Z has continued to be a leader in innovation since its introduction in 1994.

Award of Commendation
(Special Award)

To Ioan Allen, J. Wayne Anderson, Mary Ann Anderson, Ted Costas, Paul R. Goldberg, Shawn Jones, Tom Kuhn, Dr. Alan Masson, Colin Mossman, Martin Richards, Frank Ricotta and Richard C. Sehlin for their contributions to the environmentally responsible industry conversion from silver-based to cyan dye analog soundtracks.

John A. Bonner Medal of Commendation
(Medallion)

To Richard Edlund for his “outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.”

Gordon E. Sawyer Award
(Oscar® Statuette)

To Ray Feeney for his “technological contributions, which have brought credit to the motion picture industry.”

# # #

Format wars far from over. Warner Bros. DVD will play rival formats

Warner Bros. is set to introduce a high definition DVD disc that can hold films and TV shows in rival and incompatible formats, the latest sign that the yearlong format war is long from over.

Warner Bros., a unit of Time Warner Inc., said it developed the "Total HD Disc" to help break the stalemate between HD DVD, developed by a consortium led by Toshiba Corp., and rival Blu-ray, backed by Sony Corp (NYSE:SNE - news). Both deliver sharper pictures and increased space for special features.

All but the most adventurous consumers have stayed away from choosing sides in the battle for fear of being stuck with the losing technology, much the same as happened when VHS and Betamax battled it out for videotape dominance in the 1980s.

Initially, Hollywood studios lined up behind one or the other formats. Warner Bros. first backed HD DVD, but then decided to release films and TV shows on both formats.

Some studios, such as Paramount Pictures, a unit of Viacom Inc., have followed Warner Bros. in backing both formats. Only Universal Studios, a division of General Electric Co., is releasing films exclusively in HD DVD.

Sony Pictures, a unit of Sony Corp., 20th Century Fox, which is owned by News Corp., and The Walt Disney Co. have remained staunch defenders of Blu-ray.

Retailers and others had hoped the rival camps would compromise on one format, or that one would prove dominant.

But the decision by Warner Bros. to accommodate confused consumers by placing both formats of films on a single disc shows that the battle continues.

"The Total High-Definition Disc allows consumers to fully embrace high-definition viewing," Ron Sanders, President of Warner Home Video said in a statement Thursday. "Warner Bros. was a force in creating the current market dominance of the standard DVD, and we hope that THD will make it easier for the average consumer to enjoy this next level of technology."

Details of the disc, such as whether Warner Bros. would license the technology to rival studios, are set to be released next week at the International Consumer Electronics show in Las Vegas.

Other compromise solutions are in the works.

LG Electronics said this week they plan on marketing a dual format DVD player. Other electronics makers are expected to follow suit.

Warner Bros. has also patented a disc that can contain three versions of a film — one in each of the rival high-def formats and a third that can be viewed on standard definition players.

P 3  & P 10

The production company for BOBBY should be MGM/The Weinstein Company, not The Weinstein Company.

P 3
The Dreamgirls cast should have read:

DREAMGIRLS                             Paramount Pictures

Hinton Battle                               Wayne
Jamie Foxx                                 Curtis Taylor, Jr.
Danny Glover                              Marty Madison
Jennifer Hudson                          Effie White
Beyoncé Knowles                        Deena Jones
Sharon Leal                                 Michelle Morris
Eddie Murphy                              James “Thunder” Early
Keith Robinson                           C.C. White
Anika Noni Rose                         Lorrell Robinson

P 7

The Desperate Housewives ensemble should have read:

DESPERATE HOUSEWIVES                         ABC
 
Andrea Bowen                                                 Julie Mayer
Mehcad Brooks                                                Matthew Applewhite
Richard Burgi                                                   Karl Mayer
Ricardo Antonio Chavira                                   Carlos Solis
Marcia Cross                                                    Bree Hodge
James Denton                                                  Mike Delfino
Teri Hatcher                                                     Susan Mayer
Josh Henderson                                               Austin McCann
Zane Huett                                                       Parker Scavo
Felicity Huffman                                                Lynette Scavo
Kathryn Joosten                                               Mrs. McCluskey
Nashawn Kearse                                              Caleb Applewhite
Brent Kinsman                                                 Preston Scavo
Shane Kinsman                                               Porter Scavo
Joy Lauren                                                       Danielle Van De Kamp
Eva Longoria                                                   Gabrielle Solis
Kyle MacLachlan                                              Orson Hodge
Laurie Metcalf                                                  Carolyn Bigsby
Shawn Pyfrom                                                  Andrew Van De Kamp
Doug Savant                                                    Tom Scavo
Dougray Scott                                                  Ian Hainsworth
Nicollette Sheridan                                           Edie Britt
Brenda Strong                                                 Mary Alice Young
Kiersten Warren                                               Nora
Alfre Woodard                                                  Betty Applewhite

P 8

The Weeds ensemble should have read:

WEEDS                                                          SHOWTIME                                                       

Martin Donovan                                                Peter Scottson
Alexander Gould                                              Shane Botwin
Allie Grant                                                        Isabelle Hodes
Indigo                                                              Vaneeta
Justin Kirk                                                        Andy Botwin
Romany Malco                                                 Conrad Shepard
Andy Milder                                                      Dean Hodes
Kevin Nealon                                                   Doug Wilson
Maulik Pancholy                                               Sanjay
Mary-Louise Parker                                          Nancy Botwin
Hunter Parrish                                                  Silas Botwin
Tonye Patano                                                  Heylia James
Elizabeth Perkins                                             Celia Hodes
Eden Sher                                                       Gretchen

 

NOMINATIONS ANNOUNCED FOR THE 13th ANNUAL SCREEN ACTORS GUILD AWARDS®
------------------------------------------------------------------------------------------------------------------------------
Actor® Awards Ceremony will be Simulcast Live on Sunday, Jan. 28, on TNT and TBS at 8 PM ET/PT, 7 PM CT, 6 PM MT

Los Angeles, California - Nominations for the 13th Annual Screen Actors Guild Awards® for outstanding performances in 2006 in five film and eight primetime television categories were announced this morning in Los Angeles at the Pacific Design Center’s Silver Screen Theater in West Hollywood.

Screen Actors Guild President Alan Rosenberg introduced Sandra Oh (Grey’s Anatomy) and Elijah Wood (Bobby, Happy Feet), who announced the nominees for this year’s Actors®.

Screen Actors Guild will honor its own at the 13th Annual Actors® ceremony on Sunday, Jan. 28, 2007, at the Los Angeles Shrine Exposition Center, simulcast live nationally on TNT and TBS at 8 p.m. ET/PT, 7 p.m. CT, and 6 p.m. MT.

Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected purely by actors’ peers. Two randomly selected panels–one for television and one for film--each comprised of 2,100 Guild members from across the United States, chose this year’s Actor® nominees. The secret ballots were mailed Friday, Dec. 1, 2006, by Integrity Voting Systems, the Awards’ official teller. Voting was completed by noon Jan. 2, 2007.

Awards ballots will be mailed on January 5, 2007. The entire active membership of the Guild across the country will vote on all acting categories.  Votes must be received by Integrity Voting Systems by noon Friday, Jan. 26, where results will be tallied and sealed until they are opened by the presenters at the 13th Annual Screen Actors Guild Awards® ceremonies on Jan. 28.

The Screen Actors Guild Post-Awards Gala, benefiting the Screen Actors Guild Foundation, will be hosted for the 11th consecutive year by People Magazine and by the Entertainment Industry Foundation (EIF).

The complete list of nominations for the 13th Annual Screen Actors Guild Awards® follows. A replay of the announcement will be available for viewing on www.tnt.tv <http://www.tnt.tv>  and www.tbs.com <http://www.tbs.com> .
 

13TH ANNUAL SCREEN ACTORS GUILD AWARDS® NOMINATIONS

THEATRICAL MOTION PICTURES


Outstanding Performance by a Male Actor in a Leading Role

Leonardo DiCaprio / BLOOD DIAMOND – Archer                                                       Warner Bros. Pictures
Ryan Gosling / HALF NELSON – Dan Dunne                                                              THINKFilm
Peter O’Toole / VENUS – Maurice                                                                                Miramax Films
Will Smith / THE PURSUIT OF HAPPYNESS – Chris Gardner                                     Sony Pictures
Forest Whitaker / THE LAST KING OF SCOTLAND – Idi Amin                                    Fox Searchlight Pictures
 
Outstanding Performance by a Female Actor in a Leading Role

Penelope Cruz / VOLVER – Raimunda                                                                        Sony Pictures Classics
Judi Dench / NOTES ON A SCANDAL – Barbara Covett                                            Fox Searchlight Pictures
Helen Mirren / THE QUEEN – The Queen                                                                   Miramax Films.
Meryl Streep / THE DEVIL WEARS PRADA – Miranda Priestly                                    20th Century Fox
Kate Winslet / LITTLE CHILDREN – Sarah Pierce                                                       New Line Cinema              
 
Outstanding Performance by a Male Actor in a Supporting Role

Alan Arkin / LITTLE MISS SUNSHINE – Grandpa                                                      Fox Searchlight Pictures
Leonardo DiCaprio / THE DEPARTED – Billy                                                               Warner Bros. Pictures
Jackie Earle Haley / LITTLE CHILDREN – Ronnie J. McGorvey                                  New Line Cinema
Djimon Hounsou / BLOOD DIAMOND – Solomon                                                        Warner Bros. Pictures
Eddie Murphy / DREAMGIRLS – James “Thunder” Early                                              Paramount Pictures
 
Outstanding Performance by a Female Actor in a Supporting Role

Adriana Barraza / BABEL – Amelia                                                                             Paramount Vantage
Cate Blanchett / NOTES ON A SCANDAL – Sheba Hart                                              Fox Searchlight Pictures
Abigail Breslin / LITTLE MISS SUNSHINE – Olive                                                     Fox Searchlight Pictures
Jennifer Hudson / DREAMGIRLS – Effie White                                                           Paramount Pictures
Rinko Kikuchi / BABEL – Chieko                                                                                Paramount Vantage

Outstanding Performance by a Cast in a Motion Picture

BABEL                                                Paramount Vantage                                         
 
                                                            Adriana Barraza                                               Amelia
                                                            
Cate Blanchett                                                 Susan
                                                           Gael García Bernal                                          Santiago          
                                                           Rinko Kikuchi                                                   Chieko
                                                           Brad Pitt                                                           Richard
                                                           Kôji Yakusho                                                    Yasujiro

BOBBY
                                               The Weinstein Company                                  
 
                                                            Harry Belafonte                                                Nelson
                                                           Joy Bryant                                                        Patricia
                                                           Nick Cannon                                                    Dwayne
                                                            
Emilio Estevez                                                  Tim Fallon
                                                           Laurence Fishburne                                         Edward Robinson
                                                            
Brian Geraghty                                                 Cooper
                                                            
Heather Graham                                              Angela
                                                           Anthony Hopkins                                              John Casey
                                                            
Helen Hunt                                                       Samantha
                                                           Joshua Jackson                                               Wade
                                                           David Krumholtz                                               Phil
                                                            
Ashton Kutcher                                                Fisher
                                                           Shia LaBoeuf                                                   Jimmy
                                                            
Lindsay Lohan                                                 Diane
                                                            
William H. Macy                                                Paul
                                                           Svetlana Metkina                                             Lenka Janacek
                                                            
Demi Moore                                                      Virginia Fallon
                                                           Freddy Rodriguez                                             José
                                                           Martin Sheen                                                   Jack
                                                            
Christian Slater                                                 Timmons
                                                           Sharon Stone                                                  Miriam
                                                            
Jacob Vargas                                                   Miguel
                                                            
Mary Elizabeth Winstead                                  Susan Taylor
                                                           Elijah Wood                                                      William
 
THE DEPARTED                                  Warner Bros. Pictures                                       
 
                                                            Anthony Anderson                                           Brown
                                                           Alec Baldwin                                                    Ellerby
                                                            
Matt Damon                                                     Colin
                                                            
Leonardo DiCaprio                                           Billy
                                                            
Vera Farmiga                                                   Madolyn
                                                           Jack Nicholson                                                 Costello
                                                            
Martin Sheen                                                   Queenan
                                                            
Mark Wahlberg                                                 Dignam
                                                            
Ray Winstone                                                   Mr. French
 
DREAMGIRLS                                    Paramount Pictures                                          
 
                                                            Jamie Foxx                                                       Curtis Taylor, Jr.
                                                            
Danny Glover                                                   Marty Madison
                                                            
Jennifer Hudson                                               Effie White
                                                            
Beyoncé Knowles                                            Deena Jones
                                                            
Eddie Murphy                                                   James “Thunder” Early
                                                            
Keith Robinson                                                C.C. White
                                                            
Anika Noni Rose                                              Lorrell Robinson

LITTLE MISS SUNSHINE
                  Fox Searchlight Pictures                                   
 
                                                            Alan Arkin                                                        Grandpa
                                                            
Abigail Breslin                                                 Olive
                                                            
Steve Carell                                                     Frank
                                                            
Toni Collette                                                     Sheryl
                                                            
Paul Dano                                                        Dwayne
                                                            
Greg Kinnear                                                   Richard



PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

Thomas Haden Church / BROKEN TRAIL – Tom Harte                                               AMC
Robert Duvall / BROKEN TRAIL – Print Ritter                                                              AMC
Jeremy Irons / ELIZABETH I – Earl of Leicester                                                          HBO
William H. Macy / NIGHTMARES & DREAMSCAPES – Clyde Umney                         TNT
Matthew Perry / THE RON CLARK STORY – Ron Clark                                               TNT

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

Annette Bening / MRS. HARRIS – Jean Harris                                                             HBO
Shirley Jones / HIDDEN PLACES – Aunt Batty                                                           Hallmark Channel
Cloris Leachman / MRS. HARRIS – Tarnower’s Sister                                                 HBO
Helen Mirren / ELIZABETH I – Elizabeth I                                                                   HBO
Greta Scacchi / BROKEN TRAIL – Nola Johns                                                           AMC

Outstanding Performance by a Male Actor in a Drama Series

James Gandolfini / THE SOPRANOS – Tony Soprano                                               HBO
Michael C. Hall / DEXTER – Dexter Morgan                                                                Showtime
Hugh Laurie / HOUSE – Dr. Gregory House                                                                 FOX
James Spader / BOSTON LEGAL – Alan Shore                                                         ABC
Kiefer Sutherland / 24 – Jack Bauer                                                                           FOX
 
Outstanding Performance by a Female Actor in a Drama Series
 
Patricia Arquette
/ MEDIUM – Allison Dubois                                                               NBC
Edie Falco / THE SOPRANOS – Carmela Soprano                                                      HBO
Mariska Hargitay / LAW & ORDER: SPECIAL VICTIMS UNIT – Det. Olivia Benson     NBC
Kyra Sedgwick / THE CLOSER – Deputy Chief Brenda Johnson                                TNT
Chandra Wilson / GREY’S ANATOMY – Dr. Miranda Bailey                                         ABC
 
Outstanding Performance by a Male Actor in a Comedy Series
 
Alec Baldwin
/ 30 ROCK – Jack Donaghy                                                                   NBC
Steve Carell / THE OFFICE – Michael Scott                                                                NBC
Jason Lee / MY NAME IS EARL – Earl Hickey                                                             NBC
Jeremy Piven / ENTOURAGE – Ari Gold                                                                     HBO
Tony Shalhoub / MONK – Adrian Monk                                                                       USA

Outstanding Performance by a Female Actor in a Comedy Series

America Ferrera / UGLY BETTY – Betty Suarez                                                         ABC
Felicity Huffman / DESPERATE HOUSEWIVES – Lynette                                         ABC
Julia Louis-Dreyfus / THE NEW ADVENTURES OF OLD CHRISTINE
 – Christine Campbell                                                                                                   CBS
Megan Mullally / WILL & GRACE – Karen Walker                                                      NBC
Mary-Louise Parker / WEEDS – Nancy Botwin                                                           Showtime
Jaime Pressly / MY NAME IS EARL – Joy                                                                  NBC
 
Outstanding Performance by an Ensemble in a Drama Series

24                                                        FOX
                                                      
                                                      Jayne Atkinson                                                Karen Hayes
                                                       
Jude Ciccolella                                                 Mike Novick
                                                      Roger Cross                                                     Curtis Manning
                                                      
Gregory Itzin                                                    Charles Logan
                                                      
Louis Lombardi                                                Edgar Stiles
                                                      
James Morrison                                                Bill Buchanan
                                                     Glenn Morshower                                             Aaron Pierce
                                                      
Mary Lynn Rajskub                                           Chloe O’Brian
                                                      
Kim Raver                                                        Audrey Raines
                                                      
Jean Smart                                                      Martha Logan
                                                     Kiefer Sutherland                                             Jack Bauer
                                                     
BOSTON LEGAL                                 ABC
                                                            
                                                            Rene Auberjonois                                            Paul Lewiston
                                                            
Candice Bergen                                               Shirley Schmidt
                                                            
Craig Bierko                                                     Jeffrey Coho
                                                            
Julie Bowen                                                     Denise Bauer
                                                            
William Shatner                                                Denny Crane
                                                            
James Spader                                                  Alan Shore
                                                            
Mark Valley                                                      Brad Chase

                                                           
DEADWOOD                                       HBO                                                                  

                                                            Jim Beaver                                                       Ellsworth
                                                            
Powers Boothe                                                Cy Tolliver
                                                           Sean Bridgers                                                  Johnny Burns
                                                           W. Earl Brown                                                  Dan Dority
                                                           Dayton Callie                                                    Charlie Utter
                                                           Brian Cox                                                         Jack Langrishe
                                                            
Kim Dickens                                                     Joanie Stubbs
                                                           Brad Dourif                                                       Doc Cochran
                                                           Anna Gunn                                                      Martha Bullock
                                                           John Hawkes                                                   Sol Starr
                                                           Jeffrey Jones                                                   A.W. Merrick

                     Paula Malcomson                                             Trixie
                     Gerald McRaney                                              George Hearst

                                                           Ian McShane                                                   Al Swearengen
                                                           Timothy Olyphant                                             Seth Bullock
                                                           Molly Parker                                                     Alma Garret
                                                           Leon Rippy                                                      Tom Nuttall
                                                           William Sanderson                                            E.B. Farnum
                                                           Brent Sexton                                                    Harry Young
                                                           Bree Seanna Wall                                            Sofia Metz
                                                           Robin Weigert                                                  Calamity Jane
                                                           Titus Welliver                                                    Silas Adams

GREY’S ANATOMY                             ABC
 
                                                            Justin Chambers                                              Alex Karev
                                                            
Eric Dane                                                         Mark Sloan
                                                           Patrick Dempsey                                              Derek Shepherd
                                                           Katherine Heigl                                               Isobel “Izzie” Stevens
                                                           T.R. Knight                                                       George O’Malley
                                                            
Sandra Oh                                                       Cristina Yang
                                                           James Pickens, Jr.                                           Richard Webber
                                                           Ellen Pompeo                                                  Meredith Grey
                                                            
Sara Ramirez                                                   Callie Torres
                                                           Kate Walsh                                                      Addison Montgomery Shepherd
                                                            
Isaiah Washington                                           Preston Burke
                                                           Chandra Wilson                                                Miranda Bailey

THE SOPRANOS
                                HBO                                                                 
 
                                                            Sharon Angela                                                 Rosalie Aprile
                                                           Lorraine Bracco                                                Dr. Jennifer Melfi
                                                           Max Casella                                                     Benny Fazio
                                                           Dominic Chianese                                            Corrado “Junior” Soprano
                                                           Edie Falco                                                        Carmela Soprano
                                                            
James Gandolfini                                             Tony Soprano
                                                           Joseph R. Gannascoli                                      Vito Spatafore
                                                           Dan Grimaldi                                                    Patsy Parisi
                                                           Robert Iler                                                        Anthony Soprano, Jr.
                                                           Michael Imperioli                                               Christopher Moltisanti
                                                            
Steven R. Schirripa                                          Bobby “Bacala” Baccalieri
                                                            
Jamie Lynn Sigler                                             Meadow Soprano
                                                            
Tony Sirico                                                       Paulie “Walnuts” Gaultieri
                                                            
Aida Turturro                                                    Janice Soprano-Baccalieri
                                                            
Steven Van Zandt                                            Silvio Dante
                                                            
Frank Vincent                                                   Phil Leotardo

DESPERATE HOUSEWIVES               ABC

 
                                                            Andrea Bowen                                                 Julie Mayer
                                                            
Mehcad Brooks                                                Matthew Applewhite
                                                            
Ricardo Antonio Chavira                                   Carlos Solis
                                                            
Marcia Cross                                                    Bree Hodge
                                                            
James Denton                                                  Mike Delfino
                                                            
Teri Hatcher                                                     Susan Mayer
                                                            
Josh Henderson                                               Austin McCann
                                                            
Zane Huett                                                       Parker Scavo
                                                            
Felicity Huffman                                                Lynette Scavo
                                                            
Kathryn Joosten                                               Mrs. McCluskey
                                                            
Nashawn Kearse                                              Caleb Applewhite
                                                            
Brent Kinsman                                                 Preston Scavo
                                                            
Shane Kinsman                                               Porter Scavo
                                                           Joy Lauren                                                       Danielle Van De Kamp
                                                           Eva Longoria                                                   Gabrielle Solis
                                                            
Kyle MacLachlan                                              Orson Hodge
                                                            
Laurie Metcalf                                                  Carolyn Bigsby
                                                            
Shawn Pyfrom                                                  Andrew Van De Kamp
                                                            
Doug Savant                                                    Tom Scavo
                                                            
Dougray Scott                                                  Ian Hainsworth
                                                            
Nicollette Sheridan                                           Edie Britt

                                        Brenda Strong                                                 Mary Alice Young
                                                           Kiersten Warren                                               Nora
                                                           Alfre Woodard                                                  Betty Applewhite

ENTOURAGE                                      HBO

                                                            Kevin Connolly                                                 Eric Murphy
                                                            
Kevin Dillon                                                      Drama              
                                                           Jerry Ferrara                                                     Turtle
                                                            
Adrian Grenier                                                  Vincent Chase
                                                            
Rex Lee                                                            Lloyd
                                                            
Debi Mazar                                                       Shauna
                                                            
Jeremy Piven                                                   Ari Gold
                                                           Perrey Reeves                                                 Mrs. Ari

THE OFFICE                                       NBC

                                                            Leslie David Baker                                           Stanley Hudson
                                                            
Brian Baumgartner                                           Kevin Malone
                                                            
Steve Carell                                                     Michael Scott
                                                            
David Denman                                                 Roy Anderson
                                                            
Jenna Fischer                                                  Pam Beesly
                                                            
Kate Flannery                                                  Meredith Palmer
                                                            
Melora Hardin                                                   Jan Levinson
                                                            
Mindy Kaling                                                    Kelly Kapoor
                                                           Angela Kinsey                                                  Angela Martin
                                                            
John Krasinski                                                  Jim Malpert
                                                            
Paul Lieberstein                                               Toby Flenderson
                                                            
B.J. Novak                                                       Ryan Howard
                                                            
Oscar Nunez                                                    Oscar Martinez
                                                            
Phyllis Smith                                                     Phyllis Lapin
                                                            
Rainn Wilson                                                    Dwight Schrute

UGLY BETTY                                      ABC

                                                            Alan Dale                                                         Bradford Meade
                                                            
America Ferrera                                                Betty Suarez
                                                            
Mark Indelicato                                                 Justin
                                                            
Ashley Jensen                                                 Christina
                                                            
Eric Mabius                                                      Daniel Meade
                                                            
Becki Newton                                                   Amanda
                                                            
Ana Ortiz                                                          Hilda
                                                            
Tony Plana                                                      Ignacio
                                                            
Kevin Sussman                                                Walter
                                                            
Michael Urie                                                     Marc
                                                            
Vanessa Williams                                             Wilhelmina Slater

WEEDS                                              SHOWTIME                                                       
 
                                                            Martin Donovan                                                Peter Scottson
                                                            
Alexander Gould                                              Shane Botwin
                                                            
Justin Kirk                                                        Andy Botwin
                                                            
Romany Malco                                                 Conrad Shepard
                                                            
Kevin Nealon                                                   Doug Wilson
                                                            
Mary-Louise Parker                                          Nancy Botwin
                                                            
Hunter Parrish                                                  Silas Botwin
                                                            
Tonye Patano                                                  Heylia Jones
                                                            
Elizabeth Perkins                                             Celia Hodes

Screen Actors Guild Awards 43rd Annual Life Achievement Award

Julie Andrews


13th ANNUAL SCREEN ACTORS GUILD AWARDS®

NOMINATIONS FACT SHEET


ACTORS WITH MULTIPLE NOMINATIONS - THEATRICAL MOTION PICTURES
AND PRIMETIME TELEVISION


STEVE CARELL                                  3         MALE COMEDY – The Office
                                                                       ENSEMBLE COMEDY – The Office
                                                                       CAST – Little Miss Sunshine

ALEC BALDWIN                                   2       MALE COMEDY – 30 Rock
                                                                        
CAST – The Departed

WILLIAM H. MACY                               2       MALE TV MOVIE/MINI – Nightmares & Dreamscapes
                                                                        
CAST – Bobby
 
HELEN MIRREN                                   2       FEMALE LEAD – The Queen
                                                                      FEMALE TV MOVIE/MINI – Elizabeth I

ACTORS WITH MULTIPLE NOMINATIONS - THEATRICAL MOTION PICTURES


LEONARDO DiCAPRIO                       3       MALE LEADBlood Diamond
                                                                   MALE SUPPORT – The Departed
                                                                        CAST – The Departed

ALAN ARKIN                                       2         MALE SUPPORT – Little Miss Sunshine
                                                                   CAST   Little Miss Sunshine

ADRIANA BARRAZA                            2       FEMALE SUPPORT – Babel
                                                                   CAST – Babel

CATE BLANCHETT                              2        FEMALE SUPPORT – Notes on a Scandal
                                                                        
CAST – Babel

ABIGAIL BRESLIN                              2        FEMALE SUPPORT – Little Miss Sunshine
                                                                        
CAST – Little Miss Sunshine

JENNIFER HUDSON                            2        FEMALE SUPPORT – Dreamgirls
                                                                       CAST – Dreamgirls

RINKO KIKUCHI                                   2        FEMALE SUPPORT – Babel
                                                                       CAST – Babel

EDDIE MURPHY                                  2         MALE SUPPORT – Dreamgirls
                                                                       CAST -- Dreamgirls

MARTIN SHEEN                                   2        CAST – Bobby
                                                                       CAST – The Departed

ACTORS WITH MULTIPLE NOMINATIONS - PRIMETIME TELEVISION


AMERICA FERRERA                            2        FEMALE COMEDY – Ugly Betty
                                                                        ENSEMBLE COMEDY – Ugly Betty

EDIE FALCO                                        2         FEMALE DRAMA The Sopranos
                                                                         
ENSEMBLE DRAMA – The Sopranos

JAMES GANDOLFINI                          2         MALE DRAMA – The Sopranos
                                                                        
ENSEMBLE DRAMA – The Sopranos

FELICITY HUFFMAN                            2       FEMALE COMEDY – Desperate Housewives
                                                                        
ENSEMBLE COMEDY – Desperate Housewives

MARY-LOUISE PARKER                      2        FEMALE COMEDY – Weeds
                                                                   ENSEMBLE COMEDY – Weeds

JEREMY PIVEN                                   2          MALE COMEDY – Entourage
                                                                        ENSEMBLE COMEDY -- Entourage

JAMES SPADER                                 2          MALE DRAMA – Boston Legal
                                                                       ENSEMBLE DRAMABoston Legal

KIEFER SUTHERLAND                        2        MALE DRAMA – 24
                                                                       ENSEMBLE DRAMA – 24

CHANDRA WILSON                             2        FEMALE DRAMA – Grey’s Anatomy
                                                                       ENSEMBLE DRAMA – Grey’s Anatomy

THEATRICAL MOTION PICTURES WITH MULTIPLE NOMINATIONS


BABEL                                                              3
DREAMGIRLS                                                  3
LITTLE MISS SUNSHINE                                 3
BLOOD DIAMOND                                           2
THE DEPARTED                                              2
LITTLE CHILDREN                                           2
NOTES ON A SCANDAL                                   2
 

PRIMETIME TELEVISION PROGRAMS WITH MULTIPLE NOMINATIONS


BROKEN TRAIL                                              3
THE SOPRANOS                                            3
24                                                                    2
BOSTON LEGAL                                             2
DESPERATE HOUSEWIVES                           2
ELIZABETH I                                                   2
ENTOURAGE                                                   2
GREY’S ANATOMY                                          2
MRS. HARRIS                                                  2
MY NAME IS EARL                                          2
THE OFFICE                                                    2
UGLY BETTY                                                   2
WEEDS                                                            2

NOMINATIONS BY STUDIO FOR THEATRICAL MOTION PICTURES


FOX SEARCHLIGHT PICTURES                     6
WARNER BROS. PICTURES                           4
PARAMOUNT PICTURES                                3
PARAMOUNT VANTAGE                                 3
MIRAMAX FILMS                                             2
NEWLINE CINEMA                                           2
20TH CENTURY FOX                                      1
SONY PICTURES                                            1
SONY PICTURES CLASSICS                         1
THINKFILM                                                      1
THE WEINSTEIN COMPANY                           1

NOMINATIONS BY NETWORK FOR PRIMETIME TELEVISION


HBO                                                                10
ABC                                                                 8
NBC                                                                 8
AMC                                                                 3
FOX                                                                 3
SHOWTIME                                                     3
TNT                                                                  3
CBS                                                                 1
HALLMARK                                                     1
USA                                                                 1

NOMINEE SAG AWARDS™ HISTORIES
(Note: “Total” tallies include this year’s nominations)
THEATRICAL MOTION PICTURES


Outstanding Performance by a Male Actor in a Leading Role

Leonardo DiCaprio / Blood Diamond
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                7
Concurrent nominations this year:
Male Support - The Departed
Motion Picture Cast - The Departed
Previous Actor® Nominations:
2005 - Motion Picture Cast - The Aviator
2005 - Male Lead - The Aviator
1998 - Motion Picture Cast - Titanic
1997 - Motion Picture Cast - Marvin’s Room

Ryan Gosling / Half Nelson
This is his first nomination.

Peter O’Toole / Venus
This is his first nomination.

Will Smith / The Pursuit of Happyness
This is his first nomination.

Forest Whitaker / The Last King of Scotland
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                3
Previous Actor® Nominations:
2004 - Male T.V. Movie or Miniseries - Deacons for Defense
1995 - Male T.V. Movie or Miniseries - The Enemy Within

Outstanding Performance by a Female Actor in a Leading Role

Penelope Cruz / Volver
This is her first nomination.
 
Judi Dench / Notes on a Scandal
Total nominations in this category                    4
Previous Actors®                                              2
Total Actor® nominations:                                10
Previous Actors®:
2001 - Female Support - Chocolat
1999 - Motion Picture Cast - Shakespeare in Love
Previous Actor® Nominations:
2006 - Female Lead - Mrs. Henderson Presents
2002 - Female Lead - Iris
2002 - Female Support - The Shipping News
2001 - Motion Picture Cast - Chocolat
2001 - Female T.V. Movie or Miniseries - The Last of the Blonde Bombshells
1999 - Female Support - Shakespeare in Love
1998 - Female Lead - Mrs. Brown

Helen Mirren / The Queen
Total nominations in this category                    1
Previous Actors®                                              2
Total Actor® nominations:                                 7
Concurrent nominations this year:
Female TV Movie or Miniseries - Elizabeth I
Previous Actors®:
2002 - Female Support - Gosford Park
2002 - Motion Picture Cast - Gosford Park
Previous Actor® Nominations:
2004 - Female T.V. Movie or Miniseries - The Roman Spring of Mrs. Stone
2003 - Female T.V. Movie or Miniseries - Door to Door
2000 - Female T.V. Movie or Miniseries - The Passion of Ayn Rand

Meryl Streep / The Devil Wears Prada
Total nominations in this category                    5
Previous Actors®                                             1
Total Actor® nominations:                                9
Previous Actors®:
2004 - Female TV Movie or Miniseries - Angels in America
Previous Actor® Nominations:
2003 - Motion Picture Cast - Adaptation
2003 - Motion Picture Cast - The Hours
2000 - Female Lead - Music of the Heart
1999 - Female Lead - One True Thing
1997 - Motion Picture Cast - Marvin’s Room
1996 - Female Lead - The Bridges of Madison County
1995 - Female Lead - The River Wild

Kate Winslet / Little Children
Total nominations in this category                    3
Previous Actors®                                              1
Total Actor® nominations:                                8
Previous Actors®:
1996 - Female Support - Sense and Sensibility
Previous Actor® Nominations:
2005 - Female Lead - Eternal Sunshine of the Spotless Mind
2005 - Motion Picture Cast - Finding Neverland
2001 - Female Support - Quills
1998 - Motion Picture Cast - Titanic
1998 - Female Lead – Titanic
1996 - Motion Picture Cast - Sense and Sensibility

Outstanding Performance by a Male Actor in a Supporting Role

Alan Arkin / Little Miss Sunshine
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                 2
Concurrent nominations this year:
Motion Picture Cast - Little Miss Sunshine

Leonardo DiCaprio / The Departed
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                7
Concurrent nominations this year:
Male Lead - Blood Diamond
Motion Picture Cast - The Departed
Previous Actor® Nominations:
2005 - Motion Picture Cast - The Aviator
2005 - Male Lead - The Aviator
1998 - Motion Picture Cast - Titanic
1997 - Motion Picture Cast - Marvin’s Room

Jackie Earle Haley / Little Children
This is his first nomination.
 
Djimon Hounsou / Blood Diamond
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                3
Previous Actor® Nominations:
2004 - Motion Picture Cast - In America
2001 - Motion Picture Cast - Gladiator

Eddie Murphy / Dreamgirls
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                 2
Concurrent nominations this year:
Motion Picture Cast - Dreamgirls

Outstanding Performance by a Female Actor in a Supporting Role

Adriana Barraza / Babel
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                 2
Concurrent nominations this year:
Motion Picture Cast - Babel

Cate Blanchett / Notes on a Scandal
Total nominations in this category                    3
Previous Actors®                                              2
Total Actor® nominations:                                 9
Concurrent nominations this year:
Motion Picture Cast – Babel
Previous Actors®:
2005 - Female Support - The Aviator
2004 - Motion Picture Cast - The Lord of the Rings:  The Return of the King
Previous Actor® Nominations:
2005 - Motion Picture Cast - The Aviator
2003 - Motion Picture Cast - The Lord of the Rings:  The Two Towers
2002 - Female Support - Bandits
2002 - Motion Picture Cast - The Lord of the Rings:  The Fellowship of the Ring
1999 - Female Lead - Elizabeth

Abigail Breslin / Little Miss Sunshine
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                 2
Concurrent nominations this year:
Motion Picture Cast - Little Miss Sunshine

Jennifer Hudson / Dreamgirls
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                 2
Concurrent nominations this year
Motion Picture Cast - Dreamgirls

Rinko Kikuchi / Babel
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                 2
Concurrent nominations this year:
Motion Picture Cast – Babel

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

Thomas Haden Church / Broken Trail
Total nominations in this category                    1
Previous Actors®                                              1
Total Actor® nominations:                                3
Previous Actors®:
2005 - Motion Picture Cast - Sideways
Previous Actor® Nominations:
2005 - Male Support - Sideways

Robert Duvall / Broken Trail
Total nominations in this category                    2
Previous Actors®                                              1
Total Actor® nominations:                                5
Previous Actors®:
1999 - Male Support - A Civil Action
Previous Actor® Nominations:
1998 - Lead Male - The Apostle
1997 - Motion Picture Cast - Sling Blade
1997 - Male T.V. Movie or Miniseries - The Man Who Captured Eichmann

Jeremy Irons / Elizabeth I
This is his first nomination

William H. Macy / Nightmares & Dreamscapes
Total nominations in this category                    3
Previous Actors®                                              1
Total Actor® nominations:                                8
Concurrent nominations this year:
Motion Picture Cast - Bobby.
Previous Actors®:
2003 - Male T.V. Movie or Miniseries - Door To Door
Previous Actor® Nominations:
2005 - Male T.V. Movie or Miniseries - The Wool Cap
2004 - Motion Picture Cast – Seabiscuit
2000 - Motion Picture Cast - Magnolia
1998 - Motion Picture Cast - Boogie Nights
1997 - Male Support - Fargo
 
Matthew Perry / The Ron Clark Story
Total nominations in this category                    1
Previous Actors®                                              1
Total Actor® nominations:                                 8
Previous Actors®:
1996 - Comedy Series Ensemble - Friends
Previous Actor® Nominations:
2004 - Comedy Series Ensemble - Friends
2003 - Comedy Series Ensemble - Friends
2002 - Comedy Series Ensemble - Friends
2001 - Comedy Series Ensemble - Friends
2000 - Comedy Series Ensemble - Friends
1999 - Comedy Series Ensemble – Friends

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

Annette Bening / Mrs. Harris
Total nominations in this category                    1
Previous Actors®                                              2
Total Actor® nominations:                                4
Previous Actors®:
2000 - Female Lead - American Beauty
2000 - Motion Picture Cast - American Beauty
Previous Actor® Nominations:
2005 - Female Lead - Being Julia

Shirley Jones / Hidden Places
This is her first nomination

Cloris Leachman / Mrs. Harris
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                2
Previous Actor® Nominations:
2005 - Female Support - Spanglish

Helen Mirren / Elizabeth I
Total nominations in this category                    4
Previous Actors®                                              2
Total Actor® nominations:                                7
Concurrent nominations this year:
Female Lead Motion Picture - The Queen
Previous Actors®:
2002 - Female Support - Gosford Park
2002 - Motion Picture Cast - Gosford Park
Previous Actor® Nominations:
2004 - Female T.V. Movie or Miniseries - The Roman Spring of Mrs. Stone
2003 - Female T.V. Movie or Miniseries - Door to Door
2000 - Female T.V. Movie or Miniseries - The Passion of Ayn Rand

Greta Scacchi / Mrs. Harris
This is her first nomination

Outstanding Performance by a Male Actor in a Drama Series

James Gandolfini / The Sopranos
Total nominations in this category                     6
Previous Actors®                                              3
Total Actor® nominations:                                13
Concurrent nominations this year:
Drama Series Ensemble - The Sopranos
Previous Actors®:
2003 - Male Drama Series - The Sopranos
2000 - Male Drama Series - The Sopranos
2000 - Drama Series Ensemble - The Sopranos
Previous Actor® Nominations:
2005 - Drama Series Ensemble - The Sopranos
2005 - Male Drama Series - The Sopranos
2003 - Male Drama Series - The Sopranos
2002 - Drama Series Ensemble - The Sopranos
2002 - Male Drama Series - The Sopranos
2001 - Drama Series Ensemble - The Sopranos
2001 - Male Drama Series - The Sopranos
1996 - Motion Picture Cast - Get Shorty

Michael C. Hall / Dexter
Total nominations in this category                    1
Previous Actors®                                              2
Total Actor® nominations:                                6
Previous Actors®:
2004 - Drama Series Ensemble - Six Feet Under
2003 - Drama Series Ensemble - Six Feet Under
Previous Actor® Nominations:
2006 - Drama Series Ensemble - Six Feet Under
2005 - Drama Series Ensemble - Six Feet Under
2002 - Drama Series Ensemble - Six Feet Under

Hugh Laurie / House
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                2
Previous Actor® Nominations:
2006 - Male Drama Series - House
 
James Spader / Boston Legal
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                4
Concurrent nominations this year:
Drama Series Ensemble - Boston Legal
Previous Actor® Nominations:
2006 - Male Comedy Series - Boston Legal
2005 - Comedy Series Ensemble - Boston Legal

Kiefer Sutherland / 24
Total nominations in this category                    5
Previous Actors®                                              2
Total Actor® nominations:                                8
Concurrent nominations this year:
Drama Series Ensemble - 24
Previous Actors®:
2006 - Male Drama Series - 24
2004 - Male Drama Series - 24
Previous
Actor® Nominations:
2005 - Male Drama Series - 24
2005 - Drama Series Ensemble - 24
2003 - Male Drama Series - 24
2003 - Drama Series Ensemble - 24

Outstanding Performance by a Female Actor in a Drama Series

Patricia Arquette / Medium
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                 2
Previous Actor® Nominations:
2006 - Female Drama Series - Medium
 
Edie Falco / The Sopranos
Total nominations in this category                     6
Previous Actors®                                              3
Total Actor® nominations:                                12
Concurrent nominations this year:
Drama Series Ensemble - The Sopranos
Previous Actors®:
2003 - Female Drama Series - The Sopranos
2000 - Female Drama Series - The Sopranos
2000 - Drama Series Ensemble - The Sopranos
Previous Actor® Nominations:
2005 - Drama Series Ensemble - The Sopranos
2005 - Female Drama Series - The Sopranos
2003 - Drama Series Ensemble - The Sopranos
2002 - Drama Series Ensemble - The Sopranos
2002 - Female Drama Series - The Sopranos
2001 - Drama Series Ensemble - The Sopranos
2001 - Female Drama Series - The Sopranos
 
Mariska Hargitay / Law & Order: Special Victims Unit
Total nominations in this category                    3
Previous Actors®                                              0
Total Actor® nominations:                                3
Previous Actor® Nominations:
2006 - Female Drama Series - Law & Order: SVU
2004 - Female Drama Series - Law & Order: SVU
 
Kyra Sedgwick / The Closer
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                3
Previous Actor® Nominations:
2006 - Female Drama Series - The Closer
2006 - Drama Series Ensemble - The Closer
Chandra wilson / Grey’s Anatomy
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                3
Concurrent nominations this year:
Drama Series Ensemble - Grey’s Anatomy
Previous Actor® Nominations:
2006 - Drama Series Ensemble - Grey’s Anatomy

Outstanding Performance by a Male Actor in a Comedy Series

Alec Baldwin / 30 Rock
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                6
Concurrent nominations this year:
Motion Picture Cast - The Departed
Previous Actor® Nominations:
2005 - Motion Picture Cast - The Aviator
2004 - Male Support - The Cooler
2001 - Male T.V. Movie or Miniseries - Nuremberg
1996 - Male T.V. Movie or Miniseries - A Streetcar Named Desire
 
Steve Carell / The Office
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                3
Concurrent nominations this year:
Comedy Series Ensemble - The Office
Motion Picture Cast - Little Miss Sunshine

Jason Lee / My Name is Earl
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                4
Previous Actor® Nominations:
2006 - Male Comedy Series - My Name Is Earl
2006 - Comedy Series Ensemble - My Name Is Earl
2001 - Motion Picture Cast - Almost Famous

Jeremy Piven / Entourage
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                2
Concurrent nominations this year:
Comedy Series Ensemble - Entourage

Tony Shalhoub / Monk
Total nominations in this category                    4
Previous Actors®                                              2
Total Actor® nominations:                                4
Previous Actors®
2005 - Male Comedy Series - Monk
2004 - Male Comedy Series - Monk
Previous Actor® Nominations
2003 - Male Comedy Series - Monk

Outstanding Performance by a Female Actor in a Comedy Series

America Ferrera / Ugly Betty
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                2
Concurrent nominations this year:
Comedy Series Ensemble - Ugly Betty

Felicity Huffman / Desperate Housewives
Total nominations in this category                    2
Previous Actors®                                              2
Total Actor® nominations:                                6
Concurrent nominations this year:
Comedy Series Ensemble - Desperate Housewives
Previous Actors®
2006 - Female Comedy Series - Desperate Housewives
2006 - Comedy Series Ensemble - Desperate Housewives
Previous
Actor® Nominations:
2006 - Female Lead Role - Transamerica
2000 - Comedy Series Ensemble - Sports Night
 
Julia Louis-Dreyfus / The New adventures of Old Christine
Total nominations in this category                    6
Previous Actors®                                              5
Total Actor® nominations:                                10
Previous Actors®
1998 - Female Comedy Series - Seinfeld
1998 - Comedy Series Ensemble - Seinfeld
1997 - Female Comedy Series - Seinfeld
1997 - Comedy Series Ensemble - Seinfeld
1995 - Comedy Series Ensemble - Seinfeld
Previous
Actor® Nominations
1999 - Female Comedy Series - Seinfeld
1996 - Female Comedy Series - Seinfeld
1996 - Comedy Series Ensemble - Seinfeld
1995 - Female Comedy Series - Seinfeld

Megan mullally / Will & Grace
Total nominations in this category                    7
Previous Actors®                                              4
Total Actor® nominations:                                12
Previous Actors®
2004 - Female Comedy Series - Will & Grace
2003 - Female Comedy Series - Will & Grace
2002 - Female Comedy Series - Will & Grace
2001 - Comedy Series Ensemble - Will & Grace
Previous Actor® Nominations:
2006 - Female Comedy Series - Will & Grace
2005 - Female Comedy Series - Will & Grace
2005 - Comedy Series Ensemble - Will & Grace
2004 - Comedy Series Ensemble - Will & Grace
2003 - Comedy Series Ensemble - Will & Grace
2002 - Comedy Series Ensemble - Will & Grace
2001 - Female Comedy Series - Will & Grace

Mary-Louise Parker / Weeds
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                5
Concurrent nominations this year:
Comedy Series Ensemble - Weeds
Previous Actor® Nominations:
2006 - Female Comedy Series - Weeds
2004 - Female T.V. Movie or Miniseries - Angels in America
2003 - Drama Series Ensemble - West Wing

Jaime Pressly / My Name is Earl
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                2
Previous Actor® Nominations:
2006 - Comedy Series Ensemble - My Name is Earl
 
Outstanding Performance by an Ensemble in a Drama Series

24
Total nominations in this category                    3
Previous Actors®                                              0
Total Actor® nominations:                                 3
Previous Actor® Nominations:
2005, 2003

Boston Legal
Total nominations in this category                    1
Previous Actors®                                              0
Total Actor® nominations:                                2
Previous Actor® Nominations:
2006 (in Comedy Series Ensemble; Boston Legal changed its submission category this year)

Deadwood
This is the ensemble’s first nomination.

Grey’s Anatomy
Total nominations in this category                    2
Previous Actors®                                              0
Total Actor® nominations:                                2
Previous Actor® Nominations:
2006
 
The Sopranos
Total nominations in this category                   6
Previous Actors®                                             1
Total Actor® nominations:                                6
Previous Actors®
2000
Previous Actor® Nominations:
2005, 2003, 2002, 2001

Outstanding Performance by an Ensemble in a Comedy Series

Desperate Housewives
Total nominations in this category                    3
Previous Actors®                                             2
Total Actor® nominations:                                3
Previous Actors®:
2006, 2005                                                                 

Entourage
This is the ensemble’s first nomination.
 
The Office
This is the ensemble’s first nomination.
 
Ugly Betty
This is the ensemble’s first nomination.
 
Weeds
This is the ensemble’s first nomination.
 

 

 

 Jan 3

 

18TH ANNUAL PRODUCERS GUILD AWARDS
SATURDAY, JANUARY 20, 2007
CENTURY PLAZA HOTEL

PRODUCERS GUILD AWARDS 2007

THEATRICAL MOTION PICTURE and LONG-FORM TELEVISION nominees:

The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures

BABEL (Paramount Vantage)

Alejandro González Iñárritu

Steve Golin

Jon Kilik

THE DEPARTED (Warner Bros.)

(Warner Bros.)

Graham King

DREAMGIRLS (Dreamworks SKG/Paramount Pictures)

(Dreamworks SKG/Paramount Pictures)

Laurence Mark

LITTLE MISS SUNSHINE (Fox Searchlight)

(Fox Searchlight)

Marc Turtletaub

David T. Friendly

Peter Saraf

Albert Berger & Ron Yerxa

THE QUEEN (Miramax Films)

(Miramax Films)

Andy Harries

Christine Langan

Tracey Seaward

(Paramount Vantage) (Warner Bros.) (Dreamworks SKG/Paramount Pictures) (Fox Searchlight) (Miramax Films)

The Producers Guild of America Producer of the Year Award in Animated Theatrical Motion Pictures

CARS (Walt Disney Pictures/Pixar Animation)

Darla K. Anderson

FLUSHED AWAY (Dreamworks Animation)

(Dreamworks Animation)

Cecil Kramer

Peter Lord

HAPPY FEET (Warner Bros.)

(Warner Bros.)

Doug Mitchell

George Miller

Bill Miller

ICE AGE: THE MELTDOWN (20th Century Fox Animation)

(20 Century Fox Animation)

Lori Forte

MONSTER HOUSE (Sony Pictures Animation)

(Sony Pictures Animation)

Steve Starkey

Jack Rapke

(Walt Disney Pictures/Pixar Animation) (Dreamworks Animation) (Warner Bros.) (20 Century Fox Animation) (Sony Pictures Animation)

The David L. Wolper Producer of the Year Award in Long-Form Television

BLEAK HOUSE (PBS/BBC)

Nigel Stafford-Clark

ELIZABETH I (HBO)

(HBO)

Suzan Harrison

George Faber

Charles Pattinson

Barney Riesz

FLIGHT 93 (A&E Television)

(A&E Television)

David Gerber

Clara George

HIGH SCHOOL MUSICAL (The Disney Channel)

(The Disney Channel)

Bill Borden

Barry Rosenbush

MRS. HARRIS (HBO)

(HBO)

Elizabeth Karlsen

Pamela Koffler

Christine Vachon

11/9/06: Ron Meyer To Receive Milestone Award

11/20/06: Doug Wick and Lucy Fisher To Receive David O. Selznick Achievement Award in Theatrical Motion Pictures

(PBS/BBC) (HBO) (A&E Television) (The Disney Channel) (HBO)

12/5/06: Episodic Television Nominees Announced

12/5/06: An Inconvenient Truth To Receive Stanley Kramer Award

12/11/06: Jerry Bruckheimer To Receive Norman Lear Achievement Award in Television

12/13/06: Ken Ehrlich To Receive Visionary Award

12/14/06: Will Wright To Receive Vanguard Award

 

 

Marvel to Present at Citigroup Entertainment, Media & Telecom Conference Wed. Jan. 10th at 9:45 AM PST

 Jan. 3, 2007 Marvel Entertainment, Inc. (NYSE: MVL), a global character-based entertainment and licensing company, today announced that David Maisel, Executive Vice President, Office of the Chief Executive, and Peter Cuneo, Vice Chairman, will present at Citigroup's 17th Annual Entertainment, Media & Telecommunications Conference on Wednesday, January 10th at 9:45 a.m. PST. The conference is being held at the Mandalay Bay Resort & Casino in Las Vegas, Nevada.

Live Webcast and Replay:

Via http://www.veracast.com/webcasts/citigroup/emt07/75205116.cfm or via http://www.marvel.com/company/index.htm?sub=webcasts_current.php. An archived version of the webcast will be available at these locations for thirty days.

Slide Presentation:

The slide presentation that Marvel management will use at the conference will be available for download that day at http://www.marvel.com/company/index.htm?sub=webcasts_current.php.

About Marvel Entertainment, Inc.

With a library of over 5,000 characters, Marvel Entertainment, Inc. is one of the world's most prominent character-based entertainment companies. Marvel's operations are focused on utilizing its character franchises in licensing, entertainment, publishing and toys. Areas of emphasis include feature films, DVD/home video, consumer products, video games, action figures and role-playing toys, television and promotions. Rooted in the creative success of over sixty years of comic book publishing, Marvel's strategy is to leverage its character franchises in a growing array of opportunities around the world.

 

 

Amanda Bynes Set to Star in the New Comedy 'Sydney White' for Morgan Creek Productions

The Film is Scheduled to Begin Principal Photography in Orlando, Florida on February 12, 2007

LOS ANGELES, Jan. 3 /PRNewswire/ -- Amanda Bynes has landed the starring role in the new Morgan Creek comedy "Sydney White," it was announced today by James G. Robinson, Chairman and CEO of Morgan Creek Productions.

This modern retelling of the classic fairytale follows a beautiful college freshman as she pledges her late mother's once dignified sorority. But after discovering that today's sisterhood is not what it used to be, Sydney finds her new home away from home with seven outcasts. With the help of her socially challenged new friends, Sydney will take on the reigning campus queen to attempt to transform the school's misguided social hierarchy.

The film will be directed by Joe Nussbaum ("American Pie Presents: The Naked Mile," "Sleepover") and is scheduled to begin principal photography on February 12, 2007 in Orlando, Florida. The film also stars Sara Paxton ("Darcy's Wild Life") and Matt Long ("Jack and Bobby"). The screenplay was written by Chad Creasey ("Great Lengths") and will be produced by James G. Robinson. David Robinson and Clifford Werber will also serve as producers with Morgan Creek's Guy McElwaine executive producing. The film will be distributed domestically by Universal Pictures and internationally by Morgan Creek International and Universal Pictures International.

Amanda Bynes recently completed shooting the feature film "Hairspray," opposite John Travolta, Queen Latifah and Michelle Pfieiffer, where she plays Tracey Turnblad's best friend Penny Pingleton. She also starred in the romantic comedy "She's the Man;" the trans-Atlantic comedy "What a Girl Wants," with Colin Firth and Kelly Preston; lent her voice to the animated film "Robots;" and starred with Frankie Muniz and Paul Giamatti in the family comedy "Big Fat Liar." On television, Bynes played the impetuous Holly in the comedy series "What I Like About You," as well as "The Amanda Show," which earned her the Favorite Television Actress honor four years in a row from Nickelodeon's Kids' Choice Awards.

On December 22, the Morgan Creek production "The Good Shepherd" opened in theatres nationwide, starring Matt Damon, Angelina Jolie and Robert De Niro. Georgia Rule, starring Jane Fonda, Lindsay Lohan and Felicity Huffman will hit theatres on May 11, 2007.

 

 

 

Mario Steps Into First Starring Role Alongside Hilary Swank in 'Freedom Writers,' Out January 5, 2007

R&B Star Preps Third Album Go! for Release in March 2007

NEW YORK, Jan. 3 /PRNewswire/ -- R&B sensation Mario steps into his first starring film role in Freedom Writers, the real-life story of teenagers in gang warfare-plagued Los Angeles whose lives are changed through writing. Oscar-winning actress Hilary Swank stars as the inspirational teacher who reaches Mario's troubled teen Andre and his classmates. The Paramount Pictures/MTV Films movie premieres January 4, 2007 in Los Angeles and opens January 5, 2007.

Mario's first serious film role is one that is close to his heart. His character's struggle to deal with an incarcerated brother and drug-addicted mother struck a chord with Mario, who dealt with his own mother's drug use for much of his childhood.

"I came from the same mentality as my character in Freedom Writers," Mario explains of his approach to the role of Andre. "Thankfully, like Andre, I was given an opportunity for change and I recognized that. This movie really shows people that regardless of your situation, you have the right to free yourself."

While his character Andre finds an outlet for his frustrations in writing, music is what inspired Mario, who became a star at the young age of 15 when he released his debut album, 2002's Mario. His platinum follow-up Turning Point spawned a #1 single "Let Me Love You" and launched Mario from teen sensation to bona fide R&B star. Now 20 and with his first serious film role under his belt, Mario is prepping his third album, Go!, due out in March 2007. The album will feature songs produced by Pharrell Williams, Akon, Polow Da Don, Scott Storch, and more.

For more info on Freedom Writers, please visit: www.freedomwriters.com

For more info on Mario's Go!, please visit: www.mario2u.com

Source: Mario

 

Mario Lopez Dances his way into the Miss America Spotlight as Host of the 2007 MISS AMERICA PAGEANT

Live on CMT from The Planet Hollywood Resort & Casino in Las Vegas

 Jan. 3 Television star Mario Lopez ("Dancing With The Stars," "Nip/Tuck") has been tapped to host the 2007 MISS AMERICA PAGEANT, airing live from The Planet Hollywood Resort & Casino in Las Vegas on Monday, January 29 at 8:00 p.m. ET/PT* on CMT. Don Mischer Productions will produce the 2007 MISS AMERICA PAGEANT.

Sarah Brock, CMT executive producer and vice president, production, music and events, notes: "Mario Lopez is a fantastic choice to host the 2007 MISS AMERICA PAGEANT. With his soaring popularity, his former hosting experience and his undeniable charm, he will certainly excel as this year's host."

Sam Haskell III, chairman of the board for the Miss America Organization, adds: "We are pleased that immediately following his successful star turn on "Dancing With the Stars," Mario Lopez has agreed to host the Pageant. Our executive producers Sarah Brock and Don Mischer did an outstanding job securing Mario, and we are honored to welcome him into the Miss America family."

The 2006 MISS AMERICA PAGEANT premiered on CMT last January and ranks as the most-watched telecast in CMT's history with total viewers*. Since its premiere, re-airings of the Pageant have been seen by more than 27 million different viewers.

Lopez recently danced his way into America's heart on the hit ABC program "Dancing With the Stars" and has since signed a talent deal with the CW network and, under this deal, Lopez will continue to be a recurring host of "Weekend Extra." And to keep up with his acting, Lopez has a recurring role in the popular series "Nip/Tuck." Born in San Diego, Lopez began his career as the younger brother on the 1984 television series "A.K.A. Pablo." Throughout the years, he has become well known to television audiences through his roles on NBC's "Saved by the Bell" as AC Slater and USA Network's "Pacific Blue." Lopez brought the bachelor's view to NBC's "The Other Half" and helped bridge the gap between sports and entertainment on "ESPN Hollywood."

Judges for the 2007 MISS AMERICA PAGEANT include: Debbie Allen (actress, director, producer, choreographer, singer, dancer and multiple Emmy Award- winner), Nigel Barker ("America's Next Top Model"), Delta Burke ("Designing Women" and recently "Boston Legal"), Michael Feinstein (singer, composer, producer), Chris Matthews (MSNBC's "Hardball with Chris Matthews" and "The Chris Matthews Show") and Susan Powell (Miss America 1981, Discovery Channel's "Home Matters").

For the first time in its 85 year history, the 2006 MISS AMERICA PAGEANT took place outside of Atlantic City and debuted in Las Vegas. Jennifer Berry, of Oklahoma, is the current Miss America.

CMT offers fans the opportunity to learn more about each of the 2007 MISS AMERICA PAGEANT contestants at www.missamerica.cmt.com. The CMT Web site features contestant photos, videos, bios, and a chance to win $1 million dollars by correctly predicting the winner in CMT's Pick & Win Game. In addition, fans can tune in to CMT on VOD for short video bios starring each of the contestants.

CMT, America's No. 1 country music network, carries original programming, specials, and live concerts and events, as well as a mix of videos by established country music artists and new cutting-edge acts, including world premiere exclusive videos. Founded March 6, 1983, CMT, owned and operated by MTV Networks, reaches more than 83 million households in the United States. Go to country music's biggest web site at www.cmt.com.

The Miss America Organization is one of the nation's leading achievement programs and the world's largest provider of scholarship assistance for young women. Last year, the Miss America Organization and its state and local organizations made available more than $45 million in cash and scholarship assistance. For more information, go to www.missamerica.org.

*The 2007 MISS AMERICA PAGEANT will air live at 8 p.m. Eastern; 7 p.m. Central; and will be tape delayed to air at 8 p.m. Pacific; and 9 p.m. Mountain.

 


 

SAG Awards™ Unique Collectibles, Red Carpet Bleacher Seats and VIP Backstage Tours Auctioned to the Public
at www.sagawards.org/auction to Benefit the SAG Foundation

The Screen Actors Guild Awards® will kick off its seventh annual eBay auction to benefit the SAG Foundation on Thursday, Jan. 4, at www.sagawards.org/auction. The month-long weekly auction series features one-of-a-kind SAG Awards television and movie memorabilia, red-carpet bleacher seats and VIP backstage tours for this year’s Actors® ceremonies.

The Screen Actors Guild Foundation provides a meaningful way for SAG members to contribute to the literacy of children in their communities through BookPALS (Performing Artists for Literacy in Schools) and its online component, Storyline. SAG Foundation programs provide emergency relief to members in economic distress, video and audio preservation of the creative legacy of SAG members, scholarships for performers and their children and emergency funds for members with catastrophic illnesses. (For details, visit sagfoundation.org and bookpals.net.)

Lucky bidders of the first week’s auction will have a chance to see the stars on the SAG Awards’ red carpet, take a VIP backstage tour of the awards venue or enjoy sets of men’s must-have items from PEOPLE Magazine’s Holiday Gift Guide. Autographed collectibles up for bid beginning Jan. 4 include Monk DVD sets signed by cast, Seinfeld scripts signed by Julia Louis-Dreyfus, an autographed Walk the Line poster, a Brokeback Mountain signed poster and three posters from Crash, signed by the cast and writer/producer/director Paul Haggis. Also up for bid in the auction’s first week are a tote bag autographed by many of the actors who attended the 12th Annual Screen Actors Guild Awards® this past January, as well as 12th Annual SAG Awards™ hats, programs and press kits.

The benefit auction will also include great items from the hot, up-to-the minute entertainment news outlets, including Entertainment Tonight, Access Hollywood, E! News, Extra, The Insider and the TV Guide Channel. Also up for bid those weeks are 13th Annual Screen Actors Guild Awards hats, press kits, posters and tote bags.

For the final week beginning Jan. 25, the SAG Awards auction staff will, as it did last year, gather unique collectibles from this year’s nominated casts and ensembles. Last year’s best-sellers included a Desperate Housewives set visit and the shirt Shannon wore when she met her untimely death on Lost. The online bidding will close Feb. 1.

Nominations for the 13th Annual Screen Actors Guild Awards® will be announced on Thursday, Jan. 4 at the Pacific Design Center in West Hollywood and will be carried live on TNT, E! Entertainment Television, TNT.TV and TBS.COM.

The 13th Annual Screen Actors Guild Awards will be simulcast live from the Los Angeles Shrine Exposition Center by TNT and TBS on Sunday, Jan. 28, at 8 p.m. (ET/ PT), 7 p.m. (CT) and 6 p.m. (MT).

The Screen Actors Guild Awards auction to benefit the SAG Foundation is hosted by eBay Giving Works and managed by Auction Cause.

The 13th Annual Screen Actors Guild Awards are produced by Jeff Margolis Productions in association with Screen Actors Guild. Jeff Margolis is the executive producer and Kathy Connell is the producer. Yale Summers, Daryl Anderson, Shelley Fabares, Paul Napier and JoBeth Williams are producers for SAG. Gloria Fujita O’Brien and Mick McCullough are supervising producers. Benn Fleishman is executive in charge of production.

Screen Actors Guild (SAG) is the nation’s largest labor union representing working actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution sweeping the entertainment industry in the 21st century. With 20 branches nationwide, SAG represents nearly 120,000 working actors in film, television, industrials, commercials, video games, music videos and other new media. The Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. Headquartered in Los Angeles, SAG is a proud affiliate of the AFL-CIO.  More information is available online at www.sag.org.

Turner Network Television (TNT), television’s destination for drama and one of cable’s top-rated networks, offers original movies and series, including the blockbuster detective series The Closer, starring Emmy, Golden Globe® and Screen Actors Guild Awards nominee Kyra Sedgwick, and next year’s eagerly anticipated television event The Company, executive-produced by Ridley Scott and starring Chris O’Donnell, Michael Keaton and Alfred Molina.  TNT is also home to powerful one-hour dramas, such as Without a Trace, Law & Order, Las Vegas, Cold Case, ER, Charmed and Judging Amy; broadcast premiere movies; compelling prime-time specials, such as the Screen Actors Guild Awards® and championship sports coverage, including NASCAR and the NBA. TNT is also available in high-definition.

TBS, a division of Turner Broadcasting System, Inc., is television’s “very funny” network.  It serves as home to such hot contemporary comedies as Sex and the City, Everybody Loves Raymond, Family Guy, Seinfeld and Friends; original comedy series like My Boys and 10 Items or Less; specials and special events, such as The Comedy Festival in Las Vegas; blockbuster movies; and hosted movie showcases.

Turner Broadcasting System, Inc., a Time Warner company, is a major producer of news

 

Clooney, Parker, Stamos and Weisz Set as Presenters at Golden Globe Awards

"The 64th Annual Golden Globe Awards" Will Be Telecast Live on NBC Monday, January 15

 January 03, 2007 -- George Clooney and Rachel Weisz (2006 Golden Globe recipients for Best Performance by an Actor and Actress in a Motion Picture Supporting Role), Sarah Jessica Parker and John Stamos have been set as presenters at "The 64th Annual Golden Globe Awards" to be telecast live on NBC Monday, January 15 (8 - 11:00 p.m. EST) at The Beverly Hilton.

They join previously announced presenters Felicity Huffman, Salma Hayek, Ben Stiller, Justin Timberlake and Reese Witherspoon.

Warren Beatty will receive this year's Cecil B. DeMille Award from the Hollywood Foreign Press Association for his "outstanding contribution to the entertainment field."

The Golden Globe Awards will be seen in more than 150 countries worldwide and is one of the few awards ceremonies that span both television and motion picture achievements.

"The 64th Annual Golden Globe Awards" will be produced by dick clark productions in association with the Hollywood Foreign Press Association. Philip Berk is President of the Hollywood Foreign Press Association. Allen Shapiro and Barry Adelman are executive producers. Chris Donovan is director. Al Schwartz is consulting producer. Ken Shapiro is producer. Ron Weed is co-producer

 

Jan 2

 

Troy Tomlinson: A "Song Guy" Takes the Reins at Sony/ATV Music Publishing
By Crystal Caviness

 

© 2007 CMA Close Up News Service / Country Music Association, Inc.

Day in, day out, Troy Tomlinson asks himself the same question when making decisions in his Music Row office as President and CEO of Sony/ATV Music Publishing. "Does this contribute to an environment that is healthy for our writers and our employees?"

"Every decision we make must pass through that filter," Tomlinson said. "It's about putting our writers and employees top of mind in all decisions."

The music business is in Tomlinson's blood. As far back as the Portland, Tenn., native can remember he has been around creative types. His earliest memories involve drinking his fill of pink lemonade and then falling asleep backstage at the Grand Ole Opry, while his brother played bass with Opry star Hank Snow.

When he was 20 years of age, Tomlinson got an opportunity to make his own mark in the music business when friend Cliff Williamson of Multimedia Publishing hired him as the tape copy guy/song plugger, a job that led Tomlinson to two independent publishing companies: Don King Music and Rick Hall Music.

In 1988, Tomlinson went to work for Jerry Bradley at Acuff-Rose Music. He held several positions there, before being named Executive Vice President in 1999. "Jerry Bradley is truly my mentor," Tomlinson said. "He gave me so many opportunities to grow."

In 2002, Gaylord Entertainment sold Acuff-Rose to Sony/ATV Music Publishing, where Tomlinson was hired as Vice President of the Creative Department.

Tomlinson was named President and CEO on Jan. 1, 2006, when Donna Hilley retired from the position after a 31-year career that had distinguished her as one of the Country Music industry's most influential and well-loved leaders.

"Donna's shoes will never be filled," Tomlinson said. "She burned a path not only for publishers in general, but for a female executive to rise to the level she rose to in this company and to have the ability to effect change and influence people's lives, she really was a trailblazer."

One year into his new office and responsibilities, asking that question of himself and others at the publishing company has resulted in moving the company closer to Tomlinson's overall goal of creating "a place of excellence."

"I want the best song pluggers in Nashville to say 'Man, I'd give anything to be over at Sony/ATV working that catalog,'" Tomlinson said. "I want the best writers to say 'I'd give anything to write for Sony/ATV,' and the basis for that has already been laid by Donna and her predecessors."

"Tweaking the creative department," Tomlinson said, as well as making aesthetic changes to the creative building and writers' building and implementing an aggressive plan to exploit Sony/ATVs' music catalog for film, television and advertising opportunities are first steps toward his vision of making Sony/ATV a place of excellence. He's especially excited about the creation of the new Sync Department.

"When I got this position, I felt we had to be more proactive in marketing our copyrights from Nashville," Tomlinson said. "Sony/ATV has a great Sync Department in Los Angeles and they work our songs, but it was important to me to have a sync executive in the Nashville office talking to me about national ads, film spots, TV show spots. I wanted a person who would be in New York, Chicago, L.A., Dallas, Atlanta, getting to know the creative departments at these ad agencies so we could make sure that our music was top of mind when they had a need for music."

Enter Marc Wood. Tomlinson had worked with Wood at Acuff-Rose, where Wood had held positions in its Royalty, International Business and Synchronization Licensing Departments.

"Nobody in town is better qualified than Marc to actively market our impressive catalog," Tomlinson said.

In recent months, Wood and his team have placed Sony/ATV music in ad spots for Hallmark TV and Dr. Pepper; major films ("Talladega Nights: The Ballad of Ricky Bobby" with Will Ferrell, "RV" with Robin Williams and the Johnny Cash biopic "Walk the Line") and numerous songs in HBO's popular series "The Sopranos."

Tomlinson is clear about the "business" part of the music business.

"It is a business," he said. "I tend to surround myself with people who take as seriously as I do what we are about everyday. I can't afford to spend my time with those who aren't taking this seriously."

Hit songwriter Tom Douglas (Tim McGraw's "Grown Men Don't Cry" and Collin Raye's "Little Rock") respects Tomlinson foremost for being a "song guy."

"Look at the writers that he has signed since he's been in the business," Douglas said.  "He signed Kenny Chesney as a songwriter before he was a major star. He's been surrounded by stellar songwriters, such as (veterans) Dean Dillon and Skip Ewing. He attracts those guys. He's a great song guy and when you love songs, it brings out the best in songwriters."

Brooks & Dunn, Chesney, Rascal Flatts and Gretchen Wilson are among the artists/songwriters signed to Sony/ATV, along with new talents including Eric Church, Miranda Lambert and Taylor Swift.

Business savvy notwithstanding, Tomlinson's most evident trait on the job is his love for songs, which he views not so much as a businessman, but as a caretaker for the catalog of legendary tunes and new hits he oversees.

"Songs are the children of our writers," Tomlinson said. "As publishers who understand their obligation to writers, I see the role as a steward of those children."

The care Tomlinson gives the catalog is not lost on Douglas.

"When you have a big company like this, it can become impersonal," Douglas said. "Troy represents yesterday, today and tomorrow. We've got Hank Williams' songs, which is a really sacred thing. But at the same time, he's signing brand new artists. We're blessed to have him in that position."

On the Web: www.sonyatv.com

 

Slim Thug and Boss Hogg Outlawz to Release New Album, "Serve & Collect," on KOCH Records on February 27th, 2007

 January 02, 2007 -- KOCH Records is proud to announce the release of "Serve & Collect," the new album by Slim Thug and Boss Hogg Outlawz on February 27th, 2007. "Serve & Collect" features Slim Thug on 12 new songs.

One of Houston's most popular underground hip-hop labels, Slim Thug's Boss Hogg Outlawz is back with the release of its independent album, "Serve & Collect." This album features Slim Thug, original Boyz N Blue members, PJ Tha Rap Hustla, Sir Daily, Chris Ward and Killa Kyleon. Also on the album are newcomers J-Dawg, Young Black and the R& B Tunes of Rob Smallz.

Slim Thug made a name for himself on the numerous mixtapes he was featured on for Swishahouse Records in his native Houston, TX. Slim then formed his own label, Boss Hogg Outlawz, and has continued to release highly successful mixtapes. Slim Thug's debut album, "Already Platinum," debuted at #2 on the Billboard charts, and has sold over 500,000 copies. The album features the hit singles "Like a Boss," "Three Kings," "I Ain't Heard Of That," and "Incredible Feeling."

The tracklisting for "Serve & Collect" is:  1.  "Recognize A Playa" feat. PJ, Chris Ward, Slim Thug, Sir Daily 2.  "Back 2 Front" feat. Killa Kyleon, Slim Thug, Sir Daily 3.  "Boss Hoggin" - Slim Thug 4.  "Cheatin" - Rob Smallz feat. Slim Thug 5.  "Side To Side" - Killa Kyleon, Slim Thug, Sir Daily 6.  "Pockets Full of Paper" - PJ feat. Slim Thug 7.  "Give It Up" - Slim Thug, PJ, Chris Ward 8.  "I'm A G" - Slim Thug, PJ, Young Black, Chris Ward 9.  "Heat On My Side" - Killa Kyleon, J Dawg, PJ 10. "Straight Outta Texas" - Sir Daily, PJ, J Dawg 11. "For The G's" - Chris Ward, Black, PJ, Slim Thug 12. "Keep It Real" - Chris Ward 13. "I'm A Hogg" - Slim Thug, Sir Daily, PJ, Chris Ward 14. "Ridin 4's" - J Dawg feat. Slim Thug 15. "Wood Wheel" - Sir Daily 16. "Got To Get It" - Slim Thug, PJ, B Chris, Young Black, Chris Ward 17. "Plan To See" - Killa Kyleon 

About KOCH Records

KOCH Records is a division of KOCH Entertainment, the fastest-growing music company and the market leader among independents in North America. The KOCH Entertainment corporate umbrella encompasses the KOCH Records label, KOCH Vision home video, KOCH Music Publishing and KOCH Entertainment Distribution with operations in both the U.S. and Canada. KOCH Records proudly claims the largest number of Billboard charting albums among independents for each of the last six years (2001-2006). For additional info on the KOCH Records label and its roster of artists, please visit www.kochrecords.com

 

Oprah Winfrey Leadership Academy for Girls - South Africa Celebrates Its Official Opening

Former South African President Nelson Mandela Attends Ceremonial Program

Jan. 2 Former South African President Nelson Mandela and local dignitaries will join Oprah Winfrey in celebrating the opening of the Oprah Winfrey Leadership Academy for Girls - South Africa -- a private learning and residential environment for grades 7-12 that engenders high standards of academic achievement and service leadership for girls who show outstanding promise despite their social circumstances. The Leadership Academy, which is located in Henley-on-Klip in Gauteng Province, opens on Tuesday, January 2, 2007.

As part of the opening welcoming events, Oprah Winfrey will raise the Leadership Academy's 
flag along with the first 152 students -- from grades 7 and 8, who represent all nine South 
African provinces -- followed by a ceremonial program in the campus' theatre. It is her vision 
that the Leadership Academy will help develop the future women leaders of South Africa.

"I know that this Academy will change the trajectory of these girls' lives," said Oprah Winfrey. "They will excel and pass their excellence on to their families, their nation, and our world."

"This school will provide opportunities to some of our young people they could never imagine, had it not been for Oprah. The key to any country's future is in educating its youth. Oprah is therefore not only investing in a few young individuals but in the future of our country. We are indebted to her for her selfless efforts. This is a lady that has, despite her own disadvantaged background, become one of the benefactors of the disadvantaged throughout the world and we should congratulate her for that," said Nelson Mandela.

In December 2000, during a visit with Nelson Mandela, Oprah Winfrey pledged $10 million to build a school for girls in South Africa, for which she broke ground on December 6, 2002. As that commitment broadened, she established The Oprah Winfrey Leadership Academy Foundation, to which she has contributed more than $40 million toward the creation of the Oprah Winfrey Leadership Academy for Girls - South Africa. Initially a public-private partnership with the Gauteng Department of Education, the Leadership Academy was signed over to become an independent school on August 20, 2006.

Among its 28-building campus, the Leadership Academy includes state-of-the-art classrooms, computer and science laboratories, a library, a theatre, a gymnasium, sports fields, a wellness center, modern dormitory facilities and a dining hall. The curriculum includes math, natural science and technology; arts and culture; social, economic and management sciences; life orientation and leadership; and languages. All of the teachers are South African.

 

 

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For rating reasons, go to FILMRATINGS.COM, MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG


© 2007 Layout and Design Sony Pictures Home Entertainment Inc. All Rights Reserved.
Blu-ray Disc is a trademark of the Blu-ray Disc Association

 

The Secret's Out! Nicktoons Network to Premiere New Original Animated Series The Secret Show

13 Half-Hour Episodes From Award-Winning Collingwood O'Hare Entertainment to Premiere Saturday, January 20 at 8:30 P.M. (ET)

Jan. 2 No longer classified information, Nicktoons Network, Nickelodeon's 24-hour animation network, reveals 13 original half-hour episodes of The Secret Show, it was announced today by Keith Dawkins, Vice President and General Manager of Nicktoons Network. The new series, which is packed with covert missions, layers of secrecy and original storylines, will premiere Saturday, January 20 at 8:30 p.m. (ET). The series will air regularly Saturdays at 8:30 p.m. (ET) on Nicktoons Network.

Commissioned by the BBC and produced by Collingwood O'Hare Entertainment, The Secret Show is a fast-paced, animated secret agent series about secret people doing secret things. Best described as Get Smart meets Monty Python in retro-styled animation, it's a show within a show masked behind a fictional onscreen series, 'The Fluffy Bunny Show'. Special agents Victor Volt and Anita Knight work for U.Z.Z protecting the world against the evil forces of T.H.E.M. Victor and Anita manage to save the world, once or sometimes even twice a week with the help of their boss whose name is literally changed daily and his technical egghead Professor Professor. Not only do they work for a secret organization, but the show itself is full of secrets.

"We love to super-serve our viewers with diverse styles of animation, themes and characters and The Secret Show is a great addition to our line-up," said Dawkins. "The show feels fresh. Everything from the fictional 'Fluffy Bunny Show' to the super secret agents makes us laugh out loud. We think our audience will find the show's mix of wit, humor and retro style animation as exciting as we do."

In the first part of the premiere episode, "The Secret Thing," the Impostors, creatures capable of replicating humans as "hard copy holograms," try to steal The Secret Thing. Victor and Anita must protect The Secret Thing at all costs. But what is The Secret Thing? And how can Victor tell the difference between the real Anita and the villainous Impostor?

The second part of the premiere episode, "Who Stole Switzerland," follows Martian gravity thieves who are sucking up the Earth's gravity into trucks and flying it off to planet Mars so they can have 'falling down parties.' Entire countries are floating around, weightless. Mars, however, is becoming so gravitational that all the Earth's countries are slowly being sucked towards it on a collision course. Victor and Anita must get the Earth's gravity back before the two planets collide.

BBC Worldwide owns the global cross-media rights for The Secret Show, including program distribution, merchandising and DVD rights.

BBC Worldwide Limited is the main commercial arm and a wholly owned subsidiary of the British Broadcasting Corporation (BBC). The company exists to maximise the value of the BBC's assets for the benefit of the licence payer and invest in public service programming in return for rights. The company has seven core businesses: Global Channels, Global TV Sales, Magazines, Content & Production, Home Entertainment, Children's and Digital Media. In 2005/06, BBC Worldwide generated profits of 89 million pounds Sterling on sales of 784 million pounds.

Collingwood O'Hare Entertainment Ltd is one of Europe's leading producers for children's entertainment. Established in 1988 by Tony Collingwood (Writer/Director) and Christopher O'Hare (MD/Producer) the company has earned a prestigious international reputation for award-winning, high-quality animated series, specials and television features. This year Collingwood O'Hare Entertainment first series of Gordon The Garden Gnome premiered on CBeebies/CBBC, starring much loved TV personality Alan Titchmarsh. In 2001, 2002 and 2004 Collingwood O'Hare won BAFTA Awards for Best Pre-School Animation for Animal Stories, Eddy & The Bear and Yoko! Jakamoko! Toto! respectively. COE's other production credits include their multi-award winning debut film Rarg, Emmy nominated/CableACE winner Dr. Seuss's Daisy- Head Mayzie, BAFTA nominated Dennis & Gnasher from The Beano, The Magic Key, Oscar's Orchestra, Pond Life and The King's Beard. http://www.collingwoodohare.com/

Nicktoons Network is the fastest growing kids' network* and offers a 24- hour schedule featuring programming such as the Nicktoons Network Animation Festival, Skyland, Kappa Mikey, Thumb Wrestling Federation, Corneil and Bernie and Martin Mystery, as well as a roster of hits that have defined kids' and animation lovers' TV, including The Angry Beavers, Yakkity Yak, Invader Zim, SpongeBob SquarePants, The Fairly OddParents and Jimmy Neutron. Nicktoons Network is a part of the MTV Networks expanded suite of channels available for digital distribution. The new channels include MTV Hits, MTV Jams, Nicktoons Network and VH1 Mega Hits, expanding and strengthening MTV Networks' digital offerings to thirteen services.

Nicktoons Network currently reaches 42 million homes via cable, digital cable and satellite, and can be seen on Cablevision, Charter Communications, Comcast Cable, Cox Communications, DirecTV, DISH Network and Time Warner Cable. Nicktoons, and all related titles and logos are property of Viacom, Inc.

*Source: *Nielsen Media Research, 8/29/05-8/27/06 vs. 8/30/04-8/28/05 (Live+SD) AA(000). NKTNS Selling Daypart: Mon-Fri/2-11p; Sat-Sun/9a-11p. K6-11 & K9-14 Nick & Toon Tot Prg Day. DSNY, FAM, TDSNY (M-Su 6a-11p) CBS, WB, FOX, NBC based on Kids Type Codes. Tribune; DIC Kids thru 8/13/06.

Source: Nicktoons Network

 

 

Nobody Does it Better: Carly Simon to Make QVC(R) Debut

Simon's Latest Release 'Into White' Offered to QVC Shoppers

Jan. 2  Music lovers worldwide have enjoyed the sounds of Grammy and Academy Award-winning singer and songwriter Carly Simon for more than four decades. Now QVC viewers will get a special treat as Simon is scheduled to make her QVC debut on Friday, January 5 at 7 PM (ET). During the 30-minute broadcast, Simon, accompanied by her two kids, Sally Taylor and Ben Taylor, is scheduled to perform a selection of songs from her recently released "Into White" CD.

Simon is forever known for her biggest hits, including "You Belong to Me," "Jesse," "Nobody Does it Better," and "You're So Vain." Simon's newest album, "Into White," is a 14-song collection of beloved pop favorites and heartfelt tunes that will appeal to both adults and children alike.

Simon's children with James Taylor, Sally and Ben, both accomplished singers and songwriters in their own right, are scheduled to join their mother for this special performance.

"Carly Simon's music is woven into the tapestry of American culture," said Rich Yoegel, director of merchandising for QVC. "QVC is thrilled to bring her latest release to our customers with this very special live performance."

The Carly Simon "Into White" CD (QVC Item # E02126) will be available through QVC at 800.345.1515 or http://www.qvc.com/ while supplies last.

About QVC:

QVC, a wholly owned subsidiary of Liberty Media Corporation attributed to the Liberty Interactive Group (NASDAQ:LINTA) , is one of the largest multimedia retailers in the world, with annual revenue of more than $7 billion. QVC is committed to providing customers with thousands of the most innovative and contemporary beauty, fashion, jewelry and home products. Its programming is distributed to more than 160 million homes worldwide. The company's website, QVC.com, is ranked among the top general merchant Internet sites. With subsidiaries in the United Kingdom, Germany and Japan, West Chester, PA-based QVC has shipped close to a billion packages in its 20-year history.

Source: QVC, Inc.

 

Top 100 Nightclubs and Bars for 2007 Selected By Editors of Nightclub & Bar Magazine

Venues to be Honored at "The Show" in Las Vegas

 Jan. 2 Oxford Publishing Inc., publisher of national trade magazine Nightclub & Bar, has named its Editors' Choice Top 100 bars and clubs in the United States, which will be honored with a special party at the Nightclub & Bar/Beverage Retailer Beverage and Food Convention & Trade Show ("The Show") in Las Vegas, held March 4-7, 2007.

Nightclubs and bars from all over the United States were chosen based on a number of criteria, including annual revenues, marketing and advertising effectiveness, promotional expertise, uniqueness to market, food and beverage programs and much more. This list is NOT a ranking of just the most high-end, of-the-moment nightclubs; instead, it is a dynamic mixture of clubs, neighborhood bars, sports bars, family-oriented venues and more that for one reason or another deserve notice.

The following bars and clubs, listed in alphabetical order, made the Editors' Choice Top 100 for 2007. The city designated for each is the city in which it is located, or, if the concept has multiple locations, the city of its first location.

  230 Fifth - New York City   40 Watt - Athens, Ga.   8150 - Vail, Colo.   The Abbey - Hollywood, Calif.   AJ's Seafood & Oyster Bar - Destin, Fla.   Aria - Boston, Mass.   Avalon/Spider Club - Hollywood, Calif.   Beach Bar at the W - San Diego   B.E.D. - Miami   Billy Bob's Texas - Fort Worth, Texas   Blue Martini - Ft. Lauderdale, Fla.   the bosco - Ferndale, Mich.   Body English - Las Vegas   Bombay Club - New Orleans   Broken Spoke Saloon - Sturgis, S.D.   Brother's Bar & Grill - Lacross, Wis.   Butter - San Francisco   Cabo Wabo - Lake Tahoe, N.V.   Casbah - Atlantic City   Cherry - Las Vegas   Chilkoot Charlie's - Anchorage, Alaska   Coyote Cantina - Santa Fe, N.M.   Coyote Ugly - New York City   Crobar - Chicago   The Crocodile Cafe - Seattle   Diablo's Downtown Lounge - Eugene, Ore.   e4 - Scottsdale, Ariz.   Eight 75 - Biloxi, Miss.   El Gaucho - Seattle   Elements the Lounge - Seabright, N.J.   ESPN Zone - Baltimore, Md.   Excalibur - Chicago   Fado Irish Pub - Atlanta   Flatiron Lounge - New York City   The Flying Saucer - Memphis, Tenn.   Fox Sports Grill - Scottsdale, Ariz.   Galapagos Art Space - Brooklyn, N.Y.   ghostbar - Las Vegas   Good Hurt - Los Angeles   The Green Parrot - Key West, Fla.   The Greene Turtle - Ocean City, Md.   Ground Zero Blues Club - Clarksdale, Miss.   The Helix - Washington, D.C.   House of Blues - New Orleans   Iguana's Cantina - New York City   Ivan Kane's Forty Deuce - Hollywood, Calif.   JET - Las Vegas   Kahunaville - Las Vegas   Key Club - Hollywood, Calif.   Lafitte's Blacksmith Shop - New Orleans   The Library Bar & Grill - Tempe, Ariz.   Light - Las Vegas   Lotus - New York City   Louie's Backyard - South Padre Island, Texas   Mango's Tropical Café - Miami   Mantra - Milwaukee, Wis.   Marquee - New York City   McGillin's Olde Ale House - Philadelphia, Pa.   Mercy Wine Bar - Addison, Texas   Midnight Rodeo - San Antonio, Texas   Mie N Yu - Washington, D.C.   MIXX - Atlantic City   mur.mur - Atlantic City   The New Crown & Anchor - Providencetown, Mass.   The New Sheridan - Telluride, Colo.   Ocean Club - Honolulu, Hawaii   Pangaea - Hollywood, Fla.   Pat O' Brien's - New Orleans   Pavilion Bar & Café - Charleston, S.C.   Pin-Up Bowl - St. Louis, Mo.   Pink Elephant - New York City   The Playboy Club - Las Vegas   Pure - Las Vegas   Purple Moon - Flint, Mich.   Rockit Bar & Grill - Chicago   Ruby Skye - San Francisco   rumjungle - Las Vegas   Sharkeez - Huntington Beach, Calif.   Sherlock's Baker Street Pub - Houston, Texas   Sloppy Joe's - Key West, Fla.   Snatch/Suite - Miami   Stingaree - San Diego   Stubb's Bar-B-Q - Austin, Texas   Studio 54 - Las Vegas   Tabu Ultra Lounge - Las Vegas   Tangerine - Las Vegas   TAO - Las Vegas   Therapy - New York City   Tini Bigs - Seattle   Tipitina's - New Orleans   Tongue & Groove - Atlanta   Tryst - Las Vegas   VICCI - Austin, Texas   Vine Street Lounge - Hollywood, Calif.   The Viper Room - Los Angeles   Walnut Room - Philadelphia, Pa.   Whiskey Blue - Los Angeles   Worship - Atlantic City   Yard House - Long Beach, Calif.   Zinc Lounge - Manhattan Beach, Calif.  

Oxford Publishing Inc., based in Oxford, Miss., publishes national trade publication Nightclub & Bar magazine and produces the nation's largest beverage and food industry trade show, the Nightclub & Bar Beverage and Food Convention & Trade Show ("The Show") in Las Vegas each year. OP also produced "The Show" in Atlantic City recently and hosts other trade shows throughout the nation.

Source: Oxford Publishing Inc.

 

DEC 29

 

The Walt Disney Studios Celebrates Record Performance in 2006 With Worldwide Hit Films, Top Selling DVDs and CDs, and New Stage Hits

 Dec. 29 The Walt Disney Studios (NYSE:DIS) posted a record-breaking performance in 2006 as worldwide box office revenues climbed to a sensational $3.26 billion (as of 12/27/06) with Walt Disney Pictures "Pirates of the Caribbean: Dead Man's Chest" capturing the #1 spot all over the world; Buena Vista Worldwide Home Entertainment setting an unprecedented domestic milestone with the top three bestselling DVD titles -- "Pirates of the Caribbean: Dead Man's Chest," "Cars" and "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe"; "High School Musical" and "Rascal Flatts" becoming the year's number one and number two top-selling CD titles across all genres; and Disney Theatrical Productions celebrating the successful Broadway debuts of "Tarzan" and "Mary Poppins," it was announced today, Thursday, December 28, by Dick Cook, chairman of The Walt Disney Studios.

Commenting on the announcement, Cook said, "In every area and on every level, 2006 was an extraordinary year for The Walt Disney Studios. At the worldwide box office, moviegoers everywhere were captivated by the latest incredible 'Pirates of the Caribbean' adventure and there's more surprises and thrills in store this coming May with 'Pirates of the Caribbean: At World's End.' John Lasseter's exciting, inventive, and heartfelt film, 'Cars,' further demonstrated the worldwide appeal of Pixar's great characters and storytelling. With the acquisition of Pixar, and the benefit of John and Ed Catmull's leadership at Disney and Pixar, the Studio can look forward to a steady flow of great animated films for many years to come. Our worldwide home entertainment division continued to benefit from the Studio's great box office successes and added some impressive new milestones of their own with the year's three top domestic titles. Buena Vista Music Group enjoyed a record year with enormous hits from Rascal Flatts, 'High School Musical,' and 'Hannah Montana,' and had the top two selling CDs of the year across all genres. 'Mary Poppins' and 'Tarzan' had their bows on Broadway, adding to Buena Vista Theatrical Group's amazing track record. And Miramax Films returned to its roots as a provider of quality independent and modestly budgeted films from outstanding filmmakers. The critical acclaim for films like 'The Queen' and 'Venus' are among their latest successes. I am very proud of the Studio's phenomenal performance in 2006, and salute all the great members of the team that worked so hard to make this possible."

At the box office, Disney's "Pirates of the Caribbean: Dead Man's Chest" became Buena Vista's top domestic grosser of all-time with a tally of more than $423 million, while BVI posted a new record with its gross-to-date of $642 million. It was only the third film in industry history to cross $1 billion in global box office and in record time. Additionally, "Pirates" ranked number one for nine consecutive weeks at the international box office -- the longest consecutive week reign of any film this century. Disney/Pixar's latest computer-animated offering, "Cars" also revved up the box office, crossing the domestic finish line in second place with $244 million in ticket sales. The global performance of over $462 million made "Cars" the fifth consecutive Disney/Pixar production to achieve more than $400 million at the worldwide box office. The one-two punch of "Pirates" and "Cars" represents the first time in 20 years that the same studio had the year's number one and two films domestically.

Buena Vista Pictures Distribution has passed the $1 billion mark for the 10th time, more than any other studio, and Buena Vista International marked an unprecedented 12th consecutive year with a 2006 box office gross of more than $1 billion.

Buena Vista Worldwide Home Entertainment achieved an industry milestone by having the top three selling DVDs in the domestic market. With over 10.5 million units sold in the first week alone, "Pirates of the Caribbean: Dead Man's Chest" was on track to become the #1 live-action DVD seller of all-time, the #1 DVD of the year, and the #1 DVD of the holiday season. Disney/Pixar's "Cars" was the worldwide best-selling animated title on DVD for 2006, and the year's #2 top performer domestically. "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe" dominated the charts for the first half of 2006, and was the year's #3 domestic best-seller. The home entertainment release of "High School Musical," became the biggest TV movie DVD of all-time in most markets. Internationally, BVWHE performed well holding many of the top selling DVDs in most markets, with "Pirates," "Narnia," and "Cars" leading the pack.

Buena Vista Music Group achieved unprecedented success in 2006, culminating in 11 Grammy nominations -- the most ever in the music group's history. The Group's biggest success for the year was the soundtrack to the hit Disney Channel Original Movie, "High School Musical," which is the #1 top-selling album across all genres for the year-to-date, and has been certified triple platinum. Country superstars Rascal Flatts new CD, "Me and My Gang" also went triple platinum and holds the 2006 record for highest-selling debut week. The soundtrack to "Hannah Montana" is BVMG's third #1 album of the year, and was recently certified double platinum.

Miramax Films took home the Oscar for Best Foreign-Language Film this year for its hard-hitting drama, "Tsotsi." "The Queen," directed by Stephen Frears and starring Helen Mirren, has received critical acclaim and nominations (including four Golden Globes -- Best Motion Picture, Best Director, Best Performance by an Actress and Best Screenplay) from numerous critics around the world. The year-end release of "Venus," starring Peter O'Toole has received similar attention.

Buena Vista Theatrical Group added to its impressive track record with the Broadway debuts of "Tarzan" and "Mary Poppins." "Beauty and the Beast" celebrated its 12th anniversary on Broadway and became the sixth longest-running show in Broadway history. In 2007, "The Lion King" will celebrate its 10th year in New York. It has been seen by nearly 40 million people worldwide. A new musical based on the 1989 animated film, "The Little Mermaid," will make its world premiere in Denver in June 2007 

 

 

Most Popular Celebrities Worldwide

LONDON, December 29-- Madonna was the most popular celebrity in 2006.

She beat the likes of Charlotte Church and Robbie Williams to top a survey of the most popular personalities requested by people searching on the entertainment search engine Celebrities Worldwide. Richard Brecker of www.celebritiesworldwide.com said: "The results show quite emphatically that more people were interested in Madonna than any other celebrity or reality star this year." Her ability to stay ahead is phenomenal - particularly in such a difficult year."

The singer attracted great controversy over the much publicised adoption of her son David from Malawi and has also reportedly faced marriage difficulties with her husband Guy Ritchie.

It has not been a good year for David Beckham who has slipped from No 4 ranking as the most requested name in 2005 to his current number 11 spot.

Beckham relinquished his captaincy of the England soccer team following their poor showing in the World Cup, has been dropped from the squad by new manager Steve McLaren and has struggled to hold a regular place in the first team at Real Madrid.

But some consolation - Becks still finishes five places higher this year than his publicity hungry wife Victoria

Little Britain TV star Matt Lucas in 10th position proves a bigger hit than his co-star David Walliams who trails four places behind Simon Cowell and Sharon Osbourne, star judges on the hit TV series "X Factor" battle it out at 31st and 32nd spot respectively. One time showbiz outcast Noel Edmonds has catapulted back into the reckoning through the success of his TV show "Deal or No Deal"

Celebrities Worldwide is accepted as a benchmark of celebrity status and popularity and its website attracts more than 4 million visitors per year.

TOP 100 NAMES of 2006

         1.  Madonna     2.  Charlotte Church     3.  Jamie Oliver MBE     4.  Robbie Williams     5.  Jonathan Ross OBE     6.  Billie Piper     7.  Ricky Gervais     8.  Jeremy Clarkson     9.  Stephen Fry     10.  Matt Lucas     11.  David Beckham OBE     12.  Gordon Ramsay OBE     13.  Trinny Woodall     14.  David Walliams     15.  Fearne Cotton     16.  Victoria Beckham     17.  Elton John     18.  Kylie Minogue     19.  David Tennant     20.  Rachel Stevens     21.  Peter Kay     22.  Davina McCall     23.  Graham Norton     24.  Paul McCartney     25.  Dawn French     26.  Russell Brand     27.  Paul O'Grady     28.  Coleen McLoughlin     29.  Noel Edmonds     30.  Richard Hammond     31.  Simon Cowell     32.  Sharon Osbourne     33.  Nigella Lawson     34.  Ewan McGregor     35.  David Attenborough     36.  Vernon Kay     37.  Chris Moyles     38.  Terry Wogan     39.  Catherine Tate     40.  Michael Palin CBE     41.  Keira Knightley     42.  Chris Evans     43.  Zoe Ball     44.  Chantelle Houghton     45.  Elizabeth Hurley     46.  Bill Bailey     47.  Brad Pitt     48.  Bob Geldof KBE     49.  David Hasselhoff     50.  Vic Reeves     51.  Jarvis Cocker     52.  Kevin Spacey     53.  Paul Merton     54.  George Clooney     55.  Kate Moss     56.  Jo Brand     57.  Lenny Henry     58.  Bruce Forsyth CBE     59.  Angelina Jolie     60.  Victoria Wood     61.  Johnny Vegas     62.  Will Young     63.  Jade Goody     64.  Edith Bowman     65.  Kelly Holmes     66.  Johnny Depp     67.  Joanna Lumley     68.  Cliff Richard     69.  Emma Bunton     70.  Denise Van Outen     71.  Jude Law     72.  Ian McKellen     73.  Patrick Stewart OBE     74.  John Cleese     75.  Ian Hislop     76.  Janet Street-Porter     77.  Martine McCutcheon     78.  Meera Syal MBE     79.  Paris Hilton     80.  Jools Holland     81.  Jordan     82.  Steve Coogan     83.  Cilla Black     84.  Dermot O'Leary     85.  Richard Branson     86.  Tom Cruise     87.  Myleene Klass     88.  George Michael     89.  Cat Deeley     90.  Ainsley Harriott     91.  Kate Winslet     92.  Ray Winstone     93.  Sting     94.  Geri Halliwell     95.  Sara Cox     96.  Jeremy Paxman     97.  Gary Lineker     98.  Carol Vorderman MBE     99.  Bono     100. Dannii Minogue 


Source: www.celebritiesworldwide.com

 

 

 

BET Commemorates the Life of Legendary Entertainer James Brown

BET News Presents Two Special Tributes Honoring the Life, Legacy and Impact of The Godfather of Soul

 Dec. 29  In immediate response to the passing of one of the greatest contributors to American music, BET NEWS has prepared two remarkable specials reflecting on the life and impact of the author of soul, James Brown. Premiering on Saturday, December 30, 2006 @ 9 p.m. ET/PT, SOUL BROTHER #1: REMEMBERING JAMES BROWN will be the ultimate tribute with highlight footage and loving retrospect from political activist, Rev. Al Sharpton; Actress, Rosie Perez; R&B singers, Omarion and Full Force; Cultural Critics, Nelson George and Harry Allen; funk bassist and singer, Bootsy Collins and many more. BET will provide an inside look at the many accomplishments framing the singer's success. In a final salute to a true icon, on Sunday, December 31, 2006 @ 9:30 a.m. ET/PT, THE GODFATHER OF SOUL: CELEBRATING THE LIFE OF JAMES BROWN will re-cap the public memorial and celebration in Augusta, Georgia with BET NEWS correspondent, Andre Showell. Tune in as we remember the life of one of music's most influential performers, James Brown.

       BET NEWS SPECIAL -- SOUL BROTHER #1: REMEMBERING JAMES BROWN    PREMIERE:        Saturday, December 30 @ 9 p.m. ET/PT (half hour special)                   (Re-air Sunday, December 31 @ 2 a.m. ET/PT)                   (Re-air Sunday, December 31 @ 9 a.m. ET/PT)                   (Re-air Monday, January 1 @ 11:30 p.m. ET/PT) 

BET NEWS SPECIAL - THE GODFATHER OF SOUL: CELEBRATING THE LIFE OF JAMES BROWN

  PREMIERE:        Sunday, December 31 @ 9:30 a.m. ET/PT (half hour special)                   (Re-air Monday, January 1 @ 11:30 p.m. ET/PT)    BET EXECUTIVES IN CHARGE:   Reginald Hudlin, President of Entertainment                               Stephen Hill, EVP of Music and Entertainment                               Byron Philips, EVP of Entertainment                               Keith Brown, VP of News    EXECUTIVE PRODUCERS:        Selwyn Hinds (Soul Brother #1: Remembering                                 James Brown)                               Greg Branch (Soul Brother #1: Remembering                                 James Brown)                               Pamela Gentry (The Godfather Of Soul:                                 Celebrating The Life of James Brown)  

At the 3RD ANNUAL BET AWARDS in 2003, BET honored Brown with its Lifetime Achievement Award, the highest honor bestowed by the network on any individual. During that telecast, one of the most memorable moments in music television history occurred when pop star Michael Jackson surprised millions of viewers by joining Brown on stage in a spontaneous outpouring of dance and song in salute to the icon's amazing career that spanned more than five decades.

ABOUT BET NETWORKS

BET Networks, a subsidiary of Viacom, Inc. (NYSE:VIA) (NYSE:and) (NYSE:VIA.B) , is the nation's leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel reaches more than 83 million households according to Nielsen media research, and can be seen in the United States, Canada and the Caribbean. BET is the dominant African-American consumer brand with a diverse group of businesses extensions: BET.com, the Number 1 Internet portal for African Americans; BET Digital Networks -- BET J, BET Gospel and BET Hip Hop, attractive alternatives for cutting-edge entertainment tastes; BET Event Productions, a full-scale event management and production company; BET Home Entertainment, a collection of BET-branded offerings for the home environment including DVDs and video-on-demand; BET Mobile, a service venture into the lucrative world of ring tones, games and video content for wireless devices; and BET International, an extension of BET network programming for global distribution.

Visit us @ www.BET.com

Source: BET Networks

 

CICAK-MAN

(C) MBN 2006

 Ozura Mobile, a wholly owned subsidiary of Nextnation Communication and a leading international publisher and developer of mobile entertainment recently launched the Cicak-Man Mobile Game in an integrated media collaboration with KRU and DiGi Telecommunications Sdn Bhd (“DiGi”). In the wake of the launch, this tournament based competitive game has been gradually but steadily building up to determine the Grand Prize Winner who will win a trip for two to Disneyland, Hong Kong .

Cicak-Man is the dawn of Malaysia ’s very first “Action Hero Movie” produced by KRU and presented by DiGi.  The movie depicts the lives of two best friends where one of them came to inherit superpowers accidentally. The screenplay revolves around how Hairi, or Cicak-Man copes with the transition from normal everyday life to superhero stardom.

The Cicak-Man Mobile Game, offered exclusively to DiGi customers, captures the action-comedy essence of the movie into an enriching mobile gaming experience. Characters from the movie are featured in the gameplay, where each character possesses their own distinctive form of defense and attacking skills. For instance, Danny a lab technician has a unique attacking skill called the ‘Giant Syringe Poke’ and can attack his opponents by tossing test tubes. Another notorious character is Professor Klon, who has a history of illegal VCD peddling and can attack his enemies by using the ‘Multiple Illegal VCD Throws’.

“This is yet another exciting venture for Ozura to be a part of Malaysia ’s first action hero movie. We would like to thank KRU and DiGi for giving us the opportunity to apply our creative technology in integrating the diverse worlds of movie and mobile industry,” said Lion Peh, Chief Executive Officer of Ozura Mobile who is also a producer of the game. “Both movie and game are developed and produced locally, so the ideal alliance of KRU and Ozura ignites new levels of creativity not only in Malaysia but in the global entertainment industry.”

“With the creative driving force of Ozura, we are able to bring the characters of the movie to life in the game. Each prominent character in the movie similarly has a unique identity in the game so players can opt to take on a vast range of personalities. In line with the traits of comic superhero stereotypes, the core mechanics of the game stresses on the craft of combat and unique skill moves of the individual players,” said Peh.

Yohani Yusof, DiGi’s Head of Segment Marketing said, “Our sponsorship of Cicak-Man allows us to reward our customers with special privileges and opportunities to participate in events associated with this much lauded movie. We are always delighted to support efforts to give our customers different experiences, which extends the entertainment and enjoyment beyond the movie. The Cicak-Man Mobile Game is an exciting platform to engage Malaysians, especially DiGi customers, in a fun and interactive way.”

In addition to the game, players can compete with one another by uploading their scores to an online tournament scoreboard. Eight weekly prizes of Samsung SGH-E690 mobile phones will be awarded to players with the highest weekly scores from now until 31st January 2007. Additionally, the player with the highest score within this eight-week tournament period will walk away with the grand prize of two return tickets to Disneyland, Hong Kong . There is no limit to the number of score uploads, thus allowing gamers unlimited number of tries to obtain the highest ranking on the scoreboard.

“As a pioneer provider of mobile gaming community platforms in Malaysia , we have always been in the forefront of developing new technologies to enhance mobile gameplay and the whole mobile gaming experience,” added Peh.

Powered by Ozura’s proprietary mobile gaming platform – FunlogiX™, the Cicak-Man mobile game is compatible with more than 450 different mobile handsets. The mobile game is supported by a suite of mobile content that includes wallpapers and ringtones and is backed by a comprehensive marketing campaign sponsored by DiGi.

DiGi users are able to download the game by sending “G<space>CICAK” to 2000 and participate in the Cicak-Man online game tournament until 31st January 2007. More information will be available on DiGi’s website http://www.digi.com.my and WAP site.

About Ozura Mobile
Ozura is a wholly owned subsidiary of Nextnation Communication and is a leading international developer and publisher of mobile games. Ozura is also a specialist in the development and provision of mobile gaming engines (platform). The company creates games for mobile phones based on J2ME, BREW and Symbian platforms. Ozura’s games are available internationally in more than 130 countries. It is expected that the growth of mobile phones supporting these platforms will exceed one billion units worldwide in 2008. For more information, visit http://www.ozura.com

About DiGi
DiGi is Malaysia’s fastest growing mobile operator focusing on innovations, simplicity and best value to enrich lifestyles through DiGi Prepaid, DiGi Postpaid and DiGi Business. It constantly develops exciting mobile broadband solutions to impact the future.

About Cicak-Man the movie
Cicak-Man is Malaysia ’s first action-hero genre film, with a strong dose of comedy from a cast featuring a collection of the most popular actors & actresses in the industry.

Shot on true-HD, and with extensive use of CGI, including 40% of the content shot on green-screen, CICAKMAN promises the viewers a unique and memorable film. Based in the make-believe city of Metrofulus , CICAKMAN evolves around the lives of two best friends, and how they cope with the superpowers our unlikely hero inherits by accident. The elaborate production of the movie featured the involvement of a whole compendium of production components, including Motion Control, Costume Design, Stunts & Rigging, Scenic Painting, set design and a host of other eye-opening elements, as well as 3D animation, compositing and a rousing music scores.

About Nextnation Communication
Nextnation Communication‚ a mobile application service provider‚ enables businesses and individuals to access‚ connect‚ and transact across today's complex global mobile networks. Its core product MINDCEP™ Platform is a mobile multimedia communication platform‚ facilitating and enabling mobile data transmission worldwide using WAP‚ MMS‚ SMS and Java technologies. MINDCEP™ is connected to some of the largest premium messaging networks in the world in order to offer a broad range of services from content distribution to mobile m-commerce and place the company at the forefront of this rapidly growing messaging market. Additional news and information about the company is available at www.nextnationnet.com.

 

 

Dec 28

 

Pat Boone Issues Statement Over the Death of James Brown, Says the Singer Was a ' ... comet blazing across the night sky ... '

 Dec. 28 Music giant Pat Boone like millions of Americans was hit by shock, over the death of legendary icon R&B singer James Brown. Boone recently released his new CD Pat Boone R&B Classics -- We Are Family that featured James Brown in a new-recorded version of "Papa's Got a Brand New Bag."

"My friend James Brown was a comet, blazing across the night sky for 50 years. Thankfully, we can still enjoy the brilliance long after the star burns out. I'll forever treasure the private time we shared in Augusta when we recorded one of his classics together; he was deeper and more spiritual than many realized. I'm looking forward to our next meeting." --Pat Boone

James Brown always referred to Boone as "Soul brotha' No. 2." He would often kid Boone about Boone's parents' appetite for chitlins.

Ollie E. Brown, producer for Boone's recent music project, shares in Boone's sorrow. Brown was also a personal friend to James Brown.

Source: Boone Enterprises

 

 

BEST AND WORST VIDEO GAMES OF 2006

1. "Okami" (Capcom, for the PlayStation 2): This utterly original adventure delivered a perfect blend of puzzles and action in a mesmerizing tale based on Japanese mythology. The gorgeous graphics, inspired by classic Japanese art, look like nothing else you've ever seen in a video game.

2. "The Elder Scrolls IV: Oblivion" (Bethesda Softworks, for the Xbox 360): Two hundred hours in and I still feel like I haven't scratched the surface of this wide-ranging medieval role-playing adventure. With a compelling main story and hundreds of side missions, it's the first must-have game of the 360 era.

3. "The Legend of Zelda: Twilight Princess" (Nintendo, for the Wii, GameCube): The "Zelda" is a satisfying combination of the familiar (clever weapons, diabolical dungeons) and the new (Link is now a werewolf!). We always anticipate great things from "Zelda," but "Twilight Princess" delivers well beyond expectations.

4. "Gears of War" (Microsoft, for the Xbox 360): The second must-have for the 360 is "Gears of War," a riotous shooter that pits a team of human grunts against an insectoid army. It's gory, scary and thrilling, especially if you enjoy slicing up aliens with a chain saw.

5. "Xenosaga Episode III: Also Sprach Zarathustra" (Namco, for the PlayStation 2): The finale of the ambitious (some say pretentious) "Xenosaga" trilogy tackles religion, philosophy, metaphysics and more topics you wouldn't expect a game to address. It's really fun if you don't mind having your mind blown.

6. "Wii Sports" (Nintendo, for the Wii): Nintendo's new Wii console has gotten a lot of attention from people who don't normally play games. "Wii Sports," which is packed with the system, is an effective demonstration of its motion-sensing remote, and I have yet to meet anyone who can resist playing once they see it in action.

7. "New Super Mario Bros." (Nintendo, for the DS): The lovable plumber returns to his 2D roots in this side-scrolling running-and-jumping adventure. A blast for those of us who loved the original "SMB," and a real challenge for just about any player, with dozens of levels and tons of secrets.

8. "Final Fantasy XII" (Square Enix, for the PlayStation 2): I'm not completely sold on the new real-time battle system introduced in this installment, but it delivers everything — grandiose story, lavish graphics and generous gameplay — you expect from a "Final Fantasy" epic.

9. "LocoRoco" (Sony, for the PlayStation Portable): jellylike blobs ooze their way across colorful landscapes, splitting and recombining to get past obstacles. With its vibrant look and catchy soundtrack, it's the year's most endearing puzzle game

10. "Resistance: Fall of Man" (Sony, for the PlayStation 3): "Ratchet & Clank" creators Insomniac Games juice up the World War II shooter with alien invaders and flamboyant weapons. The best of the PS3 launch titles.

___

WORST OF 2006

1. "25 to Life" (Eidos, for the Xbox, PlayStation 2): The only way an urban gangsta can escape to a better life is by killing hundreds of cops. The goriest, most reprehensible of the street crime sagas trying to rip off "Grand Theft Auto."

2. "Torino 2006" (2K Sports, for the Xbox, PlayStation 2): Fifteen winter games, all made crushingly dull by this halfhearted attempt to cash in on Olympic fever. Designers, you have three years to create a decent curling simulation before the Vancouver games.

3. "Jaws Unleashed" (Majesco, for the Xbox, PlayStation 2): Glitchy graphics, unnecessarily complicated controls and stupid missions take all the fun out of swimming around and chomping on innocent humans.

4. "Bomberman Act: Zero" (Konami, for the Xbox 360): That misplaced colon in the title was indicative of this slipshod production, which turned a colorful, lively party game into a morbid, unplayable mess.

5. "Superman Returns" (Electronic Arts, for the Xbox 360, Xbox, PlayStation 2): The 1999 "Superman 64" is often called the worst video game ever. "Superman Returns" is a little — just a little — better.

 

The following is a list of the bestselling products on Amazon.com in 2006 by total units sold:

 

  • Books: Good to Great: Why Some Companies Make the Leap ... and Others Don't by Jim Collins
  • Music: Taking The Long Way by Dixie Chicks
  • DVD: Pirates of the Caribbean - Dead Man's Chest (Two-Disc Collector's Edition)
  • Software: World of Warcraft
  • Electronics: Apple iPods (various)
  • Home & Garden: Calphalon Commercial Hard-Anodized 12-Inch Everyday Pan with Lid
  • Health & Personal Care: Pampers Cruisers (various sizes)
  • Grocery: Senseo Douwe Egberts Dark Roast Coffee Pods
  • Computer & Video Games: Nintendo DS Lite - Polar White
  • Automotive: Sylvania DOT-it Self-Adhesive Bright White LED Light
  • Apparel & Accessories: Levi's(R) 501(R) Button Fly Jeans
  • Shoes: Rockport Men's Clarksdale Oxford
  • Sports & Outdoors: Razor A Kick Scooter
  • Jewelry: 14k White Gold, Round, Diamond Stud Earrings
  • Watches: Bulova Women's Diamond Bezel Chronograph Watch
  • Beauty: Bare Escentuals Get Started Kit
  • Baby: Contoured Changing Pad
  • Toys: Radica 20 Questions

Most-Loved Products

 

The following is a list of products that were reviewed most positively by Amazon.com customers in 2006:

 

  • Books: Harry Potter and the Sorcerer's Stone (Book 1) by J.K. Rowling
  • Music: Josh Groban by Josh Groban
  • DVD: Mean Girls (Full Screen Edition)
  • Electronics: Sony DSCF707 Cyber-shot 5MP Digital Still Camera w/ 5x Optical Zoom
  • Home & Garden: Microplane Grater/Zester
  • Health & Personal Care: Omron HJ-112 Digital Premium Pedometer
  • Computer & Video Games: Legend of Zelda: Ocarina of Time (N64)
  • Apparel & Accessories: Lee Jeans Women's Missy One True Fit Basic Flare
  • Automotive: Actron CP9125 PocketScan Diagnostic Code Scanner for OBDII (Post-1996) Vehicles
  • Watches: Invicta Men's Automatic Pro Diver S2 Watch #8926
  • Beauty: Aquolina Pink Sugar
  • Toys: Fisher Price Learning Home
  • Baby: Healthy Care Booster Seat
  • Grocery: Senseo Douwe Egberts Dark Roast Coffee Pods

Most Wished-For Products

 

The following is a list of products that appeared most often on the Wish Lists of Amazon.com customers in 2006:

 

  • Books: Freakonomics: A Rogue Economist Explores the Hidden Side of Everything by Steven D. Levitt
  • Music: Taking The Long Way by Dixie Chicks
  • DVD: Pirates of the Caribbean - Dead Man's Chest (Two-Disc Collector's Edition)
  • Electronics: Apple 30 GB iPod with Video Playback Black (5th Generation)
  • Home & Garden: AeroGrow AeroGarden Garden Kit, Black
  • Health & Personal Care: Philips Norelco BG2020 Men's Bodygroom
  • Computer & Video Games: Nintendo Wii
  • Software: The Sims 2: Open for Business expansion pack
  • Tools & Hardware: Black & Decker AAW100 8-Inch Auto Wrench
  • Apparel & Accessories: cashmere pashmina shawls
  • Sports & Outdoors: Baby Einstein Discover & Play Activity Gym
  • Jewelry & Watches: Sterling Silver Open Double Flower Pendant, 18"
  • Beauty: Bare Escentuals Get Started Kit - Fairly Light/Light

Most Popular Gift Products

 

The following is a list of products most frequently purchased as gifts by Amazon.com customers in 2006:

 

  • Books: The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama
  • Music: Duets: An American Classic by Tony Bennett
  • DVD: Pirates of the Caribbean - Dead Man's Chest (Two-Disc Collector's Edition)
  • Electronics: Apple 30 GB iPod with Video Playback
  • Home & Garden: Weber 87886 Chimney Starter
  • Health & Personal Care: Omron HJ-112 Digital Premium Pedometer
  • Computer & Video Games: Xbox 360 Console (20GB)
  • Tools & Hardware: Black & Decker AAW100 8-Inch Auto Wrench
  • Software: Microsoft Flight Simulator X Deluxe DVD (CD)
  • Apparel & Accessories: MIR Women's Kimo Cashmere 12x60 Woven Scarf
  • Sports & Outdoors: Razor A Kick Scooter
  • Jewelry: Sterling Silver Open Double Flower Pendant, 18"
  • Watches: Invicta Men's Automatic Pro Diver S2 Watch #8926
  • Automotive: LifeHammer Original Emergency Hammer
  • Beauty: Burt's Bees Head To Toe Starter Kit
  • Shoes: Disney Cars Toddler Boys' McQueen Slipper
  • Toys: IlluStory: Write and Illustrate Your Own Book!
  • Baby: Ocean Wonders Aquarium Bouncer
  • Grocery: Senseo Douwe Egberts Dark Roast Coffee Pods

About Amazon.com

 

Amazon.com, Inc., (Nasdaq: AMZN), a Fortune 500 company based in Seattle, opened on the World Wide Web in July 1995 and today offers Earth's Biggest Selection. Amazon.com, Inc. seeks to be Earth's most customer-centric company, where customers can find and discover anything they might want to buy online, and endeavors to offer its customers the lowest possible prices. Amazon.com and other sellers offer millions of unique new, refurbished and used items in categories such as health and personal care, jewelry and watches, gourmet food, sports and outdoors, apparel and accessories, books, music, DVDs, electronics and office, toys and baby, and home and garden.

Amazon and its affiliates operate websites, including www.amazon.com, www.amazon.co.uk, www.amazon.de, www.amazon.co.jp, www.amazon.fr, www.amazon.ca, and www.joyo.com.

As used herein, "Amazon.com," "we," "our" and similar terms include Amazon.com, Inc., and its subsidiaries, unless the context indicates otherwise.

Forward Looking Statement

This announcement contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. Actual results may differ significantly from management's expectations. These forward-looking statements involve risks and uncertainties that include, among others, risks related to competition, management of growth, potential fluctuations in operating results, international expansion, outcomes of legal proceedings and claims, fulfillment center optimization, seasonality, commercial agreements, acquisitions and strategic transactions, foreign exchange rates, system interruption, significant amount of indebtedness, inventory, limited operating history, government regulation and taxation, payments, fraud, consumer trends, and new business areas. More information about factors that potentially could affect Amazon.com's financial results is included in Amazon.com's filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended December 31, 2005, and all subsequent filings.

 

 

Oscar’s® Docs Arrive in NYC

Marjoe (1972)

— The 2007 “Monday Nights with Oscar” series will kick off with “Oscar’s Docs: An Evening with Sarah Kernochan,” including screenings of Kernochan’s Academy Award®-winning documentaries, “Marjoe” and “Thoth,” on Monday, January 8, at 7 p.m. at the Academy Theater at Lighthouse International in New York City.

The presentation, hosted by historian and journalist Perry L. van der Meer, will feature a post-screening conversation with the two-time Oscar-winning producer-director.

The program will begin with a screening of the documentary short subject “Thoth” (2001), from the original print submitted for Academy Award consideration, followed by the documentary feature “Marjoe” (1972), from a new print preserved by the Academy Film Archive. Complementing the screenings will be historical footage from past Academy Awards® presentations.

“Thoth” profiles Stephen Kaufman, aka Thoth, a performance artist in New York’s Central Park. Dressed in nothing more than a gold loincloth and warrior headdress, Thoth performs his one-man operas, or “prayformances,” with violin accompaniment, in what he describes as an attempt to bring divine inspiration and healing to the world.

“Marjoe” tells the story of Marjoe Gortner, an extraordinarily charismatic fire-and-brimstone preacher who candidly reveals the tricks of his trade and his personal belief that religion is really just another business.

“Monday Nights with Oscar” is a monthly series showcasing high-quality prints of films that have been nominated for or won Academy Awards.

The Academy Theater at Lighthouse International is located at 111 East 59th Street in New York City. Tickets for the screening are $5 for the general public and $3 for Academy members and students with a valid ID. All seating is unreserved.

Tickets may be reserved by calling 1-888-778-7575. Depending on availability, tickets may be purchased the night of the screening. Doors open at 6:30 p.m.

# # #

 

 

 Eminem to Host New Year's Eve Countdown on His Shade 45 Channel
Exclusively on SIRIUS Satellite Radio


Dec 28, 2006 -- Eminem will share and count down 25 of his favorite hip-hop tracks on
SIRIUS Satellite Radio channel Shade 45 on New Year's Eve.



This end-of-year special will feature the most successful artist in
hip- hop history "stating the facts and playing the tracks" on his SIRIUS
music channel, Shade 45. Eminem and SIRIUS (Nasdaq: SIRI) launched
Shade 45, the freshest and most adventurous, uncensored hip-hop channel in
radio, in October 2005.

2006 ended on a high note for Eminem, with the triumphant chart-topping
release of the album Eminem Presents The Re-Up and a GRAMMY(R)
nomination with Akon for "Smack That."

His Shady New Year special will be broadcast exclusively on SIRIUS on
New Year's Eve, December 31, from 8 to 10 pm ET, on Shade 45 / channel
45. It will be re-broadcast at 10 pm ET, and again on New Year's Day,
January 1 at 12 am, 12 pm, 2 pm and 8 pm ET.

For more information, visit http://www.sirius.com/shade45.

About SIRIUS

SIRIUS, "The Best Radio on Radio," delivers more than 130 channels of
the best programming in all of radio. SIRIUS is the original and only
home of 100% commercial free music channels in satellite radio, offering
69 music channels. SIRIUS also delivers 65 channels of sports, news,
talk, entertainment, traffic, weather and data. SIRIUS is the Official
Satellite Radio Partner of the NFL, NBA and NHL and broadcasts live
play-by-play games of the NFL, NBA and NHL. All SIRIUS programming is
available for a monthly subscription fee of only $12.95.

SIRIUS Internet Radio (SIR) is a CD-quality, Internet-only version of
the SIRIUS radio service, without the use of a radio, for the monthly
subscription fee of $12.95. SIR delivers more than 75 channels of talk,
entertainment, sports, and 100% commercial free music.

SIRIUS products for the car, truck, home, RV and boat are available in
more than 25,000 retail locations, including Best Buy, Circuit City,
Crutchfield, Costco, Target, Wal-Mart, Sam's Club, RadioShack and at
shop.sirius.com.

SIRIUS radios are offered in vehicles from Audi, Bentley, BMW,
Chrysler, Dodge, Ford, Infiniti, Jaguar, Jeep(R), Land Rover, Lexus,
Lincoln-Mercury, Mazda, Mercedes-Benz, MINI, Nissan, Rolls Royce, Scion, Toyota,
Porsche, Volkswagen, and Volvo. Hertz also offers SIRIUS in its rental
cars at major locations around the country.

Click on http://www.sirius.com to listen to SIRIUS live, or to purchase
a SIRIUS radio and subscription.

Any statements that express, or involve discussions as to,
expectations, beliefs, plans, objectives, assumptions, future events or performance
with respect to SIRIUS Satellite Radio Inc. are not historical facts
and may be forward-looking and, accordingly, such statements involve
estimates, assumptions and uncertainties which could cause actual results
to differ materially from those expressed in any forward-looking
statements. Accordingly, any such statements are qualified in their entirety
by reference to the factors discussed in our Annual Report on Form 10-K
for the year ended December 31, 2005 and Quarterly Reports on Form 10-Q
for the quarters ended June 30, 2006 and September 30, 2006 filed with
the Securities and Exchange Commission. Among the key factors that have
a direct bearing on our operational results are: our dependence upon
third parties, including manufacturers of SIRIUS radios, retailers,
automakers and programming partners, our competitive position and any events
which
affect the useful life of our satellites. 


    P-SIRI

 

The box office for the four-day period was off about 2 percent compared with the same period last year.

The Ben Stiller comedy "Night at the Museum" pulled in $42.2 million in its debut, while Sylvester Stallone's "Rocky Balboa" took home a purse of $17 million in its opening weekend.

Two films opened Christmas Day. The horror flick "Black Christmas" earned $3.3 million, and the somber "Children of Men" took in $179,268 at 16 locations.

The top 20 movies at U.S. and Canadian theaters Friday through Monday, followed by distribution studio, four-day gross through Monday, number of theater locations, average receipts per location, total gross through Tuesday and number of weeks in release, as compiled by Media By Numbers LLC are:

1. "Night at the Museum," Fox, $42,212,651, 3,685 locations, $11,455 average, $55,718,681, one week.

2. "The Pursuit of Happyness," Sony, $22,554,220, 2,863 locations, $7,878 average, $67,957,778, two weeks.

3. "Rocky Balboa," MGM , $17,003,904, 3,017 locations, $5,636 average, $26,697,118, one week.

4. "The Good Shepherd," Universal, $14,142,760, 2,215 locations, $6,385 average, $18,262,685, one week.

5. "Charlotte's Web," Paramount, $9,568,033, 3,728 locations, $2,567 average, $32,223,586, two weeks.

6. "Eragon," Fox, $9,334,259, 3,030 locations, $3,081 average, $42,898,705, two weeks.

7. "Dreamgirls," Paramount, $8,953,734, 852 locations, $10,509 average, $15,378,852, two weeks.

8. "We Are Marshall," Warner Bros., $8,582,508, 2,606 locations, $3,293 average, $12,555,528, one week.

9. "The Holiday," Sony, $6,855,456, 2,635 locations, $2,602 average, $39,206,574, three weeks.

10. "Happy Feet," Warner Bros., $6,565,747, 2,565 locations, $2,560 average, $162,982,116, six weeks.

11. "The Nativity Story," New Line, $5,800,000, 1,824 locations, $3,180 average, $33,955,000, four weeks.

12. "Blood Diamond," Warner Bros., $4,775,689, 1,920 locations, $2,487 average, $28,289,933, three weeks.

13. "Apocalypto," Disney, $4,479,914, 2,144 locations, $2,090 average, $37,449,628, three weeks.

14. "Casino Royale," Sony, $4,350,706, 1,588 locations, $2,740 average, $146,352,994, six weeks.

15. "Black Christmas," MGM, $3,307,602, 1,278 locations, $2,588 average, two-day total not available.

16. "The Santa Clause 3: The Escape Clause," Disney, $1,319,624, 801 locations, $1,647 average, $82,636,908, eight weeks.

17. "Unaccompanied Minors," Warner Bros., $1,069,848, 1,125 locations, $951 average, $13,360,339, three weeks.

18. "Deja Vu," Disney, $1,043,787, 839 locations, $1,244 average, $60,391,598, five weeks.

19. "Borat," Fox, $801,273, 458 locations, $1,750 average, $124,679,625, eight weeks.

20. "Curse of the Golden Flower," Sony Pictures Classics, $711,336, 60 locations, $11,856 average, $859,246, one week.

 

BEST & WORST VIDEO GAMES OF 2006

 

 

DIRECTV Lands Agreement To Distribute Programming Throughout Denver International Airport
Denver International Airport is site for DIRECTV's First Airport Retail Kiosk- Launch Event to be Held On Dec. 28 to Celebrate Grand Opening
Dec 28, 2006 -- For the first time, the more than 900,000 travelers expected to pass through the Denver International Airport (DIA) this holiday season, will experience digital-quality DIRECTV(R) programming while waiting for their flights. DIRECTV has signed a multi-year agreement with the DIA to be the sole provider of programming in select areas throughout the airport.

In addition, DIRECTV is holding a launch event today at DIA to celebrate the opening of its first airport retail kiosk, which will be located on Concourse B. From 11 a.m. to 1 p.m. passengers who visit the new DIRECTV kiosk will receive free DIRECTV logo merchandise, as well as a $5 coupon good toward select food vendors located near the kiosk.

"Travelers arriving earlier and spending more time in airports waiting for their flights now have a new way to enjoy their down time and experience DIRECTV first-hand," said John Suranyi, president, Sales and Service, DIRECTV, Inc. "Customers who are interested in learning more about DIRECTV can speak with a representative who will be on hand at our kiosk to answer any questions. In addition to learning about our service, passengers who are traveling through DIA will have the opportunity to enjoy the same DIRECTV digital-quality programming that millions of families across the country experience in their homes."

The new retail kiosk will showcase DIRECTV's high-definition and DVR services to travelers waiting for their flights. Passengers who visit the kiosk will have the opportunity to sign up for both residential and/or commercial business services from DIRECTV.

Denver International Airport celebrated 10 years of operation on February 28th, 2005. Encompassing 53 square miles of land, DIA is twice the size of Manhattan Island and larger than the city boundaries of Boston, Miami, or San Francisco. Ranked as the 10th busiest airport in the world, DIA is home to more than 30 airlines, including regional and charter carriers, which served more than 43.4 million passengers in 2005.

About DIRECTV, Inc.

DIRECTV, Inc., the nation's leading satellite television service provider, presents the finest television experience available to more than 15.6 million customers through exclusive content, industry-leading customer service (which has surpassed cable for six years running) and superior technologies. Each day, DIRECTV subscribers enjoy over 250 channels of 100% digital picture and sound; exclusive programming and the most comprehensive collection of sports programming available anywhere including NFL SUNDAY TICKET(TM), and MLB EXTRA INNINGS(TM). DIRECTV (NYSE:DTV) also leads the digital television technology revolution with exclusives such as NFL SUNDAY TICKET SuperFan(TM), US Open Interactive and YES Network Interactive and will soon have the capacity to offer over 150 channels in HD. DIRECTV is approximately 39 percent owned by News Corporation. For the most up-to-date information on the Company, please visit directv.com.

SOURCE: DIRECTV, Inc.

Oscar® Pre-show Producer Named

Pamela Oas Williams
(Photo by Susan B. Landau)

 Pamela Oas Williams has been appointed producer of the 79th Academy Awards® pre-show by Oscar telecast producer Laura Ziskin. This will be Williams’s second outing in charge of the Oscar pre-show, having served as co-producer for the 74th Academy Awards pre-show.

“Pam is a fantastic producer and the perfect person to collaborate with me on the pre-show,” said Ziskin.

Williams is Ziskin’s producing partner at Laura Ziskin Productions. As senior vice president of film and television, she oversees the company’s development slate, including the upcoming “Me & My Monster” for Columbia Pictures and “The Katharine Graham Story” for HBO. Prior to working with Ziskin, Williams ran George Clooney’s television company, Maysville Pictures, where she executive produced, with Clooney and Ziskin, the live television film “Fail Safe.”

The red carpet arrivals show will air on Sunday, February 25, 2007 on the ABC Television Network at 5 p.m. PST, immediately preceding the live Oscar telecast.

Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®.

Editors: Please note that downloadable images are available at http://photos.oscars.org.

# # #

307 Feature Films in Competition for 2006 Oscar®

— Three hundred seven feature films are eligible for the Academy Award® for Best Picture of 2006, it has been announced by the Academy of Motion Picture Arts and Sciences.

To be eligible for 79th Academy Awards® consideration, feature films have until midnight, December 31, to open in a commercial motion picture theater in Los Angeles County and begin a minimum run of seven consecutive days.

Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.

Films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category.

Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment, “The Road to the Oscars.”

# # #

[ Yahoo! ] options

December 27, 2006

WARNER BROTHERS NEWS

  Jan 17

 

Red Hot Chili Peppers Set Record for Most Number Ones in Modern Rock Radio Chart History With Current Single "Snow (Hey Oh)"

BURBANK, CA --  January 17, 2007 -- With the Red Hot Chili Peppers' latest single, "Snow (Hey Oh)" claiming the top spot on Billboard's Modern Rock chart this week, the Los Angeles quartet have set the astounding record for the artist with the most Number One hits in Modern Rock radio chart history with eleven chart topping songs.

Indeed, Red Hot Chili Peppers have made musical history by holding the record for the most amount of weeks at Number One at Modern Rock Radio (all singles combined) for a total of 77 weeks! In addition to the three Number One singles from "Stadium Arcadium," there are also the smashes from 1991's "Give It Away," 1993's "Soul to Squeeze," 1995's "My Friends," 1999's "Scar Tissue" (which holds the record for the song with the longest run at Number One with 16 weeks), 2000's "Californication," 2000's "Otherside," 2002's "By the Way," and 2002's "Can't Stop."

This impressive feat also marks the first time the Red Hot Chili Peppers have scored three Number One Modern Rock singles in a row from one album. "Snow (Hey Oh)" is the third hit single, following "Dani California" and "Tell Me Baby," from the band's platinum-selling 2-CD set "Stadium Arcadium." The much-lauded album has been nominated for six 2007 Grammy Awards, including "Album of the Year," "Best Rock Album" and "Best Rock Song" for the smash "Dani California." Tune in to the Grammy telecast, which airs on February 11th at 8 p.m. ET/PT on CBS to see the band perform live on the awards show.

Red Hot Chili Peppers are currently on a three-month tour -- with fellow multiple-Grammy nominees Gnarls Barkley -- that runs through February and March.

www.redhotchilipeppers.com

 

 

MUSIC AND LYRICS
In Theaters February 14

Alex Fletcher (HUGH GRANT) is a washed-up ‘80s pop star who’s been reduced to working the nostalgia circuit at county fairs and amusement parks. The charismatic and talented musician gets a chance at a comeback when reigning pop diva Cora Corman invites him to write and record a duet with her, but there’s a problem—Alex hasn’t written a song in years, he’s never written lyrics…and he has to come up with a hit in a matter of days. Enter Sophie Fisher (DREW BARRYMORE), Alex’s beguilingly quirky plant lady, whose flair for words strikes a chord with the struggling songwriter. On the rebound from a bad relationship with the newly famous novelist Sloan Cates (CAMPBELL SCOTT), Sophie is reluctant to collaborate with anyone, especially commitment-phobe Alex. As their chemistry heats up at the piano and under it, Alex and Sophie will have to face their fears—and the music—if they want to find the love and success they both deserve.

The film also stars Brad Garrett as Alex’s steadfast manager, Chris Riley and Kristen Johnston as Sophie’s sister, Rhonda, who happens to be one of Alex’s biggest fans. Newcomer Haley Bennett plays young pop princess Cora Corman.

Castle Rock Entertainment presents, in association with Village Roadshow Pictures, a Reserve Room Production: Hugh Grant and Drew Barrymore in “Music and Lyrics,” also starring Brad Garrett, Kristen Johnston and Campbell Scott. Written and directed by Marc Lawrence, “Music and Lyrics” is produced by Martin Shafer and Liz Glotzer. The executive producers are Nancy Juvonen, Hal Gaba and Bruce Berman. The co-producers are Scott Elias and Melissa Wells. The director of photography is Xavier Pérez Grobet. The production designer is Jane Musky. The film is edited by Susan E. Morse, A.C.E. and the music is by Adam Schlesinger. The soundtrack is available on Warner Sunset/Atlantic Records.

“Music and Lyrics” will be released by Warner Bros. Pictures, a Warner Bros Entertainment Company, and in select territories by Village Roadshow Pictures. The film has been rated PG-13 for some sexual content.

The Cast

HUGH GRANT (Alex Fletcher) is an award-winning actor who has received acclaim for his work in a wide range of film roles.  Grant first gained international stardom in 1994 when he starred in Mike Newell’s comedy smash “Four Weddings and a Funeral.”  Grant won a Golden Globe Award and a British Academy Award for his performance in that film, opposite Andie MacDowell.  He has since earned two more Golden Globe nominations: one for his work in the 1999 romantic comedy hit “Notting Hill,” opposite Julia Roberts; and more recently for his work in the Weitz brothers’ acclaimed comedy drama “About a Boy.”

Hailing from England, Grant attended Oxford University and made his feature film debut in “Privileged.”  His breakthrough role came in the 1987 Merchant-Ivory film “Maurice,” based on E.M. Forster’s novel.  Grant won the Best Actor Award at the Venice Film Festival for his portrayal of a young man confronting his homosexuality in the Edwardian age.  That led to leading roles in such films as “The Dawning,” with Anthony Hopkins; Ken Russell’s “The Lair of the White Worm”; Roman Polanski’s “Bitter Moon”; “Night Train to Venice”; and the award-winning Mercent-Ivory drama “The Remains of the Day,” with Anthony Hopkins and Emma Thompson.

Grant’s additional film credits include the British comedy “An Awfully Big Adventure,” for director Mike Newell; the critically acclaimed “The Englishman Who Went Up a Hill But Came Down a Mountain,” written and directed by Christopher Monger; Ang Lee’s Oscar-winning adaptation of Jane Austen’s “Sense and Sensibility”; Chris Columbus’ comedy “Nine Months,” with Julianne Moore and Robin Williams; Woody Allen’s “Small Time Crooks” and Michael Apted’s thriller “Extreme Measures,” with Gene Hackman, which he also produced.

Grant previously worked with director Marc Lawrence when he starred with Sandra Bullock in the romantic comedy “Two Weeks’ Notice.”  His recent film credits also include “Bridget Jones’s Diary” and its sequel, “Bridget Jones: The Edge of Reason,” both with Renee Zellweger; the ensemble comedy hit “Love Actually”; and “American Dreamz.”


DREW BARRYMORE (Sophie Fisher) has been a favorite of film audiences for more than two decades. Behind the camera, she is also enjoying success as a producer under her own Flower Films banner, with such hits as “Never Been Kissed,” “Charile’s Angels” and “50 First Dates.” In addition to producing the films, Barrymore joined Cameron Diaz and Lucy Liu to star in both “Charlie’s Angels” and “Charlie’s Angels: Full Throttle,” which, together, grossed more than half a billion dollars worldwide.

She has also earned praise from both critics and audiences for her performances in a wide range of comedies, most recently including the romantic comedies “Fever Pitch,” in which she starred with Jimmy Fallon under the direction of the Farrelly brothers, and “50 First Dates,” opposite Adam Sandler. Barrymore also starred in the dark comedy “Duplex,” opposite Ben Stiller, for director Danny De Vito; George Clooney’s widely acclaimed biographical satire “Confessions of a Dangerous Mind,” with Sam Rockwell; Penny Marshall’s “Riding in Cars With Boys”; “Never Been Kissed,” which marked Barrymore’s producing debut; “Home Fries,” opposite Luke Wilson; and the smash hit comedy “The Wedding Singer,” opposite Adam Sandler.

Barrymore made her feature film debut at the age of five in the science fiction thriller “Altered States.” However, it was her scene-stealing performance as the precocious Gertie in Steven Spielberg’s 1982 blockbuster “E.T. the Extra-Terrestrial” that catapulted the young actress to stardom. She went on to star in the thriller “Firestarter” and the comedy “Irreconcilable Differences,” for which she earned a Golden Globe nomination for Best Supporting Actress.

Her other film credits include “Stephen King’s Cat’s Eye”; “Far From Home”; “Poison Ivy”; “Guncrazy,” for which she received another Golden Globe nomination for Best Actress; “Bad Girls”; Herbert Ross’ “Boys on the Side”; “Mad Love”; “Batman Forever”; Woody Allen’s “Everyone Says I Love You”; and Wes Craven’s horror hit “Scream,” which launched a successful franchise. Barrymore next stars opposite Eric Bana in Curtis Hanson’s “Lucky You,” due out in March 2007.


BRAD GARRETT (Chris Riley) won three Emmy Awards in the category of Outstanding Supporting Actor in a Comedy Series for his work on the hit CBS comedy “Everybody Loves Raymond.”  Starring on the show for nine seasons, Garrett also received two more Emmy nominations and a Screen Actors Guild (SAG) Award nomination for his work in the role of Ray’s brother, Robert.  He also shared in a SAG Award for Outstanding Ensemble in a Comedy Series.  In addition, Garrett earned Emmy and SAG Award nominations for Outstanding Lead Actor in a Movie or Miniseries for his portrayal of the legendary Jackie Gleason in the television biopic “Gleason.” 

Garrett is currently starring in the Fox comedy series “`Til Death.”  His television credits also include HBO’s “Don King: Only in America” and Showtime’s “Club Land.”
           
On the big screen, Garrett recently co-starred in the hit feature comedy “The Pacifier.”  He was earlier seen in such films as “Stuart Little 2”; “George B,” which was a finalist at the 1997 Sundance Film Festival; “Suicide Kings”; and Woody Allen’s “Sweet and Lowdown.”
           
With his distinctive voice, Garrett is also one of the busiest voiceover actors in the industry.  He can be heard in the recently released fantasy comedy “Night at the Museum,” and also includes among his long list of film and television credits the hit animated features “Finding Nemo” and “A Bug’s Life.”  He also lent his voice to the upcoming animated films “Ratatouille” and “Underdog.”

Garrett began his career performing a stand-up act at various Los Angeles comedy clubs.  His first appearance on “The Tonight Show Starring Johnny Carson” at age 23 made him one of the youngest comedians ever to perform on the program.  From that appearance, Garrett’s stand-up career took off, bringing him headline gigs at national venues as well as opening spots for such legends as Frank Sinatra, Diana Ross, Julio Iglesias, Liza Minnelli and Sammy Davis, Jr.

In the fall of 2005, Garrett made his Broadway debut in the revival of Neil Simon’s “The Odd Couple,” starring with Nathan Lane and Matthew Broderick.
 

KRISTEN JOHNSTON (Rhonda) is currently making her West End debut in the John Crowley-directed play, “Love Song,” opposite Cillian Murphy, Neve Campbell and Michael McKean.

Starring as Sally Solomon on the hit television series “3rd Rock from the Sun,” Johnston won two Emmy Awards and received Golden Globe Award, Screen Actors Guild Award and American Comedy Award nominations over the course of the series' six-year run. More recently, she had a recurring role on “ER” and a memorable guest starring role on “Sex and the City.”

Johnston made her film debut in the short film “The Debt,” which won a number of awards at international film festivals, including the 1993 Cannes Film Festival. Her other film credits include “Austin Powers: The Spy Who Shagged Me,” “Austin Powers: Goldmember,” “The Flintstones in Viva Rock Vegas,” and the feature film version of “Strangers with Candy.”

Johnston studied theater with the Atlantic Theater Company Acting School, founded by playwright David Mamet and actor William H. Macy. Her theater credits include “Baltimore Waltz,” “Much Ado About Nothing,” “Aunt Dan and Lemon,” “The Women,” “The Smell of the Kill,” “The Skin of Our Teeth,” “Baby Anger,” “Hot Keys,” and the Lincoln Center production of “The Lights,” for which she received a Drama Desk Award nomination.


CAMPBELL SCOTT (Sloan Cates) has been recognized for his work as both an actor and a director. He earned an Independent Spirit Award nomination and won the National Board of Review Award for Best Actor for his work in the film “Roger Dodger,” which he also executive produced. Stepping behind the camera in 1996, Scott teamed with Stanley Tucci to direct the acclaimed independent film “Big Night,” earning a Spirit Award nomination for Best First Feature and winning the New York Film Critics Award for Best New Director.

Scott made his film acting debut in “From Hollywood to Deadwood,” immediately followed by the highly praised drama “Longtime Companion” and Bernardo Bertolucci’s “The Sheltering Sky.” His additional credits include Kenneth Branagh’s “Dead Again”; Joel Schumacher’s “Dying Young,” opposite Julia Roberts; Cameron Crowe’s “Singles”; John Schlesinger’s “The Innocent”; Alan Rudolph’s “Mrs. Parker and the Vicious Circle,” for which he earned an Independent Spirit Award nomination; David Mamet’s “The Spanish Prisoner”; “The Imposters”; “Hi-Life”; “Other Voices”; “The Secret Lives of Dentists”; “Loverboy”; “Duma”; and “The Exorcism of Emily Rose.” Scott has also produced and directed “Off the Map” and “Final.”

On television, Scott recently starred in the series “Six Degrees.” He has also starred in such longform projects as “Final Days of Planet Earth,” “The Pilot’s Wife,” “The Tale of Sweeney Todd,” “The Love Letter” and “The Kennedys of Massachusetts,” and directed, produced and starred in the title role of “Hamlet,” for the Odyssey Network.

An accomplished theatre actor, Scott has appeared on Broadway in “Long Day’s Journey Into Night,” with Jason Robards and Colleen Dewhurst, “Ah! Wilderness,” “Hay Fever” and “The Queen and the Rebels.” He has also been seen off-Broadway in “The Last Outpost,” “Copperhead,” “A Man for All Seasons” and “On the Bum.” His extensive stage repertoire also includes “Measure For Measure” at Lincoln Center, and the title role of “Pericles” at the New York Shakespeare Festival, in addition to numerous regional productions.


HALEY BENNETT (Cora Corman) makes her feature film debut in “Music and Lyrics.” In addition, Bennett is in the process of recording her first album, under the direction of producer Chris Contogouris.

Bennett was born in Fort Myers, Florida and grew up in Naples where she studied both music and acting. In 2005, she came to Los Angeles with her mother to pursue her career. Soon after, Bennett landed the role of Cora Corman, beating out dozens of other hopefuls for the part.

 

 

Mike Jones' Highly Anticipated New Album -- "The American Dream" -- Due in April

Best-Selling Houston Rapper's First Single, "Mr. Jones," Out Now

 January 16, 2007 -- Rap superstar Mike Jones will release a new album, titled "The American Dream," in April on Swishahouse/Asylum/Warner Bros. Records. Fans of the Houston-born MC have been eagerly awaiting new music ever since Jones took the hip-hop world by storm in 2005 with his double-platinum, chart-topping debut "Who is Mike Jones?"

The album's addictive first single, "Mr. Jones," which was produced by Myke Diesel (Master P., Lil Romeo), features a shuffling synth and drum groove and Jones' confident rap: "You haters hate but they don't really wanna see the steel / Had a million in my bank before Asylum brought the deal / Before I came out they said the streets wouldn't feel / The s**t that I'm spittin', the s**t that's real."

The track will also appear in Jones' feature film debut, also titled "The American Dream," which is scheduled to come out shortly after the album is released. Executive produced by Jones, Warner Bros., and Asylum, the film, which Jones co-directed with Derrick Dixon (2004's "Survival of the Illest"), is loosely based on the rapper's life, depicting his rise from humble beginnings in Houston to hip-hop luminary.

After years of underground success, Jones broke through on a national level thanks to savvy self-promotion and the drowsy smash hit anthem "Still Tippin'," which featured fellow H-Towners Slim Thug and Paul Wall. Jones followed it up with "Back Then," which cracked the Top Ten on Billboard's Hot Rap Tracks chart, scored heavy rotation on BET and MTV, and led to the double-platinum certification of "Who is Mike Jones?" With his gregarious personality, knack for self-promotion (his T-shirts emblazoned with "Who is Mike Jones?" and his actual cell phone number are legend), and guest star turns (Ying Yang Twins' "Badd," T-Pain's "I'm N Luv (Wit A Stripper)"), Jones became one of the first artists to break out of the Houston hip-hop scene in years.

In addition to filming "The American Dream" last fall, Jones also appeared on the Anger Management Tour, was featured on the Fox TV show "Prison Break," and opened a thriving club in the Houston Metro area called Ice Age, which has attracted celebrities such as Vivica A. Fox, Morris Chestnut, Meagan Good, Chingy, and Tracy McGrady.

 

The Doris Day Collection Volume 2 Available April 10 from Warner Home Video

 Jan. 2, 2007 Doris Day, America's sweetheart of the '40s, '50s and '60s, returns to DVD on April 10 as Warner Home Video releases The Doris Day Collection Volume 2 featuring six more new-to-DVD titles, focusing on Miss Day's golden years at Warner Bros., where her film career began. The collection contains her blockbuster screen debut Romance on the High Seas, as well as such audience favorites as My Dream is Yours, I'll See You in My Dreams, On Moonlight Bay, By the Light of the Silvery Moon, and Lucky Me -- films which contain a treasure chest of musical standards.

All the DVDs have been remastered, with all new digital transfers and entertaining bonus features such as Oscar(R) -nominated cartoons and vintage shorts. The gift set will sell for $59.92 SRP, and each title is also available separately for $19.97 SRP.

Romance on the High Seas

Doris Day plays a little-known singer named Georgia Garrett whose musical career may not be going anywhere, but she is -- on a cruise, sailing under the name Mrs. Elvira Kent while the real Elvira secretly stays home to spy on her presumably philandering hubby.

My Dream is Yours

Radio talent agent Doug Blake (Jack Carson) walks away from his arrogant singing star and scrambles to discover another who will shine even brighter. He finds effervescent songstress Martha Gibson (Ms. Day).

I'll See You in My Dreams

Danny Thomas and Doris Day play famous songwriter Gus Kahn and his devoted wife Grace, in this musical story of Kahn's life from the day he walked into a music publishing house to public triumphs, private failures, career decline and comeback. The title song, plus "It Had to be You," "Makin' Whoopee" and "Love Me or Leave Me" lead a 23-song cavalcade.

On Moonlight Bay

This comedy is a tuneful, romantic view of Midwestern life featuring Doris Day and Gordon MacRae -- the story of a tomboy who suddenly wants to trade her pants for petticoats to impress the boy next door.

By the Light of the Silvery Moon

This is the sequel to the hugely popular On Moonlight Bay. The irresistible pair of young lovers Doris Day and Gordon MacRae return in this remembrance of World War I-era Americana.

Lucky Me

Struggling performer Candy Williams (Day) finds many ways to ward off bad luck. Maybe that's why the most lopsided, unlucky day of her life turns out to be the luckiest.

 

 

Synopses

LETTERS FROM IWO JIMA
January 12 (expansion)

(Warner Bros. Pictures / DreamWorks Pictures)

Director: Clint Eastwood
Writers: Screenplay by Iris Yamashita, Story by Iris Yamashita & Paul Haggis, Based on “Picture Letters from Commander in Chief” by Tadamichi Kuribayashi, Edited by Tsuyuko Yoshida, Published by Shogakukan-Bunko
Producers: Clint Eastwood, Steven Spielberg
Executive Producer: Paul Haggis

Cast: Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shidou Nakamura

Drama. Sixty-one years ago, U.S. and Japanese armies met on Iwo Jima.  Decades later, several hundred letters are unearthed from that stark island’s soils.  The letters give faces and voices to the men who fought there, as well as the extraordinary general who led them, Tadamichi Kuribayashi (Ken Watanabe).  With little defense other than sheer will and the volcanic rock of the island itself, Gen. Kuribayashi’s unprecedented tactics transform what was predicted to be a quick and bloody defeat into nearly 40 days of heroic and resourceful combat.  In an effort to explore an event that continues to resonate with both cultures, Clint Eastwood was haunted by the sense that making only one film, Flags of Our Fathers, would be telling only half the story.  With this unprecedented dual film project, shot back-to-back to be released in sequence, Eastwood seeks to reveal the battle of Iwo Jima – and, by implication, the war in the Pacific – as a clash not only of arms but of cultures.

This film has been rated “R” for “graphic war violence.”

www.iwojimathemovie.com



 




THE GOOD GERMAN
January 19 (expansion)

(Warner Bros. Pictures / Virtual Studios)

Director: Steven Soderbergh
Writer: Screenplay by Paul Attanasio, Based on the novel by Joseph Kanon
Producers: Ben Cosgrove, Gregory Jacobs
Executive Producer: Benjamin Waisbren, Frederic W. Brost

Cast: George Clooney, Cate Blanchett and Tobey Maguire            

Dramatic Thriller.  Based on the novel by Joseph Kanon, The Good German takes place in the ruins of post-WWII Berlin, where U.S. Army war correspondent Jake Geismer (George Clooney) becomes embroiled with Lena Brandt (Cate Blanchett), a former lover who is trying to escape her past in the aftermath of the war.  Intrigue mounts as Jake tries to uncover the secrets Lena may be hiding in her desperation to get out of Berlin.  Tully (Tobey Maguire), a soldier in the American army motor pool assigned to drive Jake around the city, has black market connections that may be Lena’s way out – or lead them all into even darker territory.

This film has been rated “R” for “language, violence and some sexual content.”

www.thegoodgerman.com



 




MUSIC AND LYRICS
February 14

(Castle Rock Entertainment / Village Roadshow Pictures)

Director: Marc Lawrence
Writer: Marc Lawrence
Producers: Martin Shafer, Liz Glotzer
Executive Producers: Nancy Juvonen, Hal Gaba and Bruce Berman

Cast: Hugh Grant, Drew Barrymore, Brad Garrett, Kristen Johnston, Campbell Scott

Romantic Comedy. Alex Fletcher (Hugh Grant) is a washed-up 80s pop star who’s been reduced to working the nostalgia circuit at county fairs and amusement parks. The charismatic and talented musician gets a chance at a comeback when reigning diva Cora Corman invites him to write and record a duet with her, but there’s a problem – Alex hasn’t written a song in years, he’s never written lyrics, and he has to come up with a hit in a matter of days. Enter Sophie Fisher (Drew Barrymore), Alex’s beguilingly quirky plant lady, whose flair for words strikes a chord with the struggling songwriter. On the rebound from a bad relationship, Sophie is reluctant to collaborate with anyone, especially commitment-phobe Alex. As their chemistry heats up at the piano and under it, Alex and Sophie will have to face their fears – and the music – if they want to find the love and success they both deserve. The film co-stars Brad Garrett as Alex’s steadfast manager, and Kristen Johnston as Sophie’s sister, Rhonda. Newcomer Haley Bennett plays young, pop-princess Cora Corman.

This film has been rated “PG-13” for “some sexual content.”

www.musicandlyrics.com



 




THE ASTRONAUT FARMER
February 23

(Warner Bros. Pictures)

Director: Michael Polish
Writer: Mark Polish & Michael Polish
Producers: Mark Polish, Paula Weinstein, Len Amato, Michael Polish
Executive Producer: J. Geyer Kosinski

Cast: Billy Bob Thornton, Virginia Madsen, Bruce Dern, Tim Blake Nelson

Family Adventure. Dismissed from NASA’s space program, former astronaut-in-training Charles Farmer (BILLY BOB THORNTON) pursues his lifelong dream by building his own rocket, in the Polish Brothers’ family film “The Astronaut Farmer.”  On the eve of his launch, Farmer must battle foreclosure on his ranch and a small-town community of disbelievers, while simultaneously drawing heavy scrutiny and surveillance from the FBI, CIA, FAA and the U.S. military, all of which see him as a potential risk to civilian safety and will take the necessary steps to shut down his operation. But he remains determined to reach his goal and instill in his children the courage to pursue their own dreams, no matter the odds.

This film has been rated “PG” for “thematic material, peril and language.”

www.theastronautfarmermovie.com



 




300
March 9

(Warner Bros. Pictures / Legendary Pictures / Virtual Studios)

Director: Zack Snyder
Writers: Zack Snyder & Kurt Johnstad and Michael B. Gordon, Based on the Graphic Novel by Frank Miller and Lynn Varley
Producers: Gianni Nunnari, Mark Canton, Bernie Goldmann, Jeffrey Silver
Executive Producers: Deborah Snyder, Frank Miller, Craig J. Flores, Thomas Tull, William Fay, Benjamin Waisbren

Cast: Gerard Butler, Lena Headey, David Wenham and Dominic West
Action Drama. Based on the epic graphic novel by Frank Miller, 300 is a ferocious retelling of the ancient Battle of Thermopylae in which King Leonidas (Gerard Butler) and 300 Spartans fought to the death against Xerxes and his massive Persian army. Facing insurmountable odds, their valor and sacrifice inspire all of Greece to unite against their Persian enemy, drawing a line in the sand for democracy. The film brings Miller’s (Sin City) acclaimed graphic novel to life by combining live action with virtual backgrounds that capture his distinct vision of this ancient historic tale.

This film has been rated “R” for “graphic battle sequences throughout, some sexuality and nudity.”

www.300themovie.com



 




LUCKY YOU
March 16

(Warner Bros. Pictures / Village Roadshow Pictures)

Director: Curtis Hanson
Writers: Screenplay by Eric Roth & Curtis Hanson, Story by Eric Roth
Producers: Denise Di Novi, Curtis Hanson and Carol Fenelon
Executive Producer: Bruce Berman

Cast: Eric Bana, Drew Barrymore, Robert Duvall, Debra Messing

Drama. In the world of high-stakes poker, Huck Cheever (Eric Bana) is a blaster—a player who goes all out, all the time. But in his personal relationships, Huck plays it tight, expertly avoiding emotional commitments and long-term expectations.  When Huck sets out to win the main event of the 2003 World Series of Poker—and the affections of Billie Offer (Drew Barrymore), a young singer from Bakersfield—there is one significant obstacle in his path: his anger toward his father, L.C. Cheever (Robert Duvall), the poker legend who abandoned Huck's mother years ago.  As these two rivals progress toward a final showdown at the poker table, Huck learns that to win in the games of life and poker, he must try to play cards the way he has been living his life and live his life the way he has been playing cards.

This film has been rated “PG-13” by the MPAA for “some language and sexual humor.”

www.luckyyoumovie.com



 




TMNT
March 23

(Warner Bros. Pictures / The Weinstein Company)

Director: Kevin Munroe
Writers: Kevin Munroe
Producers: Thomas K. Gray, Galen Walker and Paul Wang
Executive Producers: Francis Kao, Peter Laird, Gary Richardson and Frederick U. Fierst

CGI Action Adventure. After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Master Splinter, becomes worried when strange things begin to brew in New York City. Tech-industrialist Max Winters is amassing an army of ancient monsters to apparently take over the world. And only one super-ninja fighting team can stop them—those heroes in a half shell—Leonardo, Michelangelo, Donatello and Raphael! With the help of old allies April O’Neil and Casey Jones, the Turtles are in for the fight of their lives as they once again must face the mysterious Foot Clan, who have put their own ninja skills behind Winters’ endeavors. Making this new incarnation of the Teenage Mutant Ninja Turtles truly cutting-edge, the film will be created entirely with state-of-the-art CG animation, giving them a completely new look for the 21st century.

www.tmnt.com



 




THE REAPING
March 30

(Warner Bros. Pictures / Dark Castle Entertainment / Village Roadshow Pictures)

Director: Stephen Hopkins
Writers: Screenplay by Carey W. Hayes & Chad Hayes, Story by Brian Rousso
Producers: Joel Silver, Robert Zemeckis, Susan Downey, Herbert W. Gains
Executive Producers: Erik Olsen, Steve Richards, Bruce Berman

Cast: Hilary Swank, David Morrissey, Idris Elba, AnnaSophia Robb, Stephen Rea

Supernatural Thriller. In The Reaping, Hilary Swank plays a former Christian missionary who lost her faith after her family was tragically killed, and has since become a world-renowned expert in disproving religious phenomena. But when she investigates a small Louisiana town that is suffering from what appear to be the Biblical plagues, she realizes that science cannot explain what is happening and she must regain her faith to combat the dark forces threatening the community.

www.thereapingmovie.com



 




SPRING BREAKDOWN
April 13

(Warner Bros. Pictures)

Director: Ryan Shiraki
Writers: Screenplay by Ryan Shiraki, Story by Rachel Dratch & Ryan Shiraki
Producers: Larry Kennar, Rick Berg
Executive Producers: Mike Rachmil, Ryan Shiraki, Rachel Dratch

Cast: Amy Poehler, Parker Posey, Rachel Dratch, Amber Tamblyn, Seth Meyers, Sophie Monk, Missi Pyle, Jane Lynch

Comedy. Spring Breakdown follows the vacation adventure of Gayle (Amy Poehler), Becky (Parker Posey) and Judi (Rachel Dratch), three thirty-something best friends who’ve always dreamed of being fabulous, but never grew out of being geeks. So when Becky gets the opportunity to unofficially chaperone her boss’ daughter, Ashley (Amber Tamblyn), to the college spring break destination of South Padre Island, the ladies decide to try and turn their tragically un-hip lives around and party with the beer and bikini set. Through keg-stands, hook-ups and foam parties, Becky, Gail, Judi and Ashley are about to discover that it’s better to stand out, than to fit in.




OCEAN’S THIRTEEN
June 8

(Warner Bros. Pictures / Village Roadshow Pictures)

Director: Steven Soderbergh
Writers: Brian Koppelman & David Levien
Producers: Jerry Weintraub
Executive Producers: Susan Ekins, Frederic W. Brost, Gregory Jacobs, Bruce Berman

Cast: George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Bernie Mac, Ellen Barkin, Al Pacino, Casey Affleck, Scott Caan, Eddie Jemison, Shaobo Qin, Carl Reiner, Elliot Gould

Action Adventure. In the new sequel to Ocean’s Eleven and Ocean’s Twelve, the cast is reunited with director Steven Soderbergh and producer Jerry Weintraub. Joining the cast for the new adventure are Al Pacino and Ellen Barkin.

www.oceans13.com



 




NANCY DREW
June 15

(Warner Bros. Pictures / Virtual Studios)

Director: Andrew Fleming
Writers: Screenplay by Andrew Fleming and Tiffany Paulsen, Story by Tiffany Paulsen, Based on Characters Created by Carolyn Keene
Producers: Jerry Weintraub
Executive Producers: Susan Ekins, Mark Vahradian, Benjamin Waisbren

Cast: Emma Roberts, Josh Flitter, Max Thieriot, Rachael Leigh Cook, Tate Donovan

Family Mystery Adventure. Based on characters created by Carolyn Keene, Nancy Drew follows Nancy (Emma Roberts) as she accompanies her father, Carson Drew (Tate Donovan), to Los Angeles on one of his business trips and stumbles across evidence about a long-unsolved crime involving the mysterious death of a beautiful movie star. Nancy’s resourcefulness and personal responsibility are put to the test when she finds herself in the middle of the fast-living, self-indulgent world of Hollywood.

This film has been rated “PG” by the MPAA for “mild violence, thematic elements and brief language.”

www.nancydrewmovie.com



 




LICENSE TO WED
July 4

(Warner Bros. Pictures / Village Roadshow Pictures)

Director: Ken Kwapis
Writers: Screenplay by Kim Barker and Tim Rasmussen & Vince DiMeglio, Story by Kim Barker & Wayne Lloyd
Producers: Mike Medavoy, Arnold Messer, Nick Osborne, Robert Simonds
Executive Producers: Bradley J. Fischer, David Thwaites, Kim Zubick, Dana Goldberg, Bruce Berman

Cast: Robin Williams, Mandy Moore, John Krasinski, Eric Christian Olsen, Christine Taylor, Josh Flitter

Comedy. License to Wed follows newly engaged Ben Murphy (John Krasinski) and his fiancée, Sadie Jones (Mandy Moore), who has always dreamed of getting married in a traditional wedding at her family church. The problem is St. Augustine’s only has one wedding slot available in the next two years, and its charismatic pastor, Reverend Frank (Robin Williams), won’t bless Ben and Sadie’s union until they pass his patented, foolproof marriage-prep course. Through outrageous classes, outlandish homework assignments and some pious manipulation, Ben and Sadie are about to find out if they really have what it takes to make it to the altar… and live happily ever after.




HARRY POTTER AND THE ORDER OF THE PHOENIX
July 13 - In Theatres and IMAX

(Warner Bros. Pictures)

Director: David Yates
Writers: Screenplay by Michael Goldenberg, Based on the Novel by J.K. Rowling
Producers: David Heyman, David Barron
Executive Producer: Lionel Wigram

Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Ralph Fiennes, Michael Gambon, Richard Griffiths, Jason Isaacs, Gary Oldman, Alan Rickman, Fiona Shaw, Maggie Smith, Timothy Spall, Imelda Staunton, David Thewlis, Emma Thompson, Julie Walters

Fantasy. In Harry Potter and the Order of the Phoenix, Harry returns for his fifth year of study at Hogwarts and discovers that much of the wizarding community has been denied the truth about the teenager’s recent encounter with the evil Lord Voldemort. Fearing that Hogwarts’ venerable Headmaster, Albus Dumbledore, is lying about Voldemort’s return in order to undermine his power and take his job, the Minister for Magic, Cornelius Fudge, appoints a new Defense Against the Dark Arts teacher to keep watch over Dumbledore and the Hogwarts students. But Professor Dolores Umbridge’s Ministry-approved course of defensive magic leaves the young wizards woefully unprepared to defend themselves against the dark forces threatening them and the entire wizarding community, so at the prompting of his friends Hermione and Ron, Harry takes matters into his own hands. Meeting secretly with a small group of students who name themselves “Dumbledore’s Army,” Harry teaches them how to defend themselves against the Dark Arts, preparing the courageous young wizards for the extraordinary battle that lies ahead.

www.harrypotterorderofthephoenix.com



 




NO RESERVATIONS
July 27

(Castle Rock Entertainment / Village Roadshow Pictures)

Director: Scott Hicks
Writers: Screenplay by Carol Fuchs, Based on the original screenplay entitled "Mostly Martha" by Sandra Nettelbeck
Producers: Kerry Heysen, Sergio Aguero
Executive Producers: Susan Cartsonis, Hal Gaba, Bruce Berman

Cast: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson

Romantic Drama. Master chef Kate Armstrong (Catherine Zeta-Jones) lives her life like she runs her kitchen at a trendy Manhattan eatery—with a no-nonsense intensity that both captivates and intimidates everyone around her. Kate’s perfectionist nature is put to the test when she “inherits” her nine-year-old niece Zoe (Abigail Breslin), while contending with a brash new sous-chef who joins her staff. High-spirited and freewheeling, Nick Palmer (Aaron Eckhart) couldn’t be more different from Kate, yet the chemistry between them is undeniable. Rivalry becomes romance, but Kate will have to learn to express herself beyond the realm of her kitchen if she wants to connect with Zoe and find true happiness with Nick.




THE INVASION
August 17

(Warner Bros. Pictures / Village Roadshow Pictures)

Director: Oliver Hirschbiegel
Writers: Screenplay by David Kajganich, based on the novel The Body Snatchers by Jack Finney Producers: Joel Silver
Executive Producers: Roy Lee, Doug Davison, Susan Downey, Steve Richards, Ronald G. Smith, Bruce Berman

Cast: Nicole Kidman, Daniel Craig, Jeremy Northam

Sci-fi Action Thriller. The Invasion tells the story of a mysterious epidemic that alters the behavior of human beings. When a Washington D.C. psychiatrist (Nicole Kidman) discovers the epidemic’s origins are extraterrestrial, she must fight to protect her son, who may hold the key to stopping the escalating invasion.




ONE MISSED CALL
August 24

(Alcon)

Director: Eric Valette
Writer:  Screenplay by Andrew Klavan, Based on a Story by Miwako Daira and Yasushi Akimoto
Producers: Broderick Johnson, Andrew A. Kosove, Scott Kroopf, Jennie Lew
Tugend, Lauren C. Weissman 
Executive Producers:  Timothy M. Bourne, Shinya Egawa, Martin Schuermann, Josef Lautenschlager, Andreas Thiesmeyer

Cast:     Ed Burns, Shannyn Sossamon, Ana Claudia Talancon, Ray Wise, Azura Skye, Johnny Lewis, Jason Beghe, Margaret Cho

Supernatural Thriller. What will it sound like when you die? In “One Missed Call,” a chain of people receive terrifying cell phone messages of their own final fatal moments. Though the messages can be deleted, their number is up. Beth Raymond (Shannyn Sossamon) is traumatized when she witnesses the gruesome deaths of two friends just days apart. Even more disturbing, she knows that both of them had received chilling cell phone messages—actual recordings of their own horrifying last moments. Impossibly, the calls were received days before they died, but each death occurred precisely when and how the messages foretold. The police think Beth is delusional—except for Detective Jack Andrews (Edward Burns) whose own sister was killed in a freak accident that bears a strange similarity to the deaths of Beth’s friends. Together, Jack and Beth work feverishly to unravel the mystery behind the ominous calls. But even as they get closer to the truth, Beth’s cell phone begins to ring with an eerie tune, and the readout says One Missed Call…




MICHAEL CLAYTON
September 14

(Warner Bros. Pictures)

Director: Tony Gilroy
Writer: Tony Gilroy
Producers: Sydney Pollack, Steve Samuels, Jennifer Fox, Kerry Orent
Executive Producers: Steven Soderbergh, George Clooney, Jim Holt, Anthony Minghella

Cast: George Clooney, Tom Wilkinson, Tilda Swinton, Sydney Pollack

Drama. Michael Clayton (George Clooney) is an in-house “fixer” at one of the largest corporate law firms in New York. A former criminal prosecutor, Clayton takes care of Kenner, Bach & Ledeen’s dirtiest work at the behest of the firm’s co-founder Marty Bach (Sydney Pollack). Though burned out and hardly content with his job as a fixer, his divorce, a failed business venture and mounting debt have left Clayton inextricably tied to the firm. At U/North, meanwhile, the career of litigator Karen Crowder (Tilda Swinton) rests on the multi-million dollar settlement of a class action suit that Clayton’s firm is leading to a seemingly successful conclusion. But when Kenner Bach’s brilliant and guilt-ridden attorney Arthur Edens (Tom Wilkinson) sabotages the U/North case, Clayton faces the biggest challenge of his career and his life.

This film has been rated “R” by the MPAA for “language including some sexual dialogue.”




THE BRAVE ONE
September 28

(Warner Bros. Pictures / Village Roadshow Pictures)

Director: Neil Jordan
Writer: Screenplay by Cynthia Mort and Neil Jordan, story by Roderick Taylor & Bruce A. Taylor
Producers: Joel Silver, Susan Downey
Executive Producers: Herbert W. Gains, Dana Goldberg, Bruce Berman

Cast: Jodie Foster, Terrence Howard, Naveen Andrews, Mary Steenburgen

Psychological Thriller. New York radio host Erica Bain (Jodie Foster) has a life that she loves and a fiancé she adores. All of it is taken from her when a brutal attack leaves Erica badly wounded and her fiancé dead. Unable to move past the tragedy, Erica begins prowling the city streets at night to track down the men she holds responsible. Her dark pursuit of justice catches the public’s attention, and the city is riveted by her anonymous exploits. But with the NYPD desperate to find the culprit and a dogged police detective (Terrence Howard) hot on her trail, she must decide whether her quest for revenge is truly the right path, or if she is becoming the very thing she is trying to stop.

www.thebraveone.com



 




TRICK ‘R TREAT
October 5

(Warner Bros. Pictures / Legendary Pictures)

Director: Michael Dougherty
Writer: Michael Dougherty
Producers: Bryan Singer
Executive Producers: Thomas Tull, Jon Jashni, Bill Fay, Alex Garcia, Michael Dougherty, Dan Harris

Cast: Anna Paquin, Brian Cox, Dylan Baker, Leslie Bibb

Horror thriller. It is said that Halloween is the night when the dead rise to walk among us and other unspeakable things roam free. The rituals of All Hallows Eve were devised to protect us from their evil mischief, and one small town is about to be taught a terrifying lesson that some traditions are best not forgotten. Nothing is what it seems when a suburban couple learns the dangers of blowing out a Jack-o-Lantern before midnight; four women cross paths with a costumed stalker at a local festival; a group of pranksters goes too far and discovers the horrifying truth buried in a local legend; and a cantankerous old hermit is visited by a strange trick-or-treater with a few bones to pick. Costumes and candy, ghouls and goblins, monsters and mayhem…the tricks and treats of Halloween turn deadly as strange creatures of every variety—human and otherwise—try to survive the scariest night of the year.




FRED CLAUS
November 9

(Warner Bros. Pictures)

Director: David Dobkin
Writer: Dan Fogelman
Producers: Joel Silver, David Dobkin, Jessie Nelson
Executive Producers: Paul Hitchcock

Cast: Vince Vaughn, Paul Giamatti, Miranda Richardson, Elizabeth Banks, John Michael Higgins, Rachel Weisz, Kathy Bates, Kevin Spacey

Comedy. Fred Claus (Vince Vaughn) has lived almost his entire life in his little brother’s very large shadow. Fred tried, but he could never live up to the example set by the younger Nicholas (Paul Giamatti), who was just a perfect…well…Saint. True to form, Nicholas grew up to be the model of giving, while Fred became the polar opposite: a repo man who then steals what he repossesses. Now Fred’s dirty dealings have landed him in jail. Over Mrs. Claus’s objections, Nicholas agrees to bail his big brother out on one condition: that he come to the North Pole and work off his debt making toys. The trouble is that Fred isn’t exactly elf material and, with Christmas fast approaching, this one bad seed could jeopardize the jolliest holiday of the year. Has Fred finally pushed his little brother to the brink? This time, what Fred may have stolen is Christmas itself, and it is going to take more than Rudolph to set things right.

www.fredclaus.net



 




I AM LEGEND
December 14

(Warner Bros. Pictures / Village Roadshow Pictures)

Director: Francis Lawrence
Writer: Screenplay by Mark Protosevich and Akiva Goldsman, based on the novel by Richard Matheson
Producers: Akiva Goldsman, James Lassiter, Erwin Stoff, David Heyman, Neil Moritz
Executive Producers: Michael Tadross, Hal Gaba, Bruce Berman

Cast: Will Smith, Alice Braga, Salli Richardson-Whitfield, Willow Smith, Charlie Tahan

Sci-fi Action Adventure. Robert Neville (Will Smith) is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable…and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City…and maybe the world. But he is not alone. He is surrounded by “the Infected”—victims of the plague who have mutated into carnivorous beings who can only exist in the dark and who will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the Infected lurk in the shadows, watching Neville’s every move, waiting for him to make a fatal mistake. Perhaps mankind’s last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what The Infected hunt, and Neville knows he is outnumbered and quickly running out of time.

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December 25, 2006

HOLLYWOOD CHRISTMAS PARADE

Merry Christmas from everyone at MBN www.montebubbles.net

Joyce,William,Silvia,Otto,Wilhelm and BD 

Pictures by William Hoehne & Joyce Chow (C) MBN 2006

 

 

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December 22, 2006

United Nations News

Jan 19

 

NFL STAR AND UN FOOD AGENCY TEAM UP TO SCORE TOUCHDOWN AGAINST WORLD HUNGER

 New York, Jan 19 2007 6:00PM National Football League star Reggie Bush and the United Nations World Food Programme WFP) have partnered up to raise awareness in the United States about global hunger. Mr. Bush, a running back in his rookie year for the New Orleans Saints, appears in a new televised Public Service Announcement and print advertisement in which he cooks his perfect meal: “pigskin,” or a US football, on a plate. The spot, targeted at raising awareness of global hunger across the United States, ends with the proclamation, “Unfortunately, not everyone can live off football – help those who can’t.” “These days, more people are worried about their waistlines than the problem of global hunger,” said WFP Director of Communications Neil Gallagher. Worldwide, there more than 800 million people – more than the combined populations of the United States and the countries of the European Union – who are hungry. Children account for half of all deaths, approximately 25,000 daily, attributed to hunger and hunger-related causes. “I want to do whatever I can do to help,” Mr. Bush announced. “It’s surprising but there are more hungry kids in the world than ever before. They need our help.” The television ad uses music by the Rolling Stones who performed at the halftime show of the 2006 Super Bowl, the pinnacle of US football. The band has given the WFP the rights to use one of their songs. 2007-01-19 00:00:00.000

 

 

 

UN STAFF CAN SOON SEEK JOBS IN BAN KI-MOON’S OFFICE AS PART OF PUSH FOR MORE MOBILITY New York, Jan 19 2007 6:00PM Secretary-General Ban Ki-moon announced plans today to circulate advertisements within the United Nations system for a dozen positions in his own office as part of his broader campaign to encourage staff mobility. Staff will have 10 days to express their interest for any of the positions, which range in seniority from the lowest professional rank to the grade immediately below Assistant Secretary-General, once they are advertised, Mr. Ban’s spokesperson Michele Montas said. In a letter to staff, to be published on the UN’s internal web portal, Mr. Ban said “as I undertake these efforts to lead by example, I look to all senior managers to follow suit and promote mobility among their staff, beyond the requirements of managed mobility.” 2007-01-19 00:00:00.000 ___________________ For more details go to UN News Centre at http://www.un.org/news To listen to news and in-depth programmes from UN Radio go to: http://radio.un.org/

 

 

UN’S LIBERIA MISSION CALLS FOR IMMEDIATE INVESTIGATION INTO POSSIBLE SEXUAL ABUSE New York, Jan 19 2007 6:00PM The United Nations Mission in Liberia (UNMIL) has called for an immediate internal investigation after receiving information about possible sexual exploitation by some of its staff, a UN spokesperson said today. “The UN Mission in Liberia has requested the Office of Internal Oversight Services to conduct an immediate investigation, following the Mission’s receipt of information suggesting that some of its personnel have been involved in sexual exploitation and abuse,” Michele Montas told reporters at UN Headquarters in New York. “The UN is deeply concerned by this development and wishes to reiterate its determination to take action against any of its personnel who are found to have committed any act of sexual exploitation or abuse.” The world body maintains a zero tolerance policy on sexual exploitation and has worked to stamp it out wherever it occurs, whether in the various UN headquarters worldwide or perpetrated by any of the nearly 200,000 people from well over 100 countries that rotate through its peacekeeping missions every year. This latest move by the UN in Liberia comes a day after the world body agreed with the Government of Sudan to set up a joint task force to deal with the issue there, which in turn followed recent media reports of abuses by UN peacekeepers in southern Sudan. Secretary-General Ban Ki-moon and other top officials have declared that any form of sexual exploitation will not be tolerated and the UN has set up conduct units in all of its major peacekeeping operations to address the problem. 2007-01-19 00:00:00.000

 

Jan 16

 

 

RECORD NUMBER OF COUNTRIES CONTRIBUTE RECORD AMOUNT TO UN POPULATION FUND

New York, Jan 15 2007 6:00PM One hundred and eighty countries contributed $360 million to the regular resources of the United Nations Population Fund (UNFPA) last year, the highest number of donors and the largest total since the organization began its operations in 1969 to promote a raft of activities from ensuring safe births to reducing poverty. “We are very thankful for the continuous and growing support from nearly all United Nations Member States,” <"http://www.unfpa.org/news/news.cfm?ID=925">UNFPA Executive Director Thoraya Ahmed Obaid said today. “We take this new record as a solid sign of the global commitment to our work and mandate. It also highlights the importance of sexual and reproductive health, as well as HIV prevention, for development.” The number of UNFPA donor countries has steadily increased over the last few years, from 69 in 1999, to 172 in 2005, to last year’s record. The top six donors were the Netherlands, Sweden, Norway, the United Kingdom, Japan and Denmark. In addition, every nation in Latin America and the Caribbean, as well as all sub-Saharan Africa, pledged funds to UNFPA in 2006. In 2005, co-financing income, earmarked to specific projects, reached $158 million, which included contributions for two highly visible emergencies, the 2004 Asian tsunami and the 2005 Pakistan earthquake. Co-financing income in 2006 reached the same high level, even though there were no emergencies of the same scale. The number of donors committed to multi-year funding also rose from 55 countries in 2005 to 73 countries in 2006. “Achieving universal access to reproductive health is vital for poverty eradication, and it requires partnerships and efforts from governments and the civil society,” Ms. Obaid said. “Seeing so many different countries supporting our work is heart-warming, and I hope this support will continue to grow in the years to come.” UNFPA promotes the right of every woman, man and child to enjoy a life of health and equal opportunity. It supports countries in using population data for policies and programmes to reduce poverty and to ensure that every pregnancy is wanted, every birth is safe, every young person is free of HIV/AIDS, and every girl and woman is treated with dignity and respect. 2007-01-15 00:00:00.000

 

WOMEN AND GIRLS MUST BE PROTECTED FROM VIOLENCE, UN OFFICIAL TELLS RIGHTS COMMITTEE

New York, Jan 15 2007 6:00PM States who have signed on to the United Nations international bill of rights for women must continue to press for an end to gender-based violence, a senior UN official today told experts gathering in New York to evaluate compliance with the treaty. “Regrettably, violence against women and girls remains unabated in whatever form and manifestation, depriving them of the full enjoyment of their human rights,” said Rachel Mayanja, the Special Adviser to the Secretary-General on Gender Issues and Advancement of Women, according to the text of her remarks. Ms. Mayanja was addressing the Committee on the Elimination of Discrimination against Women, a panel comprising 23 international experts on women’s issues, which opened a two-week session at UN Headquarters in New York. Established in 1982, the Committee tracks the status of women in countries that have ratified the 1979 Convention on the Elimination of All Forms of Discrimination against Women (CEDAW). Currently, the Convention has 185 States parties. Ms. Mayanja also welcomed Secretary-General Ban Ki-moon’s appointment of three women in top posts within the Organization. “His tenure as Secretary-General has started very auspiciously for women,” she said. “Of the five appointments he has made so far three are women, translating into 60 per cent.” She pointed out that Deputy Secretary-General designate Asha-Rose Migiro previously served as Committee member. During this session, the Committee’s 37th, panel members will examine the reports of 15 countries – Austria, Azerbaijan, Colombia, Greece, India, Kazakhstan, Maldives, Namibia, Netherlands, Nicaragua, Peru, Poland, Suriname, Tajikistan and Viet Nam – regarding their implementation of measures to eliminate discrimination against women. 2007-01-15 00:00:00.000

 

‘EXTREME MARATHON’ RUNNERS CROSS TWO THIRDS OF SAHARA IN UN BID TO FOCUS ON WATER NEEDS

 New York, Jan 15 2007 6:00PM Running the equivalent of two marathons a day in some of the harshest conditions on Earth, three young athletes have pounded approximately two thirds of their way across the Sahara Desert in a United Nations-backed bid to raise awareness of the burgeoning global water crisis. Charlie Engle of the United States, Ray Zahab of Canada and Kevin Lin from Taiwan, province of China, crossed from Niger into Libya on Saturday, completing some 3,800 kilometres of their 6,437-kilometre-long extreme quest that is taking them from Senegal on the Atlantic Ocean to Cairo, UN Development Programme (UNDP) spokesperson Irena Mihova told the UN News Service today. They expect to cross into Egypt on 13 February, reaching the Red Sea on 23 February before turning north to Cairo, in an awareness-raising odyssey that will be the subject of a feature documentary film, “Running the Sahara,” directed by Oscar winner James Moll and narrated by another Oscar laureate, Matt Damon, executive producer, with UNDP as co-producer. Pounding over endless sands and camel tracks, past towering dunes, stark rock mountains and mud-brick mosques, through oases and nomad settlements, the three left St. Louis in Senegal in early November and passed through Mauritania, Mali and Niger before reaching Libya. “For the runners, water is a daily necessity,” Ms. Mihova said. “For the people of the Sahara, and throughout the developing world, it is a lifelong concern.” This is made clear in the UNDP 2006 Human Development Report – Beyond scarcity: Power, poverty and the global water crisis – which offers fresh new data on how many poor people go without water and sanitation, the inequality of access within and between nations, and how clean water affects child survival rates. It calls on the Group of Eight (G-8) developed nations to spearhead an urgent global action plan to resolve the world’s growing water and sanitation crisis, which causes nearly 2 million child deaths every year and holds back countries’ development, especially in Africa. Against the backdrop of the world-wide challenges the water crisis presents to development, the three athletes are interacting with the people who live in the 5.6 million square kilometres of the Sahara, witnessing some of the work by UNDP and others in the region. “Each runner brings his own unique story and motivations, but all unite around a love for Africa and a profound desire to make a difference in the lives of the people of the Sahara in the best way they know how – by risking their lives running coast-to-coast across the Sahara Desert to prove that the impossible is possible; and in the process bring people into a new relationship with the Sahara and its people,” UNDP said. Among projects by the agency and Global Environment Facility, an independent financial organization, that the runners have already visited or will soon visit during their extreme marathon are water-management, governance and peace-building efforts in Mali and Niger, a conservation project for medicinal plants in Egypt, dam construction in Mauritania and a school in Senegal. In addition to the 90-minute film, slated for international release in late 2007, a Web site tracks the progress of Engle, Zahab and Lin, providing information about the people and projects they visit. Web visitors can also pledge support on a per-mile basis for water projects through H2O Africa, the charitable component of Running the Sahara. 2007-01-15 00:00:00.000

 

UN’S AFGHANISTAN ENVOY HAILS NAMING OF NEW POLICE OFFICIALS AS STEP TOWARDS STABILITY

 New York, Jan 15 2007 6:00PM The senior United Nations envoy to Afghanistan has welcomed a Presidential decree confirming the appointment of 40 new police officials to the country's national force as a step towards stability. "Strengthening the rule of law across Afghanistan needs to be a priority for all our efforts in 2007, reform of the Afghanistan National Police is central to this if we are to build a police force able to serve the people of Afghanistan with professionalism and integrity," Tom Koenigs said in a statement released in Kabul on Saturday. All of the officials had been selected based on "merit, integrity and experience," he said, voicing confidence that "their skills, experience and commitment to public service will serve them well as they continue the work of cementing much needed peace and stability across Afghanistan." Mr. Koenigs heads the UN Assistance Mission in Afghanistan (UNAMA), a political operation with some 1,000 personnel. The vast majority of those staff members -- 80 per cent -- are Afghan nationals, reflecting UNAMA's focus on building capacity within the country rather than hiring expatriates. 2007-01-14 00:00:00.000

 

 

Jan 13

 

 

CHINA AND RUSSIA VETO US/UK-BACKED SECURITY COUNCIL DRAFT RESOLUTION ON MYANMAR

New York, Jan 12 2007 7:00PM China and Russia today vetoed a draft resolution in the Security Council – the first use of multiple vetoes at the Council since 1989 – that had called on Myanmar to release all political prisoners, begin widespread dialogue and end its military attacks and human rights abuses against ethnic minorities. Sponsored by the United States and the United Kingdom, the text received nine votes in favour, the necessary number for a majority. Those in favour were Belgium, France, Ghana, Italy, Panama, Peru, Slovakia, the UK and the US. But the permanent members China and Russia issued vetoes, and South Africa also voted against the resolution. There were three abstentions: Indonesia, Qatar and the Republic of the Congo. Opponents of the text said that while Myanmar was experiencing clear social and economic problems, the country was not a serious threat to international peace and security and therefore the issue should not be dealt with by the Security Council. Speaking before the vote, Chinese Ambassador Wang Guangya said the problems in Myanmar were largely the internal affairs of a sovereign State and the Government and other groups should be allowed to continue their efforts towards reconciliation. Russian Ambassador Vitaly Churkin said the issue would be better handled by other UN organs, particularly the Human Rights Council, the General Assembly and humanitarian agencies such as the World Health Organization (WHO). The ambassadors also said the resolution would hamper diplomatic efforts being carried out through the good offices of the Secretary-General, which included the recent visit to Myanmar by Under-Secretary-General for Political Affairs Ibrahim Gambari. After the vote, US Acting Ambassador Alejandro Wolff and UK Ambassador Emyr Jones Parry both expressed deep disappointment, saying the resolution would have sent a much-needed signal from Council members. Mr. Wolff said Myanmar’s military regime “arbitrarily arrests, tortures, rapes and executes its own people, wages war on minorities within its own borders, and builds itself new cities, while looking the other way as refugee flows increase, narcotics and human trafficking grow, and communicable diseases remain untreated.” But Myanmar’s Ambassador Kyaw Tint Swe said the draft resolution was based on “patently false” information and, citing UN Development Programme (UNDP) data, said his country was making economic gains. He added that the Council was clearly exceeding its mandate by considering the issue. The draft text called on Myanmar to release all political prisoners, including the Nobel Peace Prize Laureate Aung San Suu Kyi, who has been under house arrest for 10 of the past 16 years, and to allow the National League for Democracy (NLD) and other political parties to operate freely. It also demanded an end to human rights violations against the members of ethnic minorities, “including widespread rape and other forms of sexual violence carried out by members of the armed forces.” Last September the Council agreed to focus on the situation inside Myanmar in a vote taken during a procedural meeting, in which no member’s vote has the power of veto. The most recent Council veto was used in November, when the US blocked a draft resolution that would have called, among other measures, for the withdrawal of Israeli forces in the Gaza Strip. Sponsored by Qatar, that text followed an Israeli military operation in the town of Beit Hanoun that killed 18 civilians. The last time multiple vetoes were used was in 1989, when the US, the UK and France blocked a resolution on the situation in Panama. The last time China and Russia both vetoed a resolution was in 1972, and that concerned the Middle East. 2007-01-12 00:00:00.000

 

Jan 12

SECRETARY-GENERAL BAN URGES ALL SIDES IN BANGLADESH CRISIS TO ‘REFRAIN FROM VIOLENCE’

New York, Jan 10 2007 7:00PM Warning that the political crisis in Bangladesh has “severely jeopardized the legitimacy” of this month’s planned elections, United Nations Secretary-General Ban Ki-moon today urged all sides to refrain from violence and seek compromise, adding he hopes the army will continue to play a neutral role. “The announced cancellation of numerous international observation missions is regrettable. The United Nations has had to suspend all technical support to the electoral process, including by closing its International Coordination Office for Election Observers in Dhaka,” Mr. Ban’s spokesperson said in a <"http://www.un.org/apps/sg/sgstats.asp?nid=2405">statement referring to the country’s capital. “The United Nations is deeply concerned by the deteriorating situation in the country, and urges all parties to refrain from the use of violence. It is hoped that the army will continue to play a neutral role, and that those responsible for enforcing the law act with restraint and respect for human rights.” “The United Nations urges the non-party Caretaker Government and Election Commission to create a level playing field and ensure parties can have confidence in the electoral process.” “The United Nations is concerned that Bangladesh’s democratic advances and international standing will be negatively affected if the current crisis continues. It urges all concerned to seek a compromise that will serve the interests of peace, democracy and the country’s overall well-being.” The impoverished South Asian nation is slated to hold national elections on 22 January, but demonstrations and clashes between supporters of rival political groups since late October have left many people dead, according to media reports. A multi-party opposition alliance has also reportedly boycotted the polls. 2007-01-10 00:00:00.000

 

SECURITY COUNCIL STRESSES NEED FOR POLITICAL DIALOGUE AND INCREASED AID FOR SOMALIA

New York, Jan 10 2007 7:00PM Voicing concern at the instability and violence across strife-torn Somalia, the Security Council today called for greater humanitarian assistance and more inclusive political dialogue and reiterated its backing for the creation of an African protection and training mission to the volatile nation. Speaking to the press following a closed-door briefing from Under-Secretary-General for Political Affairs Ibrahim Gambari, Ambassador Vitaly Churkin of Russia, which holds this month’s Council presidency, said members regarded the situation in Somalia – which has been beset by fighting and widespread displacement in the past month – as one of its top priorities. The United Nations announced yesterday it is sending a humanitarian assessment mission to Somalia’s border area with Kenya, where thousands of internally displaced persons (IDPs) have gathered to escape fighting between the Transitional Federal Government (TFG) and supporters of the Union of Islamic Courts (UIC). The assessment team will examine how to re-start humanitarian deliveries into Somalia and how to handle the large-scale population movements that have followed the intense fighting in recent weeks as the Government, backed by Ethiopian troops, has reclaimed the capital, Mogadishu. Aid operations had to be suspended and international staff evacuated because of the dangers posed by the fighting. Mr. Churkin said the Council’s 15 members agreed that inclusive political dialogue among Somalia’s various political forces is necessary to end the deadly clashes and alleviate the humanitarian situation in one of Africa’s most impoverished nations. Last month the Council unanimously adopted a resolution authorizing the creation of an African protection and training mission to help protect Somalia’s transitional federal institutions. To be known as IGASOM, the new force is to be set up by the African Union (AU) and the Intergovernmental Authority on Development (IGAD), an east African group, and will have an initial mandate of six months. No countries bordering Somalia will be able to deploy troops. Mr. Gambari told journalists he stressed during his Council briefing that IGASOM must be deployed as soon as possible to stabilize Somalia, and he added that several countries, including Nigeria, South Africa and Malawi, are considering committing troops. 2007-01-10 00:00:00.000

 

 

UN’S CÔTE D’IVOIRE MISSION EXTENDED WITH NEW MANDATE TO COOPERATE ON LIBERIAN BORDER

 New York, Jan 10 2007 7:00PM The Security Council today extended through June the mandate of the United Nations Operation in Côte d’Ivoire (UNOCI) and French forces supporting it while authorizing them to cooperate with blue helmets in Liberia in preventing arms from crossing the border. By a unanimously <"http://www.un.org/News/Press/docs//2007/sc8937.doc.htm">adopted resolution, the Council adjusted the tasks carried out by the mission, which has been deployed in Côte d’Ivoire since April 2004 helping the parties to implement a peace agreement signed in January 2003 ending their north-south civil war. The country has been divided between the rebel-held north and government-controlled south since 2002. Under today’s resolution, UNOCI will coordinate closely with the UN Mission in Liberia (UNMIL) in carrying out a voluntary repatriation and resettlement programme for foreign ex-combatants. This is part of UNOCI’s efforts to bolster the Ivorian Government in its bid to disarm former fighters, which the Council said should be carried out “with special attention to the specific needs of women and children.” UNOCI will be responsible for destroying any weapons, ammunition or other military materiel surrendered by the former combatants, according to the resolution. The UN’s Côte d’Ivoire and Liberia missions will also work together in implementing an arms ban including “by inspecting, as they deem it necessary and without notice, the cargo of aircraft and of any transport vehicle using the ports, airports, airfields, military bases and border crossings.” UNOCI must “carry out its mandate in close liaison with UNMIL, including especially in the prevention of movements of arms and combatants across shared borders and the implementation of disarmament and demobilization programmes,” the Council said. In helping the relief effort for the beleaguered people of Côte d’Ivoire, UNOCI will “facilitate the free flow of people, goods and humanitarian assistance,” including by helping to establish the necessary security conditions and taking into account the special needs of vulnerable groups, especially women, children and the elderly. The mission is also tasked with supporting the organization of “open, free, fair and transparent elections, presidential and legislative, by 31 October 2007 at the latest.” The most recent report of the Secretary-General to the Council, issued last month, contained a strong call to the parties to restart their stalled peace process and resolve their disputes. The report emphasized that the mandate of both Prime Minister Charles Konan Banny and President Laurent Gbagbo was renewed for a “final transition period not exceeding 12 months” and called on the two leaders to “eschew confrontation and maintain a constructive working relationship.” As of late last year, UNOCI had nearly 9,000 uniformed personnel supported by some 360 international civilian personnel, 500 local staff and 220 UN Volunteers. 2007-01-10 00:00:00.000

 

 

BUSINESS COMMUNITY AND UN MUST CARRY ON PARTNERSHIP, SAYS SECRETARY-GENERAL

New York, Jan 10 2007 6:00PM Secretary-General Ban Ki-moon today stressed the symbiotic relationship between business and the United Nations at a meeting in New York with leading executives from the private sector. “We need your innovation, your initiative, your technological prowess,” Mr. Ban said in an <"http://www.un.org/apps/sg/sgstats.asp?nid=2400">address over breakfast at the Grand Hyatt hotel to the UNA-USA Business Council for the United Nations and the Association for a Better New York. “But business also needs the United Nations,” he added. Business is driven by growth and profit incentives, while the UN is concentrates on peace and security, poverty reduction and human rights, Mr. Ban said. However, “many of our objectives are the same: building and supporting strong economies and communities, providing opportunities for people to pursue a livelihood, and ensuring that everyone can live in dignity,” he pointed out. The Secretary-General identified the UN Global Compact, an initiative started in 1999 advancing business practices rooted in good corporate citizenship and universal principles, as the embodiment of the partnership between the business world and the UN. Mr. Ban, who took office on 1 January, took the opportunity to thank New York City for its support of the Organization and for welcoming him to his new post. Having served as an officer in his country’s Permanent Mission to the UN in New York in the past, as well as having been in the city in 2001 at the time of the September 11th attacks, he stated, “I am glad to be back here again, and proud to call New York my home.” The UN Headquarters in New York will undergo a massive renovation at a cost of over $1.8 billion, scheduled to begin in this year and conclude in 2014. The refurbishment, widely viewed as essential from a health and security standpoint, is forecast to save costs in the long-run. The Secretary-General expressed his gratitude to the people of the City and to Mayor Michael Bloomberg for their cooperation in the project and for their understanding of the possible disruptions to both the neighbourhood and commuters an undertaking of this scale could cause. Today’s meeting with Mr. Ban was part of the “United Nations and Corporate Global Issues Breakfast Series” sponsored by the UNA-USA Business Council for the United Nations, a New York-based organization which promotes stronger ties between its member companies and the UN. 2007-01-10 00:00:00.000

 

 

DARFUR: UN ENVOY HOLDS ‘CONSTRUCTIVE’ TALKS WITH SENIOR SUDANESE FIGURES

 New York, Jan 10 2007 6:00PM Secretary-General Ban Ki-moon’s Special Envoy for Darfur met the Sudanese Foreign Minister, a key former rebel and other senior figures today as he continues his mission to promote United Nations efforts to find a permanent solution to the conflict that has killed more than 200,000 people and displaced 2.5 million others. Jan Eliasson, the former Swedish foreign minister and General Assembly president, described today’s talks in the Sudanese capital, Khartoum, as fruitful and constructive, UN spokesperson Michele Montas told journalists. Mr. Eliasson met with Foreign Minister Lam Akol and Minni Minawi, a senior presidential assistant and the chairman of a wing of the Sudan Liberation Movement/Army (SLM/A) that signed the Darfur Peace Agreement (DPA) last May. He also spoke with two presidential advisers. Tomorrow Mr. Eliasson is scheduled to hold talks with Sudanese President Omar el-Bashir, who informed the UN last month that Khartoum accepts a three-phase plan culminating in the deployment of a hybrid UN-African Union (AU) peacekeeping force to replace the existing AU monitoring force. Such a force is expected to comprise up to 17,000 troops and 3,000 police officers. The envoy is then scheduled to head to El Fasher, the capital of North Darfur state. Mr. Eliasson was appointed last month to help re-energize diplomatic efforts to obtain a durable solution, based on the DPA, to a conflict that has left more than 4 million people dependent on outside aid. Fighting erupted in 2003 between Government forces, allied militias and rebel groups seeking greater autonomy for Darfur, an arid and impoverished region roughly the size of France on Sudan’s western flank. Several rebel groups have not signed the DPA and deadly clashes have continued since the pact was struck in May. Senior UN officials have repeatedly described Darfur as the scene of the world’s worst humanitarian crisis, and Mr. Ban has called the crisis one of his top priorities in office. The conflict and resulting massive displacement is threatening the stability of neighbouring Chad and the Central African Republic (CAR), and this morning Security Council members heard a closed-door briefing from Assistant Secretary-General for Peacekeeping Operations Hédi Annabi about the work of a UN team examining the situation on the Chadian-Sudanese border. The Secretary-General’s latest progress report to the Council on the situation in Darfur, covering the period from the start of October to mid-December, concluded that “the time has come to turn declarations into actions” so that the violence stopped and Darfur’s inhabitants can “live a normal life, free of fear, with hope for a better future.” The report detailed the grim conditions on the ground, with villages being destroyed, killings and other human rights abuses continuing and rampant impunity for such acts. 2007-01-10 00:00:00.000

 

 

 

Jan 5

 SUSPECTED KILLER OF TWO BLUE HELMETS IN HAITI ARRESTED BY UN MISSION, NATIONAL POLICE

New York, Jan 5 2007 3:00PM The United Nations Stabilization Mission in Haiti (MINUSTAH) and the country’s national police today announced the arrest of a gang member wanted in connection with the killing last November of two blue helmets serving with the peacekeeping operation. The arrest of ‘Zachari’ took place following a joint operation which began at dawn in the Drouillard quarter of Cité Soleil, MINUSTAH said in a press release on Thursday. No shots were fired. The suspect is wanted in connection with the assassination of two Jordanian peacekeepers from MINUSTAH in November 2006. He is “is thought to be the chief of the cell responsible for kidnappings” within the Belony gang. Another presumed kidnapper was also arrested, according to MINUSTAH, and both suspects are being detailed by the Haitian National Police. “MINUSTAH and the Government of Haiti continue to work together to stop armed gangs and their criminal activities in the capital,” the mission said. On 10 November 2006, unidentified gunmen opened fire on a MINUSTAH patrol near the Port-au-Prince airport, fatally injuring Jordanian peacekeepers Ahmad Mohammed Hassan Ba’irat and Rami Wasif Taha Al Mohammed. Also last year, on 17 January, two other Jordanian blue helmets serving with MINUSTAH, Tareq Al Jaafreh and Rabi Merei, were shot and killed while manning a checkpoint in Cité Soleil. Armed gangs have been a constant concern of <"http://www.un.org/Depts/dpko/missions/minustah">MINUSTAH since it was set up by the Security Council to help to re-establish peace in the impoverished Caribbean country after an insurgency forced elected President Jean-Bertrand Aristide to go into exile in February 2004. 2007-01-05 00:00:00.000

 

TANZANIAN FOREIGN MINISTER NAMED NEW UN DEPUTY SECRETARY-GENERAL

New York, Jan 5 2007 3:00PM Tanzanian Foreign Minister Asha-Rose Migiro today became the third person – and second woman – in history appointed United Nations Deputy Secretary-General when she accepted the post offered to her by Secretary-General Ban Ki-moon. “Through her distinguished service in diverse areas, she has displayed outstanding management skills with wide experience and expertise in socio-economic affairs and development issues,” Secretary-General Ban <"http://www.un.org/apps/sg/sgstats.asp?nid=2392">said of Ms. Migiro, who was selected from a short list of candidates including men and women. Mr. Ban, who took office on 1 January with revitalization of the UN as a top priority, today stated that he intends to “delegate much of the management and administrative work” to Ms. Migiro “under a clear line of authority to ensure that the Secretariat will function in a more effective and efficient manner.” She has worked in the past with Secretary-General Ban when they both served as Foreign Ministers of their respective countries. He called her “a highly respected leader who has championed the cause of developing countries over the years.” Salim Ahmed Salim, the African Union (AU) Special Envoy on the Darfur conflict who is in New York for meetings with the Secretary-General, welcomed the appointment of Ms. Migiro, a fellow Tanzanian. Hailing her “skills and commitment,” Mr. Salim asserted, “I know she can do the job and I wish her well.” Dr. Migiro, who in her new capacity will be the highest ranking woman at the UN and the second-highest among all officials, also served as Minister of Community Development, Gender and Children's Affairs until she was asked to head the Ministry of Foreign Affairs and International Cooperation in January 2006. She entered the Government of Tanzania after leaving her position as Senior Lecturer at the Faculty of Law at the University of Dar-es-Salaam. Ms. Migiro, 50, replaces Mark Malloch Brown who took office in April 2006. Meanwhile, in another action pertaining to the creation of his cabinet, the Secretary-General today asked all assistant and under-secretaries-general, with a number of exceptions, to voluntarily tender their resignations. The aim, said his spokesperson, Michele Montas, is to “allow the Secretary-General the flexibility he needs in forming his new team.” She added that after reviewing the offers of resignation, he may decide to retain some senior officials. 2007-01-05 00:00:00.000

 

 

UN HOPES ISRAEL, PALESTINIANS AVOID VIOLENCE IN LIGHT OF ‘POSITIVE DEVELOPMENTS’ New York, Jan 5 2007 6:00PM The chief United Nations spokesperson today voiced the hope that Israel and the Palestinians would exercise restraint in the light of some recent positive developments and avoid violence such as yesterday’s Israeli military incursion into the main Palestinian West Bank town of Ramallah. In response to a question at the daily briefing, spokesperson Michele Montas referred specifically to last month’s meeting between Israeli Prime Minister Ehud Olmert and Palestinian Authority President Mahmoud Abbas, Israel’s decision to release some Palestinian taxes and Mr. Olmert’s meeting yesterday with Egyptian President Hosni Mubarak. “We would hope that all parties would act with restraint to encourage these small steps back towards dialogue and away from violence, such as the Israeli military incursion into Ramallah yesterday,” she said. Last year, Israel stopped the transfer of Palestinian value added taxes (VAT) following the election victory of Hamas, which is committed to Israel’s destruction.

 

INTERNATIONAL GROUPING, INCLUDING UN, SAYS SOMALIA HAS ‘HISTORIC OPPORTUNITY’ New York, Jan 5 2007 7:00PM Meeting today for the first time since last week’s heavy fighting in Somalia, which may have given the Transitional Government of the long-troubled country the chance to establish its full authority, the International Contact Group for Somalia – which includes the United Nations – called the current moment “a historic opportunity.” In a communiqué issued in Nairobi, the Group welcomed a commitment by Somali President Abdullahi Yusuf to inclusive governance and the prevention of a resurgence of warlord activities. The communiqué also stressed the importance of immediately launching a process of political dialogue and reconciliation in the Horn of Africa country, which has not had a functioning government since the regime of Muhammad Siad Barre was toppled in 1991. Last month the Security Council adopted a <"http://www.un.org/Docs/journal/asp/ws.asp?m=s/res/1725(2006)">resolution authorizing the creation of an African protection and training mission in Somalia to help protect its transitional federal institutions, and today’s communiqué emphasized the urgent need for that force. To be known as IGASOM, the new force is to be set up by the African Union (AU) and the Intergovernmental Authority on Development (IGAD), an east African group, and will have an initial mandate of six months. No countries bordering Somalia will be able to deploy troops. Today’s meeting of the International Contact Group for Somalia was held following a wave of heavy fighting between the Transitional Federal Government (TFG) – backed by Ethiopian troops – and the Union of Islamic Courts (UIC) last month. The Secretary-General’s Special Representative for Somalia, Francois Lonsény Fall, represented the UN at the meeting. Yesterday, in a <"http://www.un.org/News/Press/docs/2007/sgsm10824.doc.htm">statement released by his spokesperson, Secretary-General Ban Ki-moon called on all sides in Somalia to “seize the moment and end the bloodshed” and urged the rapid deployment of IGASOM. 2007-01-05 00:00:00.000

 

UN WILL ENFORCE ‘ZERO TOLERANCE’ POLICY AGAINST SEXUAL ABUSE, PEACEKEEPING OFFICIAL SAYS New York, Jan 5 2007 6:00PM The United Nations, which fields nearly 200,000 people from well over 100 countries rotating through its peacekeeping missions every year, is determined to reinforce its policy of zero tolerance and remains constantly vigilant to fight the scourge, a senior official said today. “We recognize that this is a structural problem and that we need to deal with it structurally and systemically and that the behaviour of a relative few has tarnished the entire reputation of peacekeeping and we will not allow that to continue to occur,” Assistant Secretary-General Jane Holl Lute told a news briefing at UN Headquarters in New York following media reports of abuses in southern Sudan. “The reputation of UN peacekeeping is one of our most powerful assets, which is why we have responded over the past couple of years so strongly,” she said, stressing the UN’s three-point strategy of prevention, enforcement and remediation, with repetitive training and the establishment of complaint mechanisms. The UN has also set up conduct units in all of its major peacekeeping operations, including Sudan, specifically tasked with addressing the problem. The problem of sexual exploitation surfaced in 2004 when a UN report found that a “shockingly large number” of peacekeepers had engaged in such practices in the Democratic Republic of the Congo (DRC), with payments for sex sometimes ranging from two eggs to $5 per encounter. The victims included many abandoned orphans who were often illiterate. Between January 2004 and November 2006, 319 peacekeeping personnel in all missions had been investigated, resulting in the summary dismissal of 18 civilians and the repatriation on disciplinary grounds of 17 police and 144 military personnel. Ms. Holl Lute noted that the most recent cases in Sudan were based on a 2005-2006 report by the UN Children’s Fund (<"http://www.unicef.org">UNICEF) and said the “the expectation is that these are not new allegations” but concern 13 ongoing incidents. Four Bangladeshis involved have already been sent home to be dealt with by their own authorities. “Every time I’m made aware of an allegation of sexual exploitation and abuse I’m outraged,” Ms. Holl Lute said. “I’m outraged at every level, as a peacekeeper, as a professional, as a colleague of the tens of thousands of men and women who serve honourably in peacekeeping. I share their anger that some of our number may be engaging in this behaviour. “I’m angry as a woman, I’m angry as a mother, I’m saddened that the world has not come as far as we would like to believe in our treatment of women and vulnerable populations and I’m determined to continue to do whatever it is we can to strengthen this comprehensive programme of prevention, enforcement and remediation,” she added. She underscored the considerable challenge the UN faced in deploying tens of thousands of peacekeepers to societies that have been wracked by conflict and war sometimes for generations. “It keeps happening because that potential is going to exist in this kind of an environment.” But, she stressed, “the record of peacekeeping is an honourable one, it’s a good one, it’s a strong one.” And she highlighted the crucial importance of “the collective message we are sending now as a community of international servants, international peacekeepers, international humanitarian aid workers, of the troop contributing countries, of all of the global organizations, of our determination that this behaviour will not be tolerated.” 2007-01-05 00:00:00.000  

SUSPECTED KILLER OF TWO BLUE HELMETS IN HAITI ARRESTED BY UN MISSION, NATIONAL POLICE

New York, Jan 5 2007 3:00PM The United Nations Stabilization Mission in Haiti (MINUSTAH) and the country’s national police today announced the arrest of a gang member wanted in connection with the killing last November of two blue helmets serving with the peacekeeping operation. The arrest of ‘Zachari’ took place following a joint operation which began at dawn in the Drouillard quarter of Cité Soleil, MINUSTAH said in a press release on Thursday. No shots were fired. The suspect is wanted in connection with the assassination of two Jordanian peacekeepers from MINUSTAH in November 2006. He is “is thought to be the chief of the cell responsible for kidnappings” within the Belony gang. Another presumed kidnapper was also arrested, according to MINUSTAH, and both suspects are being detailed by the Haitian National Police. “MINUSTAH and the Government of Haiti continue to work together to stop armed gangs and their criminal activities in the capital,” the mission said. On 10 November 2006, unidentified gunmen opened fire on a MINUSTAH patrol near the Port-au-Prince airport, fatally injuring Jordanian peacekeepers Ahmad Mohammed Hassan Ba’irat and Rami Wasif Taha Al Mohammed. Also last year, on 17 January, two other Jordanian blue helmets serving with MINUSTAH, Tareq Al Jaafreh and Rabi Merei, were shot and killed while manning a checkpoint in Cité Soleil. Armed gangs have been a constant concern of <"http://www.un.org/Depts/dpko/missions/minustah">MINUSTAH since it was set up by the Security Council to help to re-establish peace in the impoverished Caribbean country after an insurgency forced elected President Jean-Bertrand Aristide to go into exile in February 2004. 2007-01-05 00:00:00.000

 

TANZANIAN FOREIGN MINISTER NAMED NEW UN DEPUTY SECRETARY-GENERAL

New York, Jan 5 2007 3:00PM Tanzanian Foreign Minister Asha-Rose Migiro today became the third person – and second woman – in history appointed United Nations Deputy Secretary-General when she accepted the post offered to her by Secretary-General Ban Ki-moon. “Through her distinguished service in diverse areas, she has displayed outstanding management skills with wide experience and expertise in socio-economic affairs and development issues,” Secretary-General Ban <"http://www.un.org/apps/sg/sgstats.asp?nid=2392">said of Ms. Migiro, who was selected from a short list of candidates including men and women. Mr. Ban, who took office on 1 January with revitalization of the UN as a top priority, today stated that he intends to “delegate much of the management and administrative work” to Ms. Migiro “under a clear line of authority to ensure that the Secretariat will function in a more effective and efficient manner.” She has worked in the past with Secretary-General Ban when they both served as Foreign Ministers of their respective countries. He called her “a highly respected leader who has championed the cause of developing countries over the years.” Salim Ahmed Salim, the African Union (AU) Special Envoy on the Darfur conflict who is in New York for meetings with the Secretary-General, welcomed the appointment of Ms. Migiro, a fellow Tanzanian. Hailing her “skills and commitment,” Mr. Salim asserted, “I know she can do the job and I wish her well.” Dr. Migiro, who in her new capacity will be the highest ranking woman at the UN and the second-highest among all officials, also served as Minister of Community Development, Gender and Children's Affairs until she was asked to head the Ministry of Foreign Affairs and International Cooperation in January 2006. She entered the Government of Tanzania after leaving her position as Senior Lecturer at the Faculty of Law at the University of Dar-es-Salaam. Ms. Migiro, 50, replaces Mark Malloch Brown who took office in April 2006. Meanwhile, in another action pertaining to the creation of his cabinet, the Secretary-General today asked all assistant and under-secretaries-general, with a number of exceptions, to voluntarily tender their resignations. The aim, said his spokesperson, Michele Montas, is to “allow the Secretary-General the flexibility he needs in forming his new team.” She added that after reviewing the offers of resignation, he may decide to retain some senior officials. 2007-01-05 00:00:00.000

 

UN HOPES ISRAEL, PALESTINIANS AVOID VIOLENCE IN LIGHT OF ‘POSITIVE DEVELOPMENTS’

 New York, Jan 5 2007 6:00PM The chief United Nations spokesperson today voiced the hope that Israel and the Palestinians would exercise restraint in the light of some recent positive developments and avoid violence such as yesterday’s Israeli military incursion into the main Palestinian West Bank town of Ramallah. In response to a question at the daily briefing, spokesperson Michele Montas referred specifically to last month’s meeting between Israeli Prime Minister Ehud Olmert and Palestinian Authority President Mahmoud Abbas, Israel’s decision to release some Palestinian taxes and Mr. Olmert’s meeting yesterday with Egyptian President Hosni Mubarak. “We would hope that all parties would act with restraint to encourage these small steps back towards dialogue and away from violence, such as the Israeli military incursion into Ramallah yesterday,” she said. Last year, Israel stopped the transfer of Palestinian value added taxes (VAT) following the election victory of Hamas, which is committed to Israel’s destruction.

 

INTERNATIONAL GROUPING, INCLUDING UN, SAYS SOMALIA HAS ‘HISTORIC OPPORTUNITY’

New York, Jan 5 2007 7:00PM Meeting today for the first time since last week’s heavy fighting in Somalia, which may have given the Transitional Government of the long-troubled country the chance to establish its full authority, the International Contact Group for Somalia – which includes the United Nations – called the current moment “a historic opportunity.” In a communiqué issued in Nairobi, the Group welcomed a commitment by Somali President Abdullahi Yusuf to inclusive governance and the prevention of a resurgence of warlord activities. The communiqué also stressed the importance of immediately launching a process of political dialogue and reconciliation in the Horn of Africa country, which has not had a functioning government since the regime of Muhammad Siad Barre was toppled in 1991. Last month the Security Council adopted a <"http://www.un.org/Docs/journal/asp/ws.asp?m=s/res/1725(2006)">resolution authorizing the creation of an African protection and training mission in Somalia to help protect its transitional federal institutions, and today’s communiqué emphasized the urgent need for that force. To be known as IGASOM, the new force is to be set up by the African Union (AU) and the Intergovernmental Authority on Development (IGAD), an east African group, and will have an initial mandate of six months. No countries bordering Somalia will be able to deploy troops. Today’s meeting of the International Contact Group for Somalia was held following a wave of heavy fighting between the Transitional Federal Government (TFG) – backed by Ethiopian troops – and the Union of Islamic Courts (UIC) last month. The Secretary-General’s Special Representative for Somalia, Francois Lonsény Fall, represented the UN at the meeting. Yesterday, in a <"http://www.un.org/News/Press/docs/2007/sgsm10824.doc.htm">statement released by his spokesperson, Secretary-General Ban Ki-moon called on all sides in Somalia to “seize the moment and end the bloodshed” and urged the rapid deployment of IGASOM. 2007-01-05 00:00:00.000

 

UN WILL ENFORCE ‘ZERO TOLERANCE’ POLICY AGAINST SEXUAL ABUSE, PEACEKEEPING OFFICIAL SAYS

 New York, Jan 5 2007 6:00PM The United Nations, which fields nearly 200,000 people from well over 100 countries rotating through its peacekeeping missions every year, is determined to reinforce its policy of zero tolerance and remains constantly vigilant to fight the scourge, a senior official said today. “We recognize that this is a structural problem and that we need to deal with it structurally and systemically and that the behaviour of a relative few has tarnished the entire reputation of peacekeeping and we will not allow that to continue to occur,” Assistant Secretary-General Jane Holl Lute told a news briefing at UN Headquarters in New York following media reports of abuses in southern Sudan. “The reputation of UN peacekeeping is one of our most powerful assets, which is why we have responded over the past couple of years so strongly,” she said, stressing the UN’s three-point strategy of prevention, enforcement and remediation, with repetitive training and the establishment of complaint mechanisms. The UN has also set up conduct units in all of its major peacekeeping operations, including Sudan, specifically tasked with addressing the problem. The problem of sexual exploitation surfaced in 2004 when a UN report found that a “shockingly large number” of peacekeepers had engaged in such practices in the Democratic Republic of the Congo (DRC), with payments for sex sometimes ranging from two eggs to $5 per encounter. The victims included many abandoned orphans who were often illiterate. Between January 2004 and November 2006, 319 peacekeeping personnel in all missions had been investigated, resulting in the summary dismissal of 18 civilians and the repatriation on disciplinary grounds of 17 police and 144 military personnel. Ms. Holl Lute noted that the most recent cases in Sudan were based on a 2005-2006 report by the UN Children’s Fund (<"http://www.unicef.org">UNICEF) and said the “the expectation is that these are not new allegations” but concern 13 ongoing incidents. Four Bangladeshis involved have already been sent home to be dealt with by their own authorities. “Every time I’m made aware of an allegation of sexual exploitation and abuse I’m outraged,” Ms. Holl Lute said. “I’m outraged at every level, as a peacekeeper, as a professional, as a colleague of the tens of thousands of men and women who serve honourably in peacekeeping. I share their anger that some of our number may be engaging in this behaviour. “I’m angry as a woman, I’m angry as a mother, I’m saddened that the world has not come as far as we would like to believe in our treatment of women and vulnerable populations and I’m determined to continue to do whatever it is we can to strengthen this comprehensive programme of prevention, enforcement and remediation,” she added. She underscored the considerable challenge the UN faced in deploying tens of thousands of peacekeepers to societies that have been wracked by conflict and war sometimes for generations. “It keeps happening because that potential is going to exist in this kind of an environment.” But, she stressed, “the record of peacekeeping is an honourable one, it’s a good one, it’s a strong one.” And she highlighted the crucial importance of “the collective message we are sending now as a community of international servants, international peacekeepers, international humanitarian aid workers, of the troop contributing countries, of all of the global organizations, of our determination that this behaviour will not be tolerated.” 2007-01-05 00:00:00.000

SUSPECTED KILLER OF TWO BLUE HELMETS IN HAITI ARRESTED BY UN MISSION, NATIONAL POLICE New York, Jan 5 2007 3:00PM The United Nations Stabilization Mission in Haiti (MINUSTAH) and the country’s national police today announced the arrest of a gang member wanted in connection with the killing last November of two blue helmets serving with the peacekeeping operation. The arrest of ‘Zachari’ took place following a joint operation which began at dawn in the Drouillard quarter of Cité Soleil, MINUSTAH said in a press release on Thursday. No shots were fired. The suspect is wanted in connection with the assassination of two Jordanian peacekeepers from MINUSTAH in November 2006. He is “is thought to be the chief of the cell responsible for kidnappings” within the Belony gang. Another presumed kidnapper was also arrested, according to MINUSTAH, and both suspects are being detailed by the Haitian National Police. “MINUSTAH and the Government of Haiti continue to work together to stop armed gangs and their criminal activities in the capital,” the mission said. On 10 November 2006, unidentified gunmen opened fire on a MINUSTAH patrol near the Port-au-Prince airport, fatally injuring Jordanian peacekeepers Ahmad Mohammed Hassan Ba’irat and Rami Wasif Taha Al Mohammed. Also last year, on 17 January, two other Jordanian blue helmets serving with MINUSTAH, Tareq Al Jaafreh and Rabi Merei, were shot and killed while manning a checkpoint in Cité Soleil. Armed gangs have been a constant concern of <"http://www.un.org/Depts/dpko/missions/minustah">MINUSTAH since it was set up by the Security Council to help to re-establish peace in the impoverished Caribbean country after an insurgency forced elected President Jean-Bertrand Aristide to go into exile in February 2004. 2007-01-05 00:00:00.000

 

TANZANIAN FOREIGN MINISTER NAMED NEW UN DEPUTY SECRETARY-GENERAL New York, Jan 5 2007 3:00PM Tanzanian Foreign Minister Asha-Rose Migiro today became the third person – and second woman – in history appointed United Nations Deputy Secretary-General when she accepted the post offered to her by Secretary-General Ban Ki-moon. “Through her distinguished service in diverse areas, she has displayed outstanding management skills with wide experience and expertise in socio-economic affairs and development issues,” Secretary-General Ban <"http://www.un.org/apps/sg/sgstats.asp?nid=2392">said of Ms. Migiro, who was selected from a short list of candidates including men and women. Mr. Ban, who took office on 1 January with revitalization of the UN as a top priority, today stated that he intends to “delegate much of the management and administrative work” to Ms. Migiro “under a clear line of authority to ensure that the Secretariat will function in a more effective and efficient manner.” She has worked in the past with Secretary-General Ban when they both served as Foreign Ministers of their respective countries. He called her “a highly respected leader who has championed the cause of developing countries over the years.” Salim Ahmed Salim, the African Union (AU) Special Envoy on the Darfur conflict who is in New York for meetings with the Secretary-General, welcomed the appointment of Ms. Migiro, a fellow Tanzanian. Hailing her “skills and commitment,” Mr. Salim asserted, “I know she can do the job and I wish her well.” Dr. Migiro, who in her new capacity will be the highest ranking woman at the UN and the second-highest among all officials, also served as Minister of Community Development, Gender and Children's Affairs until she was asked to head the Ministry of Foreign Affairs and International Cooperation in January 2006. She entered the Government of Tanzania after leaving her position as Senior Lecturer at the Faculty of Law at the University of Dar-es-Salaam. Ms. Migiro, 50, replaces Mark Malloch Brown who took office in April 2006. Meanwhile, in another action pertaining to the creation of his cabinet, the Secretary-General today asked all assistant and under-secretaries-general, with a number of exceptions, to voluntarily tender their resignations. The aim, said his spokesperson, Michele Montas, is to “allow the Secretary-General the flexibility he needs in forming his new team.” She added that after reviewing the offers of resignation, he may decide to retain some senior officials. 2007-01-05 00:00:00.000

 

 

UN HOPES ISRAEL, PALESTINIANS AVOID VIOLENCE IN LIGHT OF ‘POSITIVE DEVELOPMENTS’ New York, Jan 5 2007 6:00PM The chief United Nations spokesperson today voiced the hope that Israel and the Palestinians would exercise restraint in the light of some recent positive developments and avoid violence such as yesterday’s Israeli military incursion into the main Palestinian West Bank town of Ramallah. In response to a question at the daily briefing, spokesperson Michele Montas referred specifically to last month’s meeting between Israeli Prime Minister Ehud Olmert and Palestinian Authority President Mahmoud Abbas, Israel’s decision to release some Palestinian taxes and Mr. Olmert’s meeting yesterday with Egyptian President Hosni Mubarak. “We would hope that all parties would act with restraint to encourage these small steps back towards dialogue and away from violence, such as the Israeli military incursion into Ramallah yesterday,” she said. Last year, Israel stopped the transfer of Palestinian value added taxes (VAT) following the election victory of Hamas, which is committed to Israel’s destruction.

 

INTERNATIONAL GROUPING, INCLUDING UN, SAYS SOMALIA HAS ‘HISTORIC OPPORTUNITY’ New York, Jan 5 2007 7:00PM Meeting today for the first time since last week’s heavy fighting in Somalia, which may have given the Transitional Government of the long-troubled country the chance to establish its full authority, the International Contact Group for Somalia – which includes the United Nations – called the current moment “a historic opportunity.” In a communiqué issued in Nairobi, the Group welcomed a commitment by Somali President Abdullahi Yusuf to inclusive governance and the prevention of a resurgence of warlord activities. The communiqué also stressed the importance of immediately launching a process of political dialogue and reconciliation in the Horn of Africa country, which has not had a functioning government since the regime of Muhammad Siad Barre was toppled in 1991. Last month the Security Council adopted a <"http://www.un.org/Docs/journal/asp/ws.asp?m=s/res/1725(2006)">resolution authorizing the creation of an African protection and training mission in Somalia to help protect its transitional federal institutions, and today’s communiqué emphasized the urgent need for that force. To be known as IGASOM, the new force is to be set up by the African Union (AU) and the Intergovernmental Authority on Development (IGAD), an east African group, and will have an initial mandate of six months. No countries bordering Somalia will be able to deploy troops. Today’s meeting of the International Contact Group for Somalia was held following a wave of heavy fighting between the Transitional Federal Government (TFG) – backed by Ethiopian troops – and the Union of Islamic Courts (UIC) last month. The Secretary-General’s Special Representative for Somalia, Francois Lonsény Fall, represented the UN at the meeting. Yesterday, in a <"http://www.un.org/News/Press/docs/2007/sgsm10824.doc.htm">statement released by his spokesperson, Secretary-General Ban Ki-moon called on all sides in Somalia to “seize the moment and end the bloodshed” and urged the rapid deployment of IGASOM. 2007-01-05 00:00:00.000

 

UN WILL ENFORCE ‘ZERO TOLERANCE’ POLICY AGAINST SEXUAL ABUSE, PEACEKEEPING OFFICIAL SAYS

 New York, Jan 5 2007 6:00PM The United Nations, which fields nearly 200,000 people from well over 100 countries rotating through its peacekeeping missions every year, is determined to reinforce its policy of zero tolerance and remains constantly vigilant to fight the scourge, a senior official said today. “We recognize that this is a structural problem and that we need to deal with it structurally and systemically and that the behaviour of a relative few has tarnished the entire reputation of peacekeeping and we will not allow that to continue to occur,” Assistant Secretary-General Jane Holl Lute told a news briefing at UN Headquarters in New York following media reports of abuses in southern Sudan. “The reputation of UN peacekeeping is one of our most powerful assets, which is why we have responded over the past couple of years so strongly,” she said, stressing the UN’s three-point strategy of prevention, enforcement and remediation, with repetitive training and the establishment of complaint mechanisms. The UN has also set up conduct units in all of its major peacekeeping operations, including Sudan, specifically tasked with addressing the problem. The problem of sexual exploitation surfaced in 2004 when a UN report found that a “shockingly large number” of peacekeepers had engaged in such practices in the Democratic Republic of the Congo (DRC), with payments for sex sometimes ranging from two eggs to $5 per encounter. The victims included many abandoned orphans who were often illiterate. Between January 2004 and November 2006, 319 peacekeeping personnel in all missions had been investigated, resulting in the summary dismissal of 18 civilians and the repatriation on disciplinary grounds of 17 police and 144 military personnel. Ms. Holl Lute noted that the most recent cases in Sudan were based on a 2005-2006 report by the UN Children’s Fund (<"http://www.unicef.org">UNICEF) and said the “the expectation is that these are not new allegations” but concern 13 ongoing incidents. Four Bangladeshis involved have already been sent home to be dealt with by their own authorities. “Every time I’m made aware of an allegation of sexual exploitation and abuse I’m outraged,” Ms. Holl Lute said. “I’m outraged at every level, as a peacekeeper, as a professional, as a colleague of the tens of thousands of men and women who serve honourably in peacekeeping. I share their anger that some of our number may be engaging in this behaviour. “I’m angry as a woman, I’m angry as a mother, I’m saddened that the world has not come as far as we would like to believe in our treatment of women and vulnerable populations and I’m determined to continue to do whatever it is we can to strengthen this comprehensive programme of prevention, enforcement and remediation,” she added. She underscored the considerable challenge the UN faced in deploying tens of thousands of peacekeepers to societies that have been wracked by conflict and war sometimes for generations. “It keeps happening because that potential is going to exist in this kind of an environment.” But, she stressed, “the record of peacekeeping is an honourable one, it’s a good one, it’s a strong one.” And she highlighted the crucial importance of “the collective message we are sending now as a community of international servants, international peacekeepers, international humanitarian aid workers, of the troop contributing countries, of all of the global organizations, of our determination that this behaviour will not be tolerated.” 2007-01-05 00:00:00.000

 

New York, Jan 5 2007 11:00AM United Nations agencies are helping to draw up an action plan to fight a new outbreak of Rift Valley Fever (RVF) in the Horn of Africa amid concerns that climate change with successive droughts and floods, some of it human-caused, could increase the 5-15 year cyclical frequency of the sometimes fatal viral haemorrhagic disease. “The outbreak of Rift Valley fever is just another example that requires a quick and coordinated answer,” the Manager of the new Crisis Management Centre (CMC) launched by the UN Food and Agriculture Organization (FAO) last October, Karin Schwabenbauer, said of the current <"http://www.reliefweb.int/rw/RWB.NSF/db900SID/YSAR-6X5N3B?OpenDocument">outbreak in Kenya, Somalia and Ethiopia. “I am glad that CMC was able to assist the team in the region in setting up the appropriate activities from the beginning of the outbreak,” she added of the battle against the mosquito-borne virus that primarily affects ruminant animals such as cattle, sheep, camels, goats, but can cause outbreaks in humans as well. Since the latest outbreak began there in November, 47 deaths have been reported in the flood-affected areas of Garissa, capital of Kenya’s North Eastern province. The Kenyan Ministry of Health, with international aid, is distributing mosquito nets and taking steps to reduce animal-to-human transmission through animal husbandry and slaughter. People become infected either by being bitten by mosquitoes or through contact with the blood, other body fluids or organs of infected animals. Such contact may occur during the care or slaughtering of infected animals or possibly from the ingestion of raw milk. Wind can sometimes help carry the virus-bearing insects long distances. <"http://www.fao.org/ag/aga/agah/empres/info/rvf/rvf198.htm">RVF can cause serious economic losses in livestock, particularly sheep and cattle, although goats, camels, Asian water buffaloes and wild antelopes may also be susceptible. Outbreaks often follow major flooding, since heavy rains trigger a kind of wake-up call for the mosquitoes that carry the disease. Since 1998, when flood-related RVF flared up in the Horn of Africa and encroached into the Arabian Peninsula, FAO has been working to demarcate the areas in sub-Saharan Africa at greatest risk and pinpoint hot spots across East and West Africa to forecast where the next outbreaks will occur and put adequate response strategies in place. Though RVF has historically occurred in 5-15 year cycles, climatic changes, including a succession of droughts and floods or human modifications of ecosystems, could change these intervals in the future, FAO said. Together with officials from the UN World Health Organization (<"http://www.who.int/en">WHO) and various international aid agencies present in the area, the FAO team is helping draw up preparedness, communication, surveillance and response activities. The <"http://www.fao.org/newsroom/en/news/2006/1000421/index.html">CMC was set up in collaboration with the Paris-based World Organization for Animal Health (<"http://www.oie.int/eng/en_index.htm">OIE) to bring rapid-response capacity to trans-boundary animal and plant diseases amid growing concern at the rapid spread of bird flu. Supported by advanced communications technology and operating with a staff of up to 15 specialists and veterinarians who continuously monitor and update disease information from around the globe, the CMC can dispatch its experts to any hotspot in the world in under 48 hours of a suspected outbreak. 2007-01-05 00:00:00.000

 

 

 

 

Jan 4

 

SECRETARY-GENERAL ALARMED BY REPORTS OF SEXUAL ABUSE BY UN PEACEKEEPERS IN SUDAN

 New York, Jan 3 2007 6:00PM Voicing deep concern at media reports that United Nations peacekeepers in southern Sudan have engaged in sexual exploitation and abuse of locals, including children, Secretary-General Ban Ki-moon soundly denounced the practice while pointing out that the world body’s own investigations have already resulted in the dismissal of four blue helmets there. In a <"http://www.un.org/News/Press/docs//2007/sgsm10823.doc.htm">statement released by his spokesperson, Mr. Ban emphasized that “the UN standard on this issue is clear – zero tolerance, meaning zero complacency and zero impunity.” He said the UN Mission in Sudan (UNMIS) was examining the substance of the press reports to determine if the allegations are new or refer to existing cases under investigation. “It is the UN’s policy to treat credible allegations of sexual exploitation and abuse as serious offences to be investigated by the Office of the Internal Oversight Services (OIOS),” the statement said. The statement added that OIOS already has a team based permanently in Sudan and that four UNMIS peacekeepers have been sent home over the past year as a result of the Office’s investigations. “The UN is working closely with local authorities and all operational partners, including our troop-contributing countries, to ensure that UN personnel adhere to the highest standards of accountability. When necessary, strong disciplinary action will be taken.” The problem of sexual abuse and exploitation by blue helmets surfaced in 2004, when a UN report found that a “shockingly large number” of peacekeepers had engaged in such practices in the Democratic Republic of the Congo (DRC), with payments for sex sometimes ranging from two eggs to $5 per encounter. The victims included many abandoned orphans who were often illiterate. The UN responded with forceful policy decisions and disciplinary action. By the end of last November, 319 peacekeeping personnel in all missions had been investigated. These probes resulted in the summary dismissal of 18 civilians and the repatriation on disciplinary grounds of 17 police and 144 military personnel. 2007-01-03 00:00:00.000

 

BAN KI-MOON LEADS FIRST MEETING OF UN TASK FORCE ON DARFUR CRISIS

New York, Jan 4 2007 5:00PM Secretary-General Ban Ki-moon will today chair the first meeting of the United Nations-wide Darfur Task Force, a new grouping set up by the Organization to help guide and streamline efforts to end the spiralling humanitarian and security crisis in the strife-torn Sudanese region. The Task Force includes the heads of the UN departments of peacekeeping, political affairs, public information, legal affairs, and safety and security, as well as the Office for the Coordination of Humanitarian Affairs (<"http://ochaonline.un.org/webpage.asp?Page=873&Lang=en">OCHA) and the UN High Commissioner for Refugees (<"http://www.unhcr.org/cgi-bin/texis/vtx/news">UNHCR). The Special Adviser on Africa, Under-Secretary-General Legwaila Joseph Legwaila, and the Special Adviser on the Prevention of Genocide, Juan Méndez, are also part of the grouping. Today’s inaugural gathering follows Mr. Ban’s meeting this morning with the UN envoy Ahmedou Ould-Abdallah, who recently travelled to Khartoum for talks with the Sudanese Government about accepting an eventual hybrid UN-African Union (AU) peacekeeping force in Darfur. Mr. Ould-Abdallah and Jan Eliasson, the former General Assembly president and Swedish foreign minister who is acting as a separate UN envoy on the Darfur crisis, were both expected to take part in today’s Task Force meeting. Mr. Ban and Mr. Eliasson will also meet with AU envoy Salim Ahmed Salim in New York tomorrow to discuss ways to end the bloodshed in Darfur, a remote and impoverished region roughly the size of France. More than 200,000 people have been killed and 2 million others displaced from their homes since 2003 when clashes erupted between Government forces, allied militias and rebel groups seeking greater autonomy. The UN estimates that 4 million people now depend on humanitarian assistance. Sudanese President Omar el-Bashir informed the UN late last month, following the visit by Mr. Ould-Abdallah, that his Government had agreed to the hybrid force, which will take over from the existing AU monitoring force – which is known by the acronym AMIS. The new force is expected to comprise about 17,000 troops and 3,000 police officers. Meanwhile, the UN Mission in Sudan (UNMIS) has reported that two AMIS personnel kidnapped during a carjacking early last month in Darfur – part of a wave of such incidents last year – remain missing. Some 118 vehicles were seized in 2006, according to the Mission, including five UN-marked vehicles. 2007-01-04 00:00:00.000

 

UN CALLS FOR SPEEDY ACTION IN TIMOR-LESTE ON COMMISSION REPORT INTO 2006 VIOLENCE

New York, Jan 4 2007 5:00PM Strongly backing last year’s inquiry into deadly violence in Timor-Leste, the United Nations today called for speedy action on its recommendations, which include further investigation as well as prosecution of those responsible for the clashes that led to at least 37 deaths and forced 155,000 people – 15 per cent of the population – to flee their homes. The Special Representative of the Secretary-General, Atul Khare, who heads the UN Integrated Mission in Timor-Leste (UNMIT), stressed the need for the world body to work closely with the authorities on the findings of the Independent Special Commission of Inquiry report, which was released on 17 October and submitted to the Timorese parliament. “It is clearly of the greatest importance that the Government of Timor-Leste and the United Nations work together to ensure adequate follow-up to the recommendations of the Commission of Inquiry,” he told a press conference in the capital Dili. “First and foremost, I must say that United Nations and UNMIT support the report of the Commission of Inquiry and strongly encourage expeditious action to be taken on its recommendations.” He voiced satisfaction at public acknowledgements of responsibility by some institutions and leaders regarding their roles in the crisis. The Parliament’s review of the Commission of Inquiry Report should address reparation for the victims and proposals for the establishment of independent oversight covering the police and military, he added. Mr. Khare also emphasized that UNMIT does “not support impunity for crimes committed in April and May,” referring to last year’s crisis that was attributed to differences between eastern and western regions of the small South-East Asian country that the UN shepherded to independence from Indonesia in 2002. He also said that the mission, along with the UN Development Programme (UNDP) and other partners, was working to strengthen the justice system, while UN police officers (UNPOL), who are in charge of policing throughout the country, continue to train national officers while helping to maintain law and order. Also speaking at today’s press conference was the Deputy Special Representative of the Secretary-General for Security Sector Reform Rule of Law in Timor-Leste, Eric Tan Huck Gim, who confirmed that security in the country continues to improve, as he also looked ahead to this year’s elections. “The situation in Dili and across the country continues to be relatively stable with UNPOL being in control of the security. There were recent events surrounding New Year’s eve which caused a small spike in isolated events of security incidents around Dili but on the whole it was very good to see the citizens enjoying the New Year and welcoming the New Year with peace and calm.” 2007-01-04 00:00:00.000

 

FOUR PEACEKEEPERS ACCUSED OF SEX ABUSE ALREADY REPATRIATED – UN MISSION IN SUDAN

 New York, Jan 4 2007 5:00PM The United Nations Mission in Sudan (<"http://www.un.org/Depts/dpko/missions/unmis/">UNMIS) has already repatriated four of its peacekeepers to Bangladesh following investigations into allegations of sexual exploitation and abuse, and the cases of those personnel will now be dealt with by that country, the UN spokesperson said today. Michele Montas told journalists that the blue helmets were repatriated a few months ago as a result of investigations by a UN team that began in February last year. Inquiries are continuing into misconduct allegations – not all of which involve sexual exploitation – against 13 other staff at UNMIS, some dating back to 2005. Ms. Montas stressed that when individuals are accused of such acts they are halted from performing their regular duties pending the outcome of the investigations. She added that the Department of Peacekeeping Operations (DPKO) will follow up with Bangladeshi authorities on the outcome of the cases of the four repatriated peacekeepers to find out what action has been taken. Investigators are looking into whether the cases of the Bangladeshi peacekeepers are the same as those discussed in recent media reports. In a statement released by his spokesperson yesterday Secretary-General Ban Ki-moon denounced the practice of sexual exploitation and promised that strong disciplinary action would be taken when necessary. “The UN standard on this issue is clear – zero tolerance, meaning zero complacency and zero impunity,” the statement said. Ms. Montas, who noted that the UN deploys tens of thousands of peacekeepers to broken societies, added today that DPKO has made definite efforts to change the culture, listen to alleged victims and conducting thorough investigations into accusations. The problem of sexual abuse and exploitation by blue helmets surfaced in 2004, when a UN report found that a “shockingly large number” of peacekeepers had engaged in such practices in the Democratic Republic of the Congo (DRC), with payments for sex sometimes ranging from two eggs to $5 per encounter. The victims included many abandoned orphans who were often illiterate. The UN responded with forceful policy decisions and disciplinary action. By the end of last November, 319 peacekeeping personnel in all missions had been investigated. These probes resulted in the summary dismissal of 18 civilians and the repatriation on disciplinary grounds of 17 police and 144 military personnel. 2007-01-04 00:00:00.000

 

DARFUR: BAN KI-MOON EXPECTED TO MEET AFRICAN UNION ENVOY LATER THIS WEEK

 New York, Jan 3 2007 6:00PM Secretary-General Ban Ki-moon said today he may hold a meeting as early as Friday with envoys from the United Nations and the African Union (AU) about the continuing humanitarian and security crisis in the Sudanese region of Darfur. Mr. Ban spoke with his Special Envoy on the issue, the former General Assembly president and Swedish foreign minister Jan Eliasson, at UN Headquarters in New York this morning to discuss Mr. Eliasson’s work so far and his plans for the weeks and months ahead. Mr. Eliasson – who was appointed last month – has been tasked with working the diplomatic channels, especially outside Sudan, and encouraging governments in their home capitals to remain engaged on this issue. A spokesperson for Mr. Ban said the Secretary-General suggested a meeting be held with Mr. Eliasson and the AU Special Envoy for the Darfur conflict, Salim Ahmed Salim, possibly as soon as Friday. Mr. Ban has already spoken by telephone with Mr. Salim and with AU Commission President Alpha Oumar Konaré since taking office on Monday, and he told reporters yesterday that resolving the crisis in Darfur would be one of his top priorities. More than 200,000 people have been killed and 2 million others displaced from their homes since 2003 when clashes erupted in Darfur between Government forces, allied militias and rebel groups seeking greater autonomy. The UN estimates that 4 million people now depend on humanitarian assistance. Last month the Sudanese Government announced it had agreed to a three-phased approach leading to the deployment of a hybrid UN-AU peacekeeping force in Darfur, a remote and impoverished region on Sudan’s western flank. The eventual force is expected to comprise about 17,000 troops and 3,000 police officers. 2007-01-03 00:00:00.000

 

CHINESE BIRD FLU EXPERT TAKES OVER AS NEW HEAD OF UN HEALTH AGENCY

 New York, Jan 4 2007 11:00AM Margaret Chan, a Chinese doctor who played a key role in United Nations efforts to prevent bird flu from mutating into a deadly human pandemic, took office today as <"http://www.who.int/mediacentre/news/releases/2007/pr01/en/index.html">head of the UN World Health Organization (WHO), vowing to improve the health of Africans and women worldwide – and pledging reform but not upheaval. “WHO has a long history of commitment to those in greatest need, including the most vulnerable groups,” the new Director-General of the 193-member state organization said on assuming office in Geneva. “I want my leadership to be judged by the impact of our work on the health of two populations: women and the people of Africa.” Dr. Chan was elected in November by the World Health Assembly, WHO’s decision making body, to succeed Lee Jong-wook, who died suddenly last May. She set out six priority areas on which she intends to focus WHO’s work: development for health, health security, building the capacity of health systems, developing better information and knowledge, enhancing partnerships, and improving the Organization’s performance. She told staff these priorities would not mean a major restructuring of WHO and she would be looking for ways in which different parts of the organization can work better together. “I will stick with my promise. Reform, yes. Upheaval, no,” she said. “I believe these are optimistic times for health. Never before has our work enjoyed such a high profile on the political agenda,” she added. One of the key challenges facing WHO is to “manage all this vigorous interest in health in ways that ensure lasting improvements and do not overburden recipient countries,” she said. “As the acknowledged leader in public health, we need to ensure that the growing number of health initiatives meets comprehensive health needs, in a coordinated way, in line with the priorities of countries and their populations.” Dr. Chan was previously WHO’s top official for communicable diseases and point person for pandemic influenza. In 2003, she became Director of the Department of Protection of the Human Environment, and in 2005 Director, Communicable Diseases Surveillance and Response, and Representative of the Director-General for Pandemic Influenza as well as Assistant Director-General for the Communicable Diseases cluster. She obtained her medical degree from the University of Western Ontario in Canada, joined the Hong Kong Department of Health in 1978, and in 1994 was appointed Hong Kong Director of Health. She effectively managed outbreaks of bird flu and severe acute respiratory syndrome (SARS), a flu-like disease that over a nine-month period in 2002- 2003 infected more than 8,000 people, killing 774 of them, mostly in China and elsewhere in Asia. In her 30-year career in public health, she has covered all areas, ranging from health policy and chronic disease prevention and control to food and drug regulation and anti-tobacco work. Her first job was taking care of children and pregnant women. 2007-01-04 00:00:00.000

 

UN HUMAN RIGHTS EXPERT DEPLORES SADDAM’S TRIAL AND EXECUTION; CALLS FOR LEGAL OVERHAUL

New York, Jan 4 2007 11:00AM Citing “glaring flaws” in the trial of former Iraqi President Saddam Hussein, who was hanged on Saturday, and his co-defendants, an independent United Nations human rights expert has called on the Iraqi Government to halt the other executions and overhaul its judicial system to comply with international law. “The trial and execution of Saddam Hussein were tragically missed opportunities to demonstrate that justice can be done, even in the case of one of the greatest crooks of our time,” Philip Alston, UN Special Rapporteur on extrajudicial, summary or arbitrary executions, <"http://www.unhchr.ch/huricane/huricane.nsf/view01/771742A22EA6FE2EC125725800678C7D?opendocument">said in a statement. He called for far-reaching reforms, and said a number of basic measures must be taken at once, including commuting the other death sentence to life imprisonment or other long terms, eliminating the Government’s powers to remove a judge “for any reason,” and amending the 30-day time period between final judgement and execution to ensure full respect for the right to appeal. Mr. Alston, a law professor at New York University, cited three major flaws. First, the trial was marred by serious irregularities denying Mr. Hussein a fair hearing. Secondly the Government “engaged in an unseemly and evidently politically motivated effort to expedite the execution by denying time for a meaningful appeal and by closing off every avenue to review the punishment,” he declared. “Finally, the humiliating manner in which the execution was carried out clearly violated human rights law,” he said. “The right not to be subjected to cruel, inhuman or degrading punishment was violated when Saddam Hussein Al-Majeed was mocked by his executioners and then shown to the world by video as a morbid, public spectacle.” While acknowledging “an understandable inclination to exact revenge in such cases,” he warned that “to permit such instincts to prevail only sends the message that the rule of law continues to be mocked in Iraq, as it was in Saddam’s own time. “If the current Government of Iraq is serious about marking a departure from the predetermined and arbitrary justice meted out by Saddam himself, a number of reforms should be adopted urgently,” he said, adding that as a first step, the reportedly imminent execution of two co-defendants, Barzan Ibrahim Al-Hassan and Awad Hamad Al-Bandar, should be halted. This echoed a <"http://www.ohchr.org/english/press/media.htm">call made yesterday by UN High Commissioner for Human Rights Louise Arbour. Mr. Alston stressed that the trials “were characterized by glaring flaws” with the legal right of defendants to challenge evidence severely impeded. The statements of at least 23 prosecution witnesses were read into the court record without giving the defendants any opportunity to question them. He cited “the disarray” of the trial with an 80 per cent turnover among the judges and the murder of three defence lawyers. He said the right to have one’s conviction and sentence reviewed by a higher tribunal appears to have been treated as a mere formality, with all the complex issues disposed of in less than a month. “This undue haste mocks the due process requirements of international law. The process to date has given the clear sense of a predetermined rush to execute rather than of a commitment to achieve justice,” he declared. Special Rapporteurs are unpaid, independent experts who report to the UN <"http://www.ohchr.org/english/bodies/hrcouncil">Human Rights Council. 2007-01-04 00:00:00.000

 

SECRETARY-GENERAL BAN REAFFIRMS UN SUPPORT FOR BURUNDI AS NEW OFFICE TAKES OVER

 New York, Jan 2 2007 6:00PM Secretary-General Ban Ki-moon today congratulated the people of Burundi on the successful completion of the United Nations peacekeeping operation in the country, as he pledged the world body’s continuing commitment to help the impoverished nation shake off the ravages of civil war and political instability. The UN Operation in Burundi (ONUB) ended its mission on Sunday, when it was replaced by the UN Integrated Office (BINUB) and Mr. Ban said he looked forward to the new office working closely with the Government “to overcome the many remaining challenges.” In a <"http://www.un.org/apps/sg/sgstats.asp?nid=2385">statement released by his spokesman, the Secretary-General congratulated Burundi on the successful implementation of ONUB and reaffirmed the UN’s continued commitment to assisting the country, “together with other partners, in efforts to overcome the many remaining challenges to the consolidation of peace.” He also voiced hope that the Government of Burundi “will extend its full cooperation in ensuring the successful implementation of BINUB’s mandate.” Late last month, a report to the Security Council warned that human rights abuses, political tensions and other “troubling developments” in Burundi could cause the hard-won peace process there to unravel. It added that despite the progress that has been made during the ONUB mandate, “the situation in Burundi is still fragile and major peace consolidation challenges remain.” Like neighbouring Rwanda, Burundi has also been ravaged by an ethnic conflict between its Hutu and Tutsi populations. Since gaining independence in 1962, the small Central African country has been the victim of violent coups and political instability. The death of some 300,000 people after the first free elections took place in 1993 led to increased international involvement and the establishment of the first UN mission in Burundi three years later. 2007-01-02 00:00:00.000

 

SECRETARY-GENERAL PLEDGES TO GIVE RESOLUTION OF DARFUR CRISIS HIS ‘HIGHEST ATTENTION’

York, Jan 2 2007 5:00PM Describing the Darfur crisis as one of his top priorities in office, the new Secretary-General Ban Ki-moon announced plans today to enter immediately into diplomatic efforts to end the bloodshed in the Sudanese region, holding a meeting with his senior envoy tomorrow and attending an African Union (AU) summit later this month. <"http://www.un.org/apps/sg/offthecuff.asp?nid=964">Addressing reporters at UN Headquarters, Mr. Ban said he spoke to his Special Envoy, the former General Assembly president and Swedish foreign minister Jan Eliasson, by telephone yesterday and would discuss Darfur further during their meeting, scheduled for tomorrow morning. Mr. Eliasson – who was appointed last month – has been tasked with working the diplomatic channels, especially outside Sudan, and encouraging governments in their home capitals to remain engaged on this issue. More than 200,000 people have been killed and 2 million others displaced from their homes since 2003 when clashes erupted in Darfur between Government forces, allied militias and rebel groups seeking greater autonomy. The UN estimates that 4 million people now depend on humanitarian assistance. Mr. Ban said he hoped to meet Sudanese President Omar el-Bashir and other African leaders, including AU Commission President Alpha Oumar Konaré, when he attends the AU summit later this month. “I will pay my highest attention on this…. By engaging myself in the diplomatic process, I hope that we will be able to resolve peacefully, as soon as possible, this very serious issue,” he told reporters. Last week the former Secretary-General Kofi Annan said Mr. Bashir had accepted a three-phased approach leading to the deployment of a hybrid UN-AU peacekeeping force in Darfur. That agreement followed a visit to Khartoum earlier last month by the UN envoy, Ahmedou Ould-Abdallah, to press the Sudanese Government on the need for stronger and more urgent action to stop the suffering in Darfur. Under the first phase, which was already agreed upon, the UN is providing a $21 million “light support package” to the existing AU force in Darfur, known as AMIS. This includes the deployment of 24 police advisers and 43 staff officers. Mr. Ban’s spokesperson Michele Montas said the UN is working with the AU to submit details to the Sudanese Government of its plans for the second phase, which includes the deployment of several hundred UN military, police and civilian staff to help AMIS. The eventual hybrid force is expected to comprise about 17,000 troops and 3,000 police officers, compared to AMIS’ current total of just 7,000 troops to monitor an area roughly the size of France. Ms. Montas added that Mr. Ban is also expected to chair a taskforce meeting on Darfur on Thursday. The UN Mission in Sudan (UNMIS) reports today that the overall security situation inside Darfur has remained fairly calm so far during the Islamic period of Eid al-Adha, although there have been a number of isolated cases of killings and robberies. 2007-01-02 00:00:00.000

 

 

Jan 2

NEW SECRETARY-GENERAL BAN TAKES OVER AT UN’S NEW YORK HEADQUARTERS

New York, Jan 2 2007 10:00AM Passing an honour guard and welcomed with applause from staff, new United Nations Secretary-General Ban Ki-moon arrived at the world body’s New York Headquarters today for his first official day of work. Mr. Ban, who succeeded Kofi Annan to become the UN’s eighth Secretary-General as the New Year came in on 1 January, smiled broadly as he entered the towering landmark building on New York’s East River. After paying tribute at the memorial for UN personnel who have fallen in the line of duty, he was to address staff on his hopes and aspirations. 2007-01-02 00:00:00.000

 

 

Dec 30

UN FOOD AGENCY RESUMES AID FLIGHTS TO SOMALIA

 New York, Dec 29 2006 11:00PM Following a temporary suspension caused by a recent flare up of violence in Somalia, the United Nations World Food Programme (WFP) today announced a resumption of air aid deliveries to the country, where it is struggling to feed half a million people affected by floods. The UN Common Air Services (UNCAS) which is managed by WFP, resumed humanitarian flights into Somalia today with a plane leaving Nairobi for Hargeisa in northern Somalia carrying humanitarian workers and cargo. Another flight is planned for Saturday, with an aircraft scheduled to go from Nairobi to the southern Somali town of Wajid. These flights follow the Transitional Federal Government (TFG) giving permission for humanitarian flights to resume after declaring Somalia's land, air and sea borders closed on 25 December, WFP said in a news release. Despite the fighting between the TFG and the Union of Islamic Courts (UIC) in Somalia -- where Ethiopia has also admitted sending troops -- the agency distributed an estimated 2,000 metric tons of food to 93,000 people affected by floods in Lower Shabelle and Middle and Lower Juba regions, largely thanks to improved access by land. A WFP-chartered ship loaded with 4,500 metric tons of WFP food docked in Mogadishu port on 26 December and started discharging the same day. On 27 December, WFP announced the suspension of its helicopter operation delivering humanitarian aid from the Somali port of Kismayo and both its air drop operation and passenger flights from Kenya into Somalia. "WFP hopes to resume all its air operations using airdrops and helicopters in Somalia as soon as possible and is in contact with authorities on the ground in an attempt to achieve this," according to the news release. More than 100 national staff in Somalia operating from 15 offices across the country are continuing to distribute food to victims of the floods and other vulnerable people. 2006-12-29 00:00:00.000

 

DEC 29

 

BRAZILIAN FOOTBALL GREAT RONALDINHO KICKS-OFF INSTITUTE TO HELP POOR
YOUTH THROUGH SPORT



Brazilian soccer star Ronaldinho, one of the world’s best known
sports figures and a United Nations goodwill ambassador, has launched an
institute in Porte Alegre, Brazil, to help disadvantaged children through
sport and education, an initiative that shows the way forward in global
development, a senior UN official said in welcoming the move.

“With the launch of the institute, that dream of helping the most
vulnerable children and youth in Porto Alegre has come true,” said an
emotional Ronaldo Assis de Moreira, better known as Ronaldinho Gaúcho,
at Wednesday’s launch.

The UN is cooperating with the institute and will provide technical
advice and assist in recruiting professional staff before the programme
begins next March, as it shows the power of sport to help countries
achieve the Millennium Development Goals (MDGs), a set of targets to slash
poverty and other global ills by 2015, the world body said.

“The United Nations salutes Ronaldinho and his family for launching
this new initiative that shows how sport can contribute to improving the
lives of children and young people and progress towards achieving the
MDGs,” said Djibril Diallo, Director of the Office of Sport for
Development and Peace (UNOSDP), in a statement on behalf of Adolf Ogi,
Special Adviser to the Secretary-General on the same issue.

The Ronaldinho Gaúcho Institute aims to provide poor children and
youth access to education, health care and cultural activities, with a
capacity of 3,500 youngsters a month. These young people will take part in
football, tennis and other sports, as well as attending workshops on
information technology, languages, theatre, music and other classes.
Along with health care, the institute will also offer dental treatment.

Ronaldinho, who plays with the FC Barcelona team, met with
Secretary-General Kofi Annan and was appointed UN Spokesperson for Sport for
Development and Peace in August 2006 by UNOSDP, which is cooperating with his
initiative on behalf of the world body. He also serves as a UN World
Food Programme (WFP) Ambassador Against Hunger.

“If a young person develops his or her talent in sport through the
project, then that is great. However, this is not our main focus. We want
to create opportunities for growth and education,” said Roberto Assis
de Moreira, brother of Ronaldinho and Executive President of the
institute.

During Wednesday’s launch, names were collected for an auction to
raise funds for the institute involving items from the Nike 10R product
line developed especially for Ronaldinho. The auction will take place
from 5 to 15 January on the website of E-bay international at
www.ebay.com/ronaldinhogaucho.
2006-12-28 00:00:00.000

Dec 28

UN PREPARES FOR POSSIBLE EXODUS OF TENS OF THOUSANDS OF SOMALIS FLEEING FIGHTING

New York, Dec 28 2006 11:00AM The United Nations refugee agency is mobilizing staff and resources in preparation for a possible exodus of tens of thousands of people fleeing fighting in Somalia. Although no large-scale refugee movements have yet been recorded in neighbouring countries, the UN High Commissioner for Refugees (<"http://www.unhcr.org/news/NEWS/459297094.html">UNHCR) is immediately positioning relief items in the region as well as trucks and emergency staff. The agency is reinforcing its operational capacity in north-eastern Kenya and Ethiopia in response to the worsening humanitarian situation in Somalia, where thousands of people have been displaced by recent fighting between Ethiopian forces aligned with the Somali Transitional Federal Government and the Islamic Courts Union. Relief items, including plastic sheets and jerry cans for up to 50,000 people, are being sent from UNHCR regional warehouses and positioned along the Somali border. At the same time, the agency’s fleet of vehicles is being expanded with the deployment of 10 extra trucks. Beyond the immediate pre-positioning of relief items, UNHCR will also increase its existing stockpiles in the region by purchasing enough supplies for a further 100,000 people, both refugees and internally displaced persons (<"http://www.unhcr.org/protect/3b84c7e23.html">IDPs). UNHCR emergency response teams are on standby, ready to be sent to the region from around the world, and staff on holiday have been recalled as agency offices in Kenya, Ethiopia and across the Gulf of Aden in Yemen closely monitor the situation for any increase in cross-border movements. So far, only small numbers of refugees have been crossing into both Kenya and Ethiopia. Inside Somalia, thousands of people fleeing the conflict are reported to be in a desperate situation. UNHCR staff in Puntland, in the north-east, report some 3,000 IDPs who fled the fighting further south. The agency has also received reports of several thousand IDPs in the Bay, Hirann, Mudug, Juba, and Shabelle regions and is particularly concerned about reports of civilians, including children, being forcibly recruited to join the fighting. On Tuesday, UN High Commissioner for Refugees António Guterres expressed <"http://www.unhcr.org/news/NEWS/45914aaa4.html">concern at the deteriorating humanitarian situation in Somalia and appealed to all sides to respect humanitarian principles and the rights of the civilian population. Before the latest upsurge in fighting, more than 30,000 Somalis had already fled the conflict to north-east Kenya this year amid fears that the influx could climb to 80,000 by the end of 2006. The region already shelters some 160,000 Somalis who had fled earlier fighting and droughts. 2006-12-28 00:00:00.000

ENVOY CONFIDENT ABOUT EFFORTS TO DETERMINE FINAL STATUS OF UN-RUN KOSOVO

New York, Dec 28 2006 11:00AM The top United Nations envoy in Kosovo today voiced confidence on reaching a decision on the final status of the Albanian-majority Serbian province that the world body has run since Western forces drove out Yugoslav troops in 1999 amid ethnic fighting. “We have come a long way in the status process led by Special Envoy Ahtisaari,” Secretary-General Kofi Annan’s Special Representative Joachim Rücker <"http://www.unmikonline.org/pio.htm">said in a message marking the Kurban Bajram Muslim festival, referring to former Finnish President Martti Ahtisaari, who is overseeing the status talks. “We have not reached the finish line yet, but I am confident that we will stick together and keep Kosovo on track as we reach the culmination of this process.” Independence and autonomy are among the options for the province, where Albanians outnumber Serbs and others by 9 to 1, but Serbia rejects independence. A UN proposal for the future status, which was to have been submitted this year, has been postponed until after Serbia’s parliamentary elections on 21 January. In his most recent report on the province last month, Mr. Annan said Kosovo’s provisional ethnic Albanian Government and Serbia remained “diametrically opposed” in their views of the future status. Mr. Rücker cited progress in implementing the so-called Standards, eight overall targets that include building democratic institutions, enforcing minority rights, creating a functioning economy and setting up an impartial legal system. He also noted that the economy had grown by almost 5 per cent, much higher than predicted at the beginning of the year, for the first time driven by the private sector. “Of course, this growth is not sufficient yet to reduce unemployment and we have to work even harder,” he said. “Important steps have been taken to attract foreign direct investment to Kosovo, especially in the energy sector, where we need it most.” He pledged to bring a successful conclusion to the UN Interim Administration Mission in Kosovo (UNMIK) by planning an orderly transition from international administration to institutions set up under the final status. “Everything we do continues to be a partnership between internationals, our partners in the PISG (provisional government) and you, the people of Kosovo,” he said. “It is this partnership that gives me confidence that we will overcome the challenges ahead, and keep Kosovo secure and a home to all of its people.” 2006-12-28 00:00:00.000

AFGHANISTAN: UN REAFFIRMS COMMITMENT TO HELP REINFORCE HUMAN RIGHTS

New York, Dec 28 2006 10:00AM The top United Nations envoy in Afghanistan today pledged the world organization’s support in entrenching fundamental human rights in the strife-torn country. Welcoming President Hamid Karzai’s recent decree confirming the appointment of three new commissioners to the Afghanistan Independent Human Rights Commission (AIHRC), Secretary-General Kofi Annan’s Special Representative Tom Koenigs <"http://www.unama-afg.org/_latestnews/SRSG%20statement%20AIHRC.pdf">stressed the crucial role played by the rights body. “Since its establishment in June 2002, the Afghanistan Independent Human Rights Commission (AIHRC) has played a vital role in protecting and promoting the human rights of all of Afghanistan’s peoples,” he said in a statement. “I welcome President Karzai’s recent confirmation of three new appointments to the commission and hope that the new commissioners will continue their work with the same commitment and effort that the AIHRC has demonstrated since it was established. “The United Nations remains committed to supporting the work of the AIHRC and we will continue to work with the commission as it strives to build recognition and respect for fundamental human rights across Afghanistan,” he added. 2006-12-28 00:00:00.000

Dec 27

ETHIOPIA: UN BACKS MASS MEASLES IMMUNIZATION AMID CONCERN AT NEW CASES
New York, Dec 27 2006 11:00AM
A mass United Nations-backed measles immunization campaign is currently
underway in
<"http://www.reliefweb.int/rw/RWB.NSF/db900SID/EVOD-6WUJ3Z?OpenDocument">Ethiopia,
targeting more than 5.8 million children aged under the age of 5
following growing fears earlier this year over the rise in new cases of the
disease.

The first phase of the campaign was conducted from May to June
targeting about 5.7 million children from 6 to 59 months with 91 per cent
coverage amid increased concern that the numbers of new cases could be the
result of low levels of routine immunization in 2005 with only 59 per
cent coverage.

Over 70 cases occurred from March to September 2006 in Addis Ababa, the
capital. Some 1,350 cases have been reported from other areas from
August to November as news of fresh outbreaks comes in.

The campaign is being carried out by federal and regional health
bureaus in collaboration with the UN Children’s Fund
(<"http://www.unicef.org/index2.php">UNICEF) and the UN World Health
Organization (<"http://www.who.int/en">WHO).
2006-12-27 00:00:00.000

DEC 26

UN MARKS TSUNAMI ANNIVERSARY WITH RELIEF AIRLIFT FOR FRESH FLOODS IN
INDONESIA


Dec 26 2006 11:00AM
The United Nations marked the second anniversary of the devastating
Indian Ocean tsunami today with calls for enhancing early warning systems
that can save hundreds of thousands of lives, expressions of regret
that the catastrophe failed to unite Sri Lanka’s warring sides in
pursuit of peace, and an aid airlift for victims of new flooding.

In a cruel twist of fate UN humanitarian agencies are flying in food
and other aid to Indonesia’s Aceh province, the area worst hit by the
tsunami two years ago, after widespread flooding over the weekend struck
170,000 people, leaving over 100 dead, several hundreds more missing,
and nearly 130,000 displaced.

The head of the UN Educational, Scientific and Cultural Organization
(UNESCO), which has taken a leading role in setting up early warning
networks, noted that such a regional system now exists to warn authorities
in 27 countries of the impending arrival of another killer wave such as
that which left more than 200,000 people dead in a dozen nations on 26
December, 2004.


“This means that the future certainly looks safer,” UNESCO
Director-General Koïchiro Matsuura
<"http://portal.unesco.org/en/ev.php-URL_ID=36265&URL_DO=DO_TOPIC&URL_SECTION=201.html">said.
“But I must stress that this is no reason for complacency. After all,
the technology that makes up the Indian Ocean Tsunami Warning System,
is only as good as the commitment of the people using it to make it work
over the long-term and for all.”


Experts say that if such a system – based on quake and tidal sensors,
fast communications, alarm networks ranging from radio to cell phones
and text-messaging, and disaster preparedness training of vulnerable
coastal populations – had existed two years ago, it could have saved
scores of thousands of lives.


It would have given hundreds of thousands of people several hours
between the time the quake spawned the tsunami off the Indonesian island of
Sumatra and its landfall in places like Sri Lanka and Thailand to flee
to higher ground.


Mr. Matsuura announced a new partnership between UNESCO’s
Intergovernmental Oceanographic Commission
(<"http://ioc.unesco.org/iocweb/index.php">IOC), which has coordinated
planning and implementation of the system, and the global satellite
communications leader INMARSAT to provide free satellite links to 50
sea-level sensors in the Indian Ocean, the most advanced real-time sea-level
network in the world for such a warning project.


“However, accurate warnings can only be issued safely and surely when
all necessary data beamed up from this impressive array of instruments
are shared by all at the same time, without delay. This is still not
happening, and it remains a major handicap,” he said.


He warned that work remained to be done to ensure that vulnerable
communities are prepared for such catastrophes, with the means still lacking
in many places to get warnings to coastal populations in time. Public
information and education programmes are also needed to teach people how
to recognize the signs of an imminent tsunami, as are revised building
and development codes to limit physical and economic damage.


Secretary-General Kofi Annan regretted that the solidarity between
warring sides that emerged in the immediate aftermath of the catastrophe
did not last in Sri Lanka, where Government and Tamil separatists are
engaged in fierce fighting, even as it endured in strife-torn Aceh.


“I am deeply disheartened by this turn of events,” he said in a
message. “In Sri Lanka, more than 35,000 lives were lost on the fateful
day of the tsunami. More than 67,000 lives – 3,000 in the past year
alone – have been lost in over 20 years of conflict.


“No one could have prevented the tsunami’s wave of destruction. But
together, we can stem the tide of conflict, which threatens once again
to engulf the people of Sri Lanka. I urge all parties in Sri Lanka to
cease hostilities immediately, and return to the peace process,” he
added.


In Indonesia today, the UN humanitarian coordinator
<"http://www.reliefweb.int/rw/RWB.NSF/db900SID/KHII-6WU4Y2?OpenDocument">called
for an extraordinary meeting of UN agencies, donors and
non-governmental organizations (NGOs) in Jakarta, the capital, to aid the victims of
Aceh’s latest floods. At the request of the Government, the UN is
leading the coordination of relief distribution in partnership with the
NGOs.


Yesterday, a UN helicopter brought in 1.5 metric tons of aid from the
UN World Food Programme
(<"http://www.wfp.org/english/?ModuleID=137&Key=1858">WFP), with a further
2.5 metric tons ready on the ground for delivery. In view of limited UN
air logistics, several NGOs have expressed support to fund chartering
an additional commercial helicopter.


A convoy of 21 WFP trucks loaded with approximately 40 metric tons has
left the provincial capital of Banda Aceh for the stricken area. Some
roads are still blocked while others are passable only for 4x4 vehicles,
and in some cases only for 10-wheel trucks.
Yesterday, the UN Central Emergency Response Fund
(<"http://ochaonline2.un.org/Default.aspx?alias=ochaonline2.un.org/cerf">CERF)
granted an initial $2 million for relief efforts.

The water level appears to be receding in most affected sub-districts
to the 30-60 centimetre level compared to the earlier 1.5-2 metres,
according to the latest UN field assessment.
2006-12-26 00:00:00.000

Dec 25

WARRING PARTIES MUST PREVENT VIOLATIONS AGAINST JOURNALISTS, SECURITY
COUNCIL SAYS


Dec 25 2006 12:00PM
Reaffirming the civilian status of journalists, the United Nations
Security Council has adopted a resolution urging warring parties to prevent
abuses against them and to respect their professional independence and
rights.

The Council's unanimously adopted measure comes amid numerous deadly
attacks on media professionals. Reporters without Borders said earlier
this month that in Iraq a total of 137 journalists and media assistants
had been killed since the start of the war in 2003.

The resolution recalled the Council's demand that "all parties to an
armed conflict comply fully with the obligations applicable to them under
international law related to the protection of civilians in armed
conflict, including journalists, media professionals and associated
personnel."

States and all other parties were urged "to do their utmost to prevent
violations of international humanitarian law against civilians,
including journalists, media professionals and associated personnel."

Parties were also urged to respect the professional independence and
rights of these individuals.

Pointing out that to deliberately target civilians and other protected
persons may constitute a threat to international peace and security,
the Council reaffirmed its readiness to take steps in response.

On the other side of the equation -- where the media is used to further
inflame a volatile situation -- the Council reaffirmed its condemnation
of all incitements to violence and the need to bring to justice
individuals responsible for it.

The resolution, adopted Saturday, also indicated the Council's
willingness when authorizing peacekeeping missions, to consider, "where
appropriate, steps in response to media broadcast inciting genocide, crimes
against humanity and serious violations of international humanitarian
law."


2006-12-25 00:00:00.000

SECURITY COUNCIL IMPOSES SANCTIONS ON IRAN OVER URANIUM ENRICHMENT


Dec 23 2006 9:00PM
Capping months of intensive negotiations, the United Nations Security
Council today unanimously decided to impose a set of sanctions against
Iran in response to its uranium-enrichment activities, which Tehran says
are for peaceful purposes but which other countries contend are driven
by military ambitions.

The adoption of the sanctions resolution -- immediately rejected by
Iran -- came after successive reports by the UN International Atomic
Energy Agency (IAEA), the Vienna-based global nuclear watchdog, indicating
its inability to certify that the country's motives are entirely
peaceful. Agency Director-General Muhamad ElBaradei has said the IAEA is
unable to conclude that there are no undeclared nuclear materials or
activities in Iran.

Iran has not suspended all enrichment-related and reprocessing
activities or taken a number of other steps required by the Council to build
confidence, the resolution noted.

Iran's nuclear programme has been a matter of international concern
ever since the discovery in 2003 that it had concealed its nuclear
activities for 18 years in breach of its obligations under the Treaty on the
Non-Proliferation of Nuclear Weapons (NPT).

Today's resolution calls for steps required by the IAEA Board of
Governors, including re-establishing full and sustained suspension of all
enrichment-related and reprocessing activities and ratifying and
implementing the Additional Protocol, which grants the IAEA expanded rights of
access to information and sites, as well as additional authority to use
the most advanced technologies during the verification process.

The Security Council decided today that Iran must suspend the
"proliferation sensitive nuclear activities," including all enrichment-related
and reprocessing activities and work on all heavy water-related
projects. Both these steps are to be verified by the IAEA.

The Council banned trade with Iran of all items, materials, equipment,
goods and tech
enrichment-related, reprocessing or heavy water-related activities, or
to the development of nuclear weapon delivery systems.

States are also required to prevent the provision to Iran of any
technical assistance or training, financial assistance, investment, brokering
or other services, and the transfer of financial resources or services,
related to the supply, sale, transfer, manufacture or use of the
prohibited items, materials, equipment, goods and technology.

The Council called on all States "to exercise vigilance regarding the
entry into or transit through their territories of individuals who are
engaged in, directly associated with or providing support for Iran's
proliferation sensitive nuclear activities or for the development of
nuclear weapon delivery systems."

The resolution contains a list of persons and entities involved with
Iran's nuclear and ballistic missile programmes that are subject to a
freeze on their financial assets, with some exceptions built in. It also
established a new Committee to monitor compliance with its terms, add to
the lists and rule on any exemptions.

The IAEA Director-General was requested to report within 60 days to the
Council on whether Iran has suspended uranium enrichment activities. If
that report shows that Iran has not complied with the resolution, the
Council threatens "further appropriate measures."

At today's Council session, Iranian Ambassador Javad Zarif delivered a
lengthy rebuttal of the premise for imposing the sanctions, and argued
that this action represented only the latest in a decades-long history
of bias against Iran.

"Bringing Iran's peaceful nuclear programme to the Council by few of
its permanent members, particularly the United States, is not aimed at,
nor will it help, seeking a solution or encouraging negotiations. Even
their stated objective has always been to use the Council as an
instrument of pressure and intimidation to compel Iran to abandon its rights,"
he said.

2006-12-23 00:00:00.000

Dec 23

UN RIGHTS CHIEF URGES THAILAND NOT TO FORCIBLY RETURN LAO HMONG, OVER
HALF ARE CHILDREN


Dec 22 2006 6:00PM
Expressing concern that around 150 Hmong tribes-people, over half of
whom are children, may be subjected to “serious human rights
violations” if forced to return home to the Lao People’s Democratic Republic,
the top United Nations rights official today urged Thailand to halt
their imminent deportation.

UN High Commissioner for Human Rights Louise Arbour called upon Thai
authorities to “fully respect” their international rights
obligations, pointing out that the whereabouts of 53 Lao Hmong deported from
Thailand last month, along with 26 Lao Hmong children deported last
December, remains unknown.

“The High Commissioner said it is believed the 152 Lao Hmong,
including 85 children, may be subjected to serious human rights violations if
returned to their country of origin,” Ms. Arbour’s office said in a
press release.

“The High Commissioner urged the Royal Thai Government to fully
respect the principle of non-refoulement prohibiting the return of a person
to a country where he or she faces persecution or the risk of serious
human rights violations.”

“The High Commissioner recalled that Thailand is party to a number of
international human rights instruments – including the International
Covenant on Civil and Political Rights and the Convention on the Rights
of the Child – that contain the obligation of non-refoulement,” the
statement concluded.

Last month, the UN High Commissioner for Refugees
(<"http://www.unhcr.org/cgi-bin/texis/vtx/news">UNHCR) expressed its
concern over the fate of the 53 Hmong who were deported in November, and has
offered to help the Thai Government find viable solutions for the
roughly 6,000 Hmong living in makeshift camps.
2006-12-22 00:00:00.000

ANNAN PUTS IN PLACE ‘UNPRECEDENTED’ EMPLOYMENT RESTRICTIONS FOR UN
PROCUREMENT STAFF


Dec 22 2006 7:00PM
In an effort to avoid any repeat of scandals involving United Nations
staff working in procurement, outgoing Secretary-General Kofi Annan
today put in place restrictions on current and former employees working in
its purchasing department, his spokesman announced, describing the
measures as “unprecedented.”

The restrictions, which will enter into force on 1 January 2007,
outline clear limitations on UN staff currently or formerly involved in the
“procurement process” in the broadest sense, including signing or
managing contracts, handling bids, reviewing contractor or vendor
performance to auditing the process.

“There are two lengths of ‘restriction:’ one year and two years
– one year of no employment with a company with which a staff member
has had procurement dealings, and two years of no retroactive contact
with the UN if the new job relates to his/her former responsibilities,”
spokesman Stephane Dujarric told reporters in New York.

“It also sets out sanctions, such as blacklisting of vendors who have
hired former staff with procurement dealings within these timeframes,
and placing a note in the personnel file to prevent future re-employment
of the individuals,” he said.

Responding to a question, Mr. Dujarric said the scope of these measures
is “unprecedented” for the UN Secretariat and on par with best
practices in the public sector.

UN procurement has been plagued by scandal in recent months. Most
recently, the Secretary-General waived the immunity of Sanjaya Bahel, a UN
procurement officer who has been the subject of an internal fact-finding
investigation into allegations of misconduct conducted by the
Organization’s Office of Internal Oversight Services (OIOS).

The November waiver came in response to a request from United States
authorities.

In January, then-UN Under-Secretary-General for Management Christopher
Burnham said OIOS was conducting some 200 investigations into UN
procurement activities, estimating that the funds involved could top the tens
of millions of dollars.
2006-12-22 00:00:00.000

UPSURGE IN SOMALI FIGHTING PROMPTS CONCERN FROM SECURITY COUNCIL AND
ANNAN


Dec 22 2006 7:00PM
The Security Council and Secretary-General Kofi Annan today each voiced
grave concern at the recent intensified fighting in Somalia between the
strife-torn country’s Transitional Federal Institutions (TFIs) and
the Union of Islamic Courts (UIC).

Media reports say that hundreds of people may have been killed this
week during clashes between the two groups wresting for control of a State
that has not had a functioning national government since 1991.

In a
<"http://www.un.org/News/Press/docs//2006/sgsm10815.doc.htm">statement released by his spokesman, Mr. Annan warned that the latest
outbreak of fighting “will have disastrous consequences for civilians, who
are already suffering from the effects of years and instability and
deprivation, compounded by the severe flooding that has recently affected
parts of the country.”

The Secretary-General urged both the UIC, which controls the nominal
capital, Mogadishu, and the TFIs, based in the provincial city of Baidoa,
to cease hostilities immediately and resume peace talks in the Sudanese
capital, Khartoum.

The third round of peace talks, to focus on security and power-sharing,
were slated to begin in October but then postponed after both sides
came with preconditions. They were then scheduled to resume this month.

Today’s statement added that Mr. Annan was particularly concerned
about “continuous reports of the involvement of foreign forces in the
current conflict,” and he called on all nations to respect Somalia’s
sovereignty and territorial integrity.

In a
<"http://www.un.org/News/Press/docs//2006/sc8927.doc.htm">presidential statement issued today, the Council also voiced its concern about
the situation, and urged both the UIC and the TFIs to “refrain from
any actions that could provoke or perpetuate violence and violations of
human rights, contribute to unnecessary tension and mistrust, endanger
the ceasefire and political process, or further damage the humanitarian
situation.”

The 15-member body stressed that the Transitional Federal Charter
offers “the only route to achieving peace and stability in Somalia,” an
impoverished nation in the Horn of Africa region. The charter
emphasizes the need for institutions to be broad-based and widely representative
and for any political process to be inclusive.
2006-12-22 00:00:00.000

UN AND OTHER MEMBERS OF DIPLOMATIC ‘QUARTET’ BACK CONTINUED AID TO
PALESTINIANS


Dec 22 2006 7:00PM
Members of the diplomatic ‘Quartet’ on the Middle East – the
United Nations, the United States, the Russian Federation and the European
Union (EU) – today endorsed the continuation of a stop-gap measure
for providing aid directly to the Palestinian people.

In a statement, the Quartet backed the continuation for three months of
the Temporary International Mechanism, the means devised by the EU and
the World Bank to provide aid directly to the Palestinian people by
bypassing the Hamas-led Government, which has been isolated
internationally because it has not renounced violence and does not recognize Israel.

After the three-month period, the Quartet said it would “again review
the need for such a mechanism.”

Commending the World Bank and EU efforts to facilitate needs-based
assistance directly to the Palestinian people through the Mechanism, the
Quartet encouraged donors to “respond to humanitarian and other
assistance requests by international organizations, especially UN agencies,
active in the West Bank and Gaza.”
2006-12-22 00:00:00.000

ANNAN HOPEFUL OF SUDANESE GREEN LIGHT TO DEPLOYMENT OF HYBRID
UN FORCE


Dec 22 2006 7:00PM
Secretary-General Kofi Annan said today he was hopeful Sudanese
President Omar el-Bashir would indicate as early as tomorrow that he has
agreed to a full ceasefire in the war-torn Darfur region and to the eventual
deployment of a hybrid force of United Nations and African Union (AU)
peacekeepers.

In his
<"http://www.un.org/News/Press/docs//2006/sgsm10813.doc.htm">farewell speech to the Security Council before he leaves office at the end
of the month, Mr. Annan said he “fervently hope[s] that we are now at
last close to rescuing the people of Darfur from their agony.”

Earlier this week he dispatched a senior envoy, Ahmedou Ould-Abdallah,
to Khartoum for talks with Mr. el-Bashir and other senior Sudanese
Government ministers to clarify details of two recent agreements on how to
end the widespread suffering in Darfur.
Since 2003, more than 200,000 people have been killed and 2 million
others forced to flee their homes to escape fighting between Government
forces, allied militias and rebel groups seeking greater autonomy. An
estimated 4 million people now depend on outside humanitarian aid.

Mr. Annan told the Council that the reports he has received from Mr.
Ould-Abdallah “encourage me to think we may tomorrow receive a green
light from President Bashir for a full ceasefire, a renewed effort to
bring all parties into the political process, and deployment of the
proposed hybrid African Union-United Nations force to protect the
population.”

But the Secretary-General cautioned that it was important to wait to
see the letter from Mr. el-Bashir that Mr. Ould-Abdallah will bring with
him when he returns to New York.

“After so many disappointments I take nothing for granted. What I do
know is that the Council will work, ably helped by my successor [Ban
Ki-moon], on these and many other crises.”

At last month’s High-Level meeting on Darfur, held in the Ethiopian
capital, Addis Ababa, the UN, the AU and Sudan agreed that the UN would
provide extra support to the current AU peacekeeping mission – known
as AMIS – as part of a three-phase process culminating in AMIS
becoming a hybrid UN-AU mission.

The hybrid force is expected to have about 17,000 troops and 3,000
police officers, compared to the current AMIS strength of around 7,000.

Mr. Ould-Abdallah and Mr. el-Bashir also discussed the outcome of a
subsequent AU Peace and Security Council meeting in Abuja, Nigeria, which
endorsed the conclusions reached in Addis Ababa.
2006-12-22 00:00:00.000

DEPARTING ANNAN LAUDS SECURITY COUNCIL FOR EFFORTS TO RESOLVE OR
PREVENT CRISES


Dec 22 2006 8:00PM
Although some international crises continue to rage, many others have
been peacefully resolved, show signs of ending or were prevented from
even taking place thanks to the efforts of the Security Council,
departing Secretary-General Kofi Annan told the 15-member body today.

In his
<"http://www.un.org/News/Press/docs//2006/sgsm10813.doc.htm">final address to the Council ahead of his retirement on 31 December after
10 years as Secretary-General, Mr. Annan said it had been his privilege
to work with its members, “both in success and in failure,” to try
to fulfil the UN’s stated duty to “save succeeding generations from
the scourge of war.”

Mr. Annan said the Council’s work has strengthened over the past
decade, giving the Secretariat more coherent and more robust mandates,
following up their decisions with greater vigilance, and more often
matching the enhanced mandates with close to the necessary resources.

“While change for the worse is often dramatic, change for the better
is generally incremental,” he said. “Many conflicts have been
peacefully resolved. Many have been at least brought under control, with
hope of better times on the horizon. And I believe – though this is much
harder to prove – that many have been prevented.”

Noting the ongoing fragility of the Middle East and the humanitarian
suffering in Darfur as two examples of continuing crises, he warned that
there was no room for complacency.

“We have all learned, from some bitter experiences, that we cannot
afford to take governments’ word for it when they assure us that all is
well in their country, or that they have the situation under control.

“We have also learned that the Council needs to be fully briefed on
issues of human rights, since gross violations of these not only occur
during conflict but are often harbingers of it.”

Later, Council members paid tribute to Mr. Annan by adopting by
acclamation a resolution acknowledging his contribution to international
peace, security and development.

Ambassador Nassir Abdulaziz al-Nasser of Qatar, which holds the
rotating Council presidency, then read a
<"http://www.un.org/News/Press/docs//2006/sc8922.doc.htm">statement on
behalf of members expressing their appreciation for Mr. Annan.
2006-12-22 00:00:00.000

UN RELEASES RULES ON OIL-FOR-FOOD INQUIRY DOCUMENTS TO HELP STATES
STILL INVESTIGATING


Dec 22 2006 8:00PM
To facilitate continuing investigations by Member States into the
findings of the Independent Inquiry Committee (IIC) that examined the
scandal-ridden Iraq Oil-for-Food Programme, the United Nations today released
rules regarding the management, preservation and use of the myriad
documents and files produced by the Committee.

The 27 October final report of the Committee, under its former head
Paul Volcker, revealed a network of kickbacks and surcharges involving
companies registered in a large number of countries and Secretary-General
Kofi Annan called on Member States to take action against illegal
practices by companies under their jurisdiction.

Also in response to the report, the Secretary-General instituted a
number of reforms aimed at promoting greater transparency and
accountability across the UN system.
2006-12-22 00:00:00.000

UN AGENCY UPGRADES COMMUNICATIONS TO KICK-START AID RESPONSE TO
DISASTERS


Dec 22 2006 3:00PM
In a fast moving world that is increasingly struck by disasters, where
speedy communications can make the difference between life and death,
the United Nations World Food Programme
(<"http://www.wfp.org/english/?n=31">WFP) has teamed up with The Vodafone
Group Foundation (VGF) to enhance the humanitarian response to global
emergencies.

“When an emergency hits, technological support is critical in
kick-starting the disaster response initiative because being able to
communicate not only enables us to plan, prepare and provide humanitarian relief
as quickly as possible, but mostly saves lives,” WFP Director of
Information and Communications Technologies Ernesto Baca said.

Under the partnership a joint donation of $832,000 from VGF and the UN
Foundation is being used to train information and communications
technology (ICT) team leaders and technicians, develop new WFP technology and
best practices, and update the agency’s deployment technologies and
technical standards.

This funding will support UN emergency response teams around the world
and significantly affect the way the entire humanitarian community
copes with disasters.

“Communications technologies have become critical to every phase of
emergency response for the UN and we’re pleased to partner with the
World Food Programme as it continues to use these technologies to save
lives around the world,” UN Foundation President Timothy E. Wirth said.

“We’re proud that our partnership with The Vodafone Group
Foundation can foster public-private partnerships that pair valuable corporate
resources, knowledge, and experience with the lifesaving work of the
UN.”

VFG Director Andrew Dunnett noted that strengthening communications
resources for emergency response teams are essential in enhancing relief
operations.

“Vodafone Group Foundation has a long term commitment to this work
and we are pleased to be scaling this up with WFP,” he said.

WFP takes the lead role for the UN in emergencies for food, security,
communications and logistics. Amid devastation in almost every corner of
the globe – from the massive Indian Ocean tsunami to the drought and
locust infestation in Africa, the earthquake in Kashmir, the hurricanes
that have battered Central America, and the floods across Europe and
Asia, WFP is pivotal in ensuring rapid communications that save lives and
livelihoods.
2006-12-22 00:00:00.000

ASIA-PACIFIC ENVIRONMENT AT BOILING POINT; GREEN GROWTH CRUCIAL, UN
REPORT WARNS


Dec 22 2006 1:00PM
Asian and Pacific societies are already living beyond their ecological
means, and if they are to continue their much-needed economic
expansion, they will have to shift towards efficient ‘green growth’
patterns, according to a new United Nations report released today.

Meeting human development needs based on current ‘grow first, clean
up later’ economic growth patterns is likely to result in mounting
ecological problems, according to the latest regional State of the
Environment <"http://www.unescap.org/unis/press/2006/dec/g61.asp">report
published by the UN Economic and Social Commission for Asia and the Pacific
(UNESCAP).

Problems cited include a population density 1.5 times the global
average, the lowest freshwater availability per capita of all global regions,
a biologically productive area per capita that is less than 60 per cent
of the global average, and arable and permanent crop land per capita
that is less than 80 per cent the global average.

Meanwhile several highly polluting industries are growing more rapidly
in regional developing countries than in regional developed countries,
agro-industry is highly chemical-, energy- and water-intensive and, as
incomes increase, lifestyles are becoming increasingly waste- and
energy- intensive.

While plantation forests advance, natural forests are retreating,
especially in South-East Asia, water extraction rates are already
unsustainably high in at least 16 countries and irrigation systems, the biggest
user of water, are highly inefficient and poorly maintained in most
countries.

The long term sustainability of the water supply is further threatened
by climate change, which may increase the severity and incidence of
drought and cause long-term reductions in water flows in freshwater
systems dependent on glacier melt.

The report stresses that more economic growth is needed and inevitable,
as nearly 670 million people are living on less than $1 a day, 665
million have no access to improved drinking water but countries must meet
the series of looming development challenges.

Countries in South Asia, over 40 per cent of the region’s population,
will face some of the toughest issues in coming decades as population
growth, changing water regimes and climates, and rising demand for
energy, water and other necessities all come to a head.

The report finds that, on the one hand, pollution control in production
is becoming more effective and market forces are pushing firms towards
greater resource efficiency as the prices of natural resources spiral
upwards. On the other hand, as incomes increase and as globalization
spreads, consumption patterns become less environmentally sustainable,
making more eco-efficient consumption crucial.
2006-12-22 00:00:00.000

[ Yahoo! ] options

Production Notes & Credits

Dec 22

 

We are Marshall

Based on true events, “We Are Marshall” tells the inspiring story of how a small town in West Virginia struggled to cope with a devastating loss and restore their community after one of the worst disasters in the history of American sports.

On the evening of Saturday, November 14, 1970, a chartered jet carrying Marshall University’s football team, coaches and fans, was on its way home from a hard-fought game in North Carolina. Less than a minute before its scheduled landing at Tri-State Airport, the plane crashed in the Appalachian Mountains, killing everyone aboard: 37 players, eight coaches and university staff, the flight crew, and 25 prominent Huntington citizens who had made the trip as they always did to cheer their “Thundering Herd.”

In the aftermath of this stunning tragedy, university president Dedmon (DAVID STRATHAIRN) prepared to suspend the school’s football program for the season—perhaps indefinitely. Assistant coach Red Dawson (MATTHEW FOX), who narrowly missed the ill-fated flight, couldn’t face going back onto the field.

But in Huntington, Marshall football has always been more than a sport: it’s a way of life.

And this town would rally to save it.

After some initial setbacks, they found hope and strength in the leadership of outsider Jack Lengyel (MATTHEW McCONAUGHEY), a young coach determined to rebuild Marshall’s football program and, in the process, help to heal the community.

Less than a year later, on September 18, 1971, Marshall University’s brand new Thundering Herd was poised to stage one of the greatest comebacks in collegiate sports. A raw, youthful and inexperienced squad, patched together under the guidance of Lengyel and Dawson, they would defy overwhelming odds just to march onto the gridiron for the school’s first game since the accident.

 

 

 

Directed by...................................................McG

Screenplay by........................................JAMIE LINDEN

Story by................................CORY HELMS & JAMIE LINDEN

Produced by..........................................BASIL IWANYK

 

McG

Executive Producers................................BRENT O’CONNOR

JEANNE ALLGOOD

THOMAS TULL

SCOTT MEDNICK

WILLIAM FAY

Director of Photography.....................SHANE HURLBUT, A.S.C.

Production Designer.....................................TOM MEYER

Edited by.........................PRISCILLA NEDD FRIENDLY, A.C.E.

GREGG LONDON

Music by..........................................CHRISTOPHE BECK

Co-Producers.........................................JAMIE LINDEN

MARY VIOLA

Costumes Designed by................................DANNY GLICKER

Casting by.........................KIM DAVIS and JUSTINE BADDELEY

 

 

Unit Production Manager............................BRENT O'CONNOR

First Assistant Director............................RICHARD COWAN

Second Assistant Director....................DAVID "MUDDY" WATERS

 

CAST

Jack Lengyel..................................MATTHEW McCONAUGHEY

Red Dawson............................................MATTHEW FOX

Nate Ruffin........................................ANTHONY MACKIE

President Dedmon.................................DAVID STRATHAIRN

Paul Griffen..........................................IAN McSHANE

Annie Cantrell..........................................KATE MARA

Carole Dawson.......................................JANUARY JONES

Sandy Lengyel...........................KIMBERLY WILLIAMS-PAISLEY

Reggie Oliver.....................................ARLEN ESCARPETA

Tom Bogdan.........................................BRIAN GERAGHTY

Gene Morehouse....................................TOMMY CRESSWELL

Young Keith Morehouse...........................CHRISTIAN KANUPKE

Mrs. Morehouse.........................................NINA JONES

George Olson.........................................KEVIN ATKINS

Bill James............................................MARK PATTON

Randy Linden.......................................HUNTLEY RITTER

Lloyd Boone............................................BRETT RICE

Peter Lengyel......................................DALTON POLSTON

David Lengyel..............................ANDREW WILSON WILLIAMS

 

 

 

Julie Lengyel.......................................ELLIE ZELLERS

Ernie Salvatore.......................................MARK OLIVER

Lucas Booth..........................................BRIAN BEEGLE

Mickey Jackson....................................L. WARREN YOUNG

Hutch Davis...........................................DAVID DWYER

Chris Griffen...........................................WES BROWN

Bobby Bowden........................................MIKE PNIEWSKI

Danny..............................................CAFABIAN HEARD

Katie..................................................MANDY BEST

Jane...............................................NIKKY WILLIAMS

Julie..........................................LAURA-SHAY GRIFFIN

Ticket Taker.......................................KATIE KNEELAND

President's Secretary...........................ELISABETH OMILAMI

Man In The Rain......................................SCOTT HILLEY

Diner Student #1...................................ANDREW DiPALMA

Diner Student #2.....................................JEFF ADELMAN

Steel Worker.........................................DOLAN WILSON

Airport Booster #1....................................BILLY WOODS

Doris Stillwell....................................SHARALENE KILE

Gas Station Attendant..................................BILL CRABB

Man In The Car At The Theater........................PHILLIP IVEY

Fireman #1......................................WILBUR FITZGERALD

Barrier Policeman...................................JODY THOMPSON

Father...............................................DAVID RAMSEY

 

 

 

Mrs. Shaw...........................................RHODA GRIFFIS

Blake Smith.........................................BILLY BENNETT

Mr. Booth..........................................PATRICK PARKER

Beer Freshman..........................................JOEY NAPPO

 

W.V. Player.......................................MICHAEL DiFIORE

Xavier #19.........................................MAURICE BRYANT

Referee...............................................TIM CROWLEY

Janitor.................................................DON YOUNG

Trainer..................................................ALEX VAN

Jim McNally.....................................RON CLINTON SMITH

Steven Morehouse....................................TABER LATHROP

Freshman #1...........................................JAKE COOPER

Freshman #2........................................WILLIAM GORMAN

Freshman #3..........................................ANAIAH PETTY

Fireman #2...........................................JEFF PORTELL

Gail Morehouse......................................ALYSSA CAPUTO

Keith Morehouse...................................KEITH MOREHOUSE

Baseball Catcher.....................................MIKE RIBAUDO

Baseball Runner......................................BOBBY JORDAN

Terry Gardner........................................DOCK POLLARD

Player #3............................................BERT BEATSON

Player #4......................................BOBBY JON DRINKARD

Marshall #51...........................................RYAN SLOTH

 

Shalhoop.............................................BRENT GARBER

Game Announcer.........................................STEVE BARR

Stunt Coordinator......................................MARK ELLIS

Stunts..............................................DONALD MALLOY

ANDY ROLAND

LUKE POWELL

BRIAN GREENE

AARON ROSTENBACH BOONE

RECARDO WIMBUSH

NYLE WIREN

MARK WIGAL

Associate Producer................................ADOLFO MARTINEZ

Production Supervisor......................KELLY HELSTROM-MAXWELL

Art Director......................................JONAH MARKOWITZ

Assistant Art Director..............................THOMAS MINTON

Set Decorator.........................................MEG EVERIST

Art Department Coordinator.........................BRENDA FINDLEY

Lead.............................................DANIEL B. FOSTER

On Set Dresser.....................................JAMES BROTHERS

Set Designer.........................................MICHAEL WARD

Assistant Editors...................................MICHEL MARKUS

SHAUN APRAHAMIAN

LEE GRUBIN

ODIS McKINNEY

JOE BINFORD

Post Production Supervisor.........................CAROL DANTUONO

Script Supervisor.....................................GAIL HUNTER

 

Camera Operators................................ROBERTO DeANGELISPAUL VARRIEUR

GARY HATFIELD

STEPHEN ANDRICH

 

 

First Assistant Camera................................GLENN BROWN

 

ROB ROBINSON

Second Assistant Camera............................BRUCE ROBINSON

JOSH HANCHER

Video Playback.........................................GREG MORSE

Camera Department Assistant..........................PO KING CHAN

Production Sound Mixer.................................MARY ELLIS

Boom Operator.........................................DREW PONDER

Cable................................................JOSE SANCHEZ

Costume Supervisor...................................NANCY CAPPER

Dresser for Mr. McConaughey...........................DREW FULLER

Additional Wardrobe................................DANIELLA MOORE

 

LAYNE BRIGHTWELL

DANIEL GEORGE

Mr. McConaughey's Hairstylist.........................LOUISE MOON

Hair Department Head..............................JOANI YARBROUGH

Key Hairstylist..............................PHILLIP "MR. P" IVEY

Hairstylists.......................................BRYAN WHISNANT

 

TAYLOR KNIGHT

Make-up Department Head................................SARAH MAYS

Key Make-up.........................................DONNA PREMICK

Make-up Artists......................................SUSAN RANSOM

TERESA FOSHEE

Chief Lighting Technician............................DAN CORNWALL

Assistant Chief Lighting Technician...................DALE FOWLER

Rigging Gaffer....................................STEPHEN CROWLEY

 

 

Key Grip.............................................ROBERT KEMPF

Best Boy Grip........................................RIKO SCHATKE

Dolly Grip..........................................TRIPP PAIR II

Special Effects Coordinator........................DAVID FLETCHER

Special Effects........................................TOM KITTLE

2nd 2nd Assistant Director.......................HILLARY SCHWARTZ

Production Office Coordinator..........................DAY PERMUY

Assistant Production Office Coordinator...........TAKINA HOLLOMAN

Production Secretary..........................MICHAEL HOLDERFIELD

Production Accountant............................KATHERINE ZASLAW

Assistant Production Accountant...............TAFFY SCHWEICKHARDT

Assistant to McG.....................................ANDY SHAPIRO

Assistant to Mr. Iwanyk.................................ERICA LEE

Assistant to Mr. O'Connor...........................FLAVIA TOLEDO

Assistant to Ms. Allgood...........................ERICA ARBELAEZ

Assistant to Mr. McConaughey..........................JOHN CHANEY

Marshall University Consultant................DR. H. KEITH SPEARS

Location Manager..................................JOHN H. FINDLEY

 

W.V. Location Manager................................LAURA BRYANT

Assistant Location Managers..........................SCOTT MARTIN

TONY HOLLEY

Property Master.............................DWIGHT BENJAMIN-CREEL

Assistant Prop Master...............................SHAWN M. GRAY

Construction Coordinator.............................CURTIS CROWE

 

 

Transportation Coordinator...........................CINDY PARKER

 

Transportation Captain................................J.L. PARKER

 

Craft Service...................................STEPHANIE MORALES

ZACH KANE

PATRICK MORALES

Catering...................................SHOOTING STAR CATERING

 

Staff Assistants....................................SARAH DOCKSEY

JASON UNDERWOOD

JEREMY THOMAS

TERRY ZINN

TODD HAVERN

CHARLIE SPAHT

REBECCA CAMPBELL

CRAIG TOLLIS

MATTHEW SAKATA

CHAD CORK

KACEE PECUE

Extras Casting.....................................PATRICK INGRAM

 

Casting Associate......................................CATE ENGEL

 

Unit Publicist........................................ERNIE MALIK

 

Still Photographer.....................................FRANK MASI

 

Teacher.............................................ROSANNE STARK

 

Sound Design and Supervision.....................CAMERON FRANKLEY

 

Re-Recording Mixers..................................RON BARTLETT

 

D.M. HEMPHILL

1st Assistant Sound Editor...........................JON MICHAELS

Supervising ADR Editor.................................PETRA BACH

Supervising Foley Editor..........................RYAN B. JUGGLER

Assistant Sound Editor............................WARREN HENDRIKS

 

Dialogue Editors.....................................DOUG JACKSONJESSICA DICKSON

HELEN LUTTRELL

Sound Designer........................................AI-LING LEE

 

Sound Effects Editors..............................RANDALL KELLEY

ROLAND THAI, M.P.S.E.

Foley Artists....................................ALICIA STEVENSONDAWN FINTOR

Foley Mixer......................................DAVID BETANCOURT

 

Location Effects Mixer............................JOHN PAUL FASAL

 

ADR Mixers....................................THOMAS J. O'CONNELL

DOC KANE

TROY PORTER

GREG CRAWFORD

Visual Effects Supervisor.........................THOMAS J. SMITH

 

Visual Effects Producer..........................MELISSA BROCKMAN

 

Visual Effects by CIS.................................DAN KAUFMANDAVID REY

HEATHER ELISA HILL

ERIC PENDER

CHRISTOPHER RYAN

JASON WARDLE

RANDY BROWN

KAMA MOIHA

MATT WILSON

JAYNI BORGARO

LARRY GAYNOR

JOSH JOHNSON

KRISTINE LANKENAU

GREG SHIMP

Main Title Sequence Designed by.......IMAGINARY FORCES/KARIN FONG

 

Negative Cutter..........................................MO HENRY

 

Digital Intermediate by.....................................EFILM

 

D.I. Colorist.........................................STEVE BOWEN

 

Supervising Music Editor....................FERNAND BOS, M.P.S.E.

 

Music Editors........................................RICK ZIEGLER

STEVE GRIFFEN

KEVIN GLOBERMAN

Score Recorded and Mixed by...........................CASEY STONE

 

Orchestra Conducted by...............................PETE ANTHONY

 

Orchestrations......................................KEVIN KLIESCH

 

Additional Orchestrations...............................ADAM BLAU

JOHN THOMAS

"Sons of Marshall"

Performed by The Marshall University Marching ThunderCourtesy of Marshall University

"Cracklin' Rosie"

Written by Neil DiamondPerformed by Neil DiamondCourtesy of Geffen RecordsUnder license from Universal Music Enterprises

"If You Could Read My Mind"

Written by Gordon LightfootPerformed by Gordon LightfootCourtesy of Warner Bros. Records, Inc.

By arrangement with Warner Music Group Film & TV Licensing

"Draggin' The Line"

Written by Tommy James and Robert KingPerformed by Tommy JamesCourtesy of Rhino Entertainment CompanyBy arrangement with Warner Music Group Film & TV Licensing

"Lookin' Out My Back Door"

Written by John FogertyPerformed by Creedence Clearwater RevivalCourtesy of Fantasy RecordsUnder license from Concord Music Group, Inc.

 

 

"The Love You Save"

Written by Berry Gordy, Alphonso Mizell, Freddie Perrenand Deke Richards

Performed by Jackson 5Courtesy of Motown RecordsUnder license from Universal Music Enterprises

"Suite: Judy Blue Eyes"

Written by Stephen StillsPerformed by Crosby, Stills & NashCourtesy of Atlantic Recording Corp.

By arrangement with Warner Music Group Film & TV Licensing

"Peace Train"

Written by Yusuf IslamPerformed by Cat StevensCourtesy of Universal-Island Records Ltd.

Under license from Universal Music Enterprises

"The Good, The Bad and The Ugly"

Written by Ennio Morricone

"Groove Me"

Written by King FloydPerformed by King FloydCourtesy of Malaco Records

"Paranoid"

Written by John Osbourne, Tony Iommi, Terence Butlerand William Ward

Performed by Black SabbathLicensed Courtesy of Downlane Limited and Sanctuary RecordsGroup Limited

"Ventura Highway"

Written by Dewey BunnellPerformed by AmericaCourtesy of Warner Bros. Records, Inc.

By arrangement with Warner Music Group Film & TV Licensing

NBC News Archives

"The Newlywed Game" licensed by Sony Pictures TelevisionWest Virginia and Regional History CollectionWest Virginia University LibrariesCORBIS

The Herald-Dispatch

 

 

Made With Assistance From "The Georgia Film, Video AndMusic Office, A Division Of The Georgia Department OfEconomic Development"

Camera Dollies by CHAPMAN/LEONARD STUDIO EQUIPMENT, INC.

Filmed with PANAVISION ® Cameras and Lenses

Color by TECHNICOLOR ®

KODAK Motion Picture Products

FUJIFILM Motion Picture Products

DOLBY Digital (logo) DTS Digital (logo) SDDS (logo)

Approved #43100 (emblem)

Motion Picture Association of America

(IATSE LABEL)

This motion picture

© 2006 Warner Bros. Entertainment Inc.

Story and Screenplay

© 2006 Warner Bros. Entertainment Inc.

Original Score

© 2006 Warner-Hollywood Music, LLC

The Producers Wish to Thank:

Marshall UniversityThe State of West Virginia

In memory of the 75 men and women who perished in theMarshall plane crash on November 14, 1970.

Warner Bros. Distribution Closing Cloud Shield Logo

 

Based on true events, “We Are Marshall” tells the inspiring story of how a small town in

West Virginia struggled to cope with a devastating loss and restore their community after one of

the worst disasters in the history of American sports.

On the evening of Saturday, November 14, 1970, a chartered jet carrying Marshall

University’s football team, coaches and fans, was on its way home from a hard-fought game in

North Carolina. Less than a minute before its scheduled landing at Tri-State Airport, the plane

crashed in the Appalachian Mountains, killing everyone aboard: 37 players, eight coaches and

university staff, the flight crew, and 25 prominent Huntington citizens who had made the trip as

they always did to cheer their “Thundering Herd.”

In the aftermath of this stunning tragedy, university president Donald Dedmon (DAVID

STRATHAIRN) prepared to suspend the school’s football program for the season—perhaps

indefinitely. Assistant coach Red Dawson (MATTHEW FOX), who narrowly missed the ill-

fated flight, couldn’t face going back onto the field.

But in Huntington, Marshall football has always been more than a sport: it’s a way of life.

And this town would rally to save it.

After some initial setbacks, they found hope and strength in the leadership of outsider

Jack Lengyel (MATTHEW McCONAUGHEY), a young coach determined to rebuild Marshall’s

football program and, in the process, help to heal the community.

Less than a year later, on September 18, 1971, Marshall University’s brand new

Thundering Herd was poised to stage one of the greatest comebacks in collegiate sports. A raw,

youthful and inexperienced squad, patched together under the guidance of Lengyel and Dawson,

they would defy overwhelming odds just to march onto the gridiron for the school’s first game

since the accident.

 

 

That season, it didn’t matter whether Marshall won or lost. It didn’t even matter how

they played the game. All that mattered was that they played.

Warner Bros. Pictures presents, in association with Legendary Pictures, a Thunder Road

Film/Wonderland Sound and Vision production of a McG Film, “We Are Marshall,” starring

Matthew McConaughey (“Failure to Launch”), Matthew Fox (ABC’s “Lost”), Ian McShane

(Golden Globe Award winner, “Deadwood”), Anthony Mackie (“Million Dollar Baby”), Kate

Mara (“Brokeback Mountain”), January Jones (“The Three Burials of Melquiades Estrada”),

Brian Geraghty (“Jarhead”) and David Strathairn (Oscar nominee, “Good Night, and Good

Luck.”).

“We Are Marshall” is directed by McG (the “Charlie’s Angels” films), from a screenplay

by Jamie Linden, story by Cory Helms & Jamie Linden. It is produced by Basil Iwanyk

(“Firewall”) and McG, with Brent O’Connor (“Scooby Doo 2”), Jeanne Allgood, Thomas Tull

(“Superman Returns”) and Scott Mednick (“Superman Returns”) serving as executive producers.

The creative behind-the-scenes team includes director of photography Shane Hurlbut

(“Drumline”), production designer Tom Meyer (“A Lot Like Love”), and editors Priscilla Nedd

Friendly (“Stuart Little 2”) and Gregg London. Music is by Emmy Award winner Christophe

Beck (“Buffy the Vampire Slayer”). Costumes designed by Danny Glicker (“Transamerica”).

Score album on Varese Sarabande CDs.

Rated PG for “emotional thematic material, a crash scene and mild language.”

“We Are Marshall” will be distributed worldwide by Warner Bros. Pictures, a Warner

Bros. Entertainment Company.

For more information, please visit www.wearemarshall-themovie.com

 

 

ABOUT THE PRODUCTION

Honoring the Past, Building the Future

“‘We Are Marshall’ isn’t about a plane crash, or the evolution of a football team; it’s

about what happens to people who are handed a horrific loss and how they deal with it and

recover,” says producer Basil Iwanyk. “The restoration of the team and the football program at

Marshall, while true, becomes a metaphor for what’s happening in this small community where

so many lives are inter-connected.”

Barely six months old when the Marshall accident occurred, Iwanyk never felt its

headline-making impact and was only marginally aware of it as an adult, as part of sports history.

“I knew about the crash but didn’t know what happened afterwards,” he says. While researching

material for another potential sports-related project for his production company, Thunder Road,

he uncovered reports about the Marshall crash. His interest was piqued by accounts of the heroic

rebuilding efforts undertaken by the school and the Huntington community following the sudden

loss of so many of their loved ones, and realized that’s where the real story was.

Discovering that the only film record of the event was a little-known 2000 West Virginia

Public Television documentary, “Ashes to Glory,” Iwanyk says he felt strongly that, “This was a

story begging to be told.”

Screenwriter Jamie Linden became involved through an indirect connection to Marshall’s

assistant coach Red Dawson, who missed the fatal flight. Linden attended Florida State

University, Dawson’s alma mater and the school where the Hall of Fame gridiron star first made

a name for himself in the 1960s before becoming a coach. In 2000, on the 30-year anniversary

of the plane crash, the FSU student newspaper ran a commemorative article on Dawson, which

stirred Linden to delve deeper into the historic event.

“When I read the piece I was struck by the fact that I had never heard about what

happened to the Marshall team,” says Linden. “I was born after the crash. People of my parents’

generation may remember it, but it seems to have fallen out of public consciousness since then.”

Director Joseph McGinty Nichol, who goes by the moniker McG (“Charlie’s Angels” and

“Charlie’s Angels: Full Throttle”), had a similar emotional reaction to the story, which he was

also hearing for the first time. “I’ve always been attracted to dramatic stories and this is one of

 

 

the most compelling I’ve ever come across. It’s about survival and what’s right with the human

condition.”

The facts alone hold such natural poignancy and drama, and so many moments of honest

inspiration that there was little need for embellishment. Says McG, “So much of what actually

happened is so unbelievable that if it wasn’t based on a true story you would assume it was pure

Hollywood hyperbole.”

One perfect example, near the end of the film, is a climactic last-minute pass in a football

game played by the newly formed Thundering Herd against rivals Xavier—only the second

game of their comeback season in 1971. “The way that game ends is nothing short of amazing,”

says Iwanyk. “It seems like a screenwriter’s fantasy, but is, in fact, a faithful reenactment of that

historic game. So many people in Huntington remember it, to this day, and for good reason.”

“We Are Marshall” has many such moments. As Linden acknowledges, the hardest part

of preparing the script was deciding what to leave out. “We worked hard to tell as many stories

as possible. This tragedy affected a whole town: a team, a school, a coaching staff, and their

families, friends and neighbors. By far, my toughest challenge was accepting that there were so

many individual details we had to omit. It actually kept me up nights. Editing is always hard,

but, with this movie, it was particularly painful because it wasn’t ‘material’ we were dealing

with—it was real people, and each of their stories is worthy.”

The screenwriter offers a glimpse into the myriad unpredictable ways this one event

touched so many Huntington families. “The team’s equipment manager, John Hagan, was

supposed to be on the plane but drove to Greenville instead, because the flight down was on

Friday the 13th, and he was superstitious. Eddie Carter, home to attend his father’s funeral,

missed the game and the flight, which saved his life. The team’s sophomore kicker, Marcelo

Lajterman, had secretly married his girlfriend, Mary Ellen Cook, and was planning to announce

the news at a party that Saturday night, but died on the flight before he had the chance.

“One of the most heartbreaking stories,” Linden continues, “was about two couples on

the plane, friends who were godparents to each other’s children. One couple had four children

and the other, five. Including those nine kids, when that plane went down, a total of 18 children

in that small town were orphaned. And there are so many stories like that. It was impossible to

fit them all in, but I think the stories that we did tell do a good job of representing the whole.

The sentiment is authentic and we had a lot of people on hand to keep it honest.”

 

 

Following the tragedy, there arose the question of whether or not to restore Marshall’s

decimated football program, with cogent and emotionally charged opinions on either side.

Says McG, “If we’ve done our job properly, audiences will understand the value of

moving forward with the program and, at the same time, the reasons for not moving forward with

it. They’re both valid positions. I believe there’s a natural spirit that takes over after a loss that

makes some people want to get back in right away and do something positive—in this case,

rebuild the team and play again. But if you look at it from the other side, you have to think that

every time the sounds of a football game echoed down the main streets of Huntington, mothers

would only be reminded of the sons they lost.”

“Either way,” offers Iwanyk, “it’s impossible to pass judgment on any of these people.”

“Life happens,” says Matthew McConaughey, who stars as Coach Lengyel. “The choice

then becomes how you deal with it, how you heal and move on. Everyone does it differently but

the important thing is to take that first step. You may not be sure where your foot’s going to

land, but you still have to take that step. That’s why this is such a powerful story; there is pain

and loss, but then, just to get back onto that field, just to put your shoes on in the morning and go

back to school or work is a way to start healing.”

McConaughey drew on personal experience for one insightful comment he makes as

Lengyel, in a scene where Dawson is questioning the sense of leading a losing team. Not a line

from Linden’s original script, it was a quote from McConaughey’s friend, University of Texas’

famed football coach Daryl K. Royal: “If you step out onto that field and lay it all out there, if

you give it everything you’ve got, then we cannot lose. We may be behind on the scoreboard by

the end of the game, but we cannot be defeated.”

As McG sees it, that comment, which represents McConaughey’s own driving

philosophy, “meshes perfectly with the theme of ‘We Are Marshall.’ It’s a beautiful, life-

affirming perspective, and the central idea of the film.”

Each Person Copes in His Own Way: Casting Real-life Roles and Some Composites

Jack Lengyel was considered by many to be the right man at the right time.

Matthew McConaughey spent time with the former coach in preparation for portraying

him, and describes Lengyel’s formidable influence in Western movie terms. “He was the

 

 

outsider who rode in with his own plan; he was a little unorthodox, but it was an unorthodox

situation. There isn’t a how-to book for coaches who lose an entire team. What he did was get

people to deal with reality and the present, step-by-step and play-by-play. He wasn’t reaching

for a good season but for a good day’s practice, then a week, then maybe a month. His goal was

just to take the field and they could worry about wins and losses later—and in the process, he

inspired morale.”

McG feels it was Lengyel’s outsider status that best served the situation, allowing him to

be compassionate but detached, respectful of the communal grief but not immobilized by it. “As

he wasn’t personally connected to the crash, he had the freedom to focus on rebuilding.”

“I’ve been looking to play a great character like this for years—a teacher, a coach, a

father,” says McConaughey. “To find a part like this, with a story so moving and exciting and

uplifting, and then to know that it’s not fiction, it was truly amazing. As soon as I finished the

script I knew I wanted to be a part of it, and then almost immediately afterwards I got in touch

with Jack Lengyel and immersed myself in the history, which I knew nothing about.”

Lengyel, who served as an advisor on the film, explains why he wanted the daunting

coaching job. Watching the drama unfold in the news from his coaching post at The College of

Wooster in Ohio, he felt, at the time, that the sport had afforded him a college coaching career

and this was “an opportunity to pay back what football had given to me, to give something back

by helping a school that really had some major problems. I felt I could help rebuild the football

program.”

It is a heartfelt commitment McConaughey fully embraced in his portrayal. “One of the

joys of watching Matthew in this role is how he brings such genuine passion to it,” says McG.

“You understand that Lengyel was a guy who was thrilled to be on the fresh-cut grass, doing

what he loved most. You feel that in every single take. Matthew was so immersed in this

character, and so prepared, he showed up every day in that mindset and he captured the full

spectrum—not only the philosophy and energy Lengyel brought to Marshall, but uniquely

personal details like his bearing and delivery, his gait, his style of speaking and that high-spirited

hand clap.”

Lengyel himself offered praise for McConaughey’s interpretation, although he did take

exception to one little element, saying, “I don’t think my sideburns were quite that long.”

 

 

Matthew Fox, himself a former football star at Columbia University, takes on the role of

Red Dawson, Lengyel’s assistant coach during the rocky 1971 season following the crash, in

which they had to recruit and train nearly an entire team of rookies. Dawson, only 27 at the time

and with just three seasons of coaching experience, had narrowly missed the downed plane and

was left not only with a profound sense of loss but a lingering case of survivor’s guilt. Of the 37

players aboard, 20 were boys Dawson had personally recruited.

“Red has been carrying the weight of that night with him for 36 years, and thinking about

the fact that he wasn’t on that plane,” says Fox. The actor developed a genuine rapport with

Dawson, who served as an advisor during production and even took on a cameo role as a coach

of Huntington rivals Morehead State. “I think that because of who he is, and the responsibility

he took for those kids, it’s been a very difficult thing to deal with and making this movie has

brought up things I believe Red has tried to keep inside.”

McG credits Fox for his ability, “to understand the power of stillness. That was

something specific to the Red Dawson character and I wanted an actor who understood what it

meant to stand tall, do something quietly and powerfully with his eyes, maybe just looking down

the bridge of his nose and communicating something he cannot say.”

In the film, Fox, as Dawson, offers a sentiment that is nearly verbatim what Dawson

himself recently expressed: “I went to 20 houses, sat in 20 living rooms and promised 20

mothers that I would look after their sons. They would have been the class of ’73. Twenty

kids… and not one of them is left. Tell me, how am I supposed to look a mother in the eye and

promise her anything again?”

At the same time, notes Fox, “Red feels an obligation to help rebuild the program and

knows that Lengyel needs him and that, ultimately, takes precedence over his own personal

feelings.” Fox also factored in another element of Dawson’s character, the part of him that never

stopped loving the game. “Talking to Red,” he says, “I got the sense that he was a very intense

guy on the field and the game was very important to him. I’ve been away from it myself for a

long time but I know that feeling.”

Cast as Red Dawson’s wife Carole is January Jones, who found the challenge of her role

was to reconcile the conflicting emotions she believes Carole Dawson must have experienced:

overwhelming joy for her husband’s survival and compassion for friends who were not as lucky.

 

 

In a dramatic onscreen moment, Carole is shocked to see Red come home the night of the

crash, having believed him to have perished with the others. Trying to imagine how that would

feel, it was Jones’ instinct, she says, to react physically. “If someone I loved had been taken

from me and then miraculously returned I would just want to pound on him, to feel he was

actually there. So you see me not speaking so much as hitting him, hugging him, making that

intense connection to confirm that he’s alive and he’s in my arms.”

Like Dawson, varsity player Nate Ruffin also missed the flight and suffered considerable

survivor’s guilt. Sidelined by a forearm injury, the 20-year-old defensive back had remained

behind when his teammates flew to North Carolina.

Ruffin is played by Anthony Mackie, who believes it was partly this sense of guilt that

fueled Ruffin’s relentless energy on the field. “In a situation like that, it’s natural to think ‘those

were my friends, my family, my teammates and I should have been with them. What makes me

so lucky that I wasn’t on that plane?’ Dealing with that creates a lot of pressure, and Nate was

one of those individuals who channeled that pressure into raising himself and his teammates to

another level of performance. That was his survival skill and his therapy.”

Nate Ruffin passed away in 2001, but his family and friends shared their memories of

him with the film company, even inviting Mackie to spend Easter at their home in Huntington.

“He was described by everyone as an old soul,” the actor relates. “He was a wonderful, spirited

person who loved to help people, kind of like the unofficial mayor of Huntington. People spoke

of him with such love, and that was something I wanted to express.”

At the time, not everyone in town was in favor of restoring the team. Some believed the

community should take time out to heal and re-evaluate, some considered it a dishonor to those

who died, and others were so consumed by grief that it just didn’t matter. This mix of emotions

is represented by the composite character Paul Griffen, played by Ian McShane as a widower

who lost his only child in the crash and actively lobbies the university board of directors to

suspend the football program.

“As much as Ian McShane is adept at playing villains,” notes Jamie Linden, “Paul

Griffen is definitely not a villain. There are a lot of people who went into forming that character

and they are as sympathetic and heroic as anyone else in this story. When a tragedy like this

occurs, people handle it differently. There isn’t a right way or a wrong way to grieve.”

 

 

The Griffen character is linked to another composite character, cheerleader Annie

Cantrell, played by Kate Mara, who has her own genuine football connections. Mara is the

great-granddaughter of NY Giants founder Timothy Mara, and Pittsburgh Steelers founder Art

Rooney, and often sings the national anthem at Giants home games.

Annie Cantrell represents the experiences of many young women who lost friends or

boyfriends in the crash—in Annie’s case, her fiancée, Chris, Paul Griffen’s son. Mara, who met

with former Marshall cheerleaders during production to get their impressions of that night, tried

to imagine the enormity of such a loss. “What would you do if you lost your fiancée in a plane

crash? Imagine having your whole life planned out and it’s just ripped away from you,” she

says. “I don’t think a person needs to have any interest in football to appreciate this story and be

affected by it. It’s just so moving.”

Meanwhile, amidst the post-crash turmoil and debate over whether or not to proceed with

the football program, as well as the practicalities of how to even accomplish such a thing,

university president Dedmon continued to carry out his increasingly difficult duties.

David Strathairn, who stars as Donald Dedmon, found few newspaper accounts that

mention the late university president, so expanded his research by talking with former school

administrators and Huntington residents who knew him, and ultimately formed in his mind a

picture of “a man who did his best and tried to put people before policy. It seems there were

conflicting opinions about how popular he was at the time, but, in retrospect, Dedmon came to

be lauded and highly respected for his involvement and his efforts.”

Adds McG, “We feel the fundamental goodness in every choice Dedmon makes.”

An outsider like Lengyel, Dedmon was an interim president and an academic with little

knowledge of football. Yet, says Strathairn, “He became inextricably entwined in the lives of the

community. During his brief tenure he had to make a decision about the future of football at this

university and he chose a man whose heart seemed to be in the right place. It was Dedmon’s job

to find a new coach and he came up with Jack Lengyel.”

Mirroring the sentiments of some of Huntington’s citizens hardest hit by the tragedy,

Brian Geraghty brings to life another fictional composite, the character of varsity player Tom

Bogdan. Like Nate Ruffin, Bogdan also missed the flight. But unlike Ruffin, who transforms

his grief into a fierce dedication to the new team, Bogdan is overcome by his loss and guilt.

 

 

Says Geraghty, “Bogdan just doesn’t have it in him anymore. For him, it was more than

football, it was a part of his life that he shared with these guys who had become his best friends

and he just didn’t want to be out there on the field without them. It would never be the same.”

Aside from the very few original varsity players who remained, most of the 1971 squad

were beginners, such as the Young Thundering Herd’s quarterback, Reggie Oliver, a real-life

character played by Arlen Escarpeta. Oliver was a Marshall freshman who suddenly became one

of the senior members of the team, as well as one of the first Black NCAA quarterbacks and a

future Marshall Hall of Fame player. His pass to Terry Gardner in the final seconds of

Marshall’s home game against Xavier in September of 1971, in a play that Coach Lengyel had

never used before, propelled fans to their feet with cheers they hadn’t expressed in a long time.

“Reggie Oliver made the choice to stay,” says Escarpeta. “That meant he had to accept a

whole new group of guys on their own merits as teammates and friends. That couldn’t have been

easy, when every number and every position on the field reminds you of someone else.”

Escarpeta and Oliver met when Oliver visited the set to watch the re-enactment of the

climactic play against Xavier, a scene that brought back vivid memories. “I was an 18-year-old

kid from Tuscaloosa,” Oliver says. “I like to think we put some of the first bricks in the wall

after the crash as Marshall rose from the ashes. It was a tough experience to be 18 and go from

being one of the youngest players on the team to one of the oldest, almost in the blink of an eye.”

“Just Get It Right”

“People refer to ‘six degrees of separation,’ but in Huntington it’s more like one or two

degrees,” says David Strathairn. “We met people everywhere who were connected in some way

to these events, who may have lost a parent or a friend or knew someone who had been killed,

and they were so forthcoming with their experiences and memories. There was a lot of sadness

but moments of celebration too, and some excitement that this story, their story, was going to be

told. It provided a kind of energy that we all felt.”

Dawson, who overcame some initial doubts to ultimately participate in bringing “We Are

Marshall” to the screen, revealed this mix of emotions when facing the prospect of watching the

completed film. “I’m really looking forward to it. But I think I’d better be by myself when I

first watch it through; my emotions are still pretty strong.”

 

 

Many of those directly affected by the crash still live in Huntington and even now, more

than three decades later, the impact and the aftermath of that night remain crystal clear. It’s a

memory they have protected a long time. As Matthew Fox observes, “When a community

endures this kind of tragedy, along with the grief and pain people feel, I think there’s a sense of

ownership that develops around it and a concern about how outsiders might perceive it. That

may have been somewhat of the reaction when Lengyel first arrived with his optimism and

energy, and it would be the same when word got out that a movie was being made.”

The filmmakers took an honest, sensitive and collaborative approach.

“When you find out who these people are and you understand how they endured and

recovered, why in the world would you not want their cooperation and support, and their

blessing?,” asks Iwanyk. “We didn’t want to let them down.”

Iwanyk and McG met with Jack Lengyel and Red Dawson, and interviewed family

members and former school administrators, making their presence known on campus and around

town well ahead of production. They invited university representatives, plus Lengyel and other

key participants, to preview the script prior to shooting.

“They didn’t need our permission to make this movie, but they wanted it,” confirms Dr.

H. Keith Spears, a former Marshall student and contemporary of classmates lost in the crash.

Now VP for Communications and Marketing at the University, he worked closely with Iwanyk

and McG to coordinate production on campus. “People were in favor of having a movie made

but their only concern was that ‘they just get it right.’ We had three essential parameters: first,

honor those who died; second, respect the people of Huntington and the state of West Virginia;

and third, help us guard the integrity of the university. Marshall was a great institution prior to

the plane crash and it was a great institution after. It is not ‘the university of the plane crash.’”

“It’s a subject that still touches the heart of this community,” adds Huntington native

Keith Morehouse, who was nine years old when he lost his father Gene, the radio announcer who

called all the Thundering Herd games and was on the plane with the team that night. Morehouse

followed in his father’s footsteps, entering the field of broadcasting, and has called Thundering

Herd football and basketball games on television while serving as sports anchor for the local

NBC television affiliate. He met his future wife, Deb Hagley, while the two attended Marshall

University. During their courtship, Morehouse recognized her surname as that of team doctor

Ray Hagley, who died on the plane with his wife, Shirley.

 

 

“After our initial conversations it was obvious to us that the filmmakers wanted the same

things we did. They were serious,” says Spears. “Jamie’s script was on target and it portrayed

our story in a manner that I think anyone who knows this legacy could recognize and appreciate.

They were very open to us and we, in turn, put out the red carpet for them.”

As Lengyel recalls, “They asked if there were any concerns and, if so, how to address

them, because they didn’t want to alienate anyone or cause any further hardship. I think the

actors’ and crew’s sensitivity and understanding of the Marshall story captured the ‘BIG

GREEN’ spirit of the university and the community.”

Perhaps nothing exemplified this more than an incident that occurred just prior to

filming—the discovery of an anonymous, handwritten letter, addressed to the production and left

at the memorial obelisk at Spring Hill Cemetery, an unmarked grave for six of the players whose

bodies could not be identified. Written in the collective voice of those who died and referring to

them as a family, it said, in part, “You guys have been given the challenge to tell my family’s

story to the rest of the world. I charge everyone involved to put their very soul into this

challenge. We may be gone from this earth, but we represent the hope of every son and daughter

of Marshall University and, like hope, our spirit will never die.”

Upon receipt of this letter, Jamie Linden distributed copies to every member of the cast

and crew, reinforcing their commitment and setting the tone for the entire production.

Local supporters turned out in great numbers for a huge block party the city hosted

downtown to welcome the film company on April 1, 2006, complete with a stage raised outside

the historic Keith Albee Theater where McG, Basil Iwanyk, Matthew McConaughey and David

Strathairn thanked the 8,000-strong crowd and joined them in their signature battle cry—“WE

ARE MARSHALL!”

“They shout it to the heavens,” observed Strathairn. “It’s how they introduce themselves

to the world and it’s their acknowledgement that they have moved on successfully—survived,

achieved and accomplished something from the ashes of that plane crash. It shows the spirit of

the town and the community.

 

 

Production Kicked Off at Marshall University Campus and

Other Authentic Huntington Locales

 

Filming on “We Are Marshall” began where the story unfolded 36 years ago: at Marshall

University in Huntington, West Virginia, and in the city of Huntington itself.

Production designer Tom Meyer recalls that McG felt so strongly about the authentic

locale, he didn’t want to proceed unless a significant portion of the film could be shot there.

“When I first met with McG, we flew out there together. It’s true what people say, that there’s a

certain feel to a place that you just cannot fully recreate on a soundstage.

“When we walked down the street,” Meyer continues, “people would approach us and

say ‘I remember the night of the crash,’ many with a direct connection and real loss. Those

emotions became instilled in us in a very powerful way, just as they did when we stood in front

of the memorial obelisk at Spring Hill Cemetery. We spent the first three weeks filming in

Huntington and by then I had been there half a dozen times. My designs were always altered by

my experience there.”

Among the practical sites on campus that Meyer incorporated were the student center and

the chapel, where townspeople congregated on the night of the crash. On the vacant third floor

of a building being renovated he uncovered three arched windows that had been dry-walled over

and created the boardroom for a scene in which Nate Ruffin challenges the university directors

on their decision to suspend the football program.

The campus became a set and Marshall students, staff and administrators became extras.

Spears, who took the lead in coordinating filming around class schedules and events,

recalls how, “As we began to bring the film crew into the Herd, making them part of Marshall

University, they began to make us part of them as well. You could see this organizational dance

taking place to make sure we didn’t hinder production and they didn’t stop classes. Campus

security, faculty, parking, plant operations—we were all involved, whether they needed a higher

voltage of electricity on the third floor of the Morrow Library or a place to park 40 trucks and

trailers. If they came to us and said, ‘We really like the Student Center but we want to change

the paint color,’ my only question was, ‘Will you re-paint it the original color afterwards?’”

With a mandate to capture exteriors in Huntington, Meyer’s 100-person crew restored the

downtown block of 4th Street to its 1970 look, designing an entire row of vacant storefronts,

 

 

displays and the large exterior signs of the period, from the Keith-Albee Theater and Frederick

Hotel to shoe stores and insurance offices. Luckily, Meyer found the “architectural bones” of the

period intact. “They hadn’t torn buildings down and replaced them with a brand new

McDonald’s. You could spin around 360 degrees and see buildings that had been standing for

30, 40 or 100 years, all the way back to the founding of the city. Old storefronts might be

boarded up, they might have dropped in a brand new awning or stuccoed over the brickwork, but

if you scraped that off, you found the original architectural elements and the natural beauty

underneath.”

When it came to recreating the crash site, Meyer accompanied McG and members of the

production team, plus Spears, on a scout of the area, and was struck by how close it was to the

airport. “You can see the airport runway from the crash site; it’s just a quarter mile away.

Realizing they were so close to a different outcome that night makes it all the more

heartbreaking,” he says. Ultimately it was decided that staging the crash at its original location

was inappropriate, and production moved to the Fulton County Airport/Brown Field in Atlanta, a

working commuter airfield six miles from downtown.

Matching the densely wooded hills that surrounded the actual crash site was a challenge.

Meyer began by using earth-movers to terraform a flat empty field for the impact of a jetliner.

Next, an old DC-9 fuselage from an airplane junkyard in the Mojave Desert was shipped to

Atlanta on six flatbed trailers. Then, a forest of 100 mature 50-foot trees previously harvested by

a timber company were planted and splintered by large hydraulic machinery to simulate the

violence of the crash. A team led by special effects coordinator David Fletcher laid more than

3,000 feet of propane pipeline connected to 25 hundred-pound gas tanks to generate controlled

fires scattered across the quarter acre. The firefighters in the scene were actually Atlanta-area

firefighters, manning vintage vehicles, including two trucks that were on the scene in West

Virginia on the night of November 14, 1970.

Wes Sarginson, veteran nighttime anchor at NBC affiliate WXIA-11 in Atlanta, had a

direct connection to the 1970 accident. As a 27-year-old correspondent for NBC, based in

Cleveland at the time, he was the first national reporter on the scene. When he visited Meyer’s

vivid, detailed re-creation, based on research from photos and TV footage, Sarginson reportedly

stared in disbelief, attesting on his news broadcast that evening, “It looks just like it did back

then.” His assessment was reinforced when, days before McG began filming the sequence, one

 

 

of the company’s crew was injured from a fallen tree limb, requiring a 911 emergency call. The

EMTs who arrived were shocked at the realism of the site, with one of them questioning why he

hadn’t heard anything about a plane crash over his radio.

Other key locations in Atlanta included a former Ford dealership downtown, within

whose gutted garage Meyer built Boone’s Diner, a place where locals gathered weekly to listen

to Herd games. Meyer’s design for the fictional diner was inspired by McG’s example of the

Edward Hopper painting “The Nighthawks,” and on an actual Huntington institution called

Jim’s, a family-owned restaurant that has served as a community meeting place for 60 years. By

building on location instead of on a soundstage, he was able to incorporate adjoining exteriors.

“There was a great 1950s-era building across the street, which was derelict and due for

demolishing,” says Meyer, who persuaded the owners to let his team restore it in period colors.

“That gave us our outside. We were then able to show cars driving up and down the street, with

headlights and the reflections of pedestrians shining through the windows, and offer the

immediacy of the town surrounding the restaurant.”

Two more of Meyer’s major sets were the team locker rooms at East Carolina and

Marshall, which, he says, he “wanted to help tell the story, beyond being just, sweaty, concrete

blocks of functionality. When we see the Marshall Herd at East Carolina before the crash, it’s a

losing team with a terrible record and they don’t know the tragedy that is about to befall. So the

locker room has a heavy feeling. The ceiling is low and the shadows prominent. When we get

to the Marshall locker room, I wanted it to evoke a cathedral atmosphere, with high clerestory

windows that allow natural light to arc through and illuminate woven mesh lockers dusted with

metallic bronzing powder which we lit up light jewels. I put in arched, ‘flying buttress’ vaulted

ceilings to give a sort of spiritual lift to the space so that when the team gets down on their knees

for the pre-game prayer, it would feel as though they were in a church.”

The film’s Xavier game and practice sequences were filmed at Morris Brown College,

which, along with Morehouse and Spellman Colleges and Clark Atlanta University, is part of the

city’s historic Atlanta University Center Institutions, the nation’s oldest and largest consortium

of African-American private institutions of higher learning, founded in 1929.

Morris Brown’s modern purple-and-white Herndon Stadium, cast as Marshall’s Fairfield

Stadium, got a green-and-white period make-over. 1,200 feet of contemporary mesh rail was

replaced with tongue-and-groove wood panel and cap; plastic seats were replaced; and LED and

 

 

largescreen displays were swapped for fully-animated vintage scoreboards. A new field was

seeded and all 6,400 square yards painted shades of green to match the period field design and

color saturation to stay within the specific Kodachrome palette.

Suiting up Again in the Green and White

“If I had to use one word to describe the fashion of that time it would be ‘transitional,’”

says costume designer Danny Glicker. “When people think of the ‘70s, they conjure up very

specific images of crazy and outrageous designs, but most of that came later. Plus, Huntington,

like any small town, would naturally have been a little bit behind the curve. Essentially, it was

more of a late-1960s look we were after. We worked exclusively from period research from the

region, allowing us to recreate subtle details that would speak to everyone.”

For Matthew Fox’s portrayal of Red Dawson, Glicker reflected the character’s reserved

manner by taking a conservative tack, sticking to classic pegged pants and slender ties, with just

a hint of the wider shirt collars that heralded the new decade. For Matthew McConaughey, as

the coach coming in from Ohio with some new ideas, he provided a counterpoint by introducing

such fashion-forward elements as slightly wider ties and bolder prints.

Glicker’s biggest challenge was restoring Marshall’s fighting colors, the green and white.

“The Marshall green of the 1970s, a very bright Kelly green, no longer exists. It fell out

of vogue because it’s difficult to dye fabrics that green with colorfastness, not to mention that

some of the chemicals commonly used then are no longer legal,” he explains.

Nevertheless, compromise was not an option. “Anyone knowledgeable about Marshall

University speaks about the green with a lot of affection and there’s a real yearning to see that

again so, even though it took a lot of work and the help of a lot of talented dyers, I’m very

excited about being able to put the true green and white back on the field.”

The designer got a break when it came to recreating the period letterman jackets.

Working initially from old photos, he experimented with various fabrics and stitch-work to

create several prototypes but still didn’t feel he was getting it right. Then, typical of the

atmosphere of cooperation that had developed between the community and the film crew,

someone in town volunteered his own vintage jacket as a pattern.

 

 

Glicker also reproduced uniforms for three rival school teams—Morehead, Xavier and

East Carolina—and outfitted thousands of extras.

He found one retro-wear fan in Anthony Mackie, who fondly remembers, as a kid,

raiding his father’s closet to make Halloween costumes. “When they told me it would be

polyester slacks and button-down collars, it sounded like a dream come true,” says Mackie, with

a laugh. “I put my bid in early for certain things. They don’t make leather jackets like they used

to, with the funky patchwork, and platform shoes for men—you can’t even find those anymore.”

24, 19, 32… Hut, Hut… Hike!

It fell to renowned sports-action coordinator Mark Ellis (“The Longest Yard,”

“Invincible”) to make sure the teams not only looked the part, but played it. “We Are Marshall”

includes portions of three significant gridiron contests: the away-game played at East Carolina

on the day of the crash; the game against Morehead ten months later, which marked the

reconstructed team’s inauspicious debut; and the surprising Xavier game, which followed.

But it’s not just generic football action. Says Ellis, “The story is about relationships and

community, and the games support that; they’re part of the rebuilding process. It’s about a new

group of players and freshmen coming in and taking on the positions of those who were lost.”

McConaughey, who worked with Ellis, McG, Linden and Lengyel on staging the

sequences, notes that, “Each executed play had to represent exactly what Lengyel had coached,

and had to be specific to certain players. When we change offense from the power-I to the veer,

you have to see that evolve in the game. You have to see it work and you have to see it fail.”

Ellis studied archival footage of the Marshall games and consulted former coaches,

including Lengyel, for their first-hand knowledge. “I asked, ‘What was the terminology? What

were the cadence calls? What was your philosophy?’ And that became our blueprint.”

Following a two-week open call that yielded more than 4,000 applicants, with additional

recruiting across the country, Ellis ended up with a couple hundred potential actor/players to

represent the home and opposing teams on screen. After traditional NFL-style tryouts, that

number narrowed to the necessary 65. It then became Ellis’ job to turn them into working units.

“These guys became a team in the two weeks of hell I put them through in the Atlanta

heat doing two-a-days,” he says. “That’s when they started bonding. We didn’t have air

 

 

conditioning in the locker rooms. I ran ‘em in the morning, I ran ‘em in the afternoon and then

we watched film. I barely fed ‘em for lunch. They were killing each other.”

Although, in a pure sense, the players were acting and knew exactly who was going to

make the interception and who was going to get tackled on the 32-yard line, Ellis points out, “If

they don’t treat it like a real play, like live, wide-open football, they’re going to lose their

credibility. There’s no way to fake this stuff. They have to pin their ears back and play as hard

as they can and look like they intend to win every second. Once they understand that, you have

the makings of a great action sequence.”

The Legacy

The Thundering Herd did not recover quickly. Despite two unexpected and thrilling

victories that first comeback season, Marshall University football was, as Spears admits, “a

losing team. Even leading up to the crash we had our troubles—NCAA violations, the longest

losing streak in the nation— and rebuilding from all that seemed insurmountable. Lengyel and

his staff were the first step in that process, but there were plenty of naysayers.”

What Lengyel, Dawson, the players, other coaches and administration understood, was

that their purpose in 1971 was not necessarily to win football games but to lay a solid foundation

for the future so that, one day, winning would be possible again. And they were right.

In 1984, Marshall finished 6-5, its first winning season in 20 years. In 1987, the

Thundering Herd earned its first national exposure in Division 1-AA with a playoff appearance,

a feat it repeated the following year. In the six seasons from 1990 through 1995, under coach

Jim Donnan’s tenure, the Herd was 64-21 and made the Division I-AA championship game four

times. It won its first I-AA championship in 1992 and again in 1996, when former Marshall

player Bobby Pruett coached the team to an undefeated 15-0 season, with the help of future NFL

talent Randy Moss.

After being the losingest team in the country in the 1970s, with only 23 wins in 10 years,

remarkably, Marshall became the winningest team in the 1990s, with a 114-25 record.

“After we won the Mid-America Conference championship in ’97, the fans were

exuberant. They stormed the field and tore down the goal posts,” recalls Spears, who was there

at the time. “I remember thinking, ‘well, there go the goal posts. They’ll probably carry ‘em

 

 

down the street and we’ll have to go pick them up later.’ But we couldn’t find them. We finally

located them the next day. They were at the cemetery, laid at the obelisk with a sign saying,

‘Here’s the championship that was denied you.’”

Though Jack Lengyel left Marshall in 1975 and went on to numerous career heights, most

notably as athletics director for the U.S. Naval Academy, he still considers Marshall his second

home and has returned to commemorate the tragedy’s 20- and 30-year anniversaries.

Red Dawson fulfilled his promise to stay the year, then left upon completion of the 1971

season. He never returned to the game, though he continued to live in Huntington and remained

a loyal Herd fan. Known to frequent tailgate parties and then leave the stadium, he did not attend

another Marshall game until 2000. He and Lengyel stayed in touch, having shared the

indescribable bond of that very difficult and rewarding time.

“When you live with a story like this, maybe you don’t want to talk about it right away,

maybe that’s why it took 36 years before this story found its way onto the screen,” notes Basil

Iwanyk. “Maybe it needed a full generation of time to pass.”

Ultimately, “Pain can last a moment. It can last a day, a week or years, but it cannot last

forever. The only thing that can last forever is if you quit,” offers McG, recalling a sentiment

expressed by Lance Armstrong. “If you want to honor those who have fallen, I believe the best

thing you can do is move forward and live the best life you can, knowing that’s what they would

want for you.”

ABOUT THE CAST

MATTHEW McCONAUGHEY (Jack Lengyel) earned a People’s Choice Award in

2005 for his starring role in the hit film “Sahara,” co-starring Penelope Cruz and Steve Zahn.

“Sahara,” which opened at the top of the weekend box office, also marked the first major motion

picture produced by his production company, j.k. livin productions. McConaughey followed

with a starring role opposite Al Pacino in the drama “Two for the Money,” before closing the

year as People Magazine’s “Sexiest Man Alive.”

Among his film credits are the popular romantic comedies “Failure to Launch,” with

Sarah Jessica Parker, and “How to Lose A Guy in 10 Days,” opposite Kate Hudson; the

 

 

ensemble “Thirteen Conversations About One Thing”; the horror thriller “Frailty,” written and

directed by Bill Paxton; the sci-fi adventure “Reign of Fire”; and Adam Shankman’s hit romantic

comedy “The Wedding Planner,” with Jennifer Lopez.

McConaughey also starred in Steven Spielberg’s “Amistad,” Robert Zemeckis’

“Contact,” Ron Howard’s “EDtv,” Richard Linklater’s “Dazed and Confused” and Joel

Schumacher’s critically acclaimed courtroom drama “A Time to Kill,” as well as “Angels in the

Outfield,” “Lone Star,” “Glory Days” and “U-571.”

He is currently in production with co-star Kate Hudson on the romantic adventure

“Fool’s Gold,” directed by Andy Tennant and scheduled for a 2008 release.

McConaughey’s production company is currently in development on numerous projects

with Warner Bros. Pictures, Universal Pictures, Paramount Pictures and Imagine Entertainment.

j.k. livin also executive produced the feature documentary “Hands on A Hard Body.”

MATTHEW FOX (Red Dawson) currently stars as the conflicted, heroic doctor, Jack

Shepherd, on the hit ABC series “Lost.” For his work on the Emmy-winning Best Drama, Fox

shared the 2005 Screen Actors Guild Ensemble Award and was nominated for Golden Globe and

Television Critics Association Awards for achievement in dramatic acting.

Previously, Fox starred in Golden Globe Award-winning series “Party of Five.”

In 1999, he won attention for his touching turn opposite Donald Sutherland in the made-

for-television drama “Behind the Mask,” then returned to episodic work as a private investigator

whose near-death experience bridges a gap to the spirit world in “Haunted.”

Fox will next star in the political thriller “Vantage Point,” opposite Dennis Quaid, Forest

Whitaker and William Hurt, set for a 2007 release.

IAN McSHANE (Paul Griffen) won the 2005 Golden Globe Award for Best Actor in a

Television Drama and earned Emmy and Screen Actors Guild Award nominations for his

performance as the charismatic Al Swearengen in the second season of HBO’s hit series

“Deadwood.” For his work during the series’ 2004 debut season, McShane received the

Television Critics Association Award, with a second nomination for the 2005 season, and was

named one of GQ Magazine’s “Men of the Year.”

 

 

McShane has starred in over 25 films over a long and distinguished career, including

“The Battle of Britain,” “The Last of Sheila,” “Villain,” co-starring Richard Burton, “Exposed,”

and “Agent Cody Banks.” In Jonathan Glazer’s acclaimed “Sexy Beast,” he gave a riveting

performance as the sinister gangster Teddy Bass, opposite Sir Ben Kingsley and Ray Winstone.

Recently, he joined the ensemble cast of writer-director Rodrigo Garcia’s drama “Nine

Lives” and co-starred in the Woody Allen film, “Scoop.” He will next lend his vocal talents to

the upcoming animated feature “Shrek The Third,” as Captain Hook, the animated fantasy

“Coraline,” and the animated comedy “Kung Fu Panda,” with an all-star voice cast including

Jackie Chan. Among his upcoming screen appearances are the action comedy “Hot Rod,” and

the thriller “Case 39,” opposite Renée Zellweger, both scheduled for a 2007 release.

McShane has also enjoyed a long career in both British and American television,

including a role in David Wolper’s seminal 1970s miniseries “Roots.” Last season, he was seen

on both BBC and BBC America’s comedy series “Trust.” A starring turn in “Whose Life Is It

Anyway?,” for Granada TV, the role of Heathcliff in “Wuthering Heights” for the BBC, and

Harold Pinter’s Emmy-winning “The Caretaker” are among his other television highlights. He

has also portrayed Judas in NBC’s “Jesus of Nazareth,” directed by Franco Zeffirelli; Prince

Rainer in the network’s “The Grace Kelly Story”; and the title role in Masterpiece Theatre’s

“Disraeli.” His additional miniseries credits include “Charlie the Kid,” “A.D.,” “The Great

Escape II,” “Marco Polo,” “Evergreen” and Dan Curtis’ “War and Remembrance.”

In the late 1980s, he formed McShane Productions, which produced the much-adored

“Lovejoy” for the BBC and A&E, a project that gave him a vehicle in which to star as well as

produce and direct. He followed by producing and starring in the lead role of Madson in the

comedy drama “Soul Survivors,” for BBC and Showtime.

In 2000, McShane returned to London’s West End for his musical stage debut in

Cameron Mackintosh’s successful production of “The Witches of Eastwick,” as Darryl Van

Horne. His stage career has included roles as Hal in the original cast of “Loot,” the title role of

“The Admirable Crichton” at the Chichester Festival, Tom in Tennessee Williams’ “The Glass

Menagerie” and Charlie in “The Big Knife.” He co-starred with Dame Judi Dench and Sir Ian

McKellen in “Promise,” which successfully played London before moving to Broadway. In Los

Angeles, he starred in three productions at The Matrix Theatre, including the world premiere of

 

 

Larry Atlas’ “Yield of the Long Bond” and two others for which he received the Los Angeles

Drama Critics’ Circle Award: “Inadmissible Evidence” and “Betrayal.”

ANTHONY MACKIE (Nate Ruffin) had five features on movie screens in 2006. In

addition to “We Are Marshall,” he starred in “Half Nelson,” with Ryan Gosling adapted from

director Ryan Fleck’s Sundance-winning short “Gowanus Brooklyn”; in Preston Whitmore’s

“Crossover”; in Frank E. Flowers ensemble crime drama “Haven,” opposite Orlando Bloom and

Bill Paxton; and in the film adaptation of Richard Price’s “Freedomland,” starring Samuel L.

Jackson.

He will next play Olympic track-and-field legend Jesse Owens in a biopic to shoot next

summer.

Classically trained at the Juilliard School of Drama, Mackie made an auspicious film

debut as Eminem’s nemesis, Papa Doc, in Curtis Hanson’s “8 Mile.” His performance caught

the attention of Spike Lee, who subsequently cast Mackie in the recent Toronto Film Festival

Masters Program selection “Sucker Free City” and “She Hate Me.” He also appeared in Clint

Eastwood’s Academy Award-winning “Million Dollar Baby,” opposite Hilary Swank, Morgan

Freeman and Eastwood, as well as in Jonathan Demme’s “The Manchurian Candidate,”

alongside Denzel Washington and Liev Schreiber, and the comedy “The Man,” starring Samuel

L. Jackson.

Mackie earned IFP Spirit and Gotham Award nominations for his performance in Rodney

Evans’ “Brother to Brother,” which won the 2004 Special Dramatic Jury Prize at the Sundance

Film Festival and Best First Feature at the Independent Spirit Awards. In 2005, he appeared

opposite David Strathairn, Timothy Hutton and Leelee Sobieski in “Heavens Fall,” based on the

historic Scottsboro Boys’ trials, an independent feature that premiered at the 2006 SXSW Film

Festival in Austin.

KATE MARA (Annie Cantrell) is currently filming “Shooter,” opposite Mark Wahlberg,

scheduled for a 2007 release.

Most recently, she appeared as Heath Ledger’s daughter in Ang Lee’s Academy Award-

winning drama “Brokeback Mountain,” and co-starred in a five-episode arc on the Fox

Television Emmy Award-winning series “24.”

 

 

Mara began acting at the age of 14. She first appeared in Sydney Pollack’s romantic

drama “Random Hearts.” She then co-starred in Gary Winick’s coming-of-age film “Tadpole,”

which earned 2002 Sundance Film Festival honors for both director and film, and co-starred in

the independent feature “The Californians.”

Also an accomplished singer, Mara made her professional debut at the Williamstown

Theatre Festival in “Landscape of the Body,” with Lili Taylor.

JANUARY JONES (Carole Dawson) most recently earned acclaim for her co-starring

role opposite Tommy Lee Jones in Jones’ feature directorial debut, “The Three Burials of

Melquiades Estrada,” which screened at the Cannes Film Festival.

She will next be seen in the independent film “Swedish Auto,” with Lukas Haas.

Jones made her screen debut as Gary Sinise’s love interest in “It’s the Rage.” Since then,

she has played supporting roles in Barry Levinson’s comedy “Bandits,” Steven Soderbergh’s

“Full Frontal,” and the Jack Nicholson/Adam Sandler comedy, “Anger Management.” She also

had a small role in Richard Curtis’ comedy “Love, Actually.”

Jones was selected from thousands of aspiring talents to be cast as Cadence Flaherty, the

sister of the not-so-blushing bride in “American Wedding,” the third installment in the

“American Pie” series. Following that, she appeared in “Dirty Dancing: Havana Nights.”

For television, Jones recently completed a recurring role in the debut season of

Showtime’s acclaimed series “Huff” and, in 2007, will be seen on AMC in its first original

drama series, “Mad Men,” written and executive produced by Matt Weiner, a writer on “The

Sopranos.”

BRIAN GERAGHTY (Tom Bogdan) most recently starred in Emilio Estevez’s biopic

“Bobby,” which centers on the assassination of Robert F. Kennedy. Geraghty, whose

performance in the film was selected by The New York Times as scene-stealing and a

breakthrough, was part of the film’s ensemble cast, which included Anthony Hopkins, Sharon

Stone, Demi Moore, Lindsay Lohan and Elijah Wood.

Earlier this year he appeared in director Andy Davis’ “The Guardian,” opposite Kevin

Costner and Ashton Kutcher; in “Conversations with Other Women,” with Aaron Eckhart and

 

 

Helena Bonham Carter; and in Terry Zwigoff’s “Art School Confidential,” starring John

Malkovich, Jim Broadbent and Anjelica Huston.

Among his feature credits are the Sam Mendes adaptation of “Jarhead,” in which he

starred opposite Jake Gyllenhaal, Jamie Foxx and Peter Sarsgaard; the horror remake of “When a

Stranger Calls”; “Stateside,” with Val Kilmer; “The Optimist,” with Leelee Sobieski; and “Cruel

World,” opposite Edward Furlong.

Prior to launching his screen career, Geraghty had guest-starring roles on several top

television series, including HBO’s award-winning “The Sopranos,” NBC’s Emmy-winning

“Law & Order” and the critically acclaimed, offbeat comedy series “Ed.”

He began his professional career on stage with credits that include roles in productions of

“Berlin,” “Midnight Moonlight,” “Snipers” and “Romeo and Juliet.”

Geraghty is an active supporter of the Surfrider Foundation, a non-profit environmental

organization working to preserve our oceans, waves and beaches.

DAVID STRATHAIRN (President Dedmon) most recently won the Volpi Cup at the

Venice Film Festival and earned nominations from the Academy, Golden Globe, Screen Actors

Guild, BAFTA and Independent Spirit Awards for his compelling portrait of legendary CBS

news broadcaster Edward R. Murrow in George Clooney’s 2005 Oscar-nominated drama “Good

Night, and Good Luck.”

His 2005 Independent Spirit nomination was the fourth in a stellar career that dates back

to his 1980 motion picture debut in John Sayles’ first film, “The Return of the Secaucus Seven.”

Strathairn subsequently collaborated with Sayles on seven titles, winning the IFP honor for his

supporting performance in “City of Hope,” while collecting two additional nominations for

“Passion Fish” and “Limbo.”

His early screen efforts included supporting roles in Mike Nichols’ “Silkwood,” Fred

Schepsi’s “Iceman,” James Foley’s “At Close Range” and Robert M. Young’s “Dominick and

Eugene,” as well as Sayles’ acclaimed dramas “Matewan” and “Eight Men Out,” and his 1984

satire, “The Brother from Another Planet.”

Turning the decade, Strathairn continued a busy screen career with co-starring roles in

several critically acclaimed films, including Tim Robbins’ directorial debut, “Bob Roberts”;

Penny Marshall’s “A League of Their Own”; “Losing Isaiah”; Sydney Pollack’s “The Firm”;

 

 

“Sneakers”; Taylor Hackford’s adaptation of the Stephen King novel “Dolores Claiborne”; and

Jodie Foster’s “Home for the Holidays”; as well as two projects with Curtis Hansen: “The River

Wild” and the Oscar-winning “L.A. Confidential,” in which Strathairn shared a Screen Actors

Guild Award nomination with the all-star ensemble cast. His additional movie credits include

“Memphis Belle,” “A Map of the World,” “Simon Birch,” “Lost in Yonkers,” “Missing in

America,” Michael Hoffman’s adaptation of “A Midsummer Night’s Dream,” Phil Kaufman’s

“Twisted” and “The Notorious Bettie Page.”

He has also maintained a high profile in the theatrical world, with roles at such venues as

the Manhattan Theatre Club, the New York Shakespeare Festival, SoHo Rep, the Hartford Stage

Company, Ensemble Studio Theatre and Seattle Repertory. He will next be seen in Gregory

Hoblit’s thriller “Fracture.”

ARLEN ESCARPETA (Reggie Oliver) earned critical acclaim for his breakout role of

an honor student caught with a handgun at school in the independent drama “American Gun.”

The film, which premiered at the 2005 Toronto Film Festival, also starred Forest Whitaker,

Marcia Gay Harden and Donald Sutherland.

His earlier film credits include a role in Carl Franklin’s courtroom thriller “High Crimes,”

opposite Morgan Freeman and Ashley Judd.

Following “We Are Marshall,” Escarpeta will star opposite Oliver Platt in the

independent comedy spoof “The Ten,” from director David Wain of “Wet Hot American

Summer.”

Best known for his three-season role as charismatic college athlete Sam Walker on

NBC’s “American Dreams,” Escarpeta made his television debut as a guest star on “Boston

Public.” He has since appeared in guest-starring roles on hit shows such as CBS’ “Judging

Amy,” F/X’s “The Shield,” G4TechTV’s “Players” and, more recently, NBC’s long-running

“ER” and the hit CBS drama “Cold Case.” He also appeared in the pilot episode of NBC’s

“Boomtown.”

Escarpeta is a volunteer for the Young Saints Scholarship Foundation and is heavily

involved in charities, including the Starlight Starbright Children’s Foundation and the Union

Station Foundation.

 

 

ABOUT THE FILMMAKERS

 

McG (Director / Producer) made his feature film directorial debut with “Charlie’s

Angels,” which boasted the biggest box office opening for a first-time director. The film

debuted at #1 in the U.S. with over $40 million at the box office, and also opened at #1 in 31

territories internationally, grossing over $250 million worldwide. McG also directed the sequel

“Charlie’s Angels: Full Throttle,” which went on to gross another $265 million.

With two hit films and over $500 million at the box office, McG formed a production

company, Wonderland Sound and Vision, which has a first-look film deal with Columbia

Pictures, a television deal with Warner Bros. Television and a record deal with Warner Music.

Wonderland most recently released the low budget feature “Stay Alive,” which opened at $10.7

million. The company is currently shooting “Revenge of the Nerds” for an August 2007 release.

For television, Wonderland produces the primetime phenomenon “The O.C.,” which had

its fourth season premiere in November, and “Supernatural,” which is currently in its second

season on The CW. Together with Steven Spielberg, Wonderland produced “The Dan Finnerty

Show,” a special that aired on Bravo last year.

McG began his career producing records for rock group Sugar Ray, directing

commercials for The Gap and Coca Cola, as well as directing over 50 music videos for a wide

array of recording artists including Sublime, Korn and Wyclef Jean. These music videos have

contributed to the sale of over 100 million albums worldwide.

Born in Kalamazoo, Michigan, McG grew up in Newport Beach, California. He

graduated from University of California Irvine with a degree in psychology.

BASIL IWANYK (Producer) currently heads his own production company, Thunder Road

Pictures, where he most recently produced the Harrison Ford thriller “Firewall.”

Iwanyk began his film industry career as an agent trainee at United Talent Agency.

He joined Warner Bros. Pictures in 1995 as a creative executive and was promoted to Vice

President of Production two years later. During his tenure at the studio, Iwanyk was involved

with several films, including the Oscar-winning “Training Day,” “Ocean’s Eleven,” “Batman &

Robin” and the Christopher Nolan thriller “Insomnia.” He was named an “executive to watch”

 

 

by The Hollywood Reporter in their annual Next Generation issue that profiles young executives

with promising futures in the entertainment industry.

In 2000, Iwanyk became President of Worldwide Production at Intermedia Films,

overseeing a wide variety of projects, including “K-19: The Widowmaker,” “Basic,”

“Terminator 3: Rise of the Machines,” Spike Jonze’s Oscar-winning “Adaptation,” “Dark Blue,”

“National Security,” “The Life of David Gale,” “Welcome to Mooseport,” “Laws of Attraction,”

Renny Harlin’s thriller “Mindhunters” and the Oscar-nominated drama “The Quiet American.”

JAMIE LINDEN’s (Screenwriter / Story) first script, “Things To Do Before I Die,” was

purchased by Warner Bros. Pictures and led to a writing deal with the studio. This, in turn, led to

an introduction to producer Basil Iwanyk, who shared Linden’s interest in making a film about

the Marshall University plane crash.

Linden recently finished adapting the bestseller Dogs Of Babel for producer David

Heyman. He will next re-team with Iwanyk for an upcoming adaptation of “Ski To Die: The Bill

Johnson Story,” depicting the life and times of one of America’s most celebrated downhill skiers,

who scored Olympic Gold in the 1984 winter games.

“We Are Marshall,” is Linden’s first produced script.

CORY HELMS (Story) is currently working on another script. “We Are Marshall” is

his first motion picture credit.

JEANNE ALLGOOD (Executive Producer) is currently the executive in charge of

motion picture development and production for Wonderland Sound & Vision, filmmaker McG’s

multimedia production company. This is her first feature film producing credit.

Allgood has worked on more than 20 films as a production executive with such

companies as Jersey Films, Outlaw Productions and DreamWorks SKG.

She began her career as an assistant to theater legend Michael Kahn, Juilliard’s Drama

Director and the Artistic Director of the Shakespeare Theatre in Washington, DC. Encouraged

by Kahn to pursue her love of movies, Allgood left for Los Angeles, where a chance introduction

to Danny DeVito won her a job at Jersey Films.

 

 

After eighteen months, she joined producers Bobby Newmyer and Jeff Silver as a

creative executive at their Warner Bros.-based company, Outlaw Productions. Her two-year

tenure at Outlaw was followed by four years with Cathy Konrad at her Sony-based production

company, where Allgood worked on such films as “The Sweetest Thing,” starring Cameron

Diaz, and “Kate and Leopold,” with Meg Ryan, as well as James Mangold’s 2003 thriller

“Identity.” Allgood next moved into a production executive post at DreamWorks, supervising

such projects as Wes Craven’s hit thriller “Red Eye,” the comedy “She’s the Man” and the

inspirational drama “Dreamer.”

She joined McG in his production entity a year ago and was the one who obtained the

“We Are Marshall” script from Basil Iwanyk for development through Wonderland.

BRENT O’CONNOR (Executive Producer) reunites with producer Basil Iwanyk after

their recent collaboration on the Harrison Ford thriller “Firewall.”

O’Connor was an executive producer on the 2005 action thriller “Elektra,” starring

Jennifer Garner, and the 2004 family adventure “Scooby Doo 2: Monsters Unleashed.” His coproducing

credits include “K-19: The Widowmaker,” starring Harrison Ford and Liam Neeson,

and “Bulletproof Monk,” starring Chow Yun-Fat and Seann William Scott.

Early in his career, O’Connor served as an electrician and business agent. He was

production manager on a variety of feature films, including the Arnold Schwarzenegger thriller

“The Sixth Day”; the comedic romp “Rat Race,” starring Cuba Gooding Jr., Whoopi Goldberg,

John Cleese and Rowan Atkinson; Gus van Sant’s Academy Award-winning “Good Will

Hunting,” starring Matt Damon, Robin Williams and Ben Affleck; and “Seven Years in Tibet,”

with Brad Pitt. His other credits as production manager include “Eye See You,” “Jumanji,”

“Deep Rising,” “Disturbing Behavior” and “Andre.”

THOMAS TULL (Executive Producer) is the Chairman and CEO of Legendary Pictures,

which recently entered into a five-year, 25-picture deal with Warner Bros. Pictures. Legendary

reaped resounding success with their first joint effort, “Batman Begins,” and went on to

collaborate in 2006 on Bryan Singer’s “Superman Returns” and M. Night Shyamalan’s “Lady in

the Water.” Among their upcoming projects are “300,” the film adaptation of Frank Miller’s

graphic novel of the same name; “Trick ‘r Treat,” written and directed by “Superman Returns”

 

 

co-writer Michael Dougherty and produced by Bryan Singer; Roland Emmerich’s “10,000 B.C.”;

“Where the Wild Things Are,” directed by Spike Jonze; and Christopher Nolan’s “The Dark

Knight,” the follow-up to “Batman Begins.”

Tull was previously president and a director of The Convex Group, a media and

entertainment holding company in Atlanta that invests in new media networks, launched by

WebMD founder Jeff Arnold. He executed M&A activity, including the acquisitions of content

company How Stuff Works and content distribution platforms LidRock and FlexPlay, and

developed the company’s relationships and partnerships with motion picture, music and

videogame companies. Prior to Convex, Tull was a principal at the Southeast Interactive

Technology Funds, the largest venture-capital IT fund in the Southeast.

Tull’s first foray into Hollywood came when he was a partner at a North Carolina-based

investment fund that specialized in media and technology. In 1996, he helped craft the deal

creating Red Storm Entertainment, which made games based on Tom Clancy’s books. He relied

on his experience as a venture capitalist to raise the initial capitalization for Legendary Pictures

from a consortium of blue chip investors—ABRY Partners, Banc of America Capital Investors

and AGI Direct Investments among them. Tull architected the unique structure of the company,

which was awarded the prestigious Deal of the Year in the entertainment industry in 2005 by

IDD Magazine.

SCOTT MEDNICK (Executive Producer) is a member of the management team of

Legendary Pictures, the production company which in 2005 entered into a five-year, 25-picture

deal with Warner Bros. He was an executive producer of this past summer’s “Superman

Returns,” and is an executive producer on the upcoming films “300,” Roland Emmerich’s

“10,000 B.C.” and “Where the Wild Things Are,” being directed by Spike Jonze.

Mednick has been a leader in the entertainment, marketing and technology sectors for the

last 25 years. He has been involved in the marketing for almost 200 films, including “Jerry

Maguire,” “Coal Miner’s Daughter,” “This Is Spinal Tap,” “X-Men” and “Dirty Dancing.” His

individual entertainment clients have included Tom Cruise, Arnold Schwarzenegger and Denzel

Washington. Additionally, Mednick has created the logos for such Hollywood entities as Sony

Pictures, Columbia Pictures, TriStar Pictures and Legendary Pictures.

 

 

He is also the former President and CEO of Peter Guber’s Mandalay Branded

Entertainment. Prior to Mandalay, Mednick founded THINK New Ideas, Inc., a marketing and

communications company for the Information Age which serviced the communications and

interactive needs of major corporations including Oracle, Coca-Cola, Reebok, Sega, Time

Warner, Sony, Pioneer Electronics, Disney, Chrysler and many others. As Chairman and CEO,

Mednick oversaw the quintupling of THINK’s billing and market cap within 18 months of its

initial public offering. In addition, the company was named as one of the top ten interactive

agencies of the year by both Adweek magazine and the Advertising Club of New York in its first

year of operations.

In addition to his corporate responsibilities, Mednick was invited to be a part of the

President’s Committee on the Arts and Humanities Task Force for Children and Youth at Risk

under President Clinton, chaired by the First Lady Hillary Rodham Clinton. He served for 10

years on the National Board of Arnold Schwarzenegger’s Inner City Games Foundation and now

sits on the board of directors of After-School All-Stars, founded by Governor Schwarzenegger.

Mednick served on the Board of Directors of Earth Day 1990, for which he also created the logo

and communications materials. He is a founding member of the Board of ECO (Earth

Communications Office), which mobilizes the entertainment industry on behalf of the

environment. He also serves as a trustee of the University of Santa Monica.

Mednick, a Boston native, has an M.A. in Applied Psychology and a B.F.A. in Graphic

Design, and was named Print Art Director of the Year/West by Adweek. Mednick has had four

pieces of his work selected for inclusion in the permanent collection of the Library of Congress.

SHANE HURLBUT (Director of Photography) earned an A.S.C. Award nomination for

his first feature, HBO’s award-winning biopic “The Rat Pack,” directed by Rob Cohen and

starring Ray Liotta, Joe Mantegna and Don Cheadle. The citation distinguished him as the

youngest cinematographer ever nominated for the award for a debut feature, and the second

youngest cameraman ever nominated.

Hurlbut and Cohen reunited on the thriller “Skulls,” followed by John Stockwell’s

critically acclaimed romantic drama “crazy/beautiful” and Charles Stone III’s popular marching

band extravaganza “Drumline.” He re-teamed with Stone on the Bernie Mac sports comedy

“Mr. 3000” and continued his association with director Stockwell on the underwater treasure

 

 

 

hunting film “Into the Blue.” Hurlbut also guided camera work on the features “11:14,” Bill

Paxton’s period sports drama “The Greatest Game Ever Played,” and the recent feature releases

“Something New” and writer/director Vondie Curtis-Hall’s crime thriller “Waist Deep.”

One of the industry’s most in-demand commercial cinematographers, Hurlbut has also

guided camera work on TV spots for such clients as Disneyworld, Verizon, KFC, Dunkin

Donuts, Pizza Hut, McDonalds, and Burger King, collaborating with such directors as McG, Bob

Giraldi, Charles Stone III and Jan de Bont.

In the music video genre, Hurlbut employed cutting-edge visuals in projects for such

musical artists as Nirvana, Stone Temple Pilots, The Rolling Stones, Filter, Tori Amos,

Semisonic, Salt-N-Pepa and Smashing Pumpkins.

TOM MEYER (Production Designer) has designed for such feature films as “A Lot Like

Love,” “Blue Crush,” “Catch That Kid” and the short film “Whatever We Do,” a 2003 Sundance

Film Festival entry produced by Tobey Maguire. Meyer made his debut as a designer on the

2002 comedy crime caper “Welcome to Collinwood,” directed by Anthony and Joe Russo, and

produced by George Clooney and Steven Soderbergh. Meyer’s next project, with Clooney and

Soderbergh serving as executive producers, is Scott Burns’ “The Half Life of Timofey Berezin,”

set for a March 2007 release.

Meyer’s credits as an art director include John Stockwell’s “crazy/beautiful”; Christopher

McQuarrie’s directorial debut, “The Way of the Gun”; “The Crow: Salvation”; and “No

Vacancy.” He also logged small-screen credits for a variety of commercials, music videos and

series pilots.

He began his career as a 13-year-old intern at the famed Actors Studio of Louisville, one of

the country’s most honored regional theaters. With a dozen years in the theatre world, Meyer

was a resident design associate at the Seattle Repertory from 1993-96, where he designed such

stage productions premieres as Arthur Laurents’s “Jolson Sings Again,” Jon Robie Baitz’s “A

Fair Country” and Wendy Wasserstein’s “An American Daughter,” all directed by award winner

Daniel Sullivan, as well as “Bill Irwin’s Experiments,” “Pretty Fire” and “Suburbia.”

PRISCILLA NEDD FRIENDLY (Editor) studied film editing at the American Film

Institute, and began her career as an assistant editor in television before moving on to feature

 

 

films. Her big break came when she was hired by Academy Award-winning editor Peter Zinner

to serve as the associate editor on Taylor Hackford’s Oscar-nominated drama “An Officer and A

Gentleman.”

Through Hackford’s recommendation, Nedd Friendly gained her first solo editing

assignment on “Eddie and the Cruisers,” a year later. She went on to edit such films as “The

Flamingo Kid,” for director Garry Marshall; Jerry Schatzberg’s “Street Smart”; David Seltzer’s

“Lucas”; “Tucker: The Man and His Dream,” for director Francis Ford Coppola; “Pretty

Woman,” which reunited her with Garry Marshall; Irwin Winkler’s “Guilty By Suspicion”; and

Michael Caton-Jones’ “Doc Hollywood.”

Nedd Friendly more recently edited the hit comedy “American Pie,” directed by Paul and

Chris Weitz. She reteamed with the Weitz brothers on “Down to Earth,” starring Chris Rock,

then collaborated with director Rob Minkoff on the films “Stuart Little 2” and “The Haunted

Mansion.” Nedd Friendly most recently edited the hit comedy sequel “Big Momma’s House 2.”

GREGG LONDON (Editor) most recently served as additional film editor on the

comedy “Big Momma’s House 2,” starring Martin Lawrence. He has compiled ten associate

editor credits dating back to the 1991 comedy “Doc Hollywood,” starring Michael J. Fox. His

more recent projects include the romantic comedy “Down to Earth,” starring Chris Rock and

Regina King, as well as the 2003 family comedy thriller “The Haunted Mansion” and the

BAFTA Award-nominated “Stuart Little 2,” both directed by Rob Minkoff.

London edited the 2000 Vince Van Patten comedy “The Flunky” and completed the first

cut of “The Woman in the Moon,” starring Maria de Madeiros and Portia de Rossi, as well as the

thriller “The Perfect Nanny.”

CHRISTOPHE BECK (Music) has scored numerous films in virtually every genre,

from the remake of “The Pink Panther” and “The Sentinel,” earlier this year, to “Under the

Tuscan Sun,” the film adaptation of the best-selling novel.

Beck began his scoring career on the Canadian television series “White Fang,” and from

there went on to score the television series “Buffy the Vampire Slayer,” seasons two through

four. He earned an Emmy Award for Outstanding Music Composition for his work on “Buffy”

 

 

in season three (1998) and, after completing one more season on the show, moved into film

scoring.

His recent film credits include “Elektra,” “Miss Congeniality 2: Armed and

Fabulous,” and “Two for the Money.” Previously, he scored “Garfield,” “Cheaper by the

Dozen,” “Just Married,” “Confidence,” “The Alarmist,” “Guinevere,” and “Bring It On.”

MARY VIOLA (Co-Producer) has served as Vice President of Thunder Road Pictures

for the last three years. Previously, she worked in the development department of Jerry

Bruckheimer Films on movies such as “Pirates of the Caribbean,” “Bad Boys 2” and “Black

Hawk Down.” She got her start working for director Barry Sonnenfeld on “Wild Wild West.”

Viola is currently co-producing “Einstein’s Children” for Gold Circle Films.

DANNY GLICKER (Costume Designer) was honored by the Costume Designers Guild

with their Excellence in Contemporary Film Award for his work on the 2005 drama

“Transamerica,” which starred Golden Globe winner Felicity Huffman.

He gained early experience in his teens working on Broadway shows such as “The Secret

Garden,” “Nick & Nora” and the Tony Award-winning musical “Grand Hotel.” He segued into

the movie arena while still an undergraduate at the Rhode Island School of Design, assisting

costume designer Kathy O’Rear on Robert Redford’s 1994 Oscar-nominated drama “Quiz

Show.”

Glicker went on to design Michael Cuesta’s celebrated and controversial drama, “L.I.E.”

He then began an ongoing collaboration with the Polish Brothers on their visionary

“Northfork,” which starred James Woods and Nick Nolte, and proceeded to design for a number

of acclaimed films that include Craig Lucas’ drama “The Dying Gaul” and Marcos Siega’s black

satire “Pretty Persuasion.”

Glicker’s most recent credits include Jason Reitman’s directorial debut, “Thank You for

Smoking,” starring Aaron Eckhart, Maria Bello, Robert Duvall and William H. Macy, as well

as the horror hit “The Hills Have Eyes.”

His work will next be seen in the Polish Brothers’ “The Astronaut Farmer,” starring Billy

Bob Thornton and Virginia Madsen, and the highly anticipated, as-yet untitled project written

 

 

and directed by Academy Award winner Alan Ball and starring Aaron Eckhart, Maria Bello,

Toni Collette, and newcomer Summer Bishil.

MARK ELLIS (Stunt Coordinator) is co-founder and president of ReelSports, a leader

in sports entertainment production that has redefined the depiction of sports action in media,

from movies and television to commercials and video games. During his career as a second unit

director and sports action coordinator, Ellis directed and/or coached a number of award-winning

actors and Hall of Fame athletes in such movies as “Miracle,” “The Longest Yard,” “The

Rookie,” “Coach Carter,” “The Replacements,” “Any Given Sunday,” the hit comedy “The

Benchwarmers” and, earlier this year, the football drama “Invincible,” starring Mark Wahlberg.

His more than 30 film and television credits also include “Mr. 3000,” “Rebound,” “The

Perfect Score,” “Radio,” “Hardball” and “Summer Catch.” A wide receiver at Appalachian State

before transferring to Guilford College and, subsequently, the University of South Carolina, Ellis

envisioned a career as a college coach before Hollywood drafted him in 1992 with a job as

assistant football coordinator on the gridiron drama “The Program,” starring James Caan, filmed

at Ellis’ alma mater.

Over the next nine years, Ellis worked on film and television projects including

“Varsity Blues,” “Rise and Walk: The Dennis Byrd Story,” “Jerry Maguire” and “The

Waterboy.” Recognizing the opportunity to capitalize on a new niche in the entertainment/sports

industry, Ellis formed ReelSports in 2001, the only multi-sport film company in the world. He

has consulted on almost every major sports genre portrayed in motion pictures, including

football, basketball, baseball and hockey. His collaborative work has been honored with five

ESPY nominations, with “The Rookie” and “Miracle” chosen as Best Sports Movie of the Year.

JACK LENGYEL (Technical Advisor) has made a lasting and positive influence at

numerous institutions during his four-decade career that encompasses roles as football coach and

university administrator.

He earned his bachelor’s degree in physical education from Akron in 1957 and a Master’s

degree in education from Kent State three years later. He received a commission in the U.S.

Army after completing the ROTC program at Akron, where he was the Distinguished Military

Graduate, and later spent 12 years in the U.S. Air Force Reserve, achieving the rank of captain.

 

 

Although he has worked for numerous universities, Lengyel is best known as the athletics

director at the U.S. Naval Academy, where he served 13 years, from 1988-2001, as the first

civilian to hold that post. He played a major role in improving the athletics facilities at the

Academy, one of the nation’s largest athletics departments, with 30 sports. During his tenure at

Annapolis, the Midshipmen won 60% of their contests, including a 76% winning record vs.

Army during his last four years as athletics director. Lengyel is currently a member of the Naval

Academy Foundation Trustees.

His efforts to promote the Naval Academy’s varsity athletic program included overseeing

the production and national airing of a one-hour documentary on the history of Navy football,

“Anchors Aweigh for Honor and Glory,” produced by NFL Films, which aired on CBS to critical

acclaim.

Previously, Lengyel gained national recognition as associate athletics director at the

University of Louisville and the University of Missouri, and was director of athletics at Fresno

State University and the University of Missouri. He has served as a head coach in football,

lacrosse, baseball, wrestling and swimming, over his 16-year college coaching career.

Lengyel arrived at Marshall University in 1971, a few months after the November 1970

tragedy, and is credited with rebuilding the football program while restoring its four-year class

structure. He left Marshall after the 1974 season.

In addition to his successful coaching career, Lengyel has also served in a number of

administrative capacities throughout the college community. He is a former president of the

National Association of College Directors of Athletics (NACDA) and currently serves on its

Executive Committee. He received the prestigious James J. Corbett Award from NACDA and

the Homer Rice Award from the Division 1A Directors of Athletics for a distinguished career

and contributions to college athletics. He has also received the National Football Foundation’s

Outstanding Contribution to Amateur Football Award in 1997, and the John Toner Award for

superior administrative abilities and outstanding dedication to college football. An NFF

Executive Committee and Board member, Lengyel is the chairman of the Divisional Honors

Court, which annually selects the College Football Hall of Fame Divisional Class. Additionally,

he has received honorary degrees from the Sports Management Institute (SMI) and the United

States Sports Academy.

 

 

Since his retirement at Navy, Lengyel has served as interim director of athletics at

Temple University, Eastern Kentucky University and the University of Colorado.

W. A. “RED” DAWSON (Technical Advisor) served as Marshall University’s defensive

football coach, working with the late Rick Tolley, into the 1970 season. He then served as

quarterback receiver coach with Tolley’s successor, Jack Lengyel, the following season, his final

year at Marshall.

Dawson had a stellar football career while playing at Florida State University. He was

elected to the Seminoles’ Hall of Fame and earned All-American honorable mention honors at

FSU before professional stints with the AFL’s Boston Patriots and Orlando Panthers.

After resigning his post as a Marshall assistant coach following the 1971 season, Dawson

started his own construction company in Huntington, where he still resides.

 

“We Are Marshall” es una historia de la vida real. La película, cuenta la

inspiradora historia de una pequeña ciudad en Virginia del Oeste, completamente

avocada al tradicional juego de fútbol americano universitario. Los ciudadanos, tratan de

rehacerse tras una de las más devastadoras pérdidas en la historia deportiva

norteamericana.

La noche del sábado 14 de noviembre de 1970, un avión que transportaba a los

entrenadores, a los hinchas y a los jugadores del equipo de fútbol americano de la

universidad Marshall, volvía a Virginia, tras un muy peleado juego en el estado de

Carolina del Norte. A sólo un minuto del planeado aterrizaje en el aeropuerto Tri-State, el

avión se cayó en las montañas Apalaches, y se murieron todos: 37 jugadores, 8

entrenadores, personal de la Universidad, la tripulación de avión, y 25 ciudadanos

prominentes de la ciudad de Huntington, que habían acompañado al equipo, como

siempre lo hacían, para vivar a su equipo, Thundering Herd.

Como consecuencia de tal espantosa tragedia, el decano de la universidad, Donald

Dedmon (DAVID STRATHAIRN), se preparó para suspender el programa de fútbol de

la temporada, tal vez indefinidamente. El entrenador asistente, Red Dawson

(MATTHEW FOX), que había decidido no tomar el infortunado vuelo ese día, no podía

soportar volver a la cancha nuevamente.

Sin embargo, en Huntington, el fútbol americano siempre había sido mucho más

que un deporte: era un estilo de vida. Los ciudadanos se juntarían para conservarlo.

Tras algunos contratiempos iniciales, encuentran esperanza y liderazgo en un

forastero, Jack Lengyel (MATTHEW McCONAUGHEY), un joven entrenador

 

 

determinado a volver a levantar al equipo de Marshall y a su programa, y con ello, ayudar

a cerrar las heridas de la comunidad.

A poco menos de un año del accidente, el 18 de Septiembre de 1971, el nuevo

equipo Thundering Herd (Manada Estruendosa) de la Universidad Marshall se preparaba

para volver a competir en juegos ínter universitarios. El nuevo equipo, joven e

inexperimentado, siguiendo las direcciones de Lengyel y Dawson, iba a desafiar

aplastantes situaciones, para entrar en la cancha y jugar el primer partido de la

universidad, tras el infausto accidente.

Para los muchachos de Marshall no era importante ganar o perder el campeonato

esa temporada. Ni siquiera era importante cómo jugaran el juego. Lo único realmente

importante era que jugaran.

Warner Bros. Pictures en asociación con Legendary Pictures, presenta una

producción Thunder Road Film/Wonderland Sound and Vision, una película del director

McG , “We Are Marshall” , protagonizada por Matthew McConaughey (“Failure to

Launch”), Matthew Fox (“Lost” del canal ABC), Ian McShane (ganador del Globo de

Oro, “Deadwood”), Anthony Mackie (“Million Dollar Baby”), Kate Mara (“Brokeback

Mountain”), January Jones (“The Three Burials of Melquiades Estrada”), Brian Geraghty

(“Jarhead”) y David Strathairn (nominado para el Oscar, “Good Night, and Good Luck”).

“We Are Marshall” fue dirigida por McG (películas de “Charlie’s Angels”), a

partir del guión de Jamie Linden, sobre una historia de Cory Helms & Jamie Linden.

Producida por Basil Iwanyk (“Firewall”) y McG, y los productores ejecutivos Brent

O’Connor (“Scooby Doo 2”), Jeanne Allgood, Thomas Tull (“Superman Returns”) y

Scott Mednick (“Superman Returns”).

El grupo creativo tras la pantalla incluye al director de fotografía Shane Hurlbut

(“Drumline”), el diseñador de producción Tom Meyer (“A Lot Like Love”), y el montaje

de Priscilla Nedd Friendly (“Stuart Little 2”) y Gregg London. Música de Christophe

Beck (“Buffy the Vampire Slayer”) ganador del Premio Emmy. Vestuario diseñado por

Danny Glicker (“Transamerica”).

“We Are Marshall” será distribuida mundialmente por Warner Bros. Pictures,

una compañía Warner Bros. Entertainment. Para más información por favor visite:

 

 

www.wearemarshall-themovie.com

SOBRE LA PRODUCCIÓN

Honrando el pasado, construyendo el futuro

-“‘We Are Marshall’ no se trata de un accidente de avión, o de la evolución de un

equipo de fútbol americano. Se trata de lo que le pasa a la gente que sufre una inmensa

pérdida, y lo que hacen para tratar de recuperarse”- comenta el productor Basil Iwanyk “

El volver a integrar el equipo e implementar el programa en Marshall, si bien fue un

hecho, se convirtió en una metáfora de lo que sucede en una pequeña comunidad, donde

la vida de tantos seres está interconectada”.

Como el productor Iwanyk tenía tan sólo seis meses de vida cuando sucedió el

accidente de la Universidad de Marshall, nunca sintió el impacto de los titulares de la

noticia. Ya siendo adulto, tenía un vago conocimiento del hecho, como parte de la

historia deportiva.

-“Yo sabía sobre el accidente, pero no sabía lo que había sucedido después”- dice

Iwanyk. Mientras que buscaba material para otro posible proyecto sobre deportes para su

compañía productora Thunder Road, descubrió documentos acerca del accidente ocurrido

en Marshall. Los heroicos esfuerzos de reconstrucción que hizo la escuela y la comunidad

de Huntington tras la repentina desaparición de sus seres queridos, llamó poderosamente

su atención. Entonces se dio cuenta de que había una verdadera historia para contar.

Iwanyk descubrió que el único archivo filmado del evento, fue un documental

poco conocido, llamado “Ashes to Glory”, realizado en el año 2000 por la Televisión

Publica de Virginia del Oeste. Entonces sintió que verdaderamente - “esta era una historia

que merecía ser contada”.

La guionista Jamie Linden llegó a ser parte del proyecto de la película, a través de

una conexión indirecta con Red Dawson, el entrenador asistente de Marshall, que había

perdido el vuelo fatal. Linden había estudiado en la Universidad Estatal de Florida, alma

mater de Dawson y la escuela en donde la estrella de fútbol americano del Pasillo de la

Fama, se había vuelto famoso en la década de 1960, antes de convertirse en entrenador.

En el año 2000, durante el 30avo aniversario del accidente de avión, el periódico

 

 

estudiantil de la FSU (Florida State University) escribió un artículo conmemorativo sobre

Dawson, el cual conmovió a Linden, motivándola a investigar a profundamente el evento

histórico.

-“Cuando leí el artículo, me sorprendí, porque nunca había escuchado lo que le

había pasado al equipo de Marshall”- dice Linden -“Yo nací después del accidente. Gente

de la generación de mis padres tal vez lo recuerden todavía, sin embargo este hecho

parece haberse borrado de la conciencia pública “.

El director Joseph McGinty Nichol, más conocido por el apodo McG (“Charlie’s

Angels” y “Charlie’s Angels: Full Throttle”), tuvo una reacción similar después de haber

escuchado la historia por primera vez. -“Siempre me atrajeron las historias dramáticas, y

esta es una de las historias más impresionantes que escuché. Trata sobre supervivencia y

de la parte buena de los seres humanos “.

Los hechos de por sí tienen tal profundidad natural y drama, y tantos momentos

de honesta inspiración, que no había necesidad de agrandarlos. McG dice: -“Mucho de lo

que realmente pasó es tan increíble, que si no estuviera basado en una historia real uno

creería que era pura historia de Hollywood”.

Un ejemplo perfecto, casi al final de la película, es un tenso pase de pelota en el

último instante de un partido de fútbol americano, jugado por el nuevo equipo

Thundering Herd, contra sus rivales del equipo Xavier. Ese era tan sólo su segundo juego

de la temporada después de haber reaparecido en 1971. Al respecto Iwanyk dice-“La

forma en que termina el juego es nada menos que sorprendente. Es como la fantasía de

todo guionista, sin embargo es la fiel reconstrucción de ese juego histórico. Mucha gente

recuerda ese día en Huntington, y por muy buenas razones”.

“We Are Marshall” tiene muchos de esos momentos. Tal como Linden reconoce,

la parte más difícil de preparar el guión fue decidir qué parte excluir. -“Trabajamos muy

duro para tratar de contar todas las historias posibles. Esta tragedia afectó a toda la

ciudad: al equipo de fútbol, a la escuela, a los entrenadores y a todos los familiares,

amigos y vecinos. Por lejos, lo más difícil fue aceptar que muchos detalles individuales

iban a tener que ser omitidos. Eso no me dejaba dormir por las noches. Editar es siempre

difícil, pero con esta película fue particularmente doloroso, porque no se trataba de cosas

sino de gente real, y cada una de sus historias era valiosa”.

 

 

La guionista, ofrece una mirada al gran número de maneras impredecibles en que

este evento afectó a muchas familias de Huntington. John Hagan, el director del equipo

de fútbol, debería haber estado en el avión ese día, pero como el vuelo era un viernes 13 y

él era muy supersticioso, prefirió ir en auto a Greenville. Eddie Carter había vuelto a su

casa para presenciar el funeral de su padre, por ese motivo se perdió el partido y el avión,

lo cual le salvó la vida. El goleador del equipo Marcelo Lajterman, que estaba en su

segundo año de escuela superior, se había casado con su novia Mary Ellen Cook en

secreto. El estaba planeando dar a conocer la noticia en una fiesta el sábado por la noche,

pero lamentablemente, murió en el vuelo antes de tener la oportunidad de hacerlo.

-“Una de la historias más desgarradoras” - continua Linden –“fue la de cuatro

personas que viajaban en el avión. Eran dos parejas de amigos, que eran padrinos

mutuamente de los hijos de los otros. Una de las parejas tenia cuatro hijos, y la otra,

cinco. Cuando se cayó el avión, además de esos 9 muchachos, otros 18 niños de la

pequeña ciudad se quedaron huérfanos. Hay muchas historias como esta. Era imposible

contarlas todas, pero tratamos que las que sí contamos, representaran en la mejor manera

posible, a todas. El sentimiento era auténtico y tuvimos mucha gente a mano, que nos

ayudó a contar las cosas como realmente sucedieron”.

Después de la tragedia, surgió la pregunta de si se debía o no restablecer el

diezmado programa de fútbol de la Universidad de Marshall, y en el debate, se

escucharon opiniones cargadas de emoción, y muy convincentes de cada lado.

McG dice: -“Si nosotros hicimos bien nuestro trabajo, la gente va a entender el

valor que tenía seguir adelante con el programa, y al mismo tiempo, también van a

entender las razones para no hacerlo. Ambas eran posiciones valederas. Yo creo que

después de una pérdida, sobreviene un espíritu natural, que hace que algunas personas

quieran rápidamente ir y hacer algo positivo. En este caso, fue reconstruir al equipo de

fútbol y volver a jugar. Por otro lado, uno tiene que pensar que cada vez que los ruidos de

un partido de fútbol americano se sienten en las principales calles de Huntington, las

madres sólo recuerdan a los hijos que perdieron”.

-“En todos los casos” -propone Iwanyk- “es imposible juzgar a cualquiera de esas

personas”.

 

 

“En la vida suceden cosas” -dice Matthew McConaughey, quien encarna al

entrenador Lengyel - “La elección entonces es cómo enfrenta uno la situación, cómo

cicatriza las heridas y cómo sigue adelante. Cada uno lo hace en forma diferente pero lo

importante es dar el primer paso. Tal vez uno no sepa a dónde lo va a llevar ese paso,

pero aun así lo debe tomar. Por esa razón esta es una historia poderosa, tiene dolor y

pérdida, pero después, al volver al campo de juego, al ponerse los zapatos en la mañana e

ir a la escuela o al trabajo, ellos comienzan a curar”.

En una escena donde Dawson cuestiona el sentido de liderar un equipo perdedor,

McConaughey recurrió a su experiencia personal, para contestar - interpretando el papel

de Lengyel - con un comentario profundo. Ese comentario era una frase de un amigo de

McConaughey, el famoso entrenador de fútbol americano de la Universidad de Texas.

Daryl K. Royal, y no estaba en el guión original de Linden: “Si salimos al campo de

juego y ponemos allí todo lo que tenemos, si damos todo lo que somos absolutamente, no

podemos perder. Tal vez quedemos atrás en el marcador al final del juego, pero no

podremos ser vencidos “.

Para McG, ese comentario, representa la propia filosofía impulsora de

McConaughey, y “encaja perfectamente con el tema de ‘We Are Marshall’ Es una

hermosa perspectiva que afirma la vida y la idea central de la película”.

Cada persona trata de enfrentar las cosas como puede:

Selección de los actores para personajes verídicos

 

Mucha gente considera que Jack Lengyel era el hombre apropiado en el momento

justo.

Matthew McConaughey pasó mucho tiempo con el verdadero ex – entrenador,

para prepararse para personificarlo. Lengyel tuvo una espectacular influencia en las

películas occidentales. “El era alguien que no pertenecía a la ciudad, que vino con su

propio plan; él era un tanto inortodoxo, pero la situación no era ortodoxa. No hay un

manual de instrucciones para los entrenadores que pierden absolutamente todo su equipo.

Lo que Lengyel hizo, fue lograr que la gente pudiera vivir con la situación y el presente,

 

 

paso a paso, partido a partido. A él no le importaba lograr una buena temporada, sino un

día de buena practica, después una semana y después tal vez un mes. Su meta era poner el

equipo en la cancha, ya después se preocuparía por ganar o perder. Esa iba a ser la

manera de levantar la moral.

Por su lado, McG piensa que el que Lengyel no perteneciera a la ciudad, ayudó en

mucho a la situación. Eso le permitía tener compasión pero a la vez ser imparcial, tener

respeto por la tristeza de todos, sin quedar inmovilizado por ella. -“Como el no había

estado personalmente conectado con el accidente, tenia la libertad de poder concentrarse

en la reconstrucción”.

-“Por muchos años busqué poder interpretar un gran personaje como este: un

maestro, un entrenador, un padre”- dice McConaughey- “Haber encontrado un personaje

como este, dentro de una historia tan conmovedora, apasionante y edificante, y luego

enterarme que no era ficción- fue realmente impresionante. Cuando terminé de leer el

guión, yo sabía que quería hacer la película. Inmediatamente después contacté a Jack

Lengyel y me sumergí en la historia, de la cual no sabía nada”.

El verdadero Lengyel, quien era asesor para la película, explica porqué él quiso

ser el entrenador del equipo, conciente del riesgo de que podía llegar a ser muy

desmoralizante. El cuenta que, siendo entrenador en Wooster College en Ohio, al mirar

las noticias, vio la cobertura del accidente y el drama que se había desplegado como

consecuencia. En ese momento, él sintió que el fútbol americano le había permitido hacer

una carrera como entrenador universitario, y esta era -“la oportunidad de devolver lo que

el deporte me había dado a mí, de devolver algo ayudando a una escuela que realmente

tenía grandes problemas. Yo sentí que podía ayudar reconstruyendo el programa de

fútbol”.

McConaughey tomó su papel con mucha seriedad y se sumergió en el personaje

con mucha dedicación. -“Mirar a Mathew actuar este papel es una delicia, en el sentido

que él le brindó toda su pasión”- dice McG - “A través de él, uno se da cuenta que

Lengyel era un tipo que se sentía a gusto sobre el pasto recién cortado, haciendo lo que a

él más le gustaba. Uno puede sentirlo en cada una de las escenas. Matthew se había

compenetrado completamente con el personaje y se había preparado con entusiasmo para

desarrollarlo. Cada día, aparecía para trabajar con la mente puesta en ello, y así, logró

 

 

transmitir no sólo la filosofía y la energía que Lengyel llevó a Marshall, sino hasta los

detalles personales únicos del entrenador, como su perseverancia y su entrega, su manera

de andar, su manera de hablar y su alto espíritu”.

Lengyel elogió la buena interpretación de McConaughey, a excepción de un solo

detalle: -“Yo no creo que mis patillas eran tan largas”.

Matthew Fox, alguna vez fue estrella del equipo de fútbol de la Universidad de

Columbia, y es quien interpreta el papel de Red Dawson, el ayudante del entrenador

Lengyel, durante la difícil temporada de 1971 tras el accidente. Ellos tuvieron que

reclutar y entrenar a un equipo en el cual casi todos los jugadores eran novatos. El

verdadero Dawson tenía 27 años cuando sucedió todo, y sólo tres temporadas de

experiencia como entrenador. El había perdido el avión que se cayó y en consecuencia,

había quedado con un profundo sentimiento de pérdida y culpa persistente, por haber

sobrevivido. De los 37 jugadores a bordo, 20 eran muchachos que Dawson había

reclutado el personalmente.

-“Red ha acarreado en su alma el peso de esa noche durante 36 años, pensado en

el hecho que él no había estado en el avión” - dice Fox, quien desarrolló una verdadera

conexión con ex - entrenador. Dawson fue asesor durante la producción, y hasta hizo un

cameo en el papel del entrenador del equipo rival de Huntington, los Morehead State. –

“Pienso que siendo quien Dawson es, y debido a la responsabilidad que él tomó sobre

esos muchachos, ha sido algo muy difícil de sobrellevar. Al hacer esta película, se

revolvieron cosas que yo creo que Red ha tratado de mantener dentro suyo”.

McG da crédito a Fox diciendo: -“tiene la habilidad de entender el poder del

silencio. El personaje de Red Dawson tenía algo específico y yo, quería un actor que

entendiera qué significaba mantener la dignidad y transmitir algo silenciosa pero

poderosamente con los ojos, tal vez simplemente bajándolos para comunicar algo que él

no podía decir”.

En la película, Fox actuando como Dawson, comenta casi con las mismas

palabras que utilizó Dawson recientemente, y dice: “Fui a 20 casas, me senté en 20 salas,

y la prometí a 20 madres que yo cuidaría a sus hijos. Ellos hubieran terminado siendo la

clase del ’73. Veinte muchachos…y no quedó ni uno de ellos. Dígame, ¿cómo puedo yo

mirar a la cara de una madre y prometerle algo alguna otra vez?”.

 

 

Al mismo tiempo, Fox comenta: -“Red siente que tiene la obligación de volver a

reconstruir el programa, y sabe que Lengyel lo necesita. Eso es lo que finalmente

prevalece sobre sus propios sentimientos personales”. El actor, también se explayó sobre

otro elemento del personaje de Dawson, la parte de él que nunca dejó de amar el juego. “

Al hablarle a Red” – dice Fox- “me dio la sensación de que él es un tipo muy intenso en

el campo, y que para él el juego era muy importante. Yo ya hace mucho que no juego,

pero conozco el sentimiento perfectamente”.

En el papel de la esposa de Red Dawson, Carole está January Jones. Para ella, el

desafío de su papel, era reconciliar las emociones conflictivas que ella cree que Carole

Dawson tuvo: felicidad porque su esposo sobrevivió, y compasión por los amigos que no

habían tenido esa suerte.

En su momento más dramático en escena, Carole se queda pasmada al ver a Red

regresar la noche del accidente, dado que ella creía que se había muerto con todos los

otros. Para tratar de imaginarse cómo se hubiese sentido, Jones usó su instinto, para poder

reaccionar físicamente: -“Si alguien a quien quiero me fuera sacado y luego me fuera

devuelto milagrosamente, yo lo golpearía para saber que es él en verdad. Por eso me van

a ver tanto hablándole como golpeándolo, abrazándolo, y conectándome con él para

confirmar que él está vivo, y entre mis brazos”. Al igual que Dawson, el jugador

universitario Nate Ruffin, perdió el vuelo, y en consecuencia, sufrió profunda culpa de

sobreviviente. Para curarse de una herida en la rótula, el jugador defensivo de 20 años

dec edad, había tenido que quedarse en su casa cuando sus compañeros tomaron el vuelo

hacia Carolina del Norte.

Anthony Mackie da vida a Ruffin, y él piensa que en parte era este sentimiento de

culpa lo que le daba una energía inacabable en el campo. -“En una situación como esa, es

natural pensar que esos eran mis amigos, mi familia, mis compañeros de equipo, y que yo

debería haber estado con ellos. ¿Por qué yo tengo tanta suerte de no haber estado allí?

Tener que afrontar eso crea mucha presión, y Nate era uno de esos individuos que

canalizaba la presión obligándose a él mismo y a sus compañeros a subir el nivel de

rendimiento en el campo. Ese era su método de supervivencia y su terapia”.

Nate Ruffin murió en el año 2001, pero su familia y amigos compartieron sus

memorias con los realizadores y actores de la película. Inclusive, invitaron a Mackie a

 

 

pasar las Pascuas en su casa en Huntington. -“Todos lo describían como un alma vieja”-

comenta el actor –“Era un persona maravillosa y llena de espíritu, que ayudaba a la gente,

casi como si fuera un alcalde no oficial de Huntington. La gente hablaba de él con mucho

amor, y eso fue algo que yo quise transmitir a través de mi personaje”.

Sin embargo, no todos en la ciudad querían volver a restaurar el equipo. Algunos

pensaban que la comunidad debería tomarse el tiempo para curar y re-evaluar las cosas,

otros lo consideraban un deshonor para con aquellos que habían muerto, y otros estaban

tan consumidos por el dolor, que ya nada les importaba. Esta mezcla de emociones, es

representada por el personaje complejo de Paul Griffen, interpretado por Ian McShane.

Griffen es un viudo que perdió a su único hijo en el accidente. Ahora, presiona

activamente a la junta de directores de la universidad, para que suspendan el programa y

el equipo de fútbol americano.

-“Si bien Ian McShane es especial para interpretar papeles de malo” – dice Jamie

Linden- “Paul Griffen definitivamente no es malo. Hay mucha gente tiene que ver con la

formación de ese personaje, y ellos son comprensivos y heroicos, como muchos en esta

película. Cuando ocurre una tragedia, la gente la enfrenta de maneras distintas. No hay

una mejor ni una peor manera de sufrir”.

El personaje de Griffen está ligado con otro personaje complejo, la porrista Annie

Cantrell, interpretada por Kate Mara, quien tiene sus propias y genuinas conexiones con

el fútbol. Mara es la biznieta del fundador de los Giants de Nueva York, Timothy Mara, y

del fundador de los Steelers de Pittsburg, Art Rooney. Frecuentemente ella canta el

himno nacional en al apertura de los juegos de los Giants.

Annie Cantrell representa las experiencias de muchas jovencitas, que perdieron

amigos, o novios en el accidente—en el caso de Annie, a su novio Chris, el hijo de Paul

Griffen. Mara, se juntó con las ex-porristas de Marshall durante la producción, para

enterarse de cómo las impresionó esa noche en el pasado. Por su lado, ella trató de

imaginarse la inmensidad de tal pérdida. “¿Qué harías si tu novio se muriera en un

accidente de avión? Imagínate haber planeado tu vida y que de pronto te arrebaten eso” –

dice ella- “Pienso que para poder apreciar esta historia y que afecte, una persona necesita

tener interés en el fútbol americano. Es realmente muy conmovedora”.

 

 

En medio de la gran agitación causada por el accidente, y del debate sobre si

seguir o no con el programa de fútbol Americano – al margen de los detalles de cómo

lograr tal cosa, de ser aprobado –el decano de la universidad, Dedmon continuó

desarrollando sus cada vez más difíciles tareas. David Strathairn, que actúa como Donald

Dedmon, buscando información sobre su personaje, encontró algunos diarios que

mencionaban al ya fallecido decano de la Universidad. Continuó informándose hablando

con gente que había trabajado en la administración de la Universidad, y con residentes de

Huntington que lo conocían. Finalmente logró tener la imagen en su mente del –“hombre

que hacía lo que podía para poner a la gente antes que a los reglamentos. Parecen haber

opiniones enfrentadas sobre cuán popular era en ese momento, pero en retrospectiva,

Dedmon aparece como una persona altamente respetada y alabada por su dedicación y

sus esfuerzos”.

McG agrega: -“Nosotros podemos sentir el beneficio fundamental en cada opción

que Dedmon toma”.

Para un extraño como Lengyel, Dedmon era un presidente interino y un

académico con muy pocos conocimientos de fútbol americano. No obstante, Strathairn

dice: -“El comenzó a estar profundamente involucrado con las vidas de la gente de la

comunidad. Durante su corto cargo en el lugar, tuvo que tomar la decisión sobre el futuro

del fútbol en su universidad, y también debió elegir al hombre cuyo corazón estuviese

realmente interesado en el caso. Dedmon debía encontrar un nuevo entrenador, y

encontró a Jack Lengyel”.

Reflejando los sentimientos de algunos de los personajes de Huntington, tocados

de cerca por la tragedia, Brian Geraghty da vida a un personaje ficticio: el jugador

universitario Tom Bogdan. Al igual que Nate Ruffin, Bogdan también perdió el vuelo.

Pero todo lo contrario que Ruffin, transforma su dolor en profunda dedicación en el

nuevo equipo. Bogdan no puede más soportar la pérdida y la culpa.

Geraghty dice al respecto: -“Bogdan ya no lo tiene adentro. Para él, era mucho

más que fútbol, era parte de su vida, la cual compartía con esos muchachos que eran sus

mejores amigos. El no quería salir al campo a jugar sin ellos. Ya nunca sería lo mismo”.

Al margen de los pocos jugadores originales del equipo que habían quedado, la

mayoría del equipo de 1971 eran principiantes, como por ejemplo el mariscal de campo

 

 

del nuevo Thundering Herd, Reggie Oliver, personaje de la vida real interpretado por

Arlen Escarpeta. Oliver estaba en su primer año en Marshall cuando de repente pasó a ser

uno de los miembros del equipo senior, uno de los primeros mariscales de campo negros,

dentro de la Asociación Nacional de Deportes inter-universitarios NCAA, y un futuro

jugador del Pasillo de la Fama de Marshall. El pase que le hace a Terry Gardner - una

jugada que el entrenador Lengyel nunca había usado anteriormente- en los segundos

finales del partido entre Marshall y Xavier, en septiembre de 1971, levantó a los

espectadores de sus bancos, y los hizo vivar y entusiasmarse como no lo habían hecho en

mucho tiempo.

-“Reggie Oliver eligió quedarse” – dice Escarpeta- “Eso significaba que debía

aceptar al nuevo grupo de muchachos, por sus propios méritos, como jugadores y como

amigos. Eso no debió haber sido fácil, cuando cada número y cada posición en el campo

le recordaba a otra persona”.

Escarpeta y Oliver se conocieron cuando Oliver fue a visitar el lugar de filmación,

para ver el acto de reconstrucción del caluroso juego contra los Xavier. Esa escena le

trajo muchos recuerdos. -“Yo era un chico e 18 años de Tuscaloosa” – dice Oliver - “A

mí me gusta pensar que pusimos algunos de los primeros ladrillos en la pared tras el

accidente de Marshall, para levantarnos de nuestras cenizas. Fue muy duro tener 18 años

y pasar a ser de uno de los más jóvenes jugadores del equipo, a uno de los mayores, en un

abrir y cerrar de ojos”.

“Háganlo bien”

David Strathairn dice: -“En Huntington todo el tiempo uno se encuentra con gente

que estuvo conectada a los hechos de una u otra manera, ya sea que perdieron un padre,

un amigo, o alguien a quien conocían y que se murió en el accidente. Ellos son muy

abiertos para relatar sus experiencias y recuerdos. Había mucha tristeza, pero también

momentos de celebración y entusiasmo al pensar que está era su historia, e iba a ser

relatada. Proveyó una especie de energía que todo el mundo sintió”.

Al principio Dawson tuvo muchas dudas en participar para llevar “We Are

Marshall” a la pantalla. El confesó que tenía sentimientos encontrados ante la posibilidad

 

 

de ver la película terminada. -“Me gustaría verla terminada. Sin embargo, creo que

preferiría está solo cuando la vea por primer vez, porque mis heridas todavía no

cerraron”.

Muchas de las personas afectadas directamente por el accidente, todavía viven en

Huntington. Hoy, a tres décadas de lo sucedido, el impacto y las consecuencias de lo

ocurrido en esa noche, todavía están a flor de piel. Es un recuerdo que protegieron por

mucho tiempo. Al respecto, Matthew Fox comenta: -“Cuando una comunidad debe

enfrentarse a este tipo de tragedia, junto con el dolor y la angustia, creo que la gente

comienza a tener un sentimiento de ‘propiedad’ sobre lo sucedido, y una preocupación

sobre cómo lo ven los otros. Ese es el tipo de reacción que la gente debió haber tenido

cuando Lengyel llegó con todo su optimismo y energía. Lo mismo también debe haber

sucedido cuando ellos se enteraron que se iba a hacer una película sobre el tema”.

Los cineastas tomaron una posición honesta, sensible y abierta a la colaboración.

Iwanyk dice: -“Cuando uno comienza a enterarse de quiénes son esas personas, se

puede comprender por lo que pasaron y cómo se recobraron. Entonces, ¿cómo no querer

su cooperación y apoyo, y su bendición para llevar a cabo el proyecto? No queríamos

decepcionarlos”.

Iwanyk y McG se juntaron con Jack Lengyel y Red Dawson, y entrevistaron a las

familias y ex-administradores de la universidad, para que hicieran saber a la gente de su

presencia en el campus y en la ciudad, antes de comenzar la producción. Ellos invitaron a

representantes de la universidad, a Lengyel y a otros participantes clave, para revisar el

guión y corregirlo antes de la filmación”.

-“No necesitaban nuestro permiso para realizar esta película. Pero lo querían”dice

H. Keith Spears, un ex estudiante de Marshall y contemporáneo de la gente que

murió en el accidente. Ahora él es Vice Presidente de Comunicaciones y Marketing de la

universidad. El trabajó junto con Iwanyk y McG, para coordinar la filmación dentro del

campus. -“La gente estaba a favor de que se hiciera la película. Su única preocupación

era ‘que la hicieran bien’. Había tres parámetros esenciales para ello: primero el honor de

los que murieron, segundo el respeto por la gente de Huntington y el estado de Virginia

del Oeste, y tercero salvaguardar la integridad de la universidad. Marshall era una gran

 

 

institución antes del accidente de avión, y también lo fue después. Pero no es ‘la

universidad del accidente de avión”.

-“El tema todavía toca los corazones de la comunidad”- agrega el nativo de

Huntington, Keith Morehouse, quien tenía nueve años cuando perdió a su padre Gene,

quien era el relator de radio que transmitía los juegos del equipo Thundering Herd. El

estaba en el avión junto con el equipo esa noche. Morehouse siguió los pasos de su padre,

y pasó a ser el relator de radio de Marshall en WRVC-AM/FM, y también el presentador

de noticias para los deportes 11 PM para la repetidora de televisión de NBC. El conoció a

su futura esposa, Deb Hagley, cuando los dos estudiaban en la universidad Marshall.

Durante su noviazgo, Morehouse reconoció el apellido de ella, como el del médico del

equipo perdido, Ray Hagley, que también murió en el avión junto a su esposa, Shirley.

-“Luego de las primeras conversaciones, era obvio que los cineastas querían saber

algunas cosas que hicimos. –“Eran serios”- dice Spears -“el guión de Jamie era certero, y

retrataba nuestra historia de una manera que yo creo que, cualquiera que conozca su

legado, va a reconocer y a apreciar. Fueron muy abiertos con nosotros, y a cambio, les

facilitamos las cosas”.

Lengyel recuerda: -“Preguntaron si había alguna preocupación, y si así era, cómo

debían manejarse. Ellos no querían alienar a nadie, o causar mayor dolor. Creo que

tuvieron muchas consideraciones para incorporar a la comunidad de Marshall en la

película. Ellos realmente pudieron captar el espíritu de la escuela y de la ciudad”.

Tal vez, un incidente que ocurrió antes de comenzar a filmar, sea el mejor

ejemplo para demostrar esto. Se descubrió una carta escrita a mano, en el obelisco del

cementerio Spring Hill, en la tumba de seis jugadores cuyos cuerpos no pudieron ser

identificados. La misiva era anónima, y estaba dirigida al equipo de producción en

general. Estaba escrita con el tono de voz colectiva de aquellos que murieron,

refiriéndose a ellos como familia, y en una parte decía: “Ustedes tienen ahora el desafío

de contar la historia de mi familia al mundo. Hago responsables a todos los que están

involucrados en esta producción, de poner su alma entera en realizarla. Tal vez nos

hayamos ido de la tierra, pero representamos la esperanza de cada hijo y cada hija de la

universidad de Marshall, y al igual que la esperanza, nuestro espíritu nunca morirá”

 

 

Al recibir esta carta, Jamie Linden distribuyó copias a cada miembro del equipo

de producción y del reparto, reforzando así su cometido, y sentando el espíritu con el que

se debía trabajar durante todo el tiempo que durase la producción.

Partidarios locales se reunieron en un gran grupo para celebrar en una gran fiesta

que organizó la ciudad en su centro. Era para dar la bienvenida a la compañía de

filmación el 1° de abril del 2006. Se levantó un escenario afuera del teatro histórico Keith

Albee, en donde McG, Basil Iwanyk, Matthew McConaughey y David Strathairn

agradecieron a una multitud de 8 mil personas, que se unieron a ellos con su grito de

batalla, “WE ARE MARSHALL!” (¡Nosotros somos Marshall!)

-“Lo gritaron con todas sus ganas”- relata Strathairn - “Así se presentaron al

mundo, y es su reconocimiento de que han podido continuar con sus vidas exitosamente,

han sobrevivido, alcanzado y logrado algo, renacido de las cenizas de ese avión.

Mostraron el espíritu de una ciudad y una comunidad”.

La producción en el Campus de la Universidad de Marshall y otros lugares

auténticos de Huntington

La filmación de “We Are Marshall” comenzó en donde los hechos sucedieron 36

años atrás: en la universidad de Marshall en Huntington, Virginia del Oeste, en la propia

ciudad de Huntington.

El diseñador de producción Tom Meyer recuerda que McG quería dentro de lo

posible, filmar en los lugares reales, y no hubiera seguido adelante con la producción si

eso no hubiera sido posible, en su mayoría. -“Cuando me junté con McG por primera vez,

volamos al lugar. Es cierto lo que se dice que, los lugares tienen un algo especial que no

se puede recrear en un estudio”.

-“Al caminar por las calles”- continúa Meyer-“la gente se nos acercaba y nos

decía ‘Yo me acuerdo de la noche del accidente’, o ‘Yo recuerdo el primer partido que

jugamos después del accidente’. Esas emociones nos llegaron de una manera poderosa,

tal como sucedió cuando nos paramos frente al obelisco recordatorio en el cementerio

Spring Hill. Pasamos tres semanas filmando en Huntington, y para entonces ya había

 

 

estado en el lugar una docena de veces. Mis diseños se iban alterando según mis

experiencias allí”.

Entre los lugares verdaderos del campus que Meyer incorporó en la película, están

el centro de estudiantes y la capilla en donde la gente de la ciudad se congregó la noche

que el avión se estrelló. Meyer también utilizó un edificio vacío como sala de reuniones,

a para la escena en la que Nate Ruffin desafía la decisión de los directores de la

universidad, de suspender el programa de fútbol americano. El campus mismo se

convirtió en un escenario, y los estudiantes de Marshall se convirtieron en extras.

Spears, quien era el responsable de la coordinación de la filmación permitiendo

que se pudieran mantener las clases y eventos regulares en la universidad, recuerda ahora:

-“Cuando comenzaron a traer el equipo de filmación al campus, la gente del equipo

comenzó a ser parte de la universidad de Marshall, y a sus vez ellos comenzaron a

hacernos parte de ellos. Se convirtió en una danza organizada para asegurar que ellos no

interrumpieran las clases, y nosotros no interrumpiéramos la filmación. La gente de

seguridad del campus, los profesores, el personal de las playas de estacionamiento, los

operadores de las plantas: todos estaban involucrados, ya sea por el equipo e producción

necesitaba mayor voltaje en el tercer piso en la antigua biblioteca, o si necesitaban mayor

espacio para estacionar cuarenta camiones, y casas rodantes. Si ellos venían y nos decían

‘A nosotros nos gusta el Centro de Estudiantes, pero nos gustaría cambiarle el color”, mi

única pregunta era ‘¿Lo van a volver a pintar del color original al terminar?’”

Meyer era el responsable del aspecto de los exteriores de Huntington, y con un

equipo de 100 personas, restauró la manzana de la ciudad en la calle 4th, para darle la

apariencia de la década de 1970. Duplicó cada negocio, desde el teatro Keith-Albee hasta

el hotel Frederick, desde las zapaterías, a las oficinas de seguros. Fue una suerte para,

Meyer encontrar las estructuras de base de la época todavía intactas. -“No habían

derribado edificios ni los habían reemplazado con un nuevo McDonald’s. Uno podía girar

en 360 grados, y ver a su alrededor edificios que habían estado allí desde hacía 30, 40 ó

100 años, hasta los basamentos mismos de la ciudad. Las viejas fachadas de edificios tal

vez habían sido tapadas, tal vez habían instalado un toldo flamante o habían recubierto

las paredes con estuco o ladrillo. Pedro si uno rasguñaba un poco eso, allí estaban los

elementos de la arquitectura original y su belleza natural”.

 

 

Para recrear el lugar en donde se estrelló el avión, Meyer fue junto con McG,

miembros del equipo de producción y con Spears, a inspeccionar el área, y cuán cerca

estaba del aeropuerto. -“Uno puede ver las pistas del aeropuerto desde el lugar del

accidente, sólo queda a un cuarto de milla de distancia. Al ver lo cerca que estaban esa

noche de haber tenido un final más feliz, hacía al hecho todavía mucho más

estremecedor”- dice Meyer. Finalmente se decidió que filmar en el lugar del accidente no

iba a ser apropiado, y el equipo de producción se mudó al aeropuerto Brown Field del

condado de Fulton en Atlanta, un campo de aviación de conexión, completamente

funcional, a seis millas del centro de la ciudad.

Meyer compró un Viejo fuselaje de DC-9 de una chatarrería de aviación en el

desierto de Mojave. Se hizo enviar las piezas a Atlanta en seis camiones. Un equipo

liderado por el coordinador de efectos especiales, David Fletcher, instaló más de 3 mil

pies de cañerías de gas propano, conectados a tanques de gas de 2500 libras, para generar

fuegos controlados, a lo largo de un cuarto de acre. Los bomberos que aparecen en la

película son bomberos verdaderos del área de Atlanta, que condujeron antiguos carros de

bomberos, entre ellos dos camiones que en verdad, estuvieron en las escenas de Virginia

del Oeste, el 14 de noviembre de 1970.

Wes Sarginson, presentador veterano de noticias de la repetidora WXIA-11 de

NBC en Atlanta, tuvo conexión directa con el accidente en 1970. El era corresponsal para

NBC, y tenía entonces 27 años. El estaba basado en ese tiempo en Cleveland, y fue el

primer reportero nacional en el lugar de la escena. Al visitar los escenarios vívidos que

había recreado Meyer, basándose en fotos y películas de televisión, Sarginson no podía

creer sus ojos. En su reporte de noticias esa noche, dijo: -“Se vé igual que como fue en el

pasado”. Ese comentario se constató días después, cuando antes de que McG comenzara

a organizar una secuencia, un hombre del equipo de producción se hirió con una rama de

árbol caída. Se llamó entonces a una ambulancia. Los enfermeros que llegaron, quedaron

impresionados por el realismo del lugar, y uno de ellos, hasta preguntó porqué a ellos no

les habían avisado de la caída de un avión en el área.

Otros exteriores que se utilizaron en Atlanta, fueron el edificio de la Asociación

Nacional del Colegiado Deportivo en Midtown, que hizo las veces de las oficinas

administrativas de la universidad de Marshall; y una antigua concesionaria de autos Ford

 

 

en el centro de la ciudad, cuyo garaje fue convertido por Meyer en el restaurante Boone’s

Diner, un lugar en donde la gente del lugar se juntaba durante la semana para escuchar

los juegos del equipo Herd. Para construir este restaurante ficticio, Meyer se basó en un

ejemplo que le había presentado McG, de una pintura de Edward Hopper, llamada“The

Nighthawks”. También se basó en una verdadera institución de Huntington llamada Jim,

un restaurante cuyos dueños eran una familia, cuyo restaurante había servido a la

comunidad como lugar de reunión durante 60 años. Al utilizar verdaderos lugares en vez

de escenarios construidos en estudios, él pudo incorporar parte de los exteriores

adyacentes.

-“Había un maravilloso edificio de los años ’50, que estaba en ruinas y listo para

ser demolido”-dice Meyer. El convenció a los dueños que dejaran que su equipo lo

restaurase, y lo pintara con los colores de la época. -“Eso nos dio nuestra fachada. Nos

permitió entonces mostrar autos yendo por la calle, con los faros que se reflejaban en las

ventanas, y mostar la dinámica de la ciudad que rodeaba al restaurante”.

Otros dos escenarios clave de Meyer, eran los vestuarios de los equipos de fútbol,

en Carolina del Este y los de Marshall. Meyer relata: -“Queríamos mostrar en la historia

algo más que unas cuantas cuadras funcionales. Cuando se vé el equipo de jugadores de

Marshall en Carolina del Este, antes del accidente, ellos están perdiendo lastimosamente,

y no saben de la tragedia que les espera. Entonces el vestuario tiene un ambiente lúgubre.

El techo es bajo y hay grandes sombras. Con respecto al vestuario de Marshall, yo quería

evocar el ambiente de una catedral. Había una luz alta y clara que pasaba por las ventanas

e iluminaba los armarios, los cuales brillaban como joyas. Puse techos abovedados, para

darle un cierto toque espiritual al lugar, entonces, cuando los jugadores se arrodillan para

rezar antes del partido, parecería que están en una iglesia”.

Las escenas de partidos de fútbol americano se filmaron en la universidad Morris

Brown, la cual, junto con las universidades Morehouse y Spellman y la Clark Atlanta,

son parte de las instituciones históricas del centro universitario de la ciudad de Atlanta, el

consorcio más grande de la nación de instituciones privadas afro-americanas para más

alta educación, fundada en 1929. El estadio Herndon, de color violeta y blanco de la

universidad Morris Brown hizo las veces del estadio Fairfiel de la universidad Marshall,

 

 

por lo que se pintó verde y blanco para la película, y también se le instaló un tablero

marcador antiguo.

El Verde y el Blanco de los trajes

-“Si yo tuviera que usar una sola palabra para describir la moda de ese tiempo, yo

diría “transitoria”- dice el diseñador de vestuario Danny Glicker- “Cuando la gente piensa

en los años ’70, le vienen a la mente imágenes de diseños locos y escandalosos, pero la

mayor parte de eso llegó más tarde. Además, Huntington, al igual que cualquier otra

ciudad pequeña, naturalmente debía estar un tanto atrasada en moda. En esencia, era más

la moda de los últimos años de la década de1960 lo que queríamos mostrar”.

Para el personaje de Matthew Fox, Red Dawson, Glicker eligió un aspecto

conservador, y se apegó a los clásicos pantalones con tachas, y las corbatas angostas, con

cuellos un tanto más anchos, que marcaron la nueva década. Para Matthew

McConaughey, como era un entrenador que venía desde Ohio, Glicker eligió corbatas un

poco más anchas y estampados más audaces.

El desafío más grande de Glicker fue restaurar los colores de batalla de Marshall,

verde y blanco.

El diseñador explica: - “El verde de Marshall de los años’70, es un verde brillante

que ya no existe. Se fue de moda porque es muy difícil teñir las telas de ese color al que

son resistentes. Eso sin mencionar que muchos de los químicos que se usaban para lograr

ese color, ahora están prohibidos”.

Sin embargo, cambiarlo no era una opción. Glicker dice: -“Cualquiera que

conozca la Universidad de Marshall, habla del verde con cariño, y existe un verdadero

deseo de volver a verlo nuevamente. Aunque tomó un montón de trabajo, y las artes de

talentosos profesionales, tengo que decir con orgullo que pudimos lograr los verdaderos

verde y blanco, y ponerlos de vuelta en la cancha”.

Fue más fácil para el diseñador el estilo de chaquetas que usaban. Basándose en

antiguas fotos de la época, él experimentó con varias telas y puntadas, para crear varios

prototipos. Sin embargo no estaba conforme con los resultados. Entonces, en una muestra

más de la típica atmósfera de colaboración que abundaba, entre la comunidad y el equipo

 

 

de filmación, una persona de la ciudad ofreció su propia chaqueta original para que fuera

utilizada como patrón.

Glicker también reprodujo los uniformes de tres equipos de universidades rivales,

Morehead, Xavier y Carolina del Este, y los hizo a medida para los extras.

El descubrió un fanático de la ropa retro en Anthony Mackie. El actor recuerda

con orgullo que cuando era niño, le gustaba revolver en el ropero de su padre, para

hacerse disfraces de Halloween. -“Cuando me dijeron que iban a usar pantalones de

polyester y cuellos abotonados, creí que era un sueño hecho realidad” – dice riéndose-

“Yo sé que ya no se fabrican esas chaquetas de cuero, a la manera que se hacían antes, ni

con los remiendos que solían tener. Tampoco es fácil encontrar los zapatos con

plataforma típicos de entonces. Esa cosas ya no se encuentran más”.

24, 19, 32…¡Hip, Hip…Hurra!

El coordinador de acción deportiva Mark Ellis (“The Longest Yard”,

“Invincible”), tuvo la responsabilidad de que los equipos de jugadores no solamente

actuaran su papel sino que además, jugaran debidamente. “We Are Marshall” muestra

tres escenas de enfrentamientos significativos en la cancha: el partido del equipo visitante

jugado en Carolina del Este el día del accidente; el partido contra los Morehead diez

meses después, el cual fue el desfavorable partido debut del reconstruido equipo; y el

sorpresivo juego que siguió, de los Xavier.

No se trataba de simple acción de fútbol. Ellis explica: -“La historia trata de

relaciones y la comunidad, y los partidos se apoyan todos ello. Son parte del proceso de

reconstrucción. Este es un nuevo equipo de jugadores, de muchachos en su primer año

universitario que llegan y deben tomar el lugar de aquellos que se fueron”.

McConaughey, que trabajó junto con Ellis, McG, Lindel y Lengyel para orquestar

las escenas, comenta: -“Cada partido jugado debía representar exactamente lo que yo les

había enseñado, y debía ser muy específico para ciertos jugadores. Cuando cambiamos la

ofensiva, por ejemplo cambiando la dirección de la pelota, uno debe ver ese cambio en el

juego. Uno debe ver qué efecto tiene para ver que funciona, o que no funciona”.

 

 

Ellis estudió películas de archivo de verdaderos juegos de Marshall, y consultó

con los entrenadores, entre ellos Lengyel, para tener conocimiento de primera mano. -“yo

pregunté ‘¿Cuál era la terminología entonces? ¿Cuáles eran las canciones que cantaban

los fanáticos? ¿Cuál era su filosofía? Esos fueron nuestros patrones”.

Se hizo una llamada abierta para reclutar actores potenciales a través del país,

durante dos semanas. El resultado fueron más de 4,000 personas de los alrededores, más

otros que se ofrecieron de otras partes del país. Ellis eligió unos cientos de ellos, para

representar los equipos locales y los visitantes. Luego de las tradicionales pruebas al

estilo de la Liga Nacional de Fútbol (NFL), el número se redujo a los necesarios 65.

Entonces comenzó el trabajo de Ellis para convertirlos en equipos que jugaran.

-“Estos muchachos se convirtieron en equipos en dos semanas de infierno, en las

que tuvieron que soportarme, durante los calurosos días de Atlanta” – comenta él“

entonces comenzaron a unirse entre sí. No teníamos aire acondicionado en los

vestuarios. Yo los hacía correr en la mañana, y a la tarde, y luego miraba la película de

ello. Apenas les daba nada para el almuerzo. Casi se mataban entre sí”.

Si bien de una manera los jugadores sólo estaban actuando, y sabían quién iba a

interceptar la pelota con un tackle en la línea de 32 yardas, o quién iba a ganar o perder,

si no jugaban como realmente debía ser, como en la vida real, no iba a ser un partido

creíble”- explica Ellis –“No existe una manera de fingir estas cosas. Ellos deben jugar tan

duro como lo harían en realidad, con la ambición de ganar a cada momento. Una vez que

entendían eso, había que lograr la acción de la escena”.

La Herencia

Tal como se muestra en la pantalla, la realidad fue que el equipo Thundering Herd

no se recuperó inmediatamente. Pese a dos inesperadas y excitantes victorias en la

primera temporada desde su vuelta, el equipo de la universidad Marshall era perdedor,

admite Spears:- “Inclusive antes del accidente teníamos problemas, y violaciones

reglamentarias. Fue la seguidilla de derrotas más larga de la nación. Volver a reconstruir

tras todo ello, parecía una tarea imposible. Lengyel y su equipo fueron los primeros en

entrar en el proceso de reconstrucción, pero había muchos que se negaban a hacerlo”.

 

 

Lengyel, Dawson, los jugadores, otros entrenadores y los administradores sabían

que su propósito no era ganar los partidos en 1971, sino establecer la base para el futuro,

para que un día ganar fuera posible nuevamente. En eso tenían razón.

En 1984, Marshall terminó 6-5, en la primera temporada que ganaron en 20 años.

En 1987 tuvieron su primera oportunidad nacional en la División 1-AA para un

desempate, lo cual se repitió al año siguiente. Desde 1990 a 1996, bajo las directivas del

entrenador Jim Donnan, el equipo estaba a 64-21 y llegó a la División I-AA del juego del

campeonato cuatro veces. Ganaron su primer campeonato I-AA en 1992 y nuevamente en

1996, cuando el ex jugador de Marshall, Bobby Pruett entrenó al equipo, y logró una

temporada invencible 15-0 y el segundo título I-AA, con la ayuda de los futuros talentos

de la NFL Randy Moss y Chad Pennington.

Tras haber sido el equipo más perdedor del país de la década de 1970, habiendo

ganado sólo 22 veces en 10 años, increíblemente Marshall se convirtió en equipo ganador

en 1990, con un récord de 114-25.

-“Tras haber ganado el campeonato Conference en el ’96, los fanáticos estaban

enloquecidos. Bajaron a la cancha y arrancaron los postes de los arcos”- recuerda Spears,

quien estuvo presente ese día en la cancha- “-Recuerdo haber pensado ‘se acabaron los

postes. Seguramente se los van a llevar por las calles y los van a dejar tirados por allí, y

los vamos a tener que ir a recoger’. Pero no pudimos encontrarlos. Finalmente al día

siguiente fueron localizados. Estaban en el cementerio, al lado del obelisco, como

diciendo ‘He aquí el campeonato que les fue negado’”

Aunque Jack Lengyel se fue de Marshall en 1975, y pasó a tener una carrera con

muchos éxitos, especialmente como director de deportes de la Academia Naval

Norteamericana, todavía considera a Marshall su segundo hogar. El volvió allí para

conmemorar el 20 avo y 30 avo aniversarios de la tragedia.

Red Dawson llevó a cabo su promesa de quedarse allí ese año. Luego se fue al

terminar la temporada de 1971. Nunca volvió a jugar, pero continuó viviendo en

Huntington, donde siempre fue fiel fanático del equipo Herd. El era conocido por salir de

los partidos por la puerta trasera del estadio, y no volvió a presenciar un partido del

equipo de Marshall hasta el año 2000. El y Lengyel se mantuvieron en contacto, por

haber compartido la unión de pasar un momento tan difícil.

 

 

-“Cuando uno vive una historia como está, no pude hablar sobre ella

inmediatamente. Fue tal vez por eso que llevó 36 años llevar está historia a la pantalla”-

explica Basil Iwanyk –Tal vez era necesario que pase el tiempo de una generación

completa”.

McG dice: -“El dolor sólo dura un momento. Puede durar un día, semanas o años,

pero no puede durar para siempre. La única cosa que puede durar para siempre es si uno

abandona” – dice McG, recordando un sentimiento expresado por Lance Armstrong -“Si

uno quiere honrar a aquellos que murieron, creo que la mejor manera de hacerlo es seguir

avanzando y vivir su vida lo mejor posible, sabiendo que eso es lo que ellos hubiesen

querido que suceda”.

SOBRE LOS ACTORES

MATTHEW McCONAUGHEY (Jack Lengyel) ganó el premio People’s Choice

en el año 2005, por su papel protagónico en el exitoso film “Sahara”, en el cual también

actuaban Penélope Cruz y Steve Zahn. “Sahara”, abrió batiendo taquillas en un fin de

semana, ubicándose en los primeros puestos en ventas. “Sahara” fue la primera película

para cine producida por la compañía productora de McConaughey, llamada j.k. livin. A

“Sahara” le siguió un papel principal junto a Al Pacino, en la película dramática “Two for

the Money”. Ese año, la revista “People” cerró su año de éxitos, nombrándolo “El

hombre vivo más sexy”.

Entre los muchos trabajos de McConaughey en cine, cabe mencionar: las

populares comedias románticas “Failure to Launch”, con Sarah Jessica Parker, y “How to

Lose A Guy in 10 Days”, donde actuó junto a Kate Hudson; la película ensemble

“Thirteen Conversations About One Thing”; el film de suspenso y terror “Frailty”, escrito

y dirigido por Bill Paxton; la aventura de ciencia-ficción “Reign of Fire”; y la exitosa

comedia romántica de Adam Shankman,“The Wedding Planner”, con Jennifer López.

McConaughey también actuó en la película de Steven Spielberg “Amistad”, en

“Contact” de Robert Zemeckis, “EDtv” de Ron Howard, “Dazed and Confused” de

Richard Linklater y en el muy aclamado drama legal de Joel Schumacher “A Time to

Kill”, además de en “Angels in the Outfield”, “Lone Star”, “Glory Days” y “U-571”.

 

 

En este momento McConaughey está rodando junto a Kate Hudson, la aventura

romántica “Fool’s Gold”, dirigida por Andy Tennant, la cual está programada para salir

en el año 2008.

Su compañía productora en este momento está desarrollando varios proyectos

junto con los estudios de Warner Bros. Pictures, Universal Pictures, Paramount Pictures e

Imagine Entertainment. j.k. livin también fue productora ejecutiva de la aclamada

película documental “Hands on A Hard Body”.

MATTHEW FOX (Red Dawson) en la actualidad actúa como el heroico médico

Jack Shepherd en la exitosa serie de la cadena ABC “Lost”. Por su trabajo en esta serie -

ganadora del premio Emmy al Mejor Drama- Fox compartió el premio de grupo del

Gremio de Actores de Cine 2005, y fue postulado para los premios Globo de Oro, y el de

la Asociación de Críticos de Televisión, por sus logros en actuación dramática.

Previamente Fox protagonizó la serie “Party of Five”, ganadora del Globo de Oro.

En 1999, Fox llamó la atención por medio de su actuación en el drama televisivo

“Behind the Mask”, en donde actuaba junto a Donald Sutherland. Luego pasó a actuar en

un programa en episodios, “Haunted”, que trata sobre un investigador que tiene una

experiencia cercana a la muerte, que deja un paso de acceso hacia el mundo de los

espíritus.

Próximamente Fox protagonizará la película de suspenso y política, “Vantage

Point”, junto a Dennis Quaid, Forest Whitaker y William Hurt, la cual se estrenará en el

2007.

IAN McSHANE (Paul Griffen) ganó el Globo de Oro 2005 al Mejor Actor en un

Drama Televisivo, y fue candidato a los premios Emmy y el del Gremio de Actores de

Cine, por su interpretación del carismático Al Swearengen, en la segunda temporada de la

exitosa serie del canal HBO, “Deadwood”. Por su trabajo durante 2004 -temporada debut

de la serie- McShane recibió un premio de la Asociación de Críticos de Televisión. Fue

postulado para el mismo premio por la temporada del 2005, y la revista para hombres

“GQ” lo nombró “Hombre del Año”.

 

 

McShane protagonizó más de 25 películas a lo largo de su larga y distinguida

carrera actoral, entre ellas: “The Battle of Britain”, “The Last of Sheila”, “Villain” coprotagonizada

por Richard Burton, “Exposed”, y “Agent Cody Banks”. En la muy

aplaudida película de Jonathan Glazer, “Sexy Beast”, realizó una actuación sobresaliente

dando vida al siniestro gangster Teddy Bass. En la película también actuaban Sir Ben

Kingsley y Ray Winstone.

Más recientemente, McShane fue parte del reparto del drama del escritor/director

Rodrigo Garcia “Nine Lives”, y fue co-protagonista de la película de Woody Allen,

“Scoop”. En la nueva película animada “Shrek The Third”, él presta su voz al Capitán

Hook, y así también lo hace con otros personajes en la fantasía animada “Coraline”, y la

comedia animada “Kung Fu Panda”, donde también prestan sus voces otros reconocidos

artistas, entre ellos, Jackie Chan. Pronto llegarán a la pantalla grande, las siguientes

películas en las que actuó: la comedia de acción “Hot Rod”, y la película de suspenso

“Case 39”, en donde también actúa Renée Zellweger. Ambas se estrenarán en el 2007.

McShane también ha gozado de una larga carrera en televisión, tanto en Inglaterra

como en los Estados Unidos. Entre sus muchas actuaciones, cabe mencionar su papel en

la mini serie “Roots” de David Wolper, en 1970. En la temporada pasada, él actuó en la

serie cómica “Trust”, que se pasó tanto por el canal BBC como por BBC America. En

televisión, tuvo un papel principal en “Whose Life Is It Anyway?”, para Granada TV;

interpretó a Heathcliff en “Wuthering Heights” para la cadena BBC, y actuó en “The

Caretaker”, el programa ganador del premio Emmy de Harold Pinter, entre muchos otros

programas. McShane encarnó a Judas in en “Jesus of Nazareth” del canal NBC, dirigida

por Franco Zeffirelli; y dio vida al Príncipe Rainero, en “The Grace Kelly Story” en el

mismo canal; además de tuvo un rol principal en la pieza “Disraeli” en el programa

Masterpiece Theatre. Entre otras mini series en las que actuó, están: “Charlie the Kid”,

“A.D.”, “The Great Escape II”, “Marco Polo”, “Evergreen” y “War and Remembrance”

de Dan Curtis.

A fines de la década del ‘80, el actor creó la compañía McShane Productions, con

la cual produjo la muy adorada “Lovejoy” para los canales BBC y A&E. Este programa

le dio la oportunidad de poder ser protagonista, productor y director al mismo tiempo.

 

 

Luego fue productor y estrella –en el papel de Madson – en el drama/ comedia “Soul

Survivors” para los canales BBC y Showtime.

En el año 2000, McShane retornó al West End de Londres, está vez para un debut

en la arena musical, en la exitosa producción de Cameron Mackintosh, “The Witches of

Eastwick”, en la cual hacía el papel de Darryl Van Horne. En su carrera teatral, interpretó

papeles como: Hal con el elenco original de “Loot”, el papel principal de “The Admirable

Crichton” en el Festival de Chichester, Tom en la obra de Tennessee Williams “The

Glass Menagerie” e hizo de Charlie en “The Big Knife”. Fue co-protagonista junto a

Dame Judi Dench y a Sir Ian McKellen en “Promise”, obra que se ofreció con gran éxito

en Londres, antes de pasar a los teatros de Broadway. En Los Angeles, él tuvo el papel

estrella en tres producciones del teatro The Matrix: la première mundial de “Yield of the

Long Bond” de Larry Atlas, y otras dos obras por las cuales recibió el premio del Círculo

de Críticos de Drama de Los Angeles: “Inadmissible Evidence” y “Betrayal”.

ANTHONY MACKIE (Nate Ruffin) En el año 2006 estuvo en cinco películas

para cine: además de en “We Are Marshall” ; actuó en “Half Nelson”, con Ryan Gosling,

una adaptación del director Ryan Fleck, del cortometraje ganador del premio Sundance,

“Gowanus Brooklyn”; en “Crossover” de Preston Whitmore; en el drama ensemble de

crimen, de Frank E. Flowers, “Haven”, con Orlando Bloom y Bill Paxton; y en la

adaptación para cine de “Freedomland” de Richard Price, protagonizada por Samuel L.

Jackson.

Mackie después actuará como la leyenda del atletismo Olímpico Jesse Owens, en

una película biográfica que se filmará el próximo verano.

El actor estudió en la muy clásica escuela de artes dramáticos Juilliard, y tuvo un

prometedor debut en cine, interpretando a Clarence ‘Papa Doc’, el castigo de Eminem, en

la película “8 Mile” de Curtis Hanson. Su actuación llamó la atención de Spike Lee,

quien entonces ofreció a Mackie un papel en las recientes “Sucker Free City” y “She

Hate Me” seleccionadas para el programa Masters del Festival de Cine de Toronto.

Mackie también apareció en la película de Clint Eastwood, ganadora del Premio de la

Academia, “Million Dollar Baby”, junto a Hilary Swank, Morgan Freeman e Eastwood;

 

 

también en el film de Jonathan Demme “The Manchurian Candidate”, junto a Denzel

Washington y Liev Schreiber, y en la comedia “The Man”, protagonizada por Samuel L.

Jackson.

Mackie fue candidato al premio Gotham para películas independientes, otorgado

por la organización IFP (Proyectos de Películas Independientes), de los premios Spirit,

por su trabajo en la película de Rodney Evans “Brother to Brother”, la cual en el año

2004 ganó los premios Especialmente Dramática del Premio del Jurado en el Festival de

Cine de Sundance, y el premio a La Mejor Película de los premios Independent Spirit. En

el 2005, apareció junto a David Strathairn, Timothy Hutton y Leelee Sobieski en

“Heavens Fall”, basada en los juicios históricos a los nueve chicos negros, luego

conocidos como los Scottsboro Boys, película independiente que tuvo su première en el

Festival de Cine SXSW en Austin, en el año 2006.

KATE MARA (Annie Cantrell) en este momento está filmando “Shooter”, junto

a Mark Wahlberg, la cual se estrenará en el 2007.

Hace poco, Mara actuó en la película dramática, ganadora del Premio de la

Academia, “Brokeback Mountain”, dirigida por Ang Lee, haciendo el papel de la hija de

Heath Ledger. También co-protagonizó cinco episodios de la serie “24”, ganadora del

premio Emmy, del canal de televisión Fox.

Mara comenzó a actuar a los 14 años. Su primera aparición fue en el drama

romántico de Sydney Pollack, “Random Hearts”. Luego fue co-protagonista en la

película de adolescentes “Tadpole”, de Gary Winick, que fue destacada como película y

por su director, en el Festival de Cine de Sundance 2002, y co-protagonizó la película

independiente “The Californians”.

Mara es también una cantante lograda, que debutó profesionalmente en el Festival

Teatral de Williamstown, en “Landscape of the Body”, junto a Lili Taylor.

JANUARY JONES (Carole Dawson) hace poco ganó reconocimiento por su

actuación junto a Tommy Lee Jones, en la película que fue el debut como director de

 

 

Jones, “The Three Burials of Melquiades Estrada”, la cual se mostró en el Festival de

Cine de Cannes.

Pronto se la verá en la película independiente “Swedish Auto”, con Lukas Haas.

Jones debutó en la gran pantalla con la película, “It’s the Rage” en el papel de la

chica de la cual gustaba Gary Sinise. Desde entonces, ella interpretó papeles secundarios

en: la comedia de Barry Levinson, “Bandits”; “Full Frontal” de Steven Soderbergh, y la

comedia con Jack Nicholson y Adam Sandler, “Anger Management”. La actriz también

tuvo un pequeño papel en la aclamada comedia de Richard Curtis, “Love, Actually”.

Jones compitió entre miles de aspirantes, en la selección de actores para el papel

de Cadence Flaherty, y fue seleccionada para interpretar el papel de la hermana de la no

muy vergonzosa novia, en “American Wedding”. Esa era la tercera película de la serie

“American Pie”. Tras eso, ella apareció en “Dirty Dancing: Havana Nights”.

En televisión, Jones recientemente concluyó un papel un papel recurrente, en la

temporada debut de la serie de Showtime, “Huff”. En el 2007, se podrá ver a Jones por el

canal AMC, en su primera serie dramática original, “Mad Men”, en la cual Matt Weiner –

-escritor en “The Sopranos”-será escritor y productor ejecutivo.

BRIAN GERAGHTY (Tom Bogdan) recientemente protagonizó la película

biográfica de Emilio Estévez, “Bobby”, que trata del asesinato de Robert F. Kennedy. La

actuación de Geraghty en ella, hizo que el “New York Times” dijera sobre él ‘que se robó

la película’, además de haber sido un gran paso adelante para el actor. Anthony Hopkins,

Sharon Stone, Demi Moore, Lindsay Lohan y Elijah Wood eran sus co-protagonistas.

A principios de este año, Geraghty apareció en la película del director Andy Davis

“The Guardian”, junto a Kevin Costner y Ashton Kutcher; en “Conversations with Other

Women”, con Aaron Eckhart y Helena Bonham Carter; y en “Art School Confidential”,

de Terry Zwigoff, protagonizada por John Malkovich, Jim Broadbent y Anjelica Huston.

Otras películas en las que actuó Geraghty son: la adaptación de Sam Mendes de

“Jarhead”, en la cual actuaba junto a Jake Gyllenhaal, Jamie Foxx y Peter Sarsgaard; la

nueva versión de la película de terror “When a Stranger Calls”; “Stateside”, con Val

Kilmer; “The Optimist” con Leelee Sobieski; y “Cruel World”, junto a Edward Furlong.

 

 

Antes de que se iniciara su carrera en cine, Geraghty tuvo papeles protagónicos de

artista invitado en varias series de televisión, entre ellas la premiada “The Sopranos” del

canal HBO, “Law & Order”, serie ganadora del Emmy del canal NBC, y en la poco

convencional comedia “Ed”, aclamada por la crítica.

El actor comenzó su carrera profesional en teatros, con papeles en las

producciones de “Berlin”, “Midnight Moonlight”, “Snipers” y “Romeo and Juliet”.

Geraghty es un benefactor activo de la Fundación Surfrider, una organización

ecologista sin fines de lucro, que trabaja para conservar nuestros océanos, olas y playas.

DAVID STRATHAIRN (Presidente Dedmon) recientemente ganó la copa Volpi

en el Festival de Cine de Venecia, y fue candidato a los premios: de la Academia, Globo

de Oro, el del Gremio de Actores de Cine, el de la BAFTA (British Academy of Film and

Televsions Arts) y el Independent Spirit, por su conmovedora interpretación del

legendario relator de noticias del canal CBS Edward R. Murrow, en la película del 2005

de George Clooney, drama nominado para el Oscar, “Good Night, and Good Luck”.

Su candidatura al premio Independent Spirit 2005, fue la cuarta en una carrera

estelar, que comenzó en 1980, cuando debutó en la primer película para cine de John

Sayles, “The Return of the Secaucus Seven”. Strathairn actuó en otras siete películas del

director Sayles, ganando honores de la organización IFP (Proyectos de Películas

Independientes) por su papel secundario en “City of Hope”. Fue postulado otras dos

veces por “Passion Fish” y “Limbo”.

En los inicios de su carrera, actuó papeles secundarios en: “Silkwood” de Mike

Nichols, “Iceman” de Fred Schepsi, “At Close Range” de James Foley y “Dominick and

Eugene” de Robert M. Young. También actuó en los aclamados dramas de Sayles,

“Matewan” y “Eight Men Out”, y en su sátira de 1984, “The Brother from Another

Planet”.

Al fin de la década, Strathairn continuó con su ocupada carrera en cine, coprotagonizando

películas que fueron aclamadas por la crítica. Entre ellas: la película

debut como director de Tim Robbins, “Bob Roberts”; “A League of Their Own” de

Penny Marshall; “Losing Isaiah”; “The Firm” de Sydney Pollack; “Sneakers”; la

adaptación de Taylor Hackford de la novela de Stephen King,“Dolores Claiborne”, la

 

 

película de Jodie Foster “Home for the Holidays”, y otros dos papeles en las películas de

Curtis Hansen: “The River Wild” más la ganadora del Oscar “L.A. Confidential”. Con

esta última, Strathairn compartió una postulación el premio del Gremio de Actores de

Cine al reparto completo, como grupo actoral. Otros trabajos que realizó en cine fueron

en “Memphis Belle”, “A Map of the World”, “Simon Birch”, “Lost in Yonkers”,

“Missing in America”, la adaptación de Michael Hoffman de “A Midsummer Night's

Dream”, “Twisted” de Phil Kaufman y “The Notorious Bettie Page”.

Strathairn ha mantenido un alto perfil en el mundo teatral, con papeles en obras

que se ofrecieron en el Manhattan Theatre Club, el Festival de Shakespeare de Nueva

York, SoHo Rep, la Compañía Teatral Hartford, el teatro Ensemble Studio y en el Seattle

Repertory. Próximamente, Strathairn podrá ser visto en la película de suspenso de

Gregory Hoblit, “Fracture”.

ARLEN ESCARPETA (Reggie Oliver) fue grandemente reconocida por su

papel trampolín en el drama independiente “American Gun”, en donde hacía de una

estudiante, a quien encontraron con un arma en una escuela. En la película, que se estrenó

en el Festival de cine de Toronto 2005, también actuaban Forest Whitaker, Marcia Gay

Harden y Donald Sutherland.

Anteriormente, al principio de su carrera, Escarpeta actuó en un drama de tema

legal de Carl Franklin, la película de suspenso “High Crimes”, junto a Morgan Freeman y

Ashley Judd.

Tras “We Are Marshall”, Escarpeta actuará junto a Oliver Platt, en la comediaparodia

independiente “The Ten”, del director David Wain, que ya había realizado “Wet

Hot American Summer”.

Escarpeta es conocida por su papel de carismática atleta en el programa de Sam

Walker del canal NBC, “American Dreams”. Ella debutó en televisión como estrella

invitada en “Boston Public”. Desde entonces, apareció en papeles protagónicos como

actriz invitada en espectáculos como: “Judging Amy” del canal CBS’, “The Shield” del

canal F/X, “Players” del canal G4TechTV. Más recientemente actuó en el ya largamente

exitoso programa del canal NBC “ER”, y el célebre drama del canal CBS, “Cold Case”.

 

 

Escarpeta también actuó en el episodio piloto de “Boomtown”, del canal NBC.

La actriz es voluntaria de la Fundación que otorga becas Young Saints, y participa

frecuentemente en obras de buena caridad, entre ellas la Fundación para Niños Starlight

Starbright y la Fundación Union Station.

SOBRE LOS REALIZADORES

McG (Director/ Productor) debutó como director con la película “Charlie’s

Angels”, la cual pudo alardear de ser la más taquillera en su apertura, siendo la primera

película de un nuevo director. La película debutó en el puesto N°1 en los Estados Unidos,

con ventas de $40 millones y también se estrenó siendo N°1 en ventas en 31 territorios

internacionales, recaudando más de $250 millones mundialmente. McG también dirigió

su secuela, “Charlie’s Angels: Full Throttle”, que recaudó otros $265 millones.

Con dos exitazos y más de $250 millones en taquilla, McG formó su compañía

productora, Wonderland Sound and Vision, que tiene un contrato de primera opción con

Columbia Pictures, un contrato para televisión con Warner Bros. Television, y un

contrato de discos con Warner Music. El estreno más reciente de Wonderland, fue la

película de bajo presupuesto “Stay Alive”, la cual abrió con la impresionante venta de

$10.7 millones de dólares. En este momento, la compañía está filmando “Revenge of the

Nerds”, la cual se estrenará en el 2007.

En televisión, Wonderland produce el gran fenómeno de mayor audiencia “The

O.C.”, la cual estrenó su cuarta temporada en noviembre. También produce

“Supernatural”, serie que está ahora en su segunda temporada en la cadena televisiva

CW. Wonderland produjo junto con Steven Spielberg, “The Dan Finnerty Show”, un

especial que se pasó por el canal Bravo el año pasado.

McG comenzó su carrera produciendo discos para el grupo de rock Sugar Ray,

dirigiendo comerciales para The Gap y Coca Cola, y produciendo más de 50 videos

musicales para una gran variedad de artistas, entre ellos Sublime, Korn y Wyclef Jean.

Los videos contribuyeron a venta de más de 100 millones de álbumes mundialmente.

 

 

McG nació en Kalamazoo, Michigan, y se crió en Newport Beach, California. Se

graduó en psicología, en la Universidad de California Irvine.

BASIL IWANYK (Productor) en la actualidad dirige su propia compañía

productora, Thunder Road Pictures, con base en los estudios Warner Bros. Pictures. con

la cual recientemente produjo la película de suspenso, en la que actuaba Harrison Ford,

“Firewall”.

Iwanyk comenzó su carrera en la industria del cine como un agente aprendiz de la

agencia United Talent. Se unió a Warner Bros. Pictures en 1995 como Creativo

Ejecutivo, y fue promovido a Vice Presidente de Producción dos años más tarde.

Mientras que trabajaba para Warner Bros Pictures, Iwanyk estuvo involucrado en la

realización de varias películas, entre ellas: la ganadora del Oscar “Training Day”,

“Ocean’s Eleven”, “Batman & Robin” y la película de suspenso de Christopher Nolan,

“Insomnia”. La publicación “The Hollywood Reporter” lo nombró “un ejecutivo a

observar” en su publicación anual de Next Generation (Próxima Generación), la cual

perfila a jóvenes ejecutivos con prometedor futuro en la industria del entretenimiento.

En Noviembre del 2000, pasó a ser Presidente Mundial de Producción de

Intermedia Films, supervisando una gran variedad de películas, entre ellas “K-19”, “The

Widowmaker”, “Basic”, “Terminator 3”, “Rise of the Machines”, la película ganadora

del Oscar de Spike Jones, “Adaptation”, “Dark Blue”, “National Security”, “The Life of

David Gale”, “Welcome to Mooseport”, “Laws of Attraction”, la película de suspenso de

Renny Harlin “Mindhunters”, y “The Quiet American” nominada para el Oscar.

JAMIE LINDEN (Guionista / Historia) su primer guión, “Things To Do Before I

Die”, fue comprado por Warner Bros. Pictures lo que llevó a cerrar un contrato con el

estudio. Esto a su vez, llevó al encuentro con el productor Basil Iwanyk, quien compartía

el interés de Linden en filmar una película sobre el accidente de avión con los jugadores

de la universidad Marshall.

Recientemente Linden terminó de adaptar el libro Mejor Vendido “Dogs Of Babel”,

para el productor David Heyman. Luego, él se va a volver a reunir con Iwanyk, para

realizar la adaptación para la película “Ski To Die: The Bill Johnson Story”, la cual relata

 

 

la vida y los tiempos de uno de los esquiadores de descenso más famosos de América,

quien ganó la medalla de Oro Olímpica en los juegos de invierno de 1984.

“We Are Marshall” es el primer guión de Linden convertido a película.

CORY HELMS (Historia) en este momento está trabajando en otro guión. “We

Are Marshall” es su primer trabajo en una película para cine.

JEANNE ALLGOOD (Productora ejecutiva) en la actualidad es la ejecutiva a

cargo del desarrollo y la producción de películas para cine para Wonderland Sound &

Vision, la compañía productora multimedia del director McG. Esta película es su primer

trabajo en ese puesto.

Allgood trabajó en más de 20 películas como productora ejecutiva, con compañías

como Jersey Films, Outlaw Productions y DreamWorks SKG (Spielberg, Katzenberg, y

Geffen). Comenzó su carrera como asistente del legendario Michael Kahn, Director de

Drama de la escuela de artes dramáticas Juilliard, y del director artístico del teatro

Shakespeare en Washington, D.C. Kahn la alentó a seguir sus sueños en cine. Allgood se

fue entonces a Los Angeles, donde por casualidad conoció a Danny DeVito, y por su

intermedio consiguió un trabajo en Jersey Films.

Tras trabajar allí por 18 meses, se juntó con los productores Bobby Newmyer y

Jeff Silver, como ejecutiva creativa en su compañía Outlaw Productions, con base en

Warner Bros. Allí trabajó dos años, a los que siguieron cuatro años con Cathy Konrad en

su compañía productora con base en Sony. Allí Allgood trabajó en películas como “The

Sweetest Thing”, protagonizada por Cameron Diaz, y “Kate and Leopold” con Meg

Ryan, y también en la película de suspenso del 2003, de James Mangold “Identity”.

Allgood luego pasó a ser productora ejecutiva en DreamWorks, en donde supervisaba

películas como la de suspenso “Red Eye” de Wes Craven, la comedia “She’s the Man” y

el drama inspirador “Dreamer”.

Allgood comenzó a trabajar en la productora de McG hace un año, y fue ella la

que obtuvo el guión de “We Are Marshall” de Basil Iwanyk, para desarrollarlo a través

de Wonderland.

 

 

BRENT O’CONNOR (Productor Ejecutivo) vuelve a trabajar con Basil Iwanyk,

tras su reciente colaboración en la película de suspenso con Harrison Ford, “Firewall”.

O’Connor fue productor ejecutivo en el 2005 de la película de suspenso y acción

“Elektra”, protagonizada por Jennifer Garner, y en el 2004 de la aventura para la familia

“Scooby Doo 2: Monsters Unleashed”. Los trabajos de co-producción de O’Connor

incluyen “K-19: The Widowmaker” protagonizada por Harrison Ford y Liam Neeson, y

“Bulletproof Monk” con Chow Yun-Fat y Seann William Scott liderando el reparto.

En los comienzos de su carrera, O’Connor trabajó como electricista y agente de

negocios. Fue jefe de producción en una variedad de películas como: la película de

suspenso con Arnold Schwarzenegger “The Sixth Day”; la comedia “Rat Race”

protagonizada por Cuba Gooding Jr., Whoopi Goldberg, John Cleese y Rowan Atkinson;

la película de Gus van Sant premiada por la Academia “Good Will Hunting”, con las

estrellas Matt Damon, Robin Williams y Ben Affleck; y “Seven Years in Tibet”. con

Brad Pitt. Otros trabajos de O’Connor como jefe de producción fueron: “Eye See You”,

“Jumanji”, “Deep Rising”, “Disturbing Behavior” y “Andre”.

THOMAS TULL (Productor Ejecutivo) es el presidente y director ejecutivo de

Legendary Pictures, la cual recientemente firmó un contrato de 5 años para realizar 25

películas con Warner Bros. Pictures. La compañía Legendary tuvo mucho éxito desde sus

comienzos con su primer trabajo en conjunto, “Batman Begins”. Además del film secuela

de Bryan Singer, “Superman Returns”, en el 2006. Tull también trabajó en la película de

M. Night Shyamalan “Lady in the Water”. Entre sus futuros proyectos se encuentran:

“300” película que es la adaptación para cine de la novela gráfica de Frank Miller del

mismo nombre, “Trick ‘r Treat” escrita y dirigida por el co-escritor de “Superman

Returns”, Michael Dougherty y dirigida por Bryan Singer; “10,000 B.C” de Roland

Emmerich; “Where the Wild Things Are”, dirigida por Spike Jonze; y la película de

Christopher Nolan “The Dark Knight”, secuela de “Batman Begins”.

Tull previamente fue presidente y director de la compañía de acciones The Convex

Group, la cual invierte en nuevas redes para medios y entretenimiento, ubicada en

Atlanta. Fue creada por el fundador de WebMD, Jeff Arnold. Tull fue ejecutivo para las

actividades de dirección y administración, incluyendo las adquisiciones de contenido de

 

 

la compañía How Stuff Works, y las plataformas de distribución de contenido LidRock y

FlexPlay. Fue Tull quien desarrolló las relaciones y asociaciones entre la compañía y las

compañías del mundo del cine, la música y los juegos de video. Antes de trabajar en

Convex, Tull era uno de las cabezas principales en Southeast Interactive Technology

Funds, la compañía más grande de capitales para nuevas inversiones en fondos de IT

(Información Tecnológica) en el Sureste.

Su primera incursión en Hollywood, fue como socio en un fondo de inversión con

base en Carolina del Norte, especializados en medios y tecnología. En 1996, el ayudó a

realizar un contrato que creó la compañía Red Storm Entertainment, la cual fabricaba

juegos basados en los libros de Tom Clancy. Tull tuvo confianza en su experiencia como

capitalista para nuevas empresas, y fue parte de los capitalistas iniciales para la formación

de Legendary Pictures, a partir de un consorcio de inversionistas de primera línea –

ABRY Partners, Banc of America Capital Investors y AGI Direct Investment, entre ellos.

Tull fue el arquitecto de la estructura única de la compañía, la cual recibió el premio ‘De

Contrato del Año’ del 2005, de la industria de entretenimiento, de la revista IDD.

SCOTT MEDNICK (Productor Ejecutivo) es miembro del equipo administrativo

de Legendary Pictures, la compañía productora que en el año 2005 firmó un contrato de

cinco años con Warner Bros. para producir 25 películas. El verano pasado, Mednick fue

productor ejecutivo de “Superman Returns”, y es el productor ejecutivo de las películas

por venir “300”, “10,000 B.C” de Roland Emmerich y “Where the Wild Things Are”, la

cual está siendo dirigida por Spike Jonze.

Mednick ha sido líder en sectores de entretenimiento, marketing, y tecnología,

durante los últimos 25 años. El ha sido el responsable de mercadear más de 200 películas,

de títulos como “Jerry Maguire”, “Coal Miner’s Daughter”, “This Is Spinal Tap”, “X-

Men” y “Dirty Dancing”. Entre sus clientes del mundo del entretenimiento estuvieron

Tom Cruise, Arnold Schwarzenegger y Denzel Washington. Además, Mednick creó

logos para compañías de Hollywood de la importancia de Sony Pictures, Columbia

Pictures, TriStar Pictures y Legendary Pictures.

Mednick es el ex-presidente de la compañía de Peter Guber, Mandalay Branded

Entertainment. Antes de Mandalay, Mednick fundó THINK New Ideas, Inc., una

 

 

compañía de marketing y comunicaciones para la era de la información. Dicha compañía

prestaba servicio a las necesidades interactivas y de comunicación de grandes

corporaciones, tales como Oracle, Coca-Cola, Reebok, Sega, Time Warner, Sony,

Pioneer Electronics, Disney, Chrysler y muchas otras. Como presidente y director

ejecutivo, Mednick supervisó la quintuplicación del tope de facturación de THINK, en

tan solo meses más tarde de su oferta pública inicial. Además, la revista “Adweek” y el

Club de Publicitarios de Nueva York, nombraron a THINK como una de las 10

compañías interactivas más sobresalientes en su primer año de operaciones.

Además de estas responsabilidades corporativas, Mednick fue invitado a ser parte

del Comité del Presidente para las Artes y Humanidades, con énfasis en los Niños y

Adolescentes en Peligro, bajo la tutela del Presidente Clinton, que tenía como directora

de la Primera Dama Lady Hillary Rodham Clinton. Mednick fue miembro durante 10

años de La Junta Nacional para la Fundación Inner City Games de Arnold

Schwarzenegger, y ahora es miembro de la Junta de Directores del equipo All-Stars

Después de la Escuela, fundado por el gobernador Schwarzenegger. Mednick fue

miembro de la Junta de Directores el Día de la Tierra en 1990, institución para la cual él

también creó el logo y materiales de comunicación. Mednick es miembro fundador de la

Junta de ECO (Earth Communications Office), la cual moviliza a la industria de

entretenimiento para causas relacionadas con el medio ambiente. El también es

fideicomiso de la Universidad de Santa Monica.

Mednick, nació en Boston, y tiene una maestría en psicología aplicada y una

licenciatura en diseño gráfico. El fue nombrado Director de Artes Gráficas del Año/Oeste

por la revista “Adweek”. Cuatro de las obras de Mednick fueron seleccionadas para ser

incluidas en la colección permanente de la Biblioteca del Congreso.

SHANE HURLBUT (Director de fotografía) fue candidato al premio de la

Sociedad Americana de Camarógrafos (A.S.C.) por su primera película, “The Rat Pack”,

de tema biográfico, la cual recibió otros premios, y se pasó por el canal HBO. El film

estuvo dirigido por Rob Cohen, y en él actuaban Ray Liotta, Joe Mantegna y Don

Cheadle. Con ella, Hurlbut quedó marcado como el camarógrafo más joven jamás

 

 

nominado para el premio en el debut de una película, y como el segundo camarógrafo

más joven jamás postulado.

Hurlbut y Cohen se unieron para trabajar juntos en la película de suspenso

“Skulls”, a lo que siguió el muy aclamado drama romántico de John Stockwell

“crazy/beautiful”, más la popular película sobre bandas marchantes de Charles Stone III,

“Drumline”. Volvió a formar equipo con Stone en la comedia de deportes de Bernie Mac,

“Mr. 3000”, y continuó su asociación con el director Stockwell en la película de acción,

sobre la búsqueda de un tesoro submarino, “Into the Blue”. Hurlbut también dirigió las

cámaras en la película “11:14”, en el drama deportivo de época de Bill Paxton “The

Greatest Game Ever Played”, y las películas recientemente estrenadas “Something New”,

y “Waist Deep” película policial del director/ escritor Vondie Curtis-Hall.

Hurlbut es uno de los directores de fotografía más requeridos para cortos

comerciales, y ha guiado las cámaras para cortos de televisión para clientes tales como:

Disneyworld, Verizon, KFC, Dunkin Donuts, Pizza Hut, McDonalds, y Burger King.

También trabajó con los directores McG, Bob Giraldi, Charles Stone III y Jan de Bont.

En el género de videos musicales, Hurlbut empleó imágenes de avanzada en

películas para artistas como Nirvana, Stone Temple Pilots, The Rolling Stones, Filter,

Tori Amos, Semisonic, Salt-N-Pepa y Smashing Pumpkins.

TOM MEYER (Diseñador de Producción) diseñó la producción de películas

como “A Lot Like Love”. “Blue Crush”. “Catch That Kid” y el cortometraje “Whatever

We Do”, el cual entró en el Festival de Cine de Sundance en el 2003 .La película era una

producción del actor Tobey Maguire. Meyer debutó como diseñador de producción en el

año 2002, con la comedia de crimen y aventuras “Welcome to Collinwood”, dirigida por

Anthony y Joe Russo, y producida por George Clooney y Steven Soderbergh. Lo

próximo para Meyer será la película “The Half Life of Timofey Berezin” de Scott Burns,

en la cual Clooney y Soderbergh son los productores ejecutivos. El film se estrenará en el

2007.

Entre los trabajos de Meyer como director de arte, están las películas

“crazy/beautiful” de John Stockwell; “The Way of the Gun”, debut como director de

Christopher McQuarrie; “The Crow: Salvation”; y “No Vacancy”. El también trabajó en

 

 

televisión para una cantidad de cortos comerciales, videos de música y pilotos para series.

Comenzó su carrera a los 13 años en el famoso Actors Studio de Louisville, uno de los

teatros regionales más prestigiosos del país. Meyer tiene más de doce años de experiencia

en el mundo teatral, y era diseñador residente en el teatro Seattle Repertory desde 1993 a

1996. Allí diseñaba los escenarios de producciones tales como “Jolson Sings Again” de

Arthur Laurents; “A Fair Country” de Jon Robie Batís; y “An American Daughter” de

Wendy Wasserstein. Todas las obras estaban dirigidas por el premiado director Daniel

Sullivan, al igual que “Bill Irwin’s Experiments”, “Pretty Fire” y “Suburbia”.

PRISCILLA NEDD FRIENDLY (Montaje) estudió montaje en el Instituto

Americano de Filmación, y comenzó su carrera como asistente de edición en televisión,

tras lo cual pasó al mundo del cine. Su gran oportunidad se dio cuando el editor Peter

Zinner - ganador del Premio de la Academia – la empleó como editora asociada, para

trabajar en la película dramática de Taylor Hackford – nominada para el Oscar- “An

Officer and A Gentleman”.

A través de una recomendación de Hackford, Nedd Friendly obtuvo su primer

trabajo en el que ella iba a editar sola, en la película “Eddie and the Cruisers” un año

después. Luego pasó a editar películas como “The Flamingo Kid”, para el director Garry

Marshall; “Street Smart” de Jerry Schatzberg; “Lucas” de David Seltzer; “Tucker: The

Man and His Dream”, para el director Francis Ford Coppola; “Pretty Woman”, la cual

volvió a reunirla con Garry Marshall; “Guilty By Suspicion” de Irwin Winkler; y Michael

“Doc Hollywood” de Caton-Jones.

Nedd Friendly recientemente realizó el montaje de la graciosa película “American

Pie”, dirigida por Paul y Chris Weitz. Volvió a formar equipo con los hermanos Weitz en

“Down to Earth”, protagonizada por Chris Rock, y luego trabajó junto al director Rob

Minkoff en las películas “Stuart Little 2” y “The Haunted Mansion”. Nedd Friendly hace

poco editó la comedia secuela “Big Momma’s House 2”.

GREGG LONDON (Montaje) recientemente trabajó realizando montaje

adicional en la comedia “Big Momma’s House 2”, protagonizada por Martin Lawrence.

 

 

El realizó el montaje de 10 películas, comenzando por la comedia de 1991 “Doc

Hollywood”, con el primer actor Michael J. Fox. Más recientemente trabajó en la edición

de la comedia romántica “Down to Earth”, protagonizada por Chris Rock y Regina King;

la comedia de suspenso para la familia, en el año 2003, “The Haunted Mansion” y la

película postulada para el premio BAFTA (British Academy of Film and Television

Arts), “Stuart Little 2”, ambas dirigidas por Rob Minkoff.

London editó la comedia de Vince Van Patten, en el año 2000, “The Flunky”.

También el primer corte de “The Woman in the Moon”, con la primera actriz Maria de

Madeiros y Portia de Rossi, y también la película de suspenso “The Perfect Nanny”.

CHRISTOPHE BECK (Música) ha compuesto la música de numerosas películas

de virtualmente todos los géneros, desde “The Pink Panther” y “The Sentinel” al

principio de este año, a “Under the Tuscan Sun”, la adaptación para cine de la novela

mejor vendida del mismo nombre.

Beck comenzó su carrera de compositor de música, con la serie “White Fang”

para la televisión canadiense. De allí, pasó a componer música para series de televisión

como “Buffy the Vampire Slayer”, desde la segunda a la cuarta temporada. Beck ganó un

premio Emmy, a la Composición Musical Sobresaliente, por su trabajo en “Buffy”,

durante su tercera temporada (1998). Luego, al completar una temporada más con el

programa, comenzó a componer música para películas.

Entre sus trabajos más recientes, están “The Sentinel”, “Elektra”, “Miss

Congeniality 2: Armed and Fabulous”, y “Two for the Money”. Antes de ello, creó la

música para “Garfield”, “Cheaper by the Dozen”, “Just Married”, “Confidence”, “The

Alarmist”, “Guinevere” y “Bring It On”.

MARY VIOLA (Co-Productora) ha sido Vice Presidenta de Thunder Road

Pictures durante los últimos tres años. Anteriormente a ello, ella trabajó en el

departamento de desarrollo de Jerry Bruckheimer Films, para películas como “Pirates of

the Caribbean”, “Bad Boys 2” y “Black Hawk Down”. Ella comenzó su carrera

trabajando para el director Barry Sonnenfeld en “Wild Wild West”.

 

 

Viola en este momento está co-produciendo “Einstein’s Children” para Gold

Circle Films.

DANNY GLICKER (Diseñador de vestuario) fue distinguido con el premio

Excelencia en una Película Contemporánea, otorgado por el Gremio de Diseñadores de

Vestuario, por su trabajo en el drama del 2005, “Transamerica”, protagonizada por

Felicity Huffman , ganadora del Globo de Oro.

Glicker trabajó durante su adolescencia en espectáculos de Broadway, como “The

Secret Garden”, “Nick & Nora” y el musical ganador del premio Tony, “Grand Hotel”,

con lo que fue juntando experiencia. El continuó trabajando dentro del campo de cine,

mientras que seguía estudiando en la escuela Rhode Island School de Diseño. Entonces

era asistente de la diseñadora de vestuario Kathy O’Rear, para la película de Robert

Redford, nominada al Oscar1994, el drama “Quiz Show”.

Glicker pasó luego a diseñar el vestuario del célebre y controvertido drama de,

Michael Cuesta, “L.I.E”. Tras ello, pasó a trabajar con los hermanos Polish en su

visionaria película “Northfork”, protagonizada por James Woods y Nick Nolte. Desde

entonces diseñó el vestuario de varias aclamadas películas, entre ellas el drama de Craig

Lucas “The Dying Gaul” y la sátira negra de Marcos Siega, “Pretty Persuasion”.

Entre los trabajos más recientes de Glicker cabe mencionar: el debut como

director de Jason Reitman “Thank You for Smoking”, protagonizada por Aaron Eckhart,

Maria Bello, Robert Duvall y William H. Macy; y la exitosa película de terror “The Hills

Have Eyes”.

Su trabajo se podrá ver en la película por estrenarse de los hermanos Polish, “The

Astronaut Farmer” en la que Billy Bob Thornton y Virginia Madsen son las estrellas; y

también en la muy anticipada película escrita y dirigida por Alan Ball, ganador del

premio de la Academia. En ella actúan Aaron Eckhart, Maria Bello, Toni Collette, y la

nueva actriz Summer Bishil.

MARK ELLIS (Coordinador de dobles) es el co-fundador y presidente de

ReelSports, reconocida empresa líder para la producción de espectáculos deportivos y de

 

 

entretenimiento. ReelSports re-definió la descripción y la acción de los deportes en los

medios, sea película, televisión, comerciales o juegos de video. A lo largo de su carrera

como director de segunda unidad, y coordinador de acción de deporte, Ellis dirigió o

entrenó una gran cantidad de actores ganadores de premios, y de deportistas del Pasillo

de la Fama, para hacer películas como “Miracle”, “The Longest Yard”, “The Rookie”,

“Coach Carter”, “The Replacements”, “Any Given Sunday”, y la exitosa comedia “The

Benchwarmers”. Al comienzo de este año, lo hizo para la película de Mark Wahlberg,

“Invincible”, un drama sobre fútbol americano.

Entre más de 30 películas en las que trabajó, cabe mencionar: “Mr. 3000”,

“Rebound”, “The Perfect Score”, “Radio”, “Hardball” y “Summer Catch”. Ellis jugó de

receptor en Appalachian State previamente a transferirse a Guilford College y luego a la

universidad de Carolina del Sur. El pensaba que eventualmente iba realizar una carrera

como entrenador deportivo en una universidad, pero en 1992, Hollywood lo llamó para

ser asistente del entrenador de fútbol americano para la película dramática sobre deporte,

“The Program”. En ella actuaba James Caan, y se filmó en la universidad alma matter de

Ellis”.

Durante los próximos 9 años, Ellis trabajó en proyectos de cine y televisión.

Entre ellos: “Varsity Blues”, “Rise and Walk: The Dennis Byrd Story”, “Jerry Maguire”

y “The Waterboy”. Reconociendo la oportunidad de capitalizar en la necesidad existente

del mundo del entretenimiento y los deportes, Ellis formó ReelSports en el 2001 – la

única compañía multi-deporte para filmación del mundo. Ellis fue consultor para casi

todos los géneros de deportes que se muestran en películas, incluyendo fútbol americano,

basketball, béisbol y hockey. Su especializado trabajo fue distinguido por cinco

candidaturas al premio ESPY (Excellence in Sports Performance Yearly). Las películas

“The Rookie” y “Miracle” fueron nombradas las Mejores Películas Deportivas del Año.

JACK LENGYEL (Asesor técnico) a lo largo de una carrera que duró cuatro

décadas, ha tenido una influencia positiva y duradera en numerosas instituciones, como

entrenador de fútbol americano, y como administrador de la universidad.

El obtuvo su licenciatura en educación física en Akron en 1957, y una maestría

en educación en Kent State tres años más tarde. Lengyel recibió una comisión del

 

 

Ejército norteamericano, tras completar el programa de entrenamiento de oficiales de

reserva en Akron, de donde se graduó como Militar Distinguido. Luego pasó doce años

en la reserva de la Fuerza Aérea, donde llegó a obtener el rango de capitán.

Si bien él trabajó en varias universidades, Lengyel es más conocido como el

director de deportes de la Academia Naval de Estados Unidos, en donde sirvió durante 13

años, desde 1988 al 2001. El fue el primer civil en tener ese puesto. Lengyel tuvo mucha

influencia en el mejoramiento de los deportes en la Academia, la cual tiene uno de los

departamentos deportivos más grandes de la nación, en donde se juegan más de 30

deportes. Durante su función en Annapolis, el equipo Midshipmen ganó el 60% de sus

encuentros, incluyendo el 76% de partidos ganados en contra de Army durante sus

últimos cuatro años como director deportivo. Lengyel es ahora miembro de los

Fideicomisos de la Fundación de la Escuela Naval.

En sus esfuerzos para promover el programa atlético del equipo deportivo de la

Academia Naval, Lengyel supervisó la producción y luego la transmisión nacional, de un

documental de una hora, sobre la historia del fútbol de la Armada, “Anchors Aweigh for

Honor and Glory”, producida por NFL Films. La película se pasó por el canal CBS, y fue

alabada por los críticos y el público.

Previamente, Lengyel había ganado el reconocimiento nacional como director

asociado de deportes en la universidad de Louisville, y en la universidad de Missouri.

También fue director de deportes en la universidad estatal de Fresno y en la universidad

de Missouri. El fue el entrenador principal de fútbol americano, lacrosse, béisbol, lucha y

natación, a lo largo de 16 años de carrera deportiva.

Lengyel llegó a la universidad Marshall en 1971, pocos meses tras la tragedia

de noviembre de 1970. A él se le acredita haber reconstruido el programa de fútbol

Americano, y de haber restaurado su estructura de 4 años de clase. El se fue de Marshall

tras la temporada de 1974.

Además de su brillante carrera como entrenador, Lengyel realizó una gran

cantidad de tareas administrativas dentro de la comunidad universitaria. El es ex

presidente de la Asociación Nacional de Directores de Deportes Universitarios (NACDA)

y en la actualidad es miembro del Comité Ejecutivo. También recibió el prestigioso

premio James J. Corbett de la NACDA, y el premio Homer Rice de la División 1A de

 

 

Directores Deportivos, a una carrera distinguida y contribuciones a los deportes de la

universidad. Lengyel recibió el premio Contribución Sobresaliente al Fútbol Amateur de

la Fundación Nacional de Fútbol en el año 1997, y el premio John Toner por sus

habilidades administrativas superiores, y su dedicación sobresaliente al fútbol

universitario. Lengyel es miembro del Comité Ejecutivo de la Fundación Nacional de

Fútbol (NFF) y miembro de la junta, es el presidente de Divisional Honors Court,

institución que anualmente selecciona las divisiones por clase del Pasillo de la Fama

universitario. El recibió títulos ad honorem del Instituto de Administración Deportiva

(SMI) y de la Academia Deportiva de los Estados Unidos.

Desde que se retiró de la Armada, Lengyel trabajó como director interino de

deportes en las universidades Temple, Kentucky del Este y la de Colorado.

W.A. “RED” DAWSON (Asesor técnico) fue el entrenador de defensa de fútbol

americano en la universidad Marshall, y trabajó junto al fallecido Rick Tolley, en la

temporada deportiva de 1970. Más tarde, en la siguiente temporada, trabajó como

entrenador del receptor del mariscal de campo junto al sucesor de Tolley, Jack Lengyel.

Ese fue su último año en Marshall.

Dawson tuvo una carrera estelar en fútbol americano en la universidad estatal de

Florida (FSU). Llegó a formar parte del Pasillo de la Fama de los Seminoles y le

otorgaron la mención de honor All-American en FSU, tras lo cual trabajó con los equipos

profesionales Boston Patriots y luego con los Orlando Panthers de la Liga de Fútbol

Americano (AFL).

Dawson resignó de su puesto de entrenador asistente en Marshall luego de la

temporada de 1971. Entonces comenzó su propia compañía constructora en Huntington,

donde todavía él reside.

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    Entertainment,Arts,Fashion & Technology

    DEC 28

     

    18 Blogs Responsible for the 100 Most Popular Posts Of 2006

    'mother.livejournal.com', 'Crooks and Liars' and 'Sifry's Alerts' and 'Michelle Malkin' Among the Authors of the Most Linked-to Standalone Posts

     December 28, 2006 -- A small cluster of power bloggers -- focused on politics, blogging and humor -- were responsible for the top 100 blog posts for 2006, according to word-of-mouth measurement firm Nielsen BuzzMetrics. The top blog -- based on the number of inbound links from other blogs between January 1 and November 30, 2006 -- was mother.livejournal.com's petition against changes in the livejournal interface. The single post was linked to in 801 posts by 786 other blogs.

    "A minority of highly influential blogs continues to influence the broader conversation on the web," said Jonathan Carson, CEO, Nielsen BuzzMetrics. "However, unique circumstances and events, such as the LiveJournal protest against proposed interface changes, can resonate with passionate stakeholders and catapult lesser-known blogs to the top."

    Crooks and Liars' posts on Stephen Colbert's monologue at the White House, and Keith Olbermann commentary on Rumsfeld, were the number 2 and 3 posts, respectively. The Colbert post was linked to in 622 posts on 603 blogs, and the Olbermann was linked to in 359 posts on 340 blogs.

    David Sifry, founder and CEO of blog-search engine Technorati, had the fourth most popular post, with his latest state-of-the-blogosphere report. The post was linked to in 339 posts on 298 blogs.

    Nielsen BuzzMetrics

    Top Blog Posts of 2006

    Ranked by Number of Messages/Blogs That Link To

    January 1-November 30, 2006

    Rank Blog Headline URL Messages Authors

    1 2006 PETITION AGAINST http://mother.livejournal 801 786CHANGES IN THE .com/962238.html

    LIVEJOURNAL INTERFACE

    2 Colbert Does the White http://www.crooksandliars 622 603

    House Correspondents' .com/2006/04/29.html#a8104

     

    dinner:

    3 Keith Olbermann http://www.crooksandliars 359 340

    Delivers One Hell Of a .com/2006/08/30/keith-

    Commentary on Rumsfeld olbermann-delivers-one-hell

     

    -of-a-commentary-on-

    rumsfeld/

    4 State of the http://www.sifry.com/ 339 298

    Blogosphere, August alerts/archives/000436.html

     

    2006

    5 Keith Olbermann's http://www.crooksandliars 330 322

    Special Comment on .com/2006/09/11/keith-

    Bush: Who has left olbermanns-special-commnet-

    this hole in the on-bush-who-has-left-this-

    ground? We have not hole-in-the-ground-we-have-

    forgotten, Mr. not-forgotten-mr-president-

    President. You have. you-have-may-this-country-

    May this country forgive-you/

    forgive you

    6 SUPPORT DENMARK: WHY http://michellemalkin.com/ 307 277

    THE FORBIDDEN CARTOONS archives/004413.htm

    MATTER

    7 SNL: If Al Gore were http://www.crooksandliars 286 271

    President .com/2006/05/14.html#a8280

    8 Milking it? http://eureferendum. 284 251

    blogspot.com/2006/07/

    milking-it.html

    9 State of the http://www.sifry.com/ 282 255

    Blogosphere, February alerts/archives/000419.html

    2006 Part 1: On

    Blogosphere Growth

    10 State of the http://www.sifry.com/ 269 236

    Blogosphere, April alerts/archives/000432.html

    2006 Part 1: On

    Blogosphere Growth

    About Nielsen BuzzMetrics

    The Nielsen BuzzMetrics service, marketed by BuzzMetrics, Inc., is the global standard in measuring consumer-generated media and word of mouth. Nielsen BuzzMetrics helps more than 100 leading global companies interpret and leverage the buzz surrounding them -- clients like Canon, Comcast, Ford, General Motors, HBO, Kraft, Microsoft, Nokia, P&G, Sony, Target and Toyota, as well as the top 15 pharmaceutical concerns. Partners include the world's largest marketing-services firms, and innovative new-marketing agencies. The company has also collaborated with distinguished research organizations such as the Pew Internet and American Life Project. BuzzMetrics, Inc. is an affiliate of VNU, owner of such renowned research names as ACNielsen and Nielsen Media Research. For more information, visit www.nielsenbuzzmetrics.com

     

     

     DEC 27

     

    GSN Honors Former President Gerald R. Ford and Music Legend James Brown, Sunday Night, December 31

    Ford and Brown Appeared in Vintage 'WHAT'S MY LINE' Episodes

     Dec. 27  In honor of the recent passing of Former President Gerald R. Ford and music legend James Brown, GSN is planning special programming tributes showcasing some of their memorable appearances on classic game shows. GSN is honored to present vintage WHAT'S MY LINE? episodes on Sunday, December 31, featuring Ford and Brown as they appeared as themselves.

    President Ford's tribute is at 3:00 AM on Sunday night and features a WHAT'S MY LINE? episode taped on August 28, 1969. In 1969, Ford was a Congressman and as such served as a mystery guest. The series was hosted by Wally Bruner and featured panelists Bennett Cerf, Brenda Vaccaro, Gene Rayburn and Joanna Barnes. (This particular episode of WHAT'S MY LINE? (WML -047-1) replaces WHAT'S MY LINE? episode (WMLN - 4/24/65)).

    "The Hardest Working Man in Show Business" James Brown will be feted in a special WHAT'S MY LINE? episode at 3:30 AM. Brown sat in as a mystery guest on the acclaimed series November 19, 1968. On this particular episode hosted by Wally Bruner, Brown was joined by panelists Arlene Francis, Gawn Grainger, Phyllis Newman and Soupy Sales. (This episode WML-020-4 replaces previously listed TO TELL THE TRUTH.)

    GSN is the entertainment industry leader in multi-platform interactive game programs. As the premier television network for games, GSN features challenging word games, high intensity casino programs, live participation shows, reality series and documentaries. GSN's programming includes original series such as "Chain Reaction," Lingo" and "High Stakes Poker," as well as the classics "Jeopardy" and "Pyramid," among others. The network also boasts America's first live participation TV program "PlayMania," which airs in late-night six times a week. Complementing the network, GSN.com features all types of game play: innovative Flash games for fun, skill cash game tournaments and downloadable games. The website also features GSN's two-screen interactive play-along for prime time shows. Now reaching more than 60 million Nielsen homes, GSN is distributed in the U.S. through all major cable systems and satellite providers. The network is jointly owned by Sony Pictures Entertainment and Liberty Media Corporation. For further media information, visit GSN's press website at corp.gsn.com.

    -GSN-

    Source: GSN

     

    ACTOR® RECIPIENTS SANDRA OH AND ELIJAH WOOD JOIN SAG PRESIDENT ALAN ROSENBERG TO ANNOUNCE NOMINEES FOR THE 13TH ANNUAL SCREEN ACTORS GUILD AWARDS®
     
    ACTOR® NOMINATIONS TO BE TELECAST LIVE ON TNT AND E! ENTERTAINMENT TELEVISION
     JAN. 4, 2007, AT 9:05 AM ET / 6:05 AM PT
    ----------------------------------------------------------------------------------------------------------------
    13th Annual SAG Awards™ Ceremonies to be Simulcast Sunday, Jan. 28, 2007 on TNT and TBS at 8 pm ET/PT


    Los Angeles, CaliforniaTwo-time Actor® recipient Sandra Oh, currently starring in the ABC series Grey’s Anatomy, and Actor® recipient Elijah Wood, currently starring in the Golden Globe®-nominated films Bobby and Happy Feet, will join Screen Actors Guild President Alan Rosenberg to announce the nominees for the 13th Annual Screen Actors Guild Awards®, Executive Producer Jeff Margolis announced today.

    The SAG Awards™ nominations will be revealed at 6:05 a.m. PT on Thursday, Jan. 4, 2007, in the SilverScreen Theater at the Pacific Design Center in Los Angeles. The nominations announcement will be telecast live on Turner Network Television (TNT), E! Entertainment Television and streamed live on TNT.TV and TBS.COM.

    The 13th Annual Screen Actors Guild Awards®, the only industry accolades devoted solely to actors honoring actors, will be simulcast live on TNT and TBS on Sunday, Jan. 28, 2007, at 8 p.m. ET/PT, 7 p.m. Central, 6 p.m. MT, from the Shrine Exposition Center in Los Angeles.
    In 2006, for her portrayal of Dr. Cristina Yang in her hit ABC drama Grey’s Anatomy, Sandra Oh received an Actor® for Outstanding Performance by a Female Actor in a Drama Series, as well as shared a nomination for Outstanding Performance by an Ensemble in a Drama Series. Oh received her first Screen Actors Guild Award® in 2005 as a cast member of the film Sideways. That same year she presented the Actor® for Outstanding Performance by a Female Actor in a Comedy Series to Teri Hatcher for Desperate Housewives.

    Elijah Wood is currently starring in the ensemble film Bobby as William Avery and lending his voice to the delightful tap-dancing penguin, Mumble, in the animated smash hit Happy Feet. For his portrayal of hobbit Frodo Baggins in The Lord of the Rings trilogy, Wood received his first Actor® in 2004 for Outstanding Performance by the Cast of a Motion Picture for The Lord Of The Rings: The Return of the King and was nominated in the two previous years as a member of the cast of The Lord of the Rings: The Two Towers and The Lord of the Rings: The Fellowship of the Rings. Wood can currently be seen reading “Me and My Cat” by Satoshi Kitamura at www.storylineonline.net <http://www.storylineonline.net>  for the Screen Actors Guild Foundation’s “Storyline Online” children’s literacy program.

    Secret ballots bearing the names of potential nominees for outstanding performances during 2006, in eight television and five motion picture categories including the distinctive ensemble awards originated by the SAG Awards, were mailed on Friday, Dec. 1, 2006, to the film and television nominating panels, each comprised of 2100 randomly selected SAG members from across the United States. The ballots will be returned by Tuesday, Jan. 2, 2007, directly to Integrity Voting Systems, the Awards’ official elections teller. All active members of SAG will be mailed ballots on Jan. 5 to determine who will receive the coveted bronze Actor® statuettes on Jan. 28th.

    -

    The 13th Annual Screen Actors Guild Awards® are produced by Jeff Margolis Productions in association with Screen Actors Guild. Jeff Margolis is the executive producer and Kathy Connell is the producer. Yale Summers, Daryl Anderson, Shelley Fabares, Paul Napier and JoBeth Williams are producers for SAG. Gloria Fujita O’Brien and Mick McCullough are supervising producers. Benn Fleishman is executive in charge of production.

    Screen Actors Guild (SAG) is the nation’s largest labor union representing working actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution sweeping the entertainment industry in the 21st century. With 20 branches nationwide, SAG represents nearly 120,000 working actors in film, television, industrials, commercials, video games, music videos and other new media. The Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. Headquartered in Los Angeles, SAG is a proud affiliate of the AFL-CIO.  More information is available online at www.sag.org.

    Turner Network Television (TNT), television’s destination for drama and one of cable’s top-rated networks, offers original movies and series, including the blockbuster detective series The Closer, starring Emmy®. Golden Globe® and Screen Actors Guild Awards® nominee Kyra Sedgwick, and next year’s eagerly anticipated television event The Company, executive-produced by Ridley Scott and starring Chris O’Donnell, Michael Keaton and Alfred Molina.  TNT is also home to powerful one-hour dramas, such as Without a Trace, Law & Order, Las Vegas, Cold Case, ER, Charmed and Judging Amy; broadcast premiere movies; compelling prime-time specials, such as the Screen Actors Guild Awards® and championship sports coverage, including NASCAR and the NBA. TNT is also available in high-definition.

    TBS, a division of Turner Broadcasting System, Inc., is television’s “very funny” network.  It serves as home to such hot contemporary comedies as Sex and the City, Everybody Loves Raymond, Family Guy, Seinfeld and Friends; original comedy series like My Boys and 10 Items or Less; specials and special events, such as The Comedy Festival in Las Vegas; blockbuster movies; and hosted movie showcases.

    Turner Broadcasting System, Inc., a Time Warner company, is a major producer of news and entertainment product around the world and a leading provider of programming for the television industry.
     

     

    J. Michael Riva to Design the 79th
    Oscar® Telecast

    — Oscar telecast producer Laura Ziskin announced today that J. Michael Riva has been appointed production designer of the 79th Academy Awards® presentation. This will be his second time creating the Oscar set.

    Riva received an Academy Award nomination in 1985 for his work on “The Color Purple.” He began his career working with designer Toby Rafelson on “I Never Promised You a Rose Garden.” Riva has since been the production designer on numerous films, including “Brubaker,” “Ordinary People,” “Lethal Weapon,” “A Few Good Men,” “Dave,” and “Charlie’s Angels.” He recently completed work on “Spider-Man 3” and “The Pursuit of Happyness.”

    Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater in Beverly Hills.

    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour red carpet arrivals segment, “The Road to the Oscars”.

    # # #

     

    AFI AWARDS 2006 Moments of Significance Announced

    Seventh Annual AFI Almanac Names Eight Moments of Significance in Film and TV for the Year

     Dec. 27 -- The American Film Institute (AFI) today announced the second portion of the AFI AWARDS 2006 deliberation process -- the year's AFI Moments of Significance. These eight noteworthy events were determined to have had an impact on the world of the moving image during the calendar year 2006.

    Each year, AFI AWARDS adds another volume to the history of American film and television by documenting the collective opinion of the moving image communities, archiving the year's significant moments and honoring the talent and collaborative teams who have created the year's outstanding accomplishments. Ten AFI Movies of the Year and 10 AFI Television Programs of the Year were announced earlier this month. A complete list of the 2006 official selections and the 2006 juries can be found at www.AFI.com.

    AFI AWARDS 2006 selections were made through AFI's unique 13-person jury process in which scholars, film artists, critics and AFI trustees discuss, debate and determine the most outstanding achievements of the year, as well as highlight these significant events that shape our culture. Two AFI juries -- one for motion pictures and one for television -- convened in Los Angeles for two days of deliberations.

    AFI will honor the creative ensembles for each of the honorees at a luncheon sponsored by Hewlett-Packard on Friday, January 12, 2007 at the Four Seasons Hotel in Los Angeles, California.

    CRITERIA

    AFI Moments of Significance may include accomplishments of considerable merit; influences with either a positive or negative impression; trends, either new or re-emerging; anniversaries or memorials of special note; and/or movements in new technologies, education, preservation, government or other areas that impact the art film, television and digital media.

      The AFI Moments of Significance selections are listed below:    AFI MOMENTS OF SIGNIFICANCE    CLINT EASTWOOD -- A NATIONAL TREASURE 

    Clint Eastwood released two major motion pictures in 2006. This is a significant achievement alone, but that FLAGS OF OUR FATHERS and LETTERS FROM IWO JIMA tell the story of the same battle in World War II while presenting the points of view of the opposing sides marks a moment of significance for post 9/11 cinema.

    The films not only complement one another, but they resonate together to create one of the great motion picture experiences of the new century.

    Eastwood and his team of collaborators -- including producers Steven Spielberg and Robert Lorenz, writer Paul Haggis, cinematographer Tom Stern, editor Joel Cox, production designer Henry Bumstead and casting director Phyllis Huffman -- provide an epic reminder that the American viewpoint is not the only human perspective.

    THE DOCUMENTARY SPEAKS TO THE WORLD

    In 2006, it was the documentary that best illustrated the power of film and television to bring us together as a global audience -- and, with hope, to affect change.

    In theatres, AN INCONVENIENT TRUTH premiered in the United States and began a journey around the world, raising the level of debate about global warming. Directed by Davis Guggenheim and starring former Vice President Al Gore, this documentary presents the argument that we can no longer afford to look at the effects of greenhouse gasses as a political issue, but we must see it as a moral one.

    Also of note is IRAQ IN FRAGMENTS, a film by director James Longley, who documented the experience of Sunnis, Shiites and Kurds in war-torn Iraq.

    In television, WHEN THE LEVEES BROKE sets the standard for documentaries that fuse epic scope and human detail. Spike Lee's masterwork about the effects of Hurricane Katrina on New Orleans revitalized the debate about what it is to be abandoned by your government. BAGHDAD ER and COMBAT HOSPITAL also stand out among the year's best documentaries, exhibiting a texture and depth that is necessary to understand their complex issues.

    YOUTUBE REDEFINES "THE TUBE"

    Though audience participation continues to have an enormous impact on television, with cultural hits like DANCING WITH THE STARS and AMERICAN IDOL reliant on interactivity, the true cultural phenomenon for 2006 is the dawn of a new era of participatory television -- via the personal computer.

    The explosive growth and domination of YouTube as the pre-eminent site for uploading, viewing and sharing video clips on the World Wide Web signifies the awakening of an age when the audience is both producer and distributor.

    The impact of self-produced media is currently most profound as it relates to documenting events of the day that would have otherwise gone unnoticed. Cell phones and video cameras capture police brutality, racial slurs and other events that are then "broadcast" around the world. Most notably for 2006, George Allen, a front-runner in the Virginia Senate race, referred to a man of Indian descent as "macaca" and the footage was first seen around the world on YouTube. It was one of several issues that Allen's campaign struggled to control, and he lost the race.

    TV NEWS MIGRATES TO THE INTERNET ... AND FROM FACT TO FICTION

    2006 marked a year when network and cable news became far less significant in the echo chamber of the Internet, and the fusion of journalism and comedy continued to impact the political scene.

    The flashpoint for this moment took place when Stephen Colbert, star of THE COLBERT REPORT on Comedy Central, was the featured speaker at the 2006 White House Correspondents' Association Dinner. Colbert's routine, performed in character as his faux-politically conservative news anchor, roasted President George W. Bush and his administration's policies as the President sat a few feet away, and the entire room appeared uncomfortable.

    Colbert's performance aired on C-SPAN, but became an Internet sensation, providing a defining shift in the way the 2006 midterm elections were perceived and discussed by a younger generation.

    VHS IS DEAD, LONG LIVE THE DIGITAL FUTURE

    2006 marks the end of production of the VHS cassette -- and with its passing, the term "Be Kind, Rewind" is erased from the American lexicon.

    Released to the consumer market in 1976 by JVC, the VHS format transformed the way the world watched the movies and, because of its popularity, changed the way movies were made and marketed.

    2006 is also a watershed year in the way motion pictures are distributed to consumers. Theatrical experiments continue -- Steven Soderbergh's BUBBLE became the first motion picture released in theatres the same day it was available on HDTV and four days later on DVD. And Morgan Freeman's ClickStar, a joint venture between Intel and Freeman's Revelations production company, released 10 ITEMS OR LESS, the first feature film to premiere in theatres and then become available via broadband within two weeks of its national release.

    The legal market for digital downloading became a reality in 2006 as full-length feature films are now available via cellular phones, Internet sites and through special DVD agreements with retail stores. The field continues to be lead by iTunes, which offers hundreds of television episodes and select movie titles.

    Though the economic viability of these models is uncertain, their collective direction marks a moment when a global audience enjoys unprecedented access to the movies.

    HAVE YOU NO SHAME? TELEVISION SAYS YES.

    2006 marked a moment when what didn't air on television was as compelling as what did.

    When FOX announced that it was to broadcast an interview with O.J. Simpson, who would hypothetically detail how he would have killed his wife, Nicole Brown Simpson, and her friend, Ronald Goldman, the decisive outcry from the audience, affiliates and advertisers caused FOX to cancel the broadcast.

    The cancellation showed that a moral standard still exists for television, albeit a limit that had to be pushed to an extreme to be of note. That it was self-regulated, however, and not legislated by the government, is cause to celebrate.

    NETWORKS FIGHT BACK

    The pendulum of America's dialogue on free speech swung back in 2006 as ABC, CBS, NBC, FOX and several of their affiliates filed a challenge to a Federal Communications Commission ruling that cited several incidents of "indecent" language.

    This represented a rare galvanizing moment for the television community, which sees the FCC's rulings, penalties and fines as vague and inconsistent and has asked the agency to provide a clear definition of its terms of indecency.

    ROBERT ALTMAN -- 1925-2006

    Robert Altman passed away in 2006 at the age of 81. In a career that spanned over 50 years, Altman was a true maverick of American film. His body of work -- both in film and television -- reflects an exceptional diversity in genre, but always with his indelible signature. From overlapping dialogue to the epic ensemble pieces filled with actors who revered him, Altman's style continues to inspire artists and audiences alike. AFI will ensure that his films will live forever -- M*A*S*H, NASHVILLE, McCABE AND MRS. MILLER, THE PLAYER, GOSFORD PARK and many more.

    About the American Film Institute

    AFI is a national institute providing leadership in screen education and the recognition and celebration of excellence in the art of film, television and digital media. AFI trains the next generation of filmmakers at its world-renowned Conservatory, maintains America's film heritage through the AFI Catalog of Feature Films and explores new digital technologies in entertainment and education through the AFI Digital Content Lab and K-12 Screen Education Center. As the largest nonprofit exhibitor in the US, AFI ON SCREEN encompasses the annual AFI FEST presented by Audi: AFI Los Angeles International Film Festival -- as well as year-round programming at ArcLight Hollywood and the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland, including SILVERDOCS: AFI/Discovery Channel Documentary Festival. AFI AWARDS, the annual almanac for the 21st century, honors the most outstanding motion pictures and television programs of the year, while AFI's 100 Years . . . series has ignited extraordinary public interest in classic American movies. And, during the past 34 years, AFI's Life Achievement Award has become the highest honor for a career in film. Additional information about AFI is available at AFI.com.

    Source: American Film Institute

     

     

    SIRIUS Satellite Radio Will Celebrate New Year's Eve With Exclusive
    Live Concert Broadcasts
    NEW YORK, Dec 26, 2006 -- SIRIUS Satellite Radio (Nasdaq: SIRI) will broadcast exclusive live
    concerts from a wide variety of artists from locations across the US as
    part of its New Year's Eve programming. The lineup will be: 


        

        THE BEACH BOYS
        America's pre-eminent pop group will be broadcast LIVE from the
    Luxor
        Theatre, Las Vegas, NV
        ('60s Vibrations, channel 6 -- Jan. 1 @ 12:30 am ET/Dec. 31 @ 9:30
    pm PT)

        FREDDY & THE FISHSTICKS
        A rare club show from Jimmy Buffett's "other" band! Re-broadcast of
        Dec. 22, 2006 concert at the Belly Up in Aspen, CO
        (Radio Margaritaville, channel 31 -- Dec. 31 @ 11 pm ET/8 pm PT)

        THE COMMODORES
        Classic funk and R&B band broadcast LIVE from Resorts
    International,
        Atlantic City, NJ
        (Soul Town, channel 53 -- Dec. 31 @ 10:45 pm ET/7:45 pm PT)

        PATTI SMITH AND HER BAND
        Punk rock's poet laureate in her annual New Year's Eve show LIVE
    from
        Bowery Ballroom, New York, NY
        (SIRIUS Disorder, channel 24 -- Dec. 31 @ 11 pm ET/8 pm PT)

        CHRIS ISAAK
        Roots rocker and crooner Chris Isaak and his band will be LIVE from
        Belly Up, Aspen, CO
        (The Spectrum, channel 18 -- Jan. 1 @ 12:45 am ET/Dec. 31 @ 9:45 pm
    PT)

        BIG AND RICH
        The hot country duo's concert at the inaugural Rock n' The Rally
    Festival
        at Sturgis Bike Week in South Dakota
        (New Country, channel 60 -- Dec. 31 @ 11 pm ET/ 8 pm PT)

        MY MORNING JACKET
        Talked-about Kentucky alt-rock band will be LIVE from the Fillmore,
        San Francisco, CA
        (Left of Center, channel 26 -- Jan. 1 @ 1:30 am ET/Dec. 31 @ 10:30
    pm PT)

        THE WHO
        On the SIRIUS channel dedicated to the rock legends, a broadcast of
    their
        July 2002 show at the Gorge in George, WA
        (The Who Channel, channel 10 -- Dec. 31 @ 9 pm ET/6 pm PT)

        CRYSTAL METHOD
        Los Angeles' dance-based electronic duo broadcast LIVE from Ruby
    Skye,
        San Francisco, CA
        (Boombox, channel 34 -- Jan. 1 @ 2:55 am ET/Dec. 31 @ 11:55 pm PT)

        DASHBOARD CONFESSIONAL
        Emo legends Dashboard Confessional's SIRIUS performance, and
    interview
        with frontman Chris Carrabba
        (Alt Nation, channel 21 -- Dec. 31 @ 10 pm ET/7 pm PT)

        SHEMEKIA COPELAND
        The acclaimed, GRAMMY(R)-nominated blues singer LIVE from Buddy
    Guy's,
        Chicago, IL
        (SIRIUS Blues, channel 74 -- Jan. 1 @ 12 am ET/Dec. 31 @ 9 pm PT)

        STRING CHEESE INCIDENT
        Popular bluegrass-based jam band will be LIVE from Concourse
    Center,
        San Francisco, CA
        (Jam On, channel 17 -- Jan. 1 @ 2:45 am ET/Dec. 31 @ 11:45 pm PT)

        GALACTIC
        New Orleans jazz-funk ensemble will be LIVE from Tipitina's in
    their
        home town, New Orleans, LA
        (Jam On, channel 17 -- Jan. 1 @ 12:30 am ET/Dec. 31 @ 9:30 pm PT)

        HATEBREED
        The hot metal band will be LIVE from Toad's Place in their home
    town,
        New Haven, CT
        (Hard Attack, channel 27 -- Dec. 31 @ 11 pm ET/8 pm PT)

        LUCAS PRATA
        The dance music singer-songwriter from Queens, NY will be LIVE from
        Mirage, Westbury, NY
        (The Beat, channel 36 -- Dec. 31 @ 11:30 pm ET/8:30 pm PT)



    In addition, on many of SIRIUS' music channels, year-end countdowns of
    the top songs/albums will be featured. Visit www.sirius.com for more
    details.

    About SIRIUS

    SIRIUS, "The Best Radio on Radio," delivers more than 130 channels of
    the best programming in all of radio. SIRIUS is the original and only
    home of 100% commercial free music channels in satellite radio, offering
    69 music channels. SIRIUS also delivers 65 channels of sports, news,
    talk, entertainment, traffic, weather and data. SIRIUS is the Official
    Satellite Radio Partner of the NFL, NBA and NHL and broadcasts live
    play-by-play games of the NFL, NBA and NHL. All SIRIUS programming is
    available for a monthly subscription fee of only $12.95.

    SIRIUS Internet Radio (SIR) is a CD-quality, Internet-only version of
    the SIRIUS radio service, without the use of a radio, for the monthly
    subscription fee of $12.95. SIR delivers more than 75 channels of talk,
    entertainment, sports, and 100% commercial free music.

    SIRIUS products for the car, truck, home, RV and boat are available in
    more than 25,000 retail locations, including Best Buy, Circuit City,
    Crutchfield, Costco, Target, Wal-Mart, Sam's Club, RadioShack and at
    shop.sirius.com.

    SIRIUS radios are offered in vehicles from Audi, Bentley, BMW,
    Chrysler, Dodge, Ford, Infiniti, Jaguar, Jeep(R), Land Rover, Lexus,
    Lincoln-Mercury, Mazda, Mercedes-Benz, MINI, Nissan, Rolls Royce, Scion, Toyota,
    Porsche, Volkswagen, and Volvo. Hertz also offers SIRIUS in its rental
    cars at major locations around the country.

    Click on www.sirius.com to listen to SIRIUS live, or to purchase a
    SIRIUS radio and subscription.

    Any statements that express, or involve discussions as to,
    expectations, beliefs, plans, objectives, assumptions, future events or performance
    with respect to SIRIUS Satellite Radio Inc. are not historical facts
    and may be forward-looking and, accordingly, such statements involve
    estimates, assumptions and uncertainties which could cause actual results
    to differ materially from those expressed in any forward-looking
    statements. Accordingly, any such statements are qualified in their entirety
    by reference to the factors discussed in our Annual Report on Form 10-K
    for the year ended December 31, 2005 and Quarterly Reports on Form 10-Q
    for the quarters ended

    June 30, 2006 and September 30, 2006 filed with the Securities and
    Exchange Commission. Among the key factors that have a direct bearing on
    our operational results are: our dependence upon third parties, including
    manufacturers of SIRIUS radios, retailers, automakers and programming
    partners, our competitive position and any events which affect the
    useful life of our satellites.


        P-SIRI
     

     

    Cosmopolitan's 'Bedside Astrologer' Comes to Radio With Exclusive
    Predictions for 2007 on Sirius Satellite Radio
    NEW YORK, Dec 27, 2006
    -- SIRIUS Satellite Radio (Nasdaq: SIRI) and Cosmopolitan magazine today
    announced that Cosmo Radio will kick off 2007 with a special New Year's
    Day marathon broadcast hosted by Cosmopolitan's very own bedside
    astrologer, Hazel Dixon Cooper, who will offer predictions for love, life and
    more in the year ahead.

    The all-day "star-studded" special will air Monday, January 1, 2007,
    from noon to midnight (12:00 pm ET - 12:00 am ET) exclusively on Cosmo
    Radio, SIRIUS channel 111.

    In the magazine's trademark sexy, savvy style, Cooper will discuss a
    wide-range of astro predictions, including:


         -- Personal horoscopes for listeners calling into the show,
    clueing them
            in on all aspects of their lives, from love to work to
    friendships ...
         -- A complete personality profile highlighting the characteristics
    of
            each zodiac sign ...
         -- The year ahead for celebrity couples - whose relationship will
    sizzle
            and whose will fizzle ...
         -- Bedside Matchmaker: a segment for chicks on the prowl, with
    insights
            on which signs to seek out and which ones to avoid ...
         -- Astro-relationships: a segment for couples that will answer the
            question: Is this a match made in heaven or hell?
         -- Guy Signs: forecasts telling women exactly what the stars have
    in
            store for the men in their lives ...
         -- New Year's Resolutions: Surprising but do-able goals for each
    sign in
            2007 ...

        ... and much, much more!




    The go-to spot for fun, fearless females, Cosmo Radio features the same
    smart relationship advice, beauty and fitness tips, health news and
    entertainment that has earned the magazine its iconic brand status.

    About SIRIUS

    SIRIUS, "The Best Radio on Radio," delivers more than 130 channels of
    the best programming in all of radio. SIRIUS is the original and only
    home of 100% commercial free music channels in satellite radio, offering
    69 music channels. SIRIUS also delivers 65 channels of sports, news,
    talk, entertainment, traffic, weather and data. SIRIUS is the Official
    Satellite Radio Partner of the NFL, NBA and NHL and broadcasts live
    play-by-play games of the NFL, NBA and NHL. All SIRIUS programming is
    available for a monthly subscription fee of only $12.95.

    SIRIUS Internet Radio (SIR) is a CD-quality, Internet-only version of
    the SIRIUS radio service, without the use of a radio, for the monthly
    subscription fee of $12.95. SIR delivers more than 75 channels of talk,
    entertainment, sports, and 100% commercial free music.

    SIRIUS products for the car, truck, home, RV and boat are available in
    more than 25,000 retail locations, including Best Buy, Circuit City,
    Crutchfield, Costco, Target, Wal-Mart, Sam's Club, RadioShack and at
    shop.sirius.com.

    SIRIUS radios are offered in vehicles from Audi, Bentley, BMW,
    Chrysler, Dodge, Ford, Infiniti, Jaguar, Jeep(R), Land Rover, Lexus,
    Lincoln-Mercury, Mazda, Mercedes-Benz, MINI, Nissan, Rolls Royce, Scion, Toyota,
    Porsche, Volkswagen, and Volvo. Hertz also offers SIRIUS in its rental
    cars at major locations around the country.

    Click on www.sirius.com to listen to SIRIUS live, or to purchase a
    SIRIUS radio and subscription.

    Any statements that express, or involve discussions as to,
    expectations, beliefs, plans, objectives, assumptions, future events or performance
    with respect to SIRIUS Satellite Radio Inc. are not historical facts
    and may be forward-looking and, accordingly, such statements involve
    estimates, assumptions and uncertainties which could cause actual results
    to differ materially from those expressed in any forward-looking
    statements. Accordingly, any such statements are qualified in their entirety
    by reference to the factors discussed in our Annual Report on Form 10-K
    for the year ended December 31, 2005 and Quarterly Reports on Form 10-Q
    for the quarters ended

    June 30, 2006 and September 30, 2006 filed with the Securities and
    Exchange Commission. Among the key factors that have a direct bearing on
    our operational results are: our dependence upon third parties, including
    manufacturers of SIRIUS radios, retailers, automakers and programming
    partners, our competitive position and any events which affect the
    useful life of our satellites.

    About Cosmopolitan

    Cosmopolitan is the best-selling young women's monthly magazine
    worldwide, reaching nearly 18 million readers a month. With more than 50
    international editions that are published in 32 languages and sold in more
    than 100 countries, Cosmopolitan is published by Hearst Magazines, a
    unit of Hearst Corporation (www.hearst.com) and one of the world's largest
    publishers of monthly magazines, with a total of 19 U.S. titles and
    nearly 200 international editions. Hearst reaches more adults than any
    other publisher of monthly magazines (76.3 million according to MRI,
    spring 2005). The company also publishes 19 magazines in the United Kingdom
    through its wholly owned subsidiary, The National Magazine Company
    Limited.


        P-SIRI

     

     

    DEC 26

    POW! Entertainment Gains Foothold in Sixty Billion Dollar Wireless Market

    Dec. 26 POW! Entertainment had the foresight early on to form strategic alliances and develop mobile content to lock in a firm position in the burgeoning wireless marketplace, as reported by Inside Wallstreet Report. After nearly two years in development, POW!'s efforts have paid off in a very big way: Sprint, the nation's most powerful wireless network, in their press release issued Friday, has officially listed Stan Lee's POW! Mobile Channel as Sprint's Channel 70.

    On Friday's news, Sprint stock gained 1.56%, while POW! Entertainment was up 12.24%.

    Stan Lee's POW! Mobile Channel can now be accessed by Sprint's Power Vision subscribers, right along with The Cartoon Network, The Weather Channel, ESPN, Fox Sports, Comedy Central, Hollywood Insider, Universal Pictures, Nickelodeon, MTV, ABC News Now, Hanna-Barbera, NFL Network, Saturday Morning TV, Looney Tunes, Warner Brothers Trailers, Sirius Music, Primetime TV, Sony Pictures Trailers, VH1, CNN toGo, and other Sprint channels. This makes POW! ENTERTAINMENT part of one of the world's largest mobile broadband networks.

    The Sprint Power Vision platform is a great fit for POW!'s founder Stan Lee, the creative genius behind Spiderman*, X-Men*, Fantastic Four*, Daredevil* and now Stan Lee's POW! Mobile Channel, which comes just in time for the holidays.

    "Holiday travelers will see that it doesn't matter whether grandma has cable, or if you get stuck in the airport for hours. You'll always have access to hours of entertaining live and on-demand programming with Sprint TV on a Sprint Power Vision phone," said Alana Muller, director of product marketing for Sprint. The company also announced wireless partnership with "The Ellen DeGeneres Show," which is now available as Sprint's Channel 76.

    Stan Lee's POW! Entertainment, Inc. announced in early 2005 that they formed a strategic partnership to develop a new mobile channel with mobile- streaming pioneer Vidiator(TM). Vidiator is a world leader in downloadable content delivery technologies for mobile streaming and has patents allowing mobile operators to offer premium multimedia applications. Through Vidiator's state-of-the-art mobile streaming technology, POW! gained the capability to seamlessly deliver its original "Stan Lee Presents" releases to major wireless carriers throughout the world.

    "The streaming and 3-D technology, developed by Vidiator since 1998, has matured to the point that video and 3-D can be combined into innovative mobile multimedia content," said Connie Wong, Vidiator's CEO. "The 'Mobisodes' we have created with Stan Lee are the first of their kind in the mobile multimedia market. I am pleased beyond words to bring POW! Mobile content to the wireless world and to catapult mobile entertainment into a new era."

    The US wireless market, according to reports from CITA-the Wireless Association(TM), has an estimated 224,347,047 wireless subscribers, and, in the first six months of 2006, revenues of $60.5 billion, up 8.6% over the first half of 2005. Additional data from the Wireless World Forum's "USA Mobile Market 2006" Statistical Handbook reveals that revenues from US Operators alone will grow by another $20 billion dollars in 2007.

    Mobile Phones and PDAs are rapidly transforming into "pay-for-play" video streaming entertainment devices. There are now over two billion wireless subscribers worldwide experiencing this exciting transformation of their cell phones. The large entertainment conglomerates, including many of the major motion picture studios-deeply entrenched in traditional income streams- are just now waking up to the future and aggressively trying to position themselves for a portion of the wireless market share, as major wireless service providers armed with new video streaming technologies are now vying for entertainment content to deliver to their enormous subscriber base.

    As a team, POW! and Vidiator have significant market share in this new niche, introducing projects that combine Vidiator's patented video streaming technologies and contemporary Stan Lee Original content, adapted for mobile applications. This type of content is exactly what companies like Sprint need to fill the huge demand for compelling mobile entertainment, giving them a substantial advantage over competitive carriers. The partnership creates a perfect and timely marriage at a time when mobile entertainment revenues begin to grow exponentially and demand for content accelerates to new levels.

    "In Asia, most people walking down the street are now holding cell phones in front of them, looking at streaming videos," Stan Lee jokes. "They're bumping into things, which is great for the Band-Aid business!"

    What the jovial and innovative Lee didn't mention is just how great this is for POW!'s business, as well. Based on the company's revenue-sharing distribution and licensing agreement, POW! will earn a percentage of sales from downloads of its programs. As a result, the company believes it will add significant revenues in 2007.

    For a "must-see" glimpse of the entertaining preview of Stan Lee's POW! Mobile Channel, visit http://stanleeweb.com/vidiator.htm

    About Vidiator

    Vidiator is a leading provider of mobile TV, video, audio and 3D messaging technology for the delivery of live and on-demand TV, radio and 3G multimedia content to mobile devices. Since 2002, Vidiator has pioneered mobile multimedia technology research and development, specializing in streaming, encoding, transcoding, 3D messaging and mobile TV solutions. Operating with a multi-national team of industry leaders in all forms of global media, Vidiator develops applications that leverage the company's patented streaming, transcoding and 3D technologies. The company's end-to-end content management, subscription and hosting services allow for the global publishing and distribution of mobile content. Vidiator's multimedia content delivery platforms are deployed throughout the mobile marketplace in 20 countries and on four continents. Vidiator has offices in Bellevue, Wash. (headquarters), London, Hong Kong and Seoul, Korea. For more information, see www.vidiator.com.

    About POW! Entertainment Inc.

    POW! (Purveyors of Wonder) Entertainment, Inc. was founded by world famous comic book and motion picture icon Stan Lee, co-creator of Spider-Man*, X- Men*, The Hulk*, and Fantastic Four*, together with award winning producer Gill Champion and acclaimed expert in intellectual properties Arthur Lieberman esq., POW's principals have created, produced and licensed some of the most successful global character franchises of all time and generated billions of dollars in revenues. POW! has partnered with major studios, networks and industry leaders to perpetuate a whole new cast of contemporary Stan Lee Originals. POW! Entertainment is now publicly traded under the symbol (POWN). www.powentertainment.com

      *These are characters and trademarks of Marvel Characters Inc. (MVL)    Safe Harbor 

    Forward-looking statements made in this release are made pursuant to the "safe harbor" provision of the Private Securities Litigation Reform Act of 1995. Forward-looking statements made by POW! Entertainment Inc. are not a guarantee of future performance. This news release includes forward-looking statements, including with respect to the future level of business for the parties. These statements are necessarily subject to risk and uncertainty. Actual results could differ materially from those projected in these forward- looking statements as a result of certain risk factors that could cause results to differ materially from estimated results. Management cautions that all statements as to future results of operations are necessarily subject to risks, uncertainties and events that may be beyond the control of POW! Entertainment Inc. and no assurance can be given that such results will be achieved. Potential risks and uncertainties include, but are not limited to, the ability to procure, properly price, retain and successfully complete projects, and changes in products and competition.

    Source: Inside Wallstreet Report

     

     

    Blockbuster Announces Top Movie Picks of the Year

    "Wedding Crashers" is Movie Renters' Top Choice for 2006

    Dec. 26 Vince Vaughn and Owen Wilson have crashed another party, coming first in the hearts of American movie lovers with their bad boy antics in "Wedding Crashers." The comedy tops the list of most rented movies at BLOCKBUSTER in 2006, both in-store and online.

    "Half of this year's top movie rentals are comedies, showing America loves to laugh in its downtime," said Joyce Woodward, senior vice president and general merchandising manager for Blockbuster Inc. "The holidays are always one of the peak times for movie watching. Blockbuster recommends any of the top picks of 2006 as entertainment for friends and families getting together this season."

    To take in one of the top movies before the end of the year, movie lovers can rent them online at www.blockbuster.com or at more than 5,000 BLOCKBUSTER stores in the U.S., which will be open throughout the holidays, even on Christmas and New Year's. (Store hours vary by location.)

      TOP MOVIE RENTALS OF 2006   (Includes rentals from BLOCKBUSTER stores and Blockbuster.com)   1.  "Wedding Crashers"   2.  "Flightplan"   3.  "Click"   4.  "Walk The Line"   5.  "Inside Man"   6.  "Failure to Launch"   7.  "Lord of War"   8.  "The Break-Up"   9.  "Fun With Dick and Jane"   10. "Mission Impossible III"    About Blockbuster 

    Blockbuster Inc. (NYSE:BBI) (NYSE:BBI.B) is a leading global provider of in-home movie and game entertainment, with approximately 8,500 stores throughout the Americas, Europe, Asia and Australia. The company may be accessed worldwide at www.blockbuster.com.

     

    Elvis Still Reigns as King in Most Popular Stamp Ranking

     Dec. 26 While the 1993 Elvis stamp continues to hold court as the most popular stamp of all time with more than 124 million collected, three sets of stamps issued during 2006 rank among the top 10, Postmaster General John E. Potter announced today.

    "Stamp collecting continues as one of the world's most popular educational hobbies that the entire family can enjoy," Potter said in announcing the 25 most popular stamps of all time. "Three stamp subjects issued this year were extremely popular: Wonders of America, Land of Superlatives, came in at number two for all time with more than 87 million collected; DC Comics Super Heroes hit number five with 73 million; and, Art of Disney: Romance was number eight with more than 57 million."

    Since 1988, the Postal Service has annually surveyed more than 10,000 households to determine the number and types of stamps purchased versus stamps saved.

    The Postal Service receives stamp ideas from about 50,000 people every year, yet only 20 to 25 subjects make the cut. To narrow down the selection, the Postmaster General's Citizens' Stamp Advisory Committee -- a cross section of designers, historians and academics -- reviews the suggestions and make recommendations to the Postmaster General for final approval.

    "The fact that 10 of the top 25 were issued in the last three years serves as a testament to the Committee's expertise in selecting dynamic subjects and America's continued interest in the hobby," he added.

    This year proved to be the best ever for stamp shows. The Washington 2006 World Philatelic Exhibition -- as the world's largest stamp show and held only once every decade in the U.S. -- attracted nearly 140 postal administrations and more than 200 stamp dealers to showcase the world's rarest stamp collections worth hundreds of millions of dollars to nearly a quarter of a million visitors.

    The Postal Service encourages individuals with stamp ideas to submit their suggestions in writing to:

      Citizens' Stamp Advisory Committee   Stamp Development   U.S. Postal Service   1735 North Lynn St Rm 5013   Arlington VA 22209-6432  

    To see the top 25 most popular stamp subject images, visit: http://www.usps.com/communications/news/stamps/2006/sr06_055.htm

    To see the 2007 Commemorative stamp program and learn more about the stamp selection process, visit this link: http://www.usps.com/communications/newsroom/2007stamps/.

                     Top 25 Most Popular Commemorative Stamps   Stamp Subject                    Year           Stamps Saved   1)  Elvis                        1993           124.1 million   2)  Wonders of America           2006           87.5 million   3)  Wildflowers                  1992           76.1 million   4)  Rock & Roll/Rhythm & Blues   1993           75.9 million   5)  DC Comics Super Heroes       2006           73.0 million   6)  Greetings From America       2002           71.4 million   7)  Insects and Spiders          1999           61.0 million   8)  Art of Disney: Romance       2006           57.2 million   9)  Legends of Baseball          2000           53.9 million   10) Art of Disney: Celebration   2005           52.8 million   11) Baseball Playing Fields      2001           49.0 million   12) Art of Disney: Friendship    2004           47.7 million   13) Civil War                    1995           46.6 million   14) Legends of the West          1994           46.4 million   15) Marilyn Monroe               1995           46.4 million   16) Advances in Aviation         2005           45.8 million   17) Bugs Bunny                   1997           44.1 million   18) Lunar New Year SS            2005           42.7 million   19) Comic Strip Classics         1995           40.8 million   20) Jim Henson: Muppets          2005           40.6 million   21) Cloudscapes                  2004           40.1 million   22) Stars and Stripes            2000           40.0 million   23) Baseball Sluggers            2006           39.5 million   24) Summer Olympics              1992           39.5 million   25) Lucille Ball                 2001           38.7 million  

    Since 1775, the United States Postal Service and its predecessor, the Post Office Department, have connected friends, families, neighbors and businesses by mail. An independent federal agency that visits more than 146 million homes and businesses every day, the Postal Service is the only service provider delivering to every address in the nation. It receives no taxpayer dollars for routine operations, but derives its operating revenues solely from the sale of postage, products and services. With annual revenues of $72 billion, it is the world's leading provider of mailing and delivery services, offering some of the most affordable postage rates in the world. The U.S. Postal Service delivers more than 46 percent of the world's mail volume -- some 213 billion letters, advertisements, periodicals and packages a year -- and serves ten million customers each day at its 37,000 retail locations nationwide.

    Source: U.S. Postal Service

     

     

     Dec 25

     JAMES BROWN

    James Brown has had more honorifics attached to his name than any other performer in music history. He has variously been tagged "Soul Brother Number One," "the Godfather of Soul," "the Hardest Working Man in Show Business," "Mr. Dynamite" and even "the Original Disco Man." This much is certain: what became known as soul music in the Sixties, funk music in the Seventies and rap music in the Eighties is directly attributable to James Brown. His transformation of gospel fervor into the taut, explosive intensity of rhythm & blues, combined with precision choreography and dynamic showmanship, served to define the directions black music would take from the release of his first R&B hit ("Please Please Please") in 1956 to the present day.

    Brown's life history documents one triumph over adversity after another. He was born into poverty in Barnwell, South Carolina, during the Great Depression. As a child, he picked cotton, danced for spare change and shined shoes. At 16, he was caught and convicted of stealing, and he landed in reform school for three years. While incarcerated, he met Bobby Byrd, leader of a gospel group that performed at the prison. After his release, Brown tried his hand at semipro boxing and baseball. A career-ending leg injury inspired him to pursue music fulltime. He joined Byrd in a group that sang gospel in and around Toccoa, Georgia. But then Byrd and Brown attended a rhythm & blues revue that included Hank Ballard and Fats Domino, whose performances lured them into the realm of secular music. Renaming themselves the Flames (later, the Famous Flames), they became a tightly knit ensemble that showcased their abundant talents as singers, dancers and multi-instrumentalists.

    Brown rose to the fore as leader of the James Brown Revue - an entourage complete with emcee, dancers and an untouchable stage band (the J.B.'s). Reportedly sweating off up to seven pounds a night, Brown was a captivating performer who'd incorporate a furious regimen of spins, drops and shtick (such as feigning a heart attack, complete with the ritual donning and doffing of capes and a fevered return to the stage) into his skintight rhythm & blues. What Elvis Presley was to rock and roll, James Brown became to R&B: a prolific and dominant phenom. Like Presley, he is a three-figure hitmaker, with 114 total entries on Billboard's R&B singles charts and 94 that made the Hot 100 singles chart. Over the years, he amassed 800 songs in his repertoire while maintaining a grueling touring schedule. Recording for the King and Federal labels throughout the Fifties and Sixties, Brown distilled R&B to its essence on such classic albums as Live at the Apollo (patterned after Ray Charles' In Person) and singles like "Cold Sweat," "Papa's Got a Brand New Bag" and "I Got You (I Feel Good)." His group, the J.B.'s, was anchored by horn players and musical mainstays Fred Wesley and Maceo Parker. Brown also recorded a series of instrumental albums, taking a break from soul shouting to pursue his prowess as an organist.

    By the late Sixties, Brown had attained the status of a musical and cultural revolutionary, owing to his message of black pride and self-sufficiency. In the late Sixties and early Seventies, such message songs as "Say It Loud - I'm Black and I'm Proud" reverberated throughout the black community, within which he was regarded as a leader and role model. During this time, he began developing a hot funk sound with young musicians, such as bassist William "Bootsy" Collins, who passed through his ever-evolving band. Though his influence waned in the latter half of the Seventies, a cameo role in The Blues Brothers film in 1980 and his recognition as a forefather of rap helped trigger a resurgence. His records were more heavily sampled by rap and hip-hop acts than those of any other artist, and he achieved renewed street credibility by recording a single ("Unity") with rapper Afrika Bambaataa in 1984. Brown was among the first group of performers inducted into the Rock and Roll Hall of Fame in 1986. Unfortunately, his personal life took a nose-dive in 1988, as he was investigated on a series of charges that ranged from spousal abuse and drug possession to problems with the IRS. Paroled after serving two years in prison, a chastened but resolute Brown picked up the pieces in the Nineties and carried on. If nothing else, his status as the Godfather of Soul has remained unassailable. In December 2003, only months after his 70th birthday, James Brown was the recipient of the prestigious Kennedy Center Honors.






    May 3, 1933
    James Brown is born in Barnwell, South Carolina. He is raised in poverty in Augusta, Georgia, 40 miles away.

    1953
    James Brown joins the Gospel Starlighters, a vocal quartet led by Bobby Byrd, after completing a four-year stint in prison for robbery. The group will change its focus from gospel to R&B and its name to the Famous Flames, as Brown becomes the focal point of the act.

    November 1, 1955
    The Famous Flames record "Please Please Please" at the studio of WIBB in Macon, Georgia.

    January 23, 1956
    Producer and talent scout Ralph Bass travels to Macon to sign James Brown to the King/Federal label, beating Leonard Chess (of Chess Records) to the punch.

    February 4, 1956
    James Brown and the Famous Flames cut "Please Please Please" at King/Federal studios in Cincinnati, backed by the label's crack house band. James Brown's recording debut rises to #5 on the R&B chart.

    March 3, 1956
    "Please, Please, Please," James Brown's first single for Syd Nathan's Federal label (a King subsidiary), is released, thereby launching the career of this legendary soul singer.

    April 11, 1956
    "Please Please Please" by James Brown and the Famous Flames reaches #6 on the R&B charts.

    October 1, 1957
    After Little Richard abruptly quits rock and roll for religion, James Brown honors pending tour dates in the South in his place. Several members of Little Richard's backup band, the Upsetters, become Famous Flames.

    October 1, 1958
    James Brown's first #1 hit, "Try Me," is released. It is the best-selling R&B single of 1958—and the first of 17 chart-topping R&B singles by Brown over the next two decades.

    May 26, 1962
    James Brown hits #35 with "Night Train".

    October 24, 1962
    Against the objections of Syd Nathan, who felt that no one would be interested in a live album of previously released material, James Brown records his performance at New York's Apollo Theater.

    June 15, 1963
    James Brown hits #18 with "Prisoner of Love".

    June 30, 1963
    James Brown's 'Live at the Apollo, Vol. 1,' is released. Reaching #2 on the album charts, it the most successful album issued by Syd Nathan's King Records. This same year, King/Federal releases albums by Hank Ballard and the Midnighters, Freddy King, Earl Bostic and the Stanley Brothers.

    OCTOBER 28-29, 1964
    The concert film 'The TAMI Show' is recorded in Santa Monica, CA, featuring James Brown, the Beach BoysChuck Berrythe Rolling Stones and the Supremes.

    February 1, 1965
    James Brown records "Papa's Got a Brand New Bag," a revolutionary single that ushers in a whole new era of soul music. Released that summer, it tops the R&B chart for eight weeks and even cracks the pop Top Ten.

    1965
    James Brown reaches #3 with "I Got You (I Feel Good)".

    June 4, 1966
    James Brown hits #8 with "It's A Man's Man's Man's World".

    1967
    James Brown hit #7 with "Cold Sweat".

    1968
    Archie Bell & the Drells hit #1 with "Tighten Up"; Johnnie Taylor hits # 5 with "Who's Makin Love"; James Brown hits # 6 with "I Got The Feelin'" and #10 with "Say It Loud - I'm Black and I'm Proud"; Sly & the Family Stone hit #8 with "Dance to the Music"

    December 19, 1968
    James Brown releases an album entitle 'Thinking About Little Willie John and a Few Nice Things,' a tribute to his recently deceased friend and King Records labelmate.

    March 8, 1969
    James Brown hits #15 with "Give It Up or Turn it Loose".

    July 19, 1969
    James Brown hits #30 with "The Popcorn".

    1969
    James Brown hit #11 with "Mother Popcorn".

    January 24, 1970
    James Brown hits #24 with "Ain't It Funky Now (Part 1)".

    1970
    "Get Up I Feel Like Being Like a Sex..." by James Brown hit #15.

    1971
    James Brown hits #15 with "Hot Pants".

    July 1, 1971
    James Brown signs with Polydor Records, for which he'll record extensively throughout the decade.

    September 1, 1972
    "Get On the Good Foot" tops the R&B chart for a month and peaks at #18 in the pop Top Forty. A gold-certified million seller, it establishes James Brown as a potent influence on black music in the Seventies—or, as he takes to calling himself, "the Godfather of Soul."

    January 5, 1974
    'The Payback', the most successful of James Brown's Seventies albums—many of which were double-LPs with lengthy, extended tracks—makes its debut on Billboard's album chart. It is the only gold-certified (500,000 copies sold) album of his career.

    September 1, 1974
    Lloyd Price stages a music festival in Zaire, Africa, with boxing promoter Don King. The event attracts 120,000 people and offers James Brown, B.B. King, Etta James, Bill Withers, the Spinners and others.

    September 1, 1979
    James Brown, who has watched his sales figures slip in the disco era, attempts to move in on that market with The Original Disco Man, which only reaches #152 in the album chart.

    June 1, 1980
    James Brown contributes an unforgettable cameo as a manic preacher in the John Belushi/Dan Aykroyd film The Blues Brothers.

    September 1, 1984
    Bronx rapper Afrika Bambaataa teams up with James Brown to record the anthemic single "Unity."

    January 11, 1986
    "Living in America," the theme song from Rocky IV, reaches #4 on Billboard's Hot 100 chart, becoming James Brown's biggest pop hit since "I Got You (I Feel Good)" went to #3 in 1965.

    January 23, 1986
    James Brown is inducted into the Rock and Roll Hall of Fame at the first induction dinner, held in New York City.

    1986
    James Brown hits #4 with "Living in America".

    December 15, 1988
    James Brown is sentenced to a six-year prison term after a year's worth of arrests on various assault, drug possession and vehicular charges. He leaves prison on parole on February 27, 1991.

    February 25, 1992
    James Brown receives a Lifetime Achievement Award at the 34th annual Grammy Awards.

    February 25, 1993
    James Brown receives a Lifetime Achievement Award at the fourth annual Rhythm & Blues Foundation Pioneer Awards. MC Hammer is his presenter.

    May 3, 2003
    James Brown turns 70 years old.

    December 1, 2003
    James Brown receives Kennedy Center Honors.

     

    Soundtrack - filmography
    (2000s) (1990s) (1980s) (1960s)

    1. In the Mix (2005) (writer: "It's a Man's Man's Man's World") (performer: "It's a Man's Man's Man's World")
    2. "Everybody Hates Chris" (1 episode, 2005)
          - Everybody Hates Food Stamps (2005) TV Episode (writer: "Super Bad") (performer: "Super Bad")
    3. Kinky Boots (2005) (performer: "It's a Man's Man's World")
    4. Romance & Cigarettes (2005) (writer: "Hot Pants", "It's a Man's Man's Man's World") (performer: "It's a Man's Man's Man's World")
    5. Elizabethtown (2005) (performer: "That's Life")
    6. The 40 Year Old Virgin (2005) (writer: "I Got Ants in My Pants") (performer: "I Got Ants in My Pants")
      ... aka The 40 Year-Old Virgin (USA: poster title)
      ... aka The 40-Year-Old Virgin (USA: DVD box title)
    7. Guess Who (2005) (writer: "Papa Don't Take No Mess") (performer: "Papa Don't Take No Mess")
    8. Robots (2005) (writer: "SUPER BAD (DANCE REMIX)") (performer: "SUPER BAD (DANCE REMIX)", "GET UP OFFA THAT THING")
      ... aka Robots: The IMAX Experience (USA: IMAX version)
    9. Be Cool (2005) (performer: "The Boss") ("The Boss")
    10. The 47th Annual Grammy Awards (2005) (TV) (performer: "Sex Machine")
    11. The Wedding Date (2005) (writer: "I Got the Feeling") (performer: "I Got the Feeling")
    12. Gran Turismo 4 (2004) (VG) (writer: "(Call Me) Super Bad Parts 1, 2 & 3"(Gran Turismo 4 Pop Rox)) (performer: "(Call Me) Super Bad Parts 1, 2 & 3"(Gran Turismo 4 Pop Rox))
    13. Flight of the Phoenix (2004) (performer: "Night Train")
    14. Blade: Trinity (2004) (performer: "Hard Wax")
    15. Mr. 3000 (2004) (writer: "Call Me Super Bad", "It Takes Two", "I Got You (I Feel Good)") (performer: "Call Me Super Bad", "I Got You (I Feel Good)")
    16. Dodgeball: A True Underdog Story (2004) (writer: "Dunkie Butt") (performer: "Dunkie Butt")
      ... aka Dodgeball (USA: short title)
      ... aka Voll auf die Nüsse (Germany)
    17. Garfield (2004) (writer: "I Got You (I Feel Good)", "Call Me Super Bad") (performer: "I Got You (I Feel Good)")
      ... aka Garfield: The Movie (USA: promotional title)
    18. Twisted (2004/I) (performer: "Get Up (I Feel Like Being Like a) Sex Machine", "Papa Don't Take No Mess") ("Get Up (I Feel Like Being Like a) Sex Machine", "Papa Don't Take No Mess")
    19. The Woodsman (2004) (writer: "Papa Don't Take No Mess Pt. 1" (1991)) (performer: "Papa Don't Take No Mess Pt. 1" (1991))
    20. "South Park" (1 episode, 2003)
          - Raisins (2003) TV Episode (performer: "Living in America")
    21. The Real Cancun (2003) (writer: "Take It To Da House", "Get Up (I Feel Like Being Like a Sex Machine)", "It Takes Two") (performer: "Take It To Da House", "Get Up (I Feel Like Being Like a Sex Machine)")
    22. "Scrubs" (2 episodes, 2003)
          - My Drama Queen (2003) TV Episode (writer: "Sex Machine") (performer: "Sex Machine")
          - My Kingdom (2003) TV Episode (writer: "The Payback") (performer: "The Payback")
    23. Biker Boyz (2003) (writer: "Call Me Super Bad (Parts 1, 2, 3)") (performer: "Call Me Super Bad (Parts 1, 2, 3)")
    24. Kangaroo Jack (2003) (writer: "2 Way")
    25. DysFunktional Family (2003) (performer: "Get Up offa That Thing", "Kansas City")
    26. Two Weeks Notice (2002) (writer: "Papa's Got A Brand New Bag") (performer: "Papa's Got A Brand New Bag")
    27. Beat the Devil (2002) (writer: "Funky Drummer, Pts. 1 & 2", "I Got the Feelin", "Get It Together, Pts. 1 & 2", "Please Please Please", "Super Bad Super Slick", "Get Up (I Feel Like Being a Sex Machine)", "The Payback", "Papa's Got a Brand New Bag, Pts. 1 & 2", "Introduction/Out of Sight/Bring It Up (Live)", "I Got You I Feel Good", "Cold Sweat, Pts. 1 & 2") (performer: "Funky Drummer, Pts. 1 & 2", "I Got the Feelin", "Get It Together, Pts. 1 & 2", "Please Please Please", "Super Bad Super Slick", "Give It Up or Turnit Loose", "Get Up (I Feel Like Being a Sex Machine)", "The Payback", "Papa's Got a Brand New Bag, Pts. 1 & 2", "Introduction/Out of Sight/Bring It Up (Live)", "I Got You I Feel Good", "Cold Sweat, Pts. 1 & 2")
      ... aka The Hire: Beat the Devil (USA: series title)
    28. Boat Trip (2002) (writer: "I Got You (I Feel Good)") (performer: "I Got You (I Feel Good)")
    29. The Tuxedo (2002) (writer: "Get Up (I Feel Like Being a Sex Machine)") (performer: "Get Up (I Feel Like Being a Sex Machine)")
    30. Love and a Bullet (2002) (performer: "Night Train")
    31. Drumline (2002) (writer: "It's a Man's Man's Man's World") (performer: "It's a Man's Man's Man's World")
    32. Barbershop (2002) (performer: "Blind Man Can See It")
    33. Juwanna Mann (2002) (writer: "I Got You (I Feel Good)") (performer: "I Got You (I Feel Good)")
    34. Hey Arnold! The Movie (2002) (writer: "2 Way")
    35. Undercover Brother (2002) (writer: "Say It Loud, I'm Black And I'm Proud", "I Got The Feelin'", "I Got You (I Feel Good)", "Rapp Payback (Where iz Moses)") (performer: "Say It Loud, I'm Black And I'm Proud", "I Got The Feelin'", "I Got You (I Feel Good)", "Rapp Payback (Where iz Moses)")
    36. Cidade de Deus (2002) (writer: "Get Up I Feel Like Being Like (Sex Machine)", "Hot Pants Road") (performer: "Get Up I Feel Like Being Like (Sex Machine)")
      ... aka City of God (International: English title) (UK)
      ... aka Cité de Dieu, La (France)
      ... aka God's Town (International: English title)
    37. The New Guy (2002) (writer: "Call Me Super Bad", "The New Guy") (performer: "Call Me Super Bad", "The New Guy")
    38. Showtime (2002) (writer: "I Got You (I Feel Good)" (1964)) (performer: "I Got You (I Feel Good)" (1964))
    39. Astérix & Obélix: Mission Cléopâtre (2002) (performer: "I Feel Good")
      ... aka Asterix & Obelix: Mission Cleopatra (UK) (USA)
      ... aka Asterix & Obelix: Mission Kleopatra (Germany)
      ... aka Asterix and Obelix Meet Cleopatra (USA: new title)
    40. How High (2001) (writer: "The Payback") (performer: "The Payback")
    41. Black Knight (2001) (performer: "GET US OFFA THAT THING")
    42. Life as a House (2001) (writer: "Rearranged")
    43. Osmosis Jones (2001) ("Take it to Da House")
    44. Rush Hour 2 (2001) (writer: "Pass the Peas")
    45. Legally Blonde (2001) (writer: "Sex Machine") (performer: "Sex Machine")
    46. What's the Worst That Could Happen? (2001) (writer: "Mama Feelgood", "The Boss") (performer: "The Boss")
    47. Exit Wounds (2001) (writer: "I Got You (I Feel Good)") (performer: "I Got You (I Feel Good)")
    48. Snatch. (2000) (writer: "CROSS THE TRACKS (WE BETTER GO BACK)", "HOT PANTS (I'M COMING, COMING, I'M COMING)")
    49. Nutty Professor II: The Klumps (2000) (writer: "Papa's Got a Brand New Bag") (performer: "Papa's Got a Brand New Bag")
      ... aka The Klumps (Australia)
    50. Hollywood Rocks the Movies: The Early Years (1955-1970) (2000) (TV) (writer: "I Got You", "Please Please Please") (performer: "I Got You", "Please Please Please")
    51. Gun Shy (2000) (writer: "It's a Man's, Man's, Man's World") (performer: "It's a Man's, Man's, Man's World")
      ... aka Gunshy (Australia: video title)
    52. Boiler Room (2000) (writer: "Funky Child") (performer: "New York (Ya Out There)")
    53. Isn't She Great (2000) (writer: "Papa's Got A Brand New Bag", "Ain't That A Groove", "I've Got You (I Feel Good)") (performer: "Papa's Got A Brand New Bag", "Ain't That A Groove", "I've Got You (I Feel Good)")
      ... aka Ist sie nicht großartig? (Germany)
    54. Eat Me! (2000) (writer: "Superbad, Pts. 1 & 2") (performer: "Superbad, Pts. 1 & 2") (producer: "Superbad, Pts. 1 & 2")

    55. Liberty Heights (1999) (writer: "Chonnie-on-Chon", "Please, Please, Please") (performer: "Chonnie-on-Chon", "I Feel That Old Feeling Coming On", "Please, Please, Please")
    56. Bowfinger (1999) (writer: "Super Bad, Super Slick") (performer: "Super Bad, Super Slick")
    57. Muppets from Space (1999) (performer: "Get Up Offa That Thing")
    58. Edtv (1999) (performer: "That's Life")
      ... aka Ed TV (USA: poster title)
    59. My Favorite Martian (1999) (performer: "I Got You (I Feel Good)")
      ... aka My Favourite Martian (Australia)
    60. The '60s (1999) (TV) (performer: "Say It Loud, I'm Black and I'm Proud")
    61. Payback (1999/I) (writer: "It's a Man's Man's Man's World") (performer: "It's a Man's Man's Man's World")
    62. Simon Birch (1998) (writer: "Papa's Got a Brand New Bag (Part 1)") (performer: "Papa's Got a Brand New Bag (Part 1)")
      ... aka Angels and Armadillos
    63. Lock, Stock and Two Smoking Barrels (1998) (writer: "The Boss", "The Payback") (performer: "The Boss", "The Payback")
      ... aka Two Smoking Barrels (USA)
    64. Why Do Fools Fall in Love (1998) (writer: "Say It Loud I'm Black and I'm Proud (Part I)", "I Got You (I Feel Good)") (performer: "Say It Loud I'm Black and I'm Proud (Part I)", "I Got You (I Feel Good)")
    65. How Stella Got Her Groove Back (1998) (writer: "Ain't That A Groove") (performer: "Ain't That A Groove")
    66. Doctor Dolittle (1998) (writer: "I Got You (I Feel Good)")
    67. Goodbye Lover (1998) (writer: "I Got You (I Feel Good)") (performer: "I Got You (I Feel Good)")
    68. Ceux qui m'aiment prendront le train (1998) (performer: "That's Life")
      ... aka Those Who Love Me Can Take the Train (USA)
    69. Food of Love (1997) (writer: "Free Spirit (Slow Burn)")
    70. Kiss the Girls (1997) (writer: "I'll Go Crazy") (performer: "I'll Go Crazy")
    71. Face/Off (1997) (writer: "Papa's Got A Brand New Bag (Part I)") (performer: "Papa's Got A Brand New Bag (Part I)")
      ... aka Face Off
    72. The Ditchdigger's Daughters (1997) (TV) (writer: "I Got You" ("I Feel Good"))
    73. Love Jones (1997) (writer: "Blues and Pants") (performer: "Blues and Pants")
    74. Alles nur Tarnung (1996) (writer: "I Got You (I Feel Good)", "(Get Up I Feel Like Being) Sex Machine") (performer: "I Got You (I Feel Good)", "(Get Up I Feel Like Being) Sex Machine")
    75. Get on the Bus (1996) (writer: "Papa Don't Take No Mess") (performer: "Papa Don't Take No Mess")
    76. Fled (1996) (writer: "I Got The Feelin'") (performer: "I Got The Feelin'")
    77. Harriet the Spy (1996) (performer: "Get Up Offa That Thing")
    78. The Nutty Professor (1996) (performer: "I GOT YOU (I FEEL GOOD)")
    79. Ernst & lyset (1996) (writer: "I Got You (I Feel Good)") (performer: "I Got You (I Feel Good)")
    80. When We Were Kings (1996) (writer: "Say It Loud, I'm Black And I'm Proud", "In A Cold Sweat", "Gonna Have A Funky Good Time") (performer: "Say It Loud, I'm Black And I'm Proud", "In A Cold Sweat", "Gonna Have A Funky Good Time")
    81. It Takes Two (1995) (performer: "I Feel Good")
      ... aka Me and My Shadow
    82. Dead Presidents (1995) (writer: "I Got The Feelin'", "Ain't That A Groove", "Say It Loud I'm Black And I'm Proud", "The Payback") (performer: "I Got The Feelin'", "Ain't That A Groove", "Say It Loud I'm Black And I'm Proud", "The Payback")
    83. Apollo 13 (1995) (performer: "NIGHT TRAIN")
      ... aka Apollo 13: The IMAX Experience (USA: IMAX version)
    84. Panther (1995) (performer: "I Got You (I Feel Good)", "Papa's Got A Brand New Bag", "Say It Loud (I'm Black and I'm Proud)")
    85. Demon Knight (1995) (performer: "RAPP PAYBACK (WHERE IZ MOSES!)")
      ... aka Demon Keeper
      ... aka Tales from the Crypt Presents: Demon Knight (USA: complete title)
    86. A Low Down Dirty Shame (1994) (writer: "SAY IT LOUD (I'M BLACK AND I'M PROUD)", "GET UP (I FEEL LIKE BEING A SEX MACHINE)")
      ... aka Mister Cool
    87. "Tous les garçons et les filles de leur âge..." (1 episode, 1994)
          - Portrait d'une jeune fille de la fin des années 60 à Bruxelles (1994) TV Episode (performer: "It's a man's man's world")
    88. Ghost in the Machine (1993) (writer: "Mind Power")
      ... aka Deadly Terror
    89. Mrs. Doubtfire (1993) (writer: "Papa's Got A Brand New Bag") (performer: "Papa's Got A Brand New Bag")
    90. A Bronx Tale (1993) (performer: "It's a Man's Man's Man's World")
    91. Laurel Avenue (1993) (TV) (writer: "I Dont Want Nobody To Give Me Nothing") (performer: "I Dont Want Nobody To Give Me Nothing")
    92. Bound by Honor (1993) (writer: "Try Me") (performer: "Try Me")
      ... aka Blood In, Blood Out (Australia)
      ... aka Blood In, Blood Out... Bound by Honor
    93. Untamed Heart (1993) (writer: "Try Me")
    94. Boomerang (1992) (performer: "Bewildered")
    95. Red Shoe Diaries (1992) (TV) (writer: "THE PAYBACK") (performer: "THE PAYBACK")
      ... aka Red Shoe Diaries the Movie (USA: video box title)
      ... aka Wild Orchid III: Red Shoe Diaries
    96. White Men Can't Jump (1992) (writer: "I GOT YOU (I FEEL GOOD)", "SUPER BAD") (performer: "I GOT YOU (I FEEL GOOD)", "SUPER BAD")
    97. Delirious (1991) (writer: "IT'S A MAN'S, MAN'S, MAN'S WORLD") (performer: "IT'S A MAN'S, MAN'S, MAN'S WORLD")
    98. Hudson Hawk (1991) (performer: "BODY HEAT")
    99. Jacob's Ladder (1990/I) (performer: "MY THANG")
      ... aka Dante's Inferno
    100. Mr. Destiny (1990) (writer: "I GOT YOU (I FEEL GOOD)") (performer: "I GOT YOU (I FEEL GOOD)")
    101. Another 48 Hrs. (1990) (writer: "I GOT THE FEELIN'")
      ... aka Another 48 Hours (Philippines: English title)

    102. K-9 (1989) (writer: "I FEEL GOOD") (performer: "I FEEL GOOD")
    103. Off Limits (1988) (writer: "It's a Man's Man's Man's World") (performer: "It's a Man's Man's Man's World")
      ... aka Saigon (UK)
      ... aka Saigon: Off Limits (Philippines: English title)
    104. "Wilder Westen, inclusive" (1988) (mini) TV Series (writer: "Living In America") (performer: "Living In America")
    105. Good Morning, Vietnam (1987) (writer: "I Got You (I Feel Good)") (performer: "I Got You (I Feel Good)")
    106. Summer School (1987) ("Papa's Got a Brand New Bag")
    107. Iron Eagle (1986) (performer: "There Was A Time")
    108. Rocky IV (1985) ("Living In America")
    109. Moving Violations (1985) (writer: "I GOT YOU (I FEEL GOOD)")
    110. Doctor Detroit (1983) (performer: "Get Up Offa That Thing", "King Of Soul")
    111. Android (1982) ("It's A Man's World")
    112. The Fan (1981) (performer: "IT'S TOO FUNKY IN HERE")
    113. The Blues Brothers (1980) (performer: "JAILHOUSE ROCK" (uncredited), "THE OLD LANDMARK" (uncredited))

    114. Ski Party (1965) (performer: "I Got You (I Feel Good)")

     

    Filmography as: Soundtrack, Actor, Composer, Producer, Self, Archive Footage

    Actor - filmography
    (1990s) (1980s) (1970s)

    1. Blues Brothers 2000 (1998) .... Reverend Cleophus James
    2. "Duckman: Private Dick/Family Man" .... Hostage Negotiator (1 episode, 1997)
          - Kidney, Popsicle, and Nuts (1997) TV Episode (voice) .... Hostage Negotiator

    3. "Miami Vice" .... Lou De Long (1 episode, 1987)
          - Missing Hours (1987) TV Episode .... Lou De Long
    4. Rocky IV (1985) .... The Godfather of Soul
    5. Doctor Detroit (1983) .... Bandleader (Himself)
    6. "Saturday Night Live" .... Musical Guest (1 episode, 1980)
      ... aka SNL (USA: informal title)
      ... aka SNL 25 (USA)
          - Episode #6.4 (1980) TV Episode .... Musical Guest
    7. The Blues Brothers (1980) .... Reverend Cleophus James

    8. "Playboy After Dark" .... Singer (2 episodes, 1969-1970)
          - Episode #2.9 (1970) TV Episode .... Singer
          - Episode #1.17 (1969) TV Episode .... Singer

     

    Filmography as: Soundtrack, Actor, Composer, Producer, Self, Archive Footage

    Composer - filmography
    (2000s) (1970s)

    1. Driver: Parallel Lines (2006) (VG)

    2. Slaughter's Big Rip-Off (1973)
      ... aka Slaughter 2 (USA)
    3. Black Caesar (1973)
      ... aka The Godfather of Harlem (UK)

     

    Filmography as: Soundtrack, Actor, Composer, Producer, Self, Archive Footage

    Producer - filmography

    1. Life on the Road with Mr. and Mrs. Brown (2007) (post-production) (executive producer)

     

    Filmography as: Soundtrack, Actor, Composer, Producer, Self, Archive Footage

    Self - filmography
    (In Production) (2000s) (1990s) (1980s) (1970s) (1960s)

    1. Life on the Road with Mr. and Mrs. Brown (2007) (post-production) .... Himself

    2. Glastonbury (2006) .... Himself
    3. Usher's Project Restart (2005) (TV) .... Himself
    4. Hollywood's Master Storytellers: The Blues Brothers (2005) (TV) .... Himself
    5. "Friday Night with Jonathan Ross" .... Himself (1 episode, 2005)
          - Episode #8.15 (2005) TV Episode .... Himself
    6. Out of Africa: Heroes and Icons (2005) (TV) .... Himself
    7. The 47th Annual Grammy Awards (2005) (TV) .... Himself - Performer
    8. "Howard Stern" .... Himself (3 episodes, 1998-2005)
          - Episode dated 21 January 2005 (2005) TV Episode .... Himself
          - Episode dated 23 September 2003 (2003) TV Episode .... Himself
          - Episode dated 17 August 1998 (1998) TV Episode .... Himself
    9. "The View" .... Himself (1 episode, 2005)
          - Episode dated 10 January 2005 (2005) TV Episode .... Himself
    10. Sid Bernstein Presents... (2005) .... Himself
    11. The Olympic Torch Concert Live (2004) (TV) .... Performer
    12. The Kennedy Center Honors: A Celebration of the Performing Arts (2003) (TV) .... Honoree
    13. "Pulse" .... Himself (1 episode, 2003)
          - Episode #1.6 (2003) TV Episode .... Himself
    14. "The CBS Morning News" .... Himself (1 episode, 2003)
          - Episode dated 8 December 2003 (2003) TV Episode .... Himself
    15. "TV total" .... Himself (1 episode, 2003)
          - Episode dated 27 November 2003 (2003) TV Episode .... Himself
    16. Soul Man: Isaac Hayes (2003) (TV) .... Himself
    17. "American Masters" .... Himself (1 episode, 2003)
          - James Brown: Soul Survivor (2003) TV Episode .... Himself
    18. 3rd Annual BET Awards (2003) (TV) .... Himself
    19. Paper Chasers (2003)
    20. Beat the Devil (2002) (as Mr. James Brown) .... Himself
      ... aka The Hire: Beat the Devil (USA: series title)
    21. The Tuxedo (2002) .... Himself
    22. MTV Video Music Awards 2002 (2002) (TV) .... Himself
      ... aka VMAs 2002 (USA: short title)
    23. Undercover Brother (2002) .... Himself
    24. Pavarotti & Friends 2002 for Angola (2002) (TV) .... Guest Performer
      ... aka Pavarotti & Friends for Angola, from the parco Novi Sad in Modena (Italy)
    25. James Brown: Live from the House of Blues (2000) (V) .... Himself
    26. It's Only Rock 'n' Roll (2000) (V) .... Himself

    27. "The Howard Stern Radio Show" .... Himself (3 episodes, 1999)
          - Episode dated 27 March 1999 (1999) TV Episode .... Himself
          - Episode dated 20 February 1999 (1999) TV Episode .... Himself
          - Episode dated 13 February 1999 (1999) TV Episode .... Himself
    28. Holy Man (1998) .... Himself
    29. "Behind the Music" .... Himself (1 episode, 1998)
      ... aka VH1's Behind the Music (USA)
          - 1968 (1998) TV Episode .... Himself
    30. Soulmates (1997) .... Himself
    31. Super Bowl XXXI (1997) (TV) .... Himself (Halftime Show Performer)
    32. When We Were Kings (1996) .... Himself
    33. "Rock & Roll" (1995) (mini) TV Series .... Himself
    34. The Concert for the Rock and Roll Hall of Fame (1995) (TV) .... Himself
    35. "New York Undercover" .... Himself (1 episode, 1995)
      ... aka Uptown Undercover
          - All in the Family (1995) TV Episode .... Himself
    36. The History of Rock 'N' Roll, Vol. 5 (1995) (TV) .... Himself
      ... aka The Sounds of Soul
    37. "The Arsenio Hall Show" .... Himself (1 episode, 1994)
          - Episode dated 27 May 1994 (1994) TV Episode .... Himself
    38. "The Simpsons" .... Himself (1 episode, 1993)
          - Bart's Inner Child (1993) TV Episode (voice) .... Himself
    39. "In Living Color" .... Himself (1 episode, 1993)
          - Episode #4.23 (1993) TV Episode .... Himself
    40. "The Howard Stern Interview" .... Himself (1 episode, 1993)
      ... aka The Howard Stern 'Interview' (USA: promotional title)
          - Episode #1.6 (1993) TV Episode .... Himself
    41. The 34th Annual Grammy Awards (1992) (TV) .... Himself
    42. The 19th Annual American Music Awards (1992) (TV) .... Himself
    43. A Party for Richard Pryor (1991) (TV) .... Himself
    44. "Amen" .... Himself (1 episode, 1991)
          - Deliverance: Part 2 (1991) TV Episode .... Himself
    45. "Golden Age of Rock'n'Roll" (1991) TV Series .... Himself

    46. James Brown & Friends: Set Fire to the Soul (1988) (V) .... Himself
    47. Motown Returns to the Apollo (1985) (TV) .... Himself
    48. When the Music's Over (1982) (TV) .... Himself
    49. The 24th Annual Grammy Awards (1982) (TV)

    50. James Brown: Body Heat (1979) (V) .... Himself
    51. "Soul Train" .... Guest / ... (5 episodes, 1973-1974)
          - James Brown & the First Family of Soul (1974) TV Episode .... Himself
          - The Best of Soul Train (1973) TV Episode .... Guest (archival clips)
          - The Manhattans/Lyn Collins/Lee Auston (1973) TV Episode .... Guest
          - The Four Tops/Otis Clay (1973) TV Episode .... Guest
          - James Brown (1973) TV Episode .... Guest
    52. "The Tonight Show Starring Johnny Carson" .... Himself (9 episodes, 1970-1973)
      ... aka The Best of Carson (USA: rerun title)
          - Episode dated 14 September 1973 (1973) TV Episode .... Himself
          - Episode dated 15 March 1973 (1973) TV Episode .... Himself
          - Episode dated 20 December 1972 (1972) TV Episode .... Himself
          - Episode dated 4 July 1972 (1972) TV Episode .... Himself
          - Episode dated 15 March 1972 (1972) TV Episode .... Himself
            (4 more)
    53. "The Mike Douglas Show" .... Himself (1 episode, 1970)
          - Episode dated 28 May 1970 (1970) TV Episode .... Himself
    54. The Phynx (1970) .... Himself

    55. "The Music Scene" .... Himself (1 episode, 1969)
          - Episode dated 22 September 1969 (1969) TV Episode .... Himself
    56. "The Hollywood Palace" .... Himself - Singer (2 episodes, 1968-1969)
          - Episode #6.23 (1969) TV Episode (as The James Brown Revue) .... Himself - Singer
          - Episode #5.19 (1968) TV Episode (as The James Brown Revue) .... Himself - Singer
    57. "Beat-Club" (1 episode, 1968)
          - Episode #1.37 (1968) TV Episode
    58. "Toast of the Town" .... Himself - Singer / ... (2 episodes, 1966)
      ... aka The Ed Sullivan Show (USA: new title)
          - Episode #20.8 (1966) TV Episode .... Singer
          - Episode #19.33 (1966) TV Episode .... Himself - Singer
    59. "Shindig!" .... Himself (1 episode, 1965)
          - Episode dated 1 September 1965 (1965) TV Episode .... Himself
    60. Ski Party (1965) (as James Brown and The Famous Flames) .... Himself
    61. The T.A.M.I. Show (1965) .... Himself
      ... aka Teen Age Command Performance (UK)

     

    Filmography as: Soundtrack, Actor, Composer, Producer, Self, Archive Footage

    Archive Footage

     

    1. "And You Don't Stop: 30 Years of Hip-Hop" (2004) (mini) .... Himself
    2. TV in Black: The First Fifty Years (2004) (V) .... Himself
    3. The New Guy (2002) (uncredited) .... Himself
    4. American Bandstand's 50th Anniversary Celebration (2002) (TV) .... Himself
    5. It's Black Entertainment (2002) (TV) .... Himself
    6. Playboy: The Party Continues (2000) (TV) .... Himself
    7. "Great Performances"
          - Everybody Dance Now (1991) TV Episode .... Himself
    8. Shindig! Presents Soul (1991) (V) .... Himself
    9. Michael Jackson: The Legend Continues (1988) (V) .... Himself
    10. Rolling Stone Presents Twenty Years of Rock & Roll (1987) (TV) .... Himself
    11. "The Hollywood Palace"
          - Episode #7.17 (1970) TV Episode .... Himself

     James Brown's Industry Creating Hits

    1956: "Please, Please, Please" This begging ballad about a man trying to keep his woman took on a raw, sensual tone as Brown growled and yelped through the burning track.

    1959: "Try Me" Another slow R&B groove from a pleading Brown.

    1961: "Bewildered" Brown's she-done-me-wrong classic. He shrieks and shouts passionately, "bewildered" by the actions of his now-former woman.

    1962: "Night Train" One of the first songs to feature the tight, jumping horn section that would become a cornerstone of most of his major hits. Brown's rough-edged voice shouts out cities nationwide on the "Night Train" route.

    1965: "Papa's Got a Brand New Bag (Part I)" Another classic dance track about what else dancing.

    1965: "I Got You (I Feel Good)" Perhaps Brown's most famous tune, and one of the all-time greatest songs in rock's canon. A buoyant, joyful jam that is an instant party starter. If you've never heard this, you've never heard music.

    1966: "It's a Man's Man's Man's World" Though the title may suggest a chauvinistic ode, this passionate, downbeat track really pays homage to a man's eternal need for a woman by his side.

    1967: "Cold Sweat (Part I)" A smoking, sultry mid-tempo jam that features Brown singing about a woman that makes him weak-kneed. It was sampled by dozens, perhaps hundreds of '80s rap songs.

    1968: "Say it Loud - I'm Black and I'm Proud (Part 1)" Released at the height of the civil rights movement, this anthem boldly asserted pride in being black at a time when African-Americans were still fighting for basic rights.

    1970: "Get Up (I Feel Like Being Like A) Sex Machine" (Part 1)" Despite its somewhat risque title, this frenetic groove is more of a call to move your feet. Perhaps Brown's second most-famous song, its signature is its slamming rhythm section.

    1971: "Make It Funky (Part 1) This could be the theme song of Brown's entire career. It begins with Brown saying what would become his motto: "(Whatever) I play, it's got to be funky!"

    1974: "Papa Don't Take No Mess, (Part I): Brown's amazing, funky tribute to a hard-nosed, stern dad.

    1974: "The Payback (Part I)": The ultimate revenge song, this song sounded as if it would fit right in with many of the blaxploitation soundtracks of the day with its blaring horns and rumbling bass lines.

    1976: "Get Up Offa That Thing": A killer bass instead of horns are the real glue of this James Brown classic dance groove.

    1985: "Living in America" This rousing, patriotic song from the fourth installment of the "Rocky" movie franchise re-established Brown as a hitmaker in his 5th decade.

    1988: "Static, Pts. 1 & 2" (with Full Force) As Brown's music was being sampled right and left by rappers, Brown showed hip-hop heads how it should be done with this sizzling collaboration with the group Full Force.

     

    1956: "Please, Please, Please" (R&B #5) 1959: "Try Me" (R&B #1, U.S. #48) 1960: "Think" (R&B #7, U.S. #33) 1961: "Baby, You're Right" (R&B #2, U.S. #49) 1961: "Bewildered" (R&B #8, U.S. #40) 1961: "I Don't Mind" (R&B #4, U.S. #47) 1962: "Lost Someone" (R&B #2, U.S. #48) 1962: "Night Train" (R&B #5, U.S. #35) 1963: "Prisoner of Love" (R&B #6, U.S. #18) 1965: "Papa's Got a Brand New Bag" - Part I (R&B #1, U.S. #8) 1965: "I Got You (I Feel Good)" (R&B #1, U.S. #3) 1966: "Ain't That a Groove" Pts. 1 & 2 (R&B #6, U.S. #42) 1966: "Don't Be A Drop-Out" (R&B #4, U.S. #50) 1966: "It's a Man's Man's Man's World" (R&B #1, U.S. #8) 1966: "Sweet Little Baby Boy" - Part 1 (U.S. #8) 1967: "Cold Sweat" - Part 1 (R&B #1, U.S. #7) 1967: "Let Yourself Go" (R&B #5, U.S. #46) 1968: "I Can't Stand Myself (When You Touch Me)" (R&B #4, U.S. #28) 1968: "I Got The Feelin'" (R&B #1, U.S. #6) 1968: "Licking Stick - Licking Stick" - Part 1 (R&B #2, U.S. #14) 1968: "Say it Loud - I'm Black and I'm Proud" - Part 1 (R&B #1, U.S. #10) 1968: "There Was A Time" (R&B #3, U.S. #36) 1969: "Ain't It Funky Now" (R&B #3, U.S. #24) 1969: "Give It Up Or Turnit A Loose" (R&B #1, U.S. #15) 1969: "I Don't Want Nobody To Give Me Nothing (Open Up The Door, I'll Get It Myself)" (R&B #3, U.S. #20) 1969: "Let A Man Come In And Do The Popcorn" - Part One (R&B #2, U.S. #21) 1969: "Mother Popcorn (You Got To Have A Mother For Me)" Part 1(R&B #1, U.S. #11)

    : "" (R&B #5) : "Try Me" (R&B #1, U.S. #48) : "Think" (R&B #7, U.S. #33) : "Baby, You're Right" (R&B #2, U.S. #49) : "Bewildered" (R&B #8, U.S. #40) : "I Don't Mind" (R&B #4, U.S. #47) : "Lost Someone" (R&B #2, U.S. #48) : "Night Train" (R&B #5, U.S. #35) : "Prisoner of Love" (R&B #6, U.S. #18) : "" - Part I (R&B #1, U.S. #8) : "" (R&B #1, U.S. #3) : "Ain't That a Groove" Pts. 1 & 2 (R&B #6, U.S. #42) : "Don't Be A Drop-Out" (R&B #4, U.S. #50) : "" (R&B #1, U.S. #8) : "Sweet Little Baby Boy" - Part 1 (U.S. #8) : "" - Part 1 (R&B #1, U.S. #7) : "Let Yourself Go" (R&B #5, U.S. #46) : "I Can't Stand Myself (When You Touch Me)" (R&B #4, U.S. #28) : "I Got The Feelin'" (R&B #1, U.S. #6) : "Licking Stick - Licking Stick" - Part 1 (R&B #2, U.S. #14) : "" - Part 1 (R&B #1, U.S. #10) : "There Was A Time" (R&B #3, U.S. #36) : "Ain't It Funky Now" (R&B #3, U.S. #24) : "Give It Up Or Turnit A Loose" (R&B #1, U.S. #15) : "I Don't Want Nobody To Give Me Nothing (Open Up The Door, I'll Get It Myself)" (R&B #3, U.S. #20) : "Let A Man Come In And Do The Popcorn" - Part One (R&B #2, U.S. #21) : "Mother Popcorn (You Got To Have A Mother For Me)" Part 1(R&B #1, U.S. #11)

    1970: "Get Up (I Feel Like Being Like A) Sex Machine" (Part 1)" (R&B #2, U.S. #15) 1970: "Santa Claus Is Definitely Here To Stay" (U.S. #7) 1970: "Super Bad" - Part 1 & Part 2 (R&B #1, U.S. #13) 1971: "Escape-ism" - Part 1 (R&B #6, U.S. #35) 1971: "Get Up, Get Into It, Get Involved" - Pt. 1 (R&B #4, U.S. #34) 1971: "Hot Pants (She Got To Use What She Got To Get What She Wants)" – Part 1 (R&B #1, U.S. #15) 1971: "I'm A Greedy Man" - Part I (R&B #7, U.S. #35) 1971: "Make It Funky" - Part 1 (R&B #1, U.S. #22) 1971: "Soul Power" - Pt. 1 (R&B #3, U.S. #29) 1972: "Get On The Good Foot" - Part 1 (R&B #1, U.S. #18) 1972: "King Heroin" (R&B #6, U.S. #40) 1972: "Talking Loud And Saying Nothing" - Part I (R&B #1, U.S. #27) 1973: "Down And Out In New York City" (R&B #13, U.S. #50) 1973: "I Got A Bag Of My Own" (R&B #3) 1973: "Sexy, Sexy, Sexy" (R&B #6, U.S. #50) 1974: "Funky President" (People It's Bad)" (R&B #4, U.S. #44) 1974: "My Thang" (R&B #1, U.S. #29) 1974: "Papa Don't Take No Mess" - Part I (R&B #1, U.S. #31) 1974: "Stoned To The Bone" - Part 1 (R&B #4, U.S. #58) 1974: "The Payback" - Part I (R&B #1, U.S. #26) 1976: "Get Up Offa That Thing" (R&B #4, U.S. #45) 1985: "Living in America (R&B #10, U.S. #4) 1987: "How Do You Stop" (R&B #10) 1988: "I'm Real" (R&B #2) 1988: "Static, Pts. 1 & 2" (with Full Force) (R&B #5

    : "Get Up (I Feel Like Being Like A) Sex Machine" (Part 1)" (R&B #2, U.S. #15) : "Santa Claus Is Definitely Here To Stay" (U.S. #7) : "Super Bad" - Part 1 & Part 2 (R&B #1, U.S. #13) : "Escape-ism" - Part 1 (R&B #6, U.S. #35) : "Get Up, Get Into It, Get Involved" - Pt. 1 (R&B #4, U.S. #34) : "Hot Pants (She Got To Use What She Got To Get What She Wants)" – Part 1 (R&B #1, U.S. #15) : "I'm A Greedy Man" - Part I (R&B #7, U.S. #35) : "Make It Funky" - Part 1 (R&B #1, U.S. #22) : "Soul Power" - Pt. 1 (R&B #3, U.S. #29) : "Get On The Good Foot" - Part 1 (R&B #1, U.S. #18) : "King Heroin" (R&B #6, U.S. #40) : "Talking Loud And Saying Nothing" - Part I (R&B #1, U.S. #27) : "Down And Out In New York City" (R&B #13, U.S. #50) : "I Got A Bag Of My Own" (R&B #3) : "Sexy, Sexy, Sexy" (R&B #6, U.S. #50) : "Funky President" (People It's Bad)" (R&B #4, U.S. #44) : "My Thang" (R&B #1, U.S. #29) : "Papa Don't Take No Mess" - Part I (R&B #1, U.S. #31) : "Stoned To The Bone" - Part 1 (R&B #4, U.S. #58) : "The Payback" - Part I (R&B #1, U.S. #26) : "Get Up Offa That Thing" (R&B #4, U.S. #45) : " (R&B #10, U.S. #4) : "How Do You Stop" (R&B #10) : "I'm Real" (R&B #2) : "Static, Pts. 1 & 2" (with ) (R&B #5

    Graceland 'All Shook Up' Over Elvis Presley's Last Remaining
    Song to Be Auctioned on eBay Jan. 19th, 2007

    Winning bid will have controlling interest to the Elvis
    Presley-Paul Terry King song registered on BMI.com as work
    number 7600186.

    Dec. 21, 2006 -- Songwriter Paul Terry King
    (co-author of the last known song composed but never
    released by Elvis) is now auctioning off his copyrighted
    interest to the song titled, "Just Like Rollin' Up Hill"
    (registered under Elvis Presley's BMI work number 7600186 on
    BMI.com).

    Elvis Presley and former American Studios songwriter Paul
    Terry King co-wrote two songs in 1973 and performed them
    privately - "If I'd Only Bought Her Roses" and "Just Like
    Rollin' Up Hill."

    "If I'd Only Bought Her Roses," US copyright PAu-1810-413,
    was purchased by Elvis-A-Rama in 2005. Elvis-A-Rama was
    planning an Elvis impersonation contest with the winning
    contestant singing "If I'd Only Bought Her Roses."

    The song (along with remaining assets of Elvis-A-Rama) were
    purchased by billionaire Robert Sillerman's company CKX in
    2005 for an undisclosed amount prior to release.

    Sillerman purchased an 80% stake in Graceland in 2004 and
    last year acquired the hit show American Idol. To date
    Sillerman has let Elvis Presley's last known song, "Just
    Like Rollin' Up Hill," slip through the cracks. You can hear
    it on http://www.ElvisSong.info.

    So, devoted fans, music enthusiasts, entrepreneurs and/or
    entertainers can now bid and get copyright and performance
    rights to one of the most prized possessions of the King
    himself, his music.

    "It's Now or Never!": Sillerman is acquiring everything
    Elvis. This opportunity will never be available to the
    public again.

    The song will be available to the public for auction on eBay
    Jan. 19th, 2007. Bid opens at $10,000 at 5 PM PST. To listen
    to song, press inquiries, etc., go to
    http://www.ElvisSong.info or contact eBay powerseller Mike
    Waters at 801-628-5323.

     

    Dec 24

     

    1. "Night at the Museum," $30.8 million.

    2. "The Pursuit of Happyness," $15 million.

    3. "Rocky Balboa," $12.5 million.

    4. "The Good Shepherd," $10 million.

    5. "Charlotte's Web," $8 million.

    6. "Eragon," $7.15 million.

    7. "We Are Marshall," $6.6 million.

    8. "Happy Feet," $5.1 million.

    9. "The Holiday," $5 million.

    10. "The Nativity Story," $4.65 million.

    ___

     

     

     

    Dec 23
    WINGER ON TOUR 2007
    FIRST U.S. TOUR IN A DECADE
    HOLLYWOOD (December 23RD, 2006) – The founding members of WINGER will embark on a 6 week U.S. tour for the first time in over a decade. WINGER members Kip Winger (bass/vocals), Reb Beach (guitar), Rod Morgenstein (drums), John Roth (guitars/vocals) a WINGER member since 1993’s “PULL” album and new comer Cenk Eroglu (keyboards/vocals) will be seen across the U.S.
    Recently the band released their first album, WINGER IV, with all founding members of WINGER reunited on Shrapnel Records. "The new WINGER album" explains Kip, "starts where "Pull" left off and moves into new directions. It mixes some classic Hard Rock like VAN HALEN and early WINGER style, progressive and acoustic elements that may resemble GENESIS, MOTT THE HOOPLE or KING CRIMSON".
    Now get ready for their 2007 WINGER IV Tour - The following are the tour dates confirmed and where you can see WINGER in New Years Eve!
    TOUR DATES

    Dec 31 2006

    8:00P

    Station Square

    Pittsburgh, PA

    Feb 1 2007

    8:00P

    Mulcahy's

    Long Island, NY

    Feb 2 2007

    8:00P

    Harper’s Ferry

    Boston, MA

    Feb 3 2007

    8:00P

    Stone Pony

    Asbury Park, NJ

    Feb 5 2007

    8:00P

    The Webster Theater

    Hartford, CT

    Feb 6 2007

    8:00P

    Otto Bar

    Baltimore, MD

    Feb 7 2007

    8:00P

    Amos' Southend

    Charlotte, NC

    Feb 10 2007

    8:00P

    The Culture room

    Ft. Lauderdale, FL

    Feb 11 2007

    8:00P

    State theater

    St. Petersburg, FL

    Feb 12 2007

    8:00P

    Mojo Room

    Port St Lucie, FL

    Feb 15 2007

    8:00P

    House of Blues

    Cleveland, OH

    Feb 16 2007

    8:00P

    Alrosa Villa

    Columbus, OH

    Feb 17 2007

    8:00P

    Harpo's

    Detroit, MI

    Feb 18 2007

    8:00P

    House of Blues

    Chicago, IL

    Feb 22 2007

    8:00P

    The Yukon

    Loveland, CO

    Feb 23 2007

    8:00P

    Jakes tavern

    Gillette, WY

    Feb 24 2007

    8:00P

    Hubbas house of rock

    Denver, CO

    Feb 25 2007

    8:00P

    Mesa theater

    Grand Junction, CO

    Feb 26 2007

    8:00P

    Club Vegas

    Salt Lake City, UT

    Mar 2 2007

    8:00P

    Velvet Jones

    Santa Barbara, CA

    Mar 3 2007

    8:00P

    The Galaxy

    Anaheim, CA

    Mar 5 2007

    8:00P

    Metal Skool - Key Club

    Los Angeles, CA

    Mar 8 2007

    8:00P

    Palladium

    Dallas, TX

    Mar 9 2007

    8:00P

    Scout Bar

    Houston, TX

    For more information go to www.kipwinger.com or www.myspace.com/wingertheband 

     

     

    Dec 22

     

    The Celestine Prophecy
    The Celestine Prophecy

     

    Oscar® Nomination Ballots Mailed Today
    Beverly Hills, CA — Nomination ballots for the 79th Academy Awards® were mailed today (Tuesday, December 26) to the 5,830 voting members of the Academy of Motion Picture Arts and Sciences.
    Completed ballots must be returned to PricewaterhouseCoopers by 5 p.m. on Saturday, January 13, 2007. Ballots received after the deadline will not be counted.
    Nomination and final award ballots are tabulated by PricewaterhouseCoopers to ensure that all aspects of the balloting process are conducted with fairness and accuracy.
    Prior to mailing, the PricewaterhouseCoopers staff administers a thorough verification process to ensure there are no duplicate ballots and that none are missing. In addition to being counted and sorted, each ballot is numbered to guarantee that it is addressed to the appropriate Academy voter.
    The Reminder List of Eligible Releases – the list of 2006 motion pictures eligible for Oscar consideration – will be mailed along with the nomination ballots.
    Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater.
    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment, “The Road to the Oscars®.”
    ©A.M.P.A.S.®
      
    Kid Rock to Spend Christmas With U.S. Troops Stationed in Iraq and Kuwait
     December 21, 2006 -- Atlantic recording artist Kid Rock has announced he's going to the Middle East to spend Christmas with the troops. The Detroit Cowboy will once again visit U.S. military personnel stationed in the Middle East, with an itinerary that sees him spending the upcoming holiday season alongside troops currently serving in both Kuwait and Iraq. The trip is sponsored by Armed Forces Entertainment and America Supports You.
    "This year for Christmas I wanted to make sure somebody was thanking our troops for their service, no matter what our views are on the current situation in Iraq. I would be spending Christmas with my family, but in my heart I know this is the right thing to do -- not only for our men and women in service, but also to set an example for my son and send a strong message to the world to be thankful and think of others at Christmas time."
    As the official Department of Defense agency for providing entertainment to U.S. military personnel overseas, Armed Forces Entertainment and its performers have the honor of supporting soldiers, airmen, marines and sailors by bringing them the very best in American entertainment.
    Armed Forces Entertainment hosts over 1,200 shows around the world each year, reaching over 500,000 personnel at 270 military installations. From muddy makeshift stages to show-stopping extravaganzas, the performances bring a piece of home to those stationed far away from home.
    Armed Forces Entertainment is proud to present our troops the finest American entertainment and proud to represent the thousands of entertainers who have volunteered their time to give them a well-deserved break from the action.
    America Supports You is a nationwide program launched by the Department of Defense, recognizing citizens' support for our military men and women and communicating that support to members of our Armed Forces at home and abroad.
    All across America, thousands of individual citizens, businesses, and groups -- from local schools and establishments to nationally known corporations and organizations -- are hosting events and undertaking projects to support America's Armed Forces, especially in forward-deployed areas. The support of the American people builds and sustains the morale of those fighting, and communicates America's recognition and appreciation of their courage and commitment to our country.
    The America Supports You program spotlights what Americans are doing all across the land, encourages others to join the team, and allows all to tell their stories by giving voice and visibility to their efforts.
    For more information, please see: www.kidrock.com www.armedforcesentertainment.com www.americasupportsyou.com   
      
     Danette Herman will serve as co-producer for the 79th Academy Awards® telecast,
     producer Laura Ziskin has announced. Herman’s duties as co-producer will include selecting the presenters and performers for the annual Oscar telecast. This will be the 33rd year she has been associated with the show.
    A specialist in live television, galas and special events, Herman recently served as coordinating producer for the “58th Annual Primetime Emmy® Awards” and the “Kennedy Center Honors.”
    Other credits include “An American Celebration at Ford’s Theater;” four presidential inaugural galas; and the opening and closing ceremonies of the 1996 Centennial Olympic Games in Atlanta. Herman has worked on over 200 television events.
    Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater.
    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment, “The Road to the Oscars.”
    # # #
      
    Hayek, Huffman, Stiller, Timberlake and Witherspoon Set as Presenters at Golden Globe Awards
    "The 64th Annual Golden Globe Awards" Will Be Telecast Live on NBC Monday, January 15
    December 22, 2006 -- Reese Witherspoon and Felicity Huffman (2006 Golden Globe recipients for Best Actress in a Motion Picture, comedy/musical and drama, respectively), Salma Hayek, Ben Stiller and Justin Timberlake have been set as presenters at "The 64th Annual Golden Globe Awards" to be telecast live on NBC Monday, January 15 (8 - 11:00 p.m. EST) at The Beverly Hilton.
    Warren Beatty will receive this year's Cecil B. DeMille Award from the Hollywood Foreign Press Association for his "outstanding contribution to the entertainment field."
    The Golden Globe Awards will be seen in more than 150 countries worldwide and is one of the few awards ceremonies to span both television and motion picture achievements.
    "The 64th Annual Golden Globe Awards" will be produced by dick clark productions in association with the Hollywood Foreign Press Association. Philip Berk is President of the Hollywood Foreign Press Association. Allen Shapiro and Barry Adelman are executive producers. Chris Donovan is director. Al Schwartz is consulting producer. Ken Shapiro is producer. Ron Weed is co-producer.
    The Fashion House Previews Women's Designer Fall 2007 Footwear Lines at FFANY
    December 22, 2006 -- The Fashion House, Inc. (OTCBB: FHHI), an innovative company specializing in the design, licensing, and marketing of women's dress footwear, previewed its Fall 2007 collections at the Fashion Footwear Association of New York's (FFANY) Shoe Expo held December 5-7 in New York.
    The Fashion House, a Los Angeles-based company, unveiled its collections to retail buyers present at FFANY. Obtaining maximum exposure to major upscale department stores as well as key independent retailers, The Crown Building, on Manhattan's famed 5th Ave, provided an ideal setting to showcase lines from Bill Blass, Isaac Mizrahi, Oscar de La Renta, and Richard Tyler. The tyler. Richard Tyler collection was additionally shown at Pier 94.
    "The response from retailers was phenomenal. Our product was reviewed as being trend-right, and we received orders from many key retailers," said John Hanna, President and CEO of The Fashion House.
    The Fashion House participates in the FFANY show 4 times a year, showing all brands in June and December and previewing salon and couture brands in January and July.
    About The Fashion Footwear Association of New York
    Founded in 1979, The Fashion Footwear Association of New York, known as FFANY, is a non-profit trade association representing footwear manufacturers globally. FFANY's mission is to promote and assist the common business interests of its members, who include over 300 footwear manufacturers, representing over 800 fashion footwear brands.
    About The Fashion House, Inc.
    The Fashion House is a design-driven footwear company that harnesses the established value of the world's most successful brands to bring quality women's footwear and glamour to the mass market through top department stores and other major retail channels. The Fashion House designs, manufactures, and licenses women's designer footwear for high-profile designer brands. The Company has signed exclusive worldwide licensing agreements with a number of global fashion industry leaders including Bill Blass, Oscar de la Renta, Richard Tyler and Isaac Mizrahi, to develop and design footwear product lines that bear these valuable brand names. The Fashion House actively pursues new business opportunities and continued growth in a strategy of acquisitions of sustainable niche brands, optimal penetration of existing sales channels and the expansion of Web-based and other traditional catalog operations. For additional information about our company, visit www.thefashionhouseinc.com.
    Forward-Looking Statements

    This news release contains "forward-looking statements." The Company intends forward-looking terminology such as "believes," "expects," "may," "will," "should," "could," "anticipates," "plans" or similar expressions to identify forward-looking statements. All statements in this news release that are not statements of historical fact, including the statements that additional growth is expected, that additional designer licenses are intended to be obtained, that we hope to continue to grow our business by establishing new partnerships with the fashion world's most famous names, and we intend to expand our distribution, are forward-looking statements. Such statements are subject to certain risks and uncertainties which could cause the Company's actual results to differ materially from those anticipated by the forward-looking statements. These risks and uncertainties include, but are not limited to, those described in the Company's periodic reports filed with the United States Securities and Exchange Commission. The Fashion House assumes no obligation to update these forward-looking statements, and does not intend to do so. This document is not construed to be an offer to sell or the solicitation of an offer to buy any securities in any jurisdiction where such an offer would be illegal. No action is being solicited based upon this material. This document is for the general information of potential investors, partners and other interested parties. Opinions expressed are the Company's current opinions as of the date appearing on this document. No representation is made that the information herein is accurate, or reliable or complete. In fact, readers of this press release are expressly cautioned that the information referenced herein is incomplete because comprehensive disclosures on The Fashion House, Inc., including audited financial statements, have not yet been made.

     

    The Pursuit of Happyness
    Movies
     
    Stomp the Yard
    Stomp the Yard - In Theaters 1/12
    Stomp the Yard centers around DJ, a troubled youth attending the historically black Truth University in Atlanta, Georgia. When adapting to his new environment proves difficult, DJ finds solace in joining a struggling fraternity where he begins implementing his street-style dance moves in an attempt to help the step team win the coveted National Step Show Championship.
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    Television
     
    10 Items or Less
    Line up for laughs with 10 Items or Less
    The quirky Greens & Grains crew continues to encounter hilariously strange supermarket situations. In "Bag It," Buck and Richard are challenged to a bagging competition by their rivals at Super Value Mart. Tune-in to the season finale on Monday, December 25th at 11pm et/pt on TBS to see who wins the ultimate battle of the bags.
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    Talladega Nights
    Talladega Nights Available Now on DVD, Blu-ray Disc® and for PSP™
    Losing his confidence after a spectacular crash, a dimwitted NASCAR driver, Ricky Bobby (WILL FERRELL), goes to hysterical extremes to recover his nerve and make a comeback. 'Cause as Ricky Bobby always says, IF YOU AIN'T FIRST, YOU'RE LAST!

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    Wheel of Fortune Mobile
    Take America's Game wherever you roam
    Experience all the fast-paced fun of the hit TV show with Wheel of Fortune 2007, the new mobile version of the puzzling-solving classic. Spin the Wheel, pick a consonant or buy a vowel to solve puzzles. Improved features include exciting new game modes and bright graphics.
    Play Now Visit the Mobile Site

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    Play Now, Work Later
    Play Now, Work Later
    Whether you want mind-bending puzzles, exciting arcade action, or fast-paced matching challenges, you’ll find hours of entertainment at Sony Pictures Games! Choose from Jeopardy!, Wheel of Fortune, The Da Vinci Code and over 30 other popular titles. Visit today and find the perfect game for you.
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    Fastlane to Fun Sweepstakes 
    Run, don't walk to enter for a chance to win a trip to the biggest race of the year!


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    Encore Westerns Ropes in 'The Rifleman' and 'Bat Masterson' for January '07 Marathons
    Kicks Off Entry Into Westerns Roundup
     Dec. 22  Encore Westerns celebrates the entry of two classic series into the lineup with a 48-hour weekend marathon beginning January 6 at midnight with "The Rifleman" and "Bat Masterson" on January 7 at midnight.
    "The Rifleman" will be seen regularly on Encore Westerns Monday through Friday at 7 p.m. and 7:30 p.m.; and Saturdays at 9:30 a.m. and 10 a.m. Series star Chuck Connors walked the dusty streets cocking his Winchester rifle from 1958-1963 on ABC. Connors played "Lucas McCain," a gruff but tender widower, who helps the lone sheriff (Paul Fix) maintain order in North Fork, New Mexico, while raising his young son played by Johnny Crawford. The series featured many legendary directors such as Sam Peckinpah, Richard Donner, Ida Lupino, and Budd Boetticher, as well as actors such as Dennis Hopper, R.G. Armstrong, James Drury, Dan Blocker ("Hoss Cartwright"), Robert Vaughn, Vic Morrow, James Coburn, John Carradine, Robert Culp, Agnes Moorehead, Martin Landau, Sammy Davis Jr., Lon Chaney Jr. and Lee Van Cleef. Encore Westerns will present all 168 half-hour episodes.
    Dressed with his derby and cane, gambler and lawman "Bat Masterson" (Gene Barry) roamed the West charming women and defending the unjustly accused for three seasons on NBC (1958-1961). Masterson's primary weapon was his wit (and cane) rather than his gun. Guests on the series included James Coburn, Dyan Cannon, Warren Oates, Harry Dean Stanton, Robert Conrad, William Conrad, Robert Blake and DeForest Kelley. The 34-episode series will regularly be seen Monday through Friday at 5 p.m. and 5:30 p.m.; and Saturdays at 6:30 a.m. and 7 a.m.
    Encore Westerns takes you back to the American frontier. All Western all the time.
    Starz Entertainment, LLC, is a premium movie service provider operating in the United States. It offers 16 movie channels including the flagship Starz(R) and Encore(R) brands with approximately 14.9 million and 26.6 million subscribers respectively. Starz Entertainment airs more than 1,000 movies per month across its pay TV channels and offers advanced services including Starz HD, Starz On Demand and Vongo(SM). Starz Entertainment (www.starz.com) is an operating unit of Starz, LLC, which is a wholly owned subsidiary of Liberty Media Corporation that is attributed to Liberty Capital Group
    Liberty Media to Acquire Largest Stake in DIRECTV
    Liberty's stake in News to be exchanged for 38.5% of DIRECTV, Three Regional Sports Networks, and Cash
     Dec. 22 / Liberty Media Corporation (NASDAQ:LINTA) (NASDAQ:LCAPA) ("Liberty") announced today that it has entered into a definitive agreement with News Corporation ("News") to exchange Liberty's 16.3% stake in News for News's 38.5% stake in DIRECTV Group, Inc. (NYSE:DTV) ("DIRECTV"), regional sports networks in Denver, Pittsburgh, and Seattle, and cash.
    "We are happy to become the largest shareholder in the world's largest satellite television provider. Chase Carey and the DIRECTV team have done a fantastic job, and we look forward to the strategic benefits of them joining the Liberty family," said Liberty President and CEO Greg Maffei who added, "During 2006 we converted many passive investments into strategic operating businesses, but this transaction is the largest and most important. DIRECTV and the regional sports networks represent a critical step in our efforts to transform Liberty Media into a well-positioned, focused operating company."
    "We are extremely pleased with the successful, tax-efficient conversion of our News holding. Our investment in DIRECTV will create financial, operating, and strategic flexibility," said Liberty Chairman John Malone. "Liberty's ownership of News has created tremendous value for our shareholders, and we are grateful to Rupert Murdoch and News management."
    DIRECTV President and CEO Chase Carey stated, "We are very excited about welcoming Liberty to DIRECTV. They bring a wealth of expertise in media and technology that will be invaluable. I have known both John Malone and Greg Maffei for over 10 years which gives me great confidence this transition will be smooth, and we will move forward without missing a beat. I also want to take advantage of this opportunity to thank Rupert Murdoch and News for their contributions to DIRECTV's success over the last three years."
    It is expected that Chase Carey will continue to serve as DIRECTV's President and CEO, and Liberty will appoint directors to fill the board seats currently held by News representatives.
    Under the agreement, pursuant to Section 355 of the IRC, Liberty will transfer to News 188,000,000 NWS shares and 324,637,067 NWS.A shares, and News will transfer to Liberty the stock of a subsidiary that holds 470,420,752 shares of DIRECTV common stock, the Fox Sports Rocky Mountain, Northwest and Pittsburgh regional sports networks, and $550 million in cash.
    The transaction, which was unanimously approved by the boards of News and Liberty, is expected to close in mid-2007, and is subject to regulatory and News Corp shareholder approvals and the receipt of a private letter ruling from the Internal Revenue Service.
    Liberty was represented in the transaction by the investment banking firm of Bear Stearns and the law firm of Baker Botts.
    About Liberty Media Corporation
    Liberty Media Corporation owns a broad range of electronic retailing, media, communications and entertainment businesses and investments. Those interests are attributed to two tracking stock groups: the Liberty Interactive group, which includes Liberty's interests in QVC, Provide Commerce, IAC/InterActiveCorp, and Expedia, and the Liberty Capital group includes Liberty's interests in Starz Entertainment, News Corporation, and Time Warner. For more information, please see www.libertymedia.com.
    About DIRECTV
    DIRECTV, Inc., the nation's leading satellite television service provider, presents the finest television experience available to more than 15.6 million customers through exclusive content, industry-leading customer service (which has surpassed cable for six years running) and superior technologies. Each day, DIRECTV subscribers enjoy over 250 channels of 100% digital picture and sound; exclusive programming and the most comprehensive collection of sports programming available anywhere including NFL SUNDAY TICKET(TM), and MLB EXTRA INNINGS(TM). DIRECTV (NYSE:DTV) also leads the digital television technology revolution with exclusives such as NFL SUNDAY TICKET SuperFan(TM), US Open Interactive, and YES Network Interactive and will soon have the capacity to offer over 150 channels in HD. For the most up-to-date information on the Company, please visit www.directv.com.
    Forward-Looking Statements: This press release contains forward-looking statements within the meaning of the Federal securities laws, including the anticipated completion date of the proposed transaction. These forward looking statements involve certain risks and uncertainties that could cause actual results to differ materially from those expressed or implied by these statements. For a description of these risks and uncertainties, please see the most recently filed Form 10-Q and Form 10-K for Liberty filed with the Securities and Exchange Commission.
    Source: Liberty Media Corporation
    Dec 21
    'Starring Amanda Congdon' Show Launches on blip.tv With Major Sponsor Support
    New videoblog sponsored by Dove Cream Oil Body Wash and Paltalk
     Dec. 21 -- Blip.tv, a service that hosts and distributes videoblogs and Web-based TV shows, announced today that videoblogger Amanda Congdon will launch her new show "Starring Amanda Congdon" this Friday, December 22nd. The show will be hosted on blip.tv and is one of the first videoblogs to debut with the support of significant sponsors.
    "Starring Amanda Congdon" is sponsored by Dove Cream Oil Body Wash, a new Unilever product available in February 2007 and by Paltalk, the largest video chat community on the Internet.
    "This is a turning point for both videobloggers and the advertising industry. It's great to see top brands like Dove and Paltalk pave the way by tapping into the uniquely loyal audience of a videoblogger like Amanda Congdon," said blip.tv COO Dina Kaplan. "Advertisers that have wanted to tap into the growth of online video but have been concerned about random and unpredictable viral videos have now found an outlet in independently produced shows like Amanda's."
    Dove is sponsoring the videoblog to promote a contest, hosted at www.dovecreamoil.com, inviting people to create a 30-second advertisement for Dove Cream Oil Body Wash. The winning spot will air during this year's Academy Awards and the winners flown to a private viewing party in Los Angeles. Amanda has set up a wiki, at amandacongdon.com/wiki/, where viewers will work together to create a script for a Dove Cream Oil ad that Amanda will shoot and star in herself.
    "The Dove brand is excited to partner with a great new media personality. Amanda's experience in the videoblogging space makes her an excellent fit for a consumer-generated video campaign," said Babs Rangaiah, Unilever's USA Director of Media and Entertainment. "It allows us to tap into her viewership, which includes a large number of content creators."
    "More than anything else, I consider myself a videoblogger, and these sponsorships are evidence that the world is continuing to take notice of our community," said Amanda Congdon.
    As part of the sponsorship, Amanda will participate in live online video chats powered by Paltalk.
    Blip.tv will distribute Amanda Congdon's videoblog to the show's site www.StarringAmandaCongdon.com and to iTunes and MySpace. The show will also be featured on blip.tv's destination site at www.blip.tv.
    About blip.tv
    Blip.tv hosts, distributes and monetizes independent Web-based TV shows and videoblogs from around the world. Founded in May 2005, the company distributes media throughout the Web: to blogs, iTunes, the video iPod, MySpace and myriad video search engines and aggregators. The company offers an opt-in advertising program and splits all revenues with its users 50/50. Blip.tv also brings videos to people's TV sets through partnerships with Akimbo and TV Tonic. In an August 2006 review, Light Reading ranked blip.tv the #1 online video sharing site. To learn more, please visit http://www.blip.tv/
    About Unilever
    Unilever (NYSE:UL) (NYSE:UN) , one of the world's largest consumer products companies, aims to add vitality to life by meeting everyday needs for nutrition, hygiene and personal care. Each day, around the world, consumers make 150 million decisions to purchase Unilever products. The company has a portfolio of brands that make people feel good, look good and get more out of life.
    In the United States these brands include recognized names such as: Axe, "all," Ben & Jerry's, Bertolli, Breyers, Caress, Country Crock, Degree, Dove personal care products, Hellmann's, Lipton, Knorr, Popsicle, Promise, Q-Tips, Skippy, Slim-Fast, Snuggle, Suave and Vaseline. All of the preceding brand names are registered trademarks of the Unilever Group of Companies. Dedicated to serving consumers and the communities where we live, work and play, Unilever in the United States employs more than 15,000 people in 74 office and manufacturing sites in 24 states and Puerto Rico - generating more than $9 billion in sales in 2005. For more information visit www.unileverusa.com.
    About Paltalk
    Paltalk (www.paltalk.com) is the largest video chat community on the Internet, with over four million active members participating in live voice-and video-enabled chat rooms. Our patented technology allows thousands of simultaneous users to communicate via video and audio all in the same chat room. The Paltalk Messenger is compatible with leading instant messaging (IM) services, allowing users to transfer existing buddy lists, to combine all their contacts and talk to friends who use other IM programs. Founded in 1998, Paltalk is a privately held company based in New York. Paltalk also owns and operates HearMe (www.hearme.com), a B2B Web conferencing service. Paltalk was the first company to launch video and voice combined with an on-line buddy list in one package.
    Source: blip.tv
    Dec 21, 2006 06:00
    IMDb.com's Top Movie Stars of 2006
    Johnny Depp Swashbuckles to the Top of the IMDb.com's STARmeter for Third Consecutive Year; Angelina Jolie, Jessica Alba, Brad Pitt, and Scarlett Johansson Round Out the Top Five
     Dec. 21, 2006 IMDb.com (http://www.imdb.com), the site for movies, TV, celebrities and more, today unveiled the top 25 stars of 2006 as determined by the site's STARmeter, which ranks celebrities' popularity among IMDb.com's more than 42 million unique monthly visitors. Johnny Depp, the 2004 and 2005 winner, once again generated the most fan interest this year, followed by headline-making couple Angelina Jolie (No. 2) and Brad Pitt (No. 4), as well as Hollywood beauties Jessica Alba (No. 3) and Scarlett Johansson (No. 5).
    Dropping slightly in the rankings this year were gossip column regulars Lindsay Lohan and Paris Hilton, sliding to the No. 7 and No. 9 spots respectively. Other notable drops in rank include Keanu Reeves, Eva Longoria, Robert De Niro, Vin Diesel, Jon Heder of Napoleon Dynamite fame, and Nicole Kidman, who all lost their spots in the IMDb.com STARmeter Top 25 this year.
    Newcomers to the top 25 in 2006 include Jake Gyllenhaal (No. 17), Zac Efron from High School Musical (No. 19), Heath Ledger (No. 21), Bruce Willis (No. 23) and Reese Witherspoon (No. 24). After reaching the ninth spot in 2004, Kate Beckinsale dropped off the list last year before making her return to the list (No. 14) on the strength of Underworld: Evolution and Click. The full list of the year's top 25 celebrities can be seen in IMDb.com's "Road to the Oscars" section or at http://www.imdb.com/starmeter.
    "IMDb.com's STARmeter is uniquely able to assess the actual popularity of celebrities by basing the list on the use patterns of visitors on the site," said Keith Simanton, managing editor, IMDb.com. "For example, there appears to be a perennial, if probably clandestine, fascination with Hilary Duff; her only film of the year was the little-seen Material Girls but she still finds herself at No. 15. You can also see the ardent fan base for actors that people might not think of as big stars. This is Christian Bale's second year on the list at No. 13. Last year it could be explained with his breakout role in Batman Returns. This year, though he was in a modest hit, The Prestige, his co-star in the film, Hugh Jackman, topped out at No. 40, even though he was also in the blockbuster X-Men 3: The Last Stand."
    There were several notable personalities who just missed the top 25 list, including Anne Hathaway (No. 26), despite her star role in the wildly successful movie The Devil Wears Prada.
    Available through IMDb.com's subscription service, IMDbPro.com (http://www.imbdpro.com), the STARmeter ranks celebrities' weekly popularity based on the actual search behavior of the more than 42 million industry professionals and film enthusiasts who use IMDb.com each month. The STARmeter does not reflect box-office performance or critical assessments. The list of the year's top 25 celebrities is an aggregate of 2006's weekly STARmeter rankings.
    Today, IMDb also released its "best" and "worst" of 2006 polls featuring numerous categories including best actor, best actress and best film to name a few. These lists can be found at http://www.imdb.com/best2006 or http://www.imdb.com/worst2006.
    About IMDbPro.com
    Launched in January 2002, IMDbPro.com is an online subscription service designed to meet the information needs of entertainment and industry professionals and help them make better business and creative decisions. The service was created in response to the overwhelming demand of industry professionals, including directors and casting directors. IMDbPro.com features contact information for over 59,000 names and more than 10,000 companies; international, domestic and daily box-office numbers; news from the "Hollywood Reporter," and much more. With subscriptions ranging from $12.95 a month to $99.95 for a full year, IMDbPro.com is one of the lowest-priced entertainment industry resources available. For more detailed information, visit http://www.imdbpro.com.
    About IMDb.com
    The Internet Movie Database (http://www.imdb.com) is the Web's most comprehensive and authoritative source of information on movies, television, and celebrities. The site offers a searchable database of over 889,000 movies, TV, and entertainment programs and over 2.2 million cast and crew members. This year it launched Resume Services which allows actors, crew, and those who want to break into the business the ability to upload photos and craft a resume directly onto the IMDb. Starting at $2.50 per month, Resume Services is one of the lowest priced resume resources available.
    The IMDb features include cast lists, quotes, trivia, reviews, box-office data, celebrity biographies, photographs, coverage of film festivals and major events, and streaming trailers. IMDb.com is a wholly-owned subsidiary of Amazon.com (http://www.amazon.com).
    This announcement contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. Actual results may differ significantly from management's expectations. These forward-looking statements involve risks and uncertainties that include, among others, risks related to competition, management of growth, potential fluctuations in operating results, international expansion, outcomes of legal proceedings and claims, fulfillment center optimization, seasonality, commercial agreements, acquisitions and strategic transactions, foreign exchange rates, system interruption, significant amount of indebtedness, inventory, limited operating history, government regulation and taxation, payments, fraud, consumer trends, and new business areas. More information about factors that potentially could affect Amazon.com's financial results is included in Amazon.com's filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended December 31, 2005, and all subsequent filings.
    Paolo Nutini Sets First Major U.S. Tour; Scottish Sensation Heralds Debut Album With Performances on The "Today" Show and "Late Night With Conan O'Brien"; "These Streets" in Stores January 30th
     December 21, 2006 -- Atlantic recording artist Paolo Nutini has announced details of his first full-scale tour of North America. The headlining itinerary heralds the U.S. release of the Scotland-born singer/songwriter's acclaimed debut album, "THESE STREETS." The album -- which includes "New Shoes," a Top 10 single at Triple A radio -- lands in stores on January 30th. Nutini is also slated to make a number of major TV appearances in support of "THESE STREETS," starting on January 30th with a visit to NBC's "Late Night with Conan O'Brien." The following morning, January 31st, Paolo will perform on NBC's "Today" Show. The appearances follow Paolo's two recent performances on his fellow Scotsman Craig Ferguson's nightly CBS talker, "Late Late Show with Craig Ferguson."
    The 20-year-old Nutini will kick off his Stateside tour in Chicago on January 25th, with dates continuing through March (see attached itinerary). Among the trek's highlights are much-anticipated shows at New York City's Bowery Ballroom on January 31st and Los Angeles' legendary Troubadour on March 23rd.
    Born and raised in Paisley, Scotland, Nutini has quickly become a true star in the UK, where "THESE STREETS" made a spectacular top 3 chart entry this summer, receiving gold certification less than 2 weeks later amidst a flurry of critical acclaim. Uncut Magazine awarded "THESE STREETS" four-out-of-five stars, noting that "For once, comparisons with the great Al Green are not entirely far-fetched." The Observer hailed Nutini as having "a talent for elegant, melodic songwriting." "THESE STREETS" has now been certified double platinum in the UK, and has gone on to sell over 700,000 copies. In addition, "THESE STREETS" has been certified gold in France and has shipped over one million copies across Europe.
    Produced by Ken Nelson (Coldplay, Ray LaMontagne, Badly Drawn Boy), the album is driven by impassioned blue-eyed soul stunners, including the stirring title track and the rousing single, "New Shoes." The track -- which was recently iTunes' "Single of the Week" -- is currently climbing the top 10 at Triple A outlets nationwide. Hailed by Billboard as one of their "Five To Watch," and named one of Rolling Stone's "10 Artists To Watch 2006," Nutini released his North American debut EP, "THE LIVE SESSIONS," earlier this year. The four-track collection drew instant rave reviews, spurring the New York Daily News' Jim Farber to declare Paolo to be "the most thrilling new singer of the season."
    Like so many of the most important artists who have emerged from the UK, Nutini has absorbed the soul of the great American R&B singers and channeled it into something original, captivating, and dynamic. Inspired by classic rock and soul stars like the Drifters and Ray Charles, as well as such troubadours as John Martyn and Van Morrison, Nutini left his native Scotland at 17 and moved to London, where he started performing regularly at clubs around town. His bold voice and provocative songs created an instant buzz. Nutini signed to Atlantic Records shortly after his 18th birthday and headed north to Liverpool to work on his debut album with renowned producer Nelson.
    Nutini immediately captured widespread attention via tour dates supporting the likes of the Rolling Stones and Paul Weller, in addition to making sensational TV appearances on "Top of the Pops" and "Later with Jools Holland." In May 2006, he appeared at the New York Pops Birthday Gala at Carnegie Hall at the personal request of the evening's honoree -- Atlantic Records Founding Chairman Ahmet Ertegun. Two months later, Nutini brought the house down during a special tribute to Ertegun and Atlantic Records at the Montreux Jazz Festival. The only new artist on the bill, Nutini shared the stage with such icons as Solomon Burke, Robert Plant, and Kid Rock. One of Paolo's heroes, soul legend Ben E. King, was so impressed that he invited him on stage to sing with him, an amazing moment for the young singer.
    PAOLO NUTINI North American Tour - Winter 2007 JANUARY 25 Chicago, IL TBD 26 Indianapolis, IN Radio Radio 27 Madison, WI The Annex 29 Minneapolis, MN Rossi's Blue Star Room 31 New York, NY The Bowery Ballroom FEBRUARY 2 Philadelphia, PA World Cafe Live 3 Boston, MA Paradise Rock Club MARCH 2 Denver, CO Bluebird Theatre 6 Detroit, MI Magic Bag 7 Toronto, ON Mod Club 8 Montreal, QC Cabaret LaTulipe 11 Nashville, TN 3rd & Lindsley 13 Annapolis, MD Ramshead Soundstage 14 Atlanta, GA Smith's Olde Bar 15 Mobile, AL TBD 20 Tucson, AZ Club Congress 21 San Diego, CA TBD 23 Los Angeles, CA Troubadour 24 San Francisco, CA The Independent 27 Portland, OR Doug Fir Lounge 28 Seattle, WA The Triple Door 29 Vancouver, BC Richards on Richards
    **April / May '07 - SOLD OUT UK Tour!!**
    Next-Generation Headset Combines Advanced, Award-Winning Technology and Industrial Design for Clearer, More Comfortable Conversations
    December 21, 2006  -- Noise is nothing with the new Jawbone Bluetooth headset, which is available exclusively from Cingular Wireless--just in time for the holidays.
    Aliph, a leading developer of mobile audio products that deliver exceptional quality in any environment, and Cingular Wireless, the nation's largest wireless carrier, today introduced the new Jawbone headset for Bluetooth mobile phones. Jawbone™ is the first adaptive Bluetooth headset with Noise Shield® technology, which virtually eliminates background noise so calls are clearer. Jawbone's audio performance is further enhanced by an award-winning design by internationally acclaimed product designer Yves Béhar, which maximizes comfort and functional simplicity.
    Ambient noise is often an issue with many headsets and can make conversations difficult in noisier environments. The Jawbone Bluetooth headset with Noise Shield technology uses an advanced, military-grade noise-canceling system that continuously adapts to users' changing environments to deliver unparalleled audio quality.
    The Noise Shield technology was originally developed by Aliph for DARPA (The Defense Advanced Research Projects Agency) to enhance communications in the most hostile and rugged environments. This technology includes an intelligent system of sensors and software, which continuously adjusts—at a rate of 500 times per second—to improve audio quality based on what it knows about the environment. In doing this, the Jawbone headset will:
    1. Identify and isolate your speech: Jawbone is the only headset that has a proprietary voice activity sensor. Its ability to determine precisely when you are speaking is what drives the headset's superior sound quality. Unlike other headsets, Jawbone can easily separate your speech from other sounds nearby.
    2. Subtract the unwanted noise: Jawbone's proprietary software continuously samples the sounds in your environment, and then subtracts those sounds from your speech signal. This allows you to speak normally in any environment while still being heard clearly when placing calls.
    3. Automatically enhance your audio: Jawbone constantly adapts, allowing you to hear your caller better by boosting the frequencies that increase voice intelligibility to stand out over your environment.
    "We endeavored to build the first headset all users will actually want to wear," said Hosain Rahman, Aliph CEO and co-founder. "We've always led the industry from a technology perspective, now we've integrated that adaptive technology into a Bluetooth headset that is simple, intuitive, and easy to use – the total product experience has been designed around how consumers actually use wearable technology. As an innovator in wireless communications, Cingular is the perfect partner to bring the new Jawbone to market."
    "Jawbone is the first Bluetooth headset that adjusts and optimizes both incoming and outgoing sound so you can conquer the problems of a noisy, unpredictable world," said David Christopher, Vice President, Product Management, Cingular Wireless. "Today's consumers may often find themselves having conversations in less than ideal environments. With Jawbone, our customers can now make phone calls comfortably in high-traffic, high noise locations. We are pleased to be the first wireless carrier worldwide to bring this unique, best-in-class product to market."
    Jawbone has a perforated shield that curves to match the outline of the face, while the soft and smooth underside provides a comfortable feel on the skin. Only 14 grams, Jawbone feels very light on the head and can be worn on either ear. Earloops in four different sizes and shapes ensure a customized fit and feel while also maximizing stability on the ear.
    "With Jawbone, we set out to transform a technology product into a personal accessory," said Yves Béhar, who joined Aliph as vice president and creative director while continuing to lead fuseproject, the San Francisco-based design studio he founded. "Jawbone's ergonomic and clean design enhances all aspects of the product experience: visual, tactile and auditory."
    The Jawbone Bluetooth headset was awarded an International CES Innovations Design and Engineering Award and an iF Product Design Award. An earlier generation of the Jawbone headset was honored with the 2005 CES Innovations Award, the BusinessWeek Industrial Design Excellence Award, and a DEMOgod(tm) award from the DEMO industry conference group in 2004. The first version of Jawbone has also been exhibited at both the New York Museum of Modern Art and the San Francisco Museum of Modern Art.
    Jawbone is currently available exclusively at select Cingular Wireless retail stores nationwide for $119.99 and is compatible with all Bluetooth-enabled handsets. Consumers can also visit www.jawbone.com.
    About Aliph
    Aliph was founded in 1999 by Alex Asseily and Hosain Rahman, two young engineering entrepreneurs who met as Stanford undergrads. The pair shared a belief that voice would be the dominant interface for mobile devices and that creating a noise-free environment was critical to delivering an improved mobile communications experience. Aliph is committed to ensuring that mobile users have the best possible experience anywhere, anytime. Since 2002, Aliph's technology has been optimized for DARPA to maximize communications clarity in the most hostile conditions. Aliph's first consumer product, the Jawbone headset, debuted in 2004 to critical acclaim for its marriage of performance, design and comfort. Headquartered in San Francisco, Calif., Aliph is funded by private investors and the Mayfield fund. For more information about Jawbone, please go to www.jawbone.com.
    About Cingular Wireless
    Cingular Wireless is the largest wireless carrier in the United States, serving 58.7 million customers. Cingular, a joint venture between AT&T Inc. (NYSE: T) and BellSouth Corporation (NYSE: BLS), has the largest digital voice and data network in the nation -- the ALLOVER™ network -- and the largest mobile-to-mobile community of any national wireless carrier. Cingular is a leader in third generation wireless technology. Its 3G network is the first widely available service in the world to use HSDPA (High Speed Downlink Packet Access) technology. Cingular is the only U.S. wireless carrier to offer Rollover®, the wireless plan that lets customers keep their unused monthly minutes. Details of the company are available at http://www.cingular.com. Get Cingular Wireless press releases emailed to you automatically. Sign up at http://cingular.mediaroom.com.
    Danny Bonaduce to Join THE ADAM CAROLLA SHOW on CBS RADIO Beginning on Tuesday, January 2, 2007
    Famed Radio and Television Personality Marks Full-Time Return to Radio
    Fresh off the season two conclusion of the hit non-scripted cable television show, Breaking Bonaduce, Danny Bonaduce will join THE ADAM CAROLLA SHOW as a featured member of the morning drive program (6-10:00AM, PT) beginning on Tuesday, January 2, 2007. Broadcast live out of the show's flagship station, KLSX-FM in Los Angeles, THE ADAM CAROLLA SHOW is carried on six CBS RADIO stations on the West Coast, and syndicated to a host of additional stations. The four-hour program also features Teresa Strasser in the studio.
    "If you asked me why I wanted to join Adam's show, my first reaction would be to say poverty," said Bonaduce, "followed quickly by the fact that I'm a big fan and have a lot of respect for his work. There's nothing quite like doing live radio especially with a veteran like Adam. Having done his show in the past I know that there is something unique about what we bring to the table. I'm thrilled to be included and look forward to being back on the air full time."
    "After completing a successful first year, THE ADAM CAROLLA SHOW is poised to reach new heights in 2007," said Chris Oliviero, Vice President, Programming, CBS RADIO. "Adam's candid and true to life sense of humor has served the show well since its debut. We are pleased to take this next step raising the bar in the competitive morning drive ratings race."
    Bonaduce has spent a lifetime in show business. His radio career began in Philadelphia and brought him to Chicago, Detroit, New York and Los Angeles, where he was among the most listened to personalities in the market. Bonaduce starred in the series The Partridge Family for a better part of the 1970s, and his other television credits include Eight is Enough, That 70's Show, Sabrina, The Teenage Witch, The Drew Carey Show, The Other Half talk show as well as several Partridge Family reunion and dedication programs.
    Source: CBS RADIO
    Ozura Unveils Five New and Upcoming Games in the 1st Quarter of 2007
    ============================================================================================================================
    Singapore, 21 December 2006—Ozura Mobile ("Ozura"), a global leading publisher and developer of mobile entertainment will reveal the total number of five games in the 1st quarter of 2007.
    “As the mobile gaming industry gradually matures, so do the tastes of mobile gamers. While Snakes used to be a sufficient benchmark for mobile games in the past, gamers nowadays have more elaborate and demanding needs in terms of game play. More eye candy, more character or storyline development and simple yet challenging fun on the go is the name of the game in these new times,” commented H.E Mah, Ozura’s Vice President of Marketing.
    “Game appreciation and standards grow and change accordingly with the gradual maturation of the industry. We have taken the initiative as the year end approaches, to change the style of our games to cater to this growing need for better games,” added Mah.

    Titles scheduled for release in the first quarter of 2007 are:

    R.A.T.S (Rodent Assault Tactical Squad) – The R.A.T.S are at it again! At 0800 hours, the tactical squad will assault the downtown café, codenamed ‘Café Ratoulette’. Many fellow rats have perished at the rolling pin of the evil Italian Chef, codenamed ‘Monsieur Killer ’. The mission is to go where no rat has gone before – the revered Kitchen of Heaven. Under the command of General Ratmandoo, the R.A.T.S will search, eat and DESTROY!

    Lawak Kampus – Join Vanness, Froggy, Bepop, Aditas, Si Kosong and the Lawak Kampus gang! The Principal has called for yet another random Spot Check and Vanness has an elaborate plan to keep everyone out of trouble. With the help of a strategically placed trampoline, help him to relieve everyone of their ‘illegal’ items. Safe! Whether he intends to give them back is another story ;)

    Antopia: The Beginning – For years, the colony of Ugo under the gentle command of Queen Isgaea has been home to the great ants of Laurasia. While the kingdom grew through both colonization and invasion, an alarming new threat began to take place-a dwindling supply of food.

    Under orders from the Queen, scouts set out a dangerous mission to find a solution to this problem. A great many disappeared, traveling too far from home and getting lost. Those that returned gave news of a mysterious place overheard from other creatures in the realm.

    Wonderful tales of never-ending food and healthy land for home digging were told. Rain showers and storms would never ever threaten the colony or wipe out citizens for the weather there was quiet and calm. This haven was called Antopia.

    “Peng” the Guin - Sea level has begun to rise and the Guins now find the task of searching for a new home in their hands. Coupled with their determination to keep things ‘cool’ and their love for a good ‘Peng’, they set out from their beloved home to new and distant horizons.

    Hello Kitty: Birthday Surprise - Hello Kitty and friends are throwing a birthday bash! Who’s the lucky person? Why, Kitty and Mimi of course! With their love of baking, Kitty and her twin sister Mimi start a birthday surprise for all their family and friends! Their birthday will be a day to treat everyone they love! They will be inviting Mama, Papa, Grandma, Grandpa and many others so they’ll need a lot of ingredients to make many birthday cakes! With ingredients such as eggs, flour, cherry, milk, cheese and strawberry, the cakes are well on their way to being yummy! It’s up to you and Hello Kitty to create the perfect birthday surprise!

    About Ozura Mobile

    Ozura Mobile is a leading international developer and publisher for mobile games and game developer engine to carriers, aggregators, mobile phone manufacturers and service providers. The company creates games for mobile phones based on J2ME, BREW or Symbian platform. Ozura's games are available all over the world through its distribution network of thousands of partners spanning across 130 countries. It is expected that the growth of mobile phones supporting these platforms will exceed one billion units worldwide in 2008. For more information, visit http://www.ozura.com

     

    Dec 20

    Jerry Douglas Caps Off Biggest Year of His Career With "A Prairie Home Companion" Recordings in Nashville on New Year's Eve
     2006 -- KOCH Recording artist Jerry Douglas is capping off the biggest year of his career, with much more in store for 2007. Releasing his solo record "The Best Kept Secret" and being featured on Alison Krauss & Union Station's "Lonely Runs Both Ways," Douglas has been kept very busy during 2006.
    Douglas just completed a live broadcast at New York's Town Hall for "A Prairie Home Companion" on December 16th, and will perform at the Ryman Auditorium in Nashville with "A Prairie Home Companion" on December 31st.
    Douglas has won three Grammys in 2006: Best Country Performance By a Duo or Group, Best Country Instrumental Performance (composed by Jerry Douglas) and Best Country Album, all with Alison Krauss & Union Station featuring Jerry Douglas. Douglas was also nominated for Musician of the Year by the CMAs, and nominated for Instrumental Performer (dobro) and Instrumental Album by IBMA.
    After completing a sold out tour in early 2006 with Alison Krauss & Union Station, The Jerry Douglas Band headlined several festivals in 2006, including Bonnaroo, Telluride Bluegrass Festival, MerleFest, Vancouver Island Music Festival, Winnipeg Folk Festival, Hardly Strictly Bluegrass Festival, Johnny Keenan Festival (Ireland), and RockyGrass. The Jerry Douglas Band also opened for Paul Simon on a 29 city tour, playing such prestigious venues like Radio City Hall (New York City), The Greek Theater (Los Angeles) and more. Douglas also accompanied Paul Simon on "The Boxer" each night during encore.
    More Jerry Douglas tour dates coming soon!
    About KOCH Records
    KOCH Records is a division of KOCH Entertainment, the fastest-growing music company and the market leader among independents in North America. The KOCH Entertainment corporate umbrella encompasses the KOCH Records label, KOCH Vision home video, KOCH Music Publishing and KOCH Entertainment Distribution with operations in both the U.S. and Canada. KOCH Records proudly claims the largest number of Billboard charting albums among independents for each of the last five years (2001-2005). For additional info on the KOCH Records label and its roster of artists, please visit www.kochrecords.com
    Yung Joc Wraps His Incredible 2006 With Grammy Nod and Scream Tour; ATL-Based Rapper Goes From Unknown MC to #1 Superstar in One Amazing Year
    December 20, 2006 -- Block Entertainment/Bad Boy South recording artist Yung Joc is set to put the cap on a year that saw him rise up from the streets of Atlanta to the platinum heights of hip-hop stardom.
    Among the recent highlights is the news of Yung Joc's first-ever Grammy Awards nomination. The ATL-based rapper -- whose debut album, "NEW JOC CITY," premiered in the #1 spot on Billboard's Top R&B/Hip-Hop Albums and Top Rap Albums charts this past spring -- got the nod for "Best Rap Song," honoring his #1 smash, "It's Goin' Down." The 49th Annual Grammy Awards will be held on "Grammy Sunday," February 11th, at the Staples Center in Los Angeles.
    "Joc's proven success is no surprise to me," said Block Enterprises CEO Russell "Block" Spencer. "My industry instincts recognized his talent. His passion and drive are what keep him hungry. Numbers don't lie, so with his undeniable talent and incredible work ethic, I'm sure the best is yet to come."
    "We expect great things from Yung Joc in 2007," said Bad Boy Executive VP and General Manager Harve Pierre. "For his first album, 'NEW JOC CITY,' he traveled through every crack and crevice of the United States meeting fans and shaking hands. He is a hard worker and the type of artist we love. He lived on top of the charts with his first LP and is already on his third single, '1st Time.'"
    Yung Joc will wrap up 2006 with an appearance on BET's annual 106 & Park New Year's Eve extravaganza, aptly titled 106 & Party (check local listings). The rap sensation is currently on the road with the "Scream Tour 5." Billed as the "Ruff & Ready, Young & Sexy" tour, the latest installment of the massively successful teen concert series sees the rapper sharing arena stages coast-to-coast with some of R&B and hip-hop's hottest new stars, including Omarion, Ne-Yo, Mario, and Pretty Ricky. Sponsored by BET, the Scream Tour 5 will criss-cross the country through December, culminating December 31st in a New Year's Eve spectacular at Washington, D.C.'s Verizon Center (see attached itinerary).
    Last month, Yung Joc's breakthrough street anthem, "It's Goin' Down," was named "Hip-Hop Track of the Year" at the inaugural BET Hip-Hop Awards event. The single went from underground sensation to the top of Billboard's Hot R&B/Hip-Hop Songs chart, and then quickly burst onto the mainstream, reaching the top 3 on Billboard's Hot 100. The track's companion video just received top honors on MTV2, where it was named the #1 video on the channel's "Top 100 Sucker Free Videos of 2006." The clip also topped the playlist at BET (where Yung Joc was a "Rated Next" artist), and scored Big Ten rotation on MTV.
    What's more, Yung Joc is Warner Music Group's top mobile artist of the year. The ringtone for "It's Goin' Down" was certified three times platinum by the RIAA, and "I Know You See It" has been certified platinum.
    Yung Joc reigned over the online world, spending much of Summer 2006 as MySpace's #1 artist. On July 24th, the MC celebrated with a sold-out MySpace Secret Show in his native Atlanta. Other high-profile live appearances included a hugely popular tour alongside Grand Hustle/Atlantic recording artist T.I., and a performance of "It's Goin' Down" during the main event ring walk at Don King's Gateway to Glory boxing event in St. Louis.
    As if all that weren't enough, Yung Joc performed alongside Diddy at this year's BET Awards in June and also made guest appearances on some of the year's biggest tracks, including Danity Kane's top 10 smash, "Show Stopper," and Lil' Boosie's current top 20 hip-hop hit, "Zoom."
    (TOUR ITINERARY ATTACHED)
    YUNG JOC ON TOUR 2006 All Dates w/SCREAM TOUR 5- RUFF & READY, YOUNG & SEXY Starring Omarion & Ne-Yo Co-Starring Pretty Ricky & Mario Also Featuring Sammie, Jibbs, and One Chance DECEMBER 21 Hampton, VA Hampton Coliseum 22 Philadelphia, PA Wachovia Center 23 New York, NY Madison Square Garden 26 Detroit, MI Joe Louis Arena 28 Chicago, IL Allstate Arena 29 Cleveland, OH Wolstein Center 30 Baltimore, MD 1st Mariner 31 Washington, DC Verizon Center
     
    Cingular today said its 3G mobile broadband network now extends from San Francisco to New York, and from Chicago to Dallas, making advanced wireless services available in more than 160 markets, including most of the top 100 major cities in the country.
    The company's 3G network offers advanced wireless services, such as viewing video clips, and enhances existing wireless services by making them run faster. Customers can now download a game or ringtone, or access e-mail, in a fraction of the time it used to take. Additionally, Cingular customers using a 3G handset can access all the company's data services whenever they're connected to the Cingular network.
    "We're delivering on a commitment we made to our customers to enhance our core network and extend our 3G services nationally," said Ed Reynolds, president of Network Services for Cingular. "We will continue investing in and building out our 3G network so that customers across the country can experience all the benefits that wireless communications can deliver."
    Cingular customers can now use its 3G mobile broadband network to rapidly access e-mail, browse the Internet, connect to business applications, or watch video clips while on-the-go whether standing under the Space Needle in Seattle or partying along Miami's South Beach.
    Cingular's 3G network provides average download data speeds between 400- 700 kilobits per second with bursts to over one megabit. HSDPA/UMTS technology makes it possible for people to enjoy a wide variety of wireless content and gives Cingular the advantage of offering simultaneous voice and data services to customers based upon the global standard for wireless communications - GSM. For businesses and consumers, this means more feature- rich services and content, and for Cingular, a more economical method for carrying traffic and more efficient use of spectrum.
    HSDPA is the high-speed evolution of GSM/EDGE (Global System for Mobile Communication), which shares a common core network and therefore is backward compatible with EDGE/GPRS.
    In areas where the 3G network is not available, customers will automatically receive service on the company's EDGE network. The Cingular EDGE network is available to more than 270 million people in 13,000 cities and towns and in areas along 40,000 miles of highways, providing average data speeds up to 135Kbps. GSM is the world's most popular wireless technology, which is used by international wireless carriers to serve more than two billion people worldwide and enabling Cingular customers to make/receive voice calls in nearly 200 countries and access data services in more than 115 countries. With select 3G devices, customers traveling internationally can receive mobile broadband connections in more than two dozen countries.
    Consumers can use Cingular Video to watch video highlights from media outlets including ABC TV, Cartoon Network, Adult Swim, CMT, CNN, Comedy Central, Disney Channel, Disney Mobile Studios, ESPN, FOX Sports, FOX News, FOX TV, FUEL, HBO Family (premium), HBO Mobile (premium), iFilm, Jayski Alerts, MTV, Music Choice, NASCAR.com To Go (premium), NCAA Championship Sports Content, NBC, Nickelodeon, Richard Childress Racing, SPEED, Spike, The Weather Channel, TV Guide Channel and VH1. They can also view highlights of a number of HBO's series including "Curb Your Enthusiasm," "Entourage" or "The Wire."
    Business customers can use Cingular's LaptopConnect solutions to access the Internet or e-mail, download large files and attachments, or run corporate business applications. Cingular LaptopConnect combines either an external LaptopConnect card or an integrated modem within a Laptop and Cingular's Communication Manager to provide access to the 3G network. The service also offers additional security features compared to alternative wireless technologies.
    For more information on Cingular's 3G services, coverage maps, devices and more, please visit http://www.cingular.com/3g.
    About Cingular Wireless
    Cingular Wireless is the largest wireless carrier in the United States, serving 58.7 million customers. Cingular, a joint venture of AT&T Inc. (NYSE: T) and BellSouth Corporation (NYSE: BLS), has the largest digital voice and data network in the nation -- the ALLOVER™ network -- and the largest mobile-to-mobile community of any national wireless carrier. Cingular is a leader in third generation wireless technology. Its 3G network is the first widely available service in the world to use HSDPA (High Speed Downlink Packet Access) technology. Cingular is the only U.S. wireless carrier to offer Rollover(r), the wireless plan that lets customers keep their unused monthly minutes
    Academy to Honor Richard Edlund with Bonner Medal
    Beverly Hills, CA — Richard Edlund, a visual effects expert who won Oscars® for his work on “Star Wars,” “The Empire Strikes Back,” “Raiders of the Lost Ark” and “Return of the Jedi,” has been voted the John A. Bonner Medal of Commendation by the Board of Governors of the Academy of Motion Picture Arts and Sciences.
    The Bonner medallion will be presented at the Scientific and Technical Awards Dinner on Saturday, February 10, at the Regent Beverly Wilshire.
    Named in honor of the late director of special projects at Warner Hollywood Studios, the John A. Bonner Medal is awarded for “outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.”
    “Besides Richard’s groundbreaking visual effects work, which has given moviegoers some of the most memorable scenes on the big screen,” said Academy President Sid Ganis, “he’s been central to the Academy’s work in the scientific and technical areas for over a quarter century, including serving as one of the first Visual Effects Branch governors on the Board.”
    In 1983 Edlund founded Boss Film Studios and began work on “Ghostbusters.” Through 1997, the studio produced visual effects for more than 30 motion pictures, including “2010,” “Die Hard,” “Ghost,” “Poltergeist II: The Other Side,” “Cliffhanger,” “Batman Returns,” “Alien 3,” “Species,” “Multiplicity” and “Air Force One.”
    Edlund has also earned six additional Academy Award® nominations and three Scientific and Engineering Awards. He also won an Emmy® Award for visual effects for the TV series “Battlestar Galactica.”
    An active member of the Academy since 1979, Edlund served on the Academy’s Board of Governors from 1995 to 2006, and chaired both the Visual Effects Branch Executive Committee and the Scientific and Technical Awards Committee from 2001 to 2006.
    He continues to serve on the Academy’s Science and Technology Council and on its Museum Committee.
    Segments of the Scientific and Technical Awards presentation will be featured on the ABC Television Network telecast of the 79th Academy Awards® on Sunday, February 25, 2007.
    ©A.M.P.A.S.® 
    Louis J. Horvitz to Direct 79th Annual Academy Awards®
    Beverly Hills, CA — Director Louis J. Horvitz will return to direct the 79th Annual Academy Awards telecast, producer Laura Ziskin has announced.
    This will be Horvitz’s 11th time directing the Academy Awards show. In August of this year, Horvitz added a fifth Emmy® Award to his mantel for his achievement in directing the 78th Annual Academy Awards. He has received a total of eight Emmy nominations and four Emmy Awards for his Oscar® telecast work.
    Horvitz just directed the most recent Emmy Awards (his 12th time) and completed his 15th stint directing both “The Kennedy Center Honors” and “The American Film Institute Life Achievement Award.” This year, he completed his 11th year as executive producer-director of “An Evening of Stars” and directed “The 41st Annual Academy of Country Music Awards.”
    In a career that has spanned three decades, Horvitz has helmed numerous other high-profile programs including the “Daytime Emmy Awards,” “The Kids Choice Awards,” “CBS at 75,” “Lifetime’s Achievement Awards: Women Changing the World,” VH-1’s “DIVAS,” “Macy’s July 4th Spectacular,” “The 2004 MTV Movie Awards,” “The Bad Boys of Comedy,” “The VH-1 Concert for New York City” benefiting survivors of 9/11, and “U2 Half Time at the Superbowl.”
    Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater in Beverly Hills.
    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour red carpet arrivals segment, “The Road to the Oscars.”

     

    [ Yahoo! ] options

    December 18, 2006

    Monte Bubbles 2005 Christmas Favorites

     

     f

    Happy Holidays in Politically Correct Democratic Party Approved and

    Majority of the Press Signed On To Greeting

    Merry Christmas, Happy Hanukkah, Happy Solstice, Happy Kwanzaa, Happy New Year!
    Please accept with no obligation, implied or implicit my best wishes for an environmentally conscious, socially responsible, low stress, non-addictive, gender neutral, celebration of the winter solstice holiday(tm), practiced within the most enjoyable traditions of the religious persuasion of your choice, or secular practices of your choice, with respect for the religious/secular persuasions and/or traditions of others, or their choice not to practice religious or secular traditions at all . . . and a fiscally successful, personally fulfilling, and medically uncomplicated recognition of the onset of the generally accepted calendar year 2006, but not without due respect for the calendars of choice of other cultures whose contributions to society have helped make America(or your country, province, territory, protectorate or would-be future nation) great, (not to imply that America is necessarily greater than any other country or is the only "AMERICA" in the western hemisphere), and without regard to the race, creed, color, age, physical ability, religious faith, choice of computer platform, or sexual orientation of the wishee.


    Whether you accept his greeting or not, is irrelevant, as acceptance or non-acceptance has no bearing whatsoever on anything stated or implied in anything that is so stated or unstated regarding any of the information stated to you here within. 


    This greeting is subject to clarification or withdrawal. It is freely transferable with no alteration to the original greeting. It implies no promise by the wisher to actually implement any of the wishes for her/himself or others, and is void where prohibited by law, and is revocable at the sole discretion of the wisher. This wish is warranted to perform as expected within the usual application of good tidings for a period of one year, or until the issuance of a subsequent holiday greeting, whichever comes first, and warranty is limited to replacement of this wish or issuance of a new wish at the sole discretion of the wisher.

    By the way, Peace on Earth and goodwill to all  - men,  women and of course dogs (and other creatures – with the exception of cats)

    Note:  This was pssed to me via email from my Aunt Toni with some editing from me.  The original author is unknown.

     

    Once every 50 years, Hanukkah finishes and starts on Christmas.  This happened on Christmas this year. 
    Typically, the first day of Hanukkah, begins at sunset of the day immediately before the one given, according to the Gregorian Calendar, which is used internationally and considered the modern calendar.  The actual dates of Hanukkah are determined however by the traditional or Hebrew Calendar.  Due to the differences in these calendars, the holiday for Jewish year 5766 is listed on Gregorian calendars for 2005-2006 as December 26th to January 2nd. 
    Hanukkah, commemorates the Miracle of the Oil.  It is represented by a Menorah with 9 candles, eight to represent the oil which burned for 8 days, which was the amount of time it took to create new oil.  The miracle aspect was that there was only enough consecreated olive oil to fuel the eternal flame in the Temple in Jerusalem for one day.  Today the Menorah has come to represent the miraculous survival of the Jewish people through trials and tribulations.

    Besides the obvious differences between Hanukkah and Christmas, in speaking with those who grew up celebrating both, the main difference is that for Hanukkah you receive 8 days of presents of things you need and Christmas you get (hopefully) what you want.  As for me, both are reasons to celebrate … does that mean I get more treats?

     

    Christmas Trees and Traditions

    While enjoying Christmas, I look at the tree and wonder it's origination and when the tradition started.  From first celebrating the winter solstice, an evergreen has celebrated life.  Beginning in earlier years, it expanded and was popularized in Germany with the music of "O Christmas Tree".  Prince Albert brought it to England and in his union with Queen Victoria, the decoration of Christmas trees became popularized in Europe, and then spread throughout the world.
    Today, the Christmas tree represents tradition.  The tradition of family and celebration.  Upon further contemplation, much of life is truly about tradition.  It is why we do what we do.  It is why we gather.  It is why we proceed in a specific manner.  It has become so ingrained within our actions that tradition is habit. A habit?
    Test it yourself.  Create a new tradition, continue it for 5 days, stop, and feel the change.  Then you know you've created a new tradition.

    The Magic of Christmas

    Unexplainable.  When it happens around Christmas we call it the magic of Christmas.  When it happens at other times of the year, we call it a miracle.  Magicians create magic, but typically they’re illusions.  So, are these then illusions?

    Whatever you want to call it, belief plays into it.  Or does it?  Or do only some see who are supposed to see?  How does that differ from leprechauns, fairies, the Lochness Monster, Sasquatch, Santa Claus, the Easter Bunny, or the Great Pumpkin?

    Is that like people of different religions having their God, Allah, Buddah ….. aren’t we all just referring to a universal force that we’re all calling something different, then organized by people into what is called a religion?

    Did you ever think that this magic occurs every single day?  Yet, we are all so busy in our lives that we rarely notice or stop and smell the roses.

    Whatever your belief, Merry Christmas, Happy Hanukkah, Happy Kwanzaa …. What you make of it, like life, it is up to you.

    (As for me, I believe in leprechauns.  They sure give me a sore back sometimes.)

    December 23

    Christmas Trees Favored Over Relatives for a Good Christmas

     

     Some Germans would rather spend Christmas with a tree than with their families, a new poll shows.

    The survey in Thursday's Focus weekly news magazine found 75 percent of Germans could not contemplate Christmas without their beloved "Tannenbaum," the traditional tree many cover lavishly with candles, lights and decorations.

    But only 65 percent said spending time with relatives was also essential for a good Christmas.

    Singing carols was the next most vital ingredient, with 57 percent saying they could not do without them, while 42 percent said Christmas just wouldn't be Christmas without presents.

    The modern tradition of the Christmas tree originated in Germany.

    Three percent of the 1,014 people polled about attitudes to Christmas wanted to skip the whole thing.

     

    ASPCA’s Holiday for Pets

     

    The Holiday spirit often captures each of us hoping for happiness, peace and the perfect gift.  If you’re searching for:

    -          A new pet as a present,  planning makes all the difference. 

    -          If you have a pet, and you’re not quite certain what seasonal elements are toxic or not – such as mistletoe

    -          The perfect card, from dog to dog or dog lover to dog lover

    These answers can all be found at the ASPCA website, http://www.aspca.org/site/PageServer?pagename=adopt_petsaspresents and http://www.aspca.org/site/PageServer?pagename=media_newsalert#1

    December 21

    White House Holiday Celebration – Barney Cam’s “A Very Beazley Christmas”

    This is a view I can relate to.  It’s at my level – via the Barney Cam.  You’re able to experience the grandeur of the White House with special appearances and greetings by none other than Barney’s parents – President and Mrs. Bush.  There’s a sense of holiday spirit and sibling rivalry. 

    If you’d like to explore from a different perspective, review the press releases and videos – including Lighting the White House Christmas Tree and the Menorah Lighting Ceremony.  For more information on their celebration, use the following link at http://www.whitehouse.gov/holiday/2005.

    Monte Bubbles Rock

    Monte Bubbles, Monte Bubbles, Monte Bubbles

    She shakes her hips and wiggles her tail.

    Barking and yapping and having fun

    Now her real dancing has begun

    Monte Bubbles

    Monte Bubbles

    Monte Rocks

    The little Wheaten Puppy

    A hopping and dancing with her friends till the clock strikes 12

    In the cool winter air,what a great time

    Monte and her friends had bopping the night away

    Monte Bubbles, Monte Bubbles, Monte Bubbles

    She shakes her hips and wiggles her tail.

    Barking and yapping and having fun

    Now her real dancing has begun

    That’s the Monte Bubbles, The Bubbles Rock

    The Monte Bubbles Rock.

     

    Long Beach - Beverly Hills Kennel Club – An Undefeated Season

     

    I’m undefeated in my class for the first season.  I don’t know if this is a record, but from what I’ve heard at the dog show – it’s extremely unusual. In the 4 days of shows, there were 9000 entries, there are only a certain amount of first place ribbons given out on each given day.  To win a First Place Ribbon each day for four consecutive show days is a treat for any dog. 

    Some of the dog show exhibitors remarked they would be happy to even win a ribbon.  In fact one junior handler remarked that she might get a ribbon if she showed her bare “behind”.  Her mom was shocked when she’d heard her. 

    To top today off, two of my local neighborhood fans, Eva and Dylan, presented me with a Christmas present – home-baked peppermint chocolate chip cookies(I shared with my mom) and a basketball tug-of-war.  I surprised them jingling down the street with my reindeer ears.  This is my first Christmas.  I don’t understand what all those people are complaining about, but as for me – bring it on!  I’m all for Christmas!

    Monte Bubbles - Puppies 12 Days of Christmas

    On the first day of Christmas,
    my mommy gave to me
    A doggy bone shaped like a pear tree.

    On the second day of Christmas,
    my mommy gave to me
    Two chew toys,
    And a doggy bone shaped like a pear tree.

    On the third day of Christmas,
    my mommy gave to me
    Three chicken treats,
    Two chew toys,

    And a doggy bone shaped like a pear tree.

    On the fourth day of Christmas,
    my mommy gave to me
    Four yapping friends,

    Three chicken treats,
    Two chew toys,

    And a doggy bone shaped like a pear tree.


    On the fifth day of Christmas,
    my mommy gave to me
    Five golden collars,
    Four yapping friends,

    Three chicken treats,
    Two chew toys,

    And a doggy bone shaped like a pear tree.

    On the sixth day of Christmas,
    my mommy gave to me
    Six greasy meats ,
    Five golden collars,
    Four yapping friends,

    Three chicken treats,
    Two chew toys

    And a doggy bone shaped like a pear tree.

    On the seventh day of Christmas,
    my mommy gave to me
    Seven ducks a swimming

    for me to chase,
    Six greasy meats,
    Five golden collars,
    Four yapping friends,

    Three chicken treats,
    Two chew toys

    And a doggy bone shaped like a pear tree.


    On the eighth day of Christmas,
    my mommy gave to me
    Eight bowls of milk,
    Seven ducks a swimming

    for me to chase,
    Six greasy meats ,
    Five golden collars,
    Four yapping friends,

    Three chicken treats,
    Two chew toys,

    And a doggy bone shaped like a pear tree.

    On the ninth day of Christmas,
    my mommy gave to me
    Nine of my friends dancing,
    Eight bowls of milk,
    Seven ducks a swimming

    for me to chase,

    Six greasy meats ,
    Five golden collars,
    Four yapping friends,

    Three chicken treats,
    Two chew toys

    And a doggy bone shaped like a pear tree.


    On the tenth day of Christmas,
    my mommy gave to me
    Ten cats a-leaping,
    Nine of my friends dancing,
    Eight bowls of milk,
    Seven ducks a swimming

    for me to chase,
    Six greasy meats ,
    Five golden collars,
    Four yapping friends,

    Three chicken treats,
    Two chew toys,

    And a doggy bone shaped like a pear tree.


    On the eleventh day of Christmas,
    my mommy love gave to me
    Eleven rabbits to chase,
    Ten cats a-leaping,
    Nine of my friends dancing,
    Eight bowls of milk,
    Seven ducks a swimming

    for me to chase,
    Six greasy meats ,
    Five golden rings,
    Four yapping friends,
    Three chicken treats,
    Two chew toys,
    And a doggy bone shaped like a pear tree.

    On the twelfth day of Christmas,
    my mommy gave to me
    My Daddy playing with me,

    Eleven rabbits to chase,
    Ten cats a-leaping,
    Nine of my friends dancing,
    Eight bowls of milk,
    Seven ducks a swimming

    for me to chase,
    Six greasy meats
    Five golden rings,
    Four calling birds,
    Three chicken treats,
    Two chew toys,

    And a doggy bone shaped like a pear tree!

    Copyright 2005 by W. DuSackville

    December 14

    Monte Bubbles is Coming To Town

    You puppies better watch out,
    You better not bark,
    Better not yap,
    I'm telling you why:
    Monte Bubbles is coming' to town.

    She's making her list
    And she’s checking it twice,
    She’s gonna find out
    Who's naughty and nice.
    Monte Bubbles is coming to town.

    She sees you when you're napping',
    She knows when you're playing,
    She knows if you've been a stinker or nice,
    So be good for goodness sake.

    You puppies better watch out,
    You better not bark,
    Better not yap,
    I'm telling you why:
    Monte Bubbles is coming to town.

    Copyright 2005 by W. DuSackville 

     

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    December 16, 2006

    ROSE PARADE

     2007 Tournment Of Roses Rose Parade

     

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     ROSE PARADE FLOAT WINNERS

     

    •  Sweepstakes Trophy: FTD's "Jewels of Nature," for most beautiful entry

     

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    •  Lathrop K. Leishman Trophy: Sierra Madre's "Our Wonderful Wistaria," for most beautiful non-commercial entry

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    •  Grand Marshal's Trophy: Alhambra's "Circus Comes to Town," for excellence in creative concept and design

     

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    •  President's Trophy: Kaiser Permanente's "A Thriving Imagination"

     

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    •  Director's Trophy: Western Asset's "A Universe of Opportunity"

     

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    •  Queen's Trophy: Bayer Advanced's "The Red Carpet of Roses," for most effective use and display of roses in concept, design and presentation

     

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    •  Mayor's Trophy: Anaheim's "Always Fresh and Never Grows Old," for most outstanding city entry

     

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    •  Theme Trophy: Farmers Insurance's "Mother Nature"

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    •  National Trophy: Kiwanis International's "Together We Can," for best depiction of life in the United States

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    •  Governor's Trophy: Glendale's "Our Bear Essentials," for best depiction of California life

     

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    •  Bob Hope Humor Trophy: Cerritos' "Nature Rocks"

     

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    •  Judges' Special Trophy: Rain Bird Corp.'s "Natural Beauties," for most spectacular entry

     

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    •  Animation Trophy: LifeSource Whole-House Water Systems' "Clean Water"

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    •  Fantasy Trophy: National Notary Assn.'s "Signed, Sealed and Delivered"

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    •  Founders' Trophy: Downey's "Springtime Treasures," for best float built and decorated by volunteers

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    •  International Trophy: China Airlines' "The Natural Beauty of Taiwan," for most beautiful entry from outside the U.S.

     

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    •  Princess' Trophy: Lutheran Laymen's League's "God's Great Nature," for best entry 35 feet or shorter

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    •  Isabella Coleman Trophy: Ronald McDonald House Charities of Southern California's "Home Sweet Home," for best presentation of floral color

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    •  Tournament Special Trophy: Lucasfilm's "Save Our Forest and the Garden Planet," for exceptional merit in multiple categories, including floats longer than 55 feet

     

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    •  Past Presidents Trophy: Palmdale's "Good Nature Begins at Home"

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    •  Tournament Volunteers Trophy: Torrance's "Nature's Wonders," for best floral design of entry 35 feet or shorter

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    •  Craftsman Trophy: NAMM, the International Music Products Assn.'s "Natural Harmonies, Oh Say Can You Sing," for showmanship and dramatic impact of entry longer than 55 feet

     

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    •  Extraordinaire Trophy: Oklahoma Centennial's "A Unique History," for most spectacular float, including those longer than 55 feet

     

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    •  Crown City Innovation Trophy: American Honda Motor Co.'s "Once Upon a Time," for best use of imagination and innovation to advance the art of float design

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    Source: Tournament of Roses

     

    Bayer Advanced(TM) Float Wins Seventh Consecutive Trophy in the January 1, 2007, Rose Parade(R)

    Red Carpet of Roses Float Receives Queen's Trophy for the Third Time for The Most Effective Use and Display of Roses in Concept, Design and Presentation

    (Media Note: Bayer Advanced was #11 in the Rose Parade lineup and the fifth float in the parade. Digital images available upon request. )

     Jan. 1  Bayer Advanced(TM), one of the largest lawn and garden brands and creator of some of the most effective rose care products for consumers, won its seventh consecutive trophy in the 118th Pasadena Tournament of Roses(R) Parade on January 1, 2007.

    Tournament of Roses judges awarded the Bayer Advanced Red Carpet of Roses float the Queen's Trophy for most effective use and display of roses in concept, design and presentation.

    Bayer Advanced has won a Tournament of Roses trophy every year since 2001, when it first entered the Rose Parade. This is the third year Bayer Advanced has won the Queen's Trophy.

    "A seventh consecutive trophy is an incredible honor and beyond our wildest expectations," says Bayer Advanced Head of Marketing Mark Schneid. "Phoenix Decorating's design and floral teams deliver year after year."

    Michelle Lofthouse of Pasadena's Phoenix Decorating, the largest Rose Parade float builder, has designed all of the award-winning Bayer Advanced floats, including the Red Carpet of Roses.

      Key features of the 2007 Bayer Advanced Red Carpet of Roses float include:      * Thousands of roses, including more than 50 varieties of roses, the       most in Rose Parade history.      * Roses named after such celebrities as Bing Crosby, Chris Evert, Paul       McCartney, Marilyn Monroe, Rosie O'Donnell and Barbra Streisand      * The Bayer Advanced float also debuted the All-America Rose Selections'       2007 winners for best roses of the year -- Rainbow Knock Out(R),       Moondance(TM) and Strike it Rich(TM).                               Riders and Song  

    This year there were 11 riders, including Lance Walheim, author of the best-selling book Roses for Dummies.

    The 1966 hit song "Good Day Sunshine" by the Beatles played while the float traveled the 5-1/2-mile parade route.

                   Previous Bayer Advanced Rose Parade Trophies      * 2006: Queen's Trophy for most effective use and display of roses in       concept, design and presentation      * 2005: President's Trophy for most effective use and presentation       of flowers      * 2004: Fantasy Trophy for most outstanding display of fantasy and       imagination      * 2003: Animation Trophy for the most animated float      * 2002: Queen's Trophy for most effective use and display of roses in       concept, design and presentation      * 2001: Fantasy Trophy for most outstanding display of fantasy and       imagination                              About Bayer Advanced  

    Bayer Advanced rose care products are the Exclusive Rose Care Products of the Tournament of Roses. Bayer Advanced is a business group of Bayer CropScience LP and part of the Bayer AG family, a Fortune Global 500 company. Members of the Bayer AG family make such well-known brands as Bayer Aspirin, Aleve(R) and Alka-Seltzer(R). Research Triangle Park, N.C., is the business headquarters of Bayer CropScience LP. Kansas City, Mo is Bayer CropScience LP's core technology center. The global headquarters of Bayer CropScience is located in Monheim, Germany.

    Bayer, the Bayer Cross, Bayer Advanced, Aleve and Alka-Seltzer are trademarks of Bayer. Rose Parade and Tournament of Roses are trademarks of Pasadena Tournament of Roses Association.

    Source: Bayer Advanced

     

     

    Monday January 1st 2007

    11 a.m EST 8 a.m. PST

    Theme :  Our Good Nature

    45 Floats, 22 Marching Bands, 23 Equestrian Units, 1 Star Wars Spectacular, 3 Official Vehices.

    Grand Marshal : George Lucas

     

    THE FLOATS DAY 4

     

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    Star Wars Spectacular Sighting En Route to Pasadena Rose Parade

    The 2007 float route from Azusa to Pasadena leaves Azusa at approximately noon, December 31st. The floats travel on surface streets at approximatley 2.5 miles for nearly 9 hours to arrive in Pasadena from the Rose Parade.

    The floats making the trek are the Star Wars Spectacular, China Airlines and USC and Michigan floats. The Star Wars Spectacular consists of the Forest Moon of Endor Float and Naboo: The Garden Planet.

    The travel route is -

    - South on Aspan to First Street

    - East on First Street to Vernon

    - South on Vernon (changes to Lark Ellen) to Arrow Hwy

    - West on Arrow Hwy (changes to Live Oak, changes again to Las Tunas) to Temple City Blvd.

    - North on Temple City Blvd. to Huntington Drive

    - West on Huntington Drive to Fair Oaks

    - North on Fair Oaks to Mission

    - West on Mission to Orange Grove

    - North on Orange Grove

     

    STAR WARS FLOATS ROSE PARADE SNEAK PREVIEW.

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    FLOATS DAY 3

     

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    THE REAL BACKSTAGE AT THE ROSE PARADE: THE FLOWERS FOR THE FLOATS & CELEBRITY ROSES

     

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    Strike It Rich

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    Moondance

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    Rainbow Knockout

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    2007 Order of March for Rose Parade

    Floats

    City of Alhambra…68

    American Honda…27

    City of Anaheim…48

    Bayer Advanced™…11

    Burbank Tournament of Roses Association…76

    Cal Poly Universities of Pomona and San Luis Obispo…62

    China Airlines, Ltd…60

    City of Cerritos…56

    Donate Life…54

    Downey Rose Float Association…96

    City of Duarte, CA/City of Hop National Medical Center…29

    Farmers Insurance…3

    FTD…5

    City of Glendale…72

    Kaiser Permanente…64

    Kiwanis International…94

    La Canada Flintridge Tournament of Roses Association…84

    LifeSource Whole-House Water Systems…44

    Lions Club International…74

    City of Long Beach…78

    City of Los Angeles…7

    Lutheran Laymen's League…82

    NAMM, The International Music Products Association…15

    Odd Fellows and Rebekahs…86

    Oklahoma…50

    Oklahoma Centennial…37

    City of Ontario…58

    Optimist International…90

    City of Palmdale…21

    Rain Bird Corporation…9

    Ronald McDonald House Charities of Southern California…66

    Rotary International…19

    City of Santa Fe Springs…46

    Sierra Madre Rose Float Association...17

    City of South Pasadena…92

    City of St. Louis…70

    City of Torrance…80

    Trader Joe's…25

    University of Redlands…41

    City of West Covina…88

    Western Asset…35

     

    Bands

    Australian Southern Stars…87

    Butler Golden Tornado Marching Band…14

    Delfines Marching Band of the General Secondaria Escuela No. 5…49

    Dobyns-Bennett High School Band…20

    Fayette County High School Marching Tigers…38

    Kingwood High School Band…6

    Lakeville North High School Marching Band…53

    Louisiana Leadership Institute Marching Band…28

    Mountain Ridge High School Pride of the West Marching Band…75

    Oklahoma All-Star Centennial Band…2

    Los Angeles Unified School District Honor Band…79

    Pasadena City College Herald Trumpets…12

    Pasadena City College Tournament of Roses Honor Band…42

    Poterville Panther Band…63

    Pulaski Red Raider Marching Band…10

    Punahou Academy Marching Band…83

    Riverside King Band and Color Guard…91

    Rose Bowl Participating University Band Big Ten Band…40

    Rose Bowl Participating University Band Pac-10 Band…24

    The Salvation Army…71

    United States Marine Corps West Coast Composite Band…67

    Waukesha North “Northstar” Band…57

     

     

    Equestrians

    All American Donkey and Mule Riders…89

    Andalusians of The Spanish Fiesta…61

    Banuelos Charro Team…34

    Broken Horn Ropers…77

    City of Los Angeles Department of Recreation and Parks, WOW (Wonderful Outdoor World)…59

    Classic Curly Riders…95

    Cowgirls Historical Foundation…45

    1st Calvary Division, Horse Cavalry Detachment, US Army, Fort Hood TX OR The Horse Cavalry Detachment, Fort Hood Texas…22

    Gypsy Horse Group…73

    Llama Association of Southern California…8

    Long Beach Mounted Police…55

    Martinez Family…18

    Medieval Times…16

    New Buffalo Soldiers…30

    Painted Ladies Rodeo Performers…69

    Petite Elite Precision Driving Team…47

    Scripps Miramar Saddlebreds…93

    Spirit of the West Riders…81

    Tulare County Sheriff’s Posse…97

    United States Marine Corps Mounted Color Guard…67

    Valley Hunt Club Hitch and Riders…65

    Wells Fargo…26

    Western Group…85

    Star Wars Spectacular…31

    Tournament Entries

    Tournament of Roses Grand Marshal…51

    Mayor of Pasadena…36

    Tournament of Roses President…43

    Rose Queen and Royal Court…13

     

    All-America Rose Selections 2007 Award-Winning Roses in 118th Rose Parade
    Wednesday December 27, 5:00 am ET

     
    Country's Best New Roses Work the Red Carpet and Get the Celebrity Treatment Beginning at 8 a.m. PST on Jan. 1, 2007

     

    For the second consecutive year, All-America Rose Selections(TM)' (AARS(TM)) annual award-winning roses will make their debut in the Rose Parade on Jan. 1. The 2007 award-winners will be officially unveiled on the Bayer Advanced(TM) Red Carpet of Roses float, which will also feature a record 50 different varieties of roses including celebrity roses and past AARS award-winners.

    The three 2007 award-winners to be featured on the Bayer Advanced float are Moondance(TM), Rainbow Knock Out® and Strike It Rich(TM). They excelled during two years of testing against 15 criteria including ease of maintenance and disease resistance in the world's toughest rose trial. The AARS "award-winner" distinction is recognized as one of the most coveted awards in horticulture. Visit the AARS Web site www.rose.org for more information.

    Glendora, Calif. resident, Chris Greenwood -- one of the official AARS test judges who works tirelessly to help select the annual award-winners -- will be riding on the Bayer Advanced float. He is the first AARS judge in parade history to share the route with AARS award-winners he helped select.

    "Since 1890, the Rose Parade -- the oldest annual parade in the U.S. -- has brought together people of all ages and backgrounds," said All-America Rose Selections president Steve Hutton. "As we head into our 69th year we are proud to be a part of it again, and we thank Bayer Advanced for featuring the 2007 AARS award-winning roses on their record-breaking float."

     

        The 2007 AARS award-winning roses are:      
    *Moondance, an extremely vigorous, tall and well branched floribunda with      
    large trusses of creamy white, beautifully formed flowers contrasted with      
    very glassy, dark green foliage.     *Compact and even more 
    floriferous than Knock Out®, its famous      predecessor, 
    Rainbow Knock Out is resistant to rust and mildew and will      
    perform well in any North American garden, offering a nice display of      
    hips late into the season to compliment the late fall blooms.     *
    Strike It Rich, a 21st Century version of the classic 1950 AARS      
    award-winner, Sutter's Gold, has the spicy fragrance, long elegant buds      
    and tantalizing color of its ancestor, but boasts longer lived gold,      
    orange and red blend flowers offset by very dark green leaves and red      stems. 

    The 2007 award-winners are available for purchase in select catalogs and at retail garden stores nationwide. Visit www.rose.org for information on where to buy in your area, images and more information. When buying roses, look for the AARS rose logo to ensure you are buying the best.

    About All-America Rose Selections (www.rose.org )

    AARS is a nonprofit association of rose growers and introducers dedicated to bringing exceptional, easy-to-grow roses to gardeners across the county. AARS operates the world's most rigorous plant trial program via a network of more than 20 official test gardens throughout the country and representing all climate zones. This sophisticated evaluation process results is a new crop of AARS winning roses each year, guaranteeing that only the best make it into your garden. AARS strives to identify roses that are easy to grow, and evaluates plants on more than 15 qualities, including disease resistance, vigor and fragrance.

     

     

    World's Tallest Roses Reign at 2007 Rose Parade

    www.OrganicBouquet.com Makes History With Spectacular 5+ Foot Tall Eco-Blooms

    Dec. 28  Billions of flowers have adorned the floats of the Rose Parade in its 117-year history, but never a rose that stands as tall as the Rose Queen herself ... until this year.

    Organic Bouquet (www.OrganicBouquet.com), the eco-flower pioneer, announces the debut of the World's Tallest Roses at the 118th Rose Parade in Pasadena, where they will grace the float of the 89th Rose Queen, Mary McCluggage, as well as the Santa Fe Springs float.

    The first certified sustainably grown flowers ever used in Rose Parade history, these magnificent red roses grow naturally 5-6 feet tall, each stem boasting a large head which opens to an astonishing four inches in diameter, creating a sea of lush red rose petals.

    "These spectacular roses fit perfectly with the parade's theme, Our Good Nature," said Gerald Prolman, founder and CEO of www.OrganicBouquet.com. "The beauty of even the most stunning flower is enhanced when it is grown in a socially and environmentally responsible manner."

    How do these roses get so big? A combination of natural factors have come together to create this extreme rose. At the equator, on an Ecuadorian farm, nestled between two volcanoes at more than 9,600 feet, Organic Bouquet's World's Tallest Roses enjoy days of prolonged sunlight and cool nights which allow these super-sized beauties to flourish beyond expectation.

    These natural blooms are non-genetically engineered and are certified sustainably grown by Veriflora(TM), an international eco-floral certification standard that verifies social, environmental, ecological, and quality management practices.

    Mr. Prolman, who established www.OrganicBouquet.com in 2001, has led the eco-flower market by developing supplies in more than five countries and promoting the need for eco-flowers on a global scale.

    On December 30th, Mr. Prolman will present the Tournament of Roses Queen with a bouquet of the World's Tallest Roses. Later in the day, Prolman will be available for interviews on-site as Fiesta Parade Floats decorates the Macy's (Queen's) float with the World's Tallest Roses.

    Source: Organic Bouquet

     

    ROSE BOWL TEAMS AT THUNDER MOUNTAIN DISNEYLAND DECEMBER 26th 2006

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    Disneyland Continues Tradition Welcoming Rose Bowl Teams USC and Michigan

    Written by Joyce Chow and William Hoehne

    Disneyland welcomed Rose Bowl bound University of Southern California and the University of Michigan in their first stop of Rose Bowl events in front of Sleeping Beauty’s Castle the day after Christmas. USC and Michigan , will be playing in the 93rd Rose Bowl game in Pasadena on New Year’s Day 2007.

    Disneyland Ambassador to the World Becky Phelps hosted the welcoming ceremonies. Phelps proudly announced that the City of Anaheim , celebrating its 150th Anniversary, would have a float in the Rose Parade for the first time in over 30 years (since 1971). It’s theme is “Always Fresh and Never Grows Old.”

    The Rose Queen and her Court reign over the Tournament of Roses Celebrations. The Royal Court was introduced, Rose Princesses Christina Barsamian, Aneesah Giroux, Sue Park, Blair Ramirez, Kaitlin Terpstra-Sweeney, Danielle Vine and the 89th Rose Queen Mary McCluggage. The Royal Court and Queen were selected from more than 1100 Pasadena area young women who participated in the Tournament of Roses Royal Court tryout.

    President of Disneyland Resort Ed Grier and Mickey Mouse joined Phelps to the podium. “We’re also excited and honored to continue another great tradition as we partner with our friends from the Tournament of Roses to introduce the teams that participate in the the Rose Bowl.” Disneyland has been associated with the Tournament of Roses since 1959.

    Grier introduced the President of Tournament of Roses Association Paul Holman. The theme of this year’s Rose Parade is “Our Good Nature”. The Rose Parade is known for its spectacular floral floats and the requirement that all the floats are entirely decorated in all natural materials.

    Holman credits the “tireless good natured enthusiasm of our selfless volunteers who really are the driving force behind the Tournament of Roses, and you’ll see why this year’s theme is so appropriate. It truly brings these two important elements together - the natural artistry of the Rose Parade and the good nature of the people who make it happen every year.”

    The Tournament of Roses began in 1890, but the Rose Bowl entered later in 1902, with the first post season college football game in history during which – Michigan defeated Stanford 49-0.

    USC representing the Pac 10 conference, has won 21 Rose Bowl Games, more than any other school in history. USC Trojans Coach Pete Carroll has led USC in his 6 years of coaching to 64 wins and an 84% winning percentage. “We are ecstatic about being part of the Rose Bowl again…We’re thrilled about this opportunity and the chance to play such a great university in a classic matchup, with the Big 10 and Michigan just makes this even more special.” Both USC and Michigan will be playing in their third Rose Bowl game in the past four years.

    USC Trojan players introduced were Wide Receiver Dwayne Jarrett, Center Ryan Kalil, Defensive End Lawrence Jackson, Linebacker Keith Rivers, and Quarterback John David Booty.

    University of Michigan Wolverines is playing in their 20th Rose Bowl Game, more than any Big 10 school ever. Michigan Head Coach Lloyd Carr has led Michigan in each of his 12 season at the helm to a bowl game winning 78% of his Big 10 conference games.

    “I’d like to congratulate Coach Carroll and his team on wining the Pac 10 Championship and representing everything in college football in a positive way. We hope you’ll all come out and cheer the team of your choice, but I would specifically ask those Michigan people. We’ll be a little outnumbered but not in spirit.”

    Michigan Wolverines players introduced were Offensive Tackle Jake Long, Tailback Mike Hart, Quarterback Chad Henne, Center Mark Bihl, and Defensive End LaMarr Woodley

    Each of the USC and Michigan players went the extra mile to make some special dreams come true by spending some time with young people from Foothill Family Services. Holman, on behalf of the staff of the Tournament of Roses, gave the children tickets to the Rose Bowl game.

    Phelps with Disneyland Resort Ambassador Counterpart Andrae Rivas, presented a

    hand blown glass replica of Sleeping Beauty castle with the inscription “From all your friends at the Disneyland Resort” for each of teams. Ending celebratory Disney music, then a sound of a “pop” and team colored confetti flew through the air. “We’ll see you on game day

     

     

     

     

    Dec 27

    Stater Bros. to Distribute 30,000 Goodie Bags at 2007 Rose Parade(R)

    Goodie Bags Are Filled With Product Samples and Free Coupons

    Dec. 27 For the seventh straight year, Stater Bros. is supporting the 2007 Rose Parade(R) Goodie Bag Program. On January 1, 2007, 30,000 Goodie Bags filled with product samples and free coupons will be distributed along the Tournament of Roses Parade route in Pasadena, California.

    The 2007 Rose Parade(R) Goodie Bags will include many products and valuable coupons from over 18 of Stater Bros.' premier vendors. The Stater Bros. vintage 1948 Diamond T Restored Truck will also be on display near the parade route to further represent the Company.

    "The Stater Bros. 'Family' of Employees is proud to support this prestigious event for the seventh straight year," commented Jack H. Brown, Chairman and Chief Executive Officer of Stater Bros. Markets. "The 30,000 Goodie Bags will be an added treat for many of the spectators at this year's Rose Parade."

    Stater Bros. was founded in 1936 in Yucaipa, California, and has grown steadily through the years to become the largest privately owned Supermarket Chain in California and the largest private employer in both San Bernardino County and Riverside County, with annual sales in 2006 of $3.5 billion. In the October 2006 issue of a Leading National Consumer Magazine, Stater Bros. was rated as the best place to shop for groceries among Full Service Supermarket Chains in Southern California and No. 10 in America. Stater Bros. also owns and operates Heartland Farms, provider of Knudsen Dairy products to Southern California. The Company currently operates 162 Supermarkets, and there are over 17,000 members of the Stater Bros. "Family" of Employees.

     STATER BROS. MARKETS...SERVING SOUTHERN CALIFORNIA FAMILIES FOR 70 YEARS  

     

     

    Dec 26

     

    DISNEYLAND ROSE BOWL DAY

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    Dec 21

       

     

    FTD Features a Record-Breaking Collection of Springtime Flowers on Its 54th Rose Parade Float Entry 'Jewels of Nature'

    Float Riders Include Singer Marie Osmond and Children's Miracle Network Patients

    Dec. 21 / Florists' Transworld Delivery, Inc. (FTD), a leading provider of floral products and services, is celebrating its 54th year of partnership with the Tournament of Roses(R) at the 2007 Rose Parade(R) presenting a breathtaking float featuring the largest collection of springtime flowers ever featured in the history of the long-running parade.

    In addition to a record-breaking amount of spring flowers, FTD is joining forces with Children's Miracle Network -- the alliance of premier hospitals for children. Marie Osmond, the co-founder of Children's Miracle Network and three children from Childrens Hospital Los Angeles will proudly ride the FTD float, "Jewels of Nature." Marie and the children's presence on the float represent the millions of families whose lives are touched by the good-willed employees and donors of the Children's Miracle Network.

    In honor of the 2007 Rose Parade's theme "Our Good Nature," FTD is helping to spread the message of good-willed acts through the web site www.FTD.COM/CMN, where 15% of each product purchased will be donated to the Children's Miracle Network. In addition to the main web site, FTD also hosts over 35 web sites for individual children's hospitals throughout the U.S.

    FTD's 54th Float Entry

    FTD's 54th Rose Parade float entry, "Jewels of Nature," celebrates nature's renewal and the rebirth of spring with brilliantly decorated butterflies, hummingbirds, caterpillars and spectacular floral gardens. Thirty-five lively butterflies with wingspans up to 13 feet form an overhead canopy above a brilliantly hued floral garden with over 45,000 roses. The abundant garden also overflows with an assortment of tulips, daffodils, iris, lily of the valley, calla lilies, hydrangea, peony, delphinium, snapdragons and more.

    Decor for the Tournament of Roses

    As the Official Floral Company of the Tournament of Roses, FTD donates hundreds of thousands of flowers to the events surrounding the Rose Parade to help bring to life the historic events. These flowers are seen starting with the announcement of the Grand Marshal of the Rose Parade and the announcement of the competing Rose Bowl Game(R) teams. FTD also spreads cheer throughout the Wrigley Mansion, the home to the Tournament of Roses, with exquisite holiday decor.

    In addition, FTD also sponsors the decoration of the official cars, which carry the President of the Tournament of Roses, the Grand Marshal of the Parade and the Mayor of Pasadena down the parade route. In preparing for the 2007 Rose Parade, FTD brings well-known Netherlands designer Els Hazenberg and FTD Design Instructor J. Keith White to Pasadena to decorate the official cars in the Parade and FTD's 54th float entry "Jewels of Nature."

    About FTD Group, Inc.

    FTD Group, Inc. is a leading provider of floral-related products and services to consumers and retail florists, as well as other retail locations offering floral products, in the U.S., Canada and the U.K. The business is supported by the highly recognized FTD and Interflora brands. Both brands utilize the Mercury Man logo, which is displayed in approximately 50,000 floral shops globally. The consumer businesses operate primarily through the www.ftd.com Web site in the U.S. and Canada and the www.interflora.co.uk Web site in the U.K. and are complemented by the florist businesses which provide products and services to our independent members.

    About Children's Miracle Network

    Children's Miracle Network-the alliance of premier hospitals for children- is a non-profit organization dedicated to saving and improving the lives of children by raising funds for children's hospitals across North America. Each year the 170 Children's Miracle Network hospitals provide the finest medial care, life-saving research and preventative education to help millions of children overcome diseases and injuries of every kind. To learn more go to www.childrensmiraclenetwork.org.

    Source: FTD

     

    December 16

     

    PAC-10 GREATS, STEVE EMTMAN, AND JEFF VAN RAAPHORST,
    AND LEGENDARY SPORTS JOURNALIST, RUBE SAMUELSEN,
    TO BE INDUCTED INTO THE ROSE BOWL HALL OF FAME

    PASADENA, CA. - Two college football standouts, Washington defensive lineman Steve Emtman, and Arizona State quarterback Jeff van Raaphorst, along with renowned sports journalist, Rube Samuelsen, will be inducted into the Rose Bowl Hall of Fame on December 31, 2006, during a ceremony at the Rose Bowl Game Kickoff Luncheon. The luncheon, which is sponsored by Trader Joe’s, will begin at noon and take place in the Kickoff Luncheon Tent in Lot K, adjacent to the Rose Bowl Stadium.

    Steve Emtman led the Huskies to back-to-back Rose Bowl victories in 1991 and 1992. In 1990, Emtman led Washington to a 10-2 record, including a 46-34 victory over Iowa in the ’91 Rose Bowl Game. The following year, he returned to Pasadena, defeating Michigan 34-14 in the 1992 game, allowing the Huskies to earn a share of the National Championship.

    A two year starter, Emtman earned Co-Defensive Player of the Year honors in the Pac-10 Conference, and became the first sophomore to win the prestigious Morris Trophy as the conference’s top defensive lineman. As a junior, Emtman won the Lombardi Award and Outland Trophy, and finished fourth in the Heisman Trophy voting.

    Emtman left Washington after his junior year and was the number one overall selection in the 1992 draft by the Indianapolis Colts. He spent six seasons in the NFL with the Colts, Dolphins and Redskins, though his career was cut short by a series of serious knee injuries.

    In addition to the Rose Bowl Hall of Fame, Emtman is also being inducted into the National Football Foundation College Football Hall of Fame, as a part of its Class of 2007. Currently, Emtman is also involved in several business ventures.

    Van Raaphorst, who grew up in San Diego, led Arizona State to its first Rose Bowl appearance, defeating Michigan 22-15, in the 1987 game. Van Raaphorst passed for 193 yards and two touchdowns in the game, out-dueling the Wolverines Jim Harbaugh, and capturing Rose Bowl MVP honors.

    During his time at ASU, van Raaphorst broke 21 school passing records, including most passes completed in a game (38, twice), most yards gained per game average against one opponent (316) and longest pass play when he threw a 95-yard pass to Aaron Cox against USC in 1985. In 1986, van Raaphorst was named ASU’s MVP, and invited to play in that year’s East-West Shrine Game.

    Van Raaphorst resides in the Phoenix area with his wife of 18 years and their three children. He now serves as Vice President and Sales Manager for Benton BioMedical, representing Medtronic’s Spinal and Biologic Sales Division in Arizona and Las Vegas. A member of the ASU Hall of Fame, van Raaphorst remains close to the Sun Devil program, serving as a color commentator for ASU football on TV and KTAR radio.

    Rube Samuelsen saw his first game in the Rose Bowl during the regular season of 1922. His interest in sports led him to pursue an opening as a Pasadena sports reporter. From 1933 to 1956, he served as Sports Editor of the Pasadena Star-News and, from 1956 to 1962, he served as Sports Editor of both the Star-News and the Pasadena Independent. For many years, his daily column ran under the banner of “Rube-Barbs”.

    During the course of his career, Samuelsen also served as columnist, special correspondent or contributor to a number of other publications including the San Francisco Chronicle, Chicago Tribune, Sporting News, Sports Illustrated, Parade Magazine and Sport Magazine. He was also a radio sports commentator on the Pacific Coast for NBC from 1941-45; CBS from 1944-45, and NBC Monitor News in 1959.

    His other activities over the years included president of the Football Writers Association of America, in 1954, and an honorary director of the Pasadena Tournament of Roses Association. Samuelsen also authored “The Rose Bowl Game,” a book of Rose Bowl stories, in 1951, and for many years, also played an active role in the Rose Bowl Game Kickoff Luncheon program.

    In 1961, Samuelsen lost his eyesight. He continued to write and maintain an active life until his death in 1973, largely through the help and encouragement of his wife, Doris, his two sons and many devoted friends and colleagues.

    His honors over the years included the California Newspaper Publishers Association Citation Award (1951), the National TWA Writing Award (1955), induction into the Fresno Sports Hall of Fame (1961), the Big Ten Blanket Award (1962) and the Grantland Rice Memorial Award (1962).

    The Rose Bowl Hall of Fame was established in 1989 to honor members of the Rose Bowl family who have contributed to the history and excitement of the Rose Bowl Game, and those who embody the best of the passion, honor, strength and tradition associated with The Granddaddy of Them All.

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    Production Notes & Credits

    Dec 22

     

     

    Night at The Museum

     

     

    The hallowed halls of the Natural History Museum are lined with the most amazing

    things – wild-eyed prehistoric creatures, fierce ancient warriors, long lost tribes, African

    animals and history’s legendary heroes – all frozen forever in time. Or . . . are they? In the

    action-adventure-comedy, NIGHT AT THE MUSEUM, the brand new night guard at the

    Natural History Museum is about to discover that when the visitors go home at the end of the

    day, the real adventure begins – as the museum’s stuffed, waxed and well-preserved residents

    come out to play.

    The fantastical adventure kicks off when Larry Daley (BEN STILLER), a down-and-

    out dreamer whose imaginative ideas have never paid off, finds himself in desperate need of a

    job. Larry has always believed he was destined for big things. But he has no idea just how

    literally gargantuan and hairy a challenge he will face when he grudgingly accepts the

    supposedly menial graveyard shift as a security guard at the Natural History Museum. On his

    very first night on the job, Larry is handed an over-sized flashlight and a dog-eared instruction

    manual, then left all alone in the eerily quiet, cavernous museum. At least, he thinks he’s

    alone.

    But wait, what’s that noise? To his utter astonishment and disbelief, Larry watches in

    shock and awe as, one by one, the primeval beasts and storied icons that surround him stir

    magically to life – and total havoc ensues. Now, as Tyrannosaurus Rex and Attila The Hun

    carve a swath of destruction through the marble corridors, and lions and monkeys prowl the

    fragile exhibits, Larry is at a loss as to how to get the museum back under control. At his

    wit’s end, Larry must recruit the help of historical heavyweight Teddy Roosevelt (ROBIN

    WILLIAMS) just to survive the night. Facing the possibility of losing his job and letting

    down his son Nick yet again, Larry must wage an incredible battle to save the museum,

    hoping to become at last the bold, adventurous dad he’s always wanted to be. The man who’s

    been forever waiting for his moment of greatness – just found it.

     

     

     

     

    ENTERING THE MUSEUM:

    THE FANTASY BEGINS

     

    At the heart of NIGHT AT THE MUSEUM is an imagination-tickling dream that

    anyone who’s ever wandered through a museum in wide-eyed awe has secretly harbored: that

    outrageous fantasy in which the stuffed beasts and molded statues of the ancient past suddenly

    burst their seams and bust out of their exhibits to come fully to life in the here and now.

    “I think most of us have had that experience where you walk by a statue in a museum

    and you could swear that you saw its eyes follow you,” says the film’s director Shawn Levy.

    “It’s a little spooky and it’s also very cool to imagine what would really happen if that came

    true – and, as a filmmaker, it’s exactly the kind of wild, incredible ‘what if’ that is completely

    impossible to resist.”

    Right from the beginning, the idea behind NIGHT AT THE MUSEUM proved

    impossible to resist. It was all sparked when Croatian illustrator Milan Trenc first drew a

    children’s storybook in which a brand new night guard at the Natural History Museum in New

    York dozes off only to discover that one of the towering dinosaur skeletons he’s supposed to

    be protecting has mysteriously wandered away! Suddenly, the guard discovers he is

    surrounded by talking, growling and prowling statues, which turn the place upside down.

    With its spirited humor and enchanting tale of an ordinary man faced with wrangling the

    greatest legends of the past, the story became a family favorite.

    It also seemed destined for the movies -- and the book was soon optioned by Fox, with

    Chris Columbus and Michael Barnathan of 1492 Pictures attached to produce, and 1492’s

    Mark Radcliffe attached to executive produce. The trio of filmmakers, who would later merge

    contemporary humor and cutting-edge effects into modern adventure classics with the Harry

    Potter series of films, envisioned an expanded story for NIGHT AT THE MUSEUM.

    When Fox executives showed the book to screenwriters Thomas Lennon & Robert

    Ben Garant – who came to the fore as partners with the runaway television hit “Reno 911”

    (and the upcoming film version Reno 911!: Miami) -- the duo could barely contain

    themselves. “We literally leapt from our seats,” says Lennon. “I mean, we’re both from New

    York and we basically spent our boyhoods roaming the Natural History Museum. We could

    draw you a map from memory, that’s how much we loved spending time there. It was simply

    the coolest place on earth.”

     

     

    Adds Garant: “The thing that really grabbed us is that we both had the same dream as

    kids of hiding out in the museum and getting a chance to see what happens in there after it

    closes. I think lots of kids, not to mention plenty of adults, have had that same dream. To be

    there alone in the dark with all those legends of history and all those humongous creatures

    would be the ultimate adventure.”

    Inspired by these boyhood memories, the ideas came fast and furious to Lennon &

    Garant. “The first thing we needed to figure out is where this spell has come from that is

    bringing all the museum’s exhibits to life,” recalls Lennon. “We were both in complete awe

    of the Egyptian Hall at the Met in New York and since Egyptians were very into keeping

    things alive forever, it suddenly made sense that it all began with an ancient Egyptian slate

    and the age-old wish for eternal youth.”

    As they wrote, the core of the story became the character of Larry Daley, who

    developed into an inveterate dreamer and schemer, unable to get even one of his endless slate

    of overly ambitious projects off the ground. More importantly, Larry is also a wanna-be

    stellar dad who takes the night guard job in the hopes of never disappointing his son again.

    “Larry is that guy I think we all know who believes in his dreams but doesn’t entirely believe

    in himself,” Garant explains. “He’s got these colossal ideas in his head all the time, but he’s

    never had the opportunity to prove to himself or his family that he can actually make

    something succeed – and he’s not sure he can, until now..”

    With the characters set into motion, Lennon & Garant really started to have a blast, as

    they began to figure exactly who and what Larry might encounter as his first night on the job

    transforms from dull to downright mind-boggling. From the Hall of Civilizations to the

    American Railroad Dioramas, there were myriad possibilities. “We started off by making a

    list of all of our very favorite things from all our favorite museums – from the giant Easter

    Island heads to the dioramas,” says Lennon. “We also knew we wanted Teddy Roosevelt to

    be a major character because the Natural History Museum in New York is lined with quotes

    from him and you really feel the spirit of the man in there – not to mention that he himself, as

    a famous naturalist, wrangled some of the exhibits in there!” Roosevelt’s famous words of

    wisdom – such as “it’s hard to fail but it’s worse never to have tried to succeed” – became

    further inspiration for the themes underlying the entire story.

     

     

    The screenwriters also engaged in an ongoing, typically boyish debate over which

    creatures in the museum would prove most fearsome once awakened – and had fun dashing

    any pre-conceived notions in that department. Notes Garant: “We decided the biggest things

    in the museum might turn out to be shockingly fun-loving, while the scariest of all are some

    of the smallest creatures!”

    Along the way, Lennon & Garant refused to limit their writing in any way. “We

    didn’t even think about if we were writing for kids or for adults – all we cared about was

    writing a fun, action-packed movie that everyone would love,” sums up Lennon.

    The results especially excited Shawn Levy, the director who has been behind some of

    the last decade’s biggest comedy hits, yet who, ironically, had been looking for a “quieter”

    film when he was offered the opportunity to take the helm of NIGHT AT THE MUSEUM. The

    screenplay soon convinced him otherwise. “To me, what was so exciting was the story’s

    blend of heart, humor and spectacle all in one big adventure,” he says. “The film, first and

    foremost, tells a great story, but with a level of visual spectacle that goes way beyond what

    you’d expect from a typical comedy and way more than any comedy I’ve ever done.”

    Levy found himself not only dazzled by the audacious effects sequences but moved by

    the plight of Larry Daley – who, at rock bottom, is simply a dad doing his bumbling and

    blundering best to be a hero to his son. “I think if the story were only wild and funny and

    filled with bells and whistles and visual effects it would miss part of the point,” notes Levy.

    “What I loved about NIGHT AT THE MUSEUM is that it was clearly going to be all those

    things but it was also very much about the heart of this character: a father who discovers that

    the one great moment he has been waiting for all his life -- and was always telling his son was

    coming – has finally arrived.”

    Levy envisioned the film’s style as realistic, within the context of a big film with

    fantastical elements. “It sounds like a weird thing to say about a movie in which museum

    exhibits come to life, but because the whole premise is so wildly surreal, I felt that everything

    around that premise should feel totally real – from the performances to the photography to the

    digital effects,” he explains. “I think the best fantasies have that kind of grounding in reality.

    Especially in this case, the fun was going to be in allowing the audience to really and truly

    believe a museum could lead a whole other life by night. So that’s what we set out to do.”

     

     

     

    THE NEW NIGHT GUARD:

    BEN STILLER IS LARRY DALEY

     

    Right off the bat, the filmmakers knew they wanted to cast Ben Stiller in lead role of

    the hapless, yet ultimately heroic, new night guard Larry Daley. Not only is Stiller one of

    today’s most popular comedic stars, but in films ranging from There’s Something About Mary

    to Meet The Parénts, Stiller has established a reputation for embodying characters facing

    circumstances that are outrageously stacked against them. His skill at depicting both the

    humor and heartbreak of the ultimate common man who must break the mold made him a

    perfect match for Larry Daley.

    “Larry is a guy who never really got his act together, who is continually coming up

    with another get-rich-quick idea that just doesn’t work,” explains Stiller. “He’s also worried

    about losing his connection to his son because his wife is about to get re-married. Everything

    is kind of coming to head and now, right before Christmas, he has to try to find a job. Of

    course, there’s just one job available: night guard at the Natural History Museum. He thinks

    it’s going to be the worst job imaginable but it turns out to be the most incredible thing that’s

    ever happened to him.”

    From the minute he read the script, Stiller knew he wanted to be part of Larry’s grand

    adventure. “I just loved the ideas behind it,” he says. “I grew up about five blocks from the

    Natural History Museum and as a kid it had this really magical aura about it. It’s not just

    paintings on the wall but it’s where you can see all the very coolest things that ever existed --

    lions and whales and Egyptians and dinosaurs – in one place. So the concept of everything

    coming to life in there at night couldn’t have been more appealing and exciting. It was

    something I felt I’d love to see.”

    It was also something new for Stiller, whose comedy has never strayed into such a

    magical zone before. “I’ve never had a chance to work in a movie that was this fantastical

    before, where you have to sort of turn up the ‘fantastical meter,’” he notes. “But seriously, in

    order to make the fantasy work, I think you have to keep it very real so that there’s always an

    emotional connection to the characters. It’s that reality that allows you to believe in the magic

    of Larry getting to encounter all these characters and creatures from the long ago past. For me,

    the key was to just jump into the story and commit completely to the idea that this is really

    happening.”

     

     

    To help Stiller dive head-first into Larry’s implausible reality, especially in scenes

    where he would be interacting with wholly digital creations, director Shawn Levy did what he

    could to contribute – often by pretending he himself was some of the museum’s inanimate

    creatures come to life! “There’s literally embarrassing, humiliating footage of me with fake

    Tyrannosaurus talons saying “Ra-ahh” and chasing Ben down a hallway to get a realistic

    reaction,” Levy admits. “Then they’d erase me in the computer and put in the dinosaur. And

    that’s how we spent our days on this film.”

    Adds Stiller: “I don’t know if Shawn worked in a dance troupe or a mime company or

    an animal training facility, but he seemed to have a real affinity for playing off-camera

    animals – he had me quite scared!”

    Indeed, there were myriad physical challenges for Stiller, many of which unfolded

    during his various and increasingly hilarious forms of running for his life. “Running was

    huge in Ben’s role but he did wind up in great shape,” laughs Levy. But whether Stiller was

    running from lions, Huns and miniature soldiers, or confessing his existential angst to Robin

    Williams’s Teddy Roosevelt, or hoping to show his son just how cool his new job could be,

    Levy found that the comic star was constantly pushing the bar – and the humor level. “The

    thing about Ben, and I really admire this,” says the director, “is that he is always looking for

    something better: a better performance, a better way of saying the line, a better nuance. So

    there was always a lot of improvising on the set – and hence, there was also a lot of Ben and

    the other actors cracking each other up!”

    For Stiller, the key, he says, was keeping that childlike sense of wonder that hits

    people of all ages in a museum, at the heart of his performance – something that came easily

    to him. “I think all adults have a kid buried deep inside somewhere, but for some people it’s

    closer to the surface --for me, my inner child is stuck in my throat,” he deadpans. “But it’s

    that spirit that drew me to this film.”

     

     

     

     

     

     

     

     

     

     

     

    THE OLD NIGHT GUARDS:

    DICK VAN DYKE, MICKEY ROONEY AND BILL COBBS FORM A TRIO OF

    TROUBLE

     

    When Larry Daley takes the new night guard position at the Natural History Museum,

    he replaces a trio of guards who appear to themselves be ancient relics – yet prove to have

    their own diabolical agenda. To bring the colorful threesome of Cecil, Gus and Reginald to

    life, the filmmakers ultimately chose three comic actors who have become legends in their

    own right: the inimitable Dick Van Dyke, the beloved Mickey Rooney and the prolific star of

    stage, television and screen Bill Cobbs.

    Casting the octogenarian and septuagenarian stars was a blast for Shawn Levy. “I had

    the great fortune of auditioning pretty much every exceptional actor over 65,” he recalls. “It

    was amazing – I mean Dick Van Dyke actually came in for an audition. He doesn’t have to

    audition but he and Mickey Rooney and Bill Cobbs all came in and really showed what they

    could do with the material.”

    Levy continues: “Once I saw those three actors together I knew it was going to be an

    embarrassment of riches having them play these characters. Dick Van Dyke with his svelte,

    debonair quality; Mickey with his charming, ‘non-tall’ quality and Bill, who has an enigmatic

    depth, worked so well together and truly embodied the mischievous spirit of Cecil, Gus and

    Reginald.”

    Dick Van Dyke, who in addition to being one of the world’s most popular comedians,

    is also indelibly entwined with such family film classics as Mary Poppins and Chitty Chitty

    Bang Bang. Immediately enchanted by the story, Van Dyke was excited to take on the role of

    Cecil, the former head night guard who helps to recruit and “train” Larry Daley. “With all of

    the dinosaurs and Huns and animals, I thought it would be a riot,” Van Dyke says. “When I

    read the script I knew it was that rare thing: a great all-audience film. So I said, I’ve got to be

    a part of this. It’s one of those stories I can’t wait for my own grandkids to see. And between

    Mickey Rooney and Bill Cobbs, we’re all about the same vintage, so we had great chemistry

    as these old guys willing to do anything to be young again.”

    For Ben Stiller, getting the chance to star with, and get duped by, Van Dyke was a

    thrill. “I think Dick really does have an Egyptian tablet at home that’s the fountain of youth

     

     

    because he’s like twice my age and I have about half his energy,” Stiller quips. “He’s a great

    and funny actor who really knows his stuff so it was such a pleasure to watch him work.”

    As for Mickey Rooney, Stiller says: “I never thought I’d get a chance to work with

    the great Mickey Rooney – let alone be beat up by Mickey Rooney!”

    Rooney, who began his career in the 1920s as an infant, has literally grown up with the

    movies. “When I came to Hollywood, there was almost nothing here,” he recalls. “I was

    right at the beginning of it and it’s been a thrill ever since.” Despite all the changes in motion

    picture production, Rooney remains most attracted to what he believes is the consistent heart

    and soul of movie-making – a great story – which is what drew him to NIGHT AT THE

    MUSEUM. “I think we need more pictures like this,” he says. “Something the whole family

    can see that’s historic, clever and funny. There aren’t many pictures like this that can bring

    the whole family together in one entertainment.”

    Rounding out the surprisingly treacherous trio is Bill Cobbs, a familiar face from

    countless film and television roles, in the role of Reginald. He loved having the chance to riff

    off Van Dyke and Rooney. “I’ve had a lot of good times in film, stage and television but this

    was one of those truly great experiences where you not only get to combine comedy, drama

    and improvisation but you get to watch masters come up with fantastic ideas,” he comments.

    Cobbs especially enjoyed playing such a shady, and not even remotely geriatric,

    elderly character. “To have me, Dick Van Dyke and Mickey Rooney playing the bad guys is

    very unlikely, so you’ve got the makings of something very funny right from that idea. We

    look like a bunch of harmless old men but we’re not -- and that’s what makes it so fun,” he

    sums up.

    Screenwriters Thomas Lennon & Robert Ben Garant were especially gratified by the

    casting of the old night guards. Says Lennon: “We were thrilled by this trio – it’s like a little

    time capsule of every funny actor since the Talkies began!”

     

    THE MUSEUM’S RESIDENTS:

    ROBIN WILLIAMS HEADS A CAST OF LARGER-THAN-LIFE CHARACTERS

     

    Once the old night guards transfer their mantle to Larry Daley, he spends his first

    night at the museum – a night that proves wildly unforgettable as the wax, stone and stuffed

     

     

    exhibits that surround him in the dark roar to life. Amid the flying fur and chaos, Larry

    discovers some amazing people whose help he’ll need if he’s going to survive until morning.

    Larry’s greatest guidance comes from no less than one of the most lauded Americans

    in history and a man who truly believed in the awesome inherent power of the “common man”

    – the 26th President of the United States, Teddy Roosevelt.

    To play Roosevelt, the filmmakers knew they would need someone who could hit all

    the big comic notes of the situation while still bringing out the colorful, inspirational

    personality of the real man. The person that came instantly to mind was Academy Award®

    winner and four-time Oscar® nominee Robin Williams, whose career has careened between

    unbridled comedy and intense dramatic portrayals. When offered the chance to play

    Roosevelt – who, like Williams, sported a wide-ranging interest in history, politics, science

    and nature – he could not pass it up.

    “He was a larger-than-life figure in real life,” Williams says, “an extraordinary man

    and an outrageously independent person who basically fought for what he called ‘the little

    man.’ Reading about him established the idea that he was both a very ethical and charismatic

    person. It was a blast getting to inhabit that kind of persona.”

    Like the rest of his cast-mates, Williams, who previously starred in the hit family

    fantasy Jumanji, couldn’t resist the imaginative concept of NIGHT AT THE MUSEUM.

    “Museums naturally lend themselves to the question of just what goes on in there at night and

    to have history come to life -- and confront you -- wow,” he says. “I love this kind of story

    that’s part fable and part grand adventure. I especially loved the dioramas coming to life

    because I collect miniatures and the idea of something on that scale coming alive is like ‘Yo,

    dude!’ And it’s great fun to have Neanderthals and Huns running around again – they’re

    always good for a party.”

    Diving into research, Williams was increasingly fascinated by Roosevelt, and

    especially his untiring, “can-do” attitude, which he attempts to get across to Larry Daley.

    “His message to Larry is ‘you can do this, lad, and if you can bring order to this place,

    imagine what else you can do.’ He offers him that old but great idea that you can pull

    yourself up by your bootstraps.”

    Once on the set, Williams was fully in his element. “This whole thing for me was like

    Halloween,” he says. “One minute you’re with Tyrannosaurus Rex and then you see an

     

     

    Egyptian King go by and the next you have a crush on Sacajawea. It was just like time

    traveling.”

    For Ben Stiller, working with Robin Williams made the fantasy all the more real, and

    all the funnier. “Robin Williams was really the only the person who could do this role because

    he’s so inimitable,” says Stiller. “He’s an iconic comedic fixture – which makes him sound

    like a faucet or something – but he’s also a real student of history so he was perfect to play

    Teddy Roosevelt. He brings the reality and soulfulness to this guy who, let’s face it, is really

    just a wax figure – and he’s also incredibly funny. In the end, Teddy becomes Larry’s true

    friend as he helps guide him through the museum and survive all the craziness.”

    Other historical figures upon whom Larry Daley must rely in his quest to save the

    museum include Sacajawea, the famous Shoshone guide who played an invaluable role in

    Lewis & Clark’s historic expedition through the Pacific Northwest. In NIGHT AT THE

    MUSUEM, she uses her famed skills to help Larry get the out-of-control museum back in line.

    “She’s a tracker,” says rising young actress Mizuo Peck, who takes her first major Hollywood

    role in the film, “so she’s smart and resourceful and really, really good at finding things.”

    Peck was especially thrilled to get a chance to trade flirtations with no less than Robin

    Williams, who plays Teddy Roosevelt, the fellow museum exhibit who catches Sacajawea’s

    eye. “I still can’t believe it,” she says. “In our very first scene together, Robin has to come up

    to me all awkward and shy and unable to talk. He was so sweet and vulnerable and tender, he

    made it so easy for me. I instantly felt comfortable with him. Really this movie was

    everything I’d ever dreamed about Hollywood magic – with all the giant sets, with sphinxes

    and wild animals running around, plus Robin Williams. It couldn’t have been more exciting.”

    Also excited to explore the ancient past was Rami Malek, the young Egyptian actor

    currently seen on TV’s “The War at Home,” who portrays the Pharaoh Ahkmenrah, the

    Egyptian mummy and teenaged king who has been sleeping for centuries, just waiting for his

    chance to rule. Even Malek’s audition wasn’t run-of-the-mill – rather than simply read lines,

    he had to reveal his own creative techniques for emerging from a sarcophagus!

    Malek especially enjoyed the cliché-busting portrait of an Egyptian king. “You expect

    this austere presence to come from a Pharaoh who is part of this big curse, but instead you get

    someone who comes out with all this youthful exuberance, who’s basically a teenager looking

     

     

    for a big adventure, so it’s a different take that’s really fresh and fun but still rooted in

    tradition,” says Malek.

    One of the most troublesome of the museum’s exhibits isn’t human at all, although he

    is a primate – the diminutive capuchin monkey Dexter who wreaks mischief way out of

    proportion to his size. Dexter isn’t digital either – he’s played by a real-life capuchin monkey

    named Crystal who was trained by Mike Alexander and Tom Gunderson of Birds & Animals

    Unlimited. “Dexter is a very mischievous little monkey but Crystal is quite good-natured,”

    notes Alexander.

    That was good news for Ben Stiller, who in one scene, has to endure Dexter biting his

    nose, a trick that required some rather delicate training. “It was important that Ben be

    completely comfortable with Crystal and that Crystal be comfortable with him before that

    scene – so we actually went to Ben’s house and brought Crystal with us so they could get to

    know each other. Lucky for everyone, Crystal liked him a lot,” Alexander says. “To be

    honest, she mostly saw him as a prop!”

    While Larry Daley is dodging fanged animals and spear-wielding tribesman by night,

    by day he is fighting to keep his job – no easy feat considering he has a living nightmare of a

    boss: the ridiculously officious Dr. McPhee. Playing McPhee is one of the brightest comic

    stars from Britain, Ricky Gervais, who created and starred in the groundbreaking BBC series

    “The Office.”

    Gervais was drawn to the character of Dr. McPhee because he’s exactly the kind of

    takes-himself-way-too-seriously character at which Gervais excels. “Here he is, in charge of

    this place of education but he’s not quite articulate or smart enough to cut the mustard,”

    Gervais explains. “He’s trying to run a tight ship and then he finds himself in a battle of wills

    with this lowly security guard who has mucked up everything and frustrates him to no end.

    There’s something very funny about a person in authority acting like a child!”

    Especially fun for Gervais was the chance to trade barbs with Ben Stiller. “It’s been

    such a joy working with Ben and we have a really fun dynamic in that we kind of each subvert

    our roles,” he continues. “He’s supposed to be my subordinate and the kind of person who’s

    always getting into trouble and I’m the one in charge – but when it comes down to it, my

    character turns all bumbling and nervous, and Ben becomes the hero.”

     

     

    Ben’s quest to get to the bottom of the museum’s mystery also leads him to grow

    closer to one of the museum’s most impassioned Docents – Rebecca Hutman, who is fervently

    researching a thesis on Sacajawea and is moved by Larry’s unexpected observations about

    how “alive” history seems to be in the museum. To play Rebecca, the filmmakers chose Carla

    Gugino, whose diverse career includes playing the mother of a family of underage spies in the

    popular Spy Kids series and was most recently seen in Robert Rodriguez’s Sin City. Says

    Levy of the choice: “Carla has a combination of intelligence, beauty and gravitas that was a

    great match for the role of Rebecca.”

    Gugino couldn’t put the script down, she was so riveted by the fantastical storytelling.

    “To have a story like this one that celebrates history and brings the past and the present

    together in such a fun and exciting way was really unique,” she says. “I had that same gut

    feeling as with ‘Spy Kids’ that it had all the elements of a great, timeless story.”

    Also joining the cast as Stiller’s son is newcomer Jake Cherry, who won the role after

    extensive auditions. Though he was thrilled to get the part, Cherry really started to get excited

    about what was ahead when he saw the sets for NIGHT AT THE MUSEUM. “There were

    mummies and sarcophaguses and jackal guards and it was the coolest thing I’d ever seen,” he

    sums up.

    Another cast member already had a very intimate relationship with Ben Stiller – a

    woman who is another legend in comedy history and Stiller’s real-life mother: Anne Meara.

    Meara plays the employment agent who sets Larry up with the museum job. Although Meara

    appeared in Reality Bites and Zoolander, it turns out this is the first time she and her son have

    ever had a scene together one-on-one. Says Stiller: “She’s so funny and so talented, it was

    great to finally work with her!”

    Sums up Shawn Levy of the film’s entire cast: “This was a director’s dream – to have

    actors ranging from Ben Stiller to Robin Williams and Ricky Gervais to Dick Van Dyke and

    Mickey Rooney, you just knew that each performance would stand out on its own and be

    exceptional. It was like a heavyweight bout of comic giants.”

     

     

     

     

     

     

     

     

    BUILDING THE MUSEUM:

    THE FILM’S DESIGN

     

    When it came to NIGHT AT THE MUSEUM’s visual design, Shawn Levy knew he

    faced a task of an out-sized scale. As he puts it: “When you have all of history to draw from,

    that’s a pretty huge palette!” He began by assembling a crack team of artists led by Academy

    Award winning production designer Claude Paré and sought-after costume designer Renée

    April.

    Their mission was nothing less than creating the interior of a world-class museum --

    from scratch. While the film would use New York’s globally recognizable Natural History

    Museum for exteriors, there was no way the production could unleash the story’s mayhem

    within its halls lined with precious artifacts and priceless antiques. As Robin Williams notes:

    You don’t want to hear, you’ve just knocked over a 14th century divan that was Louis the

    Fourteenth’s!” So, the decision was made to create an unprecedented set of wonders on a

    giant soundstage at the appropriately named Mammoth Studios in Vancouver – one that

    would replicate a kind of “greatest hits” of the most riveting natural history exhibits in

    existence.

    The job of forging Shawn Levy’s vision for the innards of the museum fell in large

    part to Claude Paré, who previously won an Oscar for the lavish, historical art design of

    Martin Scorsese’s The Aviator. He knew this project would be a dizzying change of pace –yet

    he couldn’t help but be excited by the gigantic challenge of it. “Usually a designer focuses on

    one or two periods, but with NIGHT AT THE MUSEUM, there was a chance to touch on so

    many different kinds of design, from ancient Egyptian temples to Western Cowboy scenes,

    and to have fun with each of them,” says Paré.

    Like an inspired curator, Paré put no limits on how far he could take things. “We did

    match the big arched windows at the museum in New York for continuity from exterior to

    interior,” Paré explains, “but other than that, from the moment you enter the revolving doors,

    you’re entirely in the environment we created for the film -- apart from the Ocean Life Hall,

    which is a digital composite of an exhibit at the New York Natural History Museum.”

    For several weeks on end, the film’s set designers became temporary museum

    designers, creating individual exhibits that tell unique stories -- from Inuit fisherman surviving

     

     

    on the ice shelf to Neanderthals in their grotto attempting to make fire. “Each one of these

    exhibits had to be individually illustrated, planned, built and set within their own niche,”

    explains Paré. “At one point we had ten designers all working just on the plans for the various

    museum exhibits. The goal was to make each one completely believable so we paid extreme

    attention to detail.”

    To keep up, the film’s construction shop ran 24 hours a day, 7 days a week, churning

    out statues, models and miniatures. Paré even had his team building pyramids for the Egyptian

    Hall, which was partly inspired by the beloved Egyptian exhibit at the Metropolitan Museum

    in New York. Though Egypt’s pyramids required the labor of about 30,000 people for each

    structure, Paré had to make do with a far smaller, but very resourceful, force. “Our goal was

    to ride the line between creating a colorful and fun temple-of-doom kind of set while also

    keeping the design authentic to what you would see in a museum,” he says.

    Meanwhile, the team set about carving one of the film’s key statues: the famed

    sculpture of Teddy Roosevelt mounted upon a horse and waving his sword through the air,

    which had to be reconfigured to match the familiar silhouette of Robin Williams. To make

    sure the statue would look just like the character who comes to life at night, Williams had to

    pose in the position – meaning the famously hyperkinetic actor had to remain unusually still --

    while being wrapped in plaster bandages to make the mold. Later, the mold was filled with

    fiberglass and given finishing touches that lend it the essence of Roosevelt in the shape of

    Williams.

    Even as these larger-than-life objects were being built, a slew of skilled model makers

    was recruited for work in the opposite extreme: carving the painstaking miniatures for the

    museum’s mini-sized dioramas, which also come magically and robustly to life, turning Ben

    Stiller’s Larry Daley into a kind of trapped Gulliver in the land of Lilliputians.

    “For the dioramas, first we had to research the subjects of each of the exhibits – from

    the Mayan culture to the history of the American railroad,” explains Paré. “Then, we really

    got into the precise measurements and layout of the Diorama room so we could figure out

    exactly how much space the models would need and then how much space would be needed

    for Ben to have interaction with all the little figurines,” recalls Paré. “The work required lots

    of patience and lots of care.”

     

     

    While many of the film’s sets and props are spectacular in scope, one of Paré’s

    favorite elements of the design is actually one of the most subtle: the museum’s high gloss

    floor, which became key to NIGHT AT THE MUSEUM’s visual motif. “The floor might just

    be the most important part of the set,” comments Paré. “You get all these wonderful

    reflections from it which makes everything in the museum look more grand. And it was also

    quite useful for Ben Stiller sliding across it!”

    As the cast began to arrive at the Mammoth Studios, they too were transfixed by what

    Paré and his team had accomplished. Comments Ricky Gervais: “Entering the set was a bit

    like walking into the most giant toy box in the world.”

    Like Claude Paré, costume designer Renee April face the unusual task of designing

    costumes not just for one or two eras – but for periods throughout the whole of history,

    ranging from fur-covered Huns to loin cloth-sporting Mayans to armored Romans to

    uniformed Civil War soldiers, all the way to contemporary security guards. April, whose past

    work includes the upcoming action-adventure film Pathfinder and the blockbuster The Day

    After Tomorrow as well as such celebrated period films as The Moderns and Mrs. Parker and

    the Vicious Circle, was attracted by the chance to dive into one aspect of her job that she

    especially loves: historical research.

    After several field trips to New York’s Natural History Museum, April was inspired.

    Part of what she hoped to accomplish was to not only match the diversity she found there, but

    to tie all the disparate costumes of NIGHT AT THE MUSEUM together into one consistently

    comical big picture. “The challenge was to translate all those different period costumes so

    that they each play equally well in a comedy,” April explains. “I needed to keep a thread of

    veracity, but I also wanted to make everything bigger than life.”

    One of the toughest costumes on April’s prodigious list was that of the Egyptian king

    Akhmenrah, as played by Rami Malek. “Because he’s a mummy, we had to create a costume

    that could be wrapped in cloth,” she remarks, “yet still give him all the splendor and the glory

    of a great Egyptian King with a full headdress and big, golden coat. That costume took a lot

    of work and many, many, many little beads.”

    Another fun costume was that of Attila the Hun, of whom of course no pictures exist,

    so April was able to go a bit wild with her imagination. “We bought old blankets and lined

     

     

    them with fur and then we carved our own metal armor and those big, horse-hair helmets,”

    she says. “It might not be entirely accurate but it’s very colorful and definitely Hun-like.”

    When it came to Robin William’s Teddy Roosevelt, historical accuracy was easier.

    “Roosevelt’s costume is probably the closest to historical reality because we pretty much

    know what he wore right down to the buttons,” says April. “Once we put all the pieces

    together and Robin tried them on, he was perfect.”

    Key makeup effects supervisor Adrien Morot further enriched April’s designs, adding

    finishing touches to each character, including a waxy, translucent sheen to the faces of those

    playing living sculptures and facial prosthetics that transformed modern-day actors into

    Neanderthals and Huns. “In most films you’re trying to make things look more real. The

    interesting challenge with NIGHT AT THE MUSEUM was trying to take real actors and make

    them look like fake statues!” says Morot.

    For Shawn Levy, watching these artisans morph a bare soundstage into the museum he

    had dreamed of when he first read the script was exhilarating. He says: “To see it all come to

    life was an incredible experience. It kind of gets you addicted to filmmaking on a such a large

    canvas.”

     

    THE MUSEUM COMES ALIVE:

    THE EFFECTS

     

    With the characters in the hands of legendary and rising comic stars and the museum’s

    elaborate sets being erected by dedicated craftsmen, there still remained that last bit of magic

    that would actually allow the Natural History Museum to take on life – in this case, not an

    ancient Egyptian spell but digital wizardry in the form of cutting-edge visual effects.

    At first, Shawn Levy was nervous about the film’s intensive use of CG – especially

    because he’d never headed a production as digitally driven as this one. But he was heartened

    by the tremendous and highly experienced support he had behind him. “I got a lot of advice

    early on from Chris Columbus and Michael Barnathan, my fellow producers, who, of course,

    had worked on the Harry Potter franchise,” explains Levy. “They said not to worry about all

    the high-tech lingo. Rather, they said, the important part was to really know exactly how you

    want stuff to look in your head … and then let your team help with the how-to. So I took that

     

     

    to heart and spent a lot of time storyboarding because I felt that if I could clearly show my

    team what I wanted on the screen, they could figure out how to get it there!”

    Levy also brought a fresh perspective to the effects, infusing them with comical

    improvisation. “Usually, people preParé for effects shots well in advance, but we did it in a

    completely unconventional way,” he explains. “Let’s say Ben was supposed to get hit by

    Tyrannosaurus Rex’s tail and go sliding across the floor in a scene – but on the day he did the

    scene, he decided instead ‘wouldn’t it be funny if instead I did a double back flip and landed

    on the staircase’ – well, you want the best idea to win. So as a result, we were constantly

    changing things and the visual effects team had to roll with that. They said it was by far the

    most improvisational effects movie they’d ever experienced. And I think that’s because Ben

    Stiller and I don’t really do effects movies. Everything we do is in the quest of the best joke

    or the best moment. To their credit, the whole team rallied behind that edict.”

    To bring movement and life to the museum’s creatures and statues, Levy relied on the

    VFX Supervisor Jim Rygiel, (The Lord of the Rings trilogy) and one of Hollywood’s leading

    visual effects houses, Rhythm & Hues – which is renowned for its exceptional work in

    creating photo-realistic animals as seen recently in The Chronicles of Narnia: The Lion, The

    Witch and the Wardrobe.

    Right off the bat, the challenges were literally big and muscular as Rhythm & Hues set

    about creating the lion that leaps out of the African Mammals hall and chases Larry Daley.

    “The jeopardy for Larry in these scenes hinges on the fact that the CG lion has to be a

    completely photo real animal,” says Dan Deleeuw, VFX Supervisor for Rhythm & Hues. “But

    working with realistic animals in CG is difficult because you don’t have the kind of fantasy

    environment that will let you get away with certain tricks. We used very original and careful

    staging in this sequence so that it really looks like the lion’s claws miss Larry by mere

    inches.”

    Another big challenge for the VFX team came in working with the truly tiny – making

    diorama armies of just a few inches high look like photo-real Mayans, Romans and American

    Cowboys battling one another. “For the diorama armies, we created 89 base models which

    then became the basis for several hundred variations that were created in the computer,”

    Rygiel explains. “We used real actors, shot them in various action sequences, and then

    duplicated them in their exact actuality so that now, when you see the cowboys fighting the

     

     

    Romans across a whole diorama floor, there will be several hundred variants with individual

    characteristics.”

    The dioramas sequences also presented potential problems of scale. “If you’re

    photographing something in the diorama world and the camera moves two feet, with the scale

    issue, when you photograph a human on the green screen to match it, you’re actually moving

    48 feet. and suddenly you’re above the height of the ceiling on the sound stage! So a lot of

    planning had to go into the photography,” Deleeuw notes.

    With the actors, designers and effects team all working hand in hand, the footage

    suddenly took on the mix of reality, comedy and enchantment that Shawn Levy had sought

    from the start. Sums up the director: “In the end, these guys literally were able to get the

    museum and everything that happens in it to look exactly how I dreamed of it all in my head.”

     

    Night at the Museum:

    The IMAX Experience—Coming to Life in IMAX!

     

    Night at the Museum: The IMAX Experience will be released in IMAX® theatres

    worldwide beginning December 22, 2006, simultaneously with the film’s debut in

    conventional theaters. This film has been digitally re-mastered into the unparalleled

    image and sound quality of The IMAX Experience® with proprietary IMAX DMR®

    (Digital Re-mastering) technology.

    Night at the Museum: The IMAX Experience is the third IMAX film with

    Twentieth Century Fox, following the release of Robots: The IMAX Experience in

    March 2005 and Star Wars: Episode II Attack of the Clones: The IMAX Experience in

    November 2002.

    IMAX Theatres deliver images of unsurpassed clarity and impact, virtually

    transporting audiences inside the movie as they watch museum exhibits magically come

    to life on the world’s largest screens, surrounded by state-of-the-art digital surround

    sound. IMAX screens can be three times larger than the average 35mm screen, 4,500

    times larger than the average TV screen, and as wide as an NFL football field, creating a

    completely immersive moviegoing experience.

    Comments director Shawn Levy: “Night at the Museum is a wild ride of a movie.

    It’s immersive—putting you in the thrilling position of participating in the secret life of a

     

     

    museum after dark. I can’t think of a bigger treat for an audience than taking that wild

    ride in the vivid scale and clarity of the IMAX format. It takes the film-going experience

    to the next level. It makes a big movie even bigger.”

    The sheer size of a 15/70 film frame, combined with the unique IMAX projection

    technology, is key to the extraordinary sharpness and clarity of the images projected in

    IMAX theatres.

    To fully envelop IMAX theatergoers, the IMAX sound system is a specially

    designed multi-channel stereo system that delivers exceptional clarity and quality for

    maximum impact.

    The IMAX® brand is world famous and stands for the highest-quality, most

    immersive filmed entertainment. Visitors to IMAX theatres now number in the hundreds

    of millions since the technology premiered in 1970. As the number of theatres grows, so

    does the visibility of the IMAX brand—a name that is unique in the entertainment

    business.

    Founded in 1967, IMAX Corporation is one of the world's leading entertainment

    technology companies and the newest distribution window for Hollywood films. IMAX

    delivers the world's best cinematic presentations using proprietary IMAX, IMAX 3D, and

    IMAX DMR technology. IMAX DMR (Digital Re-mastering) makes it possible for

    virtually any 35mm film to be transformed into the unparalleled image and sound quality

    of The IMAX Experience. The IMAX brand is recognized throughout the world for

    extraordinary and immersive entertainment experiences. As of June 30, 2006, there were

    274 IMAX theatres operating in 38 countries.

    IMAX®, IMAX® 3D, IMAX DMR®, IMAX MPX®, and The IMAX

    Experience® are trademarks of IMAX Corporation. More information on the Company

    can be found at www.imax.com.

     

     

     

    A BRIEF GUIDE TO THE MUSEUM’S EXHIBITS

     

    TEDDY ROOSEVELT: Long before he became a waxen museum statute, Theodore

    Roosevelt was the 26th President of the United States, and a man renowned for his widely

    varied interests and accomplishments,. He was a historian, an author of more than 35 books,

    rancher, conservationist, father of six children and a naturalist who made daring scientific

    expeditions to South America and Africa to bring back museum exhibits like those in NIGHT

    AT THE MUSEUM. Aside from his mustache, he is also famed for establishing the expanded

    role of the modern President, the Panama Canal, consumer protection acts, the “Square Deal”

    which provided a living wage to millions and for winning the Nobel Peace Prize, among

    others.

     

    SACAJAWEA: One of the legendary women of the American West, Sacajawea was the

    daughter of a Shoshone chief whose skills and smarts enabled her to serve as a guide and

    interpreter for Lewis and Clark’s famed early 19th century expedition from North Dakota to the

    Pacific Ocean – and also come in pretty handy in helping Larry Daley track down the

    museum’s run-away exhibits.

     

    EGYPTIAN PHARAOHS: Pharaohs were the kings of Ancient Egypt’s mysterious and

    powerful empire, which endured from the Neolithic Age of 3500 BC to the Roman era of 100

    AD, one of the longest-lasting civilizations in human history. Each of the pharaohs was

    believed to be the reincarnation of the Egyptian god Horus, and thus were usually mummified

    in preparation for resuming their power in the afterlife – even if the after-life ended up being in

    a museum!

     

    OCTAVIUS: Octavius was the first of Rome’s great Emperors and went on to rule the Roman

    Empire for an incredible 40 years. Adopted as the son of Julius Caesar, Octavius rose to power

    in 31 BC and remained there until his death in 14 BC. After ending a slew of civil wars, he

    introduced the “Pax Romana” – a fruitful period of extended peace and prosperity – the calm of

    which has been shattered by his cowboy neighbors in the museum.

     

    ATTILA THE HUN: Attila the Hun was king of the Hun Empires and the famed horse-riding

    warrior who fought the Romans in the 4th Century. He became a legendary figure across

    Europe for creating one of the fiercest and most feared armies the world, or any museum

    corridor, has ever known.

     

    NEANDERTHAL MAN: Neanderthal Man was an early subspecies of homo sapiens who

    first inhabited parts of Europe and Asia as long as 350,000 years ago. They are known for their

    short, stocky bodies, prominent brows and forward-jutting chins –- as well as for their hunting

    skills and early use of tools, not to mention their burning quest for fire.

     

    EASTER ISLAND HEADS: On one of the most isolated islands in the world, 2,000 miles

    from any other land, in the middle of the South Pacific, a mysterious culture carved more than

    800 massive stone heads weighing more than 10 tons each. Replicated in the museum, the

    giant heads have a few words of advice for Larry Daley.

     

     

     

    TYRRANOSAURUS REX: AKA “T-Rex,” Tyrranosaurus Rex was a large, carnivorous

    dinosaur who lived in the late Cretaceous Period about 85 million years ago. Despite his tiny

    arms, the dinosaur’s powerful body and large, pointy teeth made him a formidable predator –

    but perhaps all he really wanted was a good game of fetch.

     

    CAPUCHIN MONKEYS: Capuchin monkeys are a highly intelligent species of New World

    monkey found in Central and South America. They have been trained as organ-grinders, pets

    and even as aids for paralyzed people over the years – but are noted, as Larry Daley soon

    discovers, for their mischievous and resourceful natures.

     

     

     

    ABOUT THE CAST

    BEN STILLER (Larry Daley) is an innovative actor, director, producer and writer who

    continues to imprint his unique comedic and dramatic perspective on film, television and stage.

    He is currently in production on The Untitled Farrelly Brothers Comedy which re-teams Stiller

    with the writing-directing team of Peter and Bobby Farrelly. Loosely inspired by the 1972

    classic hit, The Heartbreak Kid, the film tells the story of a man who hastily weds a woman

    who he thinks is perfect--until he falls in love with another woman during the honeymoon.

    Michelle Monaghan and Malin Ackerman will co-star with the Farrelly's Conundrum

    Entertainment producing for Dreamworks. Additionally, Stiller will executive produce, direct,

    and guest star in a pilot for CBS which will star his wife Christine Taylor. The pilot, written by

    Ajay Sahgal, is about an actress married to Ben Stiller who contends with her family members

    and their involvement in her life. CBS Paramount Network Television will produce. Finally,

    Stiller has agreed to reprise his role in a second Madagascar film. He was most recently heard

    in the 2005 Dreamworks' animated film along with co-stars David Schwimmer, Chris Rock

    and Jada Pinkett Smith.

    In the spring of 2005, Stiller completed a successful run Off-Broadway in Neil LeBute's

    play, "This Is How It Goes" at New York's Public Theatre. Directed by George C. Wolfe and

    co-starring Jeffrey Wright and Amanda Peet, the play explores an interracial romance

    involving two men and a woman in small-town America.

    Stiller was last seen on the big screen in the blockbuster comedy sequel Meet the

    Fockers with Robert DeNiro, Dustin Hoffman and Barbra Streisand. Directed by Jay Roach,

    the film introduces Stiller's in-laws to his Parénts played by Hoffman and Streisand to hilarious

    results.

    In 2004, Stiller starred in the hit comedies Dodgeball, Starsky & Hutch and Along

    Came Polly. Other films include the comedy Zoolander based on the story of 'Derek

    Zoolander,' the male model character Stiller co-created with Drake Sather for the VH-1

    Fashion Awards. Stiller co-wrote, directed, starred and also produced the film through Red

    Hour Films with partner Stuart Cornfeld. Prior to that, Stiller starred in Jay Roach's Meet The

    Parénts, which won a People's Choice Award and earned Stiller an American Comedy Award

    for Funniest Male Performance and an MTV Movie Award™ for Best Comedic Performance.

     

     

    Additionally, he was nominated for Best On-Screen Team with Robert DeNiro. Stiller also

    starred in Wes Anderson's eccentric comedy The Royal Tenenbaums

    Having firmly established himself as a successful filmmaker, Stiller has an exclusive,

    three-year, first-look film and television production deal with Dreamworks, in which he will

    write, produce, and direct films under his own banner, Red Hour Films. Stiller made his

    feature-length motion picture directorial debut in 1994 with the critically acclaimed Reality

    Bites, in which he also co-starred with Winona Ryder, Janeane Garofalo and Ethan Hawke. He

    went on to direct Jim Carrey and Matthew Broderick in The Cable Guy.

    Stiller’s film credits as an actor also include Duplex, Keeping The Faith, Peter and

    Bobby Farrelly's smash hit There's Something About Mary, Permanent Midnight based on

    Jerry Stahl's controversial Hollywood memoir, Neil Lebute's Your Friends and Neighbors,

    Jake Kasdan's Zero Effect, David O. Russell’s Flirting With Disaster, Steven Spielberg's World

    War II epic Empire of the Sun, John Irvin's Next of Kin, David Anspaugh's Fresh Horses and

    John Erman's Stella.

    Stiller made his professional acting debut on Broadway in 1985 starring opposite John

    Mahoney in John Guare's "The House of Blue Leaves." While appearing in the play, Stiller

    persuaded Mahoney and fellow cast members Swoosie Kurtz, Stockard Channing, and Julie

    Hagerty to appear in a short comedy film, his first true directorial effort, The Hustler of

    Money. A parody of Martin Scorsese's The Color of Money, the film eventually aired on

    "Saturday Night Live" where it was so well received, Stiller was subsequently hired as a

    featured player and apprentice writer for the NBC comedy series.

    Following his stint at "Saturday Night Live," Stiller directed a comedy special for MTV

    called "Back to Brooklyn." Stiller followed that project by creating "The Ben Stiller Show,"

    also for MTV, and later collaborated with Judd Apatow for a 13-episode run on FOX. A

    critical success, Stiller, along with the rest of the writing staff, was awarded an Emmy® for

    outstanding comedy writing. Stiller also co-edited the photo book, Looking at Los Angeles, a

    pictorial representation of Los Angeles from the last three-quarters of a century. The book was

    ranked among Amazon.com's "Best Books of 2005."

     

    CARLA GUGINO (Rebecca) will next be seen starring opposite Danny DeVito and

    Kim Basinger in the crime drama Even Money and in the thriller Rise starring Lucy Liu,

     

     

    written and directed by Sebastian Gutierrez. She recently wrapped a role in Scott Frank’s

    directorial debut, The Lookout, starring opposite Joseph Gordon-Levitt, which will be released

    in 2007. Additionally, Gugino will have a six-episode arc on the upcoming season of HBO’s

    hit comedy “Entourage.” She most recently appeared in the Robert Rodriguez adaptation of

    the Frank Miller graphic novel series, Sin City, alongside Bruce Willis and Mickey Rourke.

    Gugino’s film credits include her role in all three installments of Robert Rodriguez's

    Spy Kids series, opposite Antonio Banderas; The Singing Detective, opposite Robert Downey,

    Jr., Robin Wright Penn and Jeremy Northam; the Wayne Wang art house film The Center Of

    The World; and The One, opposite Jet Li and Delroy Lindo. She also starred in Sebastian

    Gutierrez’s Creature Feature Part 1: She Creature, opposite Rufus Sewell for Cinemax, as

    well as Frank Whaley’s film The Jimmy Club, opposite Whaley and Ethan Hawke.

    Gugino has starred opposite Academy Award winner Nicolas Cage in Snake Eyes,

    directed by Brian DePalma. She served as a producer and starred in the independent film,

    Judas Kiss, opposite another Academy Award winner, Emma Thompson. She also starred in

    The War At Home with Martin Sheen, Kathy Bates and Emilio Estevez; Michael with John

    Travolta and William Hurt; Miami Rhapsody opposite Sarah Jessica Parker; This Boy’s Life

    with Robert DeNiro and Leonardo DiCaprio; and Son In Law. Additionally she has appeared

    in the films Lovelife, HBO’s A Private Matter, Showtime’s The Motorcycle Gang and Troop

    Beverly Hills, her first feature film.

    Gugino’s television credits include her critically acclaimed performances in the CBS

    series “Threshold” and as the title character in the series, "Karen Sisco," based on the character

    from the Elmore Leonard novel Out Of Sight. She also appeared opposite Michael J. Fox on

    “Spin City;” as a neurosurgeon on “Chicago Hope;” and in the Hallmark Hall of Fame movie

    “A Season for Miracles,” starring opposite Kathy Baker, Laura Dern and Lynn Redgrave.

    She received rave reviews as an American girl who finds her way into aristocratic British

    society in the BBC/PBS mini-series “The Buccaneers.” Gugino made her Broadway debut in

    the summer of 2004 at the Roundabout Theater’s revival of Arthur Miller’s “After the Fall.”

    She received many accolades, including an Outer Critics’ Circle Award nomination and a

    Theater World award for Outstanding Broadway Debut.

     

     

     

     

     

    DICK VAN DYKE (Cecil Fredricks), in 1955, hosted “The CBS Morning Show” in

    New York, with Walter Cronkite as news anchor and Barbara Walters as news copywriter.

    Concurrently, he was auditioning for Broadway shows and eventually landed a spot in a revue

    called “The Boys Against the Girls.” Director and choreographer Gower Champion caught the

    show and signed to Van Dyke to star with Chita Rivera in “Bye Bye Birdie” in which he

    introduced “Put on a Happy Face” in a 1960 Tony®-winning performance. “Bye Bye Birdie”

    was in its second season when Carl Reiner and Sheldon Leonard chose Van Dyke to star in a

    comedy series that became “The Dick Van Dyke Show.” Premiering in 1961, it ran for five

    seasons and earned Van Dyke three Emmy Awards.

    During hiatus periods, he starred in the film version of Bye Bye Birdie [1963], and the

    Disney classic Mary Poppins [1964]. Other features included Lt. Robin Crusoe, USN [1966],

    Divorce American Style [1967], Chitty Chitty Bang-Bang [1968], The Comic [1969], Some

    Kind of a Nut [1969], Cold Turkey [1971] and The Runner Stumbles [1978].

    After a year in England filming the family classic Chitty Chitty Bang-Bang, the Van

    Dykes moved to their ranch in Carefree, Arizona where “The New Dick Van Dyke Show” was

    produced for three seasons. His next project was the dramatic television movie, “The Morning

    After,” adapted from the Jack Weiner novel about a talented and successful family man whose

    life is destroyed by his alcoholism. The theme broke new ground for television dramas and

    earned him an Emmy nomination.

    Then it was back to song, dance and comedy in “Van Dyke and Company,” thirteen

    variety specials on NBC. After that Van Dyke returned to the theater for a revival of “The

    Music Man,” touring before taking it to Broadway. The following year he toured in “Damn

    Yankees.”

    Dick won his fifth Emmy for the 1982 CBS Library Special “Wrong Way Kid.” Other

    TV movies include, “Drop-Out Father,” “Found Money,” The PBS Special “Breakfast with

    Les and Bess,” the mini series “Strong Medicine” and a Showtime production of “The Country

    Girl.”

    His awards and honors include the Dance Legend of the Year Award from the

    Professional Dancers Society of America; the 1998 Disney Legend Award; a Lifetime

     

     

    Achievement Award from the American Comedy Awards; and a star on the Hollywood Walk

    of Fame. In 1995 he was inducted into the Television Academy Walk of Fame.

    Mark Sloane, the crime solving MD, was introduced in an episode of “Jake and the Fat

    Man” before becoming the central character in several TV movies and the series ”Diagnosis

    Murder,” which ran on CBS for eight seasons through the 1990s until 2001, followed by two

    Dr. Sloane movies in 2002.

    In 2003, Van Dyke reunited with Mary Tyler Moore to play two lonely retirees in D.L.

    Coburn’s Pulitzer Prize-winning drama, “The Gin Game,” on PBS Hollywood Theater. The

    following year they were together again as Rob and Laura Petrie in “Dick Van Dyke

    Revisited.”

    Threatening to retire for the last twenty years, Van Dyke returned to Broadway in

    January 2006 to sing and dance in four performances of “Chita Rivera: A Dancers Life,”

    receiving standing ovations after each number. His Hallmark movie, “Murder 101,” part of a

    franchise series, also aired in 2006.

    Van Dyke serves as fund-raising chairman for the 100-year-old Midnight Mission in

    Los Angeles and was recently awarded the Golden Heart Award for his charitable service and

    giving.

     

    The honorary Oscar® is the motion picture industry’s highest acknowledgement of

    film legends. It is given only occasionally, and the select recipients include such names as

    Charles Chaplin, Gary Cooper, Cary Grant, Henry Fonda, Joan Crawford, Laurence Olivier

    and Deborah Kerr. In 1983, it was presented to MICKEY ROONEY (Gus).

    Rooney was born Joe Yule, Jr., on September 23, 1920 in Brooklyn, son of well-

    known performers Joe Yule and Nell Carter. The consummate performer, he made his first

    stage appearance at the age of one when he crawled out on stage during his Parénts’ vaudeville

    act.

    All of Rooney’s eighty-three years have been busy. At four, he made his motion

    picture debut, as a midget in Not To Be Trusted. A year later, he became Mickey “Himself”

    McGuire for seventy-eight short film comedies based on Fontaine Fox’s tough little cartoon

    character. He outgrew the role at twelve and went on the road taking the name of Mickey

    Rooney. In the 1930’s, he signed with Metro-Goldwyn-Mayer for whom he made the famous

     

     

    Andy Hardy series. Box office receipts for 1938-1940 made him the number one star in the

    world.

    In 1939, he received a special Academy Award for the film Boy’s Town with Spencer

    Tracy and for his work in the Andy Hardy series. This was also the year he made his first

    major musical with Judy Garland, Babes in Arms, which earned him an Academy Award

    nomination as best actor. It was the first time a juvenile had competed with adult stars for the

    honor. The next time he was so honored was in 1943 for his work in The Human Comedy. In

    1944, he made National Velvet with Elizabeth Taylor, before joining the army for World War

    II. As a regular GI, during the war he entertained frontline troops with the “Jeep Shows,”

    which consisted of three men in a jeep who delivered much needed entertainment to the troops

    at the front. For his services in the war, he was awarded the Bronze Star with clusters.

    After the war, Rooney set about rebuilding his career. He would make several classic

    films including Killer McCoy, The Fireball (Marilyn Monroe’s first film), Baby Face Nelson

    and Breakfast at Tiffany’s. His list of credits for the past eight decades is impressive,

    containing more than three hundred films, including The Black Stallion for which he received

    an Academy Award Nomination for Best Supporting Actor.

    With the advent of television, Rooney dove into and conquered the new medium. He

    appeared in many classic dramas, such as “The Comedian” with famed director John

    Frankenheimer, (for which he received an Emmy nomination) and the classic “Twilight Zone”

    episode “The Last Night of a Jockey.” In 1982, he portrayed Bill Sechter in the television film

    “Bill” and received an Emmy, The Golden Globe®, and the Peabody Award for his

    performance. He repeated the role two years later in “Bill On His Own.” He has starred in

    numerous television series including “Hey Mulligan;” “Mickey” for which he won the Golden

    Globe in 1964; “A Year At The Top” with Sammy Davis, Jr.; “One Of The Boys” with Nathan

    Land and Dana Carvey; and “The Adventures of the Black Stallion.”

    In 1979, Rooney achieved a new triumph, which took him to the cover of “Life”

    magazine for his starring role in the theatrical production of “Sugar Babies,” which garnered

    him a Tony nomination. The show ran successfully on Broadway for three years and had a

    record-breaking eight-year run on the road. His stage success continued in 1989 when he and

    Donald O’Connor made a twenty-city tour in “Two For The Show,” which they co-wrote. In

    1990, they enjoyed similar success, with a thirteen-city tour in Neil Simon’s “The Sunshine

     

     

    Boys.” He returned to Broadway in 1993 to appear with Larry Gatlin in “The Will Rogers

    Follies.” He successfully revived “Sugar Babies” in 1995 at the Desert Inn in Las Vegas with

    Juliette Prowse and appeared in Toronto at Royal Alexandra Theatre in “Crazy for You.” In

    1997, he toured the United States and Canada as ‘The Wizard’ and ‘Professor Marvel’ in

    Madison Square Garden’s acclaimed production of “The Wizard of Oz.”

    In 1998 Rooney and his wife Jan launched a successful tour of “The One Man One

    Wife Show” in Australia and New Zealand. The show has been a continued success delighting

    audiences throughout the United States and Europe. Rooney is also an accomplished musician

    and can play almost every instrument in an orchestra. As a member of ASCAP, he has

    composed numerous pop songs, a symphony and several film scores.

    The recipient of three stars on The Hollywood Walk of Fame®, in April of 2004,

    Rooney was honored to received a Fourth Star on The Hollywood Walk of Fame®. He

    proudly shares that star with his wife, Jan for their achievement in live entertainment. They

    remain deeply in love with one another. They currently reside in Ventura County, California.

    There they enjoy the pleasure and quiet of the country with the other loves of their lives,

    children, grandchildren and their two birds. They are both strong Animal Rights advocates.

     

    BILL COBBS (Reginald) was born and raised in Cleveland where his mother was a

    cleaning lady and his father a construction worker. As an amateur actor in the city's Karamu

    House Theater, he starred in the Ossie Davis play "Purlie Victorious.” Cobbs was an Air Force

    radar technician for eight years; he also worked in office products at IBM and sold cars in

    Cleveland. In 1970, at the age of 36, he left for New York to seek work as an actor. There he

    turned down a job in the NBC sales department in order to have time for auditions. He

    supported himself by driving a cab, repairing office equipment, selling toys, and performing

    odd jobs. His first professional acting role was in "Ride a Black Horse" at the Negro Ensemble

    Company. From there he appeared in small theater productions, street theater, regional theater

    and at the Eugene O'Neill Theater. His first television credit was in “Vegetable Soup” (1976),

    a New York public television educational series, and he made his feature film debut in 1974 in

    the thriller The Taking Of Pelham One Two Three.

    Cobbs has gone on to appear in numerous film and television roles. His film credits

    include Decoration Day, The Hudsucker Proxy, Things to Do in Denver When You’re Dead,

     

     

    New Jack City, That Thing You Do!, Ghosts of Mississippi, Carolina Skeletons and A Mighty

    Wind. He has been a series regular on “The Gregory Hines Show” and “I’ll Fly Away,” among

    others. He has also appeared on “The Drew Cary Show” and “Six Feet Under.” Earlier this

    year Cobbs co-starred in the feature film Retirement with Peter Boyle, Peter Falk and Rip Torn.

    In his free time Cobbs enjoys music, reading, playing his drums, and learning how to play golf.

     

    ROBIN WILLIAMS (Teddy Roosevelt) is an Academy Award-winning actor and a

    multiple Grammy®-winning performer unparalleled in the scope of his imagination – and

    continues to add to his repertoire of indelible characters. Williams also stars this fall in Barry

    Levinson’s Man of the Year and plays the lead role opposite Toni Collette in Patrick Stettner’s

    The Night Listener based on the Armistead Maupin novel. He also re-teamed with director

    Barry Sonnenfeld in the comedy, R.V. and stars in August Rush with Jonathan Rhys-Meyers

    and Freddie Highmore.

    In 1997, Williams received the Academy Award® and Screen Actors Guild Award for

    his performance in Gus Van Sant's Good Will Hunting. The Academy previously nominated

    Williams for The Fisher King, Dead Poets Society and Good Morning Vietnam. Williams

    garnered a special honor from the National Board of Review for his performance opposite

    Robert DeNiro in Awakenings. In 2004, Williams received the prestigious Career Achievement

    Award from the Chicago International Film festival and, in 2005, the HFPA honored him with

    the Cecil B. DeMille Award for outstanding contributions to the world of entertainment.

    Robin Williams first captured the attention of the world as Mork from Ork on the hit

    series “Mork & Mindy.” Born in Chicago and raised in Michigan and California, he trained at

    New York's Julliard School under John Houseman. Williams made his film debut as the title

    character in Robert Altman's Popeye. His early motion picture credits include Paul Mazursky's

    Moscow on the Hudson and The World According to Garp, George Roy Hill's adaptation of

    John Irving's acclaimed novel.

    Williams' filmography includes a number of blockbusters. In 1991, Williams assumed

    the dual roles of Peter Pan/Peter Banning in Steven Spielberg's Hook. In 1993, he starred in

    Chris Columbus' Mrs. Doubtfire for Mike Nichols. Williams portrayed 'Armand Goldman' in

    The Birdcage, for which the cast won a SAG ensemble award. In 1996, both The Birdcage and

    Jumanji reached the $100 million mark in the USA in the same week. Next, he starred in

     

     

    Disney’s Flubber, and played a medical student who treats patients with humor in Patch

    Adams.

    In a departure from the usual comedic and family fare he is best known for, Williams

    collaborated with two accomplished young directors on dramatic thrillers. For Christopher

    Nolan, he starred opposite Al Pacino as reclusive novelist ‘Walter Finch,’ the primary suspect

    in the murder of a teenaged girl in a small Alaskan town, in Insomnia. In Mark Romanek's

    One Hour Photo, Williams played a photo lab employee who becomes obsessed with a young

    suburban family.

    Using only his voice, Williams created one of the most vivid characters in recent

    memory - the 'Blue Genie of the Lamp' in Aladdin. The performance redefined how

    animations were voiced. Audio versions of his one-man shows and the children's record

    "Pecos Bill," have won him five Grammy Awards. Most recently Williams lent his vocal

    talents to the blockbuster animated feature Robots.

    Williams' stage credits include a landmark production of Samuel Beckett's "Waiting for

    Godot" directed by Mike Nichols and co-starring Steve Martin and, most recently, a short run

    in San Francisco of "The Exonerated," which tells the true stories of six innocent survivors of

    death row.

    Williams, who began his career as a stand-up comedian, is well known for

    monologues in which he makes free associative leaps punctuated by one liners about subjects

    as varied as politics, history, religion, ethnic strife and sex. Williams did just that when he

    toured in a critically acclaimed indefatigable one-man show that visited thirty-six cities. The

    final performance was filmed by HBO and broadcast live from New York on July 14, 2002.

    Offstage, Williams takes great joy in supporting causes too numerous to identify --

    covering the spectrum from health care and human rights, to education, environmental

    protection, and the arts. He toured the Middle East three times in as many years to help raise

    morale among the troops and is, perhaps, best known philanthropically for his affiliation with

    Comic Relief, which was founded in 1986 as a non-profit organization to help America's

    homeless.

     

    JAKE CHERRY (Nick) made his feature film debut starring Jennifer Aniston and

    Frances McDormand in Friends With Money. He was a series regular on the Fox series “Head

     

     

    Cases” and a guest star on “Bones” and “Third Watch.” He also starred in the Lifetime telefilm

    “Miracle Run,” playing Mary-Louise Parker's autistic son.

    Cherry got his acting start in commercials when he was just two years old,

    accompanying his older brother to auditions. He has since appeared in over 20 national

    commercials.

     

    RICKY GERVAIS (Dr. McPhee) is best known for his role of co-creator (with Stephen

    Merchant) and star of the hit British television series “The Office.” Gervais started his career in

    television by writing and starring in a one-off called “Golden Years” about a businessman who

    is obsessed with becoming a David Bowie look-alike. He next appeared on “The 11 O'Clock

    Show'”- a topical comedy magazine series for which he adopted the persona of a half-

    knowledgeable bigot, an outrageous and refreshingly funny foil to the satirical Oxbridge

    pretensions of the show itself.

    “Meet Ricky Gervais,” a chat show, came hot on the heels of his popularity in the “11

    O'Clock Show.” When the show finished in October 2000, Gervais and Merchant had already

    been developing their ideas for an office-based mock documentary, and months if not years of

    work would come to fruition on 9 July 2001 when the BBC aired the first episode of “The

    Office.”

    Twelve episodes and a two-part Christmas special later, “The Office” was consigned to

    broadcasting history. Showered with awards and critical acclaim the series' pivotal creation,

    the character of David Brent, became a household name and so did Ricky Gervais. Not only a

    mega-hit in England, “The Office” has gone on to become the most successful British comedy

    exports of all time.

    Gervais recently completed production on season two of 'Extras.’ He appears in the

    starring role of this satirical television series that he created with Merchant, for the BBC and

    HBO.

     

    KIM RAVER (Erica Daley) has starred on the Emmy Award Winning Fox drama,

    “24” for the past two seasons, as ‘Audrey Raines,’ an aide to the Secretary of Defense in

    Washington. This fall, Raver can be seen starring in the new ABC prime time drama “The

    Nine,” which follows the lives of nine people after they experience a 52-hour hostage situation.

     

     

    Raver recently wrapped a role in the indie feature Prisoner opposite Julian McMahon.

    She was also seen in the independent films Mind the Gap, directed by Eric Schaeffer, and Keep

    your Distance, directed by Stu Pollard. Raver also starred in the 2005 Lifetime movie

    “Haunting Sarah,” a supernatural thriller in which she portrays identical twins.

    Raver endeared herself to critics and viewers during the five years she starred as

    paramedic ‘Kim Zambrano,’ on the NBC drama “Third Watch.” Raver’s other television

    credits include a lead role on NBC’s “Trinity”; guest starring roles in “The Practice,” “Spin

    City,” “Law & Order”; and a recurring role on “Central Park West.” She also appeared in the

    feature film City Hall with Al Pacino.

    Born and raised in New York City, Raver had a regular role on the children’s television

    series “Sesame Street” from the ages of 6 to 9. After “Sesame Street” she joined off-

    Broadway’s first all-children’s theater. Raver’s big break came with her Broadway debut in the

    play “Holiday” in which she co-starred with Laura Linney and Tony Goldwyn. She also

    costarred with David Schwimmer and John Spencer in the Williamstown production of “The

    Glimmer Brothers,” written by Warren Leight.

     

    PATRICK GALLAGHER (Attila The Hun) was most recently seen in Final

    Destination 3 and previously appeared in Peter Weir’s Master and Commander: The Far Side

    of the World and in the Academy Award-winning indie hit Sideways.

    Gallagher plays a principal role on the television series “Stargate Atlantis” and a

    recurring role on the BRAVO series “Godiva’s.” He is a series regular on “Da Vinci’s City

    Hall,” and played a recurring guest role on “Da Vinci’s Inquest.” Gallagher has played guest

    starring roles on the series “Battlestar Galactica,” “La Femme Nikita,” “Dark Angel,” “Taken,”

    “Kung Fu,” “F/X: The Series,” “Due South” and “Mysterious Ways.” His movie of the week

    credits include, “My Father’s Shadow,” “American Meltdown,” “Skid Road” and “Damaged

    Care.”

     

    RAMI MALEK (Ahkmenrah) made his television debut after booking his very first

    audition, on “The Gilmore Girls,” and can currently be seen playing ‘Kenny’ on the FOX

    series “The War At Home.” He earlier played a recurring character in Steven Bochco’s

     

     

    acclaimed Iraq war series “Over There” and has made guest starring appearances on the series

    “FX” and “Medium.”

    Malek decided to pursue acting professionally after being invited to join The O’Neil

    Playwrights conference in Connecticut, where he trained in theater and worked to refine his

    craft. There he performed in “The Bebop Heard in Okinawa” and “Fascination” before

    heading to England to study Shakespeare. With his acting roots firmly planted in theater, he

    returned to Los Angeles, where he was cast in a leading role for “Johnny Boy,” which was

    met with critical acclaim. He then briefly relocated to New York City to appear in “Shoes,”

    off-Broadway.

    Egyptian actor Malek received his BFA at the University of Evansville and currently

    live in Los Angeles with his family.

     

    MIZUO PECK (Sacajawea), a native New Yorker, still lives a block from where

    she grew up in Tribeca. Acting since age 11, Peck graduated from LaGuardia High

    School of Performing Arts where she focused on acting. With a B.F.A. degree in Theatre

    from the prestigious acting conservatory at SUNY Purchase, Peck has acted in theatre,

    commercials, television and film and has modeled for photographer Bruce Weber for the

    cover of L’uomo Vogue. She has also appeared in a Bruce Weber-directed music video

    for the Pet Shop Boys and appeared with Angelina Jolie in the Rolling Stones’ music

    video, “Anybody Seen My Baby?”

    Peck’s television credits include “Law & Order: Criminal Intent,” “All My

    Children” and “Witchblade.” Her film credits include Husky, Don’t Cry and Scenes of

    the Crime, in which she acted alongside Jeff Bridges.

     

    STEVE COOGAN (Octavius) is one of the icons of British comedy. He has created

    some of British television’s most loved comedy characters, including the inimitable Alan

    Partridge, for which he received several BAFTA Awards. A prolific writer and producer who

    has been called a “comic genius,” Coogan is becoming increasingly well known as a comic and

    dramatic actor. He will be seen this fall in Sofia Coppola’s Marie Antoinette and on BBC

    America’s “Saxondale,” a comedy about a former rock-show roadie who becomes an

    exterminator. His recent film credits also include the starring role in Michael Winterbottom’s

     

     

    acclaimed comedy Tristram Shandy: A Cock And Bull Story, as well as Don Roos’s Happy

    Endings, Around The World In 80 Days and Jim Jarmusch’s Coffee and Cigarettes. He’ll next

    be seen in Hot Fuzz with Jim Broadbent, Nick Frost and Timothy Dalton.

    Coogan began doing stand up and skits in his native Manchester after graduating from

    drama school. For years he was a regular voice on “Spitting Image,” a hugely popular puppet

    show that lampooned famous political and cultural figures. He soon moved on to creating his

    own characters,who immediately became a part of the British cultural landscape and inspired

    programs such as “The Office” and “Little Britain.” In 1992 he won the respected Perrier

    Award for his show “Steve Coogan In Character With John Thompson,” where he launched

    Paul Calf, a foul-mouthed, beer swilling Northerner who was soon joined by his sex-mad

    sister Pauline. But it was to be Alan Partridge, the nerdy radio DJ from Norfolk with a terrible

    taste in sweaters and an inflated ego who thrust Coogan into celebrity status.

    Coogan created his first big screen vehicle with writing partner Harry Normal in 2001

    with The Parole Officer, which received acclaim and went on to be the one of the top grossing

    British films of the year. He received rave reviews for his portrayal of Tony Wilson in

    Michael Winterbottom’s sleeper hit 24 Hour Party People, about the rise and fall of Factory

    Records. His production company, Baby Cow Productions, has continually come up with

    award-winning programs including Rob Brydon’s “Marion and Geoff” and “Human

    Remains.” The company’s animated series “I Am Not an Animal,” featuring Coogan in two

    roles, has been seen in the U.S. on the Sundance Channel.

     

    ANNE MEARA (Debbie) is known as half of the comedy team, “Stiller & Meara,”

    who gained nationwide fame as a comedy team on the “Ed Sullivan Show.” They have

    performed together nationally in nightclubs and regional theatres and have made countless

    appearances on television. Meara also boasts an impressive solo career. Her feature film work

    includes Like Mike, The Search for One Eyed Jimmy, MIA, An Open Window, Judy Berlin, The

    Daytrippers, Southie and Get Well Soon with Courtney Cox.

    On television, she appeared for several years as Peggy Moody on ABC’s “All My

    Children.” Other television appearances include the title role in the CBS series “Kate

    McShane” and recurring roles on “Rhoda,” “Archie Bunker’s Place,” “Alf,” “Sex in the City”

     

     

    and “King of Queens.” Guest appearances include “Murder She Wrote,” “Heat of the Night,”

    “Homicide,” ‘Ed,’ “Will And Grace” and “Law and Order: SVU,” among many others.

    Meara has received five Emmy nominations for her television work including a

    1997 nomination for Outstanding Guest Actress in a drama series for “Homicide.” She

    was co-writer (with Lila Garrett) and star of “The Other Woman,” a CBS Movie of the

    Week which won a Writer’s Guild Award. Anne’s script “After-Play” was produced by

    Manhattan Theatre Club and enjoyed a sold-out run. Anne received the Outer Critic’s

    Circle John Gassner Award for Playwriting for “After-Play”. Her last play, “Down the

    Garden Paths,” starred Eli Wallach and Anne Jackson, and was produced at The George

    Street Playhouse, Long Wharf Theatre and Off-Broadway at the Minetta Lane Theatre.

     

    ABOUT THE FILMMAKERS

    SHAWN LEVY (Director/Producer) is one of the most commercially successful film

    directors of the past decade. Levy has honed his craft, seamlessly weaving comedy and heart

    into captivating stories that resonate with audiences. His youthfully enthusiastic approach to

    filmmaking is evident in the storylines and characters he creates – reflecting his joyful intensity

    for each project at hand.

    Levy is currently developing several films to produce through his production company,

    21 Laps Entertainment, which is housed at Fox. These projects include The Rocker, Father

    Figure, and Back Magick for Fox; Me, Me, Me at New Line; and The Talent Thief for

    Universal.

    Levy directed the 2006 hit comedy The Pink Panther, starring Steve Martin, Kevin

    Kline, Beyoncé Knowles, and Jean Reno. He also produced Cheaper By The Dozen 2, the

    sequel to his blockbuster comedy, Cheaper By The Dozen, which he directed. Starring Steve

    Martin, Bonnie Hunt, Ashton Kutcher and Hilary Duff, the film was released Christmas

    Day 2003 and went on to gross more than $138m domestically.

    Levy directed the hit romantic comedy Just Married, starring Ashton Kutcher and

    Brittany Murphy. The surprise-hit film grossed over $100m worldwide. In 2002, Levy directed

    the family comedy Big Fat Liar, for Universal Pictures with Frankie Muniz, Paul Giamatti and

    Amanda Bynes.

     

     

    On the television front, in 2006 Levy launched the series “Pepper Dennis,” starring

    Rebecca Romijn. Levy served as executive producer of the series, which aired on The WB. He

    also directed the pilot episode. He currently has an overall television deal with Twentieth

    Television, through which he is developing the pilots, “The Institution” and “Swim Team.”

    Levy graduated at the age of 20 from the Drama Department of Yale University. He

    later studied film in the Masters Film Production Program at USC where he produced and

    directed the short film Broken Record. This film won the Gold Plaque at the Chicago Film

    Festival, in addition to being selected to screen at the Director’s Guild of America.

    Following his well-received student film, Levy spent several years directing, writing

    and executive producing for television. His pilots for “The Famous Jett Jackson,” “So

    Weird,” “In A Heartbeat” (all for The Disney Channel) and “Caitlin’s Way” (Nickelodeon)

    were all picked up for series. Shawn spent two seasons as the executive producer of the hit

    Disney Channel series “The Famous Jett Jackson.” The series, for which Levy also wrote and

    directed several episodes, culminated in the award winning telefilm “Jett Jackson: The

    Movie,” which Levy produced and directed.

     

    CHRIS COLUMBUS (Producer) is a major force in contemporary Hollywood

    filmmaking. From his anarchic, genre-bending 1980s classics Gremlins and The Goonies to the

    recent blockbuster Harry Potter films — which are among the most successful book-to-screen

    adaptations of all time.

    Columbus was born in Spangler, Pennsylvania and grew up outside of Youngstown,

    Ohio. As a youngster, he aspired to draw cartoons for Marvel Comics and eventually made the

    connection between comic books and movie storyboards. In high school, he began making his

    own homegrown 8mm films and drawing his own storyboards (which he continues to this day).

    After high school, he enrolled in the Directors Program at New York University’s prestigious

    Tisch School of the Arts.

    Columbus first attained success as a screenwriter. While still in college, he sold his

    first script Jocks, a semi-autobiographical comedy about a Catholic schoolboy who tries out for

    a football team. After graduating from NYU, Columbus wrote a small town drama entitled

    Reckless (1984), based on his experiences as a factory worker in Ohio. The film was directed

    by James Foley and starred Aidan Quinn and Daryl Hannah.

     

     

    Columbus gained prominence in Hollywood writing several original scripts produced

    by Steven Spielberg. The back-to-back hits of the Joe Dante-directed Gremlins (1984) and The

    Goonies (1985), helmed by Richard Donner, were decade-defining films that intertwined high

    notes of offbeat, edgy, often outrageous humor against more classic adventure-thriller

    backdrops. He next wrote the fantasy adventure Young Sherlock Holmes, which was directed

    by Barry Levinson.

    These screenwriting achievements led Columbus to directing his first feature,

    Adventures in Babysitting (1987) starring Elisabeth Shue. A meeting with John Hughes

    brought Columbus to the helm of Home Alone (1990), the first of three collaborations. Home

    Alone and its hugely successful follow-up, Home Alone 2: Lost in New York, were universal in

    appeal and launched the career of Macaulay Culkin. Only the Lonely (1991), a bittersweet

    comedy-drama directed by Columbus from his own screenplay, was praised for featuring one

    of the late John Candy’s best performances, and for the return of legendary star Maureen

    O’Hara to the screen.

    Columbus’ smash hit comedy Mrs. Doubtfire (1993) starring Robin Williams and Sally

    Field, bent genders as well as genres, to great critical and public success. Columbus directed

    another comedy Nine Months (1995), with Hugh Grant and Julianne Moore, before turning to

    drama with Stepmom (1998) starring Julia Roberts and Susan Sarandon.

    Columbus faced a daunting task when he was called upon to direct Harry Potter and

    the Sorcerer’s Stone (2001), the first film based on J.K. Rowling’s monumentally successful

    series of books. With millions of avid and sometimes fanatical readers — both young and old

    — in a high state of expectation and anticipation, Columbus cast completely inexperienced

    youngsters Daniel Radcliffe, Emma Watson and Rupert Grint in the leading roles as Harry

    Potter and his friends Hermione Granger and Ron Weasley. Once again, he demonstrated his

    facility for nurturing and cultivating young talent and turning them into natural screen

    performers.

    The success of Harry Potter and the Sorcerer’s Stone was followed by Harry Potter

    and the Chamber of Secrets (2002), which once again met with huge box office success. He

    served as producer on the recent Harry Potter and the Prisoner of Azkaban and directed last

    year’s film version of the Pulitzer Prize winning Broadway musical RENT.

     

     

     

    MICHAEL BARNATHAN (Producer) is President of 1492 Pictures, in which he is a

    producing partner with Chris Columbus and Mark Radcliffe. The company was formed in May

    1994 and has a first look deal with Warner Bros. Barnathan has served as producer on Nine

    Months, Jingle All the Way, Stepmom, Cheaper by the Dozen, Christmas with the Kranks,

    Fantastic Four and most recently RENT. He also served as executive producer for Harry

    Potter and the Sorcerer’s Stone, Harry Potter and the Chamber of Secrets and Harry Potter

    and the Prisoner of Azkaban.

    Prior to joining 1492 Pictures, Barnathan was Senior Vice President of Production at

    Largo Entertainment for four years. His responsibilities included supervision of both

    development and production of Largo’s films. Barnathan served as executive producer on Used

    People and supervised such productions as Point Break, Dr. Giggles, Judgment Night and The

    Getaway.

    Before joining Largo, Barnathan spent seven years working for Edgar J. Scherick

    Associates. For his last two years with Scherick he served as Executive Vice President of

    Production. During his tenure, he produced and executive produced numerous cable movies,

    movies of the week and mini-series, including “The Kennedys of Massachusetts,” which

    received nine Emmy nominations.

     

    ROBERT BEN GARANT (Screenplay) with his partner, Thomas Lennon, has written

    the comedies Herbie: Fully Loaded, The Pacifier starring Vin Diesel, Taxi starring Queen

    Latifah – and the upcoming feature comedy Reno 911!: Miami, based on the hit Comedy

    Central series on which her serves as co-creator, executive producer and star.

    Garant is currently making his directorial debut with his screenplay Balls of Fury for

    New Line.

    Garant is an executive producer, writer and star of the Comedy Central show “RENO:

    911!” He performed with the comedy sketch troupe The State in the early nineties in New

    York City. The group went on to critical success with their self-titled hit series on MTV. “The

    State” was nominated for a 1995 CableACE award for Best Comedy Series and ran for three

    seasons. With Lennon, Garant then created, produced, wrote and occasionally starred in

    Comedy Central’s “Viva Variety,” which was an instant critical smash for the new network,

     

     

    and received a CableACE nomination for Best Comedy Series in 1997 and enjoyed three

    successful seasons.

     

    THOMAS LENNON (Screenplay), with his partner, Ben Garant, has written the

    comedies Herbie: Fully Loaded, The Pacifier starring Vin Diesel,Taxi starring Queen Latifah –

    and the upcoming feature comedy Reno 911!: Miami, based on the hit Comedy Central series

    on which her serves as co-creator, executive producer and star.

    Lennon began his career as a graduate of NYU’s Tisch School of the Arts’

    experimental theater wing, where he co-founded the sketch comedy troupe “The State.” The

    group went on to critical success with their self-titled hit series on MTV, with Lennon one of

    its stars, producers and writers. “The State” was nominated for a 1995 CableACE award for

    Best Comedy Series and ran for three seasons. Lennon then created, produced and starred in

    Comedy Central’s “Viva Variety,” which was an instant critical smash for the new network,

    and received a CableACE nomination for Best Comedy Series in 1997 and enjoyed three

    successful seasons.

    Lennon is the co-creator, executive producer and star of the Comedy Central show

    “RENO 911!” Lennon has had guest roles on NBC’s “Friends,” “Jesse” and “MDs,” and he

    also co-created and starred in the pilot “Hey Neighbor!” for Fox Television. Lennon has

    appeared in the films “Memento,” “Out Cold,” “A Guy Thing,” “How To Lose A Guy in 10

    Days” and “Le Divorce.”

     

    MARK RADCLIFFE (Producer), who served as producer on Harry Potter and the

    Prisoner of Azkaban and executive producer on both Harry Potter and the Sorcerer’s Stone

    and Harry Potter and the Chamber of Secrets, continued his long-term collaboration with

    Chris Columbus as producer on RENT. He previously served as producer on the box office hits

    Mrs. Doubtfire, Stepmom, Fantastic Four, Nine Months, Christmas with the Kranks and Jingle

    All the Way, having also been executive producer on Home Alone 2: Lost in New York, co-

    producer of Only the Lonely and associate producer and assistant director on Home Alone. He

    and Columbus first worked together on Heartbreak Hotel.

    A native of Oklahoma, Radcliffe began his film career as assistant director on the

    Francis Ford Coppola production The Escape Artist. He later worked for Coppola on

     

     

    Rumblefish and Peggy Sue Got Married. Other credits include assistant director on John

    Hughes’ She’s Having a Baby and Planes, Trains and Automobiles, Jerry Zucker’s Ghost,

    Donald Petrie’s Mystic Pizza and Paul Schrader’s Light of Day.

     

    GUILLERMO NAVARRO, ASC (Director of Photography) was born and raised in

    Mexico City. He moved to France to work as an apprentice and assistant to director of

    photography Ricardo Aronovich, AFC. Upon his return to Mexico, Navarro shot the critically

    acclaimed film Cabeza de Vaca, for director Nicolas Echeverria, earning a Best

    Cinematography award from the Mexican Academy. The movie was also Mexico’s entry for

    Best Foreign Film at the Academy Awards. Navarro moved to Los Angeles and has frequently

    collaborated with directors Robert Rodriguez and Quentin Tarantino on such films as

    Desperado, Four Rooms, From Dusk Till Dawn and Jackie Brown.

    Navarro credits also include a number of action and effects movies including The Long

    Kiss Goodnight, Zathura, Spawn and Stuart Little. He has enjoyed a long-time collaboration

    with Guillermo Del Toro and served as cinematographer on Cronos, The Devil’s Backbone,

    Pan’s Labyrinth and Hellboy.

     

    CLAUDE PARÉ (Production Designer) was honored with an Academy Award,

    BAFTA and LAFCA (Los Angeles Film Critics Association) Awards for Best Art Direction

    for The Aviator, on which he served as supervising art director. Prior to The Aviator, he served

    as supervising art director on Roland Emmerich’s blockbuster The Day After Tomorrow.

    In 2002, Paré art directed Beyond Borders starring Angelina Jolie and Clive Owen.

    He served as supervising art director on Frank Oz’s The Score, starring Robert De Niro,

    Marlon Brando and Edward Norton; The Sum Of All Fears, starring Ben Affleck and Morgan

    Freeman; Battlefield Earth starring John Travolta and Forest Whittaker; The Bone Collector

    starring Denzel Washington; and 7 Years In Tibet, starring Brad Pitt.

    Paré, a native of Montreal, served as production designer on the Canadian features This

    Is My Father, Les Boys, La Comtesse De Baton Rouge and Rainbow; and as supervising art

    director on Grey Owl, directed by Richard Attenborough and starring Piece Brosnan.

     

     

     

    DON ZIMMERMAN, A.C.E.’s (Editor) recent feature film editing credits include Fun

    With Dick And Jane, Flight Of The Phoenix, The Cat In The Hat and Just Married.

    Zimmerman also cut the Fox feature A Walk In The Clouds (shared credit) and served as editor

    on Nutty Professor, Liar, Liar, Half Baked, Patch Adams and Dragonfly.

    His early work as a film editor includes two of Hal Ashby’s classic films: Being There

    starring Peter Sellers and Coming Home starring Jon Voigt and Jane Fonda. He went on to cut

    Sylvester Stallone’s starring vehicles Rocky III and Rocky IV (shared credit).

    Zimmerman also served as editor on the feature films Friends for Norman Jewison;

    Roxanne for Fred Schepisi; Prince Of Tides, directed by Barbra Streisand; Everyone is All-

    American, Fatal Beauty, Navy Seals, Diggstown, Indecent Proposal, Ace Ventura: Pet

    Detective and The Scout.

     

    JIM RYGIEL (VFX Director/Additional Second Unit Director) collaborated with

    Peter Jackson, as VFX Supervisor on all three installments of the Academy Award and

    BAFTA winning The Lord Of The Rings trilogy. He also served as 2nd Unit Director

    (uncredited) on The Lord Of The Rings: The Return Of The King, the final installment of J.R.

    Tolkien’s epic fable. Rygiel was honored with the AFI Digital Effects Artist award for the first

    episode in the trilogy and the two latter episodes received Visual Effect Society Awards for

    Best Visual Effects in an Effects Driven Movie.

    Rygiel previously designed the visual effects for the feature Click starring Adam

    Sandler. He served as visual effects supervisor on Paul Verhoeven’s Starship Troopers,

    Jonathan Frakes’ Star Trek: Insurrection, Species starring Ben Kingsley and Wolfgang

    Peterson’s Outbreak, starring Dustin Hoffman, Renee Russo, Kevin Spacey and Morgan

    Freeman.

    Earlier in his career, Rygiel served as digital supervisor on the VFX-laden action

    adventures, Batman Returns, Last Action Hero, Cliffhanger and Last Of The Mohicans.

     

    RENEE APRIL (Costume Designer) most recently designed costumes for Marcus

    Nispel’s fantasy epic about Vikings and American Indians, Pathfinder, and for Darren

    Aranofsky’s time-traveling story The Fountain. She previously worked with director Roland

    Emmerich on the Fox blockbuster The Day After Tomorrow, starring Dennis Quaid and Jake

     

     

    Gyllenhaal. She also designed the costumes for the award winning drama Confessions Of A

    Dangerous Mind, starring George Clooney, Sam Rockwell and Drew Barrymore; and in a

    lighter vein April worked with director Bill Paxton on the sports drama The Greatest Game

    Every Played.

    April earlier collaborated with director Alan Rudolph on the acclaimed period dramas

    The Moderns and Mrs. Parker And The Vicious Circle, starring Jennifer Jason Leigh and

    Matthew Broderick. Her other film credits include, Children Of A Lesser God, starring

    William Hurt and Marlee Matlin; Agnes Of God, directed by Norman Jewison and starring Jane

    Fonda and Meg Tilly; Black Robe, directed by Bruce Beresford and the critically acclaimed

    independent from Working Title Films Map Of The Human Heart.

    April is a native of Montreal whose Canadian film credits include the critically

    acclaimed Red Violin, starring Samuel Jackson and Greta Scacchi; and Grey Owl, starring

    Pierce Brosnan, which garnered April the Genie Award (Canadian Oscar) for Achievement In

    Costume Design. April also received a Genie for her work on The Bay Boy, starring Liv

    Ullman and Kiefer Sutherland, and was nominated for a Genie on Pen Densham’s The Kiss,

    starring Joanna Pacula.

     

    ALAN SILVESTRI (Music) recently received an Oscar® nomination and won a

    Grammy for the song “Believe” written for Robert Zemickis’ Polar Express. He formerly

    earned nominations from both the Academy and the Golden Globes for Best Score for

    Zemeckis' Forrest Gump. In addition to Polar Express and Forrest Gump, he has scored many

    other motion pictures for director Zemeckis including Cast Away, What Lies Beneath, Contact,

    Romancing the Stone, all three Back to the Future films, Who Framed Roger Rabbit? and

    Death Becomes Her.

    Silvestri's other recent credits include The Wild, Van Helsing, Lara Croft Tomb Raider:

    The Cradle of Life, Identity, Maid in Manhattan, The Mummy Returns, The Mexican, Stuart

    Little and Stuart Little 2, Lilo and Stitch and Serendipity. Among his additional film credits

    are What Women Want, Reindeer Games, Star Trek: Insurrection, Practical Magic, The Parént

    Trap, Mousehunt, Volcano, The Long Kiss Goodnight, Eraser, Sgt. Bilko, Grumpier Old Men,

    Father of the Bride Part II, Judge Dredd, The Perez Family, The Quick and the Dead, Richie

    Rich, Blown Away, The Bodyguard, Grumpy Old Men, Judgment Night, Super Mario Brothers,

     

     

    FernGully: The Last Rainforest, Father of the Bride, Shattered, Ricochet, Soapdish, Predator

    2, Young Guns II, The Abyss, Overboard, Predator, Outrageous Fortune, Flight of the

    Navigator, Clan of the Cave Bear, American Anthem and Fandango.

     

     

    ©2006 Twentieth Century Fox. All rights reserved. Property of Fox.

    Permission is hereby granted to newspapers and periodicals to reproduce this text in articles publicizing the distribution of the motion picture.

    All other use is strictly prohibited, including sale, duplication, or other transfers of this material.

    This press kit, in whole or in part, must not be leased, sold, or given away.

     

    TWENTIETH CENTURY FOX Presents

    In Association with

    INGENIOUS FILM PARTNERS

     

    A 1492 PICTURES / 21 LAPS Production

     

    A SHAWN LEVY Film

     

    BEN STILLER

     

     

     

    CARLA GUGINO

    DICK VAN DYKE

    MICKEY ROONEY

    BILL COBBS

    JAKE CHERRY

    RICKY GERVAIS

     

    and ROBIN WILLIAMS

     

    KIM RAVER

    PATRICK GALLAGHER

    RAMI MALEK

    PIERFRANCESCO FAVINO

    CHARLIE MURPHY

     

    Directed by..............................SHAWN LEVY

    Produced by............................SHAWN LEVY

    .......................................CHRIS COLUMBUS

    .................................MICHAEL BARNATHAN

    Screen Story and Screenplay by......................

    .............................ROBERT BEN GARANT &

    .........................................THOMAS LENNON

    Based upon the book by..........MILAN TRENC

    Executive Producers...THOMAS M. HAMMEL

    .................................................IRA SHUMAN

    .........................................MARK RADCLIFFE

    Director of Photography...................................

    .......................GUILLERMO NAVARRO, ASC

    Production Designer...............CLAUDE PARÉ

    Film Editor.............DON ZIMMERMAN, A.C.E

    Co-Producer......................JOSH McLAGLEN

    Associate Producer.........ELLEN M. SOMERS

    Visual Effects Supervisor.............JIM RYGIEL

    Costume Designer...................RENÉE APRIL

    Music by.............................ALAN SILVESTRI

    Casting by..................ILENE STARGER, CSA

     

     

    Unit Production Manager......ANNE SIMONET

    Unit Production Manager.................................

    ...................................THOMAS M. HAMMEL

    Unit Production Manager..........IRA SHUMAN

     

     

    First Assistant Director....................................

    MARTY ELI SCHWARTZ

    First Assistant Director.......JOSH McLAGLEN

    Second Assistant Director...............................

    .........................................MISHA BUKOWSKI

     

    CAST

    Larry Daley...............................BEN STILLER

    Rebecca...............................CARLA GUGINO

    Cecil.....................................DICK VAN DYKE

    Gus...................................MICKEY ROONEY

    Reginald.....................................BILL COBBS

    Nick Daley..............................JAKE CHERRY

    Dr. McPhee..........................RICKY GERVAIS

    Teddy Roosevelt................ROBIN WILLIAMS

    Erica Daley...................................KIM RAVER

    Attila The Hun...........PATRICK GALLAGHER

    Ahkmenrah................................RAMI MALEK

    Christopher Columbus.....................................

    ...........................PIERFRANCESCO FAVINO

    Taxi Driver.......................CHARLIE MURPHY

    Octavius..............................STEVE COOGAN

    Sacajawea................................MIZUO PECK

    Neanderthal # 1...KERRY VAN DER GRIEND

    Neanderthal #2........................DAN RIZZUTO

    Neanderthal #3...........MATTHEW HARRISON

    Neanderthal #4......................JODY RACICOT

    Don.............................................PAUL RUDD

    Debbie.....................................ANNE MEARA

    Lewis.......................MARTIN CHRISTOPHER

    Clark........................................MARTIN SIMS

    Hun #1........................................RANDY LEE

    Hun #2 .................................DARRYL QUON

    Hun #3.................................GERALD WONG

    Hun #4..................PAUL CHIH-PING CHENG

    Teacher (Mike)...........TEAGLE F. BOUGERE

    TV News Anchor.....................PAT KIERNAN

    Friend #1................................NICO McEOWN

    Friend #2........................MESHACH PETERS

    Politician........................MATTHEW WALKER

    Irish Worker......................JASON McKINNON

    Chinese Rail Worker............JONATHAN LEE

    Vikings................................JASON VAISVILA

    ................................................CADE WAGAR

    Chinese Terra Cotta Solidier..CORY MARTIN

    Easter Island Head (Voice Over).....................

    ............................................BRAD GARRETT

    Dexter....................CRYSTAL THE MONKEY

    Stunt Coordinator........................JJ MAKARO

     

    Fight Choreographers................DEAN CHOE

    ............................................JEFF ROBINSON

    Stage Coach Unit Stunt Coordinators..............

    .................JOHN BRANAGAN, CORY GLASS

    Stunt Safety Team..........RICHARD BROOKS

    ..............MITCH LEE YUEN, COLIN DECKER

    ...............DUSTIN BROOKS, DARRYL QUON

    ...............................................HUGO STEELE

     

     

    Blind Driver.............................JASON GLASS

    Larry Riding Double..........BRENT WOOLSEY

    Stunt Soldiers........................CODY LAUDAN

    ...LLOYD ADAMS, MIKE DOPUD, BRIAN HO

    .....................TREVOR JONES, MIKE CHING

    ...............................................ROGER LEWIS

    Stunt Doubles .................................................

    .................GREGORY JAMES FITZPATRICK

    .............MIKE MITCHELL, PAUL RUTLEDGE

    ...................................................CHAD SAYN

    Stunt Romans.......................TREVOR ADDIE

    ........DARREN SHAHLAVI, LOYD BATEMAN

    .............SHAWN BEATON, CHRIS GORDON

    .........CLINT CARLETON, MIKE DESABRAIS

    .....JON KRALT, KIT MALLET, TODD SCOTT

    Stunt Cowboys..................SIMON BURNETT

    ........GREG SCHLOSSER, YVES CAMERON

    .....................................HEATH STEVENSON

    ...LAURO CHARTRAND, CHAD COSGRAVE

    ...................JOE A. DODDS, KIRK JACQUES

    ................TOM EIRICKSON, ROGER LEWIS

    ..DAVE HOSPES, KEN ZILKA, JOHN SCOTT

    Stunt Railroad Workers.............ALEX GREEN

    ..............................ROB BOYCE, AARON AU

    .......................................KIMBERLY CHAING

    Stunt Driver.....................BLAISE CORRIGAN

    Teddy Stand-In......................ADAM BRYANT

    Additional Stunts...............CHARLIE ATTRILL

    ...................TOM GLASS, LEO BYUSA TETA

    ............RAYMOND CHAN, BILL LAWRENCE

    .....................MIKE VERZINA, ALEX CHIANG

    ..........................RANDY LEE, CLAY VIRTUE

    .....TROY DORCHESTER, JOVAN NENADIC

    ......................GERALD WONG, REG GLASS

    ................DAN RIZZUTO, ELI ZAGOUDAKIS

    .......................................SONNY SUROWIEC

     

    Second Unit Director..................BRIAN SMRZ

     

    Supervising Art Director.........HELEN JARVIS

    Set Decorator....................LIN MACDONALD

    Set Designers...................GLENN BYDWELL

    .............PETER BODNARUS, CHRIS BEACH

    .............................................DOUG GIRLING

    Art Directors.....................MICHAEL A. DINER

    .......................................BRIDGET McGUIRE

    Second Second Assistant Director...................

    ......................................DANIEL MANSFIELD

    Third Assistant Director.....RHONDA TAYLOR

    Additional Assistant Director............................

    ......................................ALLISON CHRETIEN

    ‘A’ Camera Operator...............DAVID CRONE

    ‘B’ Camera Operator.............GLEN DICKSON

     

    ‘A’ Camera Focus Puller.......TIMOTHY KANE

    ‘B’ Camera Focus Puller........GREG BEATON

    ‘A’ Camera Second Assistant ........................

    ..............................................RICH SINCLAIR

    ‘B’ Camera Second Assistant..AMIE GIBBINS

    Loader.................................SCOTT COZENS

    Video Playback.......................LANCE WHITE

    Stills Photographer..........DOANE GREGORY

    Production Sound Mixer..ROB YOUNG C.A.S

    Boom Person.............MICHAEL HIBBERSON

    Cable Person.......................KAREN SCHELL

    Production Supervisor...ANDREA BOORMAN

    Unit Manager................MICHAEL WILLIAMS

    Script Supervisor...................DIANE DURANT

    Associate Editor.............DEAN ZIMMERMAN

    Visual Effects Editor..............MILLER DRAKE

    1st Assistant Editor.........................................

    ..............................H. DWIGHT RAYMOND IV

    Assistant Editor.MELODY GEHRMAN-COOK

    Visual Effects Assistant Editor.........................

    .............................................LINDA SUNDLIN

    Editorial Production Assistants........................

    .................RAND GEIGER, TYLER RUOCCO

    Digital Producer.........................SERGE RIOU

    VFX Coordinator.............KEITH HAMAKAWA

    On Set Data Coordinators...............................

    ......BLAINE LOUGHEED, FELIX POMERANZ

    VFX Production Assistants..............................

    ....JESSIKA CANIZALEZ, ROSMARY CONTE

     

    Supervising Sound Editors.JOHN A. LARSEN

    .........................................CRAIG HENIGHAN

     

    Sound Mixing ........................PAUL MASSEY

    ......................................DAVID GIAMMARCO

     

    Property Master....................ELLEN FREUND

    Assistant Property Masters....TIARA MOTEM

    ...................................................EA BIRKETT

    Assistant Set Decorators.................................

    ...................................MICHAEL A. BILLINGS

    Set Decorator Coordinator / Buyer.ZOË JIRIK

    Set Decorator Foreman..............KEITH BURK

    Storyboard Artist................TRACEY WILSON

    Graphic Artists................LOREE WERSHLER

    ..........................................................RAY LAI

    Casting Associate................ZOË E. ROTTER

    Casting Assistant.........VALERIE LINDQUIST

    Los Angeles Casting Associate.......................

    ...........................................DEANNA BRIGIDI

     

    Vancouver Casting by.....................................

    ..................................COREEN MAYRS, CSA

    ................and HEIKE BRANDSTATTER, CSA

    Vancouver Casting Assistant...........................

    ........................................TRICA THOMPSON

    UK Casting by......................CARRIE HILTON

    Extras Casting...................JAMES FORSYTH

    Gaffer (US)....................................DAVID LEE

    Gaffer (Canada)............STEPHEN JACKSON

    Best Boy Electric.............................................

    ............................JOHN MARILLEY BODNER

     

     

    Company Electrics................DENNIS JONES

    ...............TERRY CALHOUN, SCOTT CLARK

    .....CHUCK REID, VINCENT A. UYTDEHAAG

    .................JAY STROBURG, VANCE VEGAS

    ........ANDY TOLLASEPP, DAVE ROUGHLEY

    ..................PHILIPPE LACROIX, RICK DEAN

    Key Grip (US).....................RICK STRIBLING

    Key Grip (Canada)....................MATT ALMAS

    Best Boy Grip....................BRUCE BEAULAC

    Dolly Grips.........................JAMES SALBERG

    ...............................................NEIL McBRIDE

    Company Grips......................KEVIN McCLOY

    ..................ROBERT LITTLE, JOHN HARKIN

    ....................SHANE KJAR, TROY BASSETT

    ...............................TODD MUNN, STAN DIM

    ....................RICK GUENTHER, DALE VRBA

    ..........MICHAEL LEMMERS, JULIEN BOSSE

    ..................................RALPH RUTHERFORD

    .......RICHARD NELLESS, MIGUEL GELINAS

    ....................TOM AINSWORTH, GAVIN HILL

    .......................................JONATHAN BOSSE

    Costume Supervisor.......BLANCHE BOILEAU

    Assistant Costume Designers..........................

    ...................................CHRISTINE GRENIER

    ...............................COURTNEY ANDERSEN

    Mr. Stiller's Wardrobe designed by .................

    ..............................................KAREN PATCH

    Set Costumers......................SUSAN O’HARA

    ...ANDRÉ BROUWER, CHRISTINE COUTTS

    Makeup Artist......................VICTORIA DOWN

    Hair Stylist............................SHERRY GYGLI

    Location Manager............NEIL ROBERTSON

    Production Coordinator (Vancouver)................

    .........................................FAWN McDONALD

    Production Coordinator (LA)..SEAN GOWRIE

    Special Effects Coordinator.............................

    .....................................WILLIAM "BILL" ORR

    Special Effects........ANDREW SCULTHORPE

    .......DENNIS BRIEST, ANDRE DOMINGUEZ

    SCOTT TRELIVING, STEPHEN HEPWORTH

    .....................................JOHN A. WILKINSON

    ..........TERESA WILKINSON, GRANT SMITH

    ..................................................IAN KORVER

    Construction Coordinator........JAN KOBYLKA

    Construction Foreman............JOHNNY DALE

    Stage Foreman..................BOB NICHOLSON

    Mill Foreman..........................DALE MENZIES

    Paint Coordinators.................MARIO TOMAS

    ............................................ALAIN GIGUÉRE

    Labor Foreman....................JOHN KOBYLKA

    Head Greens....................DAVID EMMONDS

    Assistants to Mr. Levy............JUDD CHERRY

    ...........REGINA TAUFEN, KENNEDY DAVEY

    Assistant to Mr. Hammel.......JEREMY SMITH

    Financial Controller.....................BOB ROATH

    Assistant Production Coordinators...................

    ..................TARA MEWS, PETER J. LAPRES

    ..............................................TONI BULLOCK

    2nd Assistant Production Coordinators...........

    .................................CHRISTIAN CHARLTON

    ......................CARL GRUELL, TROY SITTER

    Office Production Assistants...........................

    .......RAYAN CHARLTON, ALLISON CLARKE

    Accountant .......................JOSÉE BRODEUR

    Assistant Accountants...........KAREN MARCH

    .............................................JESSICA GIHON

    .................................NERISSA McCORMACK

    ......................................SHANNON HARRON

    Unit Publicist........................GLORIA DAVIES

    Head Wrangler.........................JOHN SCOTT

    Animals provided by .......................................

    .....................BIRDS & ANIMALS UNLIMITED

    Monkey Trainers..............MIKE ALEXANDER

    ........................................TOM GUNDERSON

    Transportation Coordinator...ROB VREUGDE

    Transportation Captain.........WAYNE POWER

    Catering.............................CINEMA SCENES

    Tutor..............................DANIKA DINSMORE

    ............A.B.C. On Set Tutoring Company, Inc.

    Clearance & Product Placemen

    Coordinator.....................PETER CUMMINGS

    Assistants to Mr. Stiller............LIZ MAHONEY

    .............DANIELLA WELLS, HELEN HARLAN

    Costumer for Mr. Stiller..........ROBERT MATA

    Hair Stylist for Mr. Stiller....NINA PASKOWITZ

    Makeup Artist for Mr. Stiller.....KATE BISCOE

    Assistant to Mr. Williams.................................

    ........................REBECCA ERWIN-SPENCER

    Hair & Makeup to Mr. Williams.CHERI MINNS

    Sound Design and Additional Mixing by..........

    .........................................CRAIG HENIGHAN

    ADR Supervisor............................R.J. KIZER

    ADR Editor.............MILLY IATROU MORGAN

    Dialogue Editors................HELEN LUTTRELL

    ..............................................SUSAN DAWES

    FX Editor.........................DAVID KULCZYCKI

    Foley Supervisor..............JOHN M. MURRAY

    Foley Editor.................DONALD SYLVESTER

    1st Assistant Sound Editor..............................

    .....................................WARREN HENDRIKS

    Assistant Sound Editor..SKIP LONGFELLOW

    Supervising Music Editor......TERRY WILSON

    Score Music Editor...................KEN KARMEN

    Post Production Facilities provided by.............

    ........TWENTIETH CENTURY FOX STUDIOS

    Recordist..............................TIM GOMILLION

    ........DENNIS ROGERS, MATT PATTERSON

    Re-Recording Engineers..............BILL STEIN

    ..............................................PAUL PAVELKA

    Sound Editorial EngineersGEOFF ETHRIDGE

    .................................ERIN MICHAEL RETTIG

    ADR Mixer...................CHARLEEN STEEVES

    ADR Recordist.................DAVID LUCARELLI

    Foley Artists.......................DAN O'CONNELL

    ..................................................JOHN CUCCI

    Foley Mixer.........................JAMES ASHWILL

     

     

    Voice Casting by ......THE LOOPING GROUP

    Voice Actors....................KIMBERLY BAILEY

    ..............GIL BIRMINGHAM, ROBBY BRUCE

    ..................DOUG BURCH, ALEX CASTILLO

    ...........CATHERINE CAVADINI, PAUL CHEN

    .....................ALEX CONG, JESSIE FLOWER

    .........PEDRO U. GARCIA, AARON HENDRY

    ....................BARBARA ILEY, ERICA JONES

    COHL KENNETH KLOP, DAAMEN J. KRALL

    ...................TOMMY LAMEY, MIRAYDA LEVI

    RAYMUNDO MAGANA, ZAHN McCLARNON

    .............ROBERTO MEDINA, ARLIN MILLER

    ......KHANYA MKHIZE, ABDOULAYE N'GOM

    ...................VIVIANNE NACIF, BENJAMIN A.

    ....ONYANGO OCHIENG, MAGGIE PALOMO

    ......MARTIN POZ PEREZ, MICHAEL RALPH

    .....NOREEN REARDON, RICHARD SCOBIE

    ................................CRAIG RICCI SHAYNAK

    ....................................GUBBI SIGURDSSON

    ......................STEFAN KARL STEFANSSON

    ...............MARK SUSSMAN, JOEL SWETOW

    REGINA TAUFEN, TRAVIS QUENTIN YOUNG

    .......................................RUTH ZALDUONDO

    Negative Cutter.....................GARY BURRITT

    Color Timer.............................CHRIS REGAN

    Main Titles by ........................PICTURE MILL

    End Titles by .................SCARLET LETTERS

    Digital Intermediate Facility...................EFILM

    Digital Intermediate Producer..TERRA BLISS

    Supervising Digital Colorist .......MIKE EAVES

    Digital Intermediate Editor.....DEVON MILLER

     

    SECOND UNIT

    Additional Second Unit Director...JIM RYGIEL

    Director of Photography...LARRY BLANFORD

    First Assistant Director.....MATTHEW DUNNE

    .................................................SAM HARRIS

    Art Director............GRANT VAN DER SLAGT

    Camera Operator..................JUNICHI HOSOI

    First Assistant CameraTAYLOR MATHESON

    Script Supervisor...........LORELEI KUCHERA

    Gaffer............................BURTON KUCHERA

    Key Grip...........................TONY WHITESIDE

    Property Master........................JOHN WATTS

    Costume Supervisor..................LISE HACHE

     

    NEW YORK UNIT

    Unit Production Manager.................................

    .....................................RAYMOND QUINLAN

    Second Assistant Director..CHRISTO MORSE

    Art Director...........JOHN WRIGHT STEVENS

    Set Decorator..........................LYDIA MARKS

    Leadman.............................DAVID WEINMAN

    Assistant Set Decorator..JENNIFER STARKE

    A Camera Operator/Steadicam .......................

    ............................................KYLE RUDOLPH

    A Camera 2nd AC.........JAMIE FITZPATRICK

     

    B Camera Operator/ Steadicam .....................

    ...........................................MICHAEL GREEN

    B Camera 1st AC......JOHN R. MACDONALD

    B Camera 2nd AC..............MATT BALZARINI

    Camera Loader......................DANA TURKEN

    Video Playback..................KEVIN MCKENNA

    Still Photographer..........PHILLIP V. CARUSO

    Production Coordinator.............ILKA RIVARD

    Assistant Production Coordinator....................

    ................................GWEN LAURA SCHMITT

    Production Accountant.ANDREW WHEELER

    Payroll Accountant...................ALICIA IVERY

    First Assistant Accountant...............................

    ..................................BETH M. SCHNIEBOLK

    Second Assistant Accountants........................

    ......................PEDEN YOUNG, NELL DRAKE

    2nd 2nd Assistant Director..............................

    ................................DEANNA LESLIE KELLY

    Art Department Production Asst.....JOJO L. LI

    Production Sound Mixer...........GARY ALPER

    Boom Operators.....................PETER FONDA

    ..................................................JERRY YUEN

    Gaffers...............................COLLIN QUINLAN

    Rigging Gaffer.....................THOMAS DOLAN

    Best Boy Electric...................RYAN QUINLAN

    Genny Operators.....................KEVIN WALSH

    ...........................................JAMES F. WALSH

    Electrician...............................JASON VELEZ

    Key Grip...........................GEORGE PATSOS

    Key Rigging Grip...............WILLIAM PATSOS

    Best Boy Grip..................................................

    ...................CONSTANTINE GUS MAGALIOS

    Dolly Grip.............................KEITH BUNTING

    Grips........NEIL NOVICH, ROCCO PROSCIA

    ..........RONALD WATERS, ERNEST YURICH

    ..........................................MICHAEL YURICH

    Assistant Costume Designer...........................

    ..........................................AUTUMN SAVILLE

    Wardrobe Supervisor.......WINSOME MCKOY

    Key Costumer.....................KEVIN FAHERTY

    Costumer..........................ROSE POLANSKY

    Costume Production Assistant........................

    ..................................COURTNEY FREEMAN

    Key Makeup Artist....MARYANN MARCHETTI

    Key Hair Stylist............MICHELLE JOHNSON

    Location Manager............MICHAEL KRIARIS

    Assistant Location Manager............................

    ........................................KRIS SCHACKMAN

    Location Assistants..........BRIAN K. BARNES

    ......................................MATTHEW E. KANIA

    Parking Coordinator...............KERRY CLARK

    Unit Production Assistant................................

    .....................................MATTHEW WIESNER

    Location Production Assistant (IT)...................

    ...........................................NICHOLAS CARR

    Extras Casting ...........SYLVIA FAY CASTING

    Extras Casting Associate...........LEE GENICK

    Set Dressers......CHRIS VOGT, ERIC LEWIN

     

     

    .........................JULIO DANIEL RODRIGUEZ

    .....JOSEPH DELUCA, RODNEY STERBENZ

    Special Effects Coordinators..MICHAEL BIRD

    .........................................STEVE KIRSHOFF

    Special Effects Foreman..................................

    ..................................GILBERT H. GERTSEN

    Construction Coordinator.................................

    ....................................JOSEPH ALFIERI, JR.

    Key Construction Grip....STEVEN FRATIANNI

    Charge Scenic.................PATRICIA SPROTT

    Camera Scenic............STEPHEN SIERSEMA

    Industrial Member.........ELIZABETH SCHULA

    Property Master...............ROBERT GRIFFON

    Assistant Property Masters..............................

    .......JOHN B. MCDONNELL, BRENT GODEK

    Assistant to Mr. Stiller in NY....EDITH HAGIGI

    Production Secretary...........KYLE VILLEGAS

    Office Production Assistants..CRISTINA LOIS

    .......................................................ERIC RAU

    Key Production Assistant.................................

    .....................................BELLAMY FORREST

    Set Production Assistants................................

    .........MICHELLE SLADINSKI, AMY SPIEGEL

    .....JASON BOOTH, ANGELIQUE VILLEGAS

    .................................PATRICK BEVILACQUA

    Transportation Captain....................................

    .................................STEVEN R. HAMMOND

    Transportation Co-Captain...............................

    ........................................PETER J. CLORES

    Transportation Office Coordinator....................

    ....................................CHRISTINA SCHAICH

    Catering....................PREMIERE CATERERS

    Craft Service................DAVID DREISHPOON

    Unit Publicist..............................JACEY TAUB

    Pre-Visualization by ........................................

    ......................IMAGE ENGINE DESIGN, INC.

    Miniatures by ..................................................

    ..............CINEMA PRODUCTION SERVICES

    Motion Capture by ..............GIANT STUDIOS

    Cyber Scanning by ...............GENTLE GIANT

     

    VISUAL EFFECTS BY RHYTHM

    & HUES STUDIOS

    Visual Effects Supervisor.......DAN DELEEUW

     

    RAINMAKER ANIMATION & VISUAL

    EFFECTS

     

    VISUAL EFFECTS & ANIMATION BY THE

    ORPHANAGE

     

    VISUAL EFFECTS BY: LOLA VFX

     

    Additional Visual Effects by:

    SANDBOX F/X

    PACIFIC TITLE AND ART STUDIO

    WETA DIGITAL LTD.

    WELLINGTON, NEW ZEALAND

     

    Makeup Effects by...........................................

    ..........................MAESTRO STUDIO FX, INC.

    Key Makeup Effects Supervisor......................

    .............................................ADRIEN MOROT

    Lead Sculptor......................MICHEL BOUGIE

    Makeup Effects Artist.FRANÇOIS GAUTHIER

    Lab Technician..........MARK UNTERBERGER

     

    Score Conducted by............ALAN SILVESTRI

    Score Orchestrated by .........CONRAD POPE

    ..............................JOHN ASHTON-THOMAS

    .........................................DAVID SLONAKER

    Score Contracted by .SANDY DeCRESCENT

    .............................................PETER ROTTER

    Score Coordination................DAVID BIFANO

    Score Preparations by ....................................

    ..................JOANN KANE MUSIC SERVICES

    Score Recorded and Mixed by........................

    ..............................................DENNIS SANDS

    Additional Engineering by ..JOHN RICHARDS

    Digital Recording by......MICHAEL ATWATER

    Vocal Contracting by...........SALLY STEVENS

    Score Recorded at ...THE NEWMAN STAGE,

    .........................TWENTIETH CENTURY FOX

    .........................TODD-AO SCORING STAGE

    Recordist....................................TIM LAUBER

    Engineer..................................BILL TALBOTT

    Stage Managers..........................TOM STEEL

    ...........................FRANCESCO PERLANGELI

     

    SONGS

     

    EYE OF THE TIGER

    Written by James Peterik and Frank M.

    Sullivan, III

     

    DEM BONES

    Traditional

     

    TEQUILA

    Written by Chuck Rio

    Performed by The Champs

    Courtesy of Sony/ATV Music Publishing

    LLC d/b/a Masters International

     

    MANDY

    Written by Richard Kerr and Scott English

    Performed and Produced by LeeTown

     

    CAMPTOWN RACES

    Written by Stephen Foster

     

    SHE'LL BE COMIN' ROUND THE

    MOUNTAIN

    Traditional

     

    WEAPON OF CHOICE

     

     

    Written by Ashley William Slater, Sylvester

    Stewart, William Earl Collins, Norman

    Cook, William R.

    McLean and Andres Titus

    Performed by Fatboy Slim featuring Bootsy

    Collins

    Courtesy of Astralwerks

    Under license from EMI Film & Television

    Music

    Bootsy Collins appears courtesy of WEA

    Records Germany

     

    SEPTEMBER

    Written by Maurice White, Al McKay and

    Allee Willis

    Performed by Earth, Wind & Fire

    Courtesy of Columbia Records

    By arrangement with SONY BMG MUSIC

    ENTERTAINMENT

     

    TONIGHT

    Written by Dameon Beckett, Ali “Dee”

    Theodore, Zach Danziger, Julian Davis,

    Alana Dafonseca and

    Dave Kelly

    Performed by Keke Palmer featuring Cham

    Produced by Ali Dee for DeeTown

    Productions

    Keke Palmer performs courtesy of Atlantic

    Recording Corporation

    Cham performs courtesy of

    Madhouse/Atlantic Recording Corporation

     

     

    THE PRODUCERS WISH TO THANK THE

    FOLLOWING FOR THEIR ASSISTANCE:

     

    AMERICAN MUSEUM OF NATURAL

    HISTORY

    NEW YORK MAYOR’S OFFICE OF FILM,

    TELEVISION AND BROADCASTING

     

     

    Technicolor NY &

    Vancouver

     

    DOLBY STEREO (logo)

    In Selected Theatres

     

    KODAK

    FILM STOCK (Logo)

     

    DTS

     

     

    Approved No. 42837

     

    IATSE "Bug"

     

     

    Copyright © 2006 Twentieth Century Fox

    Film Corporation in all territories except

    Brazil, Italy, Korea, Japan and Spain.

     

    Copyright © 2006 TCF Hungary Film

    Rights Exploitation Limited Liability

    Company and

    Twentieth Century Fox Film Corporation in

    Brazil, Italy, Korea, Japan and Spain.

     

    Ingenious Film Partners 2 LLP and Night

    Service, Inc. are the author of this motion

    picture for purposes

    of copyright and other laws.

     

     

    The events, characters and firms depicted

    in this photoplay are fictitious. Any

    similarity to actual persons,

    living or dead, or to actual events or firms is

    purely coincidental.

     

    Ownership of this motion picture is

    protected by copyright and other applicable

    laws, and any unauthorized

    duplication, distribution or exhibition of this

    motion picture could result in criminal

    prosecution as well as

    civil liability.

     

     

     

     

    Note: Visual Effects Credits Are Not

    Complete

     

     

    Dec 15 2006

     

     

    ERAGON, a fantasy adventure for young people based on the phenomenally successful novel by Christopher Paolini – the first book in the young author’s epic Inheritance Trilogy – is a timeless yet modern tale.

    The book’s most fantastical character – a flying dragon named Saphira – arrives via the high-tech wizardry of the industry’s most honored visual effects houses: WETA Digital (the “Lord of the Rings” trilogy, “King Kong”) and Industrial Light & Magic (the “Star Wars” films, “Jurassic Park”). In addition, WETA created ERAGON’s climactic and massive battle scene, in which the forces of good, led by the young Dragon Rider Eragon and Saphira, battle the armies of the evil King Galbatorix.

    For over two millennia, dragons have been – depending on the culture and times – beloved, feared, or even worshipped. Today, the mythical creatures are a mainstay of pop culture. ERAGON’s Saphira is inspired by the rich heritage of the storied winged creatures, but for the first time, the power of state-of-the-art computer generated imagery brings myth to photo-real, emotional life. What “Jurassic Park” was to dinosaurs, ERAGON is to dragons. Indeed, Saphira is a step beyond the dinosaurs of “Jurassic Park,” as her facial imagery conveys thoughts and feelings.

     

    THE VISION AND TRIUMPH OF CHRISTOPHER PAOLINI: BRINGING

    ERAGON TO THE SCREEN

     

    Upon its initial release in hardcover by Knopf in August 2003, the novel Eragon became a worldwide publishing phenomenon. The book was an instant bestseller and has since spent 87 consecutive weeks on The New York Times Bestseller List, and 21 consecutive months on Publisher’s Weekly Young Adult Fiction Bestseller List, including nine months at #1. Eragon has sold 2.5 million copies in hardcover and paperback in North America alone, and the book has been published in 38 countries.

    Eragon is the first novel of a trilogy. The second book, Eldest, was published in the United States and Canada in August 2005, and quickly became the number-one selling book in the United States. It has sold over one million hardcover copies, was number-one on The New York Times Children’s Best Seller list, and was a USA Today Top-50 Bestseller. It won the Young Adult/Teen 2006 Quill Book Award.

    At the time of release of the ERAGON motion picture, the novel Eragon held the number-one slot on The New York Times Children’s Paperback Best Seller List, and Eldest was number-one on the Times’ Children’s Hardcover Best Seller List. Sales of both books increased steadily with the release of the Eldest Limited Edition the move tie-in books – and with the help of the film’s promotional activities.

    Paolini’s own story is a fantasy in itself. The first edition of Eragon was self- published by his family. The following year, Alfred A. Knopf published the novel worldwide, to huge acclaim.

    Paolini, now 22, grew up in Paradise Valley, Montana – a location which inspired much of the story’s fantastic environments. His novels reflect his personal experiences growing up in a valley of the Beartooth Mountains of Montana, not unlike the valley that Eragon called home.

    Screenwriter Peter Buchman, whose credits include “Jurassic Park III,” wrote the screenplay. Buchman, a fan of fantasy and science fiction literature and films, says he was “blown away” by the author’s precociousness, his mastery of plot lines and characters, and his ability to create several completely imaginary worlds. Buchman worked hard to serve the richness of Paolini’s story and characters – and the book’s legions of fans – while crafting a screenplay that would attract newcomers to the world of ERAGON.

    At the center of both novel and film is the bond between Eragon and Saphira.

    “Christopher came up with this wonderful idea of a young man who develops a bond with a dragon,” says Buchman. “That relationship is at the core of the book, and that’s what we had to translate to film.”

    It was Buchman’s script that drew the attention of Stefen Fangmeier. “I found it to be an exciting read,” says the director. “With the book’s fantastical aspects, people would look at me in terms of the visual effects requirements. However, my first reaction to the material was that it was a great story that had an emotional arc.”

    ERAGON presents a mythology in which Dragon Riders had once brought peace and prosperity to the land of Alagaësia. Dragons gave their Riders magical powers, even immortality. No enemy could defeat them – until one of their own, Galbatorix, decided to take all the power for himself and cut down the Dragon Riders. But with Eragon’s discovery of a gleaming sapphire egg, which hatches a dragon he names Saphira, the time of the Dragon Riders has come again.

    Having discovered his true path as a Dragon Rider, and with the help of his mentor Brom, Eragon is determined to bring back the golden age of justice once known throughout the land, if he can survive the machinations of King Galbatorix. Eragon is swept into a world of magic and power, becoming a true hero to – and the last hope of – the people of Alagaësia.

    Taking on the title role is newcomer Ed Speleers, 18, who got the part after Twentieth Century Fox and the filmmakers conducted a worldwide casting search, which rivaled the hunt for a cinematic “Harry Potter” and included hundreds of auditions and dozens of screen tests.

    The film also stars Academy Award® winner Jeremy Irons as Brom, a former Dragon Rider who becomes Eragon’s mentor; Oscar® nominee John Malkovich as the powerful and evil King Galbatorix; BAFTA Award winner Robert Carlyle as the powerful sorcerer Durza; Oscar nominee Djimon Hounsou as Ajihad, the leader of the rebel Varden; Sienna Guillory as the beautiful warrior Arya; and Garrett Hedlund as a young man with a past.

    Befitting Saphira’s regal bearing, one of today’s finest actors – Academy Award winner Rachel Weisz – provides the dragon’s “voice.” Weisz’s performance brings to life Christopher Paolini’s key idea for the novel: the method by which Saphira communicates with Eragon. Saphira does not speak; her lips never move as they would with a traditional CG character. Instead, the dragon connects telepathically with her rider, which reinforces the emotional, almost spiritual bond between the two characters.

    ERAGON is directed by Stefen Fangmeier, one of the motion picture industry’s true visual effects geniuses. During his tenure at Industrial Light & Magic, Fangmeier supervised films such as “Saving Private Ryan,” “Twister,” “The Perfect Storm” and “Master and Commander: The Far Side of the World.” He is a three-time BAFTA Award winner, and is a four-time Oscar nominee.

    For ERAGON, Fangmeier’s visual effects teams employ every state-of-the-art technique to create Saphira and take the audience to the magical, timeless world of Alagaësia – not forward to a futuristic science fiction creation. Under his direction, Wolf Kroeger’s production design, Hugh Johnson’s cinematography, and Kym Barrett’s sleek costumes, give the film a contemporary edge.

     

    THE CAST

    For the filmmakers, the stakes couldn’t have been higher in casting their young

    Dragon Rider, Eragon. Newcomer Ed Speleers emerged from the months-long,

    worldwide casting search. “Ed came in [to the casting session], and we just looked at

    each other and said, ‘That’s Eragon, that’s the guy from the book,’” says director Stefen

    Fangmeier: “I got a strong sense of Ed’s sparkle, of his life. It’s the kind of thing where

    you just know he’s destined to become a movie star.”

    Speleers won the role as he was trying to learn his lines for a school production of

    “Hamlet.” He couldn’t help but be awed by this, his professional acting debut. “During

    production in Slovakia, we were lifted by helicopter to the top of a large mountain

    surrounded by incredible scenery,” he remembers. “I stood at the edge of this mountain,

    thinking, ‘What’s going on here? I’m supposed to be at school taking my exams, and I’m

    here having the best time of my life.’ If I continue to make movies – which I would love

    to do – I don’t think I will ever get that same, overwhelming feeling.”

    The young actor easily grew into the role. Indeed, Speleers sees parallels between

    his experiences making ERAGON and his on-screen character’s journey. “I was on a

    new adventure, just like Eragon was,” he explains. “I had a well-structured life, doing

    regular things, and then I was suddenly thrown into this incredible world, starring in a

    movie. It’s been a great time for me to find myself (as Eragon does in the story), meet

    new people, and have new experiences.”

    A highlight of Speleers’ experiences on ERAGON was working opposite Jeremy

    Irons, who portrays Eragon’s mentor, Brom. The actors’ off-screen relationship mirrored

     

     

    what was happening on camera. “Jeremy always provided words of advice, and always

    nurtured me,” Speleers recalls. “He was doing so out of the kindness of his heart, but at

    the same time so much of Brom was in Jeremy.”

    Irons says he was ready to tackle a big action-adventure picture. “ERAGON

    reaches an audience that I haven’t reached in a while,” he says. “Equally important,

    Brom appealed to me; he has a wryness and fierceness, but at the same time he’s a good

    man.”

    To prepare for the role, Irons read Eragon, and trained in the method of

    swordplay Paolini describes in his book. “It’s a specific style of fighting,” Irons notes.

    “It’s like Eastern swordplay, and is more esoteric than English medieval styles. I

    practiced almost every day to build the wrist strength necessary to realistically play the

    fighting scenes.” The many riding scenes were less of a challenge to Irons, an

    experienced horseman.

    Brom’s and Eragon’s fates are closely tied to the evil King Galbatorix, played by

    Oscar-nominee John Malkovich. Galbatorix is a central character in the film, one whose

    presence and menace are felt even when he’s offscreen.

    Although Malkovich shares no scenes with Ed Speleers, the young actor and his

    growing following made a distinct impression on him. “Before leaving for Budapest, a

    friend of mine told me that he had a bunch of kids who wanted Ed’s autograph,” he

    recounts. “I hadn’t experienced anything like that since working with Leonardo

    DiCaprio [in “The Man in the Iron Mask”].

    The chief “aide” to Malkovich’s Galbatorix is Durza, a sorcerer possessed with

    demonic spirits. Durza is tall, handsome and pale, with red hair and maroon eyes. He is

    lordly in manner, but his refinement masks something unnatural.

    BAFTA Award-winner Robert Carlyle, as Durza, made a strong impression on Ed

    Speleers. “Our first meeting was intense,” says Speleers. “Robert wore a long wig,

    contact lenses and full-flowing outfit. I didn’t need to get into character to react opposite

    Robert as Durza,” laughs Speleers. “He was Durza!”

    “Robert came in very much wanting to do ERAGON, and his approach to Durza

    was to not make the character obvious and over-the-top in his villainy,” says Wyck

    Godfrey. “Durza has an agenda and with his red eyes and hair, and pale skin, there are

     

     

    things visually apparent about the character; you don’t need to work hard to force him to

    be evil.”

    Early in the story, Durza uses his formidable powers to try and stop the female

    warrior Arya, who’s on a mission to find the next Dragon Rider. “Arya has been

    entrusted with a dragon egg stolen from Galbatorix, carrying it across Alagaësia looking

    for its owner,” says Sienna Guillory, who portrays Arya. “Her warrior side uses a Zen-

    like fighting style. Because she’s an elf, she understands nature – the trees, light and

    wind – and is capable of seeing danger before it happens.

    “It’s great to play a female action role that’s not all ‘hero’ and that’s not rough

    and unfeminine,” she continues. “I love horses and this was a film where I got to ride a

    horse and fight with a sword – brilliant!”

    Guillory makes special note of the work of costume designer Kym Barrett, whom

    the actress says “brings a wonderful modernity and edge” to the picture. “Kym’s work

    reflects the timelessness of the film,” Guillory elaborates. “It’s not about being medieval

    or going back to another period in the past. Kym’s designs for Arya are about ecology

    and the environment. Arya is a kind of eco-warrior, who is in tune with nature.

    Everything she wears look and feels worn and soft. Kym really works amazingly well

    with movement.”

    Arya and Eragon take a stand against Galbatorix, Durza, and their minions in the

    final battle of Farthen Dûr. This stronghold of the rebel Varden forces is led by Ajihad,

    played by Oscar nominee Djimon Hounsou. “I was attracted to ERAGON because it is

    an enormous adventure,” the actor explains. “Everything about it is bigger than life.”

    Also taking a stand at Farthen Dûr is Murtagh, played by Garrett Hedlund, one of

    the few Americans in the cast. Like several of his fellow castmates, Hedlund underwent

    intensive physical training, including boxing and working with a long bow. But Hedlund

    notes that it was what’s underneath the character’s skin that intrigued him. “There’s

    something about Murtagh that lies under the surface,” he explains. “Murtagh has a secret

    and a past he’s not necessarily proud of.”

     

     

     

     

     

    SAPHIRA

    ERAGON’s distinguished cast is impressive, but the filmmakers acknowledge the

    picture’s “biggest” – and most expensive – star is the dragon Saphira. Christopher

    Paolini has said that he wanted Saphira to be “the best friend anyone could have.” In

    order to pull off such a character, the filmmakers realized they needed someone to

    completely “own” Saphira, both creatively and technically, and to serve as the point

    person between themselves and the facilities.

    Visual Effects Supervisor Michael McAlister became that person and served,

    among other things, as the arbiter of the dragon. “Bringing Saphira to life was a huge

    undertaking that required my full attention and energies – much as a live action character

    requires the full attention of an actor,” says McAlister. “There were thousands and

    thousands of specific decisions to be made in terms of how she would look, how she

    would act, how she would feel, and how she would fly. I did not invent her nor decide

    what her character would be, but I was responsible for understanding her – inside and out

    – and deciding specifically how we would achieve her.”

    Constant communication between the filmmakers and visual effects facilities was

    the key, and McAlister likened himself to the skinny part of an hourglass. “With a hopper

    of desire above me and an army of eager and talented artists below, I took the broad

    desires of the filmmakers and focused them into instructions the others could act on. A

    major part of my job was to make specific decisions regarding Saphira, and keep those

    decisions clear to all parties so that the efforts of the hundreds of artists were in constant

    alignment with the desires of the filmmakers.”

    Under McAlister’s supervision, the artists and technicians at the renowned visual

    effects houses Industrial Light & Magic and WETA Digital, have created nothing less

    than the most dynamic, expressive dragon in motion picture history.

    Samir Hoon was the ILM visual effects supervisor and Glen McIntosh was ILM’s

    animation director. McIntosh, who helped create the performances for Yoda and General

    Grievous in “Star Wars Episode III: Revenge of the Sith,” coordinated the team of ILM

    animators. “The tricky part in creating the performance was that Saphira was never

    meant to be a monster or creature,” notes McIntosh. “She is a character and one of the

    stars of the movie. She delivers a nuanced, layered performance.”

     

     

    WETA Digital animation supervisior David Clayton, working with WETA visual

    effects supervisors George Murphy and Guy Williams, made additional character

    refinements, especially for the climactic battle scene in which Saphira becomes like a

    sleek and powerful jet fighter.

    Saphira’s complexity of character and design stemmed from an “evolutionary”

    process – from the stylized artwork that adorned the book’s cover to the first movie

    character sketches to the final imagery we see on film. “The big question we faced,” says

    ILM’s Samir Hoon, “was, ‘How do we make a dragon that the audience has never before

    seen and still be consistent with Christopher Paolini’s vision of the character?’

    Saphira’s design evolved as we discovered the character through the color of her

    wings, the size of her head, and the length of her neck. We see her emerge from the egg

    as being ten-inches tall. By the end of the film, she stands fifteen feet, with a wing span

    of 20-30 feet, length of 32 feet – and weighing about four tons.”

    After many renderings and tests, the visual effects artists gave Saphira a slim,

    graceful look, adhering to the character’s feminine and regal qualities. “She moves and

    walks like a lion, with front legs almost equal in length to her back legs,” says McIntosh,

    who notes that he and the ILM animators spent time studying lion movement.

    The design of Saphira’s wings evolved into that resembling eagle wings. But

    instead of the more classic look of feathers, Saphira’s wings are a combination of scales

    and feathers, which the ILM team dubbed “scethers.”

    Saphira begins life as a hatchling, which the filmmakers endeavored to make as

    endearing as possible. To that end, Hoon and his team studied wildebeest cubs, lion

    cubs, and wolf cubs.

     

    THE BATTLE OF FARTHEN DÛR

    ERAGON has many grand set pieces, but none as big as The Battle of Farthen

    Dûr, where Urgals and Galbatorix’s elite army attack the Varden stronghold. The battle

    marks the end of Eragon’s journey and the climax of the story.

    As the battle opens, Eragon and Saphira are helping fight off the king’s invading

    troops – leading to an aerial battle between Eragon and Durza, with Eragon atop Saphira,

    and Durza riding an enormous beast conjured from the dead soldiers on the ground

     

     

    below. The ground battle, involving hundreds of extras and stunt people captured on film

    during principal photography, as well as the CG extensions added during post-

    production, provides a backdrop for the aerial conflict – all under a dramatic moonlit sky.

    As the massive conflict unfolds, Farthen Dûr becomes nothing less than a vast theater of

    destruction.

    As described in the story, the Varden stronghold is constructed in the crater of an

    extinct volcano. Against the cliff face are the remnants of an eroded white marble city,

    stoic ruins of a time past, built into the volcano wall, stretching and twisting a mile high.

    Under the supervision of production designer Wolf Kroeger, the filmmakers built

    one of the biggest practical sets in motion picture history. The set was too spectacular to

    erect on a soundstage, so the production, after conducting several scouting expeditions,

    found an abandoned rock quarry and crater at a volcano in Hungary, near the Austria

    border. “That location worked out very well,” says Kroeger, since it’s written in the

    script that Farthen Dûr is in a volcanic area.”

    Before construction could begin on this massive set, the filmmakers had to build

    an access road to get to the top of the crater. It took 16 weeks of planning, building and

    landscaping to create the set from an empty quarry into a lived-in community.

    Peter MacDonald, one of the industry’s top second unit directors and action

    specialists – he worked on two “Superman” films, two “Batman” pictures and four

    “Harry Potter” blockbusters – collaborated with Stefen Fangmeier to bring the epic battle

    to life. “We wanted to give the sequence an edgy, combat-like feel,” notes MacDonald, a

    director in his own right.

    To capture the action, MacDonald worked with 450 extras and stunt people, 10

    hours each night – often during frigid conditions (it was winter) – for several weeks.

    The sequence involves Urgals (who are uncommonly tall) and elves; many of the “Urgal”

    extras were 6’6” or taller, with those playing elves 5’0” or less.

    The decision to shoot at night presented challenges to director of photography

    Hugh Johnson. “The location was a vast area with terraces and it was very difficult to get

    any lights up there,” says Johnson, whose department went to elaborate lengths to rig the

    volcanic crater’s vast and treacherous spaces – employing a team of Russian

    mountaineers to haul the equipment.

     

     

    For this sequence, Kym Barrett designed non-traditional costumes, this time of

    “armor.” “I thought of what armor would be like in this particular world,” says Barrett.

    “In this scene, Eragon rides Saphira and fights the invading forces, and he couldn’t be

    lugging around 25 pounds of armor plating. I also didn’t want the characters to look like

    they were wearing big, clunky suits of armor. I wanted it to be more streamlined, so I

    used leather for the armor.” Barrett called in noted London couture leather makers to

    manufacture the unique pieces.

    The completion of the second unit work in Hungary marked only the first step in

    the scene’s creation. Fangmeier, MacDonald and crew then moved to Pinewood Studios

    in England, where they shot blue screen work of Ed Speleers “riding” Saphira, battling

    Robert Carlyle’s Durza who is astride his own flying Beast. The filmmakers wanted to

    push these flying scenes to get, as MacDonald says, “the most dynamic sensation

    possible. It’s a real roller-coaster ride.”

    The actors were placed on computer-controlled rigs on hydraulics, upon which

    saddles were mounted. All the dragon’s movements – flying, gliding, banks-and-turns –

    could be experienced by Ed Speleers as Eragon. “Ed was a natural,” says MacDonald.

    “He loved flying, and really wanted to get things right.” Before Speleers began work on

    the motion rig, the filmmakers screened for him the pre-visualization footage as a

    reference for his “flying” maneuvers.

    “ERAGON is the first film to really show the experience of flying on a dragon,”

    says Fangmeier. “It was a lot of fun to create the flying sequences. We were challenged

    to maintain a physical reality but also have an element of the fantastical. We wanted

    dragon riding to feel like being on a jet fighter – with lots of ‘Wow’ moments.”

    Many of these “wow” moments were realized by New Zealand-based visual

    effects house WETA Digital, whose many credits include the “Lord of the Rings” trilogy,

    “King Kong” and “I, Robot.” For the climactic Battle of Farthen Dûr sequence, WETA

    worked on giving Saphira a more aggressive “performance.” “She’s taking on a more

    mature air at this point; she’s come of age,” says WETA visual effects supervisor George

    Murphy. “We gave Saphira an additional sense of command, presence and agility that

    would get her through the battle.”

     

     

    “We developed Saphira in a physical way,” adds WETA visual effects supervisor

    Guy Williams. “We have lots of views of her wings that occur during the battle, which

    are different from those of other scenes.” Williams and Murphy also made the dragon

    combat-ready, with an impressive suit of armor.

    In creating the lighting environments for the battle sequence, Williams and

    Murphy’s goal, again, was to have audiences connect with Saphira, as they would with

    the film’s human characters. They devised a realistic yet striking look for shots of her

    soaring majestically through the night – or conducting “strafing runs” on the enemy

    forces. “If we had relied only on light that was available, we’d have ended up with a

    couple of highlights of Saphira from the moon and that’s about it,” notes Murphy. “So

    we came up with a color palette and levels that render Saphira visible, while reinforcing

    the fact that this is happening at night.”

    Murphy and Williams also created the fearsome creature that Durza conjures up

    out of the essence of the dead troops below. The Beast battles Saphira in an epic airborne

    duel. As described in the script, the conjured creature is a methodical killing machine

    bereft of fear or remorse. It is an enormous, dark, broiling cloud of smoke and ash – the

    face of death itself.

    “Durza’s Beast provides a sharp physical contrast to Saphira’s naturalistic look,”

    says Williams. “The beast is a completely task-built creature – a flying mouth of teeth,

    oversized head and teeth, and no legs. If you combined a large tarantula with a bat, then

    added a bull’s head with vampire teeth, you’d have the Beast.”

    “The character’s design came quickly,” adds Murphy, “but developing the

    technology to render it was a challenge due to the inherent difficulties in

    ‘choreographing’ smoke, and action amongst the smoke.”

    WETA created effects extensions for the practical Hungary sets for the battle.

    “We had to master the exact terrain of the practical set so that we could match into

    portions of the live-action footage,” says Williams. “All our action biases more towards

    one side of the volcano, which is visually more interesting because we’re closer to the

    volcano walls and get an enhanced sense of Saphira’s flying speed.”

    WETA worked on another big action sequence that combines spectacle with

    emotion, further exploring the connection between Eragon and Saphira, and a moving act

     

     

    of personal sacrifice. “We get to explore Saphira’s softer, gentler side in this scene,” says

    Williams. “We pushed and refined her facial animation, keeping her movements very

    subtle, and letting the moments work for themselves.”

    In a magical moment that propels the character and story forward, WETA created

    a sequence in which Saphira undergoes a metamorphosis from adolescence to adulthood.

     

    The visual effects from WETA and ILM, along with the exotic and rugged

    locations in Hungary and Slovakia, created the illusion of Alagaësia. ERAGON was one

    of the biggest productions ever to be filmed in Hungary and Slovakia.

    The production crew of over-500 was headquartered in the historic city of

    Budapest. The set for Garrow’s Farm, where Eragon lived with his Uncle Garrow and

    cousin Roran, was built on privately owned land in a valley at Budakesi, a forty-five

    minute drive from Budapest.

    The production constructed Galbatorix’s lair in a hillside cave, with access

    available only through a hole in the cave’s roof. Special cranes were used to move

    equipment – including cameras, sound recorders and set dressing – into the cave. Once

    inside the cave, the filmmakers’ activities were limited due to the area’s status as a

    national monument. Later, the mountains of Slovakia would provide a number of natural

    settings with spectacular views across valleys, gorges and waterfalls.

    These worlds and characters created by these locations, effects artists, technicians,

    craftsmen, filmmakers and actors stem from the imagination of Christopher Paolini,

    whose novel is linked to the film in an unexpected way. "I originally conceived

    ERAGON as a movie,” he points out. “I saw the characters and action clearly in my

    mind. But since I didn't have the money to produce a film, I ended up writing the story as

    a book.”

    At the time, it was beyond Paolini’s wildest dreams that a major studio would

    adapt his epic tale. But then, Paolini’s own life story, his imagination – and the journey of

    his heroic title character – remind us that no dream is too big.

     

     

    ERAGON CHARACTER PROFILES

     

    ERAGON

    Eragon discovers his true path as one of the fabled Dragon Riders. With his own dragon, Saphira,

    and Brom as his mentor, Eragon is determined to bring back the golden age of justice once known

    throughout the land – if he can survive the evil machinations of Galbatorix. Eragon becomes a

    true hero – and the last hope for the people of Alagëisia.

     

    BROM

    One of the last of the Dragon Riders, Brom has been a disconsolate, broken man since the death

    of his own dragon. He has become a storyteller resigned to the rule of the evil king, but he has

    new hope as the mentor and father-figure to Eragon.

     

    GALBATORIX

    Galbatorix is the ruler of an enormous empire that occupies the western part of Alagaësia. The

    former Dragon Rider brought about the demise of the storied order, and he now rules the land

    with an iron fist, stopping at nothing to capture or destroy Eragon and his dragon. Galbatorix’s

    forces include the loathsome and brutish Urgals, whose faces are grotesquely patterned with

    scars.

     

    DURZA

    Durza is a Shade, a sorcerer possessed by demonic spirits. Considered one of the most powerful

    beings in Alagëisia, he can only be killed through the heart. As one of Galbatorix’s deadliest

    minions, the sorcerer is privy to palace intrigues (and possibly has dreams of power of his own).

     

    AJIHAD

    Ajihad is the leader and general of the rebel Varden. In the secret stronghold of Farthen Dûr,

    located in a volcanic crater in the Beor Mountains, Ajihad and the Varden plot to overthrow

    Galbatorix.

     

    ARYA

    As the guardian of the dragon egg, the beautiful warrior Arya is willing to die to protect the line

    of dragons. She joins Eragon, Saphira, and the rebellious Varden in a desperate stand against the

    forces of Galbatorix.

     

    MURTAGH

    Murtagh is the son of Morzan, who betrayed the Dragon Riders to Galbatorix. Desperate to

    expunge the guilt of his father’s sin, Murtagh seeks refuge in battle, fighting for the forces of

    good.

     

    SAPHIRA

    The story’s most fantastical character is the flying dragon Saphira, who connects telepathically

    with her Rider, Eragon. As Saphira soars majestically through the sky – or conducts “strafing

    runs” on enemy forces – audiences will experience the most dynamic, fierce dragon ever, in the

    ultimate dragon movie.

     

     

     

     

     

     

     

     

    ERAGON: GLOSSARY

     

     

    Alagaësia: a kingdom stretching from the western coastal wilderness of the Spine into the inland

    Hadarac desert, which spreads to the southern summits of the Beor Mountains. It is a world of

    humans, sorcerers, monsters – and mighty dragons.

     

    The Ancient Language: a form of communication that enables certain people to use magic.

     

    Beor Mountains: a huge mountain range in the southeast of Alagaësia, where the Varden make

    their home.

     

    Carvahall: Eragon’s hometown; a small town near the Spine.

     

    Dragon Riders: those who help maintain peace in Alagaësia with the help of their dragons.

     

    Gil’ead: a heavily guarded city where Arya is imprisoned by Durza.

     

    Ra’zac: demonic mercenaries that serve Durza.

     

    Shade: a sorcerer possessed by evil spirits.

     

    Spine, The: Vast mountain range covering almost all of Alagaësia’s west coast.

     

    Urgals: loathsome and brutish troops who serve Galbatorix. Their faces are grotesquely

    patterned with scars.

     

    Varden: a group of rebels based in Farthen Dûr.

     

    Zar'roc: Eragon's sword, given to him by Brom.

     

     

     

    ABOUT THE CAST

    ED SPELEERS (Eragon), 18, won the title role of ERAGON after Twentieth

    Century Fox and the filmmakers conducted a worldwide casting search, which rivaled the

    hunt for a cinematic “Harry Potter” and included hundreds of auditions and dozens of

    screen tests.

    Speleers, who hails from South England, landed the part following a half-hour

    audition – and only days before the start of principal photography.

    Previously, he had appeared in amateur school productions. Speleers has

    completed his schooling, and is looking forward to continuing his acting career.

     

    JEREMY IRONS (Brom) began his career in England in theatre at the Bristol

    Old Vic and then debuted in London in Godspell as John the Baptist. His work in the

    West End and at Stratford Upon Avon culminated with his performance of “Richard II”

    for the Royal Shakespeare Company. He made his Broadway debut in Tom Stoppard’s

    “The Real Thing” opposite Glenn Close, for which he won both the Drama League

    Award and Tony® Award for Best Actor.

    Irons has played many roles for television, most notably “Love for Lydia” and

    Paolini Hampton’s “Tales from Hollywood.” His performance in “Brideshead Revisited”

    brought him worldwide acclaim and nominations for an Emmy® Award, the British

    Academy and he received a Golden Globe® Award for Best Actor. In 1996, he directed

    and co-starred with his wife, actress Sinead Cusack in “Mirad, A Boy from Bosnia,” a

    Channel 4 Television film about refugees, written by Ad De Bont. In 1997 Irons won an

    Emmy for Outstanding Voice-Over for: "The Great War and the Shaping of the 20th

    Century.” In 2006 Irons co-starred with Helen Mirren in HBO’s Elizabeth I. Irons

    portrayal as the Earl of Leicester won him the Emmy for best supporting actor in a

    miniseries.

    On the big screen he has starred in such films as Jerzy Skolimowski’s

    “Moonlighting,” Harold Pinter’s “Betrayal,” Volker Schlondorff’s “Swann in Love” and

    “The Mission” with Robert De Niro. Irons played opposite Meryl Streep in “The French

    Lieutenant’s Woman,” for which he received the Variety Club Award for Best Actor and

    a BAFTA nomination, and opposite his son Sam in Roald Dahl’s “Danny, Champion of

     

     

    the World.” His performance in David Cronenberg’s “Dead Ringers” brought him a Best

    Actor Award from the New York Film Critics Circle and a Canadian Genie. Irons starred

    again with Glenn Close in the film based on the re-trial of Claus von Bulow, “Reversal of

    Fortune.” For this performance, Irons received the 1990 Academy Award and Golden

    Globe Award for Best Actor.

    Irons went on to work in such films as Steven Soderbergh’s “Kafka,” David

    Cronenberg’s “M. Butterfly” and Bille August’s “The House of the Spirits,” with Streep

    and Close again. In 1994, Irons created the voice of Scar for Disney’s “The Lion King.”

    He followed that with the action film “Die Hard with a Vengeance” also starring Bruce

    Willis, and Bernardo Bertolucci’s “Stealing Beauty,” also starring Liv Tyler.

    Irons more recent films include Wayne Wang’s “Chinese Box,” and “The Man in

    the Iron Mask,” in which he starred with Gerard Depardieu, Leonardo DiCaprio, and

    John Malkovich. He played Humbert Humbert in Adrian Lyne’s controversial film

    “Lolita” and starred in “Longitude,” an A&E Granada film that premiered on BBC. Irons

    had four films in 2001, including “And Now…Ladies and Gentleman,” directed by

    Claude Lelouch, “The Time Machine,” based on the H.G. Wells novel, “Callas Forever,”

    directed by Franco Zeffirelli, and “Last Call,” a Showtime Original Picture directed by

    Henry Bromell, also starring Neve Campbell.

    He also starred in István Szabó’s “Being Julia” with Annette Bening. In late 2004

    Irons played Antonio, in Michael Radford’s production of Shakespeare’s “Merchant of

    Venice,” also starring Al Pacino. In spring 2005 Ridley Scott’s “Kingdom of Heaven”

    was released, in which Irons starred opposite Orlando Bloom. In Lasse Hallström’s

    “Casanova,” released Christmas 2005, Irons starred opposite Heath Ledger. Irons

    recently completed the upcoming feature “Inland Empire,” directed by David Lynch.

    In 2003 Irons returned to his roots in theatre and debuted in the New York City

    Opera production of Stephen Sondheim’s “A Little Night Music” in the role of Frederik,

    directed by Scott Ellis. Irons played King Arthur in the Hollywood Bowl’s summer

    presentation of “Camelot,” part of the Hollywood Bowl’s weekend spectacular series. In

    February 2006 Irons starred as Henrik in “Embers,” a play by Paolini Hampton, directed

    by Michael Blakemore.

     

     

     

    SIENNA GUILLORY (Arya) is best known to American audiences for her work

    in the acclaimed miniseries “Helen of Troy,” in which she played the title role. She has

    starred in the film “Resident Evil: Apocalyspe,” “The Time Machine,” and a featured role

    in “Love, Actually.”

    After appearing on the British miniseries “The Buccanneers,” and several

    independent films, Guillory got her big break when she won the starring role in the BBC

    adaptation of Kingsley Amis' “Take a Girl Like You.” Guillory has since starred on

    London's West End in Neil La Bute's “The Shape of Things” and continued to work with

    independent U.K-based filmmakers on productions such as “Kiss Kiss, Bang Bang,”

    “Late Night Shopping,” “The Principles of Lust” and “Silence Becomes You.”

    She recently starred opposite Academy Award nominee Catalina Sandino Moreno

    in the Spanish independent film “Hearts of the Earth.”

     

    ROBERT CARLYLE (Durza) was born in Glasgow, Scotland and enrolled in

    acting classes at the Glasgow Arts Centre after reading Arthur Miller’s “The Crucible.”

    Following his movie debut as Big Woodsy in “Silent Scream” (1990), Carlyle

    appeared in several films, but it was his performance in the title role of the TV series

    “Hamish Macbeth” (1995) that brought him to the attention of British audiences. And it

    was the role of Begbie in “Trainspotting” (1996) that introduced him to American

    audiences. This was followed by his BAFTA-winning role of Gaz in “The Full Monty”

    (1997).

    After playing Plunkett in “Plunkett & Macleane” and Col. Ives in “Ravenous”

    (both 1999), he played the villain, Renard, in the James Bond adventure “The World Is

    Not Enough” (1999), followed by the roles of Malachy in “Angela’s Ashes” (1999) and

    Daffy in “The Beach” (2000).

    More recently, he has been seen in “There’s Only One Jimmy Grimble” (2000),

    “To End All Wars,” “The 51st State” (both 2001), “Once Upon a Time in the Midlands,”

    “Black and White” (both 2002), “Dead Fish” (2004), “Marilyn Hotchkiss’ Ballroom

    Dancing and Charm School” and “The Mighty Celt” (both 2005).

     

     

    His recent TV appearances have been the title role in “Hitler: The Rise of Evil”

    (2003) and King James 1 in “Gunpowder, Treason and Plot” (2004). He portrayed the

    role of Sergei Karpovich in the TV miniseries “Human Trafficking” (2005).

    Carlyle founded the Raindog theatre company in 1991, together with four other

    actors, and is a partner in the British film production company 4 Ways. He was awarded

    an OBE in the 1999 New Year’s Honours List.

     

    DJIMON HOUNSOU (Ajihad) was born in Benin, Africa. At age 13, he moved

    to Paris, where he was discovered by French fashion designer Thierry Mugler and

    subsequently graced the catwalks of Paris and London as a popular male model.

    After making his movie debut in “Without You I’m Nothing” (1990), Hounsou

    appeared in “Unlawful Entry” (1992), “Stargate” (1994) and “The Small Hours” (1997)

    before playing the role of Cinque in “Amistad” (1997), a performance that brought him to

    the attention of international audiences. He went on to appear in “Ill Gotten Gains”

    (1997) and “Deep Rising” (1998).

    He then played the role of Juba in Ridley Scott’s “Gladiator” (2000) before

    appearing in “Passage du Milieu” (2000), “The Tag” (2001), “Le Boulet” and “The Four

    Feathers” (both 2002). His performance as Mateo in “In America” (2002) brought him

    an Academy Award nomination.

    He went on to play leading roles in “Heroes” (2001), “Biker Boys,” “Lara Croft

    Tomb Raider: The Cradle of Life” (both 2003), “Blueberry” (2004), “Constantine,”

    “Beauty Shop” and “The Island” (all 2005). He has a starring role opposite Leonardo

    DiCaprio in the drama “Blood Diamond,” directed by Edward Zwick.

     

    GARRETT HEDLUND (Murtagh) was born in Roseau, Minnesota, and spent

    his early years growing up on a farm. When his family moved to Scottsdale, Arizona, he

    began taking private acting lessons. After graduating high school, Hedlund moved to Los

    Angeles to pursue an acting career.

    One month later he landed the role of Achilles’ cousin Patroclus in the movie

    “Troy” (2004) opposite Brad Pitt. His next feature was “Friday Night Lights” (2004) in

    which Hedlund played a high school football player.

     

     

    He then landed a starring role opposite Mark Wahlberg in “Four Brothers”

    (2005), playing one of four brothers whose mother is murdered.

     

    Academy Award-winning actress RACHEL WEISZ (voice of Saphira) is known

    for portraying women of incredible spirit and intelligence and continues to seek out

    challenging projects and roles both on screen and on stage.

    Weisz received overwhelming critical praise and awards from Screen Actors

    Guild, Golden Globe and ultimately an Oscar for her performance in "The Constant

    Gardener," directed by Fernando Meirelles ("City of God") and based on the best-selling

    John le Carré novel.

    Weisz currently stars in Darren Aronofsky's much-anticipated sci-fi/romantic

    fantasy adventure, "The Fountain," opposite Hugh Jackman.

    She recently wrapped production on "My Blueberry Nights" directed by Wong

    Kar Wei. The romantic comedy also stars Jude Law, Norah Jones and Natalie Portman

    and is the story of a young woman (Jones) who travels across America to find the true

    meaning of love while encountering offbeat characters along the way.

    Weisz is currently shooting Working Title's comedy "Definitely, Maybe," written

    and directed by Adam Brooks. Weisz will begin filming the dramedy "Smart People,"

    written by Mark Poirier, this fall starring opposite Dennis Quaid and Thomas Haden

    Church. Noam Murro, 2005 DGA Director of the Year, will make his feature directorial

    debut. Later in the year Weisz is also set to star in the international con man adventure

    "The Brothers Bloom," written and directed by Rian Johnson

    Past film credits include Francis Lawrence's hit thriller Constantine, Gary Fleder's

    "Runaway Jury"; James Foley's "Confidence"; and Chris and Paul Weitz' "About a Boy."

    She is known to audiences worldwide for her lead role opposite Brendan Fraser in

    Stephen Sommers' blockbuster movies "The Mummy" and "The Mummy Returns."

    Weisz also starred in Jean-Jacques Annaud's "Enemy at the Gates"; Michael

    Winterbottom's "I Want You"; David Leland's "The Land Girls"; Beeban Kidron's

    "Swept from the Sea"; and Bernardo Bertolucci's "Stealing Beauty."

    Weisz received critical acclaim for Focus Features "The Shape of Things" which

    also marked her first venture into producing. She had previously starred in writer/director

     

     

    Neil LaBute's staging of his original play of the same name, in both London and New

    York City.

    Her performance in Sean Mathias' U.K. staging of "Noel Coward's Design for

    Living" garnered her the London Drama Critics Circle Award for Outstanding

    Newcomer. She also starred in the West End production of "Suddenly Last Summer",

    directed by Mathias. Weisz began her career as a student at Cambridge University where

    she formed the Talking Tongues Theatre Group, which performed numerous

    experimental pieces and won the prestigious Guardian Award at the Edinburgh Festival.

     

    JOHN MALKOVICH (King Galbatorix) joined Chicago’s Steppenwolf Theatre

    in 1976 and made his New York stage debut seven years later in “True West,” a

    performance that won him an Obie®. In 1984 he appeared with Dustin Hoffman in the

    Broadway revival of “Death of a Salesman,” which earned him an Emmy when it was

    made into a TV movie the following year.

    His movie debut was as the blind lodger in “Places in the Heart” (1984), a

    performance that earned him an Academy Award nomination for Best Supporting Actor.

    Next came “The Killing Fields” (1984) and “The Glass Menagerie” (1987). After

    playing Vicomte de Valmont in the costume drama “Dangerous Liaisons” (1988), he was

    cast as the psychotic political assassin in Clint Eastwood’s film “In the Line of Fire”

    (1993), for which he was nominated for the Academy Award and the Golden Globe.

    A prolific and versatile actor, Malkovich has appeared in a wide variety of roles

    in films such as “Mulholland Falls” (1996), “The Man in the Iron Mask” (1998), “Being

    John Malkovich” (1999), “Shadow of the Vampire” (2000), “Hotel” (2001), “Ripley’s

    Game,” The Dancer Upstairs,” “Hideous Man” (2002), “Johnny English” (2003), “The

    Libertine” (2004) and “The Hitchhiker’s Guide to the Galaxy” (2005). Upcoming

    pictures include “The Great Buck Howard,” “The Mutant Chronicles,” “Gardens of the

    Night,” and “Beowulf,” the latter directed by Robert Zemeckis.

    His most notable television appearances have been in “Heart of Darkness” (1994),

    “RKO 281” (1999), “Les Miserables” (2000) and “Napoleon” (2002).

    In addition to his acting career, he wrote and directed “Hideous Man” (2002),

    directed and produced “The Dancer Upstairs” (2002) and produced “Ghost World”

     

     

    (2000), “The Loner” (2001), “Kill The Poor” (2003), “Found in the Street” (2004), “The

    Libertine” (2004), and he starred in and produced “Art School Confidential” (2006). He

    also produced “Some Assembly Required” (2004) for television.

     

    ABOUT THE FILMMAKERS

    STEFEN FANGMEIER (Director) received a degree in Computer Science from

    the California State University of Dominguez Hills in 1983. He worked as a systems

    programmer and image processing analyst at Aerospace Corporation and scientific

    visualization project manager at the famed National Center for Supercomputing

    Application (NCSA) at the University of Illinois.

    His first foray into the entertainment industry was when he joined Digital

    Production (co-founded by Gary Demos and John Whitney Jr. and most famous for their

    pioneering work on “The Last Starfighter”) in the mid 1980s where he worked in a

    division that provided computing services for businesses and the scientific community (to

    help during film and commercials down time).

    When Digital Productions closed in 1987 after the Omnibus hostile takeover in

    1986, he joined Mental Images, creators of the mental ray rendering engine, where he

    became Director of Production. At that time mental images had a production division that

    served and demonstrated the features of mental ray. During his tenure there he met future

    VFX Supervisors John Nelson (who would work at Imageworks and won the Oscar for

    “Gladiator”) and John Berton (who would also join him at ILM and last worked on “I,

    Robot”).

    Fangmeier joined ILM in 1990 where his first major project was “Terminator 2:

    Judgment Day” as a CG shot supervisor. Other credits include such notable projects as

    “Hook,” “Casper” and “Jurassic Park.” His first project as VFX Supervisor was

    “Twister” for which he received an Oscar nomination and won the BAFTA. Other

    projects include “Small Soldiers,” “Saving Private Ryan,” “The Perfect Storm,” “Galaxy

    Quest,” “The Bourne Identity,” “Signs,” “Dreamcatcher” and “Master and Commander:

    The Far Side of the World.”

    His last project at ILM was “Lemony Snicket's A Series of Unfortunate Events.”

    He won a BAFTA for “Saving Private Ryan,” was nominated for an Oscar and won a

     

     

    BAFTA for “The Perfect Storm” and was nominated for an Oscar, BAFTA and VES

    Award for “Master and Commander: The Far Side of the World.” He has also served as

    Second Unit Director on “Galaxy Quest” and “Dreamcatcher.”

     

    JOHN DAVIS (Producer) is chairman of Davis Entertainment, a motion picture

    and television production company that, over the last ten years, has produced more than

    50 movies and telefilms.

    Davis currently is producing the sequel to “Alien vs. Predator,” having produced

    the original box-office hit in 2004. Recently, he produced the features “Garfield: A Tail

    of Two Kitties” (the follow-up to the box-office hit “Garfield,” also produced by Davis)

    and the thriller “When a Stranger Calls,” which took the number-one slot its opening

    weekend. Upcoming are the comedies “The Heartbreak Kid,” starring Ben Stiller,

    directed by the Farrelly Brothers, and “Norbit,” toplining Eddie Murphy.

    Earlier, Davis produced “Flight of the Phoenix,” an action-adventure starring

    Dennis Quaid; “Fat Albert,” based on Bill Cosby’s phenomenally popular character;

    “First Daughter,” starring Katie Holmes; the blockbuster sci fi thriller “I, Robot” and the

    John Woo-helmed thriller “Paycheck,” starring Ben Affleck.

    Davis’ other recent feature releases include “Daddy Day Care,” starring Eddie

    Murphy, “Life or Something Like It” starring Angelina Jolie and the action hit “Behind

    Enemy Lines” with Owen Wilson and Gene Hackman. The Davis-produced comedy

    “Dr. Dolittle 2,” starring Eddie Murphy, grossed more than $113 million domestically,

    and “Heartbreakers” starring Sigourney Weaver, Gene Hackman and Jennifer Love

    Hewitt, opened as the number one film in the country.

    For television, Davis produced the made-for-television movies “The Jesse

    Ventura Story” and “Little Richard,” as well as the ABC telefilm “Miracle at Midnight”

    starring Sam Waterston. He also produced the highly rated NBC mini-series “Asteroid,”

    the network movies “Volcano: Fire on the Mountain,” “One Christmas” and “This Can’t

    Be Love,” as well as the cable movies “Tears and Laughter,” “The Last Outlaw,”

    “Silhouette,” “Voyage,” “Irresistible Force,” “Wild Card,” “Dangerous Passion,”

    “Curiosity Kills” and “Caught in the Act.”

     

     

    Among Davis’ other major theatrical features are “Dr. Dolittle” with Eddie

    Murphy, “Out to Sea” starring Jack Lemmon and Walter Matthau, the blockbuster

    adaptation of John Grisham’s “The Firm” with Tom Cruise, the comedies “Grumpy Old

    Men” and “Grumpier Old Men,” “Courage Under Fire” starring Denzel Washington and

    Meg Ryan, Grisham’s “The Chamber,” “Daylight” starring Sylvester Stallone,

    “Waterworld” with Kevin Costner and “Richie Rich.” Other movies he has produced

    include “Predator,” “Predator 2,” “The Thing Called Love,” “Fortress,” “Gunmen,”

    “Storyville,” “Shattered,” “Little Monsters,” “The Last of the Finest,” “License to Drive,”

    “Three O’clock High” and “The Hunted.”

    Davis is a graduate of Bowdoin College, attended Amherst College and received

    an M.B.A. from the Harvard Business School.

     

    WYCK GODFREY (Producer) is a partner/producer, with Marty Bowen, in

    Temple Hill Entertainment. He is a producer on The Nativity Story,” for New Line

    Cinema.

    Godfrey was a producer on “Flight of the Phoenix,” “First Daughter,” “Daddy

    Day Care” as well as serving as an executive producer on “I, Robot,” “Alien vs.

    Predator” and “Behind Enemy Lines.”

    Godfrey began his career as a creative executive at New Line Cinema after

    graduating from Princeton University in 1990 with a degree in English. In 1995, he

    switched to Horizon Pictures as senior vice president of production before joining Davis

    Entertainment two years later, where he served as president for the past four years.

     

    PETER BUCHMAN (Screenwriter) recently wrote two screenplays on the life of

    Che Guevara for Steven Soderbergh to direct and Benicio del Toro to star. Those movies

    will begin production in April, 2007. Buchman also recently adapted The Piano Tuner by

    Daniel Mason, into a screenplay for Focus. Currently, he is working on a remake of

    “Capricorn One,” with director David Dobkin.

    Since he began earning his living as a screenwriter, Buchman has worked with

    such directors as Steven Spielberg, Martin Scorsese, Sydney Pollack, and David O.

    Russell. He is a credited writer on “Jurassic Park III.”

     

     

     

    CHRISTOPHER PAOLINI (Author) was born on November 17, 1983 in

    Southern California. Aside from a few years in Anchorage, Alaska, he spent his entire

    life in Paradise Valley, Montana, where he still lives with his parents and younger sister,

    Angela. They have two pets, Otis, a black and white cat, and Annie, a frisky

    cocker/Australian shepherd mix.

    Tall, jagged Beartooth Mountains rise on one side of the Paradise Valley.

    Snowcapped most of the year, they inspired the fantastic scenery in Eragon. A few years

    ago, Paolini hiked to the top of one peak and could see the Grand Teton mountain range,

    100 miles to the south.

    Paolini was homeschooled by his parents. He often wrote short stories and poems

    in an attempt to put his thoughts into words. He made frequent trips to the library and

    read widely. Some of his favorite books were Bruce Coville's Jeremy Thatcher, Dragon

    Hatcher, Frank Herbert's Dune, Raymond E. Feist's Magician, and Philip Pullman's His

    Dark Materials, as well as books by Anne McCaffrey, Jane Yolen, Brian Jacques, E. R.

    Eddison, David Eddings, and Ursula Le Guin.

    Paolini grew up listening to a variety of music, but classical music fired his

    imagination and helped him write. He often listened to Mahler, Beethoven, and Wagner

    while writing Eragon. The final battle of Eragon was written while listening to

    “Carmina Burana,” by Carl Orff.

    The story of Eragon began as the daydreams of a teen. Paolini's love for the

    magic of stories led him to craft a novel that he would enjoy reading. The project began

    as a hobby; he never intended to be published. He took a month to plot out the entire

    trilogy, then sat on the sofa and began writing in a notebook. When he reached sixty

    pages, he gained enough confidence to transfer his work to his Macintosh computer,

    where most of Eragon was written, although he sometimes found that the story flowed

    better when he wrote by hand. All the characters in Eragon are from Paolini's

    imagination except Angela the herbalist, who is loosely based on his sister.

    It took him a year to write the first draft of Eragon. He took a second year to

    revise the book and then gave it to his parents to read. The family decided to self-publish

    the book and so a third year was spent with another round of edits, designing a cover,

     

     

    typesetting the manuscript, and creating marketing materials. During this time Paolini

    drew the map for Eragon, as well as the dragon eye that appears inside the hardcover

    edition. Finally, the manuscript was sent to press, and the first books arrived.

    The Paolini family spent the next year promoting the book themselves.

    Beginning with presentations at the local library and high school, they then traveled

    across the U.S. In all, Paolini gave over 135 presentations at libraries, bookstores, and

    schools in 2002 and early 2003. He did most of the presentations dressed in a medieval

    costume of red shirt, billowy black pants, lace-up boots, and a jaunty black cap.

    In summer 2002, author Carl Hiaasen, whose stepson had bought and devoured a

    copy of the self-published book while on vacation in Montana, brought Eragon to the

    attention of his publisher, Alfred A. Knopf Books for Young Readers, who subsequently

    acquired the rights to publish Eragon and the rest of the Inheritance trilogy. Knopf

    published Eragon in August 2003 and Eldest, Book Two in Inheritance, in August 2005.

    Eragon, which has been published in 41 countries, has been a #1 bestseller in both its

    Alfred A. Knopf Books for Young Readers hardcover and paperback editions and has

    spent 164 weeks on the New York Times bestseller list.

    Eldest hit the marketplace in August 2005 as one of the most anticipated books of

    the fall season, and its first week on sale achieved the biggest single-week sale in

    Random House Children’s Books history. Currently in its 15th printing, Eldest, also a #1

    bestseller, has been on the New York Times Bestseller list for 60 weeks, and has been

    published in 41 countries. Most recently, Eldest won a 2006 Quill Award. Together,

    Eragon and Eldest have sold more than 8 million copies worldwide.

    Paolini is currently writing Book Three in Inheritance, the title of which has not

    yet been announced. Once the trilogy is completed, Paolini plans to take a long vacation,

    when he will ponder which of his many story ideas he will write next.

     

    GIL NETTER (Executive Producer) has also produced the features “A Walk in

    the Clouds,” “High School High,” “BASEketball,” “Dude, Where’s My Car?” “Phone

    Booth,” “My Boss’s Daughter,” the Farrelly Brothers comedy “Fever Pitch,” and

    “Flicka.”

     

     

    Netter served as executive producer on the films “The Naked Gun 2 1/2: The

    Smell of Fear,” “My Life,” “The Naked Gun 33 1/3: The Final Insult,” “First Knight,”

    “My Best Friend’s Wedding” and “Unconditional Love.”

     

    CHRIS SYMES (Executive Producer) was co-producer on “AVP,” “Resident

    Evil,” and on the romantic comedy “The Match.” He was a producer on the 20th Century

    Fox Television mystery thriller film “The Sight.”

     

    HUGH JOHNSON (Director of Photography), like many great cameramen

    before him, began his career in commercials, working with such directors as Alan Parker

    Hugh Hudson, Ridley Scott, Tony Scott and Adrian Lyne.

    Moving into the movie industry, he had an additional photography credit on Tony

    Scott’s “The Hunger” (1983), and then progressed to second unit director for “1492:

    Conquest of Paradise” (1992), the first of four films with director Ridley Scott. He was

    the director of photography for Scott’s “White Squall” (1996), followed by director of

    photography and second unit director on “G.I. Jane” (1997). For “Kingdom of Heaven”

    (2005), he was second unit director and director of photography. In between, he worked

    as director of photography on David Twohy’s “The Chronicles of Riddick” (2004).

     

    WOLF KROEGER (Production Designer), before attaining the position of

    production designer, worked as art director on such films as “U-Turn” (1973), “Breaking

    Point” (1976), “In Praise of Older Women” (1978) and “Quintet” (1979).

    He became a production designer on “Popeye” (1980), followed by “Rambo:

    First Blood, Part 2” (1982), “Split Image” (1982) and “Streamers” (1983), “Streamers”

    (1983), “The Bad Boy” (1984), “Ladyhawke” (1985), “Year of the Dragon” (1985) and

    “The Sicilian” (1987).

    After designing the sets for Mario Puzo’s TV miniseries “The Fortunate Pilgrim”

    (1988), he went on to design “Let It Ride” (1989), “Casualties of War” (1989), “We’re

    No Angels” (1989), “The Last of the Mohicans” (1992), “Shadow of the Wolf” (1992)

    and “The Three Musketeers” (1993).

     

     

    In the past decade Kroeger designed “The Edge” (1997), “The 13th Warrior”

    (1999), “Enemy at the Gates” (2001), “Reign of Fire” (2002), “Equilibrium” (2002),

    “Beyond Borders” (2003) and “Racing Stripes” (2005).

    He was also visual consultant on “Highlander III: The Sorcerer” (1994) and

    “Cousin Bette” (1998).

     

    ROGER BARTON (Co-Producer, Film Editor) began his career editing

    television features such as “Love, Honor and Obey” for CBS, “Not Without My

    Children” for ABC, and “Indictment: The McMartin Trial” for HBO, which won an

    Emmy for Best Achievement in Editing.

    He then went on to features, editing “That Darn Cart,” and more recently, “Star

    Wars Episode III: Revenge of the Sith,” “The Amityville Horror,” “Bad Boys 2,” “Ghost

    Ship,” “Pearl Harbor,” “Gone in 60 Seconds” and “Get Rich or Die Tryin’.” He was an

    associate editor on “Titanic,” which won an Oscar for Best Achievement in Film Editing.

     

    KYM BARRETT (Costume Designer) was born in Brisbane and attended the

    National Institute of Dramatic Art in Sydney before entering the movie industry in the

    costume department.

    After working as a wardrobe assistant on “Strictly Ballroom” (1992), Barrett

    moved to Los Angeles where she became recognized for her individuality. Her big break

    came when she designed the costumes for “William Shakespeare’s Romeo + Juliet”

    (1996). Barrett’s reputation was further enhanced with “The Matrix” (1999), her work

    winning her a Costume Designers Guild Award nomination. She went on to work on

    “The Matrix Reloaded” (2003) and “The Matrix Revolutions” (2003).

    Her other credits include “Three Kings” (1999), “Red Planet” (2000), “Titan

    A.E.” (2000), “From Hell” (2001), “Gothika” (2003) and “The Virgin of Juarez” (2005).

    More recently, Barrett designed the costumes for “Monster-in-Law” (2005), starring Jane

    Fonda and Jennifer Lopez, and “Rumour Has It” (2006).

     

     

     

    PATRICK DOYLE (Music) has a prolific career as a highly respected composer

    on a number of films and was awarded Best Score for “A Little Princess” by the Los

    Angeles Film Critics Association in 1995.

    Doyle’s most recent film credits include “Harry Potter and the Goblet of Fire,”

    “Man to Man,” “Nanny McPhee,” “Secondhand Lions” and “Calendar Girls.” Doyle’s

    other high profile credits include “Killing Me Softly,” “Gosford Park,” “Bridget Jones’s

    Diary,” “Blow Dry,” Love’s Labour’s Lost,” “Great Expectations” and Mike Newell’s

    “Donnie Brasco.”

    After graduating the Royal Scottish Academy of Music and Drama, Doyle

    composed music scores for television including Scottish television’s “Charlie Endell” and

    the BBC’s “The Butterfly Hoof.”

    In 1987, Doyle joined Kenneth Branagh’s Renaissance Theatre Company after he

    was commissioned to write the music for the televised version of Shakespeare’s “Twelfth

    Night.”

    In 1989 he was asked to write the score for Branagh’s film adaptation of

    Shakespeare’s “Henry V,” which began his career in film scoring. He then wrote the

    music for other productions including “Hamlet,” “As You Like It,” “Much Ado About

    Nothing,” “King Lear” and “A Midsummer Night’s Dream.”

     

    ©2006 Twentieth Century Fox. All rights reserved. Property of Fox.

    Permission is hereby granted to newspapers and periodicals to reproduce this

    text in articles publicizing the distribution of the Motion Picture.

    All other use is strictly prohibited, including sale, duplication, or other transfers of this material.

    This press kit, in whole or in part, must not be leased, sold, or given away.

     

     

    FOX 2000 PICTURES Presents

     

    In Association with

    INGENIOUS FILM PARTNERS

     

    A DAVIS ENTERTAINMENT

    COMPANY Production

     

    “ERAGON”

     

    ED SPELEERS

    JEREMY IRONS

    SIENNA GUILLORY

    ROBERT CARLYLE

    DJIMON HOUNSOU

    GARRETT HEDLUND

    JOSS STONE

     

    With RACHEL WEISZ

    As the Voice of Saphira

     

    And JOHN MALKOVICH

     

    ALUN ARMSTRONG

    CHRIS EGAN

    GARY LEWIS

    STEVE SPEIRS

    CAROLINE CHIKEZIE

     

    Directed by..................STEFEN FANGMEIER

    Produced by..............................JOHN DAVIS

    ..........................................WYCK GODFREY

    Screenplay by...................PETER BUCHMAN

    Based upon the novel by.................................

    ...............................CHRISTOPHER PAOLINI

    Executive Producers...................GIL NETTER

    ...............................................CHRIS SYMES

    Director of Photography......HUGH JOHNSON

    Production Designer...........WOLF KROEGER

    Film Editor..........................ROGER BARTON

    Co-Producers.....................ROGER BARTON

    ..........................................ADAM GOODMAN

    Costume Designer.................KYM BARRETT

    Visual Effects Suupervisors......SAMIR HOON

    ...................................MICHAEL McALISTER

    Music Composed by...........PATRICK DOYLE

    U.K. / E.U. Casting by......................................

    .................................PRISCILLA JOHN, CDG

    U.S. Casting by........................MINDY MARIN

     

    Unit Production Manager.................................

    ...................MALCOLM SCERRI-FERRANTE

    First Assistant Director.....................................

    .............................CHRISTOPHER NEWMAN

     

    Second Unit Director....PETER MACDONALD

     

    Made in Association with DUNE

    ENTERTAINMENT LLC and MAJOR

    STUDIO PARTNERS

     

    CAST

    Eragon...................................ED SPELEERS

    Brom.....................................JEREMY IRONS

    Arya................................SIENNA GUILLORY

    Durza..............................ROBERT CARLYLE

    Galbatorix.........................JOHN MALKOVICH

    Murtagh........................GARRETT HEDLUND

    Uncle Garrow.................ALUN ARMSTRONG

    Roran........................................CHRIS EGAN

    Hrothgar....................................GARY LEWIS

    Ajihad.............................DJIMON HOUNSOU

    Voice of Saphira....................RACHEL WEISZ

    Horst..................................RICHARD RIFKIN

    Sloan.....................................STEVE SPEIRS

    Angela ......................................JOSS STONE

    Villager #1..............MICHAEL A. MEHLMANN

    Villager #2................................TAMÁS DEÁK

    Tall Soldier ............................MATT DEVERE

    Sergeant............................MÁTÉ HAUMANN

    Horst’s Wife.....................ANDREA FAZEKAS

    Nasuada.......................CAROLINE CHIKEZIE

    Varden Woman ................ÁGNES BÁNFALVI

    Varden Guard ............................PÁL MAKRAI

    Razac #1........................SPENCER WILDING

    Razac #2....................GÁBOR HORTOBÁGYI

     

    Voice Actors..........................MAGGIE BAIRD

    ...............JOHN GIDCOMB, JULIAN BARNES

    ........MELISSA BICKERTON, NEIL DICKSON

    .......SEAN MAHON, DARREN RICHARDSON

    ......................JULIAN STONE, PETER LAVIN

    .............................RANDALL MONTGOMERY

    ............................ANTHONY ARMATRADING

    ............KENNETH DANZIGER, JEAN GILPIN

    .........................KEVIN OWERS, IAN RUSKIN

    ...MARK SUSSMAN, PAULA JANE NEWMAN

    ........................................MARK SILVERMAN

    ...........................DEANNE MERCER DENNIS

    .................PETER DENNIS, MARTIN JARVIS

    ...........WARREN PRESS, ALAN SHEARMAN

    ......................................................DIZ WHITE

     

    Stunt Coordinators.........STEVE M. DAVISON

    .............................................GÁBOR PIROCH

    Assistant Stunt Coordinator.............................

    .....................................MELISSA R. STUBBS

     

    Motion Rig Stunt Coordinator..........................

    ...................................MARK SOUTHWORTH

    Vancouver Stunt Coordinator......JJ MAKARO

    Vancouver Stunt Coordinator (Horses)............

    .................................................JOHN SCOTT

    Sword Master.................................CC SMIFF

    Assistant Sword Master.ALLAN POPPLETON

     

     

     

    Stunts.............CRITTER, VIRGINIE ARNAUD

    .ELISARA BAKER, TROY BELLINGHAUSEN

    .................MENYHÉRT DUTOMBÉ BALOGH

    ...........ATTILA BALOGH, JAMES BAMFORD

    ......ALEXANDER BARANOV, PETR BARVIK

    ...............LOYD BATEMAN, CHAD BELLAMY

    .................FERENC BERECZ, KIMO KEOKE

    ....SÁNDOR BOROS, ANDREW BRADSHAW

    ...............ERIC BRYSON, ZOLTÁN BURGER

    ......VIKTO CERVENKA, KIMBERLY CHIANG

    .........GEO CORVERA, KRISZTIÁN CZIRJÁK

    .........DAVID CRONNELLY, ZOLTÁN DANKÓ

    ...............RICHARD DROWN, GÁBOR DUCK

    .......ZDENEK DVORACEK, JAMES EMBREE

    ....................BALÁZS FARKAS, ATTILA FÁSI

    .....TONIA FORSBERG, KOICHI FUNAYAMA

    ..............VLADIMIR FURDIK, BÉLA GERNER

    ....................................CHRISTIAN GNEISSL

    ...WINHAM HAMMOND, GERGÖ HORPÁCSI

    ............LOU HORVÁTH, ROMAN JANKOVIC

    ............KIRK JAQUES, FLEMMING JETMAR

    ...TREVOR JONES, ROLAND KOLLÁRSZKY

    ............LÁSZLÓ KÓSA, NORBERT KOVÁCS

    ...........MIKLÓS KOVÁCS, JÓZSEF KOVALIK

    .................ÁGNES KRUCHO, STANO KUTIK

    ............MIROSLAV LHOTKA, DEZSÖ LIBOR

    .................ANGELICA LISK, MARC MAILLEY

    ................................BRANISLAV MARTINÁK

    ..........LÁSZLÓ MEDRICZKY, MIKE MÖLLER

    ................ZOLTÁN MOLNÁR, ATTILA MÓRA

    ...GIEDRIUS NAGYS, MIROSLAV NAVRATIL

    ........FERENC NOVINECZ, PETER OLGYAY

    ......................JANE OSHITA, ZOLTÁN PAPP

    ...DOMONKOS PARDANYI, NINON PARENT

    ...............GÁBOR PESTA, TOMÁS PETERÁ?

    ....................REZSÖ PIROCH, ALES PUTNIK

    ......................DUSAN PUVY, MÁRIO RAPAK

    .....................LÁSZLÓ ROMAN, KENJI SATO

    ................TIBOR SAUERWEIN, CHAD SAYN

    ..............ÁKOS SCHENEK, SHAYNA SEGAL

    ....................ZSOLT SÉRA, JIRI SIMBERSKY

    ..........ÁKOS SINKÓ, STANIMIR STAMATOV

    .................................NILS ALLEN STEWART

    ........SYLVESTA STUART, GÁSPÁR SZABÓ

    .........................................GYÖRGY SZÁNTÓ

    ..........................ZOLTÁN ‘CERNA’ SZÉKELY

    ............ISTVAN SZIGETI, BARNABÁS TÓTH

    .........LÁSZLÓ ÚJVÁRI, MARTIN UHROVCIK

    ...........GYÖRGY ULRIK, RAYCHO VASILIEV

    .......................JAN VOSMIK, RUDOLF VRBA

    .........................................RALIEGH WILSON

    Stunt Riggers.............THOMAS STRUTHERS

    ..............CLAUDE BOUCHARD, DAVE LANE

    ..................ADAM KIRLEY, ANDREW OWEN

    ......................CORBIN FOX, ENDRE PENCZ

    ...BRADLEY JAMES ALLAN, NEAL MURRAY

    ...........................WAI-LEUNG “JACK” WONG

     

    Associate Producer.......KEVIN R. BUXBAUM

     

    Artist Coach........................MEL CHURCHER

    Supervising Art Director..................................

    ................................JONATHAN McKINSTRY

    Art Directors.......JOHN HELY-HUTCHINSON

    ..........................JOHN KING, STUART ROSE

    .................TIBOR LÁZÁR, STUART KEARNS

    Art Director (Fargo)...............TOMAS BERKA

    Standby Art Directors...............MARK SWAIN

    .....................................................HEIDI GIBB

    Art Department Coordinator............................

    ..........................................KATE McCOLGAN

    Set Decorators.............................ELLI GRIFF

    ..............SIMON WAKEFIELD, ISTVÁN TÓTH

    Supervising Set Dresser........DAVID MIDSON

    Supervising Chargehand Set Dresser.............

    ....................................................RENE KNOL

    Lead Concept Artist.........CLAUDIA MULLALY

    Concept Artist...............DEREK THOMPSON

    Property Master......................PAUL HEDGES

    Buyers.........MARK RIMMELL, GÁBOR TÓTH

    Supervising Prop Maker..................................

    ...................................ROLAND STEVENSON

    Military Advisors.........................BILLY BUDD

    .........................................MICHAEL STOKEY

    Second Assistant Director...............................

    .....................................RICHARD GOODWIN

    Second Second Assistant Directors................

    ....................LÁSZLÓ KÁDÁR, BOGI MÓRICZ

    .................................NICK SHUTTLEWORTH

    Key Third Assistant Director.JAMES CHASEY

    Third Assistant Director...................................

    ....................................STEWART HAMILTON

    Key Set Production Assistant..........................

    .......................................CATHERINE TYLER

    Service Company........MID ATLANTIC FILMS

    A Camera Operators............PETER TAYLOR

    .................................................DES WHELAN

    A Camera First Assistant Camera...................

    ......................................MILES PROUDFOOT

    A Camera Second Assistant Camera..............

    .......................................MARC ATHERFOLD

    B Camera / Steadicam Operator.....................

    ..........................................STUART HOWELL

    B Camera 1st Assistant Camera.....................

    ...............................................CRAIG BLOOR

    B Camera 2nd Assistant Camera....................

    .........................................PAUL WHEELDON

    C Camera Operator...STEFAN STANKOWSKI

    C Camera 1st Assistant Camera.....................

    ...............................................GRAHAM HALL

    C Camera 2nd Assistant Camera....................

    ...............................................ÁKOS GULYÁS

    Still Photographer................DAVID APPLEBY

    Production Sound Mixer...............MAC RUTH

    Boom Person............................PÁL SZÜRÖS

     

     

    Cable Person (Utility Sound)............................

    ..........................................GYÖRGY MIHÁLY

    Script Supervisor........GABRIELLA WINKLER

    Film Editors..........CHRIS LEBENZON, A.C.E.

    .................................MASAHIRO HIRAKUBO

    Post Production Supervisor......TIM GROVER

     

    Sound Designer &

    Supervising Sound Editor........RANDY THOM

     

    1st Assistant Editors...........WARREN PAEFF

    ............NEIL WILLIAMS, TONY SOLOMONS

    2nd Assistant Editors.....ELANA JOY LIVNEH

    ...................................JENNIFER MARTINEZ

    Visual Effects Editor........TONY TROMPETTO

    Additional VFX Editors.............SARA HYOUN

    .............................SHARON SMITH HOLLEY

    Assistant Editors (London)...............................

    .............RUSS WOOLNOUGH, PAUL APTED

    Apprentice Editor .....................LUKE AVERY

    Editorial Production Assistant..........................

    ...................................ASHLEY RODRIGUEZ

    Music Editors...................GRAHAM SUTTON

    ................JOE E. RAND, CHRIS BENSTEAD

    Assistant Music Editor.....................................

    ...............................BARBARA MCDERMOTT

    Temp Music Editors.........................................

    ..MARK WLODARKIEWICZ, KEVIN CREHAN

    Supervising Sound Editor................................

    ........................................DENNIS LEONARD

     

    Sound Re-Recording Mixers....RANDY THOM

    ..............................................GARY A. RIZZO

     

    Visual Effects Producers.........DENISE DAVIS

    .........................................ARTHUR WINDUS

     

    VFX Associate Producer...JENNIFER SILVER

    VFX Coordinators......................BETH HOWE

    .............NATALIE LOVATT, DAWN BROOKS

    VFX Assistant Coordinators.............................

    .JUSTIN CHRISTENSON, NICHOLAS CREW

    VFX Plate Data Coordinator...PADDY KELLY

    VFX Post Production Data Coordinator............

    ..........................................CHRIS F. MOORE

    Additional VFX Supervisor..JOHN VAN VLIET

    Gaffers....CHUCK FINCH, JÓZSEF SZÜCSIK

    Rigging Gaffers...............WILLIAM MERRELL

    ...................................................ZSOLT BÜTI

    Best Boy Electric.................PÉTER BOGNÁR

    Key Grips.............................DAVID APPLEBY

    ...................................................JÁNOS KISS

    Best Boy Grip.......................ISTVÁN TÖRÖK

    Dolly Grips.................................PÁL PALUCH

    ..............................................ANDRÁS TÓTH

    Mega Head Operator............MARK RAMSEY

    Techno Crane Operator...................................

    .................................ROBERT JAMES BOVA

    Assistant Costume Designer...........................

    ...............................DEBORAH LYNN SCOTT

    Additional Assistant Costume Designers.........

    ............................HOLLY DAVIS, TIM ASLAM

    Costume Supervisors..........SUZI TURNBULL

    .................................................ZSÓKA HÓKA

    Crowd Costume Supervisor............................

    .................................ANTHONY BROOKMAN

    Costume Coordinator.MARTIN MANDEVILLE

    Assistant to Costume Designer.......................

    ..........................................MEGAN WORTHY

    Key Set Costumer.............LUCILLA SIMBARI

    Costumer.............................PAUL COLFORD

    Principal Couture Leather................................

    ........................................WHITAKER MALEM

    Chief Makeup Artist.............TREFOR PROUD

    Chief Hair Stylist...................TRACEY WELLS

    Hair and Makeup Coordinator.........................

    .........................................ELIZABETH LEWIS

    Makeup Artist..............KATHERINE RAYNER

    Hairdresser..................................ZOE TAHIR

    Hair and Makeup Artist.........BOGYÓ KAJTÁR

    Key Greensman......................JON MARSON

    Supervising Armourer.....STEVE CUMMINGS

    Armourer...............................DAVID SILLERY

    Supervising Location Manager........................

    ...........................................TERRY BLYTHER

    Location Managers.........LÁSZLÓ RORÁRIUS

    ..........................................JÁNOS CSERVEN

    Location Coordinator..........CLAUDIA KOSSIK

    Location Scouts..............BARNABÁS KIRÁLY

    ..........................................ANDRÁS RUDOLF

    Unit Location Manager – Varden.....................

    .....................................STEVE MORTIMORE

    Unit Managers..............................RAVI DUBÉ

    ..............................................GERGÖ BALIKA

    Production Manager................MIKLÓS TÓTH

    Assistant to Production Manager.....................

    .........................................KATI MAGENHEIM

    Production Coordinators..................SAM MILL

    ......................................GABRIELLA CSOMA

    Travel & Accommodations Coordinator...........

    .......................................................ÉVA ZÖLD

    Assistant Production Coordinators..................

    .......KRISZTIÁN KERTAI, CLAIRE STEWART

    Special Effects SupervisorGERD FEUCHTER

    Special Effects Set Supervisor........................

    ..................................BERND RAUTENBERG

    Special Effects Foremen...MARKUS GEIGER

    ........................................MICHAEL LUPPINO

    Special Effects Technical/Crew Coordinator...

    .............................................KLAUS MIELICH

    Special Effects Coordinator.............................

    ..........................................GÁBOR KISZELLY

    Creature Effects Supervisor.......BRIAN BEST

    Construction Managers...............JOHN PARK

    ..........................................JOHN PATERSON

    .........................................LÁSZLÓ NAGYIDAI

     

     

    Construction Manager (Fargo).........................

    ..........................................DALIBOR VASICA

    Assistant Construction Managers....................

    ........MARTIN HAYES, MICHAEL HAYWARD

    .......................................THOMAS RENNICK

    HOD Plasterer.....................DENIS MURRAY

    HOD Rigger.......................DAVID McMAHON

    Supervising Sculptor...........JOHN BLAKELEY

    US Casting Associate..............KARA LIPSON

    UK Casting Associate........FAITH ALLBESON

    US Casting Assistant....SAMANTHA MORRIS

    Additional UK Casting.................PIPPA HALL

    Assistant to Mr. Fangmeier...EM?KE VÁGÁSI

    Assistants to Mr. Davis....BROOKE BROOKS

    ................................CHRISTOPHER TIPTON

    Associate to Gil Netter........TOM CARSTENS

    Assistant to Gil Netter .................MIKE ADES

    Assistant to Mr. Symes, Mr. Godfrey and

    Mr. Goodman........................RITA GALÁNTAI

    Financial Controller........KEVIN R. BUXBAUM

    Hungarian Production Accountant...................

    ............................................BÖBE BODZSÁR

    Key First Assistant Production Accountant......

    ....................................LISA-KIM LING KUAN

    Foreign Locations Accountant.........................

    .......................................DEBERA BARAGER

    1ST Assistant Production Accountant..............

    .....................................CHRISTIAN HOLDEN

    1st Accounts Assistant.......GYORGYI BALOG

    2nd Assistant Production Accountants.............

    ....TOSHIKO BANTON, CRISTIANO D'URSO

    Accounts Assistants............GERAINT JONES

    ....................ANIKO ZALAVARI, AGNES KUN

    Accounts Clerks.....................DORA SZANKA

    ..........................................ANIKO HEGEDUS

    Production Secretary...........AMY SZABADOS

    Production Assistants.RÓBERT KOROKNYAI

    .........................................CSABA BAGOSSY

    Cast / Crew Catering.......................................

    ................................BÉLA "KOKO" DÉVÉNYI

    Unit Publicist.....................GEOFF FREEMAN

    EPK.......................................JASON GROFF

    Transportation Coordinator..............................

    ........................................STEVEN BRIGDEN

    Transportation Captain.........GYÖRGY FOHN

    Video Operators........PÉTER "TIGRIS" RÁCZ

    ......................................CSABA NEMESHÁZI

    Cable Man / Video Assistant....GÁBOR TÓTH

    Video Trainee......................ATTILA KOVÁCS

    Pilot / Aerial Coordinators....DAVID W. PARIS

    ................................................MARC WOLFF

    Aerial Directors of Photography.......................

    .....................JOHN MARZANO, ADAM DALE

    Aerial Production Manager......SAMMI DAVIS

    Wescam Technician / Camera.........................

    ............................................GYLN WILLIAMS

    Safety Engineer.........................TOM CLODE

    Aerial First Assistant Director...........................

    ..........................................SIMON EMANUEL

    Co-Pilots...................WILLIAM SAMUELSON

    ..............................................MARTIN KROLL

    Mechanics....................ERICH LADSTATTER

    ...........................................NICOLAS KHELIF

    Walkie Talkies Provided by.............................

    ......AUDIOLINK RADIO COMMUNICATIONS

     

    Post Production Sound Services by

    SKYWALKER SOUND,

    A LUCASFILM LTD. COMPANY

    MARIN COUNTY, CALIFORNIA

     

    Dialogue / ADR Supervising Editor..................

    ...........................................JONATHAN NULL

    Dialogue Editor................MICHAEL SILVERS

    ADR Editor............................DANIEL LAURIE

    Sound Effects Editors..................AL NELSON

    ......................................DOUGLAS MURRAY

    Foley Editor...................E. LARRY OATFIELD

    Foley Artists..............................JANA VANCE

    .................DENISE THORPE, ELLEN HEUER

    Foley Mixer.........................FRANK RINELLA

    Foley Recordist...................SEAN ENGLAND

    Assistant Supervising Sound Editor................

    ....................................................MAC SMITH

    Assistant Sound Designer......WILLIAM FILES

    Assistant Dialogue / ADR Editor...TIM BURBY

    Assistant Sound Effects Editor........................

    ..........................................DUSTIN CAWOOD

    Saphira's Voice Designed by...........................

    ...........................................BRUCE BOTNICK

    ADR Stages.............WILSHIRE STAGES, LA

    ..............................FUTURE POST, LONDON

    ADR Mixers..........................ERIC THOMSON

    .........................................TED SWANSCOTT

    ADR Editor (London)..................IAN WILSON

    Loop Group...........................LOOP DE LOOP

    Negative Cutter.....................GARY BURRITT

    Color Timer................................JIM PASSON

    Motion Picture Laboratory (Hungary) ..............

    .......................KODAK CINELABS HUNGARY

    Dailies Telecine (Hungary)..............................

    .....................................FOCUS-FOX STUDIO

    Title Design ..............................................PIC

    End Titles ......................SCARLET LETTERS

    Digital Intermediate by...........................EFILM

    Supervising Digital ColoristSTEVEN J. SCOTT

    Digital Intermediate Producer......LOAN PHAN

    Digital Intermediate Editor...............................

    ..........................................AMY PAWLOWSKI

    Digital Opticals........................PAT CLANCEY

    Color Timing Assistant................NTANA KEY

    Cameras & Lighting Equipment Provided

    by........SPARKS CAMERA & LIGHTING LTD.

     

     

     

     

     

    UNDERWATER UNIT

    Underwater Unit Director of Photography........

    ...................................MICHAEL VALENTINE

    Underwater Unit Focus Puller..........................

    ............................................DEAN MORRISH

    Underwater Unit Loader...........JAMES LEWIS

    Underwater Unit Camera Assistant / Safety.....

    .......................................ROBERT JOHNSON

    Underwater Unit Coordinator...........................

    ..............................FRANCOISE VALENTINE

     

    SECOND UNIT

    Second Unit Directors.......... E.J. FOERSTER

    ......................................ANDY ARMSTRONG

    Directors of Photography.................................

    .....................................HARVEY HARRISON

    ...................................MICHAEL BREWSTER

    First Assistant Directors...MICHAEL MURRAY

    ...........................................KEVIN WESTLEY

    Second Assistant Directors...TOBY HOSKING

    .................................................TAMÁS VASS

    Third Assistant Director........TAMÁS LUKÁCS

    Unit Production Manager.................................

    ......................................RICHARD SHARKEY

    Production Manager....................EDIT NAGY

    A Camera Operator.........GARY SPRATLING

    B Camera Operator.............TONY JACKSON

    C Camera Operator................LÁSZLÓ BILLE

    Gaffers..................................STEVE FOSTER

    .................CHRISTOPHER "TOMMY" FINCH

    Key Grips..........................WILLIAM GEDDES

    .......................................DARREN HOLLAND

    Armourer..........................STEPHEN RALPHS

    Special Effects Supervisor..........ULI NEFZER

    Production Coordinator....................................

    .................................DANICA MATULAYOVA

     

    SLOVAKIAN UNIT

    Production Manager..........BRANKO JEHLAR

    Unit / Transport Manager......VACLAV MOTTL

    Location Manager.....................BEN RIMMER

    Production Coordinator.........MIRKA TAYLOR

     

    MOTION RIG UNIT

    Unit Director.................PETER MACDONALD

    Director of Photography.........SHAUN O’DELL

    Unit Production Manager................SAM MILL

    First Assistant Director........EDWARD BRETT

    Second Assistant Director........JEFF TAYLOR

    Art Director...................................HEIDI GIBB

    Camera Operator.............GARY SPRATLING

    1st Assistant Camera.......................................

    .................................DANNY SHELMERDINE

    2nd Assistants Camera....................................

    ..............RUSSELL KENNEDY, RAY MOODY

    Production Sound Mixer........TIM BLACKHAM

    Gaffer....................................PERRY EVANS

    Key Grip.......................ADRIAN MCCARTHY

    Durza Makeup Artist.........................VE NEILL

    Chief Makeup Artist.....KATHERINE RAYNER

    Continuity.................................LAURA MILES

    Production Coordinator......FIONA GARLAND

    Post Production Accountant............................

    ...........................................GAYLE SANDLER

    Special Effects Supervisor.......TONY AUGER

    Video Assist Operator...........ANDY SHEILDS

     

    VANCOUVER - ADDITIONAL

    PHOTOGRAPHY

    Co-Producer for Canadian Shoot....................

    ........................................KEVIN HALLORAN.

    Director of Photography........SHAUN O’DELL

    Production Manager.........MARY GUILFOYLE

    First Assistant Director........EDWARD BRETT

    Second Assistant Director.....DAVID ARNOLD

    Supervising Art Director.........HELEN JARVIS

    Art Director..........................MICHAEL DINER

    Camera Operator.....................DAVE CRONE

    First Assistant Camera.........SEAN HARDING

    Second Assistant Camera...............................

    ........................................TYLER L. WOESTE

    Production Sound Mixer..................................

    .......................................ERIC BATUT, C.A.S.

    Script Supervisor..............HELGA UNGURAIT

    Gaffer....................................DAVID TICKELL

    Key Grip...........................KIMBERLY OLSEN

    Dolly Grip................................RYAN MUNRO

    Costume Coordinator ...GRACE ANDERSON

    Key Hair Stylist .................THOM MCINTYRE

    Key Makeup Artist .......ROSALINA DA SILVA

    Production Accountant ..DEBERA BARAGER

    Special Effects Coordinator.............................

    ...............................CAMERON WALDBAUER

    Special Effects Advisor..............MIKE VEZINA

    Construction Coordinator.....JOHN KOBYLKA

    General Construction Foreman.......................

    ...............................................JOHNNY DALE

    Construction Foremen........BOB NICHOLSON

    ..............................................DALE MENZIES

    Extras Casting....................ANDREA BROWN

    Supervising Property Master....JIMMY CHOW

    Set Decorator......................SANDY WALKER

    Location Manager.............ROBIN MOUNSEY

    Assistant Location Manager.....SEAN GRANT

    Transportation Coordinator.............................

    ......................................WILLIAM C. WILCOX

    Transportation Captain.....KELLY CHARLTON

    Transportation Co-Captain..TONY JOHNSON

    Wrangler...............................JAMIE PAYTON

    Video Assist Operator.....GEORGE COLLINS

    Video Assist Assistant...CASEY MACINTYRE

    Chapman Camera Cranes & Dollies

    Provided by.....................................................

    ..........P S PRODUCTION SERVICES, LTD. –

    .........................................................CANADA

     

     

     

    Motion Rig VFX Production Supervisor............

    .................................................MARCIA GAY

    CAD Designer...........DAVID DUNSTERVILLE

    Motion Rig Consultant..............CHRIS SHAW

    Motion Control Data Operator......ANDY BULL

    Cyclops Operator.......................JAY MALLET

    Motion Rig Operator...........DANNY MURPHY

    VFX Dragon Build Supervisor..........................

    ....................................CRAIG NARRAMORE

    VFX Senior Modeler..............GLENN MARSH

    VFX Modelers............................BRIAN BEST

    .....................................EMMA NARRAMORE

    ....................ZSUZSA KISMARTY-LECHNER

    ..................KEVIN GILMARTIN, POPPY KAY

    ...............................................LOUISE MILLS

    VFX Production Supervisor Canada................

    .......................................KEITH HAMAKAWA

    VFX Plate Data Coordinator Canada...............

    ......................................BLAINE LOUGHEED

    VFX Digital Double Dense Stereo

    Technicians...................MICHAEL SANDERS

    .........................................COLIN DAVIDSON

    Viewpaint Photographer............DAVID OWEN

    Production Assistants..............RHETT FINCH

    ...................LUAN HALL, SZABOLCS MAKAI

    ............KEVIN GILMARTIN, TÍMEA BALOGH

    ......CHELSI SCHRIVER, KRISZTIÁN KÖVES

    ..................ROB CRONE, ANDRÁS GYENES

     

    SPECIAL VISUAL EFFECTS and

    ANIMATION

    INDUSTRIAL LIGHT & MAGIC

    A Lucasfilm Ltd. Company

    San Francisco, California

     

    Animation Supervisor.........GLEN MCINTOSH

    Visual Effects Producers...GRETCHEN LIBBY

    ..................................................JEFF OLSON

    Digital Production Supervisor...........................

    ........................................MICHAEL DICOMO

    Creature Supervisor.......AARON FERGUSON

    Computer Graphics Supervisor.JOHN HELMS

    Digital Compositing Supervisor........................

    .........................................DORNE HUEBLER

    Visual Effects Production Manager..................

    .....................................WAYNE BILLHEIMER

    Animation Sequence Supervisors....................

    ....RICK O'CONNOR, DELIO TRAMONTOZZI

    Sequence Supervisors........KEVIN BARNHILL

    .....................JEFF DORAN, KEVIN REUTER

    .....................STEVE BRAGGS, RAUL ESSIG

    ...................JASON ROSSON, JAY COOPER

    .......MICHAEL KENNEDY, R. JAY WILLIAMS

    Concept Artists...........CHRISTIAN ALZMANN

    .........................................CARLOS HUANTE

    Digital Model Supervisors...........KEN BRYAN

    ..........................................PAUL GIACOPPO

    Viewpaint Lead..........................JEAN BOLTE

    Lead Digital Matte Artists................................

    ............BRETT NORTHCUTT, JOSHUA ONG

    Lead CG Layout Artist..................ALIA AGHA

    Digital Paint and Roto Supervisor....................

    ...........................................PATRICK JARVIS

    Visual FX Editor......................TONY PITONE

    Animators..................................ISMAIL ACAR

    ................PETER KELLY, JAKUB PISTECKY

    .........CHARLES ALLENECK, SHAWN KELLY

    ..........................JAY RENNIE, STEVE APLIN

    ...............MAKOTO KOYAMA, DAVE SIDLEY

    ...........................SAMATI BOONCHITSITSAK

    .................KEVIN MARTEL, GREG TOWNER

    CAMERON FOLDS, CHRISTOPHER MITCHELL

    ...........CHI CHUNG TSE, JEAN-DENIS HAAS

    ................THAI NGUYEN, JAMES WHELESS

    ..................MAIA KAYSER, STEVE NICHOLS

    .............ANDY WONG, JOHN ZDANKIEWICZ

    Digital Artists..............................MIMI ABERS

    ................TIMOTHY GIBBONS, KEVIN PAGE

    ..................................GEORGE ALECO-SIMA

    ......JEREMY GOLDMAN, BENOIT PELCHAT

    ............TRANG BACH, BRIDGET GOODMAN

    .................SCOTT PRIOR, LANCE BAETKEY

    ..........BRYANT GRIFFIN, RICARDO RAMOS

    ...........KENNETH BAILEY, GILES HANCOCK

    ....PHILIPPE REBOURS, KATHARINE BAIRD

    ......................DAVE HANKS, MICHAEL RICH

    ........MICHAEL BALOG, JEFFREY HATCHEL

    ...TRACEY ROBERTS, JEFFREY BENEDICT

    ..........................MARK HOPKINS, KIM ROSS

    ......................STELLA BOGH, JEN HOWARD

    ...JEFFREY SALTZMAN, AMANDA BRAGGS

    .......................PEG HUNTER, JERRY SELLS

    ....................TRIPP BROWN, PAUL HUSTON

    ................PAUL SHARPE, CATHY BURROW

    ................KEITH JOHNSON, KEN SJOGREN

    ................MICHAELA CALANCHINI-CARTER

    ....................SCOTT JONES, LINDA SIEGEL

    ......PAUL CAMPBELL, STEPHEN KENNEDY

    .......MARK SIEGEL, MARSHALL CANDLAND

    .........GREG KILLMASTER, JAMES SOUKUP

    ........BRIAN CANTWELL, DREW KLAUSNER

    ........JOE STEVENSON, TERRY CHOSTNER

    .............SUSAN KLAUSNER, JOSEPH SUEN

    .......IAN CHRISTIE, JEAN-CLAUDE LANGER

    .............NIGEL SUMNER, PAUL CHURCHILL

    .......................JEROEN LAPRE, ALEX TANG

    ...............GRADY COFER, JESSICA LASZLO

    ..............RENITA TAYLOR, BRIAN CONNOR

    ........................KELVIN LAU, ALEX TROPIEC

    .......................KARIN COOPER, KERRY LEE

    ........KATE TURNER, MICHAEL CORCORAN

    .................SEUNGHUN LEE, YUSEI UESUGI

    ..........................CASEY DAME, JOHN LEVIN

    ..........MICHAEL VAN EPS, MICHELLE DEAN

    ................JOSHUA LEVINE, ERIC VOEGELS

    .........RICHARD DUCKER, ANDREA MAIOLO

     

     

    ....................................BRANDON WARNER,

    ..YANICK DUSSEAULT, ALYSON MARKELL

    .......DAVID WASHBURN, SELWYN EDDY III

    ............MARCEL MARTINEZ, HOWIE WEED

    ........DAN FEINSTEIN, JENNIFER MCKNEW

    ........................LI-HSIEN WEI, BRIAN FLYNN

    ......TIM MCLAUGHLIN, GREGORY WEINER

    .......CHRISTIAN FOUCHER, KATIE MORRIS

    .......JOHN WHISNANT, ALEC FREDERICKS

    ................MARK NETTLETON, ERIC WONG

    .........ANGELA GIANNONI, MARLA NEWALL

    ........................................................PING XIE

    Visual Effects Coordinators..............................

    .....LAURA DENICKE, KATHERINE FARRAR

    ...........................................ERIN O'CONNOR

    Research & Development................................

    ........STEPHEN BOWLINE, PETER MURPHY

    ................ALEX SUTER, EDUARDO HUESO

    .........................................JOHN OLMSTEAD

    Visual FX Editorial..............JEROME BAKUM

    ....................................GEORGE GAMBETTA

    Production and Technical Support...................

    .............STEVE BESSELMAN, MORGAN HO

    ............DOROTHY SNOOK, DANIEL CAVEY

    .........MIKE PARKINSON, JENNIFER SUTER

    ...................LANCE ENGLE, SAM PENROSE

    ILM Senior Staff.............LYNWEN BRENNAN

    ..............................................KHUYEN DANG

     

    Visual Effects by WETA DIGITAL LTD.

    WELLINGTON, NEW ZEALAND

     

    Visual Effects Supervisor........George Murphy

    Co-Visual Effects Supervisor......Guy Williams

    Supervising VFX Editor................Matt Holmes

    VFX Producer ............................Eileen Moran

    VFX Editor................................Lucas Putnam

    Digital Producer.......................Kathryn Horton

    Head of Digital Imaging.............Pete Williams

    Animation Supervisor.................David Clayton

    3D Sequence Supervisors...............................

    ............................Jake Lee and Keith F. Miller

    Models Supervisor..............Florian Fernandez

    Roto & Paint Supervisors.................................

    .................Quentin Hema and Sandy Houston

    Creature Supervisor.....................Dana Peters

    Animation Technical Supervisor..Shawn Dunn

    Camera Supervisor....................Lee Bramwell

    Art Directors.....................................................

    ................Michael Pangrazio and Gus Hunter

    Compositing Supervisor................Colin Alway

    Compositing HOD.......................Matt Welford

    Massive Supervisor...........................Jon Allitt

    Production Coordinators..................................

    .........................Jonny Doig and Kristina Flach

    Animation / Models / Creatures / Camera

    Teams ..............Christine Arboit, Julian Butler

    .......................Peter Godden, Kaori Miyazawa

    ..Michael Sarkis, Alvise Avati, Michael Cozens

    ............Joe Han, Andrea Merlo, Jens Schwarz

    .....Michael Bain, Richard Dexter, John Homer

    ....................Simon Millanta, Gershom Sissing

    ..........................Jamie Beard, Marco Di Lucca

    ..Richard Hopkins, James Moore, Justin Steel

    ....James Bennett, Gord Dunick, Paul Jenness

    .....Wolfgang Niedermeier, Albrecht Steinmetz

    ......................Graham Binding, William J. Earl

    .....................Marchand Jooste, Alex Nowotny

    ......................Adam Slater, Shweta Bhatnagar

    .Oliver Exmundo, Lars Kramer, Niklas Preston

    ..Peter Syomka, Matt Bullock, Ramahan Faulk

    .....Gary Laurie, Stephan Remstedt, Eric Tang

    .........Fernando Borges-Pacheco, Ben Forster

    ...Mike Leonard, Marco Revelant, Geoff Tobin

    ....................................Alex Burt, Eric Gambini

    ..........Ruth-Anne Loveridge, Matthew Riordan

    .................................................Denis Trutanic

    Lighting / FX / Shaders / Textures Teams.......

    ..........Belinda Allen, Paul Campion, Anne Hall

    ...................Sergei Koudriavtsev, David Ostler

    ............................Peter Baustedter, Rob Conn

    ...........Allen Hemberger, Dmitri Krasnokoutski

    ............Anne Ritter, Cory Bedwell, Daniel Cox

    .........................Christian Hipp, Jason Lazaroff

    ......Kevin Romond, Hamish Bell, Mark Davies

    .....................Katherine Hurst, Thomas Mikota

    ....Mahria Sangster, Sam Bui, Zachary Franks

    ...Sandip Kalsy, Yvonne Muinde, Glen Sharah

    ..Barbara Busch, Nick Gabchenko, Miae Kang

    .................Jane S. O'Callaghan, Sean Walker

    Compositing / Roto & Paint Teams.................

    .............................Johan Aberg, Evan Christie

    .......David Houghton Williams, Steve McGillen

    .........Brad Selkirk, Holly Acton, Jim Croasdale

    ......Bryan Jones, Alfred Murrle, Petra Stueben

    ............Paula Bell,Steve Cronin, Danny Jones

    ...................................George Edwin Oliver Jr

    ........................Roxanne Sutherland Valentine

    .....................Adam Bradley, Areito Echevarria

    ................................Simon Jung, David Owen

    ..............Phil Van der Reyden, David Brunette

    ..................Erich Eder, Jan Kruse, Helen Paul

    ......................Mark Richardson, Sonia Calvert

    ...............Paul Everitt, Michael Lanzensberger

    ...Hannah Peirce, Karim Sahai, Norman Cates

    .....................Geoff Hadfield, Phillip Leonhardt

    ..................Emrys Plaisted, Caterina Schiffers

    .................Tim Cheng, Tim Hey, Seth F. Miller

    ................Troy Ramsey, Hamish Schumacher

    ..Peter Connelly, Christine Feistl, Ben Morgan

    .....................Jennifer Scheer, Martin Simcock

    Production & Support Teams..........................

    ..Svend Andersen, Loren Brookes, Mike Gunn

    .....................Tristan McMahon, Teresa Shand

    .Daniel Ashton, Luke Chamberlain, Paul Gunn

    ..................................Milton Ngan, Nick Shore

     

     

    ....Sindharmawan Bachtiar, Tom Chamberlain

    .......Ben Hall, Filippo Paganoni, Brett Skinner

    .........................Steve Bayliss, Shane Cooper

    ...Dave Hampton, Christine Penn, Holger Spill

    ..........Kris Bieringa, Aaron Cubis, Ben Hatton

    ..................Martin Preston, Taisuke Tanimura

    ....Hannah Bianchini, Shawn Dunn, Martin Hill

    ..........................................Jennah Ramussen

    ..........................Campbell Taylor Fairweather

    ........Kristie Breslin Husson, Samuel Edwards

    .........Erin Horton, Phillip Reed, Joseph Wilkie

    ..........Nick Booth, Fiona Foster, Lance Lones

    .............Adam Shand, Richard Addison-Wood

     

    Visual Effects by CINESITE (EUROPE)

    LTD

    ........................MATT JOHNSON, JON NEILL

    .......CATHERINE DUNCAN, LEE CHIDWICK

    ..................CHAS CASH, FLORIAN ZACHAU

    ................MATT KASMIR, GRANT CONNOR

    .............JASON MCDONALD, DAN HARROD

    ...................LUCA ZAPPALA, KAREN WAND

     

    Visual Effects by CIS HOLLYWOOD

    ....................BRYAN HIROTA, JULIE OROSZ

    .PATRICK KAVANAUGH, JULIA GAUDETTE

     

    Additional VFX by.....................CAFÉFX, INC.

    ....CHRISTOV EFFECTS AND DESIGN, INC.

    .......................SVENGALI VISUAL EFFECTS

    Previsualization by...........................................

    ............................PERSISTENCE OF VISION

    ..........................PIXEL LIBERATION FRONT

    POPE BOT ANIMATION, CRACK CREATIVE

     

    Score Conducted by ......JAMES SHEARMAN

    Score Orchestrated by........PATRICK DOYLE

    ..JAMES SHEARMAN, GEOFF ALEXANDER

    Score Contracted by........................................

    ....THE LONDON SYMPHONY ORCHESTRA

    Orchestra Leader.................CARMINE LAURI

    Score Coordinated by.....MAGGIE RODFORD

    Score Preparation by.................VIC FRASER

    Score Recorded and Mixed by.........................

    .............................................NICK WOLLAGE

    Assistant Score Engineers..CHRIS BARRETT

    ..............................................OLGA FITZROY

    Score Programming byJAMES MCWILLIAMS

    Vocal Contracting by ........DOUBLEFVOICES

    Score Recorded and Mixed at ........................

    ..........AIR LYNDHURST STUDIOS LONDON

     

    SONGS

     

    "KEEP HOLDING ON"

    Written by Avril Lavigne and Lukasz

    Gottwald

    Performed by Avril Lavigne

    Produced by Dr. Luke for Kasz Money

    Productions, Inc.

    Avril Lavigne performs courtesy of RCA

    Records

     

    "ONCE IN EVERY LIFETIME"

    Written by Patrick Doyle, Jem Griffiths and

    Lester Mendez

    Performed by Jem

    Produced by Lester Mendez

    Jem appears courtesy of ATO Ventures

     

    Soundtrack Available on RCA / BMG

     

     

    THE PRODUCERS WISH TO THANK THE

    FOLLOWING FOR THEIR ASSISTANCE:

     

    Hungarian National Film Office

    Hungarian Ministry of Culture

    Hungarian Ministry of Environment and

    Water

    Hungarian National Park ?rség

    Hungarian National Park Duna-Ipoly

    Mayor’s Office of Celldömölk

    Mayor’s Office of Tatabánya

    Frontier Guard of Hungary

    National Environmental Authority

    Riley Kathryn Ellis

     

    Prints by

    DELUXE®

    Filmed With

    PANAVISION®

    CAMERAS & LENSES

     

    KODAK

    FILM STOCK (Logo)

     

    DOLBY STEREO (logo)

    In Selected Theatres

     

    DTS (logo)

     

    Approved No. 42356 (MPAA Globe)

    MOTION PICTURE ASSOCIATION OF

    AMERICA

     

    © 2006 Twentieth Century Fox Film

    Corporation and Dune Entertainment LLC

    in all territories except Brazil, Italy, Japan,

    Korea and Spain.

     

    © 2006 TCF Hungary Film Rights

    Exploitation Limited Liability Company,

    Twentieth Century Fox Film Corporation

    and Dune Entertainment LLC in Brazil,

    Italy, Japan, Korea and Spain.

     

     

     

    Ingenious Film Partners LLP and Erag

    Service, Inc. are the authors of this motion

    picture for purposes of copyright and other

    laws.

     

    The events, characters and firms depicted

    in this photoplay are fictitious. Any

    similarity to actual persons, living or dead,

    or to actual events or firms is purely

    coincidental.

     

    Ownership of this motion picture is

    protected by copyright and other applicable

    laws, and any unauthorized duplication,

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    picture could result in criminal prosecution

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    United Nations News

     

     

     

    SRI LANKA REBELS, BREAKAWAY FACTION STILL ABDUCT CHILDREN TO FIGHT AS SOLDIERS: UN REPORT

     New York, Jan 16 2007 6:00PM Sri Lankan children are being abducted to fight as soldiers in the bloody island conflict by separatist Tamil Tiger rebels and a breakaway group known as the Karuna faction, the Secretary-General has warned in his latest <"http://www.un.org/Docs/journal/asp/ws.asp?m=s/2006/1006">report to the Security Council, calling for an immediate end to the practice and recommending “targeted measures” in response. Commenting on the report, which was issued today along with another dealing with the problem in Nepal, the Special Representative for Children and Armed Conflict Radhika Coomaraswamy, said both documents show the ongoing attempt by the world body to end the global scourge of recruiting children as soldiers, along with other violations of children in times of conflict. The 20-page report covers the period from 1 November 2005 to 31 October 2006, and notes that over these 12 months, the UN Children’s Fund (UNICEF) received reports of hundreds of children being recruited by the Liberation Tigers of Tamil Eelam (LTTE), and also Sri Lankan army involvement in recruitment of children by the Karuna faction. “Despite previous commitments by the Liberation Tigers of Tamil Eelam, that group continues to use and recruit children. In addition, a particularly disconcerting development during the reporting period was the increase in abductions and recruitment of children in the east by the Karuna faction, a breakaway group of Liberation Tigers of Tamil Eelam,” it states. “Reports have also been received in Batticaloa District that on 14 and 26 June, Sri Lankan Army personnel carrying weapons, accompanied Karuna faction members who forcibly abducted and recruited nine children aged 14 (two children), 15 (one child) and 17 years (six children),” the document adds, referring to the eastern part of the island. In outlining his recommendations, the Secretary-General reiterates his call for an immediate end to the conflict, which has already caused the deaths of more than 65,000 people in over 20 years, while stressing that any peace settlement must include provisions that “ensure the protection of children.” “Although limited progress has been made in the release of some children from LTTE over the last three years, the refusal of LTTE to completely cease recruitment and use of children, release all children remaining on the UNICEF database and engage in transparent procedures for release and verification of demobilization warrants the undertaking of targeted measures against LTTE political and military leadership,” he writes. He also calls for the Government to investigate immediately allegations that certain elements of the Sri Lanka security forces are involved in aiding the recruitment and/or abduction of children by the Karuna faction in the East, and invites UNICEF and other relevant agencies to help address the matter. The Secretary-General also calls on all sides in the conflict to ensure open and safe access by humanitarian actors in Sri Lanka to affected areas, while maintaining the neutrality and security of schools, hospitals and religious institutions as “safe zones.” The office of the Special Representative for Children and Armed Conflict said the report will now be examined by the Security Council Working Group on Children and Armed Conflict at its meeting next month, while Ms. Coomaraswamy told the UN News Service that the world body seeks a commitment from all sides to end violations against children. “The reports are important because they are part of the UN family’s attempt to end impunity for crimes, especially grave violations against children, and especially that relating to the recruitment and use of children as child soldiers,” she said, referring to both documents. “What we seek is commitment on behalf of the main parties to move swiftly and effectively, especially in the area of not recruiting child soldiers and to make commitments to UNICEF and other UN agencies for the immediate release of children under their charge, under an action plan.” The UN has increasingly highlighted the problem of children and armed conflict over the past few months, and during last November’s day-long Security Council meeting on the issue, Ms. Coomaraswamy called for more to be done globally, while also noting that many peace agreements signed over the past few years have included child protection provisions and a framework for child demobilization. “Despite these progressive developments many challenges remain and more action has to be taken to protect the interests of children trapped in situations of armed conflict. Though a great deal has been done in formulating standards and receiving commitments, the actual implementation on the ground is far from satisfactory,” she said then. “So far the process of scrutiny and monitoring has been selective and focused on only a few countries. It is our belief, jointly shared with UNICEF and other partners, that we must expand the focus to all situations of armed conflict so that there is equal treatment of children regardless of where they live.” 2007-01-16 00:00:00.000

     

    CONCERNED AT ABDUCTION OF CHILDREN AS SOLDIERS IN NEPAL, SECRETARY-GENERAL URGES ACTION

     New York, Jan 16 2007 6:00PM Children in Nepal were still being recruited by the Communist Party (Maoist) to serve as soldiers despite last April’s ceasefire with the Government, the Secretary-General has warned in his latest report to the Security Council, calling on the Maoists to immediately end the practice and on both sides to do more to protect children’s rights. The 18-page report, which was issued today and covers the period from 1 August 2005 to 30 September 2006, notes that the landmark Comprehensive Peace Agreement signed in November “includes provisions which commit the parties to reintegrating children associated with armed groups into their families and marks the first time this issue has been addressed within the peace process.” Although many of the reported violations occurred prior to the ceasefire between the State and the Communist Party of Nepal-Maoist (CPN-M), “there are still serious abuses being perpetrated against children,” the report states. “A serious concern since the April 2006 ceasefire is that recruitment and use, and abductions of children by CPN-M continue.” All concerned must fully respect international law concerning the protection of children, including in the context of the peace process, and ensure that specific provisions for children are included at all steps of the negotiations. “CPN-M must immediately end the practice of use and recruitment of children, as well as cease any new recruitment of children.” The Secretary-General also recommends that the mandate of any further UN mission to Nepal should “explicitly incorporate child protection issues and include a specific child protection capacity” in order to help it to work more closely with the UN Children’s Fund (UNICEF) and other agencies dealing with the issue. Responding to the report, which was issued today along with another dealing with the problem in strife-torn Sri Lanka, the Special Representative for Children and Armed Conflict Radhika Coomaraswamy, said both documents show the ongoing attempt by the world body to end the global scourge of recruiting children as soldiers, along with other violations of children in times of conflict. “The reports are important because they are part of the UN family’s attempt to end impunity for crimes, especially grave violations against children, and especially that relating to the recruitment and use of children as child soldiers,” she told the UN News Service. “What we seek is commitment on behalf of the main parties to move swiftly and effectively, especially in the area of not recruiting child soldiers and to make commitments to UNICEF and other UN agencies for the immediate release of children under their charge, under an action plan [which UNICEF has].” Ms. Coomaraswamy’s office said the report, like the one on Sri Lanka, will now be examined by the Security Council Working Group on Children and Armed Conflict at its February meeting. 2007-01-16 00:00:00.000

     

    EL SALVADOR A MODEL FOR OTHERS, BAN KI-MOON SAYS ON 15TH ANNIVERSARY OF PEACE ACCORDS

    New York, Jan 16 2007 6:00PM Hailing the fifteenth anniversary of peace accords that brought an end to more than a decade of civil war in El Salvador, Secretary-General Ban Ki-moon today praised the country as a model for others emerging from conflict. “The groundbreaking accords signed in Mexico City in January 1992 not only set El Salvador on a new course,” Mr. Ban said in a video <"http://www.un.org/News/Press/docs//2007/sgsm10841.doc.htm">message marking the occasion. “They also provided precedents and experiences that continue to inspire others who are striving to rebuild their societies following conflict.” El Salvador was rocked by a civil war that cost some 75,000 lives and forced more than ten times that many people to flee before the Government and the rebel Farabundo Martí Liberation Front (FMLN) signed their peace accords in Chapultepec, México, on 16 January 1992. In his message today, Mr. Ban noted that the Salvadoran experience has set an example for the UN as it endeavours to aid other countries to achieve peace. Noting that El Salvador has joined the new UN Peacebuilding Commission, established to maintain peace in post-conflict areas, he voiced hope that the country will share its “rich experience” with others. El Salvador still must surmount obstacles in such fields as public security, social equality and the environment, and the Secretary-General pledged his continuing support in this process. Addressing the country’s people, he said, “I congratulate all of you on what you have accomplished so far, and promise you that the UN will keep working by your side in the years ahead.” 2007-01-16 00:00:00.000

     

    BAN KI-MOON AND US PRESIDENT STRESS JOINT PARTNERSHIP DURING TALKS

     New York, Jan 16 2007 6:00PM In his first meeting with United States President George W. Bush since assuming office as Secretary-General, Ban Ki-moon said the two leaders mutually pledged to work together to try to achieve the goals of peace and increased global prosperity. Mr. Ban <"http://www.un.org/apps/sg/offthecuff.asp?nid=967">told reporters after his talks with Mr. Bush at the White House in Washington, D.C. that the pair had had “a very good, very useful meeting” in which he stressed the value of a strong partnership between the UN and the US. “The United Nations needs the strong and active participation and strong support of the United States, as the UN and the US have a shared objective of promoting human rights, democracy and freedom and peace and security, as well as mutual prosperity,” he said. Mr. Ban said they discussed key regional issues, including the Darfur crisis in Sudan, the Middle East, Iran, Iraq, Somalia and the nuclear programme of the Democratic People’s Republic of Korea (DPRK). The Secretary-General added that Mr. Bush’s assurances and comments underlined his confidence that the world body “can have a very mutually cooperative and good relationship in the future” with the US. Asked by a reporter about a newspaper column written by John Bolton, the former US ambassador to the UN, Mr. Ban said Mr. Bolton had raised some good points among his suggestions for reform measures at the UN. “The United Nations should change, with much more efficiency and effectiveness and mobility and the highest level of ethical standards,” he said. “I am very much committed to carry out this reform, and I need the strong support of all Member States and the staff of the United Nations in carrying out these reform measures.” During his visit to Washington, Mr. Ban met both Democratic and Republican members of the US Congress, including key members of the Senate and House committees dealing with foreign relations. He also addressed the Center for Strategic and International Studies, outlining his view of his priorities in office and on the future of the UN-US relationship. 2007-01-16 00:00:00.000

     

     

    IRAQ: UN ENVOY CALLS ON AUTHORITIES TO SEIZE THOSE RESPONSIBLE FOR DEADLY UNIVERSITY BLAST

    New York, Jan 17 2007 11:00AM The top United Nations envoy to Iraq today called on the authorities to apprehend those responsible for Tuesday's "heinous" bombing at Baghdad's Mustansiriya University, which killed and injured dozens of people, many of them students and staff. "The targeting of centres of higher education by violent groups will not only exacerbate sectarian tensions, but also targets Iraq's future professionals," the UN Assistance Mission for Iraq (UNAMI) <"http://www.uniraq.org">said in a statement issued in the name of Secretary-General Ban Ki-moon's Special Representative Ashraf Qazi. Mr. Qazi "condemns in the strongest terms the bombing...as shocking and a heinous crime," and again calls "on the Iraqi authorities to pursue and apprehend these criminal perpetrators, and on Iraqi political, religious and civil society leaders to help in upholding the sanctity of educational institutions in the country," the statement added. 2007-01-17 00:00:00.000

     


    UN MISSION IN GEORGIA RESUMES JOINT PATROLS OF KODORI VALLEY AFTER
    BREAK OF 3 YEARS


    New York, Dec 22 2006  3:00PM
    After a break of three years, the United Nations Observer Mission in
    Georgia
    (<"http://www.un.org/Depts/dpko/missions/unomig/index.html">UNOMIG) has resumed patrols of the Kodori Valley in the north-west of the
    country, where fighting between the Government and Abkhaz separatists 14
    years ago forced nearly 300,000 refugees to flee their homes.

    UNOMIG patrolled the lower and upper parts of the valley from 13-16
    December with members of the Commonwealth of Independent States
    Peacekeeping Forces (CIS PKF), after breaking off its patrols in June 2003 when
    UN military observers were taken hostage. The Mission says the
    resumption should de-escalate the current tensions.

    “The joint patrol enjoyed freedom of movement throughout the Kodori
    Valley with security guarantees and full cooperation from both sides.
    UNOMIG thanks them for the comprehensive arrangements that made the
    successful completion of the patrol possible,” it said.

    “UNOMIG appreciates the arrangements made by both the Georgian and
    Abkhaz sides and the cooperation of the CIS PKF. It will discuss the
    findings of the joint patrol with the two sides and the CIS PKF,” the
    Mission added, saying it will also encourage dialogue between the two
    sides as well as propose further joint patrols.

    Among several checks conducted by the patrols, on 14 December UNOMIG
    said it monitored the de-commissioning and destruction of an array of
    small arms ammunition, rockets, shells and grenades, which were part of
    the weaponry reported by the Georgian Ministry of Internal Affairs to
    have been seized during operations earlier this year.

    UNOMIG, set up in 1993 and expanded following the signing by the
    parties of the 1994 Agreement on a Ceasefire and Separation of Forces to
    verify compliance, currently has 135 uniformed personnel, including 123
    military observers and 12 police, supported by 101 international civilian
    personnel, 182 local civilian staff and 1 UN Volunteer.
    2006-12-22 00:00:00.000

     

     

    SECURITY COUNCIL EXTENDS TERM OF UN OFFICE IN SIERRA LEONE AS ELECTIONS
    APPROACH


    New York, Dec 22 2006  2:00PM
    The Security Council today extended the mandate of the United Nations
    Integrated Office in Sierra Leone (UNIOSIL) by another year and agreed
    to temporarily increase its staff numbers to help with presidential and
    parliamentary elections scheduled for next July.

    In a unanimous resolution, Council members said the “elections and
    the wide acceptance of their outcome will be a major milestone indicating
    the sustainability of peace and security in Sierra Leone” and will
    help shape plans for the eventual winding down of UNIOSIL.

    Following the recommendation of Secretary-General Kofi Annan in his
    most recent report, the resolution extended the Office’s mandate through
    31 December next year and endorsed a staff increase from 1 January to
    31 October next year to help with the organization of the elections.

    Council members called on Sierra Leone’s parties to play their part
    to ensure that the polls are peaceful, transparent, free and fair, and
    asked the Secretary-General to conduct a full assessment of the role of
    UNIOSIL closer to the election date to help decide when to withdraw the
    Office.

    UNIOSIL was established on 1 January this year, succeeding a UN
    peacekeeping force known as UNAMSIL that from 1999 to 2005 helped stabilize
    the country, which had suffered from years of brutal civil war.

    In his
    <"http://www.un.org/News/Press/docs//2006/sgsm10813.doc.htm">farewell address today to the Council, Mr. Annan, who finishes his term at
    the end of this month, described Sierra Leone as one of the UN’s
    success stories and an example of what can be achieved when the UN and
    Member States work together.

    “The country is stable but still fragile,” he said. “It needs our
    continued help in building effective State institutions, especially
    those dealing with security, human rights, justice, and the preparation of
    next year’s elections, which will be a critical moment in the
    consolidation of peace.”

    Today’s Council resolution also called on the Sierra Leonean
    Government to work closely with the Peacebuilding Commission, which has
    designated the West African country – along with Burundi – as one of the
    first two nations it is helping avoid a relapse back into conflict.

    In a separate resolution today, the Council authorized an extension,
    until 15 February next year, of the temporary redeployment of troops,
    military observers and a military hospital from the UN Operation in
    Burundi (known by its French acronym, ONUB) to support the work of the UN
    Organization Mission in the Democratic Republic of the Congo (MONUC).
    2006-12-22 00:00:00.000


     

    ABSENCE OF FUNDS THREATENS UN EFFORTS TO FEED 106,000 BHUTANESE
    REFUGEES IN NEPAL


    , Dec 22 2006 12:00PM
    The United Nations World Food Programme (WFP)
    <"http://www.wfp.org/english/?ModuleID=137&Key=2331">warned today that it
    will no longer be able to provide full rations to more than 106,000
    Bhutanese refugees living in camps in eastern Nepal as of January unless
    there is an immediate infusion of international donations.

    “Despite recent international media and donor attention on the
    Bhutanese refugee issue, it has not yet translated into the kind of financial
    support that WFP has received in previous years, putting the health and
    safety of the refugees at serious risk,” WFP country representative
    Richard Ragan said.

    “I appeal to the international community to respond quickly,” he
    added, noting that lack of funds for the two-year $23.6 million dollar
    programme would not only cut rations to the refugees.

    The threat of over 100,000 people losing access to food could also have
    serious implications for overall security in Nepal at a critical time
    when the Government and Maoist rebels are implementing a peace process.

    Since 1992, the donor community has always provided crucial aid to the
    refugees, who began arriving in Nepal in 1991 after the introduction of
    strict citizenship laws in Bhutan. But no funds at all have been
    forthcoming for the next two-year programme, which starts on 1 January.

    Under their current status, refugees are restricted from engaging in
    economic activities outside the camps and from owning land, making
    humanitarian aid like food critical to fulfilling their basic needs.
    2006-12-22 00:00:00.000

     

    DEC 22

     

    UN VOICES FRESH ALARM AT ATTACKS ON PALESTINIANS IN IRAQ

     Dec 22 2006 11:00AM
    The United Nations refugee agency today voiced growing concern for
    15,000 Palestinians remaining in Iraq “living in a climate of constant
    fear,” after a group of 41 of them fleeing Baghdad to escape increasing
    violence, harassment and targeted killings was blocked at the border
    with Syria.

    “We now have 41 traumatized Palestinians who have spent the past week
    250 metres from the Iraqi checkpoint,” UN High Commissioner for
    Refugees (UNHCR) spokesman Ron Redmond <"
    http://www.unhcr.org/news/NEWS/458bb9641c.html">told a news briefing in
    Geneva. Some do not have travel documents while those of others have
    expired due to the suspension of renewals or issuance of residence
    permits.

    It was the latest in a long series of alarms raised by the agency for
    the Palestinians, who fled to Iraq from their homes in newly created
    Israel in 1948. Some received preferential treatment under ousted
    President Saddam Hussein, and they have become targets since his overthrow in
    2003. There are still an estimated 15,000 in Iraq out of 34,000 in 2003.

    “We have spoken out repeatedly over the increasingly dire situation
    in Iraq, particularly for those who have no possibility of leaving the
    country, nor any safe haven or support network inside Iraq,” Mr.
    Redmond said. “The Palestinians are such a group. We call on the Iraqi and
    Syrian authorities to allow them to leave the country. We also
    reiterate our plea to neighbouring and resettlement countries and Israel to
    offer a solution.”

    In the latest case, Iraqi border authorities initially refused to allow
    the group to leave Iraq, citing a lack of proper documentation. The
    Palestinians have also been told by Iraqi border officials that Syrian
    authorities should first approve their entry. Only then will the Iraqi
    side allow them to exit and at least enter the no-man’s land between
    Iraq and Syria to join an earlier group of 350 Palestinians who have been
    stuck there since May.

    A local tribal leader has provided accommodation, food and water, Iraqi
    border officials have given some food and water, and the International
    Committee of the Red Cross (ICRC) is supplying tents, blankets, stoves
    and jerry cans.

    UNHCR has contacted the respective authorities but so far without
    success. According to Iraqi officials, a recent agreement between Iraq and
    Syria calls for tight control on the movement of people. Exit and entry
    permits can reportedly only be granted if authorities in both capitals
    agree. Both border authorities have told UNHCR that they are not in a
    position to make an exception and allow the Palestinians in, not even
    into no-man's land.

    In another development, the agency voiced “extreme concern” at
    Syria’s extradition to Iran of four Iranians of Arab descent who had
    earlier been recognized as refugees, at least one of whom is reportedly
    facing execution.

    “Recent human rights reports have expressed concerns about the
    deteriorating human rights situation in Khuzestan province in Iran, home to
    nearly 2 million Iranians of Arab descent,” Mr. Redmond <"
    http://www.unhcr.org/news/NEWS/458bb964d.html">said.


    Two of the four had managed to call their family members and tell them
    they had been detained immediately on arrival and were now awaiting
    their sentence. One reportedly told a relative that he was “about to be
    executed.”

    “UNHCR is extremely worried about the four refugees,” Mr. Redmond
    said. “Extradition does not mean that a refugee or asylum seeker loses
    his or her international protection status. UNHCR has a mandate to
    intervene in these cases and therefore strongly appeals to Iranian
    authorities to ensure the well-being of the four and allow for a fair trial and
    the right to due process.

    “UNHCR also appeals for access to the four refugees and we are
    prepared to find alternative solutions for them,” he added, also calling on
    Syria to abide by its obligations under international law in line with
    the principle of non-refoulement under which no refugees or asylum
    seekers whose cases have not yet been properly assessed can be forcibly
    returned to a country where their life or liberty could be in danger.
    2006-12-22 00:00:00.000 

     

     

     CHAD: UN REFUGEE CHIEF CALLS FOR INTERNATIONAL PRESENCE TO PROTECT
    HUNDREDS OF THOUSANDS


    New York, Dec 22 2006 11:00AM
    The head of the United Nations refugee agency today visited strife-torn
    eastern Chad, <"http://www.unhcr.org/news/NEWS/458ab2274.html">calling
    for a stronger international presence to protect hundreds of thousands
    of Sudanese fleeing war in their homeland, Chadians displaced by the
    spreading violence, and aid workers trying to maintain a vital lifeline
    to the victims of the conflict.

    “This is a moment in which a very important decision is taking
    place... about the possibility of a presence of a multi-dimensional nature in
    Chad and the northern Central African Republic,” UN High Commissioner
    for Refugees (UNHCR) António Guterres said before leaving N'Djamena,
    the Chadian capital, for the conflict zone.

    “UNHCR has been clearly advocating in favour of that presence trying
    to create better security conditions for refugees, for displaced people
    and for the civilian population,” he added, noting that one plan
    involved moving the refugee camps hundreds of miles away from the border
    zone with Sudan’s war-torn Darfur region.

    Chanting “security or relocation,” refugees lined both sides of a
    the dusty road leading into the Goz Amer refugee camp near the
    south-eastern town of Koukou Angarana as Mr. Guterres arrived. “Please remove
    us quickly from here,” read a placard waved by one man outside the
    camp, which houses some 18,000 Darfur refugees.

    The agency, struggling to ease the dire humanitarian situation facing
    232,000 Darfur refugees, 90,000 Chadian internally displaced persons
    (<"http://www.unhcr.org/protect/3b84c7e23.html">IDPs) and 48,000 Central African Republic (CAR) refugees in south Chad, has recently been forced
    to relocate staff due to escalating violence.  

    Last weekend, more than 40 people died in brutal attacks on several
    villages in the Koukou Angarana, including 10 Darfur refugees from Goz
    Amer. “When we see these villages, burned last week with 40 people
    killed, and now 90,000 Chadians displaced, one can understand the huge
    security problem,” Mr. Guterres said. “The international community has a
    great responsibility to create a humanitarian space so we can keep
    working. To do nothing would be unacceptable.”

    Since 2003, UNHCR has operated a dozen remote camps in eastern Chad
    scattered along a vast, 600-kilometre stretch of the arid border with
    Sudan. Since early November, 300 people have been killed in attacks on over
    70 villages by armed marauders using tactics identical to those of the
    notorious Sudanese Government-allied janjaweed militia just across the
    border in Darfur.

    In late November UNHCR lost more than S$1 million in vital supplies
    looted from its warehouse in the town of Abeche during clashes between
    government and rebel forces. The violence has forced it and other aid
    agencies to relocate non-essential staff. Currently, UNHCR maintains only
    skeleton crews in six of the 12 refugee camps in eastern Chad, affecting
    over 110,000 Sudanese.

    “We don’t want to stay, we want to go to another area,” one
    refugee shouted as Mr. Guterres went past. “We don’t want to stay in
    this prison. Every day the janjaweed are killing us.”

    UNHCR is studying a Chadian proposal to move the camps up to 600
    kilometres inland. Agency and government experts visited proposed sites last
    week and are preparing a report on “what is possible and what is not
    possible,” Mr. Guterres said. “In any event, it will represent the
    possibility of major improvement in security, but also an economic
    challenge because we are talking about the relocation of some 220,000
    people.”

    He also met with Chadian IDPs at a sprawling, a makeshift camp for
    9,000 people that was attacked last Saturday, leaving six IDPs dead and 83
    huts burned.

    “Today, we are still afraid; we can't go five kilometres from
    here,” a displaced village chief told Mr. Guterres. “The most crucial
    problem is security. Help us in every way you can to restore security. If
    you can’t give us security, you have to move us from here. We are poor
    people and we don’t have the means to defend ourselves,” the chief
    added.
    2006-12-22 00:00:00.000


     

     

    GLOBALIZATION MUST BE ‘MORE INCLUSIVE’ TO BENEFIT WORLD’S POOR
    – UN OFFICIAL


    New York, Dec 21 2006  6:00PM
    Warning of growing inequalities both within and between countries at a
    time of widespread economic growth, a senior United Nations official
    today said the process of globalization must be made more inclusive in
    order to benefit the world’s poor.

    Speaking to reporters in New York, Kemal Dervis, the Administrator of
    the United Nations Development Programme
    (<"http://content.undp.org/go/newsroom/;jsessionid=a1LNBtLGlh_f">UNDP),
    said economies are expanding at a virtually unprecedented rate.

    “At the same time, we can characterize our age as one of exploding
    inequalities,” he said, arguing that the poorest are not benefiting
    from globalization.

    Ever increasing inequalities bring “tensions, social problems,
    frustrations, alienations,” he pointed out, stressing that the process of
    economic integration must be made more inclusive.

    The Millennium Development Goals
    (<"http://www.un.org/millenniumgoals/">MDGs) – a set of timebound targets for tackling global ills – are
    a “tremendously powerful mobilizing force” to address these
    concerns, he said.

    While emphasizing that the international community must do its part, he
    said responsibility ultimately lands at the national level. “It is,
    of course, the countries at the end of the day that have to achieve”
    the MDGs, he said.

    For its part, the UN system would work to improve its development
    activities, he said. Toward this end, it would carry out the recommendations
    of a High-Level Panel on UN System-wide Coherence, which reached a
    number of vital recommendations aimed at reducing inefficiency and
    optimizing resources.

    Following his presentation, Mr. Dervis was asked about funding of a
    UNDP disarmament programme in Karamojong, Uganda. Some 13 women and nine
    children were reported killed there in November, sparking an appeal from
    the UN Children’s Fund (<"http://www.unicef.org/index2.php">UNICEF)
    for restraint. UN High Commissioner for Human Rights Louise Arbour urged
    the Government to review its forced disarmament strategy of the
    Karamojong and end violence and abuses against civilians in the area.

    “The situation in Uganda is a tough one and concerns us a lot,”
    replied Mr. Dervis. “In terms of what we were doing there, there has
    never been any UNDP funding or involvement with UPDF [Uganda Peoples
    Defence Force] disarmament activities.”
     
    He added that UNDP appreciates attention to all such issues. “We
    really welcome any type of question of this sort because we want to be
    totally transparent as to our activities at the country level.”
    2006-12-21 00:00:00.000

     

    LESSONS FROM ASIA TSUNAMI RECOVERY EFFORT MUST BE PASSED ON, UN ENVOY
    CLINTON SAYS


    New York, Dec 21 2006  6:00PM
    United Nations agencies, aid partners and governments must pass on the
    lessons learned from dealing with the deadly 2004 Indian Ocean tsunami,
    which killed over 230,000 people and affected more than 12 countries,
    the UN’s special envoy for the disaster, former United States
    President Bill Clinton, says in a report highlighting 10 key measures to build
    upon.

    In his introduction to the report, Mr. Clinton, the
    Secretary-General’s Special Envoy for Tsunami Recovery, says the two-year recovery
    effort has shown both “examples of great new approaches, as well as
    decisions and programmes based on flawed assumptions that have caused us to
    lose time and beneficiaries to suffer.”

    “It is critical that we pass on such lessons to actors in future
    recovery processes,” he writes in the 24-page <i>Key Propositions for
    Building Back Better</i>, which recommends measures ranging from increased
    involvement by local communities in reconstruction to ensuring fairness
    in recovery efforts.

    Mr. Clinton acknowledges “major achievements” have been made across
    the Indian Ocean region affected by the tsunami, including for example
    some 150,000 houses built, adequate transitional shelters provided for
    those who continue to be displaced and the speedy enrolment of children
    back to schools after the disaster.

    However he also acknowledges that this recovery effort needs to
    continue for the foreseeable future, although Mr. Clinton’s two-year term as
    Special Envoy will end this month.

    “As we have learned in other parts of the world in the wake of
    massive disasters – from Kobe to New Orleans, Tangshan to Bam –
    rebuilding the physical, social, and human capital of shattered communities
    takes years,” he writes.

    The 10 key lessons learned from the recovery effort and contained in
    the report are as follows:
    <li>Governments, donor and aid agencies must recognize that families
    and communities drive their own recovery</li>
    <li>Recovery “must promote fairness and equity</li>
    <li>Governments must be better prepared for future disasters</li>
    <li>Local governments must be empowered to manage recovery efforts, and
    donors must devote greater resources to strengthening government
    recovery institutions</li>
    <li>Good information is key to recovery planning and effective
    coordination</li>
    <li>The UN, World Bank and other multilateral agencies must “clarify
    their roles and relationships” </li>
    <li>The expanding role of relief agencies must be accompanied by
    increased quality of recovery efforts</li>
    <li>Governments and aid agencies must encourage entrepreneurs to
    flourish</li>
    <li>Agency partnerships must efficiently deliver to those in need
    without “rivalry and unhealthy competition” </li>
    <li>Good recovery must reduce risks and build resilience in
    communities.

    Speaking at a press conference in New York to launch the report, the
    Secretary-General’s Deputy Special Envoy for Tsunami Recovery, Eric
    Schwartz, stressed the importance of these lessons as he acknowledged that
    while progress has been made in the recovery process, much more still
    needs to be done.

    “There’s much to celebrate about the recovery process so far, from
    the extraordinary work of thousands of first-responders to the work of
    thousands involved in recovery today… children are back in school,
    economic growth has accelerated throughout the region in key sectors from
    tourism to fisheries to construction,” he told reporters.

    But “daunting” challenges remain, he said. “We hope that the
    observations in this report… help to enhance the quality of ongoing
    responses in the tsunami-affected region as well as to promote more
    effective recovery in future operations.”
    2006-12-21 00:00:00.000 
     

     

    AS UN WINDS UP BURUNDI PEACEKEEPING OPERATION, COUNCIL URGES CONTINUED
    SUPPORT


    New York, Dec 21 2006  6:00PM
    As the United Nations prepares to withdraw peacekeepers from Burundi
    following the successful completion of their tasks, the Security Council
    today called for continued efforts to shore up stability in the country
    as it consolidates peace.

    In a
    <"http://www.un.org/News/Press/docs//2006/sc8921.doc.htm">statement to the press read by its president, Nassir Abdulaziz Al-Nasser of
    Qatar, the Council commended the UN Operation in Burundi (ONUB) and
    stressed the critical role that the incoming UN Integrated Office (BINUB)
    will play in fostering long-term peace and stability.  

    At the same time, the statement noted that despite the progress
    achieved, “many challenges remain for Burundi” and called on the
    authorities and all political actors in the country to persevere in their
    dialogue on achieving stability and national reconciliation.

    The parties were urged to promote social harmony, the rule of law and
    respect for human rights in their country.  Council members called on
    the Burundian authorities “to investigate thoroughly human rights
    violations and ensure those responsible for such violations are brought to
    justice.”

    The Council reiterated the need for the parties to the 7 September
    Comprehensive Ceasefire Agreement, in particular the Palipehutu-FNL, to
    carry it out “without further delay.”

    Donors and Burundi’s international partners were encouraged to
    “continue to work with the Burundian authorities to help them address the
    challenges of peace consolidation in the country.”

    The statement followed a closed-door briefing by the
    Secretary-General’s acting Special Representative, Nureldin Satti.

    Like neighbouring Rwanda, Burundi had been ravaged by an ethnic
    conflict between its Hutu and Tutsi population. Since gaining independence in
    1962, the small Central African country had been the victim of violent
    coups and political instability. The death of some 300,000 people after
    the first free elections took place in 1993 led to increased
    international involvement and the establishment of the first UN mission in
    Burundi three years later.

    Initially comprised of some 5,600 uniformed men and women as well as
    several hundred civilian staff and 120 police officers, ONUB helped
    disarm and demobilize nearly 22,000 ex-combatants, including more than 3,000
    children and about 500 women. Close to 30,000 militia members and an
    additional 3,000 handicapped army officers have also been disarmed and
    assisted.
    2006-12-21 00:00:00.000

     

    ANNAN EXTENDS CONDOLENCES TO TURKMENISTAN’S PEOPLE AFTER DEATH OF
    PRESIDENT NIYAZOV


    New York, Dec 21 2006  4:00PM
    United Nations Secretary-General Kofi Annan today extended condolences
    to the people of Turkmenistan on the death of President Saparmurat
    Niyazov and paid tribute to his contribution to UN peace efforts in
    Tajikistan and Afghanistan.

    “The Secretary-General has learned of the sudden death of Turkmen
    President Saparmurat Atayevich Niyazov. President Niyazov made important
    contributions to United Nations peace processes in Tajikistan and
    Afghanistan,” Mr. Annan said in a
    <"http://www.un.org/News/Press/docs//2006/sgsm10812.doc.htm">statement
    issued by his spokesman.

    “The Secretary-General extends his condolences to the family of the
    late President and people of Turkmenistan.”

    The Central Asian state of Turkmenistan, which borders Afghanistan, has
    also played a role in UN humanitarian assistance efforts to its
    strife-torn neighbour.
    2006-12-21 00:00:00.000

     

    ANNAN’S ENVOY HAS ‘GOOD’ TALKS WITH SUDANESE PRESIDENT ON WAY
    FORWARD IN DARFUR


    New York, Dec 21 2006  2:00PM
    A senior United Nations envoy had a “good” meeting today with
    Sudanese President Omar el-Bashir, handing him letter from Secretary-General
    Kofi Annan detailing ways to move forward on a proposed UN-African
    Union (AU) hybrid mission to end the devastating conflict in the
    country’s Darfur region.

    Ahmedou Ould-Abdallah, whom Mr. Annan sent to Khartoum, the Sudanese
    capital, also met with Foreign Minister Lam Akol.

    “The meetings he had with the president were good but we’re
    obviously waiting for a written response from President Bashir and he has told
    us that response will be coming shortly,” UN spokesman Stephane
    Dujarric told a news briefing in New York

    At a High-Level meeting on Darfur in Addis Ababa, Ethiopia, last month
    the UN, the AU and Sudan agreed that the UN would provide extra support
    to the current AU peacekeeping mission (AMIS) as part of a three-phase
    process culminating in AMIS becoming a hybrid UN-AU mission. The hybrid
    force is expected to have 17,000 troops and 3,000 police officers,
    compared to the current AMIS strength of 7,000.

    More than 200,000 people have been killed and 2 over million others
    uprooted since fighting first erupted between Government forces, allied
    militias and rebel groups seeking greater autonomy and development. The
    UN estimates that 4 million people now depend on humanitarian aid as a
    result of the Darfur conflict, which officials have called the world’s
    worst current humanitarian crisis.
    2006-12-21 00:00:00.000 



     
    , Dec 21 2006  2:00PMA senior United Nations envoy had a “good” meeting today with Sudanese President Omar el-Bashir, handing him letter from Secretary-General Kofi Annan detailing ways to move forward on a proposed UN-African Union (AU) hybrid mission to end the devastating conflict in the country’s region. Ahmedou Ould-Abdallah, whom Mr. Annan sent to , the Sudanese capital, also met with Foreign Minister Lam Akol.“The meetings he had with the president were good but we’re obviously waiting for a written response from President Bashir and he has told us that response will be coming shortly,” UN spokesman Stephane Dujarric told a news briefing in .  At a High-Level meeting on in , last month the UN, the AU and agreed that the UN would provide extra support to the current AU peacekeeping mission (AMIS) as part of a three-phase process culminating in AMIS becoming a hybrid UN-AU mission. The hybrid force is expected to have 17,000 troops and 3,000 police officers, compared to the current AMIS strength of 7,000.More than 200,000 people have been killed and 2 over million others uprooted since fighting first erupted between Government forces, allied militias and rebel groups seeking greater autonomy and development. The UN estimates that 4 million people now depend on humanitarian aid as a result of the conflict, which officials have called the world’s worst current humanitarian crisis.2006-12-21 00:00:00.000  

    INTRA-PALESTINIAN VIOLENCE IN GAZA ENDANGERS UN HUMANITARIAN OPERATIONS New York, Dec 21 2006 11:00AM

    Armed clashes between rival Palestinian groups in the Gaza Strip are endangering United Nations humanitarian operations “and taking a population that has been living in abject misery for the entire year to breaking point,” the UN agency that tends to Palestinian refugees has warned. “We need an immediate end to this mayhem before more innocent people are killed or injured,” UN Relief and Works Agency (UNRWA) Director of Operations John Ging <" http://www.un.org/unrwa/news/releases/pr-2006/hqg20-06.pdf">said, noting that a 13-year-old schoolgirl and an UNRWA teacher were injured in crossfire near agency schools on Tuesday while an UNRWA driver on duty narrowly escaped injury when his vehicle was hit by gunfire in Beach Camp, north of Gaza City. <"http://www.un.org/unrwa/english.html">UNRWA, created in 1949 to care for Palestinian refugees after the foundation of Israel, now provides education, health and humanitarian aid to over 4 million people in the Middle East. UNRWA schools have been closed in those areas of the Gaza Strip where the violence has affected the safety of children and teaching staff. In total, the agency operates 194 schools in the Gaza Strip, educating 197,000 students. 2006-12-21 00:00:00.000

     

    TURN GUNS INTO GUITARS, UN TELLS COLOMBIA IN CAMPAIGN AGAINST VIOLENCE, ARMS TRAFFICKING

    New York, Dec 21 2006 11:00AM In biblical days the injunction was to beat swords into ploughshares. Now the United Nations crime-fighting agency is calling on Colombia, with one of the highest homicide rates in the world, to do more to crack down on organized crime and arms trafficking, citing one initiative that turns guns into guitars. The perception that the country is plagued by a culture of indiscriminate violence is incorrect as the use of firearms is highly controlled and regulated by different actors, including criminal gangs, rebel groups and the Government, according to a just-released report by the UN Office on Drugs and Crime (<" http://www.unodc.org/unodc/press_release_2006_12_20.html">UNODC), which calls for stiffer penalties for illegal arms carrying and trafficking. The fact that carrying weapons illegally does not necessarily entail a prison sentence has extremely serious consequences since this is often the only evidence authorities can use to prosecute suspects for serious offences such as drug and arms trafficking, and crimes against humanity, it notes. “Preventing, combating and eradicating the illicit manufacture and trafficking in firearms is not an impossible dream,” UNODC Executive Director Antonio Maria Costa writes in a forward to the report – <" http://www.unodc.org/pdf/Colombia_Dec06_en.pdf">Violence, Crime and Illegal Arms Trafficking in Colombia. “Whereas in the past people have talked about the importance of beating swords into ploughshares, some inspired Colombians are showing the world that you can turn guns into guitars,” he says, citing musician and peace activist Cesar Lopez who has built several ‘escopetarras’– part rifle (escopeta) and part guitar (guitarra). “With more activists like Mr. Lopez, greater domestic gun control and greater regional and global cooperation, Colombia and the rest of the world will have less guns and more guitars,” he adds. The report notes that although illegal arms are relatively 'controlled,' they are used very efficiently “to generate levels of lethal violence unlike those in the rest of the world,” and the Government faces a major challenge to disarm these groups. Regional cooperation and improved border controls are essential to cut the links between drug trafficking, organized crime and insurgency. The report shows that the flow of illegal weapons into the country is limited, but weapons are constantly recycled, making it all the more important to control the flow of ammunition. “This could potentially become even more critical than the illegal trafficking of arms,” it says. It notes that demobilization and reintegration programmes for rebel groups have had marginal effect in reducing violence, which is mainly carried out by criminal groups. It praises Colombia for regional and international efforts to regulate small arms and light weapons but cites weaknesses, including lack of institutional capacity, insufficient international cooperation especially on the part of neighbouring countries, control of arms in the hands of private security companies, and data processing. “With respect to illicit trafficking in arms, preventive intelligence is practically non-existent,” the report says, noting that law enforcement agencies lack operational capacity and autonomy, with a significant gap between intelligence and operations. 2006-12-21 00:00:00.000

     

     

     

    UN ENVOY ON DARFUR CRISIS BEGINS THREE-DAY VISIT TO SUDANESE CAPITAL


    New York, Dec 20 2006  3:00PM
    A senior United Nations envoy today began his three-day diplomatic
    mission to Sudan to clarify details of recent agreements aimed at ending
    the spiralling violence and humanitarian suffering engulfing the war-torn
    Darfur region.

    Ahmedou Ould-Abdallah met Sudan’s State Minister for Foreign Affairs,
    Ali Karti, in the capital, Khartoum, and also held talks with
    Tayé-Brook Zerihoun, the Officer-in-Charge of the UN Mission in Sudan
    (<"http://www.un.org/Depts/dpko/missions/unmis/">UNMIS).

    Mr. Ould-Abdallah is scheduled to meet Sudanese President Omar
    el-Bashir tomorrow, when he is expected to deliver a letter from
    Secretary-General Kofi Annan regarding the deal reached at last month’s High-Level
    meeting on Darfur, held in Addis Ababa, Ethiopia.

    At that meeting the UN, the African Union (AU) and Sudan agreed that
    the UN would provide extra support to the current AU peacekeeping mission
    – known as AMIS – as part of a three-phase process culminating in
    AMIS becoming a hybrid UN-AU mission.

    The hybrid force is expected to have about 17,000 troops and 3,000
    police officers, compared to the current AMIS strength of around 7,000.

    Mr. Ould-Abdallah and Mr. el-Bashir are also expected to discuss the
    outcome of a subsequent AU Peace and Security Council meeting in Abuja, Nigeria, which endorsed the conclusions reached in Addis Ababa.

    More than 200,000 people have been killed and 2 million others
    displaced from their homes since clashes first erupted between Government
    forces, allied militias and rebel groups seeking greater autonomy. The UN
    estimates that 4 million people now depend on humanitarian assistance.

    Yesterday Mr. Annan
    <"http://www.un.org/News/Press/docs//2006/sgsm10809.doc.htm">announced
    that he had appointed the former General Assembly president and Swedish
    foreign minister Jan Eliasson as a separate envoy on the Darfur crisis,
    tasked with re-energizing the international political process on Darfur
    and raising additional funding for AMIS.

    The Security Council endorsed the conclusions reached in Addis Ababa
    and Abuja in a
    <"http://www.un.org/News/Press/docs//2006/sc8912.doc.htm">presidential statement read out yesterday by Ambassador Nassir
    Abdulaziz al-Nasser of Qatar, which holds the rotating Council presidency.

    The peace initiatives come as the situation remains tense in Darfur, an
    impoverished region roughly the size of France on Sudan’s western
    flank. UNMIS reported today that 25 vehicles, mostly belonging to AMIS or
    the humanitarian community, have been stolen or car-jacked in only the
    last two to three weeks.
    2006-12-20 00:00:00.000

     

     

    ANNAN URGES IVORIAN POLITICAL LEADERSHIP TO SEEK COMMON GROUND TO
    RESOLVE DIFFERENCES


    New York, Dec 20 2006  3:00PM
    Voicing concern about the escalating tensions in divided Côte
    d’Ivoire, where the peace process remains stalled, Secretary-General Kofi
    Annan today urged its political leadership to find common ground to
    resolve their many differences.

    In a
    <"http://www.un.org/News/Press/docs//2006/sgsm10810.doc.htm">statement released by his spokesman, Mr. Annan called on President Laurent
    Gbagbo and Prime Minister Charles Konan Banny to “initiate a sustained
    political dialogue, with the participation of all Ivorian political
    leaders” to revive the peace process.

    The Secretary-General urged Mr. Gbagbo and Mr. Banny to seek common
    ground on the key issues of resuming the disarmament process, identifying
    the population ahead of scheduled elections and developing possible
    post-election arrangements.

    “The Ivorian people and the international community have invested
    considerable efforts in the political process,” Mr. Annan observed in
    his statement.

    National elections originally slated for October this year had to be
    postponed until next year because of tensions inside the West African
    nation, which has been divided between the Government-held south and the
    rebel-controlled north since 2002. The UN Operation in Côte d’Ivoire
    (UNOCI) has more than 9,000 military or police personnel in place to
    maintain peace.

    Last month the Security Council endorsed an African Union (AU) decision
    to renew the mandate of Mr. Banny and Mr. Gbagbo “for a new and final
    transition period not exceeding 12 months.”

    Today’s statement added that Mr. Annan supports the efforts of the AU
    and the Economic Community of West African States (ECOWAS) to try to
    revive the peace process.
    2006-12-20 00:00:00.000 

     

     

     DR CONGO: UN REPORTS SECURITY IMPROVEMENT WITH MANY MILITIA GROUPS
    DEMOBILIZING


    New York, Dec 20 2006  4:00PM
    Security in the Democratic Republic of the Congo (DRC) has improved,
    with numerous militia groups joining the United Nations-run disarmament
    programme, and calm returning in the east after fighting between the
    Congolese Army and partisans of a rogue general, the UN Mission in the DRC
    (MONUC) reported today.

    “The good progress made in the DDR [disarmament, demobilization and
    reintegration] process has had a positive impact on the improvement of
    the general security situation in the DRC, with 4,896 militia surrenders
    between the month of June and the start of December,” MONUC military
    spokesman Lt. Col. Didier Rancher told a news conference in Kinshasa,
    the capital.

    The positive news came just two weeks after President Joseph Kabila was
    sworn in following the first democratic elections in the strife-torn
    country in more than 40 years, the largest and most complex elections
    that the UN has ever helped to organize.

    The polls crowned a seven-year UN effort to bring peace and democracy
    to the vast country after a brutal six-year civil war that cost 4
    million lives through fighting and attendant hunger and disease, widely
    considered the most lethal conflict in the world since World War II.
    Factional fighting has remained a problem, especially in the east.

    “MONUC welcomes what one could call a ‘general tendency’ in the
    area of surrenders and demobilization, which will reduce considerably
    the tension and unease in the provinces,” Lt. Col. Didier Rancher.
    “In this sense, a framework of engagement was signed by the dissident
    leaders on December 14 and 15.”

    In Ituri and Kivu provinces hundreds of militia members joined the DDR
    process just this week. In North Kivu, at a UN-brokered meeting with
    Congolese military leaders, commanders loyal to rogue General Laurent
    Nkunda, who launched an attack near the town of sake last month, agreed to
    ensure total freedom of movement for civilians as well as an imminent
    withdrawal of his fighters from occupied areas in the province.

    <"http://www.un.org/Depts/dpko/missions/monuc/index.html">MONUC
    welcomed the fact that Gen. Nkunda was now at the negotiating table. A second
    meeting between the Army and Gen. Nkunda’s dissidents is scheduled
    for next week. UN peacekeepers backed by attack helicopters intervened on
    the side of the army last month to stall the advance of his troops on
    the provincial capital, Goma.

    The UN Office for the Coordination of Humanitarian Affairs
    (<"http://ochaonline.un.org/webpage.asp?Page=873&Lang=en">OCHA) reported
    today that the fighting there had forced 65,000 people to flee the town
    of Sake and other localities.

    The UN Rapid Response Mechanism, which OCHA operates jointly with the
    UN Children’s Fund (<"http://www.unicef.org/index2.php">UNICEF), aided
    35,000 people with blankets, plastic sheeting and cooking sets.

    Water and sanitation services have also been provided, including the
    construction of latrines and distribution of chlorination tablets.
    Another 20,000 people received food aid from the UN World Food Programme
    (<"http://www.wfp.org/english/?n=31">WFP).
    2006-12-20 00:00:00.000

     

     

    AS BLUE HELMETS PREPARE TO LEAVE BURUNDI, UN OFFICIALS PLEDGE CONTINUED
    SUPPORT


    New York, Dec 20 2006  6:00PM
    With the United Nations Operation in Burundi (ONUB) ending its mandate
    on 31 December, officials from the world body today
    <"http://www.un.org/News/Press/docs//2006/pko157.doc.htm">pledged
    continued support to the country as it seeks to consolidate peace.

    Since the mission was first deployed in 2004, the Central African
    country has held its first democratic elections in 12 years, installed a new
    national Government, and disarmed and demobilized nearly 22,000
    combatants.

    “The continued engagement and commitment of both the Security Council
    and the Secretary-General have been crucial to ONUB’s success,”
    said Nureldin Satti, the Special Representative of the Secretary-General
    for Burundi.

    He paid tribute to all those who made this achievement possible. “We
    were able to carry out our mandate thanks to the support of the
    Burundian people, our Great Lakes Region neighbours, and the international
    community.”

    Speaking at a press briefing in New York, Mr. Satti said, “I leave
    with the feeling that the national identity has been further reaffirmed
    and people refer to themselves more as Burundians than along ethnic
    lines. And for me this is the biggest reason to hope that Burundi will make
    it.”

    Assistant Secretary-General for Peacebuilding Support Carolyn McAskie,
    who previously served as the world body’s top envoy in Burundi, noted
    that although most blue helmets are leaving, the new UN Integrated
    Office in Burundi (BINUB) will continue the process of peace consolidation.

    The Office, to be headed by the Secretary-General’s Executive
    Representative, Youssef Mahmoud, will also be in charge of coordinating the UN
    system’s activities in Burundi for an initial period of one year.

    Ms. McAskie emphasized the importance of this continued assistance.
    “Burundi has come a long way from its darkest days of conflict but there
    is still a long way to go,” she said. “It is critical that the
    international community support the country now as it moves past this
    fragile post-conflict stage towards long term and sustainable development,
    based on a broad commitment to peace.”

    BINUB’s proposed responsibilities include support for demobilization
    and reintegration of ex-combatants and reform of the security sector as
    called for by the 7 September Comprehensive Ceasefire Agreement.

    In addition, the Office will promote and protect human rights and
    measures to end impunity through a Truth and Reconciliation Commission and
    Special Tribunal, while backing efforts to reduce poverty.
    2006-12-20 00:00:00.000

     

     DPR KOREA: UN HUMAN RIGHTS EXPERT MEETS REFUGEES ADJUSTING TO NEW LIFE


    New York, Dec 20 2006  6:00PM
    An independent United Nations human rights expert on the situation in
    the Democratic People’s Republic of Korea (DPRK) has met refugees from
    the troubled country and visited a facility that helps them acclimatize
    to life in the Republic of Korea.

    Vitit Muntarbhorn, Special Rapporteur on the Situation of Human Rights
    in the DPRK, issued a
    <"http://www.unhchr.ch/huricane/huricane.nsf/view01/133D193BB08E1B2BC12572490057C820?opendocument">statement
    yesterday after wrapping up a five-day visit to the Republic of Korea,
    his second to that country since assuming the post in 2004.

    Mr. Muntarbhorn met with some DPRK refugees and toured the Hanawon
    facility, where the refugees receive initial training to adapt to life in
    the ROK. He also held talks with Government officials, lawmakers, UN
    agencies, non-governmental organizations (NGOs) and other civil society
    groups.

    “He felt it a great privilege to meet them and to reflect their
    concerns in his work for the UN,” the statement said, adding that Seoul
    should continue its policy of accepting refugees from the DPRK and
    offering them help to integrate with the society.

    The DPRK, which has declined to cooperate with the Special Rapporteur,
    continues to refuse to invite him to visit the North Asian nation.

    In October, Mr. Muntarbhorn warned that international donors have cut
    drastically their amounts of food aid this year following the
    country’s reported nuclear test, leaving almost 2 million people without
    adequate calorific intake.

    But in his statement he voiced hope that this week’s resumption of
    the six-party talks aimed at achieving a denuclearization of the Korean
    peninsula would resolve key issues and thus “contribute to the
    space” so that humanitarian progress can be made.

    He also encouraged the DPRK and the ROK to maximize opportunities for
    family reunions and called on Pyongyang to “clarify and resolve
    effectively the long-standing problem of missing persons.”

    Special Rapporteurs are unpaid experts serving in an independent
    personal capacity that received their mandate from the defunct UN Commission
    on Human Rights and now report to the recently established and enhanced
    Human Rights Council.
    2006-12-20 00:00:00.000

     

     

    DESPITE SLOW PROGRESS ON WORLD DEVELOPMENT GOALS, STILL REASON FOR
    OPTIMISM: UN ADVISER


    New York, Dec 20 2006  7:00PM
    Progress on attaining the United Nations Millennium Development Goals
    (<"http://www.un.org/millenniumgoals/">MDGs), which seek to tackle
    poverty, hunger and other social ills by 2015, remains slow but countries
    are realizing the importance of the life-and-death targets and
    increasingly know what needs to be done to attain them, the UN adviser on the
    project said today, sounding a note of optimism.

    However Jeffrey Sachs, the Secretary-General’s Special Adviser on the
    MDGs, said he was under no illusion that while talk about the goals by
    donor countries or organizations was welcome, it means little unless
    concrete action is taken to back up their words.

    “I think we can end this year on a note of optimism that many
    important things are being done. Many different governments are joining the
    effort to achieve the Millennium Development Goals. The biggest reason
    for optimism is that we are a world that is rich in knowledge, science
    and technology and proven approaches to fighting poverty, hunger and
    disease and I think the world’s going to get the job done,” he told
    reporters.

    “But you know I have no illusion, it’s one thing to have the words,
    it’s another thing to make the processes work and that’s part of
    the practice. And I see things happening right now, I of course, would
    like to see them happen faster,” he added, referring to a vast range of
    global initiatives from combating malaria and other diseases to
    reducing poverty in Africa.

    Mr. Sachs paid tribute to Secretary-General Kofi Annan, who leaves
    office at the end of this month, for initiating the idea of the MDGs –
    which were agreed by world leaders in 2000 – and said they will be one
    his “great legacies.” He acknowledged that progress remains slow
    but expressed confidence that Ban Ki-moon will continue to stress their
    importance when he takes over at the UN’s helm on 1 January.

    “There was a long, slow start after 2000 to actual implementation and
    indeed it remains slow in many ways, promises remain far ahead of
    reality on the ground. The good point though is that there is more and more
    understanding of what it would take to actually accomplish the
    goals,” Mr. Sachs said, highlighting for example getting bed-nets out to
    children to protect them from malaria as a relatively quick fix to help
    fight this deadly disease.

    “My sense is that the incoming Secretary-General’s going to make a
    very central focus on these [MDG] issues, I have no doubt about it,
    he’s mentioned them on many occasions and I have little doubt that they
    will be very high on his priorities,” he added.

    The MDGs were agreed by world leaders at the UN’s Millennium Summit
    in 2000. They cover eradicating extreme poverty and hunger, achieving
    universal primary education, promoting gender equality, reducing child
    mortality, improving maternal health, combating HIV/AIDS, malaria and
    other diseases, ensuring environmental sustainability and fostering a
    global partnership for development.
    2006-12-20 00:00:00.000

     

    RECENT WAVE OF HAITIAN KIDNAPPINGS SPARKS ALARM FROM UN PEACEKEEPING
    MISSION


    New York, Dec 20 2006  6:00PM
    The United Nations peacekeeping mission in Haiti today expressed alarm
    at the sudden spate of kidnappings, especially of children, across the
    impoverished Caribbean country, and vowed to maintain its operations
    against the gangs responsible for the crimes.

    The Secretary-General’s Special Representative and head of the UN
    Stabilization Mission in Haiti
    (<"http://www.un.org/Depts/dpko/missions/minustah/">MINUSTAH), Edmond
    Mulet, condemned the wave of kidnappings and called on the public to
    cooperate with the national police and MINUSTAH to help bring those who
    committed the crimes to justice.

    Some two dozen people have been arrested in the past week, including
    the chief of one armed gang, and at least six kidnapping victims freed
    following a series of joint operations involving MINUSTAH and the
    national police. A number of weapons have also been seized.

    Kidnappings are a perennial problem in Haiti, the poorest country in
    the Western Hemisphere, especially in the run-up to Christmas, when gang
    members regard ransom money as a key source of income.

    The numbers have been particularly high this December – 29
    schoolchildren were reported kidnapped across the capital, Port-au-Prince, during
    a three-day period last week. Many other kidnappings go unreported.

    MINUSTAH acting spokesperson Sophie Boutaud-de-la-Combe told the UN
    News Centre that the Mission has two special intervention or
    anti-kidnapping units working with the national police to conduct arrests, searches
    and security operations.

    During one operation last week in the Martissant neighbourhood of
    Port-au-Prince, 13 suspects were apprehended and one victim liberated. Other
    operations are being conducted in the northern city of Cap-Haïtien.

    “We will not stop our operations,” Ms. Boutaud-de-la-Combe said
    when asked if activities would cease if there is a lull in kidnappings
    after the Christmas-New Year period. “This was just an increase in
    operations… but we are not going to stop. We will keep going.”

    Haitians are also being encouraged to contact either the MINUSTAH or
    the national police telephone hotline with any information they might
    have on kidnappings, armed gangs and related matters. The Mission’s
    hotline has already received more than 1,900 calls so far this year.

    As of 30 November, MINUSTAH – which was created in June 2004 – has
    8,360 uniformed personnel (comprising troops and police), 1,017
    international and local civilian staff and 186 UN Volunteers. Its current
    mandate runs out on 15 February next year.
    2006-12-20 00:00:00.000

     

    SECRETARY-GENERAL URGES GREATER COOPERATION AMONG DEVELOPING NATIONS


    New York, Dec 19 2006  5:00PM
    Marking United Nations Day for South-South Cooperation,
    Secretary-General Kofi Annan today called on developing countries to work together
    more to tackle some of their greatest common threats and challenges, from
    extreme poverty to HIV/AIDS.

    “Amid the perils and promise of globalization, South-South
    cooperation enables developing countries to share their experiences and successes
    with others,” Mr. Annan said in a
    <"http://www.un.org/News/Press/docs//2006/sgsm10808.doc.htm">message for
    the Day.

    He noted that expanding trade within the South and the emergence of
    multinational corporations from that region, generating jobs and wealth,
    is helping to increase the strength and scope of developing country
    partnerships. The faster-growing nations in the South are also serving as a
    key source of investment, remittances and development.

    Recent gatherings such as this year’s China-Africa Summit in Beijing
    and last year’s South America-Arab Summit have indicated, he said,
    “a strong commitment among developing countries to maintain and
    increase this momentum.”

    The Secretary-General added that “by itself, South-South cooperation
    may not be sufficient to attain the Millennium Development Goals
    (MDGs). But as one piece of a larger global partnership for development, it
    is already making valuable contributions. The international community
    must not only applaud this trend, it must make every effort to support
    strengthened ties between developing countries.”

    The MDGs are a set of time-bound targets for tackling a host of global
    ills, from extreme poverty to HIV/AIDS.

    In Bangkok, the UN held a gathering of representatives from agencies,
    Member States, civil society organizations and other groups to mark the
    Day, which was established in 2003 by the General Assembly.

    Kim Hak-Su, Executive Secretary of the UN Economic and Social
    Commission for Asia and the Pacific
    (<"http://www.unescap.org/unis/press/2006/dec/g60.asp">UNESCAP), told
    participants that the wide diversity between countries in the South offers
    individual nations the best opportunity to learn from each other and
    prosper.

    Yiping Zhou, Director of the UN Special Unit for South-South
    Cooperation, said he wished that there were more concrete mechanisms being
    developed to deliver results on the ground and to mobilize resources, whether
    financial, institutional or human, to help poor countries develop.

    Meanwhile, the UN representative for some of the world’s poorest
    countries has welcomed the signing of an agreement by 11 countries last
    Friday promoting security, stability and development in Africa’s Great
    Lakes region.

    Under the pact, a $2 billion fund will be established to finance
    humanitarian needs, rebuild conflict-affected areas, provide basic services,
    build infrastructure and promote democracy. Countries that are
    signatories are mandated to contribute to the new fund, which will be run by
    the African Development Bank.

    The 11 signatories are Angola, Burundi, the Central African Republic
    (CAR), the Democratic Republic of the Congo (DRC), Kenya, Republic of Congo, Rwanda, Sudan, Tanzania, Uganda and Zambia.

    Anwarul K. Chowdhury, UN High Representative for the Least Developed
    Countries, Landlocked Developing Countries and Small Island Developing
    States, welcomed the pact’s focus on such goals as eradicating poverty,
    fostering good governance and developing infrastructure.
    2006-12-19 00:00:00.000

     

    ONLINE FOOD AUCTION HELPS UN AGENCY PROVIDE MEALS TO WORLD’S HUNGRY
    New York, Dec 19 2006  6:00PM


    A global community of Internet users and culinary devotees has raised
    almost $31,000 in little more than a week to help the United Nations
    World Food Programme (WFP) provide meals to some of the hungriest and
    poorest people.

    Three years ago, Pim Techamuanvivit, a renowned United States blogger
    on restaurants, devised the “Menu for Hope” auction programme where
    foodies around the world can buy $10 tickets to bid on items ranging
    from complimentary meals at top restaurants to rare cookery books to
    baskets of unusual gastronomic items.

    All proceeds from the auction – which is located at
    http://chezpim.typepad.com – are being given to the
    <"http://www.wfp.org/english/?ModuleID=137&Key=2326">WFP.

    This year’s target of $25,000 has already been exceeded, with the
    total reaching $30,986.70 as of 4.15 pm New York time today. Menu for
    Hope, which began on 10 December, is scheduled to keep running through
    Friday. Last year the project raised $17,000 to help the UN Children’s
    Fund (<"http://www.unicef.org/index2.php">UNICEF).

    Ms. Techamuanvivit said one of the key reasons for the success this
    year has been that so many donors value the work of the WFP.

    “The opportunity to help the world’s hungry galvanizes this
    community of people who share a passion for food,” she said. “Here is a
    chance to make a difference, to share some of the privileges we enjoy –
    that’s why so many people have so generously and enthusiastically
    shown their support.”
    2006-12-19 00:00:00.000

     

     

    UN BIRD FLU EXPERTS ARRIVE IN SOUTH KOREA TO ASSESS RISK FOLLOWING
    OUTBREAKS IN POULTRY


    New York, Dec 19 2006  8:00PM
    A team of bird flu experts from a joint United Nations crisis centre
    set up to deal with the emergency arrived today in South Korea to assess
    regional risks and protective measures following three recent outbreaks
    of the disease among domestic poultry in rural areas south of the
    capital Seoul.

    A nine-person team from the Crisis Management Centre (CMC), an
    initiative between the UN Food and Agriculture Organization (FAO) and the
    Paris-based World Organization for Animal Health (OIE), will conduct a
    10-day mission collecting epidemiological data at the invitation of the
    Government, the agency said.

    “The… team includes international and Korean veterinary
    epidemiologists, wildlife veterinarians, biologists and poultry specialists who
    will pay particular attention to the relationships between poultry
    production, marketing and wildlife sectors to… better understand potential
    disease movement among chickens and risks to or from wild birds,” FAO
    said.

    “The team will be looking at any wild bird deaths on infected farms
    or adjacent wetlands, as well as collecting environmental samples that
    may lead to a better understanding of disease emergence in the area…
    Besides the wild bird angle, the CMC experts hope to investigate many
    other potential risk factors, such as the handling of sick and dead
    birds.”

    By the end of the mission, the first full-scale multidisciplinary
    deployment by the CMC since it was established in October, the team hopes to
    be able to provide answers to some of the questions surrounding the
    mechanisms of disease introduction and its spread.

    Although well over 200 million birds have died worldwide from either
    the H5N1 flu virus or preventive culling, there have so far been only 258
    human cases, 154 of them fatal, since the current outbreak started in
    South-East Asia in December 2003, and these have been ascribed to
    contact with infected birds.

    But experts fear the virus could mutate, gaining the ability to pass
    from person to person and, in a worst case scenario, unleash a deadly
    human pandemic. The so-called Spanish flu pandemic that broke out in 1918
    is estimated to have killed from 20 million to 40 million people by the
    time it had run its course two years later.

    FAO says winning the battle against the virus demands a long-term
    vision with more surveillance as well as stronger emphasis on hygiene and
    movement control throughout the animal production and marketing chain.
    2006-12-19 00:00:00.000 
     

     


    UN MUSTERS PARTNERS TO FIGHT HEALTH RISKS THREATENING MILLIONS IN EAST
    AFRICAN FLOODS


    New York, Dec 20 2006 11:00AM
    With increased risks of cholera, dysentery, measles and malaria
    threatening millions of people in Ethiopia, Kenya and Somalia due to severe
    drought followed by the worst floods in recent memory, the United Nations
    health agency has <"
    http://www.reliefweb.int/rw/RWB.NSF/db900SID/EKOI-6WN7ZH?OpenDocument">called
    for concerted action to ensure the continuation of vital services
    including vaccination programmes.

    “The health risks and the operational challenges are daunting and
    call for a commensurate mobilization of resources,” the UN World Health
    Organization (<"
    http://www.who.int/hac/crises/international/hoafrica/en/index.html">WHO)
    said in its latest update on the crisis, noting that it was mobilizing
    its own “surge capacity” to strengthen its presence at regional,
    country and field levels in line with evolving needs and the displacement
    of hundreds of thousands of people.

    “Preliminary estimates are that the health and life-saving aspects of
    the operation may demand from the Health Cluster [WHO and its partners]
    as much as $5 per beneficiary per month,” it added.

    The agency said that at this early stage, it was looking at an affected
    population of about 2 million as far as immediate and medium term
    threats are concerned, but severe food shortages caused by the prolonged
    drought throughout the region are affecting up to 8.5 million people.
    Outbreaks of diarrhoeal diseases have been reported in Ethiopia and Kenya
    amid a lack of clean drinking water and sanitation.

    The risks of outbreaks have been exacerbated by population displacement
    and gatherings in camps as well as by the interruption of programmes
    which are critical for global health such as polio eradication.

    “In this context, WHO, as the leader of the <"
    http://www.who.int/hac/network/interagency/healthcluster/en/index.html">Global
    Health Cluster, is calling on all concerned partners to harmonize their
    activities around three strategic objectives,” the agency said.

    It cited the need to counter the immediate risk of outbreaks of
    communicable diseases; prepare for all contingencies over the next six months
    in light of increased political tensions and social distress,
    population movements and new weather vagaries and epidemics; and strengthen
    public health programmes such as polio control so that they can operate in
    an increasingly difficult environment.

    Specific measures include monitoring priority health threats to ensure
    early warning and response; speedy coordination both nationally and
    across borders; identifying and filling gaps that can kill people or limit
    effective delivery of care such as equitable access to medicines,
    health workers, safe water and sanitation; and strengthening and integrating
    national capacities into the cluster approach.

    Citing “the common humanitarian goal of reducing avoidable death and
    suffering,” WHO pledged its technical and advocacy services to all.
    2006-12-20 00:00:00.000

     

     

    ANNAN HAILS JAPAN’S COMMITMENT TO UN, MARKING ITS 50TH ANNIVERSARY AS
    A MEMBER


    New York, Dec 19 2006  7:00PM
    Japan’s commitment to the UN has been demonstrated across a range of
    areas, from providing funding to advocating for multilateralism,
    Secretary-General Kofi Annan has said, marking the country’s 50th
    anniversary as a member of the world body.

    “Japan’s wide-ranging support for UN activities has substantially
    improved the Organization’s ability to address chronic challenges of
    social and economic development.  Its contributions in humanitarian
    relief are legendary, along with its longstanding efforts to promote global
    nuclear disarmament, its valiant efforts against global warming, and
    its strong and growing support for UN peacekeeping efforts,” Mr. Annan
    said in a
    <"http://www.un.org/News/Press/docs/2006/sgsm10806.doc.htm">message on the milestone delivered by Under-Secretary-General for
    Disarmament Affairs Nobuaki Tanaka in Tokyo on Monday.

    He said this support is about more than just funding. “Japan is
    recognized worldwide as a leading champion of multilateralism, democracy, as
    well as of conflict prevention and human rights.”

    Voicing his expectation that Japan will continue to play a major role
    in the future work of the UN, Mr. Annan observed: “A State does not
    need to possess nuclear weapons to achieve greatness in this world.”
    2006-12-19 00:00:00.000

     

     UN REFUGEE CHIEF TO VISIT CHAD WHERE VIOLENCE THREATENS VITAL RELIEF
    LIFE-LINE


    New York, Dec 19 2006 10:00AM
    The head of the United Nations refugee agency leaves tomorrow on a
    two-day mission to Chad to strengthen efforts to maintain a vital lifeline
    for 370,000 refugees and internally displaced persons
    (<"
    http://www.unhcr.org/protect/3b84c7e23.html">IDPs) that is increasingly
    threatened by violence spilling over the border from Sudan’s war-torn
    Darfur region.

    UN High Commissioner for Refugees (UNHCR) António Guterres is expected
    to meet with senior Chadian officials, including President Idriss Deby,
    to discuss the dire humanitarian situation facing some 232,000 Darfur
    refugees and 90,000 Chadian IDPs in remote eastern Chad, as well as
    48,000 Central African Republic (CAR) refugees in the south.

    “The volatile and deteriorating security situation, which has led to
    UNHCR working on a skeleton staff basis in six of the 12 refugee camps
    in the east since late November, is of critical concern to the High
    Commissioner,” UNHCR spokesman William Spindler <"
    http://www.unhcr.org/news/NEWS/4587c4d44.html">told a news briefing in
    Geneva today, noting that Mr. Guterres will travel to eastern Chad to
    meet with Darfur refugees and Chadian IDPs.

    “During his mission, he will be stressing the fragility of the vital
    humanitarian lifeline in eastern Chad and seeking ways to strengthen it
    and protect the hundreds of thousands of victims of violence in the
    region,” he added, calling the situation, which has forced UNHCR and
    other aid organizations to withdraw staff from several camps, one of the
    world’s most difficult and urgent humanitarian crises.

    Over the past three years, UNHCR has established a dozen remote refugee
    camps for hundreds of thousands of Darfurians scattered along a
    600-kilometre stretch of eastern Chad near the border with Sudan. In the last
    12 months, 90,000 Chadians have themselves been displaced by marauding
    groups of armed men on camels and horseback whose tactics mirror those
    of the notorious Janjaweed across the border in Darfur.

    Just last Friday and Saturday, in the latest deadly episode of
    inter-ethnic fighting that has been increasing in intensity since November,
    attacks on villages in the Koukou Angarana area in south-eastern Chad
    close to Goz Amer refugee camp killed 30 people, including local villagers,
    refugees and IDPs. Another 30 people were wounded.

    Government forces countered the attack in heavy fighting around the
    village of Habile, which is also the site of a makeshift camp for IDPs,
    and 22 villagers and IDPs were killed and 93 homes burned. Some 50
    humanitarian workers in the area have been temporarily located until the
    situation calms down. More than 70 villages have been attacked, burned or
    emptied since early November. In late November, UNHCR lost more than $1
    million in aid supplies looted from its main warehouse in Abeche
    following clashes there.
    2006-12-19 00:00:00.000

     

    UN APPEALS FOR $98 MILLION TO FUND AGRICULTURE, GOOD GOVERNANCE IN
    POST-ELECTION HAITI


    New York, Dec 18 2006  4:00PM
    The United Nations today appealed for $98 million to help Haiti, the
    poorest country in the Western hemisphere, with basic services, political
    governance and economic recovery, as the Government works to bring
    stability following this year’s elections.

    The appeal, launched in Geneva with Jean Max Bellerive, Haiti’s
    Minister of Planning and External Cooperation, will also help authorities
    better cope with natural disasters, such as hurricanes and the flooding
    that hit last month and caused severe damage to agriculture.

    The appeal aims to reinforce the Government’s capacity to meet needs
    for humanitarian and development assistance and to improve governance,
    the UN said in a press release.

    “The appeal also aims to reduce vulnerability among the population
    and to ensure that authorities are better prepared in the event of
    natural disasters,” said Joel Boutroue, Deputy Special Representative of
    the Secretary General for the UN Stabilization Mission for Haiti
    (MINUSTAH).

    As well as being the poorest country in the Western hemisphere, Haiti
    – with a population of 8.4 million – ranks 153 out of 177 countries
    worldwide according to the UN Development Programme’s
    (<"http://content.undp.org/go/newsroom/">UNDP) social indicators. More
    than half of all Haitians live below the extreme poverty line of $1 per
    day, while nearly three quarters – more than 6.2 million people –
    live below the poverty line of $2 per day.

    Male life expectancy is only 52 years, and maternal mortality rates are
    among the highest in the world. Haiti also has the highest HIV/AIDS
    prevalence rates in the area: 4 to 5 per cent of the population is
    infected with HIV.

    The projects in the appeal focus on political governance, economic
    recovery and access to basic services. The largest appealing organization
    is the UNDP, followed by the World Food Programme
    (<"http://www.wfp.org/english/?n=31">WFP), World Health Organization/Pan
    American Health Organisation (<"http://www.paho.org/">WHO/PAHO), and the
    Food and Agriculture Organization (FAO).

    In a separate press release, the <"http://www.fao.org/">FAO said its
    share of the overall appeal – amounting to around $14 million – would
    allow the agency to continue its work in improving agriculture and
    disaster management.

    “Our activities will continue in five major areas: distribution of
    seeds, tools and fertilizers; vegetable production in urban areas; animal
    vaccination; rehabilitation of small infrastructure such as water
    tanks, irrigation systems, and weirs; riverbank protection; and disaster
    management and mitigation, including soil protection and seed stocks,”
    said FAO expert Fernanda Guerrieri.
    2006-12-18 00:00:00.000

     

     

    GEORGIA: UN OFFICIAL PRAISES NEW STRATEGY TO HELP INTERNALLY DISPLACED
    PERSONS


    New York, Dec 18 2006  4:00PM
    A senior United Nations envoy for the rights of internally displaced
    persons (IDPs) today praised Georgia’s new draft strategy for dealing
    with the problem, especially the right to return and to local
    integration, but stressed the need to see that the provisions are carried out.

    “The challenge is to turn words on paper into reality in order to end
    the continuing suffering of the displaced in Georgia,”
    Secretary-General Kofi Annan’s Representative on the human rights of internally
    displaced persons Walter Kälin
    <"http://www.unhchr.ch/huricane/huricane.nsf/view01/211556015676472CC125724800593B74?opendocument">said
    following a visit to the country.

    Hundreds of thousands of people were displaced during separatist wars
    in the Abkhazia and South Ossetia regions during 1990 and Mr. Kälin
    recalled how he had been shocked by the miserable living conditions of
    many IDPs during a visit he made last year.

    “Allowing and assisting internally displaced persons to integrate
    into society and live normal lives in dignity, and respecting their right
    to return to their homes and communities, are not mutually
    exclusive,” he had said at the time. “Rather, the two principles reinforce each
    other.”

    In today’s statement, he commended the draft’s reaffirmation of
    human rights and called on the Government and Parliament to finalize its
    adoption without delay.

    “One of the main strengths of the strategy is that it has been
    developed through a broad-based consultative process which brought together
    relevant State agencies, IDP associations and civil society, as well as
    the international community,” he said. “The participation of
    displaced persons from the outset is likely to render policy responses more
    effective.”
    2006-12-18 00:00:00.000

     

    UN PROBE INTO MURDER OF FORMER LEBANESE LEADER NEARS SENSITIVE STAGE
    – INQUIRY CHIEF


    New York, Dec 18 2006  5:00PM
    The head of the United Nations probe into last year’s assassination
    of former Lebanese Prime Minister Rafik Hariri told the Security Council
    that his investigation into the deadly explosion and 14 other bombings
    is “approaching a sensitive and complicated phase.”

    Briefing the Council as he delivered his latest progress
    <"http://www.un.org/Docs/journal/asp/ws.asp?m=s/2006/962">report on the
    work of the International Independent Investigation Commission (IIIC),
    Serge Brammertz said the process of interviewing witnesses in such a
    politically charged inquiry required extreme delicacy.

    “The Commission’s work can only be undertaken with confidentiality
    in order to create a secure environment for its witnesses and staff,”
    he said in his report.

    The Security Council set up the IIIC in April 2005 after an earlier UN
    mission found Lebanon’s own investigation was seriously flawed and
    that Syria was primarily responsible for the political tensions that
    preceded the assassination. Its mandate runs until June next year.

    Mr. Brammertz said the IIIC needs to conduct another 50 interviews and
    gather more evidence that would be admissible before a tribunal. Last
    month the Council gave its support to the establishment of a “tribunal
    of an international character” to try those alleged responsible for
    the killing.

    Analysis of the explosion that killed Mr. Hariri indicates that as much
    as 1,800 kilograms of TNT or its equivalent was detonated in an
    improvised explosive device (IED) from inside a Mitsubishi van close to the
    convoy transporting the man through Beirut.

    The Commissioner stressed that inquiries continue to show
    “significant links” between the Hariri bombing and 14 other explosions or
    assassinations that have taken place since October 2004 in Lebanon.

    He promised to keep investigating the murder of Pierre Gemayel,
    Lebanon’s Industry Minister, who died on 21 November after being shot in his
    car while travelling through Beirut.

    Mr. Brammertz said it was critical that the IIIC had access to those
    political actors with whom Mr. Hariri had direct contact with in the
    months before he was killed, and to those “individuals involved in the
    relevant political dynamics in Lebanon, the broader region and
    internationally.”

    To achieve that goal, States must be cooperative to any requests from
    the Commission, particularly given the potential for ongoing violence in
    Lebanon.

    In his previous report, issued in September, Mr. Brammertz said
    evidence suggested that a young, male suicide bomber, probably non-Lebanese,
    detonated up to 1,800 kilograms of explosives inside a van to
    assassinate Mr. Hariri in Beirut in February 2005.

    DNA analysis conducted on human remains found at the crime scene
    “produced crucial results,” Mr. Brammertz said, about a man whom
    investigators believe carried out the bombing.

    The report in September said a tooth found at the scene, and linked to
    more than 30 other pieces of human remains from an unknown individual,
    has been identified as belonging to a man in his early 20s. The tooth
    has a distinguishing mark on its surface, which investigators have
    concluded is rarely seen among the Lebanese.

    The latest report says the Commission has also received “other
    information concerning geographical origin, which it is unable to disclose at
    this time” and adds that the forensic process will continue.
    2006-12-18 00:00:00.000

     

     ANNAN SENDS UN ENVOY TO SUDANESE CAPITAL TO CLARIFY DETAILS OF DARFUR
    AGREEMENTS


    New York, Dec 18 2006  6:00PM
    Secretary-General Kofi Annan is dispatching a senior envoy to Khartoum
    for talks with Sudanese President Omar el-Bashir about the details of
    recent agreements on ending the widespread killing and displacement in
    the war-torn Darfur region, including the role of the United Nations, a
    spokesman for the world body announced today.

    Ahmedou Ould-Abdallah, currently the Secretary-General’s Special
    Representative for West Africa, will start his diplomatic mission in the
    Sudanese capital on Wednesday, Stephane Dujarric told reporters in New York.

    He added the decision to send a UN envoy to deliver a message to Mr.
    el-Bashir followed a weekend telephone conversation between the
    Secretary-General and the Sudanese leader.

    The two men will clarify details of the deal reached at last month’s
    High-Level meeting on Darfur, held in Addis Ababa, Ethiopia, where the
    UN, the AU and Sudan agreed that the UN would provide extra support to
    the current AU peacekeeping mission – known as AMIS – as part of a
    three-phase process culminating in AMIS becoming a hybrid UN-AU
    mission.

    The hybrid force is expected to have about 17,000 troops and 3,000
    police officers, compared to the current AMIS strength of around 7,000.

    Mr. Ould-Abdallah and Mr. el-Bashir will also discuss the outcome of a
    subsequent AU Peace and Security Council meeting in Abuja, Nigeria,
    which endorsed the conclusions reached in Addis Ababa.

    Under the first phase of enhanced UN support, the UN is giving AMIS a
    $21 million “light support package,” which includes the provision of
    some equipment as well as 105 military advisers, 33 police officers and
    48 civilian staff from the UN Mission in Sudan (UNMIS) – a separate
    peacekeeping operation mandated to oversee a peace pact that ended the
    21-year war in the country’s south.

    Mr. Annan and the Security Council’s five permanent members –
    China, France, Russia, the United Kingdom and the United States – will
    hold their own meeting on Darfur later today. Secretary-General designate
    Ban Ki-moon is also expected to attend.

    More than 200,000 people have been killed across Darfur since 2003 and
    at least 2 million others displaced from their homes because of
    fighting between Government forces, allied militias and rebel groups seeking
    greater autonomy.

    Some 4 million people now depend on the UN or non-governmental
    organizations (NGOs) for humanitarian aid, and the security situation across
    the vast and impoverished region on Sudan’s western flank continues to
    deteriorate.
    2006-12-18 00:00:00.000 

     

     

    UN DETAILS HOW INDIAN OCEAN TSUNAMI TRUST FUND MONEY HAS BEEN ALLOCATED


    New York, Dec 18 2006  6:00PM
    Nearly all of the money deposited into a United Nations trust fund to
    help with the recovery after the Indian Ocean tsunami in 2004 has been
    distributed, according to a report released today by the UN humanitarian
    branch.

    The report from the Office for the Coordination of Humanitarian Affairs
    (<"http://ochaonline.un.org/webpage.asp?Page=873&Lang=en">OCHA) found
    that the Tsunami Trust Fund – set up to manage contributions set aside
    for recovery and reconstruction operations – received almost $75
    million through the 2005-06 financial year.

    More than $72 million of those funds have been allocated to 67 projects
    involving 14 separate UN agencies, programmes or departments in seven
    countries, UN spokesman Stephane Dujarric told reporters.

    The Fund, which is under the supervision of the UN Controller, received
    contributions from at least 60 public and private donors.

    More than 230,000 people were killed across the Indian Ocean region
    when the tsunami struck on 26 December 2004 in the hours after a massive
    earthquake off the Indonesian coast.
    2006-12-18 00:00:00.000

     

     


    UN LAUNCHES NEW STANDARDS FOR DISARMING, DEMOBILIZING AND REINTEGRATING
    EX-FIGHTERS


    New York, Dec 18 2006 12:00PM
    With decades of experience in disarming, demobilizing and reintegrating
    (DDR) ex-combatants, including some 400,000 over the past five years
    alone, the United Nations today launched a new set of standards aimed at
    improving the process, which is considered essential to restoring
    stability to war-ravaged countries.

    “We’re very proud of the work we’ve done so far in places like
    Sierra Leone and Afghanistan, where more than 134,000 combatants laid
    down their arms with the UN’s help, but we acknowledge that we can do
    better,” said UN Deputy Secretary-General Mark Malloch Brown.

    “That is why these standards are so important; they will allow us to
    ensure that all phases of the process -- from disarmament to
    demobilization to reintegration of former combatants back into society – are
    carried out smoothly, with due attention to the special concerns of
    different groups and situations,” Mr. Malloch Brown said.

    Many aspects of the new Integrated Disarmament, Demobilization and
    Reintegration Standards (IDDRS) are “field-tested,” having been drawn
    from the best practices of various UN agencies and missions currently
    working in peacekeeping.

    The UN has been involved in supporting DDR programmes since the late
    1980s. In the past five years alone, DDR has been included in the
    mandates for multidimensional peacekeeping operations in Burundi, Côte
    d’Ivoire, the Democratic Republic of the Congo, Haiti, Liberia and Sudan.
    Simultaneously, the UN has increased its DDR engagement in
    non-peacekeeping contexts, such as Afghanistan, the Central African Republic, the
    Republic of Congo, Indonesia (Aceh), Niger, Somalia, the Solomon Islands
    and Uganda.

    This extensive experience has fostered a body of knowledge about the
    specific needs of key groups, including female combatants, children
    associated with armed conflict, and cross-cutting issues like gender,
    HIV/AIDS, and health. In parallel, attention has increasingly been paid to
    the longer-term requirements for stability, based on a growing awareness
    of the link between successful disarmament and demobilization and
    genuine and lasting opportunities for ex-combatants to reintegrate into
    their peacetime communities.

    The new Integrated DDR Standards acknowledge the difficulty of
    transforming individuals who have been scarred by conflict, in some cases for
    years or even decades, into productive members of their societies. In
    order to ease the transition, the Standards call for measures to provide
    psycho-social counseling, job training, educational opportunities and
    mechanisms to promote reconciliation in the communities where they
    return.

    Jointly developed over the past two years by staff members from
    peacekeeping missions, UN country teams and Headquarters, the Standards are
    being launched together with three accompanying tools that will ensure
    their widespread application.
    <ul><li>
    The Operational Guide aims to help users find their way through the
    IDDRS by briefly explaining the key guidance in each area, highlighting
    practical steps for the planning, implementation and evaluation of DDR
    programmes.</li>
    <li>The Briefing Note for Senior Managers contains key strategic and
    policy guidance.</li>
    <li>The web-based DDR Resource Centre
    (<"http://www.unddr.org">www.unddr.org) includes all of these documents, and serves as the UN’s
    ‘one-stop shop’ for all related information. </li></ul>

    “We’ve learned that while different combatants in various contexts
    may have similar concerns and needs, there are also many specific
    factors that must be taken into account,” explained Jean-Marie Guéhenno,
    Under-Secretary-General for
    <"http://www.un.org/Depts/dpko/dpko">Peacekeeping Operations. “A child soldier must be reunited with his family,
    while a person living with HIV/AIDS will have particular health
    concerns that require attention.” 

    “By refining our approach to DDR,” he continued, “We can better
    help each ex-combatant to ultimately reintegrate into society, so that
    they can go from being a cause of insecurity to a force for growing
    stability in countries urgently in need of committed people who can
    contribute to the rebuilding process.”

    Also participating in the launch was Kathleen Cravero, Assistant
    Administrator of the UN Development Programme (<"http://www.undp.org">UNDP),
    who said that a common approach to DDR in the UN system is a basic
    requirement for cooperation with its international and local partners.

    “Whether in Afghanistan or Haiti or Sudan, we must operate based on a
    coherent set of principles. This new set of standards is a system-wide
    accumulation of our DDR knowledge and experience. It is a concrete
    example of how the UN can deliver as one,” she said.

    The launch was simultaneously held in New York and Geneva. In both
    locations the launch of the IDDRS was followed by a panel discussion,
    including statements by representatives of Sierra Leone and Sweden on
    national or international initiatives on DDR.
    2006-12-18 00:00:00.000

     

    UN FORUM ON PALESTINIAN RIGHTS ADOPTS DECLARATION URGING NEW SYSTEM TO
    PROTECT CIVILIANS


    New York, Dec 17 2006  7:00PM
    A United Nations forum on Palestinian rights meeting in Malaysia has
    adopted a Declaration decrying recent deaths in the Middle East and
    calling for a new system to protect civilians there.

    Convened under the auspices of the UN Committee on the Exercise of the
    Inalienable Rights of the Palestinian People, the meeting adopted the
    Kuala Lumpur Declaration, which urged the UN to establish in cooperation
    with the parties a general mechanism for the protection of civilians on
    the ground.

    It also called upon the international community, including the members
    of the Quartet -- made up of the UN, United States, Russia and the
    European Union -- to establish a credible and effective third-party
    monitoring mechanism. 

    Welcoming the ceasefire in the Gaza Strip, the Declaration said it
    should be extended to the West Bank and supported by tangible political
    steps that would allow the parties to engage in a meaningful political
    dialogue. 

    The participants emphasized that the root cause of the conflict is the
    continuing occupation of the Palestinian territory and said this
    long-standing conflict would have no final settlement without the achievement
    by the Palestinian people of their inalienable rights, including the
    right to return. 

    The Declaration voiced concern at the escalation in recent months of
    Israeli military attacks in the Gaza Strip, "particularly the tragic
    events that had taken place in the town of Beit Hanoun" where 19 people
    were killed. The participants denounced the use of excessive and
    indiscriminate force, extrajudicial killings, and the vast destruction of homes,
    civilian infrastructure and agricultural lands. 

    "They reminded Israel, the occupying Power, that it has to respect its
    obligations under international humanitarian law.  They also called for
    the cessation of rocket attacks on Israel carried out by Palestinian
    groups from the Gaza Strip.  These actions put civilians in se
    danger and only aggravate an already grave security situation," the
    Declaration stated. 

    Condemning "the continuing construction of the wall in the Occupied
    Palestinian Territory, including in and around East Jerusalem, in
    contravention of the Advisory Opinion of the International Court of Justice"
    (ICJ), they welcomed the General Assembly's recent establishment of a
    Register of Damage on the issue.  Israel claims the barrier is necessary
    to keep out terrorists.

    The participants expressed frustration at the deepening economic,
    social and humanitarian crisis and isolation of the Gaza Strip and
    criticized Israel for withholding of tax revenues due to the Palestinian
    Authority.

    Israel stopped handing over tax and customs revenues it collects on
    behalf of the PA, and international donors suspended direct aid, calling
    on Hamas to commit to non-violence, recognize Israel and accept
    previously signed agreements between Israel and the Palestinians.  The
    Declaration urged Israel to lift restrictions on "the freedom of movement and
    other measures stifling the economic and social life of the
    Palestinians, and to resume the transfer of collected Palestinian tax revenues to
    the Palestinian Authority in keeping with signed agreements."

    The Declaration urged donors to give generously to the recently
    launched emergency appeal by 12 UN agencies and 14 non-governmental
    organizations (NGOs) aimed at addressing a rapidly worsening humanitarian
    situation. They expressed appreciation to countries which had been generous
    providers of assistance to the Palestinian people. 

    The participants strongly supported continuing efforts of Palestinian
    Authority President Mahmoud Abbas aimed at forming a Government of
    National Unity "that is capable of achieving maximum support of the
    Palestinian people and capable of fulfilling its responsibilities vis-à-vis
    the international community."

    The Kuala Lumpur Declaration was adopted Saturday by representatives of
    governments, Palestine, intergovernmental organizations, UN entities,
    parliament
    experts.

    On Sunday, the Committee convened the UN Forum of Civil Society in
    Support of the Palestinian People to examine initiatives by civil society
    in Asia and the Pacific in solidarity with the Palestinian people.
    Participants discussed legislative and political advocacy; efforts by NGOs,
    religious groups and the media aimed at  mobilizing public opinion in
    support of the Palestinian people, and the role of academic institutions
    and think tanks in this effort.

    2006-12-17 00:00:00.000

    ACTORS, OLYMPIANS TELL ANNAN THE FIGHT TO END DARFUR KILLINGS HAS
    REACHED CRITICAL STAGE


    New York, Dec 15 2006  9:00PM
    The battle to end the mass killings and displacement in Sudan’s
    Darfur region is nearing “a watershed moment” that will determine
    whether the international community will take decisive action or stand by and
    witness a repeat of the Rwandan genocide in 1994, the actor Don Cheadle
    said today.

    Mr. Cheadle, the actor and director George Clooney, the Kenyan
    long-distance runner Tegla Loroupe and the American speed-skater Joey Cheek met
    Secretary-General Kofi Annan today after returning from a visit to
    Beijing and Cairo, where they held talks with senior Chinese and Egyptian
    Government officials to discuss the continuing tragedy in Darfur.

    The actors and Olympic athletes said they discussed with Mr. Annan how
    they could work in the months ahead to spotlight the need for action in
    Darfur, where more than 200,000 people have been killed and 2 million
    others forced to flee their homes since 2003, while avoiding obstructing
    any potential diplomatic efforts to end the conflict.

    Fighting continues to rage in Darfur between Government forces, allied
    militias and rebel groups, despite a peace deal in May that was signed
    by the Government and some of the rebels. UN officials have said they
    fear the crisis might now spill over into neighbouring Chad and the
    Central African Republic (CAR).

    The existing African Union (AU) peacekeeping force, known as AMIS,
    remains under-staffed and under-funded, and last month the Sudanese
    Government agreed with the UN and the AU for a three-phase reform culminating
    in an eventual hybrid UN-AU force taking over peacekeeping duties. But
    Khartoum has said repeatedly that it is opposed to blue helmets
    operating in Darfur.

    In a joint interview with the UN News Centre, Mr. Cheadle, Ms. Loroupe
    and Mr. Cheek said they hoped they could use their celebrity status not
    so much to influence the leaders of Security Council members and other
    individual nations, but to maintain the public pressure and ensure the
    media stays focused on Darfur.

    Mr. Cheadle, who was nominated for an Academy award for his performance
    in the film <i>Hotel Rwanda</i>, said the battle to protect Darfur’s
    civilians had reached a crucial stage, with the number of attacks on
    humanitarian workers and AMIS staff members rising sharply in recent
    months.

    “In Rwanda there wasn’t anything done until there were bodies
    clogging up the rivers and the streets. That’s when the world decided it
    could no longer be ignored… By then, of course, it was too late,” he
    said.

    Ms. Loroupe called on the AU and African governments to become much
    more aggressive in protecting civilians, and “to see that this is taking
    place in their house. Darfur is in their house and they have to clean
    their house.”

    Mr. Cheek said that in their visit to Beijing, they stressed to Chinese
    officials that the world would be watching their actions extremely
    closely in the lead-up to the 2008 Summer Olympics, which will be held in
    the Chinese capital.

    “I hope that Arab States and the likes of China and maybe even Russia
    will see that this is something in which we must all get involved to
    stop the crisis, and not see it as a Western ulterior motive,” he
    added.
    2006-12-15 00:00:00.000

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    Postcards from the Northern Tour: Yellowknife

    January 12, 2007
    Touchdown in Yellowknife. It was a short stay in the Northwest Territories, but the VANOC team members made good use of their time, connecting with many local business, sport and youth audiences.

    John Furlong gave a talk over breakfast at the Yellowknife Chamber of Commerce. Many Yellowknifers were keen to hear how they can give their input to VANOC organizers to get involved in Canada’s Games.

    Yellowknife residents are working hard to stage successful games of their own: they are hosting the Arctic Games in 2008 – an event that combines friendly competition and the sharing of cultural values involving participants from circumpolar regions around the world. John emphasized how the Arctic Games, like the Olympic and Paralympic Winter Games, are a celebration of winter, with similar goals and values:

     

    • To stage excellent athletic competitions and cultural celebrations
    • To enhance our communities.
    • To welcome athletes, volunteers, coaches, dignitaries and media from around Canada and the world.
    • To demonstrate the values of fair play, respect and teamwork.
    Meanwhile, VANOC’s Donna Wilson and Lara Mussell-Savage paid a visit to Sir John Franklin High School. Schoolmates from St. Patrick’s were also in attendance as Donna and Lara spoke to about 50 grade 10, 11 and 12 students. It was a great success. All of the students were athletes and enthusiastically held an Olympic Games torch. The students were particularly fired up over Lara’s motivational story about her sport dreams and to represent Canada in competition.

    The team boarded the plane to Kulgluktuk Thursday morning right after these two events. It was a brief visit, but the team was very pleased with the relationships they started in Yellowknife, and excited to see what Kugluktuk, Nunavut has to offer.

    Stay tuned for the last update for the Northern Canada Tour.

     

    Vancouver 2010 response to the BC Place Stadium roof deflation investigation

    January 12, 2007
    The Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games (VANOC) issued the following response to the results of the BC Place Stadium roof deflation investigation issued today.

    “Over the past week BC Place Stadium’s management team and engineers have undertaken a quick and professional response to the roof tear and subsequent deflation and provided the VANOC team with daily updates.

    “Our overall venue management program includes broadly assessing each of our venues to ensure they are ready and safe and that measures are in place to address any possibilities. We will continue to work with the Stadium’s management team as it develops enhanced measures to host great events including the ceremonies for the 2010 Winter Games.”
    -- Terry Wright VANOC, Executive Vice President Service Operations and Ceremonies


     

     

    Vancouver 2010 adds seven companies to its licensee program

    January 12, 2007
    2007 kicks off with further support from Canadian companies

     

    The Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games (VANOC) is pleased to welcome seven more Canadian companies to its Official Licensing Program under the ‘Novelty Gift’ and ‘Collectibles’ (Hard Goods) categories. The licensees, including four BC-based companies and three others located in Calgary, Montreal, and London, Ontario will develop and sell products bearing Vancouver 2010 emblems and the Olympic and Paralympic brands.

    The licensees include:


     

    • Cajo Designs (Fashion Accessories), Vancouver, BC
    • Executive Promotion (Novelty Products and Collectibles), Montreal, QC
    • Mustang Drinkware (Glassware and Drinkables), London, ON
    • Panabo Sales (Gifts and Collectibles), North Vancouver, BC
    • RC Products (Ski and Snowboard Accessories and Pet Accessories), Vancouver, BC
    • Sundog Distributing Inc. (Non-Prescription Sunglasses), Calgary, AB
    • Vancouver Umbrella (Umbrellas), Vancouver, BC
    “We are pleased to begin 2007 with another wave of support as we add seven Canadian companies from four provinces to join our growing list of VANOC licensees. Their souvenir and collectible products will complement the strong merchandising program started by our Premier National Partner, Hbc,” said Dave Cobb, VANOC executive vice president of revenue, marketing and communications. “Representing businesses both large and small, these new licensees reflect Canada’s spirit of entrepreneurship and show how businesses country wide can continue to get involved in the Games.”


     

    The sale of Vancouver 2010 official licensed products contributes directly to Games revenues, thereby supporting the financing and staging of the 2010 Winter Games. Recently licensed merchandise including apparel becomes widely available at Hbc and retail outlets across Canada this month. A wide array of novelty gifts and collectibles are expected to be in stores by March, 2007. These items include everything from luggage tags, lanyards, glassware and ski/snowboard accessories to keychains, flashlights and sunglasses.


     

    VANOC is responsible for the planning, organizing, financing and staging of the XXI Olympic Winter Games and the X Paralympic Winter Games in 2010. The 2010 Olympic Winter Games will be staged in Vancouver and Whistler from February 12 to 28, 2010. Vancouver and Whistler will host the Paralympic Winter Games from March 12 to 21, 2010.


     

    Souvenir and Collectibles Licensees
    Cajo Designs
    Cajo Designs is a 100 per cent Canadian owned, company based in Vancouver, British Columbia. For more than five years, Joe Freeburn and Carl Oster have been designing, producing and marketing a wide variety of small fashion accessories that are available in stores throughout North America, Europe and Japan. Keeping one step ahead of rapidly changing fashion trends is what Cajo Designs is all about. They bring these trends to the market in the form of cosmetic bags, handbags, beach bags, eye masks, passport holders and luggage tags. Cajo’s focus is on fun, trend and gift items that customers love to give and receive.


     

    Executive Promotions
    Founded in 1987 in Montreal, Executive Promotions has consistently been a leading supplier of promotional products in North America. With clients ranging from small retail stores to multinational corporations; Executive Promotions' core strength continues to be its ability to source unique products targeted to the specific promotional marketing needs of their clients. In 1992, Executive Promotions expanded into the exciting field of sports licensing by adding a division, known as "Licensed to Play (LTP)”. Executive Promotions’ current licenses in the novelty and hard goods category include most of the major league sporting properties and a number of other event specific rights. Executive Promotions’ LTP team has a strong reputation in the licensed products industry for offering superior quality "Made in Canada" products as well as innovative overseas production options. Executive Promotions is known within the sports licensing industry for creating exciting and high quality products for retailers, sponsors and consumers alike.


     

    Mustang Drinkware
    Mustang Drinkware Inc. is a premier designer and manufacturer of licensed beverage-related products that include ceramic mugs, travel mugs, glassware, reusable water bottles and beverage insulators. Based in London, Ontario, Mustang Drinkware has a strong presence in the Canadian retail market in these categories and prides itself on creating high quality unique items that appeal to consumers.


     

    Panabo Sales Ltd.
    Panabo Sales, a North Shore family owned company, previously obtained a license with VANOC under the ‘Apparel’ category (scarves and ties). Panabo proudly serves the local and international gift and souvenir markets with quality Canadian-made goods. Staying true to its original vision of producing items that represent this diverse country, Panabo’s items are created with design integrity, quality of craftsmanship and incorporate a wide range of North American iconography. With its comprehensive range of products including 3-dimensional collectibles, Panabo sets industry standards for design, quality, distribution and customer service.


     

    RC Products
    RC Products is a 100 per cent Canadian owned manufacturer and distributor of ski and snowboard accessories, pet products, and promotional items. RC began making power straps for ski boots in 1987 in Whistler, BC. It has since grown to be a leader in snowsports accessories and pet products and is now based in Vancouver, BC. RC Products are sold around the world in countries such as Canada, the United States, Australia, Japan and Germany. The demand for RC’s innovative products is supported by the ability to produce products both in its facility in Vancouver and several factories located overseas. Known for its high quality, innovative and functional products, RC strives to offer better products at fair prices every day.


     

    Sundog Distributing Inc.
    Sundog Distributing Inc., based in Calgary, was founded in 1982 with the goal of building a successful company selling fashionable, innovative, and quality sunglasses of uncompromising value. The company is a leading supplier of eyewear in Canada. Peeks Eyewear, ProSight Safety Eyewear, and Sundog Eyewear are three brands that Sundog Distributing Inc. sells to the convenience, safety, sporting goods, optical, and corporate promotional market channels. Sundog Distributing Inc. has a network of over 6,000 Canadian retailers selling one of their brands, and the company is also one component of a worldwide distribution group that sells the Sundog Eyewear brand in more than 45 countries.


     

    Vancouver Umbrella
    Located on the wet West Coast, Vancouver Umbrella has been protecting Canadians from the rain for more than 70 years. A family-owned and operated business since 1932, Vancouver Umbrella manufactures a wide selection of products, from professional long umbrellas to collapsible minis, for more than 500 retailers across Canada. Vancouver Umbrella also produces an assortment of promotional umbrellas for the corporate sector

    Cadence Innovation Honored by General Motors at North American International Auto Show

    Cadence Innovation was honored by General Motors for overall excellence in supporting GM's product efforts during ceremonies Thursday, Jan. 11, at the North American International Auto Show in Detroit, Mich.

    "GM strives to build the best cars and trucks in the world, and the leadership and employees of Cadence Innovation represent what it takes to make GM's products successful," said Bo Andersson, GM Vice President, Global Purchasing and Supply Chain. "We honor these companies at the North American International Auto Show to remind the industry and the public of the critical role our suppliers play in developing GM vehicles globally."

    "Our design & engineering capabilities combined with our track record of flawless launches, clearly gives General Motors the confidence that we can deliver the kind of world-class product that they demand. We look forward to making our contribution and appreciate the role we play in assisting GM achieve these new quality and reliability benchmarks," said Jerry L. Mosingo, President and Chief Executive Officer. "We are honored by the recognition from General Motors. Our commitment is to continue to earn their confidence by providing state-of-the-art products on time and to exceed their expectations in everything we do for them," said Mosingo.

    This is the sixth year GM has honored suppliers at the North American International Auto Show. The supplier awards recognize a supplier's performance in quality, cost and delivery, as well as contributions to production and concept vehicles GM unveils at the NAIAS.

    Cadence Innovation is a $650 million automotive supplier offering design, engineering, manufacturing, and assembly/sequencing solutions for interior and exterior components, systems and modules in four areas - instrument panels, interior trim and cockpits, painted exteriors (including modules), doors/door modules and cargo management systems. The company has over 4,200 employees at 17 facilities in the United States, Hungary and the Czech Republic and supplies its products to automotive manufacturers around the world.

     

    Innovative Design Showcased at 2007 North American International Auto Show

    Design was a major focal point again this year at the 2007 North American International Auto Show (NAIAS). Several design-focused events were featured including EyesOn Design Awards, AutoWeek Design Forum, the Michelin Challenge Design and the "My Other Car Is ... " student project, as well as exclusive innovative exhibits and many exciting production and concept vehicles.

    "Design continues to be an essential element driving our exhibitors who, once again are featuring elaborate displays showcasing jaw-dropping production and concept vehicles," said Robert Thibodeau, Jr., senior co-chairman for the NAIAS 2007. "Each and every year, we see the best in innovation and design that will drive our automotive industry in the future."

    In its second year, the EyesOn Design Awards are quickly becoming a highly anticipated event at the NAIAS. Presented by the Detroit Institute of Ophthalmology, the EyesOn Design Awards feature the presentation of international design awards to honor and recognize the most significant automotive designs on display at NAIAS. The categories and award winner's included; Concept Implementation - Cadillac CTS; Aesthetics and Innovation - Chrysler Nassau; Spirit of Industrial Design - Jeep Trailhawk; and Functionality - Kia Kue.

    In addition, the AutoWeek Design Forum, in its 14th year, examined and celebrated design as the ultimate differentiating factor. Featured speakers included Robert Boniface, director of design, Advanced Design, General Motors; Moray Callum, design director, North America Car, Ford Motor Company; and Ralph V. Gilles, vice president - Jeep(R)/Truck and Component Design, Chrysler Group.

    "It's exciting to have so many unique design events associated with the NAIAS," said Carl Galeana, co-chairman for the NAIAS 2007. "A lot of creativity and hard work goes into designing the vehicles on display, so the NAIAS is proud to have the opportunity to help honor the work of these designers."

    The Michelin Challenge Design was created to celebrate, promote, publicize and give visibility to creative thinking and innovation in vehicle design. Candidates of this annual international design competition were presented with the challenge of illustrating outstanding automotive design and safe interaction for a variety of roadway users.

    Lastly, transportation design students from Detroit's College for Creative Studies (CCS) and engineering students from the University of Michigan (U-M) were put to task with the "My other car is ... " assignment during the 18th annual American Iron and Steel Institute (AISI) summer design internship. Students from CCS and U-M produced exhilarating concept vehicles that targeted Generation X, Baby Boomers and the Millennial generation. The models of these "other car" concepts are displayed at NAIAS 2007.

    100th Anniversary

    In 2007, the Detroit Auto Dealers Association (DADA) will celebrate the centennial of its successful association with the North American International Auto Show (NAIAS). Since its inception in 1907, the show has grown from a regional event featuring 17 exhibitors to an internationally-sanctioned show with over 90 exhibitors, adding more than $500 million to the metro Detroit region last year alone. With the support of Detroit area auto dealers the NAIAS features more new vehicle debuts and garners more media coverage than any show in North America.

    NAIAS 2007 Official Dates

    Industry Preview Days will be held on Wednesday, Jan. 10 and Thursday, Jan. 11, 2007. The Charity Preview will be held Friday evening, Jan. 12, 2007. Public Days are Saturday, Jan. 13, through Sunday, Jan. 21, 2007.

    The North American International Auto Show

    Rod Alberts - Executive Director

    Entering its 19th year as an international event, the North American International Auto Show is among the most prestigious auto shows in the world and is one of the largest media events in North America. The NAIAS is the only auto show in the United States to earn an annual distinguished sanction of the Organisation Internationale des Constructeurs d'Automobiles, the Paris-based alliance of automotive trade associations and manufacturers from around the world. The NAIAS Web site can be accessed at http://www.naias.com/. The drive, design and desire for cars is here in Detroit!

     

    AutoGlow!; Detroit's Hottest Event of 2007

    This coming Friday, the eyes of the world will again turn to Detroit. The North American International Auto Show Charity Preview, set for January 12, 2007, is one of the most renowned fund raisers in the nation, all to benefit local children. That same special evening, Danialle and Peter Karmanos, Jr. are co-chairing the annual AutoGlow!, benefiting The Children's Center located in Detroit.

    AutoGlow! continues to be the largest, best attended, highest-profile event following the spectacular North American International Auto Show Charity Preview. This year's event will be a show stopper! AutoGlow! is taking place at an exciting new venue, the Museum of Contemporary Art Detroit (MOCAD).

    The world-class experience promises a unique atmosphere prepared by Deborah Silver, Jeffrey King and Gail Ball, along with the musical stylings of Mel Ball & Colours, a fashion show from the Somerset Collection, and an exquisite cuisine prepared by The Ritz. Follow the paparazzi lined red carpet to AutoGlow! for what promises to be Detroit's most talked-about event in 2007!

    While the event theme and spectacular venue are new, some of the familiar amenities such as complimentary valet parking, a pre-event reception, and the private transportation service for Charity Preview ticket holders to Cobo Center beginning at 4:45 p.m. are provided as always. However, there will be some new surprises too.

    The AutoGlow! Honorary Committee includes some of Detroit's most renowned and active citizens including: Honorable Kwame Kilpatrick & First Lady Carlita Kilpatrick; Honorable John Dingell & Debbie Dingell; Jennifer & David Fischer; Cathy & Nate Forbes; Lisa & Bill Ford; Jackie Casselberry King & Emery King; Linda Dresner & Ed Levy; Marsha & Jeffrey Miro; Deborah Silver & Keith Moffat; Carmen & George N'Namdi; Terry & John Rakolta; Pamela Anderson & Kid Rock; Shelby & Ralph Szygenda; Julie & Robert Taubman; and Lisa & Steve Yzerman.

    The event is currently at a sold-out status, however media interested in covering the event should contact Anne Stier at 248-233-8097 or anne@liemac.com. The AutoGlow! pre-reception begins at 4:30 p.m. AutoGlow! itself will start at 8:00 p.m. More information can be found on the event web site at www.autoglow.org. Information about the Children's Center can be found at www.thechildrenscenter.com.

    AutoGlow! would like to thank the following sponsors for their generous support: Compuware; KPMG; Ford Motor Company; BASF; General Motors; Microsoft; DaimlerChrysler; Al & Linda Adelson; Eurest Dining Services; DENSO; American Axle; Leo Burnett; Nate Forbes; Gavel International; The Suburban Collection; Casino Windsor; Mr. and Mrs. Robert Taubman; Walbridge; American Express; Dearborn Mid-West Conveyor; Eaton Corporation; ePrize; office Depot; Foster Swift; Lil and Alex Erdeljan; Gemellaro Systems Integration, Inc.; Hines; and Robbins Gioia.

     

     

    2007 North American International Auto Show Encourages Charity Preview Attendees To Plan Ahead for Parking

    The 2007 North American International Auto Show (NAIAS) is recommending that those attending the black-tie Charity Preview gala on Friday, Jan. 12 arrive early if they don't have pre-arranged parking. The ribbon-cutting ceremony will begin promptly at 5:15 p.m. The show floor will open at 6 p.m. to Charity Preview ticket holders.

    "Our goal is to ensure that attendees have the best information possible when traveling to this world-class fundraiser that benefits many children of Detroit. We want to make sure that those who are attending understand that they need to get downtown early," said NAIAS senior co-chairman Robert Thibodeau, Jr. "Attendees will be able to mingle with metro Detroit's VIPs as well as surprise celebrity guests such as Hall & Oates and Rachel Ray."

    The Millennium Garage, on Congress between First and Second streets is available for individuals self-parking for the event. Drivers dropping guests off at Cobo Center must be properly credentialed with placards. Drivers in need of placards are encouraged to call (248) 283-5161 ahead of time to make a request. Placards can be picked up in person at the Cobo Center security office after request is processed. General access to Cobo Center parking will be closed to non-credentialed vehicles beginning at 5 p.m. on Friday, Jan. 12.

    Each year, the Charity Preview and the NAIAS host many local, national and worldwide celebrities. In the past, celebrities like Ashanti, Aretha Franklin, Steve Harvey, Kevin Bacon, Kid Rock, Celine Dion, Jay Leno, Veronica Webb, Tony Danza, and Jeff Daniels have attended the NAIAS. This will be another star-studded event with the attendance of Hall & Oates and Rachel Ray. All of the action and other highlights from Charity Preview can be viewed on WDIV Local 4 on Friday, Jan. 12.

    Beneficiaries of the 2007 Charity Preview include: Barat Child and Family Services; Boys & Girls Clubs of Southeastern Michigan; Boys Hope Girls Hope Detroit; The Children's Center; Judson Center; Children's Services of Northeast Guidance Center Assistance League; The Detroit Institute for Children; Think Detroit PAL (Police Athletic League); March of Dimes; and DADA Charitable Foundation Fund, a fund of the Community Foundation for Southeast Michigan.

    NAIAS 2007 will be open to the public from Saturday, Jan. 13, through Saturday, Jan. 20, 2007 from 9 a.m. - 10 p.m. and Sunday, Jan. 21, from 9 a.m. - 7 p.m. Admittance ends one hour prior to show closing.

    100th Anniversary

    In 2007, the Detroit Auto Dealers Association (DADA) will celebrate the centennial of its successful association with the North American International Auto Show (NAIAS). Since its inception in 1907, the show has grown from a regional event featuring 17 exhibitors to an internationally-sanctioned show with over 90 exhibitors, adding more than $500 million to the metro Detroit region last year alone. With the support of Detroit area auto dealers the NAIAS features more new vehicle debuts and garners more media coverage than any show in North America.

    NAIAS 2007 Official Dates

    The Charity Preview will be held Friday evening, Jan. 12, 2007. Public Days are Saturday, Jan. 13, through Sunday, Jan. 21, 2007.

    The North American International Auto Show

    Rod Alberts - Executive Director

    Entering its 19th year as an international event, the North American International Auto Show is among the most prestigious auto shows in the world and is one of the largest media events in North America. The NAIAS is the only auto show in the United States to earn an annual distinguished sanction of the Organisation Internationale des Constructeurs d'Automobiles, the Paris- based alliance of automotive trade associations and manufacturers from around the world. The NAIAS Web site can be accessed at http://www.naias.com/. The drive, design and desire for cars is here in Detroit!


     

     

    Postcards from the Northern Tour: Whitehorse

    January 10, 2007
    Arriving in Whitehorse was a strong reminder our team was far from Vancouver. Even the locals had to admit it was colder weather than normal at -43 degrees Celsius.

    The team attended a breakfast with their colleagues working and volunteering for the 2007 Canada Winter Games (CWG) being held in Whitehorse from February 23-March 10. These Games are a stepping stone for our young athletes hoping to one day represent team Canada at the Olympic Winter Games. John Furlong and Donna Wilson inspired the CWG team and encouraged them to stay focused on the delivery of a great event.

    Later that morning the team visited an artist co-op just outside Whitehorse. They toured the facility and met with local artists, some of whose works have been commissioned to provide artwork for the CWG, demonstrating the economic benefits and cultural showcasing opportunities these major events can bring to a community.

    The Kwanlin Dun First Nation greeted the team with a welcome dance performed by local children drumming in traditional dress. After, they enjoyed a lunch featuring caribou, bison and bannock. 

    The team then visited a school and took in traditional sport demonstrations, participated in the game of stick-handling and John had a chance to talk to some of the students about how to set goals and work hard to achieve their dreams. VANOC was very honoured to receive the gift of a beautiful button blanket.

    After a welcome song performed by Linda Harvey of the Kwanlin Dun First Nation, the team assembled with others at the Transportation Museum in Whitehorse to discuss tourism initiatives in the North.

    The team is now on its way to Yellowknife for the next stop on their Northern Canada adventure.

     

     

    Postcards from the Northern Tour: The Journey

    January 5, 2007
    Trading in light jackets and loafers for down parkas and winter-worthy boots, members of VANOC’s executive team will be heading to Canada’s North, January 8-12.  

    From Yukon to the Northwest Territories to Nunavut, VANOC CEO John Furlong and Executive Vice Presidents David Guscott and Donna Wilson will be extending the spirit of the Vancouver 2010 Games to citizens across the region.

    In Whitehorse, the team will have the opportunity to meet with the 2007 Canada Winter Games staff and volunteers. With those Games less than 2 months away, and the 2010 Olympic and Paralympic Winter Games 3 years away, it’s the perfect opportunity to share stories, provide inspiration and congratulate the Canada Winter Games team on a job well done.

    Then it’s on to a quick stop in Yellowknife, 2,700 kilometres away, to gather with local community and chamber of commerce members to continue to build nationwide momentum for Vancouver 2010.

    From Yellowknife, it’s 600 kilometres north to Nunavut and to the 1,100-person community of Kugluktuk. There, the team will have the chance to meet with a group of school kids who, through their own efforts in 2005, raised money to travel to Whistler. They took their own local rocks to Whistler and built an Inukshuk, both a symbol of their community and the 2010 Olympic Winter Games emblem.

    Coast to coast to coast, our team’s mission is to engage all Canadians and make the Vancouver 2010 Winter Games Canada’s Games.

     

     

    JAN 2

     

    Formula Drift Signs ESPN as Television Broadcast Partner

    Formula Drift signs ESPN as the exclusive broadcast partner for the 2007 Formula Drift Championship Season.

    January 2nd, 2006

    Long Beach, California - After the holiday break, first on Formula Drift’s agenda is the announcement regarding their TV plans for 2007. Formula Drift announced today that the 2007 Formula Drift Championship will be broadcast exclusively on ESPN2. This deal further solidifies Formula Drift as the premiere drifting championship and shows that the leader in sports programming, ESPN, sees potential and value in Formula Drift.

    Exact deal points of this monumental announcement have yet to be released, but the full TV schedule and other details will be announced prior to the start of the 2007 Championship season.

    “For Formula Drift, this is prodigious! In 2007, a motor sport fan can turn on ESPN and watch NASCAR and Champ Car among a huge list of other motor sports content. Now they can also turn on ESPN2 and watch the Formula Drift Championship. For Formula Drift Rift this is a major step forward in TV coverage. We are ecstatic!” said Ryan Sage, VP of Marketing for Formula Drift.

    “Drifting is one of the fastest-growing forms of motor sports in the world, and is especially popular with a younger audience,” said Frantz Cayo, Director of Motor Sports Programming for ESPN. “Along with the X Games and other cutting-edge sports on ESPN2, we feel that adding Drifting to our programming lineup is providing a great service to our viewers and we’re excited about it.”

    Entering its fourth season, the Formula Drift Championship, continues to expand into new markets as the first and only sanctioned and recognized North American professional drifting championship series. Formula Drift is also responsible for being the first to bring professional drifting stateside.  This high-skilled, high-powered motor sport where drivers intentionally maneuver their cars into well executed, controlled sideways slides at high speeds through a marked course, has more than 50 licensed professional drivers competing in all seven competitions for the Pro Championship and selected drivers competing in the Team Drift competitions this year.

     

     

    DEC 30

    Following are the latest skiing conditions information as supplied by SnoCountry Mountain Reports as of Saturday, Dec 30 2006, 6:04:18 AM EST.

    Alpine Skiing/Riding conditions are subject to change due to weather, skier traffic and other factors. Be aware of changing conditions.

    SNOW CONDITION DEFINITIONS & TERMS

    This glossary of terms is used by all ski areas when they report to SCR. The code allows for communication with skiers in a universal language.

    NOTE: The standard abbreviations next to each definition reflect the way ski reports are communicated in print (newspapers).

    New Snow: Natural snowfall which has fallen in the past 24 hours or continuously for more than one day. An average accumulation from summit to base is reported.

    Average Base Depth: An average of the high and low amounts of snow over the entire ski area. Machine made and natural snow amounts are combined.

    Primary Surface Condition: The type of snow condition which covers at least 70 percent of the terrain open to skiers.

    Secondary Surface Condition: The next most prevalent snow conditions, covering at least 20% of the skiing terrain open to skiers.

    Powder-PDR: Cold, new, loose, fluffy, flaky and dry snow which has not been compacted.

    Packed Powder-PP: Powder snow, either natural or machine made, that has been packed down by skier traffic or grooming machines. The snow is no longer fluffy, but is not so extremely compacted that it is hard.

    Hard Pack-HP: When natural or machine made snow becomes very firmly packed. The snow has never melted and re-crystallized, but it's been tightly compressed through grooming and continuous wind exposure. You can plant a pole in hard packed snow, but it takes more effort than packed powder.

    Machine Groomed Snow-MGS: Loose granular snow that has been repeatedly groomed by power tillers so that the texture is halfway between LSGR & PP. Some of the snow is granular & has been so pulverized that the crystals are like powder sugar. It's neither LSGR or PP.

    Wet Snow-WETSN: Powder or packed powder snow that has become moist due to a thaw or rainfall, or snow which was moist when it fell.

    Wet packed Snow-WPS: Natural or machine made snow that has been previously packed and becomes wet usually because of rainfall.

    Loose Granular-LSGR: This surface results after powder or packed powder thaws, then refreezes and recrystalizes, or from an accumulation of sleet. This is also created by machine grooming of frozen or icy snow.

    Frozen Granular-FRGR: This is undoubtedly the most misunderstood surface condition in ski reporting. It is defined as a hard surface of old snow formed by granules freezing together after rain or warm temperatures. Frozen granular will support a ski pole stuck into its surface while ice will chip away and not support a pole.

    Wet Granular-WETGR: Loose or frozen granular snow which becomes wet after rainfall or high temperatures.

    Icy-ICE: Not to be confused with frozen granular, ice is a hard, glazed surface created either by freezing rain, ground water seeping up into the snow and freezing or by the rapid freezing of snow saturated with water from rain or melting. Ice will chip away and not support a ski pole when stuck into it.

    Variable Conditions-VC: When no primary surface (70%) can be determined, variable conditions describe a range of surfaces that a skier may encounter. Parts of trails can be Loose Granular, partly Packed Powder, and parts Frozen Granular, for example.

    Corn Snow-CORN: Usually found in the spring, Corn Snow is characterized by large, loose granules during the day, which freeze together at night, then warm up again and loosen during the day.

    Spring Conditions-SC: This is the spring version of Variable Conditions. It is used when no one surface can describe 70% or more of the terrain open for skiers.

    Windblown Snow-WBLN: Powder or granular snow which has been blown by wind into forming a base.

      NORTHEAST    MAINE    10th Mountain Center XC   Opening Soon for Snow Sports   
     A Fierce Chase XC   Opening Soon for Snow Sports    Bethel Inn XC   Plan to Open 01/01  
      Rangeley Lakes XC   Reopen TBA    MASSACHUSETTS    Canterbury Farm XC   Plan to Open TBA    Northfield Mtn XC   Operating hiking only    NEW HAMPSHIRE    BrettonWoods XC  Thu 8:30a powder  grmg6--12 base 1 trail   1 km,    Eastman XC   Opening Soon for Snow Sports    Great Glen Trails XC  Fri 6:38a variable  grmg6--8 base 1 trail    Jackson XC  Fri 6:23a loose granular  grmg1--3 base 2 trails,  3 km,    Mt Washington Valley XC   Plan to Open TBA    Norsk XC   Opening Soon for Snow Sports 

    The Balsams Wilderness XC Fri 4:00p packed powder grmg3--4 base 10 trails, 20 km,

    Waterville Valley XC Fri 8:30a packed powder grmg1--2 base 2 trails, 5 km,

      NEW YORK    Black River XC   Opening Soon for Snow Sports    Cascade XC 
      Opening Soon for Snow Sports    Fahnestock Winter Park XC   Opening Soon for Snow Sports 

    Garnet Hill Lodge XC Fri 11:00a loose granular grmg1--2 base 7 trails, 15 km,

       Lapland Lake XC  Fri 8:30a frozen granular  -2 base 1 trail   2 km,    Mohonk Mt House XC  
     Plan to Open TBA    Mountain Trails XC   Opening Soon for Snow Sports    Oak Hill Farms XC  
     Plan to Open TBA    Osceola Tug Hill XC   Reopen TBA    Pineridge XC  
     Opening Soon for Snow Sports    Salmon Hills XC   Reopen 12/31, 15k shoeshoeing open 
       PENNSYLVANIA    Starlight Lake XC   Plan to Open 01/02/07    VERMONT   
     Blueberry Hill Inn XC   Plan to Open TBA    Blueberry Lake XC  
     Operating w/ 11k snowshoe and dog trails 

    Bolton Valley XC Fri 11:00a packed powder grmg1--4 base 3 trails, 8 km,

    Craftsbury Outdoor Center XC Fri 8:19a packed powder grmg2--2 base 6 trails, 13 km,

       Hazen's Notch XC   Opening Soon for Snow Sports    Prospect Mountain XC 
      Opening Soon for Snow Sports 

    Rikert Middlebury XC Fri 1:36p packed powder grmg-2 base 1 trail 1 km,

    Smugglers' Notch XC Operating, snowshoeing only; Dec 27: 2 inches new snow

       Stowe Mountain XC   Plan to Open TBA; need 6 inches more snow to open  
      Three Stallion Inn XC   Opening Soon for Snow Sports    Timber Creek XC  
     Opening Soon for Snow Sports    Trapp Family Lodge XC   Operating for hiking only 
       Viking Nordic XC   Opening Soon for Snow Sports    Wild Wings XC  
     Opening Soon for Snow Sports    Woodstock XC   Opening Soon for Snow Sports   
     SOUTHEAST    WEST VIRGINIA    White Grass XC  Fri 8:00a loose granular 
     grmg-6 base 6 trails,  5 km,    MIDWEST    MICHIGAN    Boyne Nordican XC   
    Reopen TBA    Champion Hill XC   Reopen TBA 

    Cross Country Ski HQ Reopen TBA; Open for walking, running, hiking and biking

       Crystal Mountain XC   Reopen TBA    Hickory Hills XC   Opening Soon for Snow Sports  
      Nordic Nights XC   Opening Soon for Snow Sports    MINNESOTA    Cragun's XC  
     Opening Soon for Snow Sports    WISCONSIN    Minocqua Winter Park XC 
     Thu 9:36a packed powder  grmg6--6 base 40 km,    Telemark XC  
     Plan to Open TBA    ROCKIES    COLORADO    Ashcroft XC  Thu 7:00a powder 
     grmg22--24 base 15 trails,  32 km, 

    Aspen/Snowmass XC Fri 6:45a hard packed grmg9--10 base 15 trails, 90 km,

    Crested Butte XC Thu 8:25a powder grmg25--30 base 7 trails, 24 km,

    Snow Mountain XC Fri 8:09a packed powder grmg13--30 base 3 trails, 105 km,

      MONTANA    Bohart Ranch XC  Fri 6:15a packed powder  grmg6--8 base 25 km, 

    Izaak Walton Inn XC Wed 6:00p wet snow grmg10--20 base 13 trails, 32 km,

    Lone Mountain Ranch XC Fri 4:30p packed powder grmg19--31 base 16 trails, 48 km,

    Rendezvous Ski Trails XC Thu 8:30a packed powder grmg20--20 base 8 trails, 35 km,

       Stillwater XC   Opening Soon for Snow Sports    NEW MEXICO    Enchanted Forest XC 
     Fri 9:45a powder  grmg24--30 base 35 trails,  33 km,    Valles Caldera 
    Plan to Open 12/29; Dec 20: 8 inches new snow    WYOMING 

    Grand Targhee XC Fri 9:00a packed powder grmg36--37 base 5 trails, 15 km,

       Pinedale XC  Fri 12:15p packed powder  grmg15--30 base 30 km,   
     PACIFIC SOUTH    CALIFORNIA 

    Bear Valley XC Fri 7:00a packed powder grmg36--38 base 24 trails, 29 km,

    Royal Gorge XC Fri 8:00a packed powder grmg60--60 base 57 trails, 212 km,

      CANADA    BRITISH COLUMBIA    Whistler XC  Thu 9:00a hard packed  grmg32--34 base   
     QUEBEC    Camp Mercier XC  Fri 6:50p powder  grmg12--16 base 48 km,    
    Parc National Gaspesie XC  Thu 8:22a powder  grmg10--10 base 24 km, 

    Parc National Mont Megantic XC Thu 8:30a packed powder grmg8--12 base 15 km,

       Parc National Mont-Tremblant XC   Plan to Open TBA    Station Duchesnay XC 
     Wed 10:30p packed powder  grmg4--10 base 59 km, 

    Station Mont Sainte Anne XC Fri 7:45a powder grmg12--12 base 13 trails, 81 km,

       Gatineau Park XC  Fri 3:30p packed powder  grmg-4 base 42 km,    ONTARIO   
     Hardwood Hills XC   Reopen TBA    Highland's XC  Fri 6a osr packed powder 
     grmg1--2 base 7 km,    Horseshoe Resort XC   Reopen TBA    Scenic Caves Nordic 
      Reopen TBA    NOVA SCOTIA    Ski Martock XC   Opening Soon for Snow Sports   
     ALBERTA 

    Strathcona Wilderness Center XC Fri 10:00a variable grmg16--16 base 10 trails, 12 km,

    Following are the latest Cross Country Skiing conditions information as supplied by SnoCountry Mountain Reports as of Saturday, Dec 30 2006, 6:04:17 AM EST.

    Alpine Skiing/Riding conditions are subject to change due to weather, skier traffic and other factors. Be aware of changing conditions.

      NORTHEAST   CONNECTICUT 

    Mohawk Mountain - Fri 4:00p frozen granular 15 - 25 base 5 trails, 21% open, 3 lifts

    Mt Southington - Reopen 12/30 @ 12p

    Ski Sundown - Fri 9:00p packed powder machine groomed 10 - 18 base 6 trails, 45% open, 2 lifts

    Woodbury - Sat 5:28a packed powder machine groomed 15 - 25 base 6 trails, 40% open, 4 lifts

    MAINE

    Black Mountain - Fri 3:15p packed powder machine groomed 6 - 12 base 1 trail 5% open, 1 lift

    Camden Snow Bowl - Fri 5:30p packed powder machine groomed 8 - 16 base 1 trail 5% open, 1 lift

    Eaton Mountain - Opening Soon for Snow Sports

    Hermon Mtn - Sat 4:00a packed powder machine groomed 12 - 24 base 2 trails, 10% open, 1 lift

    Lost Valley - Fri 7:00p variable machine groomed 6 - 8 base 3 trails, 17% open, 1 lift

    Mt Abram - Fri 4:22p loose granular machine groomed 10 - 28 base 5 trails, 20% open, 4 lifts

    Saddleback - Fri 5:00p packed powder machine groomed 8 - 24 base 13 trails, 22% open, 3 lifts

    Shawnee Peak - Fri 4:25p packed powder machine groomed 10 - 18 base 12 trails, 84 acres, 35% open, 4 lifts

    Sugarloaf/USA - Fri 3:00p packed powder machine groomed 8 - 20 base 31 trails, 14 miles, 20% open, 9 lifts

    Sunday River - Fri 3:30p packed powder machine groomed 12 - 24 base 47 trails, 17 miles, 221 acres, 36% open, 10 lifts

    MASSACHUSETTS

    Berkshire East - Fri 5:00p loose granular machine groomed 6 - 18 base 6 trails, 15% open, 3 lifts

    Blandford - Opening Soon for Snow Sports

    Blue Hills - Fri 9:17p packed powder machine groomed 6 - 12 base 1 trail 10% open, 1 lift

    Bousquet - Fri 11:00a loose granular machine groomed 13 - 13 base 7 trails, 33% open, 3 lifts

    Bradford - Plan to Open 12/30

    Catamount - Fri 5:33p loose granular machine groomed 4 - 16 base 6 trails, 25% open, 3 lifts

    Jiminy Peak - Fri 8:40p packed powder machine groomed 6 - 24 base 20 trails, 7 miles, 106 acres, 62% open, 7 lifts

    Nashoba Valley - Fri 8:51a packed powder machine groomed 4 - 8 base 4 trails, 30% open, 4 lifts

       Otis Ridge - Opening Soon for Snow Sports    Pine Ridge - Plan to Open 01/05 

    Ski Butternut - Fri 5:00p loose granular machine groomed 12 - 14 base 3 trails, 3 miles, 15% open, 2 lifts

    Ski Ward Ski Area - Fri 7:51p packed powder machine groomed 12 - 24 base 2 trails, 35% open, 2 lifts

    Wachusett - Fri 6:30p loose granular machine groomed 6 - 14 base 8 trails, 59 acres, 45% open, 4 lifts

    NEW HAMPSHIRE

    Attitash - Sat 5:41a packed powder machine groomed 8 - 36 base 11 trails, 15% open, 5 lifts

    Balsams/Wilderness - Fri 5:05p packed powder machine groomed 10 - 18 base 6 trails, 1 mile , 35% open, 3 lifts

    Black Mountain - Fri 5:46p packed powder machine groomed 6 - 24 base 3 trails, 20% open, 1 lift

    Bretton Woods - Fri 1:30p loose granular machine groomed 12 - 24 base 32 trails, 9 miles, 178 acres, 32% open, 7 lifts

    Cannon Mountain - Fri 3:45p loose granular machine groomed 8 - 20 base 15 trails, 30% open, 6 lifts

    Cranmore - Sat 4:00a packed powder machine groomed 6 - 24 base 8 trails, 20% open, 6 lifts

    Crotched Mountain - Fri 9:45a packed powder machine groomed 12 - 26 base 9 trails, 53% open, 4 lifts Dec 30: 13 trails, 5 lifts,

    Dartmouth Skiway - Fri 10:20p loose granular machine groomed 6 - 12 base 3 trails, 10% open, 2 lifts

    Granite Gorge - Fri 5:00p loose granular machine groomed 6 - 24 base 1 trail 15% open, 1 lift

    Gunstock - Fri 9:42p frozen granular machine groomed 8 - 25 base 9 trails, 10% open, 5 lifts

    King Pine - Fri 10:30p loose granular machine groomed 6 - 18 base 6 trails, 25% open, 3 lifts

    Loon Mountain - Fri 11:05p frozen granular machine groomed 12 - 18 base 18 trails, 40% open, 8 lifts

    McIntyre Ski Area - Opening Soon for Snow Sports

    Mount Sunapee - Fri 3:30p packed powder machine groomed 12 - 24 base 20 trails, 5 miles, 70 acres, 30% open, 6 lifts Dec 31: 23 trails, 87 acres,

    Pats Peak - Fri 5:00P loose granular machine groomed 8 - 24 base 12 trails, 55% open, 6 lifts

    Ragged Mountain - Fri 9:00p packed powder machine groomed 12 - 24 base 1 trail 5% open, 1 lift

    Storrs Hill - Plan to Open 01/02

    Waterville Valley - Fri 12:12p loose granular machine groomed 8 - 20 base 20 trails, 38% open, 7 lifts

    Whaleback - Fri 10:15p hard packed machine groomed 10 - 15 base 5 trails, 15% open, 4 lifts

    Wildcat - Fri 4:25p loose granular machine groomed 6 - 24 base 9 trails, 20% open, 3 lifts

    NEW JERSEY

    Campgaw Mtn - Fri 6:29p wet granular machine groomed 12 - 24 base 3 trails, 30% open, 2 lifts

    Mountain Creek - Fri 8:40p variable 6 - 18 base 6 trails, 15% open, 2 lifts

    NEW YORK

    Belleayre - Fri 5:00p loose granular machine groomed 12 - 30 base 12 trails, 10% open, 5 lifts

    Brantling Ski Slopes - Reopen TBA

    Bristol Mountain - Fri 7:44a frozen granular machine groomed 18 base 8 trails, 24% open, 1 lift

    Cockaigne - Reopen TBA

    Dry Hill - Thu 4:30p frozen granular 4 - 12 base 1 trail 12% open, 1 lift

    Gore Mountain - Fri 3:54p loose granular machine groomed 9 - 30 base 15 trails, 7 miles, 91 acres, 20% open, 7 lifts

    Greek Peak - Fri 4:29p loose granular machine groomed 2 - 14 base 6 trails, 18% open, 3 lifts

    Holiday Mountain - Reopen TBA

    Holiday Valley - Fri 5:45p loose granular machine groomed 16 base 16 trails, 30% open, 6 lifts

    HoliMont - Fri 6:00a frozen granular machine groomed 4 - 20 base 14 trails, 26% open, 3 lifts

    Hunter Mountain - Thu 3:45p hard packed machine groomed 40 base 21 trails, 40% open, 6 lifts

    Kissing Bridge - Reopen TBA

    Labrador Mountain - Fri 9:31p packed powder machine groomed 4 - 15 base 2 trails, 35% open, 1 lift

    Maple Ski Ridge - Plan to Open 12/31

    McCauley - Fri 2:00p packed powder machine groomed 6 - 26 base 3 trails, 14% open, 2 lifts

    Mt Peter - Fri 7:30p hard packed 8 - 8 base 2 trails, 10% open, 1 lift

    Peek' n Peak - Fri 5:33p packed powder machine groomed 16 base 7 trails, 25% open, 2 lifts

    Plattekill - Fri 10:53p loose granular machine groomed 4 - 18 base 3 trails, 10% open, 2 lifts

    Royal Mountain - Fri 4:00p packed powder machine groomed 10 - 20 base 2 trails, 14% open, 1 lift

    Snow Ridge - Plan to Open 12/30 9a-4p w/ 1 trail, 1 lift; Int/Adv terrain only

    Swain - Fri 9:32p frozen granular machine groomed 1 - 15 base 4 trails, 15% open, 1 lift

    Thunder Ridge - Fri 5:15p loose granular machine groomed 2 - 10 base 2 trails, 10% open, 2 lifts

    Titus Mountain - Thu 4:12p packed powder machine groomed 7 - 9 base 7 trails, 26% open, 5 lifts

    Toggenburg - Fri 8:50p frozen granular machine groomed 6 - 12 base 2 trails, 1% open, 1 lift

    West Mountain - Fri 8:45p packed powder machine groomed 8 - 24 base 3 trails, 1 mile , 25% open, 3 lifts

    Whiteface - Sat 5:10a 1 new packed powder machine groomed 8 - 18 base 26 trails, 8 miles, 101 acres, 40% open, 8 lifts

    Willard Mountain - Plan to Open 12/30

    Windham Mtn - Fri 3:00p frozen granular machine groomed 3 - 25 base 14 trails, 5 miles, 80 acres, 30% open, 4 lifts

    Woods Valley - Fri 4:02p loose granular machine groomed 40 base 1 trail 7% open, 1 lift

      PENNSYLVANIA    Alpine Mountain - Plan to Open TBA    Bear Creek - Reopen TBA 

    Big Boulder - Fri 6:43p packed powder machine groomed 16 - 42 base 9 trails, 60% open, 8 lifts

    Blue Knob - Fri 9:00a loose granular machine groomed 6 - 16 base 2 trails, 6% open, 1 lift

    Blue Mountain - Fri 9:00p variable machine groomed 12 - 24 base 13 trails, 43% open, 4 lifts

    Camelback - Fri 5:00p variable machine groomed 12 - 36 base 9 trails, 30% open, 6 lifts

    Elk Mountain - Fri 8:14a frozen granular 12 - 34 base 5 trails, 20% open, 3 lifts

    Hidden Valley - Sat 5:45a wet granular machine groomed 6 - 10 base 3 trails, 10% open, 2 lifts

    Jack Frost - Fri 6:41p packed powder machine groomed 12 - 36 base 12 trails, 50% open, 9 lifts

    Liberty Mountain - Reopen TBA

    Seven Springs - Sat 5:02a loose granular machine groomed 6 - 16 base 9 trails, 28% open, 5 lifts

    Shawnee Mountain - Fri 4:15p variable machine groomed 10 - 24 base 5 trails, 22% open, 3 lifts

    Ski Big Bear - Fri 5:44p loose granular machine groomed 12 - 24 base 9 trails, 13 acres, 50% open, 3 lifts

    Ski Denton - Fri 6:15a loose granular machine groomed 4 - 24 base 5 trails, 15% open, 2 lifts

    Ski Roundtop - Fri 1:45p loose granular machine groomed 6 - 15 base 5 trails, 32% open, 2 lifts

    Ski Sawmill - Thu 7:00p wet granular machine groomed 4 - 12 base 1 trail 10% open, 2 lifts

    Sno Mountain - Plan to Open 12/31

    Spring Mountain - Fri 7:30p wet granular machine groomed 10 - 18 base 2 trails, 35% open, 2 lifts

       Tanglwood - Plan to Open 12/30    Tussey Mountain - Reopen TBA    Whitetail - Reopen TBA    RHODE ISLAND 

    Yawgoo Valley - Fri 8:50a loose granular machine groomed 6 - 12 base 2 trails, 4 acres, 13% open, 2 lifts

    VERMONT

    Ascutney Mountain - Fri 5:33p packed powder machine groomed 12 - 20 base 4 trails, 7% open, 2 lifts

    Bear Creek - Plan to Open 01/06

    Bolton Valley - Sat 4:14a packed powder machine groomed 8 - 20 base 11 trails, 20% open, 4 lifts

    Bromley Mountain - Fri 7:40a loose granular machine groomed 8 - 20 base 6 trails, 15% open, 4 lifts

    Burke Mountain - Fri 3:00p packed powder machine groomed 6 - 16 base 10 trails, 22% open, 4 lifts

    Jay Peak - Fri 3:30p frozen granular machine groomed 12 - 24 base 27 trails, 35% open, 8 lifts

    Killington - Fri 4:00p loose granular machine groomed 16 - 25 base 76 trails, 34 miles, 38% open, 24 lifts

    Mad River Glen - Sat 5:45a packed powder machine groomed 6 - 12 base 1 trail 2% open, 1 lift

    Magic Mountain - Plan to Open 12/31

    Middlebury College Snow Bowl - Fri 9:50p loose granular machine groomed 2 - 32 base 3 trails, 15% open, 1 lift

    Mount Snow - Fri 6:20a loose granular machine groomed 12 - 24 base 33 trails, 14 miles, 207 acres, 31% open, 10 lifts

    Okemo Mountain - Fri 4:22p variable machine groomed 8 - 24 base 45 trails, 38% open, 14 lifts

    Pico - Fri 4:00p loose granular machine groomed 16 - 25 base 8 trails, 2 miles, 16% open, 4 lifts

    Quechee Lakes - Fri 5:22p frozen granular machine groomed 6 - 10 base 2 trails, 20% open, 3 lifts

    Smugglers' Notch - Fri 6:00p loose granular machine groomed 8 - 28 base 22 trails, 85 acres, 30% open, 5 lifts

    Stowe - Fri 5:39p packed powder machine groomed 6 - 36 base 22 trails, 46% open, 10 lifts

    Stratton Mountain - Fri 7:20a loose granular machine groomed 10 - 32 base 32 trails, 14 miles, 169 acres, 36% open, 8 lifts

    Sugarbush - Fri 12:20p packed powder machine groomed 4 - 40 base 32 trails, 16 miles, 141 acres, 29% open, 8 lifts

    Suicide Six - Fri 4:34p frozen granular 6 - 13 base 2 trails, 9% open, 2 lifts

      SOUTHEAST    ALABAMA    Cloudmont - Reopen TBA    MARYLAND 

    Wisp - Fri 6:30a loose granular machine groomed 12 - 34 base 14 trails, 45% open, 4 lifts

    NORTH CAROLINA

    Appalachian - Fri 4:12a packed powder machine groomed 12 - 28 base 6 trails, 67% open, 4 lifts

    Cataloochee - Fri 9:00p variable 22 - 36 base 7 trails, 58% open, 5 lifts

    Hawksnest - Fri 5:00p frozen granular machine groomed 10 - 22 base 4 trails, 40% open, 2 lifts

    Sapphire Valley - Fri 7:30a frozen granular machine groomed 12 - 42 base 2 trails, 100% open, 2 lifts

    Ski Beech - Fri 7:40p variable machine groomed 6 - 22 base 5 trails, 33% open, 6 lifts

    Sugar Mountain - Fri 9:00p packed powder machine groomed 14 - 38 base 9 trails, 45% open, 5 lifts

    Wolf Ridge - Fri 6:44p variable machine groomed 8 - 15 base 5 trails, 14% open, 2 lifts

    TENNESSEE

    Ober Gatlinburg - Fri 6:33p hard packed machine groomed 6 - 14 base 3 trails, 38% open, 2 lifts

    VIRGINIA

    Bryce Resort - Fri 8:00p loose granular machine groomed 12 - 25 base 4 trails, 15 acres, 50% open, 3 lifts

    Massanutten - Fri 4:30p loose granular machine groomed 16 - 20 base 4 trails, 25% open, 3 lifts

    The Homestead - Operating, no details

    Wintergreen - Fri 8:00p frozen granular 20 - 26 base 5 trails, 20 acres, 20% open, 3 lifts

    WEST VIRGINIA

    Canaan Valley - Sat 4:00a loose granular machine groomed 12 - 36 base 7 trails, 19% open, 2 lifts

    Snowshoe Mountain - Fri 7:35p loose granular machine groomed 26 - 32 base 33 trails, 60% open, 11 lifts

    Timberline Four Seasons - Fri 8:35a packed powder machine groomed 30 - 62 base 12 trails, 32% open, 3 lifts

    Winterplace - Fri 8:00p wet granular 18 - 36 base 6 trails, 25% open, 4 lifts

      MIDWEST    ILLINOIS    Four Lakes Village - Reopen TBA    Ski Snowstar - Reopen TBA    Villa Olivia - Reopen TBA    INDIANA    Paoli Peaks - Reopen 12/30 

    Perfect North - Fri 8:30a variable machine groomed 12 - 24 base 13 trails, 50% open, 4 lifts

      IOWA    Fun Valley - Operating, no details 

    Seven Oaks - Fri 7:30a variable 6 - 12 base 3 trails, 38% open, 2 lifts

    Sundown Mountain - Fri 4:33p variable 8 - 24 base 20 trails, 90% open, 6 lifts

      MICHIGAN    Alpine Valley - Call Ahead 

    Big Powderhorn - Fri 5:01p powder 12 - 36 base 28 trails, 100% open, 9 lifts

    Bittersweet - Reopen TBA

    Blackjack - Fri 7:00a packed powder machine groomed 12 - 36 base 19 trails, 95% open, 4 lifts

    Boyne Highlands - Fri 4:15p hard packed 36 - 52 base 13 trails, 20% open, 6 lifts

    Boyne Mountain - Fri 4:15p hard packed 36 - 52 base 13 trails, 20% open, 6 lifts

    Caberfae Peaks - Fri 1:00a variable 12 - 32 base 11 trails, 32% open, 3 lifts

    Cannonsburg - Reopen TBA

    Crystal Mountain - Fri 8:31a loose granular machine groomed 16 - 30 base 12 trails, 40% open, 6 lifts

    Indianhead - Fri 8:42a packed powder machine groomed 10 - 36 base 24 trails, 200 acres, 95% open, 8 lifts

    Marquette - Fri 5:15p packed powder machine groomed 18 - 25 base 5 trails, 20% open, 2 lifts

    Mont Ripley - Fri 10:35a w loose granular machine groomed 12 base 12% open, 1 lift

       Mount Brighton - Reopen TBA    Mt Holly - Reopen TBA 

    Norway Mountain - Fri 5:00p packed powder machine groomed 12 - 18 base 10 trails, 80% open, 5 lifts

    Nub's Nob - Fri 5:20p loose granular machine groomed 10 - 44 base 22 trails, 42% open, 7 lifts

    Shanty Creek - Fri 9:10p packed powder machine groomed 12 - 48 base 10 trails, 20% open, 3 lifts

    Ski Brule - Sat 4:00a 1 new packed powder machine groomed 6 - 36 base 17 trails, 100% open, 9 lifts

    Snow Snake - Fri 8:00p variable 4 - 16 base 10 trails, 50% open, 2 lifts

       Swiss Valley - Reopen TBA    The Homestead - Reopen TBA    Timber Ridge - Reopen TBA 

    Treetops - Fri 9:20a frozen granular 12 - 18 base 5 trails, 15% open, 3 lifts

    MINNESOTA

    Afton Alps - Fri 8:00a variable machine groomed 12 - 28 base 37 trails, 80% open, 15 lifts

    Andes Tower Hills - Fri 8:49a powder machine groomed 12 - 24 base 8 trails, 53% open, 3 lifts

    Hyland Ski Snowboard - Fri 10:05p loose granular machine groomed 12 - 36 base 11 trails, 95% open, 8 lifts

    Lutsen Mountains - Fri 8:00a variable 10 - 18 base 36 trails, 60% open, 6 lifts

    Mount Kato - Fri 9:45a loose granular machine groomed 16 - 28 base 12 trails, 63% open, 6 lifts

    Spirit Mountain - Fri 9:00a packed powder machine groomed 18 - 24 base 12 trails, 55% open, 3 lifts

    Steeplechase - Fri 8:51a loose granular machine groomed 12 - 40 base 3 trails, 1 mile , 18 acres, 16% open, 2 lifts

    Wild Mountain - Fri 4:00p powder machine groomed 15 - 40 base 24 trails, 98% open, 6 lifts

      MISSOURI    Snow Creek - Reopen 12/31    NORTH DAKOTA 

    Huff Hills - Fri 10:30p packed powder machine groomed 13 - 15 base 2 trails, 15% open, 2 lifts

      OHIO    Alpine Valley - Opening Soon for Snow Sports    Boston Mills/Brandywine - Opening Soon for Snow Sports 

    Mad River - Fri 7:20a loose granular machine groomed 18 - 18 base 12 trails, 75 acres, 50% open, 8 lifts

    Snow Trails - Fri 8:15a frozen granular machine groomed 10 - 20 base 4 trails, 25 acres, 35% open, 3 lifts

    SOUTH DAKOTA

    Great Bear Park - Fri 7:00a variable machine groomed 12 base 11 trails, 90% open, 3 lifts

    Terry Peak - Fri 7:45a packed powder machine groomed 14 - 18 base 5 trails, 19% open, 3 lifts

    WISCONSIN

    Alpine Valley - Fri 9:45p variable 2 - 14 base 12 trails, 60% open, 3 lifts

    Devil's Head - Fri 1:30a loose granular machine groomed 20 - 30 base 20 trails, 80% open, 7 lifts

    Highlands of Olympia - Reopen TBA

    Mountain Top at Grand Geneva - Fri 10:15a variable machine groomed 6 - 24 base 14 trails, 90% open, 5 lifts

    Sunburst - Fri 6:30a variable machine groomed 9 - 18 base 9 trails, 90% open, 6 lifts

    Trollhaugen - Thu 8:26p packed powder machine groomed 15 - 30 base 17 trails, 79% open, 5 lifts

    Tyrol Basin - Fri 10:00a variable machine groomed 10 - 20 base 10 trails, 60% open, 4 lifts

      ROCKIES    COLORADO 

    Arapahoe Basin - Fri 5:15a powder machine groomed 40 - 40 base 52 trails, 485 acres, 99% open, 6 lifts

    Aspen Highlands - Fri 4:30a packed powder machine groomed 33 - 46 base 115 trails, 88% open, 5 lifts

    Aspen Mountain - Fri 4:30a packed powder machine groomed 26 - 29 base 73 trails, 99% open, 6 lifts

    Beaver Creek - Fri 6:00a packed powder machine groomed 31 - 31 base 122 trails, 1754 acres, 97% open, 16 lifts

    Breckenridge - Fri 6:00a powder machine groomed 37 - 49 base 143 trails, 2185 acres, 93% open, 28 lifts

    Buttermilk - Fri 4:30a packed powder machine groomed 27 - 27 base 43 trails, 99% open, 6 lifts

    Copper Mountain - Fri 5:00a powder machine groomed 44 - 49 base 117 trails, 1775 acres, 73% open, 21 lifts

    Crested Butte - Fri 5:54a powder 26 - 34 base 83 trails, 75% open, 13 lifts

    Echo Mountain Park - Fri 1:00p powder machine groomed 47 - 48 base 9 trails, 100% open, 1 lift

    Eldora - Fri 6a csr powder machine groomed 48 - 55 base 49 trails, 100% open, 12 lifts

    Keystone - Fri 6:00a packed powder machine groomed 37 - 37 base 109 trails, 3003 acres, 95% open, 19 lifts

    Loveland - Fri 5:45a powder 49 - 49 base 76 trails, 1141 acres, 84% open, 8 lifts

    Monarch - Sat 4:00a 3 new packed powder machine groomed 38 - 40 base 54 trails, 100% open, 5 lifts

    Powderhorn - Fri 9:00a packed powder machine groomed 27 - 27 base 33 trails, 95% open, 3 lifts

    Purgatory at Durango - Fri 5:00a powder machine groomed 34 - 38 base 85 trails, 100% open, 10 lifts

    Silverton Mountain - Thu 7:00p powder 55 - 65 base 97% open, 1 lift

    Ski Cooper - Fri 5:30a powder machine groomed 35 - 37 base 26 trails, 400 acres, 100% open, 4 lifts

    Snowmass - Fri 4:30a packed powder machine groomed 28 - 43 base 75 trails, 79% open, 18 lifts

    SolVista Basin - Fri 6a csr powder machine groomed 25 - 35 base 32 trails, 98% open, 5 lifts

    Steamboat - Fri 8:14a packed powder machine groomed 38 - 40 base 158 trails, 2827 acres, 95% open, 19 lifts

    Sunlight - Fri 6a csr packed powder machine groomed 20 - 24 base 85% open, 3 lifts

    Telluride - Fri 5:01a packed powder machine groomed 35 - 40 base 74 trails, 88% open, 16 lifts

    Vail - Fri 6:00a packed powder machine groomed 27 - 27 base 193 trails, 5042 acres, 95% open, 33 lifts

    Winter Park - Fri 5:48a powder machine groomed 45 - 48 base 130 trails, 91% open, 25 lifts

    Wolf Creek - Fri 6:30a powder machine groomed 56 - 60 base 77 trails, 1600 acres, 100% open, 6 lifts

    MONTANA

    Big Mountain - Fri 9:25a packed powder machine groomed 37 - 50 base 81 trails, 85% open, 11 lifts

    Big Sky - Fri 5:30a packed powder machine groomed 33 - 51 base 88 trails, 3000 acres, 83% open, 11 lifts

    Blacktail Mountain - Fri 6a msr powder machine groomed 31 - 51 base 24 trails, 100% open, 4 lifts

    Bridger Bowl - Fri 5:00p packed powder machine groomed 32 - 32 base 61 trails, 86% open, 7 lifts

    Discovery - Fri 8:00a powder machine groomed 32 - 45 base 50 trails, 95% open, 6 lifts

    Great Divide - Fri 6a msr powder machine groomed 20 - 30 base 60 trails, 43% open, 4 lifts

    Lost Trail - Fri 5:45a powder machine groomed 38 - 45 base 38 trails, 100% open, 5 lifts

    Maverick - Operating, no details

    Montana Snowbowl - Fri 6:00a powder machine groomed 21 - 46 base 38 trails, 4 lifts

    Moonlight Basin - Fri 6:30a packed powder machine groomed 23 - 25 base 25 trails, 31% open, 6 lifts

    Red Lodge - Fri 8:31a packed powder machine groomed 20 - 34 base 19 trails, 27% open, 4 lifts

    Showdown - Fri 6a msr powder machine groomed 26 - 33 base 32 trails, 94% open, 4 lifts

    Teton Pass - Fri 6a msr packed powder machine groomed 17 - 30 base 26 trails, 100% open, 2 lifts

    Turner Mountain - Fri 10:00a w packed powder machine groomed 24 - 45 base 20 trails, 100% open, 1 lift

    NEW MEXICO

    Angel Fire - Sat 5:47a 14 new powder 28 - 36 base 70 trails, 100% open, 7 lifts

    Pajarito - Fri 6a nmsr powder machine groomed 19 - 24 base 27 trails, 68% open, 5 lifts

    Red River - Fri 4:17p powder machine groomed 38 - 38 base 20 trails, 34% open, 6 lifts

    Sandia Peak - Fri 6a nmsr packed powder machine groomed 22 - 23 base 1 trail 3% open, 1 lift

    Sipapu - Fri 7:42a powder machine groomed 28 - 40 base 30 trails, 79% open, 4 lifts

    Ski Apache - Fri 5:07p packed powder machine groomed 28 - 30 base 8 trails, 12% open, 5 lifts

    Ski Santa Fe - Fri 6a mnsr powder machine groomed 34 - 35 base 24 trails, 43% open, 5 lifts

    Taos - Fri 6:30a packed powder machine groomed 30 - 35 base 35 trails, 30% open, 12 lifts

    UTAH

    Alta - Fri 5:30a packed powder machine groomed 54 - 54 base 114 trails, 98% open, 7 lifts

    Beaver Mountain - Fri 6a usr packed powder machine groomed 32 - 36 base 30 trails, 100% open, 5 lifts

    Brian Head - Fri 6a usr packed powder machine groomed 30 - 32 base 43 trails, 80% open, 5 lifts

    Brighton - Fri 5:32a packed powder machine groomed 57 - 57 base 66 trails, 26 miles, 1050 acres, 100% open, 7 lifts

    Deer Valley - Fri 5:30a packed powder machine groomed 42 - 42 base 82 trails, 89% open, 20 lifts

    Park City - Fri 5:30a packed powder machine groomed 31 - 46 base 96 trails, 95% open, 14 lifts

    Powder Mountain - Fri 6a usr packed powder machine groomed 34 - 39 base 58 trails, 51% open, 5 lifts

    Snowbasin - Fri 6:50a packed powder machine groomed 45 - 45 base 73 trails, 85% open, 8 lifts

    Snowbird - Fri 4:45a packed powder machine groomed 50 - 50 base 83 trails, 93% open, 12 lifts

    Solitude - Fri 6:50a packed powder machine groomed 52 - 54 base 62 trails, 95% open, 8 lifts

    Sundance - Fri 4:36a packed powder machine groomed 33 - 37 base 36 trails, 86% open, 3 lifts

    The Canyons - Fri 6:30a packed powder machine groomed 41 - 69 base 130 trails, 89% open, 15 lifts

    Wolf Mountain - Fri 6a usr packed powder machine groomed 19 - 24 base 8 trails, 47% open, 3 lifts

    WYOMING

    Grand Targhee - Fri 8:45a powder machine groomed 74 - 74 base 72 trails, 2000 acres, 100% open, 5 lifts

    Hogadon - Fri 8:00a packed powder machine groomed 20 - 22 base 8 trails, 44% open, 3 lifts

    Jackson Hole - Fri 3:00p powder machine groomed 19 - 56 base 106 trails, 95% open, 11 lifts

    Snow King - Fri 12:27p packed powder machine groomed 25 - 27 base 40% open, 2 lifts

    Snowy Range - Fri 7:00a t powder machine groomed 38 - 38 base 29 trails, 100% open, 5 lifts

    White Pine - Fri 5:43a packed powder machine groomed 26 - 26 base 14 trails, 56% open, 2 lifts

      PACIFIC SOUTH    ARIZONA    Arizona Snowbowl - Opening Soon for Snow Sports    Elk Ridge - Opening Soon for Snow Sports 

    Sunrise Park - Fri 6:00a packed powder machine groomed 10 - 30 base 7 trails, 25% open, 3 lifts

    CALIFORNIA

    Alpine Meadows - Fri 5:56a packed powder machine groomed 35 - 63 base 80 trails, 70% open, 10 lifts

    Bear Mountain - Fri 5:40a packed powder machine groomed 12 - 28 base 15 trails, 56% open, 10 lifts

    Bear Valley - Fri 6:25a packed powder machine groomed 32 - 36 base 32 trails, 55% open, 6 lifts

    Boreal - Fri 5:56a packed powder machine groomed 44 - 59 base 32 trails, 80% open, 7 lifts

    Dodge Ridge - Fri 5:30a packed powder machine groomed 14 - 30 base 33 trails, 700 acres, 90% open, 8 lifts

    Donner Ski Ranch - Fri 7:00a packed powder machine groomed 17 - 27 base 40 trails, 70% open, 4 lifts

    Heavenly - Fri 8:00a packed powder machine groomed 30 - 45 base 13 trails, 160 acres, 3% open, 14 lifts

    Homewood - Fri 8:45a packed powder machine groomed 36 - 45 base 48 trails, 80% open, 7 lifts

    June - Opening Soon for Snow Sports

    Kirkwood - Fri 6:00a packed powder machine groomed 48 - 52 base 51 trails, 78% open, 10 lifts

    Mammoth - Fri 3:15p packed powder machine groomed 36 - 48 base 130 trails, 3000 acres, 90% open, 29 lifts

    Mountain High - Fri 6:30a hard packed machine groomed 15 - 29 base 19 trails, 75% open, 11 lifts

    Mt Shasta - Fri 5:21a packed powder machine groomed 40 - 54 base 30 trails, 97% open, 4 lifts

    Northstar at Tahoe - Fri 6:02a packed powder machine groomed 23 - 48 base 36 trails, 46% open, 13 lifts

    Royal Gorge - Fri 8:00a packed powder machine groomed 60 - 60 base 57 trails, 63% open,

    Sierra at Tahoe - Fri 10:55a packed powder machine groomed 24 - 55 base 26 trails, 57% open, 8 lifts

    Sierra Summit - Fri 8:30a hard packed machine groomed 22 base 30 trails, 60% open, 7 lifts

    Snow Summit - Fri 5:40a packed powder machine groomed 12 - 28 base 75% open, 12 lifts

    Snow Valley - Fri 9:25a hard packed machine groomed 12 - 24 base 9 trails, 26% open, 7 lifts

    Soda Springs - Fri 5:56a packed powder machine groomed 42 - 46 base 25 trails, 100% open, 7 lifts

    Squaw Valley USA - Fri 5:30a packed powder machine groomed 39 - 78 base 100 trails, 80% open, 26 lifts

    Sugar Bowl - Fri 6:00a packed powder machine groomed 38 - 60 base 71 trails, 85% open, 9 lifts

    NEVADA

    Diamond Peak - Fri 6:00a packed powder machine groomed 37 - 56 base 14 trails, 52% open, 4 lifts

    Las Vegas Ski - Fri 7:17a packed powder machine groomed 26 base 10 trails, 90% open, 4 lifts

    Mt Rose - Fri 5:00a packed powder machine groomed 20 - 30 base 15 trails, 40% open, 5 lifts

      PACIFIC NORTH    IDAHO 

    Brundage - Fri 4:45a packed powder machine groomed 54 - 68 base 43 trails, 1300 acres, 100% open, 4 lifts

    Lookout Pass - Fri 6a insa packed powder machine groomed 72 - 106 base 24 trails, 100% open, 3 lifts

    Pebble Creek - Fri 4:00a packed powder machine groomed 20 - 36 base 54 trails, 100% open, 3 lifts

    Pomerelle - Fri 3:40a packed powder machine groomed 55 - 82 base 24 trails, 100% open, 3 lifts

    Schweitzer Mountain - Fri 5:53a powder machine groomed 52 - 77 base 80 trails, 98% open, 9 lifts

    Silver Mountain - Fri 6:00a powder machine groomed 62 - 79 base 67 trails, 100% open, 6 lifts

    Soldier Mountain - Fri 8:45a packed powder machine groomed 28 - 40 base 36 trails, 1147 acres, 100% open, 3 lifts

    Sun Valley - Fri 5:30a packed powder machine groomed 31 - 43 base 79 trails, 88% open, 13 lifts

    Tamarack - Fri 3:15p powder machine groomed 28 - 56 base 36 trails, 95% open, 7 lifts

    OREGON

    Hoodoo - Fri 5:00a packed powder machine groomed 48 - 48 base 24 trails, 80% open, 5 lifts

    Mt Ashland - Fri 6:01a packed powder machine groomed 53 - 70 base 23 trails, 100% open, 4 lifts

    Mt Hood Meadows - Fri 5:00a packed powder machine groomed 84 - 96 base 87 trails, 100% open, 11 lifts

    Ski Anthony Lakes - Fri 5:00a packed powder machine groomed 40 - 51 base 6 trails, 29% open, 3 lifts

    WASHINGTON

    49 Degrees North - Fri 6a insa powder machine groomed 76 - 111 base 68 trails, 100% open, 5 lifts

    Bluewood - Fri 4:00p packed powder machine groomed 48 - 56 base 24 trails, 100% open, 3 lifts

    Crystal Mountain - Fri 5:15a powder machine groomed 73 - 94 base 45 trails, 100% open, 8 lifts

    Loup Loup Ski Bowl - Fri 6:35a packed powder machine groomed 43 - 44 base 10 trails, 100% open, 3 lifts

    Mission Ridge - Fri 5:24a packed powder machine groomed 48 - 59 base 36 trails, 100% open, 5 lifts

    Mt Baker - Fri 4:48a packed powder machine groomed 135 - 145 base 38 trails, 100% open, 7 lifts

    Mt Spokane - Fri 10:45a w packed powder machine groomed 50 - 72 base 45 trails, 100% open, 5 lifts

    Stevens Pass - Fri 5:00a packed powder machine groomed 86 - 88 base 37 trails, 100% open, 10 lifts

    Summit at Snoqualmie-Alpental - Fri 6:00a powder 92 - 95 base 19 trails, 100% open, 4 lifts

    Summit at Snoqualmie-Central - Fri 10:45a w powder machine groomed 72 - 86 base 22 trails, 100% open, 6 lifts

    Summit at Snoqualmie-East - Fri 2:13p packed powder machine groomed 83 - 95 base 14 trails, 100% open, 2 lifts

    Summit at Snoqualmie-West - Fri 6:00a powder 82 - 87 base 12 trails, 100% open, 5 lifts

    White Pass - Fri 5:40a packed powder machine groomed 67 - 90 base 32 trails, 100% open, 5 lifts

      CANADA    BRITISH COLUMBIA 

    Apex Mountain - Fri 4:30a variable machine groomed 56 - 56 base 58 trails, 87% open, 4 lifts

    Big White - Fri 6:05a packed powder machine groomed 54 - 59 base 100 trails, 85% open, 14 lifts

    Crystal Mountain - Fri 3:45a packed powder machine groomed 43 - 78 base 24 trails, 100% open, 3 lifts

    Fernie Alpine - Fri 8:00a hard packed machine groomed 76 - 144 base 105 trails, 98% open, 9 lifts

    Kicking Horse - Fri 4:00a packed powder machine groomed 60 - 64 base 105 trails, 99% open, 5 lifts

    Kimberley - Fri 5:00a packed powder machine groomed 32 - 44 base 78 trails, 100% open, 5 lifts

    Mt Baldy - Fri 5:43a hard packed 39 - 53 base 25 trails, 100% open, 3 lifts

    Mt Timothy - Fri 6:00a packed powder machine groomed 31 - 31 base 28 trails, 100% open, 2 lifts

    Mt Washington Alpine Resort - Fri 8:30a packed powder machine groomed 119 - 122 base 60 trails, 100% open, 8 lifts

    Panorama Mountain - Fri 8:00a packed powder machine groomed 30 - 46 base 120 trails, 100% open, 9 lifts

    Red Resort - Fri 5:00a packed powder machine groomed 75 - 75 base 83 trails, 100% open, 6 lifts

    Silver Star - Fri 8:00a packed powder machine groomed 53 - 55 base 112 trails, 100% open, 12 lifts

    Sun Peaks - Fri 9:00a packed powder machine groomed 47 - 47 base 121 trails, 100% open, 12 lifts

    Whistler/Blackcomb - Fri 9:51a packed powder machine groomed 94 - 102 base 200 trails, 3217 acres, 100% open, 35 lifts

    MANITOBA

    Asessippi Ski Area - Fri 10:00a variable 16 - 20 base 13 trails, 65% open, 4 lifts

    QUEBEC

    Gray Rocks - Thu 8:45a hard packed machine groomed 4 - 6 base 3 trails, 14% open, 2 lifts

    Mont Rigaud - Plan to Open 12/30; Dec 27: 4 inches new snow

    Mont Sainte-Anne - Fri 7:45a packed powder machine groomed 12 - 12 base 39 trails, 55% open, 9 lifts

    Mont Sutton - Sat 5:50a loose granular machine groomed 10 - 20 base 6 trails, 3 miles, 32 acres, 11% open, 2 lifts

    Owl's Head - Fri 6:32a packed powder machine groomed 17 - 17 base 6 trails, 15% open, 2 lifts

    Ski Bromont - Fri 8:26p hard packed machine groomed 35 - 40 base 15 trails, 25% open, 6 lifts

    Stoneham - Sat 5:23a hard packed machine groomed 12 - 12 base 14 trails, 20% open, 6 lifts

    Tremblant - Sat 5:50a loose granular machine groomed 12 - 18 base 48 trails, 27 miles, 367 acres, 55% open, 11 lifts

    ONTARIO

    Blue Mountain - Fri 6a osr packed powder machine groomed 10 - 10 base 2 trails, 6% open, 2 lifts

    Calabogie Peaks - Fri 6a osr loose granular machine groomed 12 - 16 base 3 trails, 15% open, 2 lifts

    Chicopee - Reopen TBA

    Dagmar Ski Resort - Fri 6a osr loose granular machine groomed 8 - 10 base 4 trails, 29% open, 3 lifts

    Devils Elbow - Fri 6a osr loose granular machine groomed 6 - 16 base 3 trails, 27% open, 3 lifts

    Glen Eden - Opening Soon for Snow Sports

    Hidden Valley - Fri 6a osr loose granular machine groomed 2 - 6 base 1 trail 8% open, 1 lift

    Hockley Valley - Fri 6a osr loose granular machine groomed 10 base 4 trails, 29% open, 2 lifts

    Horseshoe Resort - Fri 6a osr loose granular machine groomed 10 - 12 base 8 trails, 35% open, 5 lifts

    Lakeridge Ski Resort - Fri 6a osr loose granular machine groomed 3 - 11 base 3 trails, 14% open, 2 lifts

    Loch Lomond - Fri 8:30a powder machine groomed 13 - 31 base 9 trails, 60% open, 3 lifts

       London Ski Club - Reopen TBA    Mansfield Ski Club - Opening Soon for Snow Sports 

    Mt St Louis-Moonstone - Fri 6a osr loose granular machine groomed 6 - 14 base 13 trails, 36% open, 5 lifts

    Oshawa Ski Club - Plan to Open 12/30 w/ 1 trail

    Searchmont Resort - Fri 5:20a variable machine groomed 4 - 14 base 6 trails, 20% open, 3 lifts

    Sir Sam's - Fri 6a osr packed powder machine groomed 10 - 12 base 4 trails, 33% open, 3 lifts

    Skyloft Ski Club - Fri 7:58a w loose granular machine groomed 3 trails, 17% open,

    Snow Valley - Fri 6a osr loose granular machine groomed 7 - 10 base 13 trails, 72% open, 5 lifts

       Talisman Mountain - Opening Soon for Snow Sports    Uplands - Opening Soon for Snow Sports    NOVA SCOTIA 

    Ski Martock - Fri 4:00p packed powder machine groomed 12 - 24 base 3 trails, 43% open, 1 lift

    NEW BRUNSWICK

    Crabbe Mountain - Sat 6:05a packed powder machine groomed 4 - 8 base 2 trails, 9% open, 2 lifts

    Poley Mountain - Fri 8:00a packed powder machine groomed 10 - 12 base 6 trails, 26% open, 3 lifts

    ALBERTA

    Canada Olympic Park - Fri 6a alb packed powder machine groomed 30 - 30 base 1 trail 33% open, 6 lifts

    Castle Mountain - Fri 5:21a packed powder machine groomed 24 - 63 base 63 trails, 95% open, 5 lifts

    Lake Louise - Fri 5:53a packed powder machine groomed 40 - 64 base 138 trails, 99% open, 10 lifts

    Marmot Basin - Fri 6a alb packed powder machine groomed 28 - 33 base 84 trails, 100% open, 9 lifts

    Nakiska Ski Area - Fri 6a alb packed powder machine groomed 16 - 32 base 18 trails, 64% open, 6 lifts

    Ski Banff @ Norquay - Fri 6a alb powder machine groomed 35 - 42 base 100% open, 5 lifts

    Sunshine Village - Fri 6:00a powder machine groomed 52 - 52 base 107 trails, 100% open, 12 lifts

      ALASKA    ALASKA 

    Alyeska Resort - Fri 7:40a powder machine groomed 44 - 100 base 69 trails, 92% open, 8 lifts

    Eaglecrest - Fri 7:00a powder machine groomed 48 - 109 base 31 trails, 80% open, 3 lifts

    Source: SnoCountry Worldwide

     

     

    DEC 29

     

    Denaro Athletes Newsletter - Dec. 30, 2006


    Denaro fighter, Chris Leben will make his pay per view debut on December 30, 2006. Leben will square off against Jason Macdonald on the main card of the "Lidell vs. Ortiz II" card from Las Vegas, NV.

    For more information log onto www.ufc.com

    Chris Leben vs. Jason Macdonald

     

    Chris "The Crippler" Leben will be looking to get some revenge when he faces Canadian middleweight Jason "The Athlete" MacDonald at UFC 66 on December 30th. MacDonald made his UFC debut last month where he submitted Leben's teammate Ed Herman early into the first round. Leben vs. MacDonald will be featured on the main card of UFC 66 headlined by Ortiz vs Lidell II. Leben is very excited about appearing on pay per view and expects to get another win under his belt in knockout fashion!

    For more information log onto www.ufc.com.

    Chris Leben is proudly endorsed by






    Denaro Fighters in Recent Action


    Travis Lutter
    The Ultimate Fighter 4 "Finale", November 11, 2006 at The Hard Rock Hotel in Las Vegas, NV.

    Travis Lutter made it look easy on Saturday night as he walked this season's winner of The Ultimate Fighter 4 Reality Series. He submitted semi-finalist Patrick "The Predator" Cote with and arm bar at 2:18 of the first round. In his pre-fight interview Travis exclaimed that "We will circle, I will take you down, and walk away with an arm or a leg". Similar to a script in a movie, Travis did just that and earned himself a title shot against Anderson Silva for the middleweight crown! In addition to the title shot, Travis also won a $100, 000 purse, $100,000 Xyience endorsement, two-karat diamond Gerge watch, and a 2007 Scion TC automobile. It was a great night for Travis as he achieved his first goal and now sets his sights on becoming a world champion!

    For more information log onto www.ufc.com.

    Chris Leben Official After Party




    Chris Leben will be hosting his official after party at Lure inside the Wynn Hotel in Las Vegas, NV on December 30th. Come join Chris and some of his closet friends and family after his bout at UFC 66. Don't miss this opportunity to meet Chris "The Cripler" Leben as he celebrates another UFC victory.

    For more information log onto www.crippler.tv.
     

    Check Out Denaro Athletes On The Web


    John Alessio


    www.johnalessio.tv

    Edwin Deweese


    www.edwindewees.tv

    Melvin Guillard


    www.youngassassin.com

    Ed Herman


    www.edherman.tv

    Alex Karalexis


    www.alexkaralexis.com

    Chris Leben


    www.crippler.tv

    Nathan Quarry


    www.nathanquarry.com

    Joe Riggs


    www.joeriggs.tv

    Lodune Sincaid



    Evan Tanner



    David Terrell


    www.davidterrell.tv



    © Copyright 2006 Denaro Sports Marketing | Contact Us

     

     

    Dec 22

     

    SnoCountry Reports Latest Skiing Conditions Information

    Dec. 22 Following are the latest skiing conditions information as supplied by SnoCountry Mountain Reports as of Friday, Dec 22 2006, 6:01:15 AM EST. Alpine Skiing/Riding conditions are subject to change due to weather, skier traffic and other factors. Be aware of changing conditions.

    SNOW CONDITION DEFINITIONS & TERMS

    This glossary of terms is used by all ski areas when they report to SCR. The code allows for communication with skiers in a universal language.

    NOTE: The standard abbreviations next to each definition reflect the way ski reports are communicated in print (newspapers).

    New Snow: Natural snowfall which has fallen in the past 24 hours or continuously for more than one day. An average accumulation from summit to base is reported.

    Average Base Depth: An average of the high and low amounts of snow over the entire ski area. Machine made and natural snow amounts are combined.

    Primary Surface Condition: The type of snow condition which covers at least 70 percent of the terrain open to skiers.

    Secondary Surface Condition: The next most prevalent snow conditions, covering at least 20% of the skiing terrain open to skiers.

    Powder-PDR: Cold, new, loose, fluffy, flaky and dry snow which has not been compacted.

    Packed Powder-PP: Powder snow, either natural or machine made, that has been packed down by skier traffic or grooming machines. The snow is no longer fluffy, but is not so extremely compacted that it is hard.

    Hard Pack-HP: When natural or machine made snow becomes very firmly packed. The snow has never melted and re-crystallized, but it's been tightly compressed through grooming and continuous wind exposure. You can plant a pole in hard packed snow, but it takes more effort than packed powder.

    Machine Groomed Snow-MGS: Loose granular snow that has been repeatedly groomed by power tillers so that the texture is halfway between LSGR & PP. Some of the snow is granular & has been so pulverized that the crystals are like powder sugar. It's neither LSGR or PP.

    Wet Snow-WETSN: Powder or packed powder snow that has become moist due to a thaw or rainfall, or snow which was moist when it fell.

    Wet packed Snow-WPS: Natural or machine made snow that has been previously packed and becomes wet usually because of rainfall.

    Loose Granular-LSGR: This surface results after powder or packed powder thaws, then refreezes and recrystalizes, or from an accumulation of sleet. This is also created by machine grooming of frozen or icy snow.

    Frozen Granular-FRGR: This is undoubtedly the most misunderstood surface condition in ski reporting. It is defined as a hard surface of old snow formed by granules freezing together after rain or warm temperatures. Frozen granular will support a ski pole stuck into its surface while ice will chip away and not support a pole.

    Wet Granular-WETGR: Loose or frozen granular snow which becomes wet after rainfall or high temperatures.

    Icy-ICE: Not to be confused with frozen granular, ice is a hard, glazed surface created either by freezing rain, ground water seeping up into the snow and freezing or by the rapid freezing of snow saturated with water from rain or melting. Ice will chip away and not support a ski pole when stuck into it.

    Variable Conditions-VC: When no primary surface (70%) can be determined, variable conditions describe a range of surfaces that a skier may encounter. Parts of trails can be Loose Granular, partly Packed Powder, and parts Frozen Granular, for example.

    Corn Snow-CORN: Usually found in the spring, Corn Snow is characterized by large, loose granules during the day, which freeze together at night, then warm up again and loosen during the day.

    Spring Conditions-SC: This is the spring version of Variable Conditions. It is used when no one surface can describe 70% or more of the terrain open for skiers.

    Windblown Snow-WBLN: Powder or granular snow which has been blown by wind into forming a base.

      NORTHEAST   CONNECTICUT        Mohawk Mountain - Thu 4:00p loose granular machine 
    12 - 24   base 5 trails, 21% open, 3 lifts        Mt Southington - Thu 9:25p variable 
    machine groomed 8 - 15 base 3   trails, 25% open, 3 lifts        Ski Sundown - 
    Thu 9:00a loose granular machine groomed 10 - 18 base 6   trails, 45% open, 2 lifts   
         Woodbury - Thu 4:00a t packed powder machine groomed 12 - 25 base 6  
     trails, 40% open, 4 lifts   MAINE        Big Rock - Operating, no details      
      Black Mountain - Plan to Open 12/26        Camden Snow Bowl - Plan to Open 12/26   
         Hermon Mtn - Thu 5:00p packed powder machine groomed 6 - 12 base 1   trail 
     5% open, 1 lift        Lost Valley - Plan to Open 12/26        Mt Abram - Plan to Open 12/22
            Saddleback - Thu 4:25p packed powder machine groomed 8 - 24 base 7  
     trails, 11% open, 3 lifts        Shawnee Peak - Thu 4:20p loose granular machine groomed
     8 - 12 base 4   trails, 44 acres, 18% open, 2 lifts        Sugarloaf/USA - Thu 2:38p 
    packed powder machine groomed 8 - 20 base   18 trails, 10 miles, 123 acres, 13% 
    open, 5 lifts        Sunday River - Thu 3:00p packed powder machine groomed 12 - 24 base 
      38 trails, 14 miles, 178 acres, 29% open, 5 lifts   MASSACHUSETTS        Berkshire East -
     Reopen 12/23        Blandford - Plan to Open TBA        Blue Hills - Opening Soon for Snow 
    Sports        Bousquet - Reopen 12/22 at 3p        Bradford - Reopen TBA       
     Catamount - Reopen 12/23        Jiminy Peak - Thu 8:00p loose granular machine 
    groomed 12 - 28 base   14 trails, 5 miles, 75 acres, 44% open, 3 lifts       
     Nashoba Valley - Thu 1:43p packed powder machine groomed 4 - 8 base 4  
     trails, 25% open, 3 lifts        Otis Ridge - Opening Soon for Snow Sports       
     Pine Ridge - Plan to Open 12/26        Ski Butternut - Thu 5:45p loose granular 
    machine groomed 12 - 14 base   4 trails, 2 miles, 18% open, 2 lifts        
    Ski Ward Ski Area - Thu 5:45p variable    12 - 36 base 2 trails, 29%   open, 2 lifts      
      Wachusett - Thu 6:22p frozen granular    6 - 14 base 8 trails, 45%   open, 4 lifts   
    NEW HAMPSHIRE        Attitash - Thu 4:10p loose granular machine groomed 8 - 36 base 7
       trails, 10% open, 3 lifts        Balsams/Wilderness - Thu 5:11p packed powder machine
     groomed 16 - 20   base 3 trails, 19% open, 3 lifts        Black Mountain - Thu 3:00p packed 
    powder machine groomed 6 - 24 base   4 trails, 10% open, 1 lift        Bretton Woods - 
    Thu 2:10p packed powder machine groomed 12 - 24 base   15 trails, 5 miles, 90 acres, 
    21% open, 3 lifts        Cannon Mountain - Thu 2:45p loose granular machine groomed 
    8 - 20   base 6 trails, 10% open, 2 lifts Dec 23: 11 trails, 6 lifts,        Cranmore - 
    Thu 6:43a loose granular machine groomed 6 - 24 base 3   trails, 8% open, 2 lifts       
     Crotched Mountain - Thu 8:43a packed powder machine groomed 10 - 22   base 6 trails, 
    35% open, 2 lifts        Dartmouth Skiway - Reopen 12/23 w/3 trails        Granite Gorge - 
    Reopen 12/23 from 12p-5p        Gunstock - Thu 8:51p packed powder machine groomed 
    10 - 30 base 5   trails, 10% open, 3 lifts        King Pine - Thu 10:00p loose granular machine
     groomed 6 - 18 base 3   trails, 15% open, 2 lifts        Loon Mountain - Thu 5:30p frozen
     granular machine groomed 6 - 12 base   10 trails, 60 acres, 22% open, 3 lifts        
    McIntyre Ski Area - Opening Soon for Snow Sports        Mount Sunapee - Thu 4:21p 
    loose granular machine groomed 12 - 24 base   12 trails, 4 miles, 46 acres, 20% open, 2 lifts 
           Pats Peak - Thu 4:49p loose granular machine groomed 8 - 24 base 7   trails, 30% open, 
    3 lifts        Ragged Mountain - Plan to Open 12/26        Storrs Hill - Plan to Open 01/02        
    Waterville Valley - Thu 7:00a packed powder machine groomed 8 - 20   base 13 trails, 25%
     open, 3 lifts        Whaleback - Reopen 12/23        Wildcat - Thu 4:30p loose granular 
    machine groomed 6 - 24 base 2   trails, 2% open, 1 lift   NEW JERSEY       
     Campgaw Mtn - Reopen 12/24        Mountain Creek - Thu 8:49p variable    
    6 - 18 base 6 trails, 15%   open, 1 lift   NEW YORK        Belleayre - Thu 7:42p 
    loose granular machine groomed 12 - 30 base 7   trails, 10% open, 4 lifts       
     Brantling Ski Slopes - Reopen TBA        Bristol Mountain - Thu 9:30p packed powder 
    machine groomed 18 base 12   trails, 36% open, 1 lift        Cockaigne - Reopen TBA  
          Dry Hill - Reopen 12/22        Gore Mountain - Thu 4:47p packed powder machine 
    groomed 8 - 25 base 7   trails, 4 miles, 49 acres, 8% open, 3 lifts        Greek Peak - 
    Thu 4:23p loose granular machine groomed 2 - 14 base 4   trails, 13% open, 2 lifts 
           Holiday Mountain - Plan to Open 12/26        Holiday Valley - Thu 5:45p loose 
    granular machine groomed 20 base 12   trails, 20% open, 5 lifts        HoliMont - Plan 
    to Open TBA        Hunter Mountain - Thu 4:21p loose granular machine groomed 4 - 40   
    base 19 trails, 35% open, 4 lifts        Kissing Bridge - Reopen TBA        Labrador Mountain -
     Reopen 12/23        McCauley - Thu 5:00p packed powder machine groomed 6 - 26 base 2   
    trails, 10% open, 2 lifts        Mt Peter - Plan to Open 12/23        Peek' n Peak - Thu 6:00p
     loose granular machine groomed 2 - 20 base 7   trails, 33% open, 2 lifts        Plattekill - 
    Plan to Open 12/23        Royal Mountain - Opening Soon for Snow Sports        Snow Ridge - 
    Reopen TBA        Song Mountain - Open Sat/Sun        Swain - Thu 9:16p frozen granular 
    machine groomed 15 base 4 trails,   15% open, 1 lift        Thunder Ridge - Reopen TBA  
          Titus Mountain - Thu 4:45p packed powder machine groomed 4 - 8 base 5   trails, 
    19% open, 3 lifts        Toggenburg - Reopen 12/22        West Mountain - Plan to Open 12/26 
           Whiteface - Fri 5:15a loose granular machine groomed 12 - 24 base 12   trails, 5 miles, 
    58 acres, 26% open, 4 lifts        Windham Mtn - Thu 5:00p packed powder machine groomed 
    5 - 29 base 12   trails, 4 miles, 26% open, 3 lifts        Woods Valley - Reopen 12/23   
    PENNSYLVANIA        Alpine Mountain - Plan to Open 12/25 12p-6p        Bear Creek - Reopen TBA 
           Big Boulder - Thu 3:50p w loose granular machine groomed 18 - 46 base   9 trails, 56% 
    open, 6 lifts        Blue Knob - Plan to Open 12/26        Blue Mountain - Fri 4:00a packed powder
     machine groomed 12 - 36 base   13 trails, 43% open, 4 lifts        Camelback - Thu 4:24p packed
     powder machine groomed 12 - 36 base 11   trails, 45% open, 4 lifts        Elk Mountain - 
    8:10a packed powder machine groomed 24 - 48 base 5   trails, 18 acres, 19% open, 3 lifts   
         Hidden Valley - Mon Open Sat/Sun  7:00a variable    6 - 10 base 5   trails, 18% open, 2 lifts 
           Jack Frost - Thu 3:51p w loose granular machine groomed 18 - 36 base   12 trails, 43% open,
     9 lifts        Liberty Mountain - Thu 9:03a variable machine groomed 4 - 8 base 4   trails, 25% 
    open, 3 lifts        Seven Springs - Fri 4:55a wet granular machine groomed 10 - 18 base 9  
     trails, 28% open, 5 lifts        Shawnee Mountain - Thu 4:23p variable machine groomed 12 - 
    24 base 4   trails, 20% open, 2 lifts        Ski Big Bear - Open Sat/Sun        Ski Denton - 
    Open Sat/Sun        Ski Sawmill - Mon Open Sat/Sun  9:15a variable machine groomed 6 - 12   
    base 1 trail  10% open, 1 lift        Sno Mountain - Plan to Open 12/23        Spring Mountain - 
    Thu 9:00a wet granular machine groomed 10 - 20 base   2 trails, 35% open, 2 lifts        
    Tanglwood - Plan to Open 12/23        Tussey Mountain - Reopen TBA        Whitetail - 
    Thu 3:53p w loose granular machine groomed 10 - 12 base   10 trails, 53% open, 3 lifts   
    RHODE ISLAND        Yawgoo Valley - Thu 4:28p loose granular machine groomed 6 - 10 base   
    2 trails, 17% open, 2 lifts   VERMONT        Ascutney Mountain - Thu 5:22p loose granular machine
     groomed 12 - 24   base 2 trails, 3% open, 1 lift        Bear Creek - Plan to Open 12/26        
    Bolton Valley - Fri 4:00a packed powder machine groomed 10 - 24 base   7 trails, 15% open,
     4 lifts        Bromley Mountain - Thu 6:46a loose granular machine groomed 8 - 20   
    base 3 trails, 7% open, 2 lifts        Burke Mountain - Thu 2:30p loose granular machine 
    groomed 6 - 16 base   6 trails, 13% open, 3 lifts Dec 23: 4 lifts,        Jay Peak - 
    5:53a variable machine groomed 6 - 24 base 10 trails,   13% open, 5 lifts        
    Killington - Thu 4:32p loose granular machine groomed 16 - 22 base 51   
    trails, 21 miles, 26% open, 12 lifts        Mad River Glen - Plan to Open TBA        
    Magic Mountain - Plan to Open 12/23        Middlebury College Snow Bowl - 
    Thu 7:00a loose granular machine   groomed 2 - 32 base 2 trails, 12% open, 1 lift   
         Mount Snow - Thu 6:30a packed powder machine groomed 12 - 24 base 24  
     trails, 11 miles, 172 acres, 23% open, 6 lifts        Okemo Mountain - Thu 3:25p 
    loose granular machine groomed 8 - 24 base   34 trails, 29% open, 9 lifts       
     Pico - Thu 4:35p loose granular machine groomed 16 - 22 base 6   trails, 1 mile ,
     12% open, 4 lifts        Quechee Lakes - Plan to Open 12/26        Smugglers' Notch - 
    Thu 4:30p loose granular machine groomed 6 - 24   base 7 trails, 10% open, 3 lifts      
      Stowe - Thu 5:11p packed powder machine groomed 24 - 36 base 8   trails, 17% open, 5 lifts 
           Stratton Mountain - Thu 7:00a packed powder machine groomed 10 - 32   base 22 trails, 
    10 miles, 125 acres, 25% open, 5 lifts Dec 23: 30 trails,        Sugarbush - Thu 5:25a packed 
    powder machine groomed 6 - 40 base 14   trails, 13% open, 4 lifts       
     Suicide Six - Thu 5:00p packed powder machine groomed 6 - 16 base 2   trails,
     9% open, 2 lifts   SOUTHEAST   ALABAMA        Cloudmont - Reopen TBA   
    MARYLAND        Wisp - Thu 7:05a loose granular machine groomed 12 - 32 base 12  
     trails, 43% open, 4 lifts   NORTH CAROLINA        Appalachian - Thu 4:00a loose granular 
    machine groomed 18 - 32 base 6   trails, 67% open, 4 lifts        Cataloochee - Thu 10:00p 
    variable machine groomed 21 - 39 base 6   trails, 50% open, 4 lifts        Hawksnest - 
    Wed 7:00p loose granular machine groomed 6 - 16 base 4   trails, 40% open, 2 lifts     
       Sapphire Valley - Reopen 12/23        Ski Beech - Thu 8:30p wet granular    
    8 - 24 base 5 trails, 33% open,   5 lifts        Sugar Mountain - Thu 9:00p frozen granular 
       18 - 43 base 9 trails,   45% open, 4 lifts   TENNESSEE        Ober Gatlinburg - 
    Thu 5:48p loose granular machine groomed 10 - 18   base 3 trails, 38% open, 2 lifts  
     VIRGINIA        Bryce Resort - Thu 4:54p wet packed snow machine groomed 15 - 32 base  
     4 trails, 15 acres, 50% open, 2 lifts        Massanutten - Thu 4:00p wet granular machine
     groomed 16 - 20 base 5   trails, 25% open, 3 lifts        Wintergreen - Thu 7:43p loose
     granular machine groomed 18 - 21 base 5   trails, 20% open, 3 lifts   WEST VIRGINIA   
         Canaan Valley - Fri 4:00a wet granular    24 - 48 base 3 trails, 8%   open, 1 lift      
      Snowshoe Mountain - Wed 6:55p wet snow machine groomed 22 - 32 base   30 trails,
     40% open, 9 lifts        Timberline Four Seasons - Thu 3:55p w loose granular machine
     groomed   30 - 62 base 9 trails, 24% open, 2 lifts        Winterplace - Thu 7:25p loose 
    granular machine groomed 18 - 36 base 4   trails, 14% open, 3 lifts   MIDWEST   ILLINOIS
            Four Lakes Village - Reopen TBA        Ski Snowstar - Reopen TBA        Villa Olivia -
     Reopen TBA   INDIANA        Paoli Peaks - Reopen TBA        Perfect North - Thu 9:30a 
    spring snow machine groomed 24 - 36 base 16   trails, 60% open, 4 lifts   IOWA        
    Fun Valley - Reopen 12/26        Seven Oaks - Thu 12:00p wet packed snow    6 - 12 base 
    2 trails, 25%   open, 2 lifts        Sundown Mountain - Thu 9:30a variable    10 - 25 base 20 
    trails, 95%   open, 5 lifts   MICHIGAN        Alpine Valley - Fri Call Ahead  4:00a variable   
     18 base 4 trails,   16% open, 3 lifts        Apple Mountain - Opening Soon for Snow Sports   
         Big Powderhorn - Thu 4:00p packed powder machine groomed 6 - 30 base   6 trails, 20%
     open, 2 lifts        Bittersweet - Reopen TBA        Blackjack - Thu 7:00a packed powder 
    machine groomed 12 - 26 base 8   trails, 40% open, 4 lifts        Boyne Highlands - 
    Thu 5:00p packed powder machine groomed 6 - 36 base   12 trails, 24% open, 4 lifts 
           Boyne Mountain - Thu 5:00p packed powder machine groomed 6 - 36 base   
    12 trails, 20% open, 2 lifts        Caberfae Peaks - Thu 12:00p variable    
    12 - 32 base 8 trails, 20%   open, 2 lifts        Cannonsburg - Reopen TBA    
        Crystal Mountain - Thu 7:54a hard packed    30 - 32 base 13 trails,   42% open, 5 lifts
            Hickory Hills - Opening Soon for Snow Sports        Marquette - Thu 6:03p packed
     powder machine groomed 18 - 25 base 3   trails, 12% open, 2 lifts        
    Mont Ripley - Fri Open Fri-Sun  9:00a w packed powder machine groomed   
    - 24 base 3 trails, 12% open, 1 lift        Mount Brighton - Reopen TBA        
    Mt Holly - Reopen TBA        Norway Mountain - Thu 6:00p packed powder machine
     groomed 12 - 18   base 7 trails, 55% open, 2 lifts        Nub's Nob - 
    Thu 7:33p frozen granular    10 - 48 base 22 trails, 42%   open, 4 lifts      
      Shanty Creek - Thu 10:10p variable    12 - 48 base 10 trails, 20%   open, 3 lifts     
       Ski Brule - Thu 4:23p loose granular machine groomed 6 - 36 base 11   trails, 65% 
    open, 3 lifts        Skyline - Plan to Open 12/26        Snow Snake - Reopen 12/23 @ 10a 
           Swiss Valley - Reopen TBA        The Homestead - Plan to Open 12/22        
    Timber Ridge - Reopen 12/26        Treetops - Plan to Open 12/23   
    Afton Alps - Thu 12:30p variable machine groomed 12 - 28 base 30   trails, 75% open, 
    6 lifts        Andes Tower Hills - Thu 6p tcisa loose granular machine groomed 12 -   
    24 base 5 trails, 33% open, 3 lifts        Buena Vista - Thu 6:15p w loose granular 
    machine groomed 18 - 32 base   6 trails, 38% open, 3 lifts        Coffee Mill - 
    Thu 5p tcisa packed powder machine groomed 12 - 25 base   4 trails, 40% open, 3 lifts 
           Hyland Ski   Snowboard - Thu 6:30p packed powder machine groomed 12 -   
    36 base 11 trails, 90% open, 8 lifts        Mount Kato - Thu 1:45p variable machine
     groomed 16 - 28 base 10   trails, 53% open, 5 lifts        Spirit Mountain - Thu 8:00a 
    packed powder machine groomed 18 - 24   base 8 trails, 36% open, 2 lifts        
    Welch Village - Thu 12:00p loose granular machine groomed 15 - 30   base 38 
    trails, 75% open, 4 lifts        Wild Mountain - Thu 8:08a powder machine groomed 15 - 
    40 base 24   trails, 98% open, 6 lifts   MISSOURI        Snow Creek - Thu 5:15p loose
     granular machine groomed 24 - 24 base 10   trails, 60% open, 6 lifts   NORTH DAKOTA   
         Huff Hills - Thu 6:00p loose granular machine groomed 8 - 12 base 2   trails, 12% 
    open, 2 lifts   OHIO        Alpine Valley - Opening Soon for Snow Sports       
     Boston Mills/Brandywine - Opening Soon for Snow Sports        Mad River - Reopen 12/
    Snow Trails - Thu 9:45a wet granular    12 - 24 base 4 trails, 30   acres, 31% open, 4 lifts  
     SOUTH DAKOTA        Deer Mountain - Operating daily thru Jan 01; no details        Terry Peak - Thu 7:45a packed powder machine groomed 14 - 18 base 5   trails, 20% open, 3 lifts   WISCONSIN        Alpine Valley - Thu 6:00p variable    6 - 14 base 2 trails, 10% open,   2 lifts        Cascade Mountain - Operating, no details        Christie Mountain - Thu 6:00a loose granular machine groomed 24 - 35   base 8 trails, 35% open, 3 lifts        Christmas Mountain - Plan to Open 12/22        Devil's Head - Fri 12:30a packed powder machine groomed 18 - 28 base   12 trails, 43% open, 3 lifts        Granite Peak - Thu 2:30p packed powder machine groomed 20 - 20 base   20 trails, 30% open, 4 lifts        Little Switzerland - Thu 10:53p packed powder machine groomed 6 - 18   base 6 trails, 40% open, 5 lifts        Mountain Top at Grand Geneva - Wed 4:45p loose granular machine   groomed 6 - 30 base 12 trails, 80% open, 4 lifts        Nordic Mountain - Reopen 12/23 at 10a, 6 trails, 3 lifts        Sunburst - Reopen 12/22 at 4p        Trollhaugen - Fri 12:30a packed powder machine groomed 15 - 30 base   16 trails, 72% open, 5 lifts        Tyrol Basin - Thu 10:30a wet packed snow machine groomed 10 - 20 base   10 trails, 55% open, 4 lifts   ROCKIES   COLORADO        Arapahoe Basin - Thu 5:25a powder machine groomed 38 - 38 base 37   trails, 54% open, 5 lifts        Aspen Highlands - Thu 4:30a powder machine groomed 32 - 53 base 101   trails, 78% open, 4 lifts        Aspen Mountain - Thu 4:30a powder machine groomed 30 - 33 base 66   trails, 95% open, 6 lifts        Beaver Creek - Thu 5:30a powder machine groomed 33 - 33 base 115   trails, 1500 acres, 92% open, 16 lifts        Breckenridge - Thu 5:30a powder    35 - 47 base 146 trails, 2025   acres, 86% open, 28 lifts        Buttermilk - Thu 4:30a powder machine groomed 24 - 27 base 41 trails,   95% open, 5 lifts        Copper Mountain - Thu 5:19a powder machine groomed 42 - 48 base 105   trails, 1527 acres, 63% open, 19 lifts        Crested Butte - Thu 6:30a packed powder machine groomed 29 - 37 base   81 trails, 77% open, 13 lifts        Echo Mountain Park - Thu 12:00p powder machine groomed 35 - 43 base 7   trails, 78% open, 1 lift        Eldora - Thu 6a csr powder machine groomed 33 - 48 base 27 trails,   80% open, 11 lifts        Keystone - Thu 5:30a powder    39 - 39 base 96 trails, 2809 acres,   89% open, 19 lifts        Loveland - Thu 5:30a powder machine groomed 37 - 37 base 76 trails,   1096 acres, 80% open, 8 lifts        Monarch - Thu 12:25p powder    44 - 47 base 46 trails, 91% open, 5   lifts        Powderhorn - Thu 5:30a powder machine groomed 26 - 31 base 31 trails,   88% open, 3 lifts        Purgatory at Durango - Thu 5:00a powder    45 - 49 base 85 trails,   1200 acres, 100% open, 10 lifts        Silverton Mountain - Thu 6a csr powder    32 - 63 base 75% open, 1   lift        Ski Cooper - Thu 5:30a powder machine groomed 31 - 33 base 26 trails,   400 acres, 100% open, 4 lifts        Snowmass - Thu 4:30a powder machine groomed 33 - 48 base 70 trails,   72% open, 15 lifts        SolVista Basin - Thu 6a csr powder    18 - 42 base 17 trails, 90%   open, 3 lifts        Steamboat - Thu 8:08a powder machine groomed 42 - 46 base 121 trails,   2364 acres, 121% open, 11 lifts        Sunlight - Thu 6a csr powder machine groomed 21 - 28 base 55% open, 3   lifts        Telluride - Thu 5:30a powder machine groomed 41 - 47 base 64 trails,   76% open, 16 lifts        Vail - Thu 5:30a powder    30 - 30 base 177 trails, 4311 acres, 82%   open, 31 lifts        Winter Park - Thu 6a csr powder    50 - 56 base 107 trails, 80% open,   23 lifts        Wolf Creek - Thu 6:30a powder machine groomed 71 - 74 base 77 trails,   1600 acres, 100% open, 6 lifts   MONTANA        Big Mountain - Thu 9:00a packed powder machine groomed 26 - 41 base   68 trails, 75% open, 5 lifts        Big Sky - Thu 7:00a packed powder machine groomed 26 - 38 base 22   trails, 30% open, 10 lifts        Blacktail Mountain - Thu 5a msr packed powder machine groomed 26 - 43   base 24 trails, 100% open, 4 lifts        Bridger Bowl - Thu 4:38p packed powder machine groomed 6 - 21 base   35% open, 2 lifts        Discovery - Thu 6:47a packed powder machine groomed 14 - 25 base 28   trails, 50% open, 4 lifts        Great Divide - Thu 6:26a powder machine groomed 15 - 20 base 60   trails, 43% open, 4 lifts        Lost Trail - Thu 6:00a packed powder machine groomed 26 - 32 base 20   trails, 44% open, 2 lifts        Maverick - Opening Soon for Snow Sports        Montana Snowbowl - Thu 6:00a packed powder machine groomed 17 - 40   base 37 trails, 95% open, 3 lifts        Moonlight Basin - Thu 8:10a variable    15 - 20 base 20 trails, 30%   open, 6 lifts        Red Lodge - Thu 6:00a packed powder machine groomed 12 - 30 base 14   trails, 20% open, 4 lifts        Showdown - Thu 5a msr packed powder machine groomed 20 - 26 base 31   trails, 90% open, 4 lifts        Teton Pass - Sat Open Sat/Sun  9:00p packed powder machine groomed 17   - 26 base 19 trails, 73% open, 2 lifts        Turner Mountain - Fri Open Fri-Sun  6a msr powder machine groomed 16   - 30 base 50% open, 1 lift   NEW MEXICO        Angel Fire - Thu 4:30a powder machine groomed 18 - 18 base 23 trails,   33% open, 5 lifts        Pajarito - Plan to Open 12/23; Dec 20: 16-24 inches new snow        Red River - Thu 4:34p powder machine groomed 20 - 38 base 13 trails,   22% open, 5 lifts        Sipapu - Fri 12:00a powder machine groomed 29 - 36 base 23 trails,   61% open, 3 lifts        Ski Apache - Thu 8:30p packed powder machine groomed 31 - 34 base 6   trails, 10% open, 4 lifts        Ski Santa Fe - Thu 6a nmsr powder machine groomed 12 - 20 base 18   trails, 32% open, 4 lifts        Taos - Thu 5:30a packed powder machine groomed 30 - 30 base 16   trails, 15% open, 7 lifts   UTAH        Alta - Thu 5:30a packed powder machine groomed 54 - 54 base 114   trails, 98% open, 7 lifts        Beaver Mountain - Thu 6a usr packed powder machine groomed 16 - 32   base 30 trails, 100% open, 5 lifts        Brian Head - Thu 6a usr packed powder machine groomed 30 - 32 base 13   trails, 24% open, 3 lifts Dec 23: 7 lifts,        Brighton - Thu 5:36a packed powder machine groomed 54 - 54 base 58   trails, 26 miles, 1050 acres, 95% open, 6 lifts        Deer Valley - Thu 6a usr packed powder machine groomed 36 - 40 base   64 trails, 70% open, 18 lifts        Park City - Thu 5:18a packed powder machine groomed 37 - 37 base 90   trails, 90% open, 14 lifts        Powder Mountain - Thu 6a usr packed powder machine groomed 32 - 36   base 39 trails, 35% open, 3 lifts        Snowbasin - Thu 6:00a hard packed machine groomed 44 - 48 base 48   trails, 60% open, 6 lifts        Snowbird - Thu 4:30a packed powder machine groomed 50 - 51 base 83   trails, 93% open, 11 lifts        Solitude - Thu 6:50a packed powder machine groomed 43 - 45 base 62   trails, 95% open, 8 lifts        The Canyons - Thu 4:20p packed powder machine groomed 38 - 64 base   123 trails, 81% open, 13 lifts        Wolf Mountain - Thu 6a usr packed powder machine groomed 19 - 21 base   7 trails, 41% open, 3 lifts   WYOMING        Grand Targhee - Thu 8:40a packed powder machine groomed 61 - 61 base   72 trails, 2000 acres, 100% open, 5 lifts        Hogadon - Thu 8:00a packed powder machine groomed 14 - 16 base 5   trails, 28% open, 2 lifts        Jackson Hole - Thu 6:00a packed powder machine groomed 13 - 49 base   40 trails, 2125 acres, 90% open, 9 lifts Dec 22: 11 lifts,        White Pine - Thu 5:51a packed powder machine groomed 18 - 22 base 14   trails, 56% open, 2 lifts   PACIFIC SOUTH   ARIZONA        Arizona Snowbowl - Opening Soon for Snow Sports        Elk Ridge - Opening Soon for Snow Sports        Sunrise Park - Thu 6:00a packed powder machine groomed 8 - 10 base 4   trails, 6% open, 2 lifts   CALIFORNIA        Alpine Meadows - Thu 6:00a packed powder machine groomed 16 - 37 base   20 trails, 55% open, 6 lifts        Bear Mountain - Thu 5:25a packed powder machine groomed 12 - 28 base   13 trails, 48% open, 7 lifts        Bear Valley - Thu 5:50a packed powder machine groomed 19 - 25 base 9   trails, 22% open, 3 lifts        Boreal - Thu 6:13a packed powder machine groomed 20 - 24 base 18   trails, 65% open, 5 lifts        Dodge Ridge - Thu 5:00P powder machine groomed 6 - 18 base 60% open,   5 lifts        Donner Ski Ranch - Thu 7:43a packed powder machine groomed 12 - 27   base 6 trails, 15% open, 1 lift        Heavenly - Thu 7:00a packed powder machine groomed 30 - 45 base 17   trails, 65 acres, 40% open, 14 lifts        Homewood - Thu 7:30a packed powder machine groomed 12 - 24 base 7   trails, 12% open, 3 lifts        June - Opening Soon for Snow Sports        Kirkwood - Thu 6:30a packed powder machine groomed 33 - 37 base 21   trails, 32% open, 6 lifts        Mammoth - Thu 1:00p packed powder machine groomed 18 - 24 base 60   trails, 60% open, 17 lifts        Mountain High - Thu 6:49a packed powder machine groomed 12 - 24 base   16 trails, 75% open, 8 lifts        Mt Baldy - Operating, no details        Mt Shasta - Thu 5:45a hard packed machine groomed 18 - 32 base 13   trails, 42% open, 3 lifts        Royal Gorge - Thu 8:00a packed powder machine groomed 21 - 21 base 24   trails, 27% open, 1 lift        Sierra at Tahoe - Thu 6:10a packed powder machine groomed 9 - 14 base   16 trails, 600 acres, 30% open, 5 lifts        Sierra Summit - Thu 8:25a packed powder machine groomed 12 - 12 base   8 trails, 25% open, 4 lifts        Snow Summit - Thu 5:25a packed powder machine groomed 12 - 28 base 13   trails, 70% open, 8 lifts        Snow Valley - Thu 6:30a packed powder machine groomed 12 - 24 base 8   trails, 33% open, 4 lifts        Soda Springs - Thu 6:13a packed powder machine groomed 20 - 24 base 4   trails, 50% open, 2 lifts        Squaw Valley USA - Thu 5:40a packed powder machine groomed 26 - 44   base 17 trails, 35% open, 13 lifts        Sugar Bowl - Thu 6:10a packed powder machine groomed 24 - 31 base 28   trails, 33% open, 7 lifts        Tahoe Donner - Opening Soon for Snow Sports   NEVADA        Diamond Peak - Thu 9:11a packed powder machine groomed 20 - 30 base 6   trails, 19% open, 4 lifts        Mt Rose - Thu 6:23a packed powder machine groomed 12 - 20 base 9   trails, 15% open, 3 lifts   PACIFIC NORTH   IDAHO        Bogus Basin - Thu 11:47p 1 new powder machine groomed 29 - 34 base 42   trails, 80% open, 6 lifts        Brundage - Thu 4:45a packed powder machine groomed 29 - 42 base 41   trails, 1300 acres, 100% open, 4 lifts        Lookout Pass - Thu 6a insa packed powder machine groomed 56 - 84 base   24 trails, 100% open, 3 lifts        Magic Mountain - Operating no details        Pebble Creek - Plan to Open 12/26        Pomerelle - Thu 7:00a packed powder machine groomed 48 - 64 base 24   trails, 100% open, 3 lifts        Schweitzer Mountain - Thu 4p insa powder    42 - 62 base 75 trails,   91% open, 7 lifts        Silver Mountain - Thu 6:00a packed powder machine groomed 48 - 52   base 62 trails, 93% open, 5 lifts        Soldier Mountain - Thu 8:15a packed powder machine groomed 18 - 35   base 36 trails, 1147 acres, 100% open, 3 lifts        Sun Valley - Thu 5:40a hard packed machine groomed 19 - 29 base 43   trails, 80% open, 9 lifts        Tamarack - Thu 3:26p powder machine groomed 21 - 44 base 16 trails,   80% open, 4 lifts   OREGON        Cooper Spur - Thu 6:00a packed powder machine groomed 30 - 30 base 10   trails, 100% open, 2 lifts        Hoodoo - Thu 5:00a packed powder machine groomed 32 - 32 base 24   trails, 80% open, 4 lifts        Mt Ashland - Thu 6:25a packed powder machine groomed 24 - 34 base 12   trails, 75% open, 3 lifts        Mt Bachelor - Thu 5:00a powder machine groomed 55 - 65 base 71   trails, 100% open, 9 lifts        Mt Hood Meadows - Thu 4:45a powder machine groomed 72 - 84 base 87   trails, 100% open, 11 lifts        Ski Anthony Lakes - Thu 5:30a packed powder machine groomed 27 - 39   base 5 trails, 24% open, 3 lifts        Warner Canyon - Operating, no details        Willamette Pass - Thu 7:40p w packed powder machine groomed 16 - 44   base 28 trails, 97% open, 6 lifts   WASHINGTON        49 Degrees North - Thu 5a insa powder machine groomed 56 - 81 base 68   trails, 100% open, 5 lifts        Alpental at Snoqualmie - Thu 6a insa powder machine groomed 67 - 90   base 21 trails, 95% open, 3 lifts        Bluewood - Thu 12:00p powder    38 - 43 base 24 trails, 100% open, 3   lifts        Crystal Mountain - Thu 5:30a packed powder machine groomed 56 - 77   base 45 trails, 95% open, 5 lifts        Loup Loup Ski Bowl - Thu 6:15a packed powder machine groomed 37 - 40   base 10 trails, 100% open, 3 lifts        Mission Ridge - Thu 6:00a packed powder machine groomed 42 - 55 base   36 trails, 100% open, 3 lifts        Mt Baker - Thu 1:25p powder    111 - 119 base 38 trails, 100% open, 7   lifts        Mt Spokane - Thu 5a insa packed powder machine groomed 42 - 58 base   45 trails, 100% open, 5 lifts        Stevens Pass - Thu 8:00a packed powder machine groomed 69 - 76 base   37 trails, 100% open, 10 lifts        Summit Central at Snoqualmie - Thu 6a insa powder machine groomed 58   - 70 base 23 trails, 100% open, 5 lifts        Summit East at Snoqualmie - Reopen 12/23        Summit West at Snoqualmie - Reopen 12/22        White Pass - Thu 6:30a packed powder machine groomed 56 - 78 base 31   trails, 97% open, 5 lifts   CANADA   BRITISH COLUMBIA        Apex Mountain - Thu 4:30a packed powder machine groomed 49 - 49 base   52 trails, 78% open, 4 lifts        Big White - Thu 7:00a packed powder machine groomed 50 - 54 base 80   trails, 68% open, 14 lifts        Crystal Mountain - Thu 6:00P packed powder machine groomed 37 - 63   base 24 trails, 100% open, 3 lifts        Fairmont Hot Springs - Thu 6:00P packed powder machine groomed 16 -   31 base 13 trails, 100% open, 2 lifts        Fernie Alpine - Thu 8:00a windblown machine groomed 61 - 63 base 105   trails, 98% open, 9 lifts        Kicking Horse - Thu 4:00a powder machine groomed 60 - 64 base 105   trails, 99% open, 5 lifts        Kimberley - Thu 5:00a packed powder machine groomed 27 - 37 base 78   trails, 100% open, 5 lifts        Mt Baldy - Thu 5:36a hard packed machine groomed 41 - 51 base 25   trails, 95% open, 3 lifts        Mt Timothy - Thu 6:00p packed powder machine groomed 32 - 32 base 28   trails, 93% open, 2 lifts        Mt Washington Alpine Resort - Thu 8:28a powder machine groomed 112 -   112 base 60 trails, 100% open, 8 lifts        Murray Ridge - Wed Reopen 12/23 for daily operations  6:45a packed   powder machine groomed 59 - 79 base 22 trails, 96% open, 2 lifts        Panorama Mountain - Thu 8:06a packed powder machine groomed 22 - 37   base 107 trails, 89% open, 9 lifts        Powder King - Reopen 12/22        Powder Springs - Thu 6:30p powder machine groomed 28 - 35 base 12   trails, 100% open, 2 lifts        Red Resort - Thu 5:00a hard packed machine groomed 28 - 64 base 83   trails, 100% open, 4 lifts        Silver Star - Thu 7:00a packed powder machine groomed 44 - 47 base   100 trails, 89% open, 12 lifts        Sun Peaks - Thu 6:30a packed powder machine groomed 44 - 44 base 115   trails, 95% open, 10 lifts        Whistler/Blackcomb - Thu 5:38a powder machine groomed 91 - 91 base   200 trails, 8171 acres, 100% open, 35 lifts        Whitewater - Thu 6:00a powder machine groomed 72 - 87 base 47 trails,   100% open, 3 lifts   MANITOBA        Falcon Ridge - Plan to Open 12/23   QUEBEC        Camp Fortune - Thu 6:00p loose granular machine groomed 8 - 8 base 2   trails, 10% open, 2 lifts        Edelweiss Valley - Reopen TBA        Le Massif - Thu 5:33p packed powder machine groomed 5 - 15 base 4   trails, 9% open, 1 lift        Mont Gabriel - Open Sat/Sun        Mont Olympia - Open Sat/Sun        Mont Rigaud - Plan to Open 12/23        Mont Sainte-Anne - Thu 8:00a loose granular machine groomed 12 - 12   base 10 trails, 15% open, 5 lifts        Mont Ste-Marie - Sat Reopen 12/23  9p oesr loose granular machine   groomed 4 - 6 base 3 trails, 12% open, 1 lift        Mont Sutton - Fri 5:39a loose granular machine groomed 9 - 20 base 3   trails, 2 miles, 18 acres, 10% open, 1 lift        Owl's Head - Reopen 12/22        Pin Rouge - Plan to Open 12/23        Ski Bromont - Thu 10:40p variable machine groomed 14 - 16 base 7   trails, 12% open, 4 lifts        Stoneham - Fri 5:38a frozen granular machine groomed 12 - 12 base 7   trails, 12% open, 3 lifts        Tremblant - Thu 5:50a hard packed    7 - 12 base 26 trails, 15 miles,   212 acres, 25% open, 7 lifts        Val D'Irene - Plan to Open 12/23   ONTARIO        Blue Mountain - Reopen TBA        Calabogie Peaks - Reopen 12/22        Chicopee - Reopen TBA        Dagmar Ski Resort - Reopen TBA        Devils Elbow - Thu 6a osr loose granular machine groomed 8 - 10 base   3 trails, 27% open, 2 lifts        Hidden Valley - Plan to Open 12/22        Hockley Valley - Reopen TBA        Horseshoe Resort - Thu 6a osr loose granular machine groomed 8 - 10   base 7 trails, 30% open, 3 lifts        Lakeridge Ski Resort - Reopen TBA        Loch Lomond - Thu 8:00a powder machine groomed 12 - 31 base 6 trails,   50% open, 2 lifts        London Ski Club - Reopen TBA        Mansfield Ski Club - Plan to Open 12/23        Mt Pakenham - Reopen 12/22        Mt St Louis-Moonstone - Thu 6a osr loose granular machine groomed 6 -   14 base 5 trails, 14% open, 1 lift        Oshawa Ski Club - Plan to Open 12/23        Searchmont Resort - Opening Soon for Snow Sports        Sir Sam's - Reopen 12/23        Skyloft Ski Club - Plan to Open 12/26        Snow Valley - Thu 6a osr loose granular machine groomed 3 - 7 base 4   trails, 22% open, 3 lifts   NOVA SCOTIA        Ski Martock - Thu 2:51p variable    12 - 24 base 1 trail  14% open, 1   lift   NEW BRUNSWICK        Crabbe Mountain - Sun Open Sat/Sun  6:00a loose granular machine   groomed 2 base 1 trail  6% open, 1 lift   ALBERTA        Canada Olympic Park - Thu 6a alb hard packed    30 - 30 base 1 trail   33% open, 5 lifts        Canyon Ski Area - Thu 6:00a packed powder machine groomed 12 - 36   base 18 trails, 100% open, 5 lifts        Castle Mountain - Thu 7:37a packed powder machine groomed 24 - 63   base 52 trails, 80% open, 4 lifts        Lake Louise - Thu 6:05a packed powder machine groomed 35 - 57 base   130 trails, 94% open, 8 lifts        Marmot Basin - Thu 6a alb packed powder machine groomed 28 - 32 base   84 trails, 100% open, 9 lifts        Nakiska Ski Area - Thu 6a alb packed powder machine groomed 14 - 26   base 18 trails, 64% open, 4 lifts        Silver Summit - Thu Open Sat/Sun  11:55p packed powder machine   groomed 9 - 13 base 13 trails, 100% open, 3 lifts        Ski Banff @ Norquay - Thu 6a alb packed powder machine groomed 26 -   30 base 85% open, 5 lifts        Sunshine Village - Thu 6:00a packed powder machine groomed 54 - 54   base 106 trails, 99% open, 12 lifts   ALASKA   ALASKA        Alyeska Resort - Thu 8:30a powder machine groomed 32 - 80 base 69   trails, 100% open, 6 lifts        Eaglecrest - Thu 7:30a powder    35 - 73 base 31 trails, 90% open, 3   lifts         Latest Cross Country Skiing Conditions Information as Supplied By   SnoCountry Mountain Reports as of Friday, Dec 22 2006, 6:01:15 AM EST.   Alpine Skiing/Riding conditions are subject to change due to weather,   skier traffic and other factors.  Be aware of changing conditions.    NORTHEAST    MAINE   10th Mountain Center XC   Opening Soon for Snow Sports   Bethel Inn XC   Opening Soon for Snow Sports   Rangeley Lakes XC   Reopen TBA    MASSACHUSETTS   Canterbury Farm XC   Plan to Open TBA   Northfield Mtn XC   Opening Soon for Snow Sports    NEW HAMPSHIRE   BrettonWoods XC   Reopen TBA   Great Glen Trails XC  Thu 6:34a loose granular  grmg6--12 base 1 trail   Jackson XC   Opening Soon for Snow Sports   Mt Washington Valley XC   Plan to Open TBA   Norsk XC   Plan to Open 12/26   The Balsams Wilderness XC  Thu 5:15p variable  2--3 base 2 trails,  5 km,    NEW YORK   Fahnestock Winter Park XC   Opening Soon for Snow Sports   Mohonk Mt House XC   Plan to Open TBA   Oak Hill Farms XC   Plan to Open TBA   Osceola Tug Hill XC  Thu 7:00a powder  grmg2--3 base 40 km,   Salmon Hills XC   Reopen TBA    PENNSYLVANIA   Starlight Lake XC   Plan to Open 01/02/07    VERMONT   Blueberry Hill Inn XC   Plan to Open TBA   Bolton Valley XC  Fri 11:50a w wet packed snow  -2 base 4 km, Reopen TBA   Craftsbury Outdoor Center XC  Thu 5:33p packed powder  grmg2--2 base 1   trail   1 km,   Grafton Ponds XC   Operating w/ 1 km   Smugglers' Notch XC   Reopen TBA   Trapp Family Lodge XC   Plan to Open TBA   Viking Nordic XC   Opening Soon for Snow Sports    SOUTHEAST    WEST VIRGINIA   White Grass XC   Reopen TBA    MIDWEST    MICHIGAN   Boyne Nordican XC   Reopen TBA   Champion Hill XC   Reopen TBA   Cross Country Ski HQ   Reopen TBA   Crystal Mountain XC   Reopen TBA   Hickory Hills XC   Plan to Open 12/26   Nordic Nights XC   Opening Soon for Snow Sports    MINNESOTA   Cragun's XC   Opening Soon for Snow Sports    WISCONSIN   Telemark XC   Plan to Open TBA    ROCKIES    COLORADO   Ashcroft XC  Wed 8:00p powder  grmg22--24 base 12 trails,  32 km,   Aspen/Snowmass XC  Thu 5:30a hard packed  grmg9--10 base 15 trails,  90   km,   Crested Butte XC  Wed 6:40p packed powder  grmg14--15 base 7 trails,  24   km,   Snow Mountain XC  Thu 9:45a packed powder  grmg12--24 base 3 trails,  100   km,    MONTANA   Bohart Ranch XC  Thu 6:25a packed powder  grmg2--2 base 25 km,   Izaak Walton Inn XC  Thu 4:00p packed powder  grmg5--12 base 13 trails,   32 km,   Lone Mountain Ranch XC  Thu 4:30p packed powder  grmg8--25 base 5 trails,   20 km,   Stillwater XC   Opening Soon for Snow Sports    NEW MEXICO   Enchanted Forest XC  Thu 10:00a powder  grmg15--20 base 35 trails,  33 km,   Valles Caldera XC   Plan to Open 12/29; Dec 20: 8 inches new snow    WYOMING   Grand Targhee XC  Thu 8:45a packed powder  grmg31--32 base 5 trails,  15   km,   Pinedale XC  Thu 4:00p packed powder  grmg15--22 base 30 km,    PACIFIC SOUTH    CALIFORNIA   Bear Valley XC  Thu 7:00a packed powder  grmg18--20 base 21 trails,  23   km,   Kirkwood XC  Wed 12:00p packed powder  grmg12--14 base 35 km,   Royal Gorge XC  Thu 8:00a packed powder  grmg21--21 base 24 trails,  89   km,    PACIFIC NORTH    WASHINGTON   49 Degrees North XC   Operating, no details    CANADA    BRITISH COLUMBIA   Whistler XC  Wed 8:00a wet snow  grmg32--34 base    QUEBEC   Camp Mercier XC   Reopen TBA   Parc National Gaspesie XC   Plan to Open 12/23   Parc National Mont-Tremblant XC   Plan to Open 12/23   Station Mont Sainte Anne XC  Thu 8:00a loose granular  grmg12--12 base 8   trails,  18 km,   Gatineau Park XC   Reopen TBA trails open for walking    ONTARIO   Hardwood Hills XC   Reopen TBA   Highland's XC   Reopen TBA   Horseshoe Resort XC   Reopen TBA   Scenic Caves Nordic   Reopen TBA    NOVA SCOTIA   Ski Martock XC   Opening Soon for Snow Sports    ALBERTA   Strathcona Wilderness Center XC  Thu 9:00a hard packed  grmg16--16 base 10   trails,  12 km, 

    Source: SnoCountry Worldwide

     

     

     Dec 21

    Sponsoring Athletes, Creating Heroes

    December 21, 2006
    In the world of sport, the reality today is that athletes need financial support for equipment, coaching and the latest sport technology. But many athletes cannot afford to support themselves and train at the same time. Luckily, many corporations are there to fill the gap, generously providing funds through sponsorship and athlete-support programs. But the relationship between athletes and corporation extends well beyond dollars and cents. And athletes often become inspirational heroes to those at the corporations that sponsor them.

    The benefits of sponsorship
    Clara Hughes and Denny Morrison are two Canadian heroes, both on and off the ice. Hughes, an Olympic champion in speed skating, won gold and silver medals at the Torino 2006 Winter Games. Morrison won a silver medal in Team Pursuit at Torino, and was named Canada’s long track male speed skater of the year in 2006.

    Despite their on-ice success, both Hughes and Morrison attribute their success to more than athletic ability. For Morrison, the surest route to the podium is by having the right equipment, good coaching and enough money and time for training. Hughes agrees. “Sport is expensive. It takes years of a person’s life to fulfill potential as an athlete. This all costs money and time,” she says.

    Without sponsorship, both argue, many talented but under-funded athletes fall prey to financial constraints since they cannot train, work and attend school at the same time. The result is that many talented athletes leave sport because of financial woes, which hurts Canada’s overall athletic performance on the world stage.

    The answer, says Morrison, is further funding for athletes.


    The dollar and cents solution
    Corporations are more than eager to help create Canadian champions. “Our funding program helps alleviate some of the pressure, so athletes can focus their energies on training and competition,” says RONA representative, Mark Hindman. RONA recently provided over 100 athletes with bursaries through its Growing With Our Athletes program.

    Corporations such as RONA provide funding through programs designed to fund the development of elite athletes. Petro-Canada has provided over $6 million in scholarships since 1988, and recently created a new program called Fuelling the Dream, which is helping athletes so that they can achieve podium success in 2010, and beyond.

    Hbc (Hudson’s Bay Company) also takes a long-term approach to supporting Canadian athletes through its bursary program, giving 200 athletes $5,000 each, in addition to its many long-term funding projects. Hbc representative Diane Gordon acknowledges the struggle that athletes face. “There’s a lot of excitement in an Olympic Games year, but we can’t just think of our athletes and provide them with support during that year alone. It’s the years leading up to the Games where the funding is needed.”

    Heroes in the making
    For Bell Canada, sponsored athletes serve as role models for staff. “Our real focus is to connect Bell athletes with our employees. [Athletes], such as Clara Hughes, share their stories of passion and commitment to performance,” says Bell’s David Rivers.

    For Hughes and Morrison, financial support means they can chase medals and represent Canada on the world stage, knowing they have the necessary financial support. Both hope that funding for Canadian athletes will increase as the 2010 Winter Games draw nearer. In the meantime, they’re happy to be training. “I see it as the best job in the world” Hughes says.

     

    Dec 20

     

    Celebrity Sightings and Excitement on Tap for 2007 North American International Auto Show Charity Preview

    The 2007 North American International Auto Show's (NAIAS) annual black-tie Charity Preview ticket sales are on pace to raise over $6 million for Southeast Michigan children's charities. Since its inception, the NAIAS Charity Preview has generated nearly $64 million for children's charities in metro Detroit.

    The 2007 Charity Preview will take place Friday, Jan. 12, at Cobo Center in Detroit from 6 p.m. to 9 p.m. Tickets for the event are $400 each, of which $390 is tax-deductible. Tickets are going fast; for more information on the NAIAS 2007 Charity Preview or to purchase tickets call (888) 838-7500.

    "Charity Preview is the highlight of the NAIAS each year and definitely an event you don't want to miss," said Robert Thibodeau, senior co-chairman for the NAIAS 2007. "Last year there were many delightful surprises including a performance by R&B singer Ashanti, but nothing beats the smiles that come from the children who will be helped by the funds raised. Get your tickets fast -- you don't want to miss this magical evening."

    Each year, the Charity Preview and the NAIAS host many celebrities. In the past, celebrities like Steve Harvey, Kevin Bacon, Kid Rock, Celine Dion, Jay Leno, Veronica Webb, Tony Danza, and Jeff Daniels have attended the NAIAS. The potential parade of stars for NAIAS 2007 is sure to wow the crowds.

    Charity Preview, however, is not just about celebrities. The sale of each Charity Preview ticket brings so much to local children. The purchase of a single Charity Preview ticket buys goods, clothing, and health and support services for many local kids.

    "This is year is especially exciting because we are celebrating the 100th anniversary of the DADA," said Carl Galeana, co-chairman for the NAIAS 2007. "We've had 900 new ticket sales to the Charity Preview this year, which shows us that despite the economic climate people are still excited and anxious to see all that the NAIAS has to offer and to support hundreds of children across metro Detroit."

    Beneficiaries of the Charity Preview include: Barat Child and Family Services; Boys & Girls Club of Southeastern Michigan; Boys Hope-Girls Hope of Detroit; The Children's Center; Children's Homes of Judson Center; Children's Services of Northeast Guidance Center Assistance League; The Detroit Institute for Children; ThinkDetroit PAL (Police Athletic League); Easter Seals -- Michigan; March of Dimes; and the DADA Charitable Foundation Fund, a fund of the Community Foundation for Southeast Michigan.

    100th Anniversary

    In 2007, the Detroit Auto Dealers Association (DADA) will celebrate the centennial of its successful association with the North American International Auto Show (NAIAS). Since its inception in 1907, the show has grown from a regional event featuring 17 exhibitors to an internationally-sanctioned show with over 90 exhibitors, adding more than $500 million to the metro Detroit region last year alone. With the support of Detroit area auto dealers the NAIAS features more new vehicle debuts and garners more media coverage than any show in North America.

    NAIAS 2007 Official Dates

    Press Preview Days will be held Sunday, Jan. 7 through Tuesday, Jan. 9, 2007. Industry Preview Days will be held on Wednesday, Jan. 10 and Thursday, Jan. 11, 2007. The Charity Preview will be held Friday evening, Jan. 12, 2007. Public Days are Saturday, Jan. 13, through Sunday, Jan. 21, 2007.

      The North American International Auto Show   Rod Alberts - Executive Director 

    Entering its 19th year as an international event, the North American International Auto Show is among the most prestigious auto shows in the world and is one of the largest media events in North America. The NAIAS is the only auto show in the United States to earn an annual distinguished sanction of the Organisation Internationale des Constructeurs d'Automobiles, the Paris- based alliance of automotive trade associations and manufacturers from around the world. The NAIAS Web site can be accessed at http://www.naias.com/ . The drive, design and desire for cars is here in Detroit!

     

     

    Dec 19

    National Basketball Referees Association Proposes Three-Way Summit

     Dec. 19  "Peace is not merely a distant goal that we seek, but a means by which we arrive at that goal," said Dr. Martin Luther King, Jr.

    Three days after the second major fracas at an NBA game in as many years - - last Saturday's game between the New York Knicks and the Denver Nuggets at Madison Square Garden, coming after the infamous November 19, 2004 brawl involving the Indiana Pacers and Detroit Pistons at The Palace of Auburn Hills -- Lamell McMorris, leader of the National Basketball Referees Association, invited National Basketball Association Commissioner David Stern and National Basketball Players Association Executive Director Billy Hunter to join him at a three-way summit to be held in conjunction with next February's NBA All-Star Weekend to discuss constructive ways to curtail such incidents from recurring.

    "In this season of hope and peace, I have proposed that representatives of the league, the players association, the referees association, and possibly others, gather in Las Vegas to discuss the roiling emotions, passions, and energies that naturally arise during highly contested NBA games, and the sudden violence and the unchecked rage that can sometimes erupt from them," said McMorris. "Working together, we can develop ways of fostering healthy on-court relations, and methods of channeling aggression in constructive ways."

    "The intra-league summit will allow all NBA stakeholders to improve communications, discuss expectations, and improve conflict resolution," said McMorris. "Toward this end, Martin Luther King, III, eldest son of civil rights leader Dr. Martin Luther King, Jr. and board member of the Martin Luther King, Jr. Center for Nonviolent Social Change in Atlanta, has accepted our invitation to join us at the summit and assist the participants in their efforts to come to grips with these issues. There are others who could help the summiteers in this regard, and we have asked the league and the players association to invite others to the table."

    About the NBRA

    The National Basketball Referees Association represents the referees of the National Basketball Association.

     

     

    vancouver2010.com News - Winter 2006
    To view the HTML version of this newsletter, please visit
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    ___________________________________________________

    NEWS AND FEATURES

    The Unofficial Sport of the Olympic Games
    There's no special training or nutritional requirements, no team
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    Shining a spotlight on sustainability in 2010
    What would you tell the world if you had the chance? For VANOC, the
    Games represent the chance to shine a spotlight on environmental
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    'green.'
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    Vancouver 2010 Unveils Paralympic Games Emblem
    Sport, culture and community came together during a free outdoor
    concert, as the Vancouver 2010 Paralympic emblem was unveiled to the world.
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    ___________________________________________________

    HIGHLIGHTS

    Special Feature: A special Holiday message to our subscribers from John
    Furlong.
    Windows Media Player:
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    Celebrate the Possible Video
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    Read about prominent Canadians featured in the video:
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    Photo Gallery: The Vancouver 2010 Paralympic Emblem Launch Celebration
    View photos from the special concert event held in Whistler.
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    2010 Winter Games Venues
    The venues for the Vancouver 2010 Olympic and Paralympic Winter Games
    stretch over a 120-kilometre zone from the shores of Richmond, just
    south of Vancouver, through Vancouver's downtown centre north to the snowy
    peaks of the mountain resort of Whistler.
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    Promoting Peace and Tolerance Through Sport
    The Vancouver 2010 Olympic and Paralympic Winter Games are an
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    ___________________________________________________

    SPOTLIGHT ON

    Paralympic Games: Ice Sledge Hockey
    Ice sledge hockey was invented at a Swedish rehabilitation centre in
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    ___________________________________________________

    DID YOU KNOW?

    Since its relaunch in February 2006, the vancouver2010.com website has
    served up more than 10 million page views to nearly 2 million visitors.

     

    VANOC on track and on budget heading into 2007

    December 19, 2006
    As part of issuing its quarterly financial report today, the Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games (VANOC) reflected on a successful 2006 and looked forward to carrying the momentum into 2007. A complete summary of 2006 and 2007 milestones are included in an attached backgrounder.

    “As we approach the end of 2006 and the three-year countdown to the 2010 Winter Games, we’re on track and on budget,” said John Furlong, VANOC chief executive officer. “Our construction season finished successfully and we’re pleased to have generated $115 million this year through several new sponsorship agreements with great Canadian companies, exceeding our $100 million target for 2006. “

    “One of our greatest sources of inspiration this past year was the wonderful success of our Canadian athletes,” continued Furlong. “They have transferred their unprecedented momentum gained at the Torino 2006 Winter Games into an impressive medal count of 66 early in this winter sport season.”

    Furlong added that 2006 was an intense planning year. “From our first-hand experience at the Torino Games to the International Olympic Committee’s thorough Torino debriefing session last summer, our team gained valuable information in 2006 that helped us develop a comprehensive update to our business plan which we look forward to releasing upon its approval early next year.”

    VANOC’s latest quarterly report outlines that venue construction is proceeding on budget and on schedule and sponsorship revenue has exceeded expectations for the year. The quarterly report, available at vancouver2010.com, includes unaudited interim financial statements for the three months ended October 31, 2006.

    VANOC’s revenue (deferred operating revenue) from sponsorship, the International Olympic Committee and other sources for the quarter ending October 31, 2006 was $50.1 million while expenses (deferred operating expenditures) were $16.1 million. Overall revenue since VANOC was formed in 2003 totals $86.7 million while expenses total $92.8 million. In accordance with Canadian generally accepted accounting principles, all revenues and expenses are deferred prior to Games time.

    VANOC’s venue development expenditures for the quarter were $46.5 million and now total $182.4 million since venue construction started.

    VANOC’s next quarterly report, covering the three months ending January 31, 2007 will be available in March, 2007.

    VANOC is responsible for the planning, organizing, financing and staging of the XXI Olympic Winter Games and the X Paralympic Winter Games in 2010. The 2010 Olympic Winter Games will be staged in Vancouver and Whistler from February 12 to 28, 2010. Vancouver and Whistler will host the Paralympic Winter Games from March 12 to 21, 2010.


     

    Vancouver 2010 – Year in Review


     

    Venue construction – on time and on budget
    VANOC’s $580 million venue construction budget was confirmed and fully funded by the Government of Canada and the Province of BC while a healthy contingency of $66.8 million was established. In November 2006, the Cypress freestyle venue became the first to be competition-ready, more than three years in advance of the Games. VANOC continued to identify creative reductions in scope and cost through an agreement to hold the Olympic ice hockey tournament on North American size ice and to move Paralympic ice sledge hockey and wheelchair curling competitions to Vancouver following Whistler’s decision to forgo the building of a new arena.

    Sponsorship and marketing
    VANOC’s national sponsorship and marketing program continued to gain significant momentum in 2006, surpassing projections by raising over $115 million in sponsorship revenue. VANOC also welcomed nine new Canadian companies, including five from BC, to its Official Licensee Program in 2006, bringing the overall total to 10.

    Torino 2006 experience
    VANOC’s team and its partners gained valuable experience during the Torino 2006 Winter Games, participating in 40 observer tours produced by the IOC and Torino Organizing Committee with the goal of gaining knowledge in all Games functional areas. The experience gained by VANOC at the Torino 2006 Winter Games assisted all functional areas of the Organizing Committee in intense preparations for the updated business plan.

    Own the Podium 2010
    Elite Canadian winter sport athletes achieved unprecedented success in 2006, highlighted by the best-ever results for a Canadian team at an Olympic and Paralympic Winter Games in Torino. The momentum has carried into this winter sports season resulting in 66 World Cup medals to date.

    Canada’s Games
    National awareness levels of the 2010 Winter Games increased from 69 per cent in 2005 to 83 per cent in large part due to the efforts and activities of VANOC and its many partners. Through national tours and public events, VANOC visited all Canadian provinces in 2006 and will visit the 3 territories in January 2007. VANOC’s team also participated in more than 200 public speaking events across Canada while vancouver2010.com is receiving approximately 800,000 page views per month.

    Paralympic Games
    The dynamic new official emblem of the Vancouver 2010 Paralympic Winter Games was unveiled before a crowd of thousands in Whistler during a Paralympic celebration in September. VANOC also updated its concept for the 2010 Paralympic Winter Games which is now based on “small town spirit, big city facilities and world class exposure” in Vancouver and Whistler.

    VANOC Board of Directors
    At the annual general meeting of the members of the VANOC Board in November, 19 directors were confirmed and appointed Jack Poole as the 20th director, re-electing him as chairman. The directors were appointed for a term that will take them through to the 2010 annual general meeting following the 2010 Winter Games. VANOC welcomed new members Peter Brown, Jacques Gauthier, Carol Stephenson, Jeff Mooney and Beckie Scott while thanking outgoing members France Chrétien-Desmarais, Peter Dhillon, Tony Tennessy, Marion Lay and Catriona Le May Doan for their dedication and contributions to the 2010 Winter Games.

    Other 2006 Milestones


     

    • Vancouver Mayor Sam Sullivan and Whistler Mayor Ken Melamed received Olympic and Paralympic flags as part of VANOC’s participation during the Torino 2006 Olympic and Paralympic closing ceremonies
    • raised Olympic and Paralympic flags at Vancouver City Hall and Whistler Village
    • commenced quarterly reporting to increase transparency and accountability
    • signed historic francophone collaboration protocol with the Fédération des francophones de la Colombie-Britannique and the Fondation canadienne pour le dialogue des cultures
    • welcomed the IOC and delegates from the Organizing Committees of Torino 2006, Beijing 2008, Vancouver 2010 and London 2012 as well as the 2014 Games Candidate Cities, along with many other representatives from the Olympic Family for five days of knowledge-transfer sessions in Vancouver at the official Torino 2006 debriefing
    • presented updated business plan to the VANOC Board in mid-November
    • VANOC employee team grew to 298 and moved into its new headquarters, known as Campus 2010
    • re-launched vancouver2010.com
    2007 Look Ahead


     

    Three-year countdown events
    VANOC and its partners are planning a number of exciting milestone events in February and March 2007 to celebrate the three-year countdown to the 2010 Olympic and Paralympic Winter Games. Details will be announced early in 2007.

    Sponsorship and marketing
    VANOC expects to conclude and announce approximately 5 new sponsorship agreements in the first quarter of 2007. The Licensing and Merchandise program will also continue to grow and VANOC anticipates announcing at least seven new licensees early next year.

    VANOC business plan
    VANOC anticipates a final approval and public release of the updated business plan in early 2007. After the Torino 2006 Winter Games, VANOC undertook a comprehensive review of its entire operations and updated its draft business plan. The ongoing partner reviews and discussions of the business plan and its planned release in early 2007 are consistent with standard procedures for an Organizing Committee three years in advance of the Games.

    Completion of seven venues
    VANOC anticipates completing seven venues in 2007, including the Whistler Nordic competition venue (biathlon, ski jump and cross-country), the Whistler sliding centre, Cypress snowboard venue, Whistler alpine venue and Hastings park skating venue.


     

    Other anticipated 2007 milestones


     

    • completion of preliminary operations plan
    • develop, design and unveil Vancouver 2010 mascot(s)
    • IOC Coordination Commission (March and Sept)
    • refined development of ticketing plan
    • VANOC anticipates adding approximately in 250 employees in 2007
    • finalization of the 2010 Winter Games Sport Program, test event schedule and preparation for the first official training events to be held in the spring of 2007
    • public release of VANOC’s first annual sustainability report
    • release a series of Winter Games legacy reports for Lake Placid 1980, Calgary 1988, Salt Lake 2002 and a report on projected legacies for Vancouver 2010
    • continue to engage Canada as part of VANOC’s mission to touch the soul of the nation
    VANOC is responsible for the planning, organizing, financing and staging of the XXI Olympic Winter Games and the X Paralympic Winter Games in 2010. The 2010 Olympic Winter Games will be staged in Vancouver and Whistler from February 12 to 28, 2010. Vancouver and Whistler will host the Paralympic Winter Games from March 12 to 21, 2010.

     

    Dec 18

     

    The 2007 Mavericks Surf Contest(R) Presented by Ask.com(R) Returns to Half Moon Bay

    Twenty-Four of the World's Best Big-Wave Surfers Will Converge and Vie for the 2007 Title

     December 18, 2006 -- Lauded as the world's premier big-wave surf event, The 2007 Mavericks Surf Contest® presented by Ask.com® is earmarked as the season's most anticipated big-wave surf occurrence. On just 24-hours notice between January 1 and March 31, 2007, 24 legendary big-wave surfers will make the pilgrimage to the treacherous Mavericks surf break to compete for the famed title. This year, the invitees will compete for an impressive $75,000 prize purse. The purse breakdown awards $30,000 for first place, $12,000 for second place, $7,500 for third place, $3,500 for fourth, $2,500 for fifth and $1,500 for sixth place.

    "Ask.com® is excited to be an integral part of the preeminent big-wave surfing event, and, as a leading search engine, to be the official go-to source for information for all things Mavericks," said Greg Ott, vice president of marketing for Ask.com. A quick search for Mavericks Surf Contest on Ask.com® will give fans quick access to webcasts and viewing locations, videos, bios on the surfers and the history of the event. In addition, with Ask.com® and Ask.com Mobile™, fans can find Mavericks images, news, maps, walking and driving directions, blogs and other information across the Web for fans everywhere. "We're excited to support this great surfing event, as well as to be a resource for all the Mavericks fans," remarked Ott.

    When the ideal confluence of swell and storms hit Half Moon Bay last year generating 50 foot waves and ideal weather, a keyed up crowd of 50,000 spectators experienced the surprise win from South Africa's Grant "Twiggy" Baker. This year these extraordinary watermen will again risk their lives in the hollow, shark-infested waters for the pride of conquering this storied wave.

    "We are thrilled to partner with Ask.com® this year to continue to build the backdrop for the world's most respected big-wave athletes to challenge this monster wave. Last year we were honored with near perfect wave conditions lasting all day long. With any luck, Mother Nature will again provide an opportunity to witness the surfers' remarkable displays of courage and athleticism," said Mavericks Surf Ventures Managing Partner Keir Beadling.

    When a contest-worthy swell, born from the storms off the coast of Japan, approaches the Mavericks break, the 24 invited surfers get the contest greenlight and have a mere 24 hours to be onsite and ready to go. This year's contest aims to accommodate the tremendous audience interest while respecting the fragile surroundings of this natural wonder by implementing a number of soon-to-be-announced initiatives. These include a groundbreaking live webcast on CBS SportsLine.com, a unique webcast viewing event at "baseball's perfect address" and the home of the San Francisco Giants -- AT&T Park and a "greenlight alert" SMS campaign for Mavericks fans. Surfers and fans alike can track the waves and stay informed on contest announcements at the official website www.maverickssurf.com.

    After lengthy discussions, surfing legend and Contest Director Jeff Clark announced this year's invitee list, which includes some of the most prestigious big-wave warriors on the planet. This year the list of exemplary invitees includes in alphabetical order: Matt Ambrose, Grant "Twiggy" Baker, Ion Banner, Ross Clarke-Jones, Kenny "Skindog" Collins, Randy Cone, Danilo Couto, Shane Desmond, Brock Little, Greg Long, Josh Loya, Garrett McNamara, Peter Mel, Shawn Rhodes, Ryan Seelbach, Evan Slater, Tyler Smith, Russell Smith, Jamie Sterling, Anthony Tashnick, Darryl "Flea" Virostko, Grant Washburn, John Whittle and Zach Wormhoudt.

    Also named were the 15 alternates, which include: Ryan Augustine, Eraldo Gueiros, Carlos Burle, Mike Gerhardt, Dan Malloy, Chris Bertish, Mike Brummett, Lawton Smith, Alex Martens, Noah Johnson, Jake Wormhoudt, Tim West, Doug Young, Yann Kazabjian and Rusty Long.

    About Mavericks Surf Ventures:

    Mavericks Surf Ventures, LLC is a partnership between legendary surfer and board-shaper Jeff Clark and San Francisco-based sports management and marketing firm Evolve Sports, LLC. Mavericks Surf Ventures produces The Mavericks Surf Contest® and offers apparel and a soon-to-be-launched signature wetsuit under the Mavericks™ brand. Coined as "the wave beyond," Mavericks™ inspires hardcore athletes to face the unpredictably raw power of Mother Nature, and stirs the souls of those who aspire to challenge their own limits. On a date to be determined on 24-hours notice during the winter season of 2007, 24 invited surfers will challenge themselves and the extremes of Mother Nature to compete for the esteemed title of The Mavericks Surf Contest®. Official sponsors of The 2007 Mavericks Surf Contest® presented by Ask.com® also include Clif Bar & Co., Surfer Magazine, Hotline Wetsuits and Capture Technologies.

    About Ask.com

     

    Christmas-New Year's Travelers Hit the Road in Increased Numbers This Year, Says Auto Club

     December 18, 2006 -- Record numbers of Southern Californians are expected to make vacation getaways over the Christmas-New Year's holiday, according to the Automobile Club of Southern California. About 5.5 million Southland residents, and 8.8 million statewide, are predicted to travel over the holiday -- a 1.6 percent increase over last year.

    About 80 percent of Southern California travelers, or 4.4 million people, will take driving trips -- a 1.4 percent increase over last year. Those taking plane trips represent about 15 percent of all travelers, or about 840,000 people -- a 2.7 percent increase compared to 2005. The rest, about 275,000, will take a cruise, bus or train trip, which is a 1.6 percent increase over last year.

    "This year, like last year, will give would-be travelers two three-day weekends to get away without using extra vacation time, so there are more opportunities for people to take one or even two trips during this period," said Auto Club spokesperson Carol Thorp.

    Statewide, nearly 7 million people will travel by car to their holiday getaways, while 1.4 million will fly and 440,000 will go by other means. Nationally, 64.9 million people are expected to travel over this holiday, which is the most popular holiday travel period of the year.

    The most popular driving destinations for Southern Californians over this holiday, according to a survey of AAA Travel agents, are:

    1) San Diego 2) Southern California mountain resorts 3) Las Vegas 

    The most popular cruise destinations are Mexico and the Caribbean, while the top flying destination is Hawaii.

    Travelers will be paying about 20 to 30 cents more per gallon for gas than they were this time last year. Gas prices are averaging about $2.50 a gallon in Southern California.

    With many local residents heading to mountain resorts for the holidays, the Auto Club offers the following tips for car trip safety in winter conditions:

    --  Prior to departure, have your car checked to make sure the fluid     levels are adequate, tire treads are not worn, belts and hoses are in good     condition, and windshield wipers are working well.      --  Bring tire chains when driving to the mountains, even if the forecast     doesn't call for snow. Conditions can change quickly.      --  Pack an emergency kit, a working cell phone and warm clothes in case     you get stranded. The kit should contain first aid supplies, a blanket,     water and food, a flashlight and a small shovel for digging around tires if     the vehicle gets stuck.      --  Snow can close roads suddenly. To get the latest information on route     closures, call the California Highway Information Number at (800) 427-7623,     which features hourly updates on state and interstate road conditions.     

     

     

    Dec 16 2006

     

    SnoCountry Reports Latest Skiing Conditions Information

     Following are the latest skiing conditions information as supplied by SnoCountry Mountain Reports as of Friday, Dec 15 2006, 6:01:44 AM EST.

    SNOW CONDITION DEFINITIONS & TERMS

    This glossary of terms is used by all ski areas when they report to SCR. The code allows for communication with skiers in a universal language.

    NOTE: The standard abbreviations next to each definition reflect the way ski reports are communicated in print (newspapers).

    New Snow: Natural snowfall which has fallen in the past 24 hours or continuously for more than one day. An average accumulation from summit to base is reported.

    Average Base Depth: An average of the high and low amounts of snow over the entire ski area. Machine made and natural snow amounts are combined.

    Primary Surface Condition: The type of snow condition which covers at least 70 percent of the terrain open to skiers.

    Secondary Surface Condition: The next most prevalent snow conditions, covering at least 20% of the skiing terrain open to skiers.

    Powder-PDR: Cold, new, loose, fluffy, flaky and dry snow which has not been compacted.

    Packed Powder-PP: Powder snow, either natural or machine made, that has been packed down by skier traffic or grooming machines. The snow is no longer fluffy, but is not so extremely compacted that it is hard.

    Hard Pack-HP: When natural or machine made snow becomes very firmly packed. The snow has never melted and re-crystallized, but it's been tightly compressed through grooming and continuous wind exposure. You can plant a pole in hard packed snow, but it takes more effort than packed powder.

    Machine Groomed Snow-MGS: Loose granular snow that has been repeatedly groomed by power tillers so that the texture is halfway between LSGR & PP. Some of the snow is granular & has been so pulverized that the crystals are like powder sugar. It's neither LSGR or PP.

    Wet Snow-WETSN: Powder or packed powder snow that has become moist due to a thaw or rainfall, or snow which was moist when it fell.

    Wet packed Snow-WPS: Natural or machine made snow that has been previously packed and becomes wet usually because of rainfall.

    Loose Granular-LSGR: This surface results after powder or packed powder thaws, then refreezes and recrystalizes, or from an accumulation of sleet. This is also created by machine grooming of frozen or icy snow.

    Frozen Granular-FRGR: This is undoubtedly the most misunderstood surface condition in ski reporting. It is defined as a hard surface of old snow formed by granules freezing together after rain or warm temperatures. Frozen granular will support a ski pole stuck into its surface while ice will chip away and not support a pole.

    Wet Granular-WETGR: Loose or frozen granular snow which becomes wet after rainfall or high temperatures.

    Icy-ICE: Not to be confused with frozen granular, ice is a hard, glazed surface created either by freezing rain, ground water seeping up into the snow and freezing or by the rapid freezing of snow saturated with water from rain or melting. Ice will chip away and not support a ski pole when stuck into it.

    Variable Conditions-VC: When no primary surface (70%) can be determined, variable conditions describe a range of surfaces that a skier may encounter. Parts of trails can be Loose Granular, partly Packed Powder, and parts Frozen Granular, for example.

    Corn Snow-CORN: Usually found in the spring, Corn Snow is characterized by large, loose granules during the day, which freeze together at night, then warm up again and loosen during the day.

    Spring Conditions-SC: This is the spring version of Variable Conditions. It is used when no one surface can describe 70% or more of the terrain open for skiers.

    Windblown Snow-WBLN: Powder or granular snow which has been blown by wind into forming a base.

    Alpine Skiing/Riding conditions are subject to change due to weather, skier traffic and other factors. Be aware of changing conditions.

      NORTHEAST    CONNECTICUT        Mohawk Mountain - Thu 2:15p packed powder
     machine groomed 12 - 24   base 5 trails, 21% open, 3 lifts        Mt Southington - 
    Thu 5:30p w frozen granular    8 - 18 base 4 trails,   29% open, 3 lifts   
     Ski Sundown - Fri 5:43a loose granular machine groomed 10 - 18 base 6  
     trails, 45% open, 2 lifts        Woodbury - Fri 6:00a c loose granular machine groomed 
    12 - 20 base 6   trails, 40% open, 4 lifts    MAINE        Big Rock - Plan to Open 12/16     
       Black Mountain - Plan to Open 12/26        Camden Snow Bowl - Plan to Open 12/22    
        Lost Valley - Plan to Open 12/20        Mt Abram - Plan to Open 12/21      
      Saddleback - Plan to Open 12/16        Shawnee Peak - Plan to Open 12/16 w/ 5 trails,
     3 lifts, all abilities        Sugarloaf/USA - Thu 2:27p wet snow machine groomed 8 - 20 base 
    trails, 8 miles, 103 acres, 10% open, 5 lifts        Sunday River - Thu 2:   
    All Mazda Vehicles From Car-Carrying Vessel Cougar Ace to Be Scrapped 

    Mazda Motor Corporation today announced that all of the U.S.- and Canada-bound Mazda vehicles from the car-carrying vessel, Cougar Ace, which nearly capsized off the Aleutian Islands in late July, would be scrapped.

    "After thorough testing by engineers from our North American and Japanese R&D centers, we decided the most appropriate course of action -- with our customers foremost in mind -- was not to sell any of the 4,703 Mazdas aboard the ship," said Jim O'Sullivan, President and CEO of Mazda North American Operations, based in Irvine, Calif.

    The Cougar Ace sat listing at more than 60-degrees for nearly a month after an incident at sea, before it could be towed to the Port of Portland, Ore., for repairs and to have its cargo off-loaded.

    O'Sullivan added that although some of the Mazdas aboard the Cougar Ace showed little or no visible damage from being tied-down at severe angles for an extended period, the potential for future problems led the company to reconsider its initial decision to sell any of the vehicles as used.

    "We always put the customer first," O'Sullivan continued. "This drove our decision to scrap every one of the Mazdas involved in this incident."

    Headquartered in Irvine, Calif., Mazda North American Operations oversees the sales, marketing, parts and customer service support of Mazda vehicles in the United States, Canada and Mexico through nearly 900 dealers. Operations in Canada are managed by Mazda Canada, Inc., located in Ontario, Canada, and in Mexico by Mazda Motor de Mexico in Mexico City.

    Source: Mazda Motor Corporation

     

  • NCAAF - BCS
  • Monday, Jan 1

    • Rose Bowl

      Rose Bowl: USC vs Michigan
        8USC  
        3Michigan  
      • 5:00pm ET
    • Fiesta Bowl

      Fiesta Bowl: Boise St. vs Oklahoma
        9Boise St  
        7Oklahoma  
      • 8:00pm ET
  • Tuesday, Jan 2

    • Orange Bowl

      Orange Bowl: Louisville vs Wake Forest
        5Louisville  
        15Wake Forest  
      • 8:00pm ET
  • Wednesday, Jan 3

    • Sugar Bowl

      Sugar Bowl: Notre Dame vs LSU
        11Notre Dame  
        4LSU  
      • 8:00pm ET
    • Monday January 8 

    • BCS Championship

      BCS Championship: Florida vs Ohio St.
        2Florida  
        1Ohio St  
      • 8:00pm ET
  •  

    Xtreme Motorsports Initiates Steps to Develop Breakthrough Transmission System; New Transmissions to Increase Quality and Reduce Costs, Manufacturing Time

    December 15, 2006 -- Xtreme Motorsports of California, Inc. (PINKSHEETS: XTMS) ("Xtreme"), a manufacturer of extreme long travel sandrails, desert and dual sport racecars, has entered into discussions with several firms to produce an advanced line of sandcar transmission systems. The new systems are intended to benefit Xtreme by reducing delivery times, providing a 60% reduction in procurement costs and allowing the company to become a reseller of transmissions to other sandcar manufacturers and customers in need of replacement units. The company expects to formalize the relationships with contractors in the first quarter of 2007.

    In the past, manufacturing transmission systems for sandcars and dual sport racecars has been a lengthy process, requiring off-the-shelf parts to be re-manufactured into a single system onsite, depending on frame and engine selection by the customer. Now, Xtreme will stock several lines of transmissions with plug-and-play components and mounting solutions to fit any combination of frame and engine.

    "The development of proprietary transmission systems is one of several key strategic initiatives we are implementing to ensure rapid growth in 2007," commented Alan McCaa, CEO of Xtreme Motorsports. "The current time from order to delivery of a transmission averages 6-8 months and represents the number one determinant of delivery time to the customer. Now, we will be able to meet customer demand on a timely basis while improving quality, and our top and bottom lines."

    To ensure the efficient internalization of transmission system manufacturing, Xtreme has entered into discussions with an engineering project management firm to oversee processes such as engineering, manufacturing, importing, shipment and marketing of the systems.

    In addition, the company has tapped a computer-aided design expert to work with the Xtreme Team and the engineering firm to design the transmissions to the company's specifications based on years of management and staff experience.

    Finally, Xtreme has entered into discussions with a Chinese company, with current transmission customers such as Nissan, Mitsubishi and Toyota, to build the units.

    The Company intends to update shareholders on the progress of formalized relationships with the aforementioned contractors after the first of the year.

    About Xtreme Motorsports of California, Inc.

    Xtreme Motorsports is a manufacturer of custom and production-line sandrails, desert and dual sport racecars. Founded in 1983, Xtreme's sandcars have been sold to customers in England, the United Arab Emirates, Australia, South America and the US. For more information, visit the corporate web site www.xmssandcars.com.

    Forward-Looking Statements

    Certain statements in this release, and other written or oral statements made by the Company, including the use of the words "expect," "anticipate," "estimate," "project," "forecast," "outlook," "target," "objective," "plan," "goal," "pursue," "on track," and similar expressions, are "forward-looking statements" and are subject to known and unknown risks, uncertainties and other factors that may cause actual results, performance, or achievements of the company to be different from those expressed or implied. The Company assumes no obligation and does not intend to update these forward-looking statements and takes no obligation to update or correct information prepared by third parties that are not paid for by the Company.

    [ Yahoo! ] options

    NAMM NEWS

     Jan 18

     

    105th NAMM Show Opens in Anaheim

    Giant Musical Instrument Trade Show Expected to Break Exhibition, Registration Records; Offers More Opportunities for Manufacturers and Retailers

    ANAHEIM, Calif., Jan. 18  Today, a record-breaking 1,535 music products manufacturers from around the world will fill every square inch of the Anaheim Convention Center with the latest innovations in musical instruments at the 105th NAMM Show, the industry's largest annual event in the United States.

    The NAMM Show, which opened today in Anaheim and runs through the weekend, is only open to the trade and draws thousands of music products retailers and manufacturers eager to check out the products, attend valuable professional development sessions and network with their peers.

    Overall pre-show registration numbers indicate that attendance could possibly exceed last year's record of 81,315.

    Themed "The NAMM Show '07: It's Your Show," the event is slated to offer industry members a chance to shape their individual show experience through educational sessions and networking opportunities. In addition, the trade-only event offers music products manufacturers the chance to display thousands of new products, ranging from string, percussion and band instruments to pianos, music accessories, pro audio, lighting and computer-based music making equipment.

    Attendees can also experience unparalleled NAMM Show-related performances by artists of every genre and a wide array of after-show-hours activities around the convention area throughout the weekend.

    "Making music has never been more popular and our show numbers continue to reflect that trend," said Joe Lamond, president and CEO, NAMM. "NAMM is committed to its Members in the music products industry to not only provide a high-profile event to promote their products, but also offer education and insights into the industry to help manufacturers, retailers and representatives steer their businesses in a positive direction for the coming year."

    The show runs today through Sunday at the Anaheim Convention Center. For more information and news updates from the 105th NAMM Show, interested parties may visit www.thenammshow.com.

    About NAMM

    NAMM is the not-for-profit association that unifies, leads and strengthens the $17 billion international musical instruments and products industry. NAMM's activities and programs are designed to promote music making to people of all ages. NAMM is comprised of approximately 9,000 Member companies. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org or call 800-767-NAMM (6266).

    Source: NAMM

     

    Jan 17

     

    EASTWEST PRESENTS QUANTUM LEAP

    MINISTRY OF ROCK AT WINTER NAMM 2007

    Rock ’n’ Roll Toolkit Provides All-In-One Big Sound Solution

    ANAHEIM, CA, January 18, 2007—EASTWEST (www.soundsonline.com), the industry leader in soundware development and distribution, proudly introduces Quantum Leap Ministry of Rock, a huge 18 gigabyte collection of rock drums, basses and guitars recorded in the world-famous EASTWEST Studio 2, featured on countless platinum and gold records. EASTWEST will exhibit Ministry of Rock at the NAMM Show, January 18-21 (Hall A, booth #6630).

    —, the industry leader in soundware development and distribution, proudly introduces Quantum Leap , a 18 gigabyte collection of rock drums, basses and guitars recorded in the world-famous EASTWEST Studio 2, featured on countless platinum and gold records. EASTWEST will exhibit Ministry of Rock at the NAMM Show, January 18-21 (Hall A, booth #6630).

     

    “Ministry of Rock is a modern-day rock toolkit that covers a myriad of styles, providing a true all-in-one solution for rock productions,” states Quantum Leap producer Nick Phoenix. “Songwriters, film, TV and game composers, as well as all rock musicians, will love this outstanding virtual instrument collection.”

     

    Ministry of Rock boasts a sound quality superior to anything else available. The virtual instrument library features sounds used in contemporary music. Ministry of Rock was created with one goal in mind: to create a virtual instrument capable of producing sounds that can actually produce a hit record or film score without any live drum, bass or guitar overdubs. Articulations and programming were all reverse engineered from actual performances.

     

    Drum kits sampled for Ministry of Rock include Octaplus (nine toms), Ayotte, Ludwig and Gretsch, the latter the actual kit used to make Metallica’s “Black” album. Drum kits are also optimized for use with Roland V-Drums.

     

    Basses include Fender P-Bass Custom, Fender 5-string, Specter and Kubiki basses. All were recorded through an Ampeg SVT and an Ashdown rig. Guitars recorded for Ministry of Rock include Fender Telecaster and Stratocaster, Gibson Les Paul, Ibanez Universe 7 and various PRS guitars, all recorded through Marshall, Fender, Bogner, Vox and Budda amplifiers.

    Special features of Ministry of Rock include:

    · Legato bass and guitar samples

    · Legato and staccato repetitions

    · Truly playable rhythm guitars and leads, clean and distorted release samples

    · Guitars and basses recorded in dual amp configurations

    · Software allows the user to choose amplifier, or mix the sound from both amps

    · Dynamic bass that can play everything from ballads to the most hardcore music imaginable

    · Round robin bass drums, snares, toms and hats

    · Performance drum hits extracted from live playing

    · Approximately 18 gigabytes of rock drums, basses and guitars recorded in the world-famous EASTWEST Studio 2

    · Superior reverb impulses recorded by Prof. Keith O. Johnson and Nick Phoenix.

     

    Ministry of Rock carries a $549 MSRP.

     

    About EASTWEST

    Since 1988, EASTWEST (soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality, setting the industry standard as the #1 producer and distributor of sample CDs and virtual (software) instruments. With over 28 years’ experience in the audio industry, founder and producer Doug Rogers has the expertise in music production to understand the creative tools professional musicians need. The recipient of numerous gold and platinum records including Recording Engineer of the Year, and over 40 international awards, Rogers is featured in The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets by David Battino and Kelli Richards.

     

    Quantum Leap is a wholly owned division of EASTWEST. Quantum Leap Virtual Instruments are mostly produced by multiple award-winning producer and composer Nick Phoenix. Some of the larger productions, such as Symphonic Orchestra and Symphonic Choirs are co-produced by Doug Rogers and Nick Phoenix.

     

    In January 2006, EASTWEST purchased the legendary Cello (formally United-Western) Studios on Sunset Blvd. in Hollywood, re-naming it EASTWEST Studios. The 21,000 sq. ft. facility, redesigned by master designer Philipe Starck, houses five recording studios and is the world headquarters for EASTWEST.

     

    EASTWEST DEBUTS “PLAY” SOFTWARE IN ALL NEW EASTWEST/QUANTUM LEAP VIRTUAL INSTRUMENTS

    AT WINTER NAMM 2007

    64-bit Advanced Sample Engine with Built-In Network Control

    ANAHEIM, CA, January 18, 2007—EASTWEST (www.soundsonline.com), the industry leader in soundware development and distribution, has introduced it’s PLAY software, a 64-bit advanced sample engine with built-in Network Control. EASTWEST will exhibit its full range of PLAY-powered virtual instruments at the Winter NAMM Show, January 18-21 (Hall A, booth #6630).

    —, the industry leader in soundware development and distribution, has introduced it’s software, a 64-bit advanced sample engine with built-in Network Control. EASTWEST will exhibit its full range of PLAY-powered virtual instruments at the Winter NAMM Show, January 18-21 (Hall A, booth #6630).

     

    Included with all new EASTWEST/QUANTUM LEAP virtual instruments (most existing EASTWEST NI-powered virtual instruments will be upgraded early in 2007), PLAY displays custom-designed virtual instruments that look as beautiful as they sound. The interface is designed to eliminate clutter, including only the controls needed for each individual virtual instrument. PLAY was created to be played like an instrument, not programmed like a sampler.

     

    PLAY’s 64-bit support (the first in the industry) allows the user to load many more instruments and voices, and is limited only by the host system’s RAM (32-bit support is also included). While most high-end computers will support 16 GB (8 times as much memory as is now usable), a very small set of high-performance enterprise computers (with Microsoft Vista Ultimate) can already use 128 GB of RAM. As hardware develops, the theoretical limit of EASTWEST’s PLAY software is 17,179,869,184 gigabytes—16 exabytes, or 17 billion gigabytes!

     

    For still more power, EASTWEST’s built-in Network Control allows the user to load instruments on other machines controlled from the host computer. No more trips back and forth between computers, no more KVR switching when loading projects, and no need to buy additional software.

     

     

    “The PLAY system is a professional, fully integrated solution for those with the most demanding production requirements,” states Doug Rogers, EASTWEST’s founder and producer. “All instruments are listed in one easy-to-use browser, which displays all instruments, and even allows the user to audition other collections before purchase.”

     

    Users can access EASTWEST’s online server from the PLAY software, audition individual instruments in a track, and purchase the instruments 24/7. Other collections can be auditioned and purchased at any time with an authorization code (or purchase codes from EASTWEST authorized resellers).

     

    PLAY’s long list of innovative and powerful features includes:

    · Favorites section to group the instruments you use most

    · Preview instrument of choice in an easy-to-use column viewer

    · Load instruments into one instance to take advantage of a sequencer's "instrument tracks," or many if desired

    · Interface automatically changes to display current instrument

    · Articulations

    · No browsing through complicated patch names: pick the instrument and play

    · Turn on/off articulations as desired

    · Articulations list also serves as reference for all expressions within the instrument (no need to look up key-switches in charts)

    · Save favorite configuration for quick retrieval.

     

    Additional features include: Legato Detection, which senses legato and repetitive playing and responds accordingly; Stereo Handling, so users can manipulate stereo samples in useful ways; Stereo Swap provides instantaneous swap-ability between the left and right channels; and Mono from Left, Mono from Right, or Mono Sum enable instant conversion from stereo to mono. The software’s built-in Mic Mixer controls all microphone positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions. Taking it a step further, PLAY allows the user to load, unload, adjust, pan and mute mic positions right in the patch as desired.

     

    PLAY’s Effects Engine is the best sounding and most powerful effects engine in existence, built from the ground up for the highest possible quality. Space Control includes multiple impulse responses from various concert halls as well as the famous EASTWEST studios and live chambers (boasting more RIAA-certified platinum and gold records than any other studio), all recorded by Prof. Keith O. Johnson and Nick Phoenix.

     

    The advanced sample storage (using lossless compression) and streaming technology in PLAY’s high-quality resampling engine saves RAM, speeds up load times, reduces disk

     

    load, and saves hard drive space without reducing sample quality. Samples can be played back at 24-bit or 16-bit.

     

    Using the industry standard iLok security system, users can easily authorize purchased instruments and audition other instruments before purchase. The system offers complete portability: users can take plug-ins anywhere and use on any computer. It is easy to authorize and manage (up to 100 authorizations are allowed on one key).

     

    PLAY is natively supported in all major hosts on all major operating systems and offers native support for more platforms than any other software engine. PLAY is compatible with RTAS, AU, VST, Standalone, Intel Mac, PPC Mac, Windows XP and Vista, 64-bit, 32-bit and it’s even multilingual.

     

    “Building PLAY from the ground up allowed EASTWEST to create the most intuitive instruments possible and design instruments every step of the way without compromise,” Rogers continues. “Play will support future developments such as QControl, offering the ultimate in playability without requiring any additional performance tool or MIDI interpreter.”

     

    About EASTWEST

    Since 1988, EASTWEST (soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality, setting the industry standard as the #1 producer and distributor of sample CDs and virtual (software) instruments. With over 28 years’ experience in the audio industry, founder and producer Doug Rogers has the expertise in music production to understand the creative tools professional musicians need. The recipient of numerous gold and platinum records including Recording Engineer of the Year, and over 40 international awards, Rogers is featured in The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets by David Battino and Kelli Richards.

     

    In January 2006, EASTWEST purchased the legendary Cello (formally United-Western) Studios on Sunset Blvd. in Hollywood, re-naming it EASTWEST Studios. The 21,000 sq. ft. facility, redesigned by master designer Philipe Starck, houses five recording studios and is the world headquarters for EASTWEST.

     

     

    EASTWEST DELIVERS SOUNDS INSPIRED BY THE BEATLES WITH “FAB FOUR VIRTUAL INSTRUMENTS”

    The same kind of Vintage Instruments and EMI/Abbey Road Recording Equipment

    as the Beatles used Recorded in EASTWEST’s Historic Hollywood Studios

    ANAHEIM, CA, January 18, 2007—EASTWEST (www.soundsonline.com), the industry leader in soundware development and distribution, proudly introduces Fab Four Virtual Instruments. The result of more than a year of research, equipment acquisition and recording, Fab Four Virtual Instruments — unaffiliated with or endorsed by Apple Corps. Ltd. — presents a faithfully executed, incredibly accurate and comprehensive collection featuring the same kind of instruments and recording equipment used by the Beatles. EASTWEST will exhibit Fab Four Virtual Instruments at the NAMM Show, January 18-21 (Hall A, booth #6630).

    —, the industry leader in soundware development and distribution, proudly introduces . The result of more than a year of research, equipment acquisition and recording, Fab Four Virtual Instruments — unaffiliated with or endorsed by Apple Corps. Ltd. — presents a faithfully executed, incredibly accurate and comprehensive collection featuring the same kind of instruments and recording equipment used by the Beatles. EASTWEST will exhibit Fab Four Virtual Instruments at the NAMM Show, January 18-21 (Hall A, booth #6630).

     

    “The Beatles had a profound impact on me musically,” said EASTWEST founder and Fab Four producer Doug Rogers, “and were the influence for my fascination with sounds. They were musical geniuses that never rested on their laurels, always producing exciting new music and sounds with each new record, much of it groundbreaking!

     

    “Putting this project together took well over a year of research, equipment procurement (much of it from collectors), and gathering a team that could pull off such a feat,” Rogers adds. “But it was a labor of love for us all, and the result is truly worth it.”

     

    The Fab Four Virtual Instruments project involved several people intimately involved with the Beatles. Engineer Ken Scott, who worked on Beatles albums including A Hard Days Night, Help, Rubber Soul, Magical Mystery Tour, and The Beatles, engineered the recordings. Guitarist Laurence Juber and drummer Denny Seiwell, both of whom were members of Paul McCartney and Wings, played the same kind of instruments as those used by the Beatles.

     

    No expense was spared in acquiring the equipment used to produce this collection. Much of that equipment, ironically, is now housed in EASTWEST Studio 3, where the Beach Boys’ legendary Pet Sounds—the inspiration for Sgt. Pepper's Lonely Hearts Club Band, according to Paul McCartney—was recorded.

     

    Well over one million dollars’ worth of rare period instruments — including authentic guitars, basses, drums, and keyboards — as well as amplifiers, microphones, recording consoles, outboard equipment and tape recorders were used in this production. Neumann, AKG, Cole and STC microphones as used at EMI/Abbey Road Studios were used to capture the sounds, while identical amplifiers, including a 1963 Voc AC30, 1967 Fender Showman and DeLuxe, 1963 Fender Bassman and Tan Showman, and 1966 Vox Defiant, 730 and 7120, were used with the electric guitars.

     

    The same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk, and EMI REDD47 preamps, were used to record all instruments, through Fairchild limiters and rare EMI RS124 modified Altec compressors, which were used for dynamics control. As with many of the Beatles recording sessions, a Studer J-37 4-track tube tape machine was used to record everything.

     

    Guitars (some costing over $200,000 each) played by Juber include a Gretsch Firebird (1959) and Tennessean (1963), Rickenbacker 360-12 (1965), Martin D-28 (1966), Fender Stratocaster (1956) and Telecaster (1951), Epiphone Casino (1965), and Gibson Les Paul Goldtop (1957), SG (1960) and J200 (1966). Juber also played Hofner (1963) and Rickenbacker (1964) basses, the same kind as Paul McCartney played on the Beatles’ recordings. Guitars were sampled with up and down strokes, multiple velocities and picking styles, some with chords and effects.

     

    Drums played by Seiwell include a rare 1960 Ludwig downbeat kit with Zildjian cymbals (snare 5" x 14"/toms 9" x 13" and 16" x 16"/kick 22" x 14"/Zildjian 20" crash ride/18" crash medium/14" hi-hat). Additionally, drums were all multi-sampled with up to 16 velocity layers, left and right hand. The sounds were all matched to a particular style (e.g. “A Day in the Drums,” “Ticket to Drums,” “Yer Drums”). Even some heavily modulated cymbals, recorded through a Fairchild limiter for authenticity, were recorded as an alternative cymbal sound.

     

    Keyboards include Baldwin Electric Harpsichord (“Because I'm a Harpsichord”), Clavioline (“Baby I'm a Clavioline”), “Birthday Piano” (through Vox Defiant guitar amp), “Lucy in the Lowery,” “Strawberry Flutes,” “We Can Work a Harmonium,” and other stringed instruments including “Swarmandel Forever.”

     


    Most of the sounds would be impossible to create without all of the above
    equipment. For example, the “revostortion” guitar sound was created by feeding an Epiphone Casino into one EMI REDD 47 preamp, and the output into a second EMI REDD 47 preamp, exactly as originally created by the EMI/Abbey Road engineers.

     

    Fab Four Virtual Instruments also includes a software version of ADT (artificial double tracking) with built-in tape simulator, created and programmed specially for this project. All instruments are newly recorded multi-samples for this collection; no sounds came from any Beatles recordings.

     

    Fab Four Virtual Instruments carries a $549 MSRP.

     

    Musicians, producers and film/TV/game composers looking for truly unique sounds with attitude to create with will find Fab Four Virtual Instruments the most innovative and inspiring collection ever produced.

     

    About EASTWEST

    Since 1988, EASTWEST (soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality, setting the industry standard as the #1 producer and distributor of sample CDs and virtual (software) instruments. With over 28 years’ experience in the audio industry, founder and producer Doug Rogers has the expertise in music production to understand the creative tools professional musicians need. The recipient of numerous gold and platinum records including Recording Engineer of the Year, and over 40 international awards, Rogers is featured in The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets by David Battino and Kelli Richards.

     

    The Fab Four Virtual Instruments was developed and produced by EASTWEST PRODUCTIONS, LLC, a new special projects company.

     

    In January 2006, EASTWEST purchased the legendary Cello (formally United-Western) Studios on Sunset Blvd. in Hollywood, re-naming it EASTWEST Studios. The 21,000 sq. ft. facility, redesigned by master designer Philipe Starck, houses five recording studios and is the world headquarters for EASTWEST.

     

     

     

    EASTWEST INTRODUCES QUANTUM LEAP GYPSY

    VIRTUAL INSTRUMENT LIBRARY AT WINTER NAMM 2007

    Intimate European Sounds Captured With Stunning Realism

    ANAHEIM, CA, January 18, 2007—EASTWEST (www.soundsonline.com), the industry leader in soundware development and distribution, proudly introduces Quantum Leap Gypsy, a collection of detailed virtual instruments capable of playing completely realistic performances. EASTWEST will exhibit Quantum Leap Gypsy at the NAMM Show, January 18-21 (Hall A, booth #6630).

    —, the industry leader in soundware development and distribution, proudly introduces , a collection of detailed virtual instruments capable of playing completely realistic performances. EASTWEST will exhibit Quantum Leap Gypsy at the NAMM Show, January 18-21 (Hall A, booth #6630).

    Gypsy, which is primarily aimed at film, TV and game composers, captures an intimate European sound with an unprecedented detail that will simply amaze listeners. The nylon string guitar, violin and trombone can play in both gypsy and classical styles. In the classical realm, these three instruments are unparalleled in the sampling world in terms of playability, diversity and sound quality.

     

    “All of the guitars were sampled with up and down strokes, many velocities and picking styles, various picking angles, release trails, chords and effects,” states Quantum Leap Gypsy producer Nick Phoenix. “Gypsy’s guitars, played by top Los Angeles session guitarist David Kole, simply have to be heard to be believed.”

     

    The violin and trombone feature many articulations, repetitions and even true legato intervals. The trombone in Quantum Leap Gypsy was recorded in EASTWEST Studio 1 (formerly United-Western Studios), referred to by many engineers as “the best brass room on the planet.”

     

    The accordions feature multiple setups, all with air flow in and out samples as well as expressive samples, chords and left-hand bass. True to its name, Gypsy also features a gypsy percussion program and extensive flamenco dancers’ foot stomps, as well as traditional castanets.

     

    Key features of Quantum Leap Gypsy include:

    · Violin (true legato intervals) in classical and gypsy style

    · Classical Guitar

    · Flamenco Guitar

    · Django Style Guitar

    · Spanish Steel String Guitar

    · Campana Accordion

    · Silvestri Accordion

    · Excelsior Accordion

    · Trombone (true legato intervals) in classical and gypsy style

    · Flamenco Dancer

    · Gypsy percussion

    · Superior reverb impulses recorded by Prof. Keith O. Johnson and Nick Phoenix.

    Quantum Leap Gypsy carries a $549 MSRP.

    About EASTWEST

    Since 1988, EASTWEST (soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality, setting the industry standard as the #1 producer and distributor of sample CDs and virtual (software) instruments. With over 28 years’ experience in the audio industry, founder and producer Doug Rogers has the expertise in music production to understand the creative tools professional musicians need. The recipient of numerous gold and platinum records including Recording Engineer of the Year, and over 40 international awards, Rogers is featured in The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets by David Battino and Kelli Richards.

     

    Quantum Leap is a wholly owned division of EASTWEST. Quantum Leap Virtual Instruments are mostly produced by multiple award-winning producer and composer Nick Phoenix. Some of the larger productions, such as Symphonic Orchestra and Symphonic Choirs are co-produced by Doug Rogers and Nick Phoenix.

     

    In January 2006, EASTWEST purchased the legendary Cello (formally United-Western) Studios on Sunset Blvd. in Hollywood, re-naming it EASTWEST Studios. The 21,000 sq. ft. facility, redesigned by master designer Philipe Starck, houses five recording studios and is the world headquarters for EASTWEST.

     

     

     

    EASTWEST RELEASES QUANTUM LEAP

    PIANOS VIRTUAL INSTRUMENT AT WINTER NAMM 2007

    World’s Finest Grand Pianos Captured in Historic Recording Studio

     

    ANAHEIM, CA, January 18, 2007—EASTWEST (www.soundsonline.com), the industry leader in soundware development and distribution, introduces Quantum Leap Pianos, the most detailed collection of the world’s finest grand pianos. EASTWEST will exhibit Quantum Leap Pianos at the Winter NAMM Show, January 18-21 (Hall A, booth #6630).

    —, the industry leader in soundware development and distribution, introduces Quantum Leap, the most detailed collection of the world’s finest grand pianos. EASTWEST will exhibit Quantum Leap Pianos at the Winter NAMM Show, January 18-21 (Hall A, booth #6630).

     

    More than half a million dollars’ worth of pianos are included in this collection, all meticulously recorded. These include a $225,000 Bechstein D-280 Concert Grand, the same kind of piano engineer/producer Ken Scott used to record Elton John, David Bowie, and Supertramp. EASTWEST invited Scott to engineer the Bechstein’s close-mic’d recordings to provide users with a cutting, dynamic pop/rock piano sound, in addition to the variety of other piano sounds included in the collection.

     

    Other pianos featured in the library include a Steinway D Concert Grand; a Bösendorfer 290 Concert Grand; and a Yamaha C7.

     

    “Quantum Leap Pianos is an innovative collection featuring the finest pianos captured with state-of-the-art recording equipment in a world-class studio,” says Producers Doug Rogers and Nick Phoenix. “We personally own three of these pianos, and were able to match the sound of the Virtual Instruments to the sound of the actual pianos during production. We have developed a comprehensive set of fantastic piano sounds that will enable songwriters and composers to make recordings limited only by their creativity.”

     

    The Quantum Leap Pianos library is packed with 270 GB of content at 24-bit/44.1k resolution, the largest and most detailed piano collection ever created. Using lossless compression, the instruments, if all installed, use 140 GB of hard disk space. The sample management system offers 50% more efficiency compared to other piano collections.

    Users can install one, two, three or all four pianos on their computer’s hard drive. Three microphone positions are included per piano for maximum flexibility. Ten to 16 velocities are offered per note (and again in soft pedal, sustain pedal, and soft sustain) and every piano offers 16 distinct staccato velocities.

     

    Repetition samples are taken from 180 BPM performances for a true repetition sound and are not simply an alternate take. The software detects true repetitions. Pedal resonance was recorded for every note at multiple velocities, as well as with the soft pedal down. Proprietary resonance was captured on the Bösendorfer.

     

    True multi-velocity soft pedal samples with and without sustain pedal are also included, as well as release samples with software envelope follower.

     

    Articulations on each piano include:

    · sustain

    · sustain pedal

    · soft pedal

    · soft pedal with sustain pedal

    · repetitions

    · repetitions with sustain pedal

    · staccato

    · pedal resonance

    · release trails.

     

    Additional features include:

    · Stereo swap possible in software

    · Mic position mixing in software

    · Lid position simulation

    · Articulation matrix for quick and straightforward loading—no more loading headaches

    · Most powerful streaming engine available with highest polyphony counts

    · Superior reverb impulses recorded by Prof. Keith O. Johnson and Nick Phoenix.

     

    The Quantum Leap Pianos library was recorded at EASTWEST Studios—formerly Cello Studios and site of the legendary United-Western Studios in Hollywood—with three user controllable microphone positions for each piano. Every sample was recorded in a proper piano environment with vintage Neumann microphones, a vintage Neve 8078 console, and Meitner analog-to-digital converters.

     

    Quantum Leap Pianos carries a $549 MSRP.

     

     

    About EASTWEST

    Since 1988, EASTWEST (soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality, setting the industry standard as the #1 producer and distributor of sample CDs and virtual (software) instruments. With over 28 years’ experience in the audio industry, founder and producer Doug Rogers has the expertise in music production to understand the creative tools professional musicians need. The recipient of numerous gold and platinum records including Recording Engineer of the Year, and over 40 international awards, Rogers is featured in The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets by David Battino and Kelli Richards.

     

    Quantum Leap is a wholly owned division of EASTWEST. Quantum Leap Virtual Instruments are mostly produced by multiple award-winning producer and composer Nick Phoenix. Some of the larger productions, such as Symphonic Orchestra and Symphonic Choirs are co-produced by Doug Rogers and Nick Phoenix.

     

    In January 2006, EASTWEST purchased the legendary Cello (formally United-Western) Studios on Sunset Blvd. in Hollywood, re-naming it EASTWEST Studios. The 21,000 sq. ft. facility, redesigned by master designer Philipe Starck, houses five recording studios and is the world headquarters for EASTWEST.

     

     

     

    EASTWEST INTRODUCES QUANTUM LEAP VOICES OF PASSION VIRTUAL INSTRUMENT AT WINTER NAMM 2007

    Ground-breaking Instrument for Film/TV/Game Composers, Ambient/New Age Artists

    ANAHEIM, CA, January 18, 2007—EASTWEST (www.soundsonline.com), the industry leader in soundware development and distribution, introduces Quantum Leap Voices of Passion, a Virtual Instrument of female vocalists from Wales, Syria, India, Bulgaria and America. EASTWEST will exhibit Voices of Passion at the Winter NAMM Show, January 18-21 (Hall A, booth #6630).

    —, the industry leader in soundware development and distribution, introduces Quantum Leap , a Virtual Instrument of female vocalists from Wales, Syria, India, Bulgaria and America. EASTWEST will exhibit Voices of Passion at the Winter NAMM Show, January 18-21 (Hall A, booth #6630).

     

    “Songwriters and film, TV and game composers as well as New Age artists will be amazed at the ethereal, passionate, flowing, mysterious, wailing and whispering alto and soprano voices featured on Voices of Passion,” states Quantum Leap producer Nick Phoenix. “The first virtual instrument or sample library created specifically for use in the film/TV/game genre, Voices of Passion is also the first created specifically for use in the ambient and New Age genres, and the first to feature true legato intervals.”

     

    Voices of Passion features five outstanding professional female artists singing vowels, words, morphing vowels, effects, phrases, calls, whispers and breath noises. The singers were flown to EASTWEST’s historic Hollywood, Calif. studios (formerly United-Western Studios) from around the globe.

     

    Key features of Quantum Leap Voices of Passion include:

    · Approximately 8 gigabytes of vocals

    · Female vocalists from Wales, Syria, India, Bulgaria and America

    · Middle Eastern and Indian phrases presented in a construction kit format, allowing users to create very long, consistent performances

    · All singers recorded with great attention paid to pitch

    · Oo, oh and ah true legato intervals

    · Over 1,000 ethnic phrases with a great deal of passion

    · Phrase generator for Welsh vocals

    · Expressive samples, non vibrato, delayed vibrato

    · Ethereal style, breathy vocals

    · New Age vocal performances, staccato and swells

    · Superior reverb impulses recorded by Prof. Keith O. Johnson and Nick Phoenix.

     

    Voices of Passion carries a $549 MSRP.

     

    About EASTWEST

    Since 1988, EASTWEST (soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality, setting the industry standard as the #1 producer and distributor of sample CDs and virtual (software) instruments. With over 28 years’ experience in the audio industry, founder and producer Doug Rogers has the expertise in music production to understand the creative tools professional musicians need. The recipient of numerous gold and platinum records including Recording Engineer of the Year, and over 40 international awards, Rogers is featured in The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets by David Battino and Kelli Richards.

     

    Quantum Leap is a wholly owned division of EASTWEST. Quantum Leap Virtual Instruments are mostly produced by multiple award-winning producer and composer Nick Phoenix. Some of the larger productions, such as Symphonic Orchestra and Symphonic Choirs are co-produced by Doug Rogers and Nick Phoenix.

     

    In January 2006, EASTWEST purchased the legendary Cello (formally United-Western) Studios on Sunset Blvd. in Hollywood, re-naming it EASTWEST Studios. The 21,000 sq. ft. facility, redesigned by master designer Philipe Starck, houses five recording studios and is the world headquarters for EASTWEST.

     

     

     

    MARANTZ PROFESSIONAL SHOWCASES

    LATEST DIGITAL RECORDING TECHNOLOGY

     

    — Ease of recording and editing along with

    large storage capacity distinguish Marantz Professional technology —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — As part of its commitment to offering comprehensive and efficient solutions, Marantz Professional, a D&M Professional brand, exhibits at this year’s NAMM Show with its full line of digital recording products.

    As part of its commitment to offering comprehensive and efficient solutions, Marantz Professional, a D&M Professional brand, exhibits at this year’s NAMM Show with its full line of digital recording products.

    The leader in revolutionizing solid state recorder technology, Marantz Professional highlights eight key products on display, offering a range of options for portable, dependable recording and playback. These include the new CDR310 Portable CD Recorder; CDR632 CD-R/RW Recorder; CDR510 MP3/CD Dual Player and CD Recorder; CDR420 Professional HD/CD Recorder; PMD671 24-bit Portable Solid State Recorder; award winning “hand-held” PMD660 Portable Solid State Recorder; and PMD570 and PMD560 Professional Installation Solid State Recorders.

    The CDR310 Professional CD Recorder is capable of handling a project from beginning to end, with built-in microphone preamps with XLR connectors and 48V phantom power for use with external condenser microphones, a built-in high-quality microphone for maximum convenience and portability, and the ability to record for hours, then finish the final project to the built-in CD burner, all within one lightweight, battery operated compact unit. The burner can create both audio discs for instant playback on CD players, or data discs for transfer to a computer or for archiving purposes. Battery power capability — using the optional RB1651 battery — allows for up to four hours of remote operation without an external power supply, while support for uncompressed WAV, CD-DA, AIFF audio and MP3 file formats provides flexibility and long record times. The CDR310’s Background Record Mode enables recording to always be active, as an ongoing backup, even when the unit is in Pause Mode. Recording can also be active in Pre-Record Mode for up to 10 seconds with the recorder stopped. Easy One-Touch recording makes operation simple, even under challenging circumstances. Analog line-level inputs and outputs and S/PDIF-format digital inputs and outputs allow connection to a wide range of professional audio equipment.

    The CDR632 makes full-featured CD recording technology available to virtually any installation, in a 2U rackspace. This professionally solid workhorse plays and records on standard CD-R and CD RW discs. In addition, it will play MP3 files for extended playback from a single disc. The CDR632 is packed with features specifically requested by the installation market like Programmable Auto-Track Increment, Pitch Control, Level dependent Sync Recording, Single Play Mode, Power-on Play and more. Analog, digital and optical input and output, complete with integrated sample rate conversion, are just a few examples of the meticulous design and engineering that went into the CDR632. CD text can be programmed and read right from the front panel. Programmable fade-in/fade-out recording allows for an easily polished sound, complementing the high audio quality provided by the CDR632.

    The CDR510 brings the traditional professional combination deck into the next generation, where digital technology has eliminated the need for cassettes. Featuring a CD player/CD recorder combination, the unit merges the simple operation of one-touch record with upgraded capability in playback accepting CD, CD-R, CD-RW, unfinalized discs, and even MP3 file formats. Since critical recording applications offer a one-time opportunity to capture sound, the CDR510 was built to meet this challenge with exceptional audio quality every time. The CDR510 further supports RS232C interfacing.

    The CDR420 CD/MP3 Recorder is a complete tabletop digital recording solution suitable for virtually any application. This unit features easy digital recording in MP3 or WAV formats with all of the functions necessary to handle all of your recording needs. Recording through use of a computer, CD burner and post-production software is no longer required. With an internal storage capacity to archive up to 1,400 hours of recordings, the CDR420 can burn up to 45 hours of audio on a single MP3-CD or on multiple traditional CDs. Its portability makes the CDR420 perfect for recording meetings, professional sessions and other events where a traditional recording device will not suffice. In addition, the CDR420 is USB 2.0 capable.

    The PMD671 Solid State Recorder offers multiple recording modes, long record times (up to 36 hours of stereo recording on a 1 GB Compact Flash card), and up to six hours of battery time with standard AA alkaline batteries. The unit is capable of 24-bit, 96 kHz PCM high-resolution recording for unrivaled audio quality; a 1 GB Compact Flash card can provide up to 30 minutes of record time at high resolutions. The PMD671 also offers a long list of professional features such as Virtual Third Head (VTH) confidence monitoring, Time-Shift Playback, which allows the user to back up and listen to passages while continuing to record an event, XLR microphone inputs with phantom power, built-in condenser microphone, RCA line inputs, USB 2.0 connectivity for ultra-fast audio transfer to a PC, and an optional wired remote.

    The “hand-held” PMD660 Solid State Recorder features portable, battery-powered operation. It offers a choice of recording uncompressed WAV files at 44.1 or 48 kHz, as well as 64 kbps mono or 128 kbps stereo in MP3 format. An optional 1 GB flash card holds over an hour of stereo or 3 hours mono of uncompressed audio (recording at the rates specified above), while the unit itself can operate for 4 hours running on 4 standard AA batteries. Furthermore, the PMD660 has built-in stereo microphones, XLR connectors with +48V phantom power, and is compatible with an optional RC600 wired remote (also available for the PMD570 and PMD671) that attaches to most any microphone to supply Record/Pause control, track marking and peak metering from the mic position.

    The single-rackspace PMD570 Solid State Recorder unit records in mono or stereo directly to Compact Flash cards in MP3, MP2, WAV and Broadcast WAV formats. With over 40 quality settings, the PMD570 supports sample rates from 16 to 48 kHz, and bit rates from 32 to 384 kbps, as well as full-quality 16-bit PCM resolution. The PMD570 is able to create a new file (track increment) while recording and files can be created in intervals of 1, 5, 10, 15 and 30 minutes as well as 1-, 2-, 6-, 8-, 12- and 24-hour intervals for long-term, unattended audio recording. A comprehensive input and output complement on the PMD570 includes balanced XLR line inputs with trim, unbalanced RCA line in and out, and stereo S/PDIF input and output on coaxial RCA jacks. Remote control is provided via full two-way RS-232C interfacing; users can set up, change and replace all preset settings with a PC. In addition the PMD570 features USB connectivity for easy linking and file transfer to a PC or Mac®. Audio files can be instantly dragged and dropped to the computer, eliminating wasted time doing transfers.

    The new PMD560 offers the same recording quality and RS-232 system control with cost effective features. The PMD560 is a lower price alternative in the growing family of Marantz Professional solid state installation recorders.

    …ends 1,119 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

     

     

    MARANTZ PROFESSIONAL PMD660 AND PMD670 SOLID STATE RECORDERS ARE POWERING A GENERATION OF PODCASTERS

     

    — Podcasters throughout an entire range of topics agree on one thing:

    the PMD660 and PMD670 have incredible feature sets that make them

    easy to use as their primary digital audio recording device —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — The PMD660 and PMD670 Portable Solid State Recorders from Marantz Professional have quickly become the audio recording devices of choice for an entire new generation of podcasters. The PMD660 and PMD670 give podcasters everything they need: compact and portable units that are utterly reliable, easy to use and ready to interface with laptops for editing. The ultra-light PMD660 "handheld" recorder supplies professional features that podcasters needs to record in the field; the very portable PMD670 offers podcasters long battery life, MP3 MP2 or WAV recording, and an EDL marking system for creating new files on-the-fly for easy file selection during playback. Podcasters supply the creativity and hit the road.

    —The PMD660 and PMD670 Portable Solid State Recorders from Marantz Professional have quickly become the audio recording devices of choice for an entire new generation of podcasters. The PMD660 and PMD670 give podcasters everything they need: compact and portable units that are utterly reliable, easy to use and ready to interface with laptops for editing. The ultra-light PMD660 "handheld" recorder supplies professional features that podcasters needs to record in the field; the very portable PMD670 offers podcasters long battery life, MP3 MP2 or WAV recording, and an EDL marking system for creating new files on-the-fly for easy file selection during playback. Podcasters supply the creativity and hit the road.

    John Wall podcasts The M Show (www.TheMShow.com), 10 minutes of news, talk and entertainment recorded in Boston. “I work in marketing and friends in the radio and TV industry recommended Marantz recorders for their simplicity and durability,” states Wall. “I started with a PMD670, and added a 660 this year for its smaller size, fewer batteries, and because it’s the best sound you can get. I use the PMD660 for all field recording — it's small enough to carry in my laptop bag and its Automatic Level Control and XLR jacks give me better sound than any of the five other solutions I had tested previously. It's simple, dependable and durable — throw the flashcard in my PC and start editing. No software to install, no proprietary file formats, just record and go.”

    Doug Lang and his wife Kathleen produce and host a podcast called Art a GoGo (www.artagogo.com/blog), based in Santa Cruz, California, which features news, reviews and commentary about art and the art world. The goal is to introduce people to the world of art through interviews with artists and museum curators. Art a GoGo reaches a wide audience of avid art enthusiasts and has been featured on Apple's iTunes and Yahoo! Podcasts. “I first heard about the Marantz line of solid state recorders through a number of other podcasts,” Doug Lang explains. “Overall, you can't beat the PMD660: solid state recording to a tried-and-true CompactFlash memory card, easy to operate, and it has multiple recording formats. The unit is relatively small, but offers features like phantom mic power to two microphones through XLR inputs. You can transfer recorded files from the PMD660 to a computer, but I prefer to just pop the CompactFlash out of the PMD660 and plug it into a USB FlashCard reader to copy the files to a computer. The PMD660 seems to be the logical step up for many podcasters.”

    Leftwing Nutjob — The Voice of Progressive Podcasting (www.leftwingnutjob.com) is a weekly tongue-in-cheek political commentary by Detroit pundit Thomas Jeffrey. Presented in a format with vintage radio style, the program tips its hat to radio greats like Edward R. Murrow and Walter Winchell. “I was looking for a recorder that would be compact, light, record to some kind of solid state memory, and have XLR/phantom power inputs, as well as decent internal microphones,” remarks Jeffrey. “And after a long search, the PMD660 was really the only product that fit that bill. I use a number of pieces of outboard gear in the process of producing my show, but I had been doing the actual recording onto my PowerBook via the line-in. The PMD660 provided me with the ability to incorporate a ‘real’ recording device into my work flow that was, in my opinion, a more reliable and flexible solution, not to mention something that offered a balanced recording source. Also, I am looking forward to taking the device out into the field for interviews and on-the-spot reporting, something that wouldn't have been possible before. And the phantom-powered XLR inputs give me the option of using my condenser mics to get the best sound possible from my sources. I don't think that I've begun to scratch the surface on what this little device can do, but for now I am more than pleased with it.”

    …ends 657 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    # # #

     

    D&M Professional, 1100 Maplewood Dr. Itasca, IL 60143

     

     

     

    MARANTZ PROFESSIONAL SHIPS NEW

    CDR310 Professional CD Recorder

     

    — Portable workhorse provides CD-R recording in

    uncompressed or MP3 audio file formats —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Marantz Professional is shipping the CDR310 Professional CD Recorder. As the undisputed leader in professional compact disc recorders/players since 1992, Marantz Professional expands on the success of its innovative and popular Portable Digital Recorder family with the CDR310, making full-featured CD recording technology available in a sophisticated portable format. The CDR310 offers convenient long-term recording in uncompressed and MP3 formats, and provides a long list of the features most demanded by the professional market, including optional battery operation for up to four hours.

    —Marantz Professional is shipping the CDR310 Professional CD Recorder. As the undisputed leader in professional compact disc recorders/players since 1992, Marantz Professional expands on the success of its innovative and popular Portable Digital Recorder family with the CDR310, making full-featured CD recording technology available in a sophisticated portable format. The CDR310 offers convenient long-term recording in uncompressed and MP3 formats, and provides a long list of the features most demanded by the professional market, including optional battery operation for up to four hours.

    The CDR310 is capable of handling a project from beginning to end, with built-in microphone preamps with XLR connectors and 48V phantom power for use with external condenser microphones, a built-in high-quality microphone for maximum convenience and portability, and the ability to record for hours, then finish the final project to the built-in CD burner, all within one lightweight, compact unit. The burner can create both audio discs, for instant playback on any CD player, or data discs for transfer to a computer or for archiving purposes. Battery power capability — using AA batteries, or the optional RB1651 rechargeable battery — allows for up to four hours of remote operation without an external power supply, while support for both uncompressed audio and MP3 file formats provides flexibility and long record times.

    The CDR310 incorporates several groundbreaking features not previously available. Background Record Mode enables recording to always be active, as an ongoing backup, even when the CDR310 is in Pause Mode. Recording can also be active in Pre-Record Mode for up to 10 seconds with the recorder stopped. This ensures that the CDR310 never misses capturing a critical audio event. Easy One-Touch recording makes operation simple, even under challenging circumstances. Analog line-level inputs and outputs and S/PDIF-format digital inputs and outputs allow connection to a wide range of professional audio equipment.

    The Marantz Professional CDR310 Portable Digital Recorder is ideal for government agencies, law enforcement, documenting boardroom meeting, broadcasters, and professional system installers, in a wide range of critical applications. It is available at a U.S. MSRP of $1049.

    …ends 340 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    # # #

     

    D&M Professional, 1100 Maplewood Dr. Itasca, IL 60143

     

     

    ONE OF THE GRAND MASTERS OF PODCASTING RELIES ON

    MARANTZ PROFESSIONAL PMD660 COMPACT DIGITAL RECORDER

     

    — Rob Walch’s Podcast 411 has become a resource for aspiring podcasters along with major companies and organizations that want to add podcasting to their communications repertoire, and founder Rob Walch handles it with his Marantz PMD660 —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Rob Walch, President and Founder of Podcast 411, one of the world’s leading podcasting educational sites, and co-author of the book Tricks of the Podcasting Masters, chose the Marantz Professional PMD660 Compact Digital Recorder for his podcast work. The PMD660 is perfectly suited to the needs of podcasters, offering professional sound quality in a compact, lightweight unit that’s highly reliable and simple to use.

    Rob Walch, President and Founder of Podcast 411, one of the world’s leading podcasting educational sites, and co-author of the book , chose the Marantz Professional PMD660 Compact Digital Recorder for his podcast work. The PMD660 is perfectly suited to the needs of podcasters, offering professional sound quality in a compact, lightweight unit that’s highly reliable and simple to use.

    Walch launched www.podcast411.com in late 2004, and each week podcasting fans have heard him interview a wide range of business, political and entertainment celebrities including Vice Presidential candidate Senator John Edwards, Battlestar Galactica Executive Producer Ron Moore, and journalists Walt Mossberg from the Wall Street Journal and Larry Kudlow from CNBC. In addition to the 178 podcasts he’s done himself, Walch has helped countless aspiring podcasters with educational services from his site, and he provides podcasting services to a wide range of companies and organizations, including New Mexico Governor Bill Richardson, and the California Organization of Police Chiefs and Sheriffs. Walch makes exclusive use of the Marantz Professional PMD660 Compact Digital Recorder.

    “I use the 660 for all of my field work and even some of my studio work,” says Walch, who learned of the PMD660 just as he was starting Podcast 411 from — appropriately — a review on a podcast. “The 660 is small but it has great sound and a lot of features that create a podcast with a professional edge, such as the fact that you can use XLR microphones and that the 660 has its own internal phantom power. It fits easily into my laptop bag on the road, and since podcasters rarely have their own crews, the fact that I can monitor using headphones gives me an enormous amount of confidence in the recording that lets me concentrate on the interview. It’s a great piece of technology for podcasting.”

    The “hand-held” PMD660 Solid State Recorder features portable, battery-powered operation. It offers a choice of recording uncompressed WAV files at 44.1 or 48 kHz, as well as 64 kbps mono or 128 kbps stereo in MP3 format. An optional 1 GB flash card holds over an hour of stereo or 3 hours mono of uncompressed audio (recording at the rates specified above), while the unit itself can operate for up to 4 hours running on 4 standard AA batteries. Furthermore, the PMD660 has built-in stereo microphones, XLR connectors with +48V phantom power, and is compatible with an optional RC600 wired remote that attaches to most any microphone to supply Record/Pause control, track marking and peak metering from the mic position.

    …ends 427 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    # # #

     

     

    D&M PROFESSIONAL LAUNCHES

    EDUCATION SOLUTIONS DIVISION AND WEBSITE

     

    — D&M Professional creates a new division dedicated to exploring and sharing information

    about the confluence of AV technology trends and information —

     

    — The Education Solutions Division establishes a new website featuring information about

    AV technologies and trends as well as a discussion forum that further widens the

    scope and reach of D&M Professional’s educational initiative —

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — D&M Professional, parent company of Denon Professional and Marantz Professional, has announced the launch of the D&M Professional Education Solutions Division (ESD). As part of the new division, the company announced the simultaneous introduction of www.education.d-mpro.com, a website that will act as a hub for up-to-the-minute information and advice regarding trends, techniques and technology for all types of audio-visual enterprise.

    D&M Professional, parent company of Denon Professional and Marantz Professional, has announced the launch of the D&M Professional Education Solutions Division (ESD). As part of the new division, the company announced the simultaneous introduction of , a website that will act as a hub for up-to-the-minute information and advice regarding trends, techniques and technology for all types of audio-visual enterprise.

    The leading brands of D&M Professional have provided cutting-edge audio and video technology for more than 70 years. Via the new Education Solutions Division and its associated website, D&M Professional will share its unique knowledge and insight with the entire university community on a 24/7 global basis. The goal is to support university AV departments and campus technical managers with product and application information relating to audio/video recording and playback. To further this goal, the website will feature a discussion forum for sharing information on AV technology trends and solutions in educational environments, along with extensive product and practical application information. Online resources available at the site will include case studies, white papers and links on key topics like podcasting, visual messaging, archiving, event recording, streaming, digital signage, field recording and distance learning.

    Podcasting is one of several new-media activities in which D&M Professional brands have taken a leadership position with products such as the Marantz PMD660 Portable Compact Flash Recorder. The field of podcasting is a prime example of where the new Education Solutions Division and the integrated website can help students and teachers use technology to maximize their educational experience. Podcasting can be useful for the dissemination of classroom lectures and supplementary materials, along with functioning as a school information outlet. The new ESD website (www.education.d-mpro.com) will foster active discussion about topics such as how on-demand narrowcasting allows students to retrieve information, including enrichment materials, for viewing or listening at their preferred time. Techniques such as downloading, podcasting, lecture recording, AV networking and more will help AV managers and professors covering areas such as broadcasting, visual messaging, oral history, speech pathology, linguistics and music.

    “The creation of the new Education Solutions Division and website will add another dimension to how media technology further enables education,” comments Peter Papageorge, D&M Professional Director of Sales and Marketing. “The ESD and associated website also underscore D&M Professional’s ongoing commitment to using our technology to enhance the educational environment and the learning experience.”

    …ends 391 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    D&M PROFESSIONAL ESTABLISHES EDUCATION TECHNOLOGY ADVISORY COUNCIL (ETAC)

     

    — The ETAC initiative will provide a valuable exchange of information to support

    D&M Professional’s R&D efforts serving higher education customers as well as

    provide valuable benefits to educators and students —

     

    — ETAC is part of D&M Professional’s newly created Education Solutions Division, dedicated to exploring and sharing information about the confluence of AV technology trends —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — D&M Professional, parent company of Denon Professional and Marantz Professional, announces the creation of the Education Technology Advisory Council (ETAC). This diverse group of experts will include members of the media services, AV managers and directors, classroom technologies teachers and administrators, and others having direct involvement with recording technologies supporting the teaching and learning experience. Expanding on the resources of D&M Professional, the ETAC will comprise a significant and unique knowledge pool in the educational media technology arena.

    D&M Professional, parent company of Denon Professional and Marantz Professional, announces the creation of the Education Technology Advisory Council (ETAC). This diverse group of experts will include members of the media services, AV managers and directors, classroom technologies teachers and administrators, and others having direct involvement with recording technologies supporting the teaching and learning experience. Expanding on the resources of D&M Professional, the ETAC will comprise a significant and unique knowledge pool in the educational media technology arena.

    ETAC is part of D&M Professional’s newly created Education Solutions Division (ESD), which is dedicated to exploring and sharing information about the confluence of AV technology trends. Its goal is to support university AV departments and campus technical managers with product and application information relating to digital audio/video media. The members of the advisory council will convene on a quarterly basis, via both telesessions and an annual forum, to exchange information, ideas and opinions directly with D&M Professional management. This invaluable feedback will be used for such applications as new product development, to make future products better aligned with the needs of higher education; and in creating new ways to measure and analyze the entire media technology learning experience. The input from these industry leaders will advance the knowledge base for key applications such as podcasting, visual messaging, archiving, event recording, streaming, digital signage, field recording and distance learning. D&M Professional senior management team will lead the advisory board in fulfilling its objectives.

    “D&M Professional recognizes the value and critical need for marketplace involvement in directing the development of new solutions and enhancements of existing products, services and applications,” states Peter Papageorge, D&M Professional Director of Sales and Marketing, who will participate in the group’s activities. “The feedback that this pool of knowledge will bring to product development is sure to significantly enhance the technology-based education environment.”

    The newly formed ETAC held its first annual session at D&M Professional’s headquarters in Itasca, IL, on January 11, 2007.

    …ends 325 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    # # #

     

    D&M Professional, 1100 Maplewood Dr. Itasca, IL 60143

     

     

    DENON PROFESSIONAL LAUNCHES MULTI-CHANNEL

    DN-A7100 A/V SURROUND PREAMPLIFIER

     

    — The Denon DN-A7100 offers a practical and cost-effective

    main control interface for multi-channel audio distribution and playback —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Denon Professional announces the new DN-A7100 A/V Surround Preamplifier. Designed specifically for surround sound decoding in installed sound, house of worship, broadcast, conference and studio monitoring applications, the DN-A7100 provides a flexible array of features suited for fully balanced 5.1 and 7.1 surround playback. This dedicated professional quality surround preamp was developed based on feedback from leading industry contractors and system integrators to incorporate the most sought-after features needed for today’s high-definition multi-channel formats.

    — Denon Professional announces the new DN-A7100 A/V Surround Preamplifier. Designed specifically for surround sound decoding in installed sound, house of worship, broadcast, conference and studio monitoring applications, the DN-A7100 provides a flexible array of features suited for fully balanced 5.1 and 7.1 surround playback. This dedicated professional quality surround preamp was developed based on feedback from leading industry contractors and system integrators to incorporate the most sought-after features needed for today’s high-definition multi-channel formats.

    The DN-A7100 is equipped with 7.1 unbalanced line inputs, 2 stereo balanced XLR inputs and 8 balanced XLR line outputs for ultimate quality and ease of integration whether used with multi-amped line array speaker systems, small boardroom installations, or active home theater/boardroom monitoring systems. All XLR connections are +4 dB/-10 dB switchable for added signal compatibility. Four Optical and two Coaxial digital inputs are also included. Additional HDMI 2-source video switching capability is included and employs integrated Convert to Component adaptability for transforming composite and/or S-video sources to component video without compromising video quality.

    Featuring 192 kHz/24-bit Crystal® DAC’s for all 8 channels and 32-bit digital surround processing chipset architecture, the DN-A7100 supports the latest in surround sound format playback options including Dolby® Digital EX, Dolby Digital, DTS® ES (Discrete 6.1, Matrix 6.1, Neo:6) Decoding, Dolby Pro Logic® IIx (Movie, Music, Game) and Circle Surround II (Movie, Music, Mono). The DN-A7100 additionally features an AM/FM tuner, serial RS-232C remote capabilities for AMX®/Crestron® and other third party integrated control systems, HDCD decoding capabilities and XM Satellite Radio compatibility.

    The Denon Professional DN-A7100 A/V Surround Preamplifier represents a complete solution for any surround sound application requiring superior sound quality and signal integrity, without the use of quality-degrading adapters or cumbersome consumer components not well suited for the job. Utilized as the main control interface for any surround monitoring system, the new DN-A7100 offers a practical and cost-effective approach to multi-channel audio distribution and playback.

    The Denon Professional DN-A7100 A/V Surround Preamplifier ships February 2007 with a U.S. MSRP of $1099.99.

    …ends 332 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

     

     

     

    DENON PROFESSIONAL INTRODUCES

    BREAKTHROUGH DN-C640 NETWORK CD/DVD/DATA DISC PLAYER

     

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Denon Professional unveils the DN-C640 Slot-in Network CD Player. Housed in a compact 1 rackspace enclosure, the new DN-C640 offers tremendous playback format options utilizing largely untapped system resources found in many of today's standard audio, network and computing devices. Elevated from simple audio disc player, the unit enables audio data-file playback from both CD and DVD discs and easy access to network playback capabilities. It is well suited to serving as a fully networked audio playback control center, and was designed with audio professionals' needs in mind.

    — Denon Professional unveils the DN-C640 Slot-in Network CD Player. Housed in a compact 1 rackspace enclosure, the new DN-C640 offers tremendous playback format options utilizing largely untapped system resources found in many of today's standard audio, network and computing devices. Elevated from simple audio disc player, the unit enables audio data-file playback from both CD and DVD discs and easy access to network playback capabilities. It is well suited to serving as a fully networked audio playback control center, and was designed with audio professionals' needs in mind.

    The DN-C640 is the latest innovation in Denon’s line of professional audio playback devices to harness the advantages of digital audio. The DN-C640 is compatible with most standard audio data file formats including CD-DA (.cda), WAVE (.wav), MPEG-1/2 Layer III (.mp3), MPEG-1 Layer II (.mpg) and Windows Media Audio (.wma), allowing for up to 20 hours of MP3 or similar audio playback from a single CD, CD-R or CD-RW. Additionally, the unit breaks new ground by reading these files directly from a data DVD, with its greatly enhanced storage, thus increasing continuous single disc playback to nearly 6 days of uninterrupted audio. For those requiring the fidelity of uncompressed WAV audio files, this allows a new, convenient disc playback unrestrained by the normal 80-minute CD-R time limit. As an added benefit, various file types may be combined on the same disc to accommodate different source formats of program material.

    The DN-C640 incorporates the latest in network integration for streaming audio playback from personal computers, servers, or other network resources. This affords nearly endless file storage and continuous playback while allowing direct access to files from the unit's front panel/remote or an internal web browser-based GUI complete with transport controls and customizable program playlists, accessible from any web-enabled computer on the network. Standard 25-pin Contact Closure (GPIO) and 9-pin RS-232C Control connections are included.

    DN-C640 Audio Outputs:

    2 Analog Unbalanced Outputs 1 set – RCA L/R Fixed Level

    1 set – RCA L/R Variable Level (Remote Controllable)

    1 Analog Balanced Output 1 set – XLR L/R Output with Trim Control

    2 Digital Outputs 1 – RCA AES/EBU or S/PDIF Format

    1 – XLR AES/EBU or S/PDIF Format

    1 Headphone Output w/LC 1 – 1/4" Headphone Output (front panel mounted)

    DN-C640 Control Options:

    RS-232 1 – DB9 Bi-Directional connector

    GPIO 1 – DB25 Contact Closure

    Infrared 1 – IR receiver (front panel mounted)

    Ethernet/LAN 1 – RJ-45 Used for control, device setup, and streaming media over the network

    The Denon Professional DN-C640 Slot-in Network CD Player will be available February 2007 with a U.S. MSRP of $899.99.

    …ends 423 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    # # #

     

    D&M Professional, 1100 Maplewood Dr. Itasca, IL 60143

     

    DENON PROFESSIONAL EXHIBITS DN-V200 AND DN-V300 DVD PLAYERS

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Denon Professional is displaying its

    — Denon Professional is displaying its

    DN-V200 and DN-V300 DVD Players. Designed to meet the needs of many diverse end users, these products underscore Denon Professional’s ongoing commitment to supplying musical instrument retailers and pro audio dealers with industry-tailored audio/visual solutions.

    The DN-V200/DN-V300 DVD Players are equipped with advanced functions such as Hide OSD, Change Wallpaper, NTSC/PAL Conversion, Auto Play, and various Repeat modes. To provide superior performance and flexibility in various installations, the DN-V300 has Serial RS-232C remote capabilities, which in turn allows it to be controlled from industry leaders like AMX™, Crestron™ and other third party integrated control systems.

    The DN-V200/DN-V300 DVD Players are equipped with a 96 kHz, 24-bit D/A converter for conversion of 24-bit data yielding enhanced audio performance, increased dynamic range and S/N ratio. The OSD and display icons that normally appear on the screen can be switched on and off, further extending the usage of a kiosk terminal by removing unwanted screen displays for video playback or still pictures. Using the Change Wallpaper function, the image on the DVD wallpaper can be changed at the user’s discretion (JPEG format) allowing corporate logos, school emblems or other icons to appear on the screen after booting up or stopping the video during playback. An Auto Play setting allows the unit to start playback automatically, and each stage of setup and playback is conveniently memorized for next time usage even after the unit is turned off. For increased security, Key Lock and IR Remote Lock functions (via front panel or RS-232C) are provided to disable accidental operation of the DN-V200/DN-V300 DVD Players. Both units can play CD-R/RW media with MP3 or JPEG format material and a Progressive Scan function is also included. The DN-V200/DN-V300 DVD Players are standard 2U high, 19" rack mountable.

    The Denon Professional DN-V200 and DN-V300 DVD Players are currently available with respective U.S. MSRPs of $449.99 and $649.99.

    …ends 314 words

    About D&M Professional

    D&M Professional, through its Denon Professional, Marantz Professional and Denon DJ brands, manufactures and distributes a leading line of professional audio and video equipment for the broadcast, commercial, corporate, DJ, education, government, audio/visual, education, houses of worship, security and related industries.

    Visit D&M Professional at www.d-mpro.com or Denon DJ at: www.denondj.com.

    About D&M Holdings Inc.

    D&M Holdings Inc. (TSE I: 6735) is based in Tokyo and owns the Denon®, Marantz®, McIntosh® Laboratory, Boston Acoustics®, Snell Acoustics, D&M Professional, ReplayTV® and Escient® brands. Denon, Marantz, McIntosh and D&M Professional are global industry leaders in the specialist home theater, audio/video consumer electronics or professional audio markets, with a strong and long-standing heritage of manufacturing and marketing high-performance audio and video components. Boston Acoustics, with its signature The Boston Sound, is a leader in premium loudspeakers for home and audio markets. Snell is a super premium speaker brand. The ReplayTV and Escient brands represent award-winning technologies in digital home entertainment.

    Additional information is available at www.dm-holdings.com.

    Denon and Marantz are registered trademarks of D&M Holdings Inc.; McIntosh is a registered trademark of McIntosh Laboratory, Inc.; Boston Acoustics is a registered trademark of Boston Acoustics, Inc.; and ReplayTV and Escient are registered trademarks of Digital Networks North America, Inc. Other brand and product names may be trademarks of the respective companies with which they are associated.

    DISCLAIMER

    Statements in this news release that are not statements of historical fact include forward looking statements regarding future events or the future financial performance of the company. We wish to caution you that such statements are just predictions and that actual events or results may differ materially. Forward looking statements involve a number of risks and uncertainties surrounding competitive and industry conditions, market acceptance for the company's products, ability to meet targeted product release dates, risks of litigation, technological changes, developing industry standards and other factors related to the company's businesses. The Company reserves all of its rights.

     

    # # #

     

    D&M Professional, 1100 Maplewood Dr. Itasca, IL 60143

     

    #

     

    #

    AUDIO-TECHNICA UPDATES FREEWAY®

    200 SERIES WIRELESS SYSTEMS

    — Featuring an updated new look, the A-T Freeway® 200 Series Wireless Systems continue to set the benchmark in cost-effective wireless systems —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica, a leader in the design and manufacture of consumer and professional microphones, headphones, phono cartridges and accessories for over 40 years, has updated its Freeway® 200 Series Wireless Systems with new cosmetics and a space saving AC adapter. Designed for musicians, live performance, houses of worship, public address and aerobic instruction, A-T’s Freeway 200 Series Wireless Systems specifically answer the strong demand for affordable, reliable wireless systems.

    — Audio-Technica, a leader in the design and manufacture of consumer and professional microphones, headphones, phono cartridges and accessories for over 40 years, has updated its Freeway 200 Series Wireless Systems with new cosmetics and a space saving AC adapter. Designed for musicians, live performance, houses of worship, public address and aerobic instruction, A-T’s Freeway 200 Series Wireless Systems specifically answer the strong demand for affordable, reliable wireless systems.

    Available in handheld, headworn, guitar, lavalier and body-pack configurations, the Freeway 200 Series Wireless Systems are single-channel, fixed-frequency systems available in three VHF traveling frequencies (169.505, 170.245 and 171.905 MHz). The systems also feature an advanced dipole antenna system for extended operating range.

    Each Freeway 200 Series Wireless System includes the ATW-R250 receiver and either a body-pack transmitter or handheld microphone/transmitter on a specific crystal controlled frequency. The ATW-R250 is a single-channel receiver with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The

    ATW-R250 also offers squelch and volume controls, 1/4" output jack, along with AF Peak, RF and Power indicator lights.

    The ATW-T201 UniPak™ transmitter, included with all 200 Series Freeway body-pack systems, features a professional 4-pin locking connector and a dual-impedance input for instruments and microphones. Five body-pack system configurations are available: the

    ATW-251 UniPak System (includes ATW-R250 receiver and ATW-T201 UniPak transmitter only), ATW-251/G Guitar System (includes ATW-R250 receiver, ATW-T201 UniPak transmitter with AT-GCW guitar/instrument cable), ATW-251/H Headworn Microphone System (includes ATW-R250 receiver, ATW-T201 UniPak transmitter with PRO 8HEcW headworn hypercardioid dynamic microphone), ATW-251/L Lavalier Microphone System (includes ATW-R250 receiver, ATW-T201 UniPak transmitter and miniature omni-directional lavalier microphone) and

    ATW-252 Handheld Microphone System (includes ATW-R250 receiver and ATW-T202 handheld dynamic unidirectional microphone/transmitter).

    Both handheld and body-pack transmitters operate on a single 9 Volt battery, and feature a battery-condition indicator light, easily accessible three position Off/Standby/On switch, and variable trim control. All 200 Series body-pack systems are compatible with the wide selection of Audio-Technica Wireless Essentials™ microphones and cables.

    The new Audio-Technica Freeway 200 Series Wireless Systems are available immediately with U.S. MSRPs as follows:

    ATW-251 UniPak System — $149.95

    ATW-251/G Guitar System — $174.95

    ATW-251/H Headworn Microphone System — $249.95

    ATW-251/L Lavalier Microphone System — $224.95

    ATW-252 Handheld Microphone System — $174.95

    Photo Files: 200_Series.JPG, 200_Series_Grp.JPG

    ...ends 369 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

    —For further information regarding product availability and pricing in Europe, please contact Denise Burnage, marketing, Audio-Technica Ltd., Old Lane, Leeds LS11 8AG England. Tel: +44 (0) 113 277 1441,

    Fax: +44 (0) 113 270 4836

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

     

    AUDIO-TECHNICA SHOWS ARTIST SERIES MICROPHONES FOR

    DRUM AND PERCUSSION APPLICATIONS

     

    — A-T’s next generation of classic live-sound microphones provide flexibility and

    superior performance for capturing drums and percussion instruments —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica, leading manufacturer of professional microphones and headphones, is featuring five new drum and percussion mics as part of its next generation of Artist Series microphones. The company has added innovative microphones to the line, while upgrading classic models for a comprehensive selection of vocal, instrument and drum mics. Designed by Audio-Technica engineers for the precise reproduction of drum and percussion instruments, these new Artist Series mics include the ATM450 cardioid condenser microphone, ATM250DE dual-element microphone, ATM250 hypercardioid dynamic microphone, ATM650 hypercardioid dynamic microphone and ATM350 cardioid condenser clip-on microphone.

    — Audio-Technica, leading manufacturer of professional microphones and headphones, is featuring five new drum and percussion mics as part of its next generation of Artist Series microphones. The company has added innovative microphones to the line, while upgrading classic models for a comprehensive selection of vocal, instrument and drum mics. Designed by Audio-Technica engineers for the precise reproduction of drum and percussion instruments, these new Artist Series mics include the ATM450 cardioid condenser microphone, ATM250DE dual-element microphone, ATM250 hypercardioid dynamic microphone, ATM650 hypercardioid dynamic microphone and ATM350 cardioid condenser clip-on microphone.

    The new A-T Artist Series was inspired by extensive market research and consultations with leading touring artists and FOH engineers who rely on these microphones onstage every night. Satisfying their foremost concerns, these rugged all-metal microphones are engineered for consistently flawless performance, featuring response and low-distortion characteristics to faithfully reproduce the details of virtually any sound source.

    The ATM450 cardioid condenser microphone offers an innovative side-address stick design for endless placement options and minimal obstructions. Designed for overheads, percussion, hi-hat, under-snare or any application where space is at a premium, the ATM450 features a cardioid polar pattern for improved isolation of the desired sound source and is equipped with an integral 80 Hz HPF switch and 10 dB pad. The microphone’s extended flat frequency response (40-20,000 Hz) makes it ideal for handling high SPLs while its rugged all-metal design ensures reliability night after night. In addition, the ATM450 comes with an isolation clamp for shock protection, secure mounting and easy positioning.

    Audio-Technica built on the legacy of its AE2500 kick drum mic to create the new ATM250DE, a dual-element microphone that combines two perfectly positioned capsules — a cardioid condenser and hypercardioid dynamic — in a single housing. Its neodymium dynamic element provides punch and attack, while the condenser element captures the full audio spectrum. Both elements are positioned in a perfect phase relationship for maximum efficiency. It also has an integral 80 Hz HPF switch and 10 dB pad (condenser element). The ATM250DE is excellent for kick drums, as well as floor and rack toms. The microphone has a frequency response of 40-20,000 Hz (condenser) and 40-15,000 Hz (dynamic). Also designed for kick drum, and other high SPL applications, the ATM250 hypercardioid dynamic offers a rich, warm low-frequency response. Its hypercardioid polar pattern improves the isolation of the desired sound source, while the ATM250’s Hi-ENERGY® neodymium magnet provides improved output and transient response. The ATM250 has a frequency response of 40-15,000 Hz and comes with an isolation clamp to provide secure mounting and versatile positioning.

    For capturing snare and percussion instruments, Audio-Technica offers the extremely rugged ATM650 hypercardioid dynamic microphone. Featuring a new multi-stage flat grille design for precise positioning close to the sound source, the ATM650 employs an all-metal construction and is equipped with a Hi-ENERGY neodymium magnet for high-output performance. The microphone’s hypercardioid element has excellent rejection, allowing the mic to be focused on the desired sound such as the “sweet spot” of the drumhead, while maximizing isolation between sound sources. The ATM650 has a frequency response of 80-17,000 Hz with the ability to handle fast transients and high SPLs.

    An all-around microphone for toms and percussion, the ATM350 cardioid condenser clip-on is based on the legendary ATM35. Featuring a low-profile clip-on design for minimum visibility and accurate positioning, the ATM350’s cardioid polar pattern provides superior sound source isolation with a crisp, clear, well-balanced response even at extremely high SPLs. For further flexibility and miking options, the ATM350 also has interchangeable hypercardioid and omnidirectional elements. In addition, it features an integral 80 Hz high-pass filter, and a new in-line power module for easy connection to a snake or breakout box.

    The new Audio-Technica Artist Series microphones are available immediately with U.S. MSRPs as follows:

    ATM250 Hypercardioid Condenser Mic — $329.00

    ATM250DE Dual-Element Mic — $549.00

    ATM350 Cardioid Condenser Clip-on Mic — $449.00

    ATM450 Cardioid Condenser Side-address Mic — $369.00

    ATM650 Hypercardioid Dynamic Mic — $169.00

    Photo Files: ArtistSeriesDrum_grp.JPG, ATM250.JPG, ATM250DE.JPG, ATM350.JPG, ATM450.JPG, ATM650.JPG

    ...ends 651 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

    —For further information regarding product availability and pricing in Europe, please contact Denise Burnage, marketing, Audio-Technica Ltd., Old Lane, Leeds LS11 8AG England. Tel: +44 (0) 113 277 1441,

    Fax: +44 (0) 113 270 4836

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

    AUDIO-TECHNICA AT2010 HANDHELD CONDENSER MICROPHONE BRINGS STUDIO-QUALITY SOUND

    TO LIVE PERFORMANCE APPLICATIONS

     

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica has introduced the AT2010 cardioid condenser vocal microphone, designed to bring the studio-quality sound of Audio-Technica’s renowned 20 Series to the stage. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, this rugged handheld offers the performance advantages of a high-quality studio microphone at an estimated street price of $99. Ideal for use in live performance where phantom power is available, the AT2010 excels wherever articulate, crystal-clear vocals are needed. The AT2010 is perfect for solo performances, jazz vocalists, singer/songwriters and house of worship applications.

    — Audio-Technica has introduced the AT2010 cardioid condenser vocal microphone, designed to bring the studio-quality sound of Audio-Technica’s renowned 20 Series to the stage. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, this rugged handheld offers the performance advantages of a high-quality studio microphone at an estimated street price of $99. Ideal for use in live performance where phantom power is available, the AT2010 excels wherever articulate, crystal-clear vocals are needed. The AT2010 is perfect for solo performances, jazz vocalists, singer/songwriters and house of worship applications.

    The AT2010 provides an extended flat frequency response (40-20,000 Hz) with superior transient response resulting in smooth, natural sonic characteristics. The AT2010’s fixed cardioid polar pattern allows isolation of the desired sound source thereby reducing pickup of unwanted sounds from the sides and rear. The mic is able to handle extremely high SPLs

    (136 dB) and has a wide dynamic range (113 dB); its multi-stage grille offers excellent protection against plosives and sibilance without compromising high-frequency clarity.

    The AT2010 requires 48V phantom power that may be provided by a mixer/console or by an in-line source such as the Audio-Technica AT8801 single-channel and CP8506 four-channel phantom power supplies. Output from the AT2010 is via a low-impedance, 3-pin XLRM-type connector. In addition, the AT2010 measures 7.05" long, has a maximum body diameter of 2.00", weighs 8.2 oz., and comes with the AT8470 Quiet-Flex™ microphone stand clamp and a soft protective carrying pouch.

    The AT2010 will be available February 2007 with a U.S. MSRP of $169.00 (estimated street price of $99.00).

    Photo File: AT2010.JPG

    ...ends 261 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

    —For further information regarding product availability and pricing in Europe, please contact Denise Burnage, marketing, Audio-Technica Ltd., Old Lane, Leeds LS11 8AG England. Tel: +44 (0) 113 277 1441,

    Fax: +44 (0) 113 270 4836

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

     

     

     

    AUDIO-TECHNICA INTRODUCES ATH-ANC7 QUIETPOINT™

    ACTIVE NOISE-CANCELING HEADPHONES

     

    — Company offers lightweight, compact headphones that effectively reduce distracting background noise by up to 85% while offering superior audio quality —

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica, a leader in the design and manufacture of consumer and professional microphones, headphones, phono cartridges and accessories for over 40 years, has announced the availability of its ATH-ANC7 QuietPoint™ active noise-canceling headphones. Engineered to deliver superior quality audio in a compact, lightweight design, the ATH-ANC7 QuietPoint headphones employ a miniature microphone in each earpiece that monitors ambient noise (such as airplane cabin or traffic noise) and creates a sound-canceling signal that successfully reduces distracting background noise by up to 85%.

    — Audio-Technica, a leader in the design and manufacture of consumer and professional microphones, headphones, phono cartridges and accessories for over 40 years, has announced the availability of its ATH-ANC7 QuietPoint™ active noise-canceling headphones. Engineered to deliver superior quality audio in a compact, lightweight design, the ATH-ANC7 QuietPoint headphones employ a miniature microphone in each earpiece that monitors ambient noise (such as airplane cabin or traffic noise) and creates a sound-canceling signal that successfully reduces distracting background noise by up to 85%.

    Ideal for use with MP3, CD, DVD and in-flight entertainment systems, the ATH-ANC7 QuietPoint headphones provide maximum comfort in a closed-back, streamlined design; they feature propriety large-aperture 40 mm drivers with neodymium magnet systems for deeper bass and extended treble, and have a wide frequency response of 10-25,000 Hz.

    The noise-canceling electronics for the ATH-ANC7 QuietPoint headphones are fully integrated in each earpiece, with no need for bulky external modules. The headphones fold flat for easy portability, are powered by a single AAA alkaline battery and can operate in passive mode without the battery. The ATH-ANC7 QuietPoint headphones come complete with a 5.2' (1.6 m) detachable cable (remove for noise-canceling mode without audio) terminated with 1/8" (3.5 mm) mini plugs; a 1/4" (6.3 mm) stereo adapter; a specialized airline adapter for connecting to in-flight entertainment systems; and a carrying case with attached accessory pouch.

    The Audio-Technica ATH-ANC7 QuietPoint active noise-canceling headphones will be available Spring 2007 with a U.S. MSRP of $219.95.

    Photo File: ATH_ANC7.JPG

    ...ends 243 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

    —For further information regarding product availability and pricing in Europe, please contact Denise Burnage, marketing, Audio-Technica Ltd., Old Lane, Leeds LS11 8AG England. Tel: +44 (0) 113 277 1441,

    Fax: +44 (0) 113 270 4836

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

     

    AUDIO-TECHNICA EXPANDS PROFESSIONAL LINE WITH NEW

    FLAGSHIP ATH-M50 STUDIO HEADPHONES

     

    — Featuring a closed-back design and proprietary 45 mm large-aperture drivers with neodymium magnet systems, the ATH-M50 professional monitor headphones provide superior audio quality with maximum comfort and are ideal for critical listening applications —

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica introduces its flagship ATH-M50 professional studio monitor headphones. Embodying the company’s latest transducer technology, the ATH-M50 headphones offer the highest level of sonic accuracy in an innovative design engineered to provide maximum comfort for hours of use.

    — Audio-Technica introduces its flagship ATH-M50 professional studio monitor headphones. Embodying the company’s latest transducer technology, the ATH-M50 headphones offer the highest level of sonic accuracy in an innovative design engineered to provide maximum comfort for hours of use.

    Specifically intended for professional monitoring and mixing applications, the ATH-M50 headphones feature an efficient collapsible design ideal for easy portability and convenient storage. Employing Audio-Technica’s proprietary 45 mm large-aperture drivers with neodymium magnet systems and CCAW voice coils, the ATH-M50 headphones have exceptional power handling and very high SPL capabilities while delivering clear, natural, accurate sound with deep resonating bass and high-frequency extension.

    The ATH-M50 also features a closed-back cushioned earcup providing exceptional clarity and superior isolation in high volume listening situations. In addition, the circumaural earpieces swivel a full 180º for easy one-ear monitoring.

    The ATH-M50 has a lightweight and adjustable cushioned headband for maximum listening comfort. A coiled OFC litz wire cable at the left earpiece terminates to a gold-plated 1/8" connector with included professional screw-on 1/4" adapter.

    The ATH-M50 will be available February 2007 with a U.S. MSRP of $199.00.

    Photo File: ATHM50.JPG

    ...ends 181 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

    —For further information regarding product availability and pricing in Europe, please contact Denise Burnage, marketing, Audio-Technica Ltd., Old Lane, Leeds LS11 8AG England. Tel: +44 (0) 113 277 1441,

    Fax: +44 (0) 113 270 4836

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

    AUDIO-TECHNICA NAMES CHRIS NIGHMAN

    AUDIO SOLUTIONS SPECIALIST

     

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica has appointed Chris Nighman as Audio Solutions Specialist in support of its Audio Solutions Department. Rick Joyner, Audio Solutions Manager at Audio-Technica, announced this addition to the team, noting that Nighman’s appointment is the company’s latest step in augmenting its Audio Solutions Department, which is dedicated to identifying and addressing the needs of the

    — Audio-Technica has appointed Chris Nighman as Audio Solutions Specialist in support of its Audio Solutions Department. Rick Joyner, Audio Solutions Manager at Audio-Technica, announced this addition to the team, noting that Nighman’s appointment is the company’s latest step in augmenting its Audio Solutions Department, which is dedicated to identifying and addressing the needs of the

    audio community.

    Chris Nighman joined Audio-Technica in 1998, spending years as Lead Inspector in the Quality Assurance Department, and has continually sought to expand his knowledge and insight into the audio industry. Nighman brings direct consumer experience to his new Specialist position in A-T’s Audio Solutions Department, as both a musician and project studio owner. He is a member of the American Society for Quality (ASQ) and Synergetic Audio Concepts (Syn-Aud-Con). Nighman will now be focused on fulfilling the informational needs of Audio-Technica’s customers, accurately fielding questions about A-T’s full range of products and applications.

    The Audio Solutions Department acts as the first point of contact for A-T’s staff, reps, dealers and end users seeking clear technical or product advice and application assistance. Since the department’s inception, customers have expressed appreciation for this easy way to reach a support team; more than 95 percent of incoming queries are answered directly by Audio Solutions Specialists. In addition to phone consultations, the department offers online technical support, gathers feedback from the field to identify emerging trends and business opportunities, and assists in product design, development and sales.

    Rick Joyner commented, “Chris has been a greatly productive member of the Audio-Technica family for years, and is a most welcome addition to our Audio Solutions Department. He has a distinct knack for assessing customer needs and responding with the appropriate solution. His communicative and technical skills will allow us to take our charge even further, maintaining strong connections with the audio community and building our evaluative and educational capabilities.”

    Photo File: Chris_Nighman.JPG

    ...ends 310 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

    #

     

    #AUDIO-TECHNICA EXPANDS IMPORT SERIES HEADPHONES

    WITH FOUR NEW MODELS

     

    — Offering innovative designs with specific models for audiophiles and portable/active listener applications, A-T continues to expand its line of acclaimed Import Series headphones —

     

    NAMM SHOW, ANAHEIM, CA, January 18, 2007 — Audio-Technica, a leader in the design and manufacturer of consumer and professional microphones, headphones, phono cartridges and accessories for over 40 years, has expanded its Import Series headphones with four new models. Previously available only in Japan, the Import Series is comprised of 19 different models specifically designed for audiophiles, DJs or portable listening applications. Each headphone features the latest in transducer technology, rugged construction, and delivers the highest level of sonic accuracy while providing maximum comfort for hours of listening. The new models include: the ATH-CK9 QuietPoint™ Passive Noise-Reducing Earphones; the ATH-CK7 QuietPoint Passive Noise-Reducing Titanium Earphones; the ATH-ES7 Portable Headphones; and the audiophile ATH-W5000 Dynamic Headphones.

    — Audio-Technica, a leader in the design and manufacturer of consumer and professional microphones, headphones, phono cartridges and accessories for over 40 years, has expanded its Import Series headphones with four new models. Previously available only in Japan, the Import Series is comprised of 19 different models specifically designed for audiophiles, DJs or portable listening applications. Each headphone features the latest in transducer technology, rugged construction, and delivers the highest level of sonic accuracy while providing maximum comfort for hours of listening. The new models include: the ATH-CK9 QuietPoint™ Passive Noise-Reducing Earphones; the ATH-CK7 QuietPoint Passive Noise-Reducing Titanium Earphones; the ATH-ES7 Portable Headphones; and the audiophile ATH-W5000 Dynamic Headphones.

    The ATH-CK9 BK (black) and ATH-CK9 WH (white) QuietPoint Passive Noise-Reducing Earphones feature an in-ear design that forms an acoustic seal resulting in effective sound isolation that blocks background noise while preventing sound leakage. This produces increased fidelity at lower volume levels while ultra high-quality balanced armature drivers offer detailed high-fidelity audio, reproducing the subtlest of sounds. The ATH-CK9’s reversible design allows the earphone to be worn with the 1.2 m “Y” cord extending either down or over the ear. Interchangeable ear-pieces (small, medium, large) are included for a custom, comfortable fit, while the gold-plated mini-plug provides exceptional corrosion resistance.

    The ATH-CK7 QuietPoint Passive Noise-Reducing Titanium Earphones also employ an in-ear design for effective sound isolation and feature 11 mm drivers with neodymium magnet systems for high-fidelity listening with deep bass and extended treble, durable lightweight titanium construction and interchangeable ear pieces for a comfortable, custom fit. They also come with a 1.2 m “Y” cable with adjustable sleeve for secure fit and gold-plated mini-plug.

    The ATH-ES7 BK (black) and ATH-ES7 WH (white) Portable Headphones feature a stainless steel, ultra-sleek contemporary design with outstanding acoustic performance and reproduction of midrange and treble frequencies. Employing 42 mm drivers with neodymium magnet systems, copper-clad aluminum wire voice coils, and a flexible T.P.E. headband for a secure, comfortable fit, the ATH-ES7 headphones also have padded ear cushions for long-wearing comfort and maximum isolation. The headphones fold for easy storage while traveling in the protective carrying pouch and come with a 1.2 m “Y” cable and gold-plated mini-plug.

     

    For the audiophile, Audio-Technica has expanded its offerings of full-range circumaural headphones with the new ATH-W5000 Dynamic Headphones. These reference headphones deliver natural high quality sound with deep resonating bass and vocal projection. Key features include large-aperture 53 mm drivers with neodymium magnet systems, double air damping system, 8N-OFC oxygen-free copper voice coils, a lightweight magnesium alloy frame with a self-adjusting 3D wing support housing, leather ear-fitting pads, high quality elastomer-sheathed cable and gold-plated stereo 1/4" connector.

     

    The Import Series headphones are available immediately with U.S. MSRPs as follows:

    ATH-CK9 BK/WH QuietPoint Passive Noise-Reducing Earphones $299.00

    ATH-CK7 BK/WH QuietPoint Passive Noise-Reducing Titanium Earphones $169.00

    ATH-ES7 BK/WH Portable Headphones $249.00

    ATH-W5000 Dynamic Headphones $1,699.00

    For more information on the new Audio-Technica Import Series, please visit:

    http://www.audio-technica.com.

    Photo File: Import_Series_NAMM07.JPG

    Photo Caption: Pictured are new models from Audio-Technica's Import Series: ATH-ES7 BK (top left); ATH-ES7 WH (top right); ATH-CK9 WH (bottom left); ATH-CK9 BK (bottom center); and ATH-CK7 (bottom right).

    Photo File: ATH_W5000.JPG

    ...ends 487 words

    Celebrating over 40 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.

    —For more information on the complete range of Audio-Technica products, contact

    Karen Emerson, Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, OH 44224.

    Tel: (330) 686-2600; Fax: (330) 688-3752; Web: www.audio-technica.com

    —For further information regarding product availability and pricing in Europe, please contact Denise Burnage, marketing, Audio-Technica Ltd., Old Lane, Leeds LS11 8AG England. Tel: +44 (0) 113 277 1441,

    Fax: +44 (0) 113 270 4836

     

    Audio-Technica is exhibiting at Booth #6740 during the 2007 NAMM Show in

    Anaheim, CA.

     

     

    RAPCO INTERNATIONAL AND HORIZON MUSIC MERGE TO FORM THE RAPCOHORIZON COMPANY

    Merging Companies Exhibit as One at Winter NAMM 2007

    ANAHEIM, CA, January 18, 2007—Valued suppliers of audio interfacing products to the music and sound installation industries for more than 25 years, Rapco International and Horizon Music, Inc. announce a merger to form The RapcoHorizon Company. The former sister companies will debut as one at Winter NAMM 2007 (Hall C, Booth #4558).

     

    Strengthening its position as a leading world manufacturer and supplier of audio, video, home theater and data telecommunications cable in both bulk wire and assemblies, the strategic merger between Rapco International and Horizon Music, Inc. will also consist of the integration of all corporate counterpart divisions: Major Custom Cable, which services the Fiber Optic and Data Telecom industries, Horizon Wire & Cable, the company’s wire extrusion facility, N.A.F.T.A. Manufacturing, the company’s Mexican manufacturing plants, Rapco Professional servicing the Canadian market, and Oculus Designs, servicing the Home Theater and custom home installation markets.

     

    “This is the finalization of the merging process that began five years ago with the consolidation of the operating systems of Rapco International and Horizon Music,” said

    Dale Williams, president of The RapcoHorizon Company. “With the merger, we have

    renewed our commitment to improving customer service, expanding our product offerings and advancing profitability for our customers.”

     

    By aligning each specialty department, The RapcoHorizon Company enhances service as well as retail and installation products for consumers through the combining of resources and operations. Additionally, with its expanded shop and improved metal working capabilities, the company will be the premier supplier of custom metal interfacing products and snakes.

     

    “This is an exciting time for The RapcoHorizon Company team members,” stated Williams. “Ultimately, the result of the merger for our customers will be a more simplified business environment, which will lead to increased profits.”

     

    The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies.

      Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company's products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need.  For more information, please visit The RapcoHorizon Company’s Web site at —Valued suppliers of audio interfacing products to the music and sound installation industries for more than 25 years, Rapco International and Horizon Music, Inc. announce a merger to form The RapcoHorizon Company. The former sister companies will debut as one at Winter NAMM 2007 (Hall C, Booth #4558). TheRapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies.  Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizonCompany's products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need.  For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com     

     

    Beyerdynamic Highlights

    Opus 900 Wireless System at Winter namm 2007

    Premier Wireless System Meets Rigorous Criteria for Professional Applications

    Anaheim, CA, January 18, 2006 — beyerdynamic, a leading manufacturer of exceptional microphones, headphones and wireless microphone systems, will highlight the Opus 900 wireless system at Winter NAMM 2007 (Hall A, Booth #6500). Featuring rugged construction, powerful transparent sound and an extraordinary price/performance ratio, the Opus 900 system is designed to meet the rigorous operating criteria of multi-channel systems for touring and large installations.

     

    “The flexibility, reliability and affordability of the Opus 900 make it the premier wireless system for professional applications,” states Paul Froula, Pro Audio Business Manager. “Based on beyerdynamic’s popular Opus 500 Mk II and 800 systems, the Opus 900 features exceptional audio quality, stable transmission and easy operation – critical components in any professional application.”

     

    The Opus 900 system offers a variety of transmitters, making it ideal for a wide-range of applications. Transmitters for the system include the DM 960 S, DM 960 B and the DM 969 S dynamic transmitters; the EM 981 S and the CM 930 B condenser transmitters; the TS 900 M and TS 900 C pocket transmitters with re-chargeable contacts. Both the TS 900 M and TS 900 C are outfitted with ACT infrared interface for frequency setting, LCD for selected channel, group and battery status (5-stage), gain control, silent on/off switch and 4-pin mini-XLR input connector.

     

    Three receivers, offering 99 pre-programmed frequencies, are available for the Opus 900 system; the NE 900 S single channel, NE 900 D dual channel and the NE 900 Q quad

    channel receiver. Both the NE 900 D and NE 900 Q are housed in a standard 1U/19-inch rackmount and feature an integrated antenna splitter, while the NE 900 S is housed in a 1U/9.5-inch rackmount. Each model has an engineer-friendly “jog wheel” for fast access and reconfiguration of the system. In addition, all offer a monitoring headphone output with volume control and balanced XLR per channel, Remote-In and-Out port and PC controllability.

     

    beyerdynamic, with headquarters in Heilbronn, Germany, and distributed in the USA by beyerdynamic Inc., has been an industry leader in the design and manufacture of premium-grade microphones, headphones and microphone systems since 1924. With its commitment to continuous research and innovative developments for the audio industry, beyerdynamic features a continuing wide range of the latest technologies and high quality standard products including microphones, headphones, wireless systems, conference systems, sound reinforcement components and accessories. For more information, visit the beyerdynamic website at www.beyerdynamic-USA.com, or call 631-293-3200.

    —a leading manufacturer of exceptional microphones, headphones and wireless microphone systems, will highlight the at Winter NAMM 2007 (Hall A, Booth #6500). Featuring rugged construction, powerful transparent sound and an extraordinary price/performance ratio, the Opus 900 system is designed to meet the rigorous operating criteria of multi-channel systems for touring and large installations.

     

     

     

    beyerdynamic Features Headzone

    at Winter NAMM 2007

    An Affordable and Portable Solution for Mixing 5.1 Surround Sound.

    anaheim, CA, January 18, 2007 beyerdynamic, the originator of the headphone, has built upon its 82 years experience in the audio industry to create the Headzone, a portable surround mixing system. Utilizing current DSP technology, Headzone provides superior headphone-based 5.1 surround sound reproduction and is ideal for a variety of applications including
    —the originator of the headphone, has built upon its 82 years experience in the audio industry to create the . Utilizing current DSP technology, Headzone provides superior headphone-based 5.1 surround sound reproduction and is ideal for a variety of applications including studio, mobile recording and post-production. The system will be featured at Winter NAMM 2007 (Hall A, Booth #6500).

     

    For use with Headzone, beyerdynamic has added “Headtracking” technology to its popular DT 800 PRO headphones. This unique patented ultrasonic-headtracking system locates the orientation of the listener’s head with respect to the source material and adjusts the audio accordingly. An engineer recording with Headzone can move around while the source material remains fixed in position as if they were in a 5.1 control room.

     

    “Headzone’s portability and small size offers an affordable, flexible and space-saving alternative to mix surround sound in live situations,” explains Paul Froula, Pro Audio Business Manager. “It eliminates the need for six or seven speakers set up in the proper locations in a room in order to do a live surround mix. You just connect the Headzone to your Mac, PC or analogue inputs and instantly are ready to monitor in surround.”

     

    The system features a 5.1 digital firewire input and 6 discreet analogue inputs. In addition to being compatible with Logic and Pro Tools, Headzone also comes equipped with an advanced room simulation software, which allows the users to create an ideal auditory space within which to monitor the surround audio and, therefore, provide the optimal “sweet spot.” Users can adjust the parameters of their room for size, ambiance level and distance their head is away from the loudspeakers. The software also allows for adjustment of the surround channels and overall mix.

     

    beyerdynamic, with headquarters in Heilbronn, Germany, and distributed in the USA by beyerdynamic Inc., has been an industry leader in the design and manufacture of premium-grade microphones, headphones and microphone systems since 1924. With its commitment to continuous research and innovative developments for the audio industry, beyerdynamic features a continuing wide range of the latest technologies and high quality standard products including microphones, headphones, wireless systems, conference systems, sound reinforcement components and accessories.

     

     

    Beyerdynamic Highlights

    Opus 900 Wireless System at Winter namm 2007

    Premier Wireless System Meets Rigorous Criteria for Professional Applications

    Anaheim, CA, January 18, 2006 — beyerdynamic, a leading manufacturer of exceptional microphones, headphones and wireless microphone systems, will highlight the Opus 900 wireless system at Winter NAMM 2007 (Hall A, Booth #6500). Featuring rugged construction, powerful transparent sound and an extraordinary price/performance ratio, the Opus 900 system is designed to meet the rigorous operating criteria of multi-channel systems for touring and large installations.

     

    “The flexibility, reliability and affordability of the Opus 900 make it the premier wireless system for professional applications,” states Paul Froula, Pro Audio Business Manager. “Based on beyerdynamic’s popular Opus 500 Mk II and 800 systems, the Opus 900 features exceptional audio quality, stable transmission and easy operation – critical components in any professional application.”

     

    The Opus 900 system offers a variety of transmitters, making it ideal for a wide-range of applications. Transmitters for the system include the DM 960 S, DM 960 B and the DM 969 S dynamic transmitters; the EM 981 S and the CM 930 B condenser transmitters; the TS 900 M and TS 900 C pocket transmitters with re-chargeable contacts. Both the TS 900 M and TS 900 C are outfitted with ACT infrared interface for frequency setting, LCD for selected channel, group and battery status (5-stage), gain control, silent on/off switch and 4-pin mini-XLR input connector.

     

    Three receivers, offering 99 pre-programmed frequencies, are available for the Opus 900 system; the NE 900 S single channel, NE 900 D dual channel and the NE 900 Q quad

    channel receiver. Both the NE 900 D and NE 900 Q are housed in a standard 1U/19-inch rackmount and feature an integrated antenna splitter, while the NE 900 S is housed in a 1U/9.5-inch rackmount. Each model has an engineer-friendly “jog wheel” for fast access and reconfiguration of the system. In addition, all offer a monitoring headphone output with volume control and balanced XLR per channel, Remote-In and-Out port and PC controllability.

     

    beyerdynamic, with headquarters in Heilbronn, Germany, and distributed in the USA by beyerdynamic Inc., has been an industry leader in the design and manufacture of premium-grade microphones, headphones and microphone systems since 1924. With its commitment to continuous research and innovative developments for the audio industry, beyerdynamic features a continuing wide range of the latest technologies and high quality standard products including microphones, headphones, wireless systems, conference systems, sound reinforcement components and accessories. For more information, visit the beyerdynamic website at www.beyerdynamic-USA.com

    —a leading manufacturer of exceptional microphones, headphones and wireless microphone systems, will highlight the at Winter NAMM 2007 (Hall A, Booth #6500). Featuring rugged construction, powerful transparent sound and an extraordinary price/performance ratio, the Opus 900 system is designed to meet the rigorous operating criteria of multi-channel systems for touring and large installations.

     

     

     

    NEUTRIK® FEATURES RIGHT-ANGLE SILENT PLUG

    AT WINTER NAMM 2007

    New Generation Instrument Right-Angle Plug Allows Noise-Free Switching

    ANAHEIM, CA, JANUARY 18, 2007
    Neutrik, which has designed and manufactured the industry standard in professional audio connectors, jacks and plugs for more than a quarter of a century, continues to introduce innovative solutions to the audio industry with the introduction of the Right-Angle Silent Plug at Winter NAMM 2007 in Anaheim (Hall A, Booth #6320).

     

    Neutrik’s Right-Angle Silent Plug is the ideal solution for switching an instrument, such as electric guitar, under load without creating the pops or squeals typically associated with plugging and unplugging a cable from an instrument or amplifier jack.

     

    “With a rise in demand for right-angled plugs, Neutrik re-introduced its popular Silent Plug in a right-angled version to meet the changing needs of our consumers,” stated Jim Cowan, president of Neutrik USA. “Neutrik’s Right-Angle Silent Plug continues to offer musicians the value of a seamless transition when using multiple instruments with the added benefit of using a right-angled plug. The contoured design strategically provides a more convenient plug-in for equipment operated in confined spaces. It also situates the cable in the direction of gravity, relieving the plug of having to endure the weight of heavy cables.”

     

    A 2 pole right angle ¼" professional phone plug that fits into any ¼-inch stereo or mono jack, the Right-Angle Silent Plug features gold-plated contacts, red coating, chuck-type cable retention and the integrated “Silent Switch,” which is hermetically sealed and, due to its “REED technology”-based design, offers unrivalled lifetime durability.

     

     

     

    Neutrik manufactures a wide array of XLR connectors and receptacles, jacks and plugs, speaker connectors and accessories for the professional audio industry. Neutrik USA is located at 195 Lehigh Avenue, Lakewood, NJ 08701.

     

     

    NEUTRIK® PRESENTS PRX SERIES AT WINTER NAMM

    Right-Angle Plug Offers Exceptional Handling and Packing Density

    ANAHEIM, CA, JANUARY 18, 2007
    Neutrik, designer and manufacturer of the XX series XLR cable connector, presents the PRX Series Right-Angle Phone Plug at Winter NAMM 2007 (Hall A, Booth #6320). The PRX Series is ideally suited for instrument cables and is available with Neutrik’s Silent Plug, offering the perfect solution for all guitar applications.

     

    With the PRX series, Neutrik expands its popular PX series of ¼" phone plugs with a right-angle version, incorporating a robust diecast shell in an extra-slim design with a compact barrel for optimum handling convenience and highest packing density. The PRX’s unique rivetless one-piece tip contact helps prevent hook up in a socket or break off at the tip. Other features include improved chuck-type strain relief for reliable cable retention; nickel or gold plating for durability and best conductivity; and both mono and stereo plugs to satisfy cable assemblers.

     

    “As the standard bearer of audio connectivity solutions, Neutrik is the leader in response to the industry’s need for right-angle alternatives,” states Jim Cowan, president of Neutrik USA. “The recent introduction of our right-angle XX Series opened a floodgate of requests from audio professionals asking for similar solutions within our other product offerings. Together with Neutrik’s Silent Plug, the PRX series offers premium performance.”

     

    Neutrik manufactures a wide array of XLR connectors and receptacles, jacks and plugs, speaker connectors, and accessories for the professional audio industry. Neutrik USA is located at 195 Lehigh Avenue, Lakewood, NJ 08701.

     

     

     

     

     

    NEUTRIK® IMPROVES DESIGN OF XXR COLORED CODING RINGS AT WINTER NAMM 2007

    Coding Rings Now Expand to Fill Space

    between the Rear Boot and the Front Housing

    ANAHEIM, CA, JANUARY 18, 2007 –
    ANAHEIM, CA, JANUARY 18, 2007 –
    Neutrik, designer and manufacturer of the industry leading XX series XLR cable connector, introduces an improved version of its XXR colored coding rings at Winter NAMM 2007 in Anaheim (Hall A, Booth #6320). designer and manufacturer of the industry leading XX series XLR cable connector, introduces an improved version of its XXR colored coding rings at Winter NAMM 2007 in Anaheim (Hall A, Booth #6320).

     

    For use with the company’s XX series, the XXR provides faster and easier connections for audio and instrumentation applications, as the new coding rings expand to fill the void between the rear boot and the front shell/housing, for a more secure and durable fit. For optimum efficiency, the insert does not have to be unsoldered to change the color coding.

     

    Neutrik’s XXR colored coding rings also enable easy identification between XLR cable ends and panel mount receptacles. The XXR is offered in 10 colors — black, brown, red, orange, yellow, green, blue, violet, grey and white.

     

    “At Neutrik, we continually strive to provide convenient enhancements to our line of products,” stated Jim Cowan, president of Neutrik USA. “With the introduction of our latest accessory, Neutrik’s rugged XLR connectors are now matched with an equally durable and conveniently colored coded ring.”

     

    Neutrik manufactures a wide array of XLR connectors and receptacles, jacks and plugs, speaker connectors and accessories for the professional audio industry. Neutrik USA is located at 195 Lehigh Avenue, Lakewood, NJ 08701.

     

     

     

     

    D’ADDARIO & COMPANY LAUNCHES ONLINE “BUY NOW”

    PROGRAM CONNECTING CONSUMERS TO DEALERS

    FARMINGDALE, NY, January 17, 2007—D’Addario & Company is happy to introduce its new “Buy Now” program across all of its brands’ web sites. Consumers have two different online purchasing options whereby brick & mortar stores and e-tailers will easily benefit from the sale with little to no effort.

    —D’Addario & Company is happy to introduce its new “Buy Now” program across all of its brands’ web sites. Consumers have two different online purchasing options whereby brick & mortar stores and e-tailers will easily benefit from the sale with little to no effort.

    Consumers surfing any of the J. D’Addario brand web sites can purchase any J. D’Addario product through either the “D’Addario Store” or the “On-Line Retailer” option. Orders placed through the “D’Addario Store” are managed by a third-party system whereby dealers that have signed up to participate in the program are selected to then process the order. Based simply on the dealer’s geographic proximity to the sale, the winning retailer--large or small--is promptly notified within 24 hours that they have a new sale to process and fulfill. By assigning an order to the closest dealer, the quickest possibly delivery is ensured to the consumer.

    Free sign up costs, the option to turn inventory faster, and frequent direct/paper check deposits are just some of the benefits to becoming a D’Addario & Company’s retail partner in the “Buy Now” program. All participating retailers will have access to real-time sales and market data making it easy to review the best selling products on a local and national level in order to control and plan inventory. As a convenient service, automated emails are sent directly to the participating dealer to notify of a sale in need of fulfillment through the “Buy Now” system that has been made in your locale. Additionally, compatibility with every major parcel carrier, makes it easy for participating dealers to integrate “Buy Now” into existing shipping systems.

    On-line retailers can participate by signing up with their D’Addario sales representative and creating a few links and ensuring that all D’Addario & Company products have a product detail page on their site. Consumers can select the “On-Line Retailer” option and select from a list of a participating e-commerce partners.

    “With this exemplary way to reach new customers, D’Addario drives customers to the web store only to offer them to our dealers,” says David Via, Vice President of Sales for D’Addario and Company. “Dealers can create higher visibility with local customers, as those consumers will know that products were shipped directly from your store. The “Buy Now” program increase sales by raising a dealer’s average transaction amount while decreasing average transaction time.”

    “Whether as a ‘D’Addario Store’ fulfillment retailer or as an ‘On-Line Retailer,’ dealers can take advantage of the ever-increasing number of consumers with predisposed expectations on completing an on-line transaction from any website, including the manufacturer’s,” concludes Via. “D’Addario has found a way to do this while supporting existing dealers.”

    Dealers and online retailers interested in signing up for the “Buy Now” program should contact their D’Addario sales representative for details.

    For more information about D’Addario, please visit www.daddario.com.

     

    NOTICE OF NAME CHANGE: D’ADDARIO & COMPANY, INC.

    FARMINGDALE, NY, January 17, 2007—It is a subtle change, the removal of a letter, but it signifies a rallying behind the company identity and, indeed, a recognition of the significant power of the D’Addario name in exclusion.

    Effective immediately, the J. D’Addario & Company, Inc. has changed its name officially to D’Addario & Company, Inc. The removal of the “J” reflects, among other reasons, the trend to referring to the company in terms of the surname alone, and, indeed, alludes to the brand recognition power of the D’Addario name.

    The revised company name will be introduced to the industry in the first quarter of 2007, using Winter NAMM as the launch vehicle. Thereafter, all company listings, letterhead, packaging, posters and other marketing materials, websites, and trade presentations will proudly display the new streamlined moniker.

    In addition, moves are underway to institute the name change, as soon as possible, on all D’Addario contracts, agreements, and correspondence with various stakeholders, vendors, industry affiliates, utilities and customers.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —It is a subtle change, the removal of a letter, but it signifies a rallying behind the company identity and, indeed, a recognition of the significant power of the D’Addario name in exclusion.

     

     

     

    HUGH GILMARTIN JOINS D’ADDARIO AS NEW ARTIST RELATIONS MANAGER

     

    FARMINGDALE, NY, January 17, 2007—D’Addario & Company, Inc. is proud to welcome Hugh Gilmartin to the company as the Artist Relations Manager.

    —D’Addario & Company, Inc. is proud to welcome Hugh Gilmartin to the company as the Artist Relations Manager.

    Gilmartin will work out of D’Addario’s Farmingdale, New York headquarters. He will direct all aspects of artist relations, including advertisements, multi-media, signing new endorsees, and other endorsee-related matters for the global artist relations effort for D’Addario, Evans, HQ, Planet Waves, and Rico brands. Additionally, Gilmartin will manage Steve Lobmeier, A&R Representative, and related the activities of the D’Addario AR team; Product Specialists: Rory Mazzela/Rico and Carol Carpenter/Evans, Sales & Marketing Managers: Mac Kamihama/Japan, Jean François Bescond/Europe, Peter D’Addario OEM Sales/Bluegrass and Freelance AR rep John Ferrante; D’Addario/Planet Waves & Evans.

    “We’re very happy to have Hugh on board,” says John Roderick, Vice President of Product Management, D’Addario & Company, Inc. “He possesses fluency and expertise with both Artist Relations and the products industry, which is something that our endorsees and partners will find as a great asset here at D’Addario.”

    Before joining the J. D’Addario team, Gilmartin was employed with KORG USA, where he began by handling the Product Support and Customer Service fields, familiarizing himself in current product issues, product development, and acting as customer service representative for US-based dealers. Climbing the ranks quickly, Gilmartin became Artist Relations Manager at KORG USA. As Artist Relations Manager, Gilmartin provided support and sales to Korg, Marshall and Vox’s vast artist base, working with distinguished artists including Beyonce Knowles, Natalie Cole, Jamie Cullum and Steve Vai. His additional experiences with Customer Service at Samson Technologies in Syosset, NY allowed him to provide sales and support to Samson/Hartke/Behringer artists.

    Gilmartin received his degree from Five Towns College in Dix Hills, NY where he was a recipient of the prestigious NAMM Scholarship. He also studied instrument repair and technology. Gilmartin is also an avid guitarist and bassist with genuine interests and understanding of percussion, string and woodwind instruments.

    “Not only do I share a passion for Products, Marketing and Artist Relations, but I have a dedication to music, as well. I am able to relate to artists on a creative and administrative level, and I am looking forward to enhancing these partnerships,” comments Gilmartin.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries

    —D’Addario & Company, Inc. is proud to welcome Hugh Gilmartin to the company as the Artist Relations Manager.

     

    PROMOTIONS: TRISH FRAZZETTO AND JENNIFER VERDI COHEN

    Expanded Duties Reflect New Corporate Opportunities & Growth

     

    FARMINGDALE, NY, January 17, 2006—D’Addario’s unprecedented growth has led to changes in corporate structure designed to take reflect, and take advantage of, the current domestic and global business milieu.

    A direct result of the reorganization is the promotion of two long time D’Addario employees, Trish Frazzetto and Jennifer Verdi Cohen.

    A graduate of the University of Richmond, Trish Frazzetto joined D’Addario in 2002 following a budding career in public relations that encompassed working in two successful political campaigns in Virginia. Thereafter, she assumed duties in New York public relations firms, ending up as Senior Account Manager in an agency specializing in music industry public relations. Frazzetto joined D’Addario as Public Relations Manager in 2002. Her current promotion is to Public Relations & Promotions Manager. She will manage all media placement, brand and corporate public relations, and promotions. In addition, she will promote the D’Addario Foundation for the Performing Arts. In addition, Frazzetto will serve as the on-site show and events manager.

    Jennifer Verdi Cohen, a graduate of the University of Florida-Gainesville, joined D’Addario in 2000 as Marketing Coordinator. As the company has grown, her role has expanded. Her promotion to Events & Marketing Resources Planner reflects the need for thorough knowledge and expert management of several key functions that straddle marketing, sales and operations. Her newly-created position will see her overseeing all marketing print materials. In addition, Cohen’s new duties will include managing and coordinating all shows, meetings and events, assessing space requirements and logistics, this in addition to overseeing departmental training and assisting the VP of Product Management.

    , a graduate of the University of Florida-Gainesville, joined D’Addario in 2000 as Marketing Coordinator. As the company has grown, her role has expanded. Her promotion to reflects the need for thorough knowledge and expert management of several key functions that straddle marketing, sales and operations. Her newly-created position will see her overseeing all marketing print materials. In addition, Cohen’s new duties will include managing and coordinating all shows, meetings and events, assessing space requirements and logistics, this in addition to overseeing departmental training and assisting the VP of Product Management.

    For more information on D’Addario and its products, visit www.daddario.com.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —D’Addario’s unprecedented growth has led to changes in corporate structure designed to take reflect, and take advantage of, the current domestic and global business milieu. , a graduate of the University of Florida-Gainesville, joined D’Addario in 2000 as Marketing Coordinator. As the company has grown, her role has expanded. Her promotion to reflects the need for thorough knowledge and expert management of several key functions that straddle marketing, sales and operations. Her newly-created position will see her overseeing all marketing print materials. In addition, Cohen’s new duties will include managing and coordinating all shows, meetings and events, assessing space requirements and logistics, this in addition to overseeing departmental training and assisting the VP of Product Management.

     

     

    ROBERT D’ADDARIO NAMED

    PRODUCT MANAGER, PLANET WAVES CUSTOM INSTALLATION

     

    FARMINGDALE, NY, January 17, 2006—Robert D’Addario has been appointed to the newly created position of Product Manager, Planet Waves Custom Installation.

    Necessitated by the success of the Planet Waves Cable Station since its launch at the CEDIA show in 2005, D’Addario provides the optimum skill set, having worked with Planet Waves during the germination of the custom installation product line. Combining D’Addario’s unique experiences as an audio specialist and performing musician, he recognizes the importance of tailoring components of the signal chain with unfailing accuracy and durability.

    In his new position as Product Manager D’Addario will oversee all marketing and sales of D’Addario’s Custom Installation products, the company’s first venture out of the music products industry. D’Addario will work directly with the company’s Vice Presidents of Product Management and Sales, as well as supervise a national network of independent representative firms to develop products, establish marketing plans, implement sales programs and execute key strategies as it relates to the brand.

    “Rob is an invaluable addition to our CI team,” commented John Roderick, VP of Product Management. “Now is the perfect time to fill this position with someone like Robert who knows and has tested CI products. He knows our products along with the customers and their needs.”

    Added David Via, VP of Sales, “Rob is a perfect match for the position. He brings expertise and direct knowledge of the benefits our products offer custom installers and his rapport with the customers is unmatched.”

    Before joining D’Addario, Rob, a graduate from DePaul University in Sound Recording Technology, worked for digital media and software providers. Upon joining D’Addario in 2002, he became E-Business Project Manager, Business Systems Analyst, Product Development Leader for the PW Custom Installation line, and has assisted with research and development for the company’s Evans brand of drumheads.

    For more information on Planet Waves products, visit www.planetwaves.com/ci.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —Robert D’Addario has been appointed to the newly created position of Product Manager, Planet Waves Custom Installation.

     

     

    NEW KAPLAN SOLUTIONS/HELICORE COMBO CELLO SET FROM D’ADDARIO

     

    FARMINGDALE, NY, January 17, 2007—D’Addario had taken their Kaplan Solutions cello A and D strings and teamed them with the popular Helicore cello G and C strings to create a premium four-string set called the Kaplan Solutions/Helicore Combo Set.

    —D’Addario had taken their Kaplan Solutions cello A and D strings and teamed them with the popular Helicore cello G and C strings to create a premium four-string set called the Kaplan Solutions/Helicore Combo Set.

    The new set combines solid steel core A (titanium wound) and D (nickel wound) Kaplan Solutions strings and stranded steel core tungsten/silver wound G and C Helicore strings for a unique blend of tonal warmth and powerful volume, all while maintaining excellent bow response. It provides excellent balance of power and warmth across the instrument and is ideal for chamber music, orchestral, and solo performance applications.

    “We’ve been receiving requests for a combination set like this since we first introduced the Kaplan Solutions cello A and D strings,” says D’Addario Bowed Strings Brand Manager David Luce. “The Kaplan Solutions/Helicore Combo Cello Set offers cellists excellent tonal balance across the full range of the instrument. They provide an ideal combination of warmth, power, bow response, and projection, as demanded by professional performers. This is a set of strings that serious cellists will be very pleased with, as evidenced by the enthusiastic responses we received from all of the professionals who have tested them!”

    D’Addario’s Kaplan Solutions/Helicore Combo Cello sets are offered in full scale length in medium tension at a retail price of $219.00. They are currently shipping.

    For more information on D’Addario products, visit www.daddariobowed.com.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —D’Addario had taken their Kaplan Solutions cello A and D strings and teamed them with the popular Helicore cello G and C strings to create a premium four-string set called the Kaplan Solutions/Helicore Combo Set.

     

     

    NEW KAPLAN PREMIUM ROSIN INCLUDES EASY APPLICATOR/STORAGE CASE

     

    FARMINGDALE, NY, January 17, 2007—Rosin – how innovative can it be? D’Addario shows how innovative with the introduction of the new Kaplan Premium Rosin, which comes in an easy applicator that doubles as a storage case.

    —Rosin – how innovative can it be? D’Addario shows how innovative with the introduction of the new Kaplan Premium Rosin, which comes in an easy applicator that doubles as a storage case.

    Available in light and dark, Kaplan Premium Rosin is suitable for violin, viola, and cello bows and the special Kaplan recipe produces less dust, keeping hands and instruments cleaner. The rosin comes attached to the inside of the applicator case, which “locks” shut for clean, easy storage in an instrument case or bag. Once the tabs are squeezed to open the case, the rosin is then applied right from the case, where it can be rotated for uniform wear and maximum use.

    “Rosin is one of those little things that’s absolutely essential for orchestral musicians that everyone just assumes is the same stuff, no matter what the brand,” remarks David Luce, D’Addario Bowed Strings Brand Manager. “Each brand of rosin has its own specific formula, and this premium Kaplan mixture and process produces extremely find-grained rosin. When you add something like our inventive, rotating applicator/storage case, the Kaplan Premium Rosin becomes quite a unique and desirable product that offers even more value to the musician.”

    Kaplan Premium Rosin is current available and retails for $14.99.

    For more information on D’Addario products, visit www.daddariobowed.com.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —Rosin – how innovative can it be? D’Addario shows how innovative with the introduction of the new Kaplan Premium Rosin, which comes in an easy applicator that doubles as a storage case.

     

    NEW COMPOSITE SYNTHETIC CORE STRINGS FOR VIOLIN

    D’Addario Sets New Standards with Violin String Sets

    FARMINGDALE, NY, January 17, 2007—The finishing touches are being put on a new professional violin string set, available in the very near future. Scheduled to launch in the second quarter of 2007, D’Addario’s new synthetic-core string takes violin string attributes to new benchmark heights.

    Demand for the new D’Addario Composite Synthetic Core Violin Strings will be high, primarily because of their incredible consistency and balance from string-to-string. Under the bow, these strings provide the optimum balance between resistance and response, yielding a rich and powerful tone quality in all positions. The dynamic range is expansive; satisfying the rigorous requirements of the seasoned professional performer.

    Developed by a design team comprised of D’Addario engineers, professional soloists and ensemble players, and luthiers, the new D’Addario Composite Synthetic Core Violin Strings will deliver a warm and rich tone at all dynamic levels. Unlike many other strings in the market, these strings will sustain their tone even under extreme bow pressure.

     

    D’Addario Bowed Instrument Strings Product Manager David Luce states that the new string sets are a milestone entry into the market. “These new strings represent a significant advancement in violin string technology,” David states. “Simply put, we’ve managed to produce a string that delivers a professional level of performance that is widely suitable across multiple playing styles, both mainstream and alternative. Traditional classical performers, especially, will be impressed by the performance of these new synthetic core violin strings.”

    D’Addario professional Composite Synthetic Core Violin Strings will be launched in the second quarter of 2007.

    For more information on D’Addario products, visit www.daddariobowed.com.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —The finishing touches are being put on a new professional violin string set, available in the very near future. Scheduled to launch in the second quarter of 2007, D’Addario’s new synthetic-core string takes violin string attributes to new benchmark heights.

     

     

    THE NEW DARE STRAP FROM PLANET WAVES

    Vertebrae C6 and C7 Will Thank You!

     

    FARMINGDALE, NY, January 17, 2006—Musicians suffering back or neck problems listen up! We know your pain. We may have the answer to your suffering.

    Planet Waves is pleased to announce the immediate availability of the new Dare Strap. It’s an ingenious strap from inventor, Troy Dare. The Dare Strap spells relief for those who’ve misaligned their spine or otherwise suffered back problems from their heavy instruments. Instead of creating disproportionate stress by hanging an instrument off one shoulder, the patented Dare Strap spreads weight over both shoulders.

    With the advent of heavier guitars and portable keyboards, some musicians are experiencing new work-related trauma, principally in the mid-back to neck regions. The Dare Strap evenly distributes weight equally over both shoulders, simultaneously lightening burdens and providing instant relief. Players also have the option of using the Dare Strap as a conventional single shoulder strap. Modestly priced at $24.99, the new strap is bound to catch on immediately.

    “The value of this new product is two-fold,” adds Brian Vance, Senior Brand Manager for D’Addario Strings. “It’s a perfect strap for heavy instruments and it just may provide relief to many musicians. It’s a versatile, natural solution addressing musicians’ needs.”

    The Dare Strap will be available February 2007.

     

    For more information on Planet Waves products, visit www.planetwaves.com.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries. 

    —Musicians suffering back or neck problems ! We know your pain. We may have the answer to your suffering.

     

     

    A REVOLUTION IN GUITAR HUMIDITY CONTROL: THE HUMIDPAK

    Automatic Humidity Control System from Planet Waves

     

    FARMINGDALE, NY, January 17, 2007—A major concern for musicians is maintaining the proper moisture content for treasured instruments. Guessing when to refill or to adjust a humidifier can perplex even the experts. The revolutionary Humidipak Automatic Humidity Control System makes all the necessary adjustments—and it does this without water, drips and mess.

    —A major concern for musicians is maintaining the proper moisture content for treasured instruments. Guessing when to refill or to adjust a humidifier can perplex even the experts. The revolutionary Humidipak Automatic Humidity Control System makes all the necessary adjustments—and it does this without water, drips and mess.

    The patented Humidipak is the world’s first true two-way humidity system for guitar that maintains the optimum humidity level for wooden instruments: 45% relative humidity. The “two-way” system means that it actually emits or absorbs moisture as needed to maintain 45% relative humidity. The Humidipak is an automatic system that eliminates maintenance, guesswork and protects cherished instruments. Simply place the Humidipack packets into your guitar, shut the case and let it do the rest.

    Humidipak has undergone extensive beta testing by acoustic guitar manufacturers including Taylor Guitars, the preeminent American guitar maker, who crafted such rarities as The Liberty Guitar. Bob Taylor of Taylor Guitars explains, “Most guitar owners are in dire need of humidification for their guitars, but some need the opposite. Until the Planet Waves system, there has been no answer for them. At Taylor Guitars, we are blown away by its effectiveness. The Humidipak that Planet Waves is bringing to the market is among the most important accessories since guitar strings.”

    “This revolutionary product is sure to change the way the entire music community thinks about humidification,” says Jim D’Addario, Chairman and CEO of D’Addario & Company, Inc. “We’re confident that the Humidipak will appeal to touring musicians, collectors, those undergoing seasonal transitions or any musician who cares about the investment he has made in his instrument. Our partnership with Bob Taylor and Taylor Guitars has proven to be the ultimate test and validation of this industry-changing product line.”

    The Humidipak kits (including soundhole/headstock pouches and three packets) will be available February 15, 2007 and will retail for $29.99. Refill packets will retail for $9.99.

     

    NAMM SPECIAL: Dealers that place a Humidipack order at the NAMM show are automatically entered for the chance to win a Taylor guitar and will receive a free HTS gift pack with the order (while supplies last).

    : Dealers that place a Humidipack order at the NAMM show are automatically entered for the chance to win a Taylor guitar and will receive a free HTS gift pack with the order (while supplies last).

    For more information on Planet Waves products, visit www.planetwaves.com

     

    CTM ALL-IN-ONE REFERENCE TOOL FOR GUITARISTS

    Chordmaster, Chromatic Tuner and Metronome

     

    FARMINGDALE, NY, January 17, 2007—The original Planet Waves Chordmasters have enjoyed unprecedented success and no wonder: They offer an extensive library of chords for easy reference by guitarists. Following the success of Planet Waves Tuner line launched in early 2006, the company is happy to announce the marriage of these elements in the Planet Waves CTM—chordmaster, tuner and metronome.

    —The original Planet Waves Chordmasters have enjoyed unprecedented success and no wonder: They offer an extensive library of chords for easy reference by guitarists. Following the success of Planet Waves Tuner line launched in early 2006, the company is happy to announce the marriage of these elements in the —chordmaster, tuner and metronome.

    The original Chordmaster boasted a pretty staggering library of chords—in fact, over 4000 chord voicings, cleanly laid out on LCD screen. The new CTM almost doubles that tally. The Planet Waves CTM features over 7,000 chords in the comprehensive chord library. All are instantly accessible when required, viewable on a conveniently back-lit LCD display. In addition, the CTM offers a precision chromatic tuner, taking the guesswork out of tuning when rehearsing or performing. If that weren’t enough, the CTM houses a full-featured metronome for private practice or for counting off tempos.

    Brian Vance, Planet Waves Product Manager, remarks, “The CTM represents the ultimate in usefulness and versatility. It takes the place of three separate accessory units and at one amazing price. What’s more, it is a great practice tool for the serious guitarist—the one device that enables musicians to get in tune, learn new chord positions, and play in time.”

    The Planet Waves CTM will ship in April, 2007 and will retail for $59.99.

     

    For more information on Planet Waves products, visit www.planetwaves.com.

    D’Addario & Company, Inc. designs, manufactures, and markets complete lines of strings for fretted and bowed musical instruments, drumheads, drum practice pads, and guitar and woodwind accessories under the proprietary brand names D’Addario, Evans Drumheads, Planet Waves, Rico, and HQ Percussion. The company also runs the popular Gbase.com online gear source. D’Addario products are marketed in approximately 120 countries

    —The original Planet Waves Chordmasters have enjoyed unprecedented success and no wonder: They offer an extensive library of chords for easy reference by guitarists. Following the success of Planet Waves Tuner line launched in early 2006, the company is happy to announce the marriage of these elements in the —chordmaster, tuner and metronome.

    GUITARISTS TO GET THEIR PICK IN SOUND THROUGH

    THE RAPCOHORIZON COMPANY’S NEW “TUNED SERIES”

    ANAHEIM, CA, January 18, 2007—The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will introduce its new “Tuned Series,” a specialized division within its Dominator brand of high-end guitar cables, at Winter NAMM 2007 (Hall C, Booth #4558).

    —The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will introduce its new “Tuned Series,” a specialized division within its brand of high-end guitar cables, at Winter NAMM 2007 (Hall C, Booth #4558).

     

    Using a universal electronic component that can be built easily into any of the four unique connectors within the Dominator guitar cable line, the “Tuned Series” provides an edgier sound and more percussion by “tuning” the output of a guitar to the input of an amplifier or effects pedal.

     

    Brad Graham, marketing manager and inventor of several new patent pending designs for The RapcoHorizon Company, says the Dominator line and “Tuned Series” are all about choice for today’s musician. “As artists, we each have distinctive needs. While the Dominator’s four connectors offer musicians variances and options in smooth sound delivery according to preference, the ‘Tuned Series’ boosts sound and modifies the cable’s unique characteristics, producing more edge, attack and twang and ultimately accommodating everyone’s stylistic needs and individual flair.”

    The “Tuned Series” and Dominator guitar cables are part of The RapcoHorizon Company’s new Dominator high-end instrument cable line, which can also be utilized with speakers and microphones. The Dominator line is among many new product offerings resulting from a merger between former sister companies Rapco International and Horizon Music, Inc.

     

    Winter NAMM attendees are invited to visit The RapcoHorizon Company at booth #4558 in Hall C to test the “Tuned Series” cables and experience the difference themselves.

     

    The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies.

     Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company's products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need.  For more information, please visit The RapcoHorizon Company’s Web site at

    —The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will introduce its new “Tuned Series,” a specialized division within its brand of high-end guitar cables, at Winter NAMM 2007 (Hall C, Booth #4558). TheRapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies.  Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizonCompany's products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need.  For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com     

    # # #

    THE RAPCOHORIZON COMPANY LAUNCHES

    IMPROVED PACKAGING FOR RETAILERS AND CONSUMERSNew Design Debuting at Winter NAMM 2007 ANAHEIM, CA, January 18, 2007—The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will debut new packaging for its cable and connector lines at Winter NAMM 2007 (Hall C, Booth #4558). The updated and improved casing is among several initiatives introduced in conjunction with the company’s unified commitment to enhancing customer service and product offerings resulting from a merger between former sister companies Rapco International and Horizon Music, Inc.

    —The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will debut new packaging for its cable and connector lines at Winter NAMM 2007 (Hall C, Booth #4558). The updated and improved casing is among several initiatives introduced in conjunction with the company’s unified commitment to enhancing customer service and product offerings resulting from a merger between former sister companies Rapco International and Horizon Music, Inc.

     

    Tackling both aesthetics and content, the updated merchandise packaging will consist of a more colorful box design accompanied with easy-to-interpret graphic illustrations outlining item descriptions, specifications and unique characteristics, providing consumers with a “straight forward” product and application understanding.

     

    “The RapcoHorizon Company’s new packaging was established to allow for easier user-friendly comprehension,” says Darius Seabaugh, executive vice president of sales and marketing for The RapcoHorizon Company. “The new packaging design easily illustrates specific functions for the various cables within our diverse cable and connector lines, providing our consumers with the appropriate product information needed for choosing the best cable according to their individual needs.”

     

    NAMM attendees are invited to visit The RapcoHorizon Company at booth #4558 in Hall C for a sneak peak at the new package design, which is slated to hit stores in spring 2007.

     

    The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies.  Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company's products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need.  For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com     

    —The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will debut new packaging for its cable and connector lines at Winter NAMM 2007 (Hall C, Booth #4558). The updated and improved casing is among several initiatives introduced in conjunction with the company’s unified commitment to enhancing customer service and product offerings resulting from a merger between former sister companies Rapco International and Horizon Music, Inc.

    THE RAPCOHORIZON COMPANY TO DEBUT

    NEW DOMINATOR CABLE LINE AT WINTER NAMM 2007

    ANAHEIM, CA, January 18, 2007 – The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will introduce its new Dominator brand of high end guitar, microphone and speaker cables at Winter NAMM 2007 (Hall C, Booth #4558).

     

    The new self-selling package design and performance enhanced products represent the finest that The RapcoHorizon Company has to offer and are guaranteed to piqué the attention of musicians and retailers everywhere. Offering four individual types of wire, each presenting unique characteristics, the Dominator guitar cable line provides performers with new and distinctive variations of sound. Included in the Dominator line is the “Tuned Series of guitar cables. These are manufactured using the four different types of the Dominator wire and can include additional components inside each of the connectors that will actually “tune” the output of the guitar to the input of an amplifier or effects pedal.

     

    The Dominator microphone cables will be offered using either black Neutrik connectors

    with gold contacts or standard Nickel connectors and contacts, combined with several

    proprietary RapcoHorizon Company wires. “With our own wire extrusion facility, we

    have the ability to manufacture our cable to our exact specifications,” explains Brad Graham, marketing manager and inventor of several new patent pending designs for The RapcoHorizon Company. “This is an option that no other cable assembly manufacturer can offer. We design and produce our wires with the best performance and features in mind.”

     

    Featuring several types of heavy gauge wire including 14, 12 and 10 gauge configurations, with round commercial jackets, and pure copper conductors is the Dominator speaker cable line. The speaker cables are available in a variety of connector combinations to fit nearly every application. Also available is the “SilverFlex Series” in 12 gauge and 10 gauge sizes with bare annealed copper conductors, which have been silver-plated and “mega-stranded” for enhanced performance and lower capacitance.

     

    Dominator cables are each tailored specifically to provide music retailers with top dollar margins,” says Graham. “These are not imported products, but American made cables, each hand soldered and individually tested in ‘The Show Me State of Missouri.’” Each Dominator cable carries a Limited Life Time Warranty.

     

    Winter NAMM attendees are invited to visit The RapcoHorizon Company at booth #4558 in Hall C to test the Dominator cables and experience the difference themselves. The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies.  Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company's products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need.  For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com     

    The RapcoHorizon Company, a trusted supplier of audio interfacing products for over 25 years, will introduce its new brand of high end guitar, microphone and speaker cables at Winter NAMM 2007 (Hall C, Booth #4558).

     

     

     

     

     

    SLS Loudspeakers

     

    Company Profile

     

    SLS Loudspeakers, designers and manufacturers or proprietary ultra high-fidelity ribbon-driver loudspeakers and sound systems for professional, commercial and residential applications, originated as an independent retails music store founded and operated by music industry entrepreneur John Gott in Springfield, MO in 1972. In addition to operating the music store, Gott tinkered with loudspeaker designs and sold his innovations through his retail outlet, which would eventually grow into a three-store chain.

     

    In time, Gott sold the stores and turned his attention to the professional equipment rental and touring sound industry. Gott’s production company used his early speaker designs, while Gott served as sound engineer for several high-profile acts including Pat Benatar, The Talking Heads, Peter Tosh, and Huey Lewis and the News. The company also designed and developed cutting edge lighting products used in the production industry— Dyna-Might portable stage light systems and Moto-Light servo controlled lighting fixtures and color changers. These products were used worldwide in the production industry during the 1980s.

     

    In the early 1990s, Gott transformed his rental and production company into a design, contracting and installation firm. SLS Loudspeakers evolved out of the company’s quest to provide its clients with a superior system. Focusing on the development and design of loudspeaker systems for residential and commercial applications, the design and manufacture of the SLS Plannar Ribbon Drivers (PRD) came into fruition.

     

    The key to SLS’ design strategy is its PRD technology, which allows the SLS speaker systems to reproduce any audio signal with unequalled clarity and detail at up to 30% less the distortion associated with typical loudspeakers. Also, the SLS products produce the extended frequency response and dynamic range needed to fully and accurately deliver the highest quality sound—at home, on the road or in any venue.

     

    In June 2001, Gott guided SLS through a successful initial public offering, and the company’s stock has performed well throughout its tenure on the market. With more Americans purchasing home theater systems and commercial customers requiring better audio solutions SLS Loudspeakers has significant market potential.

    Today, as president of SLS, Gott oversees more than 70 different ribbon-based products, including a system for CBS’ Rockstar: INXS, the show aimed at finding a lead singer for the multi-platinum rock band INXS. Systems have also been installed in cutting-edge clubs such as 17 and Vue in New York City, Pearl and Niki Beach in South Beach, FL, and Blush in Burlingame, CA.

    SLS speakers are used in a diverse range of installations and applications, especially the house of worship market, which require exceptional coverage and intelligible signals. Pepperdine University’s Stauffer Chapel sports an LS8695 Line Array speaker system; Berean Baptist Church, in Houston, Texas and Billy Graham Training Center’s The Cove Chapel in Asheville, NC, have installed various RLA systems; and Church on the Move, located in Tulsa, OK, also makes use of two systems.

     

    With its 150,000 square foot manufacturing facility located in Ozark, Missouri, Gott is taking SLS even further with residential systems, where SLS has teamed with Grammy Award-winning Producer Quincy Jones to develop a new line of home theater products. Additionally, SLS released the new active version of its S8R studio reference monitor, powered by its new Evenstar Sigma-Delta digital amplifier technology. SLS has also entered cinema product market having recently completed its first installation, the Wehrenberg Theaters at the Chesterfield Galaxy 14 Cine in Greater St. Louis.

    From residential to commercial applications, on the road, in a club or house of worship, SLS Loudspeakers are taking loudspeaker system design to new levels.

    # # #

     

     

    SLS LOUDSPEAKERS FEATURES THE LS6593 LINE ARRAY

    AT WINTER NAMM 2007

     

    ANAHEIM, CA, January 18, 2007–SLS Loudspeakers, the makers of refined speakers systems for studio, live and home theater applications, is showcasing its LS6593 and LS6593A Line Array speakers at Winter NAMM 2007 (Hall B, Booth #5222). The LS6593 series offers the same high performance characteristics expected from an SLS product in a compact design perfect for a wide range of installation applications.

    –SLS Loudspeakers,the makers of refined speakers systems for studio, live and home theater applications, is showcasing its LS6593 and LS6593A Line Array speakers at Winter NAMM 2007 The LS6593 series offers the same high performance characteristics expected from an SLS product in a compact design perfect for a wide range of installation applications.


    “The LS6593S and LS6593A represent a breakthrough in high performance compact line array loudspeaker technology,” says Tom Harrison, director of engineering for SLS. “Utilizing patented ribbon planar drivers this unique design concept provides different options for vertical dispersion allowing versatile system configuration for a variety of applications. It is one of the most flexible and cost effective tools based on modern advanced technology principles available today. We believe the LS6593 series will have a significant impact on the industry.”


    The LS6593S/LS6593A concept is based on a woofer line array mounted on a front panel with a coaxially positioned ribbon tweeter array. The woofer array consists of 6 x 5.25” drivers while the tweeter array consists of 9 x 3” proprietary ribbon planar drivers driven from a passive crossover point of 2,000Hz. The system delivers a frequency response of 80Hz to 20kHz with an SPL of 94dB referenced at 1W/1M and a calculated response of 118dB continuous and 124dB peak. The system handles up to 600 Watts of amplifier power. 70V 60W versions are available as well.


    The low frequency polycomposite cone woofers are mounted on a cast aluminum chassis with the entire enclosure made of extruded aluminum weighing in at a remarkable 30lbs (13.6kg). The system is 32.2” (81.8cm) high by 7.5” (19cm) wide and 8.3” (21cm) deep. Threaded inserts on the back allow for many mounting options. Both units are fully suited for use in extreme weather conditions due to the sealed cabinet design and are available in black and white.


    The LS6593S is a straight line array that offers extremely controlled vertical dispersion. The LS6593A has internally articulated driver elements that allow wider vertical dispersion at one end of the array. Both options are built within the same straight, column type enclosure, perfect for professional applications where the highest quality and intelligibility of sound is required. The building block concept allows for a large number of configurations and resulting coverage patterns ideal for a wide range of applications including sound reinforcement in churches and auditoriums; paging in difficult acoustic environments and stack columns to achieve taller vertical sound field for raked seating applications.

     

    SLS Loudspeakers, a division of SLS International, designs, manufactures and markets proprietary ultra high-fidelity ribbon-driver loudspeakers and sound systems for professional, commercial and residential applications. The publicly traded company (SLSZ) was founded in the 1970s and its products are used in hundreds of installations worldwide.

     

    # # #

     

    SLS LOUDSPEAKERS INTRODUCES 8290 MULTIPURPOSE

    PA SYSTEM AT WINTER NAMM 2007

    ANAHEIM, CA, January 18, 2007–SLS Loudspeakers is introducing its new 8290 multipurpose portable PA box at Winter NAMM 2007 (Hall B, Booth #5222). While its vast applications include multimedia installations, public speaking and speeches, as well as house and stage monitor usage, the 8290’s full-range passive high-quality dual 8’’ design incorporates a compact multi-angled cabinet with maximum sound pressure levels.

    –SLS Loudspeakers is introducing its new 8290 multipurpose portable PA box at Winter NAMM 2007 (Hall B, Booth #5222). While its vast applications include multimedia installations, public speaking and speeches, as well as house and stage monitor usage, the 8290’s full-range passive high-quality dual 8’’ design incorporates a compact multi-angled cabinet with maximum sound pressure levels.

     

    Established as a solution for professional applications that require the highest quality and intelligibility of sound, the 8290 is equipped with SLS’ PRD500 planar ribbon driver that is contained within a 90 degree die-cast aluminum waveguide. Its dual 8” woofers provide increased control in the vertical plane.

     

    “The SLS 8290 offers the best of both worlds – providing professional sound with simplicity and convenience,” says Jeff Lowry, Director of Marketing for SLS. “While its compact, multi-angle cabinet design allows for quick interchangeability for vast applications, it also distributes exceptional sound quality suitable for a variety of monitor and main applications.

     

    SLS Loudspeakers, a division of SLS International, designs, manufactures and markets proprietary ultra high-fidelity ribbon-driver loudspeakers and sound systems for professional, commercial and residential applications. The publicly traded company (SLSZ) was founded in the 1970s and its products are used in hundreds of installations worldwide.

     

     

    SLS LOUDSPEAKERS INTRODUCES THE RLA/4

    AT WINTER NAMM 2007

     

    ANAHEIM, CA, January 18, 2007–SLS Loudspeakers is introducing its RLA/4 (LS7500) full-range, bi-amped true line source array module at Winter NAMM 2007 (Hall B, Booth #5222). The RLA/4 was developed for a wide range of applications from permanent sound reinforcement installations in churches, auditoriums, arenas and performing arts centers, to a professional portable PA system with the highest performance characteristics expected from an SLS product.

    –SLS Loudspeakers is introducing its RLA/4 (LS7500) full-range, bi-amped true line source array module at Winter NAMM 2007 (Hall B, Booth #5222). The RLA/4 was developed for a wide range of applications from permanent sound reinforcement installations in churches, auditoriums, arenas and performing arts centers, to a professional portable PA system with the highest performance characteristics expected from an SLS product.

     

    “Although the RLA/4 is compact in size, it meets SPL line array performance requirements for a wide variety of venues,” says Tom Harrison, director of engineering for SLS. “Its high frequency section features a high performance PRD500 planar ribbon transducer designed and manufactured by SLS. The unique design and properties of the planar ribbon driver allows precise acoustical coupling of the array and hence, full utilization of line source (cylindrical waves) benefits.”

     

    The low frequency section uses two high-powered 6.5” drivers utilizing a demodulation ring magnet system providing a third less harmonic distortion and reducing inductance modulation by 50 percent. This provides an open and clear sound despite loud listening levels. Additionally, the low frequency drivers feature a die-cast basket with a patented Intercooler system.

     

    The system offers 90-degree wide symmetrical horizontal coverage and offers SLS’ free LASS prediction software that visually shows the ideal setup locations for even, predictable sound coverage of any room. Each RLA/4 module is designed for bi-amplification. All array rigging is included on the cabinet that is made from sturdy ¾” 13-ply Baltic Birch and includes splay options from 1 to 10 degrees between boxes.

     

    SLS Loudspeakers, a division of SLS International, designs, manufactures and markets proprietary ultra high-fidelity ribbon-driver loudspeakers and sound systems for professional, commercial and residential applications. The publicly traded company (SLSZ) was founded in the 1970s and its products are used in hundreds of installations worldwide.

     

     

     

    ELIXIR® STRINGS ARTIST MICHAEL LILLE

    GIVES WINTER NAMM PERFORMANCE AT

    JOHN LENNON EDUCATIONAL TOUR BUS

    Long-Life String Pioneer Demonstrates Continued Commitment to Music Education

     

    Anaheim, CA, January 18, 2007—Award-winning guitarist/songwriter Michael Lille will represent Elixir® Strings, the pioneer in coated string technology, with a live performance at the John Lennon Educational Tour Bus during the 2007 Winter NAMM Show. Elixir® Strings, a sponsor of the John Lennon Songwriting Contest, is proud to continue this relationship as the contest and bus mark their 10th anniversary in 2007.

    Award-winning guitarist/songwriter Michael Lille will represent Elixir® Strings, the pioneer in coated string technology, with a live performance at the John Lennon Educational Tour Bus during the 2007 Winter NAMM Show. Elixir® Strings, a sponsor of the John Lennon Songwriting Contest, is proud to continue this relationship as the contest and bus mark their 10 anniversary in 2007.

     

    Lille, whose recent album Suitable Disguise has drawn rave reviews from media including the Washington Post and Pure Music, will perform at the John Lennon Educational Tour Bus at 11 a.m. on Jan. 18, the first day of the 2007 Winter NAMM Show.

     

    “Our continued commitment to music education and up-and-coming artists is something we are very proud of,” comments Elixir® Strings Product Manager Craig Theorin. “When the John Lennon Educational Tour Bus and Songwriting Contest were launched, we saw an invaluable opportunity for young people to develop their creativity as well as learn about musical instruments and the recording arts. We congratulate the John Lennon Educational Tour Bus and John Lennon Songwriting Contest for 10 very successful years.”

    Award-winning guitarist/songwriter Michael Lille will represent Elixir® Strings, the pioneer in coated string technology, with a live performance at the John Lennon Educational Tour Bus during the 2007 Winter NAMM Show. Elixir® Strings, a sponsor of the John Lennon Songwriting Contest, is proud to continue this relationship as the contest and bus mark their 10 anniversary in 2007.

     

    Lille, a 1993 Kerrville New Folk winner and the winner of the 1996 Telluride Troubadour competition, has been an Elixir® Strings artist since 1999. Suitable Disguise, his fourth solo album and 10th overall, was co-produced by Lloyd Maines and Paul Pearcy. He has opened for artists including Bob Dylan, Warren Zevon, Little Feat, Alison Krauss, and Leo Kottke, while his recordings feature A-list session players and friends including Alison Krauss, Jerry Douglas, Mary-Chapin Carpenter, Victor Wooten, Valerie Carter, George Marinelli, and John Jennings.

     

    About Elixir® Strings

    Elixir® Strings is the pioneer in coated string technology and strings are available in two ‘flavors.’ Strings with ultra-thin NANOWEB® Coating have the bright tone and punch of non-coated strings, yet keep their lively tone three to five times longer than ordinary strings. The thin coating is nearly undetectable – providing the feel of traditional strings. Elixir® Strings with original POLYWEB® Coating also sound great three to five times longer than ordinary strings, have a balanced tone with smooth response, feel comfortably smooth, and reduce finger squeak. Elixir® Strings are available in a full range of gauges for acoustic guitar, electric guitar, bass, banjo, and mandolin.

     

    Today, Elixir® Strings are installed as original equipment by a growing list of discriminating electric guitar and bass manufacturers including Ibanez, Tom Anderson, Brian Moore Guitars, Carvin, Melancon Guitars as well as premium acoustic guitar luthiers such as Taylor Guitars, Santa Cruz Guitar Company, Alvarez-Yairi, Lakewood Guitars, RainSong, Lowden Guitars, and Goodall Guitars. Elixir® Strings endorses popular artists such as Melissa Etheridge, Train, Alan Parsons, Michael W. Smith, Loggins & Messina, Lincoln Brewster, and Drowning Pool.

     

    Elixir® Strings are manufactured by W.L. Gore & Associates, the company widely known for such innovations as GORE-TEX® fabrics. For more information, please visit www.elixirstrings.com.

     

     

     

    ELIXIR® STRINGS WELCOMES

    NEW DISTRIBUTOR, MUSICORP, INC.

     

    Anaheim, CA, January 18, 2007—Elixir® Strings, the pioneer of long-life string technology, is proud to welcome as a new distributor South Carolina-based Musicorp, Inc. A Kaman Music company, Musicorp is a leading distributor of music products, accessories and lighting equipment.

    —, the pioneer of long-life string technology, is proud to welcome as a new distributor South Carolina-based . A Kaman Music company, Musicorp is a leading distributor of music products, accessories and lighting equipment.

     

    “At Musicorp, we are always looking for the next cutting-edge music product, and by listening to our customers, we choose new products and brands to carry that will meet their needs,” says Don Rhodes, VP of Merchandising. “From the day Elixir® joined the music industry, it has been recognized as the premium guitar string. Many major guitar brands started using Elixir® strings, and consumer popularity increased quickly.”

     

    Kaman Music Corporation, a distributor of Elixir® Strings, acquired Musicorp in 2005. The addition of Musicorp as a distributor of Elixir® Strings strengthens the mutual long-term strategies of both, says Rhodes.

     

    “With Elixir® Strings, we will be able to better serve our customers’ needs with the highest quality products,” says Rhodes. “Industry-leading brands like Elixir® opens doors for new customers who may not have previously purchased from Musicorp.”

     

    Musicorp has held sales and product training for inside sales representatives and scheduled the national sales meeting in January to introduce Elixir® Strings to outside sales representatives. “We will represent Elixir® as a premium brand in our marketing materials, such as Musicorp catalogs and sale flyers,” Rhodes explains. “Our role as a distributor is to help manufacturers increase market share by selling
    to as many customers as possible, especially the small to medium sized independent stores.”

     

    “We are delighted to welcome Musicorp as a distributor of Elixir® Strings,” adds Chris Lioi, Global Sales Leader, Elixir® Strings. “We believe they will extend our reach in the U.S. market, which will allow us to continue to drive growth in the accessories category for our retailers.”

     

    About Elixir® Strings

    Elixir® Strings is the pioneer in coated string technology and is available in two string ‘flavors.’ Ultra-thin NANOWEB® coated strings have the bright tone and punch of non-coated strings, yet keep their lively tone three to five times longer than ordinary strings. The thin coating is nearly undetectable – providing the feel of traditional strings. Elixir® Strings with original POLYWEB® coating also sound great three to five times longer than ordinary strings, have a balanced tone with smooth response, feel comfortably smooth, and reduce finger squeak. Elixir® Strings are available in a full range of gauges for acoustic guitar, electric guitar, bass, banjo, and mandolin.

     

    Today, Elixir® Strings are installed as original equipment by a growing list of discriminating electric guitar and bass manufacturers including Ibanez, Tom Anderson, Suhr, Brian Moore Guitars, Carvin, Melancon Guitars as well as premium acoustic guitar luthiers such as Taylor Guitars, Santa Cruz Guitar Company, Alvarez-Yairi, Lakewood Guitars, RainSong, Carvin Guitars, and Goodall Guitars. Elixir® Strings are endorsed by popular artists such as Melissa Etheridge, Train, Alan Parsons, Michael W. Smith, Christopher Cross, Lincoln Brewster and Drowning Pool.

     

    Elixir® Strings are manufactured by W.L. Gore & Associates, the company widely known for such innovations as GORE-TEX® fabrics. For more information, please visit www.elixirstrings.com.

     

    About Musicorp, Inc.

    Musicorp is a leading wholesale distributor and manufacturer of musical instruments, lighting products and accessories owned by Kaman Music Corporation (NASDAQ: KAMN). Musicorp partners with its retail customers to help them strategically grow their business, providing the industries widest product selection, broadest marketing reach and largest distribution network. The company offers distinctive, self-manufactured brands such as Barcus-Berry (www.barcusberry.com), J.B. Player, Percussion Plus, Arbor, J.Reynolds, RMS, Amigo, Lauren and MBT Lighting & Sound (, J.B. Player, Percussion Plus, Arbor, J.Reynolds, RMS, Amigo, Lauren and MBT Lighting & Sound (www.mbtlighting.com) as well as strategic partnerships with brands such as Yamaha, Dean, Peavey, Remo Crown, Samson/Zoom/Hartke, Martin Lighting and more. Musicorp is headquartered in Charleston, SC with distribution centers located in California, Texas and Kentucky as well as strategic partnerships with brands such as Yamaha, Dean, Peavey, Remo Crown, Samson/Zoom/Hartke, Martin Lighting and more. Musicorp is headquartered in Charleston, SC with distribution centers located in California, Texas and Kentucky

    , J.B. Player, Percussion Plus, Arbor, J.Reynolds, RMS, Amigo, Lauren and MBT Lighting & Sound ( as well as strategic partnerships with brands such as Yamaha, Dean, Peavey, Remo Crown, Samson/Zoom/Hartke, Martin Lighting and more. Musicorp is headquartered in Charleston, SC with distribution centers located in California, Texas and Kentucky

     

     

     

    ELIXIR® STRINGS EXPANDS ANTI-RUST OFFERINGS WITH PLATED PLAIN STEEL STRINGS FOR ACOUSTIC GUITAR

    Innovative Anti-Rust Technology Now Delivers Great Tone and

    Long Life to Acoustic and Electric Guitarists

    Anaheim, CA, January 18, 2007—Following the success of its Anti-Rust Plated Plain Steel Strings for electric guitar, Elixir® Strings, the pioneer of long-life string technology, proudly introduces Anti-Rust Plated Plain Steel Strings for acoustic guitar. Elixir® Strings will exhibit Anti-Rust Plated Plain Steel Strings along with its complete product line at Winter NAMM 2007, January 18-21 (booth # 4394, Hall C).

    Following the success of its Anti-Rust Plated Plain Steel Strings for electric guitar, , the pioneer of long-life string technology, proudly introduces for acoustic guitar. Elixir Strings will exhibit Anti-Rust Plated Plain Steel Strings along with its complete product line at Winter NAMM 2007, January 18-21 (booth # 4394, Hall C).

     

    Elixir® Strings Anti-Rust Plated Plain Steel Strings for acoustic guitar have the feel and sound of traditional strings, but last up to five times longer than ordinary strings without corroding or losing their tone. These long life plain steels are the perfect complement to Elixir® Strings coated wound strings, now allowing acoustic and electric guitarists alike to enjoy the fresh feel and great tone of new strings far longer than with any other brand of strings.

     

    “Elixir® Strings revolutionized guitar strings when we found a way to extend the life of wound stings without compromising tone. Our Anti-Rust plated plain steels complete the long-life set,” said Craig Theorin, product manager, Elixir® Strings. “Now, acoustic guitarists can enjoy the same advantages as electric guitarists—a lifespan three to five times longer than ordinary guitar strings and lasting tone throughout the entire set. Elixir® Strings are the number one selling acoustic string in the U.S., and we are delighted that we now can deliver even more value for players.”

     

    The secret behind Elixir® Strings’ Anti-Rust Plated Steels is its proprietary alloy plating that inhibits tone-killing corrosion. Although the new strings last longer than ordinary plain steel strings, they maintain a traditional metallic feel with the crisp, clean tone of new strings.

     

    Hundreds of guitarists were enlisted to test Elixir® Strings’ Anti-Rust Plated Plain Steel Strings over the last two years, and the strings were commonly praised as an amazing innovation. The musicians were unanimous in assessing the strings’ great feel and tone, and noted that tone lasted significantly longer than the strings they had used previously. In addition, in these extended field trials, of the used strings that were returned, nearly all exhibited little or no rust.

     

    Sets of Elixir® Strings Anti-Rust Plated Plain Steel Strings for acoustic guitar will be offered in Light and Medium gauges as well as a 12 string Light gauge.

     

    About Elixir® Strings

    Elixir® Strings is the pioneer in coated string technology and is available in two string ‘flavors.’ Ultra-thin NANOWEB® coated strings have the bright tone and punch of non-coated strings, yet keep their lively tone three to five times longer than ordinary strings. The thin coating is nearly undetectable – providing the feel of traditional strings. Elixir® Strings with original POLYWEB® coating also sound great three to five times longer than ordinary strings, have a balanced tone with smooth response, feel comfortably smooth, and reduce finger squeak. Elixir® Strings are available in a full range of gauges for acoustic guitar, electric guitar, bass, banjo, and mandolin.

     

    Today, Elixir® Strings are installed as original equipment by a growing list of discriminating electric guitar and bass manufacturers including Ibanez, Tom Anderson, Suhr, Brian Moore Guitars, Carvin, Melancon Guitars as well as premium acoustic guitar luthiers such as Taylor Guitars, Santa Cruz Guitar Company, Alvarez-Yairi, Lakewood Guitars, RainSong, Carvin Guitars, and Goodall Guitars. Elixir® Strings are endorsed by popular artists such as Melissa Etheridge, Train, Alan Parsons, Michael W. Smith, Christopher Cross, Lincoln Brewster and Drowning Pool.

     

    Elixir® Strings are manufactured by W.L. Gore & Associates, the company widely known for such innovations as GORE-TEX® fabrics. For more information, please visit www.elixirstrings.com.

    Following the success of its Anti-Rust Plated Plain Steel Strings for electric guitar, , the pioneer of long-life string technology, proudly introduces for acoustic guitar. Elixir Strings will exhibit Anti-Rust Plated Plain Steel Strings along with its complete product line at Winter NAMM 2007, January 18-21 (booth # 4394, Hall C).

     

     

    AURALEX ACOUSTICS INTRODUCES

    SONOSUEDE SYSTEM AT WINTER NAMM 2007

    Anaheim, CA, January 18, 2007 — Auralex Acoustics, the industry leader in innovative sound control solutions, introduces the SonoSuede System at Winter NAMM, (Hall C, Booth# 4295). A highly decorative and complete do-it-yourself room treatment system designed for professional and home recording studios, as well as home theater applications, the SonoSuede System’s distinctive design is a cost-effective solution that tames first reflections and low frequency anomalies. Additionally, the system’s unique mounting blocks provide superior acoustic and exceptional aesthetic benefits.

    — Auralex Acoustics, the industry leader in innovative sound control solutions, introduces the SonoSuede System at Winter NAMM, (Hall C, Booth# 4295). A highly decorative and complete do-it-yourself room treatment system designed for professional and home recording studios, as well as home theater applications, the SonoSuede System’s distinctive design is a cost-effective solution that tames first reflections and low frequency anomalies. Additionally, the system’s unique mounting blocks provide superior acoustic and exceptional aesthetic benefits.

     

    The SonoSuede System — consisting of the HT and Pro models — offers greater diversity and benefits while presenting a wider multitude of decorative options. The SonoSuede Pro System features four 16”x48”x2” thick back-beveled panels predominantly used for corner trapping, and eight 16”x48”x1” rectangular-shaped back-bevelled panels for a total of 64 square feet. The SonoSuede HT System consists of four 16”x48”x2” thick back-beveled panels and eight trapezoidal-shaped square-edge panels 16”x48”x1”, for a total of 54 square feet.

     

    “The SonoSuede System provides a cost-effective solution that will satisfy professionals and hobbyists alike,” says Tracy Chandler, director of sales and marketing for Auralex Acoustics. “We have been able to meet the demands of professional-level acoustics for optimal sound recording, while catering to the evolving audio and video home theatre market with this unique multifunctional SonoSuede System. Its synthetic suede fabric provides the acoustical transparency and visual allure that are critical in today’s professional studios and home theater applications.”

     

     

     

     

    Priced at $1,399 suggested retail, $1,199 MAP, either SonoSuede System is available in the following stock color combinations: black/red and black/tan. Other color combinations are available as custom orders.

     

    About Auralex Acoustics

    Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide the best acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, solid advice and exceptional customer service. Auralex products enjoy widespread use among many prominent artists, producers, engineers and corporations.

     

    Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex web page at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com

     

     

     

    RASCAL FLATTS BASSIST INCORPORATES

    AURALEX ACOUSTICS INTO NEW NASHVILLE STUDIO

    Anaheim, CA, January 18, 2007 — Bassist Jay DeMarcus, of the award-winning country group Rascal Flatts and producer of Chicago 30, recently opened The Grip (www.thegripstudio.com), a full-service, private recording studio in Nashville, TN, built and designed by Carl Tatz Design. The Grip features a main control room with a tracking area and three booths, a drum area, a lounge, a galley kitchen, and an editing suite.

    — Bassist Jay DeMarcus, of the award-winning country group Rascal Flatts and producer of Chicago 30, recently opened , a full-service, private recording studio in Nashville, TN, built and designed by Carl Tatz Design. The Grip features a main control room with a tracking area and three booths, a drum area, a lounge, a galley kitchen, and an editing suite.

     

    To maximize the facility’s sound quality, the design team turned to Auralex Acoustics, an industry leader in sound control solutions. Acoustical treatment products provided by Auralex for this project included the company’s Custom ProPanels and pArtScience’s SpaceCoupler.

     

    Designed by Russ Berger for Auralex Acoustics, the SpaceCoupler optimizes acoustical environments for a wide range of performance and recording styles. By providing an acoustical boundary interaction between loosely coupled spaces, the SpaceCoupler generates a low level reverberant tail to create a full, well-developed sound even in small footprint spaces. Auralex’s ProPanels are fabric-covered absorptive panels available in a variety of sizes and colors.

     

    “In the drum area, I wanted to create the illusion, acoustically, of a larger space,” said Carl Tatz, owner of Carl Tatz Designs. “So I used several SpaceCouplers, which allows the space to sound bigger than it is. Aesthetically appealing, Auralex’s ProPanels were used in areas where additional absorption was needed, giving the studio a really nice look.”

     

    The Grip is outfitted with state-of-the-art audio equipment for recording, tracking and mixing, as well as instruments and microphones for in-studio use. Equipment includes, but is not limited to, Pro Tools HD 5 Accel  (v.6.9.3), Mac G5 Dual 2.5GHz w/ 2GHz RAM, Digidesign Pro Control (32 faders), Apogee AD-16 (16 In), Digidesign 192 (32 In, 48 Out), Apogee Big Ben, Neve 8816 Summing, Dynaudio M1s w/ Bryston 4B, Dynaudio BM12s Subwoofers, Yamaha NS-10Ms, Tannoy Reveal (Active), Ludwig 4 pc. house drum kit, Vintage Rhodes Suitcase Electric Piano, Vintage Wulitzer Electric Piano, Yamaha C-7 Grand Piano (by request), Hammond XK-3 Organ w/ 2101 Leslie, Various Electric, Bass, and Acoustic Guitars, various New and Vintage Keyboards, Ivory piano, Spectrasonics Stylus RMX, NI Guitar Rig, and FXExpansion BFD.

     

    Rascal Flatts is comprised of lead vocalist Gary LeVox, electric guitarist Joe Don Ronney and DeMarcus on bass. The band presently has four full-length albums and its rendition of “Life is a Highway” is featured on the soundtrack for the Disney movie “Cars.” Rascal Flatts’ latest album, “Me and My Gang,” hit No. 1 on the Billboard 200 charts and is currently country music’s best-selling release.

    About Auralex Acoustics Inc.

    Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide the best acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, solid advice and exceptional customer service. Auralex products enjoy widespread use among many prominent artists, producers, engineers and corporations.

     

    Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex web page at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com or by calling 1.800.95WEDGE.

     

    About Carl Tatz Design

    Carl Tatz Design offers design and consulting services to homeowners and entertainment industry professionals in areas of home screening rooms, recording studios, monitor systems, dedicated listening rooms, analysis and tuning and sound isolation. The company combines knowledge, experience and expertise in sound, picture and design to serve its clients nationwide. Visit Carl Tatz Design online at www.carltatzdesign.com.

     

     

    AURALEX ACOUSTICS FEATURES

    24 PIECE AUDIOTILE™ SET AT WINTER NAMM 2007

     

    Anaheim, CA, January 18, 2007 — Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, features its 24 piece AudioTile™ set at Winter NAMM, (Hall C, Booth# 4295). AudioTile absorbs echoes and other undesirable reflections though a wide range of frequencies. The new 24 piece set includes detailed step-by-step instructions on how to build seven striking designs that effectively treat one 8’ by 10’ foot wall or ceiling. Suggested retail price is $159.

    — Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, features its 24 piece AudioTile™ set at Winter NAMM, (Hall C, Booth# 4295). AudioTile absorbs echoes and other undesirable reflections though a wide range of frequencies. The new 24 piece set includes detailed step-by-step instructions on how to build seven striking designs that effectively treat one 8’ by 10’ foot wall or ceiling. Suggested retail price is $159.

     

    “Since its introduction, AudioTile has become one of our best sellers in large and high-end installations,” states Tracy Chandler, director of worldwide sales for Auralex. “Our goal with the 24 piece set is to make AudioTile more accessible to home studio owners. The availability of the AudioTile in a 24 piece set enables customers to purchase exactly the amount they need and offers the flexibility to mix and match to create unique designs to meet their room requirements.”

     

    Designed by Russ Berger for Auralex Acoustics, AudioTile’s eye-catching designs add that “wow” factor to any studio, home theater, or audio listening room. Varying thickness built into each AudioTile delivers excellent broadband absorption, while the resulting design patterns allow a unique means of blending absorption, diffusion and reflection for optimal acoustical performance. Auralex’s proprietary Studiofoam™ formula ensures superior durability and Class B flame retardancy.

     

    The patented AudioTile is one of the offerings in the new pArtScience product line, a family of acoustical treatments designed by Russ Berger for exceptional performance with a custom look, all at an affordable price.

     

     

     

     

    About Auralex Acoustics

    Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide the best acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, solid advice and exceptional customer service. Auralex products enjoy widespread use among many prominent artists, producers, engineers and corporations.

     

    Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex web page at www.auralexelite.com. Auralex can be reached via email at eliteinfo@auralex.com or by calling 1.800.95WEDGE.

     

     

    ROCK KILLS KID CUTS SINGLE FOR O.C. SOUNDTRACK AT ODDS ON RECORDING

    CUTS SINGLE FOR O.C. SOUNDTRACK AT ODDS ON RECORDING

    ANAHEIM, CA, January 18, 2007—The Las Vegas-based alternative band, Rock Kills Kid, is among several artists featured on Warner Bros. Records’ newest O.C. soundtrack release, Music From The O.C.: Mix 6 – Covering Our Tracks, after cutting a remake of the Spoon hit, Turn My Camera On at Odds On Recording (Hall E, Booth #1795), the world-class, state-of-the art recording and CD/DVD manufacturing facility

    The Las Vegas-based alternative band, , is among several artists featured on Warner Bros. Records’ newest O.C. soundtrack release, , after cutting a remake of the hit, at Odds On Recording (Hall E, Booth #1795), the world-class, state-of-the art recording and CD/DVD manufacturing facility

     

    Rock Kills Kid drummer Mike Balboa has worked with Odds On Recording President Tom Parham for many years and was excited to have an opportunity to record in Parham’s newest facility. “Odds On Recording’s facility is amazing,” says Balboa. “The room combines comfort with high-tech equipment – providing a relaxing atmosphere with the best gear in the business. Odds On’s new SSL XL 9000K console helped produce a top-notch recording that we are proud to have featured as the second track on the new O.C. album.”

    drummer Mike Balboa has worked with Odds On Recording President Tom Parham for many years and was excited to have an opportunity to record in Parham’s newest facility. “Odds On Recording’s facility is amazing,” says Balboa. “The room combines comfort with high-tech equipment – providing a relaxing atmosphere with the best gear in the business. Odds On’s new SSL XL 9000K console helped produce a top-notch recording that we are proud to have featured as the second track on the new O.C. album.”

     

    According to Shawn Dailey, Rock Kills Kid bassist, the recorded track has received tremendous positive response. “Our label loved it,” Dailey admits. “Everyone who has heard it is crazy about it.”

     

    Rock Kills Kid is comprised of vocalist/guitarist Jeff Tucker, guitarist Sean Stopnik, bassist Shawn Dailey, keyboardist/guitarist Reed Calhoun and drummer Mike Balboa. Rock Kills Kids recently performed songs from its full-length album, Are You Nervous?, while on the road with rock groups 30 Seconds To Mars and Head Automatica during the 30 city MTV2 $2Bill Tour

    is comprised of vocalist/guitarist Jeff Tucker, guitarist Sean Stopnik, bassist Shawn Dailey, keyboardist/guitarist Reed Calhoun and drummer Mike Balboa. Rock Kills Kids recently performed songs from its full-length album, , while on the road with rock groups and during the 30 city Tour

    About Odds On

    Odds On is a 100% full-service recording and CD/DVD replication company in Las Vegas. Guided by Tom Parham, who has over 20 years experience in the music business, Odds On offers its clients a state-of-the-art recording environment and a cutting-edge facility for audio recording, mastering, CD and DVD replication, video editing, MIDI production, as well as custom packaging, web design and graphics services. Parham has worked with a wide range of well-known artists and shows including Sublime, Ice-T, Chamillionaire, Mike Jones, Nick Carter, OPM, TQ, Le Reve, Avenue Q, The Platters and many more. In addition, Parham’s corporate clients have included Disney, Mattel, Microsoft, Intel, Philips, eBay and Tony Robbins.

     

     

     

     

    METAL BAND CAPITALIZES ON TURN-KEY SERVICE AT ODDS ON RECORDING

     

    ANAHEIM, CA, January 18, 2007—Members of the Las Vegas-based metal band Torture Unit recently took advantage of the comprehensive services offered at Odds On Recording, the world-class, state-of-the art recording and CD/DVD manufacturing facility. Seeking to boost its visibility in the music industry, the band used Odds On Recording’s (Hall E, Booth #1795) studio, outfitted with a top-of-the-line SSL XL 9000K Series SuperAnalogue™ console, to churn out a three-song demo.

    Members of the Las Vegas-based metal band recently took advantage of the comprehensive services offered at Odds On Recording, the world-class, state-of-the art recording and CD/DVD manufacturing facility. Seeking to boost its visibility in the music industry, the band used Odds On Recording’s (Hall E, Booth #1795) studio, outfitted with a top-of-the-line SSL XL 9000K Series SuperAnalogue™ console, to churn out a three-song demo.

     

    “There is absolutely nothing left to desire with our CD sound quality,” said Tim Dever, Torture Unit, guitarist and back-up vocalist. “When you hear our three songs, they sound like cuts off a high-production album. When targeting music executives and record labels, you have one shot to have your music heard and you don’t want your chance hindered by poor sound quality and presentation. Odds On Recording’s complete service offers up-and-coming bands like ours a greater opportunity to receive the recognition we are looking for.”

     

    As a local group looking to take the music circuit by storm, Torture Unit found a wealth of information in the complimentary counsel it received from Odds On Recording’s professional team. Dever says, “Odds On Recording has a highly skilled staff that has been around the block and is extremely knowledgeable in the music industry. It was a privilege to have an opportunity to work with such music veterans as Tom Parham and Bobby Ferrari, who both enthusiastically shared their expertise and guidance.”

     

    Another advantage of working with Odds On Recording is its comprehensive in-house, turn-key operation, adds Dever. “Upon first employing Odds On Recording’s services, we had not given much thought about manufacturing, keeping our initial focus on the task at hand — producing a polished, high-quality demo. After receiving a tour of the facility and learning about Odds On’s

     

     

    ability to fulfill all recording needs, we jumped at the chance to take advantage of this great convenience. Whether it was the early stages of recording, the conceptual CD inlay design and production, or the final stages in which the CDs were neatly inserted into jewel cases, the process proved seamless, with each phase effortlessly working in tandem with one another. Odds On’s unique one-stop-shop capability is a great stress reliever, sparing the headaches of having to research and hire multiple vendors, and subsequently preserving cohesiveness and creative control.”

    About Odds On

    Odds On is a 100% full-service recording and CD/DVD replication company in Las Vegas. Guided by Tom Parham, who has over 20 years experience in the music business, Odds On offers its clients a state-of-the-art recording environment and a cutting-edge facility for audio recording, mastering, CD and DVD replication, video editing, MIDI production, as well as custom packaging, web design and graphics services. Parham has worked with a wide range of well-known artists and shows including Sublime, Ice-T, Chamillionaire, Mike Jones, Nick Carter, OPM, TQ, Le Reve, Avenue Q, The Platters and many more. In addition, Parham’s corporate clients have included Disney, Mattel, Microsoft, Intel, Philips, eBay and Tony Robbins

     

     

     

     

    ODDS ON EXPANDS STATE-OF-THE-ART REPLICATION FACILITY

    First Major Music Recording and CD/DVD Replication Facility in Las Vegas History

     

    ANAHEIM, CA, January 18, 2007—Tom Parham, president of Odds On Recording Inc., has expanded the most advanced music recording and CD/DVD replication complex in Nevada’s history. The new buildings are located just off the Las Vegas Strip in Henderson, Nevada. This year marks Odds On Recording’s debut as a NAMM exhibitor (Hall E, Booth #1795).

    —Tom Parham, president of Odds On Recording Inc., has expanded the most advanced music recording and CD/DVD replication complex in Nevada’s history. The new buildings are located just off the Las Vegas Strip in Henderson, Nevada. This year marks Odds On Recording’s debut as a NAMM exhibitor (Hall E, Booth #1795).

     

    Guided by Parham, who has over 20 years experience in the music industry, Odds On’s state-of-the-art manufacturing complex is the first major facility in the Las Vegas area capable of providing a world-class recording studio outfitted with an SSL XL 9000K Series SuperAnalogue™ console, as well as mastering, CD/DVD replication, DVD authoring, graphic design, web design and video post/editing services.

     

    “By expanding the scope of our services, Odds On now provides the ideal turn-key operation to its clients,” Parham states. “Our new facility offers a one-stop solution; streamlining the process for our customers. Las Vegas is becoming the new Hollywood, and we’re ready to handle the region’s increasing demand for replication services.”

     

    The 35,000-square foot facility features the new Singulus Spaceline II HD DVD Lines, Singulus Skyline & Krauss Maffei CD Lines, Audio Dev Testing, Bronway DVD Packaging, spindle counting and sleeving with Gima jewel boxing. All-over-wrapping is done on Sollas and Scandia machinery, while shrink-wrapping is completed on Shanklin equipment. The replication facility is capable of generating over 5 million units each month.

     

    “Our business is growing, and it just makes sense at this time to evolve into a one-stop facility,” continues Parham. “Las Vegas has a thriving music scene and a very creative environment. The vibe of Vegas will greatly shape and influence the work that comes out of the new plant.”

     

     

    About Odds On

    Odds On is a 100% full-service recording and CD/DVD replication company in Las Vegas. Under the direction of 20-year-music industry veteran, Tom Parham, Odds On offers its clients a state-of-the-art recording environment and a cutting-edge facility for audio recording, mastering, CD and DVD replication, video editing, MIDI production, as well as custom packaging, web design and graphics services. Parham has worked with a wide range of well-known artists and shows including Sublime, Ice-T, Chamillionaire, Mike Jones, Nick Carter, OPM, TQ, Le Reve, Avenue Q, The Platters and many more. In addition, Parham’s corporate clients have included Disney, Mattel, Microsoft, Intel, Philips, eBay and Tony Robbins

     

     

    ROCK ARTIST ROLLS OUT HIT SINGLE AT ODDS ON RECORDING

     

    ANAHEIM, CA, January 18, 2007—New rock artist Jak Paris has been “rocking and rolling” the music charts after completing sessions at Odds On Recording’s (Hall E, Booth #1795) new high-tech studio. Impressed by the company’s efficiency, convenience and superior quality while working in its original studio for his March 2006 debut album, Electric Revolution, Paris returned to Odds On Recording to take advantage of its new state-of-the-art studio, which is equipped with an SSL XL 9000K Series SuperAnalogue™ console. While working at the new facility, Paris recorded a duet remake of Fleetwood Mac’s The Chain with Scarlett Pomers of the hit show, Reba.

    —New rock artist Jak Paris has been “rocking and rolling” the music charts after completing sessions at Odds On Recording’s (Hall E, Booth #1795) new high-tech studio. Impressed by the company’s efficiency, convenience and superior quality while working in its original studio for his March 2006 debut album, , Paris returned to Odds On Recording to take advantage of its new state-of-the-art studio, which is equipped with an SSL XL 9000K Series SuperAnalogue™ console. While working at the new facility, Paris recorded a duet remake of Fleetwood Mac’s with Scarlett Pomers of the hit show, .

     

    Paris, whose cover release of The Chain placed No. 34 on the FMQB’s Adult Contemporary Top 40 music chart, has become an avid Odds On Recording client after experiencing everything the premier full service multi-media replication company has to offer. “The priceless value of using Odds On Recording is that it can fulfill all of your needs under one roof – whether it be studio recording, mastering, CD replication and even the artwork for album and single covers,” stated Paris. “Instead of wasting time searching for specialized vendors, Odds On Recording saves me time by conveniently and efficiently servicing all of my needs from one location.”

     

    Growing up in Southern California, Paris discovered his passion for music while singing in elementary school. He taught himself how to play guitar at the age of 12 by studying such rock bands as Metallica and Jane’s Addiction. He continued his pursuit for rock stardom, forming his first band with life-long friend, Jeremy Popoff, at the age of 16. Mastering his own destiny, Paris established his own record label, NEV Records Inc., which launched the release of his first album Electric Revolution.

     

    About Odds On

    Odds On is a 100% full-service recording and CD/DVD replication company in Las Vegas. Guided by Tom Parham, who has over 20 years experience in the music business, Odds On offers its clients a state-of-the-art recording environment and a cutting-edge facility for audio recording, mastering, CD and DVD replication, video editing, MIDI production, as well as custom packaging, web design and graphics services. Parham has worked with a wide range of well-known artists and shows including Sublime, Ice-T, Chamillionaire, Mike Jones, Nick Carter, OPM, TQ, Le Reve, Avenue Q, The Platters and many more. In addition, Parham’s corporate clients have included Disney, Mattel, Microsoft, Intel, Philips, eBay and Tony Robbins.

     

     

    COUNTRY SINGER LAUNCHES MUSICAL CAREER AT

    ODDS ON RECORDING STUDIO

     

    ANAHEIM, CA, January 18, 2007—The newly established state-of-the-art recording studio at premier full service multi-media replication company, Odds On Recording (Hall E, Booth #1795), is serving as a launching pad for such musical artists as country singer Christy Clayton. Facilitated through Desert Funk, a start-up label out of Las Vegas, Clayton’s debut album, Devil’s Paradise, released in early January, features tracks that were recorded at Odds On Recording. In addition to utilizing Odds On Recording’s studio, which is furnished with a SSL XL 9000 K SuperAnalogueTM console, Clayton took advantage of the company’s CD replication services once recording was completed.

    —The newly established state-of-the-art recording studio at premier full service multi-media replication company, Odds On Recording (Hall E, Booth #1795), is serving as a launching pad for such musical artists as country singer Christy Clayton. Facilitated through , a start-up label out of Las Vegas, Clayton’s debut album, , released in early January, features tracks that were recorded at Odds On Recording. In addition to utilizing Odds On Recording’s studio, which is furnished with a SSL XL 9000 K SuperAnalogueconsole, Clayton took advantage of the company’s CD replication services once recording was completed.

     

    “Odds On Recording provides a world-class studio and high-tech quality that is also amicable with a medium-sized budget,” stated Susan Larson, a Clayton spokesperson. “It delivers one-stop shopping through its CD replication services – providing a seamless process from start to finish. Christy is thrilled to have been among the first artists to take advantage of Odds On Recording’s turnkey service.”

     

    Greg Stricklin, Devil’s Paradise producer and composer, and former owner of Unsigned Music Network, adds, “This top-of-the-line studio is the best and most advanced in the Las Vegas area. By expanding its services with the new console, which integrates analogue and digital technology, Odds On Recording offers artists the best of both worlds by providing recording and CD replication under one roof.”

     

    Discovering her passion for music in rural Michigan at age 5, Clayton studied vocals and several instruments while participating in local theater, as well as school and church choirs. She eventually formed her first band at age 16 and performed original music and cover songs alongside several different musical groups.

     

     

    About Odds On

    Odds On is a 100% full-service recording and CD/DVD replication company in Las Vegas. Guided by Tom Parham, who has over 20 years experience in the music business, Odds On offers its clients a state-of-the-art recording environment and a cutting-edge facility for audio recording, mastering, CD and DVD replication, video editing, MIDI production, as well as custom packaging, web design and graphics services. Parham has worked with a wide range of well-known artists and shows including Sublime, Ice-T, Chamillionaire, Mike Jones, Nick Carter, OPM, TQ, Le Reve, Avenue Q, The Platters and many more. In addition, Parham’s corporate clients have included Disney, Mattel, Microsoft, Intel, Philips, eBay and Tony Robbins.

     

     

    Jan 16

     

    Cerwin Vega! Announces New CV Series Power Amps at NAMM

    Three high performance amp models for a broad range of musical applications



    HOLLYWOOD, FL – January 16th, 2007
    – Cerwin Vega!, a leading manufacturer of loud speakers and audio products, proudly announces the introduction of the new CV Series power amplifiers at NAMM. Available in three models—the CV-900, CV-1800, and CV-2800—these rugged, 2U rackmountable, workhorses feature state-of-the-art designs that include a highly efficient tunnel cooling system to ensure reliable, cool running operation, 21-position detent level control knobs for easily repeatable settings, signal and clip indicators for convenient monitoring of the amplifier’s status, and the right connectors for integration into most any environment.

    Cerwin Vega’s new CV Series power amps have the muscle to accommodate the most demanding audio challenge. With power ratings up to 2800 watts, support for bridged mono operation in all three models, and exceptional THD (Total Harmonic Distortion) and Signal-to-Noise ratings, the CV Series power amps are the right choice for a myriad of musical tasks.

    Sporting a hi-tech appearance that will be right at home in any equipment rack, the new Cerwin Vega! power amplifiers present a clean, inviting presence. The amplifier’s front panel includes a Power On/Off switch, 21-position detent level control knobs for channels 1 and 2 that make repeatable settings a breeze, and 6-segment, multi-color LED ladders for visual monitoring of signal status per channel.

    At the heart of these new amplifiers resides an electronic design that delivers clean, reliable performance, protection circuitry guards against thermal overloads, short circuits, DC voltage, subsonic frequencies, and current overdriving. Additionally, these amps provide independent limiters for speaker protection, along with high-pass filters to eliminate extreme low end which can damage small speaker systems. Combined with a highly efficient, continuously variable tunnel cooling system designed to maintain low operating temperatures under extreme load conditions, the new CV Series power amps provide pristine audio quality and dependable performance.

    With the right combination of input and output connectors, the new CV Series power amps integrate easily into most any audio environment. Rear panel input provisions include the balanced Combo (combined XLR and 1/4" TRS) connectors, while outputs are handled by 5-way binding post and Speakon® connectors. Further, the rear panel is home to the High Pass Filter switch, Limiter switch, and a Mode select switch (for bridged/parallel/stereo operation).

    Rick Richardson, Cerwin Vega’s Marketing Manager, commented on the company’s new power amplifier offerings, “True to Cerwin Vega’s legacy, these amplifiers are designed to drive loudspeakers to their maximum capabilities. By offering Cerwin Vega! customers three options in the CV Series, we are meeting the needs of anyone in need of high quality power amplification.”

    The new CV Series of amplifiers have a suggested retail price of:

    CV-900$499
    CV-1800$679
    CV-2800$899


    Cerwin Vega! will be showcasing the new CV Series during NAMM at meeting room #C4869. To make an appointment at NAMM with Cerwin Vega’s Marketing Manager Rick Richardson, please contact PR Representative Brian Metcalf at (305) 576-1171 x11 or brianmetcalf@maxborgesagency.com. To request one of the new CV-900, CV-1800, or CV-2800 power amplifiers for review or for additional product images and information, please contact PR Representative Brian Metcalf.

    For more information on Cerwin Vega! and to view the company’s complete catalog, visit www.cerwin-vega.com.

    About Cerwin Vega!
    A member of the Stanton Group of companies, Cerwin-Vega!, Inc. is a leader in the design, manufacture, and distribution of loudspeakers for the home, mobile, and professional audio markets. Designed in the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For additional information on the Cerwin-Vega CVHD Series and all Cerwin-Vega products, please visit us online at www.cerwin-vega.com.

     

    MARTIN GUITAR INTRODUCES NEW GUITARS

    AT 2007 WINTER NAMM SHOW

    CONFIRMED LIST OF ARTIST APPEARANCES

    MARTIN GUITAR - BOOTH #2402

    C.F. Martin & Co. will unveil their new guitars at their new NAMM booth during the 2007 Anaheim Winter show. The new booth includes a whole new feel and comfortable setting around headstock and sound hole shaped tables. See the facade of the original North Street Factory with historic images paying tribute to the new Martin Museum and Visitor&#8217;s Center in Nazareth , PA. An exciting new acoustic demonstration area which will feature new model demos by artists such as Graham Nash, Laurence Juber, and many others daily. The new booth also displays a larger collection of Martins Guitars and Strings than ever before, including a designated area for the Custom Shop and new stock and artist models, as well as a headquarters for Martin Strings and Accessories.
    Information on the new guitars being introduced at the NAMM show is below, the full list of artist appearances at the booth is as follows:
    Thursday, January 18th
    1:00pm Priscilla Hartranft           
    2:00pm Laurence Juber                                     
    3:00pm Dix Bruce and Jim Nunally                      l   
    4:00pm Nancy and Ann Wilson                                     
      
    Friday, January 19th
    12:00pm Sally Jay
    1:00pm   Brett Dennen                                                  
    2:00pm   Graham Nash                                                 
    3:00pm   Dix Bruce and Jim Nunally                   
     
    Saturday, January 20th
    12:00pm Bobby Syvarth                                     
    1:00pm Kenny Sultan                                                                     
    2:00pm Diane Ponzio                                        
    4:00pm Dix Bruce and Jim Nunally                     
     
    Sunday, January 21st
    2:00pm Dick and Jimmy Dale
    3:00pm George Sabolick       
    SIGNATURE MODELS:
    CSN Gerry Tolman Tribute

    David Crosby, Stephen Stills, Graham Nash worked together with Martin Guitar to create this very special tribute guitar in honor of Gerry Tolman, CSN’s friend and manager, who died in an automobile accident on December 31, 2005.  A portion of the proceeds from the sale of this guitar will help to support Gerry’s family.
     
    The CSN Gerry Tolman Special Edition Tribute features the CSN logo, inlaid with pearl beneath the classic mother of pearl “C.F. Martin & Co.” logo on the polished African black ebony headplate.
     
    David Crosby, Stephen Stills, Graham Nash and Neil Young all contributed insignia designs for inlays on the ebony fingerboard including a Schooner at the 5th fret (Crosby), Southern Cross at the 7th, 8th and 9th frets (Stills), Heart with Wings at the 12th fret (Nash), Broken Arrow inlay at the 15th fret (Young) , and a small cats eye at the 17th fret.
     
    The CSN Gerry Tolman Tribute features a top of beautiful Engelmann spruce combined with forward-shifted scalloped braces for full, powerful tone. The sides and two-piece back are East Indian rosewood, a hard African tonewood that provides outstanding projection.
     
    Delivered in a Geib™ style hardshell case, each CSN Gerry Tolman Special Edition Tribute guitar bears an interior label signed by Martin Chairman C.F. Martin, IV and numbered in sequence. Electronics are optional and left-handed guitars are available at no additional charge.  www.martinguitar.com
    D-7 Roger McGuinn
    On the heels of the excitement and success of last year’s 7-string HD-7 Roger McGuinn guitar, one of the most unusual instruments in Martin’s Signature Series history, Martin proudly introduces a scaled down, more economical 7-string follow up, the D-7 Roger McGuinn. 
    This 14-fret dreadnought features a top of Sitka spruce with hybrid pattern and scalloped bracing. The sides and two-piece back are East Indian rosewood, a hard African tonewood. A black ebony headplate adorns the special headstock used to accommodate the unique 7-string arrangement
    with three tuners on the bass side and 4 tuners on the treble side. The black ebony fingerboard features the “Roger McGuinn” signature between the 19th and 20th frets in maple. The finish is polished gloss top with vintage toner with satin finish back and sides.
    Delivered in a hardshell case, each D-7 Roger McGuinn special edition guitar bears an interior label personally signed by Roger McGuinn and Martin Chairman C.F. Martin, IV, numbered in sequence. Electronics are optional and left-handed guitars are available at no additional charge.  www.martinguitar.com.
    OMC – Jacques Stotzem
    With the dynamic range, subtle timing and harmonic complexity that distinguish his playing, Belgium guitarist Jacques Stotzem creates a fingerstyle landscape both intriguingly familiar and absolutely unique. A stylistic chameleon whose original compositions delve into blues, jazz, folk and even rock & roll, Stotzem transcends easy classification, but his polished and emotionally powerful playing has garnered fans in Europe, the United States and beyond.
    The OMC Jacques Stotzem features Martin’s rounded cutaway for easy access to the upper frets. Instead of the standard OM neck, this Custom has a wide low profile neck, with a diamond volute at the base of the headstock. Special tall – but not jumbo - frets grace the plain black ebony fingerboard. Fishman Ellipse Blend™ electronics provide virtual “plug and play” amplification.
    Other appointments give the OMC Jacques Stotzem Custom Edition an understated beauty all its own. Richly colored solid East Indian rosewood is matched to a top of premium solid Sitka spruce with scalloped bracing. The top, back and sides feature tortoise-color binding. A white/black/white backstrip and tortoise-color end piece framed with black/white purfling complete the body appointments.
    Carved from genuine mahogany, the neck is topped by an East Indian rosewood headplate, a rich backdrop for the familiar gold “C.F. Martin & Co.” Old Style decal. Gotoh nickel open-geared tuners with butterbean knobs provide smooth tuning and a bit of vintage flair. Polished gloss finish on the body and neck allows the OMC Jacques Stotzem Custom Edition’s beauty to shine.
    Delivered in a molded hardshell case, each OMC Jacques Stotzem Custom Edition guitar bears an interior label personally signed by Jacques Stotzem and Martin Chairman C.F. Martin IV, and numbered in sequence. Authorized Martin dealers will begin accepting orders for this Custom Edition immediately and the names of participating dealers will be posted on the Martin website, www.martinguitar.com.
    Doobie-42 Tom Johnston
    One of the most popular rock bands of the 1970s, the Doobie Brothers are known for their string of gold and platinum albums—including Toulouse Street (1972), The Captain and Me (1973), and What Once Were Vices Are Now Habits (1974).  The Doobies gave us such hits as “Listen to the Music,” “Black Water,” and “China Grove,” all of which are now classic-rock staples.
    One of the band’s founding members, guitarist Tom Johnston is a master of rock, soul, and blues idioms. While primarily an electric guitarist, Johnston has long had an affinity for Martin guitars. In
    his personal collection are a 1962 00-18 and a 1975 D-42, and he has written various songs on the 00-18.  Given Johnston ’s prominence as a rock guitarist over the last several decades—both with the Doobie Brothers and on his own—it was time to honor him with a signature model.
    The Doobie-42 Tom Johnston Model is based on the D-42—Martin’s classic, deluxe Dreadnought. Like the standard D-42, the Doobie-42 has a solid Sitka spruce top, reinforced with scalloped braces, for tone and power, and matched to solid East Indian rosewood back and
    sides. The low-profile neck is carved from genuine mahogany and the polished headplate is made from East Indian rosewood. The bridge’s compensated bone saddle is perfect for both strumming and fingerpicking. 
    Johnston’s model is unique in that it combines traditional ornamentation with modern motifs, most of which were inspired by Doobie Brothers’ album art. The guitar is decorated with grained ivoroid binding, eye-catching bold herringbone purfling, and snowflake position markers, all of which have been used for many years on Martin guitars. But then there are the playful touches that Johnston created with Martin: in place of the pearl-block-letter Martin logo found on the headplate of the standard D-42 is the familiar Old Style Decal logo; this allows room below for a Doobie
    Brothers emblem (from the cover of 1989’s Cycle), the wings of which are inlaid with mother of pearl, surrounded by a circle of select abalone.
    Amidst the snowflakes, at the 12th fret of the fingerboard is an eighth note, made of select abalone. Johnston requested that this nonstandard inlay be placed sideways, so that when the guitar is in playing position the note appears upright, as it would on a musical staff. Inlaid in mother of pearl on the treble side of the bridge is the “OK” hand symbol, seen on Doobies’ Choice; a mirror image of the symbol appears on the treble side. While these elements might sound a bit incongruous on paper, they actually work quite well with the standard D-42 design—the new and old ornaments complement each other perfectly.
    The Doobie-42 is finished in top-quality full gloss; vintage toner on the top lends a vintage patina. Factory-installed electronics are available as an extra-cost option; left-hand instruments can be ordered at no additional cost. True to the Doobie Brothers name, the guitar will be shipped in a 545 hemp case with tobacco lining, and each Doobie-42 Tom Johnston Model Signature Edition guitar bears an interior label personally signed by Tom Johnston and Martin Chairman C. F. Martin IV, numbered in sequence with the edition total, which will not exceed XXX guitars.
    X SERIES:
    Felix The Cat and Martin Introduce A Very Cool Guitar From A Very Cool Cat:
    The FeLiX III Tie Dye Special Edition
    One look at this colorful new Felix guitar and you’ll swear you’re back in the “far out” sixties.  The approach to this spectacular little guitar, the third and newest in Martin’s series of FeLiX Special Edition LXM guitars, is the creation of artist Don Oriolo, the son of Felix The Cat originator, Joe Oriolo. 
    Don went to school in the Bay Area in the ‘60s.  “We were all ‘Dead Heads’ (fans of the Grateful Dead, the legendary SF band) and regulars at the Fillmore,” says Don.  “A lot of Dead Heads loved Felix; he’s really a rock n’ roll character with his cheeky personality. We thought a tie-die approach to the guitar graphics was a natural.  It’s like he’s dancing at a Fillmore light show.”
    Since Martin’s issue of the Felix I in 2004, demand for these impish little cat guitars has grown to gigantic proportions. Collectibility is synonymous with both Martin guitars and Felix memorabilia, so the Felix the Cat series has become especially coveted by both players and Felix fans alike.
    While the Felix “tie-die” guitar is a fun and wonderful novelty, it is first and foremost a real Martin guitar. And as with all Martins, tone, playability and quality are integral to its design.
    The body is a compact O size, the same as the standard Little Martin guitar. An adjustable, modified low profile 14-fret neck (23” scale) was selected for easy playability.   The Felix III makes use of Martin’s highly advanced “X” technology, with textured HPL (high pressure laminate) one-panel back and sides. The top, also of durable HPL material, is reinforced with
    Sitka spruce cross braces. Fingerboard and bridge are black Micarta, an excellent and environmentally friendly alternative to ebony.
    The colorful Felix graphics, custom designed for this special edition, are carefully applied to the top and the headplate and then coated for protection and durability.   Each guitar label will be signed by Don Oriolo with the Felix graphic, serial number and patent number.  
    The Felix III comes with a premium black travel gig bag, embroidered with a gold C.F. Martin logo (talk about letting the cat out of the bag!)

     

    Jan 15

    Cakewalk and Roland Systems Group Announce REAC Recording Technology for Cakewalk SONAR and Roland’s RSS Digital Snake System

    – January 15, 2007 - Cakewalk, in partnership with Roland Systems Group, is announcing REAC (Roland Ethernet Audio Communication) Recording Technology for SONAR. This new technology enables the recording of 40 channels of 24bit/96kHz audio from a split of the RSS S-4000 Digital Snake system by a direct connection to a PC’s Gigabit Ethernet port.  A beta program is also being introduced that will allow registered program participants to work with the RSS Digital Snake and SONAR to provide feedback for the final product release.

    “Many applications call for cost effective, but professional, quality recordings of live performances with a high channel count.” states Mr. Kim Nunney, president of Roland Systems Group U.S. “This exciting new REAC Recording Technology, introduced by Cakewalk, enables high channel count recording without additional audio input interfaces and provides an all-digital recording path directly from the S-4000S’ high quality XR-1 microphone preamps to Cakewalk SONAR.”

    “We are very excited to be partnering with Roland by developing the SONAR REAC Recording Technology.” says Mr. Greg Hendershott, president of Cakewalk.  “SONAR has been enabling composers and engineers to produce professional quality recordings in studios for years.  With this new technology, Cakewalk is extending the same capabilities to engineers using the Digital Snake System.”

    REAC is the audio transport protocol developed by Roland to meet the Pro-Audio market’s need for a point-to-point 24 bit/ 96kHz, low latency digital audio transport for live sound use and commercial applications.  The REAC protocol is capable of transmitting 40 channels of 24bit / 96kHz audio over inexpensive Cat5e cable and can be easily split using standard gigabit switches or the RSS S-4000-SP making it easy and very cost effective to have lossless all-digital splits of the stage audio for FOH, monitor, broadcast and recording locations.

    The beta version of REAC Recording Technology for SONAR being made available to program participants is part of a complete REAC recording solution from Cakewalk to be introduced in the second quarter of 2007.  Those interested in participating in the beta program should visit the following URL on the Roland Systems Group U.S. web site to apply: http://www.rolandsystemsgroup.com/REACbeta.

    About Roland Systems Group U.S.

    Roland Systems Group U.S. (RSG) supplies the commercial and performance audio/video industries with application specific equipment from the RSS by Roland and EDIROL by Roland product lines. These product lines address applications for houses of worship, clubs/casinos, theaters/performing arts centers and rental and staging companies. Roland Systems Group U.S is headquartered in Bellingham, Washington. RSG is a member of the worldwide group of Roland companies. For more information, visit www.rolandsystemsgroup.com or call 800.380.2580.

    About Cakewalk

    Cakewalk is the world’s leading developer of powerful, yet easy to use products for music creation and recording:

        * Award-winning Digital Audio Workstations and Sequencers 

        * Integrated Music Hardware and Software Solutions

        * Innovative Virtual Instruments and Effects

        * Entry-level Consumer Products

    Millions of musicians around the world choose Cakewalk products to produce audio for the professional music, film, broadcast, and video game industries. These customers include Grammy® and Emmy®-winning producers, composers, sound designers, and engineers.

    We invite you to learn more about our company and products by visiting www.cakewalk.com.

     

    NAMM Float Wins Craftsman Trophy in the 118th Tournament of Roses Parade

    NAMM's musical float featured the Oak Ridge Boys, a 100-person choir and a live NAMM drum circle, all in an effort to bring the joys of making music to viewers around the world.

    The joys of making music came to life as the NAMM float cruised down Colorado Boulevard in Pasadena, Calif. at the 118th Tournament of Roses Parade New Year’s day. The float featured live musical performances to motivate millions of parade watchers around the world to get involved in playing music and supporting music education.

    The float, themed “Natural Harmonies: Oh Say Can You Sing,” commemorated MENC: The National Association for Music Education’s National Anthem Project, and won the Craftsman trophy for Exceptional Showmanship and Dramatic Impact for a float more than 55 feet long.

    The musical float was viewed by millions in the United States who watched live media coverage of the Tournament of Roses on ABC, NBC, Univision, Tribune (KLA), KWHY-22, HGTV (Home & Garden Television), Sky Link TV, the Discovery HD Theater Channel and the Travel Channel.

    Performing live on the float were the world renowned Oak Ridge Boys, a 100-person choir made up of outstanding vocal students representing all 50 U.S. states, and a live NAMM drum circle playing drums provided by REMO.

    The float, designed by Studio Concepts of Portland, Ore., was 24 feet high, 18 feet wide and 75 feet long. In honor of the National Anthem Project, the design of the float reflected American patriotism with a majestic 24-foot animated eagle decorated with amaranthus seed, flax seed and pampas grass at the front carrying two American flags in its talons.

    In the back, a shield made of yellow mums and yellow straw confetti, housed a choir representing outstanding vocal students from all 50 U.S. states called “America’s National Anthem Honor Choir.” The world-renowned Oak Ridge Boys, spokespersons for the National Anthem Project for the past year, were located at the front of the float and entertained the 8,000-person strong Rose Parade crowd with live performances of the band’s new song “It’s Hard to Be Cool in a Minivan.”

    The National Anthem Project reteaches Americans the words and significance of the “Star Spangled Banner,” and champions school music education programs.

    The float also featured strobe lights and fireworks for effect, an image of Francis Scott Key, the author of the “Star Spangled Banner,” and three smaller floats in front featuring choreography performed with large silk flags.

    The parade featured 45 floats, 22 marching bands, and 23 equestrian units. George Lucas served as the grand marshal of the event.

    2007 was NAMM’s fourth year as a float sponsor in the Tournament of Roses Parade. In 2006, 2005 and 2004, NAMM’s float took home the Grand Marshal’s, Bob Hope Humor and Isabella Coleman Trophies respectively. 

     

     

    Jan 2

     

    MAJOR RETAILERS & PRODUCTION COMPANIES ON BOARD WITH GEARBYOWNER.COM

    While still in the infancy stage of its existence, gearbyowner.com is seeing exponential growth that is well exceeding their initial projections and is attracting major retailers and production companies to post new and used products on the website.

    Gearbyowner.com is the brainchild of industry veteran, Phillip Lentini, who saw the needs of musical instrument retailers to move dead inventory off the shelves and into the hands of people who need it. “By broadening the scope of its customer base through a highly trafficked advertising website, an independent retailer can now reach thousands of qualified customers without the expense of building an e-commerce site from the ground up”. A customer can buy, sell or trade gear, post job listings and advertise their company all in one centrally located site that costs a fraction of what it would cost to do it yourself or on E-bay. Lentini also went on to say that “our site is also attractive to web based retailers looking to grab on to our excellent search engine placement without having to constantly monitor, update and pay for those top rankings”.

    The site provides direct contact between buyers and sellers without the hassle of auctions and is specifically focused on the MI and Production industries. Major retailers such as Pro Sound &Stage lighting, and Ed Roman Guitars have already placed ads and hundreds of product listings on the site but what surprised Lentini was the number of production houses that have sought out their services. Washington Arias, President of Everlast Productions in Miami pointed out that “very often, we will purchase a specific lighting fixture or effect that a show will require, only to never have to use it again-we posted several of these items on gearbyowner.com and we sold them in a matter of days, this is a brilliant service that they provide”. 

    Now that the site has caught on, dealers from around the country are posting new, used and refurbished products on gearbyowner.com and the site is regularly listed in the top 10 queries when searching instruments or production gear. The company has recently added more personnel to assist customers in posting their listings and creating banner ads. Lentini who handles marketing for the company, credits creative web and print ad placement and focused direct bulk mailing for the recent surge in business and has plans to begin mainstream advertising on MTV, VH-1 and Comedy Central in 2007.

    Gearbyowner.com is populated with new, used and vintage gear with hundreds of categories spanning musical instruments, DJ gear, pro audio, recording, lighting and effects, accessories and even employment opportunities.  Site membership is free of charge and product ads begin at less than five dollars each.

    For more information  log onto www.GearByOwner.com,

     

    DEC 28

     

    NAMM TEAMS WITH MUSIC EDUCATORS ASSOCIATION ON NATIONAL ANTHEM-THEMED 2007 ROSE PARADE FLOAT

    NAMM Float to feature country music legends The Oak Ridge Boys, along with a 100-member children's choir and drum circle to demonstrate the proven benefits of music education to millions of viewers

    NAMM, the trade association of the international music products industry, today announced it will work with MENC: The National Association for Music Education to produce its entry in the 118th Tournament of Roses Parade. This year's float will celebrate the music products industry's commitment to music education and will feature live performances by the Oak Ridge Boys, a 100-member honors chorus singing "The Star-Spangled Banner," as well as a live drum circle.

    .

    The 2007 Rose Parade, featuring the theme "Our Good Nature," will take place Monday, Jan. 1, 2007, with millions of people around the world expected to watch.

    The NAMM float, themed "Natural Harmonies, Oh Say Can You Sing," commemorates the National Anthem Project, an MENC initiative that reteaches Americans the words and significance of the National Anthem, and champions the importance of school music education programs.

    To commemorate the music education efforts of the project, a choir of 100 students from all 50 U.S. states, called "America's National Anthem Honor Choir," will be established to perform on the float. The choir will sing live to prerecorded music tracks. To find out more information about joining "America's National Anthem Honor Choir," visit www.americanmusicalsalute.com/rosebowl.

    In addition, the legendary Oak Ridge Boys will ride on the float singing live. The Oak Ridge Boys have served as the national spokespersons for the National Anthem Project for the past two years.

    "Learning to play music is fundamental to a well-rounded education and a child's education is not complete without music education," said Joe Lamond, president and CEO, NAMM. "Our 2007 Rose Parade float gives the music products industry a grand stage to present our message about the proven benefits of making music to people of all ages."

    At 24 feet high, 18 feet wide and 75 feet long, the NAMM float, which will again be designed and built by Studio Concepts, Inc., will feature a majestic American bald eagle on the front of the float, carrying two American flags in its talons. Strobe lights and fireworks will add a spectacular element to the float that will be decorated with thousands of flowers and natural elements such as seeds and bark.

    2007 will be NAMM's fourth year as a float sponsor in the Tournament of Roses parade. In 2006, NAMM's "Making Music is Magical" float, designed with Disney Little Einstein characters, won the prestigious Grand Marshal's trophy for excellence in creative concept and design. In 2005, NAMM's float with Sesame Workshop, "Music Makes Us a Family," won the Bob Hope Humor trophy as the most comical and amusing float in the parade. NAMM's first-time entry in 2004 was in partnership with Sesame Workshop, and won the Isabella Coleman Award for Color and Color Harmony through Floral Use.

    About MENC
    MENC: The National Association for Music Education, the world's largest arts education organization, is the only association that addresses all aspects of music education. More than 130,000 members represent all levels of teaching from preschool to graduate school. Since 1907, MENC has worked to ensure that every student has access to a well-balanced, comprehensive, and high-quality program of music instruction taught by qualified teachers. MENC's activities and resources have been largely responsible for the establishment of music education as a profession, for the promotion and guidance of music study as an integral part of the school curriculum, and for the development of the National Standards for Arts Education. For more information, visit www.menc.org/miosm.

    About MENC's National Anthem Project
    The National Anthem Project is MENC's campaign to restore America's voice through music education. A recent Harris poll found that two out of three American adults do not know all of the words to "The Star-Spangled Banner"—and many do not know which song the National Anthem is or why it was written. The project was formed on the principle that budget cuts to school music programs in recent years have led to dwindling opportunities for students to learn an important part of their cultural heritage. The National Anthem Project was launched to raise awareness about the importance of supporting and funding school music programs. For more information, visit www.thenationalanthemproject.org.

    About Studio Concepts Inc.
    Studio Concepts Inc. was founded in Portland, Ore., in 1977. It designs, manufactures and manages parade floats, stage productions, and related festival and event services. Studio Concepts Inc. operates year-round out of a 70,000 square-foot facility in Portland, Oregon. The company employs a full-time staff of 26 experienced professionals including designers, sculptors, animators and engineers. The staff of designers works closely with each client in the development of a project's concept, style and presentation. For more information, visit www.studioconcepts.com.

     

    About NAMM
    NAMM is the not-for-profit association that unifies, leads and strengthens the $16 billion international musical instruments and products industry. NAMM’s activities and programs are designed to promote music making to people of all ages. NAMM is comprised of more than 9,000 Member companies. For more information about NAMM, interested parties can visit www.namm.org

     

     

    Dec 21

     The Future of DJ-ing Is NOW With Denon DJ's New DN-HD2500





    WHAT : Denon DJ, a leading manufacturer of reliable, premium-grade DJ
    equipment will debut  and demonstrate its new  DN-HD2500 professional
    DJ multimedia player and controller at NAMM 2007. The breakthrough device
    provides working DJs with a complete system solution that addresses
    virtually all their needs. Rugged and portable, the DN-HD2500 is
    designed for everything from small parties to weddings, club installations,
    outdoor events or anywhere that professional-quality, reliable operation is
    required. It joins Denon DJ's full line of high-performance products
    that will also be on display which include:



    ·        DN-S3500 - Direct Drive CD/MP3 Player

    ·        DN-X1500S - Transcending 12" Matrix Mixer

    ·        DN-S1000 - Compact CD/MP3 Player

    ·        DN-X100 - Compact Mixer

    ·        DN-D4500 - Dual Deck CD/MP3 Player



    WHERE:  Anaheim Convention Center

                      Booth 7105


    Dec 15 2006

     Coffin Case

    (December 15, 2006) – Booth #4699 will take the attention at Winter NAMM as Coffin Case presents their new products for 2007. Besides their booth they will have their annual fashion show at the biggest party for the weekend held at the Hilton Hotel.
    Coffin will be showing their new line of cases, pedals and clothing at booth # 4699 on the main floor of the Anaheim Convention Center. Their new pedal, The Blood Drive Pedal will be demo’d by guitar shredder Marc Rizzo of Soulfly on Saturday, 01/20 from 3:00-4:00 PM. This pedal won the Guitar One Magazines ONE Award –
    Other artist scheduled to sign at the Coffin Case booth are:
    FRIDAY 1/19/07
    1:00 – 2:00 PMJohn ‘JD’ Deservio – Bassist/ Black Label Society
    2:00 – 3:00 PMRichie Kotzen – Guitar / Mr. Big & Stanley Clark
    3:00 – 4:00 PMBlasko – Bassist / OZZY
    4:00 – 5:00 PMSteve Stevens – Guitar / Billy Idol
    SATURDAY 1/20/07
    1:00 – 2:00 PMMax Cavalera – Vocals/Guitar – Soulfly/Sepultura
    2:00 – 3:00 PMJohn 5 – Guitar / Rob Zombie
    3:00 – 4:00 PMMarc Rizzo – Guitar / Soulfly
    [ Yahoo! ] options

    December 14, 2006

    Entertainment,Arts,Fashion & Technology

     Dec 20

     

    ©2006 Film & Entertainment VIP Medienfonds 3A GmbH & Co. KG, Film and Entertainment VIP Medienfonds 4A GmbH & Co. KG and Columbia Pictures Industries, Inc. All Rights Reserved.

    © 2006 Layout and Design Sony Pictures Home Entertainment Inc. All Rights Reserved.
    Blu-ray Disc is a trademark of the Blu-ray Disc Association

     

    Season 5 of Spike TV's 'The Ultimate Fighter' Goes Into Production in January in Las Vegas

    Top UFC Lightweight Contenders B.J. Penn and Jens Pulver to Serve As Coaches

    Sixteen of the best up-and-coming mixed martial artists from around the world will convene in Las Vegas in mid-January in pursuit of one goal -- to be named the "ULTIMATE FIGHTER" and to be given a contract in the Ultimate Fighting Championship(R) organization.

    The fifth season of Spike TV's highly successful reality series, The Ultimate Fighter(R), features lightweights (155lbs) for the first time ever. Former UFC Lightweight Champion Jens Pulver and former UFC Welterweight Champion B.J. Penn will serve as coaches. A new twist this season is Penn and Pulver will actually fight each other in the show's live finale. The two fought previously in January, 2002 at UFC 35 where Pulver won by a majority decision in a hard-fought 5-round fight. The new season premieres Thursday, April 5 at 10:00pm ET/PT.

    Spike TV will telecast exclusive interviews with Penn and Pulver on Inside The UFC Thursday, December 21 at 12:00 midnight where they will discuss for the first time their thoughts and coaching philosophies for Season 5 and their eventual dual in the Octagon.

    During the 6-week Ultimate Fighter competition, the 16 men will endure a grueling regimen of jiu-jitsu, judo, muay thai, karate, boxing and wrestling. The intense competition between the fighters continues after they left the gym -- at The Ultimate Fighter House. These warriors are forced to live with each other, knowing that any day they could be forced to fight each other in the famed UFC Octagon(TM).

    In each episode, opponents from each team will be selected to square off in battle, officially weighed in and then, in front of their teammates, coaches, and the Nevada State Athletic Commission, the two combatants face off in two five-minute rounds.

    Over the first 4 seasons, the show has delivered about 2 million viewers each week, often beating the NBA, NHL, MLB, and NCAA football and basketball head-to-head on Thursday nights with Men 18-34.

    Craig Piligian of Pilgrim Films and Television, Frank Fertitta III, Lorenzo Fertitta, Dana White of Zuffa, LLC, and Kevin Kay of Spike TV are the show's executive producers. Brian J. Diamond is Senior Vice President, Sports & Specials, Spike TV and Co-Executive Producer. Peter V. Symuleski serves as Executive in Charge of Production for Spike TV.

    Spike TV is available in 90 million homes and is a division of MTV Networks. MTV Networks, a division of Viacom International Inc.

    Source: Spike TV

    Spike TV Highlights - February 2007

      SPECIAL EVENTS / MARATHONS    --  SPIKE THE BALL WEEKEND   Telecasts Saturday, February 3 and Sunday, February 4   (2:00 - 11:00 PM, ET/PT). 

    Celebrate Superbowl XLI with a weekend full of programming packed with action and movies. The complete schedule is as follows:

      Saturday, February 3    2:00 - 4:00 PM, ET/PT   RED DAWN (1984, Action/Drama) 

    It is the dawn of World War III. In mid-western America, a group of teenagers bands together to defend their town, and their country, from invading Soviet forces. Starring Patrick Swayze and Charlie Sheen

      4:00 - 6:00 PM, ET/PT   ROAD HOUSE 2 (2006, Action) 

    Shane Tanner, an undercover agent for the DEA, arrives at the Black Pelican Road House to help his uncle, Nate Tanner. Shane takes it upon himself to purge the criminal element from the Black Pelican once and for all. Starring Johnathon Schaech, Jake Busey, Will Patton.

      6:00 - 7:00 PM, ET/PT   UFC 67: COUNTDOWN   The special will highlight the February 3rd UFC PPV.    7:00 - 8:00 PM, ET/PT   SPIKE'S MOST AMAZING VIDEOS 

    Featuring rescues, shootouts, and explosions, Spike's Most Amazing Videos delivers a combination of real and rare footage for some of the most heart- pounding and unbelievable moments ever captured on film. Hosted by Stacey Keach.

      8:00 - 9:00 PM, ET/PT   VIDEO JUSTICE: CRIME CAUGHT ON TAPE I 

    Video Justice: Crime Caught On Tape features footage of criminals caught in the act. Viewers will see criminals committing crimes ranging from vandalism to drive-by shootings.

      9:00 - 10:00 PM, ET/PT   VIDEO JUSTICE: CRIME CAUGHT ON TAPE II    10:00 - 11:00 PM, ET/PT   PRISONERS:  OUT OF CONTROL 

    This special features prison security camera footage showing prisoners resisting guards, fighting each other, and going on full-scale riots. From the brutal results of these incidents, viewers see that the slammer can be a dangerous place for everyone inside.

      Sunday, February 4    2:00 - 3:00 PM, ET/PT   WORLD'S SCARIEST EXPLOSIONS CAUGHT ON TAPE   Some of the world's worst explosions caught on tape.    3:00 - 4:00 PM, ET/PT   TRAIN WRECKS 

    Train Wrecks are every commuter's worst nightmare. This special features real footage of spectacularly horrifying train crashes and lucky near misses.

      4:00 - 5:00 PM, ET/PT   WHEN ANIMALS ATTACK III 

    When Animals Attack presents unbelievable footage of people caught in dangerous situations with animals.

      5:00 - 6:00 PM, ET/PT   WHEN ANIMALS ATTACK IV    6:00 - 7:00 PM, ET/PT   WHEN GOOD PETS GO BAD I 

    When Good Pets Go Bad uses amazing, never-before-seen video clips of shocking real-life incidents to show viewers what can happen when pets or performing animals let their instincts take over.

      7:00 - 8:00 PM, ET/PT   WHEN GOOD PETS GO BAD II    8:00 - 9:00 PM, ET/PT   WORLD'S MOST SHOCKING MOMENTS CAUGHT ON TAPE I 

    World's Most Shocking Moments features the most unexpected accidents brought to fruition in horrifying ways. Some of the events featured are the result of mechanical error, some prove the awesome power of nature and some highlight the volatile nature of our fellow man.

      9:00 - 10:00 PM, ET/PT   WORLD'S MOST SHOCKING MOMENTS CAUGHT ON TAPE II    10:00 - 11:00 PM, ET/PT   WORLD'S MOST SHOCKING MOMENTS CAUGHT ON TAPE III    Premiere!   --  EDDIE MURPHY RAW - UNCENSORED   Premieres Thursday, February 8 (2:00 - 4:00 AM, ET/PT) 

    Spike presents Eddie Murphy's classic stand up live performance UNCENSORED. Eddie Murphy talks about his favorite subjects: sex and women.

      --  SNIPER COUNTDOWN   Telecasts Sunday, February 11 (5:00 - 11:00 PM, ET/PT).   Spike presents a marathon of Sniper movies.  The lineup is as follows:    5:00 - 7:00 PM, ET/PT   SNIPER (2004, Action) 

    Hired by NSA officials, the sniper is out to find terrorists. Starring Tom Berenger.

      7:00 - 9:00 PM, ET/PT   SNIPER 2 (2002, Action) 

    A former Marine sniper is lured back in on a top-secret mission to take out a Serbian general who is committing atrocities on the Muslim population. Starring Tom Berenger and Bokeem Woodbine.

      Premiere!   9:00 - 11:00 PM, ET/PT   SNIPER (1993, Action / Drama) 

    A sniper must track down and eliminate a powerful rebel leader and his Colombian drug-lord financier. It's a suicide mission into the jungles of Central America. Starring Tom Berenger and Billy Zane.

      --  PRESIDENT'S DAY THREE STOOGES MARATHON   Telecasts Monday, February 19 (9:00 AM - 7:00 PM, ET/PT) 

    Spike TV celebrates President's Day with a marathon of Larry, Moe and Curly showcasing their extremely physical and sometimes controversial brand of slapstick humor that made them one of the most famous comedy troupes in history.

      --  PROS VS JOES - SEASON 2 MARATHON   Mid-season marathon telecasts Sunday, February 25 (2:30 - 7:30 PM, ET/PT). 

    Catch up on all the action from the new season of Pros vs Joes as Spike TV presents a midseason marathon. Pros vs. Joes features regular guys competing in a variety of sports against an incredible array of sports legends. America's bold and outspoken armchair quarterbacks get a shot at some of sports' biggest names, including Michael Irvin, Eric Dickerson, Wade Boggs, Jose Canseco, Darryl Strawberry, Bruce Smith, Roy Jones Jr., Andre Reed, John Starks, Vince Coleman, Kordell Stewart, Andre Rison, Tim Hardaway, Grant Fuhr, Rob Dibble, Rik Smits, Will Clark, Spud Webb, Kevin Willis, Randy Couture, Mark Jackson, Robby Ginepri, and Cobi Jones.

      --  DIE ANOTHER DAY - LIMITED COMMERCIAL INTERRUPTION   Telecasts Sunday, February 25 (8:30 - 11:00 PM, ET/PT) 

    Agent 007 attempts to avert a war of catastrophic proportions by pursuing a traitor of Her Majesty's Secret Service from Korea to Hong Kong to Cuba to London--and back to Korea again. Starring Pierce Brosnan and Halle Berry.

      ORIGINALS   --  TNA WRESTLING: iMPACT! (TV-14)   Telecasts Thursdays (9:00 - 10:00 PM, ET/PT); encores   Saturdays (11:00 PM - Midnight, ET/PT). 

    The new wrestling alternative, TNA: iMPACT!, delivers a distinct brand of high-risk, live-action athletic entertainment. TNA's roster features wrestling superstars Kurt Angle, Sting, Abyss, and Samoa Joe along with the most athletic roster in professional wrestling, including Christian Cage, AJ Styles, and Christopher Daniels. TNA features the high-flying "X Division," the "Six-Sided Ring," and concept matches such as "Ultimate X," "King of the Mountain," and "Six Sides of Steel."

      --  PROS VS JOES - SEASON 2   New episodes premiere Thursdays (10:00 - 11:00 PM, ET/PT); encores Sundays   (1:00 - 2:00 PM, ET/PT) and Wednesdays (11:00 PM - Midnight, ET/PT).   Mid-season marathon telecasts Sunday, February 25 (2:30 - 7:30 PM, ET/PT). 

    Spike TV presents a new season of the popular sports-themed reality series, Pros vs. Joes, featuring regular guys competing in a variety of sports against an incredible array of sports legends. America's bold and outspoken armchair quarterbacks get a shot at some of sports' biggest names, including Michael Irvin, Eric Dickerson, Wade Boggs, Jose Canseco, Darryl Strawberry, Bruce Smith, Roy Jones Jr., Andre Reed, John Starks, Vince Coleman, Kordell Stewart, Andre Rison, Tim Hardaway, Grant Fuhr, Rob Dibble, Rik Smits, Will Clark, Spud Webb, Kevin Willis, Randy Couture, Mark Jackson, Robby Ginepri, and Cobi Jones.

      --  AFRO SAMURAI   Series finale premieres Thursday, February 1 (11:00 - 11:30 PM, ET/PT);   encores Thursday, February 1 (12:30 - 1:00 AM, ET/PT) and Friday,   February 2 (1:30 - 2:00 AM, ET/PT). 

    Spike TV presents the animated epic of a black samurai's hunt for the gunman who murdered his father. Samuel L. Jackson stars as the uncompromising hero, Afro, with Ron Perlman and Kelly Hu providing voices in this stylish series that crosses cultural boundaries as a fusion of animated samurai action and hip-hop culture. Revolutionary rap artist and producer The RZA crafts original music for the series.

      --  INSIDE THE UFC   New episodes premiere Thursdays (Midnight - 12:30 AM, ET/PT); encores   Fridays (1:30 - 2:00 AM, ET/PT).       Hosted by Joe Rogan, Spike TV presents a weekly magazine show that       takes a look into the world of the Ultimate Fighting Championship.    --  WILD WORLD OF SPIKE   New episodes premiere Fridays (Midnight - 12:30 AM, ET/PT) as part of the   Late Night Strip. 

    Spike TV brings unheralded sports such as mop-jousting and blind-folded kickboxing into America's living rooms with the new comedic action series, Wild World of Spike. Focusing more on the agony of defeat than the thrill of victory, Wild World of Spike is hosted by mixed martial arts fighter Kit Cope, skateboarding legend Jason Ellis and comedian Sam Tripoli. In each episode, the hosts screen bizarre sporting events from around the world then try to recreate them.

      --  MXC - SEASON 5   New episodes premiere Fridays (12:30 - 1:00 AM, ET/PT); encores Thursdays   (1:00 - 1:30 AM, ET/PT). 

    Spike TV's acclaimed original comedic series, is described as a wacky combination of "Fear Factor," "Jackass," "Iron Chef," with a touch of "Mystery Science Theater 3000." Using the actual footage from one of the most popular primetime Japanese reality game shows, Takeshi's Castle, MXC is re-written to create an entirely new comedic storyline. The series is not dubbed and there is not a single trace of literal translation from the original show.

      --  GAME HEAD   Telecasts Fridays (1:00 - 1:30 AM, ET/PT). 

    Spike TV presents a weekly showcase on the world of video games. From the latest reviews, cheat codes, the hottest game of week and more, GAME HEAD offers viewers an uncompromised look at the hardcore culture of videogames.

      MOVIES PREMIERES    --  BAD BOYS (1983, Drama / Crime)   Premieres Monday, February 5 (9:00 - 11:30 PM, ET/PT). 

    Chicago crime kid Mick O'Brien is sent to reform school after accidentally killing Paco Moreno's kid brother. Starring Sean Penn.

      --  PREDATOR 2 (1990, Action / Science Fiction)   Premieres Monday, February 19 (9:00 - 11:00 PM, ET/PT) 

    The invisible creature from another world is back - but this time seeking out heat and conflict - is drawn to the gang-ruled and ravaged city of Los Angeles, 1997. The detective-lieutenant and his police force set out to capture this brutal murderer, ignoring the warnings from a mysterious government agent to stay away. Starring Danny Glover and Gary Busey.

      ACQUIRED SERIES    --  STAR TREK: VOYAGER      Telecasts Monday - Friday, (5:00 - 7:00 PM, ET/PT)      The 3rd installment of the Star Trek television franchise examines the      USS Voyager and her crew, who have become stranded in the Delta      Quadrant, seventy thousand light-years from Earth. Unless they can find      some kind of shortcut, it will take them seventy-five years to return      to the space of the United Federation of Planets.  Starring Kate      Mulgrew and Jeri Ryan.    --  CSI: NY      Telecasts Tuesdays (11:00 PM - Midnight, ET/PT).      The third edition of the "CSI" franchise sets up shop in the Big Apple,      where taciturn Detective Mac Taylor (Gary Sinise) and his partner,      Detective Stella Bonasera (Melina Kanakaredes), lead a crime-solving      team. Like his counterparts in Las Vegas and Miami, Taylor knows that      people may lie, but the evidence rarely does.    --  THE SHIELD      Telecasts  Monday - Friday (11:00 AM - Noon, ET/PT).      The story of in inner-city Los Angeles police precinct where some of      the cops aren't above breaking the rules or working against their      associates to both keep the streets safe and their self-interests      intact.  Starring Emmy Award(R) winner Michael Chiklis and Catherine      Dent.    --  CSI: CRIME SCENE INVESTIGATION (TV-PG)      Telecasts Monday -  Friday (7:00 - 9:00 PM, ET/PT); Monday - Wednesday      (Midnight - 1:00 AM, ET/PT), and Thursdays (9:00 - 11:00 PM, ET/PT).      CSI: CRIME SCENE INVESTIGATION revolves around a team of forensic Crime      Scene Investigators in the Las Vegas police department's Criminalistics      Bureau.  By relentlessly analyzing every detail at the scene of a      crime, no matter how seemingly irrelevant or grotesque in nature, the      team has science and experience on their side to solve the case.  The      series stars William Petersen, Marg Helgenberger, Gary Dourdan, George      Eads, Jorja Fox and Paul Guilfoyle.    WEEKEND PROGRAMMING    --  WEEKEND POWERBLOCK 

    Spike TV puts sexy car enthusiast Courtney Hansen in the driver's seat as host of the network's "Power Block" lineup, a weekend (Saturdays Noon - 2:00 PM, ET/PT and Sundays 11:00 AM - 1:00 PM, ET/PT) two-hour block of auto related programming. This month features new episodes of MUSCLE CAR and XTREME 4X4.

      Saturdays   Noon - 12:30 PM, ET/PT   HORSEPOWER TV 

    Host Joe Elmore and tech expert Mike Galley work out of their to-die-for performance garage sharing speed secrets on how to transform everyday cars into road burners and how to get the most out of them on the street and at the strip. This series captures the performance lifestyle taking viewers to America's best events, rallies and races.

      12:30 - 1:00 PM, ET/PT   MUSCLE CAR 

    Celebrating America's love affair with these fabled '60's and 70's era muscle cars, the series focuses on finding, restoring and modifying iconic Detroit iron like the Pontiac GTO, the Hemi Cuba, the Boss Mustang and the Chevelle SS.

      1:00 - 1:30 PM, ET/PT   XTREME 4X4 

    Hosted by Ian Johnson and Jessi Combs, this series features hardcore 4x4 build-ups and off-road truck projects, plus extreme action events - rock crawling, desert racing, sand drags, mud racing, and trail riding adventure.

      1:30 - 2:00 PM, ET/PT   TRUCKS! 

    This how-to/new vehicle series addresses the light truck market with special emphasis on pickups and sport utility vehicles. From the wildest jet drag trucks and monster trucks to the world's most radical 4x4 rock crawlers and customs, each episode takes viewers step-by-step modifying, customizing, restoring and testing classic and sport trucks, off-roaders and race trucks.

      Sundays   11:00 - 11:30 AM, ET/PT   HORSEPOWER TV    11:30 AM - Noon, ET/PT   MUSCLE CAR    Noon - 12:30 PM, ET/PT   XTREME 4X4    12:30 - 1:00 PM, ET/PT   TRUCKS! 

    Source: Spike TV

     

    New Pokemon to Make Diamond-and-Pearl-Studded Debut

    Gotta Catch 'Em All! The Next Generation of Pokemon Soon Will Be Here

    Pokemon trainers of the world, unite! How else will you manage to complete your Pokedex and challenge the sinister plot of Team Galactic? On April 22, Pokemon(R) Diamond and Pokemon(R) Pearl, the Pokemon series for the best-selling Nintendo DS(TM) game system, become available in the Americas. These two titles represent the latest adventure in the popular Pokemon franchise.

    Pokemon Diamond and Pokemon Pearl offer a number of exciting new features to please both experienced and new Pokemon fans alike. Set in an entirely new region called "Sinnoh," players can choose to begin their adventure as either a boy or girl Pokemon trainer on a path to becoming Pokemon League Champion. The adventure continues as players can bring Pokemon from their Game Boy(R) Advance Pokemon games to Pokemon Diamond and Pokemon Pearl using the GBA game slot on their Nintendo DS.

    As players trade and collect Pokemon to complete their Pokedex in this new challenge, for the first time they'll have the chance to catch new Pokemon, Munchlax(TM) and Weavile(TM). They also can play via local wireless with up to eight other trainers while new moves and abilities deepen strategy.

    "After recently celebrating its 10th anniversary, the Pokemon franchise continues to get stronger," says George Harrison, Nintendo of America's senior vice president of marketing and corporate communications. "These two new titles represent the best that Pokemon has to offer, and a great opportunity for Game Boy users to upgrade to Nintendo DS."

    Unique pre-sell styluses featuring new Pokemon from the new series will be available by reserving the game early at participating retailers. Stay tuned for more details about this special offer. Pokemon games continue to be wildly popular around the world, with more than 155 million units sold worldwide through September 2006. Pokemon Diamond and Pokemon Pearl are currently shattering sales records in Japan since their September launch.

    Pokemon Diamond and Pokemon Pearl for Nintendo DS will be available April 22, and are Rated E for Everyone.

    Pokemon USA, Inc., a subsidiary of The Pokemon Company in Japan, manages and oversees the property outside of Asia, which includes licensing activities, brand promotions, publication of the Pokemon Trading Card Game, TV animation, home video entertainment, the official Pokemon.com Web site and PokemonCenter.com, an e-commerce site. Nintendo of America manages marketing and distribution of Pokemon video games.

    Pokemon was launched in Japan in 1996 for play on Nintendo's Game Boy(R) and has evolved into a global cultural phenomenon. Pokemon was introduced in North America in September 1998 and has since generated more than $26 billion in worldwide retail sales. More than 40 million Pokemon video games have been sold in the United States, including Pokemon Emerald, which was the No. 2 best-selling video game of 2005, according to the NPD Group. The Pokemon Trading Card Game, fueled by Pokemon Organized Play programs around the world, has spurred global sales of more than 14 billion cards to date, while the Pokemon animated series set to debut its ninth season, Pokemon: Battle Frontier, on Cartoon Network this fall, consistently ranks within the top three shows for boys ages 6 to 11. For more information, visit www.pokemon.com.

    The worldwide innovator in the creation of interactive entertainment, Nintendo Co., Ltd., of Kyoto, Japan, manufactures and markets hardware and software for its Wii(TM), Nintendo DS(TM), Game Boy(R) Advance and Nintendo GameCube(TM) systems. Since 1983, Nintendo has sold nearly 2.2 billion video games and more than 387 million hardware units globally, and has created industry icons like Mario(TM), Donkey Kong(R), Metroid(R), Zelda(TM) and Pokemon(R). A wholly owned subsidiary, Nintendo of America Inc., based in Redmond, Wash., serves as headquarters for Nintendo's operations in the Western Hemisphere. For more information about Nintendo, visit the company's Web site at www.nintendo.com

     

    The 'Big' Event Gets Bigger With Host Elliott Gould Joining the Jewish Big Brothers Big Sisters of Los Angeles, January 25th at the Regent Beverly Wilshire Hotel

    Brad Rosenberg to Receive the Lifetime Achievement Award and Bob Bergen the Big Brother of the Year Award at the 15th Annual Awards Gala

    Dec. 20  Veteran Hollywood actor, Elliott Gould, will serve as master-of-ceremonies at The "Big" Event, Jewish Big Brothers Big Sisters of Los Angeles' (JBBBSLA) Annual Lifetime Achievement Award Dinner, on Thursday, January 25, 2006 at the Regent Beverly Wilshire Hotel. At the event, JBBBSLA will honor Brad Rosenberg with the Sydney J. Rosenberg Lifetime Achievement Award and Bob Bergen as Big Brother of the Year.

    "The beginning of each new year is the perfect time for us to look back and acknowledge the past year's successes and two individuals that best exemplify the spirit of our organization," said Margy Feldman, president and CEO of JBBBSLA. "We are thrilled to have someone as dedicated to community service as Elliott Gould, joining us to lead this year's celebration."

    The Sydney J. Rosenberg Lifetime Achievement Award is presented annually to an individual who demonstrates notable accomplishments comparable to Rosenberg's, who served the agency for over 50 years as a Big Brother, Board Member and Board President. This year, the agency recognizes Rosenberg's son, Brad, for following in his father's footsteps.

    "Brad Rosenberg joined the JBBBSLA board 40 years ago and since that time has been continually dedicated to advancing the agency's goal of providing invaluable mentoring opportunities and relationships for the youth of Los Angeles," said Feldman. "He is a testament to the enduring spirit of JBBBSLA, and truly deserving of our highest honor."

    Similarly, Bob Bergen has devoted himself to the Jewish Big Brother Big Sister program for more than 17 years (now with his 2nd Little Brother) and will be recognized at the event with the JBBBSLA Big Brother of the Year Award. Matched with his first Little Brother, Mark, for 12 years, Bergen last December celebrated his fifth anniversary with his second Little Brother, Ryan.

    Please contact Rebecca Rauh of Jewish Big Brother Big Sisters of Los Angeles at (323) 761-8675 X 230 to purchase tickets for the 15th annual fundraising gala, The "Big" Event.

    Past recipients of the Sydney J. Rosenberg Lifetime Achievement Award include David L. Swartz, Marshall J. Wax, Mark Canton, Karl Sussman, James Honore, Robert Shadur, Arnold S. Nelson, Robert Waldorf, Manny Light, Maurice Schwartz, Jr., Leonard Goldman, Scott R. Isdaner and Jerry Steinbaum.

    About Jewish Big Brothers Big Sisters of Los Angeles

    Founded in 1915, Jewish Big Brothers Big Sisters of Los Angeles specializes in mentoring children through its core matching program, Jewish Big Brothers Big Sisters; its residential summer camp, Camp Max Straus, where almost 1,000 underserved, inner-city children have the opportunity to go to camp; its scholarship program; and its free weekend mentoring programs for children, Sports and Arts Buddies. The organization specializes in mentoring children through its extensive network of volunteers and staff. Approximately 1,800 children benefit from the organization's programs and services annually. For more information, visit www.jbbbsla.org, or call, 323-761-8675.

    Source: Jewish Big Brothers Big Sisters of Los Angeles

     

    New York Mets All-Star Third Baseman David Wright to Appear on the Cover of MLB 07 The Show(TM) for PLAYSTATION(R)3, PlayStation(R)2 and PSP(R) (PlayStation(R)Portable) Systems

    Critically Acclaimed Baseball Franchise Adds Mets All-Star

     Dec. 20 / Sony Computer Entertainment America Inc. (SCEA) announced today the signing of New York Mets(TM) All-Star Third Baseman David Wright as the cover athlete for the MLB 07 The Show(TM), due to hit stores in early 07 as the only officially licensed first party videogame exclusively for the PLAYSTATION(R)3 computer entertainment system, PlayStation(R)2 computer entertainment system and the PSP(R) (PlayStation(R)Portable) system.

    In only his third year in the Big Leagues, Wright was named as the starting third baseman for the National League in the 2006 MLB All-Star Game. During the season, he collected 74 RBI before the All-Star Break, breaking the Mets record previously held by Mike Piazza, who had 72 RBI in 2000. Wright also participated in the Home Run Derby(R), reaching the final round and finishing second to Ryan Howard of the Philadelphia Phillies. He smacked 22 home runs in the contest including 16 in the first round, which is the third highest total in any one round in the history of the Home Run Derby.

    Wright ranked among the club's top three hitters in all offensive categories for the 2006 Mets, who were the top run-scoring team in the National League. Fans at Shea Stadium routinely greeted Wright's performances with chants of "M-V-P" as he finished the season as only the fourth Met in history to have consecutive 100 RBI seasons, joining baseball legends such as Gary Carter, Darryl Strawberry and Mike Piazza.

    "David Wright is the heart and soul of an exciting New York Mets team and possesses the qualities that make him a fan favorite," said Scott Rohde, director, sports product development for SCEA. "We are thrilled that he has chosen to become the next cover athlete for the MLB franchise, represent MLB 07 The Show, and become a part of an elite fraternity of MLB stars."

    Wright chalks up his first cover for a videogame, an accolade that continues to be one of the most sought after status symbols for professional athletes. Wright joins an impressive group of previous MLB cover athletes and spokespeople including Boston Red Sox designated hitter David Oritz, Angels outfielder Vladimir Guerrero, Oakland A's third baseman Eric Chavez, Toronto Blue Jays third baseman Troy Glaus, New York Mets outfielder Shawn Green, and Cincinnati Reds outfielder Adam Dunn.

    Widely considered the most authentic baseball videogame franchise available, MLB 07 The Show looks to build upon its critical acclaim by unveiling new franchise features and platform specific advancements. Across all platforms, the all-new Road to The Show mode introduces an innovative option that allows players to create their own player and play on offense and defense. To create a more realistic experience from the mound, the new Pitching Command System (PCS) delivers authenticity and strategy to pitch selection by offering players a predetermined pitch comfort level based on a best to worst pitch scenario, while Adaptive Pitching Intelligence (API) allows users to either shake off the catcher, or trust the calls he makes, which are based on batter tendencies and the pitcher's strengths. MLB 07 The Show also introduces new Umpire Personalities, keeping players on their toes as each ump will have his own unique animation and definition of the strike zone. It will be up to the player to determine each umpires tendencies, providing a more authentic experience from the diamond and requiring strategic thinking from the player.

    Adding to its already robust online feature set, the MLB franchise will now include Online League Play, which gives gamers the ability to set up leagues with up to 30 teams, complete statistical tracking, point benefits and full customization, while the My Sliders feature allows users to create their perfect game settings and upload them to the MLB 07 The Show server for others to try out. Also, MLB.com Headline News now features a Live MLB Ticker that will show the live status of all MLB games going on around the league.

    Returning key features for the MLB franchise include the popular Career and Season Modes, Career Spotlight and Exhibition Mode. In addition, MLB 07 The Show provides fans with the features they expect in an unrivaled simulation, such as advanced batting controls, interactive hot and cold zones, player-scaled strike zones and release point pitching.

    Along with all the key franchise features, returning gameplay favorites for PlayStation 2 include Rivalry Mode, which allows fans to set-up, track and maintain heated rivalries, King of the Diamond Mode, the classic playground duel where a pitcher and batter from opposing teams will square off head-to- head, the Home Run Derby and EyeToy(TM) functionality. For on-the-go baseball fans, MLB 07 The Show on PSP continues to be a fan favorite with its core features, ability to play anytime, anywhere, and multiplayer gameplay, either locally via Ad Hoc Mode or across the nation via Infrastructure Mode.

    The independent Entertainment Software Rating Board (ESRB) rating for MLB 07 The Show is "RP" for "Rating Pending." For more information about the ESRB visit www.esrb.org.

    About Sony Computer Entertainment America Inc.

    Sony Computer Entertainment America Inc. continues to redefine the entertainment lifestyle with its PlayStation(R) and PS one(R) game console, the PlayStation(R)2 computer entertainment system, the PSP(R) (PlayStation(R)Portable) system, and the ground-breaking PLAYSTATION(R)3 (PS3(TM)) computer entertainment system.

    Recognized as the undisputed industry leader, Sony Computer Entertainment America Inc. markets the PlayStation family of products and develops, publishes, markets, and distributes software for the PS one game console, the PlayStation 2 computer entertainment system, the PSP system and the PS3 system for the North American market. Based in Foster City, Calif. Sony Computer Entertainment America, Inc. serves as headquarters for all North American operations and is a wholly owned subsidiary of Sony Computer Entertainment Inc.

    Visit us on the Web at http://www.us.playstation.com/ .

    NOTE: PLAYSTATION, PlayStation and PSP are registered trademarks and PS3 is a trademark of Sony Computer Entertainment Inc

    Major League Baseball trademarks and copyrights are used with permission of Major League Baseball Properties, Inc. Visit the official website at MLB.com. Visit the Players Choice on the web at www.MLBPLAYERS.com.

     

    Taylor Hicks, First Arista/19 Album, Enters Chart at #2 With First Week Nielsen Soundscan Total of 298,199 Units

    Hicks heads out on his first tour in support of the new album on February 21st in Jacksonville, Florida!

     Dec. 20 Arista Records/19 Recordings' artist Taylor Hicks takes a giant step up into the next phase of his musical career, as his self-titled first album for the label enters the Billboard 200 albums chart at #2, after an explosive first week Soundscan sales total of 298,199 units. Hicks will kick off his first tour in support of the album on Wednesday, February 21st, in Jacksonville, Florida at the Florida Theater with dates currently scheduled to run through April 27th in Kansas City, MO.

    Underpinning the out-of-the-box success of the album was a busy schedule of television appearances that began last month on ABC's 20/20, the American Music Awards (as a presenter), and NBC's Christmas Tree lighting ceremony at Rockefeller Plaza in New York. On the Sunday before Thanksgiving, Taylor sang the national anthem prior to the NASCAR NEXTEL Cup Series Ford 400, as part of the Ford Championship Weekend at Homestead-Miami Speedway.

    Immediately surrounding the album's December 12th in store date, Taylor visited NBC's The Tonight Show with Jay Leno (Dec. 1st); ABC's Good Morning America (5th), Live with Regis & Kelly (6th), and The View (11th); CBS's The Early Show (12th); MTV's TRL Countdown, the syndicated Martha Stewart Living and Dr. Phil, and TNT's "Christmas In Washington" (all on the 13th); and NBC's The Megan Mullally Show (14th).

    In his own unique down-home way, Taylor is expanding his audience past the 36.4 million tv viewers who watched the May 24th finale of the fifth season of FOX's American Idol, and the "Soul Patrol!" legions who cast more than 63.4 million votes for him as the winning performer. The new album reaffirms the eternal power of pop, soul and R&B in the hands of a new young star, who prompted Vibe magazine to rave, "Taylor Hicks is the embodiment of the last fifty years of popular music."

                       TAYLOR HICKS TOUR DATES    Feb-21    Jacksonville, FL       Florida Theater   Feb-22    Tampa, FL              Tampa Theater   Feb-23    Coral Springs, FL      Coral Springs Center for the Arts   Feb-24    Orlando, FL            Universal Studios   Feb-27    Mobile, AL             Mobile Civic Center   Mar-2     Myrtle Beach, SC       House of Blues   Mar-3     Knoxville, TN          Tennessee Theatre   Mar-4     Asheville, NC          The Orange Peel   Mar-6     Huntsville, AL         Von Braun Center   Mar-9     Atlanta, GA            Tabernacle   Mar-10    Birmingham, AL         Alabama Theatre   Mar-25    Minneapolis, MN        Mystic Lake Casino Hotel   Mar-27    Green Bay, WI          Weidner Center   Mar-28    Milwaukee, WI          The Pabst Theater   Mar-29    Chicago, IL            House of Blues   Mar-31    Cleveland, OH          House of Blues   Apr-3     Boston, MA             Avalon   Apr-6     New Haven, CT          Foxwoods Casino   Apr-7     Westbury, NY           North Fork Theatre   Apr 12    Lancaster, PA          American Musical Theater   Apr-17    Baltimore, MD          Rams Head Live   Apr-24    Columbus, OH           The LC Pavillion   Apr-27    Kansas City, MO        Ameristar Casino 

    Source: Arista Records

     

     

     

     

     

    Graceland Kicks Off 30th Anniversary with Four Day Elvis Birthday Celebration

    January 8th Marks the Late Superstar's Birthday and the Year 2007 Commemorates the 30th Anniversary of His Passing

    Dec. 19, 2006 Elvis Presley Enterprises, Inc.: -0-

    WHAT:   Various activities are planned over a four day period at          Graceland Mansion in Memphis to celebrate Elvis Presley's          birthday and to begin the year-long commemoration of the 30th          anniversary of his passing. The key activities include:  WHEN/ WHERE:         Friday, January 5         --------------------------------------------------------------         8:00 p.m. - Midnight         Elvis Birthday Dance Party         Ticket office pavilion in Graceland Plaza         Hundreds of fans gather to dance to Elvis music with Argo, a          popular dee-jay from Elvis Radio/Sirius Satellite 13.          Saturday, January 6         --------------------------------------------------------------         10:00 a.m. - Noon         Elvis Fan Club Presidents' Event         Memphis Marriott East         Elvis Fan Club Presidents from around the world gather to          speak with EPE representatives and exchange ideas. Special          guest speaker will be Lance LeGault, the popular character          actor and voice artist who was Elvis' stand-in and castmate          in Elvis movies and the '68 TV Special. This is his first          appearance at an Elvis celebration event.          8:00 p.m.         The Elvis Presley Birthday Pops         Cannon Center for the Performing Arts         The Memphis Symphony Orchestra presents a concert of Elvis          music performed from the original music charts from Elvis'          concert tours. The Terry Mike Jeffrey Band performs as the          rhythm section. Lead vocals performed by Terry Mike Jeffrey          with special guest vocalists, The Imperials.          Sunday, January 7         --------------------------------------------------------------         6:00 p.m. - 9:00 p.m.         Elvis Insiders Reception & Graceland Evening Tour         Graceland         An "Elvis Insiders" evening tour of Graceland Mansion in its          holiday splendor, with a reception across the street in          Graceland Plaza, which includes Elvis' airplanes, the          "Sincerely Elvis" exhibit and The Elvis Presley Automobile          Museum. Appearances by some of Elvis' friends and associates.          Monday, January 8         --------------------------------------------------------------         9:00 a.m.         Graceland         The annual birthday proclamation ceremony on Graceland's front          lawn presented by city, county and Graceland officials to          proclaim Elvis Presley Day. On behalf of the US Army, members          from the 95th DIV (IT) will present to the Presley Estate a          special certificate and medal, earned but never received by          Elvis, in recognition of his service with the army. The          military group will also make a formal color guard          presentation as part of the ceremony. 

     

    The Outdoor Channel(TM) Announces First Quarter '07 Programming Highlights

    Network Offers New Primetime Blocks and New Titles to Attract Attention of America's 82 Million Outdoor Enthusiasts

    The Outdoor Channel (TOC), the #1 television destination for outdoor enthusiasts, today announced several new programming titles and returning series season premieres planned for the 1st Quarter of 2007, including a revamped schedule that will accommodate primetime programming blocks of the network's most popular outdoor activities.

    Beginning in January 2007, The Outdoor Channel will offer nightly programming blocks oriented around the following themes: Mondays -- Fishing; Tuesdays -- Big Game Hunting; Wednesdays -- Western Lifestyle/Shooting; Thursdays -- Bird Hunting; Fridays -- Off-Road Motorsports; Saturdays -- Adventure; and Sundays -- Big Game Hunting.

    Commenting on the announcement, Wade Sherman, SVP of Programming for The Outdoor Channel, remarked: "We're very proud of the quality, excitement, and entertainment value exhibited by our new and returning shows in 2007 -- titles that will not only captivate our current audience but will also help to generate new subscribers by giving fans of outdoor lifestyle content more of the genres they want." He added, "In addition, with our new primetime programming blocks, we know outdoor enthusiasts will love tuning in to their favorite outdoor activity, putting up their feet, and staying with us for the entire evening."

    Each nightly programming environment is highlighted by a high-quality TOC exclusive series that exemplifies the excitement of the individual genres:

      *  On Mondays, viewers can look forward to the premiere of TOC's all-new      adventure fishing series Speargun Hunter, featuring some of the world's      best free divers in their incredibly dangerous pursuit of record-      setting catch.  In addition to Speargun Hunter, the Monday night      primetime fishing line-up also includes new episodes of old favorites      In Fisherman -- with host Doug Stange and some of North America's      finest fishing locations, Hank Parker's Outdoor Magazine, featuring      tried-and-true techniques from the master angler, and big game      saltwater adventures with Mark Sosin's Saltwater Journal.    *  On Tuesdays, fans of Big Game Hunting can tune into a line-up that      features TOC's popular returning series Step Outside, with hosts Doug      Painter and two-time Olympic gold medalist Kim Rhode furthering the      mission of the National Shooting Sports Foundation's (NSSF) Step      Outside program as they hunt some of North America's prime locations.      Step Outside is part of The Outdoor Channel's longest running      programming block "Tuesday Night Pursuits" presented by Mossy Oak Brand      Camo.  Mossy Oak is best known for its signature program Hunting the      Country, which has been part of The Outdoor Channel's Tuesday night      lineup since 1999.    *  Wednesdays will feature a block of Shooting and Western Lifestyle      programming including TOC returning original Cowboys, a celebration of      all things related to the Cowboy including world-class Cowboy Action      shooting, historical reenactments, and skills and crafts of the Old      West.    *  Thursday's block features Bird Hunting and TOC's exclusive series      Turkey Call, produced in association with the National Wild Turkey      Federation (NWTF) and hosted by Rob Keck, this returning favorite      brings viewers the best in turkey hunting throughout the world.  Turkey      Call joins Mossy Oak's Whistling Wings to present some of the most      exciting turkey hunting adventures ever captured.    *  Friday nights are Motorsports nights on TOC -- featuring Ride To      Adventure, a fast-paced series hosted by world famous adventurer Bill      Baker that provides a behind-the-scenes look at all manner of motoring      excitement on Land, Sea, and Air.  The rest of the Friday night lineup      offers the latest and greatest of TOC's Off-Road motoring programs.    *  Saturday nights are now reserved for TOC's Adventure series --      featuring marine, aviation and snowmobile programming.  Signature      series include the pioneering aviation program Wings To Adventure,      hosted by Tom Gresham, and Personal Watercraft Television, a high-      energy half-hour hosted by Kevin Cullen that presents the top events      and latest equipment in the personal watercraft industry.    *  Hunting programming wraps up TOC's week on Sundays, featuring the      return of one of TOC's longest running and most popular series, Bass      Pro Shops Outdoor World, showcasing top hunting pros like Brenda      Valentine, Jerry Martin, Bob Foulkrod, Walter Parrott and Alan      Treadwell, among others.  Also debuting on Sundays is Whitewater      Trails, hosted by popular outdoorsman Bodie Owens -- providing      one-of-a-kind tips, stories, and epic adventures in some of the most      pristine hunting and fishing locations throughout the country.  

    In addition to the new primetime programming blocks, starting in January horizontal strips of some of TOC's most popular shows from past seasons including Ultimate Match Fishing, Bass Pro Shops Outdoor World Fishing, Getting Close, and Dream Season will air in daily blocks from 2-4pm EST -- as TOC shoots new episodes for a fall debut. Viewers can also look forward to an all-fishing block of programs on Saturday mornings from 8-11am EST, featuring past episodes of TOC standards Bass Champs' Tournament Trail, and Strike King's Pro Team Journal.

    For more information regarding TOC's series, or for specific airtimes in your area -- please visit the website at: www.outdoorchannel.com

    About The Outdoor Channel

    Outdoor Channel Holdings, Inc. owns and operates The Outdoor Channel, a national television network dedicated to providing traditional outdoor programming to America's 82 million anglers, hunters and outdoor enthusiasts. The Company also owns and operates related businesses that serve the interests of viewers of The Outdoor Channel and other outdoor enthusiasts, including Outdoor Channel On Demand, LDMA-AU, Inc. (Lost Dutchman's) and Gold Prospector's Association of America, LLC (GPAA).

    To get The Outdoor Channel in your area, please call your local cable or satellite provider and request that they add The Outdoor Channel to their channel lineup.

    Source: The Outdoor Channel

     

    Hustler TV Signs Exclusive Deal With Third Degree Films

     Dec. 19  LFP Broadcasting LLC, parent company of Hustler TV, today announced an exclusive agreement with leading adult entertainment studio, Third Degree Films. The company offers popular titles that are hits with both customers and industry charts.

    Third Degree Films is under the direction of Joseph Wilson, an adult industry veteran with over two decades of experience. In their three years of existence, Third Degree has consistently been heralded for their ability to attract a pool of fresh, new female talent to their gonzo-style productions. In addition, Third Degree's emphasis has been on consistently high production values and -- as a result -- is recognized as a leader in their respective genre.

    "The addition of Third Degree only reinforces the fact that Hustler TV has more titles that appear on the top 25 adult DVD rental and sales charts than any other adult network," said Michael H. Klein, President, LFP Broadcasting LLC. "We are committed to delivering truly unique and dynamic adult programming that reflects the quality our customers associate with the Hustler brand."

    "The huge success of Hustler TV has allowed studios like Third Degree Films to expand beyond traditional outlets and into the world of VOD and pay per view," said Wilson. "I'm extremely excited to be associated with a company that has defined what quality adult entertainment is all about."

    Hustler TV brings the top performing movies and original programs from some of the best adult film companies under one of the best brands in adult entertainment to Pay Per View and Video On Demand. Already one of the top adult television networks in North America, the company's exclusive VOD AND PPV product has consistently dominated the annual Adult Video News Awards as well as the AVN DVD sales and rental charts. Hustler TV delivers some of the industries top buy rates in adult PPV and VOD.

    ABOUT LFP

    LFP is the leading distributor of Adult Video/DVD, Print Publications, Internet and Adult Retail Stores. Hustler TV, now available in over 35 countries, brings the top performing movies and original programs from some of the best adult film companies under one of the best brands in adult entertainment to pay per view and video on demand. Tremendous cross promotional opportunities through the numerous Hustler properties help to ensure some of the highest buy rates in the industry.

    Source: LFP Broadcasting LLC

     

     

     

    Lionsgate Tries a Little TENDERNESS

    Studio Secures North American, U.K., Australian and South African Rights to GreeneStreet Films' New Thriller, Directed By John Polson and Starring Academy Award(R) Winner Russell Crowe, Jon Foster, Sophie Traub and Academy Award(R) Nominee Laura Dern

     Calif., Dec. 19 -- Lionsgate (NYSE:LGF) , the leading independent filmed entertainment studio, announced today that it has acquired the North American, U.K., Australian and South African distribution rights to GreeneStreet Films' TENDERNESS, a thriller directed by John Polson (HIDE AND SEEK, SWIMFAN). Written by Emil Stern and based on the novel by Robert Cormier, TENDERNESS is produced by GreeneStreet co-founder John Penotti, Howard Meltzer and Charles Randolph; GreeneStreet co-founder Fisher Stevens and Tim Williams are executive producers. Jana Edelbaum of iDeal Partners Film Fund and Scott Hanson and John Allen of Hanson Film Fund are also executive producers. GreeneStreet Films, iDeal Partners Film Fund and Hanson Film Fund co-financed TENDERNESS. The film stars Academy Award(R) winner Russell Crowe, Jon Foster, Sophie Traub and Academy Award(R) nominee Laura Dern. The announcement was made jointly by Lionsgate President of Theatrical Films Tom Ortenberg and President of Acquisitions and Co-Productions Peter Block.

    "TENDERNESS delivers an unbeatable combination of story, filmmakers and actors," noted Ortenberg and Block. "The common denominator here is intensity: on the one hand, you have the heightened emotions of a young couple on the run, and on the other, the fierce resolve of the cop who is hard on their trail, trying to prevent disaster. John Polson, Russell Crowe, Jon Foster, Sophie Traub, and Laura Dern have given it their all -- which means that audiences can count on an incredibly gripping experience."

    Said Penotti, "We are delighted to be partnering with Lionsgate on TENDERNESS. The entire Lionsgate team is renowned for their sharp ideas and enormous energy, and we are looking forward to working with them to bring TENDERNESS to moviegoers on four continents."

    SYNOPSIS

    Lori Cranston (Sophie Traub) is a confused fifteen-year-old dreamer in search of an escape from her troubled home life. She discovers and becomes enthralled with Eric (Jon Foster), a young man with a violent past. As they embark on a harrowing journey, a hardened local cop (Russell Crowe), who has been following Eric for years, is intent on exposing him as a serial killer before Lori's fate is determined.

    The deal was negotiated for Lionsgate by Block, Jason Constantine, Senior Vice President of Acquisitions, and Wendy Jaffe, Senior Vice President Legal & Business Affairs, Acquisitions; and for GreeneStreet by Vicki Cherkas, GreeneStreet Head of Business Affairs, Business Development and New Ventures, and CAA.

    ABOUT GREENESTREET FILMS (GSF)

    GreeneStreet Films is an independent film company founded by John Penotti and Fisher Stevens. Most recently, GreeneStreet co-financed and executive produced Robert Altman's A PRAIRIE HOME COMPANION (Picturehouse) and financed and produced ONCE IN A LIFETIME (Miramax). The company is also responsible for the five-time Academy Award(R) nominee IN THE BEDROOM. On the company's horizon is BILL, a comedy directed by Melissa Wallack and Bernie Goldmann starring Aaron Eckhart, Jessica Alba, Elizabeth Banks, Timothy Olyphant and Logan Lerman. In addition, Danny Leiner's GARY THE TENNIS COACH starring Seann William Scott, is in production. Soon-to-be-released GSF titles include THE PLEASURE OF YOUR COMPANY (MGM) starring Jason Biggs and Isla Fisher, on tap for a March 2007 release; AWAKE (The Weinstein Company) starring Hayden Christensen, Jessica Alba, Lena Olin and Terrence Howard, slated for early next year; and SLOW BURN (Lionsgate) with Ray Liotta, LL Cool J., Taye Diggs and Mekhi Phifer, set for June 2007.

    ABOUT LIONSGATE

    Lionsgate is the leading independent filmed entertainment studio, winning this year's Best Picture Academy Award(R) for CRASH, generating two consecutive years of $300 million-plus domestic theatrical box office, operating a $500 million-plus home entertainment business and producing a broad slate of prime time television series for fiscal 2007. It is a premier producer and distributor of motion pictures, television programming, home entertainment, family entertainment, and video-on-demand content. Its prestigious and prolific library of more than 10,000 titles is a valuable source of stable, recurring revenue and a foundation for the growth of the Company's core businesses. The Lionsgate brand is synonymous with original, daring, quality entertainment in markets around the world.

                                www.lionsgate.com
     

    'The Gospel According To Patti' Mega Church Tour Cancelled

      

    PHILADELPHIA, Dec. 18 /PRNewswire/ -- Patti LaBelle announced today the cancellation of LaBelle's current mega church tour, "The Gospel According to Patti." Patti LaBelle regrets the discontinuation of her gospel tour due to the promoter failing to meet their obligations. Says LaBelle, "I really had hoped to continue to reach the gospel audience as we had originally planned. But I have an obligation to my staff to make sure they can keep their plans without last minute changes and to make sure they are paid for the work they do."

    According to LaBelle, inconsistencies coupled with a breach of contract have forced LaBelle to walk away from what has been a highly successful, sold- out run. The tour, which kicked off in October, is in support of Patti's latest album, The Gospel According to Patti LaBelle, which was released on November 21st and is currently #1 on Billboard's Top Gospel Albums chart. Patti's upcoming schedule included tour stops in various markets including Philadelphia, Cleveland and St. Louis, among others.

    Although disappointed with the outcome, LaBelle has established a great working relationship with tour sponsors, Chrysler & American Airlines, and is hopeful a reputable promoter would agree to continue the tour. Please visit www.pattilabelle.com for up-to-the-minute information and rescheduling updates.

    Source: Pattonium, Inc.

     

    Treat Williams, Samaire Armstrong and Kevin Pollak Star in the Lifetime Original Movie 'The Staircase Murders' (Working Title), a Riveting True Crime Story Based on the Disturbing Case of a Best-Selling Novelist Accused of Murdering His Wife

    Real Case Has Captured the Attention of Millions with Extensive Media Coverage on NBC's Dateline, ABC's Primetime Live, CNN and Court TV

    Dec. 19  Treat Williams (Brothers & Sisters," "Everwood"), Samaire Armstrong ("Entourage," "The O.C.") and Kevin Pollak ("The Usual Suspects") are set to star in the Lifetime Original Movie, "The Staircase Murders" (working title), a provocative drama based on the famed murder case of Michael Peterson, the novelist accused of killing his socialite wife in their North Carolina home. Production is underway in Louisiana. Produced by Lionsgate, "The Staircase Murders" will premiere in April 2007 on Lifetime Television.

    "This is a fascinating story with lots of bizarre twists and turns. It has all the gripping elements of great drama with mysterious deaths, sensational rumors and shocking revelations," said Libby Beers, Vice President, Original Movies. Beers continues, "Treat Williams and Kevin Pollak are perfectly cast to capture the complex mind of Michael Peterson and his skeptical lawyer David Rudolf, while Samaire Armstrong sensitively portrays the determination of the grieving daughter."

    In "The Staircase Murders," loving father, aspiring politician and successful New York Times best-selling novelist Michael Peterson (Williams) was the picture perfect husband to his wife Kathleen. But when a panic- stricken Michael frantically calls 911 to report Kathleen has accidentally fallen down the stairs, investigators arrive at their home to discover several suspicious findings at the crime scene and soon begin to question the truth about Kathleen's death.

    Michael's children, biological sons Todd and Clayton from a previous marriage, adopted daughters Margaret and Martha and step-daughter Caitlin (Armstrong), quickly rally to their father's defense until autopsy findings reveal Kathleen's injuries could not have been sustained by a fall. Shocked and betrayed by her accused father's actions, Caitlin breaks rank with the family to publicly accuse Michael of murder.

    All the while, Michael consistently maintains his innocence, even going so far as to allow cameras into his home to document his legal team's defense strategies. But as the trial looms, shocking discoveries about Michael's sexuality, previous marriage, war service and the mysteriously similar circumstances of an old friend are revealed, making even his own lawyer, David Rudolf (Pollak), question his client.

    Treat Williams is an accomplished Broadway stage, theatrical and television actor, appearing most recently in the ABC drama series "Brothers & Sisters." Previously, Williams starred in the critically acclaimed WB drama, "Everwood," as Dr. Andrew Bowen, a role that won him two SAG Award nominations. He scored his first Golden Globe nomination for his part in the smash Broadway musical "Hair." He later went on to earn two additional nods -- one for the feature film "Prince of the City," and the other for the television adaptation of "A Streetcar Named Desire." Williams also received an Emmy nomination for Best Actor for his role on the HBO film "The Late Shift." Williams is also a director, winning two festival awards for his direction of "Texan" in Showtime's Chanticleer series.

    Samaire Armstrong is best known for her role as sassy co-ed Anna on the Fox drama series "The O.C." She began acting in high school productions before attending Parsons School of Design which fostered her passion for design and fashion. Later, she moved to Los Angeles where she was cast in "Freaks and Geeks," "NYPD Blue," "Judging Amy" and "CSI: Miami." Armstrong has a recurring role as Emily on HBO's "Entourage." She was recently seen in the theatrical "Just My Luck" opposite Lindsay Lohan.

    Stand-up comedian and actor Kevin Pollak landed his film debut in George Lucas' "Willow." Pollak received critical acclaim for his work in "Avalon," but gained wide recognition for his role in Rob Reiner's "A Few Good Men." Pollak also won fans with his appearances on the cult classic "The Usual Suspects" and "Casino." Pollak later co-created and co-executive produced "The Underworld." Recently, he starred alongside Bruce Willis and Matthew Perry in "The Whole Ten Yards."

    "The Staircase Murders" is produced by Lionsgate for Lifetime Television. Judy Polone ("Widow on the Hill," "Infidelity") serves as executive producer and Judy Cairo ("One Day") produces. Aphrodite Jones, who wrote the book "A Perfect Husband" on which this movie is based, serves as co-producer. Tom McLoughlin (Lifetime Television's "Odd Girl Out," "Murder in Greenwich") serves as director and Donald Martin ("The Amber Frey Story," "Family Sins") wrote the screenplay.

    Lionsgate (NYSE:LGF) is the leading independent filmed entertainment studio, winning this year's Best Picture Academy Award(R) for CRASH, generating two consecutive years of $300 million-plus domestic theatrical box office, operating a $500 million-plus home entertainment business and producing a broad slate of primetime television series for fiscal 2007. It is a premier producer and distributor of motion pictures, television programming, home entertainment, family entertainment, and video-on-demand content. Its prestigious and prolific library is a valuable source of stable, recurring revenue and is a foundation for growth of the Company's core business. The Lionsgate brand name is synonymous with original, daring quality entertainment in markets around the globe.

    Lifetime is the leader in women's television and one of the top-rated basic cable television networks. A diverse, multi-media company, Lifetime is committed to offering the highest quality entertainment and information programming, and advocating a wide range of issues affecting women and their families. Lifetime Television, LMN, Lifetime Real Women, Lifetime Home Entertainment and Lifetime Online (http://www.lifetimetv.com/) are part of Lifetime Entertainment Services, a 50/50 joint venture of The Hearst Corporation and The Walt Disney Company.

    Source: Lifetime Television

     

    MTV Networks' MHD: Music High-Definition Rings in the New Year With Exclusive Premiere of 'Gorillaz: Live in Harlem' Concert in High-Def

    Concert to Premiere Sunday, December 31st at 9PM ET/PT and Re-Air at Midnight

    Dec. 19  What's better than rocking out on New Year's Eve with your family and friends in the comfort of your own home and some Gorillaz? MTV Networks' MHD: Music High-Definition today announced that the channel will celebrate the New Year with the exclusive premiere of "Gorillaz: Live in Harlem," shot at Harlem's legendary Apollo Theater in high-definition. The concert will premiere on Sunday, December 31st at 9pm ET/PT and re-air at midnight.

    "More and more viewers are turning to high-definition television for a full entertainment experience and music is one of things they want to watch most," said Tom Calderone, Executive Vice President and General Manager of VH1 who also oversees MHD. "We are committed to growing this universe with quality content that satisfies our audiences' appetite for high-definition programming."

    The first virtual hip-hop group, Gorillaz burst onto the music scene in 2001 with the debut on their first self-titled album and popular "Clint Eastwood" single. The group has achieved massive worldwide success with platinum level domestic sales. "Gorillaz: Live in Harlem" showcases some of the group's biggest hits, including "Dirty Harry," "Feel Good Inc," "El Manana," and "Demon Days," among others. The group's "Feel Good Inc." was also the first high-definition music video to ever play on MHD.

    "New Year's Eve represents the culmination of a full month of weekly high-definition premieres on MHD," said Eric Sherman, Senior Vice President and General Manager for MHD, VH1 Classic and VH1 Digital Television. "Viewers can look forward to a growing high-def line-up in 2007 across every musical genre, including new concerts, specials and continued simulcasts of tentpole events from MTV, VH1 and CMT."

    Launched in January 2006, MHD features high-definition performances, music videos, interviews, tentpole events, music festivals, concert series, special concerts, and other music related elements. In addition, MHD has begun simulcasting tentpole events from MTV, VH1, and CMT, including this year's VH1 Rock Honors, VH1 Hip Hop Honors Awards, MTV's Video Music Awards, and CMT Giants: Reba McIntyre. More are planned for the future.

    MHD is already in more than half of the U.S. homes that have high-definition capability and is distributed through deals with Cox Cable, Charter, Comcast, Insight, Verizon FiOS and, most recently, Time Warner.

    About MHD

    MHD: Music High-Definition, MTV Networks' high-definition music channel, launched in January 2006 and features original music based programming for a variety of music genres, including hip hop, rock, country, pop, reggaeton, soul and more, as well as HDTV acquisitions and original content from MTV Networks Music Group's MTV, VH1, and CMT family of services including popular series such as MTV Unplugged, MTV2 $2 Bill concerts, VH1 Storytellers and CMT Crossroads, as well as network specials including the MTV Video Music Awards and the CMT Music Awards.

    Source: MTV Networks

     

     

    Borders(R) in L.A. Welcomes Spike Lee for DVD Signing

    , Dec. 19 Who: Multiple award-winning and nominated director, producer, writer, actor and author, Spike Lee.

    What: Spike Lee signs copies of his DVD, "When the Levees Broke: A Requiem in Four Acts." "When the Levees Broke" is a film structured in four acts, each dealing with events that preceded and followed hurricane Katrina's path of destruction through New Orleans.

      When:  Wednesday, Dec. 20 at 7:30 p.m.    Where:  Borders-Westwood           1360 Westwood Blvd.           Los Angeles, CA 90024           (310) 475-3444  

    Why: Committed to enriching lives through entertainment and knowledge, Borders offers customers the opportunity to meet their favorite authors and musicians in a friendly and welcoming atmosphere. This event gives longtime fans of Spike Lee the chance to meet the film legend and get a copy of the DVD signed, in time for the holiday season.

    Additional

    Information: To ensure that Spike Lee is able to meet as many customers as possible attending this event, he will personalize his message with first names only when autographing the DVD. Only customers who have purchased a copy of "When the Levees Broke: A Requiem in Four Acts" will be allowed in the signing line and there is a limit of three items per customer. No memorabilia will be signed. No posed photographs are allowed.

     

     

    Nielsen Study Shows DVD Players Surpass VCRs

    Most Media Technology Trending Up, According to Nielsen's Quarterly Home Tech Study

    Dec. 19 Nielsen Media Research released findings today from its 3rd Quarter Home Technology Report which show that more U.S. households now own DVD players (81.2% of all households) than VCRs (79.2% of households). Findings from this quarterly study also show ownership of most media technology trending up from previous years, which could continue to climb as the upcoming Christmas season approaches.

    As of third quarter 2006, DVD penetration in the U.S. is up 6% from the previous year and continues to grow, while VCR penetration has started a decline. In 1999 when Nielsen first started tracking DVD ownership in its Home Tech Report, DVD penetration was only 6.7% and was dwarfed by VCR ownership at 88.6%.

    Nielsen's latest report also found that DVD households now rent DVDs about twice per month, compared to VCR homes renting VHS tapes only about once per month. The frequency with which households rent video tapes has leveled off during the past six months.

    "This study shows the culmination of a long battle for share of consumers," said Paul Lindstrom, senior vice president of custom research for Nielsen Media Research. "Nielsen clients have used information from our Home Tech Report for the past decade to trend the changes in penetration and report use of new devices as they infiltrate the marketplace, and we now see that the popularity of DVDs has finally surpassed that of VCRs."

      Some additional topline findings from Nielsen's Home Tech study include:    * Computers -- 73.4% of U.S. homes currently have a computer in the     household, and homes with children and teens are more likely to have a     home computer.  There is a large difference in the percentage of lower     income homes vs. higher income homes that own a home computer.  Homes     with an income over $60K are 50% more likely to own a home computer than     homes with an income below $60K.    * Internet -- 95.4% of consumers with Internet access go online at least     once a week, and 37.3% of Internet users go online more than once a day.     78.2% of online users have made purchases over the Internet. 46.8% of     online users (ages 12+) have used the Internet to download and play     music from the Internet.    * MP3 Players -- 26.7% of U.S. homes own or rent an MP3 player.     Households with the presence of children 12-17 years of age are nearly     2-1/2 times more likely to own or rent an MP3 player than compared to     the Total U.S. The percentage of homes owning an MP3 player has risen by     149.5% since 3rd Quarter 2003.    * PDA -- 16.4% of U.S. homes own a PDA, and since 3rd quarter 2003, PDA     ownership has increased by 4.5%.  Not surprisingly, higher income homes     are more than four times as likely as lower income homes to own a PDA.  

    For charts that illustrate the five-year penetration trends, please see: http://everyonecounts.tv/documents/HTRchart2002-06.pdf .

    Methodology

    Nielsen's Home Technology Report is a primary research survey conducted by phone with 1,253 randomly selected American homes four times per year. Issued quarterly to Nielsen clients as a supplement to their syndicated TV ratings service, for the past 10 years the Home Tech Report has been Nielsen's gauge of the penetration and usage of technology into American households.

    About Nielsen Media Research

    Nielsen Media Research is the leading provider of television audience measurement and related services, worldwide. In the United States, Nielsen's National People Meter service provides audience estimates for all national program sources, including broadcast networks, cable networks, Spanish language networks, and national syndicators. Local ratings estimates are produced for television stations, regional cable networks, MSOs, cable interconnects, and Spanish language stations in each of the 210 television markets in the U.S., including People Meter service in ten markets and electronic set-metered service in 46 markets. For more information, please visit www.NielsenMedia.com.

    Nielsen Media Research is a unit of VNU, a global information and media company with leading market positions and recognized brands in marketing information (ACNielsen), media information (Nielsen Media Research), business publications (Billboard, The Hollywood Reporter, Computing, Intermediair) and trade shows. The privately held company is active in more than 100 countries, with headquarters in Haarlem, the Netherlands, and New York, USA. For more information, visit www.vnu.com.

                   Table 1: DVD vs. VCR Penetration in the U.S.                             3Q     2Q     1Q     4Q     3Q     2Q     1Q                          2006   2006   2006   2005   2005   2005   2005    % of Homes with DVDs  81.2%   80.9%  81.4%  80.8%  76.5%  77.6%  78.5%   % of Homes with VCRs  79.2%   82.3%  82.3%  82.9%  82.9%  80.9%  82.2%           Source:  Nielsen Media Research's Home Technology Report               Table 2: Penetration of Media Devices in U.S. Homes                    3Q 02   3Q 03   3Q 04   3Q 05   3Q 06  % Diff 05                                                             vs 06    DVD             41.4%   59.8%   71.2%   76.5%   81.2%     +6.1%   VCR             87.5%   86.7%   84.7%   82.9%   79.2%     -4.5%   Wired Cable     65.9%   62.7%   65.2%   62.2%   63.5%     +2.1%   Satellite       20.9%   22.3%   22.2%   26.0%   26.5%     +1.9%   Internet Access 61.4%   63.9%   64.4%   68.1%   68.5%     +.06%   PC              66.4%   69.5%   71.7%   74.0%   73.4%     -.08%   Cell Phone      65.0%   67.1%   72.0%   73.8%   75.2%     +1.9%   PDA             13.9%   15.7%   16.4%   16.3%   16.4%     +.06%   MP3 Player       7.6%   10.7%   12.8%   16.9%   26.7%      +58%           Source:  Nielsen Media Research's Home Technology Report

     

    Pop Culture Center Orange County to Be Focus of New Year Expansion by Wi-Fi TV(TM)

    Home of "The OC," "The Real Housewives of Orange County" and MTV Real Orange County TV Shows Will Now Be Home to Social Internet TV(TM)

    December 19, 2006 -- Wi-Fi TV™ Inc.'s (PINKSHEETS: WTVI) push to put Social Internet TV™ and its web site www.Wi-FiTV.com on the world's popular culture map will get a big boost in early 2007.

    Orange County, California, the trend setting area that has already become a household word to young people internationally, will get a high profile media blitz intended to increase membership and viewing of Wi-Fi TV.

    "Our goal is to make Wi-Fi TV Orange County's leading social network web site. By doing this, we think that global memberships and interest in Wi-Fi TV and live interactive community will increase exponentially. We are implementing a TV, radio, billboard, and word of mouth blitz of such areas as Newport Beach, the town that is represented in the popular FOX TV Series 'The OC,' Laguna Beach which has been featured in an MTV beach house series, and other areas of Orange County represented in the TV show 'The Real Housewives of Orange County,'" said Alex Kanakaris, Chairman of Wi-Fi TV Inc.

    Wi-Fi TV has reserved the Internet domain names OCTV1.Com, OCTVOne.Com, and OCWi-FiTV.Com for the Wi-Fi TV Channel Sales Team.

    Wi-Fi TV's MyWi-FiParty technology, Wi-Fi TV Live Chat, and multiple categories of live TV channels, including Spanish language and Music Video are a great fit for today's Orange County, California demographics.

    Orange County is the center of Southern California's Tech Coast. Its population of 3,056,865 is larger than that of 20 states. It is the second most populous county in the state of California, and the fifth most populous in the United States. The county is known for its wealth and has become racially diversified with dramatically growing Hispanic and Asian communities.

    About Wi-Fi TV Inc.

    Wi-Fi TV Inc. provides a new generation TV delivery platform that has a geographic sphere out-distancing any traditional cable or over-the-air TV broadcaster. Ownership of Wi-Fi TV Channels are for sale at $25,000 (full details are on the web site www.Wi-FiTV.com).

    The Wi-Fi TV Channel Sales Blog is at http://www.wi-fitvchannelsales.blogspot.com

    Wi-Fi TV memberships are free at www.Wi-FiTV.com

    The Company was launched in 1995 and has been publicly traded since November 1997, and has been a pioneer in the delivery of video and books over the Internet.

    Press Relations

    Wi-Fi TV Inc. has opened a new content and technology demo room for the press in Newport Beach, California. For further information contact Colby Marceau, (949) 716-9397, info@wi-fitv.com.

    Forward-Looking Statements

    Any statements made in this press release which are not historical facts contain certain forward-looking statements; as such term is defined in the Private Security Litigation Reform Act of 1995, concerning potential developments affecting the business, prospects, financial condition and other aspects of the company to which this release pertains. The actual results of the specific items described in this release, and the company's operations generally, may differ materially from what is projected in such forward-looking statements. Although such statements are based upon the best judgments of management of the company as of the date of this release, significant deviations in magnitude, timing and other factors may result from business risks and uncertainties including, without limitation, the company's dependence on third parties, general market and economic conditions, technical factors, the availability of outside capital, receipt of revenues and other factors, many of which are beyond the control of the company. The company disclaims any obligation to update information contained in any forward-looking statement. Wi-Fi TV and Social Internet TV are trademarks of Wi-Fi TV Inc. and all rights pertaining to these names are reserved. This press release shall not be deemed a general solicitation.

     

     

    Cingular Video subscribers can enjoy exclusive mobile access to Saturday Night Live content, including video clips from classic and current episodes, as well as original material produced especially for the mobile screen. Cingular customers can also purchase and download a diverse collection of SNL- themed ringtones and graphics -- both from current and classic seasons.

    "For more than 30 years, SNL has entertained television audiences throughout the world with some of the most memorable comedic sketches Now, with the introduction of Saturday Night Live Mobile, Cingular becomes the first wireless carrier to deliver classic and current SNL shorts, as well as newly produced original content, to the mobile stage-exclusively for the enjoyment of our customers," said John Burbank, vice president of marketing, Cingular Wireless.

    "Saturday Night Live is a legendary comedy brand that consistently makes an impact on pop culture," Salil Dalvi, Vice President, Wireless, NBC Universal. "We are proud to have Cingular as our first wireless partner to showcase this program to their customers."

    "This is a landmark deal for NBC Universal and Cingular, said Ron Lamprecht, Vice President, New Media, NBC Universal Television Networks Distribution. "This agreement will allow consumers to watch NBC's Emmy Award- winning late-night comedy showcase, SNL, in a way that's convenient for them. NBC Universal is committed to providing our customers with content on a variety of platforms to meet their needs."

    SNL Mobile Content: Cingular Video

    Cingular Video subscribers will have exclusive access to an evolving library of more than 100 video shorts, ranging in duration of 2-3 minutes each, from current and classic SNL episodes, as well as some original shorts produced solely for Cingular Video. Shorts from the current season will appear on Cingular Video the day after the Saturday night premiere

    Cingular Video uses the power of 3G phones as well as Cingular's new high- speed 3G wireless broadband network which is currently available in 145 major metropolitan areas including 65 of the top 100 largest cities in 33 states, Puerto Rico and Washington D.C.

    To access Cingular Video, consumers need to purchase a 3G phone and sign up for the $19.99 MEdia Net Unlimited package, which includes Cingular Video.

    SNL Mobile: Ringtone & Graphics

    Cingular customers will also be able to purchase and download Music Tone ringtones and wallpaper graphics from current and classic SNL episodes, such as the SNL theme song and memorable sketch lines.

    To download your favorite SNL Music Tone or wallpaper graphic from a GSM phone, Cingular customers should:

      * Go to MEdia Mall on their phone's main menu   * Select "Shop Ringtones & Graphics"   * Select "Movies/TV Hits"   * Follow the onscreen prompt to download the ringtone and/or graphic

    Cingular customers will be charged a one-time download fee of $2.49 for each Music Tone ringtone and $1.99 for each SNL wallpaper graphic.

    For more information on Cingular Video and Cingular's exclusive SNL Mobile content, visit http://www.cingular.com/cingularvideo. Artwork available upon request.

    Cingular Wireless is the largest wireless carrier in the United States, serving 58.7 million customers. Cingular, a joint venture between AT&T Inc. (NYSE: T) and BellSouth Corporation (NYSE: BLS), has the largest digital voice and data network in the nation -- the ALLOVER™ network -- and the largest mobile-to-mobile community of any national wireless carrier. Cingular is a leader in third generation wireless technology. Its 3G network is the first widely available service in the world to use HSDPA (High Speed Downlink Packet Access) technology. Cingular is the only U.S. wireless carrier to offer Rollover®, the wireless plan that lets customers keep their unused monthly minutes. Details of the company are available at http://www.cingular.com/. Get Cingular Wireless press releases emailed to you automatically. Sign up at http://cingular.mediaroom.com/.

    The nation's first broadcast network, NBC has evolved into a diverse, international media company. In addition to the NBC Television Network and 14 NBC television stations, the company owns CNBC, operates MSNBC in partnership with Microsoft, and maintains interests in a number of programming services, including the A&E Network, the History Channel, ValueVision, Inc. (ShopNBC), Paxson Communications, and Rainbow Media Holdings. In addition, NBC owns Telemundo, the nation's second-largest Spanish-language media company. NBC also has equity stakes in several new media companies. International holdings include CNBC Europe and CNBC Asia Pacific, which are services of NBC and Dow Jones, and an equity position in National Geographic Channels International.

    Members of the media can get more information about NBC and its programming on the NBC Media Village Web site at http://www.nbcmv.com/.

    Broadway Video Entertainment is one of New York's leading post-production services companies and a major independent producer of television and film entertainment. Founded in 1979 by Lorne Michaels, Emmy Award-winning creator and executive producer of the landmark television comedy "Saturday Night Live," its Broadway Video Enterprises division manages the company's extensive library of original and acquired entertainment content, distributing it to television and home video markets worldwide. Broadway Video Entertainment also develops and produces popular feature film and television entertainment through its motion picture division, Broadway Video Film Production, and its television production arm, Broadway Video Television. In addition Broadway Video provides award-winning design, video and audio production services, as well as duplication, encoding and DVD authoring services for leading entertainment and corporate clients. For information: http://www.broadwayvideo.com/.

    -- Broadway Video Entertainment --

     

    Gym Class Heroes Start New Year With Headline Trek; "The Darryl Hall For President Tour '07" Features Support From Rx Bandits, P.O.S., and k-os; Alt-Hip-Hop Band Set to Perform New Single "Cupid's Chokehold" on NBC's "Late Night With Conan O'Brien"

     December 19, 2006 -- Decaydance/Fueled By Ramen recording group Gym Class Heroes has unveiled plans for a major North American headlining tour. Dubbed "The Darryl Hall For President Tour '07," tickets for the seven-week trek (see itinerary below) go on sale this Friday, December 22nd.

    The Geneva, NY-based group -- whose sophomore effort, "AS CRUEL AS SCHOOL CHILDREN," has been hailed as one of 2006's best -- will top an electrifying and eclectic bill including progressive ska-punkers Rx Bandits, and two of today's most acclaimed alternative hip-hop artists, P.O.S. and k-os. The tour kicks off at Boston's Avalon Ballroom on February 17th, with dates continuing through an April 6th finale at New Orleans' House of Blues.

    Gym Class Heroes will herald "The Darryl Hall For President Tour '07" with a visit to NBC's "Late Night with Conan O'Brien," slated for Friday, January 12th. The appearance follows the band's previous TV performances on ABC's "Jimmy Kimmel Live," DirecTV's "CD USA," and the syndicated "Fearless Music TV."

    "Cupid's Chokehold," the new single from "AS CRUEL AS SCHOOL CHILDREN," is currently impacting at rock radio outlets nationwide.

    Named MTV2's "Artists To Watch 2007," Gym Class Heroes are proving to be popular favorites at the network, where "Cupid's Chokehold" is already among the top 10 most played videos. The clip -- which features the band's good friend, Patrick Stump of Fall Out Boy -- recently debuted across the MTV spectrum, including MTV's "TRL," mtvU, and MTV2, where it was an "Unleashed" premiere, receiving hourly airings throughout its first day on the air. In addition, Gym Class Heroes have just taped an appearance for MTV2's "T Minus Rock," slated to air in early January.

    "Cupid's Chokehold" is additionally the week's #3 most streamed video on MTV.com, and in "Summa Cum Laude" rotation at mtvU, where, this past fall, the band's breakthrough single/video, "The Queen and I," earned a "Woodie of the Year" nomination from the annual mtvU Woodie Awards. Gym Class Heroes later stole the show at the star-studded ceremonies, delivering a thrilling performance before the crowd at New York's Roseland Ballroom.

    What's more, "Cupid's Chokehold" has also begun blowing up at Fuse, coming in this week as the #4 most played video, with "The Queen and I" also continuing to be among the network's biggest hits.

    A remarkably dedicated live act, Gym Class Heroes has just wrapped up its final itinerary of the year, a schedule which saw the band playing a number of major radio-sponsored holiday shows, plus a pair of major dates with Fall Out Boy. The group spent much of 2006 on the road, including a stint on Vans Warped Tour which had them playing two shows a day to packed audiences. That was followed by their own "Jerry's Kids Short Bus Tour 06" (with support from Decaydance/Fueled By Ramen's own Cobra Starship), as well as a series of dates alongside the All-American Rejects. As if all that weren't enough, the band hit the United Kingdom for a handful of SRO headline dates in early September.

    Produced by S*A*M, aka Sam Hollander (Method Man, the Sounds, and Earth, Wind & Fire), and Sluggo, the alter-ego of renowned session bassist Dave Katz (Roger Daltrey), "AS CRUEL AS SCHOOL CHILDREN" also features co-production from Fall Out Boy's Patrick Stump. The album drew rapturous praise in a number of national publications, including Alternative Press, which awarded the collection its top five-starred rating. Rolling Stone followed up with a "New Artist To Watch" feature on the band.

    Gym Class Heroes first garnered critical acclaim for their unique sound and approach with their Decaydance/Fueled By Ramen debut, 2005's "THE PAPERCUT CHRONICLES." It was the band's alternative hip-hop style and use of live instruments in favor of looped samples and canned beats that caught the attention of Fall Out Boy's Pete Wentz, who immediately signed the group to his Decaydance imprint. With constant touring and a huge online presence, the band has built a large and dedicated fan base.

    Gym Class Heroes are: Travis McCoy (lead vocalist), Disashi Lumumba-Kasongo (guitarist), Eric Roberts (bassist), and Matt McGinley (drummer).

    For more information, visit the band's website at www.gymclassheroes.com, or check out their MySpace page at www.myspace.com/gymclassheroes.

                         GYM CLASS HEROES          "The Darryl Hall For President Tour '07"          All Dates w/Rx Bandits, P.O.S., and k-os  FEBRUARY 17              Boston, MA             Avalon Ballroom 18              Troy, NY               Revolution Hall 20              Indiana, PA            Ohio Room - IU 21              Washington, DC         9:30 Club 22 New York, NY           Webster Hall 23              Rochester, NY          Douglas Hall 24              Pittsburgh, PA         Duquesne University - Union Ballroom 25              Philadelphia, PA       Trocadero 26              Norfolk, VA            Norva Theater 27              Jacksonville, FL       Freebird Live 28 Fort Lauderdale, FL Culture Room MARCH 1 Orlando, FL            The Club at Firestone 2               Atlanta, GA            The Masquerade 3               Nashville, TN          Rocketown 4               Cincinnati, OH         Bogart's 6               Cleveland, OH          House of Blues 7               Grand Rapids, MI       The Intersection 8               Detroit, MI            St. Andrews Hall 9               Toronto, ON            Opera House 10              Montreal, QC           Le National 11              Ottawa, ON             Babylon 13              Columbus, OH           Newport Music Hall 14              Indianapolis, IN       The Irving Theater 15              Chicago, IL            House of Blues 16              Sauget, IL             Pop's 17              Lawrence, KS           Granada 18              Minneapolis, MN        First Avenue 20              Englewood, CO          Gothic Theater 21              Salt Lake City, UT     Avalon Theater 23              Seattle, WA            El Corazon 24              Portland, OR           Hawthorne Theater 25              Orangevale, CA         The Boardwalk 26 West Hollywood, CA     House of Blues Hollywood 27              San Francisco, CA      The Fillmore 28              San Diego, CA          Soma 29              Anaheim, CA            House of Blues 30              Phoenix, AZ            Marquee Theatre 31              Tucson, AZ             Rialto Theatre  APRIL 1               Albuquerque, NM        Sunshine Theater 3               Dallas, TX             Gypsy Ballroom 4               San Antonio, TX        White Rabbit 5               Houston, TX            Meridian 6               New Orleans, LA        House of Blues 

     

    Guy Clark with Rodney Crowell: Talking Shop
    By Peter Cronin

     

    © 2006 CMA Close Up News Service / Country Music Association, Inc.

    "Sure, I'll do that."  - Rodney Crowell

    Rodney Crowell didn't hesitate for a second when CMA Close Up approached him about sitting down to interview his old friend Guy Clark. As friends, collaborators and creative rabble-rousers, Crowell and Clark go way back. Both Texas born-and-raised, they've continually shared that indefinable and quirky something that seems to distinguish singer/songwriters from that particular planet. Whatever the reason, the enduring friendship and creative energy between these two musical iconoclasts has constantly been special and still runs deep.

    They both hit Nashville in the early '70s, part of a new wave of free-thinking, deep-digging writers following in the formidable wake of Mickey Newbury, Jerry Jeff Walker and especially Townes Van Zandt, who drifted in and out of the scene like a ghost. In the decades since, Crowell and Clark have each found their own kind of success. Crowell flirted with Country stardom in the late '80s before veering to the left to become the consistent hit songwriter and premier Americana artist he is today. And Clark ? Well, he's just kept right on being Guy Clark - painting pictures, building world-class guitars, writing songs and releasing albums at his own pace (12 collections of new material throughout the last 31 years).

    His latest album, Workbench Songs, which was released by Dualtone Records on Oct. 17, is a finely distilled collection of story-songs that fit like a favorite sweater. Celebrating the release, Clark gave a series of performances at the Country Music Hall of Fame® as the Museum's 2006 Artist-in-Residence.

    The following interview took place in the basement workshop of Clark's Nashville home, with the mingled scents of sawdust and tobacco filling the room and guitars in various stages of disassembly all over the place. Under a well-worn photo of their old friend and inspirer, Van Zandt, the two songwriters settled in for a little shop talk and a lot of laughs.

    CROWELL:  When you were in your 20s, did you have a workbench?

    CLARK: Oh yeah, I always had a workbench. First thing I'd do when I'd rent a garage apartment was find a corner cubby hole and make a workbench; got to have a workbench. I've got this little guitar shop where I make flamenco guitars and then this steel string.  In the last five years I've made 10 guitars. But it's something I've always loved to do and I swore I was gonna have a guitar shop so I could just come down and build guitars anytime I wanted to.

    CROWELL: As long as I've known you I've never asked you this, where were you born?

    CLARK: I was born in Monahans , Texas .

    CROWELL:  What was your dad doing out there?

    CLARK: Well, at that time, in 1941, he was in the Army, and he was in Hawaii for most of the war. My grandmother had a hotel in Monahans. So he grew up there with a single mom. She had her leg amputated on the kitchen table when she was 12. Tough as nails, man.

    CROWELL: So your earliest memories would have been wartime?

    CLARK: Oh yeah. My dad was overseas, so we lived in this little hotel most of the time. There was a B29 bomber base outside of Monahans in Pyote , Texas . The place was filled with these young pilots either going or coming back, and coming back they were real crazy; you had to be quiet around them, no sudden moves or loud noises.

    CROWELL: Was there any music that surrounded wartime radio?

    CLARK: Well, yeah, big band, swing stuff.

    CROWELL: Was that the first music that you took notice of?

    CLARK: Yeah, probably so. That and Louis Armstrong. My parents liked to dance, and at their age the hippest music going was 16-piece dance bands which is really far out. They're all playing these charts and it's just so smokin' man. I remember going to hear a Texas swing band with my parents in some big barn place. I don't know if it was Ernest Tubb, but it was somebody like that in the '40s.

    CROWELL: It could have been Bob Wills.

    CLARK: Could have been and I just didn't know it. There was never anything but the radio. Nobody had a record player until I got into junior high and bought 45s.

    CROWELL: What did you buy?

    CLARK: The first thing I bought was a collection of Louis Armstrong records, two songs on each side, the very first 45s. It was like a boxed set. My mother's uncle, who lived in Odessa , ran all the jukeboxes in West Texas , and he had this warehouse full of old 78s that came off of jukeboxes. We were allowed to take armloads of them home. We'd play them and make ashtrays out of them. Probably what was there was really priceless. (laughs)

    CROWELL: Your childhood was all in West Texas , right?

    CLARK: Not all. I was in the third grade when my father decided to go back to law school on the GI Bill. He had a wife and three kids and we moved to Houston and lived in those old Army barracks on campus while my father went to law school.    

    CROWELL: You would have been in Houston in the early '50s?

    CLARK: Yep. I remember we would take these trips and just drive around Texas . Up in the hill country, down the coast, everywhere just looking for the right small town to set up a law practice.

    CROWELL: When did you graduate and what was the world like?

    CLARK: 1960. The world was full of hope. John Kennedy was President. The first thing I did was join the Peace Corps.

    CROWELL: Did you go off somewhere?

    CLARK: No, I got kicked out. (laughs) I spent a month in survival training in Puerto Rico, up in the mountains and then a month at the University of Minnesota at St. Paul studying the Indian language. Man, I spoke Spanish! So why are you sending me to India ? (laughs) It was my first confrontation with government bureaucracy. My heart wasn't really in it. Plus, I was having too much fun.

    CROWELL: When did you pick up the guitar?

    CLARK: Sophomore year in high school. My father had taken in a young woman law partner. She had just graduated from the University of Texas , and her name was Lola Bonner. She sang and played guitar. She was from South Texas and she played all those Mexican songs. It was the first time I'd ever seen anybody sit in a room, just right there. I was absolutely captivated from that moment on. There was just no question I was going to do this. First time I heard her I was like, "Wow, I want to do that."

    CROWELL: One little known fact about you is that you were an art director of a teenage dance show, "The Larry Kane Show," which I used to watch as a kid in Texas . I remember seeing Roy Head and the Traits on there and a lot of that good, local stuff. Was there anything you did in school that would give you the background to become an art director for a television show?

    CLARK: No, it was something that came very naturally to me.

    CROWELL: Besides being a performer and a songwriter, you build guitars, you're a painter, you're an art director. I remember you had that period where you really focused in on painting a lot. The results of your painting were just stunning. You have just a natural gift for the brush stroke.

    CLARK: I know, and it just comes so easy to me, it's like, "This isn't fair, it's too easy!" (laughs) That's why I stuck with the guitar. It's like damn, this is hard.

    CROWELL: Does building guitars strike you as being as easy as painting?

    CLARK: Yep. All my life, we were always encouraged in the arts, in drawing, and just anything crafty. I always did that kind of stuff, and I was always good at it, but I never had any formal training. My first year in college, I majored in physics. (laughs)

    CROWELL: That would apply to building guitars.

    CLARK: Oh yeah. But it didn't take long to get over that.

    CROWELL: I remember you telling me that as a kid you were encouraged to listen to recordings of spoken poetry.

    CLARK: When I was growing up, that was pre-TV. We didn't have a TV set until I was a junior in high school. So after supper, we would sit around and either play Scrabble, or Monopoly or read out loud. We'd pass the book around and read poetry out loud, or a novel or a short story or something.

    CROWELL: I've said to people, "Besides his imagination and his gift for it, Guy is the best self-editor I've ever known."

    CLARK: I like wrangling words. My mother, 'til the day she died, worked the New York Times Crossword Puzzle every day. The use of language was at the top of the list. Some of the poems that we were encouraged to read were really melodic and storytelling, like Robert Service, Vachel Lindsay, Stephen Vincent Benet, just amazing stuff. I still have it.

    CROWELL: When did you bump into Townes [Van Zandt]?

    CLARK: Probably '64, '65, '66, somewhere around there. I met him with Jerry Jeff [ Walker ]. Jerry Jeff was hangin' out in Houston , and he brought him to a party one night. That was the first time I saw him.

    CROWELL: Had you started writing?

    CLARK: No.

    CROWELL: But you were performing as a folk singer at the time.

    CLARK: Yep.  It had to be squeaky clean traditional. The first thing, you had to learn a Bob Dylan song.

    CROWELL: It seems to me you would have been ahead of Bob Dylan's songs. You would have been into Leadbelly.

    CLARK: Oh yeah, and all that real traditional stuff. In Houston , we had access to Lightnin'  Hopkins and Mance Lipscomb. Any time you wanted to go see Lightnin', you could just go see him, you know?

    CROWELL: Was Townes the catalyst that triggered you into writing songs?

    CLARK: I think so. And Jerry Jeff too, because he was the one who was really doing it. He was out there hitchhiking around, living on the road and making a living playing and singing songs.

    CROWELL: He had already written "Mr. Bojangles" probably.

    CLARK: At that time is when he wrote it.

    CROWELL: So this meeting of you and Jerry Jeff and Townes, that's when you started writing.

    CLARK: I said, "If these jerks can do it, I can too." (laughs) There is some of that, but it was also the natural place to go with what I was doing.

    CROWELL: With you and Townes and Jerry Jeff, that's three strong alpha males; and all of you in your 20s with that healthy competition and one-ups-manship.

    CLARK: It never was competitive, it was always encouraging. The first thing you'd do with a new song was, "Hey, listen to this." The other person isn't going to put it down and tell you it's no good. It wasn't a competitive sport.

    CROWELL: Writing is not a competitive sport. But still, in your 20s, there's still that competitiveness. In the case of the Beatles, they wound up hating each other. In terms of Townes and Jerry Jeff, it took a lot of energy to be who they were.

    CLARK: Oh yeah. They were real self-centered jerks! (laughs) It was like "me, me, me."

    CROWELL: You're a jerk, too. Your jerk always came out in not suffering fools gladly.

    CLARK: I guess so.

    CROWELL: In the late-'60s you went to California , didn't you?

    CLARK: I did. In '68 and '69. I had gotten divorced from my first wife, and went off to find myself, and moved to San Francisco and lived with my friend Minor Wilson. I worked in his guitar shop, and played and sang down in North Beach .

    CROWELL: Is that where you started learning how to build guitars?

    CLARK: No, that's another thing that just came very naturally to me. The first Mexican guitar I got, the first thing I did was fix it. I started taking it apart and trying to figure out how it worked. And it has fascinated me ever since. It's like, "Wow! What a cool thing!" Especially Spanish-built guitars, just from the craftsmanship point of it.

    CROWELL: So, you were in San Francisco in the Summer of Love?

    CLARK: I just missed the Summer of Love. The bloom was off the flower children (laughs). After I lived in San Francisco , I moved back to Houston , and that's when Susanna and I got together. We went to L.A. to try to make it in the music business. I was 30 or 31, and it was was like, "Man if you don't do it now, you're gonna die wishing you'd done it." So we packed up all our dishes in our Volkswagen bus. I didn't have any demo tapes, so every time I'd get an appointment with a publisher, I'd take my guitar and some lyrics and sit down and sing for 'em. One day, a guy at Sunbury Music said, "I want somebody to hear you." It was the President of RCA's publishing company, Sunbury/Dunbar. I played four songs, and he said "That's fine, how much money do you want, and where do you want to live?"

    CROWELL: And you said " Nashville ."

    CLARK: I knew already just from living in L.A. a year, that I did not really want to live there. And I knew Mickey [Newbury] lived here.

    CROWELL:  When people ask me about your work I tell them it's a deep combination of brilliant imagination and melodic sense combined with this incredible jeweler's eye of a self-editor. Revision is the writer's friend.

    CLARK: Yeah, it's like that first Mexican guitar I ever got, the first thing I wanted to do with it was fix it. And I just get a kick out of wrangling words, you know? I just enjoy it.

    CROWELL: Painting, building guitars and writing songs, does it all come from the same source, the same kind of influence?

    CLARK: Sure, I think so.

    CROWELL: So what about the future, is there anything you haven't done that you'd like to do?

    CLARK: Yeah. All these things that you're talking about, the painting, the writing and building guitars, are things that I do that no one ever gets to be the best there is at. And the more you do it the less you know, and the harder it is the better. I've always wanted to build a house, but it's always, "I don't think so right now." And I've always wanted to build a boat, but "I don't think so right now." And I still want to build another one of these guitars over here.

    CROWELL: But if you wanted to build a house, I bet you'd build yourself a good one.

    CLARK: Yeah, I would! 

    On the Web: www.guyclark.com; www.rodneycrowell.com

     

    Playboy to Open First European Concept Boutique in London

    , Dec. 19 -- Playboy Enterprises, Inc. (PEI) announced today that it will open a freestanding Playboy Concept Boutique on London's popular Oxford Street, next spring. Reflecting the global fashion- lifestyle brand's retail strategy to launch at least three stores per year over the next few years, Playboy's upscale shopping destination will be owned and operated under license by Global Designer Brands (GDB).

    "Historically, Playboy has had a longstanding relationship with London, one of the biggest fashion capitals in the world. Playboy's growing retail success at London's preeminent retailers has demonstrated consumer demand to expand confidently to a freestanding Playboy Concept Boutique in this desirable market," said Christie Hefner, chairman and CEO of Playboy Enterprises, Inc. "Given Oxford Street's reputation for offering the latest fashions to discerning London shoppers, we believe that the freestanding Playboy store, while complementing our third-party distribution, will create additional interest and enthusiasm for our wide range of products."

    The Playboy Concept Boutique in London will be the eighth in the world, following store openings in:

      * Tokyo (2002), which was recognized as one of 40 top stores in the world     by the Retail Leaders Association   * Las Vegas (May 2005), the first U.S. retail location at The Forum Shops   * Melbourne (September 2005), in Australia's fashionable Chapel Street     area   * Hong Kong (January 2006), in Causeway Bay's upscale Fashion Walk area   * Kuala Lumpur (July 2006), in Utama Shopping Mall, Malaysia's premier     fashion area   * Bangkok (August 2006), in the new Central World Plaza Mall   * Auckland (Spring 2007), in Sylvia Park, the country's largest shopping     center  

    In addition to the Playboy Concept Boutiques, a high-end retail boutique opened in June 2006 in the Palms Casino Resort in Las Vegas. The store is part of a larger entertainment destination, which is operated by the Palms Casino Resort and the N9NE Group, and opened in October 2006, revealing a nightclub, boutique casino and lounge, and sky villa, all featuring the world- famous Playboy Rabbit Head.

    The Playboy Concept Boutique in London will offer a unique shopping experience to style-conscious men and women, as well as to Playboy enthusiasts. Unlike traditional retailers, the Playboy Concept Boutiques emphasize a design-driven look, inspired by the spirit of Playboy and representing concepts inherent to the iconic brand. Their fixturing is purpose-developed for Playboy, making the architectural elements "concepts" unto themselves, with furniture and fixtures inspired by Playboy iconography, enhancing the shopping experience. The exciting format and design of the store undoubtedly will be a destination point for European shoppers. Offering men's and women's collections of Playboy apparel, jewelry, accessories, footwear, and swimwear, the new location also will feature the high-end "Playboy Intimates" white-label lingerie and Playboy "Icon" collection of evening dresses.

    In addition to the Playboy Concept Boutique in London, Playboy opened its first-ever fashion showroom in May 2005, occupying two floors at 48 Beak Street in the trendy Soho area. The venue serves as a fashion hub for media and retail buyers. Further demonstrating its commitment to the London market, Playboy opened a regional office on Rosebery Avenue in Holborn in fall 2006.

    In May 2006, Playboy Editor-in-Chief Hugh Hefner visited London for the first time in over five years to celebrate his 80th birthday with an exclusive in-store event to launch Playboy men's underwear at Harvey Nichols. Other London retail partnerships have included the debut at Selfridges of Playboy's prestige cosmetics collection, "Playboy Beauty" and "Playboy Exposed" at Harvey Nichols, a photo exhibit of the most iconic images in Playboy's history that were incorporated in men's and women's fashion items. Luxury retailers that have carried Playboy fashion merchandise also include Henri Bendel in New York; Kitson in Los Angeles; Colette in Paris; Galeries Lafayette in Berlin; Daslu in Sao Paolo, and Seibu and Sogo in Hong Kong.

    Playboy's branded line of licensed fashion and consumer products has experienced exceptional growth at retail since its repositioning in 1999, with a product offering that includes men's and women's fashion apparel and accessories, underwear, legwear, outerwear and footwear, as well as home furnishings and lifestyle and entertainment products. Playboy's licensed products business as a whole now generates in excess of $700 million in global retail sales in more than 130 countries and territories. Celebrities and fashion influencers spotted wearing Playboy fashions and accessories include Britney Spears, Jennifer Lopez, Janet Jackson, Jade Jagger, Snoop Dogg, and Lenny Kravitz.

    About Playboy Enterprises, Inc.

    Playboy Enterprises is a brand-driven, international multimedia entertainment company that publishes editions of Playboy magazine around the world; operates television networks and distributes programming globally; owns Playboy.com, a leading men's lifestyle and entertainment web site; and licenses the Playboy trademark internationally for a range of consumer products and services.

    Source: Playboy Enterprises, Inc.

     

    Oscar(R) Winners Adrien Brody and Ben Affleck, Academy Award(R) Nominee Diane Lane All Star in the 2006 Golden Globe-Nominated Thriller Inspired by Hollywood's Most Notorious Unsolved Mystery 'Hollywoodland'

    'The performances by Adrien Brody, Diane Lane and Ben Affleck are all Oscar(R)-worthy. This is one sensational film.' -Larry King

    On DVD February 6, 2007 From Universal Studios Home Entertainment

    Dec. 19 -- Ben Affleck ("Good Will Hunting," "Pearl Harbor") is a Golden Globe Award nominee* for his riveting performance in "Hollywoodland," a story of scandal, corruption and a star's mysterious death during Hollywood's Golden Era. The film comes to DVD and HDDVD/DVD Combo format on February 6, 2007 from Universal Studios Home Entertainment.

    Academy Award(R) winner Affleck, along with Academy Award(R) winner Adrien Brody ("King Kong," "The Pianist") and Oscar(R) nominees Diane Lane ("The Perfect Storm," "Unfaithful") and Bob Hoskins ("Who Framed Roger Rabbit"), leads a sterling cast in the critically acclaimed account of the strange demise of actor George Reeves, known to a generation of Americans as television's Superman. The price of celebrity is viewed in a stark light in this compelling retelling of Tinsel Town's most infamous real-life mystery. Allen Coulter (The Sopranos, Sex and the City) makes an outstanding feature film directorial debut with a picture-perfect thriller set against the glamour and corruption of 1950s Hollywood. Affleck dazzles as the increasingly desperate Reeves, a performance that earned him Best Actor honors at the 2006 Venice International Film Festival. A murder mystery with a twist, "Hollywoodland" dramatizes a search for the truth that will keep audiences guessing at every turn. The DVD includes exciting bonus features that take viewers inside classic Hollywood for a glimpse of the toxic effects of celebrity.

    In "Hollywoodland," low-rent private detective Louis Simo (Adrien Brody) is hired to investigate the premature death of Hollywood striver George Reeves (Ben Affleck). Haunted by his own success and unable to shed the superhero image created by his popular television show, Reeves is found dead, apparently by his own hand. As Simo probes the circumstances surrounding the actor's death, he finds tantalizing suggestions of foul play involving Reeves' fiancee, his wealthy lover and her movie mogul husband -- and puts himself at risk. The DVD is priced at $29.98 SRP. The combo disc is priced at $39.98. Preorder close is January 9, 2007.

    To view a clip from "Hollywoodland", please access the link below: http://www.hollywoodlandmovie.com/media/hollywoodland_laugh_happy_300k.mov

    * Ben Affleck, 2006 Golden Globe nominee -- Performance By an Actor in a Supporting Role in a Motion Picture

    SUPER CRITICAL SUCCESS FOR "HOLLYWOODLAND"

    Critics agree that "Hollywoodland" is a must-see, and an awards contender. "Hollywoodland" is "a perfect crime thriller!" says Rex Reed of The New York Observer. "Hollywoodland" is "sexy, exciting, [and] mysterious," according to Jan Wahl, KRON TV in San Francisco. Larry King declared, "The performances by Adrien Brody, Diane Lane and Ben Affleck are all Oscar(R)-worthy," and that "this is one sensational film."

    INTRIGUING BONUS FEATURES

    The "Hollywoodland" DVD contains more than a half-hour of exclusive bonus features including:

      -  Deleted Scenes   -  Recreating Old Hollywood - In this piece, the production team      demonstrates how they re-created the glamour of the Hollywood of      yesteryear.  Interviews include ones with the film's production      designer, set decorator, costume designer, make-up artists and hair      stylists.   -  Behind the Headlines - Director Allen Coulter, screenwriter Paul      Bernbaum, and other members of the creative team reveal which elements      of the film story are based on fact, and what creative liberties they      had to take in order to tell the story of the unsolved mystery      surrounding George Reeves' death.   -  Hollywood Then and Now - With help from historians, filmmakers,      actors and other experts, explore how Hollywood has changed in the last      60 years, as the similarities and difference between "classic"      Hollywood and today's big city are examined.   -  Feature Commentary with Director Allen Coulter                                   SYNOPSIS 

    Based on the true story of Hollywood's most notorious unsolved mystery, "Hollywoodland" is a tale of glamour, scandal, and corruption in 1950s Los Angeles. When George Reeves (Ben Affleck), star of TV's Adventures of Superman, is found dead in his home, millions of fans are shocked by the circumstances of his death. The police and the studio bosses want the case closed as a suicide, but rumors linger. Louis Simo (Adrien Brody), a private investigator, picks up the trail and begins to piece together the actor's last, tension-filled days. Who pulled the trigger? Was it the seductive yet scheming fiancee, the spurned lover (Diane Lane), the enraged husband (Bob Hoskins), or was it Reeves himself? Simo must find out before the truth is buried forever.

      For more information please visit: www.hollywoodlandmovie.com    CAST & FILMMAKERS   Director: Allen Coulter   Written By: Paul Bernbaum   Produced By: Glenn Williamson   Director of Photography: Jonathan Freeman   Film Editor: Michael Berenbaum   Production Designer: Leslie McDonald   Costume Designer: Julie Weiss   Music By: Marcelo Zarvos   Cast: Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Lois Smith,         Robin Tunney    TECHNICAL INFORMATION   DVD   Street Date: February 6, 2007   Pre-Order Close: January 9, 2007   Copyright: 2007 Universal Studios. All Rights Reserved.   Price:  $29.98   Selection Number: Widescreen 31975, Full Frame 30081   Running Time: 2 Hours 6 Minutes   Layers: Dual Layer   Aspect Ratio: Anamorphic Widescreen 1.85:1 and Full Frame 1.33:1   Rating: R for language, some violence and sexual content   Technical Info:     -  English: Dolby Digital 5.1     -  French: Dolby Digital 5.1     -  Subtitles: English SDH, Spanish, French    HD DVD/DVD COMBO   Street Date: February 6, 2007   Pre-Order Close: January 9, 2007   Copyright: 2007 Universal Studios. All Rights Reserved.   Price:  $39.98   Selection Number: Widescreen   Running Time: 2 Hours 6 Minutes   Layers: Dual Layer   Aspect Ratio: Anamorphic Widescreen 1.85:1 and Full Frame 1.33:1   Rating: R for language, some violence and sexual content   Technical Info:     -  English: Dolby Digital Plus 5.1     -  French: Dolby Digital Plus 5.1     -  Subtitles: English SDH, French  

    Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric, with 20% owned by Vivendi.

     

     

    A Decade on the Web for Iconic Sports Site

    December 19 Sports fans have something extra to celebrate this Christmas as the iconic news and content portal, sportinglife.com celebrates 10 years on the web on Wednesday 20 December.

    It is a full decade since the Leeds-based site brought the historic brand bang up to date with an online offering that was originally a companion to the sports paper, founded in 1859. Much has changed in the ensuing years, but sportinglife.com remains one of the most recognisable brands in British sport.

    "I can't believe it's been 10 years, but the site has never stopped changing and developing in that time," says Graham Shaw, editor-in-chief of sportinglife.com, who has been with the site since 1996. "We've had many different styles and columnists,, but the biggest development has been the advent of broadband, which has brought more sports fans to the site and allowed them to follow the action nearly as fast as we can deliver the news and information.

    "What hasn't changed is our commitment to the delivery of high quality sports news, which helped us make the transition to an internet-focused brand when The Sporting Life newspaper closed in 1998."

    Launched as a joint venture between Trinity Mirror - then owners of the newspaper version - and the Press Association, sportinglife.com was sold in 2001 to what is now 365 Media Group plc (currently the subject of a recommended cash offer from BskyB). It has since become part of a stable of internet-based sports brands that includes Football365.com, Sportal.com and TEAMtalk.com.

    "sportinglife.com has continued to generate a huge loyal following because it continues to do its job so well" says Andy Roberts, head of marketing for 365 Media Group. "That's because for the sports fan, sportinglife.com has always been and still is the best for the latest breaking sports news, live scores and results."

    Broadcaster Tony Jardine is the F1 columnist for the site and sportinglife.com also sponsors his successful rally team.

    "2006 marks the seventh year of sportinglife.com's association with my rally campaign, during which time the site has really grown in profile and popularity," says Tony. "The team is very proud to be associated with such a prestigious website, which covers such a broad spectrum of sports and has such a powerful reach."

    Visit www.365mediagroup.co.uk for more information.

    Source: 365 Media Group Plc

     

     

    Wicked, Jimmy Buffett and Tim McGraw & Faith Hill Are 'Most Requested Events' in 2006

    Disney on Ice and New England Patriots Are Year's Most Requested Family and Sporting Events, Respectively

     Dec. 19 -- Wicked, the Broadway musical and theatrical tour was the top "Most Requested Event" in 2006 according to Ticketmaster, the world's leading ticketing company. Following closely behind on the chart ranked by online page views, information requests, and ticket sales from 1/1/06 to 12/13/06 were Jimmy Buffett and Tim McGraw and Faith Hill's Soul2Soul II Tour.

    Jimmy Buffett and McGraw/Hill's tour were also the top two "Most Requested Concerts" of 2006, followed by Dave Matthews Band and the Cheetah Girls ranking at #3 and #4 respectively. Wicked also ranked as the #1 "Most Requested Arts and Theatre Event" followed by IL Divo, Mary Poppins, and Blue Man Group. The New England Patriots, Chicago Bears, and New York Yankees were Ticketmaster's "Most Requested Sporting Events" in 2006. And Disney On Ice followed by Ringling Bros. and Barnum & Bailey Circus, Radio City Christmas Spectacular, and the Wiggles were the year's "Most Requested Family Attractions."

    "It's wonderful to see every category of live entertainment represented among the year's most requested events," said Ticketmaster President, Sean Moriarty. "Fans have never had a greater opportunity to choose from such a wide set of live events and, based upon the choices they're making, they clearly like what they see."

      Following are the Most Requested Events of 2006:                     2006 MOST REQUESTED EVENTS   RANK   1       WICKED   2       JIMMY BUFFETT   3       TIM MCGRAW AND FAITH HILL SOUL2SOUL II   4       DAVE MATTHEWS BAND   5       THE CHEETAH GIRLS   6       NEW ENGLAND PATRIOTS   7       CHICAGO BEARS   8       KENNY CHESNEY   9       SHAKIRA   10      AMERICAN IDOLS LIVE PRESENTED BY POP-TARTS                    2006 MOST REQUESTED CONCERTS   RANK   1       JIMMY BUFFETT   2       TIM MCGRAW AND FAITH HILL SOUL2SOUL II   3       DAVE MATTHEWS BAND   4       THE CHEETAH GIRLS   5       KENNY CHESNEY   6       SHAKIRA   7       AMERICAN IDOLS LIVE PRESENTED BY POP-TARTS   8       BON JOVI   9       BILLY JOEL   10      TOOL                2006 MOST REQUESTED SPORTING EVENTS   RANK   1       NEW ENGLAND PATRIOTS   2       CHICAGO BEARS   3       NEW YORK YANKEES   4       DETROIT TIGERS   5       DALLAS MAVERICKS   6       PHILADELPHIA EAGLES   7       WWE WORLD WRESTLING ENTERTAINMENT   8       DENVER BRONCOS   9       SEATTLE SEAHAWKS   10      MIAMI HEAT              2006 MOST REQUESTED ARTS & THEATRE EVENTS   RANK   1       WICKED   2       IL DIVO   3       MARY POPPINS   4       BLUE MAN GROUP   5       RENT   6       ANNIE   7       HAIRSPRAY   8       ANDREA BOCELLI   9       MONTY PYTHON'S SPAMALOT   10      MAMMA MIA!                2006 MOST REQUESTED FAMILY ATTRACTIONS   RANK   1       DISNEY ON ICE   2       RINGLING BROS. AND BARNUM & BAILEY CIRCUS   3       RADIO CITY CHRISTMAS SPECTACULAR   4       WIGGLES   5       HOUSTON LIVESTOCK SHOW AND RODEO   6       SESAME STREET LIVE   7       DORA THE EXPLORER LIVE!   8       UNIVERSOUL CIRCUS   9       HARLEM GLOBETROTTERS   10      SAN ANTONIO STOCK SHOW AND RODEO    

    Ticketmaster's ranking of the nation's most requested events is based on online page views, information requests, and ticket sales through Ticketmaster sales channels during 2006 (1/01/06 - 12/13/06).

    Source: Ticketmaster

     

    Bono, Gnarls Barkley, Nelly Furtado, The Flaming Lips, Sufjan Stevens, Sting and Others Receive Top Honors From Second Annual XM Nation Awards

    XM, the nation's leading satellite radio service with more than 7 million subscribers, today announced the winners of the Second Annual XM Nation Awards. Music fans nationwide cast their votes for nominated artists and categories selected by XM's programming staff in categories ranging from "Best Comeback of the Year" to "Least Favorite Celebrity-turned-Music Act" to "Artist Most Overlooked By FM Radio." Fans were also able to write in their choice for the artist they'd most like to have their own music show on XM.

      Some of the winners include:                 Award Category                        Winner    "XMU Next" - Most Important Emerging    Sufjan Stevens    Indie Artist    "Off the Radar" - Artist Most           The Flaming Lips    Overlooked by FM Radio    "On the Rebound" - Best Comeback        Nelly Furtado    of the Year    "Dream Duet" - Artist Collaborations    Alice Cooper & Rob Zombie    We'd Like to See    "Dashboard Anthem" - Best Sing Along    "Crazy" - Gnarls Barkley    of 2006    "Closet Classic" - Favorite "Guilty     "Sweet Caroline" - Neil Diamond    Pleasure" Song    "Wish You Were Still Here" - Artist     John Lennon    We'd Like to Have Back    "Keep Your Day Job" - Least Favorite    Kevin Federline    Celebrity-Turned-Music Artist    "Sound Sidetrack" - Favorite "Musical   Sting - "Songs From the Labyrinth"    Departure" Album    "Live @ XM"- Favorite Live XM           Andrea Bocelli    Performance    "Enough Already!" - Most Played-Out     "You're Beautiful" - James Blunt    Song of 2006    "Call My Agent" - Artist We'd Like to   Bono    See Host a Show on XM  

    Additionally, XM will air a four-hour XM Nation Awards special throughout New Year's Day 2007, highlighting this year's nominees and winners, along with the best musical moments of 2006. Hosted by XM on-air music programming staff, the special will debut at 12 midnight ET on January 1, 2007 on XM LIVE (XM 200), with encores airing throughout the day.

    A complete list of winners is available at http://www.xmradio.com/xmnation.

      Editor's Note: The full list of winners is attached to this release.    About XM Satellite Radio 

    XM (NASDAQ:XMSR) is America's number one satellite radio company with more than 7 million subscribers. Broadcasting live daily from studios in Washington, DC, New York City, Chicago, the Country Music Hall of Fame in Nashville, Toronto and Montreal, XM's 2006 lineup includes more than 170 digital channels of choice from coast to coast: commercial-free music, premier sports, news, talk radio, comedy, children's and entertainment programming; and the most advanced traffic and weather information.

    XM, the leader in satellite-delivered entertainment and data services for the automobile market through partnerships with General Motors, Honda, Hyundai, Nissan, Porsche, Subaru, Suzuki and Toyota is available in 140 different vehicle models for 2006. XM's industry-leading products are available at consumer electronics retailers nationwide. For more information about XM hardware, programming and partnerships, please visit http://www.xmradio.com/.

    Factors that could cause actual results to differ materially from those in the forward-looking statements in this press release include demand for XM Satellite Radio's service, the Company's dependence on technology and third party vendors, its potential need for additional financing, as well as other risks described in XM Satellite Radio Holdings Inc.'s Form 10-K filed with the Securities and Exchange Commission on 3-9-06. Copies of the filing are available upon request from XM Radio's Investor Relations Department.

                                 XM NATION AWARDS                                2006 WINNERS            XM NATION AWARD CATEGORY                  WINNER    XMU Next - Most Important Emerging Indie    Sufjan Stevens    Artist    Off the Radar - Artist Most Overlooked      The Flaming Lips    by FM Radio    On the Rebound - Best Comeback of the Year  Nelly Furtado    Dream Duets - Good Idea                     Alice Cooper & Rob Zombie    Don't Duet - Bad Idea                       Clay Aiken & 50 cent    Dashboard Anthem - Best Sing Along of 2006  Crazy - Gnarls Barkley    Closet Classic - Favorite "Guilty           Sweet Caroline - Neil Diamond    Pleasure" song    XM Exile: The Song to be Banned in the      Who Let the Dogs Out - Baha    XM Nation                                   Men    Wish You Were Still Here - Artist We'd      John Lennon    like to have Back    Keep Your Day Job - Least Favorite          Kevin Federline    Celebrity-Turned-Music Artist    "Sound Sidetrack" - Favorite "Musical       Sting "Songs From the    Departure" Album                            Labyrinth"    Favorite Live at XM Performance             Andrea Bocelli    "Enough Already!" - Most Played-Out Song    You're Beautiful - James Blunt    of 2006    XM Sports Nation, Worst Sports Moment of    Zidane's head-butt    2006    XM Sports Nation: Best XM Sports Play by    Chicago White Sox win World    Play Moment                                 Series    "Call My Agent" - Artist We'd Like to See   Bono    Host a Show on XM    "The Supporter Cup" - Channel That          Squizz - XM 48    Inspires You To Buy The Most Music    Halo 2006 Christian Pop Artist of the Year  Casting Crowns    Cherub Award - Notable New Christian Pop    Sara Groves    Artist of 2006    "Most Anointed" - Award for Outstanding     Heroes - Kirk Franklin    Urban Gospel Album of 2006    Favorite Classical Confidential             Cecilia Bartoli    The Virtuoso Award - Favorite Classical     Renee Fleming - Sacred Songs    Album    Voices of Angels: Opera Singer Who Will     Lorraine Hunt Lieberson    Be Remembered Most    Big Schtick Award - Most Popular Comedy     Craig Shoemaker "Lovemaster"    Routine or Joke    Female "Stand-Up Comedy Champion" 2006      Lisa Lampanelli    Male "Stand-Up Comedy Champion" 2006        Lewis Black    X Country Best in Texas Award               Brian Burns    Best in Grass Bluegrass Award               Rhonda Vincent    Rookie Driver of the Year - Highway 16's    Carrie Underwood    Top New Country Artist    XM Country Superstar of the Year            Keith Urban    Disco Diva of All-Time                      Donna Summer    Most-Powerful Mixing Machine - Best         Armin Van Buuren    DJ/Mixer    Savoy Suave & Permanently Cool - What's     Frank Sinatra    Cool in the 40's is Cool Today    Spike Jones Award: Best Novelty Song        Purple People Eater by Sheb    of the 50's                                 Wooley    Favorite Protest/Anti-Protest Song          Blowin' in the Wind - Peter,                                                Paul & Mary    1970's Lyrically Challenged Award for       Blinded By the Light --    the Song Hardest to Understand              Manfred Mann's Earth band    (XM) Radio Killed the Video Star:           Thriller - Michael Jackson    Best MTV Video    Forever Flannel - 90s song that's still     Smells Like Teen Spirit -    cool                                        Nirvana    Early Reserve - Most-Anticipated Broadway   Les Miserables (revival)    Show of 2006/07    Favorite Million Dollar Ticket - Favorite   Wicked    Broadway Show Grossing $1 Million Plus    That's Entertainment Award - The most       Pirates of the Caribbean 2    "Fun" movie of 2006    The Score for 2006 - Favorite Movie         Superman Returns (John Ottman)    Soundtrack of the Year    Thanks for the Material: The Events/        Brad Pitt and Angelina Jolie    People that gave us the best stuff to    talk about in 2006    The Theater-of-the-Mind Award -             Twilight Zone    Favorite Classic Radio Show    Most Innovative MOJA Album of the Year      Chick Corea    New & Blue -- Outstanding New Blues         Guitar George Baker    Artist of 2006    Epoch Award for Favorite Contemporary Jazz  The Rippingtons (20 yrs)    Band Celebrating a Milestone Anniversary    Real Jazz Icon Award - Living Legends       Sonny Rollins    The "Absolutely KINDIE" Award - Top         Terri Hendrix    Indie Kids Artist of 2006    Ultimate Earworm Award - Year's Most        The Hampsterdance    Relentlessly Catchy Kids Song    Best Latin "Make-Up" Song / Mejor           Chayanne - Te Echo de Menos    cancion para pedir perdon    Best Latin Drinking Song / Mejo             Valentin Elizalde - Como me    Cancion Para Tragos                         duele    Best Latin Song To Learn To Salsa /         Marc Anthony - Que Precio    Mejor Cancion para Aprender Salsa           Tiene El Cielo    Reggaeton Artist with the Best Body-Ink /   Daddy Yankee    Artista de Reggaeton con mas Tatuajes    The Golden Spliff Award - The Artist        Beenie Man    keeping it most Irie in 06    "We Believe" Award - Most Promising         The Fray    New Pop Act    Essential Pop Party Track of 2006           Promiscuous - Nelly Furtado    "Best Strange of the Year" - Squizz's       Hinder    Best New Artist    2006 Loft Artist of the Year                Neil Young    Welcome to The Loft - Notable New Artist    Peter Bradley Adams    of 2006    "Best Score Of The Year" - Tour that        Ozzfest    "scored" the most amount of groupies    XM Cafe Appetizer of the Year - Favorite    KT Tunstall - Eye to the    Adult Alternative New Release of 2006)      Telescope    XM Cafe Entree of the Year - Favorite       Ben Harper - Both Sides Of    Adult Alternative Album of 2006             The Gun    Alt Shaker Award                            Red Hot Chili Peppers    Fresh Ethel Seal of Approval -- New Ethel   Gnarls Barkley    Artist Most-Endorsed by the XM Nation    Stage Presence with Guitar -- Best          Pete Townsend    Guitar-hero Stance    Teflon Vinyl Award - Album With the         Dark Side of the Moon - Pink    Most Worn-out Grooves                       Floyd     The Giant Bone - Best Hard Rock             Queensryche "One Foot in    Performance                                 Hell"    The Go 2 Hell - Best Metal Performance      Slayer "Jihad"    The Golden Lougie 2006 - Best Punk          Time Again "Cold Concrete"    Performance    Return To Rhyme - Old school hip-hop        Salt-N-Pepa    group that should reunite    The "Spark" Award - The Artist who          Chris Brown    brought the HEAT in 2006    Mayor of The City - The Artist who Ran      Mary J. Blige    the Charts and the Streets this Year    My First Phantom - Best New Hip-Hop Artist  Yung Joc    Neo-Souled Out Award for the Notable        Ne-Yo    New R&B Artist    The Quincy Award The Greatest Soul    Artist of All Time                         Stevie Wonder 

    Source: XM Satellite Radio

     

    Oscar® Gets Quoted

     

    Beverly Hills, CA — “Stella!” “I’m mad as hell and I’m not going to take this anymore!” “Snap out of it!” “You had me at hello.” Dozens of the most memorable and quotable lines from motion pictures will share the 79th Academy Awards® poster canvas with Oscar.

    The commemorative poster features words and phrases that have become part of society’s colloquial speech. “They are the unforgettable lines that you hear in everyday conversations, in meetings, at parties, or walking down the street,” said Sid Ganis, president of the Academy of Motion Picture Arts and Sciences. “They tap into what we think and give us great shorthand ways to express how we feel about those things. If a picture is worth a thousand words, then each quote is worth at least 500.”

    All of the lines showcased in the poster except one are from films that have received an Academy Award® nomination for Best Picture, Writing, or both, between 1936 and 2005. (Finding the exception should be the first of many trivia contests that the Academy expects the poster to generate.)

    The concept and design for the poster was created for the Academy by TBWA\Chiat\Day Los Angeles. Photographer Albert Watson captured the Oscar statuette featured on the poster.

    The 27x40 poster, printed on premium recycled paper, uses a black canvas and highlights the quotes in gold metallic ink, each in a distinctive typeface to reflect the movie it represents.

    Starting today, more than 65,000 posters will be distributed worldwide. The poster will be available for purchase through March 12, 2007, on the Academy’s Web site at http://www.oscars.org/publications/ or by calling 1-800-554-1814.

    Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater.

    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment.

    Editors: Please note that downloadable images are available at http://photos.oscars.org/.

    # # #

    79th Academy Awards® Poster - Quote List

    “Can't you see I have you Chump? Get me some sviskey!” from “The Great Ziegfeld,” 1936

    “Sometimes you're so beautiful it just gags me” from “You Can't Take It with You,” 1938

    “Frankly, my dear, I don't give a damn!” from “Gone with the Wind,” 1939

    “I'll get you, my pretty, and your little dog, too!” from “The Wizard of Oz,” 1939

    “I'm asking you to marry me, you little fool” from “Rebecca,” 1940

    “Rosebud” from “Citizen Kane,” 1941

    “Here's looking at you, kid” from “Casablanca,” 1943

    “No, a golf course is nothing but a pool room moved outdoors” from “Going My Way,” 1944

    “One's too many an'a hundred's not enough!” from “The Lost Weekend,” 1945

    “I've seen nothing. I should have stayed at home and found out what was really going on” from “The Best Years of Our Lives,” 1946

    “You don't want much. You just want the moon. …with parsley!” from “Gentleman's Agreement,” 1947

    “Frailty, thy name is woman!” from “Hamlet,” 1948

    “You throw money around like it was money” from “All the King's Men,” 1949

    “All right, Mr. DeMille, I'm ready for my closeup” from “Sunset Blvd.,”1950

    “STELLA!” from “A Streetcar Named Desire,” 1951

    “Well, what am I? I'm a private no-class dogface. The way most civilians look at that, that's two steps up from nothin'” from “From Here to Eternity,” 1953

    “I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am” from “On the Waterfront,” 1954

    “An Englishman never jokes about a wager, sir” from “Around the World in 80 Days,” 1956

    “All work and no play make Jack a dull boy” from “The Bridge on the River Kwai,” 1957

    “Such stupidity is without equal in the entire history of human relations” from “Gigi,” 1958

    “You can break a man's skull. You can arrest him. You can throw him into a dungeon. But how do you control what's up here? How do you fight an idea?” from “Ben-Hur,” 1959

    “When you're in love with a married man, you shouldn't wear mascara” from “The Apartment,” 1960

    “Come in, come in! We won't bite you--till we know you better” from “West Side Story,” 1961

    “No prisoners! No prisoners!” from “Lawrence of Arabia,” 1962

    “It is widely held that too much wine will dull a man's desire. Indeed it will, in a dull man” from “Tom Jones,” 1963

    “Gentlemen, you can't fight in here. This is the War Room” from “Dr. Strangelove,” 1964

    “The Von Trapp children don't play. They march” from “The Sound of Music,” 1965

    “Hope that was an empty bottle George! You can't afford to waste good liquor, not on your salary!” from “Who's Afraid of Virginia Woolf?” 1966

    “They call me MISTER Tibbs!” from “In the Heat of the Night,” 1967

    “What we've got here is failure to communicate” from “Cool Hand Luke,” 1967

    “Open the pod bay doors, HAL” from “2001: A Space Odyssey,” 1968

    “Think you used enough dynamite there, Butch?” from “Butch Cassidy and the Sundance Kid,” 1969

    “I'm walking here! I'm walking here!” from “Midnight Cowboy,” 1969

    “We're going to kick the hell out of him all the time and we're going to go through him like crap through a goose!” from “Patton,” 1970

    “This is Doyle. I'm sittin' on Frog One” from “The French Connection,” 1971

    “I'm gonna make him an offer he can't refuse” from “The Godfather,” 1972

    “I love it when guys peel out” from “American Graffiti,” 1973

    “Well, to tell ya the truth, I lied a little” from “Chinatown, 1974

    “Hit me, Chief! I got the moves!” from “One Flew over the Cuckoo's Nest,” 1975

    “Attica! Attica!” from “Dog Day Afternoon,” 1975

    “I'm as mad as hell and I'm not going to take this anymore!” from “Network,” 1976

    “Follow the money” from “All the President’s Men,” 1976

    “The Force is strong with this one!” from “Star Wars,” 1977

    “Stanley, ya see this? This is this. This ain't something else. This is this. From now on, you're on your own” from “The Deer Hunter,” 1978

    “The horror. The horror” from “Apocalypse Now,” 1979

    “I am not an animal. I am a human being. I am a man” from “The Elephant Man,” 1980

    “Wanna dance? Or would you rather just suck face?” from “On Golden Pond,” 1981

    “E.T. phone home,” from “E.T. The Extra-Terrestrial,” 1982

    “Who was the best pilot I ever saw? Well, uh, you're lookin' at 'im” from “The Right Stuff,” 1983

    “Wind in the hair! Lead in the pencil!” from “Terms of Endearment,” 1983

    “Do I ice 'er? Do I marry 'er?” from “Prizzi's Honor,” 1985

    “Shut up! Shut up and take the pain! Take the pain!” from “Platoon,” 1986

    “Snap out of it!” from “Moonstruck,” 1987

    “Greed is good” from “Wall Street,” 1987

    “Ten minutes to Wapner” from “Rain Man,” 1988

    “If you build it, he will come” from “Field of Dreams,” 1989

    “In case I forget to tell you later, I had a really good time tonight” from “Pretty Woman,” 1990

    “Good evening, Clarice” from “The Silence of the Lambs,” 1991

    “You can't handle the truth!” from “A Few Good Men,” 1992

    “The truth, Helen, is always the right answer” from “Schindler's List,” 1993

    “My Momma always said 'Life was like a box of chocolates. You never know what you're gonna get” from “Forrest Gump,” 1994

    “Show me the money!” from “Jerry Maguire,” 1996

    “You had me at hello” from “Jerry Maguire,” 1996

    “I'm the king of the world!” from “Titanic,” 1997

    “You make me want to be a better man” from “As Good As It Gets,” 1997

    “Off the record, on the QT, and very Hush-Hush” from “L.A. Confidential,” 1997

    “I am a dead man and buggered to boot” from “Shakespeare in Love,” 1998

    “Remember those posters that said ‘Today is the first day of the rest of your life?’ Well, that's true of every day except one--the day you die” from “American Beauty,” 1999

    “My name is Gladiator” from “Gladiator,” 2000

    “Frodo!” from “The Lord of the Rings: The Fellowship of the Ring,” 2001

    “Give 'em the old razzle dazzle” from “Chicago,” 2002

    “You don't throw a whole life away just 'cause it's banged up a little” from “Seabiscuit,” 2003

    “Don't jive me, man” from “Ray,” 2004

    “No, if anyone orders Merlot, I'm leaving” from “Sideways,” 2004

    “I wish I knew how to quit you” from “Brokeback Mountain,” 2005

    # # #

     

     

    Dec 18 2006

     

    Reprise Records to Reissue Classic Green Day Albums "1,039" and "Kerplunk"

    Reprise Records will release re-mastered versions of two classic Green Day albums, the Grammy Award-winning band's 1991 debut "1,039/Smoothed Out Slappy Hour" and its second full-length, 1992's "Kerplunk," on January 9, 2007.

    The reissues capture the best-selling Berkeley, California trio at the start of its long career, displaying singer Billie Joe Armstrong and bassist Mike Dirnt's relentless three-chord power-punk formula that eventually became a blueprint for countless imitators and led to a revival of interest in American punk.

    Originally released on Berkeley indie label Lookout! Records, "1,039/Smoothed Out Slappy Hour" was a compilation of Green Day's early no-frills EPs "39/Smooth," "Slappy," and "1,000 Hours." In 1992, Lookout! released the more melody-minded "Kerplunk," which marked the recorded debut of drummer Tré Cool, who brought an impressive blend of energy, speed, and technique to the mix. The album included the stand-out tracks "Welcome to Paradise" (re-recorded for Green Day's 1994 Reprise debut "Dookie"), and the rampaging opener "2,000 Light Years Away." "Kerplunk" sold 50,000 copies in the U.S., a considerable feat for an indie punk band at the time, and went on to sell more than 2 million copies worldwide.

    The remastered recordings will delight old and new fans alike, and prove once again why Entertainment Weekly has called Green Day "the most influential band of its generation."

     

    Sire Recording Artists Armor for Sleep Head Into the Studio

    -- New Jersey-based post-hardcore quartet, Armor for Sleep, are heading into the studio to record their debut album for Sire Records and third studio album to date.

    Armor for Sleep has joined forces with renowned producer Ben Grosse (Filter, Marilyn Manson, Vertical Horizon) and will be recording at The Mix Room in Burbank, CA. Mixing will commence after production at The Mix Room as well.

    Hailing from Bergen County, Armor for Sleep -- lead singer/guitarist Ben Jorgensen, bassist Anthony DiIonno, guitarist PJ DeCicco, and drummer Nash Breen -- are one of the most buzzworthy bands to emerge from the area. Their 2005 independent release on Equal Vision Records, "What To Do When You Are Dead," sold more than 200,000 copies and debuted at #1 on Billboard's Heatseekers and Alternative Artists Chart -- a major leap from their first effort, 2003's "A Dream to Make Believe." The band has been writing feverishly to progress toward the next step ever since.

    Armor for Sleep joined Sire Records in April 2006. That same year, they were chosen as an MTV2 "Artist To Watch," featured on MTV's "10 Spot Drop," and were a headlining act on the Warped Tour. The accolades led to Jorgensen appearing with others on the cover of Alternative Press' Warped Tour issue. They also became the #1 most viewed band on MTV.com's A to Z pages, and stayed #1 on MTVU.com for five consecutive weeks. The band also won FUSE TV's Oven Fresh Battle with videos for "Car Underwater" and "Truth About Heaven."

    Armor for Sleep will be recording in Burbank into 2007 and are available for "In The Studio" features. Watch out for the new album later in the year!

    www.armorforsleep.com

     

    Koch Records Dominates Billboard Independent Chart Again With 23 Charted Titles!

    #1 for 6th Consecutive Year!

    December 18, 2006 -- KOCH Records is proud to announce that once again, it is the Top Independent Label based on the number of Charted Titles according to Billboard. KOCH Records had the most charted titles (23) by an independent label for the year 2006, 28% more than any other independent label. The titles span various genres, including releases from, Jim Jones, The Wiggles, Bone Thugs N Harmony, Michael Franks, Unk, Scarface, Tha Dogg Pound and others.

    Amazingly for the seven year-old label, this marks the 6th year in a row the fastest-growing independent label has dominated the Independent Chart. In 2005, KOCH Records charted 25 titles, and in 2004, KOCH Records charted 27 titles, almost doubling the number of charted releases of any other independent label. In 2003, KOCH Records charted 28 titles, in 2002 it charted 25 titles, and in 2001, KOCH tied for first with TVT, with each label charting 19 titles.

    Between 2001 and 2006, KOCH Records had an impressive total of 147 charted titles on the Billboard Independent Chart.

    KOCH Records President Bob Frank says, "We are proud to maintain the number 1 slot for the 6th consecutive year. We have a great team who make it all possible and the plan is of course to go for our 7th in 07! We're still just warming up!"

    About KOCH Records

    KOCH Records is a division of KOCH Entertainment, the fastest-growing music company and the market leader among independents in North America. The KOCH Entertainment corporate umbrella encompasses the KOCH Records label, KOCH Vision home video, KOCH Music Publishing and KOCH Entertainment Distribution with operations in both the U.S. and Canada. KOCH Records proudly claims the largest number of Billboard charting albums among independents for each of the last six years (2001-2006). For additional info on the KOCH Records label and its roster of artists, please visit www.kochrecords.com

     

    More New Online Buyers, Spending More, Account for Holiday Spending Increase

    According to a recent comScore Networks report on consumer online retail spending, online sales reached $12.42 billion during the period November 1st through December 3rd., an increase of 25 percent versus year ago. They conclude, hovever, that this gain is being driven by a 17 percent increase in the number of online buyers, coupled with a 7 percent increase in the average dollars spent per buyer.

    Non-Travel (Retail) Spending (Online Spending Drivers Nov. 1 - Dec. 3, 2006 vs. 2005)

     

    Percent Change

    E-Commerce Spending

    25%

    Number of Buyers

    17%

    Dollars Per Buyer

    7%

    Source: comScore Networks

    Gian Fulgoni, chairman of comScore Networks, said "... comScore's data are confirming that... more consumers are becoming comfortable buying online. But, an accentuating factor is that online spending per buyer is also increasing - as a result of more buying transactions and an increase in higher-ticket purchases."

    For the 2006 Holiday season, to-date, the computer hardware category has the highest average order value at $292, followed by consumer electronics, video game consoles & accessories, jewelry & watches, and event tickets.

    Top Online Product Categories by Average Order Value (Nov. 1 - Dec. 3, 2006 vs. 2005)

    Retail Category

    Avg. Order Value

    Computer Hardware

    $292

    Consumer Electronics

    $153

    Video Game Consoles & Accessories

    $141

    Jewelry & Watches

    $128

    Event Tickets

    $123

    Source: comScore Networks

    That most of the higher-ticket categories also appeared on the list of fastest growing retail categories confirms that they are significant growth drivers for this year's holiday season.

    Fastest Growing Online Product Categories, by Dollar Growth (Nov. 1 - Dec. 3, 2006 vs. 2005)

    Retail Category

    Percent Change

    Video Games

    85%

    Jewelry & Watches

    69%

    Event Tickets

    66%

    Video Game Consoles & Accessories

    51%

    Consumer Electronics

    37%

    Source: comScore Networks

    Mr. Fulgoni commented, "As broadband connectivity in the home continues to rise, we're seeing some online spending shift from work computers to home computers. Nonetheless, online buying at work still accounts for as many e-commerce dollars as buying from home. This could... (reflect) consumers' valuing of the workplace as the location where they're able to confidentially buy gifts online for immediate family members."

    Holiday E-Commerce Spending by Location (Billion $, Nov. 1 - Dec. 3, 2006 vs. 2005)

    Purchase Location

    2005

    2006

    Percent Change

    Home

    $4.18

    $5.44

    30%

    Work

    $4.51

    $5.36

    19%

    Source: comScore Networks

     

    Knott's Berry Farm Rings in New Year with Heavenly Sounds at Praise 2007

    World Class Thrill Rides Combined with First Rate Entertainment and Spectacular Fireworks Adds up to a Fantastic New Year's Party

    Dec. 18, 2006 Knott's Berry Farm jumps into the New Year with a special ticket contemporary Christian entertainment celebration including top musical headliners performing throughout the theme park.

    Praise 2007 combines a night of famous Knott's attractions such as Silver Bullet and GhostRider with the biggest names in contemporary Christian music. December 31 headliners include chart toppers BarlowGirl, Tree63, Sanctus Real, Aaron Shust, Stellar Kart, Telecast and comedian Bob Smiley.

    Artists Becca, Alyssa and Lauren Barlow of BarlowGirl hit the music scene in 2003 with their self-titled debut. They stirred up the male-dominated rock world with their hits "Mirror" and "Never Alone," the number one song that earned the trio numerous 2004 GMA (Gospel Music Association) nominations, including Best New Artist and Best Rock Song and Album. The BarlowGirl's rendition of the hymn "For the Beauty of the Earth" is currently featured in the holiday movie "The Nativity Story."

    Since 1999 the South African-bred group Tree63 has defied the odds by not only topping their homeland's mainstream charts, but by securing spots in American waters as well. The group's venerable string of singles from its self-titled Inpop debut, including "Look What You've Done" and "Treasure," which hit #1 stateside, resulted in the 2001 Dove Awards for "Rock Album of the Year."

    Partygoers can ring in the New Year aboard one of Knott's Berry Farm's many exciting attractions including GhostRider(R), Xcelerator(sm) and Silver Bullet, Knott's first suspended coaster. Also adding to the New Year's Eve festivities will be a spectacular midnight fireworks celebration.

    Praise 2007 on Dec. 31, 2006 is a special ticket event not covered by regular Knott's Berry Farm admission. Tickets are $38.95 each presale and $41.95 each day of event, $34.95 each for groups of 15 or more with two-day advance reservation (includes one free ticket for every 15 purchased). Discount coupons are available at selected Christian bookstores. For a list of bookstores in your area visit http://www.knotts.com.

    Tickets are now on sale at Knott's Guest Relations and Ticketmaster outlets or by phone at (714) 220-5220. There is limited seating at some performance venues. Outdoor concerts are presented weather permitting.

    Knott's Berry Farm is located just 10 minutes from Disneyland(R) Park; 30 minutes from Los Angeles International Airport (LAX) and Southern California's famous beaches; and 45 minutes from Universal Studios Hollywood, Beverly Hills and Los Angeles-area sightseeing.

    The park is open every day except Christmas. For operating hours and information on the day you plan to visit, call Knott's Information at (714) 220-5200, or visit us online at http://www.knotts.com.


     

    The Bridge Collection Adds Exclusive New Songs on iTunes

    Many New Selections Are Available December 19

     December 18, 2006 -- Following the highly successful iTunes (www.itunes.com) launch of The Bridge Collection, an exclusive 6-volume set comprising some of the impressive live recordings from one of the world's most unique benefit concerts, more than 50 new selections are now available.

    Neil and Pegi Young have hosted The Bridge School Concerts every fall for the past 20 years. In November, The Bridge Collection made its debut on iTunes with 80 live songs from many of the concerts' guests. For the second part of this incredible project, iTunes is making downloads available of many more of the most stunning performances from the concerts, all available now for the first time.

    Exclusive tracks featured for the first time in this release are Bruce Springsteen's "Born in the USA," Crosby, Stills, Nash & Young's "Déjà vu," Don Henley's "Best of My Love," Elvis Costello's "Alison," Jack Johnson's "Flake," John Mellencamp's "To Washington," Neil Young, Bruce Springsteen & Nils Lofgren's "Helpless," Phish's "Driver," the Pretenders' "Needle and the Damage Done," Tom Petty's "Shadow of a Doubt," Tom Waits' "16 Shells from a Thirty-Ought-Six," among many others.

    All proceeds will be donated to The Bridge School, an educational program dedicated to ensuring that children with severe speech and physical impairments achieve full participation in their communities through the use of augmentative and alternative means of communication.

    www.bridgeschool.org

     

      

    My Chemical Romance Announce 2007 U.S. Headlining Tour Dates

    -- December 18, 2006 -- Reprise Records' My Chemical Romance will launch their first extensive tour in support of their Number One Rock album, the RIAA gold-certified, "The Black Parade." The U.S. arena tour, produced by Art Show -- a national touring division of Goldenvoice -- will kick off in Manchester, NH at the Verizon Wireless Arena on February 22, 2007. Fans will be able to purchase a limited number of tickets in a special fan-club presale starting today by visiting http://mcrblackparade.ducatking.com/. The official on sale date for tickets will be Saturday, January 6, 2007.

    "The Black Parade," an epic theatrical concept album about mortality, has been named "Album Of The Year" by Blender Magazine, stating, "My Chemical Romance transcended the cliché... to craft a grandiose epic that just might make them the biggest band in the world." Rolling Stone says, "'The Black Parade' is the best mid-Seventies record of 2006, a rabid, ingenious paraphrasing of echoes and kitsch from rock's golden age of bombast."

    The week after its release, "The Black Parade" claimed the Number One spot on SoundScan's Rock, Alternative, Top Albums Retailers, Indy/Small Chain, Internet, and Digital Album Charts. It also shot to Number 2 on Billboard's Top 200 album chart, selling more than 240,000 copies its first week of release. The first single, "Welcome To The Black Parade," has enjoyed eight weeks at the top of the Alternative / Modern Rock Radio Charts in the U.S. and the singles chart for two consecutive weeks in the UK.

    My Chemical Romance's upcoming tour dates with Rise Against are as follows*:  2/22/2007  Manchester, NH - Verizon Wireless Arena 2/23/2007  Uniondale, NY - Nassau Coliseum 2/25/2007  Philadelphia, PA - Liacouras Center 2/26/2007  Cleveland, OH - Wolstein Center 2/28/2007  Detroit, MI - Joe Louis Arena 3/1/2007   Chicago, IL - Allstate Arena 3/3/2007   Lincoln, NB - Pershing Auditorium 3/4/2007   Denver, CO - Magness Arena 3/6/2007   Salt Lake City, IL - The E Center 3/7/2007   Las Vegas, NV - Orleans Arena 3/9/2007   Phoenix, AZ - Jobing.com Arena 3/10/2007  Los Angeles, CA - The Forum 3/11/2007  Anaheim, CA - Arena at the Anaheim Convention Center 3/13/2007  San Diego, CA - ipayOne Center 3/14/2007  Fresno, CA - Selland Arena 3/15/2007  Oakland, CA - ORACLE Arena 3/16/2007  Reno, NV - Lawlor Events Center  *more dates to be announced 

    www.mychemicalromance.com

     

    Taffy Entertainment Grants DVD Rights for Emmy-Nominated Kids Series "ToddWorld" to Genius Products

    Award-Winning Animated Program to Hit Retail Shelves This Spring 2007

     December 18, 2006 -- Taffy Entertainment announced today it has licensed the home video rights of its award-winning, Emmy® nominated children's series, "ToddWorld," to Genius Products, LLC. Episodes of the series on DVD will be available in retail stores beginning this spring 2007.

    "ToddWorld" is a half-hour animated series that explores common themes and the social challenges of a young child's life with color, humor and quirky charm. Based on the best-selling books of Todd Parr, the show brings the same intelligence, offbeat sensibility and visual punch to television. Without preaching, the series offers a mixture of moral, emotional and skills-based messaging, always presented in a playful and whimsical manner. As a proven, critically acclaimed creative property, the series also includes a great emotional and intellectual foundation with a large fan base.

     

    Children's animated series 'ToddWorld' will be released on DVD   by Genius Products, LLC, beginning Spring 2007.
    (Click here for details)
    Children's animated series 'ToddWorld' will be released on DVD
    by Genius Products, LLC, beginning Spring 2007.

     

    "Genius Products' reputation for providing important and meaningful kids programming will be well-served with the addition of 'ToddWorld,'" said Cynthia Money, President, Worldwide Consumer Products for Taffy Entertainment. "Kids and parents will enjoy Todd Parr's message of tolerance, acceptance, self esteem and friendship."

    "There is an incredible amount of warmth and charm in 'ToddWorld,'" said Christine Martinez, Genius Products' Executive Vice President. "The engaging stories, vibrant colors and quirky characters make for a truly wonderful viewing experience. 'ToddWorld' is yet another quality program we're proudly adding to our expanding family portfolio."

    "ToddWorld," an international co-production, is produced by North America's most prolific independent animation studio, Mike Young Productions, along with Discovery Kids, India's Dataquest and Ireland's post production house, Telegael. The television series was created by Todd Parr, in collaboration with writer Gerry Renert, president of SupperTime Entertainment. In the US, the program airs on the "Ready Set Learn!" programming block on TLC and Discovery Kids.

    About Taffy Entertainment

    Taffy Entertainment (www.TaffyEntertainment.com) is a leading worldwide distribution, brand management and entertainment company representing brands from some of the largest animation producers across the globe. This includes the prolific Mike Young Productions; MoonScoop Productions, the top producer of animation in Europe; and select properties from third parties. Taffy's library for distribution and/or consumer products includes the Emmy Award-winning "Jakers! The Adventures of Piggley Winks," "ToddWorld," "Pet Alien," "Titeuf" (TooTuff), "Growing Up Creepie," "Mix Master," "Fantastic Four," "Code Lyoko" and "Casper," among many others. With offices in Paris, Los Angeles, London and Shanghai, the company has fully-integrated production, distribution, licensing, merchandising and marketing facilities. It also has a library that includes over 3,000 half hours of animation, encompassing some of the most recognizable worldwide brands and best-loved animated creations in the global television market. The company also distributes to leading broadcasters in 160 countries around the world.

    About Genius Products

    Genius Products, Inc. (OTCBB: GNPI), along with The Weinstein Company, jointly own Genius Products, LLC, a leading independent home-entertainment distribution company that produces, licenses, and distributes a valuable library of motion pictures, television programming, family, lifestyle and trend entertainment on DVD and other emerging platforms through its expansive network of retailers throughout the U.S. Genius handles the distribution, marketing and sales for such brands as Asia Extreme™, Baby Genius®, Dragon Dynasty™, Dimension Films, ESPN®, IFC®, NBC News®, Sundance Channel Home Entertainment®, Wellspring™ and The Weinstein Company®. Genius Products, Inc. is the managing member of Genius Products, LLC, in which is holds a 30% equity interest.

     

    Mattel Donates Toys for Holiday Season

    Children's Hospitals Across the U.S. Receive Thousands of Toys as Part of Mattel's Toy Donation Program

     Dec. 18 Mattel, Inc. (NYSE:MAT) today announced that in 2006 it has donated almost 1.5 million toys worth approximately $10 million to children in need around the world. Included in that donation is 45,000 toys worth $1 million to more than 160 children's hospitals in the United States, Canada, Mexico and Italy in cooperation with the National Association of Children's Hospitals and Related Institutions (NACHRI) and Gifts in Kind International.

    Mattel continues to dedicate more than 2% of its pretax profit to charitable efforts, including product donations and grant making activities. Mattel's toy donations in 2006 were distributed across the U.S. to more than 500 charities in 48 states and the District of Columbia, as well as many more internationally.

    "Mattel is committed to leading the way in making a difference in the lives of children," said Deidre Lind, Executive Director of the Mattel Children's Foundation and Mattel philanthropy programs. "During the holiday season, we think it is especially important to bring smiles to children's faces, especially those who are battling illness and other challenges. It is our philanthropic mission to make a meaningful difference in the lives of children of need and our toy donation program is at the core of that mission."

    Mattel's philanthropic programs include support of the Mattel Children's Foundation, which conducts international and domestic grantmaking, volunteer efforts engaging employees around the world in charitable activities and product donations.

    The Mattel Toy Donation program is closed for 2006, but will accept applications beginning in early 2007. More information about Mattel's Toy Donation program can be found in the "About Us/Philanthropy" section of the company's corporate website (www.mattel.com).

    About the Mattel Children's Foundation

    The Mattel Children's Foundation was established in 1978. With a vision of "making a meaningful difference, one child at a time," the Foundation provides cash grants through domestic and international grantmaking programs, as well as international scholarships to children of employees, matching gifts and volunteer grants for Mattel employees. In addition, the Foundation continues its tradition of partnering with exemplary nonprofit partners. Mattel has partnered with Special Olympics, Save the Children, the Mattel Children's Hospital at UCLA, the National Association of Children's Hospitals and Related Institutions (NACHRI) and the Children Affected by AIDS Foundation (CAAF). The Mattel Children's Foundation is funded exclusively by cash donations from Mattel, Inc.

    About Mattel

    Mattel, Inc., (NYSE:MAT) (www.mattel.com) is the worldwide leader in the design, manufacture and marketing of toys and family products, including Barbie(R), the most popular fashion doll ever introduced. The Mattel family is comprised of such best-selling brands as Hot Wheels(R), Matchbox(R), American Girl(R), Radica(R) and Tyco(R) R/C, as well as Fisher-Price(R) brands (www.fisher-price.com), including Little People(R), Rescue Heroes(R), Power Wheels(R) and a wide array of entertainment-inspired toy lines. With worldwide headquarters in El Segundo, Calif., Mattel employs more than the 30,000 people in 42 countries and sells products in more than 150 nations throughout the world. Mattel's vision is to be the world's premier toy brands -- today and tomorrow.

    Source: Mattel, Inc.

    iTunes Sales Will Get a Boost From Jingle Dogs

     Dec. 18 The new 20-song album features the woofs, howls and barks of 200 dogs spliced together without the use of tape machines and razor blades. The music was engineered in a digital studio in Hollywood. If the past is any indication of the future, there should be a few million iPods with animal sounds popping out of the earphones. That's music to anyone at Apple Computers' ears.

    The dogs were their own worst critics. They knocked over lamps, chewed on the microphones and took liberties with the carpeting. Like any rock and roll bad boys, they smashed instruments, knocked over tables, threw food and chased females.

    It's a wonder the album got finished. The best thing about this album is the variety of dog barks. The music is fun for the whole family. It is a wonderfully creative album. Early reviews have been enormously positive.

    The Jingle Dogs last album was a smash hit when it was released in 1995. Now, the dogs are back, after several backup stints with the Jingle Cats on Meowy Christmas (1993), Here Comes Santa Claws (1994), and Rhythm and Mews (1995).

    The next project for the Jingle pets is a comedy movie with the working title, "Jingle Cats Movie," which is in development.

    Just when you thought the holidays couldn't get any kitschier, Mike Spalla and his world famous "Jingle Cats" are at it again. Spalla has been busy this year working on the new addition to the holiday tradition of cats meowing your favorite holiday tunes, and will release the new "Jingle Dogs" album this Christmas day.

    So far, two million "Jingle Cats" albums have been sold worldwide, with the United States leading the consumption followed by Japan, Canada, Germany and Sweden.

    Since December of 2004, consumers have downloaded over 78,000 "Jingle Cats" and "Jingle Dogs" songs from the iTunes website.

    "Somebody called me up and wanted a recording of Jingle Bells and I didn't have one, and so I came into my studio to record it ... and I brought my cat with me. I was working on it for about an hour and my cat disappeared. He started meowing at me through the glass window and what I was hearing were meows that were perfectly in tune with the music. I looked over at him, I hit the record button, and I started waving at the cat and every time I waved, he would meow. So I tried waving in time with the music. I ended up with a rough take of Jingle Bells sung by my cat. I later overdubbed nine cats onto the track. Some people thought it was funny. I won a free camera from KIIS FM in Hollywood. People were asking me when the album was coming out. I had some funny friends that saw the humor in the 'project.' They kept insisting that I make an album of cats singing Holiday favorites. So eventually I was talked into it. I put together a little cassette tape that was 25 minutes long. It really was only about 7 minutes of music and a lot of repeating, so I was looping the music," said Spalla.

    That album turned into the 1993 release, Jingle Cats "Meowy Christmas" which is now the original release by the Jingle Cats.

    The Jingle Dogs new album will be released as a download first on December 25, 2006 from www.jinglecats.com, the CD will be released on January 1, 2007, and the songs will hit iTunes and other download services within 2-4 weeks.

    Source: Jingle Cats Music

     

     

    Grey's Anatomy, The O.C., Criminal Minds and More: Autodesk Solutions Spice Up 2006-2007 Television Lineup

     Dec. 18 From sizzling dramas to science fiction adventures, Autodesk, Inc. (NASDAQ:ADSK) Media & Entertainment solutions are shaping more than 40 new and returning television shows. Numerous post-production facilities are relying on Autodesk visual effects, editing and finishing, and 3D animation, modeling and rendering software to create captivating, future-proofed television content.

    "Television programming is at an exciting growth stage. Content distribution methods are changing and growing, providing a variety of new revenue streams. However, content owners also face the challenge of ensuring that content produced today will meet future delivery requirements," explained Stig Gruman, vice president of Autodesk's Media & Entertainment systems. "Visual effects facilities choose Autodesk solutions because they enable digital artists to efficiently create and master visually appealing content at the highest resolutions. This investment helps to ensure that content will be compatible with future distribution methods."

    Post-production facility RIOT works with the Autodesk Smoke and Autodesk Fire editing and finishing systems on a variety of primetime hit shows including Deadwood, The Sopranos, Cold Case, Curb Your Enthusiasm, Close to Home, John From Cincinnati and Big Love. The facility has relied on the systems since it started doing HD production more than six years ago.

    "At that time, Autodesk Fire was the only real-time, uncompressed HD solution available," said Robb Cadzow, chief engineer at RIOT. "Today Smoke and Fire are still leaps and bounds ahead of other finishing products available. From real-time 4:4:4 and distributed rendering to SAN playback and integration with VFX systems, Fire and Smoke offer facility integration like no other product on the market today."

    Vancouver-based Rainmaker uses Autodesk Inferno and Autodesk Flame visual effects systems, as well as Autodesk Maya 3D animation, modeling and rendering software for MGM's science fiction series, Stargate SGI and Stargate: Atlantis. The post house also uses the tools to shape Showtime's drama series, The L Word. For Stargate SG-1 and Stargate: Atlantis, Rainmaker works on everything from the enhancement of principal photography to the creation of entirely digital shots. Rainmaker's work on The L Word is more subtle, with visual effects being used to enhance scenes through color correction and image processing.

    "Autodesk Flame and Inferno have been the mainstays of our compositing efforts on both television series since day one," explained Bruce Woloshyn, visual effects supervisor at Rainmaker. "At every level of the compositing process, these products allow us to have complete control over the images. This has been paramount to our success on Stargate for many years. From real-time input/output at both standard- and high-definition, to superior tracking and keying toolsets, these products allow us to produce the highest-quality imagery on a tight schedule."

    Many other visual effects facilities are working with Autodesk solutions to create content for the 2006-2007 TV season:

       *    MFX uses Flame and Maya on Grey's Anatomy, Dexter, Two and a Half         Men, Notes from the Underbelly, How I Met Your Mother and According         to Jim    *    Encore Hollywood relies on Inferno, Flame, and 3ds Max to shape Big         Love, Rome, CSI: NY, Boston Legal, Monk, Entourage, The Unit,         Nip/Tuck, The Closer, My Name is Earl, Deadwood, NCIS, The Loop and         House.    *    Buzz Image Group uses Flame HD to create The Flood and Killer Wave    *    Modern Video Film uses Inferno for visual effects and clean up work         on The O.C., Desperate Housewives, Stand Off, Jericho, Shark,         Smallville, Vanished, Dirt and Perfect Day    *    Look Effects uses Flame, Flint and Maya to shape Criminal Minds and         Bones    About Autodesk 

    Autodesk, Inc. is a Fortune 1000 company, wholly focused on ensuring that great ideas are turned into reality. With seven million users, Autodesk is the world's leading software and services company for the manufacturing, infrastructure, building, media and entertainment, and wireless data services fields. Autodesk's solutions help customers create, manage and share their data and digital assets more effectively. As a result, customers turn ideas into competitive advantage, become more productive, streamline project efficiency and maximize profits.

    Founded in 1982, Autodesk is headquartered in San Rafael, California. For additional information about Autodesk, please visit http://www.autodesk.com/.

    NOTE: Autodesk, 3ds Max, Flame, Fire, Flint, Inferno, Maya and Smoke are registered trademarks or trademarks of Autodesk, Inc., in the USA and/or other countries. All other brand names, product names or trademarks belong to their respective holders. Autodesk reserves the right to alter product offerings and specifications at any time without notice, and is not responsible for typographical or graphical errors that may appear in this document.

    Record-Setting 1 Million King Tut Tickets Sold at The Field Museum

    CHICAGO, Dec. 18    WHAT:     More than one million tickets have been sold for The Field             Museum's blockbuster exhibition Tutankhamun and the Golden Age             of the Pharaohs.  The exhibition opened May 26, 2006 and will             continue through January 1, 2007.  Due to Tut's vast popularity,             The Field Museum has extended the hours of operation to             accommodate the public.  The Museum has opened one hour earlier             -- at 8 a.m. -- throughout December, and closes at 11 p.m. on             select days.    WHEN:     May 26, 2006 to January 1, 2007             8 a.m. to 5 p.m. daily, with extended viewing until 11 p.m. on             select days.  See http://www.fieldmuseum.org/ for details.    WHERE:    The Field Museum, 1400 S. Lake Shore Dr., Chicago    DETAILS:  Tutankhamun and the Golden Age of the Pharaohs includes more             than 130 treasures from Tut's tomb and his 18th dynasty Egyptian             ancestors.  All treasures are between 3,000 and 3,500 years old,             and many have never before left Egypt.  Visitors will also             explore the fascinating period of religious turmoil and artistic             creativity during Tut's reign, and discover what new             technologies are revealing about the king's life and mysterious             death.  An audio tour narrated by Omar Sharif is available as             well.              A few fun facts about Tut's current run to date ...               -- A record-setting 1 million tickets have been sold, a                  first-ever for any ticketed exhibition at the Museum.               -- More than 5,000 Tut Memberships for special viewings and                  6,000 regular Museum Memberships have been sold since the                  exhibition's opening.               -- More than 140 special Tut events have been booked,                  including corporate parties and benefits.               -- More than 110,000 tickets have been sold to groups, hotels                  and other clients.               -- Museum gift shops have sold an estimated 9,000 ankh mood                  rings, which retails at $3.50.              The exhibition is organized by National Geographic, AEG             Exhibitions, and Arts and Exhibitions International, with             cooperation from the Egyptian Supreme Council of Antiquities.             Northern Trust is the presenting sponsor and Exelon, Proud             Parent of ComEd, is the associate sponsor in Chicago.  

     

    Viacom's MTV Networks Creates MTVN Mobile Media

    New Unit to Grow MTVN Wireless Entertainment Business Across Company's Brands

     Dec. 18 Building upon the success of its wireless initiatives and its lead in creating original content for mobile, Viacom's (NYSE:VIA) (NYSE:VIA.B) MTV Networks (MTVN) today announced it has created MTVN Mobile Media, a new unit dedicated to growing the company's mobile entertainment business. MTVN Mobile Media will be responsible for managing mobile partnerships and content distribution for the company, and will support the teams at the individual MTVN brands in developing a wide portfolio of mobile content and applications -- including personalization, entertainment, information and messaging products. The unit will be led by Greg Clayman, who has been promoted to Senior Vice President of MTVN Mobile Media. MTVN Mobile Media reports into MTVN Global Digital Media, led by Mika Salmi, President; and MTVN Affiliate Sales and Marketing, led by Nicole Browning, President.

    "Connecting with our consumers on every platform they love is at the heart of our digital strategy," said Judy McGrath, Chairman and CEO, MTV Networks. "MTVN Mobile Media will help our brands take it even further in distribution and product development, and it will expand our global wireless footprint even more, so the communities around our brands can access our content anywhere."

    "Our audiences lead an on-demand lifestyle and our brands deliver the best pop-culture, music, comedy and entertainment programming on the handset," said Salmi. "With MTVN Mobile Media, we're poised to deliver even more compelling mobile content and further deepen our connection with our viewers."

    As the world's leading provider of video programming for the handset, MTVN publishes more than 600 clips and 30 hours of video per month in the United States alone, across all major carriers and leading MVNOs. Globally, the company has partnerships with 68 carriers and connections with more than one billion subscribers, making MTVN the largest wireless content provider of any entertainment company.

    Added Browning, "We're clearly primed to take our programming to the next level, and as we build on our fast-growing mobile video business and add more channels, more content, and more distribution around the world, we will continue to focus on mobile games, personalization products such as ringtones and graphics, and mobile web site development."

    The MTVN mobile programming spanning every genre of entertainment and engaging nearly every demographic includes:

      * Original made-for-mobile programs, including MTV's popular  "Sway's Hip     Hop Owner's Manual", CMT's "Road Hammers", COMEDY CENTRAL's "Clip     Joint", and VH1's "Celebhead";   * Extensions from such television franchises as COMEDY CENTRAL's Peabody     and Emmy Award-winning "The Daily Show with Jon Stewart"; MTV's "Laguna     Beach"; Nickelodeon's "SpongeBob SquarePants"; VH1's "Best Week Ever";     Logo's "Noah's Arc"; and CMT's "Dallas Cowboys Cheerleaders" series;   * Original animation, such as "Usavitch" and "Lightman" from Flux in Japan     and MTV International's "Wulffmorgenthaler";   * Innovative "making of," behind-the-scenes and after-shows developed     exclusively for the wireless medium;   * MTV, VH1 and CMT music video premieres and exclusive music performances     from such franchises as VH1's Live@VH1.com and CMT's "Studio 330     Sessions", and simulcasts of tentpoles like "The MTV Europe Music     Awards";   * Content highlighting social issues important to MTVN audiences, such as     MTVN International's HIV/AIDS prevention campaign, "Staying Alive";   * The largest selection of stand-up comedy on mobile, made available by     COMEDY CENTRAL.  

    MTVN also has forged new ground with a number of notable industry firsts: Nickelodeon was the first kids' television network to offer text messaging promoted on-air. Spike TV Mobile, in partnership with Amp'd Mobile, was the first network to stream a sporting event live on the handset. VH1 is defining the standard for television/mobile integration with Mobile Junk 20, an extension of the "Web Junk 20" television show that seamlessly migrates viewers from the television set, to the handset and back to the television. And Neopets introduced the first entertainment-based web-to-wireless application of its kind, letting Neopets members engage with their Neopets characters, stories and activities on their handsets just as they would online.

    In addition to Clayman, MTVN announced promotions for two other mobile executives. Alice Kim, now Vice President of Carrier Relations and Wireless Distribution, will cultivate the company's existing distribution partnerships for all MTVN brands and will also direct distribution, marketing and business development relationships with carriers. Jeremiah Zinn, now Vice President, Mobile Operations and Product Development, will work with the teams at each individual brand to manage the full lifecycle of wireless products and for forging relationships with leading service and technology companies. Zinn and Kim will continue reporting to Clayman.

    Working closely with the company's Music, Logo and Films Group; Kids and Family Group; Entertainment Group; and MTVN International, MTV Networks' Mobile Media delivers a diverse array of video programming, ringtones, graphics and other content from its CMT, COMEDY CENTRAL, Logo, MTV, Nickelodeon, The N, Spike and VH1 brands. MTVN's mobile efforts reflects the company's overarching commitment to developing content for all screens, from television to broadband and wireless, and the company's video programming consistently ranks among the most viewed every month on major carriers and MVNOs.

    MTV Networks, a unit of Viacom (NYSE:VIA) (NYSE:VIA.B) , is one of the world's leading creators of programming and content across all media platforms. MTV Networks, with more than 135 channels worldwide, owns and operates the following television programming services -- MTV: MUSIC TELEVISION, MTV2, VH1, mtvU, NICKELODEON, NICK at NITE, COMEDY CENTRAL, TV LAND, SPIKE TV, CMT, NOGGIN/THE N, VH1 CLASSIC, LOGO, MTVN INTERNATIONAL and THE DIGITAL SUITE FROM MTV NETWORKS, a package of 13 digital services, all of these networks trademarks of MTV Networks. MTV Networks connects with its audiences through its robust consumer products businesses and its more than 200 interactive properties worldwide, including online, broadband, wireless and interactive television services and also has licensing agreements, joint ventures, and syndication deals whereby all of its programming services can be seen worldwide.

    Viacom is a leading global entertainment content company, with prominent and respected brands in focused demographics. Engaging its audiences through television, motion pictures and digital platforms, Viacom reaches its audiences wherever they consume content. Viacom's leading brands include the multiplatform properties of MTV Networks, including MTV, VH1, Nickelodeon, Nick at Nite, COMEDY CENTRAL, CMT: Country Music Television, Spike TV, TV Land, Logo and more than 135 networks around the world, as well as digital assets such as Neopets, Xfire and Atom Entertainment; BET Networks; Paramount Pictures; Paramount Home Entertainment; DreamWorks; and Famous Music. More information about Viacom and its businesses is available at http://www.viacom.com/.

    Source: MTV Networks

     

    Hip-Hop Star Kelis Will 'Push it to the Edge' in Ford's New 2007 Edge Urban Advertising

    * Grammy-nominated singer Kelis will star in a new urban marketing campaign to promote the all-new 2007 Ford Edge crossover. * Kelis creates a new song "Push it to the Edge" specifically for the campaign. * The Edge urban marketing campaign will begin airing on Dec. 20 with major radio, print, television and Internet outlets throughout the country.

     Dec. 18 The all-new 2007 Ford Edge goes into overdrive this week with an urban marketing campaign featuring Grammy-nominated singer Kelis. Consumers will hear the hip-hop artist "Push it to the Edge" with a new song about Ford's bold crossover vehicle in ads that begin airing Dec. 20.

    "With a bold style that breaks the rules, Kelis is the perfect spokesperson for the Edge urban marketing campaign," said Jeri Ward, Ford Edge marketing manager. "Our target buyer can easily relate to Kelis' sharp and sophisticated style."

    "I am an informed buyer who likes to shop around for what I like," said Kelis. "I prefer bold designs and that's what I see when I look at the Edge. I believe it was built to defy expectations and change people's perceptions, two concepts that have helped me define who I am."

    Kelis will kick off her new relationship with Ford on Dec. 18 in New York City at her husband's, rap icon Nas', black and white ball in New York City to celebrate the release of his new album, "Hip-Hop is Dead." Ford will give partygoers a glimpse of the new advertising campaign created by The Uniworld Group - Detroit.

    On Dec. 20, the Edge campaign featuring Kelis will begin with a creative radio spot featuring the song that Kelis created specifically for the campaign titled, "Push it to the Edge." The song flows with a strong hip-hop beat to the following lyrics:

      So clean in my Edge   Steady headed to the spot   Speakers bump thump thump   All you hearin' on the block    I live life loud   Cause that's the only way to live it   I push it to the Edge   Never stop at the limit.  

    The spot also features a cameo introduction of Kelis by hip-hop DJ Funkmaster Flex. The spot will air on national syndicated radio shows like The Steve Harvey Morning Show and The Tom Joyner Morning Show. Kelis is scheduled to participate in various Edge sweepstakes giveaways on these shows beginning in February.

    The Edge urban television commercial, titled "On the Edge," stars Kelis and features the song. The ad opens with the Edge making a red carpet appearance in front of a captive paparazzi crowd. The photographers cannot keep their lens off the Edge as the optional panoramic Vista Roof(TM) slowly opens to reveal Kelis dressed to impress for a VIP event. The ad will begin airing in late December on major television networks throughout the country.

    The Kelis song and the new urban Edge campaign will be an integral part of Ford's new urban Web site, www.fordurban.com . The new Web site is designed to attract and engage urban buyers with creative video content, third-party reviews, customer discussion rooms and downloadable music. The Web site will begin in late December with a targeted focus toward Edge buyers and eventually extend to the entire Ford brand line-up of car, trucks, SUVs and crossovers. Ford Edge banner ads starring Kelis will also be prevalent on major online portals like AOL - Black Voices and Black Planet.

    Finally, a traditional print advertisement titled "Shattered" will serve as an integral component of the campaign with ads running in major urban publications such as Jet, Ebony, Upscale and Sister 2 Sister.

    About the Ford Edge

    The all-new Ford Edge hits the hottest segment in the industry, the growing crossover segment, and delivers on the package and features that customers want. The five-passenger 2007 Ford Edge has a bold design with a stylish, functional and clever interior. It features a powerful, yet fuel- efficient powertrain, with a 265-horsepower 3.5-liter V-6 engine mated to a six-speed automatic transmission. Edge also features Ford's exclusive AdvanceTrac(R) with Roll Stability Control (RSC(R)) system, seat-mounted side air bags and Safety Canopy(TM) air curtain system with rollover detection -- all as standard equipment. A center console that can fit a laptop computer and standard MP3-player audio input jack also are standard features.

    In addition to optional all-wheel drive and 18-inch chrome wheels, the Edge is available with innovative features including an available class- exclusive, all-glass panoramic Vista Roof(TM) which gives a grand view of the sky and can open for a sense of freedom that front and rear passengers can enjoy.

    About Ford Motor Company

    Ford Motor Company (NYSE:F) , a global automotive industry leader based in Dearborn, Mich., manufactures and distributes automobiles in 200 markets across six continents. With about 300,000 employees and more than 100 plants worldwide, the company's core and affiliated automotive brands include Aston Martin, Ford, Jaguar, Land Rover, Lincoln, Mazda, Mercury and Volvo. Its automotive-related services include Ford Motor Credit Company. For more information regarding Ford's products, please visit http://www.fordvehicles.com/ .

    Source: Ford Motor Company

     

     

    PBS 'Experiments' With Three New Science Pilots Starting New Year's Day

    Viewers Invited to Help Select Next New Weekly PBS Science Series Targeted to Premiere Fall 2007

    Dec. 18 /PRNewswire/ -- In search of the next new science series, PBS will premiere three pilots on New Year's Day via streaming video on pbs.org, with the television broadcasts kicking off January 3 at 8:00 p.m. ET on PBS member stations. Audiences nationwide will be invited to weigh in on their favorite, and the ultimate choice will move on to become a new 10-week series projected to debut in fall 2007.

    This is the first time PBS has introduced full specials online in advance of the television broadcast, offering a unique interactive dialogue with viewers about the programs they are seeking from their public television stations. The announcement was made by John Boland, Chief Content Officer, PBS.

    "Technology is not only allowing PBS member stations more opportunities to provide viewers even greater access to the best content available, but also new ways to interact with our audiences, delivering a level of value and engagement that only a public service media environment can," said Mr. Boland.

    The three new pilots include WIRED SCIENCE, a production of KCET Los Angeles in association with Wired magazine; SCIENCE INVESTIGATORS, from WGBH Boston and Lion TV; and 22ND CENTURY, produced by Tower Productions in collaboration with Boston Science Communications and Twin Cities Public Television. Each special will be available via free streaming video on pbs.org and as free video podcasts on Apple's iTunes player. The PBS television broadcasts begin January 3 for three consecutive Wednesdays at 8:00 p.m. (check local listings); on-air promos will invite the audiences to submit reviews of the shows online at each of the program sites accessible through pbs.org/science. Viewer feedback, as well as additional audience-based research, will help inform PBS' decision to greenlight one pilot as the next new science series slated to premiere with an initial 10-week run in fall 2007.

    "Popular, long-running shows like NOVA and specials such as THE ELEGANT UNIVERSE have proven that the American public has a rich appetite for science- related programming, and research has told us that they are looking for more high-quality choices from PBS," added John F. Wilson, Senior Vice President & Chief TV Programming Executive, PBS.

    The science pilots were funded by a special grant co-managed by CPB (Corporation for Public Broadcasting) and PBS. The initiative was inspired by the results of a CPB primetime research study that indicated strong viewer interest in PBS science-related programming. From an initial request for proposals that yielded more than 19 submissions, PBS winnowed the field to the three finalists below:

      WIRED SCIENCE   Wednesday, January 3, 2007, 8:00-9:00 p.m. ET  

    WIRED SCIENCE is a one-hour program that translates Wired magazine's award-winning journalism into a fast-paced television show. WIRED SCIENCE brings Wired magazine's cutting-edge vision, stylish design and irreverent attitude to the screen with breakout ideas, recent discoveries and the latest innovations. The pilot episode takes the viewer into the world of meteorite hunters, where space, commerce and art intersect; travels to Yellowstone National Park to harvest viruses that may hold the key to a technology revolution; and dives underwater to explore NEEMO, NASA's extreme astronaut training facility. Viewers will meet rocket-belt inventors, stem cell explorers and the developer of an electric car that goes from zero-to-60 in under four seconds. As a series, WIRED SCIENCE hopes to span the globe to uncover novel developments in biomedicine, space exploration, artificial intelligence, neuroscience, robotics and military technology. January 1 Website launch: pbs.org/wired science

    The hosts and personalities of WIRED SCIENCE include Brian Unger, a contributor to NPR's "Day to Day," frequent guest host on MSNBC's "Countdown with Keith Olbermann" and former correspondent for the "Daily Show"; Aomawa Shields, a graduate of MIT and author of the essay "Universe: The Sequel," which is included in She's Such a Geek: Women Write About Science, Technology, and Other Nerdy Stuff (Seal Press); and Ziya Tong, who hosted the Canadian Broadcasting Corporation's Emmy-nominated interactive series "Zed," a pioneer of "open source" television. In addition, Wired senior editor Adam Rogers and roving reporters, such as Pulitzer Prize winner Dan Neil, will bring a fresh, youthful, and diverse perspective to the topics. (Adam Rogers is available for interviews.)

    WIRED SCIENCE is a co-production of KCET/Los Angeles, the West Coast flagship station of PBS, and Wired, the pre-eminent science and technology magazine. WIRED SCIENCE is a production of executive producer Tod Mesirow ("MythBusters," "Monster Garage"), senior producer David Axelrod (Emmy winner for the NOVA special "Galileo's Battle for the Heavens") and production designer Grant Major (Lord of the Rings trilogy, King Kong). David Byrne, Grammy- and Oscar-winning composer (The Last Emperor) and co-founder of the Talking Heads, produced the theme music for the show. Executive producer for KCET is Karen Hunte; executive in charge of production for KCET is Mary Mazur. Executive producer for Wired magazine is Melanie Cornwell; Chris Anderson is Wired's editor in chief.

      SCIENCE INVESTIGATORS   Wednesday, January 10, 2007, 8:00-9:00 p.m. ET  

    SCIENCE INVESTIGATORS is a new and groundbreaking television program that takes a 21st century, cutting-edge approach to the subject of science. The show will provide solutions to a series of scientific mysteries in a fresh, captivating way. Full of information told through compelling stories, the pilot series is presented by four young, lively hosts, armed with the latest gadgets and technology, who make this a science show with attitude for the blog generation. In the first episode, SCIENCE INVESTIGATORS asks: What can DNA from a more than 30,000-year-old Neanderthal man tell us about ourselves? Are vanishing frogs an early warning sign of hazards to come? Why is the knuckleball one of the most mind-boggling pitches in baseball? Will bacteria be used to power iPods in the future? SI also tells the moving story of an injured Iraq war veteran searching for a better bionic arm. Finally, are NASCAR drivers ready for a new kind of racecar -- one that's all electric? January 1 Website launch: pbs.org/si

    SCIENCE INVESTIGATORS is a Lion Television and WGBH Science Unit Production. Executive producers are Chris Bryson, Nick Catliff (British Academy Award winner), Tony Tackaberry (HISTORY DETECTIVES, a top-rated PBS summer series) and Susanne Simpson, Academy Award nominee and Emmy winner. Hosts are Basil Singer, physicist and robotics expert; Victoria Bruce, geologist, author of the best-seller No Apparent Danger; Kevin Hand, astrobiologist at Stanford and Princeton Universities; and Bahareh Azizi, biochemist and lecturer at Georgia Institute of Technology. Executive-in- charge is Paula S. Apsell, senior executive producer of NOVA, the most-watched science documentary series in the world.

      22ND CENTURY   Wednesday, January 17, 2007, 8:00-9:00 p.m. ET  

    What is the world going to be like 30 years from now? Will human life spans increase to 250 years or more? Will personal computers be smarter than the humans who use them? Will machines shrink to a micro-level so small that they can make repairs inside a human cell? This series is about dramatic changes being made by scientific and technological research conducted in laboratories across the globe today. The pilot episode, called "World Wide Mind," is about a new theory that suggests that in the coming decades all our brains will be wired together just as computers were wired together via the World Wide Web during the 1990s. Each episode will be driven by three characters viewing these scientific advances from a different perspective. One will be an actor portraying Aldous Huxley, late author of Brave New World, who worried about the dehumanizing consequences of new technology. The second will be an impartial observer from the present, an everyday person who, like our viewers, is affected by the changes taking place. The third will be a character from the future, who presents an optimistic view of all the possibilities these technologies offer. January 1 Website launch: pbs.org/22ndcentury

    22ND CENTURY is a collaboration of Towers Productions, Boston Science Communications and Twin Cities Public Television. The director and executive producer of 22ND CENTURY is Gino Del Guercio (RED GOLD, TRANSISTORIZED, NERDS 2.0.1); production executive is John Lindsay (winner of six Emmy Awards); the composer is Charles Denler; animation is produced by Xvivo; the producers are Tresha Mabile and Scott Alexander; the host is Robin Robinson; the two characters are played by Mindy Bell and John Cunningham.

    PBS is a media enterprise that serves 354 public noncommercial television stations and reaches almost 90 million people each week through on-air and online content. Bringing diverse viewpoints to television and the Internet, PBS provides high-quality documentary and dramatic entertainment, and consistently dominates the most prestigious award competitions. PBS is a leading provider of educational materials for K-12 teachers, and offers a broad array of other educational services. PBS' premier kids' TV programming and Web site, PBS KIDS Online (pbskids.org), continue to be parents' and teachers' most trusted learning environments for children. More information about PBS is available at pbs.org, one of the leading dot-org Web sites on the Internet.

    Source: PBS

     

    "Dog Whisperer" Cesar Millan introduces Webinars
    Written by Joyce Chow and William Hoehne
    Dog Whisperer Cesar Millan comes to your home with webinars which began earlier today from the Dog Psychology Center in Los Angeles, California.
    Millan, star of the Emmy-nominated "The Dog Whisperer" on the National Geographic Channel has become a much in demand dog trainer.  Neighborhood dog owners who have been fortunate enough to obtain his attention, complain that they just wish they had more of it. 
      
    Millan waved and smiled for the Hollywood Christmas Parade redcarpet and along the parade route on rollerskates with several dogs. 
    Three topics are covered in a 45 minute short-series webinar.  The first topic covered earlier today was - The Basics: Tools and Techniques.  Topic 2 is Learning and Addressing Problem Behaviors and topic 3 is Your Energy, Your Dog, both of which are coming in 2007.  During the webinar sessions, there are 30 minutes of demonstration and a real-time 15 minute question & answer session and polls are taken from the viewers.  Enrollment for each session is limited.
    Millan helps dog owners learn to become the pack leader.  His philosophy, "There are no problem dogs, only problem owners."

     

    Sony Pictures Entertainment Breaks All-Time Motion Picture Industry Domestic Box-Office Record

    Studio Ends Remarkable Year by Passing $1.573 Billion at Domestic Box Office

    Dec. 17 /With this weekend's #1 release of The Pursuit of Happyness, Sony Pictures Entertainment's box office receipts for 2006 have passed $1.573 billion, setting a new motion picture industry record for domestic box-office in a single year, it was announced today by Jeff Blake, chairman, worldwide marketing and distribution for the Columbia TriStar Motion Picture Group and vice chairman of SPE. In passing the industry record, which Sony set in 2002, the studio caps an extraordinary year in which SPE released a record-breaking 13 #1 films. The studio also launched 13 films to opening weekends of more than $20 M, another industry record, and surpassed more than $3 billion in global ticket sales for the first time. Sony Pictures now holds the top two years in the all-time domestic box office record books.

    Commenting on the achievement, Blake said, "We've set a bar that will be challenging for us - or any studio - to top; this has been an enormous year by anyone's definition. We successfully launched our animation division and we handled nearly every genre of movie, from broad comedies to family films, emotional dramas to event tentpoles. This kind of year is only possible when everyone is working at the top of their game, and our filmmakers really delivered exceptional product this year."

    In addition to crediting the actors, producers and filmmakers behind Sony's 2006 slate of 27 motion pictures, Blake said, "This year is a true testament to the hard work and dedication of the studio's production, marketing, and distribution teams who break their backs to bring it home year after year. But particular credit is deserved by our presidents of production Doug Belgrad and Matt Tolmach, president of marketing Valerie Van Galder, our president of creative advertising Josh Goldstine, our president of domestic distribution Rory Bruer, and the leadership of Michael Lynton. Of course, none of this dream slate comes together without Amy Pascal, who has been one of the most successful studio leaders in the history of our company."

    2006 marks the third time in the past five years that SPE has been #1 studio in domestic market share. As Sony finishes the year, the studio controls over 18% of all tickets sold in the United States and Canada. Led by The Da Vinci Code, the worldwide blockbuster that has grossed over $750 million at the box office, SPE has seen four films open to more than $40 million in the US and Canada; ultimately, each exceeded more than $100 million in domestic box office - including Talladega Nights: The Ballad of Ricky Bobby, Click, The Da Vinci Code, and Casino Royale. In addition, a record 13 films opened to more than $20 million - smashing the old record of 8 films, set in 2004 by Sony and Universal.

    Other highlights of the 2006 slate include Pink Panther, Open Season, Monster House, R.V., Gridiron Gang, The Holiday, Silent Hill, Underworld: Evolution, and When A Stranger Calls, among others.

    About Sony Pictures Entertainment

    Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America (SCA), a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; digital content creation and distribution; worldwide channel investments; home entertainment acquisition and distribution, operation of studio facilities; development of new entertainment products, services and technologies; and distribution of filmed entertainment in 67 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com/.

    Source: Sony Pictures Entertainment

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday.

    1. "The Pursuit of Happyness," $27 million.

    2. "Eragon," $23.45 million.

    3. "Charlotte's Web," $12 million.

    4. "Happy Feet," $8.5 million.

    5. "The Holiday," $8.2 million.

    6. "Apocalypto," $7.7 million.

    7. "Blood Diamond," $6.3 million.

    8. "Casino Royale," $5.7 million.

    9. "The Nativity Story," $4.7 million.

    10. "Unaccompanied Minors," $3.7 million.

     

    Sherry Lansing to Receive Hersholt Humanitarian Award at 79th Academy Awards®

    Beverly Hills, CA — Sherry Lansing, the former chairman of Paramount Pictures Motion Picture Group, has been voted the Jean Hersholt Humanitarian Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences, Academy President Sid Ganis announced today. The award, an Oscar® statuette, will be presented to Lansing during the 79th Academy Awards presentation on February 25, 2007.

    The Hersholt Award is given to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.

    “Sherry is being honored not only for her passionate work in support of fighting cancer,” said Ganis, “but because the Board recognized and remembered the long list of charitable organizations and causes she has served, and her long history in serving them. Sherry has earned enormous respect throughout the industry not only for her successful career as a producer and studio head, but because she has never failed to further devote her enormous energy to the needs of others.”

    Lansing helped Dr. Armand Hammer form the nonprofit organization Stop Cancer and serves on its board. She is on the board of the Albert and Mary Lasker Foundation, founded to honor excellence in basic and clinical science, and is a trustee of the American Association for Cancer Research. In addition, she serves on the Citizens’ Oversight Committee of the California Institute for Stem Cell Research and on the American Red Cross Board of Governors Advisory Committee and is a trustee of the Carter Center, the human rights organization formed by former U.S. President Jimmy Carter and his wife Rosalynn. She also serves as a regent of the University of California.

    A graduate of Northwestern University in Evanston, Illinois, Lansing got her feet wet in Hollywood as an actress, a career she quickly abandoned for production. She joined Talent Associates as an executive in charge of development in 1974, moving to MGM in 1975. She joined Columbia Pictures two years later as vice president in charge of production. She was named president of 20th Century-Fox Productions in 1980, and in 1983 formed Jaffe-Lansing Productions with Stanley Jaffe. After Jaffe was appointed president of Paramount Communications in 1990, Sherry became chairman of the Motion Picture Group in 1992.

    The Jean Hersholt Humanitarian Award will be presented along with Academy Awards for outstanding film achievements of 2006 on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center® and televised live by the ABC Television Network beginning at 5 p.m. PST with a half-hour red carpet arrivals segment, “The Road to the Oscars®.”

    # # #

     

    December 16

    RICHIE KOTZEN TO RELEASE NEW ALBUM “INTO THE BLACK” IN THE U.S.

    RICHIE KOTZEN’S 14TH SOLO ALBUM AVAILABLE NOW

    INTO THE BLACK reflects the guitar style’s that has defined his career as a virtuoso. “With the exception of my last album GET UP a lot of my records have been a bit all over the map style-wise and on this cd I wanted to sort of pull it all together,” states Kotzen. “I wanted to make a cd that really defined who I am as a solo artist and I think I finally did it on this one.”

    INTO THE BLACK is an absorbing collective blend of Kotzen’s musical influences and diversity. He decided to write more rock based music with R&B undertones than metal. “Growing up outside Philadelphia and listening to those old soul stations I ended up with that sound being a heavy influence in my writing even though the core of what I do is rock,” explains Kotzen.

    is an absorbing collective blend of musical influences and diversity.Hedecided to write more rock based music with R&B undertones than metal. “Growing up outside Philadelphia and listening to those old soul stations I ended up with that sound being a heavy influence in my writing even though the core of what I do is rock,” explains .

    The guitar virtuoso burst onto the heavy metal scene as a teenager with a lightning-fast guitar techniques. With his talents Kotzen has played with some of the best musicians; securing such major collaboration with the band Mr. Big and renowned jazz great Stanley Clarke as well as his own solo projects. “I have been lucky in the sense that I have been able to play with guys who I could learn from. The biggest musical lesson for me was playing in a band with Stanley Clarke and Lenny white. Obviously these guys are jazz musicians and I am not, but I learned so much from the time we recorded and toured together. My favorite rock bassist is Billy Sheehan and we were in Mr. Big together for 3 years which was awesome.

    INTO THE BLACK is in stores now – You can also get it now @ www.richiekotzen.com.

    is in stores now – You can also get it now @ .

     

     

    COFFIN CASE TEAMS UP WITH DIME HARDWARE

    COFFIN CASE’S NEW COFFIN BLOOD DRIVE PEDAL @ GUITAR CENTER

    Coffin Case has teamed up with Dime Hardware to offer exclusive Dimbag Darrell apparel – coming soon to select Hot Topic stores. Three exclusive Dimebag Darrell designs are scheduled at this time~

    Also, Guitar Center is now carrying the first of a series of blood curdling effects pedals by Coffin Case.

    The Blood Drive features a classic rich analog distortion and warm boost circuit, but with more gain and tonal control for modern sounds as well as your favorite tones from times past! Guitarist extraordinaire John 5 (Rob Zombie) gives it a “5 skull rating.”

    Marilyn Manson, David Lee Roth and Rob Coffin Case is a music products company that brought the underground revolution to musicians with the coffin shaped guitar case. The following years saw a rapid succession of new, innovative, and award-winning products for guitarists, bass players, and drummers, working both on stage and in the studio. Today, Coffin Case continues to introduce more industry “firsts” such the Black Kross Skullplate and receive acclaims from both critics and musicians worldwide. The revolution has begun. Visit www.coffincase.com for more information.

     

    WINGER IV HITTING THE AIRWAVES AND TOUR

    WINGER'S “BLUE SUEDE SHOES” HIT THE # 2 SPOT ON HIGH OCTANE RADIO




    Hollywood, CA - (December 11, 2006) - WINGER's been busy with their new release WINGER IV on Shrapnel Records – A solid rock album with emphasis on our Military and leaving politics at the door, Kip had a vision to support the American troops that are standing ground in Iraq. “I had been doing solo shows at Military bases and in speaking with many of the soldiers, it touched me” explains Kip. One day I woke up and knew what I wanted to do for an album so I called up Reb to start writing.

    All music and lyrics by WINGER's guitarist Reb Beach and vocalist/bassist Kip Winger – The album examines what it must be like if it was us over in Iraq and realities of war. Winger's lyrics were motivated by playing for our Military at the bases and wanting to capture the lyrics from the perspective of the soldier. Songs like Generica, M16 and Blue Suede Shoes are some of the military inspired songs seen though the eyes of a soldier at war.

    The album artwork is handled by Ethan Van Sciver who wanted to put in his part for our Military – Sciver is a renowned DC Comic book artist and penciler who has contributed (among others) to Cyberfrog, New X-Men, The Flash: Iron Heights and Impulse. The album art depicts our Militaries finest protecting with guardian angels that are representative of our prayers we send.

    WINGER will hit the road beginning January 24 on a five-week headline tour of North America. Dates are below – For more information go to www.kipwinger.com or www.myspace.com/wingertheband

     

    UPDATE: Trick Daddy Plays Santa to Miami Youth;

     Thug Superstar's "Trick Luvs Da Kids" Foundation Holds 4th Annual Christmas Toy Drive; Star-Studded Events Slated for December 16th & 23rd; New Album, "Back By Thug Demand," Drops Next Week

    Slip-N-Slide/Atlantic recording artist Trick Daddy is celebrating the season by giving a little something back to his beloved Miami community. The pioneering rap superstar and his "Trick Luvs Da Kids" Foundation will host their 4th annual Christmas Toy Drive, with events slated for the two weekends leading up to the Christmas holiday -- Saturday, December 16th at Miami's Moore Park, and Saturday, December 23rd at the city's Gould Park.

    The Christmas Toy Drive sees the "Trick Luvs Da Kids" Foundation partnering with KB Toys and Trick's fellow Floridian hip-hop icon, Pitbull, to bring cheer and distribute gifts to the community's underprivileged youth. The venture -- which kicked off last month -- invited KB Toys customers throughout Miami-Dade, Broward, and West Palm Beach to purchase a gift card to be donated to the Foundation.

    Both Miami events will be hosted by Trick himself, who, along with Pitbull, Mobile Mike, and a host of other local luminaries, will be on hand to provide food, gifts, and entertainment to those in attendance.

    The mission of the "Trick Luvs Da Kids" Foundation is to inspire, aid and encourage underprivileged youth to achieve a better quality of life through educational, social and musical development. In addition to the Christmas Toy Drive, Trick Daddy and the Foundation have challenged Boys and Girls Clubs in New York, Florida, and Atlanta to nominate teen members who have taken the initiative to organize some type of community efforts for Christmas, whether it is a toy drive, coat drive, or volunteering at a soup kitchen.

    The contest -- sponsored by "Trick Luvs Da Kids" Foundation, Boys and Girls Clubs, SNS/Atlantic Records, It's Cool To Be Smart, Inc., and BET -- will see five top leaders chosen, with one whose efforts have truly gone above-and-beyond selected as the Grand Prize winner. This youth leader will receive a variety of gifts and prizes, including a $1000 contribution to their local Boys and Girls Club for a youth scholarship. What's more, they will join Trick at his December 18th appearance on BET's 106 and Park, where they will receive a special on-air shout-out. All five top leaders will receive a Trick Daddy gift pack, and a personal call from Trick.

    Trick's eagerly awaited new album, "BACK BY THUG DEMAND," arrives in stores next Tuesday, December 19th. The collection -- which features the single, "Bet That (feat. Chamillionaire and GoldRush)" -- is the thug kingpin's first release in two years, following 2004's "THUG MATRIMONY: MARRIED TO THE STREETS," which reached #1 on Billboard's "Top R&B/Hip-Hop Albums" chart and #2 on the Billboard 200.

    "BACK BY THUG DEMAND" sees the man known as T-Double-D joined by a rogues gallery of R&B/hip-hop stars, including Baby, 8Ball, Jaheim, The Dunk Ryders, Trey Songz, Trina and Young Buck. With their true-to-life lyrics and trunk-rattling beats, tracks such as the hard-edged "Breaka Breaka" and the boastful "Tuck Ya Ice (feat. Baby)" make it perfectly clear why Trick Daddy has been hailed as one of the most diverse and recognizable voices in hip-hop today.

     

     
    DIRECTV Spreads the Good Word With New Sunday Mass From Notre Dame

    New Original Program Will Feature Live Masses From the Basilica of

    the Sacred Heart on The University of Notre Dame Campus Every Sunday

                             Starting December 17

    Dec. 16, 2006--Continuing the effort to bring more original, faith-based programming to television, DIRECTV, the nation's leading satellite television service provider, will launch the new program Sunday Mass from Notre Dame to its channel 103 line-up starting Sunday, December 17 at 10 a.m. EST. Each Sunday, masses will be aired live from the Basilica of the Sacred Heart, on the campus of The University of Notre Dame.

    Sunday Mass from Notre Dame will join an already well-established Channel 103 line-up alongside Songs of Praise for Christmas, a 90-minute musical celebration hosted by Amy Grant and Darrell Waltrip; Amy Grant's concert special Time Again; and other original family-friendly programming.

    As part of the Sunday Mass from Notre Dame series, DIRECTV will also feature a special live 75 minute midnight mass from Notre Dame on Christmas Day, which will re-air through out the day.

    "We are blessed to announce the addition of Sunday Mass from Notre Dame to our 103 line-up," said David Hill, President of DIRECTV Entertainment. "Masses from the Basilica of the Sacred Heart are the most beautiful and inspirational ceremonies I have ever witnessed, and now DIRECTV customers and their families will get to enjoy this amazing experience every Sunday."

    "This new initiative is yet another opportunity for Notre Dame to bring quality Catholic liturgies to individuals and families across the country and around the world," added Rev. Richard V. Warner, C.S.C., director of Campus Ministry.

    Masses at Notre Dame are marked by the full participation of their assembly in the liturgy, and on Sundays the Basilica is regularly filled to capacity. Sunday Mass from Notre Dame will allow DIRECTV customers to experience the University's celebrated High Mass, complete with performances from the Liturgical Choir, under the direction of Gail Walton, during the academic year. During the summer months, the Basilica Collegium Choir, under the direction of Andrew McShane, will provide the summer liturgy music. A 5 p.m. Saturday Vigil Mass can also be seen every week on the Hallmark Channel, which is also carried on DIRECTV.

    DIRECTV will employ architecturally sensitive camera placements inside the Basilica to capture the beauty of the church, while not disturbing the solemnity of Mass. Technical production of the Mass is accomplished locally through the services of Pentavision Communications Inc., which produces the show from a control room in the basement of the Basilica. WNDU-TV will send the broadcast via fiber optics to DIRECTV's master control.

    More information on the Basilica of the Sacred Heart is available at http://basilica.nd.edu/.

    About DIRECTV, Inc.

    DIRECTV, Inc., the nation's leading satellite television service provider, presents the finest television experience available to more than 15.6 million customers through exclusive content, industry-leading customer service (which has surpassed cable for six years running) and superior technologies. Each day, DIRECTV subscribers enjoy over 250 channels of 100% digital picture and sound; exclusive programming and the most comprehensive collection of sports programming available anywhere including NFL SUNDAY TICKET(TM), and MLB EXTRA INNINGS(TM). DIRECTV (NYSE:DTV) also leads the digital television technology revolution with exclusives such as NFL SUNDAY TICKET SuperFan(TM), US Open Interactive and YES Network Interactive and will soon have the capacity to offer over 150 channels in HD. DIRECTV is approximately 39 percent owned by News Corporation. For the most up-to-date information on the Company, please visit directv.com.

    About the University of Notre Dame:

    Founded in 1842 by Edward Sorin of the Congregation of Holy Cross and rated today among the top 20 universities in the nation, the University of Notre Dame is renown for excellence in teaching, research, scholarship and service, all in concert with a commitment to Catholic values. It stands on 1,250 acres adjacent to the city of South Bend, Ind., the center of a metropolitan area with a population of more than a quarter-million. Ranked among the nation's leading undergraduate teaching institutions, it also is highly regarded for research in a wide array of disciplines, including topical disease transmission, peace studies, cancer, robotics, theology, philosophy, astrophysics, Latin America, and Catholic and American religious history.

     

     

    December 15

    Bat Out of Hell III - Seize the Night Tour

    Meat Loaf Takes His Critically Acclaimed Bat Out of Hell Performance on the Road!

    Tickets on Sale Saturday, December 16

     

    Dec. 15 Grammy Award winner, Meat Loaf, brings his critically acclaimed live performance, featuring songs from all three Bat Out of Hell albums, on a U.S. and Canadian tour with dates beginning early 2007. Thirteen years in the making, Bat Out of Hell III: The Monster is Loose unleashed October 31st with a debut at #8 on the Billboard charts and a top 5 debut in more than 10 countries. Meat Loaf is now ready to take the epic trilogy on tour beginning Friday, February 23 in Pala, California. For tour information, please visit http://www.meatloaf.net/.

    The three act performance includes hits from each Bat Out Of Hell installment, including "Two Out of Three Ain't Bad," "You Took the Words Right Out of My Mouth," and "Paradise by the Dashboard Lights." Act II features more favorites including the classic international chart-topper "I'd Do Anything for Love (But I Won't Do That)," which earned Meat Loaf a Grammy for Best Rock Vocal Solo Performance. Act III brings the franchise full circle with, "It's All Coming Back to Me Now," "Blind as a Bat" and a finale spanning the entire "Bat" series.

    The new album was produced by hit-maker Desmond Child, and completed with Todd Rundgren, contributing vocal arrangements, and Jim Steinman, writing seven songs. Mixed by Grammy Award winning studio engineer Greg Collins (U2, Gwen Stefani), with string arrangements by David Campbell, this final installment of the Bat franchise includes guest appearances by Motley Crue bassist Nikki Sixx and Rob Zombie guitarist John 5, as well as guitar hero Steve Vai and unmistakable signature appearance by Queen guitarist Brian May on "Bad For Good."

    Meat Loaf, one of most diverse talents in entertainment today, has appeared in more than 60 television and feature films. Bat Out Of Hell (1977), the genre-transforming original, ran for 82 weeks on the Billboard album chart and has sold over 14 million copies in the U.S. Bat Out of Hell II: Back Into Hell (1993) earned Meat Loaf a Grammy for Best Rock Vocal Solo Performance. Meat Loaf has a total of 24 multi-platinum, platinum and gold RIAA awards.

    Source: 10th Street Media

     

    Key Creative Team Announced for the 13th Annual Screen Actors Guild Awards®

    SAG Awards™ Nominations Announcement to Air Live on TNT on Thursday, Jan. 4;
    2007 SAG Awards™ will be Simulcast Live on TNT and TBS, Sunday, Jan. 28
     

    Los Angeles, California - Jeff Margolis, executive producer and director of the 13th Annual Screen Actors Guild Awards®, has announced the creative team for this year’s Actors® honors. Many of the talented producers and artists behind the 12th Annual SAG Awards™ are returning to create this year’s ceremonies, joined by two new film segment producers.

    Nominations for the 13th Annual Screen Actors Guild Awards will be announced on Thursday, Jan. 4, at 6:05 am PT / 9:05 am ET at the Pacific Design Center in West Hollywood. The announcement will be carried live on TNT, tnt.tv and tbs.com.

    The 13th Annual Screen Actors Guild Awards ceremonies will be simulcast live on TNT and TBS from the Los Angeles Shrine Exposition Center on Sunday, Jan. 28, at 8 pm ET/PT, 7 pm CT and 6 pm MT.

    “Each year our production team looks forward to the SAG Awards as a reunion of creative colleagues and an opportunity for fresh collaboration,” said Margolis. “We take great pride in designing a memorable evening for both our community of actors at the Screen Actors Guild Awards and the audience at home.”

    Kathy Connell will produce for the 13th consecutive year (the first two were as a producer for SAG). SAG Awards Committee founding members Yale Summers (committee chair), Daryl Anderson (committee vice-chair) and Paul Napier, as well as committee members Shelley Fabares and JoBeth Williams, will produce for SAG; supervising producers for the ninth consecutive year are Gloria Fujita O’Brien and Mick McCullough.  

    Peabody Award-winner Stephen Pouliot will be writing his ninth SAG Awards script. In addition to the SAG Awards, Pouliot has collaborated with Margolis on numerous specials, including Julie Andrews: One Step Into Spring. (which Margolis directed and Pouliot wrote and produced,) CBS: 50 Years from Television City, The First Family's Holiday Gift to America: A Tour of the White House and A Gala for the President at Ford’s Theatre.

    Production designers John Shaffner & Joe Stewart, who together share 29 Emmy® nominations, four Art Directors Guild nominations and five Emmys (including their 2005 kudo for The George Lopez Show), will be designing their fourth new set for the SAG Awards.

    Also returning for his fourth year is lighting designer Jeffrey Engel, an Emmy-winner and 21-time Emmy nominee for projects including the 63rd and 64th Academy Awards®, both directed by Margolis.

    Composer and conductor Lenny Stack, an Emmy-winner for music arranging for the Screen Actors Guild 50th Anniversary Special and composer of the current SAG Awards™ theme, returns for his eighth Screen Actors Guild Awards.

    Filmmaker Douglass M. Stewart, Jr will produce the film tribute saluting the accomplishments of SAG Life Achievement Award honoree Julie Andrews. A veteran of 25 Oscar® telecasts and 11 Emmy shows, seven-time Emmy nominee Stewart returns for his third SAG Awards™ telecast.  The film salute to the Screen Actors Guild’s membership is being produced by Quinn Monahan, who just completed directing and editing the feature The Falls.  Monahan has created film packages for the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts and Sciences. This is his first SAG Awards. Also joining the Screen Actors Guild Awards team is Paul Fagen, who will produce this year’s “In Memorium” homage. Fagen has created both film and live tributes for such events as the American Film Institute Awards, the Sundance Ray-Ban Visionary Awards and the Santa Barbara International Film Festival’s Modern Master Awards.

    Returning for his 10th SAG Awards is Keaton S. Walker who has served as the SAG Awards’ art director since 1997 and the Academy Awards’ art director for 24 years.  Walker is a multiple Emmy and Art Director’s Guild honoree for his work on the Oscars and the Emmys.

    Keith Greco, who earlier this year designed gala premiere for Cirque du Soleil’s The Beatles’ LOVE at the Mirage Las Vegas, returns for the fourth year to design the Award ceremonies’ grand entrance and showroom décor. SAG Awards™ event supervisor Andrea Wyn Schall, a two-time Special Events Gala award nominee, returns for the eighth year to coordinate event design and logistics. Together they will again create the Champagne Taittinger toast that opens the SAG Awards Red Carpet.

    Also returning is the SAG Awards’ executive in charge of production since 1999, Benn Fleishman, who just completed line producing the HBO and TBS special Comic Relief 2006, as well as Maggie Barrett Caulfield, executive in charge of talent since 2001.

    The 13th Annual Screen Actors Guild Awards® are produced by Jeff Margolis Productions in association with Screen Actors Guild.

    Screen Actors Guild (SAG) is the nation’s largest labor union representing working actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution sweeping the entertainment industry in the 21st century. With 20 branches nationwide, SAG represents nearly 120,000 working actors in film, television, industrials, commercials, video games, music videos and other new media. The Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. Headquartered in Los Angeles, SAG is a proud affiliate of the AFL-CIO. More information is available online at www.sag.org.

    Turner Network Television (TNT), television’s destination for drama and one of cable’s top-rated networks, offers original movies and series, including the blockbuster detective series The Closer, starring Emmy®. Golden Globe® and Screen Actors Guild Awards® nominee Kyra Sedgwick, and next year’s eagerly anticipated television event The Company, executive-produced by Ridley Scott and starring Chris O’Donnell, Michael Keaton and Alfred Molina.  TNT is also home to powerful one-hour dramas, such as Without a Trace, Law & Order, Las Vegas, Cold Case, ER, Charmed and Judging Amy; broadcast premiere movies; compelling prime-time specials, such as the Screen Actors Guild Awards® and championship sports coverage, including NASCAR and the NBA.  TNT is also available in high-definition.

    TBS, a division of Turner Broadcasting System, Inc., is television’s “very funny” network.  It serves as home to such hot contemporary comedies as Sex and the City, Everybody Loves Raymond, Family Guy, Seinfeld and Friends; original comedy series like My Boys and 10 Items or Less; specials and special events, such as The Comedy Festival in Las Vegas; blockbuster movies; and hosted movie showcases.

    Turner Broadcasting System, Inc., a Time Warner company, is a major producer of news and entertainment product around the world and a leading provider of programming for the television industry.

    STAR TREK: Legacy(TM) For Xbox 360(TM) and Windows Ships to North American Retail Stores

    Epic Game of Starfleet Command Spans Entire STAR TREK(R) Universe and Features Voices of all Five Captains

    Dec. 15  Bethesda Softworks(R) today announced that the highly anticipated strategy/action game, STAR TREK: Legacy(TM) for the Xbox 360(TM) videogame and entertainment system from Microsoft is shipping to North American retail stores. STAR TREK: Legacy for Windows was released last week and is currently on store shelves. The release of STAR TREK: Legacy completes Bethesda's current lineup of STAR TREK titles, which includes the highly popular STAR TREK(R): Encounters for the PlayStation(R)2 computer entertainment system and STAR TREK: Tactical Assault(TM) for the PSP(R) (PlayStation(R)Portable) system and the Nintendo DS(TM).

    STAR TREK: Legacy places you in the Admiral's chair as you command your hand-selected fleet of starships into battle. Featuring striking space environments, detailed weapon effects, and full damage modeling, the single player Federation campaign and robust multiplayer modes span the entire STAR TREK Universe with over 80 ships and 4 playable races. While commanding Federation, Romulan, Gorn, or Borg fleets, this real-time combat game provides a strategic and tactical experience as you battle across vast sections of space.

    STAR TREK: Legacy features the voices of all five actors who portrayed the original STAR TREK captains -- William Shatner, Patrick Stewart, Scott Bakula, Avery Brooks, and Kate Mulgrew. The collaboration marks the first time the five actors have participated in a single STAR TREK project together. In addition, Bethesda Softworks also worked with acclaimed STAR TREK writer, Dorothy "D.C." Fontana, and her writing partner, Derek Chester, to provide compelling and authentic storylines for STAR TREK: Legacy.

    STAR TREK: Legacy, developed at Mad Doc Software under the direction of Bethesda Softworks, is rated E for Everyone by the ESRB. For more information on the title, visit the official Web site at http://startrek.bethsoft.com/.

    About Bethesda Softworks(R)

    Headquartered in Rockville, MD, Bethesda Softworks LLC, a subsidiary of ZeniMax Media Inc., is a premier developer and publisher of interactive entertainment software and has produced numerous award-winning titles, most recently with The Elder Scrolls(R) IV: Oblivion(TM) and the 2002 PC and Xbox(R) Game of the Year and RPG of the Year, The Elder Scrolls III: Morrrowind(R). Among Bethesda's more popular franchises are The Elder Scrolls(R) series and Fallout(R), as well as its licensed properties, Pirates of the Caribbean(TM) and Star Trek(R). Its product line spans the sports, racing, RPG, strategy, and action genres. For more information on Bethesda Softworks' products, visit http://www.bethsoft.com/.

    About Mad Doc(R) Software, LLC

    Mad Doc(R) Software, LLC (http://www.maddocsoftware.com/) consists of game industry veterans with experience in every aspect of game development. An emerging force in the industry, Mad Doc was founded in 1999 by Dr. Ian Davis with the goal of developing AAA titles that expand the game playing experience and broaden the market through creative use of new Networking, Graphics, and AI technologies, Massachusetts-based Mad Doc team members are responsible for over ten million units in the game market worldwide, earning the acclaim of players, critics, and publishers alike. All rights reserved. MadAI is a trademark of Mad Doc(R) Software, LLC. All rights reserved.

    About CBS Consumer Products

    CBS Consumer Products manages the worldwide licensing, merchandising and video activities for a diverse slate of properties owned or controlled by the CBS Corporation. Additional information is available by visiting http://www.cbs.com/.

    STAR TREK: Legacy(TM)/STAR TREK: Tactical Assault(TM); STAR TREK(R): Encounters. Bethesda Softworks LLC, a ZeniMax Media company. (TM), (R) CBS Studios. STAR TREK and related marks are trademarks of CBS Studios Inc. All Rights Reserved. CBS, the CBS EYE logo, and related marks are trademarks of CBS Broadcasting Inc. All Rights Reserved. (R) Paramount Pictures. All Rights Reserved. STAR TREK: Legacy developed in association with Mad Doc Software, LLC. STAR TREK: Tactical Assault developed in association with Quicksilver Software. STAR TREK: Encounters developed in association with 4J Studios Ltd. Bethesda Softworks, ZeniMax and related logos are registered trademarks or trademarks of ZeniMax Media Inc. in the United States and/or in other countries. Microsoft, Xbox, the Xbox logo, Xbox 360, the Xbox 360 logo, Xbox Live, and the Xbox Live logos are either registered trademarks or trademarks of Microsoft Corporation in the U.S. and/or in other countries and are used under license from owner. Nintendo, Nintendo DS and the Official Seal are trademarks of Nintendo. 2004 Nintendo. "PlayStation", "PS" Family logo and "PSP" are registered trademarks of Sony Computer Entertainment Inc. Memory Stick Duo(TM) may be required (sold separately). Certain limitations apply to Wi-Fi compatible connectivity. See manual for details. Player responsible for Wi-Fi compatible fees. All Rights Reserved. Other product and company names referenced herein may be trademarks of their respective owners. All Rights Reserved.

    Source: Bethesda Softworks

     

    Seven Vie for Visual Effects Oscar®

    Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences today announced that seven films are in consideration for achievement in Visual Effects for the 79th Academy Awards®.

    The films are listed below in alphabetical order:

    “Casino Royale”
    “Eragon”
    “Night at the Museum”
    “Pirates of the Caribbean: Dead Man’s Chest”
    “Poseidon”
    “Superman Returns”
    “X-Men The Last Stand”

    On Wednesday, January 17, the Academy’s Visual Effects Award nominating committee will view 15-minute film excerpts from each of the seven shortlisted films. Following the screenings, members will vote to nominate three films for Oscar consideration.

    Nominations for the 79th Academy Awards will be announced on Tuesday, January 23, 2007, at 5:30 a.m. PST in the Academy’s Samuel Goldwyn Theater.

    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment.

    ©A.M.P.A.S.®

     

    LA Opera Presents Kurt Weill and Bertolt Brecht’s

    Rise and Fall of the City of Mahagonny

    Music Director James Conlon Conducts a

    Cast Led by Broadway Legends Audra McDonald and Patti LuPone

    Tony Award Winner John Doyle Directs a New Production

    Limited Engagement – February 10 - March 4, 2007

     December 15, 2006 – Los Angeles Opera will present a new production of Kurt Weill’s music-theater piece Rise and Fall of the City of Mahagonny, conducted by Music Director James Conlon and directed by John Doyle, who won the 2006 Tony Award for Best Direction of a Musical for his Broadway production of Sweeney Todd.  With book and lyrics by the influential playwright Bertolt Brecht, Mahagonny will feature a noteworthy cast of operatic and musical theater luminaries headed by Tony Award winners Audra McDonald as Jenny Smith and Patti LuPone as Leocadia Begbick. Also featured in the cast are tenor Anthony Dean Griffey as Jimmy MacIntyre, tenor Robert Wörle as Fatty the Bookkeeper, tenor John Easterlin as Jack O’Brien, baritone Mel Ulrich as Bank Account Bill, baritone Donnie Ray Albert as Trinity Moses, tenor Derek Taylor as Toby Higgins and bass Steven Humes as Alaska Wolf Joe. Sopranos Catherine Ireland, Karen Vuong and Rena Harms and mezzo-sopranos Natasha Flores, Sharmay Muscacchio and Priti Gandhi will be featured as the Maidens of Mahagonny.  The production is designed by set designer Mark Bailey, costume designer Ann Hould-Ward, lighting designer Thomas C. Hase and sound designer Dan Moses SchreierRise and Fall of the City of Mahagonny is a limited engagement of seven performances only, running Saturday, February 10 through Sunday, March 4, 2007 at the Dorothy Chandler Pavilion, 135 N. Grand Avenue, Los Angeles.

     

    Superscape's No Brainer Mobile Game Comes to Cingular

    December 15 Superscape Group plc (LSE:SPS) announces that its No Brainer mobile game is now available for download from the Cingular network.

    No Brainer is based on the popular online game that tests brainpower and reflexes by a series of quickfire questions. Players must respond with 'yes' or 'no' as fast as possible. Crazy questions such as "Does Oprah sweat?" and "Can you squish Britney Spears", combined with a hilarious voiceover and fun graphics, make this a compelling mobile game.
    Kevin Roberts, CEO, Superscape Group plc said: "This game already has a strong fan base in its online version and we are finding that it is just as popular on mobile phones. It's a great example of a perfect pick up and play game for all ages."
    The game has two play modes and can be played against the clock in 'Time Attack'.
    Trademark acknowledgements
    No Brainer is licensed by Global Wireless Entertainment, Inc. All rights reserved.
    About Superscape
    Superscape is the world's leading publisher of 3D mobile games. The company was the first in the world to develop and launch international standard (JSR 184) compliant solutions for the delivery of innovative games on mass-market handsets. Superscape is quoted on the London Stock Exchange and has corporate offices in Hook, Hampshire (UK) and San Clemente, California (USA), together with development and production facilities in Moscow.
    www.superscape.com
    Source: Superscape Group plc
    Electronic Gaming League's 2006-07 U.S. Tour Comes to Washington, D.C.
     15 The burgeoning Electronic Gaming League (EGL) will host the fourth regional tournament of its inaugural interstate U.S. pro tour this season January 19-21 at the Sheraton Reston. Featuring major titles Halo 2, Super Smash Brothers Melee, and Dead or Alive 4 competitions, the EGL - D.C. tournament will boast diverse game play and professional competition from more than 50 teams and 250 players.
    "The D.C. tournament is one of our most ambitious venues yet and promises to be a real battle of wits," says EGL Tournament Director Ryan Baron. "We're expecting to see some of the most intense gaming of the season. We've got people coming from all over the east coast to either make a name for themselves or defend their reputations. The area is known for fostering some the world's elites and it's definitely going to be a shootout."
    The 2006-07 EGL season consists of ten regular-season regional tournaments in major metropolitan areas across the United States. Cyber athletes compete in teams and in a FFA (Free-For-All) platform throughout the exhibition season for cash prizes up to $3,500 per team and $750 for individual contenders. At the cessation of the regional tour in May, the top teams and individuals will be invited to face-off at the 2006-07 post-season finals in Las Vegas to contend for the national EGL Title and up to $15,000 in cash.
    "I think we're going to see some surprises," says Baron. "Careers can be both won and lost here. These guys have a lot of talent they're brining to the table and we'll see who really steps it up."
    As the freshest name in professional gaming, EGL is raising the bar in e- sports, mobilizing the best local and national competitors in concert to redefine the playing field for the next generation of true cyber-athletes. Throughout the season, EGL will maintain an online e-chronicle on the league's site featuring video-stream player interviews, highlights, depth and statistic charts, and play-by-play video screenshots.
    For more information and a full list of tournament dates and locations, please visit: www.theegleague.com
     

     

    He Is Music ... Manilow Has The Midas Touch

    GREATEST SONGS OF THE SIXTIES Goes Gold
    Ultimate Manilow Certified Double-Platinum
    Voted Artist of the Month at MSN.com
     Dec. 15 2006 has been an incredible record- breaking year for Manilow. His brand new album THE GREATEST SONGS OF THE SIXTIES released October 31st was certified gold by the RIAA, exactly one month from its street date. This is the first time since 1981 for Manilow to have two albums of new material certify gold in the same calendar year, and his SIXTIES album hits the gold mark faster than his Fifties album released January 31st. In addition, his best-selling greatest hits collection, Ultimate Manilow (Arista, 2002) was just certified double platinum yesterday and was voted the artist of the month for December on MSN.com with a landslide 91% of votes over other chart topping contenders Jay-Z, Foo Fighters, Lucinda Williams and Tenacious D.
    With the release of GREATEST SONGS OF THE SIXTIES, Manilow enjoyed an unprecedented record launch which garnered him the biggest sales week of his career when it debuted on the Billboard Top 200 at #2 with 201,904 copies sold, a 30% sales increase over his Fifties album released just 9 months before. THE GREATEST SONGS OF THE SIXTIES is his 13-song tribute that arrived in stores on October 31st and the follow-up to the RIAA platinum The Greatest Songs Of The Fifties, the first album in Barry Manilow's career to debut at #1 on the Billboard 200 Albums chart upon its release this year on January 31st. Manilow is the only artist of 2006 to have two albums debut in the top 2 chart positions in the same calendar year.
    The two current Fifties and Sixties albums mark the winning reunion in the studio for co-producers Manilow and Clive Davis, Arista founder and BMG U.S. Chairman & CEO. THE GREATEST SONGS OF THE SIXTIES also caps one of the most remarkable years of Manilow's long and storied career, which includes the success of 2006's The Greatest Songs From The Fifties (his first #1 chart album in nearly three decades), the renewal extension of his exclusive performing contract with the Las Vegas Hilton Theater ("Manilow: Music & Passion") through 2008, and winning his second career Emmy Award (this past August), when "Manilow: Music & Passion" was awarded Outstanding Individual Performance In A Variety Or Music Program.
    Each song on THE GREATEST SONGS OF THE SIXTIES is a classic in its own right from "You've Lost That Lovin' Feeling" (1965) to "And I Love Her" (1964), "When I Fall In Love" (1962) to three Burt Bacharach classics: "Raindrops Keep Falling On My Head" (1969), "What The World Needs Now Is Love" (1965) and "This Guy's In Love With You" (1968). Like the '60s itself, the album covers many genres, from "There's A Kind Of Hush (All Over The World)" (1967), to "Blue Velvet" (1963), to "Everybody Loves Somebody Sometime" (1964), "Can't Help Falling In Love" (1962), "Strangers In The Night" (1966), and the album's first single "Can't Take My Eyes Off You" (1967). One of the highlights of the album is a great duet with The Association of their two #1 hits "Cherish" (1966) and "Windy" (1967).
    With worldwide record sales exceeding 75 million, his work as a singer, songwriter, arranger and producer over the course of more than 40 albums has earned Barry Manilow the highest honors. He sits on the Board of Governors of the National Academy of Jazz, and in June 2002, he was inducted into the National Academy of Popular Music's Songwriters Hall of Fame, alongside Ashford & Simpson, Michael Jackson, Randy Newman, and Sting. In addition to his own foundation, the Manilow Fund for Health and Hope, other involvements include The Prince's Trust, United Way, the Starlight Foundation, numerous organizations fighting the battle against AIDS, and many others. He is the national spokesperson for the Foundation Fighting Blindness, Honorary Chairman of the Palm Springs Art Museum and a Founder of the Music Center of Los Angeles.
    Source: Arista Records
    CBS Corporation Launches CBS Records
    New Entity to Feature a Marquee Brand From the Past and a New Paradigm for Music's Future - Utilizing CBS's Television and Media Platforms to Market and Distribute Music
    CBS Records Announces its Songs, Music Videos and More Will Be Available on iTunes
    Dec. 15  CBS Corporation is launching a new music label that will draw upon one of the great names in music history -- CBS Records -- and the considerable mass media assets across its Company to market and distribute new music, it was announced today by Leslie Moonves, President and Chief Executive Officer, CBS Corporation. An emphasis of the new label will be to build awareness for CBS Records' artists and songs by integrating music into CBS television series.
    In unveiling the new entity, CBS also announced plans to make songs, music videos and other music-related content from CBS Records available for purchase and download at the iTunes Store (www.itunes.com ).
    Offering an alternative approach to introducing music into the marketplace, CBS Records will build a select roster of artists from the limitless ranks of independent musicians who write and perform their own songs with an initial focus on digital distribution of their content. In addition to the iTunes Store, the music will be offered through www.cbsrecords.com , as well as other agreements with online and wireless providers that will be announced at a later date. CBS Records will also offer physical distribution through partnerships with outside companies.
    "CBS is one of the most powerful entertainment brands in the world, and music represents a natural and complementary extension of our content assets," said Moonves. "With more consumers choosing the online download model as the preferred way to purchase their favorite songs, we have an opportunity to use our unique and broad collection of media platforms to create a new music label paradigm for a small price of admission."
    "The marriage of television and music with CBS Records offers tremendous creative and commercial potential for everyone," said Nancy Tellem, President, CBS Paramount Network Television Entertainment Group. "Our artists will have access to an incredibly powerful medium (television) to drive music sales; our television producers will have greater flexibility to use music as a creative enhancement in their shows; and our Company will be able to reduce the Network and studio's music licensing cost center while transforming it into a new revenue stream."
    CBS Records will harness the powerful marketing reach of the Corporation's diverse portfolio of mass media platforms to promote its music and talent directly to millions of consumers.
    * Music from CBS Records will be included in primetime entertainment series on the CBS Television Network's top-rated schedule, as well as on shows broadcast across all day parts. * Artists and songs will be incorporated into programs produced by CBS Paramount Television, which supplies programming to the broadcast, basic and pay cable television networks. CBS Paramount's slate of shows includes "CSI: Crime Scene Investigation" (CBS), "Everybody Hates Chris" (The CW), "Medium" (NBC) and "The 4400" (USA Network), to name just a few. * Artists and their music will be available to programs on CBS's sister network The CW, which features some of television's most popular shows with young viewers, including "America's Next Top Model"; and on CBS-owned Showtime, a leading premium cable network with cutting-edge programming such as "Weeds" and "Dexter." * Music videos and other music-related content will be streamed on CBS's broadband channel "innertube," which offers a wide range of free content to Internet users. * Music videos, artist performances and music from CBS Records that is integrated into television programming will also be showcased as part of CBS's content and marketing partnerships with YouTube, and other digital outlets, as well as on wireless carriers. * CBS Records will draw upon the Company's extensive reach to college students through the CSTV Networks, which includes websites for 240 colleges across the country and 100 broadband channels.
    "We will continue to work closely with our friends and colleagues at the other labels to put their music and artists in our television shows in all day parts," said Jack Sussman, Executive Vice President, Specials, Music and Live Events, CBS Entertainment. "With CBS Records, we also have the ability to discover and develop new musical talent, deliver their content to the consumer, and provide them exposure on all of our various media platforms, including the biggest stage of all -- network television."
    As part of its launch, CBS Records has signed several artists to its initial talent roster, including:
    * Will Dailey, who was recently named Best Male Singer/Songwriter at the 2006 Boston Music Awards. CBS Records will release Dailey's debut album, Back Flipping Forward. Featured on that album is the song "Grand Opening," which was heard in the Nov. 29th episode of "Jericho," on the CBS Television Network. * P.J. Olsson, a 2007 Grammy Award nominee. Olsson's Words For Living album was a critical favorite, and his music has been featured prominently in commercials, on several network series and in films. Olsson has appeared on the "Late Show with David Letterman" and other national broadcasts. He's currently working on his CBS Records debut album. * Indie rock band Senor Happy, whose music has been featured on several series on MTV and VH1. Their album, I'm Sorry, will be released by CBS Records in January 2007. Their song, "Love If You're Real," will be featured on the Dec. 15th episode of "Ghost Whisperer," on CBS.
    CBS Records will be launched primarily utilizing the existing infrastructure of CBS Entertainment and CBS Interactive. It will operate as a newly created unit within the Entertainment division based in Los Angeles, reporting to Tellem.
    Larry Jenkins, a 23-year music industry veteran with vast experience at major labels and currently head of his own management company, L J Entertainment, has been brought onboard to consult for CBS Records during the primary launch phase. Jenkins will work closely with Sussman, as well as Amy Osler, Vice President, Music, CBS Entertainment and CBS Paramount Network Television, and Jeff Sellinger from CBS Interactive to sign new talent, hire key music industry executives for the new venture and work with the various divisions to promote and distribute CBS Records music.
    CBS Records has a long and storied history dating back to 1938. Over the next 50 years, the company's labels were home to some of the greatest artists in the history of recorded music, including Aerosmith, Tony Bennett, Miles Davis, Bob Dylan, Earth, Wind & Fire, Billie Holiday, Billy Joel, Frank Sinatra, Bruce Springsteen, Barbra Streisand, and many more. In 1988, CBS Records was acquired by Sony, and a few years later, its assets were integrated into Sony Music Entertainment.
    CBS Corporation (NYSE:CBS.A) (NYSE:and) (NYSE:CBS) is a mass media company with constituent parts that reach back to the beginnings of the broadcast industry, as well as newer businesses that operate on the leading edge of the media industry. The Company, through its many and varied operations, combines broad reach with well-positioned local businesses, all of which provide it with an extensive distribution network by which it serves audiences and advertisers in all 50 states and key international markets. It has operations in virtually every field of media and entertainment, including broadcast television (CBS and The CW -- a joint venture between CBS Corporation and Warner Bros. Entertainment), cable television (Showtime and CSTV Networks), local television (CBS Television Stations), television production and syndication (CBS Paramount Network Television and CBS Television Distribution Group), radio (CBS Radio), advertising on out-of-home media (CBS Outdoor), publishing (Simon & Schuster), digital media (CBS Interactive and CSTV Networks) and consumer products (CBS Consumer Products). For more information, log on to www.cbscorporation.com .
    Source: CBS Corporation

     

    A landmark in history was created when Ozura Mobile announced the winners of Malaysia's First & Largest Live Mobile Game Tournament, Beauty Queen featuring Miss Malaysia/World 2004 last Saturday, December 9, 2006 at Sky Bar, Traders Hotel, Kuala Lumpur.

     

    THE GRAND FINALE OF BEAUTY QUEEN,

    MALAYSIA’S FIRST & LARGEST LIVE MOBILE GAME TOURNAMENT

    FEATURING MISS MALAYSIA

    -A Landmark in History

     Ozura Mobile, a wholly owned subsidiary of Nextnation Communication and a leading international publisher and developer of mobile entertainment, today announced the winners of the Beauty Queen Tournament Grand Finale, Malaysia ’s first and largest live mobile game tournament. The Beauty Queen mobile game series feature Miss Malaysia/World 2004 Gloria Ting.

    Five of the nation’s best mobile gamers who qualified went head to head in the Grand Finale, vying for the Grand Prize of  MYR5,000 in cash and a dinner with Miss Gloria herself. After two hours of fierce competition, 18 year-old Hannie Ting from Sarawak , triumphed over other competitors to claim the Grand Prize and title of Beauty Queen Grand Finale Champion.

    The Beauty Queen Grand Finale second and third place winners are 17-year old Mohd Farhan (Kelantan) and 29-year old Nik Zul Azmi (Negeri Sembilan) and they received MYR3,000 and  MYR2,000 cash prizes respectively.

    The five Grand Finale qualifiers competed in the first elimination round of the Grand Finale to narrow down to four final contestants. The second and final round of the Grand Finale took place between those four to determine the winners. All three games in the Beauty Queen series were used to test the contestants’ gaming prowess built from the culmination of series of tournaments which has been ongoing since late March this year. The three editions of the Beauty Queen series in order of their release are Beauty Queen Workout, Beauty Queen Catwalk and Beauty Queen Charity.

    The Beauty Queen tournament series was developed by Ozura in an effort to increase the public’s awareness of the mobile games industry and demonstrate Ozura’s capacity as one of Asia-Pacific’s leading player in the mobile entertainment market. Beauty Queen tournament games are powered by FunlogiX™, a proprietary mobile gaming community platform developed by Ozura. The platform is both GPRS and 3G ready, supporting all major handsets such as Nokia, Motorola, Samsung and Sony Ericsson.

    A study by Juniper Research reveals that the global mobile entertainment market will be dominated by Asia Pacific. Over the entire period of 2006 to 2011, Asia Pacific is forecasted to contribute 37% of global mobile entertainment revenues.

    “The success of the Beauty Queen Mobile Game Tournament provides strong indication that mobile gaming communities have begun to pick up significantly in Asia Pacific,” commented Ozura’s Chief Executive Officer, Lion Peh. “As the Grand Finale mark an end to our year-long efforts to promote mobile entertainment to the public, we have more plans in store for next year,“ he later revealed.

    A prize giving ceremony for the Grand Finale winners was conducted on the same day, during which Sibu Community Services Association, a charitable organization which is involved in Methodist care and charity activities for the handicapped, received a donation from Ozura in honour of Miss Gloria Ting and in the spirit of charity reflected in the latest game series edition Beauty Queen Charity. Coverage of the event was done by Wise Tech Resources, and will be broadcasted across major media networks in Europe and Asia .


    About Ozura Mobile
    Ozura is a wholly owned subsidiary of Nextnation Communication and is a leading international developer and publisher for mobile games and game developer engine to carriers, aggregators, mobile phone manufacturers and service providers. The company creates games for mobile phones based on the J2ME, BREW and Symbian platforms. Ozura’s games are available all over the world through its distribution network of partners spanning across 130 countries. It is expected that the growth of mobile phones supporting these platforms will exceed one billion units worldwide in 2008. For more information, visit www.ozura.com.
    About Nextnation Communication
    Nextnation Communication‚ a mobile application service provider‚ enables businesses and individuals to access‚ connect‚ and transact across today's complex global mobile networks. Its core product MINDCEP™ Platform is a mobile multimedia communication platform‚ facilitating and enabling mobile data transmission worldwide using WAP‚ MMS‚ SMS and Java technologies. MINDCEP™ is connected to some of the largest premium messaging networks in the world in order to offer a broad range of services from content distribution to mobile m-commerce and place the company at the forefront of this rapidly growing messaging market. Additional news and information about the company is available at www.nextnationnet.com.

     

    December 14

     

     

    Written by Joyce Chow and William Hoehne
    Frohawk Two Feather's Tundrafoot Whimsy T’s Soft as a Cloud

     

     

    (C) MBN 2006
    Tundrafoot, light as a feather and soft as a cloud.  Discovered in the midst of a sea of t-shirts and what’s hip for the younger set at the Pool Trade Show in Las Vegas was a baby blue back ground and bubbles and a quirky Frohawk Two Feathers in his white framed wide eyed glasses.
    Frohawk Two Feathers, the artist behind the graphics, focuses on the positive aspects and the almost fairytale like innocence while weaving a story of polar cap characters in environmental awareness to prevent them from extinction. 
    Tundrafoot’s cute cuddly characters represent virtues such as Tyberius the ambitious penguin, Ten the compassionate seal, Pink the whale with perseverance and Parka Posie the hopeful Eskimo girl.  Tanka is coming soon.
    (C) Frohawk 
    Frohawk Two Feathers, shared his name’s origination which isn’t quite Indian,  “I cut this mohawk(his hair), it’s like an afro and a Mohawk, so I called it a frohawk.”  On the two feathers, “A hawk is my favorite bird, next to the penguin of course.  The hawk would shed his feathers and I would wear the feather in my hair.”  We never did get to the idea behind the large white framed wide eyed glasses, but I did notice a similar wide-eyed look in his characters.
     
    Frohawk works in the mediums of drawings, paintings and sculpture with a variety of media with inspiration from the Tundra.  After searching for an escape from his mundane life as a salesperson where his drawings began as comics on invoice sheets colored by white out and hi-liters, his “cubicle gnome” life became no more as his “cubicle gnome” employer financed Tundrafoot, which was created in 2003.

    Besides being a visual artist, Frohawk is a co-lead singer of his band called Foreign and Domestic, which is currently in the process of releasing a full-length cd entitled “Your Mountain VS My Iceberg.”  Their influences come from 80’s new wave, old school hip hop and prog rock.  Foreign and Domestic is kind of political, but mostly make songs about love and the human condition.  Other members rounding out the quartet are his wife Michiyo Suda, friend Iwei Lai and co-lead singer and main keyboardist Kim Haden. 
    The band originally started because Frohawk was tired of rapping and disenchanted with the current state of hip hop, add to that a chance to sing and play in a band. Previously  he recorded a hip hop album in 1999 for F5 Records, a small record label in St. Louis , entitled Hi-Fidel and DJ Crucial, “Traveling between St. Louis and Chicago .”
    Catch a glimpse into his creations to see “Glaciers are not forever” and Pink the whale in
    “Save the whales, save yourselves.”
    (C) You'll never fly
    Tundrafoot can be discovered online at www.tundrafoot.com

     

    Fox Filmed Entertainment Earns Fourteen Golden Globe(R) Nominations

    Fox Dominates Best Motion Picture, Comedy/Musical Category with Four out of Five Nominations Fox Searchlight Pictures Garners Eight Nominations and Twentieth Century Fox Receives Six Nods

    Dec. 14, 2006 Fox Filmed Entertainment announced today that the Company had earned a total of fourteen Golden Globe nominations from the Hollywood Foreign Press Association. The studio received four out of the five nominations in the Best Motion Picture - Comedy or Musical category BORAT, THE DEVIL WEARS PRADA, LITTLE MISS SUNSHINE and THANK YOU FOR SMOKING.

    Fox Searchlight Pictures received three nods for the upcoming December 27th release of NOTES ON A SCANDAL, including a Golden Globe nomination for Judi Dench for Best Performance By An Actress In A Motion Picture - Drama and Cate Blanchett for Best Performance By An Actress In A Supporting Role. LITTLE MISS SUNSHINE and THANK YOU FOR SMOKING both received a nomination for Best Motion Picture - Comedy or Musical and Toni Collette for Best Performance By An Actress In A Motion Picture - Comedy or Musical and Aaron Eckhart for Best Performance By An Actor In A Motion Picture - Comedy or Musical respectively. Forest Whitaker continued his streak by garnering a nomination for Best Performance By An Actor In A Motion Picture - Drama for his portrayal of Idi Amin in THE LAST KING OF SCOTLAND.

    Twentieth Century Fox garnered three nominations for THE DEVIL WEARS PRADA, including a Golden Globe nomination for Meryl Streep for Best Performance By An Actress In A Motion Picture - Comedy or Musical and Emily Blunt for Best Performance By An Actress In A Supporting Role along with a nomination for Best Motion Picture - Comedy or Musical. BORAT received a nomination for Best Motion Picture - Comedy or Musical and Sasha Baron Cohen for Best Performance By An Actor In A Motion Picture - Comedy or Musical for his portrayal of Borat. THE FOUNTAIN received a nod for Best Original Score - Motion Picture.

    One of the world's largest producers and distributors of motion pictures, Fox Filmed Entertainment produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of FFE: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox Atomic, and Twentieth Century Fox Animation.

    Statement From Atlantic Records

    December 14, 2006 -- Ahmet Ertegun, Founding Chairman of Atlantic Records, passed away today in New York City at the age of 83. He had been hospitalized with a head injury since October 29, when he fell backstage at a Rolling Stones concert at the Beacon Theatre in Manhattan.

    Dr. Howard A Riina, Mr. Ertegun's neurosurgeon at New York Presbyterian Hospital, Weill Cornell Medical Center said, "Mr. Ertegun suffered a severe brain injury after he fell in October. He was in a coma and passed away today with his family at his bedside."

    Mr. Ertegun will be buried in a private ceremony in his native Turkey. A memorial service will be conducted in New York after the New Year.

    "All of us at Atlantic Records are profoundly saddened by the loss of our founder and mentor," said Atlantic Chairman/CEO Craig Kallman. "The music community has lost a pioneer and an icon, and we have lost our father. Ahmet changed the course of modern music and culture, and he will live on through the timeless legacy of work that was created under his direction and care. Musicians loved him, because he truly loved them and spoke their language. The essence of Ahmet Ertegun is the essence of Atlantic Records. His passion for music and his devotion to the artists who make it have been at the very heart of this company for six decades. The soul of Ahmet Ertegun will forever be our guiding spirit, and as long as there is an Atlantic Records, it will be Ahmet Ertegun's company. Our thoughts and prayers are with Ahmet's wife, Mica, and his family during this very difficult time."

    "Ahmet never stopped working, because for him, it was never work, it was life," said Atlantic President Julie Greenwald. "He started Atlantic with a fan's enthusiasm, an independent spirit, and a deep understanding of the music. Ahmet touched the lives of artists, producers, songwriters, and countless others who were blessed by his creativity, wisdom, and humor. He changed the music and he changed the music business, and he is the inspiration to an entire new generation of music people who will strive to follow in his amazing footsteps. Equally at home in New Orleans juke joints and foreign embassies, Ahmet was a human being of rare character, style, and humility. He was the real deal, and the world will be a far lesser place without him."

    "Ahmet's visionary talents as a businessman and as a recording industry pioneer are the stuff of legend, but it is his lifelong pursuit of truth -- as distilled into music -- that I find most inspiring," said Edgar Bronfman, Jr., Warner Music Group Chairman and CEO. "For all of us at Warner Music, it has been an honor to work with Ahmet. He showed us all how to live life with passion, integrity, generosity, and joy, and we will miss him deeply."

    "I feel so privileged to be able to say that Ahmet Ertegun was a mentor," said Lyor Cohen, Chairman and CEO, U.S. Recorded Music, Warner Music Group. "Here was a man who combined substance and style like no one else. Who affected millions upon millions of people through the music his artists created. Who nurtured those artists under his watchful eye. We were blessed to have him. There will never be another Ahmet Ertegun. His life was simply too incredible to ever be matched by a single human being."

    Ahmet M. Ertegun

    One of the most important figures in the history of modern music, Ahmet Ertegun was born in Istanbul, Turkey on July 31, 1923. The son of the Turkish Ambassador to the United States, Ahmet was raised and educated in Switzerland, Paris, London, and Washington, D.C. A passionate music fan and collector, Ertegun borrowed $10,000 from his dentist and founded Atlantic Records in New York City in the fall of 1947. He signed artists, produced records, wrote songs, and supervised the fledgling label. As he said, "We started Atlantic simply because we wanted to sign a few artists whose music we liked, and make the kind of records that we would want to buy."

    Under Ahmet's direction, Atlantic evolved from a groundbreaking, independent R&B and jazz label into one of the world's preeminent music companies. The artists Ahmet discovered and the music he pioneered led a revolution in R&B, soul, and rock music that reshaped the modern cultural landscape -- forming a legacy that includes such seminal artists as Ray Charles, Big Joe Turner, Ruth Brown, LaVern Baker, The Clovers, The Drifters, John Coltrane, Ben E. King, Bobby Darin, Sonny & Cher, Aretha Franklin, Otis Redding, Solomon Burke, Wilson Pickett, Led Zeppelin, Eric Clapton, Crosby Stills Nash & Young, The Rolling Stones, Bette Midler, Roberta Flack, Phil Collins, and many others.

    Ahmet was founder and Chairman of the Rock and Roll Hall of Fame. In recognition of his pioneering contributions to contemporary music and culture, he was himself elected to the Hall of Fame in 1987, and the Museum's main exhibition hall in Cleveland bears his name. In 1991, Ahmet received an honorary doctorate in music from the Berklee College of Music in Boston, and in 1993 he was presented with a Trustees Award from the National Academy of Recording Arts & Sciences. In 2000, he was honored as a "Living Legend" by the United States Library of Congress, on the occasion of the Library's Bicentennial. In June 2006, he was honored with the opening night concert at the 40th Montreux Jazz Festival. He never retired and remained active at Atlantic until his death, serving as Founding Chairman of the company he started six decades ago.

    For complete biographical information and photos, please visit: www.atlanticrecords.com/ahmet

     

    ANIME EXPO® 2007 ANNOUNCES
    ONLINE REGISTRATION UP, AVAILABLE AND RUNNING


    A Newly Designed Site for the Nation¹s Largest Convention Provides the
    Perfect Holiday Present for the Anime/Manga Enthusiast


    Anaheim, California (December 14, 2006) ‹ Wondering what to buy for
    the
    Anime/Manga enthusiast this Holiday Season? Look no further than to the
    newly designed Anime Expo® website to purchase their attendee badges
    for
    2007!  Anime Expo® 2007 will be held from June 29, 2007-July 2, 2007
    at the
    Long Beach Convention Center in Long Beach, CA.  More information can
    be
    found on the website www.anime-expo.org <http://www.anime-expo.org> .

    Attendees who pre-register prior to December 31, 2006 will
    automatically be
    entered into a drawing for hot manga titles from the young and up and
    coming
    manga company Infinity Studios, LLC.  Winners selected will receive a
    host
    of amazing titles including the newest titles releasing in January
    2007-NININ GA SHINOBUDEN Vol. 2 and SWEETY Vol. 2!

    All prices (all Major Credit Cards and any ATM Visa/Mastercard check
    card
    accepted) are as follows:

    ·      All 4 Days-Now till Dec 31st = $45
    ·      All 4 Days-Jan 1st - Mar 16th = $50
    ·
    All 4 Days-Mar 17th - May 31st = $55
    ·
    All 4 Days-Jun 1st till the con = $60 (door price)
    ·      1-Day
    (Fri 6/29) - $25.00
    ·
    1-Day (Sat 6/30) - $30.00
    ·
    1-Day (Sun 7/1) - $25.00
    ·
    1-Day (Sun 7/2) - $20.00
    ·      2-Day
    (Fri/Sat) - $50.00
    ·
    2-Day (Sat/Sun) - $50.00
    ·
    2-Day (Sun/Mon) - $40.00
    ·     Kids
    4-day child - $30.00

    The pre-registration contest ending December 31, 2006 applies only for
    All 4
    Day passes ($45.00).  Winners will be announced January 2007.

    Attendees interested in booking flights and hotels for Anime Expo®
    2007 can
    do so via the AX Travel Store located at www.AXTravelStore.com
    <http://www.AXTravelStore.com> .

    Discussions about all current Infinity Studios, LLC offers and products
    can
    be found on the internet in the forum area of the Infinity Studios, LLC
    website located at www.infinitystudios.com
    <http://www.infinitystudios.com>
    .

    About Anime Expo®
    Located in Long Beach, California - Anime Expo®, the nation¹s largest
    anime/manga convention, serves to foster trade, commerce and the
    interests
    of the general public and animation/ comics industry. This event serves
    as a
    key meeting place for the general public to express their interest and
    explore various aspects of anime/manga, as well as for members of the
    industry to conduct business. AX 2007 will be held June 29 ­ July 2,
    2007 at
    the Long Beach Convention Center in Southern California. More
    information
    can be found at its website (www.anime-expo.org).

    About Society for the Promotion of Japanese Animation
    The Society for the Promotion of Japanese Animation (SPJA) is a
    non-profit
    organization with a mission to popularize and educate the American
    public
    about anime and manga, as well as provide a forum to facilitate
    communication between professionals and fans. This organization is more
    popularly known by its entertainment property ­ Anime Expo®.   More
    information can be found at its website (www.spja.org).

    The statements made in this press release that are not historical facts
    are
    "forward-looking statements." These forward-looking statements are
    based on
    current expectations and assumptions that are subject to risks and
    uncertainties. The Company cautions readers of this press release that
    a
    number of important factors could cause Anime Expo®/SPJA¹s actual
    future
    results to differ materially from those expressed in any such
    forward-looking statements. Such factors include, without limitation,
    product delays, industry competition, rapid changes in technology and
    industry standards, protection of proprietary rights, maintenance of
    relationships with key personnel, vendors and third-party developers,
    international economic and political conditions. The Company may change
    its
    intention, belief or expectation, at any time and without notice, based
    upon
    any changes in such factors, in the Company's assumptions or otherwise.
    The
    Company undertakes no obligation to release publicly any revisions to
    any
    forward-looking statements to reflect events or circumstances after the
    date
    hereof or to reflect the occurrence of unanticipated events.

    About Infinity Studios, LLC

    Headquartered in Richmond, California, Infinity Studios, LLC is a
    leading
    worldwide developer and publisher of Asian Graphic Novels. Founded in
    2004,
    Infinity Studios, LLC maintains operations in the U.S., Japan and
    Korea.
    More information about Infinity Studios, LLC and its products can be
    found
    on the company¹s World Wide Web site, which is located at
    www.infinitystudios.com <http://www.infinitystudios.com> .

    The statements made in this press release that are not historical facts
    are
    "forward-looking statements." These forward-looking statements are
    based on
    current expectations and assumptions that are subject to risks and
    uncertainties. The Company cautions readers of this press release that
    a
    number of important factors could cause Infinity Studio, LLC¹s actual
    future
    results to differ materially from those expressed in any such
    forward-looking statements. Such factors include, without limitation,
    product delays, retail acceptance of our products, industry
    competition,
    rapid changes in technology and industry standards, protection of
    proprietary rights, maintenance of relationships with key personnel,
    vendors
    and third-party developers, international economic and political
    conditions,
    integration of recently acquired subsidiaries and identification of
    suitable
    future acquisition opportunities. The Company may change its intention,
    belief or expectation, at any time and without notice, based upon any
    changes in such factors, in the Company's assumptions or otherwise. The
    Company undertakes no obligation to release publicly any revisions to
    any
    forward-looking statements to reflect events or circumstances after the
    date
    hereof or to reflect the occurrence of unanticipated events.

    [ Yahoo! ] options

    December 08, 2006

    Spike Tv's Videogame Awards

     Spike Tv's Videogame Awards coverage from the carpet to the Feed Room

    Vivendi Games Mobile's SWAT Force(R) Wins Best Wireless Game at Spike TV Video Game Awards

    Dec. 12  Vivendi Games Mobile, a division of Vivendi Games, scored a major win at the 4th annual Spike TV Video Game Awards held on Friday, December 8th in Los Angeles. Less than a year into its emergence as a global games publisher for mobile phones, Vivendi Games Mobile won the Best Wireless Game award for its shooter action title SWAT Force, beating out contenders Diner Dash, Tower Bloxx and Super K.O. Boxing.

    "I can't think of a better way for Vivendi Games Mobile to celebrate its successful entry into the business," said Paul Maglione, president of Vivendi Games Mobile. "The quality of our games is being recognized across our entire slate of titles, but to receive this special acknowledgement for SWAT is indeed an honor. We look forward to building the SWAT franchise and evolving the title to deliver an even better game for mobile devices worldwide."

    Virginie Grange, director of Corporate Business Development for Vivendi Games Mobile, accepted the Spike TV Video Game award and gave a brief acceptance speech. "This award is a great validation for Vivendi Games Mobile and its ability to successfully translate popular video game franchises such as SWAT into a superlative mobile game."

    Over the course of 2006, SWAT Force has racked up accolades from major game reviewers, including a Mobie Award nomination from CNET Networks Games & Entertainment and an IGN Editor's Choice Award. In its review, IGN stated, "SWAT Force is one of the better PC-to-mobile games we have played." SWAT Force is currently available to Cingular Wireless, Sprint Wireless, and Amp'd Mobile customers in the US, and will soon be available to Verizon Wireless and T-Mobile customers as well. SWAT Force has also launched on mobile carriers throughout Europe.

    Actor Samuel L. Jackson hosted this year's Spike TV Video Game awards event, which featured performances by Tenacious D and AFI, and special guest appearances by 50 Cent, Tyrese, Heroes' stars Hayden Panettiere and Masi Oka, Eva Mendez, Rachel Leigh Cook, Sarah Silverman, and others. The Spike TV Video Game Awards broadcast will debut this Wednesday, 12/13, at 10 p.m. ET/PT.

    About SWAT Force(R)

    SWAT, or Special Weapons and Tactics, is Los Angeles' elite rapid intervention police force. It is specially trained and equipped to deal with the most dangerous urban crisis situations: hostage situations, armed robberies and bomb threats. Based on the popular PC franchise published by Vivendi Games, SWAT Force has faithfully translated the tactical police action to mobile.

    SWAT Force puts you in the shoes of a SWAT squad leader. Take tactical control of a 2-man SWAT squad and lead them through seven authentic crisis situations. Choose the equipment and tactics for both your sharpshooter and your explosives expert. Use each one at the appropriate moment and defuse the traps that lie in your way. Remember that your ultimate goal is to protect life and not necessarily to shoot to kill. The game, developed by Kaolink, offers detailed animation and an intuitive control scheme that makes the gameplay experience highly rewarding.

    About Vivendi Games Mobile

    Vivendi Games Mobile, a division of Vivendi Games, is dedicated to publishing quality titles for the worldwide mobile games market. The division has a global presence, with its headquarters, operations and an internal development team in Paris and a US-based team in Los Angeles. Following the acquisition of the award-winning mobile games publisher Centerscore in September 2006, Vivendi Games Mobile also has an internal development studio in San Mateo, Calif. The company publishes a diverse portfolio of action, strategy, casual and arcade games based on original IP, high-profile entertainment licenses and classic Sierra IP, distributed by more than 90 operators and dozens of Web portals in 60 countries around the world. Top-selling titles include: Black Hawk Down (R), Crash Bandicoot(R) Tag Team Racing, Empire Earth(R), Eragon(R), Leisure Suit Larry(R) Magna Cum Laude, Spyro the Dragon(R), Surviving High School and SWAT(R) Force. For further information, visit www.vgmobile.com.

    Vivendi Games is a global developer, publisher and distributor of multi-platform interactive entertainment. The company is the leader in the subscription-based massively multi-player online (MMO) games category and holds leading positions in the PC, casual online, console, handheld and mobile games markets. Vivendi Games' two principal studios and publishing labels include Blizzard Entertainment, headquartered in Irvine, CA, and Sierra Entertainment, headquartered in Los Angeles, which includes Radical Entertainment, Swordfish Studios, High Moon Studios and Massive Entertainment. Vivendi Games is also home to Sierra Online, dedicated to publishing casual games for online play and distribution on all platforms. Vivendi Games maintains strategic relationships with industry leading content partners, including Universal Music Group, NBC Universal, Twentieth Century Fox, and Ludlum Entertainment. The company has 16 offices around the world conducting business in 75 countries.

    Source: Vivendi Games Mobile

    Red Carpet Arrivals
    50 Cent
    AFI
    Barry Bostwick
    Brandon Routh
    Candace Bailey
    Cliffy B of Epic Games
    Courtney Ford
    Craig Hansen
    Dana White
    Daniel Dae Kim
    Deal or No Deal Models
    Emmanuelle Vaugier
    Fan Boys
    Hayden Panettiere with brother Jansen
    Joe Rogan
    Josh Barfield
    Kurt Angle
    Lhotse Merriam
    Maria Menounos
    Masi Oka
    Mega 64
    Method Man
    Michael Irvin
    Rachael Leigh Cook
    Samuel L. Jackson
    Seth Green
    Seth MacFarlane
    The King (Burger King)
    Tila Tequila
    Tony Hawk
    Tyrese
    Xzibit
    Yellowcard
    Press Room (Photos) (If only they had all been in Feed room also 
    50 Cent
    Brandon Routh
    Candace Bailey
    Courtney Ford
    Craig Hansen
    Dana White
    Daniel Dae Kim
    Emmanuelle Vaugier
    Eva Mendes
    Hayden Panettiere
    Joe Rogan
    Jukka
    Kurt Angle
    Marc Ecko
    Maria Menounos
    Masi Oka
    Mega 64
    Method Man
    Michael Irvin
    Rachael Leigh Cook, winner for Best Supporting Female Performance "Kingdom Hearts II"
    Samuel L. Jackson
    Seth Green, Seth Macfarlance and Mike Henry, winners for Best Cast "Family Guy"
    Thomas Lenon, Kerri Kenney and Ben Garant of "Reno 911"
    Tila Tequila
    Tony Hawk, winner for Best Individual Sports Game (Activision/Neversoft)
    and wife Lhotse Merriam
    Tyrese
    Vida Guerra, winner for Best Performance By A Human - Female "Scarface: The World Is Yours"...
    Yellowcard, winners for Best Song "Lights and Sounds" Burnout Revenge XBOX 360 (Electronic...

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    GAME OF THE YEAR


    The Elder Scrolls IV: Oblivion (Bethesda Softworks)



    CRITIC'S CHOICE
    (game to be released after 11/15/2006 & before 12/31/2006)


    The Legend of Zelda: Twilight Princess (Nintendo/Nintendo EAD)


    BEST DRIVING GAME AWARD


    Burnout Revenge-XBOX 360 (Electronic Arts/Criterion Games)


    BEST INDIVIDUAL SPORTS GAME


    Tony Hawk Project 8 (Activision/Neversoft )



    BEST ACTION GAME


    Dead Rising (Capcom)



    BEST TEAM SPORTS GAME


    NBA2K7 (2K Sports/Visual Concepts)



    CYBER VIXEN OF THE YEAR


    Alyx Vance - Half-Life 2: Episode 1 (Valve)



    BEST SONG


    "Lights and Sounds" by YellowCard in Burnout Revenge-XBOX 360 (Electronic Arts/Criterion Games)



    BEST SOUNDTRACK


    Guitar Hero 2 (Red Octane/Harmonix)


    STUDIO OF THE YEAR


    Cliff Bleszinski /Epic Games (Gears of War)


    BEST WIRELESS GAME


    SWAT Force (Vivendi/KAOLink)


    BEST ORIGINAL SCORE


    The Elder Scrolls IV: Oblivion (Bethesda Softworks)


    BEST FIGHTING GAME


    Mortal Kombat Armageddon (Midway Games)


    BEST SHOOTER


    Gears of War (Microsoft/Epic Games)


    BEST MILITARY GAME


    Company of Heroes (THQ/Relic)


    BEST GRAPHICS


    Gears of War (Microsoft/Epic Games)


    BEST HANDHELD GAME


    New Super Mario (Nintendo/Nintendo EAD)


    BEST MULTI-PLAYER GAME


    Gears of War (Microsoft/Epic Games)



    BREAKTHROUGH TECHNOLOGY

    BREAKTHROUGH TECHNOLOGY


    WII (Nintendo)


    BEST PC GAME


    Company of Heroes (THQ/Relic)



    BEST RPG


    The Elder Scrolls IV: Oblivion (Bethesda Softworks)



    BEST GAME BASED ON A MOVIE OR TV SHOW


    Lego Star Wars II: The Original Trilogy (LucasArts/Traveller's Tales)




    BEST PERFORMANCE BY A HUMAN - MALE



    Patrick Stewart in The Elder Scrolls IV: Oblivion (Bethesda Softworks)




    BEST SUPPORTING MALE PERFORMANCE


    James Gandolfini in The Sopranos: Road to Respect (THQ/7 Studios)



    BEST PERFORMANCE BY A HUMAN - FEMALE


    Vida Guerra in Scarface: The World is Yours (Vivendi/Radical Entertainment)



    BEST SUPPORTING FEMALE PERFORMANCE

    BEST SUPPORTING FEMALE PERFORMANCE


    Rachel Leigh Cook in Kingdom Hearts II (Square Enix)



    BEST CAST


    Family Guy (2K Games/High Voltage Software)


    MOST ADDICTIVE


    The Elder Scrolls IV: Oblivion (Bethesda Softworks)

     

    Gamers Choice: Breakthrough preformance

    Rosario Dawson in Marc Ecko's Getting Up: Contents Under Pressure (Atari/The Collective)

     

    Gamers Choice:Charter of the year.

    Johnny Depp in Pirates of the Caribbean: The Legend of Jack Sparrow (Bethesda Softworks/7 Studios/Buena Vista Games)

     

     

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    (C) MBN 2006 William Hoehne

     



    Albie Hecht, Oscar-nominated producer and co-creator of the "Kids' Choice" and "Video Game Awards," and Casey Patterson, Senior Vice President, Event Production & Talent Development for Spike TV will serve as Executive Producers of Spike TV's 2006 Video Game Awards. Alicia Portugal will serve as Producer and Scott Fishman is the Executive in Charge of Production. Beth McCarthy will serve as director.

    Spike TV is available in 90 million homes and is a division of MTV Networks. MTV Networks, a division of Viacom International Inc.

     

    Live from the feed room

     

    Brandon Routh

    Routh, pronounced like "south", was born in Des Moines, Iowa and grew up in nearby Norwalk. He attended the University of Iowa and starred in many productions at the Norwalk Theater of Performing Arts. His first professional acting role was in the ABC television series "Odd Man Out" (1999), and he went on to guest star in the series "Gilmore Girls" (2000) and "Undressed" (1999). In his spare time, Routh enjoys playing soccer and basketball, swimming, biking and reading.

    Went as Clark Kent/Superman for a Halloween party in 2003 and won a costume contest, only to receive the movie role one year later.

    Dressed up as Batman for Halloween 2004.

    His brother is a "real-life Superman" - a police officer in Des Moines

    Attended the University of Iowa

    After being cast as Superman for Superman Returns (2006), he sought out a movement coach to help him create the proper body language for the Superman character.

    Parents are Ron and Katie.

    Unlike fellow Superman actors Christopher Reeve and Tom Welling, he is a huge Superman fan. As a kid, he collected the comics, owned the films, and even wore Superman pajamas.

    Frequently says that the only good thing that came of his several years of struggling to find success in Hollywood was meeting his long-time girlfriend, Courtney Ford, in a coffee-shop after another failed audition. They became engaged in August, 2006.

    Attended the International Model and Talent Association (IMTA).

    Engaged to Courtney Ford [August 23, 2006].

    Cites "Braveheart" as his all time favorite film.

     

    MASI OKA

    Graduated from Brown University in 1997 with a degree in Computer Science.

    He has a 180-plus IQ.

    Was featured on the cover of Time Magazine as a child.

    Name is pronounced as "mah-see".

    When he was 12, he was on the cover of the August 31, 1987 issue of Time magazine titled "Those Asian-American Whiz Kids".

    In an interview with TV Guide's Michael Ausiello, he said that as of November 2006, he still works one or two days a week as a CGI artist for George Lucas' special effects company Industrial Light & Magic (at which Oka worked on the effects for such films as Pirates of the Caribbean: Dead Man's Chest, War of the Worlds, the three most recent Star Wars movies, and The Perfect Storm). He also still drives his old car, a 2000 Honda Accord.

     

    DANIEL DAE KIM

    He holds an M.F.A. from the Graduate Acting program at New York University.

    Son born in 1996.

    He has said that playing "Jin" on "Lost" (2005) is a relief to him because he is finally playing someone of his own heritage (Korean), having been cast as characters of almost every other Asian heritage but his own.

    Due to his childhood in America, Daniel knew very little Korean before he did "Lost". He has said that his co-star on that show Yunjin Kim, who is fluent in both English and Korean, has been invaluable in coaching him on his Korean, which has apparently improved. Ironically, to the audience's knowledge, Daniel's character knows nothing but Korean.

    Grew up in Easton, Pennsylvania.

    Earned a Bachelor of Arts degree from Haverford College/Bryn Mawr College in Theatre & Political Science.

    His acting heroes are Paul Scofield, Gene Hackman, Robert De Niro, Sidney Poitier, Gene Kelly, Denzel Washington, Robert Duvall and, his favorite, Jonathan Pryce.

    While getting small parts in plays and writing and performing in an improv comedy group, he seriously considered a career in investment banking.

    He attended Freedom High School in Bethlehem, Pennsylvania, the same high school as Dwayne Johnson - "The Rock"

    He was included on People Magazine's list of the sexiest men alive in 2005. Matthew McConaughey topped the list.

     

    BEST TEAM SPORTS GAME: NBA2K7 (2K SPORTS?VISUAL CONCEPTS) 

     

    Most Addictive Game: The Elder Scrolls IV: Oblivion (Bethesda Softworks) 

    The Elder Scrolls IV: Oblivion won Ultimate Game of the Year, PC Game of the Year, and Xbox Game of the Year

     

    Tila Tequila

    Born in Singapore, Tila 'Tequila' Nguyen has become a pop culture sensation. The Houston native is today one of the most popular personalities in cyberspace, breaking records on the ultra-successful MySpace.com website, with a record breaking 1.4 million friends.

    Raised in a Buddhist temple, the Vietnamese teenager soon rebelled against her strict upbringing, developing into an out-spoken tomboy before being discovered by international magazine editors. Since then, this Texan beauty has graced the covers of numerous magazines including Maxim UK and Stuff, was recently listed on Maxim Magazine's 'Hot 100' list for 2006, and is featured in Rolling Stone's 2006 'Hot Issue'.

    A musician at heart, Tila's much anticipated debut release will be out later this fall, after finishing in the studio with platinum and multi-platinum producers such as Lil Jon, Junior Sanchez and DJ Lethal.

    A versatile artist, Tila has made numerous television and film appearances, including an upcoming cameo opposite Adam Sandler in the Universal Pictures feature "I Now Pronounce You Chuck and Larry."

    Her 'Tequila' nickname originates from a near fatal drinking experience. Ironically, Tila is allergic to alcohol.

     

    Rachael Leigh Cook

    Minneapolis native Rachael Leigh Cook began her career as a model at the tender age of 10, gracing Milk-Bone(R) boxes and Target(R) ads nationwide. She also appeared in a now-famous anti-drug TV spot in which, armed with a frying pan, she bashed her way through a kitchen to show the disastrous effects of heroin. At 14, her modeling agency sent her to read for a short film (26 Summer Street (1996)) and changed the course of her young life--from that moment on, Cook was hooked on acting. When she reached L.A. later that year, Cook bypassed the wannabe stage and nailed her first audition (for the part of a budding entrepreneur in The Baby-Sitters Club (1995)). She returned to theaters three months later in the Jonathan Taylor Thomas vehicle Tom and Huck (1995), then filled her calendar with appearances in independent and made-for-TV movies. She divided her time between Minneapolis and Tinseltown, shuttling from school events to movie shoots with her mother in tow. Cook's starlet status crystallized in 1999, when she starred opposite Freddie Prinze Jr. in the Pygmalion retelling She's All That (1999). Her on-screen transformation from ugly duckling to ravishing beauty scored several teen-oriented awards and made Cook a hot commodity in Hollywood. She signed for a handful of plum follow-up roles, including a troubled adolescent in Sylvester Stallone's Get Carter (2000), a frontier gal in Texas Rangers (2001), and the caterwauling lead in the live-action version of Josie and the Pussycats (2001). Cook now lives primarily in Los Angeles, but she returns home frequently to visit with friends and family. Her father, Tom (a former stand-up comic), is a social worker in the public school system, and her younger brother, Ben, is an aspiring filmmaker.

    Cast of Family Guy

    Seth MacFarlane was born in the small New England town of Kent, Connecticut where he lived with his father (Ron), mother (Perry) and sister (Rachael). He attended and studied animation at the Rhode Island School of Design and after he graduated he was hired by Hanna-Barbera Productions (Now called Cartoon Network Studios) working as an animator and writer on the TV series Johnny Bravo and Cow and Chicken. He also worked for Walt Disney Animation as a writer on the TV series Jungle Cubs. He created The Life of Larry (1995) which was originally supposed to be used as an in-between on Mad-TV. Unfortunately the deal fell through but a few months later executives at FOX called him into their offices and gave him $50,000 to create a pilot for what would eventually become "Family Guy" (1999). On September 11, 2001 he was scheduled to return to Los Angeles on American Airlines Flight 11 after being a keynote speaker at his alma-mater in Rhode Island. Due to a mix-up by his travel agent he was told that his flight was scheduled to depart at 8:15am but it really departed at 7:45am and he had arrived at Boston Logan Airport a few minutes after boarding was stopped on his flight and he was told he would have to wait for the next flight. At 8:45am one hour after the departure of American Airlines Flight 11 it was hijacked by terrorists and crashed into One World Trade Center (North Tower) in New York City killing all on-board. He was able to contact his parents within 20 minutes of Flight 11 striking the first tower to tell them he was okay. He said that he thanked his travel agent for screwing up the departure time or he would have been on board.

    Seth Green Seth was raised in Overbrook Park by his parents; Herb, a math teacher, and Barbara, an artist. He attended public school and played soccer. Seth decided to make acting his career at age six after appearing in a summer camp performance of "Hello, Dolly

    Michael Irvin Loves Harlem Nights the Movie

    Height: 6-2
    Weight: 207 lbs.
    Born: March 5, 1966
    College: Miami (FL)
    Drafted: Selected by the Dallas Cowboys in the first round (11th pick overall) of the 1988 NFL Draft.
    Acquired: Re-signed by the Dallas Cowboys as a free agent on Sept. 3, 1992.

    College
    In just three season as a starter, Irvin set Miami career records for catches (143), receiving yards (2,423) and TD receptions (26) ... His TD catches in 1986 is also a Hurricanes record ... In Miami's 1987 national championship season ... Michael caught TD passes of 26 and 73 yards in the fourth quarter to hand No. 2-ranked Florida State its only loss and the game-winning TD in the Orange Bowl win over Oklahoma.

    Personal
    All-state at St. Thomas Aquinas High School ... Won several slam dunk contests while in college ... One of 17 children and grew up within three miles of fellow NFL stars Lorenzo White and the Blades brothers Bennie and Brian ... Appears in "Stay In School" ... Hosts weekly television show during the season ... Teams up with Southwest Airlines to fly nearly 100 under-privileged children to spend a day at training camp ... Wife, Sandi, and daughter.


     

    Tony Hawks wins  Tony Hawk Project 8 (Activision/Neversoft )

     

     Family Guy cast award 

     

    Dana White Joe Rogan UFC (ULTIMATE FIGHTING CHAMPIONSHIP) Rogan Was a popular stand-up comedian before he got into acting and television. NEWS RADIO-Joe Garrelli (70 episodes, 1995-1999)

    DANA WHITE President of the Ultimate Fighting Championship


     

    BEST PERFORMANCE BY A HUMAN - FEMALE
    Vida Guerra in Scarface: The World is Yours (Vivendi/Radical Entertainment)
    Album coming out march 2007, self titled.  R&B hip hop works out had toncils removed three weeks ago hard to speak.

    Maria Menounos.  Loves to eat pizza, chocolate, M&Ms could be hear all year telling us what she likes to eat.
    Joined "Entertainment Tonight"  on April 30, 2002 as a correspondent, reporting on film, television, music and fashion.

    Graduated from Emerson College in Boston.

    Was an anchor on Channel One, a news program for school children usually played during the school day.

    Worked as an international correspondent for Channel One News.

    When a contestant in the Miss Teen USA Pageant in 1996, representing the state of Massachussetts, Miss Menounos was asked by pageant host Bob Goen what she would like to do when she "grew up." Her response was "I want to work with you at E.T., Bob!". Her wish came true when she joined "Entertainment Tonight" (1981) six years later as a correspondent for the show. She also answered viewers' questions about celebrities at the E.T. website (etonline.com), where her page was called 'Maria's Mailbox'. Miss Menounos is now a Los Angeles-based correspondent for "Access Hollywood" (1996).

    She is of Greek descent.

    Was Miss Massachussetts Teen USA 1996.

    Speaks Greek fluently

    Ranked and Voted #5 by AskMen.com's Top 99 Most Desirable Women of 2006

    Following are the nominees for Spike TV's 2006 Video Game Awards:

    GAME OF THE YEAR
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)
    Okami (Capcom/Clover Studio)
    Gears of War (Microsoft/Epic Games)
    Guitar Hero 2 (Red Octane/Harmonix)
    Tom Clancy's Ghost Recon Advanced Warfighter (Ubisoft)

    CRITIC'S CHOICE
    (game to be released after 11/15/2006 & before 12/31/2006)
    The Legend of Zelda: Twilight Princess (Nintendo/Nintendo EAD)
    Resistance: Fall of Man (Sony Computer Entertainment America/Insomniac Games)
    Medieval II: Total War (Sega/Creative Assembly)
    Tom Clancy's Rainbow Six: Vegas (Ubisoft Montreal)
    Wii Sports (Nintendo)

    BEST DRIVING GAME AWARD
    Burnout Revenge-XBOX 360 (Electronic Arts/Criterion Games)
    Need For Speed Carbon (Electronic Arts/EA Black Box)
    TOCA Race Driver 3 (Codemasters)
    GTR 2 (10tacle Studios/SimBin Development Team)

    BEST INDIVIDUAL SPORTS GAME
    Rockstar Games Presents Table Tennis (Rockstar Games/Rockstar San Diego)
    EA Sports Fight Night Round 3 (Electronic Arts/ EA Chicago)
    Tony Hawk Project 8 (Activision/Neversoft )
    Tiger Woods PGA Tour 07 (Electronic Arts/EA Redwood Shores)
    Top Spin 2 (2K Sports/Power & Magic)

    BEST ACTION GAME
    Dead Rising (Capcom)
    New Super Mario Bros (Nintendo/Nintendo EAD)
    Okami (Capcom/Clover Studio)
    Saints Row (THQ/Volition)
    Bully (Rockstar Games/Rockstar Vancouver)

    BEST TEAM SPORTS GAME
    NBA2K7 (2K Sports/Visual Concepts)
    Madden NFL 07 (Electronic Arts/Tiburon)
    NCAA Football 07 (Electronic Arts/Tiburon)
    FIFA 07 (Electronic Arts/EA Canada)
    NHL 07 (Electronic Arts/EA Canada)

    CYBER VIXEN OF THE YEAR
    Lara Croft - Tomb Raider: Legend (Eidos Interactive/Crystal Dynamics)
    Alyx Vance - Half-Life 2: Episode 1 (Valve)
    Princess Peach - New Super Mario Bros. (Nintendo/Nintendo EAD)
    Enrica - Tom Clancy's Splinter Cell Double Agent (Ubisoft Montreal)
    Jen - Prey (2K Games/ Human Head Studios/3D Realms)

    BEST SONG
    "LocoRoco No Uta" by Nobuyuki Shimizu and Kemmei Adachi in LocoRoco (Sony Computer Entertainment America/SCE Studios Japan)
    "Heavenly Star" by Genki Rockets in Lumines II (Buena Vista Games/Q Entertainment)
    "Helicopter" by Bloc Party in Marc Ecko's Getting Up: Contents Under Pressure (Atari/The Collective)
    "Summer Shudder" by AFI in Madden NFL 07 (Electronic Arts/Tiburon)
    "Lights and Sounds" by YellowCard in Burnout Revenge-XBOX 360 (Electronic Arts/Criterion Games)

    BEST SOUNDTRACK
    Guitar Hero 2 (Red Octane/Harmonix)
    Madden NFL 07 (Electronic Arts/Tiburon)
    Scarface: The World is Yours (Vivendi/Radical Entertainment)
    Grand Theft Auto: Vice City Stories (Rockstar Games/Rockstar Leeds / Rockstar North)

    STUDIO OF THE YEAR
    Clover Studio (Okami)
    Relic (Company of Heroes)
    Cliff Bleszinski /Epic Games (Gears of War)
    Todd Howard / Bethesda Softworks (The Elder Scrolls IV: Oblivion)
    Harmonix (Guitar Hero 2)

    BEST WIRELESS GAME
    Diner Dash (Glu Mobile)
    SWAT Force (Vivendi/KAOLink)
    Tower Bloxx (Digital Chocolate)
    Super K.O. Boxing (Glu Mobile)

    BEST ORIGINAL SCORE
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)
    Bully (Rockstar Games/Rockstar Vancouver)
    Electroplankton (Nintendo)
    Okami (Capcom/Clover Studio)
    Final Fantasy XII (Square Enix)

    BEST FIGHTING GAME
    Tekken: Dark Resurrection (Namco Bandai)
    Dead or Alive 4 (Tecmo/Team Ninja)
    Mortal Kombat Armageddon (Midway Games)
    Street Fighter Alpha Anthology (Capcom)
    God Hand (Capcom/Clover Studio)

    BEST SHOOTER
    Black (Electronic Arts/Criterion)
    Prey (2K Games/ Human Head Studios/3D Realms)
    Half-Life 2: Episode 1 (Valve)
    Gears of War (Microsoft/Epic Games)
    Call of Duty 3 (Activision/Treyarch)

    BEST MILITARY GAME
    Company of Heroes (THQ/Relic)
    Tom Clancy's Ghost Recon Advanced Warfighter (Ubisoft)
    Call of Duty 3 (Activision/Treyarch)
    The Outfit (THQ/Relic)
    Battlefield 2142 (Electronic Arts/EA UK / DICE UK)

    BEST GRAPHICS
    Gears of War (Microsoft/Epic Games)
    Okami (Capcom/Clover Studio)
    Tom Clancy's Ghost Recon Advanced Warfighter (Ubisoft)
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)
    Company of Heroes (THQ/Relic)

    BEST HANDHELD GAME
    New Super Mario (Nintendo/Nintendo EAD)
    Brain Age: Train Your Brain in Minutes a Day (Nintendo)
    Grand Theft Auto: Vice City Stories (Rockstar Games/Rockstar Leeds / Rockstar North)
    Tetris DS (Nintendo)
    LocoRoco (Sony Computer Entertainment America/SCE Studios Japan)

    BEST MULTI-PLAYER GAME
    Gears of War (Microsoft/Epic Games)
    Company of Heroes (THQ/Relic)
    Metal Gear Solid 3: Subsistence (Konami/Kojima Productions)
    Tom Clancy's Ghost Recon Advanced Warfighter (Ubisoft)
    Tom Clancy's Splinter Cell Double Agent (Ubisoft Montreal)

    BREAKTHROUGH TECHNOLOGY
    WII (Nintendo)
    PS3 (Sony Computer Entertainment America)
    DS Lite (Nintendo)
    Electroplankton (Nintendo)

    BEST PC GAME
    Company of Heroes (THQ/Relic)
    Half-Life 2: Episode 1 (Valve)
    Battlefield 2142 (Electronic Arts/Digital Illusions CE )
    Star Wars: Empire at War (LucasArts/Petroglyph)
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)

    BEST RPG
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)
    Final Fantasy XII (Square Enix)
    Kingdom Hearts II (Square Enix)
    Valkyrie Profile 2: Silmeria (Square Enix/tri-Ace)

    BEST GAME BASED ON A MOVIE OR TV SHOW
    Lego Star Wars II: The Original Trilogy (LucasArts/Traveller's Tales)
    The Godfather (Electronic Arts/EA Redwood Shores)
    Scarface: The World is Yours (Vivendi/Radical Entertainment)
    The Sopranos: Road to Respect (THQ/7 Studios)
    Family Guy (2K Games/High Voltage Software)

    BEST PERFORMANCE BY A HUMAN - MALE
    Seth MacFarlane in Family Guy (2K Games/High Voltage Software)
    Gerry Rosenthal in Bully (Rockstar Games/Rockstar Vancouver)
    Patrick Stewart in The Elder Scrolls IV: Oblivion (Bethesda Softworks)
    Johnny Depp in Pirates of the Caribbean: The Legend of Jack Sparrow (Bethesda Softworks/7 Studios/Buena Vista Games)
    Kiefer Sutherland in 24: The Game (2K Games/SCEE Studios Cambridge)

    BEST SUPPORTING MALE PERFORMANCE
    Seth Green in Family Guy (2K Games/High Voltage Software)
    James Woods in Scarface: The World is Yours (Vivendi/Radical Entertainment)
    James Caan in The Godfather (Electronic Arts/EA Redwood Shores)
    Philip Michael Thomas in Grand Theft Auto: Vice City Stories (Rockstar Games/Rockstar Leeds/Rockstar North)
    James Gandolfini in The Sopranos: Road to Respect (THQ/7 Studios)

    BEST PERFORMANCE BY A HUMAN - FEMALE
    Vida Guerra in Scarface: The World is Yours (Vivendi/Radical Entertainment)
    Tia Carrere in Saints Row (THQ/Volition)
    Emmanuelle Vaugier in Need For Speed Carbon (Electronic Arts/EA Black Box)
    Keely Haws in Tomb Raider: Legend (Eidos Interactive/Crystal Dynamics)
    Rosario Dawson in Marc Ecko's Getting Up: Contents Under Pressure (Atari/The Collective)

    BEST SUPPORTING FEMALE PERFORMANCE
    Rachel Leigh Cook in Kingdom Hearts II (Square Enix)
    Elisha Cuthbert in 24: The Game (2K Games/SCE Studios Cambridge)
    Brittany Murphy in Marc Ecko's Getting Up: Contents Under Pressure (Atari/The Collective)
    Mila Kunis in Family Guy (2K Games/High Voltage Software)
    Lynda Carter in The Elder Scrolls IV: Oblivion (Bethesda Softworks)

    BEST CAST
    The Godfather (Electronic Arts/EA Redwood Shores)
    Family Guy (2K Games/High Voltage Software)
    Scarface: The World is Yours (Vivendi/Radical Entertainment)
    Saints Row (THQ/Volition)
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)

    MOST ADDICTIVE
    The Elder Scrolls IV: Oblivion (Bethesda Softworks)
    Brain Age: Train Your Brain in Minutes a Day (Nintendo)
    Gears of War (Microsoft/Epic Games)
    Guitar Hero 2 (Red Octane/Harmonix)
    Company of Heroes (THQ/Relic)

    Albie Hecht, Oscar-nominated producer and co-creator of the "Kids' Choice" and "Video Game Awards," and Casey Patterson, Senior Vice President, Event Production & Talent Development for Spike TV will serve as Executive Producers of Spike TV's 2006 Video Game Awards. Alicia Portugal will serve as Producer and Scott Fishman is the Executive in Charge of Production. Beth McCarthy will serve as director.

    Spike TV is available in 90 million homes and is a division of MTV Networks. MTV Networks, a division of Viacom International Inc.
    BREAKTHROUGH TECHNOLOGY BEST SUPPORTING FEMALE PERFORMANCE  
    BREAKTHROUGH TECHNOLOGY BEST SUPPORTING FEMALE PERFORMANCE  
    BREAKTHROUGH TECHNOLOGY BEST SUPPORTING FEMALE PERFORMANCE  
    BREAKTHROUGH TECHNOLOGY BEST SUPPORTING FEMALE PERFORMANCE  
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    December 07, 2006

    Entertainment,Arts,Fashion & Technology

    Dec 14

    BEST MOTION PICTURE – DRAMA
    BABEL
    Anonymous Content Production/Una Producción De Zeta Film/Central Film Production; Paramount Pictures/Paramount Vantage
    BOBBY
    Bold Films; The Weinstein Company
    THE DEPARTED
    Warner Bros. Pictures; Warner Bros. Pictures
    LITTLE CHILDREN
    New Line Cinema; New Line Cinema
    THE QUEEN
    A Granada Production; Miramax Films
    BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
    PENÉLOPE CRUZ                          
    VOLVER
    JUDI DENCH                                   
    NOTES ON A SCANDAL
    MAGGIE GYLLENHAAL                
    SHERRYBABY
    HELEN MIRREN                              
    THE QUEEN
    KATE WINSLET                               
    LITTLE CHILDREN

    BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

    LEONARDO DICAPRIO                 
    BLOOD DIAMOND
    LEONARDO DICAPRIO                
    THE DEPARTED
    PETER O’TOOLE                            
    VENUS
    WILL SMITH                                     
    THE PURSUIT OF HAPPYNESS
            
    FOREST WHITAKER                     
    THE LAST KING OF SCOTLAND
    BEST MOTION PICTURE – COMEDY OR MUSICAL
    BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN
    One America; Twentieth Century Fox
    THE DEVIL WEARS PRADA
    Twentieth Century Fox; Twentieth Century Fox
    DREAMGIRLS
    DreamWorks Pictures/Paramount Pictures; DreamWorks Pictures/Paramount Pictures
    LITTLE MISS SUNSHINE
    Big Beach/Bonafide Productions; Fox Searchlight Pictures
    THANK YOU FOR SMOKING
    Room 9 Entertainment/David O. Sacks Production/Content Film; Fox Searchlight Pictures
    BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
    a.  ANNETTE BENING                
    RUNNING WITH SCISSORS
    b.  TONI COLLETTE                     
    LITTLE MISS SUNSHINE
    c.  BEYONCÉ KNOWLES
    DREAMGIRLS
    d.  MERYL STREEP                    
    THE DEVIL WEARS PRADA
    e.  RENEE ZELLWEGER            
    MISS POTTER


     
    BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
    a.  SACHA BARON COHEN          
    BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN
    b.  JOHNNY DEPP                           
    PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST
    c.  AARON ECKHART                    
    THANK YOU FOR SMOKING
    d.  CHIWETEL EJIOFOR                  
    KINKY BOOTS
    e.  WILL FERRELL                            
    STRANGER THAN FICTION
    BEST ANIMATED FEATURE FILM
    CARS
    Walt Disney Pictures/Pixar Animation Studio; Buena Vista Pictures Distribution
    HAPPY FEET
    Kingdom Pictures, LLC; Warner Bros. Pictures/Village Roadshow Pictures
    MONSTER HOUSE
    Columbia Pictures; Sony Pictures Releasing
    BEST FOREIGN LANGUAGE FILM
    APOCALYPTO (USA)
    Touchstone Pictures/Icon Productions; Buena Vista Pictures Distribution
    LETTERS FROM IWO JIMA (USA/JAPAN)
    Warner Bros. Pictures/DreamWorks Pictures; Warner Bros. Pictures
    THE LIVES OF OTHERS (GERMANY)
    Wiedemann & Berg Filmproduktion; Sony Pictures Classics
    PAN’S LABYRINTH (MEXICO)
    Estudios Picasso/Tequila Gang/Esperanto; Picturehouse
    VOLVER (SPAIN)
    El Deseo; Sony Pictures Classics

    BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
    ADRIANA BARRAZA                    
    BABEL
    CATE BLANCHETT                       
    NOTES ON A SCANDAL
    EMILY BLUNT                                 
    THE DEVIL WEARS PRADA
    JENNIFER HUDSON                     
    DREAMGIRLS
    RINKO KIKUCHI                             
    BABEL
    BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
    BEN AFFLECK                              
    HOLLYWOODLAND
    EDDIE MURPHY                           
    DREAMGIRLS
    JACK NICHOLSON                     
    THE DEPARTED
    BRAD PITT                                    
    BABEL
    MARK WAHLBERG                    
    THE DEPARTED
      
    BEST DIRECTOR – MOTION PICTURE
    CLINT EASTWOOD                       
    FLAGS OF OUR FATHERS
    CLINT EASTWOOD                       
    LETTERS FROM IWO JIMA
    STEPHEN FREARS                      
    THE QUEEN
    ALEJANDRO GONZALEZ IÑÁRRITU                                       
    BABEL
    MARTIN SCORSESE                   
    THE DEPARTED


     
    BEST SCREENPLAY – MOTION PICTURE
    GUILLERMO ARRIAGA              
    BABEL
    TODD FIELD & TOM PERROTTA                 
    LITTLE CHILDREN
    PATRICK MARBER                     
    NOTES ON A SCANDAL
            
    WILLIAM MONAHAN                  
    THE DEPARTED
    PETER MORGAN                        
    THE QUEEN
    BEST ORIGINAL SCORE – MOTION PICTURE
    ALEXANDRE DESPLAT                
    THE PAINTED VEIL
    CLINT MANSELL                             
    THE FOUNTAIN
    GUSTAVO SANTAOLALLA          
    BABEL
    CARLO SILIOTTO                            
    NOMAD
                           
    HANS ZIMMER                                
    THE DA VINCI CODE
    BEST ORIGINAL SONG – MOTION PICTURE
    “A FATHER’S WAY” — THE PURSUIT OF HAPPYNESS
    Music by: Seal and Christopher Bruce
    Lyrics by: Seal
    “LISTEN” — DREAMGIRLS
    Music & Lyrics by: Henry Krieger, Anne Preven, Scott Cutler and Beyoncé Knowles
    “NEVER GONNA BREAK MY FAITH” — BOBBY                             
    Music & Lyrics by: Bryan Adams, Eliot Kennedy and Andrea Remanda
    “THE SONG OF THE HEART” — HAPPY FEET
    Music & Lyrics by: Prince Rogers Nelson
    “TRY NOT TO REMEMBER” — HOME OF THE BRAVE                                
    Music & Lyrics by:   Sheryl Crow

     

    BEST TELEVISION SERIES – DRAMA
    24 (FOX)
    Imagine Television and 20th Century Fox Television i.a.w. Real Time Prods.
    BIG LOVE (HBO)
    Anima Sola and Playtone Prods. i.a.w. HBO Entertainment
    GREY’S ANATOMY (ABC)
    Touchstone Television
    HEROES (NBC)
    NBC Universal Television Studios i.a.w. Tailwind Prods.
    LOST (ABC)
    Touchstone Television
    BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
    PATRICIA ARQUETTE                  
    MEDIUM
    EDIE FALCO                                   
    THE SOPRANOS
    EVANGELINE LILLY                     
    LOST
    ELLEN POMPEO                            
    GREY’S ANATOMY
    KYRA SEDGWICK                         
    THE CLOSER

    BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

    PATRICK DEMPSEY                     
    GREY’S ANATOMY
    MICHAEL C. HALL                         
    DEXTER
    HUGH LAURIE                               
    HOUSE
    BILL PAXTON                                 
    BIG LOVE
    KIEFER SUTHERLAND                
    24
    BEST TELEVISION SERIES – COMEDY OR MUSICAL
    a.  DESPERATE HOUSEWIVES (ABC)
    Touchstone Television
    b.  ENTOURAGE (HBO)
    Leverage and Closest to the Hole Prods. i.a.w. HBO Entertainment
    c.  THE OFFICE (NBC)
    Deedle Dee Prods. with Reveille i.a.w. NBC Universal Television Studio
    d.  UGLY BETTY (ABC)
    Touchstone Television
    e.  WEEDS (SHOWTIME)
    Showtime i.a.w. Lionsgate Television and Tilted Prods., Inc.

     

    BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL
    MARCIA CROSS                            
    DESPERATE HOUSEWIVES
    AMERICA FERRERA                    
    UGLY BETTY
    FELICITY HUFFMAN                    
    DESPERATE HOUSEWIVES
    JULIA LOUIS-DREYFUS   
    THE NEW ADVENTURES OF OLD CHRISTINE
    MARY-LOUISE PARKER              
    WEEDS
    BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
    ALEC BALDWIN                            
    30 ROCK
    ZACH BRAFF                                  
    SCRUBS       
    STEVE CARRELL                           
    THE OFFICE
    JASON LEE                                      
    MY NAME IS EARL
    TONY SHALHOUB                         
    MONK
    BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    BLEAK HOUSE (PBS)
    BBC and WGBH Boston Prod. i.a.w. Deep Indigo
    BROKEN TRAIL (AMC)
    Butchers Run Films and Once Upon a Time Films i.a.w. Sony Pictures Television
    ELIZABETH I (HBO)
    Company Pictures and Channel 4 i.a.w. HBO Films
    MRS. HARRIS (HBO)
    Killer Films, Number 9 Films and John Wells Prod. i.a.w. HBO Films
    PRIME SUSPECT: THE FINAL ACT (PBS)
    Granada and WGBH-Boston Prod.
    BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    GILLIAN ANDERSON                   
    BLEAK HOUSE
    ANNETTE BENING            
    MRS. HARRIS
    HELEN MIRREN                            
    ELIZABETH I
    HELEN MIRREN                            
    PRIME SUSPECT: THE FINAL ACT
    SOPHIE OKONEDO                       
    TSUNAMI, THE AFTERMATH
    BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    ANDRÉ BRAUGHER                     
    THIEF
    ROBERT DUVALL                         
    BROKEN TRAIL
    MICHAEL EALY                             
    SLEEPER CELL: AMERICAN TERROR
    CHIWETEL EJIOFOR                    
    TSUNAMI, THE AFTERMATH
    BEN KINGSLEY                              
    MRS. HARRIS
    BILL NIGHY                        
    GIDEON’S DAUGHTER
    MATTHEW PERRY            
    THE RON CLARK STORY

     
    BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    EMILY BLUNT                                
    GIDEON’S DAUGHTER
    TONI COLLETTE                           
    TSUNAMI, THE AFTERMATH
    KATHERINE HEIGL                      
    GREY’S ANATOMY
    SARAH PAULSON                          
    STUDIO 60 ON THE SUNSET STRIP
    ELIZABETH PERKINS                  
    WEEDS

    BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    THOMAS HADEN CHURCH        
    BROKEN TRAIL
    JEREMY IRONS                             
    ELIZABETH I
    JUSTIN KIRK                                  
    WEEDS
            
    MASI OKA                                       
    HEROES
    JEREMY PIVEN                              
    ENTOURAGE

     

    Dec 13

    RAUL MALO OPENS A NEW MUSICAL CHAPTER WITH "YOU'RE ONLY LONELY"
    By Wendy Newcomer

     

    © 2006 CMA Close Up News Service / Country Music Association, Inc.

    For more than 15 years, Raul Malo fronted The Mavericks, a Country band that garnered multiple awards - including CMA Awards for Vocal Group of the Year in 1995 and 1996 - and enjoyed mainstream success in both the U.S. and Europe. Their recipe, equal parts Roy Orbison and Hank Williams, tested the boundaries of Country Music. Malo, the son of Cuban émigré parents, further widened those boundaries with his 2001 Latin solo album, Today, and his work with super group Los Super Seven in 2005. He also produced other artists, including K.T. Oslin and Rick Trevino. One project that has long languished on Malo's to-do list is what he described as a "singer's record," an album that showcased its vocalist with songs of integrity, range and emotion.

    "This is a record that I've always wanted to make, because I'm just a singer on it," explained Malo of his new CD, You're Only Lonely, on Sanctuary Records. "For me, as a vocalist, it's just paying tribute to some of my favorite songwriters and artists. It was the first time in my life that I had ever done that."

    For inspiration, he didn't have to look any further than the Linda Ronstadt albums in his collection.

    "To me, those records are so special," he recalled. "They are an important part of our music history. Linda covered a lot of people's material, because she wasn't a writer, per se. But there was an enormous wealth of talent around her, and all these songs were just tailor-made for her. Those records were fantastic, not only hers, but James Taylor's and of course the J.D. Souther stuff."

    Enter legendary producer Peter Asher - the man at the helm of many of the Ronstadt, Souther and Taylor albums that Malo held dear. Malo and Asher met backstage last year in London at a Mavericks show, and the seeds of You're Only Lonely were sown.

    "I knew of The Mavericks records because in England they had a couple of huge hits," Asher said. "So I knew who they were, and liked them. I loved the show, went backstage and met Raul. We ended up having a long conversation, and we talked about the possibility of working together at some point."

    As with Ronstadt, Asher saw in Malo an opportunity to record with a singer's singer.

    "Raul has an extraordinary voice," Asher praised. "It's one of those huge voices that can do anything. So what we tried to do was pick his favorite songs - songs that he enjoyed singing, in such a way that it would frame his voice. It's a vocal-based album. We tried for the singer and the song to be the center of attention, and the center of the arrangement, because his voice is unlike anybody else's. It's so beautiful."

    Asher points out similarities between Ronstadt and Malo. "They both have quite amazing voices, but they also both have a very strong sense of what songs will suit them," he said. "Each track was structured, arranged and produced in such a way as best I could, to reflect the brilliance of her singing - and in this case, his singing."

    If the critics have their way, You're Only Lonely will be joining Ronstadt's classic records at the top of the charts. Released on July 25, the album has generated reams of critical praise. People magazine selected the album as their "Critics Choice," describing the music as "intensely romantic." The Los Angeles Times credited Malo with "resurrecting the kind of romantic pop music that Frank Sinatra long personified." And the singer was recently invited to appear on NPR's "All Things Considered."

    The list of songs on You're Only Lonely runs the gamut of musical styles and decades. Malo soars with classic standards including "Remember," "So Sad" and "Games That Lovers Play;" knowingly interprets Willie Nelson's "Angel Flying Too Close to the Ground;" puts a male perspective on the oft-covered Etta James ode to romance, "At Last;" and makes the title cut - written by Souther - his own.  Nestled seamlessly among these and other classics is the Malo-penned original, "For You," a joyous Latin-flavored composition.

    "We listened to the original tracks as if they were demos being sent to us, not as the hit records that they were," he revealed. "It was like we were in the studio, and somebody sent us a demo and we'd just heard it. So we'd go, 'Okay, let's do this. Let's break it down and forget what orchestrations there are on the record.' And that's how we went at it."

    Martina McBride joins Malo on the Randy Newman ballad "Feels Like Home." Malo jokes that he was able to get McBride's participation with "a lot of begging. Martina's a friend. George Massenburg (who mixed and mastered You're Only Lonely) had just finished working with her on something. We were looking for a duet partner for that song, and it just seemed right. I certainly knew she could sing it. It's difficult to get somebody on a record, because everybody's so busy - and she's no exception. So it just aligned. It was good timing, thankfully."

    Malo toured last summer, introducing the songs on You're Only Lonely to U.S. and Canadian audiences. "The reaction was great," he said. "People know these songs, and are thrilled to hear them again in this context. I don't think they've heard them in awhile, and they're such great songs. I'm thrilled to be singing them."

    But a Malo show isn't the only place you're likely to see him. Last year he was the Musical Director for several CMT productions, including the "Crossroads" episode that featured Lionel Richie and Kenny Rogers and "100 Greatest Duets." "Honestly, I don't know how they came about - but I'm glad they did," he said of the musical director jobs. "I think they felt comfortable that there was an artist in the band to work with the singers.

    "And I get to be a musician, which is fun for me, because I don't even read charts," he added. "It's great. I get to stand there and pretend. I mean, I've got them all there on my music stand, with a light. People go, 'Wow, look at him - man, he's bad, he can read charts.' And I can't. But I pretend like I do, and it's a lot of fun."

    There's no pretending when it comes to Malo's voice. When asked how he feels to have Peter Asher describing him one of the best singers in the world, he's silent for a moment. "I mean, come on, what am I supposed to think about that?" he said humbly. "That's amazing, with the singers that he's worked with."

    Asher has the final word on Malo. "There are two hallmarks of a great singer - a great voice and an ability to use it to create further greatness in the song," he said. "Raul is a huge fan of all the balladeers - Sinatra, Dean Martin. And the Country Music influence is in there, but people expect that already from a Mavericks person. So in a way, you're seeing all the other influences in Raul's musical upbringing. He may live in Nashville, but his soul is all over the place."

    On the Web: www.raulmalo.com

    "Intensely romantic."
    ***** Critic's Choice - People 
    Ralph Novak

    "[An album] dedicated to resurrecting the kind of romantic pop music that Frank Sinatra long personified. This is all about setting the mood for candlelight, champagne and a cozy evening with the one you love - or wish to." 
    ***1/2 - The Los Angeles Times 
    Randy Lewis

    "Anyone in search of sophisticated make-out music should snag Malo's album, posthaste: You're Only Lonely is a perfect disc to break out (along with a bottle of red wine) once the kids are tucked into bed and fast asleep." 
     - The Washington Post 
    Shannon Zimmerman

    Oscar Night® Extends Across America

    Beverly Hills, CA — Providing Academy Awards® viewers across the country the opportunity to take part in an American tradition, Oscar Night America (ONA), the Academy of Motion Picture Arts and Sciences’ grassroots program that enables charities to host glamorous Oscar® viewing parties, will kick off its 14th year in 2007.

    On Sunday, February 25, 49 charities in as many cities will host official Oscar viewing parties during the 79th Academy Awards ceremony. The events will feature the live broadcast of the Awards presentation, which will be televised by the ABC Television Network.

    “We created Oscar Night America to let people across the country participate in the excitement of the Academy Awards festivities,” said Academy Executive Director Bruce Davis. “The fact that the viewing parties benefit local charities is an added bonus.”

    For the first time, Oscar Night America will host a Latino ONA party in Los Angeles. Two other new locations have also been added to the ONA roster – Indianapolis, Indiana and Norfolk, Virginia. The other ONA 2007 locations are Atlanta, Austin, Baltimore, Boston, Buffalo, Charlotte, Chicago, Cincinnati, Cleveland, Columbus, Dallas, Denver, Detroit, Greensboro/Winston-Salem, Greenville, Hartford, Honolulu, Houston, Kansas City, Las Vegas, Little Rock, Louisville, Memphis, Miami, Milwaukee, Minneapolis, Nashville, New Orleans, Omaha, Orange County (CA), Orlando, Palm Beach, Philadelphia, Phoenix, Portland, Providence, Raleigh, Sacramento, St. Louis, Salt Lake City, San Antonio, San Francisco, Seattle, Tampa, Tucson and Washington, DC.

    Most parties are black-tie affairs, though some are less formal. Event organizers have been known to request partygoers to dress up as famous couples, and some feature limousine arrivals, red carpets, local celebrities, photographers or “paparazzi” and press interviews with arriving guests.

    To set these parties apart from the thousands of other events taking place on Oscar Night, each ONA party receives from the Academy copies of the official commemorative poster and the official Oscar show program.

    Only one charity party in a given market may participate in ONA. Events are entirely produced by local nonprofit organizations, with the active participation of the local ABC-TV affiliate station.

    Last year 47 charities hosted viewing parties for the 78th Academy Awards, raising nearly $2.5 million, all of it remaining in local communities. With more than 16,300 guests attending nationwide, ONA 2006 benefited such charities as the American Diabetes Association, the American Red Cross, the Miami Beach Film Society, Ronald McDonald House, Special Olympics Texas, and the Starlight Starbright Children’s Foundation.

    Since its inception in 1994, the program has generated nearly $17.5 million in funding for a wide spectrum of charitable organizations – every cent staying within the community where it was raised.

    For the 14th consecutive year, Concept Marketing Development of Santa Barbara, California, will assist the Academy in coordinating the program.

    Academy Awards for outstanding film achievements of 2006 will be presented on February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment.

    # # #

    Cheryl Boone Isaacs to Chair Academy’s 2007 Governors Ball

     
     

    Beverly Hills, CA — The Governors Ball, the celebration that will follow the 79th Academy Awards® telecast, will be chaired by Cheryl Boone Isaacs, a governor representing the Public Relations Branch of the Academy of Motion Picture Arts and Sciences.

    In her fourth year as chair, Boone Isaacs will manage the overall planning of the decor, menu and entertainment for the Ball. “Oscar® Sunday is Hollywood’s big day,” she said. “The Ball will be a glamorous celebration that will crown the evening in grand style.”

    The Ball’s 1,600 guests, which include Academy Award® winners and nominees, show presenters and telecast participants, will celebrate in the Grand Ballroom on the top level of the Hollywood & Highland Center® immediately following the telecast.

    Boone Isaacs is a partner with Target Approach, Inc., a strategic marketing company. Previously she was president of theatrical marketing at New Line Cinema, and prior to that executive vice president of worldwide publicity at Paramount Pictures.

    Academy Awards for outstanding film achievements of 2006 will be presented on Sunday, February 25, 2007, at the Kodak Theatre at Hollywood & Highland Center, and televised live by the ABC Television Network at 5 p.m. PST, beginning with a half-hour arrivals segment.

    # # #

    Ennio Morricone to Receive Honorary Academy Award®

    Beverly Hills, CA — Composer-conductor Ennio Morricone, who has composed more than 300 motion picture scores over a 45-year career, has been voted an Honorary Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences.

    The Award, an Oscar® statuette, will be given to Morricone at the 79th Academy Awards® presentation on February 25, 2007, “for his magnificent and multifaceted contributions to the art of film music.”

    Morricone has earned five Academy Award nominations for original score — for “Days of Heaven” (1978), “The Mission” (1986), “The Untouchables” (1987), “Bugsy” (1991) and “Malèna” (2000) — but has not previously received an Oscar.

    “The board was responding not just to the remarkable number of scores that Mr. Morricone has produced,” said Academy President Sid Ganis, “but to the fact that so many of them are beloved and popular masterpieces.”

    While the bulk of his work has been on Italian films, including “The Good, the Bad and the Ugly,” “Once upon a Time in America” and “Cinema Paradiso,” Morricone has composed memorable scores for such international titles as “Bulworth,” “In the Line of Fire,” “La Cage aux Folles” and “Two Mules for Sister Sara.” His current project, “Leningrad,” has been announced for a 2008 release.

    Born in Rome, Morricone was hired in 1964 by Sergio Leone and began a long collaboration with the director on what came to be known as “spaghetti westerns,” though his career has spanned most film genres from comedy to romance to horror.

    Morricone’s Honorary Oscar will be presented, along with other Academy Awards for outstanding film achievements of 2006, on Sunday, February 25, 2007 at the Kodak Theatre at Hollywood & Highland Center®. The Oscars® will be televised live by the ABC Television Network beginning at 5 p.m. PST (8 p.m. EST), with a half-hour red carpet arrivals segment, “The Road to the Oscars.”

    # # #

    CMT TOP 20 COUNTDOWN CELEBRATES ITS 300TH  SHOW IN A MILESTONE EPISODE PREMIERING THURSDAY, DECEMBER 21

    Episode Also Features Annual “Best Of” Videos Of The Year


     

     December 13, 2006 – CMT TOP 20 COUNTDOWN taped its 300th show in Nashville on Tuesday, December 12.  The landmark episode includes hilarious bloopers and a retrospective rewind looking back from its 2001 launch to present.  This special CMT TOP 20 COUNTDOWN premieres Thursday, December 21 at 4:00–7:00 p.m.*

     Host Lance Smith was joined in-studio by stars and pals Little Big Town and Blake Shelton for the big event.  The episode also commemorates the top videos of 2006 with the annual “Best Of” show.  Carrie Underwood captures the No. 1 spot for a record breaking five weeks in a row.

    CMT TOP 20 COUNTDOWN is a three-hour weekly show hosted by CMT’s Lance Smith.  Smith brings country music’s hottest artists, rising stars and biggest names as they move up the CMT video chart right into your home with interviews and world video premieres.  Find out the number one country music video of the week, see all your old favorites and discover new ones on CMT TOP 20 COUNTDOWN each week. 

    The 300th episode will re-air on Friday, December 22 at 12:00 p.m.; Saturday, December 23 at 10:30 a.m. and 11:30 p.m.; Sunday, December 24 at 11:30 a.m.; Monday, December 25 at 11:00 p.m.; Thursday, December 28 at 8:00 p.m.; Saturday, December 30 at 11:00 a.m.; and Sunday, December 31 at 11:30 a.m.

    CMT TOP 20 COUNTDOWN is executive produced by John C. Feld.

    CMT, America’s No. 1 country music network, carries original programming, specials, and live concerts and events, as well as a mix of videos by established country music artists and new cutting-edge acts, including world premiere exclusive videos.  Founded March 6, 1983, CMT, owned and operated by MTV Networks, reaches more than 83 million households in the United States. Go to country music’s biggest web site at www.CMT.com.

    *All times listed ET/PT

     

    Tommy Lee Appears at Nordstrom South Coast Plaza to Promote People's Liberation for Tommy Lee

    People's Liberation Fashion Label Creates Clothing Brand Extension With Rock Icon

     Dec. 13 Rock & Roll icon, Tommy Lee will appear at Nordstrom South Coast Plaza on December 16th from 4 - 6pm, in the Savvy department. Tommy Lee will be appearing in support of his tattoo inspired limited edition collection "Peoples Liberation for Tommy Lee" (PL for TL), an exciting extension of premium lifestyle brand People's Liberation. The limited collection launched in November 2006 at select department stores and premium boutiques.

    The limited collection consists of premium denim, hooded sweatshirts, and hats for both men and women. Deriving inspiration from Tommy's edgy tattoos and personal artistic taste, the collection fuses modern tailoring with an edgy, super sleek fit. Spreading his talents beyond the rock stage Tommy is intimately involved in the creative direction of the collection from graphics to fabrics to wash development.

    Danny Guez, CEO of People's Liberation said, "This collection has received amazing feedback. There is nothing more exciting than creating a brand extension with a rock & roll icon. When you purchase a piece from the line, you're not only buying a great brand, you're also buying a piece of the rock n' roll lifestyle."

    Tommy Lee comments, "To be involved in this project with such a great brand means a lot to me. People's Liberation has a great reputation and it's going to be great to promote the line."

    ABOUT TOMMY LEE

    Tommy Lee rose to stardom as a founding member of Motley Crue. One of the most successful bands in history, Motley Crue has sold over 40 million albums while also becoming the poster boys of rock star decadence. Most recently, Lee released his third solo album, Tommyland: The Ride, and announced a documentary project with award winning filmmaker Bruce Sinofsky. His candid 2004 memoir, Tommyland, landed on The New York Times best-seller list. In addition, Lee is putting together a new band CBS's ROCKSTAR called Supernova, which began airing in July.

    ABOUT PEOPLE'S LIBERATION

    People's Liberation, Inc. (BULLETIN BOARD: PPLB) designs, markets and sells high-end casual apparel under the brand names "People's Liberation" and "William Rast." The product assortment includes premium denim, knits, wovens, and outerwear for men and women. In the United States, the Company distributes its merchandise to better department stores and boutiques, such as Nordstrom, Bloomingdales, Saks Fifth Avenue, Neiman Marcus, Atrium, Fred Segal and Intermix. Internationally, in select countries, the Company sells its products directly and through distributors to better department stores and boutiques, such as Mitsukoshi in Japan and TNT in Canada. The Company is headquartered in Los Angeles, California. For Web site access, please log onto www.peoplesliberation.com

    ABOUT NORDSTROM

    Nordstrom, Inc. is one of the nation's leading fashion specialty retailers, with 157 US stores located in 27 states. Founded in 1901 as a shoe store in Seattle, today Nordstrom operates 99 Full-Line Stores, 50 Nordstrom Racks, five Faconnable boutiques, one freestanding shoe store and two clearance stores. Nordstrom also operates 35 Faconnable boutiques in Europe. Additionally, Nordstrom serves customers through its online presence at www.nordstrom.com and through its catalogs. Nordstrom, Inc. is publicly traded on the NYSE under the symbol JWN.

    Source: People's Liberation, Inc.

    Star Wars Lethal Alliance(TM) for the Nintendo DS(TM) Releases to North American Stores

    First Original Star Wars(R) Game for the Nintendo DS Arrives At Retail This Week For Visuals, Please Visit http://files.us.ubisoft.com/SWLAImagesPSP_DS.zip

     Dec. 12, 2006 Today Ubisoft, one of the world's largest video game publishers, announces that Star Wars Lethal Alliance(TM) for the Nintendo DS(TM) has released and will be at North American retailers this week. This release follows the successful launch of Star Wars Lethal Alliance(TM) for the PSP(R) (PlayStation(R)Portable) system last week.

    In the years between Episodes III and IV, Princess Leia proposes a dangerous quest to secure the future of the Rebel Alliance. As the deadly duo of a Twi'lek named Rianna Saren and her security droid, Zeeo, players must infiltrate Imperial-controlled planets, fight legions of evil fiends, and return with the plans for the most destructive weapon in the galaxy -- the Death Star. Together, they will battle through the galaxy as a legendary mercenary team, steal the enemy's deadliest secret, and triumph over evil in this untold Star Wars(R) epic adventure.

    Key features of Star Wars Lethal Alliance for the Nintendo DS include:

    One-of-a-kind collaborative fighting: Combine the elite weaponry and acrobatic skills of Rianna with the multifunctional defensive and slicing support of Zeeo to create a formidable team. Only by working together can you complete perilous missions and ultimately steal the plans for the Death Star.

    Epic gameplay and cinematic action: From the chaotic planet of Coruscant to the dusty, dangerous alleys of Mos Eisley, Rianna and Zeeo must use a full bag of tricks to complete their mission. Commandeer gun turrets, master death-defying flying escapes, and battle carnivorous beasts.

    Bold new Star Wars characters: Hope lies with Leia's two newest followers. You must unite Rianna and Zeeo as they fight together against oppression and evil, help save the Alliance, and defeat your lifelong enemy -- collaboration is the key to your survival and the survival of the galaxy.

    Iconic environments and characters: Your mission takes you to far-flung destinations such as Mustafar, the Death Star, and Tatooine; you'll also experience never-before-seen locations on Despayre, Danuta, and Alderaan. Each new environment offers encounters with unforgettable Star Wars characters and species, including Boba Fett, Kyle Katarn, Princess Leia Organa, Darth Vader, Imperial officers, Rodians, Quarren, and of course stormtroopers.

    First original Star Wars game built specifically for the Nintendo DS(TM): A full 3D game that will be one of the most visually striking games on the DS. Play each character separately and use the bottom screen to interact. Play Zeeo in first person to complete critical missions. Use a DS-only unique weapon -- the Dual Cannon. Play a large variety of mini-games using the stylus and the unlockable bonus mode. Challenge up to four players in wireless games including Droid Shootout, Hide and Seek, and more!

    Star Wars Lethal Alliance for Nintendo DS ships with an ESRB rating of "E10+" (Everyone 10+), and a MSRP of $34.99.

    For more information on Star Wars Lethal Alliance, please visit http://www.ubi.com.

    LucasArts and the LucasArts logo are registered trademarks of Lucasfilm Ltd. Star Wars Lethal Alliance is a trademark of Lucasfilm Entertainment Company Ltd. (C) 2006 Lucasfilm Entertainment Company Ltd. or Lucasfilm Ltd. & (R) or TM as indicated. All rights reserved. Ubisoft, Ubi.com, and the Ubisoft logo are trademarks of Ubisoft Entertainment in the U.S. and/or other countries. Developed and published by Ubisoft Entertainment. "PlayStation", "PS" Family logo, and "PSP" are registered trademarks of Sony Computer Entertainment Inc. Memory Stick Duo(TM) may be required (sold separately). TM and Nintendo DS are trademarks of Nintendo. (C) 2004 Nintendo.

    Las Vegas Celebrates GRAMMY(R) Season With Star-Studded Kick-Off Party

    PEOPLE Magazine's Official 49th GRAMMY Kick-Off Party Only in Vegas

    Hosted by Jamie Foxx With Performances by Fergie, Josh Kelley & Five For Fighting's John Ondrasik

     Dec. 12 For the first time ever, the excitement surrounding this year's GRAMMY(R)s will reach new heights with a live music event in Las Vegas. The Las Vegas Convention and Visitors Authority (LVCVA) has partnered with PEOPLE magazine and The Recording Academy(R) to celebrate the 49th GRAMMY(R) Awards season with PEOPLE magazine's official GRAMMY Kick-Off Party Only in Vegas, which will be held on December 14, 2006 at JET Nightclub at The Mirage, one week after the GRAMMY nominations were announced in Los Angeles. The 49th Annual GRAMMY Awards will air live on CBS February 11, 2007.

    Jamie Foxx, the Oscar(R)-winning actor and current three-time GRAMMY nominee, will host the event, and three of the hottest names in music will perform. Multi-platinum, GRAMMY-winning singer Fergie will headline the show with featured performances by John Ondrasik of Five For Fighting and Josh Kelley. DJ Samantha Ronson will keep the party moving into the night. Additional celebrities, musical artists and Las Vegas headliners will also join executives from the music and entertainment industries for this special night.

    Las Vegas, the city that has long reigned as The Entertainment Capital of the World, continues to draw the best in music and entertainment from resident headliners such as Celine Dion, Elton John, Toni Braxton, Barry Manilow, Wayne Newton and Prince to year-around concerts and events.

    "Las Vegas' music scene has always captured the world's imagination," said Rossi Ralenkotter, president and CEO of the LVCVA. "People come to Las Vegas from all over not just to be a part of music events but to be a part of the entire Vegas experience."

    JET Nightclub, one of the newest hotspots on the Strip and home to a rotating list of celebrity DJs and special guests, will host this premiere event. JET, which features three dance floors and four bars on multiple levels, is located at The Mirage, which will provide accommodations for the event.

    mark, the beauty and fashion boutique brand by Avon, is the event's platinum sponsor. A "mark hook-up beauty bar" will showcase hundreds of mark's hottest products, as well as a "hook-up/touch-up" station where guests can have their makeup refreshed by top mark make-up artists.

    Additional sponsors include Red Bull, Fiji water and Trident.

    The 49th Annual GRAMMY Awards will be held on Feb. 11, 2007, at the STAPLES Center in Los Angeles and broadcast by the CBS Television Network (8 - 11:30 p.m. ET/PT). PEOPLE is the official print media partner of The Recording Academy and the GRAMMY Awards.

    About the LVCVA

    The Las Vegas Convention and Visitors Authority (LVCVA) is charged with marketing Southern Nevada as a tourism and convention destination worldwide, and also with operating the Las Vegas Convention Center and Cashman Center. With approximately 133,000 hotel rooms in Las Vegas alone and more than 9.5 million square feet of meeting and exhibit space citywide, the LVCVA's mission centers on attracting ever-increasing numbers of leisure and business visitors to the area.

    About PEOPLE

    PEOPLE revolutionized personality journalism in 1974 and is today the world's most successful and popular magazine. Each week, PEOPLE brings 42 million readers the latest news, inside scoops, exclusive interviews and in-depth reporting on the most compelling people of our time. In addition to its unparalleled access to and coverage of the entertainment community, the stories of real-life heroes, angels and crusaders remain an essential component of the magazine's editorial approach. With reporters across the globe, the magazine is headquartered in New York City. For more information, please visit www.people.com.

    About The Recording Academy(R)

    Established in 1957, the National Academy of Recording Arts & Sciences, Inc., also known as The Recording Academy, is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards, The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs -- including the creation of the national public education campaign What's The Download (www.WhatsTheDownload.com). For more information about The Academy, please visit www.grammy.com.

    Source: Las Vegas Convention and Visitors Authority

    MISS AMERICA 2007 CONTESTANTS ENROLL IN PRE-PAGEANT TRAINING

    FOR CMT’S “PAGEANT SCHOOL: BECOMING MISS AMERICA”

    PREMIERING FRIDAY, JANUARY 26 AT 9:00 P.M.*

     

    Two-Hour Special Also Premieres on MTV Sunday, January 28 at 9:00 a.m.

    On VH1 Monday, January 29 at 6:00 p.m.**

    And LOGO Monday, January 29 at 3:00 p.m. and Tuesday, January 30 at 7:00 a.m.


     

    LOS ANGELES – December 12, 2006 – For the first time in the history of the Miss America Pageant, all 52 contestants will meet in one location, Los Angeles, for a crash course in all things pageantry in PAGEANT SCHOOL: BECOMING MISS AMERICA, premiering Friday, January 26 at 9:00 – 11:00 p.m. on CMT.  The two-hour special will also premiere on CMT sister networks, MTV on Sunday, January 28 at 9:00 a.m., VH1 on Monday, January 29 at 6:00 p.m. and Logo  on Monday, January 29 at 3:00 p.m. and Tuesday, January 30 at 7:00 a.m. 

    PAGEANT SCHOOL: BECOMING MISS AMERICA levels the competitive playing field by helping each contestant refine their look, sharpen their skills and bring them all one step closer to the crown.  Led by pageant coach and former Miss America runner-up Erika Schwartz Wright and Miss America 2006 Jennifer Berry, the show employs a distinguished panel of experts, including Miss America 1971 Phyllis George, Miss America 2001 Angela Perez Baraquio and famed pageant coach Dale Smith Thomas, who critique the contestants and provide essential instruction for their success in the pageant.  Official pageant judges Delta Burke, Michael Feinstein and Debbie Allen also drop by for a special contestant Question & Answer session. 

    The PAGEANT SCHOOL week consists of individual preparatory events, including pageant walk training, swimsuit and beauty competitions and a unique fitness lesson designed to build physical confidence.  At the end of their training, contestants nominate three hopefuls for the title of “Miss Congeniality 2007.”  Immediately following the telecast, viewers will be able to vote online at www.missamerica.cmt.com to award this title to one lucky contestant, with the winner being revealed live at the 2007 MISS AMERICA PAGEANT.  The 2007 MISS AMERICA PAGEANT premieres on CMT Monday, January 29 at 8:00 p.m. from The Planet Hollywood Resort & Casino. 

    CMT offers fans an insider’s look at www.missamerica.cmt.com, where they can learn more about each of the competitors.  The CMT website features highlights of all 52 contestants with personal photos, videos, bios and more.  In January, the network’s broadband channel CMT Loaded will feature exclusive behind-the-scenes interviews and video, including excerpts from the popular talent competition.

    PAGEANT SCHOOL: BECOMING MISS AMERICA is produced by Julie Pizzi and Patty Ivins at PB&J Television, with Paul Villadolid and Nicole Zien serving as executive producers for CMT.  CMT will also air PAGEANT SCHOOL on Saturday, January 27 at 6:00 p.m. and 11:00 p.m. as well as Sunday, January 28 at 2:00 p.m. and 9:00 p.m.

    The 2006 MISS AMERICA PAGEANT premiered on CMT last January and ranks as the most-watched telecast in CMT’s history.***  Since its premiere, re-airings of the Pageant have been seen by more than 27 million different viewers.

    CMT, America’s No. 1 country music network, carries original programming, specials, and live concerts and events, as well as a mix of videos by established country music artists and new cutting-edge acts, including world premiere exclusive videos. Founded March 6, 1983, CMT, owned and operated by MTV Networks, reaches more than 83 million households in the United States.  Go to country music’s biggest web site at www.cmt.com.

    The Miss America Organization is one of the nation’s leading achievement programs and the world’s largest provider of scholarship assistance for young women.  Last year, the Miss America Organization and its state and local organizations made available more than $45 million in cash and scholarship assistance.  For more information, go to www.missamerica.org.


     

    *All times listed ET/PT

    **Times tentative

    ***total viewers, Nielsen Media Research

    Talladega Nights
    Talladega Nights

     

     

     

     

     

     

     

    Six Flags Provides Game Plan for 2007

    Park Sale Process Continues; Company States That If Sold, Parks Will Continue To Operate As Ongoing Concerns

    , Dec. 12 -- On a call this morning with investors and analysts, Six Flags, Inc. [NYSE: SIX] President and CEO Mark Shapiro discussed new Corporate Alliances and revealed new entertainment and marketing initiatives for the Company's parks in 2007. These include:

      * Thomas & Friends(TM): -- In an agreement with HIT Entertainment, a     leading provider of quality preschool entertainment, Six Flags will     build special Thomas & Friends playlands in several Six Flags parks in     2007.  The themed areas will include attractions and rides featuring     Thomas the Tank Engine and other friends from the Island of Sodor.  In     addition, Sir Topham Hatt, Controller of the Railway, will be available     daily for meet & greets and photo opportunities.  This deal marks the     first of its kind for Thomas & Friends with a US amusement park.    * The Wiggles.  In an agreement with world-leading children's entertainers     The Wiggles, Six Flags will build unique "Wiggles World"-themed areas in     its US branded parks over the next five years.  Six Flags parks will be     the exclusive North American destinations to find "Wiggles Worlds,"     three of which will debut at Six Flags for the 2007 season, including     one at Six Flags Great Adventure in Jackson, NJ.  These areas will     include Wiggles-themed rides; a stage show performed by Dorothy and     Friends with multiple daily performances; play areas; monitors for     showing Wiggles video clips and songs; a Yummy Yummy Cafe; and kiosks to     sell Wiggles merchandise.  The Wiggles will also market Six Flags during     their annual North American tour.    * Tony Hawk.  Expanding on the company's successful relationship with     skateboard legend Tony Hawk, Six Flags will introduce two Tony Hawk-     themed family spinning coasters in 2007.  The rides will be designed as     full extreme sports experiences and Tony Hawk merchandise will be     available at the ride exit.  The agreement calls for additional Tony     Hawk rides at more Six Flags parks over the next several years.  Hawk is     one of the top ten most recognizable athletes in the world among 12-to-     24-year-olds and has created one of the best-selling award-winning video     game franchises of all time with over $1 billion in sales.  He also has     his own clothing line and next year will release an animated movie.    * mtvU.  MTV's 24-hour college network, broadcast to more than 7 million     students at over 750 institutions nationwide, will bring emerging     artists bubbling up on the college music scene to five Six Flags parks     for mtvU-branded concerts during Summer 2007.   The concerts will     feature two to three bands per show, which will include a headlining act     and the area's best local college act.  mtvU also will put its marketing     resources behind these concerts, which will be in addition to Six Flags'     previously announced weekly Summer Concert Series.    * Cold Stone Creamery.   Cold Stone Creamery, known for serving the     highest quality, most creative ice cream experience, will become a Six     Flags Corporate Alliance partner.  Under this multi-year agreement, Six     Flags will open and operate Cold Stone Creamery locations in its branded     parks; issue in-store promotional offers at Cold Stone Creamery stores     around the country; and a Cold Stone Creamery ice cream flavor will be     named for Six Flags and offered at stores nationwide.    * Heinz.  Heinz, the most global U.S.-based food company with a world-     class portfolio of powerful consumer brands, will become a Six Flags     Corporate Alliance partner.  Through a new multi-year agreement, Heinz     will become the 'Official Ketchup of Six Flags Theme Parks,' and receive     branding in the parks. Six Flags will use Heinz Ketchup and other     condiments at park restaurant locations and the companies will     collaborate on a number of co-branded marketing promotions, including     peel-away labels on Heinz Ketchup bottles where consumers can win prizes     by going online to www.sixflags.com.    * Holiday in the Park.  The Company will add its popular Holiday in the     Park experience, where parks feature holiday and winter themed shows and     events during December, to two new parks next year, Six Flags Fiesta     Texas in San Antonio and Six Flags Marine World in Vallejo, CA.    * Expanded Dining Experiences.  Six Flags will continue to diversify the     park dining experience, adding Panda Express and Greek cuisine from     Ted's Coney Island to its food lineup in several parks.  

    "This will be the first year we're able to put our 'family-friendly' stamp on a full Six Flags season, from preparation to execution. Our plans to diversify the family entertainment experience are well underway and that strategy will permeate the entire company," said Six Flags President and CEO Mark Shapiro.

    "These new programs and others in development will build on the improved guest experience which is changing the way people think of Six Flags. I am optimistic all our initiatives will coalesce in 2007, making the Six Flags brand synonymous with an entertainment experience that delivers for the entire family."

    Beyond the national deals, individual Six Flags parks are also planning to launch a variety of entertainment and celebratory offerings for the upcoming year, including:

      * Six Flags Over Texas.   Six Flags Over Texas has announced that it will     join with Cirque Productions to launch an original stage show, Cirque     Dreams Coobrila, an acrobatic extravaganza.    * La Ronde.  La Ronde, the Company's Montreal-based park, will be     celebrating its 40th Anniversary in 2007 with 40 events over 40 days.    * Six Flags Over Georgia.  Six Flags over Georgia will mark its 40th     Birthday this year, and is planning a variety of activities focused     around the history of the park.    * Six Flags Kentucky Kingdom.  Six Flags Kentucky Kingdom announced that     2007 will mark the largest expansion in its history, a re-launch of its     popular waterpark, with a new water ride featuring cutting-edge     technology that will be the first of its kind in North America.    * The Great Escape.  The Great Escape in Lake George, NY announced a new     Tornado water ride for 2007.  As a special offering for the park's     biggest fans, only Six Flags 2007 Season Passholders will be able to     ride the Tornado on weekdays from May 28 until the park's full-time     season begins on June 22, 2007.    * Six Flags Great America.  Operation SpyGirl, a new original live action     adventure show created and produced exclusively for Six Flags by the     creator of the Emmy- and Golden Globe Award-winning dramatic series     "24," will launch at Six Flags Great America in Gurnee, IL.  

    The Company also reiterated that it would reach a decision on potential asset sales by the end of the year and added that if the parks are sold it will be strictly as ongoing concerns.

    "Whether we continue to own these parks or sell them, all nine parks under consideration will be open for business in 2007 and beyond," said Shapiro. "In fact, to reward loyal customers of Magic Mountain in California, we're announcing that each season pass purchased by the end of February will come with a free kids season pass."

    In addition, Shapiro announced that single-day main gate ticket prices for all Six Flags parks will not be increased for 2007.

    Six Flags, Inc. is the world's largest regional theme park company. Founded in 1961, Six Flags is celebrating its 45th Anniversary in 2006. Six Flags, Inc. is a publicly-traded corporation (NYSE:SIX) headquartered in New York City.

    Forward Looking Statements:

    The information contained in this news release, other than historical information, consists of forward-looking statements within the meaning of Section 27A of the Securities Act and Section 21E of the Securities Exchange Act. These statements may involve risks and uncertainties that could cause actual results to differ materially from those described in such statements. These risks and uncertainties include, among others, Six Flags' success in implementing its new business strategy. Although Six Flags believes that the expectations reflected in such forward-looking statements are reasonable, it can give no assurance that such expectations will prove to have been correct. Important factors, including factors impacting attendance, such as local conditions, events, disturbances and terrorist activities, risk of accidents occurring at Six Flags' parks, adverse weather conditions, general economic conditions (including consumer spending patterns), competition, pending, threatened or future legal proceedings and other factors could cause actual results to differ materially from Six Flags' expectations. Reference is made to a more complete discussion of forward-looking statements and applicable risks contained under the caption "Cautionary Note Regarding Forward-Looking Statements" and "Risk Factors" in Six Flags' Annual Report on Form 10-K for the year ended December 31, 2005, which is available free of charge on Six Flags' website http://www.sixflags.com/.

    James Blunt Wraps Up a Beautiful Year With Five Grammy Award Nominations; Doctors Without Borders Campaign Passes $200,000

     December 12, 2006 -- It has been a tremendous 2006 for Custard/Atlantic recording artist James Blunt, from the breakthrough success of his RIAA double-platinum debut, "BACK TO BEDLAM," and his first U.S. #1 single with "You're Beautiful," to an array of international honors and sold-out concerts around the world.

    Last week saw the British singer/songwriter capping off the year by landing a remarkable five nominations for the 49th Annual Grammy Awards. "You're Beautiful" scored nods in the top two categories, "Song of the Year" and "Record of the Year," as well as for "Best Pop Vocal Performance." Blunt also was nominated for "Best Pop Vocal Album" (for "BACK TO BEDLAM"), and in the prestigious "Best New Artist" category.

    Perhaps Blunt's proudest accomplishment, however, has been his work throughout the year raising funds for Doctors Without Borders/Médecins Sans Frontières (MSF), the international medical humanitarian organization. As of this writing, Blunt has raised an extraordinary $205,000 for DWB/MSF, whose life-saving work he first encountered while stationed with the British army in Kosovo, where he served as a reconnaissance officer with the NATO peacekeeping force. One of his most powerful songs, "No Bravery," was written in response to the genocide he had witnessed while in Kosovo.

    The "Back To Bedlam World Tour" allowed Blunt the unique opportunity to both increase awareness and generate much-needed monies for Doctors Without Borders/MSF. Beginning with this past spring's headline tour, a personal, one-on-one aftershow meet-and-greet with James was auctioned after each and every show -- one recent auction earned $8600 in a single night. In November, Blunt played a sold-out DWB/MSF benefit concert at Los Angeles' House of Blues, a high point of a seven-week, 35-city itinerary.

    "BACK TO BEDLAM" recently celebrated its one-year anniversary on the Billboard 200 album chart. Certified double platinum by the RIAA, it is one of the top five best-selling albums of 2006 and includes the singles, "You're Beautiful," "High," and the current hit, "Goodbye My Lover." "BACK TO BEDLAM" has sold ten million units worldwide.

    For more information, please visit www.jamesblunt.com and www.doctorswithoutborders.org

    Errol Flynn: The Signature Collection Volume 2 Debuts March 27 from Warner Home Video

     Dec 11, On March 27, Warner Home Video will debut five more all-time favorite films starring Errol Flynn - whose combination of natural athleticism and magnetic good looks made him one of the most popular and highly paid stars of the '30s and '40s. The films included are Adventures of Don Juan, The Charge of the Light Brigade, The Dawn Patrol, Dive Bomber and Gentleman Jim. Each DVD features adventurous extras such as director/historian commentaries, Oscar(R)-nominated film shorts, classic cartoons and vintage newsreels. The titles will be priced individually at $19.97 SRP and Errol Flynn: The Signature Collection, Volume 2, a five-disc set, will be available for $49.92 SRP.

    Adventures of Don Juan (1948): In the title role, Flynn is a wiser, warmer, wittier version of his earlier characters as he rescues the Spanish queen (Viveca Lindfors) from the snares of an evil duke. Oscar(R)-winning costumes and superb sets (including a knockout grand staircase) create a lavish atmosphere for dalliances with married beauties, narrow dungeon escapes and plenty of duels.

    The Charge of the Light Brigade (1936): Inspired by history and Tennyson's poem ("Into the valley of Death rode the six hundred"), The Charge of the Light Brigade tells the tale of a band of British Lancers who challenge an army of 25,000 Russians. Errol Flynn stars as the leader of the 600 horsemen.

    The Dawn Patrol (1938): Errol Flynn and David Niven take to the skies in this thrilling aerial action yarn as World War I British flyboys who, whether quaffing down beers or gunning down their German foes, unite in devil-may-care gallantry and in disdain for their commander (Basil Rathbone). But war's realities will soon tarnish their bonhomie and change their disdain to understanding.

    Dive Bomber (1941): Flynn portrays a flight medical researcher and Fred MacMurray plays a squadron commander, flyboys who put differences aside and risk all to confront the problems of blackout-inducing G-forces and high-altitude sickness.

    Gentleman Jim (1942): Flynn portrays dapper James C. Corbett, whose style in and out of the ring helped bring acceptability to what had been an unsanctioned, back-room sport. Raoul Walsh, director of seven Flynn films, balances bravura fisticuffs with family vignettes and flirtatious romance (Alexis Smith is Flynn's co-star).

     

    Playboy TV Presents a Unique Look Into the Career of an Erotic Art Photographer and the Real-Life Women Who Pose for Him

    NAKED HAPPY GIRLS Series Premiere January 13

    Naked. Happy. Girls. What more do you need to know? On January 13 (9 p.m. ET / 10 p.m. PT), Playboy TV will premiere "Naked Happy Girls," a 13-episode half-hour documentary series that follows erotic photojournalist Andrew Einhorn as he traverses New York City, meeting real-life women and convincing them to pose nude for him. Based on the popular hardcover coffee table book, Naked Happy Girls, the Playboy TV series offers viewers an authentic, un-glamorized, un-idealized look into the life of a working artist as he navigates the art world with its galleries and commercial demands while maintaining his creative output and managing his personal life. Interviews with his models reveal their varied reasons for agreeing to pose nude.

    "Andrew has the kind of job most men would die for, except it's really not all babes all the time. Just 9-5," stated Mark F. Mauceri, Playboy TV's Vice President, Worldwide Programming. "In between, the reality of struggling in New York City, a demanding publisher, a judgmental mother, and girlfriends who can't get comfortable with his line of work turn an otherwise perfect life upside down."

    Andrew Einhorn has developed a unique photographic style that is undeniably erotic and unabashedly fun. "I'm lucky that I can make women laugh," says Einhorn, "Laughter is happy and happy is sexy and sexy is nice. I like sexy pictures. I like happy sexy pictures. Most people do." Working with women he meets on the street, his "Naked Happy Girls" series is natural, playful and cheerful -- capturing his subjects' inner beauty as much as their outer beauty. From Lower East Side Goth Girls to NYU Film Students to Upper East Side Debutantes, these are real women, with all their self-perceived "imperfections" celebrated. Employing his charm and sense of humor, Einhorn puts his models at ease, coaxing them to open up for the camera lens.

    Source: Playboy Entertainment Group

    Naked News in Los Angeles

    Reporter, Lily Kwan takes it all off in Southern California

     The world famous Naked News(TM) (www.nakednews.com, Naked News TV) is 'headed for the Hills'... the Hollywood Hills! International correspondent, Lily Kwan will be on assignment in Los Angeles, California from December 11th, 2006. The cheeky "Program with Nothing to Hide" has captivated audiences all over the globe with its truly unique and compelling content. Since its 1999 launch it has become an Internet and Television phenomenon.

    In addition to seeking the latest Hollywood headlines, Kwan will oversee the Naked News Raw Talent search. Naked News will collaborate with radio stations across the US in search of additions to their cast of talented and beautiful broadcasters. Radio stations interested in participating may contact Naked News.

    Kwan will be available for media interviews during her assignment in LA. Access to a full media website and further details and participation information regarding the Raw Talent Search is available on request.

    Kwan has uncovered stories from locales around the world, including Canada, the USA, Tokyo, Europe and the UK. The fearless reporter has been based in London, England for the past 2 years with a focus on the city's buzzing pop culture, entertainment and lifestyle scene.

    About Naked News

    Naked NewsTV! is currently available on Indemand, Dish Network, TVN, and other North American broadcasters. Naked News (www.NakedNews.com) launched internationally in 1999, quickly becoming a world media phenomenon on the Internet, then Television and recently Mobile. It is the most successful crossover from the Internet to television in history. In its totally unique and irreverent manner, Naked News provides upbeat news, entertainment and fun segments to more than 172 nations daily on the Internet, Television and in hotel rooms around the world, presented by a dozen beautiful and naked broadcasters. Naked News is also broadcast via Mobile devices in nude, topless and lingerie versions. It was recently the subject of a U.K. funded Documentary entitled Inside Naked News.

    Source: Naked News

    Spike TV UFC Event in San Diego

    Spike TV is airing a live UFC event on Wednesday, December 13 from a most

    unique venue - The Marine Corps Air Station Miramar (details below). I would

    like to invite you to cover the first ever major live fight in the San Diego

    area for the UFC, one of fastest rising sports organizations in the world.

    Undefeated Diego 'The Nightmare' Sanchez Faces Joe 'Diesel' Riggs From Marine

    Corps Air Station Miramar on Spike TV Wednesday,
     December 13 at 8:00 PM ET  First Ever UFC Fight Card 
    On A Military Base Features The Ultimate Fighter 
    Alums Sanchez, Josh Koscheck, Shonie Carter, and Marcus Davis 

    Seats to Be Auctioned Off to Benefit Families of Miramar Marines Stationed in

    the Middle East

    NEW YORK, NY, December 11, 2006 -- Diego "The Nightmare" Sanchez, undefeated (17-0) and on the cusp of a welterweight title shot, faces possibly his toughest test to date against veteran UFC fighter Joe Riggs (28-8) on Spike TV's UFC Fight Night on Wednesday, December 13 at 8:00 PM ET. Also appearing on the card are The Ultimate Fighter alumni Josh Koscheck, Shonie Carter and Marcus Davis. This special event will take place LIVE in an aircraft hangar at Marine Corps Air Station Miramar in San Diego, CA, and is the first ever live UFC event on a military base.

    The audience will consist solely of three thousand United States Marines stationed at Miramar, except for five (5) pairs of seats which are being auctioned off to the general public to this incredible event. This is the ONLY way non-military will be able to gain access to this UFC Fight Night. All auction proceeds will benefit the Marine Corps Community Services Quality of Life Programs for the Marines and Families, which support the health and well-being of active duty service members and their families throughout the year.

    "We are holding this fight at Miramar as our way of saluting the brave men and women of the United States Military fighting oversees in the name of freedom," said UFC President Dana White and Spike TV General Manager Kevin Kay, in a joint statement.

    Sanchez, fighting out of Albuquerque, NM, has defeated many of the UFC's top welterweight contenders over the eighteen months since winning the Ultimate Fighter 1 Finale over Kenny Florian in April 2005. With wins over Karo Parisyan, John Alessio, Nick Diaz, and Brian Gassaway, a victory over the battle-tested Riggs would bring him one step closer to the title shot he craves.

    At 24, Joe Riggs, fighting out of Phoenix, AZ is a UFC veteran who has tangled in the Octagon with some of the UFC's best, including welterweight champion Matt Hughes at UFC 56, where Riggs was submitted in the first round. A recent victory over Jason Von Flue on Spike TV has put Riggs back in the mix of contenders for the UFC welterweight crown. Sanchez stands in his path back towards the top of the welterweight division.

      MAIN EVENT    Welterweight Bout   Joe "Diesel" Riggs (28-8-0)
        VS  Diego "The Nightmare" Sanchez (17-0-0)   6'0"/170 lbs.
    5'11"/170 lbs.   Fighting out of:  Phoenix, AZ      
    Fighting out of:  Albuquerque, NM    Co-Features    
    Welterweight Fight   Marcus "The Irish Hand Grenade" 
    Davis VS Shonie "Mr. International" Carter   (13-4-0)                                 
    (66-13-7)   5'10"/170 lbs.                           
    5'9"/170 lbs.   Fighting out of:  Bangor, ME             
    Fighting out of:  Chicago, IL    Welterweight Fight   
    Drew "The Master" Fickett (30-4-0) VS Karo "The Heat" Parisyan (23-3-0)   5'10"/170 lbs.                        
    5'10"/169 lbs.   Fighting out of: Tuscon, AZ           
    Fighting out of: North Hollywood, CA    Welterweight Bout   
    Jeff "The Inferno" Joslin (5-2-0)  VS  Josh "Kos" Koscheck (8-1-0)   6'0"/170 lbs.                          
    5'10"/170 lbs.   Fighting out of:  Hamilton, Ontario    Fighting out of:  Fresno, CA     
    Preliminary Bouts:    Middleweight Bout   Logan Clark (7-0-0)               
    VS   Steve Byrnes (6-0-0)   6'2"/185 lbs.                          
    6'1"/185 lbs   Fighting out of:  Lake City, MN        
    Fighting out of: Kauai, HI    Welterweight Bout   Keita Nakamura (13-0-2)           
    VS   Anthony "The Crush" Torres (4-0-0)   5'11"/167 lbs.                         
    5'10"/170 lbs.   Fighting out of:  Tokyo, Japan         
    Fighting out of:  Kailua, HI    Welterweight Bout   Dave "The Warrior" Menne (35-5-1)  
    VS  Luigi Fioravanti (8-1-0)   5'10"/185 lbs.                         
    5'8"/185 lbs.   Fighting out of:  Forest Lake, MN      
    Fighting out of:  Orlando, FL    Middleweight Bout   Alan Belcher (8-2-0)               
    VS  Jorge Santiago   6'2"/185 lbs.                          
    6'1"/185 lbs.   Fighting out of:  Biloxi, MS           
    Fighting out of:  Coconut Creek, FL    Light Heavyweight Bout   
    Victor "The Matrix" Valimaki         VS  David Heath   6'0"/205 lbs.                            
    5'11"/205 lbs.   Fighting out of:  Edmonton, Alberta      Fighting out of:  Tulsa

    Bono, Gnarls Barkley, Nelly Furtado, The Flaming Lips, Sufjan Stevens, Sting and Others Receive Top Honors From Second Annual XM Nation Awards

     Dec. 11 -- XM, the nation's leading satellite radio service with more than 7 million subscribers, today announced the winners of the Second Annual XM Nation Awards. Music fans nationwide cast their votes for nominated artists and categories selected by XM's programming staff in categories ranging from "Best Comeback of the Year" to "Least Favorite Celebrity-turned-Music Act" to "Artist Most Overlooked By FM Radio." Fans were also able to write in their choice for the artist they'd most like to have their own music show on XM.

      Some of the winners include:                 Award Category                        
    Winner    "XMU Next" - Most Important Emerging    Sufjan Stevens    
    Indie Artist    "Off the Radar" - Artist Most           The Flaming Lips    
    Overlooked by FM Radio    "On the Rebound" - Best Comeback        
    Nelly Furtado    of the Year    "Dream Duet" - Artist Collaborations    
    Alice Cooper & Rob Zombie    We'd Like to See    "Dashboard Anthem" - 
    Best Sing Along    "Crazy" - Gnarls Barkley    of 2006    "Closet Classic" - 
    Favorite "Guilty     "Sweet Caroline" - Neil Diamond    Pleasure" Song    
    "Wish You Were Still Here" - Artist     John Lennon    We'd Like to Have Back    
    "Keep Your Day Job" - Least Favorite    Kevin Federline    
    Celebrity-Turned-Music Artist    "Sound Sidetrack" - Favorite "Musical   
    Sting - "Songs From the Labyrinth"    Departure" Album    
    "Live @ XM"- Favorite Live XM           Andrea Bocelli    
    Performance    "Enough Already!" - Most Played-Out     
    "You're Beautiful" - James Blunt    Song of 2006    
    "Call My Agent" - Artist We'd Like to   Bono    See Host a Show on XM  

    Additionally, XM will air a four-hour XM Nation Awards special throughout New Year's Day 2007, highlighting this year's nominees and winners, along with the best musical moments of 2006. Hosted by XM on-air music programming staff, the special will debut at 12 midnight ET on January 1, 2007 on XM LIVE (XM 200), with encores airing throughout the day.

    A complete list of winners is available at http://www.xmradio.com/xmnation.

      Editor's Note: The full list of winners is attached to this release.    About XM Satellite Radio 

    XM (NASDAQ:XMSR) is America's number one satellite radio company with more than 7 million subscribers. Broadcasting live daily from studios in Washington, DC, New York City, Chicago, the Country Music Hall of Fame in Nashville, Toronto and Montreal, XM's 2006 lineup includes more than 170 digital channels of choice from coast to coast: commercial-free music, premier sports, news, talk radio, comedy, children's and entertainment programming; and the most advanced traffic and weather information.

    XM, the leader in satellite-delivered entertainment and data services for the automobile market through partnerships with General Motors, Honda, Hyundai, Nissan, Porsche, Subaru, Suzuki and Toyota is available in 140 different vehicle models for 2006. XM's industry-leading products are available at consumer electronics retailers nationwide. For more information about XM hardware, programming and partnerships, please visit http://www.xmradio.com/.

    Factors that could cause actual results to differ materially from those in the forward-looking statements in this press release include demand for XM Satellite Radio's service, the Company's dependence on technology and third party vendors, its potential need for additional financing, as well as other risks described in XM Satellite Radio Holdings Inc.'s Form 10-K filed with the Securities and Exchange Commission on 3-9-06. Copies of the filing are available upon request from XM Radio's Investor Relations Department.

                                 XM NATION AWARDS                               
     2006 WINNERS            XM NATION AWARD CATEGORY                 
     WINNER    XMU Next - Most Important Emerging Indie    
    Sufjan Stevens    Artist    Off the Radar - Artist Most Overlooked      
    The Flaming Lips    by FM Radio    On the Rebound - 
    Best Comeback of the Year  Nelly Furtado    Dream Duets - Good Idea
                         Alice Cooper & Rob Zombie    Don't Duet - Bad Idea 
                          Clay Aiken & 50 cent    Dashboard Anthem - 
    Best Sing Along of 2006  Crazy - Gnarls Barkley    
    Closet Classic - Favorite "Guilty           Sweet Caroline - Neil Diamond    
    Pleasure" song    XM Exile: The Song to be Banned in the      
    Who Let the Dogs Out - Baha    XM Nation                                   
    Men    Wish You Were Still Here - Artist We'd      
    John Lennon    like to have Back    Keep Your Day Job - 
    Least Favorite          Kevin Federline    Celebrity-Turned-Music Artist    
    "Sound Sidetrack" - Favorite "Musical       Sting "Songs From the    
    Departure" Album                            Labyrinth"    
    Favorite Live at XM Performance             Andrea Bocelli    
    "Enough Already!" - Most Played-Out Song    
    You're Beautiful - James Blunt    of 2006    
    XM Sports Nation, Worst Sports Moment of    Zidane's head-butt    
    2006    XM Sports Nation: Best XM Sports Play by    
    Chicago White Sox win World    Play Moment                                 
    Series    "Call My Agent" - Artist We'd Like to See   Bono    
    Host a Show on XM    "The Supporter Cup" - Channel That          
    Squizz - XM 48    Inspires You To Buy The Most Music    
    Halo 2006 Christian Pop Artist of the Year  Casting Crowns    
    Cherub Award - Notable New Christian Pop    Sara Groves    
    Artist of 2006    "Most Anointed" - Award for Outstanding     
    Heroes - Kirk Franklin    Urban Gospel Album of 2006    
    Favorite Classical Confidential             Cecilia Bartoli    
    The Virtuoso Award - Favorite Classical     Renee Fleming - Sacred Songs    
    Album    Voices of Angels: Opera Singer Who Will     Lorraine Hunt Lieberson    
    Be Remembered Most    Big Schtick Award - Most Popular Comedy     
    Craig Shoemaker "Lovemaster"    Routine or Joke    
    Female "Stand-Up Comedy Champion" 2006      
    Lisa Lampanelli    Male "Stand-Up Comedy Champion" 2006        
    Lewis Black    X Country Best in Texas Award               
    Brian Burns    Best in Grass Bluegrass Award               
    Rhonda Vincent    Rookie Driver of the Year - Highway 16's    
    Carrie Underwood    Top New Country Artist    XM Country Superstar of the Year            
    Keith Urban    Disco Diva of All-Time                      Donna Summer    
    Most-Powerful Mixing Machine - Best         Armin Van Buuren    
    DJ/Mixer    Savoy Suave & Permanently Cool - What's     
    Frank Sinatra    Cool in the 40's is Cool Today    
    Spike Jones Award: Best Novelty Song        
    People Eater by Sheb    of the 50's                                 
    Sheb Wooley    Favorite Protest/Anti-Protest Song          
    Blowin' in the Wind - Peter, aul & Mary    
    1970's Lyrically Challenged Award for       
    Blinded By the Light --    the Song Hardest to Understand              
    Manfred Mann's Earth band    (XM) Radio Killed the Video Star:           
    Thriller - Michael Jackson    Best MTV Video    
    Forever Flannel - 90s song that's still     Smells Like Teen Spirit -    cool                                        
    Nirvana    Early Reserve - Most-Anticipated Broadway   Les Miserables (revival)    
    Show of 2006/07    Favorite Million Dollar Ticket - Favorite   Wicked   
    Broadway Show Grossing $1 Million Plus    That's Entertainment Award - The most       
    Pirates of the Caribbean 2    "Fun" movie of 2006    
    The Score for 2006 - Favorite Movie         Superman Returns (John Ottman)    
    Soundtrack of the Year    Thanks for the Material: The Events/        
    Brad Pitt and Angelina Jolie    People that gave us the best stuff to    
    talk about in 2006    The Theater-of-the-Mind Award -             
    Twilight Zone    Favorite Classic Radio Show    Most Innovative MOJA Album of the Year      
    Chick Corea    New & Blue -- Outstanding New Blues         Guitar George Baker    
    Artist of 2006    Epoch Award for Favorite Contemporary Jazz  The Rippingtons (20 yrs)    
    Band Celebrating a Milestone Anniversary    Real Jazz Icon Award - Living Legends       
    Sonny Rollins    The "Absolutely KINDIE" Award - Top         Terri Hendrix    
    Indie Kids Artist of 2006    Ultimate Earworm Award - Year's Most        
    The Hampsterdance    Relentlessly Catchy Kids Song    
    Best Latin "Make-Up" Song / Mejor           Chayanne - Te Echo de Menos    
    cancion para pedir perdon    Best Latin Drinking Song / Mejo             
    Valentin Elizalde - Como me    Cancion Para Tragos                         
    duele    Best Latin Song To Learn To Salsa /         
    Marc Anthony - Que Precio    Mejor Cancion para Aprender Salsa           
    Tiene El Cielo    Reggaeton Artist with the Best Body-Ink /   Daddy Yankee    
    Artista de Reggaeton con mas Tatuajes    The Golden Spliff Award - The Artist        
    Beenie Man    keeping it most Irie in 06    "We Believe" Award - Most Promising         
    The Fray    New Pop Act    Essential Pop Party Track of 2006           
    Promiscuous - Nelly Furtado    "Best Strange of the Year" - Squizz's       
    Hinder    Best New Artist    2006 Loft Artist of the Year                
    Neil Young    Welcome to The Loft - Notable New Artist    
    Peter Bradley Adams    of 2006    "Best Score Of The Year" - Tour that        
    Ozzfest    "scored" the most amount of groupies    
    XM Cafe Appetizer of the Year - Favorite    KT Tunstall - Eye to the    
    Adult Alternative New Release of 2006)      Telescope    
    XM Cafe Entree of the Year - Favorite       Ben Harper - Both Sides Of    
    Adult Alternative Album of 2006             The Gun    Alt Shaker Award                            
    Red Hot Chili Peppers    Fresh Ethel Seal of Approval -- New Ethel   Gnarls Barkley    
    Artist Most-Endorsed by the XM Nation    Stage Presence with Guitar -- Best          
    Pete Townsend    Guitar-hero Stance    Teflon Vinyl Award - Album With the         
    Dark Side of the Moon - Pink    Most Worn-out Grooves                       
    Floyd     The Giant Bone - Best Hard Rock             
    Queensryche "One Foot in    Performance                                 
    Hell"    The Go 2 Hell - Best Metal Performance      Slayer "Jihad"    
    The Golden Lougie 2006 - Best Punk          Time Again "Cold Concrete"    
    Performance    Return To Rhyme - Old school hip-hop        Salt-N-Pepa    
    group that should reunite    The "Spark" Award - The Artist who          
    Chris Brown    brought the HEAT in 2006    Mayor of The City - The Artist who Ran      
    Mary J. Blige    the Charts and the Streets this Year    My First Phantom - 
    Best New Hip-Hop Artist  Yung Joc    Neo-Souled Out Award for the Notable        
    Ne-Yo    New R&B Artist    The Quincy Award The Greatest Soul    Artist of All Time                         
    Stevie Wonder 

    Source: XM Satellite Radio

     

    Noggin Kicks Off Season Two of Jack's Big Music Show With New Lineup of Acclaimed Kids' Musicians and Regular Performances by The Laurie Berkner Band Beginning Saturday, January 6

    New Season to Feature Guest Appearances by Jon Stewart and Cheryl Hines, Plus Performances by Over 20 Artists Including Lisa Loeb, Justin Roberts, Angelique Kidjo and a Collaboration by Steve Burns and Steven Drozd of The Flaming Lips

    *(DVD and art available upon request)

    Dec. 11 A diverse new slate of acclaimed children's artists and celebrity guest stars including Jon Stewart and Cheryl Hines will make their way to Jack's clubhouse on the new second season of NOGGIN's original hit series Jack's Big Music Show. NOGGIN will kick-off season two of the half-hour preschool music show on Saturday, January 6 at 12:00 p.m. (ET), with "Snow Day" which introduces preschoolers to Hawaiian music, and features popular children's group The Laurie Berkner Band. NOGGIN will roll out new episodes from season two every Saturday and Sunday throughout January and February.

    Produced by Spiffy Pictures for NOGGIN, the live-action series is hosted by Jack, a preschooler puppet and his melodious cast of friends who play everyday at Jack's clubhouse. Jack's Big Music Show is a platform for kids' music and features videos and in-studio performances by popular children's musicians every week. Season two will feature several performances by series regular The Laurie Berkner Band; a music video collaboration by indie rocker Steve Burns ("Steve" on Blue's Clues) and Steven Drozd (The Flaming Lips); plus clubhouse visits by Jon Stewart and Cheryl Hines. Musicians featured will also include Lisa Loeb, AudraRox, Nuttin' But Stringz, Angelique Kidjo, Justin Roberts, Music for Aardvarks, Anne Harris, Rebekah Jordan, The Quiet Two, Dirty Sock Funtime Band, Comic Book Heroes, Leon Thomas, The Trachtenburg Family Slideshow Players, J. Walter Hawkes, The Mighty Weaklings, Andrew Bird, Tyler Bunch and Libyah Pugh.

    "I want to go to Jack's clubhouse!" said Brown Johnson, EVP, Executive Creative Director, Nickelodeon Preschool and General Manager of NOGGIN. "Jack makes learning about music fun and season two will introduce a new, diverse group of amazing musicians who raise the bar for quality preschool music."

    NOGGIN will also roll out content from the second season of Jack's Big Music Show across the following Nickelodeon Preschool platforms:

       -- Beginning December 19, a "sneak peek" clip from the second season       
    premiere episode "Snow Day" will be available on various wireless       carriers.    
    -- Beginning Monday, January 8, Nick Jr. Video, Nick Jr.'s broadband       
    video service available on Nickjr.com, will feature an instant reply       
    of "Snow Day."    -- Beginning January 8, Video On Demand windowing 
    of "Snow Day," plus the       second season two episode ("Country Squirrel") will 
    commence on       Comcast, Charter, Cablevision, Verizon FiOS and Cox.  

    In "Snow Day," Jack, Mary and Mel are excited to have a Hawaiian beach party in the clubhouse, filled with Hawaiian music, hula dancing, surf boards and beach balls. Of course you can't have a beach party without the beach, so Mel flips the switch on his latest invention -- the Sand Machine -- which is designed to fill the clubhouse with sand. But to everyone's surprise, snowflakes begin to shoot out from the contraption at a blizzard's pace! As Jack's clubhouse quickly transforms into a winter wonderland, the shivering gang try to save their beach party. When neighbor Prudence (Anne Harris) comes by for a visit, she leads Jack, Mel and Mary in a Hawaiian song to help melt the snow. The episode features music videos by The Laurie Berkner Band ("Mahalo") and The Quiet Two ("Polar Bear"), plus three original songs sung by Jack and his friends.

    On Jack's Big Music Show, Jack takes a break everyday from his busy kid schedule to visit his favorite place in the world -- his backyard clubhouse. Here he can do what he loves best -- create and enjoy music, sing, dance and have a musical ball with his friend Mary, his faithful dog Mel and all of his other neighborhood pals. Anything can happen in Jack's clubhouse -- you never know when a baby bongo bird or The King of Swing may unexpectedly drop by the clubhouse, or an entire show might be sung in a silly opera style!

    The mission of Jack's Big Music Show is to expose and foster an appreciation of music in young children. Music and musical instruments help children expand their universe and develop memory, language, literacy and reasoning skills as well as the cognitive, social and motor skills needed to excel in school. In Jack's clubhouse, music is pure joy -- no expectations and no right or wrong way. To Jack, "playing" music is just that - playing.

    NOGGIN's award-winning website (www.noggin.com) will feature a variety of content to complement the second season of Jack's Big Music Show. Beginning Friday, January 5, noggin.com will feature a Jack's Big Animal Jamboree game where preschoolers will help Jack, Mary and Mel catch animals that are shooting out of Mel's Magical Music Machine to help form an animal orchestra. The site will also feature song books from the first and second season, music curriculum, character printables and new downloadable clips from the series. Nick Jr.'s award-winning website (www.nickjr.com) will also launch Jack's Big Animal Jamboree game on January 5. Additionally, Nick Jr. Parents TV will stream an on-camera interview and a "Do-Together Music Making Tips" segment with featured artist Laurie Berkner.

    Jack's Big Music Show is produced by Spiffy Pictures and was created and executive produced by David Rudman, Todd Hannert and Adam Rudman.

    NOGGIN, the commercial-free, educational preschool network from Nickelodeon, currently reaches 54 million households via cable, digital cable and satellite TV. NOGGIN, which airs from 6:00 a.m. to 6:00 p.m. (ET), is like preschool on tv, with educational programming both on-air and online at www.noggin.com. NOGGIN and all related titles, characters and logos are trademarks of Viacom International Inc.

    DC Film Critics Name Forest Whitaker Best Actor, Helen Mirren Best Actress

    The King and the Queen Rule Washington, DC

    United 93 Takes Best Film as Scorsese Snares Best Director in 5th Annual

    WAFCA Awards Selections

    Dec. 11 -- The Washington, DC Area Film Critics Association (WAFCA) today selected a movie honoring the memories of the brave heroes of September 11, the poignant United 93, as Best Film of the Year in a victory that could spur the movie's burgeoning Oscar hopes. Director Martin Scorsese was voted by the group as Best Director for his smash hit movie The Departed, while Forest Whitaker (The Last King of Scotland) was named Best Actor, and Helen Mirren (The Queen) continued her march to the Oscars as she was named Best Actress as both actors brought characters to real, and even sympathetic, life.

    "What a wonderful way to celebrate our fifth anniversary by honoring this fine collection of talented films and groundbreaking performances. This year gave us true cinematic royalty with a Queen, a King and a Dreamgirl," said WAFCA President Tim Gordon.

    As a sign of the strength of her performance and show stopping ability that brought ovations during screenings in DC, Jennifer Hudson (Dreamgirls) was a two time winner awarded Best Supporting Actress and Breakthrough Performance of the Year. In other categories, Djimon Hounsou (Blood Diamond) was named Best Supporting Actor, Happy Feet danced away with Best Animated Feature and Pan's Labyrinth Best Foreign Language Film.

    Additionally, WAFCA honored two first time feature length screenwriters as Jason Reitman walked away with Best Adapted Screenplay for the DC-based Thank You For Smoking and Michael Arndt won Best Original Screenplay for the summer's surprise indie hit Little Miss Sunshine.

    The Washington, DC Area Film Critics Association is comprised of 36 DC- based film critics from television, radio, print and the internet. Voting was conducted from December 9 - 10, 2006.

      Final Results 2006 Washington, DC Area Film Critics Association Awards    
    Best Film   United 93/Universal    Best Actor   Forest Whitaker - 
    The Last King Of Scotland    Best Actress   Helen Mirren - 
    The Queen    Best Supporting Actor   Djimon Hounsou - 
    Blood Diamond    Best Supporting Actress   Jennifer Hudson - 
    Dreamgirls    Best Director   Martin Scorsese - The Departed    
    Best Screenplay, Original   Michael Arndt - Little Miss Sunshine    
    Best Screenplay, Adapted   Jason Reitman - Thank You For Smoking    
    Best Foreign Film   Pan's Labyrinth/Picturehouse    Best Animated Feature   
    Happy Feet/Warner Brothers    Best Documentary   
    An Inconvenient Truth/Paramount Classics    Best Breakthrough Performance   
    Jennifer Hudson - Dreamgirls    Best Ensemble   Little Miss Sunshine/Fox Searchlight   
     Best Art Direction   Marie Antoinette/SONY Pictures Entertainment 

     

     

    AFI AWARDS 2006:OFFICIAL SELECTIONS ANNOUNCED

     

    Seventh Annual AFI Almanac Honors

    10 Most Outstanding Motion Pictures and TV Programs of the Year

    LOS ANGELES, December 10, 2006—American Film Institute (AFI) today

    announced the official selections of AFI AWARDS 2006, AFI’s almanac which

    records the year’s most outstanding achievements in film and television, as well

    as significant moments in the world of the moving image.

    AFI AWARDS is the only form of national recognition that honors the film and

    television creative ensemble as a whole—those both in front of and behind the

    camera—acknowledging the collaborative nature of film and television.

    Unlike any other film or television award currently given, the AFI AWARDS

    2006 selections were made through AFI’s unique 13-person jury process in

    which scholars, film artists, critics and AFI trustees discuss, debate and

    determine the most outstanding achievements of the year, as well as provide a

    detailed rationale for each selection. Two AFI juries—one for motion pictures

    and one for television—convened in Los Angeles for two days of deliberation.

    The jurors have remained confidential until today. (Complete list is below.)

    AFI will honor the creative ensembles for each of the honorees at a luncheon

    sponsored by Hewlett-Packard on Friday, January 12, 2007 at the Four

    Seasons Hotel in Los Angeles, California.

    Additionally, HP has created 20 scholarships to the AFI Conservatory, one for

    each of the AFI honorees. The AFI Conservatory is world-renowned for its

    advanced training of the next generation of storytellers.

    “AFI AWARDS brings the community together—not as winners or losers—but as

    artists who have enriched our cultural legacy. This year, it is particularly

    meaningful that our honorees will be supporting the future of this great art form

    through the HP scholarships,” commented Jean Picker Firstenberg, AFI’s

    President and CEO.

    The honorees are listed below in alphabetical order:

    AFI MOVIES OF THE YEAR—OFFICIAL SELECTIONS

     

    BABEL

    BORAT: CULTURAL LEARNINGS OF AMERICA FOR

    MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN

    THE DEVIL WEARS PRADA

    DREAMGIRLS

    HALF NELSON

    HAPPY FEET

    INSIDE MAN

    LETTERS FROM IWO JIMA

    LITTLE MISS SUNSHINE

    UNITED 93

     

    AFI TV PROGRAMS OF THE YEAR—OFFICIAL

    SELECTIONS

     

    BATTLESTAR GALACTICA

    DEXTER

    ELIZABETH I

    FRIDAY NIGHT LIGHTS

    HEROES

    THE OFFICE

    SOUTH PARK

    24

    THE WEST WING

    THE WIRE

     

    AFI AWARDS 2006 JURORS

    AFI JURY FOR MOTION PICTURES

    Robert G. Rehme

    Producer

    AFI Board of Trustees

    Chair, AFI Jury for Motion Pictures

    Michael Apted

    Director/Producer/Writer

    President, Directors Guild of America

    AFI Board of Trustees

    Roger Birnbaum

    Co-Chairman and CEO, Spyglass Entertainment

    AFI Board of Trustees

    Leo Braudy

    University of Southern California

    James L. Brooks

    Director/Producer/Writer

    Mary Corey

    University of California, Los Angeles

    Jane Gaines

    Duke University

    Elvis Mitchell

    National Public Radio

    Diana Ossana

    Writer/Producer

    David V. Picker

    Producer

    AFI Trustee Emeritus

     

    Tom Pollock

    Producer

    Chair Emeritus, AFI Board of Trustees

    Anne Thompson

    The Hollywood Reporter

    Kenneth Turan

    The Los Angeles Times

    AFI JURY FOR TELEVISON

    Richard Frank

    Chair, AFI Jury for Television

    Vice Chair, AFI Board of Trustees

    Dick Askin

    President and CEO, Academy of Television Arts & Sciences

    AFI Board of Trustees

    Steven Bochco

    Producer/Writer

    Kevin S. Bright

    Producer/Director

    Paul Brownfield

    The Los Angeles Times

    Michael Dinner

    Director/Producer/Writer

    Barry Garron

    The Hollywood Reporter

    Amanda D. Lotz

    University of Michigan

     

    Brian Lowry

    Variety

    Tara McPherson

    University of Southern California

    Matt Roush

    TV Guide

    Vivian Sobchack

    University of California, Los Angeles

    AFI Board of Trustees

    Kristal Brent Zook

    Columbia University

    CRITERIA

    Each year, AFI AWARDS honors excellence in American film and television by

    recognizing the creative ensembles which collaborate to create the year's

    outstanding movies and television programs, all of which best advanced the art

    of the moving image; enhanced the rich cultural heritage of America's art

    form; inspired audiences and artists alike; and/or made a mark on American

    society.

     

    AFI will consider eligible any film that fulfills the following criteria:

     

    FEATURE-LENGTH MOTION PICTURE

    Narrative fiction format, over 60 minutes in length.

     

    AMERICAN

    Motion picture with significant creative and/or production elements from the

    United States. The motion picture need not be presented in the English

    language if it is incontrovertibly American.

    THEATRICALLY-RELEASED

    Motion pictures originally released between January 1, 2006, and December

    31, 2006, which have premiered in a commercial theater and screened for at

    least five consecutive days in Los Angeles or New York City.

    About the AFI Conservatory

    The AFI Conservatory is world-renowned for its advanced professional training

    designed to nurture the talents and enhance the skills of tomorrow’s leading

    storytellers in the global motion picture and television professions. The

    curriculum focuses on narrative, visual storytelling through hands-on

    collaboration, taught by working professionals from the film and television

    communities. Master of Fine Arts degrees are granted in six filmmaking

    disciplines—Cinematography, Directing, Editing, Producing, Production Design

    and Screenwriting. The AFI Conservatory has trained more than 3,000 artists

    since its founding in 1969. These graduates have, and will continue to have, a

    major impact on the art of film, television and digital media.

    About the American Film Institute

    AFI is a national institute providing leadership in screen education and the

    recognition and celebration of excellence in the art of film, television and

    digital media. AFI trains the next generation of filmmakers at its world-

    renowned Conservatory, maintains America's film heritage through the AFI

    Catalog of Feature Films and explores new digital technologies in

    entertainment and education through the AFI Digital Content Lab and K-12

    Screen Education Center. As the largest nonprofit exhibitor in the US, AFI ON

    SCREEN encompasses the annual AFI FEST presented by Audi: AFI Los

    Angeles International Film Festival—as well as year-round programming at

    ArcLight Hollywood and the AFI Silver Theatre and Cultural Center in Silver

    Spring, Maryland, including SILVERDOCS: AFI/Discovery Channel

    Documentary Festival. AFI AWARDS, the annual almanac for the 21st century,

    honors the most outstanding motion pictures and television programs of the

    year, while AFI's 100 Years . . . series has ignited extraordinary public interest

    in classic American movies. And, during the past 34 years, AFI’s Life

    Achievement Award has become the highest honor for a career in film.

    Additional information about AFI is available at AFI.com.

     

     

     

    Plácido Domingo Announces $4 Million Fund

    Including $3.25 Million Gift from Marilyn Ziering

    for LA Opera to Present

    Recovered Voices

    James Conlon Will Conduct LA Opera’s Multi-Year Project to

    Present the Work of Composers Suppressed by the Nazis

     

    Recovered Voices to Begin with Two Special Stage Concerts

    at the Dorothy Chandler Pavilion, March 7 and 10, 2007

        December 11, 2006 Plácido Domingo, LA Operas Eli and Edythe Broad General Director, announced today that a generous $3.25 million gift from Los Angeles philanthropist and LA Opera Board member Marilyn Ziering will bring the music of composers affected by the Holocaust to the LA Opera stage at the Dorothy Chandler Pavilion in the multi-year Recovered Voices project. “Music Director James Conlon has won worldwide respect not only as a conductor, but as a longtime advocate of those composers whose lives and careers were impacted by Nazi Germany” said Mr. Domingo. “There is so much previously lost music that has now reached the stage due to his effort. I have great admiration for Marilyn Ziering, whose visionary support will give audiences today a significant opportunity to hear what the Third Reich attempted to silence. In addition to her gift, Mrs. Ziering personally raised an additional $750,000 from several leaders and supporters of the LA Opera, for a total gift of $4 million to the Company. I am proud that LA Opera will take a leading role as an important opera company presenting this magnificent music in a major venue.” All performances in the ongoing Recovered Voices project will be conducted by Mr. Conlon, and will highlight the music of such early 20th-Century composers as Alexander Zemlinsky, Kurt Weill, Viktor Ullmann, Franz Schreker, Walter Braunfels and Erich Korngold. Some of these works will receive their U.S. premieres at LA Opera, the nation’s first major opera company to address this subject.

          LA Operas commitment to presenting the works of these composers will begin with two special concerts of operatic excerpts this season, and will subsequently include full-scale productions of complete operas by Zemlinsky, Ullmann, Schreker and Braunfels in future seasons, all of which will be conducted by Mr. Conlon. The diverse selections for the March 2007 concerts include excerpts from Schreker’s The Stigmatized, Braunfels’ The Birds, Ernst Kreneks Johnny Tunes Up, Ullmanns The Emperor of Atlantis, Erwin Schulhoff’s Flames and Korngold’s The Dead City. The concerts will also feature a complete performance of Zemlinsky’s A Florentine Tragedy, a one-act opera based on Oscar Wilde’s play of the same name. Mr. Conlon will conduct both evenings, as well as speak about the overall subject matter as an introduction to the project. The concerts will feature the Los Angeles Opera Orchestra in the pit, with visual art from the period projected onstage in a multimedia presentation. The soloists will be soprano Tatiana Pavlovskaya, tenors Anthony Dean Griffey and Rodrick Dixon, and baritones Donnie Ray Albert and Martin Gantner. LA Opera will present these two inaugural performances of the Recovered Voices project at 7:30pm on Wednesday, March 7 and at 7:30pm on Saturday, March 10 at the Dorothy Chandler Pavilion, 135 North Grand Avenue.

          While the operas of Richard Strauss (1864-1949) are often thought of as the final flowering of the great German opera tradition, a number of his contemporaries fell victim to the anti-Semitic and ultraconservative politics of Nazi Germany. These composers enjoyed critical and popular success during the first half of the 20th Century, but their operas are little known today. In an effort to raise public consciousness to the significance of these works of composers, Mr. Conlon has devoted himself to extensive programming of this music in North America and Europe. This repertoire also includes the works of such diverse composers as Pavel Haas, Karl Amadeus Hartmann, Bohuslav Martinů and Kurt Weill, among many others.

          As Music Director of both LA Opera and of the Ravinia Festival, Mr. Conlon continues to program works of these composers with those organizations and elsewhere. At Ravinia each summer, he presents a different composer from this group with the Chicago Symphony Orchestra. He has already highlighted works of Viktor Ullmann and Erwin Schulhoff, and will focus on Alexander Zemlinsky this coming summer. A production conceived by Mr. Conlon of Ullmanns The Emperor of Atlantis (written while the composer was interned in the concentration camp of Terezín) has traveled extensively since its first showing in New York. Produced in cooperation with The Juilliard School, it has since been reprised at the Spoleto Festival in Italy, the Ravinia Festival, in cooperation with the New World Symphony, the Houston Grand Opera and the Los Angeles Philharmonic, where it was performed in 2004 at the Wilshire Boulevard Temple. “The Third Reich silenced two generations of composers, the greatest single rupture in what had been a centuries-long stream of German classical music, said Mr. Conlon. “The creativity of the first half of the 20th Century is far richer than we think. We have a special opportunity at LA Opera to present works recovered from oblivion and at the same time mitigate a great injustice. We can take an important step toward reviving the music of those whose lives were affected by the Holocaust or whose work was otherwise deemed offensive by that authoritarian regime.

            When I heard about these composers and the beautiful music they produced, I knew that this would be an opportunity to bring to life the compositions they wrote, to give them a voice, said Marilyn Ziering, underwriter of Recovered Voices. My late husband was a Holocaust survivor. He wasnt a writer or a composer; he was a businessman. But I encouraged him to write a play about his experiences in the concentration and labor camps, and when the play was produced, it was one of the happiest occasions of his life. Performing the lost music of those persecuted and destroyed by the Nazi regime is like bringing to life the souls of these composers, and saying ‘You have not been forgotten; you have not been completely destroyed.

          After the first World War, Europe saw a surge of artistic expression, said Edgar Baitzel, LA Operas Chief Operating Officer. But as the shadow of the Third Reich crept over Germany, a generation of musical promise was silenced and deprived of its place in history. LA Operas inaugural Recovered Voices concerts are an introduction to this worthy project that will enable the community to hear the beauty and power of the music by these long-neglected composers.

          Tragically, the human beings whose work and lives were stolen by the Nazi regime are gone forever, said Marc I. Stern, LA Operas Chairman and CEO. But with the rediscovery of these important  lost works, we have the exciting opportunity to let them live on through their music. Thanks to the vision of James Conlon and Marilyn Ziering, LA Opera will be able to present music that few have had the courage to stage. The Third Reich may have rendered these ˜lost composers silent for decades, but today we can celebrate their spirits by allowing their voices to sing out again.”

          Marilyn Ziering was senior vice president of Diagnostic Products Corporation. She holds a Masters degree from Syracuse University and a Doctorate of Human Letters honoris causa from the University of Judaism. A member of LA Operas Board of Directors since 2005, she has also served on the board of the Venice Family Clinic. She is a founder of the United States Holocaust Memorial Museum. Other philanthropic interests include Temple Beth Am, Chaim Sheba Medical Center, the American Youth Symphony and the American Friends of the Israel Philharmonic. She is president of The Ziering Family Foundation, which is administered by the Jewish Community Foundation. She is also a supporter of the Brain Cancer Research Program at UCLA.

          James Conlons extensive discography includes much music by composers affected by the Holocaust. A champion of the works of Alexander Zemlinsky, he has made nine recordings of that composers operas and orchestral works with the Gürzenich Orchestra-Cologne Philharmonic for EMI. Several of these recordings individually have earned prestigious international awards, and in October 2002, the series was awarded the 2002 ECHO Classic Award for Editorial Achievement of the Year. In 1999, he received the Zemlinsky Prize, awarded only once before, for his efforts in bringing the composers music to international attention. He inaugurated a new series of 20th-Century works with Capriccio, which thus far has included a CD of works by Erwin Schulhoff, a CD/DVD of the works of Viktor Ullmann, which won the German Record Critics Award for Excellence, and recordings of works by Karl Amadeus Hartmann and Bohuslav Martinů.

          Tickets to the March 7 and 10 concerts range from $15 to $125 and are on sale at the Los Angeles Opera Box Office, by phone at (213) 972-8001 or online at www.laopera.com. For disability access, call (213) 972-0777 or e-mail wehelpyou@laopera.com.

          Recovered Voices is made possible by major grants from

          Marilyn Ziering and The Ziering Family Foundation.

    Additional generous support provided by the Herbert Simon Family Foundation,

    Louis and Irma Cohen, Mark Houston Dalzell and the Marc and Eva Stern Foundation.

    All programs, artists and dates are subject to change.

     

    Top Movies Sunday December 13th 2006

     1. Apocalypto

     2. The Holiday

     3. Blood Diamond

     4. Unaccompanied Minors

     5. 300

     6. Deja Vu

     7. Casino Royale

     8. Turistas

     9. The Nativity Story

     10. Happy Feet

     

    Kirk Douglas Editorial for His 90th Birthday, Saturday, December 9th

     My name is Kirk Douglas. You may know me. If you don't ... Google me. I was a movie star and I'm Michael Douglas's dad, Catherine Zeta-Jones' father-in-law, and the grandparents of their two children. Today I celebrate my 90th birthday.

    I have a message to convey to America's young people. A 90th birthday is special. In my case, this birthday is not only special but miraculous. I survived World War II, a helicopter crash, a stroke, and two new knees.

    It's a tradition that when a "birthday boy" stands over his cake he makes a silent wish for his life and then blows out the candles. I have followed that tradition for 89 years but on my 90th birthday, I have decided to rebel. Instead of making a silent wish for myself, I want to make a LOUD wish for THE WORLD.

    Let's face it: THE WORLD IS IN A MESS and you are inheriting it. Generation Y, you are on the cusp. You are the group facing many problems: abject poverty, global warming, genocide, AIDS, and suicide bombers to name a few. These problems exist, and the world is silent. We have done very little to solve these problems. Now, we leave it to you. You have to fix it because the situation is intolerable.

    You need to rebel, to speak up, write, vote, and care about people and the world you live in. We live in the best country in the world. I know. My parents were Russian immigrants. America is a country where EVERYONE, regardless of race, creed, or age has a chance. I had that chance. You are the generation that is most impacted and the generation that can make a difference.

    I love this country because I came from a life of poverty. I was able to work my way through college and go into acting, the field that I love. There is no guarantee in this country that you will be successful. But you always have a chance. Nothing should interfere with it. You have to make sure that nothing stands in the way.

    When I blow out my candles -- 90! ... it will take a long time ... but I'll be thinking of you.

    Source: Kirk Douglas

    Premiere of Original Holiday Film 'CHRISTMAS DO-OVER,' Starring Jay Mohr & Daphne Zuniga, Charity Screening in Collaboration With Toys for Tots

      WHAT:        Regent Studios' holiday feature CHRISTMAS DO-OVER, starring                Jay Mohr and Daphne Zuniga will premiere as a Charity                Screening in collaboration with the Toys For Tots                organization.  Price of admission will be a new, unwrapped                toy to be donated as part of the organization's annual                holiday gift drive.                 Festive pre-reception will feature Santa, carolers and                snacks, as well as a presentation about Toys for Tots by the                United States Marines.                 CHRISTMAS DO-OVER, airing on ABC Family as part of its "25                Days of Christmas," is a Regent Studios original holiday film                starring Jay Mohr ("Jerry Maguire," "Last Comic Standing"),                playing an exec who is forced to relive Christmas Day over                and over again until he makes some necessary changes to his                holiday spirit and his life.  The film also stars Daphne                Zuniga ("Melrose Place," "American Dreams"), David Millbern                ("Gods and Monsters," "In Her Line of Fire"), Tim Thomerson                ("Fear and Loathing in Las Vegas"), Adrienne Barbeau                ("Carnivale," "Maude"), and Ruta Lee ("Funny Face").  Paul                Colichman (producer, "Gods and Monsters") and Robyn Meisinger                are exec producers.  Catherine Cyran ("The Prince & Me", "A                Cry in the Wild") directs.        WHO:         CONFIRMED TALENT INCLUDE: Jay Mohr ("The Groomsmen," "Go"),                Daphne Zuniga ("Melrose Place"), David Millbern ("Gods and                Monsters"), Ruta Lee ("Funny Face"), and Adrienne Barbeau                ("Carnivale," "Maude").    WHERE:       Regent Showcase Theater                614 N. La Brea Avenue                Los Angeles, CA 90036  


     

    Sponsors include: Melrose Baking Company, Mars, Larabar, Hansen's sodas, Chock full o' Nuts, Mr. Coffee, Hint Water

    About Regent Media

    Regent Media and its affiliates finance, produce and distribute award-winning and profitable theatrical and television content. Regent Media's properties include: Regent Studios, an award-winning full service motion picture studio; and Regent Releasing, one of the leaders in independent theatrical releasing. The decade-old company produces 30 films annually and now has a library of over 3,500 titles, including such high-profile projects as Bill Condon's Academy Award-winning Gods and Monsters, starring Sir Ian McKellen. For more information, please visit Regent's website at www.regententertainment.com.

    Spike TV Announces 2006 Video Game Awards Winners

    4th Annual Awards Show Hosted by Samuel L. Jackson Premieres on Spike TV Wednesday, December 13 at 10 PM, ET/PT

    The Elder Scrolls IV: Oblivion Wins 'Game of the Year' Honors And Is The Evening's Most Celebrated Game With Five Awards;

    Show Features Performances by Tenacious D and AFI; Appearances by 50 Cent, Eva Mendes, Sarah Silverman, Masi Oka, Hayden Panettiere, Seth Green, Brandon Routh, James Gandolfini and More; Family Guy Creator, Seth MacFarlane, Served As Voice of the VGAs

    Includes The Exclusive World Premiere Of Blizzard Entertainment(R)'s Opening Cinematic Movie For World Of Warcraft(R): The Burning Crusade(TM)

    LOS ANGELES, Dec. 9 /PRNewswire/ -- Winners were announced tonight during the 4th annual Spike TV Video Game Awards held at the University of Southern California's Galen Center in Los Angeles. Hosted by Samuel L. Jackson, the year's biggest celebration for gamers premieres on Spike TV Wednesday, December 13 (10:00 PM-Midnight, ET/PT).

    The Elder Scrolls IV: Oblivion (Bethesda Softworks) took home five awards, the most of the night, including "Game of the Year" and "Most Addictive." Gears of War (Microsoft/Epic Games) racked up four awards including "Studio of the Year" for Epic Games.

    Spike TV's 2006 Video Game Awards featured musical performances by Tenacious D and AFI and show appearances by 50 Cent, Eva Mendes, Sarah Silverman, Seth Green, Masi Oka, Hayden Panettiere, Brandon Routh, Rachael Leigh Cook, Tony Hawk, Michael Irvin, Method Man, Maria Menounos, Tyrese, Xzibit, James Gandolfini, Kurt Angle, among others. In character as Stewie Griffin and Tom Tucker from Family Guy, Seth MacFarlane served as the voice of the VGAs.

    The show also featured the World Premiere of Blizzard Entertainment(R)'s opening cinematic movie for its highly anticipated upcoming expansion set, World of Warcraft(R): The Burning Crusade(TM). The three-minute clip debuts exclusively on Spike TV. World of Warcraft is the world's most popular massively multiplayer online role-playing game, with more than 7.5 million players worldwide.

    The show pays tribute to the outstanding achievements of games, designers, animation, breakthrough technology, music and performances of the past year in the world of video games. The awards also provide a glimpse at the future of gaming - including exclusive sneak peeks and world premiere footage of some of the hottest and most anticipated games of 2007 and beyond.

      A full list of winners is included below:    GAME OF THE YEAR   The Elder Scrolls IV: Oblivion (Bethesda Softworks)    BEST INDIVIDUAL SPORTS GAME   Tony Hawk Project 8 (Activision/Neversoft)    BEST TEAM SPORTS GAME   NBA2K7 (2K Sports/Visual Concepts)    BEST SONG   "Lights and Sounds" by YellowCard in Burnout Revenge-XBOX 360 (Electronic    Arts/Criterion Games)    BEST SOUNDTRACK   Guitar Hero II (Red Octane/Harmonix)    STUDIO OF THE YEAR   Epic Games (Gears of War)    BEST WIRELESS GAME   SWAT Force (Vivendi/KAOLink)    BEST PERFORMANCE BY A HUMAN - MALE   Patrick Stewart in The Elder Scrolls IV: Oblivion (Bethesda Softworks)    BEST PERFORMANCE BY A HUMAN - FEMALE   Vida Guerra in Scarface: The World is Yours (Vivendi/Radical    Entertainment)    BEST CAST   Family Guy (2K Games/High Voltage Software)    MOST ADDICTIVE   The Elder Scrolls IV: Oblivion (Bethesda Softworks)    CRITIC'S CHOICE   The Legend of Zelda: Twilight Princess (Nintendo/Nintendo EAD)    BEST DRIVING GAME AWARD   Burnout Revenge-XBOX 360 (Electronic Arts/Criterion Games)    BEST ACTION GAME   Dead Rising (Capcom)    CYBER VIXEN OF THE YEAR   Alyx Vance - Half-Life 2: Episode 1 (Valve)    BEST ORIGINAL SCORE   The Elder Scrolls IV: Oblivion (Bethesda Softworks)    BEST FIGHTING GAME   Mortal Kombat Armageddon (Midway Games)    BEST PC GAME   Company of Heroes (THQ/Relic)    BEST RPG   The Elder Scrolls IV: Oblivion (Bethesda Softworks)    BEST SHOOTER   Gears of War (Microsoft/Epic Games)    BEST MILITARY GAME   Company of Heroes (THQ/Relic)    BEST GRAPHICS   Gears of War (Microsoft/Epic Games)    BEST HANDHELD GAME   New Super Mario Bros. (Nintendo/Nintendo EAD)    BEST MULTI-PLAYER GAME   Gears of War (Microsoft/Epic Games)    BREAKTHROUGH TECHNOLOGY   WII (Nintendo)    BEST GAME BASED ON A MOVIE OR TV SHOW   Lego Star Wars II: The Original Trilogy (LucasArts/Traveller's Tales)    BEST SUPPORTING MALE PERFORMANCE   James Gandolfini in The Sopranos: Road to Respect (THQ/7 Studios)    BEST SUPPORTING FEMALE PERFORMANCE   Rachel Leigh Cook in Kingdom Hearts II (Square Enix)    GAMERS CHOICE: BREAKTHROUGH PERFORMANCE   Rosario Dawson in Marc Ecko's Getting Up: Contents Under Pressure    (Atari/The Collective)    GAMERS CHOICE: CHARACTER OF THE YEAR   "Jack Sparrow" portrayed by Johnny Depp in Pirates of the Caribbean: The    Legend of Jack Sparrow (Bethesda Softworks/7Studios/Buena Vista Games)  

    The official sponsors of Spike TV's 2006 Video Game Awards are Burger King(R), Mountain Dew, Pontiac, Stride(TM) Gum, U.S. Air Force and Verizon Wireless.

    Albie Hecht and Casey Patterson serve as Executive Producers of Spike TV's 2006 Video Game Awards. Alicia Portugal is Producer and Scott Fishman is the Executive in Charge of Production. Beth McCarthy serves as director.

    Spike TV is available in 90 million homes and is a division of MTV Networks. MTV Networks is a division of Viacom International Inc. (NYSE:VIA) (NYSE:VIA.B) .

    Source: Spike TV

    Wii-MARKABLE! November Sales Show Nintendo Hardware Systems Outsell All Others Combined

    For video gamers, it was the month that was -- November 2006, the first time all three new home systems would be available to consumers, along with three established portable game devices.

      It was a month that belonged to Nintendo. 

    According to independent sales data from the NPD Group, Nintendo sold 55 percent of all video game systems in November, led by the launch of the Wii(TM) home system and the incredible continuing success of the Nintendo DS(TM) portable.

    In only the first seven days of availability after its Nov. 19 launch, Wii sold nearly half a million systems in the United States alone (as reported previously by Nintendo, total sales of Wii in the Americas reached 600,000 in its first eight days of availability).

    While Wii sold through at a rate of more than 70,000 a day for the seven days represented in the data (substantially higher than any other game device), November's two top sellers of any type were the Nintendo DS, at almost 920,000 units, and Game Boy(R) Advance, with nearly 642,000 portables sold. With Wii and Nintendo GameCube(TM) totals included, Nintendo sold through more than 2.1 million of the 3.9 million systems purchased for the month.

    The data also reveals that the Wii title The Legend of Zelda(R): Twilight Princess achieved sales of 412,000, representing 87 percent of all Wii purchasers, the highest industry rate of sale for any launch title since introduction of Super Mario(R) 64 with the Nintendo(R) 64 a decade ago.

    In addition, despite the inclusion of Wii Sports software with every system sale, Wii buyers also purchased an average of two additional games, compared to approximately one game per system for the installed bases of either competing new home system.

    'Multi-Platinum Recording Artist The Game and Renowned Fashion Designer Christian Audigier Donate Custom Shirts to Hands for Hope Charity'

    , Dec. 8  On December 19th, fashion designer Christian Audigier (lead designer and founder of Ed Hardy clothing) and multi-platinum rapper The Game collaborated on a very special project for charity. The two united to design original limited edition Black Wall Street / Ed Hardy inspired shirts to benefit Hands for Hope, a charity based organization out of Los Angeles. The Game has partnered his Black Wall Street Foundation for this amazing charity event to kick off the holiday season.

    Hands for Hope is based on the belief that enriching and rewarding experiences will challenge under-privileged students to make choices that will positively impact their careers and lives. The Game's Black Wall Street Foundation believes strongly in giving back to youths in the community and feel providing clothes to children in need is the perfect way to kick off the holiday season.

    The custom shirts are valued collectively at over $80,000, never to be sold in stores, but to be given as gifts to foster children throughout Los Angeles and its surrounding communities. The custom shirts will be split between Hands for Hope and foster children in the Compton area in conjunction with Compton and Wateridge regional offices which is part of the D.C.F.S. (Department of Children and Family Services). A small portion of the shirts will also be auctioned off for charity on The Game's official website www.thegame360.com. Both organizations are extremely passionate about the collaboration of art, music, fashion and the ability to give back.

    Reality Racing, Inc. to Air on Spike TV

    -- Reality Racing, Inc. (OTC Pink Sheets: RRGI) announced today that the company has signed contracts with Network Enterprises, Inc., a subsidiary of Viacom International Inc. (NYSE:VIA) , to air the 13 episode series of Reality Racing - The Rookie Challenge on Spike TV beginning in May of 2007.

    The thirteen episodes of Reality Racing - The Rookie Challenge will premiere on Spike TV on May 19, 2007 and run through August 18, 2007. Each 60-minute episode of the series will begin on Saturday mornings at 9:00 A.M. Eastern Time and will be telecast in the United States, its territories and possessions, including Puerto Rico and Canada. Reality Racing, Inc. President Lee F. Schaefer said, "This is exactly the network and deal we were looking to sign from the beginning. Spike TV is a hot network and we're pleased to be on their spring schedule."

    Reality Racing - The Rookie Challenge will be one of the highest anticipated new competitions. The show will feature fifteen amateur drivers competing on and off the track for a grand prize package that includes a contract with a professional racing team and a gold championship ring.

    For more information, visit the company webpage at: http://www.realityracingtv.com/ .

    Safe Harbor

    Forward-looking statements made in this release are made pursuant to the "safe harbor" provision of the Private Securities Litigation Reform Act of 1995. Forward-looking statements made by Reality Racing, Inc. are not a guarantee of future performance. This news release includes forward-looking statements, including with respect to the future level of business for the parties. These statements are necessarily subject to risk and uncertainty. Actual results could differ materially from those projected in these forward- looking statements as a result of certain risk factors that could cause results to differ materially from estimated results. Management cautions that all statements as to future results of operations are necessarily subject to risks, uncertainties and events that may be beyond the control of Reality Racing, Inc. and no assurance can be given that such results will be achieved. Potential risks and uncertainties include, but are not limited to, the ability to procure, properly price, retain and successfully complete projects, and changes in products and competition.

     

     

     

     

     

     

     

     


    TAG Jeans

    The Jean that’s Bringing Sexy Back


    Los Angeles, CATAG Jeans are making women feel even sexier and more stylish than ever with their ultra flattering collection of jeans that fit a woman’s figure to the tee.

    “I like to make a woman feel good, confident and sexy in my jeans,” says Iskander Lemseffer head designer of TAG.

    In a culture where jeans have become a fashion staple and somewhat of a uniform with in our society, it is very difficult to find the most genuine fitting, stylized and figure flattering denim out there. The jean market has been saturated by hundreds of styles and fits, but it is seldom that you can find the perfect combination of the two.

    TAG found that perfect combination of fit and style with their butt lifting, leg elongating, and thigh slimming shapes that come in a range of washes that are sure to make any woman look and feel sexier than ever.

    “The jeans I design are made with great material that flatters a woman’s body by elongating the legs, helping them look leaner. I also added great pockets to the jeans to help accentuate the back, giving women that ‘perfect’ butt they all desire,” says Iskander.

    They have a variety of pocket options and distinctive stitching details to satisfy anybody’s individual style. Whether you’re clean cut and preppy or chic and sexy, you are sure to find a style and cut that is perfect for you. There’s no question that you and your jeans are sure to get noticed!

    TAG is a favorite among sexy and stylish fashionistas such as Eva Longoria, Nicolette Sheridan, Jennifer Love Hewitt, Lindsay Lohan, Jessica Simpson, Hillary Swank, Vanessa Minnilo, Pamela Anderson, and Naomi Campbell, just to name a few.

    Their distribution stretches across the globe to exotic far East Asia to the fashionable streets of Europe . TAG is an international brand, but they keep their production on American soil in the heart of California ’s Fashion District, using only American denim.

    TAG Jeans retail from $165 to $900 in boutiques world wide as well as Saks Fifth Avenue , Harrods, Barneys Japan and other fine retail stores.

     

     

     

     

     

     

     

     

     

    YouTube and Coca-Cola Introduce Video Greeting Cards for the Holidays

    YouTube and Coca-Cola Holiday WishCast Lets People Send Video Greetings to Their Friends and Family; Features Greetings Created by Popular YouTube Personalities

    SAN BRUNO, CA and ATLANTA, GA -- (MARKET WIRE) -- December 08, 2006 -- YouTube, a consumer media company for people to watch and share original videos through a Web experience, and The Coca-Cola Company today launched the YouTube and Coca-Cola Holiday WishCast, allowing people to go to YouTube and the Coca-Cola.com site to create and share video greetings with friends and family.

    For the first time people will be able to send their own personal videos as a holiday greeting card online. Visitors can share their holiday spirit by uploading their own videos, customizing video greetings created by popular YouTube personalities, Geriatric1927, Boh3m3, TerraNaomi, Renetto, TheWineKone and LisaNova, or sharing holiday-themed videos from Coca-Cola including clips from vintage Coke advertisements. Select video greetings that users have chosen to share with the world will be featured as part of a video playlist on Coca-Cola.com called the Holiday WishCast and will be seen by people around the world.

    "The Coca-Cola Holiday WishCast gives friends and families a new way to communicate this holiday season," said Tim Kopp, Vice President of Global Interactive Marketing, The Coca-Cola Company. "It is the latest evolution in the development of Coca-Cola.com following the re-launch of the site in July 2006 that included user-generated content and the addition of digital music downloads in August. We continue to give people new ways to express themselves and connect with others online. Partnering with YouTube helps us bring creative content to a broader community. "

    The YouTube and Coca-Cola Holiday WishCast is a unique way for people to connect this holiday season, whether it's helping loved ones keep in touch, creating a last-minute holiday card or allowing bands to send personalized greetings to their fans.

    "This partnership with Coca-Cola gives our community the ability to send holiday wishes in a way that truly harnesses the creativity of our users," said Jamie Byrne, Director of Advertising Strategy for YouTube. "We're excited to partner with some of the top YouTube personalities to help them garner more attention and to make this a really engaging promotion for the YouTube community."

    To send a holiday video greeting, people can visit either www.youtube.com/wishcast or www.coca-cola.com/wishcast.

    About YouTube

    Founded in February 2005, YouTube is a consumer media company for people to watch and share original videos worldwide through a Web experience. YouTube allows people to easily upload and share video clips on www.YouTube.com and across the Internet through websites, blogs, and e-mail. YouTube has quickly become the leading destination on the Internet for video entertainment.

    About Coca-Cola

    The Coca-Cola Company is the world's largest beverage company. Along with Coca-Cola, recognized as the world's most valuable brand, the Company markets four of the world's top five soft drink brands, including Diet Coke, Fanta and Sprite, and a wide range of other beverages, including diet and light soft drinks, waters, juices and juice drinks, teas, coffees, energy and sports drinks. Through the world's largest beverage distribution system, consumers in more than 200 countries enjoy the Company's beverages at a rate exceeding 1.3 billion servings each day.

     

     There’s no denying it… Akon loves his   !!!

     

     

    At the 2006 BILLBOARD Music Awards, Akon looks stylish and sophisticated in TAG’s “cowboy” jean. The tailored fit and signature TAG stitching compliments any well polished man.  

     

     

      

     

     

     

    TAG is a favorite among sexy and stylish fashionistas such as Eva Longoria, Terry Hatcher, Jennifer Love Hewitt, Lindsay Lohan, Jessica Simpson, Hillary Swank, Vanessa Minnilo, Madonna, Pamela Anderson, and Naomi Campbell, just to name a few.

     

     

    TAG has straight leg colored denim, distressed washes, a trouser group, and a stretch cotton twill group. Whether you’re clean cut and preppy or chic and sexy, you are sure to find a style and cut that is perfect for you. There’s no question that you and your jeans are sure to get noticed!

     

     

    Let the "Good Times" Roll: New Exhibit Celebrates the Life and Career of Ray Price
    By John Hood

     

    © 2006 CMA Close Up News Service / Country Music Association, Inc.

    Ray Price presents one of the most interesting paradoxes in American music. He is a man who is an icon and a giant in the Country Music genre. He charted a remarkable 108 songs including such seminal hits as "Crazy Arms," "Make the World Go Away," "For the Good Times" and "Nightlife." Price's influence caused seismic shifts in the way Country Music was performed, not once, but twice. Yet, as an artist, Price doesn't have the same name brand recognition that other legendary performers do, including many that he helped along the way by giving them jobs in his band (Roger Miller, Willie Nelson, Johnny PayCheck) or recording their songs (Kris Kristofferson).

    "For the Good Times: The Ray Price Story," a new exhibit at The Country Music Hall of Fame® and Museum, aims to change that. The nearly year-long exhibit (it opened August 2006 and runs through June 2007) chronicles the career of one Country Music's most influential artists. The exhibit features stage costumes, early business documents, awards, instruments, fan club memorabilia, vintage photographs, show posters and audio and video. It spans the entire spectrum of Price's 50-plus year career, from his early days touring with Hank Williams through present day.

    The exhibit is presented in nine biographical panels with text to accompany artifacts and memorabilia. It's not only a showcase of Price's accomplishments; in many ways it's a snapshot of the history of Country Music in the latter half of the 20th century.

    "Ray Price is a man of singular and enduring artistic vision who played a central role in the history of Country Music," said Museum Director Kyle Young. "Mentored and influenced by Hank Williams, Price's music now clearly affects the sound of contemporary artists like George Strait and Alan Jackson. At 80 years old, Price continues to make memorable recordings and inspire standing ovations in prestigious concert halls like the Ryman Auditorium and the John F. Kennedy Center for the Performing Arts. Yet, even though he was inducted into the Country Music Hall of Fame 10 years ago, his very important contributions to the health and welfare of Country Music are either not well-known or are too-little appreciated. We hope this exhibit will change that. The Museum approached Ray in early summer 2005, following his performance here in honor of Kris Kristofferson in May. We were thrilled when he agreed to cooperate with us in creating 'For the Good Times: The Ray Price Story.'"

    Price's cooperation gives the Museum the opportunity to offer a particularly intimate glimpse into the legendary singer's history as a performer starting from the very beginning of his career as a Williams disciple. Early on he copied Williams' sound and often performed with Williams' band the Drifting Cowboys. The unique, shuffle-based honky tonk style he went on to develop is still prevalent today, but it is perhaps best exemplified by his own recording of "Crazy Arms," which hit the No. 1 spot back in 1956.

    "Everybody was laughing about the song and didn't think it would do any good because it was called 'Crazy Arms,'" Price recalled. "I'm the one that came up with that shuffle beat, and we used it to do the song and it just fit like a glove. I knew that I was doing something I wanted to hear, something different, and it was the first million-seller for me."

    As an established artist with a signature honky tonk sound, Price initially resisted the smoother pop sounds that were beginning to work their way into Nashville recordings by the 1960s. But with his seminal 1967 recording of "Danny Boy" - recorded with a 47-piece orchestra - Price ushered in the orchestral pop/ Country sound that dominated Country airwaves for the next decade. While it eventually brought his career and his music to new heights, Price initially was forced to deal with the rejection of both fans and radio programmers.

    "It wasn't a good feeling," Price said. "Disc jockeys got on the air and said, 'I'm not ever going to play another Ray Price record.'  What can you do? You can't stand still, because if you do you're never going to get anywhere, and music is the same way. I was searching for a hit. I wasn't caring how I got it; I just wanted to get one."

    "For the Good Times" offers an interesting glimpse into how Price's stage costumes changed throughout the years to reflect the evolving sound of his music. The exhibit features some stunning examples of embroidered stage suits from famed designer Nudie from Price's honky tonk period. His later suits were more urbane and understated to reflect the more sophisticated sound he'd adopted. There's also a 1980s-era suit from Nashville-based clothing designer Manuel.

    One of the earliest artifacts on display is a copy of Price's first record "Jealous Lies," which was released on the Bullet record label. The single dates back to 1949-50. There are also fan club newsletters from the '60s and the box that held the original tape of "For the Good Times," Price's chart-topping signature hit from 1970.

    The exhibit also highlights the Texas-born star's life away from the stage. A lifelong animal lover (he attended veterinary school before becoming a professional singer), he bought a ranch in East Texas near his birthplace where he raises horses. The exhibit features photos, saddles and trophies that chronicle his life on the ranch and a variety of his other non-musical endeavors.

    If Price's reaction to "For the Good Times" is any indication (he wept at the opening reception), the exhibit is doing its job of honoring and promoting a man of vision and courage who helped define Country Music.

    "Well, I got to looking at 60 years of my life," Price said. "It's kind of a moving thing."

    Even with all the emotion and reflection that goes along with such a comprehensive career retrospective, Price is all about living in the present and he's just as excited as ever about the future.

    "I don't believe I've lost anything," Price said. "In fact, it seems like it's gotten more defined as we go along. I hear a song that plays on the radio and it grabs me, and I still get that same feeling. They put me in the Texas Country Music Hall of Fame not too long ago and this year they put me in the Western Swing Hall of Fame. This is what I love to do, it's what I was born to do, and I'm going to try my hardest to do it the best I can."

    On the Web: www.countrymusichalloffame.com; www.raypricefanclub.net

     

    Green Day Receives a Grammy Nod for Best Rock Performance By A Duo Or Group With Vocal

    December 07, 2006 -- Grammy Award winning rock band Green Day received a Grammy Award nomination today in the Best Rock Performance By A Duo Or Group With Vocal category for their collaboration with U2 on the song "The Saints Are Coming." The rock luminaries recorded the song to raise money to benefit the Music Rising charitable organization that replaces instruments for musicians of the Gulf Coast.

    Green Day's multi-platinum album "American Idiot" was released on September 21, 2004 and debuted at Number One on the Billboard Top 200 Chart and Number One in several countries around the world. Weeks later the album returned to the Number One chart position in the US and many of the same countries across the globe. Months after the release of the album, Green Day made radio history by becoming the first rock band to reach #1 on six radio charts simultaneously with their smash "Boulevard Of Broken Dreams." Green Day won the Grammy Award for Best Rock Album in February 2005 with "American Idiot" and the Grammy Award for Record of The Year in 2006 with their smash "Boulevard of Broken Dreams."

    In the past year the band has been honored with the ASCAP Creative Voice Award and the People for the American Way's Spirit of Liberty Award. Green Day recently partnered with the NRDC to raise awareness about environmental issues via the website www.greendaynrdc.com.

    www.greenday.com

     

    ATL Is King at Grammy Nominations; 14 Atlantic Artists Score Total of 29; Blunt, Gnarls, T.I., Lupe, Death Cab Nab Multiple Nods

     December 07, 2006 -- 14 Atlantic Records Group artists have received an impressive total of 29 nominations for the 49th Annual Grammy Awards, it was announced today.

    Custard/Atlantic recording artist James Blunt and Downtown/Atlantic's Gnarls Barkley led the label pack, each earning five nods. Blunt's #1 smash, "You're Beautiful," received nominations in the top categories, "Song of the Year" and "Record of the Year," as well as for "Best Pop Vocal Performance." The British singer/songwriter was also nominated for "Best Pop Vocal Album" -- for his RIAA double-platinum debut, "BACK TO BEDLAM," and in the prestigious "Best New Artist" category.

    Gnarls Barkley -- the combination of Grammy-winning producer Danger Mouse and superstar vocalist Cee-Lo Green -- got the nod in two top categories, "Record of the Year" -- for the history-making hit single, "Crazy," and "Album of the Year" -- for the groundbreaking "ST. ELSEWHERE." What's more, the duo picked up nominations for "Best Alternative Music Album" -- for "ST. ELSEWHERE," and "Best Urban/Alternative Performance" -- for "Crazy." And as if all that weren't enough, Danger Mouse was named in the "Producer of the Year, Non-Classical" category, marking his behind-the-board work on both "ST. ELSEWHERE" and the Rapture's "PIECES OF THE PEOPLE WE LOVE."

    Atlantic artists dominated the Rap category, taking three of the five places in both the "Best Rap Song" and "Best Rap Vocal Performance" categories. The list was led by Grand Hustle/Atlantic recording artist T.I., who garnered a fantastic four nominations, including "Best Rap Album" -- for his RIAA platinum-certified, #1 Billboard 200 smash, "KING," as well as "Best Rap Solo Performance" and "Best Rap Song" -- for his #1 single, "What You Know." The ATL-based superstar also received a nomination in the "Best Rap/Sung Collaboration" category, for his duet with Justin Timberlake on the top-charting "My Love" (released by Jive/Zomba).

    1st & 15th/Atlantic's Lupe Fiasco was the year's hip-hop breakthrough artist, taking a trio of nominations, including "Best Rap Album" -- for his acclaimed debut, "LUPE FIASCO'S FOOD & LIQUOR," along with "Best Rap Song" and "Best Rap Solo Performance" nods for his anthemic hit, "Kick, Push."

    Atlantic's other Rap nominees include Goldmind/Atlantic recording artist Missy Elliott, nominated for "Best Rap Solo Performance" -- for "We Run This," and Block Enterprises/Bad Boy South's Yung Joc, nominated for "Best Rap Song" -- for his smash single, "It's Goin' Down." In addition, SwishaHouse/Asylum's Paul Wall got a nod for "Best Rap Performance By a Duo or Group" -- for his teaming with Nelly on the single, "Grillz," also featuring Ali & Gipp (released by Universal).

    Death Cab For Cutie were honored with two nominations, "Best Pop Performance By A Duo Or Group With Vocal" -- for "I Will Follow You Into The Dark," the third single from last year's Grammy-nominated album, "PLANS," and "Best Long Form Music Video" -- for their innovative anthology of short films, "DIRECTIONS."

    Atlantic's artistic diversity was represented by a genre-spanning set of nominations. Acclaimed British duo Zero 7 was nominated for "Best Electronic/Dance Album" -- for "THE GARDEN." Eleven Seven/Atlantic rockers Buckcherry earned a "Best Hard Rock Performance" nod -- for "Crazy Bitch." Latin rap superstar Tego Calderón was nominated for "Best Latin Rock, Alternative or Urban Album" -- for his Jiggiri/Atlantic debut, "THE UNDERDOG/EL SUBESTIMADO." And four-time Grammy Award winner George Carlin was once again nominated for "Best Comedy Album" -- for "LIFE IS WORTH LOSING."

    In addition, Atlantic's own Yolanda Adams received two nominations, for "Best Gospel Performance" -- for "Victory," from "THE GOSPEL - Soundtrack" (released by Verity Records), and, with the late Gerald Levert, for "Best R&B Performance By a Duo or Group with Vocals" for "Everyday (Family Reunion)," with Chaka Khan and Carl Thomas, from "MADEA'S FAMILY REUNION - Music From The Motion Picture" (released by Motown Records).

    The 49th Annual Grammy Awards will be held on "Grammy Sunday," February 11th, at Staples Center in Los Angeles and will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 - 11:30 p.m. (ET/PT).

    Viacom's MTV Networks Forms 'MTVN Entertainment Group', Focused on Adult-Directed, Male-Skewing Brands

    MTVN Entertainment Group President Doug Herzog to Helm Portfolio of COMEDY CENTRAL, Spike TV, TV Land, AddictingClips.com, Atom Films, IFILM, Plus GameTrailers.com and XFire

    MTVN Entertainment Group Becomes Company's Third Branded Portfolio, Joining MTVN Music, Logo and Films Group; and MTVN Kids and Family Group

    Dec 7-- MTV Networks (MTVN), a unit of Viacom (NYSE:VIA) (NYSE:VIA.B) , today announced the formal creation of the MTVN Entertainment Group, a multi-platform portfolio featuring the company's adult- directed and male-skewing brands, including COMEDY CENTRAL, Spike TV, TV Land, AddictingClips.com, Atom Films, IFILM, GameTrailers.com and XFire. This combination of television, online, broadband, user-generated content and gaming platforms positions the MTVN Entertainment group to super-serve a range of adult demos and collectively deliver scale with the highly coveted Male 18-to-34-year-old demographic.

    Leading the Group is Doug Herzog, President, MTVN Entertainment Group, who reports to Judy McGrath, Chairman and CEO, MTV Networks. The MTVN Entertainment Group now forms the third pillar of MTVN's targeted brand portfolio strategy, joining the MTVN Music, Logo and Films Group, led by Van Toffler; and the MTVN Kids and Family Group, helmed by Cyma Zarghami.

    "The MTVN Entertainment Group creates a portfolio of television and digital brands that can collectively deliver under-served demos through killer content like comedy, gaming, video, news and information, and some classic TV, too," said Judy McGrath, Chairman and CEO, MTV Networks. "Formalizing the Entertainment Group under Doug organizes us into three focused portfolio groups and highlights our overall strategy to provide the communities that form around our brands and content with immersive, multi-platform entertainment experiences."

    "The individual brands in the Entertainment Group have significant growth potential in their own right, but we can now position them to aggregate and deliver men and adults across all platforms and on a scale rivaling other players in our industry," said Herzog.

    The MTVN Entertainment Group brands deliver original and relevant content across television, online, and wireless to highly targeted male and adult-focused audiences. By targeting expanded demographics across its brands, the MTVN Entertainment Group offers advertisers more ways to reach their consumers, and gives MTVN the potential to establish additional revenue streams.

    The MTVN Entertainment Group is strongly positioned to be a leader in delivering highly branded environments to Men 18-to-34-years-old through COMEDY CENTRAL, Spike TV, user-generated content/short-form video sites Atom Films, AddictingClips.com, and IFILM. With a variety of male-skewing programming, COMEDY CENTRAL, Spike TV and TV Land reaches 103 million men (M2+). The MTVN Entertainment Group also targets men with the company's two premier gaming sites, GameTrailers.com, the leading producer and aggregator of broadband video content highlighting the latest and best in the world of video games, and XFire, the fastest-growing online gaming community in the world, with more than 5.6 million registered global users. The Group also includes TV Land, the only 24-hour television network committed to super-serving America's 78 million Baby Boomers.

    The roster of multi-platform brands within the MTVN Entertainment Group includes:

    TELEVISION

    -- COMEDY CENTRAL, television's only all-comedy network, is a 24-hour,

    advertiser-supported, basic cable comedy service available to more than

    90 million viewers domestically and is the #1 network in primetime

    among men 18-24, as well as a consistent top 10-rated network among all

    adults 18-49.

    -- Spike TV is dedicated to delivering men more action, is the leading

    entertainment brand for men by speaking to the fun, brazen, risk-taking

    part inside of all guys through a mix of original and acquired

    programming, specials, live events and movies.

    -- TV Land is cable's only 24-hour home to everything television,

    super-serving Baby Boomers with a program mix includes that includes

    popular dramas, sitcoms, westerns, Retromercials and a TV-referential

    interstitial environment. The network, which began showcasing original

    programming in 2003, recently announced a new programming slate

    featuring several notable projects and recurring series including

    Family Foreman, The Big 4-0, and the second season of Sit Down Comedy

    with David Steinberg.

    USER-GENERATED CONTENT/SHORT-FORM VIDEO

    -- AddictingClips.com offers consumers a destination for the best clips

    and user-generated video across the Web.

    -- Atom Films provides on-demand viewing of more than 1,000 world-class

    film and animation titles ranging from 1- to 30-minutes in length.

    -- IFILM is one of the leading video-entertainment destinations on the

    Web, with one of the largest collections of viral and user-generated

    video, along with channels of the best short films, TV clips, music

    videos and action sports.

    GAMING

    -- GameTrailers.com is a leader in the digital revolution through its

    innovative production and delivery of broadband video-game content.

    -- XFire is the fastest-growing online gaming platform and community in

    the world that helps gamers play with their friends much more easily.

    About MTV Networks and Viacom:

    MTV Networks, a unit of Viacom (NYSE:VIA) (NYSE:VIA.B) , is one of the world's leading creators of programming and content across all media platforms. MTV Networks, with more than 130 channels worldwide, owns and operates the following television programming services - MTV: MUSIC TELEVISION, MTV2, VH1, mtvU, NICKELODEON, NICK at NITE, COMEDY CENTRAL, TV LAND, SPIKE TV, CMT, NOGGIN, VH1 CLASSIC, LOGO, MTVN INTERNATIONAL and THE DIGITAL SUITE FROM MTV NETWORKS, a package of 13 digital services, all of these networks trademarks of MTV Networks. MTV Networks connects with its audiences through its robust consumer products businesses and its more than 200 interactive properties worldwide, including online, broadband, wireless and interactive television services and also has licensing agreements, joint ventures, and syndication deals whereby all of its programming services can be seen worldwide.

    Viacom is a leading global entertainment content company, with prominent and respected brands in focused demographics. Engaging its audiences through television, motion pictures and digital platforms, Viacom reaches its audiences wherever they consume content. Viacom's leading brands include the multiplatform properties of MTV Networks, including MTV, VH1, Nickelodeon, Nick at Nite, Comedy Central, CMT: Country Music Television, Spike TV, TV Land, Logo and more than 130 networks around the world, as well as digital assets such as Neopets, Xfire and Atom Entertainment; BET Networks; Paramount Pictures; Paramount Home Entertainment; DreamWorks; and Famous Music. More information about Viacom and its businesses is available at www.viacom.com.

    Source: MTV Networks

     

    WWE Slams All Other Sporting Events According to TicketsNow Entertainment Index for November

    Dancing with the Stars and High School Musical Challenge Wicked's #1 Spot Overall

     Fan favorite World Wrestling Entertainment (WWE) crashed onto the TicketsNow Entertainment Index, slamming all other sporting events in November. The wildly popular organization, led by superstars like John Cena, Batista, and Triple H, landed the #1 spot in the Sports category with 3.3% of ticket sales.

    On the musical entertainment side, Dancing with the Stars, the tour based on the popular television show, and newcomer High School Musical-The Concert both challenged the consistently popular Wicked for the #1 Overall spot; each garnered an impressive 3.8% of all sales on the site. The holiday classic Radio City Christmas Spectacular came in at #4 Overall with 3.4% of sales.

    "Professional wrestling has entertained generations of fans and the WWE has been a driving force in the industry. According to our Index, it continues to be one of the most popular entertainment events in sports," says Mike Stein, Senior Vice President, Marketing for TicketsNow. "Dancing with the Stars and High School Musical have shown that their television success translates very well onto the stage. These live productions provide fans the opportunity to be a part of the experience."

    The Buffalo Sabres, the hottest team in hockey, have made their highest ranking in the Sports category at #5 and represent the top NHL team on the November Index with 2.3% of sales. The New York Rangers were the next highest- selling NHL team at #9 with 2%. The NFL also made a strong showing in second, third, and seventh place with the Jacksonville Jaguars, Dallas Cowboys, and Baltimore Ravens, who accounted for 3.1%, 2.7%, and 2% of sales respectively. The NBA rounds out the top 10 with the Miami Heat at #4 with 2.3% of sports ticket sales, Los Angeles Lakers at #6 with 2.2%, Cleveland Cavaliers at #8 with 2%, and Chicago Bulls at #10 with 1.8%.

    Top November Events Overall

    1. Wicked 6. Bob Seger

    2. High School Musical -- The Concert 7. The Lion King

    3. Dancing with the Stars 8. Mary Poppins

    4. Radio City Christmas Spectacular 9. Josh Groban

    5. The Cheetah Girls 10. Jersey Boys

    Top November Sports Ticket Sales

    1. WWE World Wrestling Entertainment

    2. Jacksonville Jaguars

    3. Dallas Cowboys

    4. Miami Heat

    5. Buffalo Sabres

    Top November Concert Ticket Sales

    1. High School Musical - The Concert

    2. The Cheetah Girls

    3. Bob Seger

    4. Josh Groban

    5. Trans-Siberian Orchestra

    Top November Theater Sales

    1. Wicked

    2. Dancing with the Stars

    3. Radio City Christmas Spectacular

    4. The Lion King

    5. Mary Poppins

    About the TicketsNow Entertainment Index

    The TicketsNow Entertainment Index tracks proprietary secondary ticket sales on a monthly basis to provide a snapshot of entertainment trends for sports, music, and theater events nationwide.

    About TicketsNow

    Established in 1999, TicketsNow is the world's largest and most trusted marketplace for premium event tickets. More than 90% of all professional ticket agencies that list, buy, and sell secondary event tickets online utilize software developed by TicketsNow -- creating the most comprehensive database of secondary event tickets in the world. Named in 2006 to the Inc. 500 index of the fastest-growing privately held companies in the U.S. -- the second time in three years the company has been so honored -- TicketsNow is a premium ticket provider for USA TODAY, Fandango, and AOL; an official sponsor of the Baltimore Ravens and Jacksonville Jaguars; an official sponsor of University of Louisville Athletics, Arizona State University Athletics, Texas Christian University Athletics, University of Cincinnati Athletics, and a corporate partner of Princeton University Athletics; a member of the Better Business Bureau; and a founding member of the NATB, which promotes the highest level of ethics in the secondary ticketing marketplace. For more information, visit http://www.ticketsnow.com/.

     

    Rod Stewart's Newest #1 Album STILL THE SAME ... GREAT ROCK CLASSICS OF OUR TIME Certified RIAA Gold

    Latest Success Anticipates Jan. 12th Opening of 56-City North American Tour

    STILL THE SAME ... Builds on Global Phenomenon of Grammy-winning The Great American Songbook Series, With Cumulative Worldwide Sales Over 16 Million for First Four Volumes

    With the countdown on to the January 12th kick-off of his 56-city 2007 North American tour, J Records artist Rod Stewart adds a brand new gold record to his shelf, as his 4th #1 career album STILL THE SAME ... GREAT ROCK CLASSICS OF OUR TIME is certified gold by the RIAA for U.S. sales in excess of 500,000 units.

    STILL THE SAME is a landmark album for Rod Stewart. Released October 10th, it entered the Billboard 200 albums chart at #1 -- 35 years to the month since he charted his first #1 and first RIAA gold album Every Picture Tells A Story back in 1971 (containing his first #1 and first RIAA gold single, "Maggie May"). STILL THE SAME is Rod's 35th Billboard charting album, and his 30th album to be certified gold, platinum, or multi-platinum by the RIAA.

    STILL THE SAME was Rod's 6th Top 10 debut and his 4th consecutive studio album to enter the Billboard charts inside the Top 2. He thereby joined Garth Brooks and Jay-Z as the only artists in the Sound Scan era to have 4 (or more) albums debut in the Top 2 within a 3 year span. STILL THE SAME is Rod's first rock album to hold the #1 spot since Blondes Have More Fun in 1979. More recently, his standards album Stardust ... The Great American Songbook Volume III entered at #1 in October 2004.

    This success sets the stage for the upcoming tour, which opens January 12th at BankAtlantic Center in Fort Lauderdale, Florida. The tour features Rod's nine piece band and his three stellar back up singers, and will showcase a rotating circular center stage -- the first time in over a decade that his stage will be designed in the round, giving fans an intimate, unfettered 360 degree view of the concert. Promoted by AEG Live, the tour is scheduled to wrap up on May 9th at the Pepsi Arena in Albany, New York. (Please visit http://www.rodstewart.com/ to view the complete tour itinerary.)

    STILL THE SAME's RIAA gold certification is the latest emblematic feat for Rock and Roll Hall of Fame inductee Rod Stewart, who possesses one of the most distinctive rock voices in history, and one of the great interpretive voices in all of popular music. The new album finds Rod in strong and passionate form, taking ownership of a thoughtfully selected program of rock classics by some of the best songwriters of our time, including Bob Dylan ("If Not For You"), Van Morrison ("Crazy Love"), Bob Seger ("Still the Same") and John Fogerty ("Have You Ever Seen the Rain" which was the #1 most added single at the AC radio format for three weeks in a row).

    Produced by John Shanks (winner of the 2005 Grammy award for Producer of the Year) and co-produced by Clive Davis (Grammy-winning co-producer of Santana's Supernatural), STILL THE SAME ... GREAT ROCK CLASSICS OF OUR TIME follows up the unprecedented critical and commercial success of Rod's Grammy Award-winning Great American Songbook series on J Records. To date, the first four volumes in the series -- which is now the biggest-selling ongoing series of new music recordings in history -- have cumulative sales of more than 16 million copies worldwide: It Had To Be You ... The Great American Songbook (2002, RIAA triple-platinum), As Time Goes By ... The Great American Songbook, Volume II (2003, double-platinum), Stardust...The Great American Songbook: Volume III (2004, RIAA platinum), and Thanks For The Memory... The Great American Songbook: Volume IV(2005, RIAA platinum).

     

    RCA Music Group Artists Earn 14 Nominations for the 49th Annual Grammy Awards

    Carrie Underwood Earns First Grammy Nominations Including Best New Artist

    Jamie Foxx Picks Up Three Nominations

    Christina Aguilera Receives Two

    Imogen Heap Is Nominated for Best New Artist and Songwriter's Award

     RCA Music Group received a total of fourteen Grammy nominations earned by its artist and recordings it was announced today in Los Angeles for the 49th annual Grammy Awards. Arista Records/19 Recordings superstar Carrie Underwood earned her first nominations including Best New Artist and Female Country Vocal Performance for "Jesus, Take The Wheel." The six-week #1 country single "Jesus, Take The Wheel" also receives 2 nominations: Best Country Song and Song of the Year.

    J Records recording artist Jamie Foxx picked up three nominations including Best R&B Album for his platinum #1 debut Unpredictable, Best R&B Performance by a Duo or Group with Vocal for "Love Changes" (with Mary J. Blige), and Best Rap/Sung Collaboration for "Unpredictable" (with Ludacris). RCA recording star Christina Aguilera earned nominations for "Ain't No Other Man" as Best Female Pop Vocal Performance and her platinum double disc Back To Basics as Best Pop Vocal Album.

    Critically acclaimed RCA Victor electro-pop songstress Imogen Heap was nominated for Best New Artist. In addition, her composition "Can't Take It In," from the soundtrack of The Chronicles Of Narnia - The Lion, The Witch & The Wardrobe, was nominated for Best Song Written for Motion Picture, Television or Other Visual Media.

    The just certified gold holiday collection by Arista recording artist Sarah McLachlan, Wintersong, was nominated in the category of Best Traditional Pop Vocal Album. Superstar vocalist Luther Vandross was nominated posthumously for Best Male R&B Vocal Performance for "Got You Home," a previously unreleased track included on the anthology The Ultimate Luther Vandross.

    Firewire, the RCA Victor/Bluebird album by veteran guitarist Larry Carlton, was nominated for Best Pop Instrumental Album. The instrumental quartet Fourplay was nominated in the same category for their RCA Victor/Bluebird album X.

    Special congratulations go to Howard Benson, nominated for Producer of the Year, Non-Classical for recordings including the album Flyleaf by Flyleaf; and to Will.i.am, who was also nominated for Producer of the Year, Non-Classical for recordings including the track "I Am Somebody" from the album All That I Am by Santana.

    The 49th Annual Grammy Awards will be broadcast live on the CBS network on February 11, 2007 from the Staples Center in Los Angeles.

    Source: RCA Music Group

     

    Three Time Grammy Award Winning Recording Artist Sarah McLachlan Receives Grammy Nomination for WINTERSONG, Her #1 Best Selling Holiday Album

    Nominated for Best Traditional Pop Vocal Album Category

     Multi-platinum selling and three time Grammy award winner Sarah McLachlan received an early Christmas gift when she received a Grammy nomination for her new holiday album WINTERSONG in the category "Best Traditional Pop Vocal Album."

    News of the nomination comes on the heels of her album being certified Gold and the album entering the Billboard Top 10 this week. Billboard also named WINTERSONG the "Greatest Gainer" on the album chart this week. WINTERSONG (released October 17th) is the #1 best seller on the Top Holiday Albums chart and marks her 15th release to be certified gold, platinum, or multi-platinum by the RIAA. WINTERSONG is the first holiday album to crack the Top 10 since 2004, and the second highest ranking for a holiday album since 2001. In addition, WINTERSONG sold more copies this week than any other holiday album sold in any week last year.

    Recorded at home in a relaxed Canadian setting, WINTERSONG combines traditional and standard Christmas tunes with several contemporary classics that are close to Sarah's heart, including her original new title tune composition, "Wintersong." The album opens with her version of John Lennon's timeless "Happy Xmas (War is Over)," featuring her Music Outreach Children's Choir of Vancouver (emulating the original 1971 version by John & Yoko and the Plastic Ono Band, recorded with the Harlem Community Choir). Other WINTERSONG highlights include Sarah's version of Joni Mitchell's 1971 "River" ("It's coming on Christmas, they're cutting down trees..."), and homage to Gordon Lightfoot's 1975 "Song For A Winter's Night."

    McLachlan previously has won 3 Grammy awards in the following categories/years: "I Will Remember You" -- Best Female Pop Vocal Performance (1999), "Last Dance" -- Best Pop Instrumental Performance (1998), and "Building a Mystery" -- Best Female Pop Vocal Performance (1998).

    Source: Arista Records

     

    Lamb of God Receive Grammy Nomination for Their Powerhouse Track 'Redneck'

     

    American metal leaders Lamb of God have garnered a Grammy nomination for "Best Metal Performance" for "Redneck," the scorching first single from their acclaimed album Sacrament.

    On their nomination, drummer Chris Adler states, "Grammy nomination? Is someone still trying to make up for that whole Jethro Tull thing? In all seriousness and regardless of the outcome, we as Lamb of God are overwhelmingly flattered to be recognized. It's truly hard to believe that we have come as far as we have, even harder to believe that we now share in the short list of some of the best in the business -- and the historical company of some of the world's greatest bands. This nomination is bigger than our band; it is a tribute to our friends and fans whose undying and intense support has helped Lamb of God become recognized in this way. Together, we are helping to create a new and heavier musical landscape for the future. No matter what the outcome may be, this is a very good sign for metal and as a fan I look forward to more doors like these continuing to open to the greatest music in the world -- heavy f--king metal!!!"

    Sacrament, which was produced by Machine (Clutch, King Crimson, Pitchshifter, 18 Visions, Every Time I Die) is a stunning example of how diverse, articulate and pummeling metal can be. Entering the Billboard Top 200 at #8, with over 63,000 albums sold, Sacrament had the biggest first week album sales of all metal records released in 2006 -- outselling first week numbers from metal legends such as Iron Maiden, Slayer as well as Mastodon and Killswitch Engage.

    Their sophomore Epic Records release, Sacrament has received countless accolades from critics, including being named Revolver Magazine's "Album of the Year" for 2006 and landing at #20 in Blender Magazine's Top 100 of 2006. " ... raw and passionate ... a rich, diverse sounding record. Sacrament boasts an impressive degree of sonic clarity, and the band's playing is tight and dexterous." Revolver Magazine

    Having spent the summer of 2006 on two of the nations most highly touted metal tours -- the Unholy Alliance Tour with Slayer and Gigantour with Megadeth - Lamb of God have spent the last decade bringing their unrelenting sound to the masses. Hailed as heroes of new American metal by legions of fans across the country and around the world; this Richmond, VA 5-piece continues to break ground and evolve. Smart, skilled musicians, Lamb of God first came to the metal forefront with their Prosthetic Records release, As The Palaces Burn in 2003. The next year saw their major label debut, Ashes of the Wake on Epic, rise above the rest with critical acclaim. In 2005 the band released the behind the scenes live DVD Killadelphia which went gold in only a matter of weeks. Now, capping off an already astounding year with a Grammy nomination the band will continue into 2007 with a soon to be announced headlining tour.

    "Kneel before this Sacrament and hear 21st-century metal in all its recombinant brutality -- a little death, a little thrash, some Southern riffing up your a**. Singer Randy Blythe avoids Cookie Monster cliche while keeping his growl somewhere south of Hades. How they managed to turn dangerously geeky prog chops into the sound of Lucifer storming heaven, well, God only knows." Spin Magazine

     

    Natasha Bedingfield Scores Grammy Nomination

     Epic recording artist Natasha Bedingfield marked another milestone in her already remarkable career today by grabbing her very first Grammy nomination. "Unwritten," the infectiously funky hit single from her debut album, Unwritten garnered the British songstress a nomination for "Best Pop Female Vocal Performance" as nominees for the 49th Annual Grammy Awards were announced at the Music Box at Fonda Theater in Hollywood.

    The nomination affirms what has truly been an amazing year for the International superstar whose debut album Unwritten surpassed triple platinum status in the UK and has spawned multiple smashes around the globe. And now, the gorgeous and multi-talented singer/songwriter has added the U.S. to her list of conquered lands. When Natasha made her impressive U.S. debut with the infectious "These Words," the song ascended into the top ten on the mainstream top 40 airplay chart followed by the soaring and inspirational "Unwritten" which quickly skyrocketed to #1 and became the first #1 pop single in the U.S. by a British Female Solo artist in 19 years.

    Spotlighted as one of the biggest breakout females of 2006, critical acclaim mounted and Natasha appeared everywhere from MTV's TRL and VH1, to Good Morning America, and the Tonight Show with Jay Leno just to name a few. But this is just the beginning.

    Natasha recently released her long-awaited live DVD - LIVE IN NEW YORK CITY - which captured the artist's first sold-out concert in the U.S. filmed on June 8th in the heart of Times Square at The Nokia Theatre. Look for Natasha to release her highly anticipated sophomore album early 2007.

    Source: Epic Records

     

    Tony Bennett Caps Off an Outstanding Year With Three Grammy Nominations & Platinum Sales for 'TONY BENNETT: DUETS/An American Classic'

    'TONY BENNETT: An American Classic' DVD & Grammy-Nominated DUETS CD Available Now

     It's been a very good year for Tony Bennett, the musical icon who celebrated his 80th birthday with star-studded tributes and parties, an NBC television special, and the release of TONY BENNETT: DUETS/An American Classic, a critically-acclaimed blockbuster of an album that's already become one of the best-selling titles in a catalog that stretches back more than fifty years.

    TONY BENNETT: DUETS/An American Classic was certified platinum (for sales of 1,000,000 copies) by the RIAA this week while also earning Tony three Grammy nominations. The album is up for a Best Traditional Pop Vocal Album trophy while Tony's duet with Stevie Wonder, "For Once In My Life," is contending for both the Best Pop Collaboration with Vocals and the Best Instrumental Arrangement Accompanying Vocalist Grammys.

    "The success of this project has always been driven by Tony's artistic integrity and passion for his music," said Danny Bennett, Tony's son and manager, who'd begun planning his father's 80th birthday tribute more than a year in advance. "He is an icon whose art resonates beyond boundary or category."

    Released on September 26, 2006, TONY BENNETT: DUETS/An American Classic has become Bennett's top-selling album since he first began recording in 1950. When the album entered the Billboard Top 200 album chart at #3, with first week's sales of 201,536 copies, it marked the singer's highest-debuting and highest-peaking album in the history of the Top 200. DUETS/An American Classic has maintained exceptionally strong sales since its release, spending five straight weeks in the Top 10 (it's currently at #15). Weekly sales on the album nearly tripled after "TONY BENNETT/An American Classic," presented by Target, premiered on NBC-TV on Tuesday, November 21, kicking off the Thanksgiving holiday weekend. The special may be seen on Bravo during the month of December.

    A DVD version of "TONY BENNETT/An American Classic," featuring bonus footage, is currently #4 on Billboard's Top Music Video chart.

    Tony Bennett's upcoming TV appearances this month will include "The Oprah Winfrey Show" (December 11), "Late Night with Conan O'Brien" (December 18) and the CBS "Early Show" (December 19). Also in December, PBS will begin airing a "making of" documentary of DUETS as part of the network's winter pledge drive campaign. Bennett also performed for "Nissan's Live Sets on Yahoo! Music" which is set to air December 15.

    TONY BENNETT: DUETS/An American Classic reprises some of the best-loved songs in Tony's repertoire as duets performed side by side with some of the top names in contemporary music: Bono, Michael Buble, Elvis Costello, Celine Dion, Dixie Chicks, Billy Joel, Elton John, Juanes, Diana Krall, k.d. lang, John Legend, Paul McCartney, Tim McGraw, George Michael, Sting, Barbra Streisand, James Taylor and Stevie Wonder. A significant factor that set Bennett's duet project apart from most contemporary recordings was the fact that the album was recorded live in the studio with Tony and his musical guests.

    The unprecedented promotional and marketing campaign for TONY BENNETT: DUETS/An American Classic kicked off with a star-studded party, hosted by Target, for Tony's 80th birthday on August 3rd. Tony's 80th birthday received extensive media coverage with The New York Times calling him " ... the embodiment of heart in popular music ... and a rock of integrity." The singer was featured in Time, Vanity Fair, Parade, USA Today, the Wall Street Journal among other print publications. Bennett also made television guest appearances on the nation's top-rated television programs including three appearances on "The Today Show," "The Tonight Show with Jay Leno," "Saturday Night Live," and "The Late Show with David Letterman."

    The album's first single, "Just in Time," featuring Tony Bennett and Michael Buble, was released on Tony's birthday, and received significant airplay from many AC stations around the country while charting in the Top 25. The CD was launched with a direct response TV marketing ad campaign; advertising on TV, radio, print and on-line; and an aggressive retail presence with multiple point-of-purchase items, along with a variety of contests and promotions. Target, a key sponsor of the campaign, has offered the CD, with exclusive bonus duet tracks as well as a "making of" video, in their stores, all supported by an extensive national TV and print ad campaign. Starbucks, Yahoo, Amazon and iTunes all partnered as well, with print advertising and a variety of on-line promotions and added value items. During launch week TONY BENNETT: DUETS/An American Classic maintained #1 positioning at Target, Starbucks, Amazon, Barnes & Noble, and Borders and was #3 on iTunes and continues to achieve top positions since its release.

    CD sales were furthered with the prime-time airing of "TONY BENNETT/An American Classic," presented by Target, on NBC. Directed by Rob Marshall ("Chicago" and "Memoirs of a Geisha") and his Oscar winning team the special featured Tony performing with Christina Aguilera, Michael Buble, John Legend, Elton John, Juanes, Diana Krall, k.d. lang, Barbra Streisand and Stevie Wonder with narrative introductions on Tony's career were contributed by Billy Crystal, Robert DeNiro, Catherine Zeta-Jones, John Travolta and Bruce Willis. TV Guide critic Matt Roush observed, "This is the rare music special that looks as good as it sounds. And it sounds spectacular."

    A host of tribute events also kept the spotlight on Bennett, which included an all-star tribute to Tony hosted by Paul Newman, Billy Crystal, George Clooney and Bruce Willis held on November 9th at the Kodak Theatre in Los Angeles.

    Most recently, Tony Bennett received this year's Billboard Century Award, in honor of his outstanding musical achievements, during a live presentation broadcast on the FOX network on December 4th from Las Vegas with an award presentation by duet partner Stevie Wonder.

    Source: RPM/Columbia Records

     

    Yu-Gi-Oh! Online USB DUELPASS Key(TM) Gets Fans Dueling Online in a Snap!

    USB technology makes dueling online simple and fun

     Online has already attracted thousands of fans, and The Yu-Gi-Oh! Online USB DUELPASS Key(TM) from Konami Digital Entertainment, Inc. transports enthusiasts straight into the world of online Yu-Gi-Oh! dueling. By simply plugging the DUELPASS Key into a computer's USB port, users are immediately immersed in the Yu-Gi-Oh! world and ready to duel.

    Each DUELPASS Key comes pre-loaded with 90 Duelpoints, and includes three virtual cards which can be added to the player's online deck. There is a total of six exclusive virtual cards available. Each DUELPASS Key includes one of the randomly assorted exclusive cards. Once online, players can participate in online tournaments, as well as chat with other players in online chat rooms, meeting areas, and also during the duel itself. With the built-in translation feature, players can even chat with duelists who speak other languages!

    Compatible with most Windows-based PCs, the DUELPASS Key offers an interactive entertainment experience without the need for video game consoles, making it the perfect holiday gift.

    The Yu-Gi-Oh! Online USB DUELPASS Key is available now at retail stores throughout North America for a suggested price of $9.99, and is recommended for Yu-Gi-Oh! fans ages 8 and up.

    About Konami

    Konami (NYSE:KNM) is a leading developer, publisher and manufacturer of electronic entertainment properties. Konami's titles include the popular franchises Metal Gear Solid(R), Silent Hill(R), Dance Dance Revolution(R) and Castlevania(R), among other top sellers. The latest information about Konami can be found on the Web at www.konami.com. Konami Corporation is a publicly traded company based in Tokyo, Japan with subsidiary offices, Konami Digital Entertainment, Co., Ltd. in Tokyo, Japan, Konami Digital Entertainment, Inc. in the United States and Konami Digital Entertainment GmbH in Frankfurt, Germany. Konami Corporation is traded in the United States on the New York Stock Exchange under the ticker symbol KNM. Details of the products published by Konami can be found at www.konami.com.

    DUELPASS is a trademark of Konami Corporation

    Source: Konami

     

    CMP's Game Developers Conference Expands Casual Games Summit Into a Two-Day Event to Serve Veterans and Newcomers Alike

    GDC Creates Casual Games Summit '101' to Educate about the Space, '201' for Deeper Discussions of Design, Licensing, Portal Relationships, Revenue Streams and More

    The Game Developers Conference (GDC), CMP Technology's annual conference dedicated to the art, science and business of games, has expanded its Casual Games Summit into a two-day series of sessions to better serve the fast-growing casual games market. Sessions include programming for both casual game novices and professionals. The Casual Games Summit will take place March 5-6, 2007 at the Moscone Convention Center in San Francisco as part of the 2007 Game Developers Conference.

    Day one of the Summit, titled "Casual Games Summit 101," aims to educate those new to casual games about getting into the industry with introductory sessions on design principles, art direction, technology, business models, the key publishers and more. Day two, "Casual Games Summit 201," provides an arena for sharing and debate among casual game industry veterans on a variety of topics, including downloadable games on the consoles, the evolving relationships between developers/publishers and portals, the use of licenses, increasing revenue through international opportunities, design innovation and more.

    "The casual game market has grown to be an integral part of the videogame industry, making gamers out of anyone with a PC, a mobile phone or an iPod," said Meggan Scavio, Senior Conference Manager of the Game Developers Conference. "The GDC is here to help the entirety of the game industry come together and grow, and we felt the expansion of the Casual Games Summit to be the natural step as this segment of the market matures."

    The Casual Games Summit brings together all of the key players of the casual games space, from the leading developers and publishers to the biggest licensors and portals. Speakers include representatives from Adobe, Shockwave.com, Big Fish, Funkitron, Gamelab, GoPets, Her Interactive, iWin, JoJu Games, Kongregate, Oberon, Microsoft, MuddyC, Nickelodeon, PlayFirst, PopCap, Real, Reflexive, Sandlot Games, Sony Online Entertainment, Sun, Three Rings, Twofish, Wild Tangent, Yahoo and Zylom.

    "Videogames are for everyone, even those who don't fall into the category we tend to think of as the traditional hardcore gamer," said John Welch, President and CEO of PlayFirst, Inc., and co-organizer of the Casual Games Summit, with Steve Meretzky of Boffo Games and Dave Rohrl of PopCap Games. "The Casual Games Summit provides a forum for everyone making -- or wanting to make -- quality games for the incredibly wide and varied casual gamer demographic. Historically, people have thought of this segment as being largely made up of women over the age of 35. While that remains a critical segment, we are seeing two major new market trends: diversification of demographics and the emergence of a segment of super-dedicated and not so 'casual' casual gamers. We'll be exploring topics like these over the two-day Summit."

    The speaker line-up, session descriptions and registration for the total Game Developers Conference, including the Casual Games Summit, are available at www.gdconf.com. Press registration is also currently open.

    More than 12,500 game industry professionals will convene during GDC, the world's largest games industry-only event dedicated to the advancement of resources, tools and technologies used to create interactive entertainment. The GDC features more than 300 lectures, panels, tutorials and round-table discussions on a comprehensive selection of game development topics taught by leading industry experts.

    About the CMP Game Group (www.cmpgame.com)

    A core provider of essential information to the professional game industry, the CMP Game Group offers market-defining content, and drives community through the Game Developers Conference, Game Developer magazine, the Webby Award-winning Gamasutra.com, the Serious Games Summit D.C., GDC Mobile, GDC Europe, the Independent Games Festival, the Game Developers Choice Awards, GDC London, the London Games Summit, GDCTV, GDCRadio, and the GDC Focus On event series. For more information, please visit www.cmpgame.com.

    About CMP Technology (www.cmp.com)

    CMP Technology is a marketing solutions company serving the technology industry. Through its market-leading portfolio of trusted information brands, CMP has earned the confidence of more technology professionals than any other media company. As a result, CMP is the premier provider of access, insight and actionable programs designed to connect sellers and buyers in ways that yield superior return on investment. CMP Technology is a subsidiary of United Business Media (www.unitedbusinessmedia.com), a global provider of news distribution and specialist information services with a market capitalization of more than $3 billion.

    Source: CMP Game Group

    Starz Invites You to Pursue 'Happyness' With a Night of Will Smith on Thursday, Dec. 14

    A 'Stars on Starz' Showcase of Smith's Films Also Features an Exclusive Clip and Behind-the-Scenes Look at His Latest Project The Pursuit of Happyness

     Dec. 7 Join Starz for a "Stars on Starz" showcase of Will Smith films Thursday, Dec. 14 in celebration of the theatrical release of his upcoming father-son drama The Pursuit of Happyness, in theaters starting Dec. 15. The night begins with "On the Set: The Pursuit of Happyness" at 8:45 p.m. (ET/PT), followed by Hitch at 9 p.m. (ET/PT) and Enemy of the State at 11 p.m. (ET/PT). An exclusive clip from The Pursuit of Happyness will also premiere during the night.

    "On the Set: The Pursuit of Happyness" provides viewers with a unique behind-the-scenes look at the making of the movie featuring interviews with the cast and crew.

    Columbia Pictures' The Pursuit of Happyness stars Smith as Chris Gardner, a bright and talented but marginally employed salesman. Struggling to make ends meet, Gardner finds himself and his five-year-old son evicted from their San Francisco apartment with nowhere to go. When Gardner lands an internship at a prestigious stock brokerage firm, he and his son endure many hardships, including living in shelters, in pursuit of his dream of a better life for the two of them. Directed by Gabriele Muccino. T he Pursuit of Happyness co-stars Thandie Newton and Jaden Christopher Syre Smith.

    Starz Entertainment, LLC, is a premium movie service provider operating in the United States. It offers 16 movie channels including the flagship Starz(R) and Encore(R) brands with approximately 14.9 million and 26.6 million subscribers respectively. Starz Entertainment airs more than 1,000 movies per month across its pay TV channels and offers advanced services including Starz HD, Starz On Demand and Vongo(SM). Starz Entertainment (www.starz.com) is an operating unit of Starz, LLC, which is a wholly owned subsidiary of Liberty Media Corporation that is attributed to Liberty Capital Group.

    Sony Pictures Entertainment Reaches $3 Billion at Worldwide Box Office for the First Time

    Milestone is Only the Fourth Time in Motion Picture History Any Studio Reaches More Than $3 Billion Globally

    SPE Sets New Studio High for International B.O.; Studio is on Pace to Pass Industry-Wide Domestic Box-Office Record

    Dec. 7 For the first time in its history, Sony Pictures Entertainment (SPE) will exceed more than $3 billion in worldwide ticket sales tomorrow, December 8th. It was announced by Jeff Blake, chairman, worldwide marketing and distribution for the Columbia TriStar Motion Picture Group and vice chairman of SPE. This milestone achievement, reached with three weeks still to go in 2006, marks just the fourth time in motion picture history that any studio has reached the $3 billion mark in a single year.

    Internationally, the studio has already realized its best year of all time, with just under $1.5 billion and counting. Domestically, the studio has already passed more than $1.5 billion and is on pace to surpass $1.573 billion, the most any studio has ever generated at the box office in a single year in North America, a record held by Sony since 2002.

    2006 marks the third time in the past five years that SPE has been the #1 studio in domestic market share. As Sony finishes the year, the studio controls over 18% of all tickets sold in the United States and Canada. Led by The DaVinci Code the worldwide blockbuster that has grossed over $750 million at the box office, SPE has seen four films exceed more than $100 million in domestic box office -- including Talladega Nights: The Ballad of Ricky Bobby, Click, The DaVinci Code and Casino Royale -- and five more have surpassed the $100 million worldwide threshold (Pink Panther, Monster House, Open Season, Underworld: Evolution, and Little Man).

    Commenting on the announcement, Blake said, "This is the kind of year that is pretty hard to top. Hitting $3 billion in worldwide box office is an incredible accomplishment in every way. The fact that we are reaching this peak by potentially passing the domestic industry box office record while at the same time enjoying our best year ever internationally is just a staggering achievement that makes us all very proud. This isn't the result of just one film -- our entire slate really worked this year, and credit for our success goes first and foremost to the extraordinary filmmakers and actors that brought us The DaVinci Code, Talladega Nights: The Ballad of Ricky Bobby, Click, Casino Royale, The Pink Panther, Underworld: Evolution, Monster House, Open Season, and so many others."

    Blake also credited "the remarkable talent and hard work exhibited by our production, marketing, and distribution teams. Today, we're celebrating and thanking everyone who played a part in the success of our 2006 slate worldwide."

    The studio reached its landmark achievement in a year that featured a record 12 films opening at #1 and strong performances from all the labels under the Sony Pictures Entertainment banner: Columbia Pictures, Screen Gems, Revolution Studios, TriStar Pictures, and co-productions in association with MGM.

    SPE's year began with Screen Gems' Underworld: Evolution, which topped the box office and went on to gross more than $100 million worldwide. Two weeks later, Screen Gems' When a Stranger Calls debuted at #1, followed by Columbia's comedy The Pink Panther, which grossed over $150 million worldwide. In late April, TriStar delivered the horror hit Silent Hill, which opened #1 and went on to take in nearly $100 million worldwide, and the following week, the Robin Williams comedy RV led all releases in its first weekend and proved to have long legs at the box office by continuing to perform solidly throughout the summer, reaching $70 million domestically.

    In May, Columbia produced its biggest smash hit of the year: The DaVinci Code. The highly anticipated film delivered on every level, opening to $77 million domestically, reaching $217 million in the U.S. and an additional $538 million internationally -- becoming the highest-grossing international blockbuster in Columbia's history. The studio's success continued throughout the summer, as the comedies Click and Talladega Nights: The Ballad of Ricky Bobby both opened #1 and saw strong returns at the nation's ticket booths. Also, contributing to the studio's success this summer was the animated hit Monster House, which took in more than $135 million worldwide.

    Heading into the fall, the studio added three more #1 openings. First came Columbia's Gridiron Gang, followed by the animated hit Open Season, the first film from Sony Pictures Animation, which has grossed more than $160 million worldwide, and Columbia's The Grudge 2. Most recently, Columbia released the 21st James Bond adventure Casino Royale to more than $40 million -- and the film has surpassed more than $300 million worldwide after just three weeks in release.

    SPE reaches the $3 billion mark with two films yet to debut in 2006: the romantic comedy The Holiday, in theaters tomorrow and The Pursuit of Happyness, starring Will Smith, set for December 15.

    About Sony Pictures Entertainment

    Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America (SCA), a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; digital content creation and distribution; worldwide channel investments; home entertainment acquisition and distribution, operation of studio facilities; development of new entertainment products, services and technologies; and distribution of filmed entertainment in 67 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com/.

      For Further Information: 

      

    Taking Back Sunday 2007 Headlining Tour Dates Announced

    December 07, 2006 -- Warner Bros. Records perennial rock favorites, Taking Back Sunday, will usher in 2007 with a headlining tour of North America kicking off on February 22nd in Pennsylvania. This will be the first extended tour of Canada for the band. Canadian fans will be able to purchase tickets starting today by visiting www.takingbacksunday.com, while U.S. fans will have a 24-hour presale launching tomorrow on the site. Tickets for most of the tour markets go on sale this Saturday, December 9th via Ticketmaster.

    Taking Back Sunday's "Louder Now," which has been voted "Album Of The Year" by Kerrang! Magazine, skyrocketed to Number Two on Billboard's Top 200 chart a week after its April 23rd release, scanning more than 157,000 units. The RIAA gold-certified album spawned the hit single "MakeDamnSure," which was a Modern Rock Top 10 record for just under two months. The second single, "Liar (It Takes One To Know One)" is currently moving up the Modern Rock charts. On December 12th, the band will celebrate the success of "Louder Now" with the release of "Louder Now: Partone," which marks the first ever DVD component of their music.

    With "Louder Now," Adam Lazzara (vocals), Fred Mascherino (guitar/vocals), Eddie Reyes (guitar), Matt Rubano (bass) and Mark O'Connell (drums), capture the intensity generated during their explosive live performances. "This is the record we have always wanted to make," says Lazzara. "We brought in every element from every influence we've ever had."

    As N.M.E. declared, Taking Back Sunday "go all out to bare their rock fangs...and sharp they are too." See for yourself...

    Taking Back Sunday w/ Underoath and Armor For Sleep dates are as follows*:

    Thu, 2/22/07  Univ Park (Penn State), PA  Bryce Jordan Center Sun, 2/25/07  Birmingham, AL              Boutwell Auditorium Tue, 2/27/07  San Antonio, TX             Sunset Station Thu, 3/01/07  Oklahoma City, OK           Lloyd Noble Center Fri, 3/02/07  St. Louis, MO               The Pageant Sat, 3/03/07  Milwaukee, WI               Eagles Ballroom Sun, 3/04/07  St. Paul, MN                Myth Tue, 3/06/07  Des Moines, IA              Val Air Ballroom Wed, 3/07/07  Kansas City, MO             Uptown Theatre Thu, 3/08/07  Denver, CO                  The Fillmore Auditorium Fri, 3/09/07  Salt Lake City, UT          Salt Air Sat, 3/10/07  Las Vegas, NV               House of Blues Sun, 3/11/07  San Bernadino, CA           Orange Pavilion Tue, 3/13/07  Irvine, CA                  UCI Bren Events Center Wed, 3/14/07  San Francisco, CA           The Concourse Thu, 3/15/07  San Luis Obispo, CA         SLO University Rec Center Fri, 3/16/07  Reno, NV                    Grand Sierra (formerly Hilton) Sat, 3/17/07  Boise, ID                   Taco Bell Arena Tue, 3/20/07  Edmonton, AB                Northlands Agricom Arena Wed, 3/21/07  Calgary, AB                 Stampede Corral Thu, 3/22/07  Saskatoon, SK               Prairieland Park Fri, 3/23/07  Winnipeg, MB                Burton Cummings Theater Sun, 3/25/07  Thunder Bay, ON             Community Auditorium Tue, 3/27/07  Ottawa, ON                  Congress Centre Wed, 3/28/07  London, ON                  Centennial Hall Thu, 3/29/07  Toronto, ON                 Arrow Hall Fri, 3/30/07  Montreal, QC                Theatre Olympia Sun, 4/01/07  Albany, NY                  Armory *more dates to come 
    www.takingbacksunday.com
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    Grammy Nominations

    THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC.

    Final Nominations List

    49th Annual GRAMMY® Awards

    For recordings released during the Eligibility Year October 1, 2005 through September 30, 2006

    Note: More or less than 5 nominations in a category is the result of ties.

     

    General Field

    Category 1 - Record Of The Year

    (Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s), if other than the artist.)

    • Be Without You

    Mary J. Blige

    Bryan-Michael Cox, producer; Danny Cheung, Tal Herzberg & Dave "Hard-Drive"

    Pensado, engineers/mixers

    Track from: The Breakthrough

    [Geffen Records]

    • You're Beautiful

    James Blunt

    Tom Rothrock, producer; Tom Rothrock & Mike Tarantino, engineers/mixers

    Track from: Back To Bedlam

    [Custard/Atlantic]

    • Not Ready To Make Nice

    Dixie Chicks

    Rick Rubin, producer; Richard Dodd, Jim Scott & Chris Testa, engineers/mixers

    Track from: Taking The Long Way

    [Open Wide/Columbia]

    • Crazy

    Gnarls Barkley

    Danger Mouse, producer; Ben H. Allen, Danger Mouse & Kennie Takahashi,

    engineers/mixers

    Track from: St. Elsewhere

    [Downtown/Atlantic]

    • Put Your Records On

    Corinne Bailey Rae

    Steve Chrisanthou, producer; Steve Chrisanthou & Jeremy Wheatley,

    engineers/mixers

    Track from: Corinne Bailey Rae

    [Capitol]

    General Field

    Category 2 - Album Of The Year

    (Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s)/Mixer(s) & Mastering Engineer(s), if other than the artist.)

    • Taking The Long Way

    Dixie Chicks

    Rick Rubin, producer; Richard Dodd, Jim Scott & Chris Testa, engineers/mixers;

    Richard Dodd, mastering engineer

    [Open Wide/Columbia]

    • St. Elsewhere

    Gnarls Barkley

    Danger Mouse, producer; Ben H. Allen, Danger Mouse & Kennie Takahashi,

    engineers/mixers; Mike Lazer, mastering engineer

    [Downtown/Atlantic]

    • Continuum

    John Mayer

    Steve Jordan & John Mayer, producers; John Alagia, Michael Brauer, Joe Ferla,

    Chad Franscoviak, Manny Marroquin & Dave O'Donnell, engineers/mixers; Greg

    Calbi, mastering engineer

    [Aware/Columbia]

    • Stadium Arcadium

    Red Hot Chili Peppers

    Rick Rubin, producer; Ryan Hewitt, Mark Linette & Andrew Scheps,

    engineers/mixers; Vlado Meller, mastering engineer

    [Warner Bros.]

    • FutureSex/LoveSounds

    Justin Timberlake

    Nate (Danga) Hills, Jawbreakers, Rick Rubin, Timbaland & Justin Timberlake,

    producers; Jimmy Douglass, Serban Ghenea, Padraic Kerin, Jason Lader, Andrew

    Scheps, Timbaland & Ethan Willoughby, engineers/mixers; Herb Powers, Jr.,

    mastering engineer

    [Jive Records/Zomba Label Group]

    General Field

    Category 3 - Song Of The Year

    (A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • Be Without You

    Johnta Austin, Mary J. Blige, Bryan-Michael Cox & Jason Perry, songwriters (Mary

    J. Blige)

    Track from: The Breakthrough

    [Geffen Records; Publishers: Chrysalis Music, Mary J. Blige Music, Naked Under My Clothes Music, Universal Music Corp., Babyboy's Little Publishing, Jason's Lyrics, Noontime South, Reach Global Tunes, WB Music.]

    • Jesus, Take The Wheel

    Brett James, Hillary Lindsey & Gordie Sampson, songwriters (Carrie Underwood)

    Track from: Some Hearts

    [Arista/Arista Nashville/19; Publishers: Dimensional Music of 1091/Sony/ATV Cross Keys Publishing, Raylene Music/BPJ Administration, No Such Music, Passing Stranger Music/1609 Songs/Music of Windswept.]

    • Not Ready To Make Nice

    Martie Maguire, Natalie Maines, Emily Robison & Dan Wilson, songwriters (Dixie

    Chicks)

    Track from: Taking The Long Way

    [Open Wide/Columbia; Publishers: Woolly Puddin' Music, Chrysalis Music, Sugar Lake Music.]

    • Put Your Records On

    John Beck, Steve Chrisanthou & Corinne Bailey Rae, songwriters (Corinne Bailey

    Rae)

    Track from: Corinne Bailey Rae

    [Capitol; Publisher: Global Talent Publishing.]

    • You're Beautiful

    James Blunt, Amanda Ghost & Sacha Skarbek, songwriters (James Blunt)

    Track from: Back To Bedlam

    [Custard/Atlantic; Publishers: EMI Blackwood Music, David Platz Music.]

    General Field

    Category 4 - Best New Artist

    (For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist.)

    • James Blunt

    • Chris Brown

    • Imogen Heap

    • Corinne Bailey Rae

    • Carrie Underwood

    Field 1 - Pop

    Category 5 - Best Female Pop Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • Ain't No Other Man

    Christina Aguilera

    Track from: Back To Basics

    [RCA Records]

    • Unwritten

    Natasha Bedingfield

    Track from: Unwritten

    [Epic/Phonogenic]

    • You Can Close Your Eyes

    Sheryl Crow

    Track from: Sheryl Crow Artist's Choice Deluxe Edition

    [Hear Music/Universal Music]

    • Stupid Girls

    Pink

    Track from: I'm Not Dead

    [LaFace/Zomba Label Group]

    • Black Horse And The Cherry Tree

    KT Tunstall

    [Relentless/Virgin]

    Field 1 - Pop

    Category 6 - Best Male Pop Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • You're Beautiful

    James Blunt

    Track from: Back To Bedlam

    [Custard/Atlantic]

    • Save Room

    John Legend

    Track from: Once Again

    [Columbia/GOOD/Sony Urban]

    • Waiting On The World To Change

    John Mayer

    Track from: Continuum

    [Aware/Columbia]

    • Jenny Wren

    Paul McCartney

    Track from: Chaos And Creation In The Backyard

    [Capitol]

    • Bad Day

    Daniel Powter

    Track from: Daniel Powter

    [Warner Bros.]

    Field 1 - Pop

    Category 7 - Best Pop Performance By A Duo Or Group With Vocal

    (For established duos or groups, with vocals. Singles or Tracks only.)

    • My Humps

    The Black Eyed Peas

    Track from: Monkey Business

    [A&M Records]

    • I Will Follow You Into The Dark

    Death Cab For Cutie

    Track from: Plans

    [Atlantic Records]

    • Over My Head (Cable Car)

    The Fray

    Track from: How To Save A Life

    [Epic]

    • Is It Any Wonder?

    Keane

    Track from: Under The Iron Sea

    [Interscope Records]

    • Stickwitu

    The Pussycat Dolls

    Track from: PCD

    [A&M Records]

    Field 1 - Pop

    Category 8 - Best Pop Collaboration With Vocals

    (For a collaborative performance, with vocals, by artists who do not normally perform together. Singles or Tracks only.)

    • For Once In My Life

    Tony Bennett & Stevie Wonder

    Track from: Duets: An American Classic

    [RPM Records/Columbia]

    • One

    Mary J. Blige & U2

    Track from: The Breakthrough

    [Geffen/Matriarch Records]

    • Always On Your Side

    Sheryl Crow & Sting

    Track from: Wildflower

    [A&M Records]

    • Promiscuous

    Nelly Furtado & Timbaland

    Track from: Loose

    [Geffen/Mosley Music Group]

    • Hips Don't Lie

    Shakira & Wyclef Jean

    Track from: Oral Fixation Vol. 2

    [Epic]

    Field 1 - Pop

    Category 9 - Best Pop Instrumental Performance

    (For solo, duo, group or collaborative performances, without vocals. Singles or Tracks only.)

    • Mornin'

    George Benson (& Al Jarreau)

    Track from: Givin' It Up

    [Concord Records/Monster Music]

    • Drifting

    Enya

    Track from: Amarantine

    [Reprise]

    • Subterfuge

    Béla Fleck & The Flecktones

    Track from: The Hidden Land

    [Columbia/Legacy]

    • Song H

    Bruce Hornsby

    Track from: Intersections: 1985 - 2005

    [RCA Legacy]

    • My Favorite Things

    The Brian Setzer Orchestra

    Track from: Dig That Crazy Christmas

    [Surfdog Records]

    Field 1 - Pop

    Category 10 - Best Pop Instrumental Album

    (For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

    • New Beginnings

    Gerald Albright

    [Peak Records]

    • Fire Wire

    Larry Carlton

    [Bluebird/RCA Victor]

    • X

    Fourplay

    [Bluebird/RCA Victor]

    • Fingerprints

    Peter Frampton

    [A&M Records/New Door Records]

    • Wrapped In A Dream

    Spyro Gyra

    [Heads Up International]

    Field 1 - Pop

    Category 11 - Best Pop Vocal Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Back To Basics

    Christina Aguilera

    [RCA Records]

    • Back To Bedlam

    James Blunt

    [Custard/Atlantic]

    • The River In Reverse

    Elvis Costello & Allen Toussaint

    [Verve Forecast]

    • Continuum

    John Mayer

    [Aware/Columbia]

    • FutureSex/LoveSounds

    Justin Timberlake

    [Jive Records/Zomba Label Group]

    Field 2 - Dance

    Category 12 - Best Dance Recording

    (For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.)

    • Suffer Well

    Depeche Mode

    Ben Hillier, producer; Steve Fitzmaurice & Ben Hillier, mixers

    Track from: Playing The Angel

    [Sire/Reprise/Mute]

    • Ooh La La

    Goldfrapp

    Goldfrapp, producers; Mark "Spike" Stent, mixer

    Track from: Supernature

    [Mute]

    • Get Together

    Madonna

    Madonna & Stuart Price, producers; Mark "Spike" Stent, mixer

    Track from: Confessions On A Dance Floor

    [Warner Bros.]

    • I'm With Stupid

    Pet Shop Boys

    Trevor Horn, producer; Robert Orton, mixer

    Track from: Fundamental

    [Rhino Entertainment]

    • Sexy Back

    Justin Timberlake & Timbaland

    Danja, Timbaland & Justin Timberlake, producers; Jimmy Douglass, mixer

    [Jive Records/Zomba Label Group]

    Field 2 - Dance

    Category 13 - Best Electronic/Dance Album

    (For vocal or instrumental albums. Albums only.)

    • Supernature

    Goldfrapp

    [Mute]

    • Confessions On A Dance Floor

    Madonna

    [Warner Bros.]

    • A Lively Mind

    Oakenfold

    [Maverick]

    • Fundamental

    Pet Shop Boys

    [Rhino Entertainment]

    • The Garden

    Zero 7

    [Atlantic]

    Field 3 - Traditional Pop

    Category 14 - Best Traditional Pop Vocal Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Duets: An American Classic

    Tony Bennett

    [RPM Records/Columbia]

    • Caught In The Act

    Michael Bublé

    [143-Reprise]

    • Wintersong

    Sarah McLachlan

    [Arista Records/Nettwerk]

    • Bette Midler Sings The Peggy Lee Songbook

    Bette Midler

    [Columbia]

    • Timeless Love

    Smokey Robinson

    [New Door Records]

    Field 4 - Rock

    Category 15 - Best Solo Rock Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • Nausea

    Beck

    [Interscope Records]

    • Someday Baby

    Bob Dylan

    Track from: Modern Times

    [Columbia]

    • Route 66

    John Mayer

    Track from: Cars - Soundtrack (Various Artists)

    [Disney]

    • Saving Grace

    Tom Petty

    Track from: Highway Companion

    [American]

    • Lookin' For A Leader

    Neil Young

    Track from: Living With War

    [Reprise]

    Field 4 - Rock

    Category 16 - Best Rock Performance By A Duo Or Group With Vocal

    (For duo, group or collaborative performances, with vocals. Singles or Tracks only.)

    • Talk

    Coldplay

    Track from: X&Y

    [Capitol]

    • How To Save A Life

    The Fray

    Track from: How To Save A Life

    [Epic]

    • Steady, As She Goes

    The Raconteurs

    Track from: Broken Boy Soldiers

    [V2/Third Man Records]

    • Dani California

    Red Hot Chili Peppers

    Track from: Stadium Arcadium

    [Warner Bros.]

    • The Saints Are Coming

    U2 & Green Day

    [Interscope Records/Warner Bros.]

    Field 4 - Rock

    Category 17 - Best Hard Rock Performance

    (For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

    • Crazy Bitch

    Buckcherry

    [Eleven Seven Music]

    • Every Day Is Exactly The Same

    Nine Inch Nails

    Track from: With Teeth

    [nothing/Interscope Records]

    • Lonely Day

    System Of A Down

    Track from: Hypnotize

    [American/Columbia]

    • Vicarious

    Tool

    Track from: 10,000 Days

    [Volcano/Zomba Label Group]

    • Woman

    Wolfmother

    Track from: Wolfmother

    [Modular/Interscope Records]

    Field 4 - Rock

    Category 18 - Best Metal Performance

    (For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

    • Redneck

    Lamb Of God

    Track from: Sacrament

    [Epic]

    • Colony Of Birchmen

    Mastodon

    Track from: Blood Mountain

    [Reprise/Relapse Records]

    • Lies, Lies, Lies

    Ministry

    Track from: Rio Grande Blood

    [13th Planet Records/Megaforce Records]

    • Eyes Of The Insane

    Slayer

    Track from: Christ Illusion

    [American]

    • 30/30-150

    Stone Sour

    [Roadrunner Records]

    Field 4 - Rock

    Category 19 - Best Rock Instrumental Performance

    (For solo, duo, group or collaborative performances, without vocals. Includes Rock, Hard Rock and Metal. Singles or Tracks only.)

    • Chun Li's Flying Bird Kick

    Arctic Monkeys

    [Domino Recording]

    • The Wizard Turns On...

    The Flaming Lips

    Track from: At War With The Mystics

    [Warner Bros.]

    • Black Hole Sun

    Peter Frampton

    [A&M Records/New Door Records]

    • Catsellorizon

    David Gilmour

    Track from: On An Island

    [Columbia]

    • Super Colossal

    Joe Satriani

    Track from: Super Colossal

    [Epic]

    Field 4 - Rock

    Category 20 - Best Rock Song

    (A Songwriter(s) Award. Includes Rock, Hard Rock & Metal songs. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • Chasing Cars

    Nathan Connolly, Gary Lightbody, Jonny Quinn, Tom Simpson & Paul Wilson,

    songwriters (Snow Patrol)

    Track from: Eyes Open

    [A&M Records; Publisher: Big Life Music.]

    • Dani California

    Flea, John Frusciante, Anthony Kiedis & Chad Smith, songwriters (Red Hot Chili

    Peppers)

    Track from: Stadium Arcadium

    [Warner Bros.; Publisher: Moebetoblame Music.]

    • Lookin' For A Leader

    Neil Young, songwriter (Neil Young)

    Track from: Living With War

    [Reprise; Publisher: Silver Fiddle Music.]

    • Someday Baby

    Bob Dylan, songwriter (Bob Dylan)

    Track from: Modern Times

    [Columbia; Publisher: Bob Dylan.]

    • When You Were Young

    Brandon Flowers, Dave Keuning, Mark Stoermer & Ronnie Vannucci, songwriters (The

    Killers)

    [Island Records; Publisher: Universal-Polygram Int.]

    Field 4 - Rock

    Category 21 - Best Rock Album

    (Vocal or Instrumental. Includes Hard Rock and Metal.)

    • Try!

    John Mayer Trio

    [Aware/Columbia]

    • Highway Companion

    Tom Petty

    [American]

    • Broken Boy Soldiers

    The Raconteurs

    [V2/Third Man Records]

    • Stadium Arcadium

    Red Hot Chili Peppers

    [Warner Bros.]

    • Living With War

    Neil Young

    [Reprise]

    Field 5 - Alternative

    Category 22 - Best Alternative Music Album

    (Vocal or Instrumental.)

    • Whatever People Say I Am, That's What I'm Not

    Arctic Monkeys

    [Domino Recording]

    • At War With The Mystics

    The Flaming Lips

    [Warner Bros.]

    • St. Elsewhere

    Gnarls Barkley

    [Downtown/Atlantic]

    • Show Your Bones

    Yeah Yeah Yeahs

    [Interscope Records]

    • The Eraser

    Thom Yorke

    [XL Recordings]

    Field 6 - R&B

    Category 23 - Best Female R&B Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • Ring The Alarm

    Beyoncé

    Track from: B'Day

    [Sony Urban Music/Columbia]

    • Be Without You

    Mary J. Blige

    Track from: The Breakthrough

    [Geffen Records]

    • Don't Forget About Us

    Mariah Carey

    Track from: The Emancipation Of Mimi (Ultra Platinum Edition)

    [Island Records]

    • Day Dreaming

    Natalie Cole

    Track from: Leavin'

    [Verve Records]

    • I Am Not My Hair

    India.Arie

    Track from: Testimony: Vol. 1, Life & Relationship

    [Motown Records]

    Field 6 - R&B

    Category 24 - Best Male R&B Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • Heaven

    John Legend

    Track from: Once Again

    [Columbia/GOOD/Sony Urban Music]

    • So Sick

    Ne-Yo

    Track from: In My Own Words

    [Def Jam Recordings]

    • Black Sweat

    Prince

    Track from: 3121

    [Universal Records]

    • I Call It Love

    Lionel Richie

    Track from: Coming Home

    [Island Def Jam Recordings]

    • Got You Home

    Luther Vandross

    [J Records/Epic/Legacy Recordings]

    Field 6 - R&B

    Category 25 - Best R&B Performance By A Duo Or Group With Vocals

    (For duo, group or collaborative performances, with vocals. Singles or Tracks only.)

    • Breezin'

    George Benson & Al Jarreau

    Track from: Givin' It Up

    [Concord Records/Monster Music]

    • Love Changes

    Jamie Foxx Featuring Mary J. Blige

    Track from: Unpredictable

    [J Records]

    • Everyday (Family Reunion)

    Chaka Khan, Gerald Levert, Yolanda Adams & Carl Thomas

    Track from: Madea's Family Reunion - Music From The Motion Picture

    [Motown Records]

    • Family Affair

    (Sly & The Family Stone), John Legend, Joss Stone With Van Hunt

    Track from: Different Strokes By Different Folks

    [Epic/Legacy Recordings]

    • Beautiful, Loved And Blessed

    Prince & Támar

    Track from: 3121

    [Universal Records]

    Field 6 - R&B

    Category 26 - Best Traditional R&B Vocal Performance

    (For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

    • Christmas Time Is Here

    Anita Baker

    Track from: Christmas Fantasy

    [Blue Note Records]

    • God Bless The Child

    George Benson & Al Jarreau Featuring Jill Scott

    Track from: Givin' It Up

    [Concord Records/Monster Music]

    • I Found My Everything

    Mary J. Blige Featuring Raphael Saadiq

    Track from: The Breakthrough

    [Geffen Records]

    • You Are So Beautiful

    Sam Moore Featuring Billy Preston, Zucchero, Eric Clapton & Robert Randolph

    Track from: Overnight Sensational

    [Rhino Entertainment]

    • How Sweet It Is (To Be Loved By You)

    The Temptations

    Track from: Reflections

    [New Door Records]

    Field 6 - R&B

    Category 27 - Best Urban/Alternative Performance

    (For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

    • Crazy

    Gnarls Barkley

    Track from: St. Elsewhere

    [Downtown/Atlantic]

    • That Heat

    Segio Mendes Featuring Erykah Badu & Will.i.am

    Track from: Timeless

    [Concord Records/Hear Music]

    • Mas Que Nada

    Sergio Mendes Featuring The Black Eyed Peas

    Track from: Timeless

    [Concord Records/Hear Music/Will.i.am music]

    • Idlewild Blue (Don't Chu Worry 'Bout Me)

    Outkast

    Track from: Idlewild

    [La Face Records/Zomba Label Group]

    • 3121

    Prince

    Track from: 3121

    [Universal Records]

    Field 6 - R&B

    Category 28 - Best R&B Song

    (A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • Be Without You

    Johnta Austin, Mary J. Blige, Bryan-Michael Cox & Jason Perry, songwriters (Mary

    J. Blige)

    Track from: The Breakthrough

    [Geffen Records; Publishers: Chrysalis Music, Mary J. Blige Music, Naked Under My Clothes Music, Universal Music Corp., Babyboy's Little Publishing, Jason's Lyrics, Noontime South, Reach Global Tunes, WB Music.]

    • Black Sweat

    Prince, songwriter (Prince)

    Track from: 3121

    [Universal Records; Publisher: Controversy Music.]

    • Deja Vu

    Shawn Carter, Rodney "Darkchild" Jerkins, Beyoncé Knowles, Makeba, Keli Nicole

    Price & Delisha Thomas, songwriters (Beyoncé Featuring Jay-Z)

    [Sony Urban Music/Columbia; Publishers: Beyoncé Publishing, EMI Blackwood Music, 23000 Music Publishing, Makeba Yoga Flames Music/Janice Combs Publishing/EMI Blackwood, Price Tag, EMI April Music/Carter Boys Publishing.]

    • Don't Forget About Us

    Johnta Austin, Mariah Carey, Bryan-Michael Cox & Jermaine Dupri, songwriters

    (Mariah Carey)

    Track from: The Emancipation Of Mimi (Ultra Platinum Edition)

    [Island Records; Publishers: Rye Songs, Shaniah Cymone Music, EMI April Music, Babyboy's Little Publishing Company, Noontime South, Naked Under My Clothes, Chrysalis Music.]

    • I Am Not My Hair

    Drew Ramsey, Shannon Sanders & India Arie Simpson, songwriters (India.Arie)

    Track from: Testimony: Vol. 1, Life & Relationship

    [Motown Records; Publishers: Gold & Iron Music, Wang Out Music Sony, Combustion Windswept, Noka International/Famous Music.]

    Field 6 - R&B

    Category 29 - Best R&B Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • The Breakthrough

    Mary J. Blige

    [Geffen Records]

    • Unpredictable

    Jamie Foxx

    [J Records]

    • Testimony: Vol. 1, Life & Relationship

    India.Arie

    [Motown Records]

    • 3121

    Prince

    [Universal Republic]

    • Coming Home

    Lionel Richie

    [Island Def Jam Recordings]

    Field 6 - R&B

    Category 30 - Best Contemporary R&B Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • B'Day

    Beyoncé

    [Sony Urban Music/Columbia]

    • Chris Brown

    Chris Brown

    [Jive Records/Zomba Label Group]

    • 20 Y.O.

    Janet Jackson

    [Virgin Records]

    • Kelis Was Here

    Kelis

    [Jive Records/Zomba Label Group/Dope Entertainment]

    • In My Own Words

    Ne-Yo

    [Def Jam Recordings]

    Field 7 - Rap

    Category 31 - Best Rap Solo Performance

    (For a solo Rap performance. Singles or Tracks only.)

    • Touch It

    Busta Rhymes

    Track from: The Big Bang

    [Aftermath/Interscope Records]

    • We Run This

    Missy Elliott

    Track from: The Cookbook

    [Goldmind/Atlantic]

    • Kick, Push

    Lupe Fiasco

    Track from: Lupe Fiasco's Food & Liquor

    [1st & 15th/Atlantic]

    • Undeniable

    Mos Def

    [Geffen Records]

    • What You Know

    T.I.

    Track from: King

    [Grand Hustle/Atlantic]

    Field 7 - Rap

    Category 32 - Best Rap Performance By A Duo Or Group

    (For duo, group or collaborative performances of Rap only. Singles or Tracks only.)

    • Ridin

    Chamillionaire Featuring Krayzie Bone

    [Universal Records]

    • Georgia

    Ludacris & Field Mob (Featuring Jamie Foxx)

    Track from: Ludacris Presents...Disturbing Tha Peace And From Field Mob - Light Poles And Pine Trees

    [DTP/Geffen/Def Jam Recordings]

    • Grillz

    Nelly Featuring Paul Wall, Ali & Gipp

    Track from: Sweatsuit

    [Universal Records]

    • Mighty "O"

    Outkast

    [La Face/Zomba Label Group]

    • Don't Feel Right

    The Roots

    [Def Jam Recordings]

    Field 7 - Rap

    Category 33 - Best Rap/Sung Collaboration

    (For a Rap/Sung collaborative performance by artists who do not normally perform together. Singles or Tracks only.)

    • Smack That

    Akon Featuring Eminem

    [SRC/Universal Records]

    • Deja Vu

    Beyoncé Featuring Jay-Z

    [Sony Urban Music/Columbia]

    • Shake That

    Eminem Featuring Nate Dogg

    Track from: Curtain Call - The Hits

    [Aftermath/Shady/Interscope Records]

    • Unpredictable

    Jamie Foxx Featuring Ludacris

    Track from: Unpredictable

    [J Records]

    • My Love

    Justin Timberlake Featuring T.I.

    Track from: FutureSex/LoveSounds

    [Jive Records/Zomba Label Group]

    Field 7 - Rap

    Category 34 - Best Rap Song

    (A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • It's Goin' Down

    Chadron Moore & Jasiel Robinson, songwriters (Yung Joc)

    Track from: New Joc City

    [Bad Boy South; Publishers: Granny Man Publishing, Malik/Mekhi Music, Basement Funk, Regina's Son Music.]

    • Kick, Push

    Wasalu Muhammad Jaco, songwriter (Lupe Fiasco)

    Track from: Lupe Fiasco's Food & Liquor

    [1st & 15th/Atlantic; Publishers: Hey Lu Chill Music/Heavy as Heaven, 1st & 15th Publishing/Mr. Lopez Music.]

    • Money Maker

    Christopher Bridges & Pharrell Williams, songwriters (Ludacris Featuring

    Pharrell)

    Track from: Release Therapy

    [Disturbing The Peace/Def Jam Recordings; Publishers: EMI Blackwood Music, Waters of Nazareth Publishing.]

    • Ridin

    Anthony Henderson, J. Slainas, O. Salinas & Hakeem Seriki, songwriters

    (Chamillionaire Featuring Krayzie Bone)

    [Universal Records; Publishers: Chamilitary Camp Music, Play-N-Skilz Music, EMI Publishing.]

    • What You Know

    A. Davis & Clifford Harris, songwriters; (Donny Hathaway, Leroy Hutson & Curtis

    Mayfield, songwriters) (T.I.)

    Track from: King

    [Grand Hustle/Atlantic; Publishers: Club Crown Publishing, Toomp Stone Publishing, Careers-BMG Music, WB Music Corp., Warner-Tamerlane Publishing.]

    Field 7 - Rap

    Category 35 - Best Rap Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Lupe Fiasco's Food & Liquor

    Lupe Fiasco

    [1st & 15th/Atlantic]

    • Release Therapy

    Ludacris

    [Disturbing Tha Peace]

    • In My Mind

    Pharrell

    [Star Trak/Interscope Records]

    • Game Theory

    The Roots

    [Def Jam Recordings]

    • King

    T.I.

    [Grand Hustle/Atlantic]

    Field 8 - Country

    Category 36 - Best Female Country Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • Kerosene

    Miranda Lambert

    Track from: Kerosene

    [Epic]

    • I Still Miss Someone

    Martina McBride

    [RCA Nashville]

    • Something's Gotta Give

    LeAnn Rimes

    Track from: This Woman

    [Curb Records]

    • Jesus, Take The Wheel

    Carrie Underwood

    Track from: Some Hearts

    [Arista/Arista Nashville/19]

    • I Don't Feel Like Loving You Today

    Gretchen Wilson

    [Epic Nashville]

    Field 8 - Country

    Category 37 - Best Male Country Vocal Performance

    (For a solo vocal performance. Singles or Tracks only.)

    • Every Mile A Memory

    Dierks Bentley

    [Capitol Records Nashville]

    • The Reason Why

    Vince Gill

    [MCA Nashville]

    • The Seashores Of Old Mexico

    George Strait

    Track from: Somewhere Down In Texas

    [MCA Nashville]

    • Would You Go With Me

    Josh Turner

    Track from: Your Man

    [MCA Nashville]

    • Once In A Lifetime

    Keith Urban

    [Capitol Records Nashville]

    Field 8 - Country

    Category 38 - Best Country Performance By A Duo Or Group With Vocal

    (For established duos or groups with vocals. Singles or Tracks only.)

    • Not Ready To Make Nice

    Dixie Chicks

    Track from: Taking The Long Way

    [Open Wide/Columbia]

    • Heaven's My Home

    The Duhks

    Track from: Migrations

    [Sugar Hill Records]

    • Boondocks

    Little Big Town

    Track from: The Road To Here

    [Equity Music Group]

    • What Hurts The Most

    Rascal Flatts

    Track from: Me And My Gang

    [Lyric Street Records]

    • Leave The Pieces

    The Wreckers

    Track from: Stand Still - Look Pretty

    [Maverick]

    Field 8 - Country

    Category 39 - Best Country Collaboration With Vocals

    (For a collaborative performance, with vocals, by artists who do not normally perform together. Singles or Tracks only.)

    • Who Says You Can't Go Home

    Bon Jovi & Jennifer Nettles

    Track from: Have A Nice Day

    [Island]

    • Tomorrow Is Forever

    Solomon Burke & Dolly Parton

    Track from: Nashville

    [Shout! Factory]

    • Calling Me

    Kenny Rogers & Don Henley

    Track from: Water & Bridges

    [Capitol Records Nashville]

    • Midnight Angel

    Rhonda Vincent & Bobby Osborne

    Track from: All American Bluegrass Girl

    [Rounder]

    • Love Will Always Win

    Trisha Yearwood & Garth Brooks

    Track from: Jasper County

    [MCA Nashville]

    Field 8 - Country

    Category 40 - Best Country Instrumental Performance

    (For solo, duo, group or collaborative performances, without vocals. Singles or Tracks only.)

    • Jerusalem Ridge

    Casey Driessen

    Track from: 3D

    [Sugar Hill Records]

    • Gameshow Rag/Cannonball Rag

    Tommy Emmanuel

    Track from: The Mystery

    [Favored Nations Acoustic]

    • Whiskey Before Breakfast

    Bryan Sutton & Doc Watson

    Track from: Not Too Far From The Tree

    [Sugar Hill Records]

    • The Eleventh Reel

    Chris Thile

    Track from: How To Grow A Woman From The Ground

    [Sugar Hill Records]

    • Nature Of The Beast

    Jim VanCleve

    Track from: No Apologies

    [Rural Rhythm Records]

    Field 8 - Country

    Category 41 - Best Country Song

    (A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • Every Mile A Memory

    Brett Beavers, Dierks Bentley & Steve Bogard, songwriters (Dierks Bentley)

    [Capitol Records Nashville; Publishers: Dierks Bentley Publishing, Brett Beavers Publishing, Ensign Music, Rancho Papa Music.]

    • I Don't Feel Like Loving You Today

    Matraca Berg & Jim Collins, songwriters (Gretchen Wilson)

    [Epic Nashville; Publishers: Songs of Universal, Hannaberg Music, Warner-Tamerlane Publishing, Make Shift Music.]

    • Jesus, Take The Wheel

    Brett James, Hillary Lindsey & Gordie Sampson, songwriters (Carrie Underwood)

    Track from: Some Hearts

    [Arista/Arista Nashville/19; Publishers: Dimensional Music of 1091/Sony/ATV Cross Keys Publishing, Raylene Music/BPJ Administration, No Such Music, Passing Stranger Music/1609 Songs/Music of Windswept.]

    • Like Red On A Rose

    Melanie Castleman & Robert Lee Castleman, songwriters (Alan Jackson)

    Track from: Like Red On A Rose

    [Arista Nashville/Sony BMG; Publishers: Farm Use Only Music, Cassamel Music.]

    • What Hurts The Most

    Steve Robson & Jeffrey Steele, songwriters (Rascal Flatts)

    Track from: Me And My Gang

    [Lyric Street Records; Publishers: Gottahaveable Music, Songs of Windswept Pacific, Almo Music.]

    Field 8 - Country

    Category 42 - Best Country Album

    (Vocal or Instrumental.)

    • Taking The Long Way

    Dixie Chicks

    [Open Wide/Columbia]

    • Like Red On A Rose

    Alan Jackson

    [Arista Nashville/Sony BMG]

    • The Road To Here

    Little Big Town

    [Equity Music Group]

    • You Don't Know Me: The Songs Of Cindy Walker

    Willie Nelson

    [Lost Highway]

    • Your Man

    Josh Turner

    [MCA Nashville]

    Field 8 - Country

    Category 43 - Best Bluegrass Album

    (Vocal or Instrumental.)

    • Long List Of Heartaches

    The Grascals

    [Rounder]

    • Bluegrass

    Jim Lauderdale

    [Yep Roc]

    • Instrumentals

    Ricky Skaggs And Kentucky Thunder

    [Skaggs Family Records]

    • Live At The Ryman

    Marty Stuart And His Fabulous Superlatives

    [Superlatone Records/Universal South Records]

    • All American Bluegrass Girl

    Rhonda Vincent

    [Rounder]

    Field 9 - New Age

    Category 44 - Best New Age Album

    (Vocal or Instrumental.)

    • A Posteriori

    Enigma

    [Virgin Records]

    • Amarantine

    Enya

    [Reprise]

    • Beyond Words

    Gentle Thunder With Will Clipman & AmoChip Dabney

    [Delvian Records / GT Productions]

    • Elements Series: Fire

    Peter Kater

    [Real Music]

    • The Magical Journeys Of Andreas Vollenweider

    Andreas Vollenweider

    [Kin Kou/SLG Records]

    Field 10 - Jazz

    Category 45 - Best Contemporary Jazz Album

    (For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

    • The Hidden Land

    Béla Fleck & The Flecktones

    [Columbia]

    • People People Music Music

    Groove Collective

    [Savoy Jazz Worldwide]

    • Rewind That

    Christian Scott

    [Concord Jazz]

    • Sexotica

    Sex Mob

    [Thirsty Ear Recordings, Inc.]

    • Who Let The Cats Out?

    Mike Stern

    [Heads Up]

    Field 10 - Jazz

    Category 46 - Best Jazz Vocal Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Footprints

    Karrin Allyson

    [Concord Jazz]

    • Easy To Love

    Roberta Gambarini

    [Groovin' High/Kindred Rhythm]

    • Live At Jazz Standard With Fred Hersch

    Nancy King

    [Maxjazz]

    • From This Moment On

    Diana Krall

    [Verve]

    • Turned To Blue

    Nancy Wilson

    [MCG Jazz]

    Field 10 - Jazz

    Category 47 - Best Jazz Instrumental Solo

    (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.)

    • Some Skunk Funk

    Michael Brecker, soloist

    Track from: Some Skunk Funk (Randy Brecker w/Michael Brecker)

    [Telarc Jazz/BHM]

    • Paq Man

    Paquito D'Rivera, soloist

    Track from: From The Heart (Hilario Duran And His Latin Jazz Big Band)

    [Alma Records]

    • Freedom Jazz Dance

    Taylor Eigsti, soloist

    Track from: Lucky To Be Me

    [Concord Jazz]

    • Hippidy Hop (Drum Solo)

    Roy Haynes, soloist

    Track from: Whereas

    [Dreyfus Jazz]

    • Hope

    Branford Marsalis, soloist

    Track from: Braggtown

    [Marsalis Music/Rounder]

    Field 10 - Jazz

    Category 48 - Best Jazz Instrumental Album, Individual or Group

    (For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

    • Sound Grammar

    Ornette Coleman

    [Sound Grammar]

    • The Ultimate Adventure

    Chick Corea

    [Stretch Records]

    • Trio Beyond - Saudades

    Jack DeJohnette, Larry Goldings & John Scofield

    [ECM]

    • Beyond The Wall

    Kenny Garrett

    [Nonesuch]

    • Sonny, Please

    Sonny Rollins

    [Doxy Records]

    Field 10 - Jazz

    Category 49 - Best Large Jazz Ensemble Album

    (For large jazz ensembles, including big band sounds. Albums must contain 51% or more INSTRUMENTAL tracks.)

    • Some Skunk Funk

    Randy Brecker With Michael Brecker, Jim Beard, Will Lee, Peter Erskine, Marcio

    Doctor & Vince Mendoza conducting The WDR Big Band Köln

    [Telarc Jazz/BHM]

    • Spirit Music

    Bob Brookmeyer - New Art Orchestra

    [ArtistShare]

    • Streams Of Expression

    Joe Lovano Ensemble

    [Blue Note Records]

    • Live In Tokyo At The Blue Note

    Mingus Big Band

    [Sunnyside/Sue Mingus Music]

    • Up From The Skies - Music Of Jim McNeely

    The Vanguard Jazz Orchestra

    [Planet Arts Recordings]

    Field 10 - Jazz

    Category 50 - Best Latin Jazz Album

    (Vocal or Instrumental.)

    • Codes

    Ignacio Berroa

    [Blue Note Records]

    • Cubist Music

    Edsel Gomez

    [Zoho]

    • Simpático

    The Brian Lynch/Eddie Palmieri Project

    [ArtistShare]

    • Absolute Quintet

    Dafnis Prieto

    [Zoho]

    • Viva

    Diego Urcola, Edward Simon, Avishai Cohen, Antonio Sanchez & Pernell Saturnino

    [CAM Jazz]

    Field 11 - Gospel

    Category 51 - Best Gospel Performance

    (For solo, duo, group as collaborative performances. Singles or tracks with vocal containing Gospel lyrics. All genres of Gospel music are eligible.)

    • Victory

    Yolanda Adams

    Track from: The Gospel - Soundtrack

    [Verity Records]

    • Not Forgotten

    Israel & New Breed

    Track from: Alive In South Africa

    [Integrity Gospel]

    • The Blessing Of Abraham

    Donald Lawrence & The Tri-City Singers

    Track from: Finale Act One

    [EMI Gospel]

    • Made To Worship

    Chris Tomlin

    Track from: See The Morning

    [Sparrow Records/SixStepsRecords]

    • Victory

    Tye Tribbett & G.A.

    Track from: Victory Live!

    [Columbia, Sony Urban]

    Field 11 - Gospel

    Category 52 - Best Gospel Song

    (A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • The Blessing Of Abraham

    Donald Lawrence, songwriter (Donald Lawrence & The Tri-City Singers)

    Track from: Finale Act One

    [EMI Gospel; Publishers: QW Songs, Zomba Publishing.]

    • Imagine Me

    Kirk Franklin, songwriter (Kirk Franklin)

    [Fo Yo Soul/Verity/Zomba; Publishers: Zomba Songs, Kerrion Publishing, Lilly Mack Music.]

    • Mountain Of God

    Brown Bannister & Mac Powell, songwriters (Third Day)

    Track from: Wherever You Are

    [Essential Records; Publishers: Vandura 2500 Songs, New Spring (Zomba), Banistuci Music.]

    • Not Forgotten

    Israel Houghton & Aaron Lindsey, songwriters (Israel & New Breed)

    Track from: Alive In South Africa

    [Integrity Gospel; Publishers: Sound of the New Breed, Integrity's Praise! Music, Aaron Lindsey Publishing.]

    • Victory

    Tye Tribbett, songwriter (Tye Tribbett & G.A.)

    Track from: Victory Live!

    [Columbia, Sony Urban; Publisher: G.A.S. Music.]

    Field 11 - Gospel

    Category 53 - Best Rock Or Rap Gospel Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • DecembeRadio

    DecembeRadio

    [Slanted Records]

    • Where The Past Meets Today

    Sarah Kelly

    [Gotee Records]

    • Turn Around

    Jonny Lang

    [A&M Records]

    • End Of Silence

    Red

    [Essential Records]

    • Bone-A-Fide

    T-Bone

    [Bone Yard/Flicker Records]

    Field 11 - Gospel

    Category 54 - Best Pop/Contemporary Gospel Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Sound Of Melodies

    Leeland

    [Essential Records]

    • Coming Up To Breathe

    MercyMe

    [INO Records]

    • Wherever You Are

    Third Day

    [Essential Records]

    • See The Morning

    Chris Tomlin

    [Sixstepsrecords/sparrow]

    • Introducing Ayiesha Woods

    Ayiesha Woods

    [Gotee Records]

    Field 11 - Gospel

    Category 55 - Best Southern, Country, Or Bluegrass Gospel Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Kenny Bishop

    Kenny Bishop

    [Daywind Records]

    • Give It Away

    Gaither Vocal Band

    [Gaither Music Group]

    • Precious Memories

    Alan Jackson

    [ACR Records/Arista Nashville]

    • The Promised Land

    The Del McCoury Band

    [McCoury Music]

    • Glory Train

    Randy Travis

    [Word Records/Curb/Warner Bros.]

    Field 11 - Gospel

    Category 56 - Best Traditional Gospel Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • An Invitation To Worship

    Byron Cage

    [Zomba/Gospocentric]

    • Paved The Way

    The Caravans

    [Malaco Records]

    • Still Keeping It Real

    The Dixie Hummingbirds

    [MCG Records]

    • Alive In South Africa

    Israel & New Breed

    [Integrity Gospel]

    • Finalé Act One

    Donald Lawrence & The Tri-City Singers

    [EMI Gospel]

    Field 11 - Gospel

    Category 57 - Best Contemporary R&B Gospel Album

    (For albums containing 51% or more playing time of VOCAL tracks.)

    • Set Me Free

    Myron Butler & Levi

    [EMI Gospel]

    • Hero

    Kirk Franklin

    [Fo Yo Soul/Zomba]

    • A Timeless Christmas

    Israel And New Breed

    [Integrity Gospel]

    • This Is Me

    Kierra Kiki Sheard

    [EMI Gospel]

    • Victory Live!

    Tye Tribbett & G.A.

    [Columbia, Sony Urban]

    Field 12 - Latin

    Category 58 - Best Latin Pop Album

    (Vocal or Instrumental.)

    • Adentro

    Arjona

    [Norte/Sony BMG]

    • Lo Que Trajo El Barco

    Obie Bermúdez

    [EMI/Televisa]

    • Individual

    Fulano

    [FM Records]

    • Trozos De Mi Alma 2

    Marco Antonio Solis

    [Fonovisa Records]

    • Limón Y Sal

    Julieta Venegas

    [Norte/Sony BMG]

    Field 12 - Latin

    Category 59 - Best Latin Rock, Alternative Or Urban Album

    (Vocal or Instrumental.)

    • Lo Demás Es Plástico

    Black:Guayaba

    [OLE Music]

    • The Underdog/El Subestimado

    Tego Calderón

    [Jiggiri/Atlantic]

    • Calle 13

    Calle 13

    [Norte/Sony BMG]

    • Superpop Venezuela

    Los Amigos Invisibles

    [Gozadera Records]

    • Amar Es Combatir

    Maná

    [Warner Music Latina]

    Field 12 - Latin

    Category 60 - Best Tropical Latin Album

    (Vocal or Instrumental.)

    • Fuzionando

    Oscar D'Leon

    [Norte/Sony BMG]

    • Salsatón: Salsa Con Reggaetón

    Andy Montañez

    [Univision Music Group]

    • Hoy, Mañana Y Siempre

    Tito Nieves

    [Univision Music Group]

    • Directo Al Corazón

    Gilberto Santa Rosa

    [Norte/Sony BMG]

    • What You've Been Waiting For - Lo Que Esperabas

    Tiempo Libre

    [Shanachie Entertainment]

    Field 12 - Latin

    Category 61 - Best Mexican/Mexican-American Album

    (Vocal or Instrumental.)

    • Historias De Mi Tierra

    Pepe Aguilar

    [Norte/Sony BMG]

    • No Es Brujería

    Ana Bárbara

    [Fonovisa Records]

    • 25 Aniversario

    Mariachi Sol De Mexico De José Hernández

    [Venemusic]

    • A Toda Ley

    Pablo Montero

    [Univision Records]

    • Orgullo De Mujer

    Alicia Villarreal

    [Universal]

    Field 12 - Latin

    Category 62 - Best Tejano Album

    (Vocal or Instrumental.)

    • Sigue El Taconazo

    Chente Barrera

    [Q-Vo Records]

    • It's...All Right

    Jimmy Edward

    [On The Edge]

    • Live In Session

    Bob Gallarza

    [On The Edge]

    • All Of Me

    Jay Perez

    [Tejas Records]

    • Rebecca Valadez

    Rebecca Valadez

    [AMI Records Latin]

    Field 12 - Latin

    Category 63 - Best Norteño Album

    (Vocal or Instrumental.)

    • Algo De Mí

    Conjunto Primavera

    [Fonovisa Records]

    • Puro Pa' Arriba

    Los Huracanes Del Norte

    [Univision Records]

    • Historias Que Contar

    Los Tigres Del Norte

    [Fonovisa Records]

    • Piénsame Un Momento

    Pesado

    [Warner Music Latina]

    • Prefiero La Soledad

    Retoño

    [JB Records]

    Field 12 - Latin

    Category 64 - Best Banda Album

    (Vocal or Instrumental.)

    • 20 Mil Heridas

    Banda Machos

    [Warner Music Latina]

    • Mas Fuerte Que Nunca

    Banda El Recodo de Cruz Lizárraga

    [Fonovisa Records]

    • Amor Gitano

    Cuisillos

    [Musart]

    • A Mucha Honra

    Ezequiel Peña

    [Fonovisa Records]

    • Más Allá Del Sol

    Joan Sebástian

    [Musart]

    Field 13 - Blues

    Category 65 - Best Traditional Blues Album

    (Vocal or Instrumental.)

    • Brother To The Blues

    Tab Benoit With Louisiana's Leroux

    [Telarc Blues]

    • Bronx In Blue

    Dion

    [Razor & Tie]

    • People Gonna Talk

    James Hunter

    [Rounder]

    • Guitar Groove-A-Rama

    Duke Robillard

    [Stony Plain Records]

    • Risin' With The Blues

    Ike Turner

    [Zoho Roots]

    Field 13 - Blues

    Category 66 - Best Contemporary Blues Album

    (Vocal or Instrumental.)

    • Live From Across The Pond

    Robert Cray Band

    [Vanguard Records/Nozzle Records]

    • Sippiana Hericane

    Dr. John & The Lower 911

    [Blue Note Records]

    • Suitcase

    Keb' Mo'

    [Epic/One Haven/Red Ink]

    • Hope And Desire

    Susan Tedeschi

    [Verve Forecast]

    • After The Rain

    Irma Thomas

    [Rounder]

    Field 14 - Folk

    Category 67 - Best Traditional Folk Album

    (Vocal or Instrumental.)

    • I Stand Alone

    Ramblin' Jack Elliott

    [Anti]

    • Gonna Let It Shine

    Odetta

    [M.C. Records]

    • Adieu False Heart

    Linda Ronstadt & Ann Savoy

    [Vanguard Records]

    • We Shall Overcome - The Seeger Sessions

    Bruce Springsteen

    [Columbia]

    • A Distant Land To Roam

    Ralph Stanley

    [Columbia/DMZ]

    Field 14 - Folk

    Category 68 - Best Contemporary Folk/Americana Album

    (Vocal or Instrumental.)

    • Solo Acoustic Vol. 1

    Jackson Browne

    [Inside Recordings]

    • Black Cadillac

    Rosanne Cash

    [Capitol]

    • Workbench Songs

    Guy Clark

    [Dualtone Music Group]

    • Modern Times

    Bob Dylan

    [Columbia]

    • All The Roadrunning

    Mark Knopfler & Emmylou Harris

    [Warner Bros./Nonesuch]

    Field 14 - Folk

    Category 69 - Best Native American Music Album

    (Vocal or Instrumental.)

    • Voice Of The Drum

    Black Eagle

    [Soar]

    • Heart Of The Wind

    Robert Tree Cody & Will Clipman

    [Canyon Records]

    • American Indian Story

    Jana

    [Soar]

    • Long Winter Nights

    Northern Cree & Friends

    [Canyon Records]

    • Dance With The Wind

    Mary Youngblood

    [Silver Wave Records]

    Field 14 - Folk

    Category 70 - Best Hawaiian Music Album

    (Vocal or Instrumental.)

    • Generation Hawai'i

    Amy Hanaiali'i

    [Hanaiali'i Records]

    • Grandmaster Slack Key Guitar

    Ledward Ka'apana

    [Rhythm And Roots Records]

    • The Wild Hawaiian

    Henry Kapono

    [Eclectic Records]

    • Hawaiian Slack Key Kings

    Various Artists

    Chris Lau & Milton Lau, producers

    [Rhythm And Roots Records]

    • Legends Of Hawaiian Slack Key Guitar - Live From Maui

    Various Artists

    Daniel Ho, George Kahumoku, Jr., Paul Konwiser & Wayne Wong, producers

    [Daniel Ho Creations]

    Field 15 - Reggae

    Category 71 - Best Reggae Album

    (Vocal or Instrumental.)

    • Too Bad

    Buju Banton

    [Gargamel Music, Inc.]

    • Love Is My Religion

    Ziggy Marley

    [Tuff Gong Worldwide]

    • Youth

    Matisyahu

    [Epic/Or/JDub]

    • Rhythm Doubles

    Sly & Robbie

    [Taxi Records]

    • Who You Fighting For

    UB40

    [Rhino Entertainment]

    Field 16 - World Music

    Category 72 - Best Traditional World Music Album

    (Vocal or Instrumental.)

    • Music Of Central Asia Vol. 2: Invisible Face Of The Beloved: Classical Music Of The Tajiks And Uzbeks

    The Academy Of Maqâm

    [Smithsonian Folkways Recordings]

    • Endless Vision

    Hossein Alizadeh & Djivan Gasparyan

    [World Village]

    • Hambo In The Snow

    Andrea Hoag, Loretta Kelley & Charlie Pilzer

    [Azalea City Recordings]

    • Golden Strings Of The Sarode

    Aashish Khan & Zakir Hussain

    [Moment Records]

    • Blessed

    Soweto Gospel Choir

    [Shanachie]

    Field 16 - World Music

    Category 73 - Best Contemporary World Music Album

    (Vocal or Instrumental.)

    • Tiki

    Richard Bona

    [Decca]

    • M'Bemba

    Salif Keita

    [Decca]

    • Wonder Wheel

    The Klezmatics

    [Jewish Music Group]

    • Long Walk To Freedom

    Ladysmith Black Mambazo

    [Heads Up International]

    • Savane

    Ali Farka Toure

    [World Circuit/Nonesuch]

    Field 17 - Polka

    Category 74 - Best Polka Album

    (Vocal or Instrumental.)

    • Batteries Not Included

    Eddie Blazonczyk's Versatones

    [Bel-Aire Records]

    • As Sweet As Candy

    Lenny Gomulka & Chicago Push

    [Push Records]

    • Party Dress

    LynnMarie & The Boxhounds

    [Squeeze Record]

    • Good Friends Good Music

    Walter Ostanek & Fred Ziwich

    [Ranch Recordings]

    • Polka In Paradise

    Jimmy Sturr And His Orchestra

    [Rounder]

    Field 18 - Children's

    Category 75 - Best Musical Album For Children

    (For albums consisting of predominantly music or song vs. spoken word.)

    • Baby Einstein Meet The Orchestra

    Various Artists

    Ted Kryczko & Ed Mitchell, producers

    [Walt Disney Records]

    • Beethoven's Wig 3: Many More Sing Along Symphonies

    Beethoven's Wig

    [Rounder]

    • Catch That Train!

    Dan Zanes And Friends

    [Festival Five Records]

    • My Best Day

    Trout Fishing In America

    [Trout Records]

    • The Sunny Side Of The Street

    John Lithgow

    [Razor & Tie]

    Field 18 - Children's

    Category 76 - Best Spoken Word Album For Children

    (For albums consisting of predominantly spoken word vs. music or song.)

    • Blah Blah Blah: Stories About Clams, Swamp Monsters, Pirates & Dogs

    Bill Harley

    [Round River Records/Empyrean Records]

    • Christmas In The Trenches

    John McCutcheon

    [Peachtree Press]

    • Disney's Little Einsteins Musical Missions

    Various Artists

    Ted Kryczko & Ed Mitchell, producers

    [Walt Disney Records]

    • Peter Pan

    Jim Dale

    [Listening Library]

    • The Witches

    Lynn Redgrave

    [Harper Children's Audio]

    Field 19 - Spoken Word

    Category 77 - Best Spoken Word Album (Includes Poetry, Audio Books & Story Telling)

    (Narrated/dramatized books include authors' names in parenthesis for identification.)

    • I Shouldn't Even Be Doing This! (Bob Newhart)

    Bob Newhart

    [Hyperion Audiobooks]

    • New Rules - Polite Musings From A Timid Observer

    Bill Maher

    [Phoenix Audio]

    • Our Endangered Values: America's Moral Crisis (Jimmy Carter)

    Jimmy Carter

    [Simon & Schuster Audio]

    • The Truth (With Jokes) (Al Franken)

    Al Franken

    [Brilliance Audio]

    • With Ossie And Ruby: In This Life Together (Ossie Davis & Ruby Dee)

    Ossie Davis & Ruby Dee

    [Time Warner]

    Field 20 - Comedy

    Category 78 - Best Comedy Album

    (For comedy recordings, spoken or musical)

    • Blue Collar Comedy Tour - One For The Road

    Bill Engvall, Ron White, Jeff Foxworthy & Larry The Cable Guy

    [Warner Bros.]

    • The Carnegie Hall Performance

    Lewis Black

    [Comedy Central Records]

    • Life Is Worth Losing

    George Carlin

    [Atlantic]

    • Straight Outta Lynwood

    "Weird Al" Yankovic

    [Volcano/Zomba Label Group]

    • You Can't Fix Stupid

    Ron White

    [Image Entertainment]

    Field 21 - Musical Show

    Category 79 - Best Musical Show Album

    (Award to the Album Producer(s), and to the Lyricist(s) & Composer(s) of 51% or more of a new score. (Artist, Lyricist & Composer names appear in parenthesis.))

    • The Color Purple

    Jay David Saks, producer; Stephen Bray, Brenda Russell & Allee Willis,

    composers/lyricists (Original Broadway Cast With LaChanze, Elisabeth

    Withers-Mendes & Others)

    [Angel Records]

    • The Drowsy Chaperone

    Kurt Deutsch, Joel Moss & Phil Reno, producers; Lisa Lambert & Greg Morrison,

    composers/lyricists (Original Broadway Cast With Bob Martin, Sutton Foster, Beth

    Leavel & Others)

    [Ghostlight]

    • Jersey Boys

    Bob Gaudio, producer (Bob Gaudio, composer; Bob Crewe, lyricist) (Original

    Broadway Cast With Christian Hoff, Daniel Reichard, J. Robert Spencer, John

    Lloyd Young & Others)

    [Rhino]

    • The Pajama Game

    Harry Connick, Jr. & Tracey Freeman, producers (Richard Adler & Jerry Ross,

    composers/lyricists) (New Broadway Cast With Harry Connick, Jr., Kelli O'Hara &

    Others)

    [Columbia]

    • Sweeney Todd - The Demon Barber of Fleet Street

    Tommy Krasker, producer (Stephen Sondheim, composer/lyricist) (Broadway Cast

    With Patti LuPone, Michael Cerveris & Others)

    [Nonesuch]

    Field 22 - Film/TV/Visual Media

    Category 80 - Best Compilation Soundtrack Album For Motion Picture, Television Or Other Visual Media

    (Award to the Artist(s) and/or Producer(s) of a majority of the tracks on the album, or to the individual(s) actively responsible for the concept and musical direction and for the selection of artists, songs and producers, as applicable.)

    • Brokeback Mountain

    Various Artists

    [Verve Forecast]

    • Cars

    Various Artists

    [Walt Disney Records/Pixar]

    • Grey's Anatomy - Volume 2

    Various Artists

    [Hollywood Records]

    • Little Miss Sunshine

    Various Artists

    [Lakeshore Records]

    • Walk The Line

    Joaquin Phoenix & Various Artists

    [Wind-Up Records]

    Field 22 - Film/TV/Visual Media

    Category 81 - Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media

    (Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series or other visual media.)

    • The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe

    Harry Gregson-Williams, composer

    [Walt Disney Records]

    • The Da Vinci Code

    Hans Zimmer, composer

    [Decca]

    • Memoirs Of A Geisha

    John Williams, composer

    [Sony Classical]

    • Munich

    John Williams, composer

    [Decca]

    • Pirates Of The Caribbean - Dead Man's Chest

    Hans Zimmer, composer

    [Walt Disney Records]

    Field 22 - Film/TV/Visual Media

    Category 82 - Best Song Written For Motion Picture, Television Or Other Visual Media

    (A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • Can't Take It In (From The Chronicles Of Narnia - The Lion, The Witch & The Wardrobe)

    Imogen Heap, songwriter (Imogen Heap)

    [Walt Disney Records; Publishers: Walt Disney Music, Rondor Music.]

    • I Need To Wake Up (From An Inconvenient Truth)

    Melissa Etheridge, songwriter (Melissa Etheridge)

    [Island Def Jam; Publisher: Songs of Ridge Road.]

    • Our Town (From Cars)

    Randy Newman, songwriter (James Taylor)

    [Walt Disney Records/Pixar; Publishers: Walt Disney Music, Pixar Talking Pictures.]

    • There's Nothing Like A Show On Broadway (From The Producers)

    Mel Brooks, songwriter (Nathan Lane & Matthew Broderick)

    [Sony Classical; Publisher: Mel Brooks Music.]

    • Travelin' Thru (From Transamerica)

    Dolly Parton, songwriter (Dolly Parton)

    [Nettwerk Records; Publisher: Velvet Apple Music.]

    Field 23 - Composing/Arranging

    Category 83 - Best Instrumental Composition

    (A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.)

    • Argument

    Taylor Eigsti, composer (Taylor Eigsti)

    Track from: Lucky To Be Me

    [Concord Jazz]

    • A Concerto In Swing

    Patrick Williams, composer (The Henry Mancini Institute Orchestra & Big Band)

    Track from: Elevation

    [Concord Records]

    • A Prayer For Peace

    John Williams, composer (John Williams)

    Track from: Munich - Soundtrack

    [Decca Records]

    • Sayuri's Theme And End Credits

    John Williams, composer (John Williams, Yo-Yo Ma & Itzhak Perlman)

    Track from: Memoirs Of A Geisha - Soundtrack

    [Sony Classical]

    • Valentine

    Fred Hersch, composer (Fred Hersch)

    Track from: In Amsterdam: Live At The Bimhuis

    [Palmetto Records]

    Field 23 - Composing/Arranging

    Category 84 - Best Instrumental Arrangement

    (An Arranger's Award. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • Attack Of The Killer Tomatoes

    Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)

    Track from: The Phat Pack

    [Immergent]

    • Three Ghouls

    Chick Corea, arranger (Chick Corea)

    Track from: The Ultimate Adventure

    [Stretch Records]

    • Three Women

    Gil Goldstein, arranger (Gil Goldstein)

    Track from: Under Rousseau's Moon

    [Half Note]

    • Tom & Eddie

    Patrick Williams, arranger (The Henry Mancini Institute Orchestra & Big Band)

    Track from: Elevation

    [Concord Records]

    • Up From The Skies

    Jim McNeely, arranger (The Vanguard Jazz Orchestra)

    Track from: Up From The Skies - Music Of Jim McNeely

    [Planet Arts Recordings]

    Field 23 - Composing/Arranging

    Category 85 - Best Instrumental Arrangement Accompanying Vocalist(s)

    (An Arranger's Award. (Artist names appear in parenthesis.) Singles or Tracks only.)

    • For Once In My Life

    Jorge Calandrelli, arranger (Tony Bennett & Stevie Wonder)

    Track from: Duets: An American Classic

    [RPM Records/Columbia]

    • Good Morning Heartache

    Gil Goldstein & Greg Phillinganes, arrangers (Chris Botti & Jill Scott)

    Track from: To Love Again - The Duets

    [Columbia Records]

    • My Flame Burns Blue (Blood Count)

    Vince Mendoza, arranger (Elvis Costello With The Metropole Orkest)

    Track from: My Flame Burns Blue

    [Deutsche Grammophon]

    • Stardust

    Slide Hampton, arranger (Dizzy Gillespie All-Star Big Band)

    Track from: Dizzy's Business

    [MCG Jazz]

    • Suninga

    Gil Goldstein, arranger (Gil Goldstein)

    Track from: Under Rousseau's Moon

    [Half Note]

    Field 24 - Package

    Category 86 - Best Recording Package

    • The Best Worst-Case Scenario

    Ryan Clark, art director (Fair)

    [Tooth & Nail Records]

    • Personal File

    Randall Martin, art director (Johnny Cash)

    [Columbia/Legacy Recordings]

    • Reprieve

    Ani DiFranco & Brian Grunert, art directors (Ani DiFranco)

    [Righteous Babe Records]

    • 10,000 Days

    Adam Jones, art director (Tool)

    [Tool Dissectional/Volcano/Zomba Label Group]

    • Versions

    Neal Ashby & Matthew Curry, art directors (Thievery Corporation)

    [ESL Music]

    Field 24 - Package

    Category 87 - Best Boxed Or Special Limited Edition Package

    • The Cellar Door Sessions 1970

    Howard Fritzson, Dan Ichimoto & Seth Rothstein, art directors (Miles Davis)

    [Columbia/Legacy Recordings]

    • Fonotone Records

    Susan Archie & Henry Owings, art directors (Various Artists)

    [Dust-To-Digital]

    • A Life Less Lived - The Gothic Box

    Hugh Brown & Jean Krikorian, art directors (Various Artists)

    [Rhino Entertainment]

    • One Kiss Can Lead To Another: Girl Group Sounds Lost & Found

    Hugh Brown, Sheryl Farber & Maria Villar, art directors (Various Artists)

    [Rhino Entertainment]

    • Stadium Arcadium

    Flea, John Frusciante, Anthony Kiedis, Chad Smith & Matt Taylor, art directors

    (Red Hot Chili Peppers)

    [Warner Bros.]

    Field 25 - Album Notes

    Category 88 - Best Album Notes

    • Good For What Ails You: Music Of The Medicine Shows, 1926-1937

    Marshall Wyatt, album notes writer (Various Artists)

    [Old Hat Records]

    • If You Got To Ask, You Ain't Got It!

    Dan Morgenstern, album notes writer (Fats Waller)

    [Bluebird/Legacy Recordings]

    • Lost Sounds: Blacks And The Birth Of The Recording Industry 1891-1922

    Tim Brooks, album notes writer (Various Artists)

    [Archeophone Records]

    • Pirate Radio

    Ben Edmonds, album notes writer (Pretenders)

    [Rhino Entertainment/Warner Bros./Sire Records]

    • There Is A Season

    David Fricke, album notes writer (The Byrds)

    [Columbia/Legacy Recordings]

    Field 26 - Historical

    Category 89 - Best Historical Album

    • Good For What Ails You: Music Of The Medicine Shows, 1926-1937

    Marshall Wyatt, compilation producer; Christopher King, mastering engineer

    (Various Artists)

    [Old Hat Records]

    • Lost Sounds: Blacks And The Birth Of The Recording Industry 1891-1922

    Meagan Hennessey & Richard Martin, compilation producers; Tim Brooks, David

    Giovannoni & Richard Martin, mastering engineers (Various Artists)

    [Archeophone Records]

    • One Kiss Can Lead To Another: Girl Group Sounds Lost & Found

    Sheryl Farber & Gary Stewart, compilation producers; Dan Hersch, Bill Inglot &

    Dave Schultz, mastering engineers (Various Artists)

    [Rhino Entertainment]

    • Poetry On Record: 98 Poets Read Their Work (1888-2006)

    Rebekah Presson Mosby, compilation producer; Randy Perry, mastering engineer

    (Various Artists)

    [Shout! Factory]

    • Rockin' Bones: 1950's Punk & Rockabilly

    James Austin & Cheryl Pawelski, compilation producers; Bill Inglot & Dave

    Schultz, mastering engineers (Various Artists)

    [Rhino Entertainment]

    Field 27 - Production, Non-Classical

    Category 90 - Best Engineered Album, Non-Classical

    (An Engineer's Award. (Artists names appear in parenthesis.))

    • Adieu False Heart

    Gary Paczosa, engineer (Linda Ronstadt & Ann Savoy)

    [Vanguard Records]

    • At War With The Mystics

    The Flaming Lips & Dave Fridmann, engineers (The Flaming Lips)

    [Warner Bros. Records]

    • Like Red On A Rose

    Brandon Bell, Terry Christian & Gary Paczosa, engineers (Alan Jackson)

    [Arista Nashville]

    • The Phat Pack

    Marcelo Penell, Dave Sharenow & Tommy Vicari, engineers (Gordon Goodwin's Big

    Phat Band)

    [Immergent]

    • Suitcase

    Rik Pekkonen & John Porter, engineers (Keb' Mo')

    [Epic/One Haven/Red Ink]

    Field 27 - Production, Non-Classical

    Category 91 - Producer Of The Year, Non-Classical

    (A Producer's Award. (Artists names appear in parenthesis.))

    • Howard Benson

    • Every Man For Himself (Hoobastank) (A)

    • Flyleaf (Flyleaf) (A)

    • In With The Out Crowd (Less Than Jake) (A)

    • One-X (Three Days Grace) (A)

    • The Paramour Sessions (Papa Roach) (A)

    • Popaganda (Head Automatica) (A)

    • Saosin (Saosin) (A)

    • T Bone Burnett

    • Thunderbird (Cassandra Wilson) (A)

    • The True False Identity (T Bone Burnett) (A)

    • Walk The Line - Soundtrack (Joaquin Phoenix & Various Artists) (A)

    • Danger Mouse

    • Pieces Of The People We Love (The Rapture) (T)

    • St. Elsewhere (Gnarls Barkley) (A)

    • Rick Rubin

    • American V: A Hundred Highways (Johnny Cash) (A)

    • God's Gonna Cut You Down (Johnny Cash) (T)

    • Stadium Arcadium (Red Hot Chili Peppers) (A)

    • Taking The Long Way (Dixie Chicks) (A)

    • 12 Songs (Neil Diamond) (A)

    • Will.i.am

    • About You (Mary J. Blige Featuring Will.i.am) (T)

    • Big Girls Don't Cry (Fergie) (T)

    • Damn Girl (Justin Timberlake Featuring Will.i.am) (T)

    • I Am Somebody (Santana Featuring Will.i.am) (T)

    • I Love My B**** (Busta Rhymes Featuring Kelis & Will.i.am) (T)

    • Mas Que Nada (Sergio Mendes Featuring The Black Eyed Peas) (T)

    • Timeless (Sergio Mendes) (A)

    Field 27 - Production, Non-Classical

    Category 92 - Best Remixed Recording, Non-Classical

    (A Remixer's Award. (Artists names appear in parenthesis for identification.) Singles or Tracks only.)

    • Be Without You (Moto Blanco Vocal Mix)

    Moto Blanco, remixer (Mary J. Blige)

    [Geffen Records]

    • Damage Thorn (Buick Project Remix)

    Buick Project, remixers (Tiefschwarz & Tracey Thorn)

    [Fine/Four Music Productions]

    • Deja Vu (Freemasons Club Mix - No Rap)

    Russell Small & James Wiltshire, remixers (Beyoncé)

    [Columbia/Sony Urban Music]

    • Talk (Thin White Duke Mix)

    Jacques Lu Cont, remixer (Coldplay)

    Track from: Talk Remix EP

    [Capitol Records]

    • World Hold On (E-Smoove Remix)

    E-Smoove, remixer (Bob Sinclair)

    [Ultra Records]

    Field 28 - Surround Sound

    Category 93 - Best Surround Sound Album

    (For vocal or instrumental albums. Albums only.)

    • Immortal Nystedt

    Morten Lindberg & Hans Peter L'Orange, surround mix engineers; Morten Lindberg,

    surround mastering engineer; Morten Lindberg, surround producer (Ensemble 96

    Conducted By Øystein Fevang)

    [2L]

    • Long Walk To Freedom

    Martin Walters, surround mix engineer; Martin Walters, surround mastering

    engineer; Martin Walters, surround producer (Ladysmith Black Mambazo)

    [Heads Up International]

    • Morph The Cat

    Elliot Scheiner, surround mix engineer; Darcy Proper, surround mastering

    engineer; Donald Fagen, surround producer (Donald Fagen)

    [Reprise Records]

    • Straight Outta Lynwood

    Tony Papa, surround mix engineer; Bernie Grundman, surround mastering engineer;

    Al Yankovic, surround producer ("Weird Al" Yankovic)

    [Volcano/Zomba Label Group]

    • A Valid Path

    P.J. Olsson & Alan Parsons, surround mix engineers; Bob Michaels, surround

    mastering engineer; Alan Parsons, surround producer (Alan Parsons)

    [Immergent]

    Field 29 - Production, Classical

    Category 94 - Best Engineered Album, Classical

    (An Engineer's Award. (Artist names appear in parenthesis.))

    • Elgar: Enigma Variations; Britten: The Young Person's Guide To The Orchestra, Four Sea Interludes

    Michael Bishop, engineer (Paavo Järvi & Cincinnati Symphony Orchestra)

    [Telarc]

    • Látigo

    Leslie Ann Jones, engineer (Quartet San Francisco)

    [Violinjazz Recordings]

    • Mahler: Symphony No. 2

    Wolf-Dieter Karwatky & Rainer Maillard, engineers (Pierre Boulez, Wiener

    Philharmoniker, Christine Schäfer, Michelle DeYoung & Wiener Singverein)

    [Deutsche Grammophon]

    • Requiem

    John Newton, engineer (Craig Hella Johnson & Conspirare)

    [Clarion Records]

    • Vaughan Williams: Mass In G Min., And Other A Cappella Works

    Jack Renner, engineer (Norman Mackenzie & Atlanta Symphony Orchestra Chamber

    Chorus)

    [Telarc]

    Field 29 - Production, Classical

    Category 95 - Producer Of The Year, Classical

    (A Producer's Award. (Artist names appear in parenthesis.))

    • Manfred Eicher

    • Honegger/Martinù/Bach/Pintscher/Ravel (Frank Peter Zimmermann & Heinrich

    Schiff)

    • Kurtág: Kafka-Fragmente (Juliane Banse & András Keller)

    • Nuove Musiche (Rolf Lislevand, Arianna Savall, Pedro Estevan, Bjørn Kjellemyr,

    Guido Morini, Marco Ambrosini & Thor-Harald Johnsen)

    • Schubert: String Quartet G Maj. (Gidon Kremer & Kremerata Baltica)

    • Silvestrov/Pärt/Ustvolskaya: Misterioso (Alexei Lubimov, Alexander Trostiansky

    & Kyrill Rybakov)

    • Stephen Johns

    • Angel Dances (12 Cellists Of Berliner Philharmoniker)

    • Holst: The Planets (Sir Simon Rattle & Berliner Philharmoniker)

    • Schubert: Symphony No. 9 'The Great' (Sir Simon Rattle & Berliner

    Philharmoniker)

    • Shostakovich: Violin Concerto No. 1; Prokofiev: Violin Concerto No. 1 (Sarah

    Chang & Simon Rattle)

    • Vivaldi: Flute Concertos (Emmanuel Pahud & Richard Tognetti)

    • James Mallinson

    • Beethoven: Symphonies Nos. 1-9 (Bernard Haitink & London Symphony Orchestra)

    • Elgar: The Dream Of Gerontius (Sir Colin Davis, Anne Sofie Von Otter, Alastair

    Miles, David Rendall, London Symphony Chorus & London Symphony Orchestra)

    • Prokofiev: The Complete Symphonies (Valery Gergiev & London Symphony

    Orchestra)

    • Sibelius: Kullervo (Sir Colin Davis, Monica Groop, Peter Mattei, London

    Symphony Chorus & London Symphony Orchestra)

    • Smetana: Má Vlast (Sir Colin Davis & London Symphony Orchestra)

    • Elaine Martone

    • Del Tredici: Paul Revere's Ride; Theofanidis: The Here And Now; Bernstein:

    Lamentation (Robert Spano, Norman Mackenzie, Hila Plitmann & Atlanta Symphony

    Orchestra And Chorus)

    • Elgar: Enigma Variations; Britten: The Young Person's Guide To The Orchestra,

    Four Sea Interludes (Paavo Järvi & Cincinnati Symphony Orchestra)

    • Gershwin: Rhapsody In Blue (Michel Camilo, Ernest Martinez Izquierdo &

    Barcelona Symphony Orchestra)

    • Mahler: Symphony No. 1, Songs Of A Wayfarer (Benjamin Zander, Christopher

    Maltman & Philharmonia Orchestra)

    • Renaissance Favorites For Guitar (David Russell)

    • Sid McLauchlan

    • Beethoven: Symphonies Nos. 5 & 7 (Gustavo Dudamel & Simón Bolívar Youth

    Orchestra Of Venezuela)

    • Golijov: Ainadamar: Fountain Of Tears (Robert Spano, Kelley O'Connor, Women Of

    The Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra & Dawn

    Upshaw)

    • Italia, Ti Amo (Plácido Domingo, Eugene Kohn & Budapest Philharmonic

    Orchestra)

    • Simple Gifts (Bryn Terfel)

    • Wagner: Excerpts From 'The Ring Of The Nibelung' (Ben Heppner, Peter

    Schneider, Burkhard Ulrich & Staatskapelle Dresden)

    Field 30 - Classical

    Category 96 - Best Classical Album

    (Award to the Artist(s) and to the Album Producer(s) if other than the Artist.)

    • Beethoven: Symphonies Nos. 1-9

    Bernard Haitink, conductor; James Mallinson, producer (London Symphony

    Orchestra)

    [LSO Live]

    • Lieberson: Rilke Songs, The Six Realms, Horn Concerto

    David Starobin, producer (Justin Brown & Donald Palma; Michaela Fukacova,

    Lorraine Hunt Lieberson & William Purvis; Peter Serkin; The Odense Symphony

    Orchestra)

    [Bridge Records, Inc.]

    • Mahler: Symphony No. 7

    Michael Tilson Thomas, conductor; Andreas Neubronner, producer (San Francisco

    Symphony)

    [San Francisco Symphony]

    • Martha Argerich And Friends: Live From The Lugano Festival 2005

    Martha Argerich And Friends; Ulrich Ruscher, producer

    [EMI Classics]

    • Mozart: La Clemenza Di Tito

    René Jacobs, conductor; Marie-Claude Chappuis, Bernarda Fink, Sergio Foresti,

    Sunhae Im, Mark Padmore & Alexandrina Pendatchanska; Martin Sauer, producer

    (Freiburger Barockorchester)

    [Harmonia Mundi]

    Field 30 - Classical

    Category 97 - Best Orchestral Performance

    (Award to the Conductor and to the Orchestra.)

    • Bax: Tone Poems

    Vernon Handley, conductor (BBC Philharmonic)

    [Chandos]

    • Glazunov: Symphonies 4 & 7

    José Serebrier, conductor (Royal Scottish National Orchestra)

    [Warner Classics]

    • Mahler: Symphony No. 6 In A Min.

    Iván Fischer, conductor (Budapest Festival Orchestra)

    [Channel Classics]

    • Mahler: Symphony No. 7

    Michael Tilson Thomas, conductor (San Francisco Symphony)

    [San Francisco Symphony]

    • Prokofiev: The Complete Symphonies

    Valery Gergiev, conductor (London Symphony Orchestra)

    [Philips]

    Field 30 - Classical

    Category 98 - Best Opera Recording

    (Award to the Conductor, Album Producer(s) and Principal Soloists.)

    • Bennett: The Mines Of Sulphur

    Stewart Robertson, conductor; Brian Anderson, Dorothy Byrne, Beth Clayton,

    Kristopher Irmiter, Brandon Jovanovich, James Maddalena, Michael Todd Simpson &

    Caroline Worra; Blanton Alspaugh, producer (Glimmerglass Opera Orchestra)

    [Chandos]

    • Golijov: Ainadamar: Fountain Of Tears

    Robert Spano, conductor; Kelley O'Connor & Dawn Upshaw; Valérie Gross & Sid

    McLauchlan, producers (Women Of The Atlanta Symphony Orchestra Chorus; Atlanta

    Symphony Orchestra)

    [Deutsche Grammophon]

    • Mozart: La Clemenza Di Tito

    René Jacobs, conductor; Marie-Claude Chappuis, Bernarda Fink, Sergio Foresti,

    Sunhae Im, Mark Padmore & Alexandrina Pendatchanska; Martin Sauer, producer

    (RIAS Kammerchor; Freiburger Barockorchester)

    [Harmonia Mundi]

    • Smetana: The Bartered Bride

    Sir Charles Mackerras, conductor; Yvette Bonner, Paul Charles Clarke, Neal

    Davies, Susan Gritton, Kit Hesketh-Harvey, Yvonne Howard, Robin Leggate, Diana

    Montague, Geoffrey Moses, Timothy Robinson & Peter Rose; Brian Couzens, producer

    (The Royal Opera Chorus; Philharmonia Orchestra)

    [Chandos Opera In English]

    • Verdi: La Traviata

    Carlo Rizzi, conductor; Thomas Hampson, Anna Netrebko & Rolando Villazón; Rainer

    Maillard, producer (Konzertvereinigung Wiener Staatsopernchor; Wiener

    Philharmoniker)

    [Deutsche Grammophon]

    Field 30 - Classical

    Category 99 - Best Choral Performance

    (Award to the Choral Conductor, and to the Orchestra Conductor if an Orchestra is on the recording, and to the Choral Director or Chorus Master if applicable.)

    • Immortal Nystedt

    Øystein Fevang, conductor (Bærum Vokalensemble & Ensemble 96)

    [2L]

    • Mozart: Great Mass In C Min.

    Paul McCreesh, conductor (Sarah Connolly, Neal Davies, Timothy Robinson &

    Camilla Tilling; Gabrieli Consort; Gabrieli Consort & Players)

    [Deutsche Grammophon]

    • Pärt: Da Pacem

    Paul Hillier, conductor (Estonian Philharmonic Chamber Choir)

    [Harmonia Mundi]

    • Requiem

    Craig Hella Johnson, conductor (Conspirare)

    [Clarion Records]

    • Whitacre: Cloudburst And Other Choral Works

    Stephen Layton, conductor (Thomas Guthrie, Elin Manahan Thomas & Simon Wall;

    Polyphony)

    [Hyperion]

    Field 30 - Classical

    Category 100 - Best Instrumental Soloist(s) Performance (with Orchestra)

    (Award to the Instrumental Soloist(s) and to the Conductor.)

    • Brahms: The Piano Concertos

    Riccardo Chailly, conductor; Nelson Freire (Gewandhausorchester)

    [Decca]

    • Henze: Violin Concertos Nos. 1 And 3

    Christopher Lyndon-Gee, conductor; Peter Sheppard Skaerved (Saarbrücken Radio

    Symphony Orchestra)

    [Naxos]

    • Messiaen: Oiseaux Exotiques (Exotic Birds)

    John McLaughlin Williams, conductor; Angelin Chang (Cleveland Chamber Symphony)

    Track from: Cleveland Chamber Symphony: Music That Dares To Explore, Vol. 6

    [TNC]

    • Rachmaninov: Piano Concertos 1 & 2

    Antonio Pappano, conductor; Leif Ove Andsnes (Berliner Philharmoniker)

    [EMI Classics]

    • Schmidt: Concertos

    Ole Schmidt, conductor; Ulla Miilmann (Danish National Symphony Orchestra / DR)

    [Dacapo Records]

    Field 30 - Classical

    Category 101 - Best Instrumental Soloist Performance (without Orchestra)

    (Award to the Instrumental Soloist.)

    • Bach: The Sonatas And Partitas For Violin Solo

    Gidon Kremer

    [ECM New Series]

    • Bacheler: The Bachelar's Delight

    Paul O’Dette

    [Harmonia Mundi]

    • Beethoven: The Piano Sonatas, Vol. II

    András Schiff

    [ECM New Series]

    • Chopin: Nocturnes

    Maurizio Pollini

    [Deutsche Grammophon]

    • Primrose: Viola Transcriptions

    Roberto Díaz (Robert Koenig)

    [Naxos]

    Field 30 - Classical

    Category 102 - Best Chamber Music Performance

    (Award to the Artists.)

    • Chamber Works For Winds And Strings By Mozart

    The Chicago Chamber Musicians

    [Summit Records]

    • Corigliano: Violin Sonata, Etude Fantasy

    Andrew Russo (Corey Cerovsek & Steven Heyman)

    [Black Box]

    • Intimate Voices

    Emerson String Quartet

    [Deutsche Grammophon]

    • Martha Argerich And Friends: Live From The Lugano Festival 2005

    Martha Argerich And Friends

    [EMI Classics]

    • Shostakovich: Piano Trios 1 & 2, Seven Romances On Verses By Alexander Blok

    Beaux Arts Trio

    [Warner Classics]

    Field 30 - Classical

    Category 103 - Best Small Ensemble Performance

    (Award to the Ensemble (and to the Conductor.))

    • Angel Dances

    12 Cellists Of Berliner Philharmoniker

    [EMI Classics]

    • Ikon

    Harry Christophers, conductor; The Sixteen

    [Decca]

    • Miguel De Cervantes - Don Quijote De La Mancha - Romances Y Músicas

    Jordi Savall, conductor; Hespèrion XXI & La Capella Reial De Catalunya

    [Alia Vox]

    • Padilla: Sun Of Justice

    Peter Rutenberg, conductor; Los Angeles Chamber Singers' Cappella

    [RCM - Rubedo Canis Musica]

    • Shostakovich/Sviridov/Vainberg: Chamber Symphonies

    Yuri Bashmet; Moscow Soloists

    [Onyx Classics]

    Field 30 - Classical

    Category 104 - Best Classical Vocal Performance

    (Award to the Vocal Soloist(s).)

    • Britten: Song Cycles

    Ian Bostridge (Sir Simon Rattle; Radek Baborák; Berliner Philharmoniker)

    [EMI Classics]

    • Canciones Argentinas

    Bernarda Fink & Marcos Fink (Carmen Piazzini)

    [Harmonia Mundi]

    • Consider, My Soul

    Thomas Quasthoff (Sebastian Weigle; Staatskapelle Dresden)

    [Deutsche Grammophon]

    • Rilke Songs

    Lorraine Hunt Lieberson (Peter Serkin)

    Track from: Lieberson: Rilke Songs, The Six Realms, Horn Concerto

    [Bridge Records, Inc.]

    • Songs Of Amy Beach

    Patrick Mason (Joanne Polk)

    [Bridge Records, Inc.]

    Field 30 - Classical

    Category 105 - Best Classical Contemporary Composition

    (A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.))

    • Boston Concerto

    Elliott Carter (Oliver Knussen)

    Track from: The Music Of Elliott Carter, Vol. Seven

    [Bridge Records, Inc.]

    • Golijov: Ainadamar: Fountain Of Tears

    Osvaldo Golijov (Robert Spano)

    [Deutsche Grammophon]

    • The Here And Now

    Christopher Theofanidis (Robert Spano)

    Track from: Del Tredici: Paul Revere's Ride; Theofanidis: The Here And Now; Bernstein: Lamentation

    [Telarc]

    • Paul Revere's Ride

    David Del Tredici (Robert Spano)

    Track from: Del Tredici: Paul Revere's Ride; Theofanidis: The Here And Now; Bernstein: Lamentation

    [Telarc]

    • A Scotch Bestiary

    James MacMillan (James MacMillan)

    Track from: MacMillan: A Scotch Bestiary, Piano Concerto No. 2

    [Chandos]

    Field 30 - Classical

    Category 106 - Best Classical Crossover Album

    (Award to the Artist(s) and/or to the Conductor.)

    • The Film Music Of Erich Wolfgang Korngold

    Rumon Gamba, conductor (BBC Philharmonic)

    [Chandos]

    • Invention & Alchemy

    David Lockington, conductor; Deborah Henson-Conant (The Grand Rapids Symphony)

    [Golden Cage Music]

    • Látigo

    Quartet San Francisco (John Santos)

    [Violinjazz Recordings]

    • Simple Gifts

    Bryn Terfel (London Voices; London Symphony Orchestra)

    [Deutsche Grammophon]

    • Song Zu Ying: The Diva Goes To The Movies

    Song Zu Ying (China National Symphony Orchestra)

    [JB Audiophile]

    Field 31 - Music Video

    Category 107 - Best Short Form Music Video

    (For an individual track or single promotional clip. Award to the Artist and to the Video Director/Producer.)

    • 8th Of November

    Big & Rich

    Robert Deaton, George Flanigen & Marc Oswald, video directors; Robert Deaton,

    George Flanigen, Steve Lamar & Marc Oswald, video producers

    [Warner Bros.]

    • When You Were Young

    The Killers

    Anthony Mandler, video director; Gina Leonard, video producer

    [Island Def Jam]

    • Here It Goes Again

    OK Go

    Dan Konopka, Damian Kulash, Jr, Timothy Nordwind, Andy Ross & Trish Sie, video

    directors; Dan Konopka, Damien Kulash, Jr., Timothy Nordwind, Andy Ross & Trish

    Sie, video producers

    [Capitol]

    • Dani California

    Red Hot Chili Peppers

    Tony Kaye, video director; Rachel Curl, video producer

    [Warner Bros.]

    • Writing On The Walls

    Underoath

    [Solid State/Tooth & Nail]

    Field 31 - Music Video

    Category 108 - Best Long Form Music Video

    (For video album packages consisting of more than one song or track. Award to the Artist and to the Video Director/Producer of at least 51% of the total playing time.)

    • Flow: Living In The Stream Of Music

    Terence Blanchard

    Jim Gabour, video director; Robin Burgess & Jim Gabour, video producers

    [Jazziz Music & Video]

    • Directions

    Death Cab For Cutie

    Noah Gelb, video producer

    [Atlantic]

    • Demon Days - Live In Manchester

    Gorillaz

    J.C. Hewlett, video director

    [Virgin]

    • I'm Going To Tell You A Secret

    Madonna

    Jonas Akerlund, video director; Susan Applegate, Angela Becker, Keeley Gould,

    Shelli Jury & David May, video producers

    [Warner Bros.]

    • Wings For Wheels: The Making Of Born To Run

    Bruce Springsteen

    Thom Zimny, video director; Thom Zimny, video producer

    [Columbia]

    [ Yahoo! ] options

    December 05, 2006

    Travel News

     

     Jan 16

    Maureen McGovern to Headline Amazing Cast on Crystal's 2007 World Cruise Finale

    LOS ANGELES, Jan. 16  With its inimitable style, luxury cruise specialist Crystal Cruises will conclude its World Cruise 2007 this spring with a stellar line-up of entertaining enrichment. Befitting the final sojourn of Crystal Serenity's 109-day global odyssey, Grammy-nominated songstress/actress Maureen McGovern joins the NFL's winningest coach Don Shula, former Presidential Press Secretary Marlin Fitzwater and Chef Christopher Eme of L.A.'s acclaimed Ortolan, among others.

    Traveling from Rome to London, April 19 - May 1, 2007, the 12-day port- intensive itinerary explores the wonders of Western Europe with calls in Italy, Spain, Portugal and Morocco, highlighted by an overnight visit in Bordeaux, France.

    Adding to the allure of the destination, onboard enrichment programming includes French language lessons by Berlitz, music instruction by Yamaha, digital photo editing and an array of college level computer classes through Computer University@Sea, scrapbooking as part of the line's Masterpiece Art Program, dance classes, golf instruction from a PGA golf pro, and much more.

    "This level of talent showcasing stars of song, sport and cuisine combined with our renowned enrichment programming and lecture series is indicative of the amazing caliber of speakers and classes found on a Crystal World Cruise," says Bill Smith, Crystal's senior vice president, sales and marketing.

    Other speakers confirmed for the eighth and final leg of Crystal's World Cruise 2007 include Ken Blanchard, author of The One Minute Manager, dietician/broadcast journalist Carolyn O'Neil and nautical archaeologist Robyn Woodward.

    World Voyage fares for this itinerary begin at $5,835, per person, double occupancy, and include special World Cruise gifts, a complimentary shore excursion and exclusive parties. Low business class airfares are available with bookings made by March 31, 2007.

    Aboard Crystal Serenity, rated best mid-sized ship by the readers of Conde Nast Traveler magazine, refined elegance meets casual simplicity. With an emphasis on innovative product differentiation, the renowned Crystal experience is distinguished by classic service, abundant space, extensive choices, and quality, providing worldwide vacations that bridge the best of land and sea.

    For additional information, please contact a travel agent or call 888-799-4625. Visit the luxury line's website at www.crystalcruises.com.

    MGM Grand Dazzles the Travel Industry With the Most 2007 AAA Diamond Awards

    MGM Grand Earns 14 Diamond Designations for Exceptional Level of Hospitality and Service

    LAS VEGAS, Jan. 15 AAA has awarded MGM Grand more 2007 AAA Diamonds under one roof than any other hotel in the United States, Canada, the Caribbean and Mexico. These highly prestigious honors follow a multi-year evolution that has redefined MGM Grand as the ultimate Las Vegas experience.

      MGM Grand's coveted AAA Diamond accolades include:    * Five Diamond Award Winners:      - SKYLOFTS at MGM Grand       ** Sleek and elegant two-story accommodations atop MGM Grand      - Joel Robuchon       ** Sumptuous French cuisine by legendary Chef Joel Robuchon with two          distinct tasting menus and an a la carte menu    * Four Diamond Award Winners:      - MGM Grand Hotel & Casino       ** World's largest hotel to hold the AAA Four Diamond distinction      - L'Atelier de Joel Robuchon       ** The chef's celebrated cuisine in an accessible, informal style      - Fiamma Trattoria and Bar       ** A stylish outpost of the highly successful Manhattan restaurant          featuring regional Italian specialties      - NOBHILL       ** A Michael Mina restaurant inspired by the traditional neighborhood          restaurants throughout San Francisco and offers fresh products from          the Bay Area      - SEABLUE       ** Adam Tihany-designed restaurant with Michael Mina's fun and          innovative menu built around "jet fresh" seafood dishes and fresh          seasonal produce      - Craftsteak       ** Five-time James Beard award-winning Chef Tom Colicchio elevates the          definition of a steakhouse      - Shibuya       ** A Japanese dining experience using traditional ingredients with          modern techniques and an unrivaled sake cellar      - Pearl       ** Authentic Chinese specialties, live seafood and a product-driven          menu along with a tea trolley -- unique to Chinese restaurants in          the U.S.    * Three Diamond Award Winners:      - Diego       ** Bold vibrancy of traditional Mexican cuisine combined with          sophisticated sensibility for a thoroughly modern dining experience      - Grand Wok and Sushi Bar       ** A wide array of Asian cuisine created by chefs who specialize in          authentic Chinese, Japanese, Thai, Korean and Vietnamese dishes      - Emeril Lagasse's New Orleans Fish House       ** A welcoming atmosphere and 'new' New Orleans Seafood that Emeril          Lagasse has become synonymous with      - Wolfgang Puck Bar & Grill       ** Celebrity Chef Wolfgang Puck's restaurant that modernizes the          traditional "bar and grill" concept with fun and approachable          dining  

    Today's MGM Grand provides the best of everything visitors come to Las Vegas to find. Featuring star chefs and restaurants, exhilarating nightlife, top-name entertainment and luxurious accommodations, MGM Grand truly embodies "Maximum Vegas." With 5,044 guest rooms and suites, MGM Grand is the world's largest hotel to hold the AAA Four Diamond designation.

    "To be recognized as the U.S. property with the most AAA Diamond designations is a testament to the resort's quality of service and amenities and our commitment to delivering an unforgettable Las Vegas experience," said MGM Grand President & COO Gamal Aziz.

    MGM Grand has been transformed in recent years. The evolution of MGM Grand began in 2001 with the opening of Michael Mina's NOBHILL. In 2002, MGM Grand continued on the path to delivering exceptional culinary offerings with the introduction of Pearl, a contemporary Chinese dining experience, and Tom Colicchio's Craftsteak. MGM Grand set the Las Vegas nightlife scene on fire in 2003 with the February introduction of Tabu -- a chic, cosmopolitan ultra lounge designed by the renowned Jeffrey Beers.

    The outstanding restaurant introductions continued in 2003 with the opening of Stephen Hanson's Fiamma Trattoria and Michael Mina's SEABLUE. Wolfgang Puck Bar & Grill and Emeril Lagasse's New Orleans Fish House were redesigned offering fun and approachable dining. Diego -- Las Vegas' only AAA Three Diamond Mexican restaurant -- combines the bold vibrancy of traditional Mexican cuisine with sophisticated sensibility for a thoroughly modern dining experience. With the opening of Shibuya, MGM Grand brought together the finest culinary, beverage and design talent available to deliver the most creative Japanese dining experience in Las Vegas.

    In January 2005, MGM Grand unveiled SKYLOFTS -- a rare and private sanctuary of 51 two-story accommodations with expansive views of the Las Vegas skyline. SKYLOFTS provides the quintessential Loft environment and the height of personalized attention including Dream, Spa and Music Butlers, 24-hour concierge service, luggage packing and unpacking services, pre-engraved stationery and much more.

    In 2005 MGM Grand premiered Cirque du Soleil's KA, an awe-inspiring theatrical production that combines acrobatic performances, martial arts, puppetry, multimedia and pyrotechnics to illustrate the nature of duality.

    In March 2005, MGM Grand brought new gusto to the gaming world with the openings of its Race & Sports Book, a smoke-free poker room and Centrifuge, a 77-seat bar on the casino floor featuring live entertainment and an innovative drink menu. In the same month, West Wing, a 700-room, boutique-style wing of the resort, opened offering both style and comfort. The West Wing lobby features separate elevator access and a boutique as well as the West Wing Bar, a great place to hang out before or after a night out.

    Culinary history was made in Las Vegas with the opening of Joel Robuchon and L'Atelier de Joel Robuchon at MGM Grand in September 2005. These exceptional restaurants are the legendary chef's first dining ventures in the United States.

    Michael Geeser, AAA Nevada spokesperson, said, "MGM Grand is truly setting new marks in Las Vegas for style and service. The Strip property is absolutely raising the bar in its attention to detail while providing its customers with a fabulous experience."

    MGM Grand continues to evolve and meet the needs of the world's most discerning travelers. In June 2006, The Signature at MGM Grand opened as a luxurious all-suite hotel offering guests a serene retreat in a smoke-free, non-gaming environment where the focus is on personalized service. The Signature's Tower 2 debuted last month and Tower 3's anticipated opening is May 2007.

    Award-winning restaurants, world-class entertainment and a celebrated spa and salon combined with superior service, luxurious accommodations and a grand pool complex provide MGM Grand's "Maximum Vegas" experience and is the reason why the resort has received more AAA Diamonds than any other hotel in the U.S.

    AAA Diamond Awards

    AAA evaluates more than 57,000 hotels and restaurants across the United States, Canada, Mexico and the Caribbean each year. To receive a AAA Diamond award, hotels and restaurants must meet a list of strict criteria as determined by AAA tourism editors and trained professionals.

    MGM Grand

    For room availability and additional information on MGM Grand, call (800) 929-1111 or (702) 891-7777 or log onto www.mgmgrand.com.

    Source: MGM MIRAGE

     

    Record Year for Eurostar as More Travelers Switch From Airlines

    £518 Million in Sales -- up 11% Over 2005; 7.85 Million Travelers Carried -- up More Than 5%; 17% Increase in Passengers Buying Flexible Fares; Punctuality Reaches 91.5% -- up From 86.3% in 2005; Rail Europe North American Sales up 30% Each Month August-December January 12, 2007 -- Eurostar, the high-speed passenger train service linking the UK with France and Belgium, saw record sales and traveler numbers in 2006, as it attracted thousands of passengers from the airlines.

    Sales topped half a billion pounds for the first time, rising 11.7% from £463.8 million to £518.3 million. North American sales of Eurostar tickets by Rail Europe, Eurostar's official North American representative, increased 6% for the year, with exceptionally strong sales August-December, with an average monthly increase of 30%.

    A total of 7.86 million travelers chose Eurostar in 2006, up 5.4% over 2005. Of those, more than 200,000 bought tickets in North America from Rail Europe. Globally, the largest increase (17%) was in the number of passengers buying fully flexible Business Premier tickets. Rail Europe reports similarly a growth in the number of higher-priced flexible tickets sold in North America. More than 43% of Rail Europe's Eurostar tickets were sold in 2006 via the company's recently revamped Web sites.

    91.5% punctuality and new fare range help growth

    Punctuality in 2006 was a record 91.5%, far outstripping airline competitors on the London-Paris and London-Brussels routes. Latest figures from the UK's Civil Aviation Authority show that punctuality at London's airports remains around 70%, as in previous years.

    Increased security at airports since the summer and foggy weather in the UK before Christmas meant thousands of passengers switched from airlines to Eurostar. Many of these travelers were using Eurostar for the first time, and it is estimated that 1,000 business travelers per week have now permanently transferred from flying to taking the high-speed train.

    Another contributing factor to ticket sales growth was the introduction in August 2006 of a new fare range for Eurostar tickets in North America. The new range offers more options for low fares and fewer restrictions on lower-priced fares.

    "We believe that the combination of the new fare range, fast travel times, excellent punctuality, frequent service between city-centers and the lower hassle factor compared to air travel explains the very strong North American sales we saw in the last part of 2006," said Fabrice Morel, President and CEO of Rail Europe.

    Richard Brown, CEO of Eurostar, said: "Travelers are discovering that international connections are easier than they imagined. I am delighted at the strong growth in the number of business travelers, who are discovering the punctuality and productivity advantages that Eurostar offers compared with the experience of flying. Many more travelers are being attracted by the environmental benefits of using high-speed rail instead of short-haul air. We expect 2007 to be another good year."

    Traveling at speeds up to 186 mph, Eurostar currently makes the London-Paris journey in 2 hrs 35 min, London-Brussels in 2 hrs 15 minutes on the fastest schedules. Fares start at just $94 US/$110 CAD one-way between London-Paris (or London-Brussels). Travel times will shrink even more this November 14 when the last segment of UK high-speed track is completed. On November 14, 2007 Eurostar's London terminal moves overnight from Waterloo International and services will launch from the new central London station, St. Pancras International. More than 70 million travelers have ridden Eurostar since the launch of service in 1994.

    For more information visit www.eurostar.com or contact Rail Europe, Eurostar's official North American representative at www.raileurope.com (U.S.) or www.raileurope.ca (Canada) or call 1-800-EUROSTAR (1-800-387-6782) in the U.S. or Canada.

     

     

    Dec 22

    RailPass.com Announces Last Chance 10-Day Eurail Special and Free Cell Phone

    Book Eurail Passes Before Prices Rise in 2007, Plus Receive Free Shipping and Free International Cell Phone for Every Order Over $500

    December 22, 2006 -- Railpass.com, the one-stop-shop for rail tickets and passes covering Europe, Australasia, Asia and the Americas, is encouraging customers to take advantage of 2006 Eurail pass prices before prices rise in 2007. In addition to offering a wide selection of Eurail passes for travel within the first 6 months of 2007 at 2006 prices, which can offer savings of up to $150, Railpass.com will be offering free shipping on all purchases, as well as a free pre-loaded international cell phone on purchases over $500. Customers should act now -- the giveaways and specials start at 5 AM on December 22th and end December 31st at noon (eastern standard time).

    "Anyone planning to travel to Europe before June 30th should most definitely take action and buy their Eurail passes now," says Mike Fuller, President of Railpass.com. "We're happy to reward these wise customers with extras like free shipping and international cell phones to help them save money and have a great trip."

    Eurail News for 2007

    The Eurail network, which already covers Austria (including Lichtenstein), Belgium, Denmark, France (including Monaco), Germany, Greece, Hungary, Italy, Luxembourg, Norway, the Netherlands, Portugal, Republic of Ireland, Romania, Spain, Sweden and Switzerland, is due to further expand in 2007 with the Eurail National Pass, which is ideal for covering one country in depth, and will be available for the Benelux countries (including the Netherlands), Croatia, Ireland, Italy and Portugal. The Eurail Regional Passes, which allow unlimited travel within 2 bordering countries, will expand to include Austria, Hungary, Italy and Spain in addition to the 16 countries already available.

     

    Highlighted Links
    railpass.com

    About Railpass.com

    Railpass.com is the largest single rail pass and ticket outlet in the U.S., and over 100,000 rail travelers have purchased train travel products from Railpass.com. Recommended by the best-selling guidebooks, "Europe by Eurail" and "Britain by Britrail," Railpass.com's experienced agents have been helping fellow travellers for over 20 years. The Railpass.com call center (1-877-RAILPASS) and exclusive online help tools cut through the confusion of over 5,000 pass combinations, and passes can be shipped out the same day. In addition to unmatched experience and service, Railpass.com offers the choice of free guidebooks, discount coupons, accommodations or free shipping for all online orders over $349 US. Railpass.com is a division of Wandrian, Inc.

    For more information or to book rail tickets, go to: http://www.railpass.com

    About Wandrian, Inc.

    Wandrian is a leading global travel distributor and technology developer for rail products and services. Wandrian provides travel agents with a cost-effective, easy-to-use site for selling rail at RailAgent.com. The company provides technology, marketing, and fulfillment services to help lower distribution costs for railways and travel companies, and also powers specific international rail travel sites, including Italiarail.com. Wandrian, based in White Plains, NY, and with offices in Newton, MA, was founded in 2000, and is funded by Brook Venture Partners and Boston Capital Ventures. The company's customers and partners include many of the top international travel companies and railroads. For more information visit www.wandrian.com or call 617-630-0250 ext. 297.

    Wandrian, RailPass.com, RailAgent.com and RailAgent are trademarks of Wandrian, Inc. All other products and services are trademarks of their respective companies.

     

     

    LAX Officials Offer "Smart Traveler" Tips for Hassle-Free Holiday Travel

     December 22, 2006 -- More than 1.75 million travelers are expected to pass through Los Angeles International Airport (LAX) during the year-end holiday season between Friday, Dec. 22 through Tuesday, Jan. 2, 2007. Airport officials offer the following "Smart Traveler" tips for a hassle-free trip:

    Before arriving at LAX, passengers should remember:

    --  Do not pack or bring prohibited items to LAX, especially those that     resemble any type of weapon.  Replicas of guns, lighters shaped like guns,     belt buckles shaped like grenades, and other similar items delay passenger     or checked-luggage screening while officials determine whether or not these     items are real. --  Leave gifts or large boxes unwrapped for inspection. --  Wear footwear that can be easily removed for passenger security     screening. --  If packing liquids, gels and/or aerosols in carry-on bags, these items     must be in three-ounce-size or smaller containers, fit easily in a one-     quart-size plastic, zip-top bag, and one bag is permitted per passenger. --  Save time at check-in by obtaining boarding passes electronically from     airlines' Internet websites, especially if traveling with carry-on bags     only. --  Eliminate the hassles of driving and parking at the airport.  Take     shared-ride alternative transportation including taxis, door-to-door     shuttle vans, Van Nuys and Union Station FlyAway buses, public buses and     the Metro Rail Green Line. --  Because of varying winter weather conditions across the country, check     with your airline before leaving for the airport to ensure your flight is     on time. --  Tune to LAX AiRadio at 530 AM on the dial to listen to the latest     information on airport and freeway/roadway conditions near and in the     airport, airline terminal locations, current security conditions and     parking availability.     

    While at the airport, travelers should remember:

    --  Drop-off and pick-up is allowed at terminal curbside only, not in the     middle of traffic or along prohibited curbs.  Motorists cannot park or wait     for passengers at curbside.  Ask to be met or picked up in baggage claim     areas or terminal curbside on the Lower/Arrivals Level after claiming     checked luggage. --  Advise motorists meeting arriving passengers to take advantage of the     two hours free parking available in Economy Lots B and C and take the free     LAX shuttle buses to the terminals.  They can also wait at no cost at the     LAX Cellphone Waiting Lot at 9011 Airport Blvd. --  Place metallic items inside carry-on bags or the clear, plastic zip-     top bags provided by LAX at passenger screening checkpoints.  Metal items     include large watches, coins, keys, mobile phones, pens, pagers and     personal digital assistants. --  Remove outerwear, including suit jackets, sweaters and sweatshirts, at     passenger screening checkpoints. --  Do not agree to watch strangers' luggage or personal belongings. --  Watch personal belongings at all times. --  Report suspicious behavior to law enforcement or Transportation     Security Administration personnel.     

    LAX is one of four airports of Los Angeles World Airports, a City of Los Angeles department that also owns and operates LA/Ontario International, LA/Palmdale Regional and Van Nuys Airports 

     

    Dec 20

    The Transportation Security Administration (TSA) today urged travelers to plan ahead for air travel security procedures this holiday season.

    The agency has created a Holiday Checklist to assist passengers as they prepare for the screening process. By following a few simple guidelines travelers can help make passenger screening as efficient as possible.

    "The traveling public quickly incorporated new security procedures on liquids, gels and aerosols, which went a long way in ensuring Thanksgiving went very smoothly," said TSA Administrator Kip Hawley. "The end of the year holidays present a new set of challenges and we're asking the traveling public again to help us and use our Holiday Checklist when planning their next trip."

    TSA continues to encourage passengers to pack liquids, gels and aerosols in their checked luggage. If travelers need to travel with small amounts of liquids in their carry-on then they should remember the 3-1-1. That is all liquids, gels and aerosols in 3 ounce or smaller containers, those containers placed in a 1 quart, clear plastic, zip-top bag and 1 bag per passenger placed in a bin for screening.

      Additional tips on include:    * Do not over pack bags.  If security officers have to open them, closing     overstuffed bags can be difficult and may result in that checked bag     being delayed until a later flight.    * Travel with unwrapped gifts.  If a wrapped gift sets off an alarm, TSA     security officers will need to unwrap the gift to resolve the alarm.    * To minimize the risk of damage or loss, don't pack fragile or valuable     items in checked baggage. Take them with you in carry-on baggage, or     ship them to your destination instead.    * Keep in mind that many holiday foods like cake and pie have     characteristics similar to liquids, gels and aerosols.  These items are     permitted but may require further inspection.  If you are not sure if an     item is a liquid, gel or aerosol it is best to pack the item in your     checked bag or ship it to your destination in advance.    * When traveling with children, a discussion in advance of airport     security may be helpful.  At the checkpoint, children will need to     temporarily part with such things as blankets and stuffed animals, and     older children need to know that any comment suggesting a threat to an     aircraft or its passengers is taken seriously by TSA security officers.    * Passengers are required to remove their outer coats and jackets for X-     ray before proceeding through the metal detectors.  That includes suit     and sport coats, athletic warm-up jackets and blazers.    * All footwear must be removed and placed in the security bin for     screening.  

    These tips and others are available at http://www.tsa.gov/. The Web site has a prohibited items list, advice for packing and information on what types of jewelry, shoes or clothing may set off a metal detector. TSA has also partnered with airlines and airports to make the Holiday Checklist available at airport ticket counters and on airline Web sites.

     

     

     DALLAS, Dec 19, 2006 In the Spirit of making air transportation this Holiday Season as easy as possible, Southwest Airlines (NYSE: LUV) has prepared some Holiday Travel Tips for the many travelers who will take to the skies. Check out these helpful tips and much more on our media web site, http://www.swamedia.com , where we have also outlined the 'Top Ten Reasons To Fly This Holiday Season.'

         *  Give yourself plenty of time to get to and through the airport.
      Just         like your favorite shopping center, the lines at designated airport 
            parking areas, ticket counters, and security checkpoints get longer,  
           especially on peak travel days.  Though all airport personnel will be  
           diligently working to help you have a pleasant airport experience, we
             expect Thursday, December 21, 2006 through Wednesday, January 3, 2007  
           to be busier than usual.  We recommend arriving at the ticket counter   
          60 to 120 minutes before your flight's scheduled departure.  Click 
            suggested Airport Arrival Times to review each airport we serve.  
         *  Tools to help you breeze through the airport:  Getting to the airport   
          is one thing; moving through it is another.  That's why we recommend   
          that you check in online to help you get from the main entrance to the  
           designated departure gate more quickly.  (Even if you plan to check   
          luggage, you can still retrieve your Boarding Pass via southwest.com.)  
           We encourage our Ticketless Travel Customers to visit the Travel 
            Center to cancel, change, and/or rebook their flight reservations.  
           All ticketed Customers may contact Reservations (1-800-435-9792) for 
            additional assistance.  Please visit Flight Status Online for the   
          latest information regarding your flight.  You may also sign up for  
           our convenient Flight Status Messaging to receive the latest  
           information about your flight via e-mail, cell phone, or pager
    .       *  Carryon and Checked Baggage:  The Transportation Security   
          Administration (TSA) is currently limiting liquids, gels, and/or   
          aerosols in carryon baggage.  Customers are presently allowed to bring 
            with them one clear, transparent, resealable, 1 quart (1 liter) size, 
            plastic bag containing liquids, gels, and/or aerosols in containers of
             3 oz. (90ml) capacity or less per container.  (Most "travel size"  
           items found in grocery and convenience stores are 3 oz. or less.)  The 
            contents of the plastic bag must fit comfortably within and be   
          completely closed/sealed.  These items will be subjected to x-ray   
          inspection separate from the Customer's carryon bag.  Click to review 
            our Carryon Baggage Travel Tips.  All luggage is subject to    
         inspection, and regardless of the way it is packed or sealed, it may 
            have to be opened.  

    In addition to our normal baggage policies and procedures, please ensure that your name and contact information are displayed on your checked luggage (both inside and outside of the item). We recommend that you place a nametag (that includes a convenient phone number) on your carryon items. That way, we can attempt to return them should any get left behind. And, if possible, we encourage you to pack clothing for each person in each bag so that everyone has a change of clothes if a bag is misplaced. We also ask that you carry your keys and medicines on you (or in your carryon items) and not place them in your checked luggage.

         *  When In Doubt, Leave It Out.  If you're not sure whether an item will         be accepted past the security checkpoint, it's probably best to either         travel without it or pack it in your checked luggage.  For a list of         items that can and cannot be carried onboard the aircraft, we         encourage you to visit the TSA's web site to help reduce the amount of         time spent at the security checkpoint.       *  What to do if you misplace a copy of your Itinerary.  If you like         doing things yourself and have a Ticketless Travel Itinerary, then you         can utilize any of our RAPID CHECK-IN Kiosks to receive your Boarding         Pass.  Any of our Customer Service Agents will be able to assist in         printing the appropriate reservation documents and help you check in.       *  Proper Identification:  The Transportation Security Administration now         requires that all ticketed and traveling Customers (who appear to be         18 years and older) carry a government-issued photo ID.  Customers         will be asked to show identification at the security checkpoint.  In         addition to your photo ID, all Customers will be required to present a         Security Document or Boarding Pass at the security checkpoint in order         to proceed to the gate.       *  Traveling with children:  To ensure a pleasant travel experience for         parents traveling with small children, as well as for Unaccompanied         Minors, we ask you to take a few minutes and visit our Taking the         Kids(TM) travel link.       *  Meeting loved ones:  If you are meeting an Unaccompanied Minor or         Customers with disabilities, you must obtain a Gate Pass from the         ticket counter to get through the security checkpoint.  In order to         get a Gate Pass, you need to have a copy of your child's reservation         and your government-issued photo ID.  Please allow yourself plenty of         time to arrive at the gate early.  Those who are near and dear to you,         but are not Unaccompanied Minors, can be met only outside of the         security checkpoint.  We suggest that you discuss (before the trip) a         designated meeting point in the terminal building-such as the baggage         claim area.       *  Make a list, and check it twice.  It's a good idea to prepare a list         of all the things you plan to take with you.  This will reduce the         time it takes to pack and help you keep track of the items you take on         your trip.  Have a spare set of car and house keys made and leave them         with a trusted friend or neighbor.  Use a timer in your home so         designated lights and electronics will turn on and off while you're         away.  And before you leave the house, be sure you take the following         items with you:          -- Credit cards, ATM card, and cash, including one-dollar bills for            tips.         -- Drivers license and/or passport.         -- Ticketless confirmation number and/or Southwest Ticket.         -- Glasses, contacts, and sunglasses.         -- Temporary supply of needed medication.                             http://www.southwest.com 

     

    Dec 18 2006

    Holiday Travel Safety Tips Demonstration by Los Angeles Airport Police

    -- December 18, 2006 -- Los Angeles International Airport (LAX) is considered one of the safest airports in the world. In addition to quickly responding to incidents, Los Angeles Airport Police conducts programs visible to the public, as well as behind the scenes, which ensure the public's safety. With the holiday travel season here, Los Angeles Airport Police are educating the traveling public on what they can do to prevent themselves from becoming victims of crime.

    WHAT:          Los Angeles Airport Police will demonstrate "Travelers                Safety Tips" to educate the traveling public on how to                safely secure their belongings while at LAX.  WHY:           With the holiday travel season here, safety tips for                travelers who pass through LAX are important to prevent                them from becoming victims of thefts that may occur if                they do not watch their belongings at all times.  WHEN:     Tuesday, December 19, 2006, at 10:00 a.m.  WHO:       Los Angeles Airport Police Officers (uniformed and in                plain clothes). Officers will be available for                television/radio interviews in English and Spanish.  WHERE:    Bust of former Tom Bradley in front of the center door                on Upper/Departure Level LAX Tom Bradley International                Terminal   VISUALS:  Demonstrations of: (1) how to properly watch your bags                while waiting at an airline ticket counter; (2) how to                avoid being a victim of a distraction theft; (3) how to                secure your bags while waiting at boarding gates. 

    Norwegian Cruise Line Christens Norwegian Pearl - Its Newest Freestyle Cruising Vessel

    Emmy(R) Award-Winner Rosie O'Donnell Names the Ship on the Kick Off of the Company's 40th Anniversary Celebration

     Dec. 16  At an official ceremony at the Port of Miami today, popular talk show host and Emmy(R) Award-winner Rosie O'Donnell served as Godmother and christened Norwegian Cruise Line's (NCL) newest ship, Norwegian Pearl. The new 93,530-ton Freestyle Cruising vessel boasts an industry first -- a four-lane ten-pin bowling alley; and two NCL firsts -- a rock-climbing wall and two top-of-the-ship Deluxe Owner's Suites.

    The 5 p.m. christening ceremony took place alongside the striking Norwegian Pearl and included remarks from Star Cruises Chairman Tan Sri KT Lim, NCL Corporation President and CEO Colin Veitch and O'Donnell. Approximately 2,400 guests were in attendance for the ceremony that also commemorated the company's 40th birthday and kicked off a year-long birthday celebration.

    "We are pleased to have such a talented performer as Rosie O'Donnell serve as the ship's Godmother and help us welcome our newest Freestyle Cruising vessel, Norwegian Pearl, to the rapidly expanding NCL fleet," said Star Cruises Chairman Tan Sri KT Lim. "With all of her striking features, Norwegian Pearl illustrates how far NCL has come over the last 40 years as the industry's most innovative cruise line."

    "The first on-board bowling alley, coupled with the rest of the ship's irresistible amenities, make Norwegian Pearl one of the most exciting ships at sea," NCL Corporation's President and CEO Colin Veitch said. "Since initiating the first Caribbean cruise 40 years ago, NCL has blazed a trail of innovation in the cruise industry. Today, we continue that tradition by introducing our latest treasure, Norwegian Pearl."

    "I am proud to christen Norwegian Pearl and help NCL celebrate 40 successful years," O'Donnell said. "With their family-friendly accommodations and endless on-board activities and amenities, NCL has been an excellent partner for our R Family Vacations chartered cruises. I look forward to introducing my own family to Norwegian Pearl!"

    Norwegian Pearl accommodates 2,394 guests and includes a world of innovative features and amenities, including 10 restaurants, 13 bars and lounges, two swimming pools and a casino, among others. The ship is the seventh vessel purpose-built for NCL's signature Freestyle Cruising -- an approach to cruising unlike any other offered in the industry. Freestyle Cruising leaves regimented schedules behind, and is characterized by having no fixed dining times, no formal dress codes, relaxed disembarkation, up to 10 different restaurants and even more lounges, bars, theatres and other entertainment and activity options.

    NCL's industry first -- a four-lane, ten-pin bowling alley at sea -- is part of an all-new, all-day entertainment, sports bar and nightclub complex called Bliss Ultra Lounge and Night Club. During the day, Bliss is a sports bar with a bowling alley, multiple flat-screen televisions and arcade games. In the evening, Bliss transforms into a hip, high-energy ultra-lounge, with plasma screens playing video tracks to the non-stop music spun by Norwegian Pearl's own DJ. A spacious dance floor, full bar and mood-lit bowling all add to the atmosphere of a completely unique seagoing experience.

    Norwegian Pearl also features a rock climbing wall, another first for NCL. Constructed at the back of the ship's funnel on deck 14, the wall stands at an impressive 30 feet in height and 19 feet in width and has been designed with five different climbing routes, each with varying degrees of difficulty.

    Beginning in January, Norwegian Pearl will sail a five- and nine-day Western and Southern Caribbean schedule. Ports of call on the five-day Western Caribbean itinerary include stops in Cozumel, Mexico and Belize City, Belize. The nine-day Southern Caribbean route includes calls in Roseau, Dominica; Bridgetown, Barbados; Castries, St. Lucia; St. John's, Antigua; and Tortola, British Virgin Islands.

    The ship will then spend summer 2007 in Seattle, where she will sail a seven-day Alaska Inside Passage itinerary with calls in Juneau, Skagway and Ketchikan, Alaska; Glacier Bay; and Victoria, British Columbia. In fall 2007 through spring 2008, Norwegian Pearl returns to Miami and resumes her alternating five- and nine-day Western and

    Southern Caribbean sailings with a change in itineraries: on the five-day, Georgetown, Grand Cayman replaces Belize City, Belize; and on the nine-day, Samana, Dominican Republic replaces Roseau, Dominica.

    NCL Corporation Ltd. is an innovative cruise company headquartered in Miami, Florida, with a fleet of 15 ships in service and under construction. The corporation oversees the operations of Norwegian Cruise Line, NCL America, and Orient Lines. The company is currently building Norwegian Gem for delivery in October of 2007.

    In addition, NCL plans to build up to three new third generation Freestyle Cruising ships for delivery between 2009 and 2011. NCL is on target to have the youngest fleet in the industry by 2010, providing guests the opportunity to enjoy the flexibility of Freestyle Cruising on the newest, most contemporary ships at sea.

    For high resolution, downloadable images, please log onto NCL's website at www.ncl.com/pressroom. For further information on NCL Corporation, contact a travel agent or NCL in the U.S. and Canada at (800) 327-7030.

     

    Give the Gift of Hawaii With Aloha Airlines Gift Tickets

    Now you can treat special people on your holiday list to the gift of travel to Hawaii and around the Islands with pre-purchased Aloha Airlines Gift Tickets valid for use on round-trips throughout next year.

    Three great gift-ticket options are available only online at www.AlohaAirlines.com:

    $500 Transpacific Gift Ticket (Coach Class)

    Round-trip Coach travel between any Aloha Airlines destination on the Mainland and Hawaii. Travel is valid for most days of the year. An additional fare increment will be collected from the passenger for travel on Prime or Peak travel days. For further information, go to www.AlohaAirlines.com and look for Aloha Gift Ticket details.

    $1,600 Transpacific Gift Ticket (First Class)

    Round-trip First Class travel between any Aloha Airlines destination on the Mainland and Hawaii. Travel is valid on any day. There are no black-out dates.

    $120 Inter-island Gift Ticket (Coach Class)

    Round-trip Coach travel between any two destinations in Hawaii on flights operated by Aloha Airlines. Travel is valid on any day. There are no black-out dates.

    The Aloha Airlines Gift Ticket is an actual airline ticket and not a gift certificate. It's a new concept in online shopping for holiday gifts where you actually purchase e-tickets online for the people on your holiday gift list, and notify them that gift tickets have been created in their names. The recipients of your gift can then decide when they want to fly between December 1, 2006 and December 31, 2007, and make their own booking by calling Aloha Reservations at 484-1111 on Oahu, or toll free at 1-800-367-5250.

    "Surprise someone this holiday season by going online and purchasing a round trip to Hawaii or the Mainland, or an inter-island round trip," said Thom Nulty, Senior Vice President of Marketing and Sales. "The Gift Ticket is a hassle free way for you to shop and a convenient way for your loved ones to travel to any of Aloha's destinations on the West Coast or in Hawaii."

    When you purchase a Gift Ticket online, Aloha Airlines will send you an e-ticket confirming your Gift Ticket purchase and naming the passenger on his or her own travel record. You can forward that e-mail with the attached e-ticket, or we can mail you a printed Gift Ticket to give to that special person. The individual named on the Aloha Airlines Gift Ticket can call Aloha Reservations directly to book travel through December 31, 2007.

    For more information and the best fares available, go to www.AlohaAirlines.com

     

     

    December 12

     

    Airlines Alert Passengers to New 2007 Passport Requirements

    Air Transport Association Says Renew Now and Avoid Unnecessary and Costly Delays

    , Dec. 13 / -- The Air Transport Association (ATA), the industry trade organization representing leading U.S. airlines, today reminded passengers of new and more restrictive travel document policies set to take effect in early 2007 for all travelers entering or re-entering the United States by air from any part of the Western Hemisphere.

    Beginning Jan. 23, 2007, all travelers will be required to present a passport to enter or re-enter the United States, including U.S. citizens returning to the U.S. by air from Canada, Mexico, Central and South America, the Caribbean and Bermuda.

    These new travel document requirements were issued by the Department of Homeland Security and U.S. Department of State as part of the Western Hemisphere Travel Initiative (WHTI). They are a result of recommendations made by the 9/11 Commission, which Congress subsequently passed into law in the Intelligence Reform and Terrorism Prevention Act of 2004, in an effort to enhance security and efficiency at U.S. borders.

    "These changes, while requiring slightly more advance planning, are vitally important to the security and safety of air travelers," said ATA President and CEO James C. May. "This holiday travel season is the last time that passengers will be ably to fly throughout the Western Hemisphere and return to the U.S. without a passport, so we urge all travelers without a passport to act now to ensure a seamless journey."

    ATA suggests that travelers without a passport take immediate action to begin the application or renewal processes, which can take as much as eight weeks. For information about passports and applications, U.S. citizens can use the following links:

      * How to apply for a new passport     (http://www.travel.state.gov/passport/get/first/first_830.html)    * How to renew your passport     (http://www.travel.state.gov/passport/get/renew/renew_833.html)    * Where to get a passport     (http://iafdb.travel.state.gov/)    * How to get your passport quickly     (http://www.travel.state.gov/passport/get/first/first_831.html)  

    For more information on travel documentation requirements, or to view the final WHTI rule, visit http://www.dhs.gov/ or http://travel.state.gov/. The final rule is published in the Federal Register, where it can be viewed at http://www.regulations.gov/.

    ATA airline members transport more than 90 percent of all U.S. airline passenger and cargo traffic.

    Source: Air Transport Association

     

    All I Want For Christmas Is A Carnival Comfort Bed

    The new "Carnival Comfort Bed" sleep system not only provides the most restful night at sea, it is also the most sought-after cruise-oriented holiday gift, according to a recent poll by CruiseCritic.com, the most popular cruise community on the Internet.

    In the on-line survey, Cruise Critic editors asked its members to name the gift they hoped to receive most this holiday season. And the "Carnival Comfort Bed" was cited more often than any other item by far, with nearly half of all respondents selecting the popular new bedding the system as their gift of choice.

    The "Carnival Comfort Bed" was introduced in November 2005 and rolled out fleetwide on all 21 "Fun Ships" earlier this year. The system includes plush mattresses, luxurious duvets, and high quality linens and pillows.

    "Because a good night’s sleep can make the difference between a good vacation and a great one, consumers are becoming increasingly discerning about their bedding options. The results of the Cruise Critic survey only confirm what our guests are telling us time and time again – that the ‘Carnival Comfort Bed’ offers exceptional quality and makes their ‘Fun Ship’ cruise even more enjoyable and relaxing," said Bob Dickinson, Carnival president and CEO.

    Commented Cruise Critic Editor Carolyn Spencer Brown, "The ‘Carnival Comfort Bed’ got a number of kudos, not just from staffers who’ve sailed on Carnival ships lately but also from readers. Carnival may specialize in one of the most socially-oriented cruise experiences around – but people still want to get a good quality shut-eye."

    The "Carnival Comfort Bed" system has proven so popular with "Fun Ship" guests that the line has established an exclusive Web site, carnivalcomfortbed.com, where consumers can purchase the various bedding components for their homes. Since the Web site was established late last year, on-line orders have increased dramatically with sales more than doubling over the past year.

    The "Carnival Comfort Bed" is one of several product enhancement initiatives undertaken by the line as part of its ongoing efforts to upgrade the "Fun Ship" vacation experience.

    Guests sailing aboard the "Fun Ships" now enjoy such amenities as the new "Georges Blanc Signature Selections" menu items created by the world-renowned French master chef, as well as expanded children and teen programming and facilities, updated health and fitness centers, and fleetwide wireless Internet access and cell phone service.

    The "Carnival Comfort Bed" sleep system is available on all 21 "Fun Ships" which operate voyages ranging from three to 16 days in length to the Bahamas, Caribbean, Mexican Riviera, Alaska, Hawaii, Canada, New England, Bermuda, Europe and the Greek Isles. Carnival also has three new ships slated for delivery between now and 2009.

    For additional information and reservations, contact any travel agent, call 1-800-CARNIVAL or visit carnival.com

     

     

     

    Holiday Air Travel Tips are as Easy as 3-1-1
    Earlier today, I picked up a friend traveling from Atlanta , who had her carry on luggage cherry picked by airport security for expensive hair care products.   
    When first approaching airport security, she was told by the perfectly coifed security agent that she could only have a small bag of liquid and cream products.  Anything extra, she would have to check in her luggage, of which she had already checked.  What struck her as being odd was that other than sunscreen only hair care products were taken, of which the agent carefully selected the most expensive and even checked for color.  She did not have any choice as to what was taken.  
    Complain as she would like, she had a flight to catch and could not afford further delays. 
    Next time, she’ll pack her hair care products and hope that her luggage, unlocked so it is easy to inspect, arrives timely with everything that was packed.  Better yet, maybe she won’t bring it unless necessary. 
    IF you’re curious what you can and can’t bring, the Transportation Security Administration provides holiday specific 3-1-1 for Holiday Travel.  Following is the TSA’s press release for holiday travel.

    Airports, Airlines and TSA Join Together to Educate Travelers on How to Prepare for Holiday Travel

    WASHINGTON, D.C. – The Air Transport Association (ATA), Airports Council International – North America (ACI-NA) and the Transportation Security Administration (TSA) are informing the traveling public how they can prepare for security screening during the busy holiday travel season.
    Passengers can greatly affect their experience at the airport by preparing in advance. This includes: Packing liquids, gels and aerosols in checked baggage whenever possible, using 3-1-1 for carry-ons, arriving early and ensuring they are not traveling with prohibited items.
    For individuals who must carry liquids, gels and aerosols through the security checkpoint, it's as easy as 3-1-1.
    • All liquids, gels and aerosols must be placed in a 3 ounce or smaller container.
    • These containers must be placed in a 1 quart, clear, plastic, zip-top bag.
    • 1 bag per passenger placed in a plastic bin for screening.
    The limitation on liquids reflects changes made after the foiled terror plot involving the possible use of liquid explosives in London on Aug. 10, 2006. In response, TSA immediately banned all liquids at security checkpoints. The ban was modified on Sept. 25 after extensive testing showed that small amounts of liquids, gels and aerosols did not pose a significant threat.
    TSA Administrator Kip Hawley said, "By knowing the rules and remembering 3-1-1, travelers can make a big difference in TSA's ability to efficiently and effectively screen all passengers and their baggage. Each time a physical inspection of a carry-on bag is required, it not only slows the individual traveler down but the entire security line."
    The 12-day Thanksgiving holiday period is traditionally the busiest of the year and ATA predicts 25 million passengers will take to the skies Friday, Nov. 17 through Tuesday, Nov. 28.
    "Airports will be packed for periods of time over this Thanksgiving season and the best advice is to be prepared," ATA President and CEO James C. May. "The airlines have no greater priority than the safe and convenient travel of our customers and we will work with TSA and ACI-NA to ensure this happens."
    Through posters at ticket counters, banners at airports, advertisements on parking shuttles, road signs, extra customer service staff, travel tips on each organization's web site and many other ways, the airlines, airports and TSA are educating travelers before they reach the security checkpoint.
    "Through the combined efforts of airport and airline staff and the TSA, we're making an unprecedented effort to ensure that passengers have the information they need to get through security checkpoints efficiently this holiday season," said ACI-NA President Greg Principato.
    Below are other tips travelers should know before they leave home this holiday season. A full list of tips and prohibited items is available at www.tsa.gov/travelers.
    Do not wrap gifts. If a security officer needs to inspect a package they may have to unwrap your gift. Please wrap gifts after arriving at your destination.
    Pack smart. Bringing prohibited items to the airport will delay the screening process for you and other passengers. If you're not sure which items are allowed, check TSA's Web site for a complete list.
    Arrive on time. Arrival time recommendations vary by airline and day of travel, so check with your carrier. You must have a boarding pass and valid government photo ID to enter the security checkpoint. Remember to give yourself adequate time to check your baggage and move through security.
    Dress the part. Metal in your clothing may set off the walk-through metal detector. Pack coins, keys, jewelry, belt buckles and other metal items in your carry-on bag. Remember that all shoes must be removed and screened by TSA. Passengers also need to remove blazers, suit coats and bulky sweaters in addition to outer garments.
    Film. Undeveloped film should go in your carry-on bag. Hand film that is faster than 800-speed to a security officer for physical inspection to avoid being X-rayed.
    Think. Belligerent behavior, inappropriate jokes and threats will not be tolerated. Such incidents will result in delays and possibly missing your flight. Local law enforcement may be called as necessary.
    To get the 3-1-1 on Air Travel , please visit www.TSA.gov/311.

     

    Increased alcohol consumption and dangerous
    road conditions are two of many holiday hazards a Defense Department
    safety committee is working to remind servicemembers about this season.


    The Defense Safety Oversight Council is using a series of holiday
    messages from top DoD officials and Service Safety Center activities to
    promote awareness and the importance of safe and responsible behavior
    through the holidays.
    The holidays account for an increased amount of safety mishaps
    DoD-wide, officials said. From drinking and driving to leaving holiday candles
    unattended, the potential for injury and loss goes up dramatically
    during this time.

    The committee is putting particular emphasis on safe driving, using a
    series of leadership messages focused on accountability by individuals
    and the chain of command and the importance of defensive driving.

    The council also is directing servicemembers to Service Safety Center
    Web sites, which have online tools to help local commanders and
    individuals reduce risks. Online resources include tips, presentations and
    articles on topics including fireplace safety, suicide prevention, and
    carbon monoxide poisoning, among others.

    In a June 22 memorandum, the Defense Secretary Donald H. Rumsfeld
    reiterated his directive to reduce all safety mishaps within DoD by 75
    percent by the end of fiscal 2008. The Defense Safety Oversight Council was
    created to find ways to meet that goal. David S.C. Chu, undersecretary
    of defense for personnel and readiness, is chairman of the council.
    (Kim Sears is assigned to American Forces Information Service.)


    Airline On-Time Performance Declines in October

              In October, the nation’s largest airlines recorded a lower rate of on-time flights than in either the previous month or October of last year, according to the Air Travel Consumer Report released today by the U.S. Department of Transportation (DOT). 

            According to information filed with the Bureau of Transportation Statistics (BTS), a part of DOT’s Research and Innovative Technology Administration (RITA), the 20 carriers reporting on-time performance recorded an overall on-time arrival rate of 72.9 percent in October, down from both October 2005’s 81.3 rate and September 2006’s 76.2 percent mark.   

            The monthly report also includes data on the causes of flight delays and cancellations, as well as reports of mishandled baggage filed with the carriers and consumer service, disability and discrimination complaints received by DOT’s Aviation Consumer Protection Division.  This report also includes reports required to be filed by U.S. carriers of incidents involving pets traveling by air. 

    Cancellations 

            The consumer report includes BTS data on the number of domestic flights canceled by the reporting carriers.  In October, the carriers canceled 1.9 percent of their scheduled domestic flights, slightly higher than both October 2005’s 1.8 percent and September 2006’s 1.7 percent. 

    Causes of Flight Delays 

                The carriers filing on-time performance data reported that 9.68 percent of their October flights were delayed by aviation system delays, compared to 8.37 percent in September 2006; 7.99 percent by late-arriving aircraft, compared to 6.77 percent in September; 6.34 percent by factors within the airline’s control, such as maintenance or crew problems, compared to 5.74 percent in September; 0.95 percent by extreme weather, compared to 0.92 percent in September; and 0.06 percent for security reasons, the same rate as September.  Weather is a factor in both the extreme-weather category and the aviation-system category. This includes delays due to the re-routing of flights by DOT’s Federal Aviation Administration in consultation with the carriers involved.  Weather is also a factor in delays attributed to late-arriving aircraft, although airlines do not report specific causes in that category.   

            Data collected by BTS also show the percentage of overall flights delayed by weather, including those reported in either the category of extreme weather or included in National Aviation System delays. In October, 46.28 percent of flights were delayed by weather, down 1.47 percent from October 2005, when 46.97 percent of flights were delayed by weather, and up 1.85 percent from September when 45.44 percent of flights were delayed by weather.

            Detailed information on flight delays and their causes is available on the BTS site on the World Wide Web at http://www.bts.gov.

    Mishandled Baggage 

            The U.S. carriers reporting flight delay and mishandled baggage data posted a mishandled baggage rate of 7.51 reports per 1,000 passengers in October, up from October 2005’s 4.96 rate but below September 2006’s 8.25 mark. 

    Incidents Involving Pets 

            In October, carriers reported five incidents involving pets while traveling by air, up from the total of four reported in September.  The October incidents involved three pet deaths, one injury and one lost pet.   

    Complaints About Airline Service 

            In October, the Department received 628 complaints from consumers about airline service, down 4.6 percent from the 658 complaints filed in October 2005 but 0.3 percent more than the total of 626 recorded in September 2006. 
     
    Complaints About Treatment of Disabled Passengers 

            The report also contains a tabulation of complaints filed with DOT in October against specific airlines regarding the treatment of passengers with disabilities.  The Department received a total of 29 disability-related complaints in October, down 40 percent from the 48 complaints received in October 2005 but 3.6 percent more than the total of 28 received in September 2006. 

    Complaints About Discrimination 

            In October, the Department received 10 complaints alleging discrimination by airlines due to factors other than disability – such as race, religion, national origin or sex – up slightly from the totals of eight recorded in both October 2005 and September 2006. 

            Consumers may file their complaints in writing with the Aviation Consumer Protection Division, U.S. Department of Transportation, C-75, Room 4107, 400 7th St. SW, Washington, DC 20590; by e-mail at airconsumer@dot.gov; by voice mail at (202) 366-2220 or by TTY at (202) 366-0511

            Consumers who want on-time performance data for specific flights should call their airline ticket offices or their travel agents.  This information is available on the computerized reservation systems used by these agents.   

            The Air Travel Consumer Report can be found on DOT’s World Wide Web site at http://airconsumer.ost.dot.gov. It is available in “pdf” and Microsoft Word format. 

    -END-






    Facts

    AIR TRAVEL CONSUMER REPORT
    October 2006

    KEY ON-TIME PERFORMANCE AND FLIGHT CANCELLATION STATISTICS
    Based on Data Filed with the Bureau of Transportation Statistics by the 20 Reporting Carriers 

    Overall 
    72.9 percent on-time arrivals  

    Highest On-Time Arrival Rates 
    1. Hawaiian Airlines – 91.6 percent
    2. Aloha Airlines – 91.4 percent
    3. Frontier Airlines – 85.3 percent

    Lowest On-Time Arrival Rates 
    1. Atlantic Southeast Airlines – 55.0 percent
    2. Comair – 64.9 percent
    3. Delta Air Lines – 65.9 percent 

    Most Frequently Delayed Flights
    1. Comair flight 5463 from New York JFK to Buffalo, NY – late 100.00 percent of the time
    1. Comair flight 5283 from New York JFK to Washington Reagan National – late 100.00 percent of the time
    3. Comair flight 5197 from New York JFK to Richmond, VA – late 96.77 percent of the time
    3. SkyWest Airlines flight 5751 from Modesto, CA to Los Angeles – late 96.77 percent of the time
    5. Comair flight 5109 from New York JFK to Richmond, VA – late 96.30 percent of the time
    5. Comair flight 5609 from Washington Reagan National to Huntsville/Decatur, AL – late 96.30 percent of the time
    5. Comair flight 5534 from New York JFK to Burlington, VT – late 96.30 percent of the time
    5. Comair flight 5192 from Washington Reagan National to Columbus, OH– late 96.30 percent of the time  
    5. SkyWest Airlines flight 5778 from Yuma, AZ to Los Angeles – late 96.30 percent of the time
    5. SkyWest Airlines flight 5769 Modesto, CA to Los Angeles – late 96.30 percent of the time

    Highest Rates of Canceled Flights
    1.   American Eagle Airlines – 3.9 percent
    2.   ExpressJet Airlines – 3.2 percent
    3.   Mesa Airlines – 3.0 percent 

    Lowest Rates of Canceled Flights 
    1.   JetBlue Airways – 0.2 percent
    2.   Frontier Airlines  – 0.4 percent
    3.   Continental Airlines – 0.7 percent


     

    U.S. Department of Transportation Withdraws International Investment Rule – Commits to Working on Open Skies Agreement  

    U.S. Transportation Secretary Mary E. Peters today announced the Department is withdrawing a proposal that would have changed rules governing international investment in U.S. airlines after reviewing a multitude of public comments, including those received from Congress.  The Secretary also re-affirmed the U.S. commitment to completing a market-opening aviation agreement with the European Union. 

    “It was clear from reviewing the comments that the Department needs to do more to inform the public, labor groups and Congress about the benefits of allowing more international investment.  We need a stronger national consensus about the best means of achieving that objective,” said Peters, who was sworn in as the 16th Secretary of Transportation on October 4.     

    Secretary Peters noted that the original proposal, first issued by the Department in November 2005 and later amended in May 2006, would have allowed international investors more input in the marketing, routing and fleet structures of U.S. airlines while retaining current domestic ownership and labor protections.  

    Saying that “today’s announcement in no way deters us from our goal of giving U.S airlines complete access to the world’s capital markets,” Secretary Peters said the Department was eager to work with Congress and the aviation industry to find new ways to make it easier for airlines to raise money from global investors.   

    Secretary Peters said the Department remains committed to seeking an Open Skies aviation agreement with the European Union.  And while she noted the investment proposal was not directly linked to such an agreement, she acknowledged that some involved with the European negotiations had aligned the two.   

    “Nobody doubts the benefits to travelers, airlines and our economy of making it easier to fly to and from Europe,” Peters said. 

     

     

     

     

     

     

     TRAVEL NEWS

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    December 04, 2006

    News & News In Spanish

     Jan 16

     

    Hispanic Market Weekly Lanza Nueva Prestación de Clasificación de Programas

    CORAL GABLES, Florida, 16 de enero  Hispanic Market Weekly, la Fuente del Mercadeo Hispano, lanza "Ratings Watch", una nueva prestación que ofrecerá a los lectores un exclusivo análisis semanal a profundidad no sólo de los programas de televisión en español más vistos por los hispanos de los Estados Unidos, sino también qué programas en inglés los latinos están viendo.

    "Al entrar el año 2007, ha llegado el momento de que una publicación analice los índices de sintonía semanales de las cuatro cadenas de televisión en español", dice el editor adjunto Adam Jacobson, que supervisará el contenido y las investigaciones de Ratings Watch. "También daremos a los lectores un vistazo a lo que está pasando a nivel local en mercados como Nueva York, Los Ángeles y Miami, un mercado donde las firmas independientes, en muchos casos, están compitiendo fuertemente contra las grandes cadenas. Hasta ahora, esta información no había aparecido en una publicación en inglés, fácil de leer. Hispanic Market Weekly se pone verdaderamente a la vanguardia al ofrecer esta valiosa información a agencias, compradores de medios y planificadores de medios".

    La expansión de las ofertas de Hispanic Market Weekly con la creación de Ratings Watch da a los suscriptores una razón más para usar Hispanic Market Weekly como una fuente completa de información básica y de última hora para adelantar sus negocios. Los lectores recibirán una perspectiva única de por qué la noche del domingo es para ver televisión entre los hispanos que ven programas en inglés, por qué las telenovelas de Univisión siguen predominando y por qué el fútbol es una joya del índice de sintonía.

    Acerca de Hispanic Market Weekly:

    Hispanic Market Weekly es la fuente más completa de datos, noticias y la información importante necesaria para mantenerse a la cabeza en el competitivo y difícil Mercado Hispano. Con una sede establecida hace tiempo en la Internet (http://www.hispanicmarketweekly.com/) y productos que se distribuyen directamente a los buzones de correo electrónico de los ejecutivos más importantes en el universo de la publicidad y el mercadeo hispanos. Los suscriptores de Hispanic Market Weekly tienen acceso inmediato y directo al boletín semanal, a sus archivos de nueve años de creados, que contienen las instantáneas de la industria más recientes, noticias de última hora durante la semana, Informes Especiales, Conversaciones con líderes del mercadeo hispano, el Mercado de Talentos de Hispanic Market Weekly y los directorios más completos de Compañías, Agencias y Medios que hacen negocios en el mercado hispano, todo actualizado semanalmente.

     

    Jan 15

    Bush: Victory in Iraq Crucial to U.S. Security, Middle East Stability

     

    Failure in Iraq would threaten America's
    security and create entrenched instability in the Middle East, President
    Bush said in an interview that aired last night on the CBS News program
    "60 Minutes."

    "If we do not succeed in Iraq, we will leave behind a Middle East which
    will endanger America in the future," Bush said during the interview
    held at the presidential retreat at Camp David, Md. The interview was his
    first since his Jan. 10 announcement he plans to deploy more than
    20,000 additional U.S. troops to Iraq to help improve the security situation
    there.

    Bush told CBS correspondent Scott Pelley that accepting the status quo
    or withdrawing U.S. troops from Iraq would only embolden terrorists who
    are intent on harming Americans and making their vision for the world a
    reality. "And they intend to use murder to enact their vision," the
    president said.

    Failure in Iraq also would empower Iran, which the president said poses
    a major threat to world peace. He said Iran must not be allowed to
    meddle in Iraqi affairs and must be prevented from attacking U.S. troops
    there.

    In a direct statement to Iranian President Mahmoud Ahmadinejad, Bush
    said Iranian- backed violence in Iraq would not be tolerated. "If we
    catch your people inside the country (Iraq) harming U.S. citizens or Iraqi
    citizens, we will deal with them," he said.

    A unified and democratic Iraq will provide the bedrock for stability in
    the Middle East, so Iraqi Prime Minister Nouri al Maliki and his
    government must be more diligent in providing security and thwarting
    sectarian violence, he said. "I told him (Maliki) he's got to provide the
    troops he said he would provide inside of Baghdad. And we'll help him," Bush
    said.

    Politics should not hinder Iraqi government officials and armed forces
    from going after those responsible for killing innocent people, he
    said. "A killer is a killer, and we expect them to go after both Shia and
    Sunni murderers in order to provide the security for Baghdad," he said.

    Bush admitted his administration has made some mistakes regarding Iraq,
    but said people should not blame U.S. troops for the problems there.
    "We've got a bunch of good military people out there doing what we asked
    them to do. The temptation is to find scapegoats," he said. "Well if
    the people want a scapegoat they've got one right here in me."

    Last week Bush visited Fort Benning, Ga., to explain his new strategy
    for the war in Iraq and to thank soldiers there-many who will deploy
    early to Iraq under the president's new plan-- for their service. "It's an
    extraordinary country to have men and women volunteer in the face of
    danger," he said.

    Iraqis should be thankful for the effort American troops have made in
    their country, the president said. "We liberated that country from a
    tyrant," he said.

    Removing Saddam Hussein from power will ultimately make the world a
    safer place, he said. "Envision a world in which Saddam Hussein was
    rushing for a nuclear weapon to compete against Iran," he said. "My decision
    to remove Saddam Hussein was the correct decision in my judgment."

    Bush said he saw portions of Saddam's execution video on the Internet.
    He said he was glad Saddam received the justice that was due, but
    didn't like the manner in which the execution took place. "I thought it was
    discouraging," he said. "Obviously they could have handled this thing a
    lot better."

    The hardest part of his presidency, Bush said, is meeting the families
    who lost loved ones in Iraq. One mother told him about how her
    6-foot-5-inch son was killed when his Humvee struck a roadside bomb. His large
    size shielded four fellow troops from death, she told him. Bush said he
    asked her if she met the four surviving servicemembers. "They're like
    my family now," she told him.

    Bush said he spent a lot of time listening to many people and laboring
    over the idea of sending more troops to Iraq before he came to his
    decision. "I fully understand the decisions I make could affect the life of
    some kid who wears the uniform, or could affect the life of some child
    growing up in America 20 years from now," he said.

    He said he spends much less time worrying about his legacy. "I'm more
    worried about making the right decisions to protect the United States of
    America," he said.

     

    Jan 12

     President Bush visited Fort Benning, Ga.,
    today to share thoughts on his new strategy for the war in Iraq with the
    soldiers there, but not before offering them his praise.

    "Everywhere the warriors from this base serve, you leave your mark, and
    I believe it will be a legacy of hope and of freedom and peace," he
    said.

    Fort Benning is home to the U.S. Army Infantry School.

    Bush acknowledged the situation in Iraq is difficult and much different
    than he'd anticipated it would be at this point. Failure, however, is
    not an option, he told the crowd.

    "One of the wisest comments I've heard about this battle in Iraq was
    made by General John Abizaid," he said. "He told me, 'Mr. President, if
    we were to fail in Iraq, the enemy would follow us here to America.'

    "If we were to leave before the job is done, if we were to fail in
    Iraq, Iran would be emboldened in its pursuit of nuclear weapons, (and) our
    enemies would have safe havens from which to launch attacks," he said.
    "That is why we must, and we will, succeed in Iraq."

    To ensure success, the president said he is committing more than 20,000
    additional troops to the fight, including five brigades to Baghdad and
    4,000 troops to Anbar province to help provide security in those areas.
    The numbers will help ensure that an area, once cleared of insurgents,
    can be held, he said.

    But bigger numbers alone aren't enough to succeed, he said. The troops
    need a clear mission, which they will have.

    The plan also calls for the Iraqi government to appoint a military
    commander for Baghdad, he told the troops.

    "The other thing that's going to have to happen is that the government
    of Iraq must exhibit the will necessary to succeed. It's one thing to
    develop a plan; it's another thing to see it through," he said. "I have
    made it clear that the patience of the American people is not
    unlimited, and now is the time to act, ... not only for our sake; it's time to
    act for the sake of people in Iraq."

    Bush said he was heartened by the Iraqi government's pledge to spend
    $10 billion of its oil revenues for quality-of-life improvements it
    recognizes are just as important as security. Also encouraging, he said, was
    Iraqi Prime Minister Nouri-al Maliki's ultimatum to illegal armies to
    lay down their weapons or face justice.

    That's the kind of leadership that the Iraqi people expect, Bush said.

    "We expect to see them fulfill the benchmarks that they laid out for
    their people," he said. "We're going to help them."

    As part of the new strategy, U.S. troops will work alongside Iraqi
    units to help them take the lead in securing their neighborhoods. They will
    ensure the Iraqi forces left behind to secure a cleared area will be
    capable of doing so, he said.

    Bush cautioned the crowd that the new strategy won't yield immediate
    results, however. "The American people have got to understand that
    suicide bombings won't stop immediately," he said. "Yet, over time, we can
    expect to see positive results. Daily life will improve, (and) the Iraqis
    will gain confidence in their leaders."

    Bush acknowledged his new plan calls for some units to deploy earlier
    than scheduled, and some will have their deployments extended longer
    than originally anticipated. He promised, however, that he and Congress
    will provide all the resources the troops needed to win the war.

    Victory will take patience, determination and sacrifice, the president
    said, but he expressed confidence the U.S. and its military will
    prevail against terrorism. "I know we're going to face difficulties as we
    take on this important duty... and so do you," he told the soldiers. "We
    have defied the pessimists and we will do so again in this first battle
    of the 21st century."

     

    Las agencias de Omnicom se llevan los honores en la clasificación de Agencia del Año de Adweek


     

    - Las agencias de Omnicom se llevan los honores en la clasificación de Agencia del Año de Adweek: TBWA es nombrada Agencia del Año; Goodby, Silverstein & Partners es nombrada Agencia de EE.UU. del Año

    - Advertising Age también galardona a Omnicom, TBWA y Goodby

    Las agencias de Omnicom Group TBWA y Goodby, Silverstein & Partners se llevan los honores de Agencia Global del Año y Agencia de EE.UU. del Año respectivamente en la clasificación de Agencia del Año anual de Adweek.

    Al elegir a TBWA, Adweek destacó que la agencia llegó junto con envidiables beneficios empresariales globales, demostrando su valor como una red mundial. Según lo describió Adweek, "el crecimiento fue impresionante, y con creatividad, como en años anteriores, apenas no obtiene algo mejor que TBWA por debajo del presidente y responsable creativo Lee Clow."

    Al nombrar a Goodby, Silverstein & Partners como la Agencia de EE.UU. del Año, Adweek dijo: "El comercio se transformó a sí mismo por la era digital sin saltarse un golpe creativo. El trabajo del año demostró que la agencia ha pasado una página en la historia de su evolución; el rendimiento creativo de la agencia está ahora dividido uniformemente entre tradicional y no tradicional. La evolución del comercio con sede en San Francisco fue impulsada por su deseo inflexible de ser el mejor..."

    Esta semana, TBWA y Goodby también fueron condecorados por la revista Advertising Age que posicionó a los dos en la primera posición de Agency A-List de la publicación. Advertising Age también nombró el trabajo de Goodby, Silverstein & Partners para Hewlett-Packard como la Campaña de EE.UU. del Año. La campaña "El ordenador es otra vez personal" de Goodby fue elogiado por "hacer que el PC se sitúe de nuevo como 'el ordenador personal' y no como lo que ha llegado a ser - un artículo de consumo personal."

    En su primera selección de Ejecutivo del Año, Advertising Age eligió al director general y consejero delegado de Omnicom, John Wren, por demostrar "cómo la gran agencia del holding tiene que funcionar." Wren, que observó la publicación, pone el énfasis en la selección, retención y desarrollo del talento a la vez que asegura que las unidades operativas tienen los recursos adecuados para entregar servicio al cliente de clase mundial y prepararse para futuros cambios en el negocio.

    Omnicom Group Inc. (NYSE: OMC) (www.omnicomgroup.com) es una compañía líder global de marketing y comunicaciones corporativas. Las redes de la marca y las numerosas firmas especializadas Omnicom proporcionan publicidad, planificación de medios estratégica y compras, marketing directo y promocional, relaciones públicas y otros servicios de comunicaciones a más de 5.000 clientes en más de 100 países.

    Página web: http://www.omnicomgroup.com

    Source: Omnicom Group

     

    Reid: The President's Iraq Plan is a Serious Mistake

    Senate Majority Leader Harry Reid today delivered the following speech on the Floor of the United States Senate, expressing his concern about President Bush's plan to escalate the crisis in Iraq by sending tens of thousands more American men and women into the middle of a civil war.

    The text of Senator Reid's speech, as prepared, is below.

    Mr. President, today the Senate will continue our important work on ethics reform. In the last few days, we've had a good, bipartisan debate in the Senate, and we've made significant progress towards giving America a government as good an honest as the people it serves.

    This morning, I'd like to talk about another important debate in our country -- Iraq. Last night, after weeks of anticipation, President Bush announced his new war plan.

    I was encouraged that President Bush used his speech to finally admit mistakes have been made in waging the war, but by calling for the escalation of this conflict, he is on the verge of making another.

    As I made clear in a letter to the President last week, I oppose his new plan because it sends the wrong signal to the Iraqis. However, President Bush is the commander in chief, and his proposal deserves serious consideration by this Body.

    In the days ahead, we will give his proposal and the overall situation in Iraq a thorough review. We will have hearings on the President's plan. We will ask experts about his proposal, and when the process is complete, we will have a vote in the Senate.

    This morning I will not prejudge the outcome of the vote on the President's plan, but I will say this: I believe putting more U.S. combat forces in the middle of an Iraqi civil war is a serious mistake.

    Last November, voters across America spoke loudly for change in Iraq. In overwhelming numbers, they delivered a vote of no confidence in the President's open-ended commitment, and demanded we begin to bring the war to a close.

    Last December, the Baker-Hamilton Commission -- a respected panel of foreign policy experts who studied the war -- echoed the voters' call for change. The Commission, which included both Democrats and Republicans, determined the time has come to transition our forces out of Iraq, while launching a diplomatic and regional strategy to try to hold together this destabilized region.

    But last night, the President-in choosing escalation-ignored the will of the people, the advice of the Baker-Hamilton Commission, and the guidance of his top generals.

    In choosing to escalate the war, the President stands alone.

    Brave soldiers from Nevada and every state in this country have sacrificed so much for Iraq. They have done their job. It is time for a policy that honors their service by putting the future of Iraq in the hands of the Iraqis.

    Source: Office of Senate Majority Leader Harry Reid

     

    Address by President Bush to the Nation


     

      Oval Office    9:01 P.M. EST  

    THE PRESIDENT: Good evening. Tonight in Iraq, the Armed Forces of the United States are engaged in a struggle that will determine the direction of the global war on terror -- and our safety here at home. The new strategy I outline tonight will change America's course in Iraq, and help us succeed in the fight against terror.

    When I addressed you just over a year ago, nearly 12 million Iraqis had cast their ballots for a unified and democratic nation. The elections of 2005 were a stunning achievement. We thought that these elections would bring the Iraqis together, and that as we trained Iraqi security forces we could accomplish our mission with fewer American troops.

    But in 2006, the opposite happened. The violence in Iraq-- particularly in Baghdad-- overwhelmed the political gains the Iraqis had made. Al Qaeda terrorists and Sunni insurgents recognized the mortal danger that Iraq's elections posed for their cause, and they responded with outrageous acts of murder aimed at innocent Iraqis. They blew up one of the holiest shrines in Shia Islam -- the Golden Mosque of Samarra -- in a calculated effort to provoke Iraq's Shia population to retaliate. Their strategy worked. Radical Shia elements, some supported by Iran, formed death squads. And the result was a vicious cycle of sectarian violence that continues today.

    The situation in Iraqis unacceptable to the American people -- and it is unacceptable to me. Our troops in Iraq have fought bravely. They have done everything we have asked them to do. Where mistakes have been made, the responsibility rests with me.

    It is clear that we need to change our strategy in Iraq. So my national security team, military commanders, and diplomats conducted a comprehensive review. We consulted members of Congress from both parties, our allies abroad, and distinguished outside experts. We benefited from the thoughtful recommendations of the Iraq Study Group, a bipartisan panel led by former Secretary of State James Baker and former Congressman Lee Hamilton. In our discussions, we all agreed that there is no magic formula for success in Iraq. And one message came through loud and clear: Failure in Iraq would be a disaster for the United States.

    The consequences of failure are clear: Radical Islamic extremists would grow in strength and gain new recruits. They would be in a better position to topple moderate governments, create chaos in the region, and use oil revenues to fund their ambitions. Iran would be emboldened in its pursuit of nuclear weapons. Our enemies would have a safe haven from which to plan and launch attacks on the American people. On September the 11th, 2001, we saw what a refuge for extremists on the other side of the world could bring to the streets of our own cities. For the safety of our people, America must succeed in Iraq.

    The most urgent priority for success in Iraqis security, especially in Baghdad. Eighty percent of Iraq's sectarian violence occurs within 30 miles of the capital. This violence is splitting Baghdad into sectarian enclaves, and shaking the confidence of all Iraqis. Only Iraqis can end the sectarian violence and secure their people. And their government has put forward an aggressive plan to do it.

    Our past efforts to secure Baghdad failed for two principal reasons: There were not enough Iraqi and American troops to secure neighborhoods that had been cleared of terrorists and insurgents. And there were too many restrictions on the troops we did have. Our military commanders reviewed the new Iraqi plan to ensure that it addressed these mistakes. They report that it does. They also report that this plan can work.

    Now let me explain the main elements of this effort: The Iraqi government will appoint a military commander and two deputy commanders for their capital. The Iraqi government will deploy Iraqi Army and National Police brigades across Baghdad's nine districts. When these forces are fully deployed, there will be 18 Iraqi Army and National Police brigades committed to this effort, along with local police. These Iraqi forces will operate from local police stations -- conducting patrols and setting up checkpoints, and going door-to- door to gain the trust of Baghdad residents.

    This is a strong commitment. But for it to succeed, our commanders say the Iraqis will need our help. So America will change our strategy to help the Iraqis carry out their campaign to put down sectarian violence and bring security to the people of Baghdad. This will require increasing American force levels. So I've committed more than 20,000 additional American troops to Iraq. The vast majority of them -- five brigades -- will be deployed to Baghdad. These troops will work alongside Iraqi units and be embedded in their formations. Our troops will have a well-defined mission: to help Iraqis clear and secure neighborhoods, to help them protect the local population, and to help ensure that the Iraqi forces left behind are capable of providing the security that Baghdad needs.

    Many listening tonight will ask why this effort will succeed when previous operations to secure Baghdad did not. Well, here are the differences: In earlier operations, Iraqi and American forces cleared many neighborhoods of terrorists and insurgents, but when our forces moved on to other targets, the killers returned. This time, we'll have the force levels we need to hold the areas that have been cleared. In earlier operations, political and sectarian interference prevented Iraqi and American forces from going into neighborhoods that are home to those fueling the sectarian violence. This time, Iraqi and American forces will have a green light to enter those neighborhoods -- and Prime Minister Maliki has pledged that political or sectarian interference will not be tolerated.

    I've made it clear to the Prime Minister and Iraq's other leaders that America's commitment is not open-ended. If the Iraqi government does not follow through on its promises, it will lose the support of the American people -- and it will lose the support of the Iraqi people. Now is the time to act. The Prime Minister understands this. Here is what he told his people just last week: "The Baghdad security plan will not provide a safe haven for any outlaws, regardless of [their] sectarian or political affiliation."

    This new strategy will not yield an immediate end to suicide bombings, assassinations, or IED attacks. Our enemies in Iraq will make every effort to ensure that our television screens are filled with images of death and suffering. Yet over time, we can expect to see Iraqi troops chasing down murderers, fewer brazen acts of terror, and growing trust and cooperation from Baghdad's residents. When this happens, daily life will improve, Iraqis will gain confidence in their leaders, and the government will have the breathing space it needs to make progress in other critical areas. Most of Iraq's Sunni and Shia want to live together in peace -- and reducing the violence in Baghdad will help make reconciliation possible.

    A successful strategy for Iraq goes beyond military operations. Ordinary Iraqi citizens must see that military operations are accompanied by visible improvements in their neighborhoods and communities. So America will hold the Iraqi government to the benchmarks it has announced.

    To establish its authority, the Iraqi government plans to take responsibility for security in all of Iraq's provinces by November. To give every Iraqi citizen a stake in the country's economy, Iraq will pass legislation to share oil revenues among all Iraqis. To show that it is committed to delivering a better life, the Iraqi government will spend $10 billion of its own money on reconstruction and infrastructure projects that will create new jobs. To empower local leaders, Iraqis plan to hold provincial elections later this year. And to allow more Iraqis to re-enter their nation's political life, the government will reform de-Baathification laws, and establish a fair process for considering amendments to Iraq's constitution.

    America will change our approach to help the Iraqi government as it works to meet these benchmarks. In keeping with the recommendations of the Iraq Study Group, we will increase the embedding of American advisers in Iraqi Army units, and partner a coalition brigade with every Iraqi Army division. We will help the Iraqis build a larger and better-equipped army, and we will accelerate the training of Iraqi forces, which remains the essential U.S. security mission in Iraq. We will give our commanders and civilians greater flexibility to spend funds for economic assistance. We will double the number of provincial reconstruction teams. These teams bring together military and civilian experts to help local Iraqi communities pursue reconciliation, strengthen the moderates, and speed the transition to Iraqi self-reliance. And Secretary Rice will soon appoint a reconstruction coordinator in Baghdad to ensure better results for economic assistance being spent in Iraq.

    As we make these changes, we will continue to pursue al Qaeda and foreign fighters. Al Qaeda is still active in Iraq. Its home base is Anbar Province. Al Qaeda has helped make Anbar the most violent area of Iraq outside the capital. A captured al Qaeda document describes the terrorists' plan to infiltrate and seize control of the province. This would bring al Qaeda closer to its goals of taking down Iraq's democracy, building a radical Islamic empire, and launching new attacks on the United State sat home and abroad.

    Our military forces in Anbar are killing and capturing al Qaeda leaders, and they are protecting the local population. Recently, local tribal leaders have begun to show their willingness to take on al Qaeda. And as a result, our commanders believe we have an opportunity to deal a serious blow to the terrorists. So I have given orders to increase American forces in Anbar Province by 4,000 troops. These troops will work with Iraqi and tribal forces to keep up the pressure on the terrorists. America's men and women in uniform took away al Qaeda's safe haven in Afghanistan-- and we will not allow them to re-establish it in Iraq.

    Succeeding in Iraq also requires defending its territorial integrity and stabilizing the region in the face of extremist challenges. This begins with addressing Iran and Syria. These two regimes are allowing terrorists and insurgents to use their territory to move in and out of Iraq. Iran is providing material support for attacks on American troops. We will disrupt the attacks on our forces. We'll interrupt the flow of support from Iran and Syria. And we will seek out and destroy the networks providing advanced weaponry and training to our enemies in Iraq.

    We're also taking other steps to bolster the security of Iraq and protect American interests in the Middle East. I recently ordered the deployment of an additional carrier strike group to the region. We will expand intelligence-sharing and deploy Patriot air defense systems to reassure our friends and allies. We will work with the governments of Turkey and Iraq to help them resolve problems along their border. And we will work with others to prevent Iran from gaining nuclear weapons and dominating the region.

    We will use America's full diplomatic resources to rally support for Iraq from nations throughout the Middle East. Countries like Saudi Arabia, Egypt, Jordan, and the Gulf States need to understand that an American defeat in Iraq would create a new sanctuary for extremists and a strategic threat to their survival. These nations have a stake in a successful Iraq that is at peace with its neighbors, and they must step up their support for Iraq's unity government. We endorse the Iraqi government's call to finalize an International Compact that will bring new economic assistance in exchange for greater economic reform. And on Friday, Secretary Rice will leave for the region, to build support for Iraq and continue the urgent diplomacy required to help bring peace to the Middle East.

    The challenge playing out across the broader Middle East is more than a military conflict. It is the decisive ideological struggle of our time. On one side are those who believe in freedom and moderation. On the other side are extremists who kill the innocent, and have declared their intention to destroy our way of life. In the long run, the most realistic way to protect the American people is to provide a hopeful alternative to the hateful ideology of the enemy, by advancing liberty across a troubled region. It is in the interests of the United States to stand with the brave men and women who are risking their lives to claim their freedom, and to help them as they work to raise up just and hopeful societies across the Middle East.

    From Afghanistan to Lebanon to the Palestinian Territories, millions of ordinary people are sick of the violence, and want a future of peace and opportunity for their children. And they are looking at Iraq. They want to know: Will America withdraw and yield the future of that country to the extremists, or will we stand with the Iraqis who have made the choice for freedom?

    The changes I have outlined tonight are aimed at ensuring the survival of a young democracy that is fighting for its life in a part of the world of enormous importance to American security. Let me be clear: The terrorists and insurgents in Iraq are without conscience, and they will make the year ahead bloody and violent. Even if our new strategy works exactly as planned, deadly acts of violence will continue -- and we must expect more Iraqi and American casualties. The question is whether our new strategy will bring us closer to success. I believe that it will.

    Victory will not look like the ones our fathers and grandfathers achieved. There will be no surrender ceremony on the deck of a battleship. But victory in Iraq will bring something new in the Arab world -- a functioning democracy that polices its territory, upholds the rule of law, respects fundamental human liberties, and answers to its people. A democratic Iraq will not be perfect. But it will be a country that fights terrorists instead of harboring them -- and it will help bring a future of peace and security for our children and our grandchildren.

    This new approach comes after consultations with Congress about the different courses we could take in Iraq. Many are concerned that the Iraqis are becoming too dependent on the United States, and therefore, our policy should focus on protecting Iraq's borders and hunting down al Qaeda. Their solution is to scale back America's efforts in Baghdad-- or announce the phased withdrawal of our combat forces. We carefully considered these proposals. And we concluded that to step back now would force a collapse of the Iraqi government, tear the country apart, and result in mass killings on an unimaginable scale. Such a scenario would result in our troops being forced to stay in Iraq even longer, and confront an enemy that is even more lethal. If we increase our support at this crucial moment, and help the Iraqis break the current cycle of violence, we can hasten the day our troops begin coming home.

    In the days ahead, my national security team will fully brief Congress on our new strategy. If members have improvements that can be made, we will make them. If circumstances change, we will adjust. Honorable people have different views, and they will voice their criticisms. It is fair to hold our views up to scrutiny. And all involved have a responsibility to explain how the path they propose would be more likely to succeed.

    Acting on the good advice of Senator Joe Lieberman and other key members of Congress, we will form a new, bipartisan working group that will help us come together across party lines to win the war on terror. This group will meet regularly with me and my administration; it will help strengthen our relationship with Congress. We can begin by working together to increase the size of the active Army and Marine Corps, so that America has the Armed Forces we need for the 21st century. We also need to examine ways to mobilize talented American civilians to deploy overseas, where they can help build democratic institutions in communities and nations recovering from war and tyranny.

    In these dangerous times, the United States is blessed to have extraordinary and selfless men and women willing to step forward and defend us. These young Americans understand that our cause in Iraqis noble and necessary -- and that the advance of freedom is the calling of our time. They serve far from their families, who make the quiet sacrifices of lonely holidays and empty chairs at the dinner table. They have watched their comrades give their lives to ensure our liberty. We mourn the loss of every fallen American -- and we owe it to them to build a future worthy of their sacrifice.

    Fellow citizens: The year ahead will demand more patience, sacrifice, and resolve. It can be tempting to think that America can put aside the burdens of freedom. Yet times of testing reveal the character of a nation. And throughout our history, Americans have always defied the pessimists and seen our faith in freedom redeemed. Now America is engaged in a new struggle that will set the course for a new century. We can, and we will, prevail.

    We go forward with trust that the Author of Liberty will guide us through these trying hours. Thank you and good night.

    END 9:21 P.M. EST

    Source: White House Press Office

     

    A Blind President, Deaf Democrats

    President Bush's call for 20,000 more troops to continue the tragic misadventure in Iraq, reveals a myopia not seen in the White House since President Hoover failed to adequately respond to the Bonus Marchers and the Great Depression. Despite the overwhelming evidence and testimony that the American military presence/occupation only exacerbates the Bush made crisis in Iraq while threatening the fragile stability in the Middle East where one civil war already rages (Iraq) and two others (in The Palestinian Authority and Afghanistan) threaten to explode, the President is either pursuing an illusory and impossible military victory or buying enough time to push the blame for the Iraqi failure onto the next administration while he contemplates military action against Iran.

    And even more disappointing and disheartening is the tepid Democratic response. Senator Joe Biden, Chairman of the Senate Foreign Relations Committee, has suggested that cutting funding for the war was "micromanaging" and "unconstitutional", while Senate Majority Leader Harry Reid first supported the 20,000 troop surge and then quickly reversed himself and incredibly, Speaker Nancy Pelosi said that while she is against the "surge", she also opposes cutting off funding for the war while favoring an increase in the size of the Army (30,000) and Marines (20,000). And finally, Senator Kennedy will only offer legislation that requires the President to secure new Congressional authority before being given the funds to send additional troops while remaining silent on withdrawing the 140,000 soldiers currently on the ground. Hardly a profile in courage! As for the current and prospective democratic presidential candidates, they are all taking cover behind the new Democratic Congress and its leadership. In other words, the Democrats, despite their posturing, seem to be on the verge of endorsing more of an unwinnable, unending, costly and murderous war before any serious action is taken.

    The war was a terrible mistake that can have no positive outcome in the short or long run. But an immediate and orderly withdrawal of American troops can save the lives of scores of our soldiers and thousands of Iraqi citizens while putting America on the long and winding road to restoring its reputation and influence while protecting its vital interests.

     

    Source: Mike Gravel for President 2008


     

     

    Jan 5

     

    GALA Teatro Hispano presenta LAS PAREDES

    "¿Le fastidiaría mucho quedarse con nosotros?" - El Funcionario

     Gala Teatro Hispano se complace en anunciar la segunda producción de su Temporada 2006-2007 con el estreno en los Estados Unidos de la obra Las Paredes. Esta aguda e irónica obra de la argentina Griselda Gambaro, una de las figuras más destacadas de la dramaturgia de Latinoamérica, contribuye al tema de nuestra temporada La dramaturga/El director, que es una celebración de las escritoras de teatro hispanas. Dirigida por el argentino Gabriel García, la pieza se ofrecerá desde el 1 al 25 de febrero en la sala de GALA en el Tívoli Square, 3333 de la calle 14, al noroeste de Washington, DC.

    Las funciones son de jueves a sábados a las 8 pm y domingos a las 4 pm. La Noche de GALA y Prensa, es el sábado 3 de febrero a las 8 pm por invitación de su Excelencia el Sr. Octavio Bordón, Embajador de la República Argentina ante los Estados Unidos. Esta producción ha sido posible en parte con el generoso apoyo de la Comisión de las Artes del Distrito de Columbia, y la Fundaciones Morris and Gwendolyn Cafritz y Max and Victoria Dreyfus.

    En esta estimulante obra, que por sus elementos absurdistas podría tomarse por un trabajo de Ionesco, un individuo es secuestrado por dos excéntricos empleados civiles quienes, inexplicablemente, lo culpan de un crimen, lo encierran en un cómodo cuarto y comienzan su meticuloso trabajo de terror sicológico. Al mismo tiempo, como una metáfora de lo azaroso y desamparado de la situación, el entorno físico del detenido comienza a cambiar. Con un brillante manejo del drama y el humor negro, Gambaro retrata la incapacidad del individuo en un régimen totalitario a rebelarse contra el agresor. Escrita en 1965, Las Paredes adquiere hoy un significado contemporáneo por su coincidencia con la intervención militar de los Estados Unidos en Irak y la "guerra contra el terrorismo", los agitados debates sobre la definición y límites de la torturas, prisiones secretas de la CIA, mentiras y corrupción en el gobierno y la ausencia de protesta pública ante la descarada ignorancia a los derechos humanos.

    Sobre el dramaturgo

    Griselda Gambaro, proveniente de una familia de segunda generación de raíces italianas y nacida en Buenos Aires en 1928, es una vigorosa dramaturga, novelista y cuentista de renombre internacional y ampliamente galardonada. Durante muchos años viene creando dramas alegóricos con temas relacionados a las circunstancias socio-políticas opresivas de la Argentina en las décadas de los años 1960, 1970 y 1980, pero su producción sobrepasa las fronteras de su país para convertirse en temas universales sobre la dinámica del poder, la naturaleza humana y el rol que juega la mujer en el orden social. Su obra es una exploración constante sobre el tema común del hombre cotidiano envuelto en una relación de poder opresivo.

    Su estilo incluye el humor negro para subrayar lo absurdo de la situación política en Argentina y rompe con el drama realista de su tiempo, ya que sus obras no especifican un tiempo o lugar. Tampoco las ubica literalmente dentro de Argentina utilizando un tema nacionalista identificable o específicas referencias a su país. Cuando su novela Ganarse la vida fue prohibida en 1977, Gambaro y su familia se exilaron en Barcelona (España), donde vivieron hasta 1980. Las obras de Griselda Gambaro recién se comenzaron a producir en los Estados Unidos en 1990.

    Sobre la producción:

    Gabriel García (Director) es un galardonado artista teatral que ha dirigido más de seis producciones en GALA desde los años 1980, siendo la más reciente El ángel de la culpa, en el 2003. Nacido en Argentina, estudió teatro en Buenos Aires y París. En 1984 su documental The Promised Land (La tierra prometida) le valió el Premio Emmy, y Tímeless, un film escrito y dirigido por García, fue presentado en el Festival de Cine de Cannes de 2004. En la actualidad está finalizando la pre-producción y producción de un documental sobre la historia del tango y el pintor argentino Benito Quinquela Martín.

    El elenco de Las Paredes cuenta con tres destacados miembros de la compañía de GALA: Cinthya Benjamín (Ujier), que actúa por segunda vez en esta temporada después de su rol en Valor, Agravio y Mujer. Ella formó parte del elenco de la exitosa obra Las mujeres de verdad tienen curvas/Real women have curves, en 2005. Carlos Castillo (Joven), nominado para el Premio Helen Hayes 2000 por su actuación en El burlador de Sevilla y quien el año pasado se destacó en la producción de GALA de El rufián Castrucho. Y Manuel Cabrera- Santos (Funcionario), cuya más reciente participación en GALA fue en la obra El ángel de la culpa, en el 2003. También co-produjo la película Se habla español.

    La original escenografía de la obra pertenece a Guillermo de la Torre, un mundialmente conocido y laureado diseñador argentino de teatro y cine. El diseño de luces es de Ayun Fedorcha, cuyo trabajo para La Chunga fue nominado para el Premio Helen Hayes, y el vestuario corresponde a Alessandra D'Ovidio, doblemente nominada al Premio Helen Hayes por sus trabajos en GALA. El diseño de sonido es de David Crandall. Brendon Vierra es el director técnico, Ariadna Alvarado es la asistente de dirección, Mariana Osorio es la gerente de producción y Hugo Medrano el productor.

    Información sobre boletos:

    El precio regular del boleto es $30 los jueves y domingos y $34 los viernes y sábados. Boletos para estudiantes, personas mayores (65+) y personal militar es $20 (jueves y domingos) y $26 (viernes y sábados). Hay también descuento adicional para grupos de 10 o más personas. En TICKETplace tienen boletos disponibles. El precio para la Noche de GALA y recepción es $50 por persona y $90 por pareja.

    Target se enorgullece en ser socio de GALA y de patrocinar la temporada 2005-2006. AmericanAirlines(R) es la aerolínea oficial de GALA. Comcast es nuestro asociado en medios de communicación.

    Source: GALA Hispanic Theatre

     

    President Bush today named retired Navy Vice
    Adm. J. Michael McConnell as the director of national intelligence to
    succeed John Negroponte.


    Bush also nominated Negroponte, who has held the post for almost two
    years, to become deputy secretary of the State Department.

    McConnell will bring solid "experience, intellect and character" to the
    DNI position, Bush said. He cited McConnell's service as director of
    the National Security Agency from 1992 to 1996 and as the chief
    intelligence advisor to Gen. Colin Powell, then-chairman of the Joint Chiefs of
    Staff, during Operation Desert Storm.

    "Admiral McConnell has decades of experience ensuring that our military
    forces had the intelligence they need to fight and win wars," the
    president said. He also noted McConnell's proven ability to work with
    Congress and the White House.

    Bush said this experience will be critical for the important position
    he has called on McConnell to fill. As DNI, he will be responsible for
    determining the national intelligence budget, overseeing the collection
    and analysis of intelligence information, ensuring that intelligence
    agencies share information with each other and creating common standards
    for intelligence community personnel.

    Negroponte, a career federal service officer returning to the State
    Department, praised the state of U.S. intelligence and said he's confident
    McConnell will continue building on improvements already under way. The
    U.S. intelligence community "has embraced the challenge of functioning
    as a single, unified enterprise, and reaffirmed the fact that it is the
    best intelligence community in the world -- second to none," Negroponte
    said.

    McConnell said he's honored for the opportunity to lead the
    intelligence community and recognizes the importance of providing "the right
    information to the right decision maker in the right time and format."

    "Unlike just a decade ago, the threats of today and the future are
    moving at increasing speeds and across organizational and geographic
    boundaries," he said. "This will require increased coordinated responsiveness
    by our community of intelligence professionals."

    McConnell said he hopes to continue improving processes "to provide the
    needed information for tactical, operational and strategic decision
    making."

    The president praised Negroponte for his service as the nation's first
    DNI and the first U.S. ambassador to a free Iraq and called him "a
    superb choice" for the No. 2 State Department post.

    "I'm confident the United States Senate will also see the value of
    these two serving in crucial positions, and I would hope that they would be
    confirmed as quickly as possible," Bush said.

     

     

    Jan 4

     

     The Wyoming National Guard is deploying an
    air crew today to airlift hay to livestock stranded by last week's
    blizzard in Colorado.

    One C-130H3 was scheduled to take off for Colorado today at 1 p.m.
    Mountain time to assist in the recovery efforts, said Deidre Forster,
    public affairs officer for the Wyoming military department. The plane will
    give more capability to the Colorado National Guard, which has been
    using helicopters to airlift supplies, she said.

    "We can drop a lot more hay with a C-130 than they can drop with a
    helicopter," Forster said.

    The latest storm, which hit Dec. 28, dumped up to 28 inches of snow in
    some parts of Colorado. It was preceded by a storm Dec. 20 that
    blanketed the state with more than two feet of snow and closed Denver
    International Airport for two and a half days.

    Eight National Guard helicopters were deployed to deliver food to
    livestock stranded by the deep snow. The helicopters also dropped military
    rations outside remote houses, where residents are stranded, and used
    Humvees and snowmobiles to deliver food, water and medicine to people in
    need.

    The Oklahoma National Guard is also providing an air crew and a CH-47
    Chinook helicopter to transport supplies to people and livestock
    stranded in Colorado.

     

     Jan 2

     

    Remarks by President Bush in Eulogy to President Gerald R. Ford

    Jan. 2 -- The following is a transcript of remarks by President Bush in a eulogy to President Gerald R. Ford:

      The Washington National Cathedral   Washington, D.C.    11:20 A.M. EST  

    THE PRESIDENT: Mrs. Ford, the Ford family; distinguished guests, including our Presidents and First Ladies; and our fellow citizens:

    We are here today to say goodbye to a great man. Gerald Ford was born and reared in the American heartland. He belonged to a generation that measured men by their honesty and their courage. He grew to manhood under the roof of a loving mother and father -- and when times were tough, he took part-time jobs to help them out. In President Ford, the world saw the best of America-- and America found a man whose character and leadership would bring calm and healing to one of the most divisive moments in our nation's history.

    Long before he was known in Washington, Gerald Ford showed his character and his leadership. As a star football player for the University of Michigan, he came face to face with racial prejudice when Georgia Tech came to Ann Arbor for a football game. One of Michigan's best players was an African American student named Willis Ward. Georgia Tech said they would not take the field if a black man were allowed to play. Gerald Ford was furious at Georgia Tech for making the demand, and for the University of Michigan for caving in. He agreed to play only after Willis Ward personally asked him to. The stand Gerald Ford took that day was never forgotten by his friend. And Gerald Ford never forgot that day either -- and three decades later, he proudly supported the Civil Rights Act and the Voting Rights Act in the United States Congress.

    Gerald Ford showed his character in the devotion to his family. On the day he became President, he told the nation, "I am indebted to no man, and only to one woman -- to my dear wife." By then Betty Ford had a pretty good idea of what marriage to Gerald Ford involved. After all, their wedding had taken place less than three weeks before his first election to the United States Congress, and his idea of a "honeymoon" was driving to Ann Arbor with his bride so they could attend a brunch before the Michigan-Northwestern game the next day. (Laughter.) And that was the beginning of a great marriage. The Fords would have four fine children. And Steve, Jack, Mike, and Susan know that, as proud as their Dad was of being President, Gerald Ford was even prouder of the other titles he held: father, and grandfather, and great- grandfather.

    Gerald Ford showed his character in the uniform of our country. When Pearl Harbor was attacked in December 1941, Gerald Ford was an attorney fresh out of Yale Law School, but when his nation called he did not hesitate. In early 1942 he volunteered for the Navy and, after receiving his commission, worked hard to get assigned to a ship headed into combat. Eventually his wish was granted, and Lieutenant Ford was assigned to the aircraft carrier, USS Monterey, which saw action in some of the biggest battles of the Pacific.

    Gerald Ford showed his character in public office. As a young congressman, he earned a reputation for an ability to get along with others without compromising his principles. He was greatly admired by his colleagues and they trusted him a lot. And so when President Nixon needed to replace a vice president who had resigned in scandal, he naturally turned to a man whose name was a synonym for integrity: Gerald R. Ford. And eight months later, when he was elevated to the presidency, it was because America needed him, not because he needed the office.

    President Ford assumed office at a terrible time in our nation's history. At home, America was divided by political turmoil and wracked by inflation. In Southeast Asia, Saigon fell just nine months into his presidency. Amid all the turmoil, Gerald Ford was a rock of stability. And when he put his hand on his family Bible to take the presidential oath of office, he brought grace to a moment of great doubt.

    In a short time, the gentleman from Grand Rapids proved that behind the affability was firm resolve. When a U.S. ship called the Mayaguez was seized by Cambodia, President Ford made the tough decision to send in the Marines -- and all the crew members were rescued. He was criticized for signing the Helsinki Accords, yet history has shown that document helped bring down the Soviet Union, as courageous men and women behind the Iron Curtain used it to demand their God-given liberties. Twice assassins attempted to take the life of this good and decent man, yet he refused to curtail his public appearances. And when he thought that the nation needed to put Watergate behind us, he made the tough and decent decision to pardon President Nixon, even though that decision probably cost him the presidential election.

    Gerald Ford assumed the presidency when the nation needed a leader of character and humility -- and we found it in the man from Grand Rapids. President Ford's time in office was brief, but history will long remember the courage and common sense that helped restore trust in the workings of our democracy.

    Laura and I had the honor of hosting the Ford family for Gerald Ford's 90th birthday. It's one of the highlights of our time in the White House. I will always cherish the memory of the last time I saw him, this past year in California. He was still smiling, still counting himself lucky to have Betty at his side, and still displaying the optimism and generosity that made him one of America's most beloved leaders.

    And so, on behalf of a grateful nation, we bid farewell to our 38th President. We thank the Almighty for Gerald Ford's life, and we ask for God's blessings on Gerald Ford and his family.

    END 11:27 A.M. EST

     Naval Criminal Investigation Command has
    launched an investigation into a Dec. 30 incident in which an Iraqi
    soldier was killed during an altercation with a Marine at a post at the
    Fallujah Government Center, Multinational Force Iraq officials announced
    .

    The Marine, assigned to 1st Battalion, 24th Marine Regiment, Regimental
    Combat Team 5, has been assigned to administrative duties. The Iraqi
    soldier was assigned to the 3rd Battalion, 2nd Brigade, 1st Iraqi Army
    Division.

    The Marines and Iraqi soldiers from both units have manned combined
    security posts since arrival of the Marine unit several months ago.

    "Marines and Iraqis from the two units continue to live, eat and fight
    alongside each other," said Marine Lt. Col. Bryan Salas, a coalition
    spokesman. "This will not impact our mission to continue the transition
    of the security responsibility to the Iraqi Army."

    Seven hundred Iraqi police, 3,000 Iraqi soldiers, and about 300 Marines
    are operating in Fallujah, officials said. This compares to March 2005,
    when 3,000 Marines and only 300 members of the Iraqi security forces
    were serving there.

     

    DEC 30

    Ford's casket en route to D.C. services 

    The body of former President Gerald R. Ford was taken from a church where thousands of mourners had paid their final respects to a nearby airport Saturday for the flight to Washington and ceremonies at the nation's Capitol.

    Following 13 hours of public viewing that ended just as the sun rose in this desert community where Ford and his wife, Betty, settled nearly 30 years ago, the casket was removed from St. Margaret's Episcopal Church during an elegant departure ceremony.

    After a military band played "Hail to the Chief," the casket was loaded into a hearse and 88-year-old Betty Ford, wearing black, and the couple's four children left in a motorcade for Palm Springs International Airport. A Boeing 747 from the presidential fleet was to take them to Andrews Air Force Base, Md., and then the Capitol.

    Two services were planned in Washington, and Ford was to be buried in Grand Rapids, Mich., on Jan. 3.

    During the night, thousands of people had filed solemnly past the casket, paying silent tribute to the leader whose understated manner was a salve for a nation racked by the Vietnam War and Watergate scandal.

    In his weekly radio address Saturday, President Bush eulogized Ford as a "courageous leader, a true gentleman and a loving father and husband."

    "Gerald Ford never lost the spirit that Americans grew to admire so much," Bush said, recalling his last visit with Ford last April in Rancho Mirage.

    "At age 92, and battling health problems, he was still telling jokes and displaying the optimism that helped guide our nation through some of its darkest hours," Bush said.

     

     

     

    DEC 28

    Reid Statement on the Passing of Gerald Ford

    -- Incoming Senate Majority Leader Harry Reid released the following statement on the passing of former President Gerald Ford.

    "I am deeply saddened by the passing of former President Gerald Ford. He was a devoted public servant who led our nation out of one of its darkest hours with grace and bipartisanship. His spirit and his contributions to our country will be missed, but they will never be forgotten. Landra and I send our thoughts and prayers to the Ford family, and we join a sorrowful nation in saying goodbye and thank you."

    Source: Office of Incoming Senate Majority Leader Harry Reid  

     

    Boy Scouts of America Gerald R. Ford Council Mourns Loss of the Nation's First Eagle Scout President

    Boy Scouts and leaders across West Michigan to remember Eagle Scout and the United States' 38th President with an Honor Guard of Local Scouts

     

     More than 30,000 Scouts and volunteers with the Gerald R. Ford Council of the Boy Scouts of America join the nation in mourning the loss of the nation's first Eagle Scout Vice President and President with the news that President Gerald R. Ford has died at age 93. For three generations he inspired scouts with his leadership and legacy not only in southwest Michigan but across the nation.

    To honor the former President, the Gerald R. Ford Council will be presenting a cordon of Eagle Scouts and an Eagle Scout Honor Guard as the family returns "home" to downtown Grand Rapids, Mich. In addition, over 5,000 Scouts and leaders of all ages will be lining the processional route on Fulton Street in front of Davenport University the day of the service.

    Board member and former National Board Member of Boy Scouts of America, Dick DeVos said, on hearing of the death of the President, "President Ford lived by the Boy Scout Oath that calls on a Scout to do his best to do his duty to God and country. He was among this nation's most upstanding citizens, leading our democracy through one of its most trying times while helping to heal America. As a former Boy Scout and friend of President Ford's, I saw him live the values of Scouting, always doing his best, always keeping his moral compass pointed north. It made him a strong leader, a positive role model for young people all across this country, and while we celebrate his life we are saddened to have lost his company here on earth."

    Young Gerald R. Ford began his Scouting career on December 17, 1924, when he became a member of Troop 15, sponsored by the Trinity M.E. Church in Grand Rapids, Mich., and earned the Eagle Scout rank in 1927 with 26 merit badges. In 1970, he received the Distinguished Eagle Scout Award "for his service to the Nation and community." He received the Scouter of the Year Award on December 2, 1974, from the National Capitol Area Council, Washington, D.C.

    While President of the United States, Ford drafted a letter that acknowledged the importance of Scouting in his early life; in it, he wrote, "My early years as a Boy Scout were invaluable in helping to shape the course of my later life ... The three great principles which Scouting encourages -- self-discipline, teamwork and moral and patriotic values -- are the building blocks of character. By working for these principles, those who belong to and support the Boy Scouts of America add greatly to the vitality of our society and to the future well-being of its people."

    Michael D. Sulgrove, Scout Executive of the Gerald R. Ford Council, Boy Scouts of America, remarked, "President Gerald R. Ford never forgot his Boy Scout Oath and Law! I believe, in fact, that it was this Oath and Law that guided his daily actions and thinking as our nation's leader. President Ford was often "blamed" for being too much of a Boy Scout -- a fact to which he quickly retorted by saying "more people need to act like Boy Scouts." Our Council will forever be named in honor of this great leader. In our nation's darkest hour of doubt and fear in the office of our President -- it was an Eagle Scout who renewed our faith!"

    The Gerald R. Ford Council of the Boy Scouts of America has been serving area youths, families and the community since 1912 and is comprised of 480 units and more than 30,000 boys and girls involved in Scouting and Venturing programs from a 12-county area including Allegan, Berry, Ionia, Kent, Lake, Mason, Mecosta, Montcalm, Muskegon, Oceana, Ottawa and Newaygo. Annually, more than 7,000 volunteer leaders administer more than 125 specialized programs and activities. Scouting builds character and strong communities; visit www.bsagrfc.org for more information.

    The Boy Scouts of America is composed of 1.2 million volunteers working together for the sole purpose of helping its more than 5 million kids succeed in life. The Boy Scouts of America's 95-year history is a testament to the enduring values of the Scouting program. For more information about Scouting, as well as opportunities to volunteer in area communities, visit www.scouting.org.

    Source: Boy Scouts of America

     

    Statement by Evangelist Billy Graham On the Death of President Gerald R. Ford

    -- "President Ford was one of the closest friends I have had in the political world, and I have the greatest admiration for him and his wife Betty.

    "I remember in his Inaugural speech he said, 'You have not elected me as your president by your ballots, and so I ask you to confirm me as your president with your prayers . . .' God certainly answered those prayers. President Ford was the great healer, and brought us together. We owe a great debt to him for how he put principle over politics at a crucial time in the life of our nation."

    Source: Billy Graham Evangelistic Association

    PBS Honors President Gerald R. Ford With Broadcast of Award-Winning Documentary on His Life

    Produced by WGVU Grand Rapids, First National Release of Film Available Beginning December 28 on PBS Stations

    Dec. 28  To honor the life of President Gerald R. Ford, PBS announced today that it is making available to public television stations nationwide an award-winning documentary tracing President Ford's formative years through his presidency. Produced by WGVU, the public television station in Grand Rapids, Michigan, President Ford's hometown, the 60-minute documentary will be available beginning December 28 to PBS stations (check local listings).

    TIME AND CHANCE: GERALD FORD'S APPOINTMENT WITH HISTORY, adapted in part from James M. Cannon's book of the same title, is a documentary about the man who was never elected to higher office but who served in the presidency for nearly 1,000 days in 1974-77, when the nation was challenged by war, inflation and political turmoil. The film traces Ford's formative years in Grand Rapids, Michigan, and chronicles his political career as a 13-term congressman, vice president and president. It is the first full-scale documentary about the nation's 38th president.

    Ford is prominently profiled in the program during the dark days of Watergate and the politically turbulent 1970s. The film also profiles Betty Ford and the role she played as one of the most influential first ladies since Eleanor Roosevelt.

    TIME AND CHANCE includes detailed interviews with and speech excerpts from President Ford; former Secretary of State Henry Kissinger; former President George H.W. Bush, Vice President Dick Cheney (who served as Ford's White House chief of staff); L. William Seidman, CNBC and former Ford economic advisor; James M. Cannon, Ford biographer, journalist, author, political advisor; former President Jimmy Carter; Marty Allen, president of the Ford Presidential Foundation; Michigan Governor Jennifer Granholm; Senator Edward Kennedy; and former Secretary of State Colin Powell.

    In the film, former Secretary of State Henry Kissinger says of Ford, "I think he saved the country. In fact, he saved it in such a matter-of-fact way that he isn't given any credit for it."

    The film has received a 2004 Crystal Award of Excellence from the Communicator Awards; a 2005 MAB Merit Award for Best News Special; a 2005 Associated Press Award for Best News Documentary; a 2005 Award of Excellence from the Videographer Awards; a 2005 CINE Golden Eagle Award; a 2005 Best in Show for writing and a Gold Award in the documentary/biography category from the Aurora Awards; and a 2005 Silver Davey Award. The film was also nominated for an EMMY Award in Michigan and has been included in the Museum of Broadcast Communications Documentary Archives.

    TIME AND CHANCE has been made available to PBS stations nationwide. Consult PBS listings in local areas for airdates and times. Copies of TIME AND CHANCE, as well as of WGVU Productions' 30-minute film "Gerald R. Ford: Turning 90" are available for purchase by calling 800/442-2771 or by visiting WGVU's online store at wgvu.org/store.

    Underwriters: Public Television Viewers and PBS. Producer: WGVU Grand Rapids. Producer/writer: Mike Grass. Director: Rob Byrd. Narrator: Will Lyman. Videographers: Rob Byrd, Phillip A. Lane and Phil Blauw. Executive producers: Matthew E. McLogan and Ken Kolbe. General Manager, WGVU: Michael T. Walenta. Format: CC Stereo

    PBS is a media enterprise that serves 354 public noncommercial television stations and reaches almost 90 million people each week through on-air and online content. Bringing diverse viewpoints to television and the Internet, PBS provides high-quality documentary and dramatic entertainment, and consistently dominates the most prestigious award competitions. PBS is a leading provider of educational materials for K-12 teachers, and offers a broad array of other educational services. PBS' premier kids' TV programming and Web site, PBS KIDS Online (pbskids.org), continue to be parents' and teachers' most trusted learning environments for children. More information about PBS is available at pbs.org, one of the leading dot-org Web sites on the Internet.

    WGVU's continued mission is to provide educational, informative and entertaining programs and events to the West Michigan community as a service of Grand Valley State University.

     

     Military tradition will be evident
    throughout the events associated with the Dec. 26 death of former President
    Gerald R. Ford, as the services join the nation in bidding farewell to
    their former commander in chief.


    Ford's three-stage state funeral will begin tomorrow with the former
    president's remains lying in repose at St. Margaret's Episcopal Church in
    Palm Desert, Calif. He will then be honored in the nation's capital,
    and finally in his home state of Michigan, where he will be buried.
    Ford's casket will arrive Dec. 30 at Andrews Air Force Base, Md. A
    motorcade will travel through Alexandria, Va., where Ford resided while
    serving as a congressman and vice president. After a pause at the World
    War II Memorial -- Ford served in the Navy during the war -- the
    motorcade will proceed to the U.S. Capitol, where the former president will lie
    in state.
    Ford's coffin will be draped in a U.S. flag, with the blue field over
    his left shoulder. The custom began in the Napoleonic Wars of the late
    18th and early 19th centuries, when a flag was used to cover the dead as
    they were taken from the battlefield on a caisson.
    Graveside military honors in Michigan will include the firing of three
    volleys each by seven servicemembers. This commonly is confused with an
    entirely separate honor, the 21-gun salute. But the number of
    individual gun firings in both honors evolved the same way.
    The three volleys came from an old battlefield custom. The two warring
    sides would cease hostilities to clear their dead from the battlefield,
    and the firing of three volleys meant that the dead had been properly
    cared for and the side was ready to resume the battle.
    The 21-gun salute traces its roots to the Anglo-Saxon empire, when
    seven guns constituted a recognized naval salute, as most naval vessels had
    seven guns. Because gunpowder in those days could be more easily stored
    on land than at sea, guns on land could fire three rounds for every one
    that could be fired by a ship at sea.
    Later, as gunpowder and storage methods improved, salutes at sea also
    began using 21 guns. The United States at first used one round for each
    state, attaining the 21-gun salute by 1818. The nation reduced its
    salute to 21 guns in 1841, and formally adopted the 21-gun salute at the
    suggestion of the British in 1875.
    An "order of arms" protocol determines the number of guns to be used in
    a salute. A president, ex-president or foreign head of state is saluted
    with 21 guns. A vice president, prime minister, secretary of defense or
    secretary of the Army receives a 19-gun salute. Flag officers receive
    salutes of 11 to 17 guns, depending on their rank. The rounds are fired
    one at a time.
    A U.S. presidential death also involves other ceremonial gun salutes
    and military traditions. On the day after the death of the president, a
    former president or president-elect -- unless this day falls on a Sunday
    or holiday, in which case the honor will rendered the following day --
    the commanders of Army installations with the necessary personnel and
    material traditionally order that one gun be fired every half hour,
    beginning at reveille and ending at retreat.
    On the day of burial, a 21-minute gun salute traditionally is fired
    starting at noon at all military installations with the necessary
    personnel and material. Guns will be fired at one-minute intervals. Also on the
    day of burial, those installations will fire a 50-gun salute -- one
    round for each state -- at five- second intervals immediately following
    lowering of the flag.
    The playing of "Ruffles and Flourishes" announces the arrival of a flag
    officer or other dignitary of honor. Drums play the ruffles, and bugles
    play the flourishes - one flourish for each star of the flag officer's
    rank or as appropriate for the honoree's position or title. Four
    flourishes is the highest honor.
    When played for a president, "Ruffles and Flourishes" is followed by
    "Hail to the Chief," which is believed to have been written in England in
    1810 or 1811 by James Sanderson for a play by Sir Walter Scott called
    "The Lady of the Lake." The play began to be performed in the United
    States in 1812, the song became popular, and it became a favorite of bands
    at festive events. It evolved to be used as a greeting for important
    visitors, and eventually for the president, though no record exists of
    when it was first put to that use.
    The bugle call "Taps" originated in the Civil War with the Army of the
    Potomac. Union Army Brig. Gen. Daniel Butterfield didn't like the bugle
    call that signaled soldiers in the camp to put out the lights and go to
    sleep, and worked out the melody of "Taps" with his brigade bugler,
    Pvt. Oliver Wilcox Norton. The call later came into another use as a
    figurative call to the sleep of death for soldiers.
    Ford will be buried with full military honors at his presidential
    museum in Grand Rapids, Mich., Jan. 3.
     

     

    BIO Statement: FDA Announces Safety of Food Products From Cloned Animals and Their Offspring

    Jim Greenwood, president and CEO of the Biotechnology Industry Organization (BIO), issued the following statement in response to a draft risk assessment provided today by the U.S. Food and Drug Administration regarding the safety of milk and meat products from cloned animals and their offspring:

    "BIO supports the FDA scientific draft risk assessment which concludes that meat and milk products from cloned animals and their offspring are safe for human consumption, and are no different from foods produced through other breeding methods. As a new assisted reproductive technology, cloning can consistently produce healthier animals and a healthier meat and milk supply. FDA's draft risk assessment is consistent with numerous studies that have found the food from animal clones and their offspring to be safe."

    "While there are currently no products from cloned animals and their offspring in the market, the publication of the FDA's draft risk assessment will begin an essential public discussion on the technology and how it can be successfully used by farmers and ranchers. BIO supports the continued responsible use of this technology, and encourages the continued observance of the voluntary moratorium on the introduction of food products from cloned animals and their offspring into the marketplace. We look forward to the future publication of the final risk assessment from FDA."

    "Animal cloning is the latest step in a long history of reproductive tools for farmers and ranchers, and can effectively help livestock producers deliver what consumers want: high-quality, safe, abundant and nutritious foods in a conscientious and consistent manner. Globally, this technology may provide people in developing countries with greater access to protein-rich animal food products which will increase community health and well-being."

    "FDA's extensive review of numerous scientific research studies, conducted over the past 30 years, has determined that foods from animal clones and their offspring are equivalent to foods from conventional livestock. These findings are consistent with two reports by the National Academy of Sciences."

    "Using the tools of biotechnology to produce more desirable and healthier farm animals is not a new practice. For decades, livestock producers have used genomics to improve the health and efficiency of animals that provide healthy and nutritious meat and milk."

    BIO represents more than 1,100 biotechnology companies, academic institutions, state biotechnology centers and related organizations across the United States and 31 other nations. BIO members are involved in the research and development of health-care, agricultural, industrial and environmental biotechnology products. http://www.bio.org/.

    Source: Biotechnology Industry Organization

     

    DEC 27

    Americans will remember former President
    Gerald R. Ford as a man with the courage to heal a nation.


    Ford, who died at his California home last night at age 93, assumed the
    presidency at a grim time in American history.

    In the midst of a distinguished career in the House of Representatives,
    the Michigan Republican was President Richard M. Nixon's choice to
    succeed Spiro T. Agnew as vice president. Agnew resigned in disgrace on
    Oct. 10, 1973, after pleading no contest to corruption charges, and Nixon
    himself was facing impeachment.

    Nixon's difficulty started with a break-in at the Democratic National
    Headquarters in the Watergate building here during the 1972 presidential
    campaign and evolved into a cover-up that involved many figures in the
    administration up to the president.

    By August 1974, the prevailing mood in the country had turned against
    Nixon. Nixon had been re-elected in a landslide in November 1972, but
    revelations about the Watergate cover-up kept surfacing. A Senate select
    committee led by Sens. Sam Ervin and Howard Baker investigated, and
    Americans began realizing how far the corruption had crept into the
    administration. In July 1974, Congress voted to begin impeachment proceedings
    against the president. Nixon weighed what lay ahead for him, and on
    Aug. 9, 1974, became the first president of the United States to resign
    from office.

    The resignation was effective at noon. At 12:05 p.m., Gerald Ford began
    the healing process in a speech to America and the world. "My fellow
    Americans, our long national nightmare is over," Ford said. "Our
    Constitution works; our great republic is a government of laws, and not of men.
    Here, the people rule."

    A year before becoming president, Ford was not even in line for the
    job. He was the House minority leader, and his fondest wish was for the
    Republicans to gain control of the legislative body so he could become
    speaker of the House. After Agnew's resignation, Nixon nominated Ford for
    the vice presidency. The Senate confirmed Ford, and he took that office
    on Dec. 6, 1973.

    Ford was born Leslie Lynch King Jr. on July 14, 1913, in Omaha, Neb.
    His parents divorced, and his mother took him to Grand Rapids, Mich., to
    live with her parents. In 1916, she married Gerald R. Ford, and Leslie
    King became Gerald R. Ford Jr.

    Ford excelled in school and in sports. He became an Eagle Scout in 1927
    and was an all-state football player. He attended the University of
    Michigan, where he studied political science and economics and starred on
    the football team. When he finished college, the Green Bay Packers and
    the Detroit Lions approached Ford to play for them, but he opted to
    become a boxing coach at Yale University in New Haven, Conn., where he
    received his law degree in 1941.

    During World War II, Ford joined the Naval Reserve and was commissioned
    as an ensign. At first, he was a physical fitness instructor at a
    pre-flight school at Chapel Hill, N.C., but in 1943, he reported to the
    aircraft carrier USS Monterrey and participated in operations in the
    Pacific Theater. He ended the war as a lieutenant commander and returned to
    Grand Rapids.

    The future president joined a local law firm, and in 1948, challenged
    the isolationist Republican legislator. He won by a wide margin and took
    office on Jan. 3, 1949. At the height of the election campaign, Ford
    married Elizabeth Ann Bloomer Warren, known as "Betty."

    Ford built a reputation in the House of Representatives as an effective
    legislator. He rose in the ranks and served as the ranking member on
    the House Appropriations Committee's defense subcommittee. In 1964,
    President Lyndon B. Johnson appointed Ford as one of the members of the
    Warren Commission looking into the assassination of President John F.
    Kennedy in 1963.

    In 1965, Ford ran for and was elected as minority leader in the House.
    He held that position until he became vice president.

    During his term as president, Ford faced many challenges. The Soviet
    Union was still a power, and Ford continued Nixon's policy of working to
    thaw relations with the Soviet Union. The Ford administration began
    negotiations of strategic arms limits and negotiated the Helsinki
    agreements on human rights.

    In the Middle East, the Ford administration launched "shuttle
    diplomacy" in an effort to carve out a peace.

    In Asia, the war in Vietnam continued as Ford took office. North
    Vietnamese regulars took the South Vietnamese capital of Saigon in April
    1975, and the war was effectively over. But on May 12, Khmer Rouge forces
    seized the U.S. merchant ship Mayaguez miles off the Cambodian coast.
    Ford ordered U.S. forces to retake the ship and free the 39 crewmembers.
    U.S. forces freed the vessel and the crewmen, but 41 Americans died in
    the operation.

    Ford's most controversial position was one taken a month after taking
    office. He believed that prosecuting Nixon would keep the United States
    mired in the Watergate scandal. He granted Nixon a pardon before the
    filing of any criminal charges against him. Many said the decision was
    the result of a deal, but Ford always maintained it simply was the right
    thing to do.

    In 1976, Ford faced down a challenge from Ronald Reagan and received
    the Republican nomination for president. At the beginning of the
    campaign, he was far behind the Democratic candidate, former Georgia Gov. Jimmy
    Carter. Ford campaigned well and closed the gap, but lost one of the
    closest presidential elections in history.

    Ford retired to California and was much in demand as a speaker and
    lecturer. In August 1999, then-President Bill Clinton awarded Ford the
    Medal of Freedom - the country's highest civilian award. Clinton, a
    Democrat, did it in recognition of Ford's role in guiding the United States
    through the turbulent post-Watergate era.

    Upon learning of Ford's death last night, President Bush issued a
    written statement praising the former chief executive. "With his quiet
    integrity, common sense, and kind instincts, President Ford helped heal our
    land and restore public confidence in the presidency," Bush's statement
    said. In a televised statement this morning, Bush called Ford "a true
    gentleman who reflected the best of America's character."

    In 1979, Ford published his autobiography, titled "A Time to Heal."

    U.S. flags will fly at half-staff for 30 days in Ford's honor. The
    former president is survived by his wife and four children. An announcement
    on funeral arrangements is expected later today.

     

     DEC 26

     

    Auto Club: New Motorist Laws for 2007 Address Traffic Safety Concerns

    December 26, 2006 -- Several new laws affecting motorist and traffic safety will take effect beginning Jan. 1, 2007, according to the Automobile Club of Southern California.

    "Many of these laws focus on safety for vehicle passengers, mature drivers, pedestrians and young drivers," said Alice Bisno, the Auto Club's vice president for legislative and regulatory affairs.

    Laws taking effect Jan. 1, 2007 include:

    No "Trunking"

    AB 1850 makes it unlawful for a person to knowingly drive a motor vehicle while another person is riding in the trunk; riding in the trunk is also illegal. The driver receives a fine and one point on his or her driving record; the person riding in the trunk receives a fine. The law is a response to some teen drivers' attempts to evade the passenger restriction in California's graduated driver licensing law by hiding teens in the trunk. Since 2000, there have been 153 collisions involving trunking, resulting in nine deaths and 140 injuries.

    Mature-Driver Courses

    Mature-driver courses, available for drivers at least 55 years of age, are designed to help older motorists drive safely longer by educating them on proper driving techniques and changes in technology and the law. AB 2407, an Auto Club-sponsored bill, permits renewal courses to be completed in four hours. (The initial course lasts for eight hours.) Drivers who successfully complete the course are eligible for a small discount on their auto insurance.

    Emergency Vehicles

    SB 1610 is intended to enhance safety for emergency vehicle and tow-truck personnel working on the side of the road. Drivers approaching a stationary authorized emergency vehicle or tow truck with its siren or emergency lights activated must proceed carefully and move into an available lane at least two lanes away from the emergency vehicle or tow truck. If such a move is not safe, practical, or legal, the driver should slow to a reasonable and prudent speed. The law expires on January 1, 2010.

    Right-of-Way Violations

    SB 1021 requires the DMV driver handbook and traffic-violator school curriculums to include information about respecting the right-of-way of others, particularly pedestrians, cyclists, and motorcyclists. It also increases the fine for right-of-way violations that result in bodily injury or great bodily injury. Violators will pay a fine of at least $245 if bodily injury is involved and at least $345 if great bodily injury is involved. For purposes of this law, great bodily injury means "any significant or substantial physical injury."

    Reckless Driving and Street Racing

    AB 2190 makes reckless driving and street racing that results in great bodily injury a felony offense for first-time violators. Previously, only those with a prior conviction for this offense could be charged with a felony. Great bodily injury includes loss of consciousness, concussions, bone fractures, wounds requiring extensive suturing, serious disfigurement, and paralysis.

    Driving Under the Influence

    AB 2752 increases the penalties for underage drinking and driving. The new law makes it a criminal offense instead of a civil penalty for a driver under 21 years of age to have a measurable blood-alcohol concentration of 0.01 percent. First-offense infractions will carry a minimum fine of $350.

    Vehicle Impoundment

    Under AB 2253, a court can impound a vehicle used in the illegal dumping of waste matter for up to six months if the person driving the vehicle has a prior conviction for the offense. Waste matter does not include beverage containers or food wrappers, but it does include oil and other petroleum products, paints, garbage, furniture, dirt, gravel, and body parts.

    Other motorist-related laws that were approved by the California Legislature in 2006, but which do not take effect until 2008 or later, include:

    Wireless Telephones

    SB 1613 prohibits the use of handheld cellular telephones while driving. Starting July 1, 2008, a driver may use a cell phone only if it has a hands-free listening and speaking system. Drivers ticketed for a violation will be subject to a minimum total fine of $70 for a first offense and $175 for subsequent offenses. "Push-to-talk" systems (such as Nextel) are exempt from the hands-free requirement until July 1, 2011.

    Car-Key Replacement

    SB 1542, sponsored by the Auto Club, will make it easier for vehicle owners whose keys are lost, stolen, or broken to obtain replacement keys. This law takes effect January 1, 2008 and it requires an automaker to provide the codes necessary for a locksmith to make a replacement key for vehicles sold or leased in California. Some auto manufacturers, such as Mercedes-Benz and BMW, will have until 2013 to comply with the new law if they currently allow no one but themselves to duplicate a key.

    Smog Check

    Under AB 1870, beginning January 1, 2008, vehicles that emit visible smoke from the tailpipe or crankcase during a smog inspection will fail the test. A vehicle owner can appeal a failing result to a state-designated referee; low-income vehicle owners may be eligible for repair assistance.

    Driver Assessment

    AB 2542 requires the DMV to implement its evaluation system for identifying drivers with medical problems and functional limitations. A report to the legislature on the results is due by December 31, 2011; the law expires January 1, 2012.

     

     

    Dec 22

    Four Marines have been charged in
    connection with the deaths of Iraqi civilians in Haditha Nov. 19, 2005,

     and
    another four Marines have been charged with failure to properly report
    and/or investigate the deaths of the Iraqi civilians.

    Col. Stewart Navarre, chief of staff of Marine Corps Installations
    West, announced the charges and specifications during a news conference on
    Camp Pendleton, Calif., today. All of those charged were members of 3rd
    Battalion, 1st Marine Regiment.

    "The Marine Corps takes allegations of wrong-doing by Marines very
    seriously and is committed to thoroughly investigating such allegations,"
    Navarre said. "The Marine Corps also prides itself on holding its
    members accountable for their actions.

    "We are absolutely committed to holding fair and impartial proceedings
    in full compliance with the Uniform Code of Military Justice," he said.
    Navarre said the charges stem from an incident that occurred after an
    attack on a four-vehicle Marine convoy from the battalion's Kilo
    Company. The convoy was moving through Haditha when it was ambushed by
    insurgents employing an improvised explosive device and small arms fire,
    Navarre said.

    "One Marine was killed and two were wounded by the explosion," the
    colonel said. "Over the next several hours, 24 Iraqi men, women and
    children died in the vicinity of the IED explosion."

    The next day, 2nd Marine Division issued a press release stating that
    15 Iraqi civilians were killed in an IED explosion, and Marines and
    Iraqi Army soldiers killed eight insurgents in a follow-on firefight. "We
    now know with certainty the press release was incorrect, and that none
    of the civilians were killed by the IED explosion," Navarre said.

    In February, Army Lt. Gen. Peter Chiarelli, commander of Multinational
    Corps Iraq, initiated an investigation. "This investigation focused on
    the circumstances of the attack and whether the Marines involved
    followed the Rules of Engagement and Law of Armed Conflict," Navarre said.

    In March, Marine Maj. Gen. Richard Zilmer, commander of coalition
    forces in Al Anbar province, initiated a Naval Criminal Investigative
    Service investigation, to determine if there was any criminal responsibility
    for the deaths of the Iraqi civilians.

    Later that month Chiarelli ordered Army Maj. Gen. Eldon Bargewell to
    conduct another investigation to look at three aspects of the incident:
    official reporting of the events and follow-on actions by the chain of
    command; training of Marines in the Rules of Engagement and the Law of
    Armed Conflict; and whether the command climate in 3rd Battalion, 1st
    Marine Regiment, encouraged the disciplined application of the Rules of
    Engagement and the Law of Armed Conflict.

    "In May 2006, the Naval Criminal Investigative Service also began a
    criminal investigation into the follow-on actions of the chain of
    command," Navarre said.

    Bargewell ended his inquiry June 15, 2006. He concluded that the
    Marines were adequately trained on the Rules of Engagement and Law of Armed
    Conflict but that reporting of the incident up the chain of command was
    inaccurate and untimely. The report went to Chiarelli, Army Gen. George
    Casey, the commander of Multinational Forces Iraq, and finally to U.S.
    Marine Corps Forces, Central Command for appropriate action, Navarre
    said.

    Those charged are:

    Marine Staff Sgt. Frank D. Wuterich is charged with unpremeditated
    murder, soliciting another to commit an offense and making a false official
    statement.

    Marine Sgt. Sanick P. Dela Cruz was charged with five counts of murder
    and one charge of a false official statement.

    Marine Lance Cpl. Stephen B. Tatum is charged with murder, negligent
    homicide and assault.

    Marine Lance Cpl. Justin L. Sharratt is charged with three counts of
    murder.

    Marine Lt. Col. Jeffrey R. Chessani, the commander of the 3rd
    Battalion, 1st Marines, was charged with three counts of violation of a lawful
    order and dereliction of duty.

    Marine Capt. Lucas M. McConnell has been charged with dereliction of
    duty.

    Marine Capt. Randy W. Stone was charged with failure to follow a lawful
    order and dereliction of duty.

    Marine 1st Lt. Andrew A. Grayson is charged with dereliction of duty,
    making a false official statement and obstructing justice.

     

     

    Dec 21

    Genovese Family Soldier and 7 Genovese and Gambino Family Associates Charged With Racketeering Conspiracy, Loansharking, Extortion, Attempted Obstruction of Justice, Arson, and Murder

    NEW YORK, Dec. 21 -- An indictment was unsealed this morning in federal court in Brooklyn charging Genovese family soldier JOHN GIGLIO, Genovese family associates VINCENT CASALE GARCIA, RICHARD DACUNTO, JOHN LAFORTE, and ANTHONY STOCCO, and Gambino family associates EDWARD FISHER, RAYMOND SPITALE, and SALVATORE PALMIERI with racketeering conspiracy, including charges of loansharking, extortion, attempted obstruction of justice, arson, and murder(1). GIGLIO, FISHER, DACUNTO, GARCIA, LAFORTE, and STOCCO will be arraigned later today before United States Magistrate Judge James Orenstein, at the U.S. Courthouse, 225 Cadman Plaza West, Brooklyn, New York. PALMIERI and SPITALE will be arraigned on the charges at a later date. The case has been assigned to United States District Judge David G. Trager.

    The charges were announced by Roslynn R. Mauskopf, United States Attorney for the Eastern District of New York, Mark J. Mershon, Assistant Director-in- Charge, Federal Bureau of Investigation, New York Field Office, William G. McMahon, Special Agent-in-Charge, Bureau of Alcohol, Tobacco, Firearms, and Explosives, New York Field Division, and Raymond W. Kelly, Commissioner, New York City Police Department.

    As alleged in the indictment and the government's detention memorandum, FISHER and PALMIERI participated in the arson of My Deli & Grocery, located on Rhine Avenue in Staten Island, in the early morning of December 22, 2001. Prior to the arson, the owner of My Deli & Grocery was approached and threatened by members and associates of organized crime because he planned to open another deli that would rival a deli whose owner was allegedly protected by members and associates of La Cosa Nostra. FISHER provided PALMIERI with the destructive device to be used in the arson, and PALMIERI threw the device into My Deli & Grocery, while store employees were present, destroying the store.

    PALMIERI is also charged with murdering Ronald Peteroy on September 27, 1990. Peteroy's body, which had two gunshot wounds, was found near Emily's Bar, located on Forest Avenue on Staten Island.

    The defendants GIGLIO, FISHER, SPITALE, DACUNTO, GARCIA, PALMIERI, LAFORTE, and STOCCO are charged with a loansharking conspiracy, marked by violence and threats. GARCIA, for example, bragged to GIGLIO about threatening a debtor: "I went there ... I smacked him right in front of all his f----n' friends, 40 guys in the club ... I smacked him and I dragged him out by the hair and put the thing to his face ... "

    If convicted of the racketeering conspiracy, GIGLIO, GARCIA, DACUNTO, SPITALE, LAFORTE, and STOCCO face a maximum sentence of 20 years in prison. If convicted of arson, arson conspiracy, and possession and use of a dangerous device, FISHER faces a mandatory minimum sentence of 35 years in prison. PALMIERI, who is already serving a sentence on his prior conviction for conspiring to commit the My Deli & Grocery arson, faces a maximum sentence of life imprisonment.

    "We remain steadfast in our commitment to uproot the members and associates of organized crime who endanger our community by spreading violence and fear," stated United States Attorney Mauskopf. "Today's arrests are the result of outstanding cooperation among our federal and local law enforcement partners."

    FBI Assistant Director-in-Charge Mershon stated, "In the popular imagination, the mob is often thought to have evolved from crimes of violence to more sophisticated white collar schemes. That belief is mistaken, or at least grossly over-simplistic. The litany of charges against these defendants reads like the ABCs of traditional organized crime. The FBI will continue to police mobsters, whether their crimes are sophisticated or brutally unsophisticated."

    ATF Special Agent-in-Charge McMahon stated, "Five years ago today, cowards threw a fire bomb into an occupied grocery store and then ran away. For over three years, ATF Agents and NYPD Detectives doggedly pursued numerous investigative leads, which ultimately led to the apprehension of three subjects. These initial arrests and the investigation that followed led to the arrests made today and shows that acts of violence, threats and intimidation of law 3 abiding citizens will not be tolerated. ATF, along with our partners, remain committed to protecting the public and reducing violent crime."

    New York City Police Commissioner Kelly stated, "I want to commend our detectives and federal partners for stopping the mob from returning to the old days of routinely bombing their competitors out of business. They tried here and were arrested."

    The government's case is being prosecuted by Assistant United States Attorney Amy Busa.

      The Defendants:    Name: JOHN GIGLIO   Alias: "Little John," "Johnny Bull," "Fat John"   DOB: 4/11/1958    Name: EDWARD FISHER   Alias: "the Irishman"   DOB: 11/3/1952    Name: RAYMOND SPITALE   DOB: 7/6/1944    Name: VINCENT CASALE GARCIA   Alias: "Vinny Basille"   DOB: 9/7/1972    Name: RICHARD DACUNTO   DOB: 10/28/1962    Name: SALVATORE PALMIERI   DOB: 4/17/1955    Name: JOHN LAFORTE   Alias: "Hammer"   DOB: 2/13/1968    Name: ANTHONY STOCCO   Alias: "The Retard"   DOB: 10/18/1982    (1) The charges contained in the indictment are merely allegations, and       the defendants are presumed innocent unless and until proven guilty

     President Bush said today he's counting on
    new Defense Secretary Robert Gates to bring a fresh perspective to the
    Pentagon, and he vowed to continue ensuring U.S. troops have what they
    need to accomplish their mission.

    Speaking to reporters at a White House news conference, the president
    said Gates will be "an important voice in the Iraq strategy review
    that's under way."

    Gates arrived in Iraq today to meet with deployed U.S. military leaders
    and troops and Iraqi leaders and to assess the situation on the ground.

    Bush said he considers the views of commanders on the ground there
    "very important" and wants their feedback. "They are bright, capable, smart
    people whose opinion matters a lot to me," he said.

    In forging the path ahead, Bush said his top priority will be "to
    ensure that our men and women wearing the uniform have everything they need
    to do their jobs."

    "We have an obligation to ensure our military is capable of sustaining
    this war over the long haul, and performing the many tasks that we ask
    of them," he said.

    Bush acknowledged the challenges the troops face but said the country
    stands with them and believes in what they are doing.

    "I ...want our troops to understand that we support them," he said. "I
    believe that the tough mission I've asked them to do is going to be
    accomplished, and that they're doing good and necessary work."

    Although some Americans may have wearied of the war on terror, it's
    critical that the country remain committed for its long-term security, the
    president said.

    "It's been a tough period for the American people," he acknowledged.
    "They want to see success. And our objective is to put a plan in place
    that achieves that success."

    Regardless of how that plan ultimately emerges, it won't include a
    rapid retreat from Iraq, the president said.

    "I...know it's the right decision for America to stay engaged, and to
    take the lead, and to deal with these radicals and extremists and to
    help support young democracies," he said. "It's the calling of our time,
    and I firmly believe it is necessary."

    Retreat from Iraq would dash the hopes of millions to want freedom. But
    even worse, the president said, it would embolden terrorists and help
    them establish a new safe haven for plotting future attacks.

    "Success is essential for securing a future of peace for our children
    and grandchildren," he said. "And securing this peaceful future is going
    to require a sustained commitment from the American people and our
    military."

     

    Bristol-Myers Squibb Announces Agreement In Principle to Settle Federal Investigation Into Pricing, Sales And Marketing Practices

    Company Lowers GAAP 2006 Earnings Guidance and Reaffirms non-GAAP 2006 Earnings Guidance

    NEW YORK, Dec. 21 Bristol-Myers Squibb Company (NYSE:BMY) ("the Company"), the United States Department of Justice, and the Office of the United States Attorney for the District of Massachusetts have reached an agreement in principle, subject to approval by the U.S. Department of Justice (DOJ), to settle several investigations involving the Company's drug pricing, and sales and marketing activities. The investigations began several years ago.

    The agreement in principle provides for a civil resolution and an expected payment of $499 million. There would be no criminal charges against the Company. The agreement in principle also provides for the Company to enter into a corporate integrity agreement with the Office of Inspector General (OIG) of the U.S. Department of Health and Human Services (HHS). The settlement is contingent upon the parties' agreement to the terms of a final settlement agreement, including on the terms of the corporate integrity agreement, and approval by the DOJ. There can be no assurance that the settlement will be finalized.

    As a result of the agreement in principle, the Company has increased its reserves related to these investigations by $353 million, bringing the aggregate reserves for these matters to $499 million. The increased reserve will be recorded in the fourth quarter of 2006. The aggregate reserves reflect the Company's estimate of the expected probable loss with respect to these matters, assuming the settlement is finalized. If the settlement is not finalized, the amount reserved may not reflect eventual losses.

    In addition, the Company will record an estimated pre-tax charge of $220 million for the previously disclosed debt restructuring completed in the fourth quarter. This charge is unrelated to the agreement in principle.

    The two charges discussed above were not reflected in the Company's previously issued 2006 earnings guidance. Accordingly, the Company is lowering its 2006 full-year earnings guidance for fully diluted earnings per share from continuing operations on a GAAP basis to between $0.72 and $0.77, from $0.97 and $1.02 as previously provided at the end of the third quarter of 2006. The Company's revised GAAP guidance is based on the assumption that none of the expected payment under the settlement agreement will be tax deductible. The Company's previous accrual of $146 million in connection with the matter also was recorded on the assumption that there would not be any tax benefit associated with the charge. The Company expects that a portion but not all of the expected $499 million settlement payment will be tax deductible, although the amount of the tax benefit cannot be reasonably estimated at this time.

    The Company reaffirms its 2006 full-year earnings guidance of between $1.02 and $1.07 on a non-GAAP basis, with the expectation that its full-year non-GAAP earnings will be in the upper end of that range. The Company's non- GAAP earnings guidance excludes "specified items" as discussed under "Use of Non-GAAP Financial Information," below. Details reconciling adjusted non-GAAP amounts with the amounts reflecting specified items are also provided below. The non-GAAP guidance provided above does not include other specified items, which may occur during the remainder of the year, such as milestone payments in connection with previously announced external development, copromotion or alliance charges and payments for in-process research and development, gains or losses from asset disposals, charges related to new transactions, charges and recoveries relating to significant legal proceedings, and restructuring activities.

    For additional discussion of the investigations referenced above, see "Item 1. Financial Statements Note 18. Legal Proceedings and Contingencies," in the company's Form 10-Q Quarterly Report for the period ending September 30, 2006.

    Bristol-Myers Squibb is a global pharmaceutical and related health care products Company whose mission is to extend and enhance human life.

    Use of Non-GAAP Financial Information

    This press release contains non-GAAP earnings per share information adjusted to exclude certain costs, expenses, gains and losses and other specified items. Among the items in GAAP earnings but excluded for purposes of determining adjusted earnings are: gains or losses from sale of businesses and product lines; from sale or write-down of equity investments and from discontinuations of operations; restructuring items that meet the requirements of SFAS 112 for severance and SFAS 146 for other exit costs; accelerated depreciation charges under SFAS 144 related to restructuring items described above; asset impairments; charges and recoveries relating to significant legal proceedings; upfront and milestone payments for in-licensing of products that have not achieved regulatory approval that are immediately expensed; copromotion or alliance charges and payments for in-process research and development which under GAAP are immediately expensed rather than amortized over the life of the agreement; income from upfront and milestone payments that is immediately recognized for out-licensing of products, including deferred income recognized upon termination; costs of early debt retirement; and significant tax events, including the repatriation of special dividends pursuant to the AJCA. This information is intended to enhance an investor's overall understanding of the company's past financial performance and prospects for the future. For example, non-GAAP earnings per share information is an indication of the company's baseline performance before items that are considered by the Company to be not reflective of the company's operational results. In addition, this information is among the primary indicators the Company uses as a basis for evaluating company performance, allocating resources, setting incentive compensation targets, and planning and forecasting of future periods. This information is not intended to be considered in isolation or as a substitute for diluted earnings per share prepared in accordance with GAAP.

                           BRISTOL-MYERS SQUIBB COMPANY      2006 FULL YEAR PROJECTED DILUTED EPS FROM CONTINUING OPERATIONS                    IMPACT OF PROJECTED SPECIFIED ITEMS                                              Full Year 2006   Projected Diluted Earnings per Common    Share from Continuing Operations         $0.72 to $0.77   Projected Specified Items:   Litigation matters                                  0.18   Downsizing and streamlining of    worldwide operations                               0.08   Debt restructuring                                  0.07   Licensing and milestone payments                    0.02   Gain on sale of product asset                      (0.06)   Insurance recoveries                               (0.01)   Change in estimates for taxes on prior year items   0.02   Total                                               0.30   Projected Diluted Earnings per Common Share    from Continuing Operations Excluding    Specified Items                          $1.02 to $1.07    Bristol-Myers Squibb Forward-Looking Statement 

    This press release contains "forward-looking statements" as that term is defined in the Private Securities Litigation Reform Act of 1995, regarding the prospective settlement of a litigation matter. Such forward-looking statements are based on current expectations and involve inherent risks and uncertainties, including factors that could delay, divert or change any of them, and could cause actual outcomes and results to differ materially from current expectations. No forward-looking statement can be guaranteed. Among other risks, there can be no guarantee that the settlement will be finalized and receive required approval from the U.S. Department of Justice. If the settlement is not finalized, there is no guarantee that claims would not be made against the company, and that there would not be a material financial impact. Forward-looking statements in the press release should be evaluated together with the many uncertainties that affect Bristol-Myers Squibb's business, particularly those identified in the cautionary factors discussion in Bristol-Myers Squibb's Annual Report on Form 10-K for the year ended December 31, 2005, its Quarterly Reports on Form 10-Q, and Current Reports on Form 8-K. Bristol-Myers Squibb undertakes no obligation to publicly update any forward-looking statement, whether as a result of new information, future events, or otherwise.

    Source: Bristol-Myers Squibb Company

     

     

    Dec 20

     

    Victory in Iraq is achievable, and retreat
    from Iraq is not an option, President Bush said today during a White
    House news conference.


    "We're going to succeed," he said. "We're not succeeding near as fast
    as I wanted, and conditions are tough in Iraq, and particularly in
    Baghdad."

    But Bush called the war on terror "the calling of our generation," and
    said success is essential for securing peace for future generations.

    Achieving this success, however, will require a sustained commitment by
    the American people and the military, Bush said, including a possible
    increase in the size of the Army and Marine Corps.

    "We have an obligation to ensure the military is capable of sustaining
    this war over the long haul, and performing the many tasks that we ask
    of them," he said. "I'm inclined to believe that we need to increase
    the permanent size of the United States Army and the United States
    Marines."

    New Defense Secretary Robert Gates will study how to accomplish this
    growth, the president said.

    Bush said he will work with Congress to determine the best way to grow
    the force. "I will listen to views from all corners," he said. "We will
    work with them to ensure this becomes a reality."

    The president said 2006 started out on a positive note but proved to be
    a difficult year for the U.S. military and the Iraqi people.

    "We began the year with optimism after watching 12 million Iraqis go to
    the polls to vote for a unity government and a free people," he said.

    But terrorists and insurgents attacked the process, blowing up the
    Golden Mosque in Samarra and doing their best to bring on sectarian
    violence between Sunni and Shiia.
    "Throughout the year, they had success," Bush said. "Their success hurt
    our efforts to help the Iraqis rebuild their country. It set back
    reconciliation, it kept Iraq's unity government and out coalition from
    establishing security and stability throughout the country."

    Bush said the United States enters 2007 "clear-eyed" about the
    challenges in Iraq, and steady in its purpose.

    "Our goal remains a free and democratic Iraq that can govern itself,
    sustain itself and defend itself and is an ally in the war on terror,"
    Bush said.

    The president said he would not make predictions about the mission in
    Iraq in the next year, but he said anything done will require additional
    choices and sacrifices, because the enemy is merciless and violent.

    "I will make you this promise: My administration will work with
    Republicans and Democrats to fashion a new way forward that will succeed in
    Iraq," Bush said.

    He said the coalition will change its strategy and tactics whenever
    needed in response to the activities on the ground. He said he will never
    forget "that on the receiving end of the decisions I make is a private,
    a sergeant, a young lieutenant or a diplomat who risks his or her life
    to help the Iraqis realize a dream of a stable country that can defend
    govern and sustain itself."

    Bush said he is looking at a number of options and is listening to the
    opinions of many people as he fashions a new way forward in Iraq. He
    said one option is increasing the number of American troops in the
    country, but emphasized that the troops must have a clear attainable mission
    before he chooses that option.

    Bush said the most painful aspect of his presidency "is that good men
    and women have died in combat" following his orders.

     

     

    December 19 2006

     

    Celebrities Auction Dreams To Benefit Martin Luther King III's Realizing the Dream nonprofit organization Bidding closes December 21 at 7PM through Authentic Memorabilia on http://www.authmem.com

    Two of the sexiest men alive, George Clooney and David Wright have teamed up for Martin Luther King III's Realizing The Dream Celebrity Auction. In this unprecedented on-line auction celebrities offer unique experiences such as accompanying George Clooney to the premiere and after party of his film Ocean's 13 or a meet and greet with New York Met star David Wright at Shea Stadium. All proceeds will directly benefit Realizing the Dream, Inc., the charity overseen by Martin Luther King III, eldest son of Dr. Martin Luther King, Jr. and Coretta Scott King, and co-founded by former United Nations Ambassador Andrew Young. Auction Highlights include Walter Cronkite, Yogi Berra, Paul and Mira Sorvino, Jonathan Vilma, The New York Knicks, The New York Rangers, Martin Luther King III and former United Nations Ambassador Andrew Young. These incredible celebrity dreams will be auctioned through Spencer Lader and Dr. Nitin Doshi's Authentic Memorabilia LLC, headquartered in Bethpage, Long Island, N.Y. Bidders can log on to http://www.authmem.com to view and bid on these dreams or participate through http://www.ebayliveauctions.com. For more information call 888.283.5645. Spencer Lader, Co-owner of Authentic Memorabilia said, "Interest for David Wright and George Clooney has been overwhelming. It should be interesting to see how it finalizes on Thursday since Clooney is Hollywood's sexiest man and Wright is the most exciting player in New York since Mickey Mantle." On Tuesday, Stephen A. Smith announced on his show Quite Frankly that he will be donating two tickets to The NBA playoffs. Last week Geraldo donated a tour around Manhattan Harbor on his luxury boat. Since the auction kicked off on December 6, 2006 there has been a groundswell of celebrities getting involved. For the person who has everything, this could be one of the best Christmas gifts ever. Realizing the Dream, Inc., with headquarters in Atlanta, Ga., is a nonprofit organization dedicated to making Dr. King's vision a reality for all. Realizing the Dream seeks to continue the legacy and work of Dr. and Mrs. King in wiping out poverty and injustice through programs that foster peace and nonviolent social change, empowering poverty-stricken communities and developing strong leaders among the nation's youth. Profits raised from the auction will be used directly to carry out these programs.

     

    Only one in five Americans believe that the "next Bill Gates" will come from the United States, according to a new poll released today by Zogby International and 463 Communications.

     

    The Zogby/463 Internet Attitudes poll found that practically half of all Americans (49 percent) believe that the next great technology leader will come from either China or Japan. Twenty-one percent believe that "next Bill Gates" will come from the United States while 13 percent believe he or she will come from India. "The next Bill Gates has already been born, and time will tell what country is providing the environment of innovation, entrepreneurism and opportunity to enable him or her to flourish with the next great idea," said 463 partner Tom Galvin. The Internet Attitudes poll tested Americans views on their perceptions of Internet. Among the findings: * Kids are more Internet-savvy than Congressmen. An overwhelming majority -- 83 percent -- believes that a typical 12-year-old knows more about the Internet than their member of Congress. Republicans (85 percent) and Democrats (86 percent) agreed with each other. * Internet vs. the printing press. While the Web is roughly 550 years younger than the printing press, one-third (32 percent) of all Americans believe that the Internet is a greater invention. Sixty-five percent said Johannes Gutenberg's printing press that merely nabbed him the title "Man of the Millenium" by Time Magazine is a greater invention. Interestingly, while whites favored the printing press over the Internet by 69 to 27 percent, only 57 percent of African Americans favored the printing press and 41 percent chose the Internet. Moreover, Hispanic Americans actually favored the Internet 51 to 47 percent and Asian Americans surveyed also chose the Internet by 85 to 12 percent. * Car more important than email. While many may think the Internet is a historic invention, it still trails badly behind in what they depend upon for their work. When asked "What would make it harder for you to work - your car not starting, or losing Internet and email access?" 78 percent gave the nod to the car while only 10 percent said the Internet. Of those surveyed making more than $100,00 a year, 31 percent chose the loss of Internet access, while only 6 percent of those making less than $35,000 did. * Internet everywhere. Two-thirds of Americans believe that soon there will be no place in the world where we won't be able to access the Internet. Sixty-six percent said that in 10 years they will be able to access the Internet anywhere they are in the world. * We are voyeurs. Two in three Americans believe what Paris Hilton and Britney Spears already know. Sixty-seven percent agreed that new camera and Internet technologies are turning us into a nation of voyeurs and paparazzis. * Katie Bests YouTube, for now. But at the same time, while "You" is this year's Time Magazine "Man of the Year", most Americans aren't quite ready to rely on "citizen videos" for our news just yet. Seventy percent said they would rather watch the evening news coverage instead of a citizen video report on an event. Though, only one year after YouTube burst onto the scene, fully 25 percent of those 18-49 years old would chose citizen video. Self-described progressives picked citizen video 30 percent of the time, while only 19 percent of those calling themselves conservatives did. The nationwide telephone survey of 1,203 adults was conducted 12/5/06 through 12/8/2006 and has a margin of error of +/- 2.9 percentage points. Complete polling and cross-tab results can be viewed at: http://www.463.com/463zogby_poll.html . About Zogby International Zogby International has been tracking public opinion since 1984 in North America, Latin America, the Middle East, Asia and Europe. About 463 Communications 463 Communications is a strategic communications consultancy that specializes in helping technology companies, associations and coalitions with their policy, regulatory and public sector goals. For more information, visit http://www.463.com .

     

    Carlos Alvarez today pleaded guilty to conspiring to act as a covert agent of the Republic of Cuba operating within the United States

    before Judge K. Michael Moore in U.S. District Court in Miami, Assistant Attorney General Kenneth L. Wainstein of the National Security Division, U.S. Attorney R. Alexander Acosta of the Southern District of Florida, and FBI Special Agent in Charge Jonathan I. Solomon of the Miami Field Office announced. Mr. Alvarez faces a statutory maximum penalty of five years in prison and a $250,000 fine. Carlos Alvarez's wife, Elsa Alvarez, also pleaded guilty today to concealing her husband's criminal participation in that conspiracy. Mrs. Alvarez faces a statutory maximum penalty of three years in prison and a $250,000 fine. Sentencing for both defendants is scheduled for Feb. 27, 2007. "This investigation unmasked a Cuban intelligence agent who served for many years as an educator at a prominent university, all the while spying on South Florida's Cuban exile community for his Cuban handlers," stated Assistant Attorney General Wainstein. "Today's plea demonstrates our firm commitment to protect our country and our citizens against the agents of foreign powers." "The United States Oath of Citizenship requires individuals seeking citizenship to absolutely and entirely renounce and abjure all allegiance and fidelity to any foreign prince, potentate, state, or sovereignty of whom or which [he or she] ha[s] heretofore been a subject," stated U.S. Attorney Acosta. "Today's guilty pleas serve as a stark reminder that there are among us some who, while enjoying the freedom and liberty our great nation offers, continue to serve the interests of another master." According to the facts admitted by Carlos Alvarez during the hearing, Alvarez worked for nearly 30 years as a covert intelligence agent on behalf of the Cuban government. Beginning in 1977 and continuing through 2005, Carlos Alvarez met with individuals who worked for the Cuban Intelligence Service and, at their instruction, gathered and transmitted information concerning, among other things, prominent individuals and groups within the Cuban exile community in the United States. Alvarez received his instructions from the Cuban Intelligence Service through personal meetings, messages written on water-soluble paper, coded pager messages, and encrypted electronic communications. The electronic communications involved shortwave radio messages from the Cuban Intelligence Service, which Alvarez decrypted using a computer disk. Alvarez then gathered the requested information and compiled written reports, which he encrypted using another computer disk. Alvarez signed these reports with his codename, "David." Alvarez mailed these reports to various post office boxes in New York and then burned in his backyard, and attempted to erase on his computer, evidence that the reports had been written. On occasion, Carlos Alvarez received new decryption and encryption computer disks from the Cuban Intelligence Service to ensure that the communications would remain secret. When Alvarez picked up the new computer disks, he sometimes transported them hidden in a portfolio or briefcase with a false compartment. Alvarez and his co-conspirators ceased to communicate in this manner in or about 1998, after the arrest of the Wasp Spy Network in South Florida. Alvarez then communicated with his co-conspirators through personal meetings in Cuba and elsewhere. To this end, Alvarez's position as an educator at Florida International University enabled him to meet individuals on whom the Cuban Intelligence Service wanted information and to travel to Cuba to communicate his information. Alvarez's criminal conduct continued through on or about June 22, 2005, the date that Alvarez spoke to the FBI regarding his illegal involvement with the Cuban Intelligence Service. Prior to this date, Alvarez never notified the Attorney General that he would be acting as an agent of the Republic of Cuba, and never withdrew from the criminal conspiracy. According to facts admitted by Elsa Alvarez at the plea hearing, Elsa Alvarez worked to conceal her husband's spying activities from United States law enforcement authorities for over 20 years. Beginning as early as in or around 1982, Elsa Alvarez became aware that her husband, Carlos Alvarez, was involved in a conspiracy to serve as a covert intelligence agent for the Republic of Cuba. Despite this knowledge, Elsa Alvarez harbored Carlos Alvarez, allowed the use of their home for the exchange of electronic communications with the Republic of Cuba, and on certain occasions, accompanied him when he traveled to meet with agents of the Cuban Intelligence Service, all of which helped conceal the true nature of his activities. Moreover, Elsa Alvarez failed to make Carlos Alvarez' illegal involvement with the Republic of Cuba known to some judge or other person in civil or military authority under the United States. Elsa Alvarez's conduct continued through on or about July 5, 2005, the date that Elsa Alvarez spoke to the FBI regarding Carlos Alvarez' illegal involvement with the Cuban Intelligence Service. Elsa Alvarez, like her husband Carlos Alvarez, was employed as a professor at Florida International University. U.S. Attorney Acosta commended the investigative efforts of the FBI for their work in this investigation. The case is being prosecuted by Assistant U.S. Attorneys Brian Frazier and Matthew Axelrod and by Senior Trial Attorney Clifford Rones of the Counterespionage Section of the Department of Justice. A copy of this press release may be found on the Web site of the U.S. Attorney's Office for the Southern District of Florida at http://www.usdoj.gov/usao/fls. Related court documents and information may be found on the website of the District Court for the Southern District of Florida at http://www.flsd.uscourts.gov/ or on http://pacer.flsd.uscourts.gov/.

     

    A federal grand jury in Miami has indicted a former Alcatel CIT executive on charges related to making corrupt payments to Costa Rican officials in order to obtain a mobile telephone contract from the state-owned telecommunications authority

    , in violation of the Foreign Corrupt Practices Act (FCPA), the Department of Justice announced today. The 10-count indictment returned today charges Christian Sapsizian, 60, a French citizen, with conspiring to make over $2.5 million in bribe payments to Costa Rican officials in order to obtain a telecommunications contract on behalf of Alcatel, making corrupt payments, and laundering the bribes through a consultant. Sapsizian was previously charged and arrested in Miami on a criminal complaint issued Dec. 1, 2006. Until Nov. 30, 2006, Alcatel was a French telecommunications company, whose American Depositary Receipts were traded on the New York Stock Exchange. Sapsizian was employed by Alcatel or one of its subsidiaries for over 20 years. At the time of the conduct alleged in the indictment, he was the deputy vice president responsible for Latin America. El Instituto Costarricense de Electricidad (ICE), the state-owned telecommunications authority in Costa Rica, was responsible for awarding all telecommunications contracts, including mobile telephone contracts. Prior to 2000, Alcatel had been unsuccessful in obtaining mobile telephone contracts in Costa Rica, repeatedly losing to a competitor which utilized a different technology than Alcatel. The indictment alleges that from February 2000 through September 2004, Sapsizian conspired with Alcatel's senior representative in Costa Rica to make payments to a member of ICE's Board of Directors, who was also an advisor to a more senior official in the Costa Rican government. The payments were intended to cause the ICE official to exercise his influence to initiate a bid process which favored Alcatel's technology and to vote to award Alcatel a mobile telephone contract. Sapsizian is charged with offering the ICE official 1.5 percent to 2 percent of the value of the contract in exchange for the ICE official's efforts in assisting Alcatel to obtain the contract. The indictment further alleges that Sapsizian was aware that the ICE official intended to share the corrupt payments with the senior government official. Alcatel was in fact awarded a mobile telephone contract in August 2001, which was valued at $149 million. According to the indictment, Sapsizian authorized one of Alcatel's Costa Rican consulting firms to funnel the payments to the ICE official. Sapsizian is charged with conspiring to launder money for allegedly causing Alcatel CIT to wire $14 million in "commission" payments to the consultant. The consultant, in turn, wire transferred $2.5 million to the ICE official. Thus, Sapsizian is charged with eight counts of violating the FCPA for allegedly causing those payments to the ICE official. The conspiracy and FCPA charges each carry a maximum sentence of five years in prison. The money laundering charge carries a maximum sentence of 20 years in prison. An indictment contains only allegations. A defendant is presumed innocent of the charges and it is the government's burden to prove a defendant's guilty beyond a reasonable doubt at trial. This case is being prosecuted by Deputy Chief Mark F. Mendelsohn, and Trial Attorney Mary K. Dimke of the Fraud Section of the Criminal Division at the U.S. Department of Justice, Washington. The case is being investigated by the Federal Bureau of Investigation. Costa Rican Attorney General Francisco Dall'Anese and his office provided substantial assistance to this investigation.

     

    A Mobile man was found guilty today of eight felony charges brought in connection with his false and fraudulent application for assistance after Hurricane Katrina

    , U.S. Attorney Deborah J. Rhodes of the Southern District of Alabama announced. Governor Reiss Sr., 54, was convicted by a federal jury following a two day trial and an hour of deliberation. Reiss called a FEMA hotline one month after Hurricane Katrina and claimed that his primary residence, vehicle and personal property in New Orleans had been completely destroyed. Reiss had moved out of the house in New Orleans at least three months before the storm and was living at a house on East Lourdes Street in Mobile, Ala. when Katrina struck. The New Orleans property had been foreclosed on in the months before the storm, and neither Reiss nor any of his family lived there at the time. "The jury's verdict shows that fraud and deception will not be tolerated in the Southern District of Alabama, particularly when people have taken advantage of a catastrophe to enrich themselves at the expense of others," said U.S. Attorney Rhodes. "Our efforts to investigate and prosecute fraud in connection with Hurricane Katrina will continue." Based on the false claims Reiss made to FEMA, he was awarded $12,858 for temporary housing and to replace his home. Reiss spent some of the housing money on a new vehicle and on visiting his daughter in California. After FEMA discovered that he did not live in New Orleans, Reiss was ordered to repay the money, which he has not done. Reiss was convicted of making a false claim to the government, making a false statement, two counts of theft of public money, two counts of wire fraud, and two counts of aggravated identity theft. Sentencing was set for March 26, 2007 before U.S. District Judge William H. Steele. Reiss was taken into custody pending sentencing. Making false claims and false statements each carry a maximum possible term of five years in prison. Theft of public money is punishable by a maximum sentence of 10 years in prison. Each count of wire fraud carries a maximum penalty of 20 years in prison and each count of aggravated identity theft carries a mandatory consecutive term of two years in prison. Each felony conviction is also punishable by a fine of up to $250,000 and restitution of any proceeds of the crime. In September 2005, Attorney General Alberto R. Gonzales created the Hurricane Katrina Fraud Task Force, designed to deter, investigate and prosecute disaster-related federal crimes such as charity fraud, identity theft, procurement fraud and insurance fraud. The Hurricane Katrina Fraud Task Force -- chaired by Assistant Attorney General Alice S. Fisher of the Criminal Division -- includes the FBI, the U.S. Inspectors General community, the U.S. Secret Service, the U.S. Postal Inspection Service, the Executive Office for the United States Attorneys and others. This case was investigated by the Department of Homeland Security, Office of the Inspector General and prosecuted by Assistant U.S. Attorneys Daryl A. Atchison and Sean P. Costello.

     

    The Council on American- Islamic Relations (CAIR) tonight called on Rep. Virgil Goode (R-VA) to apologize for anti-Muslim remarks he made in a recent letter to a constituent.

     Goode's letter to the head of the local Sierra Club chapter slammed the planned use of a Quran for the ceremonial swearing-in of Keith Ellison, the first Muslim elected to Congress. (No religious texts of any kind are used for the official swearing-in ceremony.) "I do not subscribe to using the Koran in any way," wrote Goode. "The Muslim Representative from Minnesota was elected by the voters of that district and if American citizens don't wake up and adopt the Virgil Goode position on immigration there will likely be many more Muslims elected to office and demanding the use of the Koran." Goode also decried the growth of the American Muslim community. He wrote, "I fear that in the next century we will have many more Muslims in the United States if we do not adopt the strict immigration policies that I believe are necessary to preserve the values and beliefs traditional to the United States of America." (Keith Ellison has traced his family's roots in America to the year 1742.) SEE: Anti-Muslim Letter Goes Out to Hundreds -- Not All are Amused http://www.c-ville.com/index.php?cat=141404064431134&ShowArticle_ID=11041812060944 420 "Representative Goode's Islamophobic remarks send a message of intolerance that is unworthy of anyone elected to public office," said CAIR National Legislative Director Corey Saylor. "There can be no reasonable defense for such bigotry." Saylor said Goode should apologize for his remarks and offered to arrange a meeting between the congressman and members of the Muslim community in his district. The controversy over Representative-elect Ellison's use of the Quran for the ceremonial oath began with a recent commentary by Dennis Prager, a member of the United States Holocaust Memorial Council, in which he wrote that swearing an oath on the Quran "undermines American civilization." CAIR has asked that Prager be removed from the taxpayer-supported council. CAIR, America's largest Islamic civil liberties group, has 32 offices and chapters nationwide and in Canada. Its mission is to enhance the understanding of Islam, encourage dialogue, protect civil liberties, empower American Muslims, and build coalitions that promote justice and mutual understanding.

     

    December 18

     Robert M. Gates was sworn in as the
    nation's 22nd secretary of defense in a ceremony at the Pentagon here today.

    After President Bush introduced Gates as "an experienced and thoughtful
    leader," Vice President Richard B. Cheney administered the oath of
    office. Gates was officially sworn in at the White House earlier today in a
    private ceremony.

    "It is an honor to have the opportunity to work with the people in this
    department -- dedicated professionals whose overriding priority is the
    defense of our nation," Gates said upon taking the oath at the
    Pentagon.

    The Defense Department is carrying on many different activities, all of
    which are important, but the most pressing concern is the situation in
    Iraq, Gates said. Since being confirmed by the Senate, Gates has
    participated in National Security Council meetings on Iraq, received a number
    of briefings at DoD, and discussed the situation and way forward in
    Iraq with the president. He said he intends to travel quite soon to Iraq
    and meet with military leaders and other personnel there.

    "I look forward to hearing their honest assessments of the situation on
    the ground and of having the benefit of their advice, unvarnished and
    straight from the shoulder, on how to proceed in the weeks and months
    ahead," Gates said.

    The situation in Afghanistan is also very important, Gates said. The
    progress made there in the last five years cannot be undone, he said, and
    the U.S. and NATO must keep their commitment to the Afghan people.

    "How we face these and other challenges in the region over the next two
    years will determine whether Iraq, Afghanistan, and other nations at a
    crossroads will pursue paths of gradual progress towards sustainable
    governments, which are allies in the global war on terrorism, or whether
    the forces of extremism and chaos will become ascendant," he said.

    Bush also emphasized that America is at a time of great consequence in
    the war on terror. The secretary of defense must understand the
    challenges of the present, see the threats of the future, and provide the best
    possible advice to help direct the nation's armed forces as they engage
    the enemies of freedom around the world, he said.

    Gates is the right man for the job, Bush said.

    "He knows the stakes in the war on terror," Bush said of Gates. "He
    recognizes this is a long struggle against an enemy unlike any our nation
    has fought before. He understands that defeating the terrorists and the
    radicals and the extremists in Iraq and the Middle East is essential to
    leading towards peace. As secretary of defense, he will help our
    country forge a new way forward in Iraq so that we can help the Iraqis
    achieve our shared goal of a unified, democratic Iraq that can govern itself,
    sustain itself and defend itself, and be an ally in our struggle
    against extremists and radicals."

    Everyone wants to find a way to bring America's troops home, Gates
    said, but the U.S. cannot afford to fail in the Middle East. "Failure in
    Iraq at this juncture would be a calamity that would haunt our nation,
    impair our credibility, and endanger Americans for decades to come," he
    said.

    Bush cited Gates' long career in public service: He started in an
    entry-level position at the Central Intelligence Agency in 1966, rose to
    become its director, has worked under six presidents, and spent almost
    nine years on the National Security Council staff.

    "Bob Gates' lifetime of preparation will serve him well as the
    secretary of defense," Bush said.

    Bush and Gates both praised outgoing Defense Secretary Donald H.
    Rumsfeld, noting his exceptional leadership during a time of change at DoD.
    "Donald Rumsfeld has devoted decades of his life to public service,"
    Gates said. "He cares deeply about our men and women in uniform and the
    future of our country."

    Gates said that defense transformation will remain a priority for him,
    and he pledged to involve in the decision-making processes those who
    will ultimately carry out the decisions.

    "I return to public service in the hope that I can make a difference at
    a time when our nation is facing daunting challenges and difficult
    choices," he said.

     

     

    Ocean West Holding Corporation anuncia su nuevo nombre y símbolo de acciones

    Nuevo símbolo (AKMN)

     December 18, 2006 -- AskMeNow, una subsidiaria totalmente propiedad de Ocean West Holding Corporation (OTCBB: OWHC), líder en respuestas móviles inteligentes, anunció hoy que el nombre y el símbolo de acciones oficiales de la empresa han cambiado a AskMeNow Inc., símbolo de acciones AKMN (OTCBB: AKMN) en la cartelera de NASD OTC con vigencia el 18 de diciembre de 2006.

    La aprobación se basa en reciente liquidación de SEC de la Declaración de información de Cédula 14C de la empresa y los informes periódicos enmendados.

    El cambio del nombre de la empresa a AskMeNow Inc. no afecta las posesiones de los inversionistas actuales y todas las inversiones realizadas a través de Ocean West Holding Corporation se transferirán al nuevo nombre y símbolo de la empresa.

    Acerca de AskMeNow

    AskMeNow es la manera más fácil y cómoda de acceder a información en Internet o de contenido local desde un celular o un dispositivo PDA móvil. La primera red de estilo de vida móvil, AskMeNow utiliza su tecnología patentada para ofrecer una plataforma de interacción basada en el lenguaje natural y de provisión dinámica de contenido diseñada para una recuperación simple y rápida de la información. La empresa genera ganancias a través de tarifas por uso y auspicios publicitarios móviles contextuales uno a uno. AskMeNow se lanzó oficialmente en noviembre de 2005. La empresa está basada en Irvine, California. Para obtener más información, haga clic en www.askmenow.com.

    Declaraciones a futuro

    Determinadas declaraciones del presente comunicado de prensa no son históricas ni hechos actuales y constituyen declaraciones a futuro dentro del significado de dicha expresión en la sección 27A de la Ley de valores de 1933 y de la sección 21E de la Ley de intercambio de valores de 1934. Dichas declaraciones a futuro implican riesgos conocidos y desconocidos, incertidumbres y otros factores que podrían hacer que los resultados financieros u operativos reales de la empresa o de AskMeNow difirieran materialmente de los resultados históricos o de cualquier resultado futuro expresado o implicado por las declaraciones a futuro. Dichas declaraciones a futuro se basan en nuestras mejores estimaciones de futuros resultados, rendimiento o logros, basadas en las condiciones actuales y en los resultados más recientes de la empresa y de AskMeNow. Además de declaraciones que explícitamente describen tales riesgos e incertidumbres, se insta a los lectores a considerar inciertas y a futuro todas las declaraciones que tengan los términos puede, va a, potencial, oportunidad, desmiente, prevé, intenta, estima, anticipa o tiene pensado. Las declaraciones a futuro que contiene el presente comunicado también están sujetas en general a otros riesgos e incertidumbres que se describen periódicamente en los informes y declaraciones de registro de la empresa presentadas ante la Comisión de valores e intercambio.

     

    Military Aircrews Continue Supporting Mount Hood Rescue Effort 

     

    After finding the body of one missing
    climber on Mount Hood, Ore., members of the Oregon Army National Guard,
    Nevada Air National Guard and Air Force Reserve are continuing the search
    today for two other lost climbers.

    Rescue crews, joined by civilian volunteers, planned to take advantage
    of clearing weather after several days of snow, ice and winds hampered
    earlier efforts, Capt. Christopher Bernard of the Air Force Reserve's
    304th Rescue Squadron, based in Portland, told reporters today.

    The 304th Rescue Squadron was the first aircrew on the scene, Dec. 11,
    after three climbers went missing after they set out Dec. 7 for what
    was to be a two-day climbing trip, Air Force Staff Sgt. Nick Przybyciel,
    of the 446th Airlift Wing at McChord Air Force Base, Wash., told
    American Forces Press Service.

    Nine pararescue team members and three combat rescue officers conducted
    ground surveillance through Dec. 14 before pausing operations during
    inclement weather as they geared up to launch the air mission, Przybyciel
    said.

    The squadron left one crewmember on the mountain to serve as a spotter
    for a Nevada Air National Guard C-130 Hercules aircraft. The aircraft
    is part of the only Air Force wing equipped with "scathe view"
    technology that provides real-time imagery of ground activity via
    electro-optical and infrared sensors mounted on military aircraft, Przybyciel
    explained.

    Meanwhile, three Oregon Army National Guard helicopter crews joined the
    search Dec. 15. Twelve flight crews and medics aboard two UH-60 Black
    Hawks from the 1042nd Medical Company (Air Ambulance), based in Salem,
    and a CH-47D Chinook from Detachment 1, D Company, 113th Aviation
    Battalion, based in Pendleton, are involved in the search.

    This morning, a Nevada Air National Guard C-130 Hercules aircraft from
    Reno headed to the summit to retrieve a body found in a snow cave
    yesterday on Mount Hood's north face. Although officials declined to name
    the climber during today's news conference, family members said it was
    48-year-old Kelly James.

    Joe Wimpler, Mount Hood County sheriff, compared locating the snow cave
    to finding "a needle in a haystack" and praised the "excellent spot on
    the part of the air crews."

    The search for James' companions, Brian Hall and Jerry Cooke, has
    narrowed to "The Gullies," an avalanche-prone area with a sheer 2,500-foot
    drop. It's still too dangerous to put ground crews in the area, Wimpler
    said, but search-and-rescue efforts are continuing from the air.

    Bernard noted that the aircrews involved in the operation are combat
    veterans who have served in the mountains of Afghanistan. "There's a wide
    set of skills coming together to support this mission," he said.

    Despite the lack of good news, officials expressed optimism that the
    missing two climbers may still be alive. "There definitely is hope,"
    Bernard said.

    Army Col. Dave Greenwood, Oregon's state aviation officer who has been
    flying Black Hawk missions during the search, said the military is
    uniquely qualified to carry out the mission. "When we see something like
    this, we realize that we're the only ones with our type of capabilities,
    so we are always ready to roll," he said.

    The Oregon Guard typically conducts about 20 search-and-rescue missions
    a year, but few of this magnitude, he said.

    Greenwood noted that since returning from Afghanistan in March, the
    Oregon Guard helicopter crews spent 43 days this summer fighting
    wildfires. "It just never stops," he said. "It's a lot of missions for these
    guys."

     

    December 16, 2006

     

    Taco John's to Use New Produce Vendor

    Precaution Taken in Response to Reports of Illness at Two Franchise Locations

    -- Approximately 100 Taco John's franchises in the Midwest will be using a new produce vendor starting as soon as today as an extreme precautionary response to reports of potential E. coli contamination at three of the franchise locations, one in Iowa and two in Minnesota, that used a common vendor. The reminder of the Taco John's system utilizes other produce vendors.

    "While food samples continue to be analyzed by health departments in both states, and two private laboratories with which we've contracted, we don't want to take any chances with the health of our customers," said Taco John's president and CEO, Paul Fisherkeller. "Once the cause of the illnesses is pinpointed, we can take more targeted action. Since produce is the most common carrier of E. coli, we'd rather be aggressively proactive and replace a possible source."

    The company has not been given any specific reason to suspect its current source of produce for that group of franchises, Fisherkeller noted. Taco John's has been told to expect laboratory results from the Black Hawk County Health Department in Iowa and the Minnesota Department of Health on December 14, when it also expects results back from its independent labs.

    "We continue to pray for the speedy recovery of all that have fallen ill, and our thoughts are with them and their loved ones," said Fisherkeller.

    The company provided this updated chronology of events for the public's information:

      *  Tuesday, November 28-- The first illness was reported to the Black Hawk      County Health Department.    *  Wednesday, December 6 -- The Department contacted Taco John's      indicating that some (not all) of those who were sick had eaten at the      Taco John's franchise at 6210 University Ave., Cedar Falls, IA.  The      same day, the Department conducted an inspection at that location.      Immediately thereafter, Taco John's followed Department recommendations      to replace all the food being used in the restaurant.  The franchise      was allowed to re-open an hour later and remains open.  Taco John's      notified Roma Foods, the primary supplier to franchisees in that      region, of the issue and urged its management to double-check its own      compliance, although Roma, like Taco John's, has an excellent health      and safety record.    *  Thursday, December 7 -- One local newspaper reported that, "'More than      a dozen people are hospitalized in Black Hawk County with an illness      that may be E. coli,' said Tom O'Rourke, director of the county health      department.  'We are not ready to call it E. coli.'"    *  Friday, December 8 -- Another local paper quoted Tom O'Rourke as      saying, "We have no reason to believe a threat still exists."  The      paper went on to say, "Taco John's, located at 6210 University Ave.      remains open.  Local health officials said the restaurant has fully      cooperated with efforts to identify sick customers and ensure food      safety."    *  Saturday, December 9 -- Company representatives phoned and e-mailed      every owner and operator in the Taco John's system to alert them to      this issue and to reinforce standards.    *  Monday, December 11 -- Taco John's took samples taken out of the Cedar      Falls, IA restaurant for independent lab testing, and samples were also      taken by the Black Hawk County Health Department for testing.  The      Black Hawk County Department of Health held a press briefing at which      it indicated that the preliminary test results continue to indicate E.      Coli 157, but that there had been no new cases since December 6.  Taco      John's was notified by the Minnesota Department of Health that it was      investigating the illness of several patrons who had eaten at its      Albert Lea franchise during the same period as those who fell ill in      Iowa.  The Albert Lea, MN restaurant was inspected by the Minnesota      Department of Health, which concluded that it met all standards of      serving safe food.    *  Tuesday, December 12 -- Taco John's Corporate representatives were on      site in Albert Lea, MN; they inspected the restaurant and confirmed      that it met all standards for serving safe food.  The Minnesota      Department of Health reports two possible new cases of E. coli in      Albert Lea and two new cases in Austin, MN.  The Austin restaurant was      inspected by the Department of Health, which concluded restaurant meets      all standards of serving safe food.  Taco John's Corporate      representatives inspected the restaurant and confirmed health      department findings.  The Department of Health took samples for testing      from the Austin restaurant and Taco John's took samples for independent      testing from both the Albert Lea and Austin restaurants.  A      teleconference was held with all Taco John's franchisees to reinforce      all food safety procedures.  

    "We continue to work around the clock with the health departments to get to the root of this serious issue," concluded Fisherkeller.

    Taco John's International, based in Cheyenne, WY, operates and franchises more than 400 quick-service restaurants in 26 states. The company will be posting regular situation updates at its website, www.tacojohns.com.

    Source: Taco John's

     

    Even while waging a global campaign against
    terrorism, outgoing Defense Secretary Donald H. Rumsfeld kept his focus
    on the future and transformed the Defense Department into a more agile
    organization better suited for the 21st century, President Bush said
    here today
    .

    "The record of Don Rumsfeld's tenure is clear; ... there has been more
    profound change at the Department of Defense over the past six years
    than at any time since the department's creation in the late 1940s," Bush
    said during Rumsfeld's farewell ceremony at the Pentagon.

    Bush noted that in 2001, he gave Rumsfeld the mission of preparing the
    U.S. military for the threats of a new century. After those threats hit
    home on Sept. 11, 2001, Rumsfeld launched one of the most innovative
    military campaigns in history, sending special operations forces into
    Afghanistan to link up with anti-Taliban fighters on horseback.

    From there, Rumsfeld's spirit of innovation just kept growing, Bush
    said.

    In 2003, he said, Rumsfeld launched Operation Iraqi Freedom, ousting
    Saddam Hussein in 21 days and, over the years, seeing the Iraqi people
    through the resumption of sovereignty, two elections, a referendum to
    approve the most progressive constitution in the Middle East, and the
    seating of a newly elected government. "On his watch, the United States
    military helped the Iraqi people establish a constitutional democracy in
    the heart of the Middle East, a watershed event in the story of
    freedom," Bush said.

    While fighting the war on terror, Rumsfeld developed a new defense
    strategy and a new command structure for the nation's armed forces, with a
    new Northern Command to protect the homeland, a new Joint Forces
    Command to focus on transformation, a new Strategic Command to defend against
    long-range attack, and a transformed Special Operations Command ready
    to take the lead in the global war on terror, Bush said. Rumsfeld also
    launched the biggest transformation of the Army in a generation and led
    efforts to transform the NATO alliance, he said.

    "On his watch, NATO sent its forces to defend a young democracy in
    Afghanistan more than 3,000 miles from Europe, the first time NATO has
    deployed outside the North Atlantic area in the history of the alliance,"
    Bush said.

    Bush also noted Rumsfeld's other accomplishments: launching the
    Proliferation Security Initiative, a coalition of more than 80 nations working
    together to stop shipments of weapons of mass destruction; and taking
    ballistic missile defense from theory to reality.

    "Most importantly, he worked to establish a culture in the Pentagon
    that rewards innovation and intelligent risk-taking and encourages our
    military and civilian leaders to challenge established ways of thinking,"
    Bush said of Rumsfeld.

    These changes were not easy to make, Bush said, but Rumsfeld's
    determination and leadership led to the best equipped, best trained and most
    experienced military in the world. "This man knows how to lead, and he
    did, and the country is better off for it," he said.

    Rumsfeld, who leaves office Dec. 18, was given a full honors parade
    today at the Pentagon. He received service awards from the Army, Navy and
    Air Force, and his wife, Joyce, received the Distinguished Public
    Servant Award.

     

    Visa USA Releases Online Safety Tips, Offers Budgeting Center to Assist Last Minute Holiday Shoppers

    Today Expected to Be The Busiest Online Holiday Shopping Day

    Dec. 15  With reports that today will be the busiest online holiday shopping day of the year and with more and more shoppers deciding to shop from the comfort of their own homes, Visa USA is providing a few basic tips to help last minute online holiday shoppers keep their personal information safe and budget in check.

    "E-commerce spending during this holiday shopping season is already up from last year," said Rosetta Jones, vice president, Visa USA. "We want to make sure that those cardholders who choose to shop online remain safe and secure and do not become unknowing victims of identity theft."

    There are simple steps consumers can take to protect their personal information while shopping on the Internet. Available at http://www.visa.com/security, they include:

      * Shop only at Internet merchants you know and trust; if in doubt, check     with the Better Business Bureau, http://www.bbb.org/.    * Beware of emails offering cut-rate prices on popular toys, software or     other gifts; if the offer sounds too good to be true, it probably is.    * If you receive an unsolicited email from an Internet merchant, do not     click on the links within it. Instead, locate the merchant's Web site     address through a reputable search engine or type the known address.    * Check Internet merchants' refund policies; some merchants set a deadline     for returns or charge a fee to accept returned merchandise.    * Never share your passwords with anyone. Use different passwords for     different Web sites.    * Do not provide your social security number, birth date, or mother's     maiden name in an email or within a Web site.    * Ensure your computer has the latest anti-virus software installed before     shopping online.    * Always print and save the confirmation page when completing an online     purchase.    * Don't wait for paper statements. Check your credit card and bank     statements for suspicious activity by either calling your bank or     visiting your financial institution's Web site.  

    Consumers using Visa-branded credit, debit, prepaid and gift cards online this holiday season can be reassured that they are protected by Visa's multiple layers of security. Should a Visa cardholder find charges on their statement they did not authorize, Visa's zero liability policy protects cardholders from unauthorized purchases if their card is ever lost or stolen. Visa's zero liability policy ensures that they pay nothing -- not a cent -- for such transactions. This is a level of protection not offered by cash, checks, gift certificates or store-issued gift cards.

    To thwart online fraud, Visa cards carry a 3-digit code on the back of the card, known as the Cardholder Verification Value or, CVV2, which helps ensure that the physical card is in the cardholder's possession while shopping online or by phone.

    Visa Gift cards provide an additional layer of security against in-store fraud, as well. Unlike many store-issued gift cards that are typically glued onto a piece of cardboard and exposed to consumers, the Visa Gift card number is protected and fully enclosed in tamper-evident packaging that shields the entire card, making it viewable only after the packaging has been opened. To further protect their card, cardholders can check the balance on a Visa Gift card over the Internet or by telephone.

    In the unlikely event of identity theft, Visa also has programs in place to assist cardholders recover. Visa and the consumer group Call for Action, have established a free, confidential program to assist identify theft victims. Help is available by calling (toll-free) 1-866-ID-HOTLINE. Additionally, Visa has established Personal Identity Theft Coverage, which is an optional benefit for cardholders offered through participating Visa member financial institutions.

    Visa's award-winning financial education program, Practical Money Skills for Life (http://www.practicalmoneyskills.com/), also features step-by-step actions consumers should take if they suspect identity theft, as well as advice for safeguarding your information.

    In addition to monitoring their bank accounts and statements, consumers should also be checking that holiday budget twice. In fact, some financial planners recommend that no more than 1.5 percent of one's annual income should be spent on holiday expenses.

    "Last minute holiday shopping can spell panic and problems for one's finances so making a realistic budget and sticking with it is critical to making sure holiday cheer doesn't later turn into shopper's remorse," said Alderman.

    To help consumers in this area, Visa USA recently launched a free online Holiday Budgeting Center, available at http://www.practicalmoneyskills.com/holiday, to help consumers avoid the temptation to overspend this holiday shopping season.

    This comprehensive Center features a variety of online tools to help consumers figure out how much to spend, along with help constructing a shopping budget and a printable gift log to track spending. There are also tools to assist with making a budget for hosting holiday parties and for travel costs, for those who are spending the holidays away from home.

    About Visa

    Visa USA is the nation's leading payment brand and largest payment system, enabling banks to provide their consumers and business customers with a wide variety of payment alternatives tailored to meet their evolving needs. Visa USA is committed to increasing the choice, convenience, acceptance and security of Visa payments for all stakeholders in the payment system -- members, cardholders and merchants. Through its 13,369 member financial institutions, more than 500 million Visa-branded cards have been issued to cardholders in the United States.

    Worldwide, cardholders in more than 150 countries carry more than 1 billion Visa-branded cards, accounting for more than $3 trillion in annual transaction volume. VisaNet, Visa's global processing system and the world's largest financial network, processes transactions with unparalleled reliability.

    Visa offers a trusted, reliable and convenient way to access and mobilize financial resources -- anytime, anywhere, anyway.

    This press release is for informational purposes only and is not intended to be relied on for legal or financial advice and individuals are strongly encouraged to seek professional help to counsel them in accordance with their particular situation and needs.

    Source: Visa USA

    Ocean West Holding Corporation anuncia su nuevo nombre y símbolo de acciones

    Nuevo símbolo (AKMN)

     December 15, 2006 -- AskMeNow (OTCBB: OWHC), líder en respuestas móviles inteligentes, anunció hoy que el nombre y el símbolo de acciones oficial de la empresa han cambiado a AskMeNow Inc., símbolo de acciones AKMN en la cartelera de NASD OTC con vigencia el 18 de diciembre de 2006.

    La aprobación se basa en reciente liquidación de SEC de la Declaración de información de Cédula 14C de la empresa y los informes periódicos enmendados.

    El cambio del nombre de la empresa a AskMeNow Inc. no afecta las posesiones de los inversionistas actuales y todas las inversiones realizadas a través de Ocean West Holding Corporation se transferirán al nuevo nombre y símbolo de la empresa.

    Acerca de AskMeNow

    AskMeNow es la manera más fácil y cómoda de acceder a información en Internet o de contenido local desde un celular o un dispositivo PDA móvil. La primera red de estilo de vida móvil, AskMeNow utiliza su tecnología patentada para ofrecer una plataforma de interacción basada en el lenguaje natural y de provisión dinámica de contenido diseñada para una recuperación simple y rápida de la información. La empresa genera ganancias a través de tarifas por uso y auspicios publicitarios móviles contextuales uno a uno. AskMeNow se lanzó oficialmente en noviembre de 2005. La empresa está basada en Irvine, California. Para obtener más información, haga clic en www.askmenow.com.

    Declaraciones a futuro

    Determinadas declaraciones del presente comunicado de prensa no son históricas ni hechos actuales y constituyen declaraciones a futuro dentro del significado de dicha expresión en la sección 27A de la Ley de valores de 1933 y de la sección 21E de la Ley de intercambio de valores de 1934. Dichas declaraciones a futuro implican riesgos conocidos y desconocidos, incertidumbres y otros factores que podrían hacer que los resultados financieros u operativos reales de la empresa o de AskMeNow difirieran materialmente de los resultados históricos o de cualquier resultado futuro expresado o implicado por las declaraciones a futuro. Dichas declaraciones a futuro se basan en nuestras mejores estimaciones de futuros resultados, rendimiento o logros, basadas en las condiciones actuales y en los resultados más recientes de la empresa y de AskMeNow. Además de declaraciones que explícitamente describen tales riesgos e incertidumbres, se insta a los lectores a considerar inciertas y a futuro todas las declaraciones que tengan los términos puede, va a, potencial, oportunidad, desmiente, prevé, intenta, estima, anticipa o tiene pensado. Las declaraciones a futuro que contiene el presente comunicado también están sujetas en general a otros riesgos e incertidumbres que se describen periódicamente en los informes y declaraciones de registro de la empresa presentadas ante la Comisión de valores e intercambio.

     

     

    Dec 12

    Iran president says Israel's to be wiped out

     

    Iranian President Mahmoud Ahmadinejad on Tuesday told delegates at an international conference questioning the Holocaust that Israel's days were numbered.

    Ahmadinejad, who has sparked international outcry by referring to the killing of six million Jews in World War Two as a "myth" and calling for Israel to be "wiped off the map," launched another verbal attack on the Jewish state.

    "Thanks to people's wishes and God's will the trend for the existence of the Zionist regime is downwards and this is what God has promised and what all nations want," he said.

    "Just as the Soviet Union was wiped out and today does not exist, so will the Zionist regime soon be wiped out," he added.

    His words received warm applause from delegates at the Holocaust conference, who included ultra-Orthodox anti-Israel Jews and European and American writers who argue the Holocaust was either fabricated or exaggerated.

    The Vatican, Germany and the European Commission added their voices on Tuesday to others -- such as the United States and Israel -- who have condemned the Tehran meeting.

    Iran says it organized the conference to shed light on the reasons behind the formation of the state of Israel after World War Two and to allow researchers from countries where it is a crime to question the Holocaust to speak freely.

     

     

     

    Estremecedor documental sobre tráfico humano de Latinoamericanos se estrenará en enero en televisión por PBS

    ‘Lives for Sale’ (‘Vidas en Venta’) de producciones Maryknoll muestra por qué los inmigrantes están dispuestos a morir o a ser esclavizados

    5 de diciembre de 2006--En un momento en el que la inmigración es un tema candente para los legisladores en los EE.UU., un nuevo documental examina el lado sórdido de la inmigración ilegal, inclusive el mercado negro de seres humanos. “Lives for Sale” (“Vidas en Venta”) se estrenará en las estaciones de televisión PBS en enero de 2007.

    El productor ejecutivo, Larry Rich de Maryknoll, dice que el documental apunta a la esencia misma del debate sobre la inmigración.

    “La miseria absoluta que empuja a la gente a arriesgarse a morir de sed en el desierto en busca de un trabajo en los EE.UU., es la misma razón por la que se exponen al peligro de ser esclavizados. Ambos riesgos son producto de la desesperación”.

    Cada año más de un millón de personas arriesgan sus vidas intentando cruzar la frontera entre EE.UU. y México en busca de una vida mejor y para escapar de una pobreza devastadora. “Vidas en Venta” contrasta el llamado “sueño americano” con el peligroso viaje que cada año emprenden centroamericanos y mexicanos desesperados por la pobreza. Las mujeres son particularmente vulnerables en un mercado negro que se ensaña en los seres humanos. Esto lo ilustran dos poderosas historias que se destacan en el documental: las de una joven mexicana y una niña guatemalteca, ambas víctimas del tráfico humano, cuyas vidas son destruidas por la esclavitud sexual.

    Según Rich, el tráfico de seres humanos se ha convertido en la tercera industria ilegal más grande del planeta, detrás del contrabando de drogas y el de armas.

    “La mayoría de las víctimas del tráfico de seres humanos terminan como trabajadores esclavizados. Un alguacil de la Florida me dijo que lo que a simple vista puede parecer prostitución o servidumbre doméstica, cuando uno profundiza resulta ser un delito mucho más horrible en muchos sentidos”, dice Rich.

    “Las víctimas cosechan nuestros alimentos, o cuidan de nuestros jardines o son blanco de nuestro desprecio por prostituirse, pero no nos damos cuenta de que son, de hecho, esclavos”.

    “Vidas en Venta” revela también los trucos que los traficantes de seres humanos usan para hacer caer a sus víctimas en la trampa de la floreciente red de contrabando de inmigrantes. El cruce de la frontera está lleno de peligros que van del robo y las lesiones graves hasta la muerte. Los relatos cobran vida en boca de los propios inmigrantes, de personas que los ayudaron en el camino, de contrabandistas y de agentes de seguridad pública.

     

     

    Largent Applauds Congress for Supporting Key
    Wireless Legislation


    WASHINGTON, DC – Prior to the adjournment of the 109th Congress, Members considered and passed a number of important wireless initiatives that will; protect consumer privacy, aid military personnel overseas, enhance interoperable telecommunications systems for law enforcement personnel and first responders on the home front, and extend important tax credits for research and development of next generation wireless services.

    Chief among the wireless bills was HR 4709, The Telephone Records and Privacy Protection Act, which is a measure designed to make the act of "pre-texting" a federal crime. Pre-texting is a term used to describe how individuals fraudulently obtain a phone user's call records through elaborate impersonation schemes and then make the records available for sale. CTIA – The Wireless Association® made outlawing pre-texting on the federal level one of its top priorities for 2006.

    "The wireless industry jealously guards their customers' privacy," said CTIA – The Wireless Association® President and CEO Steve Largent. "Pre-texting is fraud - pure and simple - and I applaud Congress for moving to put a strong federal law on the books which expressly makes this form of identity theft illegal. While wireless carriers will continue to take aggressive steps to protect themselves and their customers from this illegal activity, passage of this bill will serve as a significant and meaningful deterrent," continued Largent.

    Congress also passed S 2653, known as the Call Home Act of 2006. The legislation would not only direct the Federal Communications Commission to take efforts to reduce telephone rates for Armed Forces personnel overseas, but would also direct the Department of Commerce, in consultation with the Secretary of the Department of Homeland Security, to award no less than $1 billion for public safety interoperable communications grants no later than September 30, 2007.

    "The Call Home Act will assist our best and bravest as they stay in-touch with their families, friends and loved ones while serving our country overseas," said Largent. "And on the home front, the legislation ensures that needed resources are deployed so that law enforcement and first responders are equipped with the interoperable telecommunications services and systems they need to keep our nation safe and secure."

    Finally, Congress passed HR 6111, The Tax Relief and Health Care Act of 2006, which includes an extension of the Research and Development tax credit through 2007. This initiative has a demonstrated track record of encouraging industry to devote resources to the development of innovative, next-generation wireless services here in the United States.

    "This is an important piece of legislation because it will help keep America on the forefront of wireless innovation," said Largent. "This bill is a winner for the American economy, for the American worker and for the American consumer, who today relies so heavily upon advanced wireless services."

    ###
     

     

    Specter Criticizes Cablevision Absence

    Specter's committee continues to eye the cable sports business looking for possible violations of antitrust law.
     
    In a follow-up to a hearing last month in which the NFL got roughed up for an effort to seed its fledgling NFL Network with regular season games, the committee, still headed by Specter through the lame duck session, took another crack at the issue of whether consumers are being fairly treated by sports leagues and cable companies, whether antitrust laws are being violated, or whether the laws need to be adjusted.
     
    Specter was particularly interested in whether Congress should step in to close the so-called terrestrial loophole. Per the 1992 Cable Act, operators must provide programming to multichannel video competitors at reasonable rates. But the requirement applies only to satellite-delivered programming, not to terrestrially-delivered networks.
     
    Another key issue for the committee was the 2007 sunset on the ban on exclusive contracts between cable operators and programmers in which they have an attributable interest. The issue is key for FCC Chairman Kevin Martin, too, who on Wednesday said he wanted the FCC to open an inquiry into whether maintaining that ban was necessary to assure access to programming.

    Mark Cooper of the Consumer Federation of America said that rising cable prices, discrimination in program provision and anti-consumer bundling of programming were all justifications for program access rules, saying cable operators had built barriers to entry. He said that cable should be required to unbundle its programming, allowing consumers to provide some market discipline on the cable industry.
     
    While the FCC has placed program-access conditions on the mergers of DirecTV and News Corp. and the divvying up of Adelphia between Comcast and Time Warner, James Baller of the Baller Herbst Group, a law firm that represents state and local governments on telecommunications issues, said that protecting access on a merger-by-merger basis was not sufficient, and that Congress needed to pass unambiguous program-access laws.


     

    Bush, Blair Affirm Commitment to Victory in Iraq 

    Victory in Iraq requires doing all that's
    necessary to support the country's newly elected government, ensuring its
    regional neighbors do the same, and promoting peace between Israel and
    the Palestinian Authority, President Bush and British Prime Minister
    Tony Blair said today.

    Bush and Blair addressed the White House press corps following a White
    House meeting that focused on Iraq and recommendations of the Iraq
    Study Group report, released yesterday.

    Bush said success in Iraq hasn't come as quickly as he expected, and he
    acknowledged that the United States and Great Britain are facing "a
    difficult moment" as they consider new approaches. While they consider
    options, including those recommended by the Iraq Study Group, Bush said,
    he and Blair continue to share a fundamental belief in the importance of
    victory in Iraq.

    "It's important for the Iraqi people," the president said. "It's
    important for the security of the United States and Great Britain. It's
    important for the civilized world.

    "We agree that an Iraq that can govern itself, defend itself and
    sustain itself as an ally in the war on terror is a noble goal."

    Bush called the rise in sectarian attacks in and around Baghdad
    "unsettling" and blamed Sunni and Shiite extremists within Iraq, as well as
    foreign terrorists, for using them to derail democratic progress.

    "We'll support the democratic government of (Iraqi) Prime Minister
    (Nouri al-) Maliki as he makes difficult decisions and confronts the forces
    of terror and extremism that are working hard to tear his country
    apart," the president said.

    The U.S. and British commitment to support Maliki's government
    transcends the two countries' longstanding alliance, Bush said.

    "We're standing together because our two nations face an unprecedented
    threat to civilization," he said. "We're standing together to prevent
    terrorists and extremists from dominating the Middle East. We stand
    together to prevent extremists from regaining the safe haven they lost in
    Afghanistan, a safe haven from which they launched attacks that killed
    thousands of our citizens."

    By standing together with Iraq, the U.S. and Great Britain are
    protecting their own countries, Bush said. "We know the only way to secure
    peace for ourselves is to help millions of moms and dads across the Middle
    East build what our citizens already have: a society that's based on
    liberty, that will allow children to grow up in peace and opportunity,"
    he said.

    Blair noted that the direction Iraq takes will have longstanding
    regional and global consequences. He pointed to the history of instability in
    the region and emphasized that a big part of resolving it boils down to
    promoting the peace process between Israel and the Palestinian
    Authority.

    Ultimately, the situation in the Middle East will go only one of two
    ways, Blair said. "Its people can either be presented with a choice
    between a secular or a religious dictatorship, which is not a choice that
    any free people would ever choose," he said. "Or, alternatively, they can
    enjoy the same possibilities of democracy that we hold dear in our
    countries." 
     

     

    The Iraq Study Group released its findings
    today in a report made available this morning to President Bush and
    Congress, and later to the general public.

    "We believe that the situation in Iraq today is very, very serious,"
    former U.S. Rep. Lee Hamilton, co-chair of the bipartisan panel
    commissioned by Congress to examine the way ahead in Iraq, said at a news
    conference following the report's release.

    "We do not know if it can be turned around, but we think we have an
    obligation to try, and if the recommendations that we have made are
    effectively implemented, there is at least a chance that you can see
    established a stable government in Iraq and stability in the region," Hamilton
    said. "The task ahead of us is daunting -- very, very difficult -- and
    we recognize that, but it is not by any means lost."

    Members of the study group agree with the administration's goal in
    Iraq: to create a country that can govern, sustain and defend itself,
    former Secretary of State James Baker, co-chair of the group, said at the
    news conference. However, the group believes a new approach is needed in
    Iraq, he said.

    "As a matter of humanitarian concern, as a matter of national interest,
    and as a matter of practical necessity, it is time to find a new way
    forward, a new approach," Baker said.

    The report recommends a five-fold increase in the number of U.S. forces
    training Iraqi troops, he said, but does not endorse a large-scale
    increase in U.S. forces overall, a "stay the course" solution, or a
    division of Iraq into three autonomous regions.

    The Iraq Study Group included a total of 79 recommendations in its
    report, Baker said. These recommendations cover military, political and
    diplomatic issues, as well as criminal justice, oil, reconstruction, the
    U.S. budget process, the training of U.S. government personnel, and U.S.
    intelligence, he said.

    The group's three most important recommendations are equally important
    and reinforce each other, Baker said. The first is a change in the
    primary mission of U.S. forces in Iraq that will enable the U.S. to move
    its combat forces out of Iraq responsibly. The second recommendation is
    prompt action by the Iraqi government to achieve milestones,
    particularly on national reconciliation. The third is a new and enhanced
    diplomatic and political effort in Iraq and in the region.


    "The primary mission of U.S. forces in Iraq should evolve to one of
    supporting the Iraqi army, which would take over primary responsibility
    for combat operations," the group's report states. "By the first quarter
    of 2008, subject to unexpected developments in the security situation
    on the ground, all combat brigades not necessary for force protection
    could be out of Iraq.

    "At that time, U.S. combat forces in Iraq could be deployed only in
    units embedded with Iraqi forces, in rapid-reaction and special operations
    teams, and in training, equipping, advising, force protection, and
    search and rescue," the report states. "Intelligence and support efforts
    would continue. A vital mission of those rapid reaction and special
    operations forces would be to undertake strikes against al Qaeda in Iraq."

    It is clear that the Iraqi government will need assistance from the
    United States for some time to come, especially in carrying out security
    responsibilities, according to the report.

    "Yet the United States must make it clear to the Iraqi government that
    the United States could carry out its plans, including planned
    redeployments, even if the Iraqi government did not implement their planned
    changes," it states. "The United States must not make an open-ended
    commitment to keep large numbers of American troops deployed in Iraq."


    "Our group offers and supports each and every one of our
    recommendations unanimously," Baker said. "We of course recognize that some people
    will differ with some of these recommendations; we nevertheless hope very
    much that in moving forward, others will wish to continue to broaden
    and deepen the bipartisan spirit that has helped us to come together."

    Hamilton and Baker both said that if the group's recommendations are
    effectively implemented, the chances for success in Iraq will be greatly
    improved.

    After receiving the report this morning, President Bush pledged to take
    the recommendations seriously and act in a timely fashion. "This report
    gives a very tough assessment of the situation in Iraq," Bush said. "It
    is a report that brings some really very interesting proposals, and we
    will take every proposal seriously, and we will act in a timely
    fashion."

     Iraq Study Group report

    Add more troops, try diplomacy then cut and run because it is unpopular to be there.

    The situation in Iraq is grave and deteriorating. There is no path that can guarantee success.

    "Our most important recommendations call for new and enhanced diplomatic and political efforts in Iraq and the region, and a change in the primary mission of U.S. forces in Iraq that will enable the United States to begin to move its combat forces out of Iraq responsibly. We believe that these two recommendations are equally important and reinforce one another. If they are effectively implemented, and if the Iraqi government moves forward with national reconciliation, Iraqis will have an opportunity for a better future, terrorism will be dealt a blow, stability will be enhanced in an important part of the world, and America's credibility, interests and values will be protected."

    "If the situation continues to deteriorate, the consequences could be severe. A slide toward chaos could trigger the collapse of Iraq's government and a humanitarian catastrophe. Neighboring countries could intervene. Sunni-Shia clashes could spread. Al-Qaida could win a propaganda victory and expand its base of operations. The global standing of the United States could be diminished. Americans could become more polarized."

    "During the past nine months we have considered a full range of approaches for moving forward. All have flaws. Our recommended course has shortcomings, but we firmly believe that it includes the best strategies and tactics to positively influence the outcome in Iraq and the region." 

    "The United States should immediately launch a new diplomatic offensive to build an international consensus for stability in Iraq and the region. This diplomatic effort should include every country that has an interest in avoiding a chaotic Iraq, including all of Iraq's neighbors. Iraq's neighbors and key states in and outside the region should form a support group to reinforce security and national reconciliation within Iraq, neither of which Iraq can achieve on its own."

     Given the ability of Iran and Syria to influence events within Iraq and their interest in avoiding chaos in Iraq, the United States should try to engage them constructively. In seeking to influence the behavior of both countries, the United States has disincentives and incentives available. Iran should stem the flow of arms and training to Iraq, respect Iraq's sovereignty and territorial integrity, and use its influence over Iraqi Shia groups to encourage national reconciliation. The issue of Iran's nuclear programs should continue to be dealt with by the five permanent members of the United Nations Security Council plus Germany. Syria should control its border with Iraq to stem the flow of funding, insurgents and terrorists in and out of Iraq.

    "The United States cannot achieve its goals in the Middle East unless it deals directly with the Arab-Israeli conflict and regional instability. There must be a renewed and sustained commitment by the United States to a comprehensive Arab-Israeli peace on all fronts: Lebanon, Syria and President Bush's June 2002 commitment to a two-state solution for Israel and Palestine. This commitment must include direct talks with, by and between Israel, Lebanon, Palestinians — those who accept Israel's right to exist — and Syria.

    "As the United States develops its approach toward Iraq and the Middle East, the United States should provide additional political, economic and military support for Afghanistan, including resources that might become available as combat forces are moved out of Iraq."

    "The primary mission of U.S. forces in Iraq should evolve to one of supporting the Iraqi army, which would take over primary responsibility for combat operations. By the first quarter of 2008, subject to unexpected developments in the security situation on the ground, all combat brigades not necessary for force protection could be out of Iraq. At that time, U.S. combat forces in Iraq could be deployed only in units embedded with Iraqi forces, in rapid-reaction and special operations teams and in training, equipping, advising, force protection and search and rescue. Intelligence and support efforts would continue. A vital mission of those rapid reaction and special operations forces would be to undertake strikes against al-Qaida in Iraq."

     

     

     

    Dec. 4, 2006 - A Marine died yesterday in the crash of a
    CH-46 Chinook helicopter in western Anbar Province, Iraq. Three other
    servicemembers are missing following the accident.


    A U.S. Marine Corps CH-46 helicopter from 3rd Marine Aircraft Wing made
    an emergency water landing with 16 personnel on board, including the
    crew. The accident does not appear to have been caused by enemy action,
    officials said.

    Thirteen passengers were accounted for yesterday. During
    search-and-rescue operations, one Marine was recovered from the water, but attempts
    to resuscitate him were unsuccessful. Search-and-recovery efforts are
    ongoing for the remaining three unaccounted servicemembers, officials
    said.

    "Every available resource is being utilized to find the missing
    servicemembers," Multinational Corps Iraq officials said in a statement.

    Elsewhere in Iraq, four soldiers and a Marine have been killed in two
    incidents.

    Two Task Force Lightning soldiers assigned to 3rd Brigade, 1st Cavalry
    Division, were killed and two others wounded yesterday in an explosion
    near their vehicle in Multinational Division North. The two wounded
    soldiers were transported to coalition medical treatment facilities.

    Two soldiers assigned to 1st Marine Expeditionary Force Headquarters
    Group and a Marine assigned to Regimental Combat Team 5 died Dec. 2 from
    wounds suffered due to enemy action in Anbar province.

    Iraq: Numbers Get Even Worse

    Despite overall negative attitude, 83 percent give U.S. solders positive rating

    ROCHESTER, N.Y., Dec. 4 /PRNewswire/ -- The latest Harris Poll of public attitudes on the situation in Iraq makes for depressing reading. Most of the numbers are worse than they have ever been in the course of more than three years. For example, those who believe that the situation for U.S. troops "is getting better" has now fallen to nine percent, compared to 17 percent in September 2006 and 22 percent in January of this year.

     TABLE 1

    RATING OF PRESIDENT BUSH - HANDLING OF IRAQ

    "Overall, how would you rate the job President Bush has done in handling the                issue of Iraq over the last several months?"    Base: All Adults                                                          2003                                       March  April   May   July   Sept   Nov                                         %      %      %      %      %      %   Positive (NET)                       56     67     63     49     47     41   Excellent                            29     38     34     21     16     15   Pretty good                          27     29     28     29     31     26   Negative (NET)                       43     32     36     50     51     58   Only fair                            16     15     18     22     19     19   Poor                                 27     17     18     28     32     38   Not sure                              1      1      1      1      2      1                                                           2004                                Jan  March  April  May  June  July  Sept  Dec                                  %     %     %     %     %     %     %     %   Positive (NET)                51    49    43    42    41    39    41    42   Excellent                     20    18    15    13    13    15    14    12   Pretty good                   31    31    29    29    27    24    27    30   Negative (NET)                46    49    55    56    58    58    58    57   Only fair                     20    19    18    18    19    17    17    19   Poor                          26    30    37    39    39    40    41    37   Not sure                       2     2     2     2     1     3     2     2                                      2005                       2006                  Jan  March May July Sept  Oct  Dec  Jan March May Sept  Nov                    %    %    %    %    %    %    %    %    %    %    %    %   Positive (NET)  39   42   37   34   34   32   29   36   30   29   32   26   Excellent       13   18   13   11   10   11    9   12    8    9    9    7   Pretty good     26   24   24   23   24   21   20   25   21   20   23   20   Negative (NET)  59   56   61   64   65   66   68   61   68   68   64   71   Only fair       17   20   19   20   18   16   17   20   20   21   22   21   Poor            42   36   42   44   46   50   52   41   48   47   42   50   Not sure         2    2    2    2    2    2    2    3    3    3    4    2    Note: Percentages may not add up exactly to 100% due to rounding.                                    TABLE 2          CONFIDENCE THAT U.S. POLICIES IN IRAQ WILL BE SUCCESSFUL   "How confident are you that U.S. policies in Iraq will be successful?"   Base: All Adults                  2003                           2004              Sept  Nov   Jan   Feb  March  April  May  June  July  Sept  Dec                %     %     %     %     %     %     %     %     %     %     %   Confident   27    25    31    31    31    26    25    25    26    29    29   Not    confident  46    51    45    48    46    52    55    53    51    54    51   Not sure    27    24    24    22    22    22    20    22    23    18    20                                      2005                       2006                   Jan  March May July Sept  Oct  Dec Jan March May Sept  Nov                     %    %    %    %    %    %    %    %    %    %    %    %   Confident        25   30   26   23   23   24   22   26   20   22   20   17   Not confident    56   49   54   59   59   61   62   55   61   61   61   63   Not sure         19   21   20   19   18   15   16   20   20   18   19   19    Note: Percentages may not add up exactly to 100% due to rounding.                                    TABLE 3                MILITARY ACTION - RIGHT OR WRONG THING TO DO   "Thinking about everything that has happened, do you think that taking     military action against Iraq was the right or wrong thing to do?"   Base: All Adults                          2003                    2004                        Sept  Nov  Jan  Feb March April May June July Sept Dec                         %    %    %    %    %    %    %    %    %    %    %   Right thing          55   49   55   52   51   49   47   44   43   43   43   Wrong thing          32   37   31   34   33   37   38   42   42   43   43   Not sure             13   13   15   14   16   14   14   14   15   13   14                                      2005                       2006                    Jan March  May July Sept  Oct  Dec Jan March  May Sept Nov                     %    %    %    %    %    %    %    %    %    %    %    %   Right thing      39   41   39   38   37   34   35   40   37   38   39   36   Wrong thing      46   45   48   49   49   53   53   46   48   47   44   46   Not sure         15   15   13   14   14   13   12   13   15   15   17   18                                             2004                       Jan   Feb  March April  May  June  July  Sept  Dec                       %     %     %     %     %     %     %     %     %   Getting better     24    22    24     9    11    19    18    15    18   Getting worse      36    38    38    64    65    49    45    54    50   No real change     31    31    30    20    19    26    30    26    25   Not sure            8     9     8     6     5     6     7     6     6                                      2005                       2006                   Jan March  May July Sept  Oct  Dec  Jan March May Sept  Nov                    %    %    %    %    %    %    %    %    %    %    %    %   Getting better  13   21   21   17   19   19   20   22   17   20   17    9   Getting worse   53   41   39   44   43   44   43   36   46   43   45   58   No real change  28   33   34   35   33   33   32   35   32   31   31   27   Not sure         6    6    6    4    5    4    5    7    6    5    7    6

    Note: Percentages may not add up exactly to 100% due to rounding.

    TABLE 5

    RATINGS OF SOLDIERS, MILITARY LEADERS, IRAQI GOVERNMENT AND SECURITY FORCES

     

    With one exception (sampling error) the magnitude of the errors that result cannot be estimated. There is, therefore, no way to calculate a finite "margin of error" for any survey and the use of these words should be avoided.

    With pure probability samples, with 100 percent response rates, it is possible to calculate the probability that the sampling error (but not other sources of error) is not greater than some number. With a pure probability sample of 2,429 adults one could say with a 95 percent probability that the overall results have a sampling error of +/- 2 percentage points. However that does not take other sources of error into account. This online survey is not based on a probability sample and therefore no theoretical sampling error can be calculated.

    These statements conform to the principles of disclosure of the National Council on Public Polls.

      
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    Monte Bubblisms

     

     If it expected that given the chance you will cut and run there is no reason to go out of you way to prove you will do such.

    There is no old media, nor traditional media nor new media, only media

    Never give anyone the best you can afford, always give them the best you can give them

     Its hard to always be left out because your considered the enemy when actually your the future

    It is no fun to be uninvited to a party you were invited to.

    When it comes to fighting you always have a choice and choosing not to fight does neither makes you a coward  nor a hero.

    As it was pointed out on the "View ", in this country you have the freedom to be a ass. 

    There is no good way to die but to die alone may be the worst

    Often it is not what you do but where you do it that gets you into trouble

    You get the elected official you deserve.

    On the floor of the house, on the floor of the senate, in the streets of our country condemn our country all you wish but not in a foreign country

    Just because you can not see something does not mean it is not true

    In this world there are those that do good and do gooders, unfortunately those that are do-gooders far out number those that do good.

    When you join the military there is a expectation you might have to do something other then to set on your rear.

    If your denied anything due to your color or religion is that not racism

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    December 03, 2006

    Sunday Gallery

     December 18

     

    Entertainment Memorabilia, Vintage Movie Posters and Animation Art at Auction Today in Hollywood

    $375,000 paid as of 3:00pm, sale likely concludes before 4pm today...

    Entertainment memorabilia and animation art, as well as vintage movie posters and rock 'n roll collectibles went under the auction hammer today (Sunday, Dec. 17, 2006) at Bonhams & Butterfields, the West Coast's leading fine arts auctioneers.  The Sunset Blvd. gallery was jammed with fans and collectors early as Marilyn Monroe and Judy Garland collectibles were offered and sold.  Classic Hollywood superstars tended to be of interest, with strong prices paid for property from the estate of Clark Gable - including his leather briefcase, personal hygiene kit and script-holder (est. $600/800) which sold for $8,225.  A Charlton Heston costume from his Academy Award® winning performance in "Ben Hur" sold over-estimate for $9,400, and an impressive collection of nearly 50 1930s signed movie star portraits doubled its estimate to bring $17,625.

    Marilyn Monroe collectibles opened the sale, with a bidding battle ensuing for a never-before published 4x5-inch black & white photo of Monroe in a polka dot bikini.  Estimated at $200-$250, a true fan of the "blonde bombshell" paid $1,410 for the snapshot.  A handwritten note Monroe wrote to Marlon Brando (years after their publicized affair) was sold with his telegram in response (brought $7,638) while a Leroy Neiman serigraph of Monroe sold for $5,875.

    One of only three-known six-sheet movie posters for the 1943 Howard Hughes production The Outlaw starring Jane Russell sold above estimate for $29,375 and Nirvana fans dueled for a signed album cover this afternoon, the album "Heart-Shaped Box" was signed by the late Kurt Cobain and his band members - estimated at $800 to $1,200, it sold for $7,050.  A Disney cel from the classic "Bambi" brought $8,365 while a cel from 1940's "Pinocchio" - no lies - sold for $5,079.

    The auction is expected to conclude around 4pm today.  Updates possible later, NOTE: the 1935 records from the first Judy Garland recording session did not find a buyer, the top bid of $22,500 did not meet the seller's reserve...

     

    December 17

    CaBoom 

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    Written by Joyce Chow and William Hoehne
    CA Boom Show’s Contemporary Design Preview
    The CA Boom Design Show, the annual not-to-be-missed west coast independent design show, entertained press previews of designer debuts midst a taste preview of 3 Square Café + Bakery in Venice, California.
    The preview was held in a elegant contemporary space created by architect Michael Sant, which included multiple garden and outdoor areas while taking advantage of the views and the California sun.  Designer touches such as custom cabinetry and doors which fit in to the walls added to the ambience and classic lines. 
    World renown restauranteur Hans Röckenwagner’s 3 Square Café + Bakery in Venice is expected to open in January 2007.  Each of the pastries were treats, as one would expect from Röckenwagner, who opened the original Röckenwagner Restaurant over 20 years ago.  Besides the obvious expectations as a chef and restauranteur, Röckenwagner built the Ipe tables and Brasilian Rosewood cabinets.  Café will offer breakfast, lunch and dinner and feature an array of fresh-baked breads and sweets, artisan sandwiches and salads, and comfort food with a contemporary twist.  Röckenwagner’s favorite for the evening was the Berliner. 
    PIE, a CA Boom II favorite, was visually one of our favorites that was curvaceous art - architectural, progressive, and just plain fun. Bannavis Andrew Sribyatta, an architect turned furniture designer, discovered a way to create while involving his family in Thailand .  PIE’s seating and lighting are 100% hand-crafted ecologically friendly and composed of water hyacinth, liana, bamboo and rattan.  It’s no surprise that it’s been featured in world renowned publications, nor that you might recognize it from contemporary hotels. www.projectimportexport.com
    Whyr’hymer Furniture, made to order by woodworking artist Brandon Morrison, creates furniture you want to come home to, inviting to use and touch, comfortable and pure art.
    Similar to the familiar greeting pet owners receive when returning home, perhaps a Weimerianer, you’ll feel welcome.  Whether real wood veneer lighting, cabinet, seating, table, or bedding, you’ll enjoy the artistic craftsmanship and knowing that sustainable woods are utilized.  Wood by nature has warmth, Whyr’hymer Furniture has soul.  As Morrison shares, “What comes from my hands…comes from my heart.”  www.whyrhymer.com
    Bottega Montana , created from Italian brothers Francesco and Marco Gillia, which settled in Montana , create wood furniture with a classic feel and a new joint system which allows pieces to be dismounted in minutes.  As a homage to classic contemporary designer Charles Eames, created their interpretation, taller and slender and some even stackable.  His holiness Sri Ganapati Sachchidananda Swamiji,  offered feedback after sitting in their bar stool prototype, which later became a yoga stool.  You’ll discover fun new classics as skateboards and chess pieces influenced by the Staunton chess set, which design influenced Charles Eames in the design of his classic stools.  www.bottegamontana.com
    The Art Office’s Cylinders lamps and table bases grew out of original Cylinders sculptures.  If you’re a fan of geometry, slinkys or kaleidoscopes, you’ll be intrigued and appreciate the computer cut hand assembled table bases and lamps, which may even have you reminisce about popsicle sticks. www.theartoffice.com
    Night Train Unlimited, offers digitally created or your own images as designs applied to various mediums as canvas, watercolor paper & vinyl wallpaper.  Their website, www.nighttrainunlimited.com,  is expected to launch in March 2007 for Ca Boom 4.
    Orange22 introduces its botanist cocktail tables and benches in powder coat or wood veneer.  Most intriguing is the water cut botanical pattern on the aluminum and powder coated table top which rolls over the formed table edge.  www.orange22.com
    Manjaca, a glimpse of French designer’s Joséphine Repetto Guinean-Bissau tribe, are reflected with her French and European inspired minimalist art.  Poetic, simple and modern, its earthy and natural tones earned Repetto an hexhibition in honor of Guinea-Bissau’s 30th Year of Independence by UNESCO and the title of French Black Businesswoman of the year in London .  www.manjaca.com
    Modern Outdoor, is just as its name suggests outdoor furniture with a modern aesthetic.  At the core is high style, clean-line simplicity, environmentally conscious material usage made in America .  www.modernoutdoor.com
    Ford-Brady, a contemporary furniture, home accessories and art gallery, just opened last month at the historical Kim Sing Theatre in downtown Los Angeles .  The collection consists of over 90 pieces by 17 designers from around the world including innovative lighting designer Angus Hutcheson, convertible furniture designer Akemi Tanaka, and Dr. Singh Intrachooto’s recycled furniture.  www.fordbrady.com
    Ready Solar, offers you the ability to go solar with ease and attractiveness while remaining affordable.  It was recognized “as a company to watch” by Stuart Sonnefeldt at Solar Power 2006 a couple months ago in an investor panel titled: What’s In, What’s Hot: Investing Opportunities in Solar Power panel discussion. www.readysolar.com
    If this is the preview, then CA Boom is a must see for fans of contemporary architecture and design.
    CA BOOM 4:  THE WEST COAST INDEPENDENT DESIGN SHOW MOVES TO BARKER HANGAR AT THE SANTA MONICA AIRPORT IN MARCH 2007
    Vintage 50’s Airplane Hangar Accomodates More Exhibitors, All Under One Roof
    Santa Monica, CA (December 7, 2006)  – For the past three years, the annual CA Boom design show has been a must-attend event for both the design trade and savvy consumers of good design.  This year, CA Boom 4 will showcase an impressive line-up of acclaimed designers, architects, landscape designers and tastemakers, many of whom will be brining products that are World, North American or West Coast debuts.
    “Good design isn’t just for the elite, but the well-informed,” says CA Boom founder and executive producer Charles M. Trotter, whose role is as much “curator” as “marketer.”  “CA Boom brings early adopters ace to face with designers who are debuting new products, showcasing their business and exemplifying new ways of how we live and how we work,” he adds.
     CA Boom 4: The West Coast Independent Design Show runs from March 30 to April 1, 2007 at the Santa Monica Airport ’s 50’s-era Barker Hangar.  The move to the new space will accommodate a larger number of exhibitors and gather them all under one roof.  For easier navigation, the floor plan will be divided into distinct zones that group related products and services together by discipline.  They include: Prefab, Fine Furnishings, Materials, Surfaces & Finishes, Modern Parenting, Giftware & Accessories, Indoor/Outdoor Living and First-Timers.  This year, many national and international manufacturers have joined CA Boom’s original lineup of boutique exhibitors.  CA Boom 4  exhibitors include Herman Miller, Inc., ducduc, Fleetwood, Neo Metro, Fjords ( Finland ), Nana Windows, Enne Group ( Italy ), Dutch Tub ( Holland ) and Manjaca (France).
    “Because we’re not trying to fill a huge convention center, CA Boom can be very selective about who participates,” says Trotter.  “As a result, a buyer for a retail boutique or major retailer is able to walk the show in an afternoon and meet a dozen lines they want to order.  At the bigger gift shows, it can take an entire week.”
    For the first time, Friday will be a “trade-only day” from 11 am to 5 pm, open to qualified design & building trade members and culminating in a special evening event on the trade show floor that is open to all who like good design.  Because the show’s national and international attendance has been growing each year, CA Boom has instituted a new, all-in-one Internet registration service for booking hotels, flights, car rental and tickets for the show, design  & architecture tours and evening events.  Also new this year is the “Modern Parenting” zone, spotlighting sophisticated furniture and accessories for children of design-conscious parents.  Participants include Scandinavian Child, Inc., ducduc, Elevate Home and Nurseryworks. 
    Running concurrently with the show, CA Boom will once again offer Design + Architecture Turs on Friday, Saturday and Sunday.  These tours spotlight some of the most exciting new or recently completed residential projects in three Westside neighborhoods ( Santa Monica , Venice and West Los Angeles/Brentwood).  Attendees tour five residential projects in a single day and meet the architects and designers.  At each stop, participating architects and designers will greet the attendees and provide a tour.  Also on display will be boards and models of their other work, including commercial and hospitality projects. “Our tours have proven to be a unique way for potential clients to meet working architects, as well as a way for architects to market their services to consumers as well as to developers and hospitality designers,” says Trotter.
    This year’s show will include the return of one of last year’s new and overwhelmingly popular areas, the Prefab Zone, connecting would-be buyers of prefab with manufacturers.  CA Boom’s prefab marketplace is unique in that it requires their Prefab Zone exhibitors to have built at least one prefab home, have their manufacturing and delivery process in place, and be able to write orders.  Among the companies returning this year are Living Homes, Marmol-Radziner Prefab and Michelle Kaufmann Designs.
    Also returning is the First-Timer’s zone, where the trade as well as sophisticated consumers can get a first look at up-and-coming designers who are participating in their first trade show.  “CA Boom prides itself on functioning as an incubator for the careers of new designers, many of whom are recent design and architecture school grads.  CA Boom is a unique opportunity for them to showcase new products and designs and get instant feedback from potential buyers,” says Trotter.  First Timers in this year’s show include Soja Design, Bored Inc., Why’hymer Furniture and David Albert Design.
    Because CA Boom is a celebration of modern design as well as a trade show, well-known local DJs will once again be providing a seamless, unified soundtrack throughout the three-day event, contributing to a uniquely festive “only-in-California” atmosphere.  Based upon past attendance records, CA Boom organizers expect to see a significant increase over last years 7,500 attendees during the course of the three-day show.
    About CA Boom

    CA Boom: The West Coast Independent Design Show is North America ’s only multi-discipline design trade fair and exhibition featuring the best of contemporary architecture and independent design. CA Boom 4 happens Friday, March 30 through Sunday, April 1, 2007 at the Santa Monica Airport ’s Barker Hangar in Santa Monica , California .  Admission is $20; Design + Architecture tour ticket (includes same-day or return visit to the exhibit) is $75 or $200 for a three-day tour pass.  For more information, please visiti www.caboomshow.com or call (310) 394-8600.

     

     

     

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    Dec 14-2006

    Bonhams & Butterfields Entertainment Memorabilia Auction on December 17th in Los Angeles allows one to own a piece of Hollywood .

     

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    Editor’s Notes:
    Bonhams & Butterfields Entertainment Memorabilia Auction on December 17th in Los Angeles allows one to own a piece of Hollywood .  Some of the auction estimates seem quite reasonable and the Louis Leithold Collection of vintage movie posters are being sold without reserve following the sale of Entertainment Memorabilia.  Leithold, a collector, connoisseur and dealer, included posters from the silent era to the contemporary blockbuster. 
    Preview events are scheduled for December 14-16 in Los Angeles.  The illustrated catalogue is available online and for review and purchase at www.bonhams.com/us 

     

    Animation Art Headlines at
    at Bonhams & Butterfields in Los Angeles

    December17 Entertainment Memorabilia sale features The California
    Raisins, Stars from Disney, Hanna-Barbera, Charles Schultz, Chuck Jones
    and Tim Burton's The Nightmare Before Christmas

    Bonhams & Butterfields, the world's third-largest fine arts auctioneers,
    will hold a December 17, 2006 sale of Entertainment Memorabilia in Los
    Angeles-- featuring a wide selection of original animation celluloids,
    claymation, working story boards, watercolors and illustrated
    holiday-themed cards.  The winter sale is a celebration of animated
    classics and pop culture favorites -- offering more than 160 examples of
    the art form. 

    December animation highlights include three original clay figures used
    in the 1980¡¦s California raisin commercials.  An original
    five-inch-tall clay raisin is offered along with two supporting
    character figures from the series of commercials - a clay chili pepper
    and a papaya, each with facial expressions, arms and/or legs, from the
    Will Vinton Studios (est. $800/1,200).  A 1959 Walt Disney cel from
    Sleeping Beauty, a multi-cel setup depicting Briar Rose and Prince
    Philip dancing in the forest, could bring as much as $30,000, while a
    storyboard from 1993¡¦s The Nightmare Before Christmas, a pastel on
    black paper, could sell for $2,000 to $2,500. 

    A 1988 Walt Disney celluloid from Who Framed Roger Rabbit will be
    offered (est. $2/3,000) and a box of 18 Christmas cards signed by the
    creator of Superman Jerry Siegel feature a ¡§SuperSanta¡¨ figure,
    expected to bring bids of $2,000 to $3,000.

    Also featured in the December 17 sale are a group of six Hanna-Barbera
    celluloids and a background including an image of Fred Flintstone¡¦s
    adoring wife Wilma from The Flintstones (est. $4/600); a Chuck Jones
    watercolor of Bugs Bunny with a personalized Happy Birthday message from
    1982 (est. $800/1,200); a Charles Schultz drawing of iconic Peanuts
    character ¡§Lucy¡¨ (est: $1,500/2,000) and a selection of works from
    Walt Disney classics such as: Pinocchio, Bambi, The Sword in the Stone,
    One Hundred and One Dalmatians and Fantasia.

    Highlights from the memorabilia section of the December sale include:
    Gene Kelly's yellow wool doublet from Singin' in the Rain, 1952 (est.
    $3/5,000); an assortment of scripts personally-owned by Frank Nugent,
    the noted Academy Award-nominated screenwriter of many John Wayne and
    other Western films-- consigned by his son (estimates range from $500 to
    $2,000); a 1974 oil on board prop painting of Gene Wilder from Young
    Frankenstein (est. $5/6,000); a Warren Beatty archive of personal papers
    from his early years as a struggling actor in New York City --
    including: a copy of a script from Splendor in the Grass, signed
    contracts, bank statements, numerous signed and cancelled checks and
    never-mailed intimate letters he wrote to several people (est. $3/5,000)
    as well as 'The Lost Judy Garland Recordings' from the then-12-year old
    starlet featuring never-released renditions of songs sung by Garland in
    her early Vaudeville shows including the torch song, Bill, from the
    Broadway musical Showboat (see separate press release). 

    Also on offer are a selection of classic and modern cinematic posters
    from the collection of noted educator and collector Louis Leithold, many
    to be offered without reserve. 

     

     

    Samuel L. Jackson from the Red Carpet at the Spike Tv Game Awards

    Very intelligent and alot of fun to talk to.

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    Rocks Star at Bonhams & Butterfields

    Natural History Auction Brings

    Nearly $2-Million on December 3 in Los Angeles

    Collectors expressed tremendous interest in the December 3, 2006 Natural History sale at Bonhams & Butterfields Los Angeles salesrooms, breaking auction records and setting a precedent for sales in this category. The Bonhams & Butterfields auction brought $1,991,587 for fine fossils, minerals, gold nuggets, lapidary works of art, meteorites, amber, jewelry, gemstones and archeological artifacts. 

    The standing room only saleroom was filled with bidders and buyers from around the globe. We were pleased to offer such a strong selection of unique and rare items, said Tom Lindgren, Bonhams & Butterfields consulting director of Natural History. He added, “The sale featured rare and unusual examples of the newest and the oldest collecting categories on Earth -- stemming from noted institutional and private collections. 

    International interest was sparked by the eclectic and spectacular array of items along with one-of-a-kind collections including a famous group of gold nuggets dubbed ˜The Gold Nugget Collection from the Golden Nugget Hotel and Casino in Las Vegas, Nevada and the Levi Smith Mineral Collection, which featured rare 1880s azurite and malachite specimens from Bisbee and Morenci, Arizona said consulting gemologist Claudia Florian, G.J.G

    The December 3 sale opened with lots from the Levi Smith Mineral Collection  one of the most significant institutional de-accessions of a mineral collection to be offered at auction for many decades. The collection, which sold for more than $256,000, had been donated to a Pennsylvania school district by Smith, a major player in the oil business in the late 19th century. Bidding exceeded estimates on many lots catalogued by the auctioneers as superb examples of their type. A large and stunning Bisbee, Arizona malachite specimen covered in a rich velvety layer of minute crystals sold above estimate for $14,340 while a pair of malachite specimens richly sprinkled with azurite crystals nearly doubled its estimate to bring $11,353.

    -News stories across the globe inspired interest in a spectacular 65-million year old Raptorid dinosaur egg nest – displaying the greatest number of extent raptor egg embryos ever offered at auction. The nest sold for $419,750, far above the pre-sale estimate of $180,000 to $220,000, and setting an at-auction world record price for a dino nest. Other fossils brought strong prices: a lower Jurassic sea lily, found in Germany, features three distinct intertwined individuals – which appear to be a plant, but are in fact an animal -- a distant relative of todays starfish and sea urchin (sold for $44,813); a spectacular Jurassic fish fossil, Lepidotus elvensis, measures 38-inches in length and displays beautifully preserved scales and skull bones (sold for $26,888); and an ancient fossil turtle from Wyomings Green River formation is forever trapped in limestone with two other fish fossils (sold for $56,763).

    One of the most famous and recognizable collections of gold in the United States  dubbed the Golden Nugget Collection, brought $227,250. The 32-piece collection included several nuggets with quartz inclusions as well as several “named nuggets acquired from noted prospectors who worked the creeks and rivers of Alaska during the mid-20th century. A collector paid $117,250 for an 84 ozt highly three-dimensional gold nugget from Western Australia and several other gold nuggets sold after competitive bidding. Unmounted stones and jewelry were offered late in the sale with multiple lots selling to strong bidding. A suite of emerald nugget jewelry brought $32, 863, comprising a necklace, bracelet and ear pendants -- altogether 850 carats of emeralds mined from Columbia. 

    A beautiful butterfly brooch expertly crafted of 18k yellow gold and featuring 49 carats of gem-quality spinels and 1.5 carats of brilliant-cut white diamonds and natural yellow diamonds attracted interest from multiple bidders to sell for $31,668. 

    Lapidary works of art included exquisite carvings from masters of their craft such as an Oregon contra luz opal carving titled Aurora Borealis Over Mt. Ranier by Thomas Harth Ames which brought $20,315 and a Gerd Dreher carving in Morganite and green Beryl of a toad, which sold above estimate for $12,548. 

    As long-time pioneers of these sales, the Natural History Department at Bonhams & Butterfields has celebrated the extraordinary while expanding the spectrum of offerings beyond the strict association with million-year old remnants of plant and animal life or rough mineral specimens, to consign rare and unique objects d'art, exquisite jewelry and wearable gemstones as well as exceptional dcor within the departments sales. The departments next auction is slated for May of 2007.

     

    Holiday Entertainment Memorabilia Auction in LA Features
    Rare Collectibles from Superstars of Stage and Screen

     

    Live from the Sunset Strip, a star-studded line-up of vintage and
    contemporary TV, film and rock memorabilia from pop culture icons and
    groundbreaking artists comes to auction at Bonhams & Butterfields in
    mid-December.    Rare glimpses into the private lives of superstars include: a
    Marilyn Monroe handwritten note to Marlon Brando and his telegram in
    response; Judy Garland¡¦s never-before heard first recording session; an
    Orson Welles Xmas card drawing; stage-played guitars; an Emmy"µ and
    multiple Gold Records¡K

    Who:    Bonhams & Butterfields, the premier West Coast auctioneers

    What:   Preview the Entertainment Memorabilia and Rock n¡¦ Roll
    Collectibles, as well as Classic Animation Art and Vintage Film Posters

    Where:  Bonhams & Butterfields, 7601 Sunset Blvd. (at Curson)

    Auction highlights include:  1937 Disney animation cel from Snow White &
    the Seven Dwarfs (est. $4,000/6,000) as well as cels from Cinderella,
    Bambi and more; Jane Russell on huge six-sheet poster for The Outlaw
    (est. $15,000/20,000); Marilyn Monroe¡¦s handwritten note to Marlon
    Brando and his telegrammed response (est. $5,000/7,000); the only-known
    copies of records from Judy Garland¡¦s first recording session (est.
    $30,000/40,000); an incredible 1944 book with hundreds of celeb
    autographs from the Hollywood Canteen (est. $15,000/20,000); Warren
    Beatty love letters circa late 1950s (est. $3/5,000); much more¡K      
    -End-

     

    Lost Judy Garland Recordings Found

    at Bonhams & Butterfields

    After 70-years, Judy Garland's First Recording Session and Never-before Heard Renditions Come to Auction

    Fan websites and Internet blogs devoted to the legendary Judy Garland have been buzzing as of late - chat about existence of what insiders call "The Lost Judy Recordings" is now being confirmed as auctioneers Bonhams & Butterfields announce the pending sale of a remarkable pair of 1935 acetate (or shellac) discs from the first-ever recording session of a then-12-year-old who would become a world famous superstar.

    The two records, created in a recording studio in Hollywood in March of 1935, feature never-released renditions of songs sung by Judy Garland in her early Vaudeville shows - including the torch song Bill, from the Broadway musical Showboat. Garland's Vaudeville era spanned from 1924 to 1935, and her dramatic rendition of Bill was memorable as it presented the then little Frances Gumm perched on a piano with just a tight spotlight on her face. Cheers would follow the performance after the spotlight broadened to reveal that a child had sung the song and not an adult woman. No known childhood recording of Bill by Judy Garland exists outside of the recordings to be offered on December 17 at Bonhams & Butterfields in Los Angeles.

    Margaret Barrett, director of Bonhams & Butterfields' Entertainment Memorabilia Dept., places a value of $30,000 to $40,000 on the pair of records and said, "they were thought to have been destroyed or erased; the versions of the particular songs on these discs have never-before been heard by the public."

    According to Scott Schechter's book, Judy Garland: The Day-by-Day Chronicle of a Legend [2002/2006], that March 1935 session marked the first time Garland was ever in a recording studio in Hollywood - quite an historic day. She was accompanied to the - studio by her mother, Ethel Gumm, who also played the piano as Judy sang. It is believed that Garland made a third recording on that day, Moonglow, with her sisters (professionally known as The Gumm Sisters), but only these two discs have surfaced; the other recording is still thought to be lost (as these were until now). Schechter has heard the discs and notes that "it is obvious that even at the age of 12, Judy Garland was magical all on her own -- before MGM. 'Bill' is especially thrilling, and the experience of hearing this performance is something the listener will keep with them forever. These first-ever Garland records are pure, priceless, and true show business history."

    It is also unclear if these particular discs are the original records pressed that day, or if they were pressed later for Garland's own personal library. The records were discovered in material destined for the trash bins as a family cleared out a Beverly Hills home formerly inhabited years before by Garland herself. The woman, who as a young girl, found them in 1960, has held on to the discs for more than 40-years, understanding that Judy Garland records might have some value.

    The first disc has a green label inscribed "Recordings Incorporated / Studio / 5505 Melrose, Hollywood, Calif." with handwritten notations in black ink which read "Bill / Just My Bill [crossed out] / Judy Garland / at 11 yrs" [though she was actually 12 years old at the time]. The second disc has a similar green label with handwritten notations in black ink reading "Good Ship Lollypop / Object of My Affections / Dinah / by / Judy Garland; this disc records Garland singing a medley of the three songs noted on the label.

    These rare Garland records will be offered to bidders during the Entertainment Memorabilia auction to be held in the Sunset Blvd salesrooms of Bonhams & Butterfields, the world's third largest fine arts auctioneers. The sale will include TV, film and stage collectibles and memorabilia, vintage film posters and rock & roll material. The property will be exhibited for the public during the preview days beginning Friday, Dec. 15, continuing daily from 10am-5pm until Dec 17 and the 10am start of the auction.

    The Leithold Legacy, Part III

    The Louis Leithold Collection of Vintage Movie Posters at Bonhams & Butterfields

    International fine arts auctioneers Bonhams & Butterfields are pleased to announce the sale of The Leithold Legacy Part Three: the continuation of a series of sales of property from the Louis Leithold Collection of vintage movie posters - all to be sold without reserve. This segment of the collector's property contains a number of titles spanning the history of cinema from the silent era to the contemporary blockbuster. Pieces from the noted educator, author and dealer will be offered following the sale of Entertainment Memorabilia in Los Angeles on December 17, 2006.

    Louis Leithold was a major figure in national High School Advanced Placement (AP) circles, known not only for his workshops for AP calculus teachers, but also for the development of the textbook credited with revolutionizing the methods of mathematical study -- "The Calculus 7". Passing away just days before his calculus class at Malibu High School was to take the AP calculus exam, his 16 students vowed to honor their long-time teacher. Fourteen students received 5s --the highest possible score on a five-point scale-- while two earned 4s. It was the best performance of any class taught by Leithold, who, at 72-years of age, began teaching at Malibu High in 1998.

    Leithold was a mentor to many math teachers, including Jaime Escalante, made famous when portrayed by Edward James Olmos in the film "Stand and Deliver." Escalante gained recognition for his success teaching calculus to inner city students. The legacy of Liethold lives on through his students, publications, teachings and collection of rare Hollywood memorabilia.

    Although he was most famous as an author and a professor, many knew Leithold as a poster dealer. His love of movie poster art began in the 1950s, when he owned the Kiva, a movie theater in Scottsdale, Arizona, frequented at the time by a young Steven Spielberg.

    In later years he founded and ran the Cinema Poster Gallery, selling vintage Hollywood posters to some of the best-known collectors in the country. In addition, Leithold also owned a contemporary art gallery in the 1960s and 1970s, and was a representative for artist Stanley William Hayter, among others.

    A collector, connoisseur and dealer, Leithold focused on classic Hollywood cinema, including the genres of film -- noir, musicals, comedy, drama, westerns, and science fiction/horror. "Without a doubt, The Leithold Collection is one of the finest single-owner poster sales to come to auction in recent history. No film-lover can fail to be impressed with Louis' inventory; and this selection of lots are perfect for any collector." said Margaret Barrett, Director of the Entertainment Memorabilia Department

    Selected highlights from part III of the Louis Leithold Collection (all to be sold without reserve) include posters from noted films such as: Breakfast at Tiffany's, Gentlemen Prefer Blondes, Dial M for Murder, In a Lonely Place, Rear Window, Notorious, The Shining, Meet John Doe, Laura, The Awful Truth and The Lady from Shanghai among countless others (estimates range from $25 to $3,000).

    Preview events are scheduled for December 14-16 in Los Angeles.

     

    The Silver Screen Shines Brightly

    at Bonhams & Butterfields Holiday Auction of Entertainment Memorabilia in LA

    Featuring film, television and rock memorabilia on the block Dec. 17

    Live from the Sunset Strip, Bonhams & Butterfields, the world's third largest auction house, is cueing up for a premier, star-studded line-up of vintage and contemporary film and rock memorabilia from pop culture icons and ground-breaking artists -- to be offered to the highest bidders on Sunday, December 17, 2006 in Los Angeles.

    Sale highlights include:

    · A Marilyn Monroe handwritten note to Marlon Brando and his return telegram to her

    A short note penciled on two pages of light blue notepaper from the 'Los Angeles Institute for Psychoanalysis'; evidently scribed for a later telegram, the text reads in part: Dear Marlon / I need your opinion about a plan... please phone me as soon as possible Time is of the essence / Marilyn. Also included is Brando's Western Union telegram response, dated 1962 Jan 13 1:06, it reads in part: Tried to reach you by fone [sic] must leave city this weekend / sorry / Marlon." The pair of communications is expected to fetch $5,000 - $7,000.

    · A Marilyn Monroe and Arthur Miller signed wedding day gift to their Rabbi

    A signed record album jacket gifted to the officiant of Marilyn Monroe and Arthur Miller's religious wedding ceremony. The jacket (disc missing) is from Arthur Miller's record album titled Arthur Miller Reading from The Crucible and Death of a Salesman. It is signed and inscribed on the verso in blue ballpoint ink by the playwright as well as by his new bride who signed as "Marilyn Monroe Miller." According to Entertainment Memorabilia Dept. director Margaret Barrett, "This is quite likely the first time Marilyn ever signed her name this way."

    The signee, Bob Goldberg was Rabbi Robert Goldberg who performed the religious ceremony for the couple two days after they were legally married in a civil service on June 29, 1956. Interestingly, Monroe also signed her Certificate of Conversion to Judaism that same day (as did Goldberg) but because she converted before the ceremony, it reads only 'Marilyn Monroe' without the added 'Miller.' This signed album jacket is housed in a specially-made black cloth display case with gold embossing on the cover reading "Marilyn Monroe / Arthur Miller." (est. $6,000/7,000).

    · Ava Gabor, Green Acres

    A collection of Eva Gabor personally-owned scripts from the 1960s CBS Television series Green Acres stems originally from the actress' own estate. The group includes 20 volumes beautifully bound in forest green leather with gold embossing on each cover reading "Green Acres / Eva Gabor," encompassing the complete scripts from every episode of the series (except its last year of 1971). Each book has further embossing on spine noting the particular year and volume number 1965-1966 / Volume I. (est. $1,000/1,500). When Gabor passed away in 1995, these bound scripts went to her friend and manager Raymond Katz, whose widow has consigned them to this auction. Other Green Acres lots on offer include an Eva Gabor dress from the series (est. $3/500). The two-piece ensemble consists of a sheath dress made of whitish-silver silk brocade fabric and matching jacket adorned with fancy rhinestone-encrusted buttons; worn on the comedy series by the actress as she portrayed Park Avenue princess Lisa Douglas.

    · Mary Ford's World Famous War Time Eatery - The Hollywood Canteen

    From the property of Dan Ford, grandson of award winning director John Ford, comes The Hollywood Canteen 1944 datebook. Gifted to Ford by his grandmother, Mary Ford, wife of director John Ford, the book takes a page straight from the history book of Tinsel Town itself.

    The Hollywood Canteen [located at 1451 Cahuenga Boulevard in Los Angeles] was a wonderful institution supported by both film studios and celebrities alike. It was a place where the average soldier, sailor, airman, or marine could meet, visit with, dance with, or be entertained by some of the most prominent movie stars and musicians of the World War II era. Ford's grandmother, one of the organizers of the Canteen [along with co-founders Bette Davis and John Garfield] collected the names of celebrities each day that she arrived to volunteer. Her book is more than an autograph collection, it is a snapshot of daily life during an entire year, 1944, when America was at war and Hollywood did everything it could to help the troops. Mary Ford's efforts for The Hollywood Canteen are documented in Pappy: The Life of John Ford, a 1979 biography Dan Ford wrote about his grandfather.

    The red leather datebook, embossed on the cover "Hollywood Canteen / Mary Ford / 1944" was compiled by Ms. Ford herself, virtually every page in this book has been autographed by a veritable "who's who" of Hollywood. Estimated to bring $15,000 - $20,000, the guestbook is signed by: Bud Abbott, Gracie Allen, Desi Arnaz & Lucille Ball, Lionel Barrymore, Anne Baxter, Jack Benny, Ingrid Bergman, Mel Blanc, Ray Bolger, George Burns, Rod Cameron, Eddie Cantor, Kitty Carlisle, Jack Carson, Charles Coburn, Ronald Colman, Perry Como, Lou Costello, Joan Crawford, Bing Crosby, George Cukor, Bette Davis, Yvonne DeCarlo, Betty Grable, Sidney Greenstreet, and countless others.

    · The Outlaw

    One of only three known six-sheet posters from Howard Hughes Production's The Outlaw (1943) to have come up for auction, this particular poster, approximately 84 x 84-inches, is slightly bigger than a standard six-sheet. Obtained by the original owner in the late 1940s, the poster has been kept folded in its original separate panels and is estimated to fetch between $15,000 and $20,000.

    · A Charlton Heston costume from the Academy Award® winning film Ben-Hur

    The costume is comprised of a knee-length brown nubby cotton tunic with decorative embroidery around the collar, cuffs, and hem; interior label reads "C. Heston" handwritten on top portion; together with a brown, rust and yellow striped nubby cotton cloak and an entwined cord sash, est. $5/7,000). Heston is first seen wearing this ensemble when he visits the Valley of the Lepers to see his mother and sister and remains in the ensemble for a good portion of the remainder of the film, including the major scene when he walks away from Jesus' Sermon on the Mount. Ben-Hur held a nearly 40-year record for winning the most Academy Awards® (eleven, including Heston's for 'Best Actor') until 1997's Titanic, which tied by also winning eleven. Included with the costume is a color still showing Heston wearing this collectible piece of Hollywood history.

    · A John Entwistle signed Vox electric bass guitar likely used on The Smothers Brothers Comedy Hour

    A mahogany hollow body, maple neck with rosewood fret board and mother of pearl dot inlayed VOX electric bass guitar with brass lettering of "VOX" affixed to head, "(est. $4/6,000). It is believed that this guitar is the one used by Entwistle on the now-infamous September 17, 1967 episode of The Smothers Brothers Comedy Hour when The Who sang My Generation, ending the performance by literally blowing up the set. (Pete Townshend's hair even caught fire for a couple of seconds.) According to the consignor, the guitar was acquired at a charity auction a number of years ago where it was represented as having been donated by Entwistle himself, whose signature appears on the body in gold ink (evidently signed years later, for the charity auction). Images of Entwistle on the show the night of September 17, 1967, do show him playing a guitar that looks identical to this one, though the telltale "VOX" letters were hidden with a wide piece of black tape; reportedly, sponsors of The Smothers Brothers Comedy Hour didn't want Entwistle "advertising" his guitar brand.

    Additional highlights from the December sale include: Gene Kelly's yellow wool doublet from Singin' in the Rain, 1952 (est. $3/5,000); an assortment of scripts personally-owned by Frank Nugent, the noted Academy Award-nominated screenwriter of many John Wayne and other Western films-- consigned by his son Kevin Nugent (estimates range from $500 to $2,000); a

    1974 oil on board prop painting of Gene Wilder from Young Frankenstein (est. $5/6,000); a Warren Beatty archive of personal papers from his early years as a struggling actor in New York City -- including: a copy of a script from Splendor in the Grass, four signed contracts, bank statements, numerous signed and cancelled checks and never-mailed intimate letters he wrote to several people (est. $3/5,000) and 'The Lost Judy Garland Recordings' from the12-year old starlet featuring never-released renditions of songs sung by Garland in her early Vaudeville shows - including the torch song, Bill, from the Broadway musical Showboat (see separate press release).

    Also on offer are a selection of classic and modern cinematic posters from the collection of noted educator and collector Louis Leithold - many to be offered without reserve.

    Animation art is to be offered, with depictions of favorite Disney, Warner Bros. and Hanna Barbera characters and others. A Charles Shultz original drawing of the irascible Lucy could bring as much as $2,000 while a celluloid of Fred Flintstone's adoring wife Wilma is estimated at $400/600.

    Los Angeles preview events are scheduled for December 15-17 or by appointment.

     

     

    Rocks Star at Bonhams & Butterfields Sunday

    Incredible Examples of Natural Wonders,
    Human Evolution and Organic Design at
    Bonhams & Butterfields in LA

    Bonhams & Butterfields, the premier West Coast auction house, brings an eclectic and spectacular array of Natural History to auction on December 3, 2006 in Los Angeles.  The sale will feature rare and unusual examples of the newest and the oldest collecting categories on earth -- stemming from noted institutional and private collections. 

    As long-time pioneers of these sales, the Natural History Department at Bonhams & Butterfields, under the guidance of Thomas Lindgren and Claudia Florian G.J.G, has, while celebrating the extraordinary, expanded the spectrum of offerings beyond the strict association with million-year old remnants of plant and animal life or rough mineral specimens, to consign rare and unique objects d'art, exquisite jewelry and wearable gemstones as well as exceptional décor within the department's sales.

    Highlights from the winter 2006 sale include: the Levi Smith Mineral Collection - one of the most significant institutional de-accessions of a mineral collection to be offered at auction for many decades (est. $250/350,000); a rare 65-million year old Raptorid dinosaur egg nest - displaying the greatest number of extent raptor egg embryos ever offered at auction (est. $180/200,000); an array of significant prehistoric human artifacts including The Collection of Ed Francis; an Oregon contra luz carving titled 'Aurora Borealis' by Thomas Harth Ames (est. $20/30,000); one of the most famous and recognizable collections of gold nuggets in the United States - dubbed the "Golden Nugget Collection" as the nuggets had been on display for nearly 30-years at the famous Golden Nugget Hotel & Casino in Las Vegas, Nevada (estimate upon request) and a spinel and diamond butterfly brooch (est. $35/45,000) - one of more than 180 lots of jewelry to be sold to the highest bidders.  A wide selection of fine fossils, lapidary works of art, meteorites, amber, gemstones and archeological artifacts should attract collector interest. 

    -End-

    (C) MBN 2006

    Sale 14046 - Natural History
    7601 Sunset Blvd., Los Angeles, 3 Dec 2006


    Order of Sale
    8001-8120 Levi Smith Collection
    8121-8157 Minerals
    8158-8163 Rough and Cut
    8164-8186 Native Metals including Gold and Gold-in-Quartz
    8190-8210 Amber
    8211-8234 Archaeological Artifacts
    8235-8242 Meteorites
    8243-8249 Curiosities
    8250-8265 Seth Haber Collection
    8266-8360 Fossils
    8370-8388 Décor and Objects D’art
    8395-8435 Lapidary Works of Art
    8390-8394 Carvings
    8440-8620 Jewelry, Pearls and Unmounted Gemstones

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    Rare Dino DNA on the Auction Block
    Museum-Quality Fossils to be Offered on December 3 at
    Bonhams & Butterfields in LA
    From the scientific to the superbly decorative and astoundingly unique, nine notable fossil specimens – ranging in value from $30,000 to $220,000 – will be offered by international fine arts auctioneers Bonhams & Butterfields on December 3, 2006 during the company’s Natural History auction in Los Angeles.
    An incredible dinosaur egg nest leads the fossil category of the auction.  Estimated at $180,000 - $220,000, the nest, that of a Raptor, contains an unusually large number of eggs with intact embryos.  Scientific examination of this nest and its embryos has been conducted and will be documented in a soon-to-be-published study.
    Two of the best-preserved rare specimens ever to be excavated from the famous Green River formation will be offered in December: a spectacular Garfish, one of the largest ever discovered, displays armor-like scales (valued at $85,000 - $100,000) and a virtually complete turtle, estimated at $60,000 - $80,000 is expected to attract collector interest.  Two saber-toothed cat skeletons from The White River Badlands are mounted three-dimensionally, representing the two predominant cat species of the Oligocene: Hoplophoneus primaevus (estimated at $35,000 - $45,000) and Dinictus squalidens (valued at $30,000 - $40,000).  Posed in jumping positions, the specimens display the formidable saber-like tteth for which these ancient fearsome predators are known.
    A “Triple Sea Lily” tops the list of decorative fossils, estimated at $40,000 - $50,000. Known to science as a crinoid, this beautiful animal from the Jurassic Period gives the appearance of a flower – in this case, three flowers intertwined gracefully – to satisfy both the highest aesthetic taste and the most scientifically-minded collector.  Three unique lots include a massive prehistoric pig, Archaeotherium, estimated at $50,000 - $80,000 a Moroccan trilobite plaque replete with very large insect-like specimens, gold, lapidary works of art and gemstones & jewelry.  Along with the exceptional fossil offerings, numerous well-preserved fossils suitable for display (and for use in decar as wall art and sculpture) will be offered, with estimates beginning at $100.
    Source:  Bonhams & Butterfields, www.bonhams.com/us

     

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    (C) MBN 2006 William Hoehne

    How to Buy at Bonhams

    How to find out about Bonhams sales

    This step by step guide to buying at Bonhams is designed to help answer any questions you might have about how to buy at Bonhams.

    The first step to buying at Bonhams is to find out when and where sales are being held.

    Sales Diary
    If you would like to be sent a sales diary please email subscriptions or pick one up from your nearest branch (which you can find by going to the locations page.)

    Catalogues
    Catalogues can be bought from our catalogue subscriptions department. You can contact the department on +44 (0)1666 502 200 or email subscriptions. Alternatively you can view catalogues on line by selecting catalogues from the "sales" then clicking on a sale that you are interested in, catalogues are usually available online 2 weeks prior to a sale.

    On the Internet
    A full sale calendar of all scheduled forthcoming sales can be found on www.bonhams.com by using the menu at the top of the page. Select the "sales" menu and click on "calendar". You can also see forthcoming sale catalogues this way by then clicking on a sale that you are interested in, catalogues are usually available online 2 weeks prior to a sale.

    Searching Bonhams.com
    If you are unsure what sale the item you are interested in is being sold in you can use the quick search facility located on the home page. To use the search facility enter key words such as "diamond ring" and hit go. You can refine your search criteria by selecting advanced search which can be found under the menu "sales".

    Condition reports
    Once you have found an item you are interested in bidding for you can obtain a condition report from the department by emailing or telephoning them. Departmental contacts are available at the top of each catalogue page, or at the front of a printed catalogue. You can also find a list of departmental names, email addresses and telephone numbers on the specialist pages, which are located under "specialities" in the top menu bar.


    Buying at auction

    Registering to bid
    Once you have established that you want to bid on an item you need to register with Bonhams.
    Like many auction houses, Bonhams operates its sales using a paddle bidding system. If you wish to bid you must register before the sale, providing your name and address, and proof of identity and residence, for example your passport or driving license, together with your credit card. In exchange, you are given a paddle - a card printed with your personal number for the sale.

    At the end of the sale, or when you have finished bidding, please return your paddle to the Cashier's Office or registration desk.

    Bidding
    Once you have registered for a sale you are ready to bid. There are a number of ways that you can bid for an item at auction.

    Attending the sale
    You will be issued with a paddle when you register at a sale and you must show this to the auctioneer, by raising it, when you wish to bid on an lot. If you are successful in your bidding the auctioneer will make a note of your paddle number and you can proceed to the cashiers office for payment. If you would like to bid on further lots in the sale you can pay for all your items at the end of the sale. If you pay with cash you can take your items away immediately. If you pay by credit card you will liable to a surcharge and you can take you items away immediately. If you pay by cheque you must wait until the cheque has cleared before you can pick your up your items.

    Bidding over the telephone
    An alternative for higher value lots is to make a telephone bid. This is particularly appropriate if you want to place your own bids on a specific lot even though you cannot attend the sale yourself. Telephone bids must be booked in advance with the Bids Office. They are available on a first-come first-served basis and may be subject to a minimum lot value. You will also be asked to complete a Telephone Bid Form in the usual way, providing credit / debit card details, proof of identity and residence and your contact telephone and fax numbers.

    On the day of the sale, a Bonhams representative will telephone you about five lots before your lot comes under the hammer. When this happens, you will be talked through the bidding and asked at each stage if you wish to continue - either until you are successful or until you choose to cease bidding.

    Leaving an absentee bid by telephone or fax
    We are happy to undertake placing of absentee bids on your behalf. This means that, with your written permission, we act as your representative to secure an item for you at the lowest possible price. You simply complete an Absentee Bid Form (which you will find printed in the appropriate sale catalogue, or which can be obtained from the saleroom), giving your price limit for any specific lot. This should be the maximum hammer price that you are prepared to pay, remembering to take into account the additional buyer's premium and any applicable VAT. You will be required to provide your credit / debit card details, proof of identity and residence if you are registering for the sale.

    Alternatively, you may telephone your bid through to the saleroom Bids Office, but we must receive written confirmation from you - either by fax or post - at least 24 hours before the start of the auction. If we receive two bids of equal value, preference is given to the bid that arrives first.

    On the day of the sale, please check whether your bid has been successful by telephoning the saleroom or Cashier's Office an hour or so after the end of the sale. Otherwise, a successful bid is confirmed by invoice. You must ensure that Bonhams has cleared payment prior to you collecting your lot.


    Registering to leave an absentee bid on the internet
    First you need to register with Bonhams.
    Go to "services" in the blue menu bar
    Click on "register"
    Complete the online registration form and hit submit
    You will receive confirmation of your registration by email from our customer services department within 24 hours
    You are now ready to bid

    Leaving an absentee online bid
    Go to the catalogue
    select the lot you would like to bid on
    click on the link "bid/track"
    enter your username and password
    Leave a bid
    Please note that the auction will not be live online, you can only leave a commission bid for us to bid on your behalf.

    After the sale

    To find out if you have been successful in your bidding please look at the online results that will be published after the sale. Click here to go to the results page.

    Payment
    The price you pay is the amount at which the auctioneer's hammer falls (the hammer price), plus a buyer's premium (a percentage of the final hammer price) and VAT where applicable. You are issued with an invoice made out to the name and address on your Registration Form, which may not be subsequently altered. The invoice breaks down these cost elements. Full details of charges and rates can be found in the 'Conditions of Sale' and 'Important Notices' printed in each catalogue.

    Methods of Payment
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    December 02, 2006

    Movie Gallery

     PICTURES FROM BLOOD DIAMOND OPENING DECEMBER 8th STARING Leonardo DiCaprio

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    Production Notes & Credits

     THE GOOD GERMAN

    Based on the novel by Joseph Kanon, “The Good German” takes place in the ruins of post-World War II Berlin, where U.S. Army war correspondent Jake Geismer (GEORGE CLOONEY) becomes embroiled with Lena Brandt (CATE BLANCHETT), a former lover whose missing husband is the object of a manhunt by both the American and Russian armies.

    Intrigue mounts as Jake tries to uncover the secrets Lena may be hiding in her desperation to get herself and her husband out of Berlin. Tully (TOBEY MAGUIRE), a soldier in the American army motor pool assigned to drive Jake around Berlin, has black market connections that may be Lena’s way out – or lead them all into even darker territory.

    Jake soon discovers that it is nearly impossible to unearth the truth in a time and place where people are still reeling from the horrors of the war, desperate to salvage their humanity in the shadow of the often unbearable knowledge of what they did to survive.

    Warner Bros. Pictures presents, in association with Virtual Studios, a Section Eight Production: the dramatic thriller “The Good German,” starring Academy Award winner George Clooney (“Syriana”), Academy Award winner Cate Blanchett (“The Aviator”) and Tobey Maguire (“Spider-Man 2”).

    Directed by Academy Award winner Steven Soderbergh (“Traffic”) from a screenplay by Paul Attanasio (“The Sum of all Fears”), based on the novel by Joseph Kanon, “The Good German” is produced by Ben Cosgrove (“Good Night, and Good Luck.”) and Gregory Jacobs (“Ocean’s Twelve”). Benjamin Waisbren and Frederic W. Brost serve as executive producers.

    The creative team includes production designer Philip Messina (“Ocean’s Twelve”) and costume designer Louise Frogley (“Syriana”). Music is by Thomas Newman. Casting is by Debra Zane.

    The “Good German” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

    www.thegoodgerman.com

    Production Information

    Berlin, 1945.

    U.S. war correspondent Jake Geismer (GEORGE CLOONEY) has just arrived to cover the upcoming Potsdam Peace Conference, where Allied leaders will meet to determine the fate of a vanquished Germany and a newly liberated Europe…and, in the process, carve up what’s left of any value for themselves.

    It’s not Jake’s first visit to Berlin. He once managed a news bureau here. He once fell in love here. But that seems a lifetime ago as he takes in the staggering devastation on the jeep ride from the airport to his hotel in the American zone.

    Jake’s driver, Corporal Tully (TOBEY MAGUIRE), exudes small-town American charm—an eager, guileless, good-natured kid from the Midwest. In reality, he’s corrupt to the core, bartering anything and anyone, and playing all sides for the highest price. But that’s not unusual. Everyone in Berlin has a secret now. Everyone is working an angle to get what they need: money, power, survival…or just a way out.

    Tully’s black market dealings don’t interest Jake, but Tully’s girlfriend does. She’s Lena Brandt (CATE BLANCHETT), Jake’s former love, although somehow, now, not quite the person he once knew. She has been irrevocably changed by the war, the hardship of life in this ruined city and the burden of her own secrets.

    When Tully ends up in the Russian zone with 100,000 marks in his pocket and a bullet in his back, Jake finds himself drawn into the mystery of this murder, and the bigger mystery of why both the American and Russian authorities look the other way.

    The deeper his investigation takes him, the more it leads him back to Lena. Jake discovers that it is nearly impossible to unearth the truth in a time and place where people are still reeling from the horrors of the war and desperate to salvage their humanity in the shadow of the often unbearable knowledge of what they did to survive.

    Based on the novel by Joseph Kanon and directed by Steven Soderbergh, “The Good German” is a mystery, a romance and a thriller in the classic film noir tradition, its intimate human dramas playing out against the turbulence of political intrigue on a grand scale. Not only set in 1945, but crafted in the filmmaking techniques of that era, it blends a contemporary sensibility with the distinctive mood and style of movies that stirred the imaginations of post-war audiences.

    In a story where people’s histories and motives are often shrouded in doubt, there is perhaps nothing better than a black-and-white palette to expose the shades of gray.

    “You should never have come back to Berlin,” Lena tells Jake. It might be the only thing she tells him that is not a lie.

    Warner Bros. Pictures presents, in association with Virtual Studios, a Section Eight Production: George Clooney, Cate Blanchett and Tobey Maguire starring in “The Good German.” Directed by Steven Soderbergh from a screenplay by Paul Attanasio, based on the novel by Joseph Kanon, “The Good German” is produced by Ben Cosgrove and Gregory Jacobs.

    Benjamin Waisbren and Frederic W. Brost serve as executive producers. Philip Messina is the production designer, and Louise Frogley, the costume designer. Music is by Thomas Newman.

    Casting is by Debra Zane. Soundtrack album on Varése Sarabande CDs.

    This film has been rated R for “language, violence and some sexual content.” www.thegoodgerman.com

    If War is Hell, Then What Comes After?

    V-E Day, May 8, 1945, marked the unconditional surrender of Nazi Germany and the end

    of the war in Europe. By June, the Allies began the job of dividing Germany and Berlin into

    zones of military occupation: American, Russian, British and French.

    Ostensibly, they were there to keep the peace, restore vital services like food and fuel,

    and maintain law and order, much of which they legitimately accomplished. But they were also

    looking after their own interests in ways that would never make the papers back home.

    “Everyone in this story—whether representing themselves and their own lives or

    representing institutions or governments—is not speaking directly about what they want and is

    hoping they can achieve their goals without ever having to tell the whole truth,” says director

    Steven Soderbergh. “It’s about hypocrisy and denial. It’s human nature and the inevitable

    outgrowth of any post-war environment. That’s something that has always been with us and

    always will be. Set in a super-heated situation, these issues can mean life or death.”

    War correspondent Jake Geismer has returned to Berlin to cover the Potsdam Peace

    Conference, where Allied leaders will meet to finalize details of disarming Germany and

    restructuring its government and economy. He is shocked to see the utter destruction of this

    once-beautiful city.

    Jake is further shocked to see his former lover, Lena, keeping company with his

    motorpool driver, Corporal Tully—a soulless, small-time racketeer exploiting anything and

    anyone to his advantage on the black market, and to whom Lena is little more than another

    commodity.

    How did things come to this?

    Whoever Jake was before the war, by 1945 he has become, says George Clooney, “a

    bitter guy. Where he once had ambition and passion, he’s been disillusioned by the war and his

    experiences and has become a cynic. The one thing he still remembers as a shining moment in

    his life was his relationship with Lena, but when he runs into her again, things are very different

    for both of them.”

    Describing that moment, Cate Blanchett, who stars as Lena, says, “The fact that she’s

    there and he suddenly sweeps in, the fact that she’s even still alive and the suddenness of their

    reunion, is a very romantic concept, but in Steven’s hands, it gets a rawer treatment. It’s a love

     

     

    story but set against a very harsh and gritty backdrop. Seeing Jake reminds Lena of who she

    used to be, how she used to feel and the fact that she used to have a sense of morality, and that’s

    unbearable to her now.”

    “These are two people who clearly care about each other, and it’s played in an

    understated way that makes us wonder exactly what that relationship once was and what it might

    have been,” suggests producer Gregory Jacobs. “But it’s a complicated world and a complicated

    time, and I think real life intercedes.”

    There is another reason Lena prefers to keep her distance. “Everyone in this film has a

    hidden agenda, often deeply hidden from themselves,” says Blanchett. “Living under The Third

    Reich cured people of forming hasty confidences. You didn’t ask intimate questions and you

    didn’t tell anyone anything; you always assumed the person you were talking to could betray

    you. Lena knows Jake is like a bloodhound when he’s on a scent. Whatever she is doing now,

    with or without Tully, Jake’s presence can only complicate things.”

    Tully has his own problems. Following a violent confrontation with Jake, the would-be

    entrepreneur gets himself killed… in the wrong military zone, his pockets stuffed with cash.

    “That in itself is not surprising, as Tully’s lifestyle makes him an accident waiting to happen,”

    notes Tobey Maguire, “but what Jake cannot fathom is why the American and Russian

    authorities are so eager to sweep it under the carpet.”

    A conversation with the city’s interim military governor, Colonel Muller (Beau Bridges),

    leaves Jake with more questions than answers.

    “Why does Jake even care that Tully is murdered?” asks producer Ben Cosgrove. “Tully

    is hardly likeable. But what disturbs Jake is that an American soldier—even a corrupt one—died

    under mysterious circumstances and no one is concerned. That bothers him, both as a reporter

    and as a person of character. He finds it hypocritical that the U.S. entered this war for clear

    moral reasons, yet is now ignoring the murder of one of its own.”

    The situation soon takes on additional complexity. Says Clooney, “At first, Jake is

    implicated in Tully’s murder. Then, he feels compelled to solve it, his old hunger for a story.

    Finally, piece by piece, it becomes more about the woman he loves. If he can get to the bottom

    of this, and help her in the process, he can feel better about himself and maybe get a bit of his

    soul back. At least he can feel better about leaving her the first time.”

     

     

    “What drives the story is that Jake knows Lena is lying to him and he cannot rest until he

    finds out why,” says screenwriter Paul Attanasio. The writer of “Quiz Show and “Donnie

    Brasco,” Attanasio’s reputation for richly detailed characters and tight plotting made him a

    natural choice to adapt “The Good German.” “For all his cynicism, Jake is also a romantic. Like

    Gatsby, like Rick in ‘Casablanca,’ he never sees the world as it is; he sees what he wants it to be.

    He wants to believe that Lena is the same woman he knew before the war.”

    Jake doesn’t realize the truths he is pursuing go far beyond Lena, beyond lost love,

    beyond Tully’s shady deals and shadier partners. Yet, somehow, they are all tied up in it

    together.

    Making Deals with the Devil

    As they entered Germany, the Americans and Russians discovered that German

    physicists, chemists and engineers were considerably further advanced than they expected—

    years ahead in many areas, including rocket science and biological warfare.

    Meanwhile, even as Joseph Stalin posed for publicity photos with Harry Truman, those in

    the know understood the two powers were allies only by necessity…and only temporarily. A

    new war was already beginning and the new enemy would be the USSR. America wanted the

    knowledge these German scientists and engineers could provide. Equally important was keeping

    that knowledge out of Soviet hands.

    Jacobs points out the irony. “Amidst the victory celebrations and the so-called Peace

    Conference, a desperate struggle was being waged over who would get the German scientists and

    their research for the next war. The Russians were literally kidnapping them off the streets and

    the Americans weren’t far behind. It was a major operation going on, a secret mandate within

    the U.S. government to transport these scientists to America.”

    Simultaneously, military lawyers were sorting through voluminous records to determine

    who would stand trial for war crimes. Among those would surely be some of the scientists and

    engineers responsible, directly or indirectly, for the deaths of thousands because their work was

    accomplished through slave labor under the most appallingly inhumane conditions. Any number

    of valuable scientific minds could find themselves wanted in both spheres immediately after the

     

     

    war—a military tribunal or a foreign laboratory—and, in such cases, which need would

    supersede the other?

    “It was a bitter choice,” Soderbergh acknowledges. “Either the Russians get these guys

    and they win the arms race, or we whitewash their backgrounds and bring them to the U.S. and

    we win the arms race. There was no high ground to take. There just wasn’t.”

    Says Attanasio, “It was a deal with the devil. And when America makes those kinds of

    decisions, they come at a high price because our ideals are part of our power and how we are

    perceived by the world. Those scientists held the knowledge of how to make rockets, and

    rockets and nuclear weapons were the definition of military power. We needed this to keep us

    safe and it did, through the Cold War. Yet these were men who were deeply involved with war

    crimes by any definition and the definition the government had at that time was quite loose:

    simply, who was an ‘ardent’ Nazi and who wasn’t?”

    Beyond the purely practical, Attanasio suggests, “There may have been an even subtler

    and more powerful argument. We needed to look away. We needed to look away for life to go

    on.”

    Bringing “The Good German” to the Screen

    Steven Soderbergh worked closely with Attanasio to draw Joseph Kanon’s novel The

    Good German through a slightly different prism for the screen. “It had great characters and a

    fascinating premise, very dramatic and cinematic, but we needed to amplify elements of the story

    and the issues it was laying out,” says Soderbergh. “Of all the adaptations I’ve been involved

    with, this was the most difficult because there are so many moving parts. Murder mysteries are a

    difficult genre because you’re always concerned about revealing too much information or not

    enough. Ultimately, it’s how you release the information and when that’s everything. It’s also

    difficult to judge the impact of something on the page that, in this case, you know will be

    represented in a very theatrical visual style.”

    Regarding the film’s narrative structure, he says, “Paul and I tried out different ideas on

    how to do it, but it wasn’t until we settled on this ‘baton pass’ between the characters that the

    whole thing fell together.” He decided to move the action continuously forward while subtly

    shifting the point of view from one character to another—first Tully, then Jake, and then Lena—

     

     

    a structure that required the enlargement of Tully’s role, which was significantly smaller in the

    book.

    Though not an easy method to employ without compromising the story’s drive or

    emotional momentum, it proved well worth the effort, Attanasio says, explaining, “This fractured

    point of view on the events, and the way that we only really know the narrative at specific points

    from one character’s perspective is an example of form following content. What we’re trying to

    capture is the question of how well can you ever really know another person? It’s a classic film

    noir theme and it fits the political context. After the war, with 30 million dead, Europe in ruins,

    and the knowledge that your neighbor might be a murderer, there was plenty of guilt to go

    around.”

    “No one gets away clean. There are no good guys here,” says Clooney. “Everyone has

    done some terrible things along the way. There’s a point at which Jake tries to reassure Lena

    that she hasn’t done anything wrong, and she says, ‘I survived.’ You can argue the reasons and

    the values of how she survived but you’re never going to understand the circumstances she was

    facing. In the end, you can look at these characters and maybe justify everything they’ve done.

    But that doesn’t make it right.”

    The Characters

    Jake Geismer embodies the moral complexity of the time and brings a distinctly

    American point of view to the situation in Berlin. Says Soderbergh, “The role seemed to be

    written for George Clooney. It’s the quintessential George role: intelligent, energetic,

    opinionated and fearless.”

    Jake’s Peace Conference assignment holds little interest for him, but Tully’s death stirs

    his dormant reporters’ instinct by offering him the possibility of a story behind the story he’s

    been sent to cover. “I like the idea that this is a murder mystery wrapped up in a much larger

    historical event,” says Clooney, who came to the project well aware of the realities depicted in

    the film, having grown up “with a lot of World War II and Cold War history. “The Americans

    didn’t want a headline in the middle of the Peace Conference that would start World War III. It

    was a very tenuous moment. Everyone was shaking hands over their victory and then, within

    seconds, putting up demarcation zones and fighting over the spoils of the war. Immediately the

    Cold War began.”

     

     

    Although it bothers Jake profoundly that Tully’s murder is dismissed by those who

    should be committed to unearthing the truth, he fails to acknowledge similar inconsistencies in

    his own life. As Soderbergh explains, “Jake is a character who always has a chip on his shoulder

    towards people he feels aren’t taking the moral high ground, but he was having this affair with a

    married woman, and, at some point, he has all of the information to put together what’s really

    happening and just refuses to see it. He has all kinds of ideals but also an incredible blind spot

    which means, inevitably, he’s going to get some sort of rude awakening or comeuppance. In my

    experience, people with that problem are confronted with the contradiction, and how they deal

    with it is a function of their character.”

    Nothing comes easily for Jake, emotionally or otherwise, which brings a note of wry

    humor into the portrayal, says Jacobs. “He’s the hero but he’s far from invincible. Every step of

    the way he’s duped, he’s lied to, he’s beaten up. Still, he perseveres.”

    Attanasio believes that, in a larger sense, Jake is just lost in the sophistication of post-war

    Europe. “Like Tully, he thinks he knows everything, but he’s in over his head. And being in

    love with Lena doesn’t help him.”

    “He knows getting involved with her again isn’t the brightest move and he’s aware that

    she might be playing him,” Clooney admits. “But I think he believes, at the end of the day, that

    Lena deserves one break and he’s going to make sure she gets it.”

    Lena, meanwhile, seems untouched by sentiment. “The interesting thing about Lena is

    that she accepts that she’s been sullied by the events of the past years and will never be the same,

    and, therefore, she and Jake can never return to what they once had,” says Blanchett, who

    prepared for her role by reading personal accounts of women who survived the war and its

    aftermath. “These women sought to protect themselves by denying their emotions and adopting

    a gallows humor about the commonplace brutality and deprivation of their lives. In one diary, a

    woman described that she could no longer recall happiness. When her fiancé returns and

    embraces her, she’s like ice in his arms. When you’ve been exposed to the depravity of human

    nature on a daily basis, happiness becomes a hollow concept, and I think this is how Lena feels

    about Jake. Why did he come back? To save her? For what?”

    “Lena is extremely complicated and there wasn’t enough time within the story to explore

    all the factors that have influenced her life,” says Soderbergh. “But Cate is able to convey that in

    the depth of her expression.”

     

     

    “The beauty of Lena is that she never gives up who she is,” adds Clooney. “She’s like

    the Faye Dunaway character in ‘Chinatown.’ Every single time she tells Jake something, he

    believes her, and almost every single time she’s lying.”

    Lena also lies to Tully. Says Maguire, “He thinks they have a real relationship. In fact,

    he thinks he has her under his thumb, but she has things going on that he’s not privy to. With

    Tully, there’s always a level that he is aware of and a deeper level that escapes him.

    “Tully’s a reptile, an opportunist who changes roles depending on who he’s with,” he

    continues, describing a character who gifts Jake with a bottle of whisky and simultaneously picks

    his pocket. “He comes off very patriotic and apple pie and, meanwhile, he has this whole

    underground life. Everyone is a mark to him.”

    As Attanasio sees him, “Here’s a guy who was probably a choirboy back in Illinois, but,

    suddenly, in the dislocation and poverty of post-war Berlin, he finds his calling. He can finally

    be the person he’s always wanted to be; he can do and say anything he wants and he’s making

    money. Tully is deplorable and savage but completely recognizable. It makes you wonder what

    anyone might do with the same opportunity.”

    In a game with smaller stakes, Tully could be successful. But here, says Maguire, “He

    finds himself in a situation he’s not powerful enough or smart enough to handle. He can’t see

    the whole game. By the time Jake arrives, things are getting intense for him and he’s feeling the

    pressure from all sides, even from people who were formerly his best contacts.”

    “We were interested in having somebody play that role who hadn’t played a role like it

    before, and you couldn’t ask for a better contrast than to go from Spiderman to Tully,”

    Soderbergh attests.

    “Movies from the classic era always had a fantastic gallery of supporting characters,” he

    goes on to note. Those playing significant supporting roles in “The Good German” are Beau

    Bridges as American Colonel Muller, Ravil Isyanov as Russian General Sikorsky, Leland Orser

    as U.S. military attorney Bernie Teitel, and Robin Weigert as Lena’s roommate, Hannelore.

    Although the characterizations in “The Good German” are fictional and not meant to

    represent specific people, there would actually have been an American general serving as the

    deputy military governor of Berlin at the time. In the film, that person is Colonel Muller, of

    whom Ben Cosgrove says, “His job is to represent law and order. At the same time, he is there

    to protect American interests and sometimes that requires bending the rules. It might mean

     

     

    looking the other way when a U.S. serviceman working the black market gets killed because it

    will shine a light onto something better left in the dark.”

    “The purpose of the office was to get the country back on its feet as quickly as possible

    so everyone could go home,” offers Beau Bridges, who studied numerous non-fiction accounts

    of the period in preparation for his role. “It was an immense responsibility, on top of which

    Muller has to keep an eye on the Russians because he doesn’t trust them and he knows they’re

    working their own angle. To him, Jake is an annoyance but, at the same time, a person who may

    have valuable information.”

    Muller’s counterpart in the Russian zone is General Sikorsky. Like Muller, he is looking

    out for his country’s interests, not to mention his own. Sikorsky is one of Tully’s best customers

    when it comes to cases of liquor and other luxuries, but his attitude changes drastically when

    Tully tries to barter with a more dangerous commodity.

    “Ravil Isyanov expresses a world-weariness that you cannot put a price on,” declares

    Soderbergh of the Russian-born actor who honed his craft at the Moscow Art Theater before

    emigrating to England and, finally, to the U.S. “He gives Sikorsky the air of a career military

    officer who has already seen and done everything, and to whom nothing comes as a surprise.”

    Representing the legal perspective is Leland Orser as army special prosecutor Bernie

    Teitel, charged with the formidable job of examining Nazi personnel files to determine who

    should stand trial for war crimes. Like Muller, Bernie is fictional, although there was a man in

    that position at the time. As Cosgrove notes, “In our research, we discovered a man who worked

    for the State Department who was very much like Bernie, trying to decide which Nazi scientists

    would be permitted to enter the U.S. and which would not. He had a strong moral sense and

    refused to whitewash anyone’s past. He was eventually moved to another job.”

    “Bernie is up against total corruption,” Orser admits. “The question is, how much is he

    willing to compromise his own morality to get his job done? You have to draw the line

    somewhere: some will be forgiven and some punished.” Orser sees the relationship between

    Bernie and Jake as similar to “a DA and a reporter. There’s a slight edge to it, a little

    antagonistic. Bernie has leads that Jake wants and Jake might have information Bernie can use.”

    In the role of sometime-cabaret performer and sometime-prostitute Hannelore, the

    filmmakers cast Robin Weigert. Hannelore shares a shabby apartment with Lena, although the

     

     

    two women share nothing else—not taste, not temperament, and not confidences. Hannelore is

    strong, shamelessly opportunistic, and apparently untroubled by conscience.

    “In essence, Hannelore is the only comic relief in the movie,” says Soderbergh. “It was

    easily a character that could have been sad or pathetic. When you read her scenes on the page,

    they don’t necessarily seem funny, but Robin brought this attitude that made those scenes comic

    in the way they needed to be.”

    Matching a Contemporary Perspective to the Mood and Style of Classic Hollywood

    Long inspired by the classics, and, in particular, the atmospheric film noir genre typified

    by films such as “Casablanca,” “The Third Man,” “Out of the Past” and “Notorious,” Soderbergh

    decided to shoot “The Good German” in the noir tradition—not only thematically but

    technically.

    Though his use of black-and-white cinematography is the most visually striking retro

    element, the director also employed vintage camera lenses, an old-style score, simulated rear-

    projections for background shots, and the traditional swipe cut to shift scenes, favored by

    directors of that era. He confined filming to the backlot and limited local sites, and

    supplemented his sets with archival footage—some of it shot in Berlin just after the war by

    legendary directors Billy Wilder and William Wyler—that provided not only the necessary

    historical backgrounds but helped set the tone with its undeniably authentic bleakness.

    Additionally, Soderbergh directed the actors in a style of performance that, as Jacobs

    describes, “was markedly theatrical and really harkens back to that 1940s style of acting.” Says

    Soderbergh, “it’s the antithesis to the way actors perform today. It’s a very outward way of

    acting; not so introspective or self-reflective.”

    “You’re acting towards the camera, rather than acting and letting the camera catch you,”

    Clooney notes the fine distinction. “There’s very little internalizing; everything is right out in

    front and very direct. It’s definitely a different style from what any of us were used to.”

    At the same time, “The Good German” is very much a modern movie, with modern

    sensibilities. Says Cosgrove, “Everything has a 1940s feel, but the subject matter and the

    language is very contemporary and the story itself is peppered with ideas too provocative to have

    been approached during that period.”

     

     

    “What if,” suggests Soderbergh, “filmmakers working in Hollywood in 1945 had the

    same creative freedom we have today? What if there was no Hayes Code and they were able to

    be as blunt and realistic as we are in depicting some of the dramatic or physical elements like

    violence and sexuality? Most of our reference points about how people behaved during that

    period are based on movies from that period, which are not an accurate representation of how

    people behaved. There were terrible moral compromises being made in that environment. It will

    be interesting to see how audiences will wrap their minds around the blending of these two

    ideas.”

    Creating Post-War Berlin on the Backlot:

    Traditional Filmmaking Techniques Recapture the 1940s

     

    “Steven takes different approaches to different projects,” says Gregory Jacobs, who

    collaborates here with the director for the 14th time. “‘Traffic,’ for example, was all hand-held

    and more of a run-and-gun technique, while ‘Ocean’s Eleven’ and ‘Ocean’s Twelve’ were his

    take on a big Hollywood production. He found the perfect way to tell this story by shooting it

    like a 1940s movie, using one camera rather than two, with shots that are very formally

    composed. A lot of scenes were covered in master shots, whereas today it tends to be wider

    coverage and everyone gets their close-ups and reverses. This time he designed very specific

    masters that cover a lot of the scene and went in for close-ups as needed, the way they used to do

    it. Watch a movie like ‘Notorious’ or ‘Casablanca’ and you’ll see it.”

    Studying script continuities and reading script supervisors’ notes from 60-year-old

    productions, Soderbergh learned how his predecessors worked within the practical restrictions of

    the backlot. “It was really challenging and fun at the same time,” he says, acknowledging that,

    “in many instances, we had to do what they did in the 1940s. We had to cheat the way they

    cheated. Sometimes we read and discovered how they did it and sometimes we had to figure out

    on our own how they must have done it.”

    One modern cheat was Soderbergh’s use of high-contrast color stock. Having shot black-

    and-white film on his 1991 thriller “Kafka,” he knew its tendency to be slow and grainy, and so

    opted to shoot “The Good German” on color stock, then pull the color out, as George Clooney

    recently did with “Good Night, and Good Luck.”

     

     

    Soderbergh was joined by another longtime collaborator, production designer Philip

    Messina. Working for the first time with black-and-white and almost exclusively with backlot

    sets, Messina found these tight parameters alternately limiting and liberating. “Black-and-white

    doesn’t reflect subtlety as color does, so we needed to use a heavier hand with texture, detail and

    aging in order to make it read,” he says, noting that early camera tests helped to get the painters

    and construction crew on track. Messina also prepared by taking digital photos of works in

    progress and converting them to black-and-white with Photoshop. “Things that looked overly

    theatrical in color were absolutely gorgeous in black-and-white.”

    That lack of subtlety worked in his favor when Messina needed to create shadows behind

    broken windows. Instead of cutting the glass, he spray-mounted strips of black felt to the backs

    and got the same final effect, admitting, “I don’t think you could get away with that in color, but

    in black-and-white it was convincing.” Existing structures that were inappropriately peach or

    pink-hued did not require repainting because in the final print they appeared gray.

    As Messina explains, “We tried to build everything and not rely on CG. I walked onto

    the lot thinking, ‘I need a German nightclub, a Russian checkpoint,’ and so on, while looking at

    New York Street or Philadelphia Street and wondering how we were going to do it. But once we

    got into it, things began to fall into place and we started seeing Berlin.”

    The destruction in Berlin was haphazard, often leaving wholly intact buildings right next

    to bomb-blasted lots, so production took a similar approach. Leaving existing facades largely

    unaltered, they built additional structures in various stages of wreckage on parking lots or in the

    open spaces between them, creating portions of what, on film, looked like whole streets.

    Confining themselves to the lot required very strategic camera placement and planning,

    as Messina outlines: “Most of our shots are either one or two angles on a scene, and that’s how

    we were able to pull it off. For example, for a scene at a bus stop, I constructed pieces of a

    blasted building that Steven shot through, and the borders of the building masked everything we

    didn’t want to see. Rubble is very liberating. It saves you from having to justify a piece of

    architecture because you can just say, ‘Well, let’s pretend the roof has fallen in.’ In the process,

    you’ve made a perfect frame for what you want to see. Steven did a nice pullback and took it

    right to the edges of what we had built. Otherwise, you’d be looking right off our set.”

    Says Soderbergh, “It was designing the movie to within an inch of its life, telling Phil ‘I

    will only see this side of the set, I will only pan from there to there.’”

     

     

    This is the opposite of how the director and production designer usually work. Messina

    is accustomed to providing 360-degree coverage options on his sets to allow for Soderbergh’s

    on-set spontaneity. “But the great thing about Steven is that he’s okay with limitations,” remarks

    Jacobs. “If you tell him he can only pan this far, he’ll find a way to make maximum use of that.

    Here, everything was tight. Phil was taking parts of a set we had shot on the backlot and using it

    on stage, doubling and tripling up walls, which is how they did it back then. We moved the same

    pile of rubble from one set to another with a crane.”

    Among the exterior sets created on the backlot were the bus stop, the Russian checkpoint

    and the back entrance to the Bugi Wugi Club where Jake and Lena first see each other again and

    where Jake and Tully later get into a fight.

    Extending and enhancing the new material was archival footage of Berlin street life shot

    right after the war by numerous sources, from European and American film directors to the U.S.

    Army, and kept at the National Archives in Washington, DC, the Imperial War Museum in

    London and similar archives in Paris and Moscow. Much of it had to be cleaned up before it

    could be used, and the bulk of it was in color, requiring Soderbergh to convert it for his 21stcentury

    black-and-white film.

    Footage shot on location by Billy Wilder for the 1948 film “Foreign Affair” was still

    available and used for some of the driving scenes in “The Good German,” as in the opening

    sequence when Tully picks Jake up from the airport.

    Production then briefly ventured off the lot to nearby locations. “We found Potsdam in

    Pasadena,” says Jacobs, revealing that exteriors of a private home served as Berlin’s Hof Palace,

    site of the Potsdam Conference, while the Mayfield Senior School provided its interiors. In

    nearby La Canada, scenes of the woods and Havel River were filmed at Descanso Gardens. Los

    Angeles’ historic Tower Theater stood in for the interior of a movie theater in the French Sector

    and a church was used for scenes at a hospital. The Twin Springs Design Center became U.S.

    Occupation Headquarters. Finally, San Bernardino International Airport was transformed into

    Berlin’s Tempelhof Airport, circa 1945.

    Antique props were obtained directly from Germany. Says Messina, “We had a shopper

    in Berlin who sent us a sea crate full of everything from vintage toilets to telephones, light

    switches, signs and stoves—things we would never find here. He sent pieces of tile that we

    reproduced and built into the kitchen walls of Lena’s apartment.”

     

     

    Adding ambience were tanks and military vehicles and vintage cars. Among the most

    striking was a 1937 Rolls Phantom 3 (V-12) that had actually belonged to Field Marshall

    Montgomery, who put 360,000 miles on it during the war. The filmmakers also acquired the use

    of a 1936 Chrysler Airflow Limousine, documented to have been driven in Potsdam during the

    conference, and a 1937 Packard LeBaron towncar, both of which are the only models still in

    existence.

    Soderbergh’s commitment to traditional technique extended to his use of camera lenses.

    Examining continuity reports from Michael Curtiz films such as “Mildred Pierce,” he

    determined, “They were basically using five lenses—a 50mm, a 40mm, a 32mm, a 28mm and a

    24mm—and we pretty much stuck to that. As technology developed, lenses have improved and

    one of the things that has happened is that now there’s a coating to reduce flares when there’s a

    light pointing into the lens or kicking off of something. We were trying to find lenses that didn’t

    have this modern coating because we wanted those anomalies they used to get. Panavision

    pulled some of their early lenses for us. Some people would consider them not as good, but, in

    our opinion, for this they were better. It absolutely had an impact.”

    The fact that Soderbergh functions as director of photography on many of his films, “The

    Good German” included, accelerates the pace of the production process, as those in his regular

    crew can attest. “Steven moves fast,” says Messina. “He doesn’t fall behind schedule; he gets

    ahead.”

    Costuming, and Lessons on How to Wear a Proper Hat

    Costume designer Louise Frogley worked with black-and-white on “Good Night, and

    Good Luck” and, like Messina, found the palette more liberating than challenging. She could

    use red shoes if they were handy, knowing they would appear black on film. “We put all sorts of

    mad combinations together without regard to color,” she says. “For contrast we relied on texture

    and patterns.”

    Raised in post-war London, “playing on bombsites,” Frogley was still surprised by the

    degree to which Berlin had been destroyed, and crafted the wardrobe accordingly. “Everything

    was based on logistics and economics. It was a world of desperate poverty, grime and filth, lack

    of water, lack of food, and lack of privacy or personal safety, and you see that reflected in the

     

     

    clothing. Women would wear turbans or scarves because they couldn’t wash their hair. They

    would wear bulky coats even in the summer to make themselves as unattractive as possible in an

    atmosphere where rape was commonplace. People often carried their valuables with them in

    rucksacks. They didn’t have much clothing and what they had was old.”

    At the same time, “People in the black market had money. You’d see prostitutes wearing

    the latest fashions, nail polish and high heels, provided that they had someone powerful taking

    care of them. It was a totally corrupt environment.”

    Frogley patterned George Clooney’s wardrobe after war correspondents of the time, who

    favored dark shirts with lighter ties. “Technically, they weren’t supposed to wear dark shirts but

    they did it because they liked it,” she explains. “Jake would have done the same just to buck the

    system. He’d loosen his tie, leave his jacket unbuttoned and his hat cocked to one side, things no

    other officer would have done.”

    For Cate Blanchett, the key was elegance. “Lena would find a way to be chic within her

    limits,” says Frogley. “She didn’t have much money and would have to buy dresses on the black

    market, but they wouldn’t be the latest styles. Still, she’d be more naturally tasteful than her

    roommate, Hannelore, who’s coarse and generally not as well put together.”

    The designer’s largest challenge, by volume, was assembling period military uniforms for

    the four occupying armies. “We had them made all over the world and a lot of it doesn’t match

    but that’s okay because they didn’t match at the time either,” she reveals. The Soviet uniforms,

    in particular, were coming out of a transitional stage in the early 1940s, wherein medals and

    insignia denoting rank were being gradually restored after years of being banned in an effort to

    convey equality among the troops—a concept that, by the 40s, everyone agreed had fostered

    more inefficiency than morale.

    Moscow-born Ravil Isyanov, who plays General Sikorsky, helped the costume designer

    identify the various Russian military medals she had assembled, to determine which of them

    would be appropriate for the general to wear.

    Frogley found it humorous that so many of her young extras had no idea how to wear

    their pants or their hats correctly for the time and says, laughing, “We had tremendous trouble

    getting them to keep their trousers up, because the style now is to wear them lower. We had to

    put suspenders on them so they couldn’t be adjusted and still they tried, every time we turned

     

     

    around. They also needed hat lessons—back goes up, front goes down, pinch here—otherwise

    they’d wear them on the back of their heads. They were just naughty.”

    The Musical Element

    Another essential period element in the film was the score, which, Soderbergh states,

    “is as important as casting and as integral as production design and costume design. “I knew I

    was burdening Thomas Newman with an incredible task. The good news is that his father wrote

    this kind of music. It’s in his DNA.”

    Newman is the son of the late, famed composer and conductor Alfred Newman.

    Newman Sr. and his contemporaries, such as Max Steiner and Dimitri Tiomkin, provided

    Hollywood films of the 1930s, 40s and 50s with notably dynamic scores. It was Steiner’s

    contention that a score should enhance and support the emotional content of a scene. This is the

    point of view Soderbergh wanted for “The Good German,” and the reason he selected some of

    Steiner’s work as a temp score during production.

    “There was temp music I had in certain scenes that were expositional,” says Soderbergh.

    “When I sat down with Thomas, he said, ‘I think we need to go in a different direction with this

    underscore because the temp music is not letting me hear the dialogue the way I need to hear it,

    or to understand the importance of what the characters are discussing.’ So he went in a different

    direction, which literally makes you listen to the dialogue differently, and created something

    absolutely perfectly in that idiom. It lifted the whole movie up.

    “The score is spectacular and complements the movie so well, not only emotionally,

    which you would expect, but in the way it helps express the narrative,” the director explains.

    “That’s especially important in a story like this, where there is so much subterfuge and so much

    depends upon what is being said or not said…known or not known.”

     

     

    ABOUT THE CAST

    GEORGE CLOONEY (Jake Geismer) has transitioned from television actor to motion

    picture actor to producer, executive producer and director.

    In 2005 he was honored with three Oscar nominations: Best Director and Best Original

    Screenplay for “Good Night, and Good Luck.” and Best Supporting Actor for his performance in

    “Syriana.” He won the Oscar for Best Supporting Actor. It was the first time in Academy

    history that an individual received acting and directing nominations for two different films.

    Clooney most recently wrapped “Ocean’s Thirteen,” the third film in the successful

    “Ocean’s” franchise, and will next begin production on Tony Gilroy’s “Michael Clayton.” Both

    films are scheduled for release in 2007.

    Clooney is partnered with Grant Heslov in the film and television production company

    Smoke House. The two previously worked together at Section Eight, in which Clooney was

    partnered with Steven Soderbergh. Section Eight has produced numerous films, including

    “Good Night, and Good Luck.,” “Syriana,” “Ocean’s Twelve,” “Ocean’s Eleven,” “Confessions

    of a Dangerous Mind,” “The Jacket,” “Full Frontal” and “Welcome to Collinwood.” Clooney

    was an executive producer on two critically acclaimed Section Eight films, “Insomnia” and “Far

    From Heaven.”

    For Section Eight’s television division, Clooney served as an executive producer and

    directed five episodes of “Unscripted,” a reality-based show that debuted on HBO in 2005. He

    also was an executive producer and cameraman for HBO’s “K-Street.”

    Clooney made his directorial debut in 2002 with “Confessions of a Dangerous Mind,” for

    which he won the Special Achievement in Film Award from the National Board of Review. He

    followed in 2005 with “Good Night, and Good Luck,” in which he also co-stars, receiving

    recognition for his work on both sides of the camera by nearly every major film critics

    organization. He won the Paul Selvin Award from the Writers Guild of America, the Freedom

    Award from the Broadcast Film Critics Association and the David Lean Award for Best

    Directing from the British Film Academy, and earned nominations for two Oscars, three Golden

    Globes, two BAFTAs, a SAG Award, an Independent Spirit Award, two Critics’ Choice awards,

    a WGA and DGA Award, among others.

     

     

    That same year Clooney co-produced “Syriana,” in which he starred as a CIA agent

    fighting terrorism, earning accolades worldwide, including an Oscar and a Golden Globe Award

    for his supporting role. He was also nominated for a SAG, BAFTA and Critics’ Choice Award.

    In 2000, he won the Golden Globe Award for Best Actor in a Motion Picture, Musical or

    Comedy, for his work in the Coen brothers’ “O Brother, Where Art Thou?” He also earned

    critical acclaim in the award-winning drama “Three Kings” and the Oscar-nominated “Out of

    Sight.” His other film credits include “Solaris,” “The Peacemaker,” “Batman & Robin,” “One

    Fine Day” and “From Dusk Till Dawn.”

    Clooney has starred in several television series but is best known for his five years on the

    hit NBC drama “ER.” His portrayal of Dr. Doug Ross earned him Golden Globe, Screen Actors

    Guild, People’s Choice and Emmy Award nominations.

    He was also an executive producer and co-star of the live television broadcast of “Fail

    Safe,” an Emmy-winning telefilm developed through his Maysville Pictures and based on the

    early 1960s novel of the same name. “Fail Safe” was nominated for a 2000 Golden Globe Award

    as Best Miniseries or Motion Picture Made for Television.

    CATE BLANCHETT (Lena Brandt) won an Academy Award for her critically

    acclaimed portrayal of Katharine Hepburn in Martin Scorsese’s “The Aviator.” She was also

    honored with BAFTA and SAG Awards and a Golden Globe nomination for the role. In 1999,

    Blanchett earned her first Oscar nomination and first BAFTA and Golden Globe Awards for her

    portrayal of another famous figure, Queen Elizabeth I, in Shekhar Kapur’s “Elizabeth.” She will

    reprise the role in Kapur’s sequel, “The Golden Age,” set for a late 2007 release.

    Blanchett is currently starring in “Babel,” opposite Brad Pitt. She will next be seen in

    “Notes on a Scandal,” opposite Dame Judi Dench. Blanchett also recently completed production

    on “I’m Not There,” a film based on the life of Bob Dylan, directed by Todd Haynes, and is

    beginning work on the fantasy drama “The Curious Case of Benjamin Button,” with Brad Pitt, in

    January 2007.

    Blanchett has also earned Golden Globe nominations for Best Actress for the title role in

    Joel Schumacher’s “Veronica Guerin” and her work in Barry Levinson’s “Bandits.” Among her

    other film credits are “The Lord of the Rings” trilogy; Wes Anderson’s “The Life Aquatic with

    Steve Zissou”; Jim Jarmusch’s “Coffee & Cigarettes,” for which she earned an Independent

     

     

    Spirit Award nomination; Ron Howard’s “The Missing,” opposite Tommy Lee Jones; “Charlotte

    Gray,” directed by Gillian Armstrong; Lasse Hallstrom’s “The Shipping News,” with Kevin

    Spacey; Rowan Woods’ “Little Fish,” with Sam Neill and Hugo Weaving; Mike Newell’s

    “Pushing Tin,” with John Cusack; Oliver Parker’s “An Ideal Husband”; Anthony Minghella’s

    “The Talented Mr. Ripley,” for which she received a BAFTA Award nomination for Best

    Supporting Actress; Sam Raimi’s “The Gift”; and Sally Potter’s “The Man Who Cried,” for

    which she was named Best Supporting Actress by the National Board of Review.

    A graduate of Australia’s National Institute of Dramatic Art, Blanchett includes among

    her earlier film credits Bruce Beresford’s “Paradise Road”; “Thank God He Met Lizzie,” for

    which she won both the Australian Film Institute (AFI) and the Sydney Film Critics awards for

    Best Supporting Actress; and Gillian Armstrong’s “Oscar and Lucinda,” opposite Ralph Fiennes,

    for which she also earned an AFI nomination for Best Actress.

    Blanchett’s extensive theatre work includes productions with Company B, an ensemble

    including Geoffrey Rush, Gillian Jones and Richard Roxburgh, based at Belvoir St., under the

    direction of Neil Armfield. Her roles included Miranda in “The Tempest,” Ophelia in “Hamlet,”

    for which she earned a Green Room Award nomination, Nina in “The Seagull,” and Rose in

    “The Blind Giant is Dancing.” For the Sydney Theater Company she appeared in Caryl

    Churchill’s “Top Girls,” David Mamet’s “Oleanna” (winning The Sydney Theater Critics award

    for Best Actress), Michael Gow’s “Sweet Phoebe” and Timothy Daly’s “Kafka Dances,” for

    which she received the Critics Circle award for Best Newcomer. For the Almeida Theatre in

    1999, Blanchett played Susan Traheren in David Hare’s “Plenty” in London’s West End. In

    2004, Blanchett returned to the Sydney Theatre Company for the title role in Andrew Upton’s

    adaptation of “Hedda Gabler.” The play was a critical success, earning her the prestigious

    Helpmann Award for Best Female Actor in a Play.

    Currently, Blanchett is making her directorial debut with the play “A Kind of Alaska,” at

    the Sydney Theatre Company.

    TOBEY MAGUIRE (Tully) is currently in production on “Spider-Man 3,” the third

    installment of the comic book film franchise, which reunites the actor with director Sam Raimi

    and co-stars Kirsten Dunst and James Franco. ”Spider-Man 3” is slated for release in May

    2007. He recently reprised his starring role as the title hero in Raimi’s “Spider-Man 2,” the hit

     

     

    sequel to the 2002 international blockbuster “Spider-Man.” To date, Maguire’s first two

    “Spider-Man” films have grossed nearly 1.6 billion dollars worldwide.

    In 2003, Maguire delivered a memorable performance as jockey Red Pollard in Gary

    Ross’s multiple Oscar-nominated drama “Seabiscuit,” and also served as an executive producer

    on the film. As a producer, Maguire has an exclusive, two-year, first-look production deal with

    Sony Pictures. His first outing under that deal teamed him with producer Julia Chasman and

    Industry Entertainment’s Nick Wechsler on the screen adaptation of David Benioff’s novel The

    25th Hour directed by Spike Lee and starring Ed Norton.

    Currently in development is “Electroboy,” based on the Andy Behrman memoir, and

    “Justice Deferred,” based on Len Williams’ novel. Maguire will then team with Wendy

    Finerman to produce a big-screen adaptation of Jonathan Troper’s novel, “Everything Changes.”

    In 2001, Maguire lent his voice to the live action/digitally animated comedy “Cats &

    Dogs,” and, in 2000, he starred opposite Michael Douglas, Robert Downey Jr. and Frances

    McDormand in Curtis Hanson’s “Wonder Boys.” The year before he starred in Lasse

    Hallstrom’s critically acclaimed romantic drama “The Cider House Rules,” with Michael Caine,

    and in Ang Lee’s Civil War epic “Ride With the Devil.”

    Previously, Maguire collaborated with “Seabiscuit” director Gary Ross on the 1998

    comedy-fantasy “Pleasantville,” with co-star Reese Witherspoon. In 1997, he received critical

    notice for his role in Ang Lee’s “The Ice Storm,” opposite Joan Allen, Kevin Kline, Sigourney

    Weaver and Christina Ricci.

    Maguire first gained attention with his performance in Griffin Dunne’s Academy Award-

    nominated short film “Duke of Groove,” with Kate Capshaw, Uma Thurman and Kiefer

    Sutherland. His additional feature film credits include Woody Allen’s literary satire

    “Deconstructing Harry,” alongside an all-star cast that included Allen, Billy Crystal and Robin

    Williams; Terry Gilliam’s gonzo-comedy “Fear and Loathing in Las Vegas,” based on the novel

    by Hunter S. Thompson and starring Johnny Depp and Benicio del Toro; “S.F.W.,” opposite

    Reese Witherspoon; and “This Boy’s Life,” with Robert De Niro, Ellen Barkin and Leonardo

    DiCaprio.

    BEAU BRIDGES (Colonel Muller) has been repeatedly honored for his work in films

    and on television during a career that has spanned more than four decades. In 1990, he was

     

     

    named Best Supporting Actor by the National Society of Film Critics for his performance in

    “The Fabulous Baker Boys,” in which he starred with his brother, Jeff. In 1992, he earned an

    Emmy and Golden Globe Award for Best Actor for his work in “Without Warning: The James

    Brady Story.” The following year, he won another Emmy and Golden Globe Award for Best

    Supporting Actor for his performance in “The Positively True Adventures of the Alleged

    Cheerleader-Murdering Mom.” He gained a third Emmy Award in 1997, again for Best

    Supporting Actor, for his work in “The Second Civil War.” In addition, he has been Emmynominated

    for his performances in “We Were the Mulvaneys,” “P.T. Barnum,” “Inherit the

    Wind,” “Hidden in America,” “Kissinger and Nixon” and “The Outer Limits.” He has also

    received Golden Globe nominations for the telefilm “Losing Chase” and, earlier in his career, for

    the feature “For Love of Ivy.”

    Currently, Bridges has a regular role on the hit Sci-Fi Channel series “Stargate SG1.” On

    the big screen, he will next be seen in the film version of the classic “Charlotte’s Web.”

    The son of Lloyd Bridges, Beau made his feature film debut at age eight in “The Red

    Pony,” and also appeared in his father’s television series, “Sea Hunt.” In 1967, Bridges played

    his first adult role in the movie “The Incident,” and he has since worked virtually nonstop. His

    film credits include Norman Jewison’s “Gaily, Gaily”; Hal Ashby’s “The Landlord”; Peter

    Ustinov’s “Hammersmith is Out,” with Elizabeth Taylor and Richard Burton; Sidney Lumet’s

    “Child’s Play”; “The Other Side of the Mountain”; “Two-Minute Warning”; “Greased

    Lightning”; “Norma Rae,” with Sally Field; “Night Crossing”; “Heart Like a Wheel”; “The

    Hotel New Hampshire”; Arthur Hiller’s “Married to It”; and “Jerry Maguire.” He was more

    recently seen in the independent features “Sordid Lives,” and “The Ballad of Jack and Rose.”

    On the stage, Bridges appeared in the Broadway productions of William Inge’s “Where’s

    Daddy?” and Peter Ustinov’s “Who’s Who in Hell.” His other theater work includes the original

    productions of Daniel Berrigan’s “The Trial of the Catonsville Nine” and Jane Anderson’s

    “Looking for Normal.”

    Behind the camera, Bridges has directed the films “The Wild Pair” and “Seven Hours to

    Judgment,” also starring in both. For television, his directing credits include the telefilms

    “Secret Sins of the Father,” starring Lloyd Bridges, and “The Thanksgiving Promise,” which

    starred three generations of Bridges: Lloyd, Beau and Beau’s son, Jordan.

     

     

    TONY CURRAN (Danny), a graduate of the Royal Scottish Academy of Music and

    Drama, made his film debut in Bill Forsyth’s “Being Human,” with Robin Williams. After a

    string of independent features, he landed a recurring role on the UK dramatic series “This Life.”

    Following a role in “The 13th Warrior,” starring Antonio Banderas, the Glasgow native

    appeared in the international hits “Gladiator” and “Blade II.” His first major lead was as The

    Invisible Man in “The League of Extraordinary Gentlemen,” opposite Sean Connery. He went

    on to star opposite Dennis Quaid in the 2004 film “The Flight of the Phoenix.”

    Curran’s most recent feature credits include “Underworld: Evolution” and Michael

    Mann’s “Miami Vice.” He earned a 2006 British Independent Film Award nomination for his

    starring role in Andrea Arnold’s “Red Road,” which won the Jury Prize at the Cannes Film

    Festival. He recently wrapped production on the pilot “Amped” and will next begin work on the

    independent feature “Shuttle.”

    LELAND ORSER (Bernie) is appearing in his third season as Dr. Lucien Dubenko on

    the long-running NBC drama “ER.”

    Among his feature film credits are “Twisted,” “Runaway Jury,” “Daredevil,” James

    Foley’s “Confidence,” Michael Bay’s “Pearl Harbor,” Phillip Noyce’s “The Bone Collector,”

    Jean-Pierre Jeunet’s “Alien: Resurrection,” Peter Berg’s “Very Bad Things,” Steven Spielberg’s

    “Saving Private Ryan,” and David Fincher’s “Se7en.”

    Orser’s other recent television credits include guest-starring roles on “Law & Order:

    SVU,” “CSI” and “Wonderland,” as well as the 2004 television movie “Homeland Security.”

    JACK THOMPSON (Congressman Breimer) has starred in three films for director

    Bruce Beresford: “Breaker Morant,” for which he won the Best Supporting Actor Award at the

    Cannes Film Festival and a Best Actor Award from the Australian Film Institute, “The Club” and

    “Last Dance.” In 1994, he received the Film Critics Circle of Australia’s Best Actor Award for

    his role in “The Sum of Us,” directed by Geoff Burton and Kevin Dowling.

    Among Thompson’s additional film credits are director Niels Mueller’s “The

    Assassination of Richard Nixon,” George Lucas’ “Star Wars: Episode II,” Michael Cristofer’s

    “Original Sin,” Clint Eastwood’s “Midnight in the Garden of Good and Evil,” John Woo’s

    “Broken Arrow,” Carrol Ballard’s “Wind,” Paul Verhoeven’s “Flesh and Blood,” Mike Newell’s

     

     

    “Bad Blood,” George Miller’s “The Man from Snowy River,” Graeme Clifford’s “Burke &

    Wills,” Fred Schepisi’s “The Chant of Jimmy Blacksmith,” and Philippe Mora’s “Mad Dog

    Morgan.”

    American television audiences will recognize the Australian actor from his roles in “A

    Woman of Independent Means,” the CBS miniseries “Last Frontier”; “Golda,” with Ingrid

    Bergman; and the telefilms “Trouble in Paradise” and “The Letter.” In Australia, he starred in

    the series “Spyforce,” and appeared in the miniseries “Waterfront” and the telefilms

    “Because He’s My Friend,” “Linehaul” and “Smithie.”

    ROBIN WEIGERT (Hannelore) is best known for her role as Calamity Jane in the HBO

    series “Deadwood,” for which she received a 2004 Emmy Award nomination for Best

    Supporting Actress in a Drama Series. She appeared previously on HBO as the Mormon Mother

    in the Emmy and Golden Globe-winning “Angels in America,” directed by Mike Nichols.

    On film, Weigert has been featured in “The Sleepy Time Gal” and “Loggerheads.” In

    2007, she will be seen in the films “Reservations” and “Things We Lost in the Fire,” starring

    Benicio del Toro and Halle Berry. Weigert’s other television appearances include guest-starring

    roles on “Lost,” “Law and Order: SVU,” “The Unit “and “Cold Case.” She was a recipient of

    the 2005 Breakthrough of the Year Award from Hollywood Life magazine.

    On Broadway, Weigert most recently played the role of Poppy Norton-Taylor in the hit

    revival “Noises Off,” and was nominated for Drama Desk and Lucille Lortel awards for her

    acclaimed turn in Richard Nelson’s “Madame Melville,” with Joely Richardson and Macaulay

    Culkin. She was also seen in “The Seagull” in Central Park, with a cast including Meryl Streep,

    Kevin Klein, Natalie Portman, Phillip Seymour Hoffman and Christopher Walken. Weigert’s

    other theatre credits include Lincoln Center’s “Twelfth Night”; off-Broadway roles in “A Place

    at the Table,” “Arms and the Man,” “Hamlet,” “Goodnight Children Everywhere,” “Pride’s

    Crossing”; and off-off-Broadway appearances in “Hamlet,” “Macbeth” and “The Three Sisters.”

    She has also performed regionally at McCarter, Arena Stage, Long Wharf, New York Stage and

    Film, A.C.T. and the Berkshire Theater Festival. Between seasons two and three of

    “Deadwood,” Weigert had the opportunity to play the role of Josie in “A Moon for the

    Misbegotten” at A.C.T., for which she received a Bay Area Critics Circle Award.

     

     

    RAVIL ISYANOV (General Sikorsky) has extensive film and television credits in the

    United States as well as in Europe.

    Among his American motion picture credits are “Mr. and Mrs. Smith,” “Holes,” “K-19:

    The Widowmaker,” “Arachnid,” “Along Came A Spider,” “The Shrink Is In,” “Octopus,” “The

    Omega Code” “The Jackal,” “The Saint,” “Hamlet,” “GoldenEye,” “Hackers” and “Back in the

    U.S.S.R.”

    On television, he has appeared in the series “Commander in Chief,” “Without a Trace,”

    “Alias,” “The Agency,” “JAG” and “Buffy the Vampire Slayer.”

    Born in Moscow, Isyanov was part of a cultural exchange between the Moscow Art

    Theatre and Britain’s Royal Shakespeare Company in the late 1980s. He was later invited to

    study at the British American Drama Academy and then joined the Theatre Clwyd in Wales,

    performing in a season of Russian plays. Following the 1991 collapse of the Soviet Union,

    Isyanov remained in England, performing with the English Shakespeare Company and the

    Moving Theatre Company, and teaching at the Drama Centre London, before relocating to the

    U.S.

    ABOUT THE FILMMAKERS

    “The Good German” is director STEVEN SODERBERGH’s sixteenth film, following

    “Bubble,” “Ocean’s Twelve,” “Solaris,” “Full Frontal,” “Ocean’s Eleven,” “Traffic,” “Erin

    Brockovich,” “The Limey,” “Out of Sight,” “Gray’s Anatomy,” “Schizopolis,” “The

    Underneath,” “King of the Hill,” “Kafka” and “sex, lies, and videotape.” In 2001, Soderbergh

    received the Best Director Academy Award for “Traffic.”

    He also wrote, directed, photographed and edited “Equilibrium,” starring Alan Arkin,

    Robert Downey, Jr. and Ele Keats, one of a trio of short eroticism-themed films released as

    “Eros.” Michelangelo Antonioni and Wong Kar-wai directed the other two segments. The film

    had its premiere at the 2004 Venice Film Festival.

    In 2000, Soderbergh and George Clooney formed Section Eight, a film production

    company based at Warner Bros. After their inaugural production, “Ocean’s Eleven,” they

    executive produced “Far From Heaven,” written and directed by Todd Haynes. The critically

    acclaimed homage to 1950s melodrama starred Julianne Moore and Dennis Quaid.

     

     

    In 2002, Section Eight released three films: “Confessions of a Dangerous Mind,” directed

    by and starring George Clooney, with an ensemble cast including Sam Rockwell, Drew

    Barrymore and Julia Roberts; “Insomnia,” directed by Christopher Nolan and starring Al Pacino,

    Robin Williams and Hilary Swank; and “Welcome to Collinwood,” written and directed by

    brothers Anthony and Joe Russo, with an ensemble cast including William H. Macy, Isaiah

    Washington, Luis Guzman, Jennifer Esposito, Sam Rockwell and Clooney.

    Section Eight opened four films in 2005, two of them going on to the Academy Awards.

    “Goodnight, and Good Luck.,” directed by and starring George Clooney from a script by

    Clooney and Grant Heslov, received six Academy Award nominations: Best Actor (David

    Strathairn); Best Director (Clooney); Original Screenplay (Clooney and Heslov);

    Cinematography (Robert Elswit); Art Direction (Jim Bissell) and Best Picture (Heslov). “Good

    Night, and Good Luck.” had its premiere at the Venice Film Festival where Strathairn received

    the Osella Cup for his portrayal of legendary CBS anchorman Edward R. Murrow while Clooney

    and Haslov received the award for Best Screenplay.

    “Syriana,” starring George Clooney, Matt Damon and Jeffrey Wright, received two

    Academy Award nominations. George Clooney received the Oscar for Best Performance by an

    Actor in a Supporting Role while writer-director Stephen Gaghan received a nomination for Best

    Original Screenplay for his adaptation of the book See No Evil: The True Story of a Foot Soldier

    in the CIA’s War on Terror, by Robert Baer.

    “Rumor Has It…,” directed by Rob Reiner and starring Jennifer Aniston, Mark Ruffalo,

    Kevin Costner and Shirley MacLaine and “The Jacket,” directed by John Maybury and starring

    Adrien Brody, Keira Knightley and Jennifer Jason Leigh also were released in 2005.

    Other Section Eight productions include “Ocean’s Twelve,” which reunited the entire

    cast of the 2001 hit “Ocean’s Eleven,” plus Catherine Zeta-Jones and internationally acclaimed

    actor Vincent Cassel, and “Criminal,” starring John C. Reilly, Diego Luna and Maggie

    Gyllenhaal. Gregory Jacobs, who had collaborated with Soderbergh on ten prior films, made his

    directorial debut on the film, which was screened at the 2004 Venice, Deauville and London

    Film Festivals.

    Soderbergh’s additional credits as producer include Greg Mottola’s “The

    Daytrippers”(1997) and Gary Ross’ “Pleasantville” (1998). He was executive producer on

     

     

    David Siegel and Scott McGhee’s “Suture” (1994), Godfrey Reggio’s “Naqoyqatsi” and Lodge

    Kerrigan’s “Keane,” which played at the Telluride, Toronto and New York Film Festivals.

    In 2003, Section Eight and HBO produced the television docudrama/political reality

    program “K Street,” starring real-life political consultants James Carville and Mary Matalin. Costarring

    in the project were a mix of actors, including John Slattery and Mary McCormack, as

    well as real-life politicians. In January 2004, Section Eight and HBO premiered the fiction series

    “Unscripted,” which detailed the lives of a small group of aspiring actors.

    BEN COSGROVE (Producer) is Senior Vice President of Production at Paramount

    Pictures. Previously, he was President of the production company Section Eight, where he

    served as executive producer of such films as “Good Night, and Good Luck.,” “Syriana,” “A

    Scanner Darkly,” “The Jacket,” “Criminal” and “Welcome to Collinwood.” He also produced

    “Rumor Has It…” and served as associate producer on “Insomnia.”

    Additional Section Eight productions include the hit “Ocean’s Eleven” and its sequel

    “Ocean’s Twelve,” “Far From Heaven” and “Confessions of a Dangerous Mind.”

    Cosgrove’s first job in the entertainment industry was as a freelance reader at TriStar

    Pictures, where he ultimately became Director of Creative Affairs. At TriStar he worked on

    numerous projects, including “Jumanji,” “The Mask of Zorro” and “Devil in a Blue Dress,”

    before joining George Clooney’s Warner Bros.-based production company Maysville Pictures.

    GREGORY JACOBS (Producer) most recently served as executive producer on Steven

    Soderbergh’s “Ocean’s Thirteen,” scheduled for a 2007 release. The two began their association

    in 1992 when Jacobs was first assistant director on Soderbergh’s “King of the Hill.”

    Jacobs co-produced “Ocean’s Twelve,” the sequel to the highly successful “Ocean’s

    Eleven,” and produced the director’s murder mystery “Bubble,” that starred only non-actors.

    “Bubble” premiered at the Venice Film Festival before being screened at the Toronto and New

    York Film Festivals.

    Jacobs also produced “Equilibrium,” Soderbergh’s segment of a trio of short films

    released together as “Eros,” with Michaelangelo Antonioni and Wong Kar-wai directing the

    other two segments. He previously executive produced “Solaris” and produced “Full Frontal.”

     

     

    He has collaborated with Soderbergh on six additional films: “Ocean’s Eleven,” the

    Academy Award-winning “Traffic,” the Academy Award-nominated “Erin Brockovich,” “The

    Limey,” “Out of Sight” and “The Underneath.”

    Earlier this year, Jacobs directed the horror thriller “Wind Chill,” starring Emily Blunt,

    Ashton Holmes and Martin Donovan. He made his directorial debut in 2003 on “Criminal,”

    starring John C. Reilly, Diego Luna and Maggie Gyllenhaal, which screened at the Venice,

    Deauville and London Film Festivals.

    Jacobs began his entertainment industry career as a production assistant on independent

    filmmaker John Sayles’ movie “Matewan.” He subsequently served as Sayles’ second assistant

    director on “Eight Men Out” and “City of Hope.” As a first assistant director, he has worked

    frequently with such notable directors as John Schlesinger, Roland Joffe, Hal Hartley and

    Richard Linklater. Among his other credits are “Miller’s Crossing” and “Little Man Tate.”

    PAUL ATTANASIO (Screenwriter) wrote the screenplays for “Quiz Show” and

    “Donnie Brasco,” both of which received Academy Award nominations for Best Adapted

    Screenplay. He also received the British Academy Award and the London Film Critics Circle

    Award for “Quiz Show,” and was honored as Screenwriter of the Year by the National

    Association of Theater Owners.

    Attanasio is currently an executive producer on the award-winning Fox series “House

    M.D.” He previously created the acclaimed NBC series “Homicide: Life on the Street,” winner

    of three Peabody Awards.

    Attanasio was formerly the chief film critic of the Washington Post.

    BENJAMIN WAISBREN (Executive Producer) recently served as an executive

    producer on the action drama “Blood Diamond,” the thriller “V for Vendetta” and the action

    adventure “Poseidon.” He is a financier involved in the production and distribution of motion

    pictures, both in the U.S and in Europe

    Waisbren’s background includes law, investment banking and private equity investing.

    His upcoming executive producer credits include “The Assassination of Jesse James by the

    Coward Robert Ford,” “300,” “First Born,” “Gardener of Eden,” “Nancy Drew,” and “Duane

    Hopwood.”

     

     

    FREDERIC W. BROST (Executive Producer) began his association with Steven

    Soderbergh in 1998 when he served as production manager on “Out of Sight.” He went on to

    work with the director on the films “The Limey,” “Erin Brockovich,” “Traffic,” “Ocean’s

    Eleven” and “Ocean’s Twelve,” which he also co-produced. He most recently co-produced

    “Ocean’s Thirteen,” which will be released in 2007.

    A graduate of the DGA’s Assistant Director Trainee program, Brost worked as an

    assistant director or production manager on numerous feature and television projects with some

    of the industry’s most respected directors, including Robert Altman, Arthur Hiller, George

    Stevens, Mark Rydell, Mike Nichols, Richard Fleischer, Irvin Kershner and Daniel Petrie.

    Leaving physical production, Brost became vice president and executive production

    manager for Universal Pictures, supervising all aspects of production on more than 100 motion

    pictures. Among the films he supervised were John Waters’ “Cry Baby,” Spike Lee’s “Do The

    Right Thing,” Phil Robinson’s “Field of Dreams,” Ron Howard’s “Parenthood,” Harold Becker’s

    “Sea of Love” and Paul Mazursky’s “Moon Over Parador.”

    In 1990, Brost returned to production, serving as line producer/production manager on

    such films as “Gigli,” “Zeus & Roxanne,” “Getting Away with Murder,” “Gordy,” “The

    Sandlot,” “Encino Man” and “Sweet Poison.”

    JOSEPH KANON (Author) began his career in publishing as a reader for The Atlantic

    Monthly. He went on to a series of editorial and managerial positions, including president and

    CEO of E. P. Dutton, and executive vice president at Houghton Mifflin as head of Trade and

    Reference Publishing.

    In 1995 he wrote his first book, Los Alamos, a historical thriller set during the last months

    of the Manhattan Project. The book was a best-seller, translated into 18 languages, and won the

    Edgar Award for best first novel. Subsequent books were The Prodigal Spy, The Good German,

    and Alibi.

    PHILIP MESSINA (Production Designer) reunites with Steven Soderbergh on “The

    Good German,” following his collaboration with the director on “Ocean’s Twelve,” “Eros,”

    “Solaris,” “Ocean’s Eleven,” “Traffic” and “Erin Brockovich.” The two began their association

     

     

    on Soderbergh’s “Out of Sight,” on which Messina served as art director. He most recently

    designed the film “Ocean’s Thirteen,” set for a 2007 release.

    Messina’s work on “Ocean’s Eleven” earned a nomination in the contemporary film

    category from the Art Directors Guild.

    He also designed Gregory Jacob’s directorial debut, “Criminal,” as well as “8 Mile” for

    director Curtis Hanson.

    After earning a degree in architecture, Messina began his film industry career as a set

    designer on “Mermaids,” “School Ties” and “Housesitter,” all filmed in the Boston area. Upon

    relocating to Los Angeles, he went on to serve as art director on such films as “Hard Target,”

    “The Neon Bible,” “Reckless,” “The Associate,” “Trial & Error” and “The Sixth Sense.”

    Messina also designed the sets for the television series “Freaks and Geeks,” re-teaming

    him with director Jake Kasdan, for whom he had served as the art director on Kasdan’s

    directorial debut, “Zero Effect.”

    LOUISE FROGLEY (Costume Designer) first collaborated with Steven Soderbergh on

    “Traffic” and “The Limey.” Her work on “Traffic” brought her a Costume Designers Guild

    nomination for Excellence in Costume Design for a Contemporary Film. She most recently

    designed the costumes for Soderbergh’s “Ocean’s Thirteen,” slated for a 2007 release.

    Frogley’s designs for “Good Night, and Good Luck.,” directed by and starring George

    Clooney, earned her a Costume Designers Guild Award nomination for Excellence in Costume

    Design for a Period Film. For her work on Stephen Gaghan’s “Syriana,” in which Clooney also

    starred, she received the Guild’s nomination for Excellence in a Contemporary Film.

    Frogley previously collaborated with Gaghan on his feature film directorial debut,

    “Abandon.” Her costumes were also seen in the romantic thriller “Skeleton Key” and the

    supernatural thriller “Constantine.”

    She began her career in London and Paris as a costume designer/set decorator for various

    commercial companies, including RSA—a group of young directors, including brothers Ridley

    and Tony Scott and Hugh Hudson.

    Her first movie assignment was as assistant costume designer on Hugh Hudson’s

    Academy Award-winning film “Chariots of Fire.” Since then, Frogley has designed costumes

    for more than 20 features, including “Spy Game” and “Man on Fire” for director Tony Scott, as

     

     

    well as “Stigmata,” “U.S. Marshals,” Ron Shelton’s “Bull Durham” and Neil Jordan’s “Mona

    Lisa.”

    Her work for television includes HBO’s “Live From Baghdad.”

    THOMAS NEWMAN (Composer) has earned seven Oscar nominations for his film

    work and, in 1994, received dual nominations for “Little Women” and “The Shawshank

    Redemption.” He has also received Oscar nominations for his scores for “Unstrung Heroes,”

    “Road to Perdition,” “Finding Nemo,” “Lemony Snicket’s A Series of Unfortunate Events,” and

    “American Beauty,” for which he also won a BAFTA Award and a Grammy.

    Newman’s first professional scoring assignment was on the 1984 film “Reckless,” for

    which he was brought aboard as a musical assistant and was soon elevated to composer. Among

    his extensive composing credits are scores for such diverse films as “The Salton Sea,” “White

    Oleander,” “Cinderella Man,” “Erin Brockovich,” “Pay It Forward,” “In the Bedroom,” Meet Joe

    Black,” “The Horse Whisperer,” “Red Corner,” “Oscar and Lucinda,” “Mad City,” “The People

    Vs. Larry Flynt,” “Phenomenon,” “Up Close and Personal,” “How to Make an American Quilt,”

    “Scent of a Woman,” “The Player,” “Fried Green Tomatoes,” “Deceived,” “The Rapture,” “The

    Lost Boys” and “Desperately Seeking Susan.”

    Most recently, he provided the music for the features “Jarhead” and “Little Children.”

    For the small screen, Newman scored the award-winning HBO production of “Angels in

    America.” His additional television credits include main title themes for “Boston Public” and

    “Six Feet Under,” for which he won a 2002 Emmy Award. He also created scores for “Citizen

    Cohn,” “Those Secrets,” “Heat Wave,” “The Seduction of Gina” and an episode of “Amazing

    Stories.”

     

     

     

    WARNER BROS. PICTURES Presents

    In Association with VIRTUAL STUDIOS

     

    A SECTION EIGHT Production

    GEORGE CLOONEY

    CATE BLANCHETT

    TOBEY MAGUIRE

     

    “THE GOOD GERMAN”

    With

    BEAU BRIDGES

    TONY CURRAN

    LELAND ORSER

    JACK THOMPSON

    ROBIN WEIGERT

    And

    RAVIL ISYANOV

    CHRISTIAN OLIVER

    DAVE POWER

    DON PUGSLEY

    DOMINIC COMPERATORE

    Directed by

     

    STEVEN SODERBERGH

     

    Screenplay by

    PAUL ATTANASIO

    Produced by

    BEN COSGROVE

    GREGORY JACOBS

     

     

     

    Executive Producers

    BENJAMIN WAISBREN

    FREDERIC W. BROST

     

    Based on the novel by

    JOSEPH KANON

     

    Director of Photography

    PETER ANDREWS

     

    Production Designer

    PHILIP MESSINA

     

    Edited by

    MARY ANN BERNARD

     

    Music by

    THOMAS NEWMAN

     

    Costume Designer

    LOUISE FROGLEY

     

    Casting by

    DEBRA ZANE, C.S.A.

    Directed by.....................................STEVEN SODERBERGH

    Screenplay by......................................PAUL ATTANASIO

    Produced by..........................................BEN COSGROVE

     

    GREGORY JACOBS

    Executive Producers.............................BENJAMIN WAISBREN

    FREDERIC W. BROST

    Based on the novel by................................JOSEPH KANON

    Director of Photography.............................PETER ANDREWS

    Production Designer................................PHILIP MESSINA

    Edited by........................................MARY ANN BERNARD

    Music by............................................THOMAS NEWMAN

    Costumes Designer..................................LOUISE FROGLEY

    Casting by.....................................DEBRA ZANE, C.S.A.

     

     

     

    Unit Production Manager.........................FREDERIC W. BROST

    First Assistant Director...........................GREGORY JACOBS

    Second Assistant Director..........................TREY BATCHELOR

     

    CAST

    (In Order of Appearance)

    Congressman Breimer.................................JACK THOMPSON

    General...............................................JOHN ROEDER

    Jake Geismer.......................................GEORGE CLOONEY

    Tully...............................................TOBEY MAGUIRE

    Lena Brandt........................................CATE BLANCHETT

    Levi..........................................DOMINIC COMPERATORE

    Lieutenant Schaeffer...................................DAVE POWER

    Danny.................................................TONY CURRAN

    General Sikorsky....................................RAVIL ISYANOV

     

    British Press Aide................................J. PAUL BOEHMER

    Russian Soldiers.....................................IGOR KOROSEC

    BORIS KIEVSKY

    VLADIMIR KULIKOV

    YEVGENIY NAROVLYANSKIY

    ALEKSANDR SOUNTSOV

    Colonel Muller.......................................BEAU BRIDGES

     

    German Boys............................................DEAN MISCH

     

    JUSTIN MISCH

    Gunther...............................................DON PUGSLEY

    Bernie...............................................LELAND ORSER

    Hannelore...........................................ROBIN WEIGERT

     

     

    British Interviewer...................................TOM CUMMINS

     

    Clerk..............................................BRANDON KEENER

     

    The Butcher..............................GIANFRANCO L'AMORE TORDI

     

    Franz Bettmann.......................................DAVID WILLIS

     

    Emil Brandt......................................CHRISTIAN OLIVER

     

    Stunt Coordinator...................................JOHN ROBOTHAM

     

    Stunts................................................BRIAN AVERY

    JONI AVERY

    MATT BAKER

    JEFFREY BROCKTON

    JODI BROCKTON

    HAL BURTON

    CHAD CLEVEN

    ELIZA COLEMAN

    DAVID D. DARLING

    JEREMY FITZGERALD

    MICKEY GIACOMAZZI

    SEAN GRAHAM

    TABBY HANSON GRAHAM

    JIM HART

    GENE HARTLINE

    JOHN MOIO

    ERIC NORRIS

    CARRICK O'QUINNVLADIMIR ORLOV

    MICHAEL P. OWEN

    JEFF RAMSEY

    JASON RODRIGUEZ

    BILL WILLENS

    Art Director........................................DOUG MEERDINK

     

    Set Decorator...................KRISTEN TOSCANO MESSINA, S.D.S.A.

     

    Camera Operator.....................................CRIS LOMBARDI

     

    A Camera First Assistant...........................STEVEN MEIZLER

     

    A Camera Second Assistant..............................TOM JORDAN

     

     

     

    Production Sound Mixer.......................PAUL LEDFORD, C.A.S.

    Boom Operator.......................................RANDY JOHNSON

    Production Supervisor..............................ROBIN Le CHANU

    Production Accountant..............................SONYA LUNSFORD

    Script Supervisor....................................ANNIE WELLES

    Assistant Art Directors..............................EASTON SMITH

     

    SUZAN WEXLER

    Set Designers......................................C. SCOTT BAKER

    W.M. LAW, III

    Property Master...................................ROBIN L. MILLER

    Assistant Property Master...................D. JAMES STUBBLEFIELD

    Prop Assistants...................................TOMMY ALTOBELLOTRAVIS BOBBITT

    MAUREEN McGUIRE

    Production Archivist..................................JOANNA BUSH

    Archivists.............................................KENN RABIN

    ALEXANDER KANDAUROV

    German Research Consultant..................YVONNE VON WALLENBERG

    Military Consultant.................................MIR BAHMANYAR

    Art Department Coordinator....................WYLIE YOUNG GRIFFIN

    Leadman.............................................SCOTT BOBBITT

    Buyer...........................................HELEN KOZORA-TELL

    Set Dressers......................................RICHARD ANDRADE

    RYAN P. DREYER

    MERDYCE McCLARAN

    ERIC RAMIREZ

    ROBERT SICA

    RYAN STEFFEN

    On-Set Dresser......................................ERIK NORVILLE

     

     

     

    Additional First Assistant Camera......................GLEN BROWN

    Film Loader...........................................PAUL TOOMEY

    Video Assistant Operator...........................LUCIANO BLOTTA

    Utility Sound Technician................................ROSS LEVY

    Chief Lighting Technician...........................JIM PLANNETTE

    Assistant Chief Lighting Technician...........RAYMOND A. GONZALES

    Lighting Technicians..................................JOSEPH AYERRUSSELL AYER

    ERIK BERNSTEIN

    NILES McELROY

    ERIC SAGOT

    Rigging Gaffer..............................R. MICHAEL De CHELLIS

    Rigging Best Boy.....................................TED MARSHALL

    Rigging Technicians...........................CHRISTOPHER BATEMANMICHAEL SEAMAN

    RICHIE STANFORD

    MARK JAMES WATSON

    Key Grip..............................................AL La VERDE

    Best Boy...............................................DANA BAKER

    Dolly Grip.........................................PAUL THRELKELD

    Company Grips.........................................RICK HARRISJONATHAN LEARY

    RYAN VON LOSSBERG

    JASON TALBERT

    Rigging Key Grip.......................................KENT BAKER

    Rigging Best Boy..................................STEVEN FROHARDT

    Rigging Grip...........................................DAVE ELLIS

    Second 2nd Assistant Director......................JODY SPILKOMAN

     

     

     

    Additional Second Assistant Director..........BASTI VAN DER WOUDE

    Set Production Assistants.........................DANIEL ADDELSON

    CHRISSY GILMARTIN

    FALLON JOHNSON

    LYNNE MARTIN

    BRYAN SNODGRASS

    CINDY A. TAYLOR

    DGA Trainee........................................JESSICA LOWREY

    First Assistant Editor.............................DAVID KIRCHNER

    Second Assistant Editor...............................MATT ABSHER

    Special Effects Coordinator........................KEVIN HANNIGAN

    Special Effects General Foreman...................WERNER HAHNLEIN

    Special Effects Foreman.........................MICHAEL D. ROUNDY

    Special Effects Technicians...........................BLAIR FOORDERICH MINGENBACH

    VAUGHN WILLIAMS

    Costume Supervisor....................................LYNDA FOOTE

    Set Costumers........................................SHANDRA BERI

    JASON M. MOORE

    Costumers.............................................TOM CUMMINS

    MONICA S. HAYNES

    JAMES L. SPENSLEY

    Key Costumers..............................GARET REILLY BATCHELORDENNIS McCARTHY

    KENN SMILEY

    Textile Artist.....................................MARY ETTA LANG

    Make-Up Department Head..............................JULIE HEWETT

    Key Make-Up Artist........................MICHELLE VITTONE-McNEIL

    Make-Up for Ms. Blanchett.......................HEBA THORISDOTTIR

     

     

     

    Additional Make-Up Artists................................ZOE HAYJULIE KRISTY

    Hair Department Head................................WALDO SANCHEZ

    Key Hair Stylists..............................FRIDA S. ARADOTTIRMARINA HART

    Additional Hair Stylists..........................RITA BELLISSIMOARTURO ROJAS

    Hair for Ms. Blanchett.............................EMANUEL MILLAR

    Location Managers.......................................KEN LAVET

     

    QUENTIN HALLIDAY

    Key Assistant Location Manager.......................GUY MORRISON

    Assistant Location Manager..........................JUSTIN DUNCAN

    Production Coordinator.................................KATE KELLY

    Assistant Production Coordinator..................MICHAEL LaCORTE

    First Assistant Accountant...........................JASON HINKEL

    Production Secretary................................BRIAN WORSLEY

    Production Office Assistants.........................JOSH CARLOCK

     

    JEN McGOWAN

    Staff Assistants.....................................DAVID MOREAU

    HEIDI ROLLER

    RYAN PIERS WILLIAMS

    MANUELA HAHNLEIN

    KATE POWELL

    Casting Associates.................................TANNIS VALLELY

    JEREMY RICH

    Extras Casting..........................................RICH KING

    Unit Publicist.....................................SPOOKY STEVENS

    Still Photographer.................MELINDA SUE GORDON, S.M.P.S.P.

    Assistant to Mr. Cosgrove.............................ALI BLACKER

     

     

     

    Assistant to Mr. Soderbergh................MONICA De ARMOND BORDE

    Assistant to Ms. Blanchett..........................JEMMA KEARNEY

    Assistant to Mr. Clooney..........................ANGEL McCONNELL

    Assistants to Mr. Maguire.............................DARA GORDON

    MELISSA ST. ONGE

    Construction Coordinator.............................CHRIS SNYDER

    General Foreman....................................WILLIAM GIDEON

    Paint Supervisor....................................HANK GIARDINA

    Location Foreman...................................GERARD FORREST

    Lead Sculptor...........................................DAVID TYE

    Head Welding Foreman....................................BUD KUCIA

    Paint Foremen...........................................NEIL RUST

    MIKE BOMAR

    Head Plaster Foreman...............................ADAM L. BARKER

    Plaster Foreman.......................................ERIC NELSON

    Labor Foreman........................................SCOTT LODWIG

    RICHARD SARABIA

    Foreman/Toolman......................................JIM PANIAGUA

    Head Model Maker..................................MICHAEL CARROLL

    Greens Coordinator..................................STEVE BORGESE

    Propmaker Foreman Purchaser............................JOHN MOORE

    Propmaker Foremen...............................DENNIS RICHARDSON

    DALE SNYDER

    JAMES L. STEPHENSON

    CURTIS YACKEL

     

    Standby Painter...................................CHRIS ZIMMERMAN

     

     

     

    Transportation Coordinator..........................JON CARPENTER

    Transportation Captain.............................BERNARD GLAVIN

    Transportation Dispatcher.....................DOREEN L. CARPENTER

    Drivers................................................PAT CARMEN

    DANNY COUGHLIN

    DAVID GLAVIN

    DIANE GLAVIN

    WILLIAM GRACE

    CHANCE ROBERTSON

    PAUL E. TUMBER

    GORDON WINKLE

    Choreographers.......................................LAURA DUNLOP

     

    LYNN GIVENS

    Medic.............................................KERI LITTLEDEER

    Catering......................................GOURMET ON LOCATION

    Craft Service...........................................JEFF WINN

    Supervising Sound Editor

    Re-Recording Mixer

    LARRY BLAKE

    Dialogue Editor......................................KIMAREE LONG

    Assistant Sound Editor..............................BILLY THERIOT

    Post-Production Supervisor.................MONICA De ARMOND BORDE

    Post-Production Assistant.....................RYAN PIERS WILLIAMS

    Foley by.........................................ALICIA STEVENSON

     

    DAWN FINTOR

    Foley Mixer......................................DAVID BETANCOURT

    Post-Production Sound Services.........SWELLTONE LABS/NEW ORLEANS

    Titles by...........................................PACIFIC TITLE

    Cutting Continuity....................................MASTERWORDS

     

     

     

    Dailies Telecine....................TECHNICOLOR CREATIVE SERVICES

    Digital Intermediate and

    Opticals by...................TECHNICOLOR DIGITAL INTERMEDIATES

    Dailies Colorist/Digital Film Colorist.................ED TWIFORD

    Digital Intermediate Producer.....................GREGG SCHAUBLIN

    Digital Conform and Opitcals.............................RON BARR

     

    Visual Effects Supervisor

    THOMAS J. SMITH

     

    Visual Effects Producer

    MELISSA BROCKMAN

     

    Visual Effects Produced by

    CIS HOLLYWOOD

     

    Matte Painting Supervisor........................ROBERT STROMBERG

     

    Compositing Supervisors...............................DAN LEVITANDAVID REY

    Visual Effects Coordinator.....................HEATHER ELISA HILL

     

    Digital Artists.......................................GREG OEHLERBILL GILMAN

    TOM DAWS

    CHRISTOPHER RYAN

    MUSIC

    Music Editor.......................................BILL BERNSTEIN

    Assistant Music Editor.............................MICHAEL ZAINER

    Music Scoring Mixers................................ARMIN STEINER

    TOMMY VICARI

    Assistant Engineers....................................GREG HAYESTIM LAUBER

     

     

    Orchestration....................................THOMAS PASATIERI

     

    Digital Audio...........................................LARRY MAH

     

    Music Mixed at...............................SIGNET SOUND STUDIOS

     

    "Somebody Else Is Taking My Place"

    Written by Bob Ellsworth, Dick Howard and Russ MorganPerformed by William Marsh, Chris Ross, Johnny Britt andGary Stockdale

    "You're Some Pretty Doll"

    Written by Clarence WilliamsPerformed by William Marsh, Chris Ross, Johnny Britt andGary Stockdale

    Russian archival footage, from the archives of the RGAKFD,

    Krasnogorsk Archive

    Additional archival material, CORBIS

    Camera & Lenses by PANAVISION ®

    Camera Cranes & Dollies byCHAPMAN/LEONARD STUDIO EQUIPMENT, INC.

    Prints by TECHNICOLOR ®

    KODAK Motion Picture Products

    DOLBY Digital (logo) DTS Digital (logo) SDDS (logo)

    Approved #42615 (emblem) (IATSE LABEL)

    Motion Picture Association of America

    This motion picture

    © 2006 Warner Bros. Entertainment Inc. and Virtual Studios LLC

    Screenplay

    © 2006 Warner Bros. Entertainment Inc.

    Original Score

    © 2006 Warner-Barham Music, LLC

     

     

    Section Eight (logo)

    Virtual Studios (logo)

    Warner Bros. Distribution Closing Shield Logo

     

     

     

     

    Blood Diamond In English and Spanish

     

    Set against the backdrop of the chaos and civil war that enveloped 1990s Sierra
    Leone, “Blood Diamond” is the story of Danny Archer (Leonardo DiCaprio), an ex-
    mercenary from Zimbabwe, and Solomon Vandy (Djimon Hounsou), a Mende fisherman.
    Both men are African, but their histories and their circumstances are as different as any
    can be until their fates become joined in a common quest to recover a rare pink
    diamond, the kind of stone that can transform a life…or end it.

    Solomon, who has been taken from his family and forced to work in the diamond
    fields, finds the extraordinary gem and hides it at great risk, knowing if he is discovered,
    he will be killed instantly. But he also knows the diamond could not only provide the
    means to save his wife and daughters from a life as refugees but also help rescue his
    son, Dia, from an even worse fate as a child soldier.

    Archer, who has made his living trading diamonds for arms, learns of Solomon’s
    hidden stone while in prison for smuggling. He knows a diamond like this is a once-in-alifetime find—valuable enough to be his ticket out of Africa and away from the cycle of
    violence and corruption in which he has been a willing player.

    Enter Maddy Bowen (Jennifer Connelly), an idealistic American journalist who is
    in Sierra Leone to uncover the truth behind conflict diamonds, exposing the complicity of
    diamond industry leaders who have chosen profits over principles. Maddy seeks out
    Archer as a source for her article, but soon finds it is he who needs her even more.

    With Maddy’s help, Archer and Solomon embark on a dangerous trek through
    rebel territory. Archer needs Solomon to find and recover the valuable pink diamond,
    but Solomon seeks something far more precious…his son.

    Directed by Edward Zwick, the action drama “Blood Diamond” stars Academy
    Award nominee Leonardo DiCaprio (“The Aviator”), Academy Award winner Jennifer
    Connelly (“A Beautiful Mind”) and Academy Award nominee Djimon Hounsou (“In
    America”). The screenplay was written by Charles Leavitt, from a story by Leavitt and C.
    Gaby Mitchell.


    Warner Bros. Pictures presents, in association with Virtual Studios, “Blood
    Diamond,” a Spring Creek / Bedford Falls production, in association with Initial
    Entertainment Group, released by Warner Bros. Pictures, a Warner Bros. Entertainment
    Company. “Blood Diamond” is produced by Paula Weinstein, Edward Zwick, Marshall
    Herskovitz, Graham King and Gillian Gorfil. The executive producers are Len Amato,
    Kevin De La Noy and Benjamin Waisbren.

    The film also stars Michael Sheen, Arnold Vosloo, David Harewood, Basil
    Wallace and introduces Kagiso Kuypers as Dia.

    Collaborating with Zwick behind the scenes were director of photography
    Eduardo Serra, production designer Dan Weil, costume designer Ngila Dickson, and
    editor Steven Rosenblum. James Newton Howard composed the score.

    This film has been rated “R” by the MPAA for “strong violence and language”

    “Blood Diamond” opens nationwide on December 8, 2006, and will be released
    by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

     

    Set against the backdrop of the chaos and civil war that enveloped 1990s
    Sierra Leone, “Blood Diamond” is the story of Danny Archer (Leonardo
    DiCaprio), an ex-mercenary from Zimbabwe, and Solomon Vandy (Djimon
    Hounsou), a Mende fisherman. Both men are African, but their histories and
    their circumstances are as different as any can be until their fates become joined
    in a common quest to recover a rare pink diamond, the kind of stone that can
    transform a life…or end it.

    Solomon, who has been taken from his family and forced to work in the
    diamond fields, finds the extraordinary gem and hides it at great risk, knowing if
    he is discovered, he will be killed instantly. But he also knows the diamond could
    not only provide the means to save his wife and daughters from a life as refugees
    but also help rescue his son, Dia, from an even worse fate as a child soldier.

    Archer, who has made his living trading diamonds for arms, learns of
    Solomon’s hidden stone while in prison for smuggling. He knows a diamond like
    this is a once-in-a-lifetime find—valuable enough to be his ticket out of Africa and
    away from the cycle of violence and corruption in which he has been a willing
    player.

    Enter Maddy Bowen (Jennifer Connelly), an idealistic American journalist
    who is in Sierra Leone to uncover the truth behind conflict diamonds, exposing
    the complicity of diamond industry leaders who have chosen profits over

    1



    principles. Maddy seeks out Archer as a source for her article, but soon finds it is
    he who needs her even more.

    With Maddy’s help, Archer and Solomon embark on a dangerous trek
    through rebel territory. Archer needs Solomon to find and recover the valuable
    pink diamond, but Solomon seeks something far more precious…his son.

    Directed by Edward Zwick, the action drama “Blood Diamond” stars
    Academy Award nominee Leonardo DiCaprio (“The Aviator”), Academy Award
    winner Jennifer Connelly (“A Beautiful Mind”) and Academy Award nominee
    Djimon Hounsou (“In America”). The screenplay was written by Charles Leavitt,
    from a story by Leavitt and C. Gaby Mitchell.

    Warner Bros. Pictures presents, in association with Virtual Studios, “Blood
    Diamond,” a Spring Creek / Bedford Falls production, in association with Initial
    Entertainment Group, released by Warner Bros. Pictures, a Warner Bros.
    Entertainment Company. “Blood Diamond” is produced by Paula Weinstein,
    Edward Zwick, Marshall Herskovitz, Graham King and Gillian Gorfil. The
    executive producers are Len Amato, Kevin De La Noy and Benjamin Waisbren.

    The film also stars Michael Sheen, Arnold Vosloo, David Harewood, Basil
    Wallace and introduces Kagiso Kuypers as Dia.

    Collaborating with Zwick behind the scenes were director of photography
    Eduardo Serra, production designer Dan Weil, costume designer Ngila Dickson,
    and editor Steven Rosenblum. James Newton Howard composed the score.

    # # #

    2



    ABOUT THE PRODUCTION


    PRECIOUS JEWELS


    “There is no reason why challenging themes
    and engaging stories have to be mutually
    exclusive—in fact, each can fuel the other.”

    “To me, this movie is about what is valuable,” says director/producer
    Edward Zwick. “To one person, it might be a stone; to someone else, a story in a
    magazine; to another, it is a child. The juxtaposition of one man obsessed with
    finding a valuable diamond with another man risking his life to find his son is the
    beating heart of this film.”

    “These two men set off on a journey, one with the intent of getting off the
    continent, the other with the intent of getting his family back,” notes Leonardo
    DiCaprio, who stars as Danny Archer. “But each character ends up struggling
    with his own moral decisions.”

    Djimon Hounsou, who stars as Solomon Vandy, sums it up: “Archer is
    pursuing a diamond, but Solomon’s diamond is his son.”

    The world sees diamonds as sparkling, beautiful and highly prized. They
    are symbols of love and fidelity, affluence and glamour. But in the African
    country of Sierra Leone, where many of the world’s diamonds are mined, they
    have taken on a much darker connotation.

    Zwick explains, “‘Conflict diamonds’ are stones that have been smuggled
    out of countries at war. They then go to pay for more arms, increasing the death
    toll and furthering the destruction of the region. They may be a small percentage
    of the world’s sales, but, nonetheless, in an industry worth billions of dollars,

    3



    even a small percentage is worth many millions and can buy innumerable small
    arms. In the late 1990s, people from such NGOs as Global Witness, Partnership
    Africa-Canada and Amnesty International gave them a name in order to help
    bring the crisis into the public consciousness:

    “They called them ‘blood diamonds.’”

    Zwick had only a passing knowledge of the term and its meaning when
    producer Paula Weinstein first sent him the script. “I had heard the phrase, but I
    didn’t fully understand its implications,” he offers. “The more I learned, the more
    fascinated and horrified I became, and the more I realized this was a story that
    needed to be told.”

    Weinstein developed the screenplay with screenwriter Charles Leavitt and
    executive producer Len Amato. Producer Gillian Gorfil had initiated the project
    with C. Gaby Mitchell, who shares story credit with Leavitt. When they came on
    board the project, Zwick and producer Marshall Herskovitz continued to develop
    the story with Weinstein.

    Weinstein recalls, “I had made an anti-apartheid movie called ‘A Dry White
    Season’ many years ago and spent some time in South Africa. I knew about
    conflict diamonds, so the idea of making a film that showed their effect on the
    people of Africa was very significant to me.

    “First of all,” she continues, “we had great writers, and then the moment
    we got the script, I wanted to go to Ed Zwick. Ed and his partner, Marshall
    Herskovitz, have demonstrated a sensibility that I share; they are interested in
    stories about the real world, and they are committed to telling them truthfully.
    knew they would not only embrace the material but be fearless in telling the
    whole story. A project like this needed someone with a creative backbone in
    order to get it made, and made right.”

    4



    Herskovitz has had an association with Zwick dating back almost 30
    years. He acknowledges that the subject matter of “Blood Diamond” posed a
    challenge to the filmmakers in balancing images that have the potential to, at
    once, confront and entertain an audience but adds that there is ample
    precedence for walking that tightrope. “It was hard for us to look at some of the
    material about Sierra Leone and the truly horrendous circumstances there and
    imagine them in a Hollywood film, but history has repeatedly shown us you can
    do films that deal with difficult subject matters for a wide audience when there is
    an important story to be told.”

    Zwick agrees. “I don’t think movies can ever be too intense, but people
    have to understand why you’re showing them the things you are showing them.
    In the case of ‘Blood Diamond,’ there are brutal truths, but there is also great
    beauty and emotion to be found in the lives of those caught up in those
    situations.”

    “What really impressed me about Ed,” Leonardo DiCaprio remarks, “was
    that he wanted to make an entertaining adventure film, but mixed in were some
    complex, highly charged political statements. That’s what really got me excited
    about this film.”

    “It has been my belief that political awareness can be raised as much by
    entertainment as by rhetoric,” asserts Zwick. “There is no reason why
    challenging themes and engaging stories have to be mutually exclusive—in fact,
    each can fuel the other. As a filmmaker, I want to entertain people first and
    foremost. If out of that comes a greater awareness and understanding of a time
    or a circumstance, then the hope is that change can happen. Obviously, a single
    piece of work can’t change the world, but what you try to do is add your voice to
    the chorus.”

    5



    Working on the script, the filmmakers found that they themselves gained a
    better awareness of the issues at hand. Zwick notes, “It seems that almost every
    time a valuable natural resource is discovered in the world—whether it be
    diamonds, rubber, gold, oil, whatever—often what results is a tragedy for the
    country in which they are found. Making matters worse, the resulting riches from
    these resources rarely benefit the people of the country from which they come.”

     Producer Gillian Gorfil, a native of South Africa herself, stresses that,
    while shedding light on the issue of blood diamonds, this movie is not intended to
    cast a shadow over the entire diamond industry. “It is important to me that this
    film is not anti-diamond. The issue is blood diamonds, which have very specific
    origins.”

    Zwick also emphasizes that the story of “Blood Diamond” is not exclusive
    to one corner of the globe. “There is something universal in the theme of a man
    trying to save his family in the midst of the most terrible circumstances. It is not
    limited to Sierra Leone. This story could apply to any number of places where
    ordinary people have been caught up in political events beyond their control.
    There are just so many innocent victims.”

    As the filmmakers delved into the tragedy of blood diamonds, a more far-
    reaching crisis began to resonate with them. “It’s a remarkable thing when a
    movie tells you what it wants to be,” Zwick muses. “While working on this film,
    the haunting theme of the child soldiers and the debasement of children took on
    greater import. The exploitation of resources in the third world has inevitably
    been linked with the exploitation of children. There was a phrase I wrote on the
    outside cover of my script. It was the first thing I saw at the beginning of every
    shooting day. It read: ‘The child is the jewel.’”

    6



    EYEWITNESS


    “Sorious was a godsend… He was a friend,
    a consultant, an authority. He was the soul
    of the production.”

    A self-described “perpetual student,” Zwick immersed himself in learning
    all he could about the history and repercussions of conflict diamonds, child
    soldiers and the revolution in Sierra Leone before exposing a single frame of film.
    An internet search led to a connection with another filmmaker who would prove
    invaluable to every facet of “Blood Diamond”: award-winning documentarian
    Sorious Samura.

    “I went online to look up a documentary I had heard about called ‘Cry
    Freetown,’” Zwick recalls. “I put in a credit card order for it, and a week later a
    letter arrived saying, ‘We couldn’t help but recognize the name on your card and
    wondered if you were thinking of doing something about Sierra Leone. If so,
    please feel free to call me.’ I couldn’t believe my good fortune. Sorious
    Samura’s documentary about Sierra Leone is the single most authoritative record
    of what happened there during the civil war. While many journalists were fleeing
    the country and much of the world chose to ignore what was happening, here
    was someone who stayed and actually filmed it.”

    Samura reveals that his decision to film the atrocities unfolding around him
    in 1999 was less an artistic decision than “a desperate cry in the dark for us to be
    saved. I had seen the difference the media made in covering the war in Kosovo,
    so I decided to take a camera and film what was happening in Sierra Leone. It
    was very dangerous—they had already killed about nine local journalists—but I
    thought if I could survive, then the world would see; if I could give the
    international community a wake-up call, maybe they would take action.”

    7



    The result was “Cry Freetown,” which brought Samura worldwide
    recognition and several prestigious awards, but he could not imagine that, years
    later, it would bring him to the set of a major motion picture. He relates, “When I
    learned that Ed Zwick was working on a feature film about Sierra Leone, I wanted
    to make sure he got the details right. Even though it was going to be a drama
    with fictional characters, it was important to convey a sense of what really went
    wrong—when it happened, how it happened, and why. When I talked to Ed, I
    could see he was as committed to getting it right as I was. I gained great respect
    for him, and told him I wanted to be a part of the film.”

    “Sorious was a godsend. He made himself available to me, and I took full
    advantage of that,” Zwick says appreciatively. “You cannot put a value on having
    someone who was actually there. He became much more than a technical
    advisor. He didn’t just advise us on practical things like wardrobe and props. He
    led us to people who understood the Mende language, Krio dialect, and so many
    nuances of Sierra Leonean culture. He had spent time with child soldiers,
    smugglers and mercenaries. He was indispensable to the actors, especially Leo
    and Djimon. He was a friend, a consultant, an authority. He was the soul of the
    production.”

    THE ACTORS

    “The story of three very different people with very
    different agendas, whose lives intersect, was fuel
    for a very moving and dramatic adventure.”

    Like the filmmakers, the cast dedicated themselves to gaining as much
    knowledge as they could about the time, the place and the circumstances
    surrounding the story of “Blood Diamond” in preparation for their respective roles.

    8


    Leonardo DiCaprio, who worked extremely hard perfecting his accent to play the
    part of ex-mercenary Danny Archer, affirms, “As soon as I read the script, I knew
    there would be a tremendous amount of personal research involved and that was
    one of the reasons I was immediately drawn to it. It was imperative for all of us
    to immerse ourselves in this world and hear firsthand accounts of what
    happened. For me, playing this man from what was Rhodesia (now Zimbabwe),
    it was especially important to listen to the local people speak. This was an
    environment unlike anything I’d experienced in my life.”

    Jennifer Connelly, who stars as the driven journalist Maddy Bowen,
    sought out reporters who could give her a better grasp of the life of a female war
    correspondent. She notes, “I have a friend who, it so happens, had been in
    Sierra Leone in 1999 writing a piece on conflict diamonds. I got a lot of
    information and insight from her and from friends of hers. I became very
    intrigued by these women who were always fiercely intelligent and
    knowledgeable and often, I found, deeply feisty. I saw an apparent love of
    adventure, matched by an unflinching commitment to their work. I think that
    combination of attributes also applies to Maddy.”

    Originally from the African country of Benin, Djimon Hounsou came to the
    role of the Mende fisherman Solomon Vandy with perhaps a more innate
    understanding of his character. “One of the most interesting things about this
    film is that it shows what average men and women of that continent deal with on
    a daily basis,” Hounsou comments. “Solomon is a simple fisherman who is
    caught in the middle of the chaos of civil war. He is torn away from his family
    and loses his son to the rebels. In many countries like my own or Sierra Leone,
    a son represents so much. A son has the potential to be all the things his father
    dreamed of being but never had the opportunity to become. It means everything
    in his life to save that child.”

    9



    Zwick offers, “The story of three very different people with very different
    agendas, whose lives intersect, was fuel for a very moving dramatic adventure.”

    THE EX-MERCENARY

    Zwick goes on to note that DiCaprio’s portrayal of Danny Archer, a soldier
    turned soldier of fortune, fits squarely in the tradition of classic movie anti-heroes,
    “where great actors have been willing to go to a very dark place in service of a
    role. To see Leonardo DiCaprio take on that challenge was thrilling for me.”

     DiCaprio acknowledges that Archer’s principles have been corrupted by
    the violence and greed that have plagued his homeland. “He has certainly
    become jaded,” the actor attests. “He has a cynical view of the world; he looks at
    the continent of Africa not as his home but as a place where people take
    advantage of one another. There is no real right or wrong…it’s only about
    survival.”

    “Archer is cut off from feeling and has lost himself in the process,” Zwick
    observes. “He has exhausted his options; he has seen things and done things
    that he doesn’t want to admit even to himself, and now he just wants to get out.”

    “That’s why the diamond doesn’t just represent money to him; it means his
    freedom and escape from his past,” adds DiCaprio. “But as the story progresses
    and he is confronted by Maddy’s idealism and Solomon’s courage, Archer begins
    battling his own morality—what he’s done with his life and what he is doing now.”

    “Leo was ferocious in his commitment to his role,” Zwick states. “He has
    this uncanny ability to completely inhabit the character, a willingness to go all the
    way. He hung out with ex-mercenaries, NGO workers and former soldiers and
    spent hours just listening to people talk. He finally reached a point where he
    could improvise even in the dialect. But what emanated from him was not just
    the language; it was the essence of Danny Archer.”

    10



    “To me, Leo is one of the finest actors of our time,” Paula Weinstein
    declares, “not just in the way he speaks his lines but in what he is able to express
    without a single word. An emotion can simply cross his face and you know what
    he is feeling. Every day on the set, he was professional and committed and
    curious and present, and I was in constant awe of what he brought to his role.”

    Gillian Gorfil adds that she was equally in awe of DiCaprio’s aptitude for
    the regional dialect. “Leo took on the challenge of speaking in an authentic
    southern African accent, which is extremely difficult to master. I think what he
    achieved was astounding. There were times when, if I closed my eyes, I would
    have mistaken him for one of the members of the local crew. He even started
    saying ‘howzit’—the local slang for ‘hello, how are you?’—as a greeting.”

    THE FISHERMAN

    In contrast to Archer, Zwick contends, “Solomon Vandy is the moral center
    of the film. He is like so many men who have endured the depredations of war.
    His village is attacked, he loses his freedom, his family is taken, and he is forced
    to go on this odyssey, but he never loses hope. Even in this foreign
    environment, his situation is familiar to us…the love of a child, the compelling
    strength of family. I felt the only fitting way to tell the story was through his
    eyes—through his pain and anger and frustration and courage—because it’s
    about his place, his country. As much as we may come to understand Archer’s
    point of view, this is profoundly Solomon’s story.”

    “I thought it was a beautiful story, an opportunity to deal with the difficult
    issues of conflict diamonds, child soldiers and refugee camps,” says Djimon
    Hounsou. “There were so many aspects of the film that appealed to me.
    Certainly, as an African myself, I appreciated that the story is viewed through
    Solomon’s eyes.”

    11



    While Hounsou has not lived in Africa for quite a few years, he has shown
    it is never far from his heart in his support of organizations like Oxfam and
    Amnesty International. He recently filmed a public service announcement on the
    issue of illegal arms trafficking for the latter’s “Make Some Noise” campaign.

    “There is always a way to make a difference,” the actor avows. “But do
    we choose to make a difference, that’s the issue. My understanding is that if you
    took even half of all the money that is essentially stolen from that continent, you
    could address hunger, education, health problems…”

    Gillian Gorfil recalls, “I could tell Djimon was very moved by his
    experiences making this film. He is a child of Africa, so he could relate to
    Solomon and his circumstances in a very personal way.”

    “Djimon’s performance was just wonderful. The fact that he is from that
    continent, that it is in his blood and in his bones, contributed so much to the role.
    There is just no substitute for that,” asserts Zwick.

    On the journey to recover the diamond, Solomon and Archer are
    inexorably divided by lines of race and class that have existed for generations.
    “They are both African men, but their histories are very dissimilar,” Zwick says.
    “Yet they have a mutual connection to this continent as their home. In many
    ways, it is a shared identity that supersedes their backgrounds. It is the common
    ground on which they ultimately recognize each other’s humanity in an inhumane
    situation.”

    Nevertheless, Marshall Herskovitz counters, “There is an understandable
    motivation for these two men to work together, but they have conflicting
    objectives that keep them in opposition. This is not in any way a buddy movie:
    Archer and Solomon have very different ways of looking at the world, and we did
    not want to compromise on that.”

    12



    THE REPORTER

    The character of Maddy Bowen brings an altogether different perspective
    into focus. An American correspondent, Maddy is an outsider; she is in Africa
    only to expose the real story behind conflict diamonds. On her own, she’s been
    able to uncover compelling evidence of smuggling and subterfuge—including the
    fact that for five years Sierra Leone had reported almost no diamond exports,
    while its neighboring country of Liberia had exported a great number…without
    any significant diamond mining to speak of. Nevertheless, Maddy is still in need
    of the hard facts that will lock her story down. She seeks out Danny Archer as an
    inside source for her article, never imagining that her contact with him will change
    her from an observer to a participant, or that he will lead her to the human face of
    her story: Solomon Vandy.

    Jennifer Connelly offers, “Maddy wants to trace and expose the course of
    blood diamonds from the source to the marketplace. Given Archer’s
    involvement, she feels confident he has the information she needs. She realizes
    he’s probably done some horrendous things in his time but also opines that no
    one is entirely good or bad, and sometimes in a world this desperate, the lines
    are blurred.”

    “What I love about the character of Maddy is that she is cynical and
    idealistic at the same time,” Herskovitz remarks. “She is motivated by a real
    desire to make a difference in the world, but she is also an adrenaline junkie who
    always has to be where the action is, and that’s part of her motivation for being in
    Sierra Leone on the trail of an important story.”

    Connelly came to her role in “Blood Diamond” having demonstrated her
    own commitment to making a difference. In 2005, the actress was named
    Amnesty International USA’s (AIUSA) Ambassador for Human Rights Education

    13



    and served as an AIUSA spokesperson for the United Nations’ screening of
    “Innocent Voices,” a film about child soldiers in El Salvador.

    Zwick adds that Connelly was the perfect choice for the role of a fearless
    and ambitious reporter, saying, “Jenny is someone who exudes extraordinary
    intelligence and empathy, and that is not as easy to convey as you might think.
    She also did her homework. She met with women journalists, watching them and
    assessing some of their habits and attitudes. It really informed her performance.”

    Connelly was especially intrigued by a journalist’s constant struggle to
    avoid crossing the fine line between reporting the story and becoming the story.
    “A lot of the reporters I spoke to told me how hard it is to control the urge to
    intervene, to do something to effect a more immediate change. It is difficult to be
    in that kind of environment, surrounded by tragedy, and feel like you are in some
    way benefiting from another person’s grief,” the actress notes, adding, “I think
    that is the conflict Maddy faces, especially with regard to helping Solomon. She
    knows he might not ever find his family without her, but would she have gotten
    involved if it didn’t help her article?”

    INFANTRY MEANS CHILD SOLDIER

    “When you really look at what happens to a boy who is
    forced to kill—that is the destruction of a human soul.”

    Through Maddy’s connections, Solomon finds his family in a refugee
    camp. It is there that he learns his 12-year-old son, Dia—a promising student
    with dreams of becoming a doctor—has been taken by the rebels and forced to
    become a child soldier. Dia is played by Kagiso Kuypers, a young actor
    discovered at the National School of Art in Johannesburg, South Africa. Zwick
    chose him over hundreds of other young hopefuls from townships all over the

    14



    region. “Many of these kids were just remarkable, but Kagiso stood out,” Zwick
    says. “I really pushed him in his audition, and it impressed me that he
    understood what is done to Dia and how he changes as a child and as a son.”

    Zwick adds, “I have a teenage son, and the idea of one’s child being taken
    and brainwashed by a group of vicious, cold-blooded killers is a horror beyond
    imagining.”

    Sadly, there are thousands of fathers and mothers in the world for whom
    that horror has become all too real. Sorious Samura attests, “Child soldiers were
    around long before the war in Sierra Leone, and it continues today because there
    are people who realize how effective children can be against their enemies.
    They mess with the minds of these children and teach them to do terrible things.”

    “When you really look at what happens to a child who is forced to kill—that
    is the destruction of a human soul,” declares Herskovitz. “It is an incalculable
    crime against humanity.”

    Gillian Gorfil agrees, stating, “Two of the most precious qualities children
    have are their honesty and their innocence. When you take away a child’s
    innocence, it can never be regained. That is unforgivable.”

    “What do you rob these children of when you put a gun in their hands and
    teach them to kill, and in the name of what?” Weinstein submits. “I admired the
    fact that Ed was intent on portraying that part of the story honestly.”

    Even as they unflinchingly depicted the indoctrination of the child soldiers,
    the filmmakers took great care to protect not only the bodies but the hearts and
    minds of the young actors in those scenes. “There were all sorts of rules and
    guidelines as to what the children could and could not be exposed to,” Herskovitz
    expounds. “It was all thought out with their protection in mind, so we were happy
    to comply.”

    15



    Zwick also dealt with the children directly. “I spent a lot of time talking to
    them about the scenes and explaining the history of child soldiers. It was
    essential that they understood the implications of what they were doing, and
    these kids got it.”

    Perhaps the proof of how well the young actors “got it” can be found in the
    words of Kagiso Kuypers, who, after filming “Blood Diamond,” said, “I have never
    and I will never use a gun in a way that could hurt somebody.”

    Samura is optimistic that the onscreen depiction of Dia’s cruel initiation will
    help bring about a positive change in the real world. “Some people in Sierra
    Leone cannot forgive the child soldiers, but maybe if they see it was not the
    children’s fault, they will understand the need to forgive these kids.”

    Two adult characters in the movie represent the horror and the hope of the
    child soldiers. David Harewood portrays the merciless rebel soldier known as
    Captain Poison, who is personally responsible for capturing and enslaving
    Solomon Vandy and then victimizing his son, Dia. Harewood comments, “I think
    you can sum up my character in one line that he says: ‘You think I am a devil, but
    only because I have lived in hell. I want out.’”

    On the opposite end of the spectrum is the character of Benjamin, a
    dedicated teacher who runs a school for the youngest victims of the war,
    including former child soldiers. It is a place where they can, in Benjamin’s words,
    be brought “back to life.” Basil Wallace, who plays the part of Benjamin, offers,
    “From his vantage point, although these children have been put through some
    hellacious things, they are still our future. We have to love and nurture them,
    because if we have a generation of children who know nothing but suffering and
    inflicting pain, we have no future.”

    16



    AFRICA


    “…having been there, I think I can say that all of
    us were marked by it. We can’t help but look at
    the world differently now.”

    “Blood Diamond” was filmed almost entirely on location in Africa, which Ed
    Zwick says was crucial, largely for reasons that were somewhat intangible.
    “Africa is a place of great contrasts: everywhere you go, you are confronted by
    images of breathtaking beauty and heartbreaking squalor, of deep spirituality and
    severe deprivation. Everything is in your face, and it had an effect on all of us. It
    would be hard to describe what that effect was…but suffice it to say, had we
    filmed anywhere else, the film would not have that ineffable sense of place.”

    The production also filmed in Sierra Leone, although, the director
    acknowledges, “Equatorial West Africa just didn’t have the infrastructure to
    accommodate all our needs for this size production. We needed other locations,
    as well.”

    After scouting the coast of southern Africa, an area near Port Edward,
    South Africa, in the KwaZulu Natal province, proved the ideal site. The region’s
    lush jungle landscape provided the backdrop for three major sets: the diamond
    mine, the refugee camp and Benjamin’s school. To create the sets, production
    designer Dan Weil did his own research but also had the added benefit of
    Samura’s firsthand descriptions.

    The weather, however, was less than cooperative. “This is the third time I
    have gone to a location where I’ve been promised beautiful weather, and yet,
    somehow, I manage to elicit the largest rainfalls ever recorded in modern
    history,” Zwick laughs. “In fact, they had record-breaking rainfall in what was
    already the rainy season. It meant we had to keep adapting to the

    17



    circumstances, and Eduardo and I were always reconceiving our shots to fit the
    weather,” he adds, referring to cinematographer Eduardo Serra.

    Paula Weinstein adds, “This is a very exciting, very alive continent”—with,
    she reveals, the emphasis being on alive. “Every morning, the guys would come
    to the set and start describing what kind of bug they’d seen in their room the
    night before. Every day, it was like, ‘Okay, what was in your room last night?
    Was it a lizard? Did you see that snake?’ You had to have a sense of humor
    about it; you certainly couldn’t act like some spoiled Hollywood type. That was
    definitely not going to go over well, but we had fun trying to top each other’s
    stories.”

    Apart from weather and wildlife concerns, the filmmakers were ever-
    conscious that they were working in an environmentally sensitive area and were
    determined that every location would be left in as good or, in some cases, better
    condition. Executive producer Kevin De La Noy notes, “Before we came into the
    valley, we had to have a full environmental-impact survey, and once we began
    working, we had to stay within an environmental management plan. We had
    officers of the provincial land management bureau on set with us every day to
    ensure that any indigenous plants we had to move were moved in the correct
    manner. Then those plants were maintained in a nursery to be replaced at the
    end of our time there.” In addition to meticulously preserving the existing plant
    life, the filmmakers also had the native plants and trees of Sierra Leone trucked
    in to dress the location.

    To accommodate the trucks, a system of roads had to be created where
    there had been little more than footpaths before. The roads had to be wide
    enough for large vehicles but designed to have the least impact on bordering
    trees and shrubs. The road itself was constructed on a frame of thick wire mesh

    18



    so it could be easily pulled up at the conclusion of filming and the natural
    vegetation could reclaim the path.

    Zwick reports, “Kevin recently returned from a follow-up trip to Port
    Edward and said that not only has the grass grown over the place where we
    filmed, but other wildlife has come back in abundance, much to the delight of the
    local rangers and environmentalists. The restoration of the area was very
    important to us, and I’m proud to say we succeeded in that effort.”

    From Port Edward, the company moved to the country of Mozambique,
    where the city of Maputo doubled for Sierra Leone’s capital city, Freetown.
    Filming the explosive fall of Freetown presented a range of logistical challenges
    to the entire production team. The director points out that it took careful
    coordination to achieve utter turmoil. He explains, “It had to appear chaotic, but
    you cannot do that chaotically. It required extensive planning and focus. I can’t
    remember how many times we walked those streets, discussing the exact
    positioning of the cameras, the cast, the stunt people, the extras…”

    Zwick also worked closely with special effects supervisor Neil Corbould to
    choreograph the timing and placement of the explosions. He continues, “It’s a
    very redundant, very intense process and you have to be patient and unrelenting.
    And yet, you still have to leave room for the x-factor, the unexpected happening.”

    A number of the locals were used as extras for the battle sequences. For
    their wardrobe, costume designer Ngila Dickson, who had previously worked with
    Zwick on “The Last Samurai,” sent for fabrics from Sierra Leone, which she says
    are quite distinctive in their use of color and design. “They are bold and beautiful
    with a lot of floral patterns. I found them to have an island feel. We also
    shopped a lot of secondhand stores and brought back pieces that fit the time and
    place of the story.”

    19



    The filmmakers were very mindful of the effect the battle scenes would
    have on the residents of Maputo, some of whom had vivid memories of
    Mozambique’s own civil war. To mitigate any unnecessary trauma, leaflets were
    distributed and a media campaign was launched to notify the people that what
    they would be hearing and seeing was entirely staged in service of a movie.

    Ironically, it was the local extras who gave comfort to the visiting
    filmmakers and cast between takes. Weinstein explains, “Sometimes after a
    particularly difficult sequence, they would stand in the corner and sing together.
    It contributed such a warm spirit to the set and made us feel happy to be there
    and fortunate to be telling this story. Really, they were the most gracious hosts
    and wonderful participants in the process.”

    Nevertheless, the realism hit very close to home for some working on the
    movie. Mende dialect coach Alfred Lavalie couldn’t bear to watch after the first
    day, and Samura admits, “It brought back sad memories and, I must confess, it
    made me realize how lucky I was to have survived. I went back to my hotel room
    and cried and then called my kids to tell them I love them. I hope people
    watching this movie can begin to understand the madness.”

    On the outskirts of Maputo, the small fishing village of Costa du Sol was
    turned into the village where the Vandy family’s peaceful life is shattered by the
    sudden attack of brutal rebel soldiers.

    Zwick reflects, “It’s hard to imagine these things are still going on in the
    world. You want to sit back and relax in the comfortable life that we have in
    America. But having been there, I think I can say that all of us were marked by it.
    We can’t help but look at the world differently now.”

    20



    KINDNESS BEGINS ON LOCATION


    “It is impossible to be in those places for any
    length of time and not be moved, even knowing
    that whatever we do won’t be enough.”

    When filming in Mozambique came to a close, the company next traveled
    to locations in London, India and Belgium, where the balance of scenes would be
    shot. But before they left Africa, an idea began to take hold of the entire cast and
    crew. Each of them had been touched by the warmth of the people they had met
    there. At the same time, they had witnessed great deprivation and resolved to
    make a difference.

    During filming, Djimon Hounsou had taken time out to visit an SOS
    Children’s Village near Maputo. (SOS Children is the world’s largest orphan and
    abandoned children’s charity). Other members of the cast and crew, including
    Leonardo DiCaprio, also enjoyed an opportunity to visit with some of the children
    from the village, who had joined them on the set as extras.

    As the crew broke down the sets, most of the props, construction
    materials, costumes and even personal belongings were distributed to local
    orphanages and hospitals. In addition, the construction team volunteered to
    build desks and chairs for the orphanages and schools.

    “It is impossible to be in those places for any length of time and not be
    moved, even knowing that whatever we do won’t be enough,” Zwick maintains.
    “Our unit production manager, Nick Laws, went out of his way to look into areas
    where we’d been and learn what their specific needs might be.”

    Weinstein affirms, “You can’t stand by when you find out that if you spend
    a thousand dollars, the women won’t have to walk 40 minutes to get water. To
    me, it went without saying that we had to do something.”

    21



    Every member of the cast, crew and filmmaking team pitched in money—
    some beginning with a week’s per diem, others even more—to help the
    communities that had welcomed them during the filming of “Blood Diamond.”
    With these donations, the “Blood Diamond Charity Fund” was launched and is
    still growing.

    In addition, Zwick relates, “When I informed Warner Bros. of the Fund and
    its goals, the studio agreed to match the total of our donations without hesitation.”

    “Taking part in the Fund has been very rewarding for me personally,” says
    Marshall Herskovitz. “I’ve been involved in projects where people talk about
    getting involved, but nothing comes of it. In a way, we don’t think of this as
    charity; it’s a way for us to express our gratitude and stay connected to the
    people in Africa who were so gracious to us.”

    The work of the Fund has just started, but its goals range from digging
    wells to creating roads, from building schools to buying school supplies, from
    delivering food to providing medical assistance, and much more.

    “It’s a drop in the ocean compared to what needs to be done, but we did
    what we could…and will continue to do what we can,” Zwick states.

    EPILOGUE

    It took years of dedicated and courageous work on the part of
    eyewitnesses, journalists and organizations like Amnesty International,
    Partnership Africa-Canada, Global Witness and Oxfam to call the world’s
    attention to the crisis of blood diamonds. Growing awareness led to demand for
    change in the diamond trade, resulting in The Kimberley Process Certification
    Scheme (KPCS), which was established on November 5, 2002.

    22



    The Kimberley Process is a self-regulating agreement between the
    nations that export diamonds and participating governments to implement
    legislation “to monitor effectively the trade in rough diamonds in order to detect
    and to prevent trade in ‘conflict diamonds.’” To support this, the international
    diamond industry agreed to a voluntary system of warranties to ensure that
    diamonds continue to be tracked right up to the point of sale.

    From November 6 – 9, 2006, in Gaborone, Botswana, the Kimberley
    Process undertook a formal three-year review to evaluate how effectively it is
    working and to identify ways in which to further strengthen the Scheme. Decisive
    action on this review is crucial to ensure that the KPCS evolves into an effective
    certification system that brings about an end to diamonds fueling conflict.

    The watchdog organizations do not deny that the Kimberley accords have
    improved the situation. Nevertheless, Zwick proposes, “Even now, it’s a very
    difficult circumstance to try to control. We are not telling people to stop buying
    diamonds, but we need consumers to insist on seeing the warranty of the
    diamonds they buy. The Kimberley Process came about because of heightened
    public awareness. If this movie succeeds in increasing that awareness, it will
    hopefully strengthen a process that needs to be greatly strengthened.”

    THE FIFTH “C” FOR CONSUMERS

    Diamond buyers are told to consider the “4 Cs” when selecting a diamond:
    color, cut, clarity and carat weight. But there is one more “C” to ask about before
    making a purchase. It stands for Conflict.

    Amnesty International and Global Witness have a pamphlet to help
    consumers ensure that diamonds never again fund conflict. When shopping for

    23



    diamond jewelry, they can ask the salesperson four questions to find out what
    the retailer is doing to help prevent the trade in conflict diamonds:

    • How can I be sure that none of your jewelry contains conflict diamonds?
    • Do you know where the diamonds you sell come from?
    • Can I see a copy of your company’s policy on conflict diamonds?
    • Can you show me a written guarantee from your diamond suppliers stating
    that your diamonds are conflict-free?
    The salesperson should be only too pleased to help. If they aren’t, a
    consumer can try somewhere else…and tell them why.

    Tragically, the crime of children being seized and turned into child soldiers
    continues unabated on a global scale, as demonstrated by a recent news story
    out of Sri Lanka reporting that thousands of young boys are being taken from
    their families in sweeps of entire neighborhoods.

    At last report, there are an estimated 400,000 child soldiers in the world
    today.

    # # #

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    If you are interested in learning more about blood diamonds and/or child
    soldiers, the filmmakers would like to recommend the following sources:

    DOCUMENTARIES

    “Cry Freetown” & "Return to Freetown" – directed by Sorious Samura
    “War Photographer” – directed by Christian Frei
    “Shadow Company” – directed by Nick Bicanic and Jason Bourque

    NON-FICTION

    “Blood Diamond” – Greg Campbell
    “Blood from a Stone” – Douglas Farah
    “Innocents Lost” – Jimmie Briggs
    “Mukiwa” – Peter Godwin
    “How de Body? One Man's Terrifying Journey


    Through an African War” – Teun Voeten
    "In the Land of Magical Soldiers"
    A Story of White and Black in West Africa - Daniel Bergner
    “The Devil that Danced on the Water:
    A Daughter’s Quest” - Aminatta Forna

    WEBSITES

    AmnestyInternational.org
    GlobalWitness.org
    Partnership Africa-Canada (pacweb.org)


    25



    ABOUT THE CAST

    LEONARDO DiCAPRIO (Danny Archer), a two-time Academy Award
    nominee, earned his most recent Oscar nod for his portrayal of Howard Hughes
    in Martin Scorsese’s acclaimed 2004 biopic “The Aviator.” For his performance
    in that film, DiCaprio also won a Golden Globe Award for Best Actor in a Drama,
    and received Critics’ Choice Award and BAFTA Award nominations. In addition,
    he was honored with two Screen Actors Guild (SAG) Award nominations, one for
    Best Actor and another as part of the “The Aviator” cast, nominated for Best
    Ensemble. In 2004, DiCaprio was also named the Actor of the Year at the
    Hollywood Film Festival.

    Born in Hollywood, California, DiCaprio started acting at the age of 14.
    Following small parts on television, commercials and in films, he landed a regular
    role on the hit sitcom “Growing Pains.” His breakthrough feature film role came
    when director Michael Caton-Jones cast him in the coveted role of Tobias Wolff
    in the screen adaptation of Wolff’s autobiographical drama, “This Boy’s Life,” in
    which DiCaprio starred with Robert De Niro and Ellen Barkin.

    DiCaprio then starred with Johnny Depp in 1993’s “What’s Eating Gilbert
    Grape,” garnering his first Oscar and Golden Globe nominations for his
    performance as a mentally handicapped young man. In addition, he won the
    National Board of Review Award for Best Supporting Actor and the Los Angeles
    Film Critics Association’s New Generation Award.

    In 1995, DiCaprio had starring roles in three very diverse films, beginning
    with Sam Raimi’s Western “The Quick and the Dead,” with Sharon Stone and
    Gene Hackman. Continuing to challenge himself, DiCaprio received praise for
    his performance as drug addict Jim Carroll in the harrowing drama “The

    26



    Basketball Diaries,” and then portrayed the disturbed pansexual poet Arthur
    Rimbaud in Agnieszka Holland’s “Total Eclipse.”

    The following year, DiCaprio starred in Baz Luhrmann’s contemporary
    screen adaptation of “William Shakespeare’s Romeo + Juliet,” for which he won
    the Best Actor Award at the Berlin International Film Festival. That same year,
    he joined an all-star ensemble cast, including Meryl Streep, Diane Keaton and
    Robert De Niro, in “Marvin’s Room,” sharing in a SAG Award nomination for Best
    Ensemble Cast.

    In 1997, DiCaprio starred in the blockbuster “Titanic,” for which he earned
    a Golden Globe Award nomination. The film shattered every box office record on
    its way to winning 11 Oscars, including Best Picture, and is still the top-grossing
    film of all time. He subsequently played dual roles in “The Man in the Iron Mask,”
    and then starred in “The Beach” and Woody Allen’s “Celebrity.”

    DiCaprio gained his third Golden Globe nomination for his portrayal of con
    man Frank Abagnale in 2002’s “Catch Me If You Can,” directed by Steven
    Spielberg. Also that year, he starred in the drama “Gangs of New York,” which
    marked his first collaboration with director Martin Scorsese. DiCaprio most
    recently starred in Scorsese’s “The Departed,” with Matt Damon and Jack
    Nicholson.

    JENNIFER CONNELLY (Maddy Bowen) won an Academy Award for her
    performance in Ron Howard’s Oscar-winning Best Picture “A Beautiful Mind,”
    opposite Russell Crowe. For her portrayal of John Nash’s loyal but longsuffering
    wife, Alicia, Connelly was also honored with Golden Globe, BAFTA, American
    Film Institute (AFI), and Critics’ Choice Awards, as well as a nomination for a
    Screen Actors Guild Award for Best Supporting Actress.

    27



    Connelly more recently received a Critics’ Choice Award nomination for
    her work in the drama “House of Sand and Fog,” in which she starred with Ben
    Kingsley. She had previously earned an Independent Spirit Award nomination
    for her unflinching portrait of a drug addict in Darren Aronofsky’s “Requiem for a
    Dream.”

    Connelly is currently in production on the independent feature
    “Reservation Road,” in which she stars with Joaquin Phoenix and Mark Ruffalo.

    Her additional film credits include starring roles in such diverse films as
    the horror thriller “Dark Water”; Todd Field’s “Little Children”; Ang Lee’s actioner
    “The Hulk,” opposite Eric Bana; the widely acclaimed biopic “Pollock,” directed by
    and starring Ed Harris; Keith Gordon’s thriller “Waking the Dead,” opposite Billy
    Crudup; Pat O’Connor’s “Inventing the Abbotts,” with an ensemble cast that also
    included Crudup; Alex Proyas’ mystery thriller “Dark City”; Lee Tamahori’s
    1950s-era crime drama “Mulholland Falls”; John Singleton’s controversial film
    “Higher Learning”; the adventure film “The Rocketeer,” directed by Joe Johnston;
    “Some Girls,” for director Michael Hoffman; Jim Henson’s fantasy adventure
    “Labyrinth”; and Sergio Leone’s “Once Upon A Time in America,” which marked
    her feature film debut.

    DJIMON HOUNSOU (Solomon Vandy) was honored with an Academy
    Award nomination and won an Independent Spirit Award for his portrayal of
    Mateo, the loner whose life is changed by his friendship with two young girls, in
    Jim Sheridan’s immigrant tale “In America.” He was also named the 2004
    ShoWest Supporting Actor of the Year and shared in the Screen Actors Guild
    (SAG) Award nomination for Outstanding Cast Performance received by the “In
    America” cast.

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    Early in his film career, Hounsou earned a Golden Globe Award
    nomination and won an Image Award for his performance as Cinque, the African
    who leads an uprising to regain his freedom, in Steven Spielberg’s historical
    drama “Amistad.” He later shared in a SAG Award nomination as a part of the
    cast of Ridley Scott’s Oscar-winning Best Picture “Gladiator.”

    In 2005, Hounsou starred in three films: Michael Bay’s futuristic actioner
    “The Island,” with Ewan McGregor and Scarlett Johansson; the thriller
    “Constantine,” starring Keanu Reeves; and the comedy “Beauty Shop,” joining an
    ensemble cast led by Queen Latifah. His additional film credits include Jan de
    Bont’s “Lara Croft Tomb Raider: The Cradle of Life,” starring Angelina Jolie;
    Shekhar Kapur’s “The Four Feathers,” with Heath Ledger and Kate Hudson; and
    “Deep Rising.”

    On television, Hounsou had a memorable six-episode arc as an African
    refugee seeking asylum on the drama series “ER,” and more recently had a
    recurring role on the series “Alias,” starring Jennifer Garner.

    Born in Benin, West Africa, Hounsou moved to Paris at the age of 13 to
    get a better education. As an adult, he was discovered by fashion designer
    Thierry Mugler, and then worked with legendary photographer Herb Ritts.
    Hounsou was subsequently spotted by director David Fincher, who cast him in
    several music videos. Small film roles followed before Hounsou landed his
    breakthrough role in 1997’s “Amistad.”

    In addition to his role in “Blood Diamond,” Hounsou also stars this
    December in the fantasy adventure “Eragon.”

    MICHAEL SHEEN (Simmons) is currently starring as Prime Minister Tony
    Blair in Stephen Frears’ acclaimed drama “The Queen.” He had previously
    portrayed Tony Blair, also under Frears’ direction, in the television movie “The

    29



    Deal.” “The Queen” marks Sheen’s third collaboration with Frears. He made his
    feature film debut in the director’s “Mary Reilly,” playing Dr. Jekyll’s footman.
    Sheen’s other feature film credits include Ridley Scott’s “Kingdom of Heaven,”
    “Laws of Attraction,” Stephen Fry’s “Bright Young Things,” “Underworld,” Shekhar
    Kapur’s “The Four Feathers” and “Wilde.”

    Born in Wales, Sheen trained at the Royal Academy of Dramatic Art in
    London, where, in his second year, he won the coveted Laurence Olivier Bursary
    for consistently outstanding performances. While still a student at RADA, Sheen
    landed a starring role opposite Vanessa Redgrave in 1991’s “When She
    Danced,” which marked his West End debut.

    Sheen has since earned Olivier Award nominations for his work in
    “Amadeus,” “Look Back in Anger,” and “Caligula,” for which he also won a
    London Critics Circle Award and the London Evening Standard Award. He has
    also received acclaim for his performances in such plays as “Romeo and Juliet,”
    “Peer Gynt” and “Henry V.” In 1999, Sheen made his Broadway debut, reprising
    the title role in the revival of “Amadeus.” More recently, Sheen finished a sold-
    out run in the London hit “Frost/Nixon,” in which he played David Frost to Frank
    Langella’s Nixon.

    ARNOLD VOSLOO (The Colonel), a native of South Africa, is best known
    to moviegoers for his role as High Priest Imhotep in the action hits “The Mummy”
    and “The Mummy Returns.” He will next be seen in the independent film “Living
    & Dying.” His other film credits include “Agent Cody Banks,” “Endangered
    Species,” “Zeus and Roxanne,” John Woo’s “Hard Target,” and Ridley Scott’s
    “1492: Conquest of Paradise.” On television, Vosloo played the villainous Habib
    Marwan in the fourth season of the hit series “24.”

    30



    In South Africa, Vosloo has been honored with two Dalro Awards for Best
    Actor, the first for 1984’s “Boetie Gaan Border Toe,” which marked his feature
    film debut, and the second for 1990’s “Circles in a Forest.” He received another
    Best Actor nomination for his performance in the film version of “More Is ‘n Lang
    Dag,” reprising a role he created on the stage.

    Vosloo has also won awards for his stage work, including his
    performances in “Don Juan” and “Torch Song Trilogy,” as well as “More Is ‘n
    Lang Dag.” He has appeared in theaters all over the world, including New York’s
    Circle in the Square, Chicago’s North Light Theatre and in London’s West End.

    KAGISO KUYPERS (Dia) makes an auspicious feature film debut in
    “Blood Diamond.”

    The 14-year-old actor studied dance and drama at the National School of
    Art in Johannesburg, South Africa. Now back in school, Kuypers hopes to further
    his acting career, while also continuing to study dance.

    DAVID HAREWOOD (Captain Poison) most recently appeared in
    “Separate Lies,” written and directed by Julian Fellowes, and the 2004 screen
    version of William Shakespeare’s “The Merchant of Venice,” starring Al Pacino
    and Jeremy Irons.

    A graduate of the Royal Academy of Dramatic Arts, Harewood has been a
    fixture on the London stage for many years, earning praise for his work in such
    plays as “His Dark Materials,” under the direction of Nicholas Hytner, and “Henry
    IV, Parts 1 and 2,” both presented at the National Theatre. He also played the
    title role in the Royal National Theatre’s production of “Othello,” which later went
    to Broadway.

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    On British television, Harewood was a regular on the series “Fat Friends”
    and “Babyfather,” and had a recurring role on “The Vice.” He has also guest
    starred on a number of series.

    Harewood is currently directing a children’s theatre group in London,
    aimed at involving underprivileged and at-risk youth in the performing arts.

    BASIL WALLACE (Benjamin) was most recently seen in the family
    comedy “Like Mike.” His film credits also include John Dahl’s “Joy Ride”; “The
    Wood,” with Omar Epps and Taye Diggs; Lawrence Kasdan’s “Grand Canyon”;
    and three films for director Dwight H. Little, “Free Willy 2: The Adventure Home,”
    “Rapid Fire” and “Marked for Death.” He made his feature film debut in Robert
    Townsend’s 1987 comedy “Eddie Murphy Raw,” playing Eddie’s father in a
    sketch.

    On the small screen, Wallace appeared in the telefilm “Children of the
    Dust,” starring Sidney Poitier. He has also had guest roles on numerous series,
    including “CSI: Crime Scene Investigation,” “Strong Medicine,” “The Agency,”
    “The West Wing,” “Judging Amy,” “ER,” “The Practice” and “NYPD Blue.”

    A native of Jamaica, Wallace has performed in repertory theatre and is
    also a lifetime member of New York’s La MaMa E.T.C. (Experimental Theatre
    Club).

    NTARE MWINE (M’ed), a first-generation American born of Ugandan
    parents, makes his major feature film debut in “Blood Diamond.” Classically
    trained, Mwine received his Masters in Fine Arts in acting from New York
    University and also studied at The Moscow Arts Theatre in Russia, The Royal
    National Theatre in London, and The University of Virginia. His first professional
    acting job was the role of Paul in the 1992 national tour of “Six Degrees of

    32



    Separation,” for which he earned an NAACP Image Award nomination for Best
    Actor. He has since appeared on the stages of The Steppenwolf Theatre, The
    Kennedy Center, Lincoln Center, and ACT, among others.

    On television, Mwine has guest starred on such series as “Heroes,” “The
    Unit,” “Sleeper Cell,” “ER,” “CSI: Crime Scene Investigation,” “Alias” and “Law &
    Order.” He also appeared in the HBO movie “Don King: Only in America.”

    Apart from his acting, Mwine has had success as a playwright,
    photographer and documentarian. His first play, “Biro,” premiered at Uganda’s
    National Theatre and was subsequently presented at The Joseph Papp Public
    Theatre in New York, as well as in Los Angeles, Seattle, London, and throughout
    Africa. Mwine’s photographic work has been displayed at the United Nations, the
    UCLA Fowler Museum of Cultural History, and other museums worldwide. His
    inaugural documentary, “Beware of Time,” screened at the Pan African Film
    Festival in Los Angeles and the Black International Cinema in Berlin, where it
    was named the Best Film on Matters Relating to Marginalized People.

    # # #

    33



    ABOUT THE FILMMAKERS

    EDWARD ZWICK (Director/Producer) is an award-winning director,
    producer and screenwriter, who has worked on a wide range of acclaimed film
    and television projects. As a motion picture producer, he won an Academy
    Award and a BAFTA Award for his work on the Best Picture Oscar winner
    “Shakespeare in Love,” and earned a Best Picture Oscar nomination for Steven
    Soderbergh’s ensemble drama “Traffic.”

    Zwick has also been recognized for his work as a director. He earned a
    Golden Globe nomination for Best Director for only his second film, the 1989 Civil
    War drama “Glory,” for which Denzel Washington won his first Oscar, for Best
    Supporting Actor. Zwick was also Golden Globe-nominated for his directing work
    on “Legends of the Fall,” starring Anthony Hopkins and Brad Pitt, which Zwick
    also produced. He went on to direct “Courage Under Fire,” starring Denzel
    Washington and Meg Ryan, and directed, wrote and produced “The Siege,”
    which marked his third collaboration with Washington.

    Zwick most recently directed, co-wrote and produced the historical epic
    “The Last Samurai,” starring Tom Cruise and Ken Watanabe, for which he won
    the National Board of Review Award for Best Director. His earlier film directing
    credits include “Leaving Normal” and “About Last Night….” He also produced “I
    Am Sam,” starring Sean Penn, which won the Producers Guild’s Stanley Kramer
    Award for films that shed light on social issues.

    Hailing from Winnetka, Illinois, Zwick trained as an apprentice at the
    Academy Festival in Lake Forest. He later attended Harvard University, where
    he studied literature while continuing to write and direct for the theatre. Upon
    graduation, he was awarded a Rockefeller Fellowship to study in Europe.

    34



    In 1975, Zwick was accepted as a Directing Fellow at the American Film
    Institute (AFI). His AFI short film, “Timothy and the Angel,” won first place in the
    student film competition at the 1976 Chicago Film Festival, which led to him
    becoming a story editor on the acclaimed drama series “Family.” He then
    became a producer on the series, also writing and directing several episodes. In
    1980, Zwick received his first Emmy nomination, for his producing work on
    “Family.”

    Three years later, Zwick directed, produced and co-wrote the telefilm
    “Special Bulletin,” for which he won two Emmy Awards, for Best Drama Special
    and Best Screenplay, and earned another nomination for Best Director. In
    addition, “Special Bulletin” brought Zwick a Directors Guild of America Award, a
    Writers Guild of America (WGA) Award and a Humanitas Prize. The project also
    marked the beginning of his ongoing collaboration with Marshall Herskovitz,
    whom he had first met at the AFI, and with whom he formed The Bedford Falls
    Company.

    The first project created under the Bedford Falls banner was the television
    series “thirtysomething,” which won an Emmy for Best Drama Series in 1988,
    and garnered three more consecutive Emmy nominations in the same category.
    Zwick also earned Emmy and WGA Award nominations for his writing on the
    series. His additional television credits include such widely praised series as “My
    So-Called Life,” “Relativity,” and “Once and Again,” for which Zwick won his
    second Humanitas Prize.

    Zwick’s other career honors include two Peabody Awards, and the
    Franklin J. Schaffner Alumni Award from the AFI.

    MARSHALL HERSKOVITZ (Producer) is an Oscar-nominated producer
    for his work on Steven Soderbergh’s “Traffic,” which won four Academy Awards

    35



    in addition to being nominated for Best Picture. His distinguished career also
    encompasses work as a director, writer and producer for both films and
    television.

    Herskovitz most recently co-wrote and produced the Edward Zwickdirected
    epic “The Last Samurai,” starring Tom Cruise. His other film producing
    credits include “I Am Sam,” starring Sean Penn, for which he shared in the
    Producers Guild’s Stanley Kramer Award, given to films that shed light on social
    issues; “Dangerous Beauty,” which he also directed; and Zwick’s “Legends of the
    Fall,” starring Anthony Hopkins and Brad Pitt. Herskovitz had earlier made his
    feature film directorial debut on the drama “Jack the Bear,” starring Danny
    DeVito.

    Born in Philadelphia, Herskovitz attended Brandeis University and then
    studied at the American Film Institute (AFI), where he first met Zwick in 1975. He
    started his career writing and directing for several television series, including
    “Family” and “The White Shadow.” He first collaborated with Zwick when they
    co-wrote and produced the 1983 television movie “Special Bulletin,” which Zwick
    directed. For his work on that telefilm, Herskovitz won Emmy Awards for
    Outstanding Drama Special and Outstanding Writing for a Limited Series or
    Special, as well as a Writers Guild of America (WGA) Award and a Humanitas
    Prize.

    In 1985, Herskovitz and Zwick partnered to form The Bedford Falls
    Company, whose first project was the groundbreaking television series
    “thirtysomething.” During its four-season run on ABC, the series brought
    Herskovitz a number of honors, including two Emmy Awards, for Drama Series
    and Writing for a Drama Series; two Directors Guild of America Awards; a WGA
    Award; a Humanitas Prize; and a Peabody Award.

    36



    Following that success, Herskovitz and Zwick teamed to produce three
    acclaimed television series under the Bedford Falls banner: “My So-Called Life,”
    which launched the career of Claire Danes; “Relativity”; and “Once and Again,”
    for which Herskovitz won his third Humanitas Prize.

    An active environmentalist, Herskovitz has served on the board of several
    organizations committed to preserving America’s precious natural resources. He
    was recently elected President of the Producers Guild of America.

    PAULA WEINSTEIN (Producer) is a prolific producer, whose career
    encompasses both film and television projects. Overseeing Spring Creek
    productions, Weinstein most recently produced the upcoming comedy/drama
    “The Astronaut Farmer,” starring Billy Bob Thornton.

    Raised in Europe, Weinstein began her career as an assistant film editor
    in New York City. She then joined the office of Mayor John Lindsay as the
    Special Events Director. Moving to Los Angeles in 1973, Weinstein signed on as
    a talent agent, first for what would later be ICM and then at William Morris.

    In 1976, Weinstein became Vice President of Production at Warner Bros.
    She later moved to Twentieth Century Fox, where she held the post of Senior
    Vice President of Worldwide Production. During her tenure, she worked on such
    films as the hit comedy “Nine to Five,” starring Jane Fonda, Lily Tomlin and Dolly
    Parton; and the prison drama “Brubaker,” starring Robert Redford.

    In 1979, Weinstein joined the Ladd Company, where she collaborated on
    such films as Lawrence Kasdan’s directorial debut, “Body Heat.” Two years
    later, Weinstein was named President of the Motion Picture Division of United
    Artists, where she oversaw such diverse hits as “WarGames” and “Yentl,” to
    name only a few.

    37



    In 1984, Weinstein and Gareth Wigan partnered to form WW Productions.
    In 1997, she assumed the title of Executive Consultant for MGM’s Worldwide
    Division, while continuing to produce such independent film projects as “A Dry
    White Season” and “The Fabulous Baker Boys.”

    Weinstein and Mark Rosenberg formed Spring Creek Productions in 1990.
    Their first feature was Peter Weir’s “Fearless,” starring Jeff Bridges and Rosie
    Perez, who received an Oscar nomination for her performance. Weinstein
    subsequently served as a producer on the films “Flesh and Bone”; Lasse
    Hallström’s “Something to Talk About”; Wolfgang Petersen’s “The Perfect Storm,”
    starring George Clooney and Mark Wahlberg; the comedy smash “Analyze This,”
    which paired Robert De Niro and Billy Crystal; and Barry Levinson’s “Liberty
    Heights” and “Bandits.” Weinstein’s more recent film credits include “Monster-In-
    Law,” starring Jane Fonda and Jennifer Lopez; and “Rumor Has It,” with Jennifer
    Aniston and Shirley MacLaine.

    Under the Spring Creek banner, Weinstein has also produced several
    award-winning projects for the small screen, including HBO’s “Iron Jawed
    Angels,” starring Hilary Swank; “Truman,” starring Gary Sinise, for which
    Weinstein won an Emmy for Outstanding Television Movie; and “Citizen Cohn,”
    starring James Woods, which won four Emmy Awards.

    GRAHAM KING (Producer) is President and CEO of Initial Entertainment
    Group, one of Hollywood’s leading independent film companies, which acquires,
    produces or co-produces films for the worldwide market. King, who founded
    Initial in 1995, has emerged as a formidable producer of both major motion
    pictures and independent features.

    King most recently produced the crime drama “The Departed,” which
    marked his third collaboration with director Martin Scorsese. In 2004, he

    38



    produced Scorsese’s widely praised Howard Hughes biopic, “The Aviator,”
    starring Leonardo DiCaprio, which earned 10 Academy Award nominations,
    including Best Picture, and won a BAFTA Award for Best Picture. King was
    honored by the Producers Guild of America with a Golden Laurel Award for
    Producer of the Year. He had earlier been a co-executive producer on
    Scorsese’s epic drama “Gangs of New York,” starring DiCaprio, Daniel Day-
    Lewis and Cameron Diaz.

    Under the Initial Entertainment banner, King has also served as an
    executive producer on such films as “The Dangerous Lives of Altar Boys,”
    produced by and starring Jodie Foster; Michael Mann’s biographical drama “Ali,”
    starring Will Smith in the title role; and Steven Soderbergh’s Oscar-winning
    ensemble drama “Traffic.”

    A native of the United Kingdom, King moved to the United States in 1982
    to join the international distribution department at Twentieth Century Fox.
    Several years later, he formed Initial Entertainment Group, which now fosters
    projects with some of the industry’s leading creative talents, including Johnny
    Depp and his company, Infinitum Nihil.

    Recently, Initial Entertainment Group signed a first-look producing deal
    with Warner Bros. Pictures, where he will produce “Shantaram,” together with
    Infinitum Nihil. Among the many other projects presently in various stages of
    production and development are “Next,” starring Nicolas Cage, “Benighted,” and
    “Prince of Thieves.”

    GILLIAN GORFIL (Producer) will next produce the feature film “Brilliant,”
    which she also co-wrote with her sister, Elizabeth Shorten. The film is scheduled
    to begin production early next year, with Scarlett Johansson starring.

    39



    She made her producing debut on the 1993 comedy “Father Hood,”
    starring Patrick Swayze and Halle Berry, directed by Darrell Roodt. She then
    produced Roodt’s 1997 drama “Dangerous Ground,” starring Ice Cube, Elizabeth
    Hurley and Vingh Rhames. She was also the initial producer on the project that
    became “Blood Diamond.”

    Born in Johannesburg, she was an international model, clothing store
    owner and property developer before segueing to the film business. She studied
    film and media at Pretoria Tecknikon.

    CHARLES LEAVITT (Screenplay/Story) wrote the screenplay for the 2001
    fantasy drama “K-Pax,” directed by Iain Softley and starring Kevin Spacey and
    Jeff Bridges. He had earlier written the screenplay for Peter Chelsom’s drama
    “The Mighty.”

    Leavitt currently has several films in development at different studios,
    including “The Express,” the story of Heisman Trophy winner Ernie Davis, to be
    directed by Gary Fleder and produced by John Davis; and the adaptation of “The
    Ha Ha,” for director/producer Akiva Goldsman. In addition, Leavitt adapted
    Nathaniel Philbrick’s bestselling non-fiction book In the Heart of the Sea, the true
    story upon which Moby Dick was based. He most recently inked a deal to write
    “Confessions of a Wall Street Shoeshine Boy,” which Donald De Line and Paula
    Weinstein will produce.

    LEN AMATO (Executive Producer) is President of Spring Creek
    Productions, where he continues a longstanding relationship with Paula
    Weinstein. Under the Spring Creek banner, he recently produced the upcoming
    “The Astronaut Farmer,” starring Billy Bob Thornton.

    40



    Amato began his career as a story analyst for various independent
    producers and studios. He went on to become a story editor for Robert De Niro’s
    then-newly formed Tribeca Productions, working with co-founder Jane Rosenthal
    on Michael Apted’s “Thunderheart” and Irwin Winkler’s “Night and the City.”

    Amato began his association with Spring Creek Productions in the mid1990s
    as Vice President of Development, running the company’s New York office
    for co-founders Mark Rosenberg and Paula Weinstein. In 1997, he made his
    producing debut with HBO’s “First Time Felon,” directed by Charles Dutton. The
    following year, he moved to Los Angeles to serve as Executive Vice President of
    Baltimore/Spring Creek Pictures, when Weinstein partnered with Barry Levinson
    to create the company.

    In 1999, Amato served as co-producer on the hit comedy “Analyze This,”
    directed by Harold Ramis and starring Robert De Niro and Billy Crystal, and, in
    2002, he executive produced its sequel, “Analyze That.” He then executive
    produced Neil LaBute’s “Possession,” starring Gwyneth Paltrow and Aaron
    Eckhart, and produced “Deliver Us from Eva.” Amato more recently served as an
    executive producer on the award-winning HBO drama “Iron Jawed Angels,”
    starring Hilary Swank and Anjelica Huston, and the romantic comedy feature
    “Rumor Has It…,” directed by Rob Reiner and starring Jennifer Aniston, Shirley
    MacLaine, Kevin Costner and Mark Ruffalo.

    KEVIN DE LA NOY (Executive Producer) previously collaborated with
    director Edward Zwick as the unit production manager on “The Last Samurai.”
    His credits as a producer include Richard Donner’s sci-fi thriller “Timeline,” which
    he co-produced, and Steven Spielberg’s award-winning World War II drama
    “Saving Private Ryan,” on which he served as the associate producer.

    41



    “Blood Diamond” marks his fourth film to be shot on location in Africa. He
    was a production supervisor on John Avildson’s “The Power of One,” filmed in
    Zimbabwe, and returned to South Africa as the supervising location manager on
    “The Ghost and the Darkness.” He more recently served as the unit production
    manager on “Ali,” which was shot in Mozambique and Ghana.

    De La Noy has also been the unit production manager on such films as
    “Braveheart,” “Mission: Impossible,” “Mission: Impossible II” and “Titanic.”
    Additionally, he has worked as a location manager and assistant director on a
    wide range of features.

    BENJAMIN WAISBREN (Executive Producer) most recently served as an
    executive producer on Steven Soderbergh’s dramatic thriller “The Good
    German,” based on the Joseph Kanon novel of the same name, and starring
    George Clooney and Cate Blanchett. His latest credits also include the political
    thriller “V for Vendetta,” and the action adventure “Poseidon.”

    Waisbren is a financier involved in the production and distribution of
    motion pictures, both in the U.S and in Europe. His background includes law,
    investment banking and private equity investing.

    His upcoming executive producer credits include “300,” “The
    Assassination of Jesse James by the Coward Robert Ford,” “First Born,”
    “Gardener of Eden,” “Nancy Drew” and “Duane Hopwood.”

    EDUARDO SERRA (Director of Photography) is a two-time Academy
    Award nominee for his work on “Girl with a Pearl Earring” and “The Wings of the
    Dove.” In addition, he earned BAFTA Award nominations for both films, winning
    the award for the latter. For his cinematography on “Girl with a Pearl Earring,” he

    42



    was also honored by a number of critics groups, including the Los Angeles Film
    Critics Association, and won several international film awards.

    Born in Portugal, Serra has worked extensively on both sides of the
    Atlantic, including 40 films in France, which is his adopted home. He received a
    César Award nomination for his work on “Le Mari de la coiffeuse,” one of five
    collaborations with Patrice Leconte. He has also lensed five films for director
    Claude Chabrol, most recently including “L’ivresse du pouvoir.”

    His other film credits include “Beyond the Sea,” directed by and starring
    Kevin Spacey; M. Night Shyamalan’s “Unbreakable”; “What Dreams May Come,”
    starring Robin Williams; Michael Winterbottom’s “Jude”; and “Map of the Human
    Heart,” to name only a few.

    DAN WEIL (Production Designer) most recently served as the production
    designer on Stephen Gaghan’s acclaimed drama “Syriana,” for which Weil
    earned his second Art Directors Guild Award nomination from his peers. His first
    nomination had been for his work on Doug Liman’s “The Bourne Identity.”

    A native of France, Weil was honored with a César Award for his
    production design on the Luc Besson film “The Fifth Element,” and also received
    a César Award nomination for Besson’s “La Femme Nikita.” His collaborations
    with Besson also include the films “The Big Blue,” “The Professional” and “The
    Dancer.”

    Weil’s other credits include “King Arthur,” “The Libertine,” “Beautiful
    Mother,” “Total Eclipse,” “Les Truffes,” “Hors la vie” and “Tristesse et beauté.”

    STEVEN ROSENBLUM (Editor) has had a long association with director
    Edward Zwick, dating back to the television series “thirtysomething,” for which
    Rosenblum won an Emmy Award for Outstanding Editing for a Series. Their first

    43



    feature film collaboration was the Civil War drama “Glory,” which brought
    Rosenblum his first Academy Award nomination for Best Editing. Rosenblum
    earned his second Oscar nomination for his work on the Academy Award-
    winning Best Picture “Braveheart,” directed by and starring Mel Gibson.

    Rosenblum has also edited the Zwick-directed features “Legends of the
    Fall,” “Courage Under Fire,” “The Siege” and “The Last Samurai.” In addition, he
    worked on Marshall Herskovitz’s directorial debut feature, “Jack the Bear.”

    His collaborations with other directors include Tom Dey’s “Failure to
    Launch,” Lee Tamahori’s “xXx 2: The Next Level,” Shekhar Kapur’s “The Four
    Feathers,” Michael Bay’s “Pearl Harbor” and Bryan Singer’s “X-Men.”

    NGILA DICKSON (Costume Designer) won an Academy Award in 2004
    for her work on Peter Jackson’s “The Lord of the Rings: The Return of the King.”
    She earned dual nominations that year, also being honored for her costume
    designs for Edward Zwick’s “The Last Samurai.” Dickson had previously gained
    her first Oscar nomination and a BAFTA nomination for Best Costume Design for
    “The Lord of the Rings: The Fellowship of the Ring.” In addition, she won a
    BAFTA Award for her work on “The Lord of the Rings: The Two Towers,” and
    won a Costume Designers Guild Award and received her third BAFTA Award
    nomination for “The Lord of the Rings: The Return of the King.”

    Hailing from New Zealand, Dickson first worked with director Peter
    Jackson on his directorial debut feature, “Heavenly Creatures.” Her early credits
    also include the 1989 television project “The Rainbow Warrior Conspiracy,” about
    the sinking of a Greenpeace ship, and the feature film version of the same story,
    “The Rainbow Warrior.” Dickson also designed the costumes for the
    internationally successful television series “Xena: Warrior Princess,” for which
    she received a New Zealand Film and TV Award for Best Contribution to Design.

    44



    JAMES NEWTON HOWARD (Composer) is a six-time Academy Award
    nominee and one of the industry’s most prolific composers, with more than 100
    motion picture and television scores to his credit. His latest Oscar nomination
    came for his score for M. Night Shyamalan’s “The Village.” Howard has scored
    all of Shyamalan’s films, beginning with the director’s hit debut film, “The Sixth
    Sense,” and subsequently including “Unbreakable,” “Signs” and, most recently,
    “Lady in the Water.”

    Howard was also Oscar-nominated for his scores for “My Best Friend’s
    Wedding,” “The Fugitive” and “The Prince of Tides.” He gained two more Oscar
    nods for Best Original Song for “Look What Love Has Done,” from the movie
    “Junior,” and “For the First Time,” in “One Fine Day.” He also garnered Golden
    Globe Award nominations for both songs. Howard received his third Golden
    Globe nomination for his score for Peter Jackson’s hit remake of “King Kong.”

    Howard’s long list of film credits also includes “RV,” “Freedomland,”
    “Batman Begins,” “The Interpreter,” “Collateral,” “Hidalgo,” “America’s
    Sweethearts,” “Runaway Bride,” “Romy and Michele’s High School Reunion,”
    “Primal Fear,” “Outbreak,” “Wyatt Earp,” “Dave,” “Falling Down,” “Grand Canyon,”
    “My Girl,” “Pretty Woman” and “Major League,” to name only a portion.

    Also honored for his work on television, Howard won an Emmy Award for
    Outstanding Main Title Theme for the series “Gideon’s Crossing,” and earned an
    Emmy nomination in the same category for “ER.”

    SORIOUS SAMURA (Technical Consultant), a native of Sierra Leone,
    filmed what is considered to be the definitive documentary on his country’s 1999
    civil war, “Cry Freetown.” For his work on the film, Samura won The Rory Peck
    Award and The Mohamed Amin Award, becoming the first person ever to win

    45



    both honors. He was also among the winners of the 1999 CNN African Journalist
    of the Year Award. In 2002, he followed with “Return to Freetown,” in which he
    journeys back to his war-torn homeland and attempts to reunite former child
    soldiers with their families.

    Samura is known for his first-person reportorial style, in which he subjects
    himself to the same hardships and perils his subjects endure. His other
    documentaries include “Exodus from Africa,” “Living with Hunger,” “Living with
    AIDS,” “Living with Refugees,” “Guinea: Sex for Food,” “21st-Century War” and
    “Living with Illegals.”

    Along with his filmmaking partner, Ron McCullagh, Samura is a director of
    Insight News TV. Samura’s films have won many prestigious awards, including
    a BAFTA Award, two Emmy Awards, two One World Media Awards, three
    Amnesty International Media Awards, a Columbia-DuPont Award, a Peabody
    Award, the Prix Europa, the Japan Prize, the Harry Chapin Media Award, three
    Overseas Press Club of America Awards, a Golden Nymph at the Monte Carlo
    Television Festival, and a Bronze World Medal at the New York Festivals.
    Columbia University’s graduate school of journalism also honored Samura with a
    lifetime achievement award at its annual “Let's Do It Better” workshop on race
    relations.

    # # #

    46



    “Blood Diamond” es la historia de Danny Archer (Leonardo DiCaprio), un
    ex – mercenario de Zimbabwe, y Solomon Vandy (Djimon Hounsou), un
    pescador Mende. Ambos hombres son africanos pero sus historias y
    circunstancias son completamente diferentes. Sus destinos se encuentran de
    pronto unidos, por una búsqueda en común para recuperar un extraño diamante
    rosa, una piedra preciosa que puede cambiar una vida… o terminarla.

    Todo sucede durante el caos de la guerra civil que se desató en Sierra
    Leona en 1990.

    Solomon fue arrebatado de su familia y forzado a trabajar en los campos
    de diamantes. Un día encuentra una piedra preciosa extraordinaria y la esconde,
    sabiendo que el riesgo de ser descubierto es que lo maten instantáneamente.
    Pero él también sabe que el diamante no sólo puede proveer los medios para
    salvar a su esposa e hijas de una vida como refugiados, sino también ayudar a
    rescatar a su hijo Dia, de un destino todavía peor como niño- soldado.

    Archer se gana la vida intercambiando diamantes por armas. El se entera
    de la existencia del diamante escondido por Solomon, cuando está encerrado en
    la cárcel por contrabando. Archer sabe bien que un diamante semejante sólo se
    encuentra una vez en la vida, y que su valor podría permitir a Solomon salir del
    Africa y alejarse del círculo de violencia y corrupción en el cual está involucrado.

    Maddy Bowen (Jennifer Connelly), es una periodista norteamericana que
    está en Sierra Leona para revelar la verdad sobre el comercio de diamantes, y


    poner al descubierto la complicidad de los líderes de esta industria. Ellos son
    gente sin principios, y lo único que les interesa, es el dinero.

    Maddy busca a Archer como fuente de información para escribir su
    artículo. Sin embargo, se da cuenta que Archer la necesita a ella más que ella lo
    necesita a él.

    Con la ayuda de Maddy, Archer y Solomon emprenden una peligrosa
    travesía a través del territorio rebelde. Archer necesita que Solomon busque y
    recupere el valioso diamante rosado. Pero Solomon busca algo mucho más
    preciado para él… a su hijo.

    La película de drama y acción “Blood Diamond” está dirigida por Edgard
    Zwick. Los protagonistas son Leonardo DiCaprio (“The Aviator”), nominado para
    premio de la Academia, Jennifer Connelly (“A Beautiful Mind”) ganadora del
    premio de la Academia y por Djimon Hounsou (“In America”) nominado para el
    premio de la Academia.

    El guión fue escrito por Charles Leavitt, basado en una historia de Leavitt
    y C. Gaby Mitchell.

    Warner Bros. Pictures, en asociación con Virtual Studios, presenta “Blood
    Diamond”, una producción de Spring Creek / Bedford Falls en asociación con
    Initial Entertainment Group, y distribuida por Warner Bros. Pictures, una
    compañía Warner Bros. Entertainment. “Blood Diamond” fue producida por
    Paula Weinstein, Edward Zwick, Marshall Herskovitz, Graham King y Gillian
    Gorfil. Los productores ejecutivos fueron Len Amato, Kevin De La Noy y
    Benjamin Waisbren.

    En la película también son protagonistas Michael Sheen, Arnold Vosloo,
    David Harewood, Basil Wallace y presenta a Kagiso Kuypers en el papel de Dia.

    Colaborando con Zwick, tras las cámaras, estuvieron: Eduardo Serra
    como director de fotografía, Dan Weil en el diseño de producción, Ngila Dickson
    en el vestuario, y Steven Rosenblum en el montaje. La música original fue
    compuesta por James Newton Howard.

    # # #


    SOBRE LA PRODUCCIÓN

    JOYAS PRECIOSAS

    “No hay una buena razón por la cual los temas
    provocativos y los cuentos atrayentes se excluyan
    mutuamente. De hecho, se pueden inspirar el uno al otro”.

    Edward Zwick, el director y productor de la película dice: -“Para mi, este
    film trata de lo que es valioso. Para unos, puede ser una piedra preciosa, para
    otros tal vez sea una historia en una revista y para otros aún, tal vez sea un niño.
    Lo atractivo de esta historia, es la yuxtaposición de un hombre obsesionado con
    encontrar un valioso diamante, y otro hombre que arriesga su vida para
    encontrar a su hijo.

    “Estos dos hombres emprenden un viaje, en el cual uno intenta salir del
    país, y el otro intenta recobrar su familia”- dice Leonardo DiCaprio, quien
    personifica a Danny Archer -“pero luego, cada personaje va a terminar
    debatiéndose con sus propias decisiones morales”.

    Djimon Hounsou, quien da vida a Solomon Vandy, lo resume así:-“Archer
    va en busca de un diamante pero para Solomon, el diamante es su hijo”.

    Los diamantes son vistos en el mundo, como una piedra brillante,
    hermosa y muy preciada. Son símbolos de amor y fidelidad, de riqueza y
    encanto. Pero en el país africano de Sierra Leona, donde están la mayoría de
    las minas de diamantes, esas piedras tienen un significado más oscuro.

    Edward Zwick explica: -“Los ‘diamantes conflictivos’ son piedras que
    fueron contrabandeadas hacia otros países en tiempos de guerra. Con esos
    diamantes se pagan armas con las que se generan más muertes y la
    destrucción de la región. Aunque la venta de esos diamantes representa sólo un
    pequeño porcentaje de las ventas mundiales, en una industria que genera miles
    de millones de dólares, cualquier pequeño porcentaje significa muchos millones
    de dólares. Con ellos se puede comprar una cantidad innumerable de armas
    pequeñas. A fines de la década de 1990, gente de entidades no


    gubernamentales como Global Witness, Partnership Africa-Canada y Amnesty
    Internacional, crearon un nombre para identificar específicamente a estos
    diamantes y llamar la atención del público con respecto al tema”.

    “Los llamaron ‘diamantes de sangre’”

    Cuando la productora Paula Weinstein le envió el guión a Zwick, él sólo
    había escuchado ese nombre al vuelo alguna vez. -“Yo había escuchado decir
    ‘diamantes de sangre’, pero en realidad no tenía profundo conocimiento de lo
    que ese nombre representaba”- explica Zwick -“Cuanto me enteré, y según iba
    adquiriendo más conocimiento sobre el tema, más me fascinaba y me
    horrorizaba al mismo tiempo. Entonces comprendí que esta historia debía ser
    contada”.

    Weinstein había creado el guión junto con el guionista Charles Leavitt y el
    productor ejecutivo Len Amato. La productora Gillian Gorfil había dado inicio al
    proyecto junto con C. Gaby Mitchell, quien comparte el crédito de la historia junto
    con Leavitt. Al comenzar a ser parte del proyecto, Zwick y el productor Marshall
    Herskovitz, continuaron desarrollando la historia junto con Paula Weinstein.

    Weinstein recuerda: -“Hace muchos años atrás yo hice una película
    contra el apartheid llamada ‘A Dry White Season’. Entonces pasé un tiempo en
    Sudáfrica. Yo conocía el tema de los diamantes conflictivos. Por eso, hacer una
    película que mostrase su efecto tenía mucho significado para mí”.

    La productora continúa diciendo: -“Para empezar teníamos muy buenos
    escritores, y cuando recibimos el guión, Ed Zwick me pareció la persona
    indicada. Ed y su socio Marshall Herskovitz han demostrado tener una
    sensibilidad que yo comparto. A ellos les interesan las historias del mundo real y
    es su propósito contarlas sinceramente. Yo sabía que no sólo les iba a encantar
    el material, sino que no tendrían miedo para contar la historia verdadera. Un
    proyecto como éste necesitaba de alguien que tuviera coraje y creatividad para
    hacerlo bien.

    Herskovitz ha estado asociado con Zwick ya por casi 30 años. El
    reconoce que el tema central de “Blood Diamond” fue un desafío para los
    cineastas. -“No fue fácil seleccionar las imágenes – muchas de ellas horrorosas



    que el público pudiera mirar sin alienarse, y que a la vez fueran entretenidas”.
    Sin embargo Herskovitz y Zwick ya tienen experiencia para caminar por la
    cuerda floja”.

    -“Fue muy difícil para nosotros ver algunos de los materiales sobre Sierra
    Leona y sus circunstancias verdaderamente horrendas, e imaginarlas en una
    película de Hollywood. Pero la historia nos ha demostrado repetidamente que,
    uno puede hacer películas sobre temas difíciles para grandes audiencias, si
    tiene una historia importante que contar”- declara Herskovitz.

    Zwick concuerda y dice: -“Yo pienso que las películas nunca llegan a ser
    lo suficientemente intensas, pero el público tiene que entender porqué uno les
    muestra lo que les muestra. En el caso de “Blood Diamond” hay verdades
    brutales, pero también hay gran belleza y emoción en la vida de aquellos que
    están atrapados en esas situaciones”.

    -“Lo que realmente me impresiona de Ed” - comenta Leonardo DiCaprio“
    es que él quería hacer una película de aventuras y entretenimiento, pero que
    estuviera a la vez mezclada con denuncias políticas complejas y pesadas. Eso
    fue lo que realmente me entusiasmó de esta película”.

    -“Siempre he creído que uno bien puede crear conciencia política por
    medio de la retórica, como por medio del entretenimiento”- afirma Zwick –“No
    hay razón valedera por la cual los temas desafiantes y las historias entretenidas
    se excluyan mutuamente. De hecho, muy bien una puede estimular a la otra.
    Como cineasta, primera y principalmente quiero entretener al público. Si con ello
    se puede hacer una denuncia y hacer que el público entienda un tiempo o una
    circunstancia, entonces hay esperanzas de que las cosas cambien para mejor.
    Obviamente, un solo trabajo no puede cambiar el mundo, pero lo que uno intenta
    es de agregar su voz al coro”.

    Mientras que trabajaban en el guión, los directores adquirieron un mayor
    conocimiento del tema. Zwick dice: -“Pareciera que casi todas las veces que se
    descubre un importante recurso natural en el mundo - ya sean diamantes,
    caucho, oro, petróleo, o lo que fuera – el resultado es una tragedia para el país
    en donde se descubre. Para peor, las riquezas que provienen de esos recursos,


    raramente benefician a la gente originaria del país de donde se sacan esos
    recursos”.

    La productora Gillian Gorfil, nativa de Sudáfrica, enfatiza que si bien esta
    película intenta verter luz sobre el tema de los diamantes de sangre, no es la
    intención oscurecer toda la industria de los diamantes. –“Para mí es importante
    que esta película no sea considerada anti-industria de los diamantes. El
    problema son los diamantes de sangre, y ellos tienen orígenes muy específicos”.

    Zwick, por su lado enfatiza que:- “La historia de los diamantes de sangre
    no es exclusiva de ninguna parte del mundo. Hay algo universal en el tema de
    un hombre tratando de salvar a su familia en medio de las más terribles
    circunstancias. Esto no esta limitado a Sierra Leona. Esta historia puede pasar
    en cualquier lugar donde gente común está atrapada en medio de eventos
    políticos fuera de su control. Simplemente son muchas víctimas inocentes”.

    A medida que los cineastas iban profundizando en la tragedia de los
    diamantes de sangre, comenzaron a darse cuenta de una crisis de mucho más
    alcance.

    -“Cuando una película te dice lo que quiere ser, es realmente algo
    extraordinario”- dice Zwick pensativo –“Al trabajar en en “Blood Diamond”, el
    tema frecuente de los niños soldados y su degradación tomó gran importancia.
    La explotación de los recursos en el tercer mundo está inevitablemente unida a
    la explotación de niños. Yo escribí una frase en la tapa del libro del guión. Era la
    primera cosa que veía al comienzo de la filmación cada día. Decía: “El niño es la
    joya”.

    TESTIGOS

    “Sorious era un don del cielo… Era un amigo, un
    asesor, una autoridad. Era el alma de la producción”.

    Zwick se auto-describe como un “eterno estudiante”. El se sumergió en la
    investigación de la historia y repercusiones de los diamantes conflictivos, de los
    niños soldados y de la revolución en Sierra Leona antes de filmar siquiera un


    cuadro de la película. Una búsqueda en el Internet llevó a la conexión con otro
    cineasta cuya ayuda resultó ser invaluable en cada faceta de “Blood Diamond”:
    Ese hombre era el premiado documentalista Sorious Samura.

    -“Me fui al Internet para buscar un documental que había escuchado
    mencionar. Su título era “Cry Freetown” -recuerda Zwick - -“Lo ordené y pagué
    con una tarjeta de crédito y una semana después recibí una carta que decía:
    ‘Reconocí su nombre en la tarjeta de crédito y me pregunté si estaba pensando
    en hacer algo acerca de Sierra Leona. Si es así, por favor llámeme’. Yo no podía
    creer mi buena suerte. El documental de Sorious Samura sobre Sierra Leona es
    el documento más autoritario sobre lo que pasó allí durante la guerra civil.
    Mientras que muchos periodistas huían del país y la mayor parte del mundo
    elegía ignorar lo que estaba pasando, hubo alguien que se quedó y filmó todo”.

    Samura revela que la decisión de filmar las atrocidades ocurridas a su
    alrededor en 1999, no fue una decisión artística. –“Fue más bien un grito
    desesperado para que nos salven. Yo había visto la diferencia que había logrado
    la cobertura de la prensa durante la guerra de Kosovo. Entonces decidí tomar
    una cámara y filmar lo que estaba pasando en Sierra Leona. Era muy peligroso,
    pues ya habían asesinado unos nueve periodistas locales, pero yo pensé que si
    lograba sobrevivir, entonces el mundo podría verlo. Pensé que si yo podía hacer
    un llamado de atención a la comunidad internacional, quizá ellos podrían
    ayudarnos”.

    El resultado fue “Cry Freetown” el cual otorgó a Samura reconocimiento
    mundial y muchos premios prestigiosos. Pero ni en sus sueños más ambiciosos
    Samura imaginó que, años más tarde el documental lo llevaría a los escenarios
    de una película de una gran productora de cine. Samura relata: -“Cuando yo me
    enteré que Ed Zwick estaba trabajando en una película acerca de Sierra Leona,
    yo quería asegurarme de que él tuviera todos los detalles correctos. Aún si iba a
    ser un drama con personajes ficticios, era importante transmitir un sentido de lo
    que realmente había estado mal: cuándo paso, cómo paso y porqué pasó.
    Cuando hable con Ed, me dí cuenta que él estaba decidido a hacerlo bien, tal


    como lo había estado yo antes. Comencé a sentir gran respeto por él y le dije
    que quería ser parte de esta película”.

    -“Sorious fue un regalo del cielo. Siempre estaba disponible para mí, y yo
    me aproveché completamente de eso”- dice Zwick con aprecio -“El poder
    trabajar con alguien que verdaderamente estuvo allí, fue invaluable. El se
    convirtió en mucho más que un asesor técnico. No solamente nos asesoraba en
    cosas prácticas como el vestuario y los escenarios, sino que nos llevó a conocer
    gente que entendía el lenguaje Mende, el dialecto Krio y muchos otros aspectos
    de la cultura de Sierra Leona. El había pasado mucho tiempo con niños
    soldados, contrabandistas y mercenarios. Sorious fue indispensable para los
    actores, especialmente para Leo y Djimon. El era un amigo, un consultor y una
    autoridad. Era el alma de producción”.

    LOS ACTORES

    “El combustible para una historia de aventuras y drama, que sea muy
    emotiva y dramática, son las historias de tres personas completamente distintas,
    con profesiones diferentes, cuyas vidas se cruzan”.

    Al igual que los realizadores, para prepararse para sus distintos papeles,
    los artistas debieron informarse en todo lo posible sobre el tiempo, los lugares y
    las circunstancias que rodeaban la historia de “Blood Diamond”. Leonardo
    DiCaprio, trabajó duramente para perfeccionar el acento de su personaje, el exmercenario
    Danny Archer. El actor comenta: -“Al leer el guión por primera vez,
    me dí cuenta que necesitaría una cantidad tremenda de investigación personal
    para desarrollarlo. Esa fue una de las cosas que me atrajo para aceptar hacerlo.
    Para todos nosotros, era imperativo sumergirnos en este mundo y escuchar por
    nosotros mismos lo que allí había pasado. Mi personaje en especial provenía de
    lo que era Rhodesia (ahora Zimbabwe). Por eso era especialmente importante
    que escuchara hablar a la gente originaria de allí. Este era un entorno
    absolutamente distinto de cualquier cosa que hubiera experimentado antes en
    mi vida”.


    Jennifer Connelly, interpreta a la activa periodista Maddy Bowen. La actriz
    buscó reporteros que le pudieran dar información sobre cómo era la vida de una
    reportera de guerra. Ella comenta: -“Dio la casualidad que yo tengo una amiga
    que estuvo en Sierra Leona en 1999, escribiendo sobre el conflicto de los
    diamantes. Ella me dio mucha información y sus puntos de vista y el de algunos
    de sus amigas sobre el tema. Me atrajo mucho lo que hacían allí estas mujeres,
    profundamente inteligentes, cultas y llenas de energía. Me dio la impresión que
    tenían pasión por la aventura y una valiente devoción por su trabajo. Creo que
    son esos los atributos que también tenía Maddy.

    Djimon Hounsou es nativo del país africano Benin, y es quien interperta el
    papel del pescador Mende, Solomon Vandy. El conocimiento innato de su
    personaje es un punto a su favor. -“Una de las cosas más interesante de esta
    película, es que muestra las cosas con las que tienen que lidiar diariamente los
    hombres y mujeres comunes de este continente”. – comenta Hounsou -
    “Solomon es un simple pescador local, atrapado en el caos de una guerra civil.
    Lo apartan de su familia, y los rebeldes se llevan a su hijo. En muchos países,
    como el mío o como Sierra Leona, un hijo representa mucho. Representa el
    potencial de llegar a ser todo lo que su padre soñó ser, pero no pudo, porque
    nunca tuvo la oportunidad. Un padre da todo en su vida, por salvar a ese hijo”.

    Zwick por su lado, comenta: -“La historia de estas tres personas tan
    diferentes, con profesiones completamente diferentes, se cruza, y eso es el
    combustible para una aventura emotiva y dramática”.

    EL EX - MERCENARIO

    Zwick hace notar que el retrato de Danny Archer de DiCaprio, un soldado
    que se vuelve soldado con suerte, cabe perfectamente en la tradición de los
    clásicos anti-héroes de las películas. –“Este era uno de esos papeles por los que
    los grandes artistas se prestan a ir a lugares oscuros del planeta, con tal de


    poder interpretarlo. Ver a Leonardo DiCaprio aceptar el desafío fue muy
    emocionante para mí”.

    DiCaprio reconoce que los principios de Archer se corrompieron por la
    violencia y la ambición que infectaban su país. –“Pero ahora se hartó”- dice el
    actor –“él tiene una visión cínica del mundo. Cuando mira a Africa, no la vé como
    su país, sino como un lugar en que la gente se aprovecha uno del otro. No existe
    un verdadero bien, o mal… todo se trata de sobrevivir”.

    -“Archer no tiene sentimientos, y se ha perdido a sí mismo en el proceso
    de llegar a ese punto”- comenta Zwick –“Todas sus opciones están agotadas. El
    vio cosas e hizo cosas que ni él mismo puede aceptar. Ahora, lo único que
    quiere, es poder salir de todo eso”.

    -Esta es la razón por la cual el diamante no representa tan sólo dinero
    para él. Significa libertad, y poder escaparse de su pasado”- agrega DiCaprio –
    “Según la historia va progresando, Archer debe enfrentarse al idealismo de
    Maddy y a la valentía de Solomon. Entonces comienza su lucha contra su propia
    moral, una revisión sobre lo que ha hecho en el pasado, y lo que está haciendo
    ahora”.

    -“Leo estaba ferozmente dedicado a su papel”- detalla Zwick – “él tiene la
    rara habilidad de meterse completamente dentro de su personaje, y la voluntad
    férrea de ir hasta el final. El se juntó con ex mercenarios, con trabajadores de
    entidades no gubernamentales, y con ex – combatientes. Pasó horas
    escuchando a esa gente, hasta llegar al punto de poder improvisar inclusive
    hablando en dialecto. Pero lo que emanó de él, no fue simplemente un idioma,
    fue la esencia de Danny Archer”.

    -“Yo pienso que Leo es uno de los mejores actores de nuestro tiempo”-
    dice Paula Weinstein -“no solo por la manera en que recita sus líneas, sino
    porque puede expresarse sin decir una sola palabra. Una emoción le cruza la
    cara, y uno sabe qué está sintiendo. Cada día de filmación, él se comportaba
    profesionalmente, con dedicación, con interés, y con su misma presencia.
    Constantemente me sorprendía lo que él podía transmitir a través de su
    personaje”.


    Gillian Gorfil agrega que ella también se quedaba pasmada al escuchar la
    facilidad con la que DiCaprio podía hablar en el dialecto regional. -“Leo tomó
    seriamente el desafío de hablar con auténtico acento sudafricano, lo cual no es
    fácil de lograr. Creo que lo que hizo fue extraordinario. Había momentos en los
    que si yo cerraba mis ojos, bien podía confundirlo con uno de los miembros del
    equipo local de producción. El hasta decía ‘howzit’, en la jerga local de decir
    ‘hello, how are you? (hola, ¿cómo estás?)’, al saludar”.

    EL PESCADOR

    Zwick comenta: -“Todo lo contrario de Archer, Solomon Vandy es el
    centro de moral de la película. El es como tantos otros hombres que padecieron
    los desastres de la guerra. Su villa es atacada, él pierde su libertad, se llevan a
    su familia, y lo fuerzan a ir en esta odisea. Sin embargo él nunca pierde la
    esperanza. Inclusive en este entorno extraño, su situación nos es familiar … el
    amor por un niño, y la situación desesperada de una familia”.

    -“A mí me pareció que la única manera correcta de contar la historia, era
    a través de sus ojos, a través de su dolor y de su enojo, de su frustración y de su
    valentía. Porque esta historia sucede en su territorio, en su país, y si bien
    podremos llegar a entender muy bien el punto de vista de Archer, esto es
    profundamente la historia de Solomon”.

    -“Pienso que esta es una hermosa historia, y la oportunidad de poder
    hacer notar las cuestiones difíciles del conflicto de los diamantes, de los niños
    soldados, y de los campamentos de refugiados”- dice Djimon Hounsou –“Son
    muchos los aspectos de la película que me atraen. Como africano, sin duda
    aprecio mucho que la historia se cuente a través de los ojos de Solomon”.

    Aunque Hounsou no ha vivido en Africa desde hace ya algunos años, su
    corazón nunca se alejó demasiado de su país, y trata de ayudar a
    organizaciones como Oxfam y Amnistía Internacional. Recientemente Hounsou


    filmó un anuncio para la campaña “Make Some Noise” sobre el tráfico ilegal de
    armas, que se pasó por el canal público.

    -“Siempre hay una forma de cambiar las cosas”- reconoce el actor – “pero
    ¿acaso elegimos tratar de cambiarlas? Esa es la cuestión. Si yo entiendo bien, si
    solamente pudiera obtener la mitad del dinero que se roba esencialmente de ese
    continente, podrían solucionarse los problemas de hambre, educación y
    salud…”.

    Gillian Gorfil recuerda:-“Yo me daba cuenta que a Djimon le afectaban las
    experiencias que se dan en la película. El proviene de Africa, y puede
    relacionarse muy bien con Solomon y sus circunstancias, de manera muy
    personal”.

    -“La actuación de Djimon fue simplemente maravillosa. Pienso que el
    hecho de que esta es una historia sobre su país, llega a su sangre y a sus
    huesos, y eso contribuyó mucho a crear su personaje. No hay nada que pueda
    reemplazar eso” -asegura Zwick.

    Durante el viaje para encontrar el diamante, Solomon y Archer
    inexorablemente están separados por líneas de raza y clase, que existieron por
    generaciones. -“Ambos son hombres africanos, pero sus historias son muy
    diferentes”- dice Zwick - “La fuerte conexión entre ellos es el continente en
    donde ambos nacieron. De alguna manera esa identidad común se impone
    sobre la diferencia social. Ellos pueden reconocer las situaciones humanas e
    inhumanas basándose en lo que tienen en común”.

    No obstante, Marshall Herskovitz dice: -“Existen razones fáciles de
    entender para la motivación que tienen estos dos hombres para trabajar juntos.
    Sin embargo sus metas son muy diferentes, y hacen que estén en contra
    mutuamente. De ninguna manera esta es una película sobre amigos. Archer y
    Solomon tienen distintas perspectivas de la vida, pero no quisimos abarcar ese
    aspecto”.


    LA REPORTERA


    El personaje Maddy Bowen brinda una perspectiva completamente
    distinta de la de Solomon y Archer. Ella es una corresponsal norteamericana,
    una extranjera que está en Africa para denunciar la verdad tras el conflicto de
    diamantes. Sus investigaciones ya la habían llevado a destapar evidencia
    irrefutable del contrabando de diamantes y las mentiras para encubrirlo. Entre
    ello, había revelado el hecho de que durante cinco años Sierra Leona casi no
    había reportado exportación de diamantes, mientras que el país vecino, Liberia,
    había exportado una gran cantidad…y eso sin tener minas para explotarlos.
    Maddy ahora necesita más información y confirmar hechos para reafirmar su
    historia. Por eso busca la ayuda de Danny Archer como alguien que estuvo
    dentro de todo ello. Lo que ella nunca imaginó es que al encontrarlo su vida iba
    a cambiar de observadora a participante, y que él la llevaría a conocer la cara
    humana de su artículo: Solomon Vandy.

    Jennifer Connelly comenta: -“Maddy quiere rastrear y denunciar la ruta
    que siguen los diamantes, desde su fuente hasta el lugar donde se venden.
    Como Archer está involucrado ne eso, ella está segura que va a encontrar la
    información que necesita. Ella se imagine que él hizo unas cuantas cosas
    horribles en su vida, pero también piensa que no hay nadie libre de todo pecado.
    Además, en un mundo tan desesperado, los límites se vuelven borrosos.

    -“Lo que me encanta del personaje Maddy, es que ella es cínica e
    idealista a la vez”- dice Herskovitz- “Su motor, es el verdadero deseo de hacer
    algo por cambiar el mundo. Por otro lado, a ella le excita la aventura, y siempre
    se metió en donde estaba la acción. Esa es la razón por la que ahora se
    encuentra en Sierra Leona investigando una importante historia”.

    Connelly, al igual que su personaje en “Blood Diamond”, en la vida real
    está verdaderamente interesada por mejorar el mundo en lo posible. En el año
    2005, fue nombrada Embajadora de Amnistía Internacional USA (AIUSA) para la
    Educación sobre Derechos Humanos. Ella fue también la representante de


    AIUSA cuando la película “Innocent Voices” – sobre los niños soldados de El
    Salvador- se mostró en las Naciones Unidas.

    Para Zwick, Connelly era la actriz perfecta para encarnar el personaje,
    una ambiciosa reportera sin miedo, y al respecto dice: -“Jenny es una persona
    que exuda alta inteligencia y compasión, y eso no es tan simple de transmitir.
    Ella hizo su preparación para el papel. Se juntó con mujeres periodistas, las
    observó, especialmente en sus hábitos y actitudes. Eso le ayudó mucho para u
    actuación”.

    Connelly quedó especialmente fascinada por el constante cuidado de una
    periodista, para no cruzar la fina línea entre el ‘reportar la historia’ y ‘volverse
    parte de la historia’. –“Muchas de las periodistas con las que hablé, me contaron
    qué difícil es controlar la reacción de querer intervenir, de hacer algo para
    cambiar las cosas más rápidamente. Imagino que es difícil estar en ese entorno,
    rodeada de tragedia, y sentir que de alguna manera te estás beneficiando con el
    dolor de otra persona”- Connelly agrega –“Pienso que ese es el conflicto que
    Maddy tiene en esta historia, especialmente en cuanto a Solomon. Ella se da
    cuenta, que sin su ayuda, Solomon tal vez nunca encuentre a su familia. Pero
    ¿acaso ella estaría tan feliz de ayudarlo si no fuera que eso la ayuda a conseguir
    una nota?

    INFANTERÍA SIGNIFICA NIÑOS SOLDADOS

    “Si uno mira lo que le sucede a un niño obligado a matar,
    sabe lo que es la destrucción del alma humana”

    A través de las conexiones de Maddy, Solomon encuentra a su familia en
    un campo de refugiados. Allí se entera que su a hijo Dia de 12 años – un
    estudiante que soñaba con ser médico – se lo llevaron los rebeldes y lo
    obligaron a ser soldado. Kagiso Kuypers interpreta el papel de Dia. El es un
    joven actor a quien descubrieron en la Escuela Nacional de Arte de
    Johannesburg, en Sudáfirca. Zwick lo eligió entre cientos de otros niños, que
    esperanzados habían venido desde todas partes de la región. -“Muchos de estos


    niños eran admirables, pero Kagiso sobresalió entre todos ellos” -dice Zwick”“
    Yo lo empujé para que hiciera la prueba de actuación, y quedé impresionado
    por su entendimiento de lo que le hacen a Dia, y cómo eso lo cambia como niño
    y como hijo”.

    Zwick agrega: -“Yo tengo un hijo adolescente, y sólo la idea de que un
    grupo de viciosos asesinos se lo llevara y le lavara el cerebro, es un horror que
    traspasa los límites de la imaginación”.

    Lamentablemente, ese horror se hizo realidad para cientos de padres en
    un mundo donde el terror era una realidad.

    Sorious Samura explica: -“Los niños soldados existen desde hace mucho
    más tiempo que la guerra en Sierra Leona. Siguen existiendo porque hay gente
    que se da cuenta que los niños pueden ser muy efectivos en contra del enemigo.
    Ellos confunden las mentes de estos niños, y les enseñan a hacer cosas
    terribles”.

    -“Cuando uno ve lo que le sucede a un niño obligado a matar, sabe lo que
    es la destrucción del alma humana”- declara Herskovitz- “Es un crimen sin
    límites contra la humanidad”.

    Gillian Gorfil está de acuerdo y dice: “Dos de las más preciosas
    cualidades que tienen los niños, son su honestidad y su inocencia. Cuando uno
    le saca la inocencia a un niño, ya nunca más la puede recobrar. Eso no tiene
    perdón”.

    -“¿Qué es lo que pierde un niño cuando alguien le pone una pistola en las
    manos y le enseña a matar? ¿en nombre de qué se justifica hacer eso?” pregunta
    Weinstein -“Estoy muy orgulloso de que Ed haya querido mostrar esa
    parte de la historia con honestidad en la película”.

    Si bien en el film los realizadores muestran sin miedo la adoctrinación de
    los niños soldado, tuvieron mucho cuidado para proteger no sólo los cuerpos,
    sino los corazones y las mentes de los jóvenes actores que interpretaron las
    escenas.


    -“Hubo todo tipo de reglas y lineamientos sobre las cosas a las cuales los
    niños podían o no ser expuestos” – explica Herskovitz – “todo se hizo para
    protegerlos, así que estábamos contentos de cumplirlos”.

    Zwick trató con los niños directamente. -“Pasé mucho tiempo hablándoles
    sobre las escenas, y explicándoles la historia de los niños soldado. Era
    fundamental que entendieran las implicaciones de lo que estaban haciendo, y
    ellos lo entendieron”.

    Tal vez la prueba de qué bien los niños lo entendieron, se pueda ver en
    las palabras de Kagiso Kuypers. Tras terminar de filmar “Blood Diamond”, él dijo:
    -“Yo nunca usé, y nunca voy a usar una pistola para herir a alguien”.

    Samura es optimista, y tiene la esperanza que las imágenes en pantalla
    del cruel inicio de Dia como soldado, traigan un cambio positivo al mundo real. –
    “Mucha gente en Sierra Leona no puede perdonar a los niños soldados. Tal vez,
    si pudieran ver que no fue culpa de los niños, entenderían la necesidad de
    perdonarlos”.

    Hay dos figuras adultas en la película, que representan el horror y la
    esperanza de los niños soldados. David Harewood encarna al despiadado
    mercenario, el soldado rebelde conocido como Capitán Poison (Capitán
    Veneno). El es el responsable de capturar y esclavizar a Solomon Vandy, y
    luego atrapar a su hijo Dia. Harewood comenta: -“Creo que se puede describir a
    mi personaje en una sola frase: -“Tal vez piensen que yo soy el demonio, pero
    eso se debe a que yo he vivido en el Infierno. Y de ahí quiero salir’”.

    En el lado opuesto está Benjamin, un maestro dedicado que tiene
    una escuela para las víctimas más jóvenes de la guerra, incluyendo a ex niños
    soldados. La escuela es un lugar en el cual, según Benjamín, uno puede volver
    a la vida. Basil Wallace, interpreta el personaje de Benjamin, y comenta: “
    Desde su punto de vista, aunque estos niños han pasado por el mismo infierno,
    aún siguen siendo los hombres del futuro. Hay que quererlos y criarlos, porque
    son una generación de niños que no conocen otra cosa más que el sufrimiento,
    causar dolor, y si los dejamos así, no tenemos futuro”.


    ÁFRICA

    ...”habiendo estado allí, creo que puedo decir que todos
    nosotros quedamos marcados por ello. Desde entonces, no
    podemos evitar ver al mundo de una manera diferente”.

    “Blood Diamond” se filmó enteramente en Africa. Para Ed Zwick eso era
    crucial, en su mayoría por razones que de cierta forma eran intangibles. -“Africa
    es un lugar de grandes contrastes. Por donde sea que uno va se encuentra con
    imágenes de impresionante belleza, y de desgarrante inmundicia, de gran
    espiritualidad y profunda pobreza. Todo le viene a uno a los ojos, y causa un
    efecto en todos. Es muy difícil describir ese efecto… baste decir que si
    hubiéramos filmado la película en otro lado, no tendría el sentido inefable que le
    da el lugar”.

    La película también se filmó en Sierra Leona, si bien el director reconoce
    que: -“Africa ecuatorial del oeste no tenía la infraestructura para las necesidades
    de una producción de este tamaño. Necesitábamos también otros exteriores”.

    Luego de explorar la costa de Sudáfrica, en el área cerca de Port Edward
    la provincia KwaZulu Natal, encontramos el lugar ideal. El paisaje de selva
    exuberante fue el telón de fondo de tres importantes escenarios: el de la mina de
    diamantes, el del campo de refugiados y la escuela de Benjamin. Para crear los
    escenarios, el diseñador de producción Dan Weil, realizó su propia investigación,
    si bien a eso se agregó el beneficio de las descripciones de primera mano de
    Samura.

    El clima sin embargo no cooperó demasiado. -“Esta es la tercera vez que
    yo voy a un lugar a donde me prometen buen tiempo, y de alguna manera
    pareciera que yo traigo las peores lluvias jamás registradas en la historia
    moderna”- se ríe Zwick -“De hecho, tuvieron precipitaciones que rompieron con
    todos los registros de las estaciones de lluvia. Eso significó tener que
    adaptarnos a las circunstancias. Eduardo y yo estábamos siempre volviendo a
    planear las tomas para acomodarnos al tiempo”- agrega, refiriéndose al director
    de fotografía Eduardo Serra.


    Paula Weinstein agrega: - “¡Este continente es excitante, está realmente
    vivo! Cada mañana, estos tipos venían a la filmación, y comenzaban a describir
    qué tipo de bicho habían encontrado en su habitación la noche anterior. Cada
    día era algo así como:’Ok, ¿qué había en tu habitación ayer por la noche? ¿una
    lagartija? ¿tal vez viste una víbora?’ Uno debía que tener sentido del humor al
    respecto, y no comportarse como una estrella malcriada de Hollywood. Eso no
    funcionaba, por eso tratábamos de reírnos sobre las historias de cada uno”.

    Además de las preocupaciones por el clima y los animales salvajes, los
    cineastas tuvieron en mucha consideración del hecho de que estaban en un
    área ecológicamente sensible. Por eso, tomaron muy seriamente la
    responsabilidad de dejar los lugares en los que trabajaban en igual- o en
    algunos casos en mejor- condición de lo que los habían encontrado.

    El productor Kevin De La Noy dice: -“Antes siquiera de ir al valle,
    realizamos un investigación del impacto que tendría nuestro trabajo en el
    entorno. Cuando comenzamos a trabajar tuvimos que cumplir con un plan de
    conservación ambiental. Cada día, había oficiales de la Administración de
    Tierras Provinciales en el lugar, que se aseguraban que cualquier planta
    indígena que tuviéramos que mover, la moviéramos de la manera adecuada.
    Luego esas plantas debían mantenerse en un invernadero, para volverlas a su
    lugar original al final de la filmación”. Además de mantener meticulosamente la
    flora del lugar, los cineastas también hicieron traer camiones de plantas y
    árboles nativos de Sierra Leona, para decorar los exteriores.

    Para que los camiones pudieran acceder al lugar, debió crearse un
    sistema de caminos, en donde antes no existían más que senderos. Esos
    caminos debían ser lo suficientemente anchos como para dejar circular
    camiones, pero debían a su vez, ser diseñados para no causar gran impacto en
    los árboles y arbustos que los bordeaban. El camino mismo fue construido
    dentro de un marco de malla de alambre, para poder facilitar sacarlo al final de la
    filmación. Así, la vegetación podría volver a retomar su territorio.

    Zwick cuenta: -“Kevin ha vuelto recientemente de un viaje a Port Edward,
    tras la filmación, y dijo que el pasto ya volvió a crecer en el lugar en donde


    filmamos, y que nueva fauna había vuelto en abundancia, para deleite de los
    guardabosque y los ecologistas. Restaurar el lugar era muy importante para
    nosotros, y me siento muy orgulloso de decir que nuestros esfuerzos al respecto,
    tuvieron mucho éxito”.

    Desde Port Edward, el equipo se mudó a Mozambique, en donde la
    ciudad de Maputo hizo las veces de la ciudad capital de Sierra Leona, Freetown.

    Filmar la explosiva caída de Freetown presentó una serie de problemas
    logísticos a todo el equipo de producción. El director señala que fue necesaria
    cuidadosa coordinación para conseguir un gran disturbio. El explica: -“El tumulto
    debía parecer caótico, pero eso no se puede lograr caóticamente. Eso requería
    mucha planificación y concentración. No puedo ni contar las veces que
    caminamos por esas calles y discutimos la posición de las cámaras, los actores,
    los dobles, los extras…”.

    Zwick también trabajó conjuntamente con el supervisor de efectos
    especiales Neil Corbould, para coreografiar los tiempos y los lugares de las
    explosiones. El continúa diciendo: -“Es un proceso redundante y muy intenso, y
    uno tiene que ser paciente e implacable. A la vez, uno debe dejar lugar para los
    imponderables, porque lo inesperado sucede”.

    Se utilizó cantidad de gente del lugar como extras, en las secuencias de
    batalla.

    En cuanto al vestuario, fue la diseñadora Ngila Dickson, quien estuvo a
    cargo. Ella ya había trabajado previamente con Zwick en “The Last Samurai”.
    Dickson mandó a buscar telas a Sierra Leona, las cuales ella dice, tiene colores
    y diseños especiales. -“Son atrevidas y hermosas, con muchos diseños florales.
    A mí me parece que tiene un diseño con aire de las islas. También compramos
    en muchos negocios de segunda mano, para conseguir ropas que se adaptaran
    al tiempo y al lugar en que sucedía la historia”.

    Los realizadores tuvieron especial cuidado con los efectos que las
    escenas de batalla tendrían en los habitantes de Maputo. Algunos de ellos
    tenían la memoria muy fresca de la propia guerra civil de Mozambique. Para
    mitigar traumas innecesarios, se repartieron volantes, y se hicieron publicidades


    en todos los medios, advirtiendo a la gente que escucharían y verían escenas de
    batallas, pero que todo sería una actuación para filmar una película.

    Irónicamente, fueron los extras locales los que calmaron y consolaron a
    los cineastas y a los actores entre las tomas. Weinstein explica: -“Algunas veces,
    tras filmar alguna escena emotivamente difícil, ellos se juntaban en algún rincón
    y comenzaban a cantar todos juntos. Eso ayudó a dar un espíritu de calidez en
    el lugar de filmación, y nos hizo sentir felices de estar allí, y de tener la suerte de
    estar contando esta historia. En verdad, fueron los anfitriones más amables y
    maravillosos de todo el proceso”.

    Pese a todo, el realismo fue demasiado para algunas de las personas que
    trabajaban en la película. El entrenador de dialecto Mende, Alfred Lavalie, no
    pudo aguantar ver más tras el primer día de filmación y Samura admite: -“Trajo
    tristes memorias a mucha gente del lugar, y debo confesar, que me hizo dar
    cuenta de qué suerte tuve yo de poder sobrevivir. Volví a mi hotel y lloré, llamé a
    mis hijos y les dije que los quería. Yo espero que la gente que mire esta película
    pueda comprender la inmensidad de esta locura”.

    En las afueras de Maputo, la pequeña villa de pescadores Costa du Sol,
    hizo las veces del lugar en donde vivía pacíficamente la familia de Vandy. Esa
    paz, en la filmación, se haría pedazos cuando el poblado fuera atacado
    repentinamente por brutales soldados rebeldes.

    Zwick comenta: -“Es muy difícil poder imaginarse que estas cosas todavía
    suceden en el mundo. Uno quiere sentarse y relajarse en la confortable vida que
    tenemos en los Estados Unidos. Pero creo que tras haber estado allí, todos
    nosotros quedamos marcados. Desde entonces, no podemos evitar ver al
    mundo de una manera completamente diferente”.

    LA BONDAD COMIENZA EN EL LUGAR

    “Es imposible estar en unos de esos lugares, por cualquier
    espacio de tiempo y no sentirse conmovido, aún sabiendo que
    cualquier cosa que uno haga, no va a ser suficiente”.


    Cuando la filmación en Mozambique terminó, los equipos se trasladadon
    a lugares en Londres, India, y Bélgica, donde se filmarían el resto de las
    escenas. Pero antes de dejar Africa, una idea comenzó a surgir entre todos los
    actores y el equipo de producción. Cada uno de ellos se había sentido
    profundamente tocado por la gente que conocieron allí. Al mismo tiempo, habían
    presenciado las grandes privaciones con que vivían. Entonces decidieron
    cambiar las cosas.

    Durante la filmación, Djimon Hounsou se tomó el tiempo de ir a visitar una
    Aldea Infantil SOS cerca de Maputo. (SOS Children es la obra de caridad más
    grande del mundo, que ayuda a huérfanos y a niños abandonados). Otros
    actores y gente del equipo de producción, incluyendo a Leonardo DiCaprio,
    también disfrutaron la oportunidad para visitar algunos de los niños de la aldea,
    que se unieron a ellos para trabajar de extras.

    Al desarmar los escenarios, la mayoría de la utilería, materiales de
    construcción, ropa y hasta cosas personales, fue distribuida entre los orfanatos
    locales y los hospitales. Además, el equipo de construcción, construyó
    voluntariamente escritorios y sillas para los orfanatos y las escuelas.

    -“Es imposible estar en uno de esos lugares, por cualquier espacio de
    tiempo y no sentirse conmovido, aún sabiendo que cualquier cosa que uno haga,
    no va a ser suficiente” – dice Zwick – “El jefe de producción de nuestra unidad,
    Nick Laws, hizo todo lo que pudo para enterarse cuáles eran las necesidades
    específicas en las áreas en donde habíamos estado filmando”.

    Weinstein afirma: -Uno no puede quedarse sin hacer nada, si se entera
    que si uno pone mil dólares, las mujeres no van a tener que caminar 40 minutos
    para conseguir agua. En mi caso, eso sucedió sin que nadie tuviera que pedirme
    nada”.

    Todos los miembros del reparto, del equipo de filmación y de cineastas
    pusieron dinero. Algunos comenzaron con una cantidad por semana, otros más,
    para ayudar a las comunidades que los habían recibido durante la filmación de
    “Blood Diamond”. Con esas donaciones, se lanzó la “Fundación de Caridad
    Blood Diamond”, la cual sigue creciendo.


    Zwick agrega: -“Cuando yo informé a Warner Bros. los fines de la
    fundación, el estudio inmediatamente estuvo de acuerdo en igualar el total de
    todas nuestras donaciones”.

    -“Formar parte de la Fundación, personalmente para mí, fue gratificante”-
    dice Marshall Herskovitz -“Yo he participado en proyectos en los que la gente
    dice que quiere participar, pero luego nada sucede. De cierta forma, no
    pensamos en esto como una caridad, sino como en una manera de
    agradecimiento, y para seguir en contacto con la gente en Africa que fue tan
    amable con nosotros”.

    El trabajo con los fondos recién ha comenzado. Sus metas son variadas,
    e incluyen proyectos como cavar pozos de agua, crear caminos, construir
    escuelas, proveer útiles para las escuelas, proveer comida, asistencia médica y
    mucho más.

    -“Es tan solo una gota en un océano comparado con todo lo que se
    necesita hacer. Pero hicimos lo que pudimos… y vamos a continuar haciendo lo
    que podamos”- declara Zwick.

    EPÍLOGO

    Llevó años de trabajo dedicado y mucho coraje por parte de testigos,
    periodistas y organizaciones como Amnistía Internacional, Partnership Africa-
    Canada, Global Witness y Oxfam, para llamar la atención del mundo hacia la
    crisis de los Diamantes de Sangre. Al esparcirse el conocimiento del tema, se
    requirió un cambio en el comercio de diamantes, lo cual terminó en el Esquema
    de Proceso de Certificación Kimberley (KPCS), el cual se estableció el 5 de
    Noviembre del 2002. El proceso Kimberley es un acuerdo auto–regulado entre
    las naciones exportadoras de diamantes, y los gobiernos participantes, para
    implementar la legislación “para el monitoreo efectivo del comercio de diamantes
    en bruto, para poder detectar y prevenir el comercio de ‘diamantes conflictivos’”.


    Con este fin, la industria internacional de diamantes acordó participar en
    un sistema voluntario de garantías, para asegurar que los diamantes puedan ser
    rastreados hasta su punto de venta.

    Desde el 6 hasta el 9 de Noviembre del año 2006, en Gaborone,
    Botswana el proceso Kimberley, hizo una revisión de los últimos tres años de
    funcionamiento, para saber si funciona, y para identificar maneras de fortalecer
    el Esquema.

    Se necesita crucialmente acción decisiva a partir de la revisión, para
    asegurar que el esquema KPCS se desarrolla en un sistema de certificación
    efectivo, para ponerle fin a los diamantes que sirven para crear conflicto.

    Las organizaciones protectoras no niegan que los acuerdos Kimberley
    hayan mejorado la situación. –“Sin embargo, inclusive ahora, es una
    circunstancia muy difícil de controlar”- detalla Zwick – “no le estamos diciendo a
    la gente que deje de comprar diamantes, pero necesitamos que los
    consumidores insistan en ver el certificado de garantía de los diamantes que
    compran. El Proceso Kimberley se creó gracia a que el tema cobró conocimiento
    público. Si esta película tiene éxito para incrementar esa conciencia, con suerte
    va a reforzar aún mucho más ese proceso”.

    LAS CINCO “C” PARA LOS CONSUMIDORES

    Se dice a los compradores de diamantes, que deben considerar las 4 C
    para elegir uno: color, corte, claridad y peso en carates. Sin embargo hay una
    más a considerar antes de realizar la compra. La C de Conflicto.

    Amnistía Internacional y Global Witness, tiene un panfleto que ayuda a los
    consumidores que sus diamantes nunca otra vez sean fondo para conflictos. Al
    comprar una joya con diamantes, el comprador puede preguntar al vendedor
    cuatro preguntas, para enterarse qué está haciendo el comerciante para prevenir
    el comercio de diamantes conflictivos. Esas preguntas son:

    o ¿Cómo sé que sus diamantes no son diamantes conflictivos?

    o ¿Sabe usted de dónde provienen los diamantes que usted vende?
    o ¿Puedo ver una copia de las normas de su compañía con respecto
    a los diamantes conflictivos?
    o ¿Puede mostrarme una garantía escrita de sus proveedores de
    diamantes declarando que sus diamantes no son conflictivos?
    El vendedor debe poder presentar toda esa información sin problemas, si
    así no fuera, el consumidor debería tratar de comprar en otro lado… y decirles
    por qué.

    Trágicamente, el crimen del rapto de niños para convertirlos en soldados
    es constante en escala mundial Recientes noticias reportan que en Sri Lanka
    miles de jóvenes varones son sacados de sus familias en pasadas que cubren
    barrios completos.

    Un reporte reciente, estima que hoy, hay unos 400.000 niños soldados en
    el mundo.

    # # #

    Si a usted le interesa saber más sobre los diamantes de sangre, y /o los
    niños soldados, los cineastas recomiendan las siguientes fuentes:

    DOCUMENTALES

    “Cry Freetown” & "Return to Freetown" – dirigida por Sorious Samura

    “War Photographer” – dirigida por Christian Frei

    “Shadow Company” – dirigida por Nick Bicanic y Jason Bourque


    NO-FICCIÓN

    “Blood Diamond” – Greg Campbell
    “Blood from a Stone” – Douglas Farah
    “Innocents Lost” – Jimmie Briggs
    “Mukiwa” – Peter Godwin
    “How de Body? One Man's Terrifying Journey
    Through an African War” – Teun Voeten
    "In the Land of Magical Soldiers"
    A Story of White and Black in West Africa - Daniel Bergner
    “The Devil that Danced on the Water:
    A Daughter’s Quest” - Aminatta Forna

    WEBSITES

    Amnestyusa.org
    GlobalWitness.org
    Pacweb.org (Partnership Africa-Canada)


    SOBRE LOS ACTORES

    LEONARDO DiCAPRIO (Danny Archer) fue propuesto para los Premios
    de la Academia dos veces, la última por su interpretación como Howard Hughes,
    en la película del 2004 del director Martin Scorsese. “The Aviator”. La actuación
    de DiCaprio en la película, le hizo ganar el Globo de Oro al Mejor Actor en un
    Drama, además de valerle la postulación a los premios Critics’ Choice y el de la
    BAFTA (British Academy of Film and Television Arts). Además, también fue
    postulado para dos Premios del Gremio de Actores de cine (SAG), una como
    Mejor Actor y la otra para el premio conjunto al Mejor Grupo, junto a los actores
    de reparto de “The Aviator”. En el año 2004, en el Festival de Cine de
    Hollywood, DiCaprio fue elegido como Actor del Año.

    DiCaprio nació en Hollywood, California, y comenzó a actuar a los 14
    años. Tras realizar pequeñas partes en televisión,.comerciales y películas,
    obtuvo un papel con el cual aparecía regularmente en el programa televisivo
    “Growing Pains”.

    Su papel trampolín vino de la mano del director Michael Caton-Jones,
    quien eligió a Leonardo para hacer el papel de Tobias Wolff, papel deseado por
    muchos, en la adaptación para la pantalla de la novela dramática autobiográfica
    de Wolff, “This Boy’s Life”. Junto a Leonardo actuaron Robert De Niro y Ellen
    Barkin.

    DiCaprio luega actuó junto a Johnny Depp en 1993, en “What’s Eating
    Gilbert Grape?” Su actuación como un joven retrasado mental le valió su primera
    postulación al Mejor Actor Secundario del Premio de la Academia y para los
    premios Globo de Oro. Además ganó el Premio al Mejor Actor Secundario
    otorgado por la Junta Nacional de Críticos, y el Premio Nueva Generación de la
    Asociación de Críticos de Películas Los Angeles.

    En 1995 DiCaprio tuvo papeles protagónicos en tres distintas películas,
    comenzando por la película de vaqueros de Sam Raimi, “The Quick and the
    Dead”, con Sharon Stone y Gene Hackman. Continuó desafiándose a sí mismo


    actuando como un drogadicto en el drama de Jim Carroll, “The Basketball
    Diaries”, por cuya actuación fue alabado, y luego dio vida al perturbado poeta
    pansexual Arthur Rimbaud en “Total Eclipse” de Agnieszka Holland.

    Al año siguiente DiCaprio actuó en la obra del director australiano Baz
    Luhrmann, la adaptación para cine de “William Shakespeare’s Romeo + Juliet”,
    DiCaprio ganó el premio al Mejor Actor por su interpretación en ella, en el
    Festival de Cine Internacional de Berlín. Ese mismo año, se juntó a un reparto
    de grandes estrellas en “Marvin’s Room”, en la cual actuaban Meryl Streep,
    Diane Keaton y Robert De Niro. Con ellos compartió un postulación para el
    premio de la SAG (Gremio de Artistas de Cine) en la categoría Mejor Grupo de
    Actores.

    En 1997, Leonardo fue el actor principal del super exitazo del director
    James Cameron, “Titanic”. Su interpretación lo puso muy cerca de ganar un
    Globo de Oro, al ser nominado para el premio. La película ganó 11 premios de la
    Academia, entre ellos a la Mejor Película, y todavía sigue siendo la película de
    mayor recaudación de todos los tiempos.

    Seguidamente actuó como dos personajes en “The Man in the Iron
    Mask”,.a lo que le siguió “The Beach” y la película de Woody Allen,“Celebrity”.

    DiCaprio recibió una tercera postulación para el Globo de Oro en el 2002,
    al encarnar al estafador Frank Abagnale, en la película “Catch Me If You Can”
    dirigida por Steven Spielberg. Ese mismo año también actuó en el drama “Gangs
    of New York”, película que marca su primer trabajo bajo la dirección de Martin
    Scorsese.

    DiCaprio actuó recientemente en la película de Martin Scorsese “The
    Departed”, junto a Matt Damon y a Jack Nicholson.

    JENNIFER CONNELLY (Maddy Bowen) ganó el premio de la Academia
    por su actuación en la película de Ron Howard “A Beautiful Mind”, coprotagonizada
    por Russell Crowe. La película ganó también el Oscar a la Mejor
    Película. Por su actuación como la sufriente esposa de John Nash, Alicia,
    Connelly recibió los premios Globo de Oro, el de la BAFTA (British Academy of


    Film and Televisión Arts), el del Instituto Americano de Filmación (AFI), el Critics’
    Choice, más la postulación al premio del Gremio de Actores de Cine, en la
    categoría Mejor Actriz Secundaria.

    Connelly fue candidata al premio Critics’ Choice recientemente por su
    actuación en el drama “House of Sand and Fog”, la cual protagonizó junto a Ben
    Kingsley. Previamente había sido listada para los premios Independent Spirit,
    por su interpretación de una resuelta drogadicta, en la película de Darren
    Aronofsky, “Requiem for a Dream”.

    Connelly ahora está rodando la película independiente “Reservation
    Road”, junto a Joaquin Phoenix y Mark Ruffalo.

    Entre otros de sus trabajos, cabe mencionar sus papeles protagónicos en:
    la película de terror “Dark Water”; “Little Children” de Todd Field; el film de
    acción “The Hulk” de Ang Lee, con el actor Eric Bana; la muy aclamada película
    biográfica “Pollock”, dirigida y protagonizada por Ed Harris; la película de
    suspenso “Waking the Dead” de Keith Gordon, con Billy Crudup; “Inventing the
    Abbotts” con un reparto que incluía a Crudup; el film de misterio “Dark City” de
    Alex Proyas, la película “Mulholland Falls” de Lee Tamahori de tema policial,
    drama de los años 1950, la controvertida película de John Singleton “Higher
    Learning”; la película de aventuras “The Rocketeer”, dirigida por Joe Johnston;
    “Some Girls”, del director Michael Hoffman; la fantasía de aventuras de Jim
    Henson “Labyrinth”; y “Once Upon A Time in America” del director Sergio
    Leona,la cual fue el debut de Connelly en el cine.

    DJIMON HOUNSOU (Solomon Vandy) fue candidato al premio de la
    Academia y ganó el premio Independent Spirit for su interpretación de Mateo, un
    solitario cuya vida cambia a partir de su amista con dos niñas, en la película
    sobre inmigrantes de Jim Sheridan “In America”. Hounsou también fue
    destacado en 2004 como Actor Secundario del Año en ShoWest, y compartió la
    noinación al premio del Gremio de Actores de Cine (SAG) en la categoría
    Actuación de Reparto Sobresaliente junto a todos los otros actores de la película
    “In America”.


    Al comenzar su carrera Hounsou fue listado a los Globos de Olro y ganó
    un premio Image por su interpretació de Cinque, el africano que lidera un
    levantamiento para recobrar la libertad, en la película histórica de Steven
    Spielberg, el drama “Amistad”. Luego compartió una nomianción al premiko del
    Gremio de Actores de Cine por su papel en el film ganador del Oscar del director
    a la Mejor Película, del director Ridley Scott, “Gladiator”.

    En 2005, Hounsou actuó en 3 películas: la futurista de Michael Bay “The
    Island”, junto a Ewan McGregor y Scarlett Johansson; la de misterio
    “Constantine”, protagonizada por Keanu Reeves; y la comedia “Beauty Shop”, en
    donde se juntó a un reparto liderado por Queen Latifah. Entre sus otros trabajos
    en cine, cabe mencionar: “Lara Croft Tomb Raider: The Cradle of Life” dirigida
    por Jan de Bont, protagonizada por Angelina Jolie; “The Four Feathers”, de
    Shekhar Kapur, con Heath Ledger y Kate Hudson; y “Deep Rising”.

    En television, Hounsou actuó en seis episodios como refugiado africano
    buscando asilo, en la serie dramática “ER”, y más recientemente tuvo
    repetidamente un papel en la serie “Alias”, protagonizada por Jennifer Garner.

    Hounsou nació en Benin, Africa del Oeste, y se mudó a París a los 13
    años, para tener una mejor educación. Siendo adulto, el diseñador de modas.
    Thierry Mugler lo descubrió, y comenzó a trabajar con él y el legendario fotógrafo
    Herb Ritts. El director David Fincher luego re-descubrió a Hounsou, y le dio n
    papel en varios videos musicales. A eso siguieron varios papeles pequeños,
    hasta que finalmente le llegó la oportunidad de actuar en un película imprtante,
    en 1997, en “Amistad”.

    Además de su papel en “Blood Diamond”, Hounsou podrá se visto en
    Diciembre en la aventura fantástica “Eragon”.

    MICHAEL SHEEN (Simmons) ahora está haciendo el papel del Primer
    Ministro Tony Blair en el aclamado drama de Stephen Frears “The Queen”.
    Previamente personificó a Tony Blair, también bajo la dirección de Frears en la
    película televisiva “The Deal”. “The Queen” es la tercera película en la que
    Sheen trabaja con Frears. El debutó en cine con la película del mismo director,


    “Mary Reilly”, en la cual interpretaba al sirviente del Dr. Jekyll. Otras películas de
    cine en las que actuó Sheen son: “Kingdom of Heaven” deRidley Scott, “Laws of
    Attraction”, “Bright Young Things” de Stephen Fry, “Underworld”, “The Four
    Feathers” de Shekhar Kapur “Wilde”.

    Sheen nació en Gales, y estudió en la Academia Real de Artes
    Dramáticas de Londres (RADA), en donde en su segundo año ganó el codiciado
    premio Laurence Olivier Bursary popr sus consistentemente excelentes
    actuaciones. Mientras que estudiaba en RADA, Sheen consiguió un papel junto
    a Vanessa Redgrave en 1991, en la obra “When She Danced”, el cual fue su
    debut en el West End.

    Desde entonces Sheen recibió nominaciones al premio Olivier por su
    actuación en “Amadeus”, “Look Back in Anger”, y“Caligula”, con el cual también
    ganó el premio del Círculo de Críticos de Londres y el premio de la publicación
    London Evening Standard. Sheen recibió gran reconocimiento por su actuación
    en obras tales como “Romeo and Juliet”, “Peer Gynt” y “Henry V”. En 1999,
    Sheen debutó en Broadway, voviendo a retomar su papel de “Amadeus”. Más
    recientemente, Sheen concluyó la obra que vendió sala completa “Frost/Nixon”,
    en la cual actuaba como David Frost al de Frank Langella.

    ARNOLD VOSLOO (El Colonel), es nativo de Sudáfrica, pero es conocido
    por muchos espectadores por su papel del Gran Sacerdote Imhotep en las
    exitosas películas de acción “The Mummy” y “The Mummy Returns”. Pronto
    podrá ser visto en la película independiente “Living & Dying”. Entre sus otros
    trabajos en cine, pueden mencionarse “Agent Cody Banks”, “Endangered
    Species”, “Zeus and Roxanne”, “Hard Target” de John Woo’s, y “1492: Conquest
    of Paradise” de Ridley Scott’s. En televisión, Vosloo hizo el papel del villano
    Habib Marwan en la cuatra estación de la exitosa serie “24”.

    En Sudáfrica Vosloo ha sido destacado dos veces con el premio Dalro al
    Mejor Actor. La primera vez en 1984 por “Boetie Gaan Border Toe”, la cual fue
    su debut en cine, y la segunda vez en 1990 por “Circles in a Forest”. Recibió una


    nominación al Mejor Actor por su actuación en la versión de cine de “More Is ‘n
    Lang Dag”, en donde interpretó el papel que antes había desarrollado en teatro.

    Vosloo ganó muchos premios por su trabajo en el escenario, entre ellos
    por las obras “Don Juan” y “Torch Song Trilogy”, y también por “More Is ‘n Lang
    Dag”. El ha aparecido en teatros alrededor del mundo, incluyendo el Circle in the
    Square de Nueva York, el North Light de Chicago y el West End de Londres.

    KAGISO KUYPERS (Dia) debuta por primera vez en la gran pantalla con
    “Blood Diamond”.

    Este niño de 14 años, estudió danza y drama en la Escuela Nacional de
    Arte de in Johannesburg, Sudáfrica. Ahora ha vuelto a la escuela, y espera
    poder hace muchio más en su carrera como actor, y continúa estudiando
    danzas.

    SOBRE LOS REALIZADORES

    EDWARD ZWICK (Director/Productor) es un director, productor y
    guionuista que ha trabajado en una gran cantidad de películas tanto para cine
    como para televisión. Como productor de cine, el ganó el premio de la Academia
    y el de la BAFTA (British Academy of Film and Television Arts) por su trabajo en
    el film que ganó el Oscar a la Mejor Película, “Shakespeare in Love”, y fue
    candidato al Oscar a la Mejor Película por “Traffic”, el film dramático de Steven
    Soderbergh.

    Zwick también ha sido reconocido por su trabajo como director. El recibió
    una nominación a los Globos de Oro al Mejor Director, con su segunda película,
    un drama sobre la guerra civil de 1989, “Glory”, con la cual el protagonista
    Denzel Washington ganó su primer Oscar, al Mejor Actor Secundario. Zwick
    recibió su segunda nominación a los Globos de Oro, por su trabajo como director
    en “Legends of the Fall”, con los primeros actores Anthony Hopkins y Brad Pitt.


    Zwick también produjo esa película. Luego pasó a dirigir “Courage Under Fire”,
    con las estrellas Denzel Washington y Meg Ryan. Más tarde dirigió, escribió y
    produjo “The Siege”, que fue la primera película en la que trabajó con
    Washington.

    Zwick recientemente dirigió, co-escribió y produjo, la gran película épica
    “The Last Samurai”, protagonizada por Tom Cruise y Ken Watanabe. Con ella
    ganó el premio de la Junta Nacional de Críticos al Mejor Director. Entre las
    primeras películas que dirigió, se encuentran “Leaving Normal” y “About Last
    Night…”. Zwick produjo “I Am Sam”, con la actuación de Sean Penn, y ganó el
    premio Stanley Kramer del Gremio de Productores a las películas que vierten luz
    sobre problemas sociales.

    Zwick viene de Winnetka, Illinois, Zwick y allí trabajaba de aprendiz en el
    Festival de la Academia de Lake Forest. Luego pasó a estudiar en la universidad
    de Harvard, en donde se dedicó a la literatura, mientras que continuaba
    escribiendo y dirigiendo teatro. Cuando se graduó, recibió la beca Rockefeller
    Fellowship para estudiar en Europa.

    En 1975, Zwick fue aceptado con Director Colega en el Instituto de
    Filmación Americano (AFI). Su cortometraje de AFI “Timothy and the Angel”,
    ganó el primer lugar en la competencia de estudiantes de filmación en el Festival
    de Cine de Chicago 1976. Eso lo llevó a ser el editor de historia de la aclamada
    serie dramática “Family”. Más tarde pasó a ser productor de la serie, y escribió y
    dirigió varios episodios. En 1980, Zwick recibió su primera nominación al premio
    Emmy por su trabajo de productor en la serie “Family”.

    Tres años más tarde, Zwick dirigió, produjo y co-escribió el telefilm
    “Special Bulletin”, por el cual ganó dos premios Emmy, al Mejor Especial de
    Drama y al Mejor Guión, y recibió una moción como Mejor Director. “Special
    Bulletin” le brindó a Zwick al premio del Gremio de los Directores de América, el
    del Gremio de Escritores de América (WGA), y el premio Humanitas. El proyecto
    fue el principio de lo que luego sería un largo trabajo conjunto con Marshall
    Herskovitz, a quien había conocido en el AFI, y con quien formó la compañía
    The Bedford Falls.


    El primer trabajo de Bedford Falls fue la serie de televisión
    “thirtysomething”, la cual ganó el premio Emmy a una Serie Dramática en 1988,
    y luego recibió tres otras nominaciones al Emmy en la misma categoría. Zwick
    también fue candidato a los premios Emmy y el del Gremio de Escritores de
    América por su trabajo como escritor. Otros trabajos que realizó para televisión
    son la muy vivada serie “My So-Called Life”, “Relativity”, y “Once and Again”, por
    la cual Zwick ganó su segundo premio Humanitas.

    Otros galardones recibidos por Zwick en su carrera, incluyen dos premios
    Peabody, y el premio Franklin J. Schaffner Alumni otorgado por al AFI.

    MARSHALL HERSKOVITZ (Productor) fue candidato al Oscar, por su
    trabajo en la película de Steven Soderbergh “Traffic”. El film ganó cuatro premios
    de la Academia, y fue nominado para la Mejor Película. A lo largo de su
    distinguida carrera, Herskovitz trabajó como director, escritor, y productor de
    películas tanto para cine como para televisión.

    Herskovitz recientemente co-escribió y produjo la película de tema
    histórico dirigida por Edward Zwick, “The Last Samurai”. En ella era protagonista
    Tom Cruise. Otros de sus trabajos como productor incluyen: “I Am Sam”,
    protagonizada por Sean Penn, con la cual él compartió el premio Stanley Kramer
    del Gremio de Productores de América, a las películas que vierten luz sobre
    problemas sociales, “Dangerous Beauty”, la cual también dirigió; y la película de
    Zwick “Legends of the Fall”, con los primeros actores Anthony Hopkins y Brad
    Pitt. Herskovitz previamente había debutado como director con el drama “Jack
    the Bear”, protagonizada por Danny DeVito.

    Herskovitz nació en Philadelphia, y estudió en la Universidad Brandeis.
    Luego estudió en el Instituto de Filmación Americano (AFI), en donde conoció a
    Zwick en 1975. Comenzó su carrera escribiendo y dirigiendo varias series de
    televisión, entre ellas “Family” y “The White Shadow”. La primera vez que trabajó
    en conjunto con Zwick fue para co-escribir la película de televisión de 1983
    “Special Bulletin”, Por su trabajo en la serie.ganó dos premios Emmy, al Mejor


    Especial de Drama y al Mejor Escritor de una Serie Limitada o Especial, y el
    premio del Gremio de Escritores de América, más el Humanitas .

    En 1985, Herskovitz y Zwick se asociaron y formaron la compañía The
    Bedford Falls, cuyo primer trabajo fue la serie de televisión “thirtysomething”. En
    su cuarta temporada en el canal ABC, la serie otorgó a Herskovitz gran cantidad
    de honores, entre ellos dos premios Emmy a una Serie Dramática en 1988, al
    Escritor de una Serie Dramática, un premio del Gremio de Escritores de
    América, y el Premio Peabody

    Tras este éxito Herskovitz y Zwick produjeron tres aclamadas series de
    televisión, bajo la firma Bedford Falls: “My So-Called Life”, que el fue el trampolín
    para la carrera de Claire Danes; “Relativity”; y “Once and Again”, por la cual
    Herskovitz ganó su tercer premio Humanitas.

    Herskovitz se preocupa mucho por la ecología, y es miembro de varias
    organizaciones dedicadas a la conservación de los preciosos recursos naturales
    de América. Recientemente fue elegido Presidente del Gremio de Productores
    de América.

    PAULA WEINSTEIN (Productora) es una prolífica productora, con una
    carrera fecunda tanto en cine como en televisión. Weinstein, supervisa Spring
    Creek Pictures, y su más reciente producción es la comedia dramática “The
    Astronaut Farmer”, protagonizada por Billy Bob Thornton.

    Weinstein se crió en Europa y comenzó su carrera trabajando como
    ayudante de editor de películas en la ciudad de Nueva York. Se convirtió en
    Directora de Eventos Especiales en el despacho del alcalde John Lindsay.

    Al mudarse a Los Ángeles en 1973, Weinstein fue contratada como
    agente de talentos, lo que luego derivó en la creación de International Creative
    Management (ICM). Más tarde ella se fue a trabajar a la Agencia William Morris.

    Weinstein se unió en 1976 a Warner Bros. Pictures como Vicepresidenta
    de Producción y, posteriormente, como Vicepresidenta Senior de producción
    Mundial con Twentieth Century Fox en donde trabajaba con vice presidente
    señor para producción mundial. Estando allí, desarrolló y produjo películas como


    “Nine to Five”, protagonizada por Jane Fonda, Lily Tomlin y Dolly Parton; y el
    drama sobre las cárceles, “Brubaker”, con el actor principal Robert Redford.

    En 1979, Weinstein se trasladó a la Compañía Ladd, colaborando en
    largometrajes como “Body Heat”, el debut cinematográfico de de Lawrence
    Kasdan como director.

    Tras dos años con Ladd, pasó a unirse a United Artists como Presidenta
    de la División de Largometrajes, donde supervisaba películas tan diversas como
    “WarGames” y “Yentl”, por nombrar algunas.

    En 1984, y en sociedad con Gareth Wigan, Weinstein puso en marcha
    WW Productions. En 1987 ella asumió el puesto de Consejera Ejecutiva para
    MGM en su división a nivel mundial. Esta situación le permitió continuar
    produciendo proyectos independientes como “A Dry White Season” y “The
    Fabulous Baker Boys”.

    En 1990, Paula Weinstein y Mark Rosenberg formaron Spring Creek
    Productions. Su primera producción cinematográfica fue “Fearless”, dirigida por
    Peter Weir que estaba protagonizada por Jeff Bridges y Rosie Perez, quien
    recibió una nominación al Oscar por su interpretación. Weinstein luego fue
    productora de las películas “Flesh and Bone”; “Something to Talk About” de
    Lasse Hallström; “The Perfect Storm”, de Wolfgang Petersen, protagonizada por
    George Clooney y Mark Wahlberg; la exitosa comedia “Analyze This”, con el par
    de artistas de primer línea Robert De Niro y Billy Crystal; y las películas de Barry
    Levinson “Liberty Heights” y “Bandits”. Entre los trabajos más recientes de
    Weinstein están las películas “Monster-In-Law”, protagonizada por Jane Fonda y
    Jennifer Lopez; y “Rumor Has It”, con Jennifer Aniston y Shirley MacLaine.

    Bajo la firma Spring Creek, Weinstein produjo varios proyectos para la
    pantalla chica, como “Iron Jawed Angels”, has para la cadena HBO,
    protagonizada por Hilary Swank; “Truman”, con Gary Sinise, con la cual
    Weinstein ganó un premio Emmy a la Película de Televisión Sobresaliente, y
    “Citizen Cohn”, con el actor James Woods, película que ganó cuatro premios
    Emmy.


    GRAHAM KING (Productor) es el Presidente y CEO de Inicial
    Entertainment Group, una compañía de cine independiente, líder en Hollywood,
    que adquiere, produce y co-produce películas para el mercado mundial. King
    fundó Inicial EG en 1995, y desde entonces su compañía ha producido
    importantes películas independientes.

    Recientemente King produjo el drama policial “The Departed”, el cual es
    se tercer trabajo conjunto con el director Martin Scorsese. En el año 2004,
    Scorsese realizó la película biográfica de Howard Hughes, “The Aviator”,
    grandemente halagada, en la cual Leonardo DiCaprio era el protagonista. El film
    recibió 10 nominaciones al premio de la Academia, entre ella a la Mejor Película,
    y ganó el premio de la BAFTA a la Mejor Película. King también fue distinguido
    por el Gremio de Directores Americanos con el Premio Laurel de Oro, como
    Productor del Año. Antes, King había sido co-productor ejecutivo para la
    grandiosa película dramática de Scorsese, “Gangs of New York”, en la cual eran
    protagonistas DiCaprio, Daniel Day-Lewis y Cameron Diaz.

    Para Inicial EG, King fue productor ejecutivo para las películas: “The
    Dangerous Lives of Altar Boys”, producida con la compañía de Jodie Foster, y
    actuada también por ella; el film biográfico dramático “Ali”, con la actuación de
    Will Smith en el papel principal; y la película “Traffic”.

    King nació en Inglaterra, y comenzó su carrera en estudios en 1982, al
    mudarse de Inglaterra a los Estados Unidos. Entonces comenzó a trabajar en la
    distribución internacional de películas de los estudios Twentieth Century Fox.
    Tres años más tarde se fue para formar Initial Entertainment Group, la cual
    ahora trabaja proyectos asociados con algunos de los talentos más prominentes
    de la industria, entre ellos, los de la compañía productora de Johnny Depp,
    Infinitum Nihil.

    Recientemente, Initial Entertainment Group firmó contrato de primera
    opción con Warner Bros. Pictures, a través de cual producirán “Shantaram”,
    junto con Infinitum Nihil. Entre los proyectos venideros que están en distintas
    etapas de producción, cabe mencionar “Next”, protagonizada por Nicolas Cage,
    “Benighted”, y “Prince of Thieves”.


    GILLIAN GORFIL (Productora) próximamente producirá la película
    “Brilliant”, la cual ella también co-escribió junto con su hermana, Elizabeth
    Shorten. La película está programada para comenzar su producción a principios
    del año que viene, y estará protagonizada por Scarlett Johansson.

    Gorfil debutó como productora en 1993 con la comedia “Father Hood”,
    protagonizada por Patrick Swayze y Halle Berry, y dirigida por Darrell Roodt. En
    1997, ella produjo el drama de Roodt, “Dangerous Ground”, con los actores Ice
    Cube, Elizabeth Hurley y Vingh Rhames. Ella fue la productora inicial del
    proyecto que pasó a ser “Blood Diamond”.

    Gorfil nació en Johannesburg, fue modelo internacional, tuvo negocios y
    construyó propiedades antes de entrar en el mundo de la industria del cine. Ella
    estudió cine y medios en Pretoria Tecknikon.

    CHARLES LEAVITT (Historia/guión) escribió el guión para el drama de
    fantasía del 2001, “K-Pax”, dirigida por Iain Softley y protagonizada por Kevin
    Spacey y Jeff Bridges. Previamente había escrito el guión para la película
    dramática de Peter Chelsom, “The Mighty”.

    En este momento Leavitt tiene varias películas en desarrollo para distintos
    estudios. Entre ellos “The Express”, la historia del ganador del trofeo Heisman,
    Ernie Davis, la cual va a ser dirigida por el director Gary Fleder y producida por
    John Davis; la adaptación de “The Ha Ha”, para el director/ productor Akiva
    Goldsman. Además, Leavitt adaptó el libro de no-ficción súper ventas de
    Nathaniel Philbrick “In the Heart of the Sea”, la verdadera historia en la cual se
    basó “Moby Dick”. Recientemente Leavitt firmó un contrato para escribir
    “Confessions of a Wall Street Shoeshine Boy”, que será producida por Donald
    De Line y Paula Weinstein.

    LEN AMATO (Productor Ejecutivo) es el presidente de Spring Creek
    Productions, en donde él continua su ya larga relación con Paula Weinstein.


    Bajo el nombre Spring Creek, recientemente produjo la película “The Astronaut
    Farmer”, protagonizada por Billy Bob Thornton.

    Amato comenzó su carrera como analista de historias para varios
    estudios y compañas productoras independientes. Luego pasó a ser editor de
    historias para Robert De Niro, cuando él creó Tribeca Productions, donde
    comenzó a trabajar con la co-fundadora Jane Rosenthal en la película de
    Michael Apted “Thunderheart”, y en la de Irwin Winkler “Night and the City”.

    Amato comenzó su asociación con Spring Creek Productions a
    medidados de los años ’90, como vicepresidente de desarrollo. El estaba a
    cargo de la oficina de Nueva York, para los co-fundadores Mark Rosenberg y
    Paula Weinstein. En 1997, debutó como productor en la película de HBO “First
    Time Felon”, dirigida por Charles Dutton. Al año siguiente se mudó a Los
    Angeles para ser vice presidente ejecutivo de Baltimore/Spring Creek Pictures.
    Eso fue cuando Weinstein se asoció con Barry Levinson para crear la compañía.

    En 1999, Amato fue co-productor de la comedia “Analyze This”, dirigida
    por Harold Ramis, en la que actuaban Robert De Niro y Billy Cristal. En el 2002,
    fue productor ejecutivo de la secuela “Analyze That”. Fue luego productor
    ejecutivo para la película de Neil LaBute, “Possession”, protagonizada por
    Gwyneth Paltrow y Aaron Eckhart, y produjo “Deliver Us from Eva”. Más
    recientemente Amato fue productor ejecutivo del premiado drama de la cadena
    HBO drama, “Iron Jawed Angels”, en él actuaban Hilary Swank y Anjelica
    Huston. También fue productor ejecutivo para la película romántica “Rumor Has
    It…”, dirigida por Rob Reiner y protagonizada por Jennifer Aniston, Shirley
    MacLaine, Kevin Costner y Mark Ruffalo.

    KEVIN DE LA NOY (Productor Ejecutivo) trabajó previamente con el
    director Edward Zwick, como jefe de unidad de producción, en “The Last
    Samurai”. Entre sus trabajos como productor están: el drama de ciencia-ficción
    “Timeline”, de Richard Donner el cual co-produjo, y la premiada película
    dramática sobre la Segunda Guerra Mundial, del director Steven Spielberg,
    “Saving Private Ryan”, en la cual él fue productor asociado.


    “Blood Diamond” es su cuarta película filmada en Africa. El fue supervisor
    de producción de la película de John Avildson “The Power of One”, filmada en
    Zimbabwe, volvió a Sudáfrica como jefe de supervisión de lugares para la
    películas “The Ghost and the Darkness”. Más recientemente, fue jefe de unidad
    de producción de la película “Ali”, la cual se filmó en Mozambique y Ghana.

    De La Noy también fue jefe de unidad de producción para las películas
    “Braveheart”, “Mission: Impossible”, “Mission: Impossible II” y “Titanic”. Además,
    trabajó como jefe de lugares y asistente de dirección en una gran cantidad de
    películas.

    BENJAMIN WAISBREN (Productor Ejecutivo) recientemente trabajó
    como productor ejecutivo en el drama policial de Steven Soderbergh “The Good
    German”, basada en la novela de Joseph Kanon del mismo nombre. La película
    estaba protagonizada por George Clooney y Cate Blanchett. Entre sus últimos
    trabajos están, el drama político “V for Vendetta”, y la aventura de acción
    “Poseidon”.

    Waisbren es un financista que trabaja en la financiación y producción de
    películas de cine, tanto en los Estados Unidos como en Europa.

    Tiene formación en el campo de leyes, inversiones bancarias e
    inversiones privadas en acciones.

    Entre su próximas producciones se encuentran las películas: 300”, “The
    Assassination of Jesse James by the Coward Robert Ford”, “First Born”,
    “Gardener of Eden”, “Nancy Drew” y “Duane Hopwood”.

    EDUARDO SERRA (Director de Fotografía) dos veces fue nominado para
    el Premio de la Academia, por su trabajo en las películas “Girl with a Pearl
    Earring” y “The Wings of the Dove”. Además fue postulado para el premio de
    BAFTA (British Academy of Film and Televisión Arts) por ambas películas,
    ganando el premio con la última. Por su dirección de cámaras en “Girl with a
    Pearl Earring”, fue distinguido por varios grupos de críticos, entre ellos la


    Asociación de Críticos de Cine de Los Angeles, y ganó varios premios
    internacionales de filmación.

    Serra nació en Portugal, y ha trabajado mucho de los dos lados del
    Océano Atlántico, realizando más de 40 películas en Francia, su país adoptivo.
    El recibió una postulación al premio César por su trabajo en “Le Mari de la
    coiffeuse”, una de sus cinco colaboraciones con Patrice Leconte. Serra también
    filmó cinco películas del director Claude Chabrol, la más reciente entre ellas,
    “L’ivresse du pouvoir”.

    Entre otros de sus trabajos tras las cámaras, cabe mencionar “Beyond the
    Sea”, dirigida y protagonizada por Kevin Spacey; “Unbreakable” de M. Night
    Shyamalan, “What Dreams May Come”, protagonizada por Robin Williams;
    “Jude” de Michael Winterbottom, y “Map of the Human Heart”, por mencionar
    solo algunas películas.

    DAN WEIL (Diseñador de Producción) recientemente fue el diseñador de
    producción de la aclamada película dramática de Stephen Gaghan, “Syriana”,
    con la cual Weil ganó su segundo premio del Gremio de Directores de Arte,
    otorgado por sus pares. Su primera candidatura al premio, fue por su trabajo en
    la película de Doug Liman, “The Bourne Identity”.

    Weil nació en Francia, en donde fue destacado con el premio César,por el
    diseño de la producción de la película de Luc Besson, “The Fifth Element”, y fue
    listado para el mismo premio César, por la película de Besson, “La Femme
    Nikita”. Entre otras de sus colaboraciones con Besson están las películas “The
    Big Blue”, “The Professional” y “The Dancer”.

    Otros de los trabajos de Weil fueron las películas “King Arthur”, “The
    Libertine”, “Beautiful Mother”, “Total Eclipse”, “Les Truffes”, “Hors la vie” y
    “Tristesse et beauté”.

    STEVEN ROSENBLUM (Montaje) ha estado asociado con el director
    Edward Zwick, desde la seire de televisión “thirtysomething”, por la cual
    Rosenblum ganó el premio Emmy a la Edición Sobresaliente de una Serie. Su


    primera película juntos fue el drama sobre la Guerra Civil, “Glory”, la cual logró
    que Rosenblum fuera listado por primera vez para los premios de la Academia a
    la Mejor Edición. Su segunda nominación al Oscar, le llegó de la mano de la
    película ganadora del premio de la Academia a la Mejor Película, “Braveheart”,
    dirigida y actuada por Mel Gibson.

    Rosenblum realizó el montaje de las películas de Zwick “Legends of the
    Fall”, “Courage Under Fire”, “The Siege” y “The Last Samurai”. Además, él
    trabajó con Marshall Herskovitz en su debut como director, con la película “Jack
    the Bear”.

    Entre sus trabajos para otros directores, cabe mencionar “Failure to
    Launch” de Tom Dey, “xXx 2: The Next Level” de Lee Tamahori, “The Four
    Feathers” de Shekhar Kapur, “Pearl Harbor” de Michael Bay y “X-Men” de Bryan
    Singer.

    NGILA DICKSON (Diseñadora de Vestuario) ganó el premio de la
    Academia 2004 por su trabajo en la película de Peter Jackson, “The Lord of the
    Rings: The Return of the King”. Ese año fue candidata dos veces, y fue también
    distinguida por el diseño del vestuario de la película de Edward Zwick, “The Last
    Samurai”. Dickson fue listada por primera vez para el Oscar y para el Premio de
    la BAFTA (British Academy of Film and Televisión Arts) por su trabajo en “The
    Lord of the Rings: The Fellowship of the Ring”. Además, ella ganó el premio de
    la BAFTA por su trabajo en “The Lord of the Rings: The Two Towers”, y ganó el
    Premio del Gremio de Diseñadores de Vestuario, más su tercera nominación al
    premio de la BAFTA, por sus diseños en “The Lord of the Rings: The Return of
    the King”.

    Dickson viene de Nueva Zelanda en donde trabajó por primera vez en el
    debut como director de Peter Jackson en su primera película, “Heavenly
    Creatures”. Entre sus primeros trabajos están: el proyecto para televisión “The
    Rainbow Warrior Conspiracy” en 1989, sobre el hundimiento de un barco de la
    organización Greenpeace, y la versión para cine de la misma historia, llamada
    “The Rainbow Warrior”. Dickson también diseñó el vestuario de la serie “Xena:


    Warrior Princess”, exitosa internacionalmente, por la cual recibió el premio de
    Nueva Zelanda a la Mejor Contribución al Diseño en Cine o Televisión.

    JAMES NEWTON HOWARD (Compositor) ha sido nominado seis veces
    para el Premio de la Academia, y es uno de los compositores más prolíficos de
    la industria del cine. Newton Howard compuso más de cien piezas para películas
    de cine y televisión. La última vez que fue candidato al Oscar, fue por la música
    de la película de M. Night Shyamalan, “The Village”. Howard compuso la música
    de todas la películas de Shyamalan, comenzando por la que fue la pieza debut
    del director, “The Sixth Sense”, a lo que siguió “Unbreakable”, “Signs” y más
    recientemente, “Lady in the Water”.

    Otras de sus piezas nominadas para el Oscar fueron las de las películas
    “My Best Friend’s Wedding”, “The Fugitive” y “The Prince of Tides”. Obtuvo dos
    otras nominaciones al Oscar a la Mejor Música Original por “Look What Love
    Has Done”, de la película “Junior”, y “For the First Time”, en “One Fine Day”.
    Newton Howard también fue listado para los premios Globo de Oro por ambas
    canciones. Howard recibió su tercera nominación al Globo de Oro por su música
    en la película de Peter Jackson, la nueva versión de “King Kong”.

    Entre la larga lista de trabajos de Howard, cabe mencionar “RV”,
    “Freedomland”, “Batman Begins”, “The Interpreter”, “Collateral”, “Hidalgo”,
    “America’s Sweethearts”, “Runaway Bride”, “Romy and Michele’s High School
    Reunion”, “Primal Fear”, “Outbreak”, “Wyatt Earp”, “Dave”, “Falling Down”,
    “Grand Canyon”, “My Girl”, “Pretty Woman” y “Major League”, por nombrar
    algunos.

    Newton Howard fue también distinguido por su trabajo en televisión,
    ganando un premio Emmy al Tema Principal Sobresaliente, por su trabajo en la
    serie “Gideon’s Crossing”, y fue candidato al premio Emmy en la misma
    categoría por su música para “ER”.

    SORIOUS SAMURA (Consultor Técnico) nació en Sierra Leona, y filmó lo
    que hoy es considerado el mejor documental de su país de la guera civil de


    1999. Su título,“Cry Freetown”. Por su trabajo, Samura ganó los premios The
    Rory Peck y el The Mohamed Amin, convirtiéndose en la primera persona en
    haber ganado ambas distinciones. El fue también uno de los ganadores del
    premio 1999 al Periodista Africano del Año 1999, otorgado por la cadena CNN.
    En el año 2002, él presentó la película “Return to Freetown”, en la cual,
    habiendo vuelto a su tierra desgarrada por la guerra, trata de reunir niños
    soldados con sus familias.

    Samura es conocido por su estilo narrativo en primera persona. En sus
    relatos él debe pasar por las mismas dificultades y peligros que pasan los
    personajes de los cuales relata. Entre sus otros documentales están: “Exodus
    from Africa”, “Living with Hunger”, “Living with AIDS”, “Living with Refugees”,
    “Guinea: Sex for Food”, “21st-Century War” y “Living with Illegals”.

    Junto con su socio de filmación, Ron McCullagh, Samura es el director de
    Insight News TV. Las películas de Samura ganaron varios premios prestigiosos,
    entre ellos el de la BAFTA (British Academy of Film and Television Arts), dos
    premios Emmy, dos One World Media, tres Amnesty International Media, un
    Columbia-DuPont, un premio Peabody, el Prix Europa, el premio Japan, el Harry
    Chapin Media, tres premios Overseas Press Club of America, un Golden Nymph
    en el Festival de Televisión de Monte Carlo, y una Medalla de Bronce en el
    Festival de Nueva York. Samura se graduó en periodismo en la escuela de
    periodismo de la Universidad de Columbia, y fue distinguido con el premio Logro
    de Toda un Vida, en su taller anual sobre relaciones entre razas,“Let's Do It
    Better”.

    # # #


     

     

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    Disney News

    JAN 2

     

    Hollywood's El Capitan Theatre Starts 2007 on a 'Cher-ee' Note With Return Engagement of Walt Disney's Sing-A-Long 'Mary Poppins' From 1/11-31; Oscar(R) Winner Richard Sherman to Host Opening Night Event

    Jan. 2 Hollywood's legendary El Capitan Theatre will sing in the New Year with a special return engagement of the Sing-A-Long version of Walt Disney's classic "Mary Poppins," from January 11th through the 31st, it was announced today (January 2, 2007) by Lylle Breier, senior vice president of worldwide special events for Buena Vista Pictures Distribution. The film will be projected digitally using fully restored film elements and a re-mastered soundtrack featuring state-of-the-art audio technology. Audiences are encouraged to dress as their favorite characters from the film, and to lend their voices to the classic soundtrack (as the words to the songs are projected up on the screen). Each performance will include a live appearance by Mary Poppins herself. As an added bonus for the opening night show, (Thursday, January 11th at 6:30 pm), Academy Award(R)-winning songwriter Richard Sherman (who wrote the songs with his brother, Robert Sherman) will introduce the film and perform some of his classic tunes from the film. Daily showtimes are 10:00 am, 1:10 pm, 4:20 pm, 7:30 pm (plus 10:15 pm on Friday and Saturday nights only). Tickets are available at the box office, on-line at www.elcapitantickets.com or by calling 1-800-DISNEY6. Special group rates for parties of 20 or more are available by calling 1-818-845-3110.

    Commenting on the announcement, Breier said, "We couldn't think of a better way to start the New Year than with a return engagement of the Sing-along 'Mary Poppins.' During its inaugural engagement, audiences had a real blast singing along with Julie Andrews, Dick Van Dyke, and David Tomlinson, and it proved to be one of our all-time most popular events. From the original Disney film to hit stage productions in London and Broadway, 'Poppins' is practically perfect entertainment for moviegoers of all ages. Here's a rare opportunity to see this great film digitally projected on the big screen, and to add your own voice to one of the greatest soundtracks of all-time."

    Originally released in 1964, "Mary Poppins" represented the pinnacle of Walt Disney's filmmaking and storytelling career, and the film went on to receive a supercalifragilistic 13 Oscar(R) nominations. It won Academy Awards(R) for Best Actress (Julie Andrews), Best Song ("Chim Chim Cher-ee"), Best Musical Score, Best Film Editing, and Best Visual Effects. Based on the classic characters and stories of P. L. Travers, Disney's screen version of "Mary Poppins," follows the fantastic adventures of a magical English nanny who arrives at the Bank household in answer to a letter from Jane and Michael. Mary, and her chimneysweep friend, Bert, turn things upside down as they teach the children how to laugh and have fun, and in the process show the parents about the things that matter most in life. From the rooftops of London to a jolly holiday in the English countryside (complete with penguin waiters), "Poppins" is sure to delight audience of all ages and all generations. El Capitan guests can add their own voices to such musical favorites as "Spoonful of Sugar," "Step in Time," "Supercalifragilisticexpialidocious," "Jolly Holiday," and "Let's Go Fly a Kite," among others.

     

    DEC 28

     

    Red Hot Chili Peppers Spice Up Disneyland Resort

    Music from the Grammy-nominated group and special effects create all-new rockin' experiences at Space Mountain and California Screamin' for a limited time

     Calif., Dec. 28  Red Hot Chili Peppers, recently nominated for six Grammy awards, are red hot and their music will temporarily transform Space Mountain at Disneyland and California Screamin' at Disney's California Adventure into new rock n' roll adventures. As part of the "Year of A Million Dreams" celebration at Disneyland Resort, rock fans' dreams will come true as "Rockin' Both Parks" provides new special effects and soundtracks specifically remixed to heighten every twist, turn, rise and drop of each thrilling attraction.

    For a limited time (from January 3 through April 26, 2007), guests will experience Space Mountain like never before. The high-speed interstellar adventure, that has captivated Disneyland guests since the 1970s, will temporarily have an all-new twist. Rockin' Space Mountain fans will find the attraction sporting new technology that features illuminated dancing rock fans, more than 200 lights brightening the track and a brand-new, customized soundtrack by Red Hot Chili Peppers. The band's famous song, "Higher Ground," which was a 1989 hit version of the Stevie Wonder original tune, will create an out-of-this-world rock adventure. Along with new technology and lighting, all systems are a go.

    Riders of Rockin' California Screamin' at Disney's California Adventure will also twist and turn to a new soundtrack. With a specially customized version of Red Hot Chili Peppers' 1999 hit "Around the World," guests will rock through the attraction's 6,000 feet of track. The four-minute ride is the world's longest steel looping roller coaster and takes guests from zero to 55 miles per hour in just four seconds.

    The new soundtracks for both attractions were remixed by Ryan Hewitt, the man who remixes the Red Hot Chili Peppers' own music, to ensure the soundtracks are specific to the twists and turns, highs and lows of both roller coasters.

    Rockin' Space Mountain and Rockin' California Screamin' are just some of the highlights of the "Year of a Million Dreams" celebration that began at Disneyland Resort in Southern California and Walt Disney World Resort in Florida on October 1. For 15 months, Disney Parks are celebrating dreams coming true, making literally millions of dreams, large and small, come to life for eligible guests through the Disney Dreams Giveaway. Many money-can't- buy experiences -- from exclusive Dream FASTPASSES for popular Disney attractions to around-the-world vacations or a stay in the special Mickey Mouse Penthouse at the Disneyland Hotel -- are being awarded at random. In addition to the Disney Dreams Giveaway, guests are enjoying all new immersive entertainment experiences at the resort. At Disneyland Park, guests are meeting, playing and learning their royal ways with Disney Princesses at Disney Princess Fantasy Faire, dueling with Darth Vader at Jedi Training Academy and creating mayhem with Pirates in New Orleans Square. At Disney's California Adventure Park, guests young and old are bopping to the beat and joining in the fun of the High School Musical Pep Rally. The "Year of a Million Dreams" celebration lasts through 2007.

    NO PURCHASE NECESSARY to enter or win in the Disney Dreams Giveaway. A purchase will not increase your chances of winning. Open only to legal residents of 50 U.S., D.C., Puerto Rico, Canada, Mexico & U.K. Void elsewhere and where prohibited. Giveaway runs October 1, 2006 - December 31, 2007 (mail- in entries postmarked starting September 18, 2006 & received by January 14, 2008 on a 3.5x5 postcard with complete name, address, daytime phone#, birth date and proper postage sent to PO Box 8629, Elmhurst, IL 60126 USA). UK residents only mail to 483 Green Lanes, London N13 4BS. Penthouse stay will be awarded most days starting December 1, 2006, will likely be awarded early in the day and will be for a stay that night. Approximate retail value of Mickey Mouse Penthouse Stay US $572. Prizes range in value from US $3.83 to US $83,701. All prize awards are subject to verification. Odds of winning on a given day depend on the number of eligible participants at a selected location or within the mail-in entry pool for the time or date (as applicable) selected. Subject to official rules at www.DisneyParks.com/rules. Sponsor: Magic Kingdom Productions, Inc., PO Box 10000, Lake Buena Vista, FL 32830.

    For residents of Canada, a mathematical skill-testing question must be correctly answered to win any prize.

    Source: Disneyland Resort

     

    Dec 21

     

     

    Disneyland Welcomes Rose Bowl-Bound Southern California and Michigan Football Teams Tuesday, December 26

    Young Fans Will Ride Matterhorn Bobsleds With U.S.C. and Michigan Players as 'Year of a Million Dreams' Treat

    Dec. 21  Now that the University of Southern California and the University of Michigan have won berths in the 2007 Rose Bowl Game(R) in Pasadena, what are they going to do next? They're going to Disneyland. And they'll celebrate the Disneyland "Year of a Million Dreams" in a special way with some deserving young football fans.

    Mickey Mouse, the Disneyland Band and fans will welcome the two squads and their coaches when the teams make their first official appearance of the Rose Bowl season at 2 p.m. Tuesday, December 26, at Disneyland. USC Trojans Coach Pete Carroll, Michigan Wolverines Coach Lloyd Carr, and members of both teams will be available for interviews in front of Sleeping Beauty Castle. Among the featured players will be USC Quarterback John David Booty, USC Wide Receiver Dwayne Jarrett, Michigan Tailback Mike Hart and Michigan Defensive End LaMarr Woodley.

    One highlight of the visit will be a Year of a Million Dreams opportunity for visiting children from Foothill Family Services, Pasadena, to meet USC and Michigan players and take a ride with them on the Matterhorn Bobsleds.

    Disneyland has been associated with the Tournament of Roses since 1959 and has had the honor of hosting many teams during that time. This year's team visits coincide with the "Year of a Million Dreams," which began on October 1 at Disney Parks in the United States. For 15 months, the Resort will celebrate dreams coming true, making literally millions of dreams, large and small, come true for eligible guests. "Year of a Million Dreams" continues throughout 2007.

    The Trojans (10-2 overall) and the Wolverines (11-1 overall) will meet in the 93rd Rose Bowl game played in Pasadena on Monday, January 1, 2007.

    Source: Disneyland

     

    December 19

     

     

    Buena Vista Worldwide Home Entertainment to Roll out More Blu-Ray Discs in February 2007

    Titles Include The Prestige, Ladder 49 and Reign of Fire

     Dec. 19, 2006 Buena Vista Worldwide Home Entertainment (BVWHE) President Bob Chapek today announced BVWHE's second wave of Blu-ray Disc(R) releases for 2007. Titles will include Ladder 49 (50GB) and Reign of Fire, which will be in stores on February 13, and The Prestige (50GB) which will be available day-and-date with DVD on February 20. Most Blu-ray(TM) titles from BVWHE will be available for $34.99 SRP.

    Commenting on the announcement, Chapek stated, "Buena Vista's Blu-ray discs continue to draw critical raves for both their cutting edge delivery and innovative features. I'm confident the visual and audio experience of these new titles will be unsurpassed."

    The Ladder 49 (Joaquin Phoenix, John Travolta) 50GB Blu-ray Disc will feature original DVD bonus features including The Making Of Ladder 49, Everyday Heroes, Deleted Scenes, commentary from Director Jay Russell, the "Shine Your Light" Music Video by Robbie Robertson and Blu-ray exclusive Movie Showcase.

    The fantasy thriller Reign of Fire (Christian Bale, Matthew McConaughey) will feature original DVD bonus materials including Breathing Life into The Terror: The Making of The Dragons, "Below The Line: If You Can't Stand The Heat" pyrotechnics featurette, a conversation with Director Rob Bowman, the original theatrical trailer and Blu-ray exclusive Movie Showcase.

    The 50GB Blu-ray Disc release of The Prestige (Hugh Jackman, Christian Bale, Scarlett Johansson) will include DVD bonus features The Director's Notebook: The Cinematic Sleight of Hand Of Christopher Nolan, "The Art of The Prestige" featuring a dazzling display of costumes, scenery and set design, along with Blu-ray exclusive Movie Showcase.

    BVWHE's Blu-ray titles feature advanced new menus offering seamless navigation and on-the-fly preference selection; dynamic and unparalleled high-definition picture quality; new layer-coating technology that provides a scratch-resistant surface; Movie Showcase which highlights the most impressive high-definition picture and sound moments on the disc; and new sleek packaging. Other Disney Blu-ray feature technologies being developed include unmatched interactive features and compelling online content utilizing web connectivity, which will allow users to connect to live events hosted by the studio.

    Blu-ray Disc is the next-generation optical disc format for high-definition video and high-capacity software applications. A single-layer Blu-ray Disc will hold up to 25GB of data, and a double-layer Blu-ray Disc will hold up to 50GB of data. Blu-ray Disc is supported by the world's leading consumer electronics, personal computer and gaming companies, and, with seven of eight Hollywood studios releasing their high-definition content on Blu-ray Disc, Blu-ray will deliver the widest variety of high-definition, home entertainment content.

    About Buena Vista Worldwide Home Entertainment

    Buena Vista Worldwide Home Entertainment, a recognized leader in the home entertainment industry, is the marketing, sales and distribution company for Walt Disney, Touchstone, Hollywood Pictures, Miramax and Buena Vista DVD, Blu-ray Disc and electronic distribution product. Buena Vista Worldwide Home Entertainment is a division of Disney Enterprises, Inc.

     

    Disney Tops Season's Best Sellers & Surprise Hits

    Disney Mix Max Media Player, Pix Cameras, and Toys from Cars, The Little Mermaid, and Mickey Mouse Clubhouse Are Among Holiday Season's Most Popular

    Dec. 19, 2006 As holiday festivities near, shoppers across the U.S. have made it clear Disney (NYSE:DIS) is at the top of their lists. Posting double digit growth in retail sales over 2005, Disney products such as the Disney Mix Max media player and toys and electronics inspired by Disney*Pixar's Cars, Pirates of the Caribbean and The Little Mermaid have posted strong sales at key retailers such as Target and Toys 'R' Us and online at DisneyShopping.com. Surprise best-sellers have also emerged such as the Disney Pix line of digital cameras and Mickey Mouse Clubhouse Playset -- both of which have sold out several times this season.

    Sales of electronics and toys continued to top retail trends and have been a driving force behind Disney's holiday success. Just launched in October, the Disney Mix Max media player which plays full length movies, CDs and jpegs on a 2.2 LCD screen has outpaced sales projections both internally and at retail. Disney also expanded its line of digital media players this year featuring an upgraded version of the Disney Mix Stick MP3 player which has doubled in retail sales this holiday season over prior year. With a new roster of digital product offerings, Disney quickly climbed to the top of the market and ranks as the #3 flash-based MP3 brand by unit volume in the mass market for the month of November, according to research from NPD Inc. The Disney Pix line of digital cameras took Disney and retailers by surprise selling more than 150,000 units at Best Buy and Toys R Us since its introduction in the fall and selling out as quickly as shelves were re-stocked.

    Millions of Disney toys have also been checked off the list. The National Retail Federation estimates that 48 percent of consumers will buy toys this holiday season, and has named Disney Princess and The Little Mermaid among the season's Top 10 toys for girls. In celebration of the October Platinum Edition DVD release of The Little Mermaid, more than 2,500 Little Mermaid products are now available at retail with such best-sellers as The Little Mermaid Magical Talking Salon. Overall, Little Mermaid products have exceeded sales projections at retail surpassing the success of a similar program inspired by Cinderella's Platinum Edition DVD last year. For preschoolers, toys based on the popular Disney Channel series Mickey Mouse Clubhouse have taken off at retail, among the most popular are the singing plush Name That Song Mickey and the nearly sold-out Mickey Mouse Clubhouse Playset.

    With recent DVD releases, products inspired by Disney*Pixar's Cars and Pirates of the Caribbean: Dead Man's Chest have been flying off shelves. Mattel die cast cars featuring characters from the film have sold more than 27 million units to date. Cars party assortment from Hallmark ranks as the #1 best-selling within the industry. The book Cars: Interactive Play a Sound from Publications International tops Target's holiday gift guide for boys and has posted strong sales across retailers. Disney bedding has also experienced triple digit growth thanks to new Cars and Little Mermaid patterns introduced this fall at retailers such as Kmart. Demand for Pirates products soared as the DVD broke all records selling 10.5 million copies in its first week. Among the best-sellers are character action figures and the Ultimate Black Pearl Playset from Zizzle. From Buena Vista Games, Cars and Pirates of the Caribbean ranked among the Top 10 GBA titles in retail sales for the month of November.

    For tweens, the Hannah Montana video game for the Nintendo DS shot to the top within weeks of its debut ranking #13 among such Nintendo DS hits as Sim Pets 2 and Final Fantasy III. The new line of Hannah Montana apparel and accessories has also experienced phenomenal sell-through at Macy's. While Mattel's High School Musical DVD board game is proving to be a must-have topping Toys R Us' Season's Surprise Hits list. Artemis Fowl by Eoin Colfer from Hyperion Books for Children, the 5th title in the worldwide best-selling Artemis Fowl series, has propelled sales of the entire series at retail and created momentum that has the series remaining among the top books on the New York Times best seller list throughout the holiday season. The series has sold over 8 million units in the US since its 2001 launch.

    About Disney Consumer Products

    Disney Consumer Products (DCP) is the business segment of The Walt Disney Company (NYSE:DIS) that extends the Disney brand to merchandise ranging from apparel, toys, home decor and books to interactive games, food and beverages, stationery, electronics and animation art. This is accomplished through the work of DCP's various lines of business: Disney Toys, Disney Apparel, Disney Food, Health & Beauty, Disney Home, Disney Stationery, Disney Publishing, Buena Vista Games, Baby Einstein, and http://www.disneyshopping.com. The Disney Store, which debuted in 1987, also falls under DCP, through stores currently owned and operated by unaffiliated third parties under licensing agreements in North America and Japan, and wholly-owned stores in Europe 

     

     

    December 17

     

    "WALT DISNEY WORLD CHRISTMAS DAY PARADE" CELEBRATES ITS 23rd YEAR WITH CO-HOSTS REGIS PHILBIN, KELLY RIPA AND RYAN SEACREST

    Monday, December 25, 2006 at 10/9am c

    Highlights Include Performances by Beyonce, Miley Cyrus (Hannah Montana), Andrea Bocelli, the Cast from High School Musical and More

    With the enchantment of the holiday season upon us, Walt Disney World and Disneyland once again invite America to celebrate Christmas morning on the ABC Television Network. Co-hosts Regis Philbin, Kelly Ripa (Live with Regis & Kelly) and Ryan Seacrest (Dick Clark's New Year's Rockin' Eve 2007) will bring the magic of the Disney Parks to viewers nationwide as Walt Disney World Christmas Day Parade airs, MONDAY, DECEMBER 25 (10:00 a.m.-12:00 p.m., ET; 9:00-11:00 a.m., CT, MT, PT; check local listings).

    For more than twenty years, families have made the Walt Disney World Christmas Day Parade part of their Christmas Day television tradition. This year children, parents and grandparents alike will once again enjoy a parade of Disney's most treasured characters, including Mickey, Minnie, Pluto, Donald, Daisy, Goofy, Pinocchio, Cinderella, Snow White, Sleeping Beauty, Belle, Ariel and Jasmine. Disney Channel favorites will also be part of the show, including Little Einsteins, Stanley, JoJo's Circus and other beloved characters.

    As Disney Parks commemorates "The Year of a Million Dreams," an event that celebrates guests' Disney dreams, it is fitting that this year's parade feature "dream" performances from both Walt Disney World Resort in Florida and Disneyland Resort in California. Plus, viewers will get a sneak peak at the newest Disney attractions and happenings.

    The two-hour show features a star-studded celebrity guest list with scheduled appearances and musical performances by: Award-winning singer and film star Beyonce; recording artist and composer Daniel Powter; acclaimed Italian tenor Andrea Bocelli; Mexican pop group RBD; tween singing sensation Bianca Ryan; Playhouse Disney's Doodlebops; Disney Channel star Miley Cyrus as Hannah Montana; Disney Channel's blockbuster High School Musical stars Lucas Grabeel, Corbin Bleu, Monique Coleman and Ashley Tisdale; Grammy-Award winner Michael Bolton; pop performers Paris Bennett, Elliott Yamin, Ace Young, and Mandisa; sister act Aly & AJ; Travel Channel host Samantha Brown; and Extreme Makeover: Home Edition designers extraordinaire Ty Pennington, Paige Hemmis and Eduardo Xol.

    Along with the impressive list of performers, Disney favorites take center stage at Walt Disney World's Magic Kingdom as they spread holiday cheer right down the middle of Main Street U.S.A.

    Walt Disney World presents:
    * Christmas tree float with hosts Mickey and Minnie

    * Toyland military and Toy Soldiers marching to the Toyland March

    * Santa's workshop float featuring Woody, Buzz Lightyear, Jessie, Bullseye and the Green Army Sergeant from Toy Story

    * Disney/Pixar's Cars with Lightning McQueen and Tow Mater

    * Royal unit float featuring Disney Princesses - Cinderella, Belle and Jasmine

    * Pirates float featuring swashbuckling Disney Pirates

    * Show boat with B'rer Bear, B'rer Rabbit and Dixieland band

    * Ice pond float with Donald and Daisy Duck

    * Bake shoppe with dancing Gingerbread Men, Candy Cane Maids and Elves

    * Santa float featuring the big guy himself and his famous reindeer

    With the enchantment of the holiday season upon us, Walt Disney World and Disneyland once again invite America to celebrate Christmas morning on the ABC Television Network. Co-hosts Regis Philbin, Kelly Ripa () and Ryan Seacrest () will bring the magic of the Disney Parks to viewers nationwide as airs, For more than twenty years, families have made the part of their Christmas Day television tradition. This year children, parents and grandparents alike will once again enjoy a parade of Disney's most treasured characters, including Mickey, Minnie, Pluto, Donald, Daisy, Goofy, Pinocchio, Cinderella, Snow White, Sleeping Beauty, Belle, Ariel and Jasmine. Disney Channel favorites will also be part of the show, including Little Einsteins, Stanley, JoJo's Circus and other beloved characters. As Disney Parks commemorates "The Year of a Million Dreams," an event that celebrates guests' Disney dreams, it is fitting that this year's parade feature "dream" performances from both Walt Disney World Resort in Florida and Disneyland Resort in California. Plus, viewers will get a sneak peak at the newest Disney attractions and happenings. The two-hour show features a star-studded celebrity guest list with scheduled appearances and musical performances by: Award-winning singer and film star Beyonce; recording artist and composer Daniel Powter; acclaimed Italian tenor Andrea Bocelli; Mexican pop group RBD; tween singing sensation Bianca Ryan; Playhouse Disney's Doodlebops; Disney Channel star Miley Cyrus as Hannah Montana; Disney Channel's blockbuster stars Lucas Grabeel, Corbin Bleu, Monique Coleman and Ashley Tisdale; Grammy-Award winner Michael Bolton; pop performers Paris Bennett, Elliott Yamin, Ace Young, and Mandisa; sister act Aly & AJ; Travel Channel host Samantha Brown; and designers extraordinaire Ty Pennington, Paige Hemmis and Eduardo Xol. Along with the impressive list of performers, Disney favorites take center stage at Walt Disney World's Magic Kingdom as they spread holiday cheer right down the middle of Main Street U.S.A. Christmas tree float with hosts Mickey and Minnie Toyland military and Toy Soldiers marching to the Toyland March Santa's workshop float featuring Woody, Buzz Lightyear, Jessie, Bullseye and the Green Army Sergeant from Disney/Pixar's with Lightning McQueen and Tow Mater Royal unit float featuring Disney Princesses - Cinderella, Belle and Jasmine Pirates float featuring swashbuckling Disney Pirates Show boat with B'rer Bear, B'rer Rabbit and Dixieland band Ice pond float with Donald and Daisy Duck Bake shoppe with dancing Gingerbread Men, Candy Cane Maids and Elves Santa float featuring the big guy himself and his famous reindeer



    Disneyland Resort in California presents:
    * A Christmas fantasy float with stuffed bear, ballerina and a music box

    * Santa's cottage with mailroom elves, Chicken Little and Abby Mallard

    * Toy Humvee with prankster chipmunks Chip 'n' Dale

    * Toy factory float with Stanley, Goliath, JoJo and Rolie, from Playhouse Disney

    * Winter wonderland with snow people and ice skating snowflakes

    * Ice rink with Goofy and his son, Max

    * Cookbook float with candy cakers and dancers

    * Candy house with Pluto, along with gingerbread men

    * Candlelight ball with Snow White and Prince Charming, Sleeping Beauty and Prince Phillip and Mulan and Shang

    * Jeweled tree float with the Seven Dwarfs

    * Finale dancers pave the way for Rudolph and reindeer, with the lovable alien Stitch in his favorite Santa costume


    In addition, the show will feature floats and elements from the new Dreams Come True Parade at Walt Disney World and the Parade of Dreams at Disneyland.

    This year's program will be broadcast in English and Spanish (SAP).

     

    Captain Jack’s Back In The Action Packed, Record-Shattering

    High-Seas Thrill Ride Of The Year!

     

    PIRATES OF THE CARIBBEAN:

    DEAD MAN’S CHEST

     

    Includes Hours of Captivating Bonus Booty

    On A Double-Disc DVD

     

    Disney’s Biggest Box-Office Champ Of All Time

    Takes Over Disney DVD Dec. 5!

     

    Today, everyone’s a pirate as the world celebrates

    International “Talk Like a Pirate Day,” and to kick off the rabble rousing, Disney Home Entertainment

    announces the highly anticipated DVD release of Pirates Of The Caribbean: Dead Man’s Chest.

    The action-packed worldwide film sensation will make its Disney DVD debut on December 5th .

    Starring Johnny Depp as that mischievous, heroic rogue Captain Jack Sparrow, this epic adventure

    has taken audiences by storm. The film’s Theatrical opening weekend was the biggest in U.S. box-

    office history, and the high-seas Hollywood tidal wave continues with a worldwide box-office gross of

    over a billion dollars to date, making it Disney’s most successful movie of all time.

    Pirates Of The Caribbean: Dead Man’s Chest will be released as both a deluxe 2-disc Special

    Edition DVD set and as a single-disc DVD. The single-disc DVD features screenwriter audio

    commentary and the hilarious, never-before-seen “Bloopers of the Caribbean.” The Special Edition

    features limited availability holographic packaging and includes all single disc features, plus a

    treasure-chest of bonus booty: a behind-the-scenes documentary; a Captain Jack featurette; a sword-

    fighting featurette; “Creating The Kraken” on the film’s stunning sea beast; “Fly On The Set” – an on-

    location view of filming; a featurette on the legend of Davy Jones; bonus program on the newly “re-

    Imagineered” Pirates of the Caribbean resort attraction; star-studded, red-carpet Hollywood premiere

    footage; producer Jerry Bruckheimer’s personal on-set photo diary, and more. Much of the bonus

    material is exclusive to this DVD release.

     

    Pirates Of The Caribbean: Dead Man’s Chest DVD/Page 2

    To launch the “Talk Like A Pirate Day” festivities, Disney Home Entertainment is unleashing “Dead

    Man’s Mail” (www.deadmansmail.com), an interactive site and emailable interface hosted by a rogue

    talking skull with a penchant for dressing up. Tips on the site for speaking like a true Pirate of the

    Caribbean are guaranteed to get tongues wagging. To send your own customized animated pirate

    email and put a touch of high seas swagger in your speech, visit www.deadmansmail.com.

    Single disc: U.S. $29.99 (SRP), Canada $36.99 (SRP). 2-disc Special Edition: U.S. $34.99 (SRP),

    Canada $41.99 (SRP), from Walt Disney Home Entertainment.

    BONUS FEATURES

    Single Disc Version:

    • Feature Film Presentation

    • Audio Commentary with Writers Ted Elliott & Terry Rossio

    • Bloopers Of The Caribbean

    Collector’s Edition:

    Disc 1

    • Feature Film Presentation

    • Audio Commentary with Writers Ted Elliott & Terry Rossio

    • Bloopers Of The Caribbean

    Disc 2

    • Charting The Return (Pre-production documentary)

    • According To Plan: The Harrowing and True Story of Dead Man’s Chest

    • Captain Jack: From Head To Toe

    • Mastering The Blade: Orlando Bloom, Keira Knightley, Jack Davenport

    • Meet Davy Jones: Anatomy Of A Legend

    • Creating The Kraken

    • Dead Men Tell New Tales: Re-Imagineering The Attraction

    • Jerry Bruckheimer: A Producer's Photo Diary

    • Fly On The Set: The Bone Cage

    • Pirates on Main Street: The Dead Man’s Chest Premiere

    Johnny Depp (“Charlie and the Chocolate Factory,” “Finding Never Land”) is reunited with favorite

    cast members from the original “Pirates of the Caribbean: The Curse Of The Black Pearl,” as well as a

    boatload of new, unforgettable characters. Orlando Bloom (“Lord of the Rings Trilogy”) returns as Will

    Turner, joined by the beautiful Keira Knightley (“Pride & Prejudice”) as the feisty Elizabeth Swann.

    Jack Davenport reprises Norrington, Jonathan Pryce (“The New World”) is back as Governor Swann,

    and the hysterical pirate duo of Pintel (Lee Arenberg) and Ragetti (Kevin McNally, TV’s “Life On

     

    Pirates Of The Caribbean: Dead Man’s Chest DVD/Page 3

    Mars”) return for more trouble. Newcomers to the adventure include Bill Nighy (“Shaun Of The Dead”)

    as the eerie Davy Jones, Stellan Skarsgård (“Dogville”) as the washed up sailor Bootstrap Bill, and

    Naomie Harris (“Miami Vice”) as the mysterious sorceress Tia Dalma.

    Pirates Of The Caribbean: Dead Man’s Chest is the epic sequel to the blockbuster “Pirates of the

    Caribbean: The Curse of The Black Pearl.” Johnny Depp earned an Academy. Award nomination for

    his role as the rogue pirate Captain Jack Sparrow (Best Actor Nominee, 2005), and he’s back for

    more incredible adventure. Pirates Of The Caribbean: Dead Man’s Chest is a grand,

    swashbuckling, high-octane joy ride filled with rousing action, devilish pirate humor, monstrous sea

    creatures and more. In the first “Pirates” film Captain Jack saved the day, but now he finds he has a

    debt to pay: he made a bargain for his soul with Davy Jones himself, the ghostly, fearsome ruler of the

    ocean depths. It looks like a one-way trip to Davy Jones’s locker, but the crafty Captain Jack won’t go

    down without a fight. Dashing Will Turner (Orlando Bloom) and beautiful Elizabeth Swann (Keira

    Knightley) once again get caught up in Jack’s adventures across the Seven Seas. Escaping hostile

    natives on an exotic island and fighting the mighty Kraken are just some of the thrilling escapades

    Jack faces, because nothing will stop him from finding the fabled Dead Man’s Chest and winning his

    freedom.

    Written by Ted Elliott & Terry Rossio. Characters created by Ted Elliott & Terry Rossio and Stuart

    Beattie and Jay Wolpert. Produced by Jerry Bruckheimer (“Pearl Harbor,” “Armageddon,” TV’s “CSI”

    series, and many, many more). Directed by Gore Verbinski.

    STREET DATE:

    Direct prebook:

    Distributor prebook:

    December 5, 2006

    September 26, 2006

    October 10, 2006

    Suggested retail price:

    Single Disc Version: U.S. $29.99 Canada $36.99

    Two-Disc Collector’s Edition: U.S. $34.99 Canada $41.99

    Rated: U.S. PG-13 For Intense Sequences Of Adventure Violence, Including

    Frightening Images

    Canada: PG-13

    Bonus features not rated or subtitled, and subject to change.

    Feature run time: Approximately 150 minutes

    Aspect ratio: Widescreen (2:35:1) formatted for 16x9 TV screens.

    Sound: Dolby® Digital 5.1 Surround Sound

    Languages: English, French, Spanish audio.

     

    Spanish and French subtitles.

    Close captioned for the hearing impaired.

     

    Walt Disney Home Entertainment is distributed by Buena Vista Worldwide Home Entertainment, Inc.,

    a recognized industry leader. Buena Vista Worldwide Home Entertainment is the marketing, sales

    and distribution company for Walt Disney, Touchstone, Hollywood Pictures, Miramax and Buena Vista

    videocassettes and DVDs.

     

     

     

    Sizzling Moves, Hot Music In The Must-Own Dance Movie Of The Year

    STEP UP

     

    When A Streetwise Rebel Meets A Beautiful Dancer, Sparks Fly!

    Includes Winning Videos From The Myspace Dance Contest, Deleted Scenes,

    Bloopers, Music Videos, Making-Of Featurette, Filmmaker Audio Commentary On

    DVD Dec. 19

     

    BURBANK, Calif., September 15, 2006 – Touchstone Home Entertainment presents Step Up, the red-

    hot story of two kids who come from different worlds but share a love for dance. Filled with awesome

    dance moves and sizzling tunes, Step Up stars Channing Tatum (“She’s the Man,” “Coach Carter”) as a

    street-wise rebel with raw talent, who collides with a beautiful modern dancer (Jenna Dewan, “Take The

    Lead”). Sparks soon fly on and off the dance floor, in a heart-pounding movie that is fueled with music

    from some of today’s hottest artists.

    Bonus features include the winning dance videos submitted to the film’s MySpace contest, a montage of

    the many amazing contestant submissions, and a featurette on how director/choreographer Anne

    Fletcher and stars Channing Tatum and Jenna Dewan reviewed the contest submissions. There are

    never-before-seen deleted scenes; bloopers and outtakes; hot music videos from Ciara and

    Chamillionaire, Sean Paul with Keyshia Cole, Chris Brown, and Samantha Jade; “Making The Moves For

    Step Up” featurette on creating the film’s dance sequences; and feature audio commentary from the

    film’s stars and director.

    Step Up features a thrilling cast of up-and-coming talent and seasoned professionals. Starring with

    Channing Tatum and Jenna Dewan are Damaine Radcliff (Glory Road”), DeShawn Washington,

    musician Mario, Drew Sidora (TV’s “That’s So Raven”), Rachel Griffiths (TV’s “Six Feet Under”), Josh

    Henderson (“TV’s Over There”), Tim Lacatena (TV’s “Days Of Our Lives”), Alyson Stoner (TV’s “The

    Suite Life of Zack and Cody”), Heavy D (TV’s “Boston Public”) and Deirdre Lovejoy (TV’s “The Wire”).

    Step Up is available on DVD for U.S. $29.99 (SRP) and Canada $37.99 (SRP).

     

    BONUS FEATURES

    • NEVER-BEFORE-SEEN DELETED SCENES

    • BLOOPERS AND OUTTAKES

    • SIZZLING MUSIC VIDEOS

    • “Get Up” – Ciara featuring Chamillionaire

    • “(When You Gonna) Give It Up To Me” – Sean Paul Featuring Keyshia Cole

    • “Say Goodbye” – Chris Brown

    • “Step Up” – Samantha Jade”

    • MYSPACE.COM DANCE CONTEST

    • The Five Winning Dance Videos

    • User Dance Video – a montage created from contestant submissions

    • Judging The Videos – with Director/Choreographer Anne Fletcher,

    Channing Tatum and Jenna Dewan

    • MAKING THE MOVES FOR STEP UP

    • How the dance sequences for the film were created

    • FEATURE AUDIO COMMENTARY

    • With Director/Choreographer Anne Fletcher, Channing Tatum and Jenna Dewan

    In Step Up, Tyler Gage (Channing Tatum) is a street-wise rebel who gets into trouble and must perform

    community service. Nora (Jenna Dewan) is a beautiful, trained modern dancer who works hard to

    perfect her art. When their worlds collide, Nora discovers a raw yet gifted dancer who could possibly be

    her partner. Sparks fly both on and off the dance floor as the two discover that when they work together,

    they can realize their dreams.

    STREET DATE: December 19, 2006

    Direct prebook: October 24, 2006

    Distributor prebook: November 7, 2006

    Suggested retail price: U.S. $29.99, Canada $37.99

    Rated: U.S. PG-13 For Thematic Elements, Brief Violence And Innuendo

    Canada: PG For Language

    Bonus features not rated or subtitled

    Feature run time: Approximately 98 minutes

    Aspect ratio: 2.35:1 formatted for 16x9 TV screens

    DVD Sound: Dolby® Digital 5.1 Surround Sound

    Languages: English Audio. French, Spanish subtitles.

    Close captioned for the hearing impaired.

     

    Step Up DVD/Page Three

    Story by Duane Adler. Screenplay by Duane Adler and Melissa Rosenberg. Directed by Anne Fletcher.

    Touchstone Home Entertainment is distributed Buena Vista Worldwide Home Entertainment, Inc., a

    recognized industry leader. Buena Vista Worldwide Home Entertainment is the marketing, sales and

    distribution company for Walt Disney, Touchstone, Hollywood Pictures, Miramax, Dimension and Buena

    Vista videocassettes and DVDs.

     

     

    PARA PUBLICACIÓN INMEDIATA

    Movimientos Ardientes y Música Caliente en la Película de Baile del Año que No

    Puedes Dejar de Tener

     

    STEP UP

     

    Cuando un Pícaro Rebelde Conoce a Una Hermosa Bailarina, ¡Sacan Chispas!

    Incluye los Videos de Baile Ganadores del Concurso de Myspace, Escenas

    Cortadas, Bloopers, Videos Musicales, Featurette de Cómo Se Hizo la Película,

    Comentario de Audio del Creador

    En DVD el 19 de Diciembre

     

    BURBANK, Calif., 15 de septiembre de 2006 – Touchstone Home Entertainment presenta Step Up,

    la ardiente historia de dos jóvenes que proceden de mundos diferentes pero que comparten el amor

    por el baile. Step Up está repleta de formidables pasos y movimientos de baile y de fabulosos temas

    musicales con las estrellas Channing Tatum (de “She’s the Man” y “Coach Carter”) en el papel de un

    pícaro rebelde con un gran talento natural, que se choca con Jenna Dewan (de “Take The Lead”),

    una hermosa bailarina de baile moderno. Pronto sacan chispas tanto dentro como fuera de la pista

    de baile, en una película emocionante cuyo ritmo es impulsado por la música de algunos de los

    mejores artistas de la actualidad.

    Las características adicionales incluyen los videos de baile ganadores enviados por los participantes

    al concurso de la película en MySpace, un montaje de los muchos videos impresionantes que

    enviaron los concursantes, y un featurette acerca de cómo la directora y coreógrafa Anne Fletcher y

    las estrellas Channing Tatum y Jenna Dewan analizaron los videos enviados. Hay escenas cortadas

    nunca antes vistas; bloopers y tomas cortadas; videos musicales ardientes de Ciara y Chamillionaire,

    Sean Paul con Keyshia Cole, Chris Brown y Samantha Jade; “Haciendo los Movimientos para Step

    Up” es un featurette acerca de cómo se crearon las secuencias de baile para la película; y un

    comentario de audio del director y de la estrellas de la película.

    Step Up presenta un emocionante elenco de talento prometedor y de profesionales experimentados.

    La participación estelar de Channing Tatum y de Jenna Dewan es complementada por Damaine

    Radcliff (de "Glory Road”), DeShawn Washington, el músico Mario, Drew Sidora (de la serie televisiva

    “That’s So Raven”), Rachel Griffiths (del programa televisivo “Six Feet Under”), Josh Henderson del

    programa televisivo "Over There”), Tim Lacatena (de la serie televisiva “Days Of Our Lives”), Alyson

    Stoner (de la serie televisiva “The Suite Life of Zack and Cody”), Heavy D (del programa televisivo

    “Boston Public”) y Deirdre Lovejoy (del programa televisivo “The Wire”). Step Up estará disponible

    en DVD por el precio minorista sugerido de $29.99 estadounidenses y de $37.99 canadienses.

    CARACTERÍSTICAS ADICIONALES

    • ESCENAS CORTADAS NUNCA ANTES VISTAS

    • BLOOPERS Y TOMAS CORTADAS

    • VIDEOS MUSICALES ARDIENTES

    • “Get Up”: Ciara con la participación especial de Chamillionaire

    • “(When You Gonna) Give It Up To Me”: Sean Paul con la participación especial de Keyshia

    Cole

    • “Say Goodbye”: Chris Brown

    • “Step Up”: Samantha Jade

    • CONCURSO DE BAILE DE MYSPACE.COM

    • Los Cinco Videos de Baile Ganadores

    • Videos de Bailes de los Usuarios: un montaje creado con los videos que enviaron los

    concursantes

    • Juzgando los Videos: con la Directora y Coreógrafa Anne Fletcher, Channing Tatum y

    Jenna Dewan

    • HACIENDO LOS MOVIMIENTOS PARA STEP UP

    • Cómo se crearon las secuencias de baile para la película

    • COMENTARIO DE AUDIO

    • Con la Directora y Coreógrafa Anne Fletcher, y con Channing Tatum y Jenna Dewan

    (continúa)

     

    En Step Up, Tyler Gage (Channing Tatum) es un pícaro rebelde que se mete en problemas y debe

    prestarle un servicio a la comunidad. Nora (Jenna Dewan) es una hermosa y aplicada bailarina de

    baile moderno que se esfuerza por perfeccionar el arte. Cuando sus mundos chocan, Nora descubre

    a un bailarín con un gran talento natural que posiblemente podría ser su compañero de baile. Las

    chispas vuelan tanto en la pista de baile como fuera de ella mientras ambos van descubriendo que si

    se unen, pueden hacer que sus sueños se hagan realidad.

    FECHA DE LANZAMIENTO AL PÚBLICO: 19 de diciembre de 2006

    Pre-reserva directa: 24 de octubre de 2006

    Pre-reserva al distribuidor: 7 de noviembre de 2006

    Precio minorista sugerido: $29.99 estadounidenses, $37.99 canadienses

    Calificación: Estados Unidos: PG-13 por Elementos Temáticos, Breve Violencia e

    Insinuaciones

    Canadá: PG por Lenguaje

    Los materiales adicionales no están calificados ni subtitulados

    Duración de la película: Aproximadamente 98 minutos

    Relación de aspecto: 2.35:1 formateado para pantallas de televisión de 16x9

    Sonido del DVD: Sonido Envolvente Dolby® Digital 5.1

    Idiomas: Audio en inglés. Subtítulos en español y francés.

    Con subtítulos en inglés para las personas con problemas de audición.

    Libreto redactado por Duane Adler. Puesta en pantalla por Duane Adler y Melissa Rosenberg.

    Dirigida por Anne Fletcher.

    Walt Disney Home Entertainment es distribuido por Buena Vista Worldwide Home Entertainment,

    Inc., un líder reconocido de la industria. Buena Vista Worldwide Home Entertainment, Inc. es la

    empresa de mercadeo, ventas y distribución de videocasetes y DVDs de Walt Disney, Touchstone,

    Hollywood Pictures, Miramax, Dimension y Buena Vista.

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    The History Of Christmas

    December 16 2006
      photo credit as Paul Fenton/Fentonphoto.com
     (C) photo credit  Paul Fenton/Fentonphoto.com
    DEC 22
    .
    .
    .
     Top Ten Christmas Music Videos
    1. Band Aid 20 -
    ...."Do They Know It's Christmas?"

    2. David Bowie & Bing Crosby -
    ...."Little Drummer Boy"

    3. The Killers -
    .... "A Great Big Sled"

    4. Run-DMC - "Christmas In Hollis"

    5. Twisted Sister -
    ...."O Come All Ye Faithful"

    6. The Pogues -
    .... "Fairytale Of New York"

    7. The Dan Band -
    ...."I Wanna Rock You Hard
    ....This Christmas"

    8. Destiny's Child - "8 Days Of
    ....Christmas"

    9. Elmo & Patsy - "Grandma Got Run
    ....Over By A Reindeer"

    10. Snoop Dogg - "Santa Claus
    ......Goes Straight To The Ghetto
    GERMANY
    "Froehliche Weihnachten"

    According to legend, on Christmas Eve in Germany rivers turn to wine, animals speak to each other, tree blossoms bear fruit, mountains open up to reveal precious gems, and church bells can be heard ringing from the bottom of the sea. Of course, only the pure in heart can witness this Christmas magic. All others must content themselves with traditional German celebrating, of which there is plenty. As a matter of fact, there is so much celebrating that is has to begin on December 6th, St. Nicholas Day.

    As in many other European countries, on the eve of Dec. 6th children place a shoe or boot by the fireplace. During the night, St. Nicholas, the patron saint of children, hops from house to house carrying a book of sins in which all of the misdeeds of the children are written. If they have been good, he fills the shoe or boot with delicious holiday edibles. If they have not been good, their shoe is filled with twigs.

    December 21st, supposedly the shortest day (longest night) of the year, is dubbed St. Thomas Day. In parts of the Sauerland, whoever wakes up late or arrives late to work on that day is issued the title "Thomas Donkey." They are given a cardboard donkey and are the subject of numerous jokes throughout the day. But this gentle abuse ends deliciously with round, iced currant buns called "Thomasplitzchen."

    This is all preliminary to the excitement of Christmas Eve. Prior to the evening feast, is the presentation of the tree. The Christmas tree, as we know it, originated in Germany. It has a mysterious magic for the young because they are not allowed to see it until Christmas Eve. While the children are occupied with another room (usually by Father) Mother brings out the Christmas tree and decorates it with apples, candy, nuts, cookies, cars, trains, angels, tinsel, family treasures and candles or lights. The presents are placed under the tree. Somewhere, close to the bright display are laid brilliantly decorated plates for each family member, loaded with fruits, nuts, marzipan, chocolate and biscuits. When all is ready a bell is rung as a signal for the children to enter this Christmas fantasy room. Carols are sung, sometimes sparklers are lit, the Christmas story is read and gifts are opened.

    "Dickbauch" means "fat stomach" and is a name given to the Christmas Eve because of the tradition that those who do not eat well on Christmas Eve will be haunted by demons during the night. So the opportunity is given to enjoy dishes such as suckling pig, "reisbrei" (a sweet cinnamon), white sausage, macaroni salad, and many regional dishes.

    Christmas Day brings with it a banquet of plump roast goose, "Christstollen" (long loaves of bread bursting with nuts, raisins, citron and dried fruit), "Lebkuchen" (spice bars), marzipan, and "Dresden Stollen" ( a moist, heavy bread filled with fruit).

    Of Special Note...

    The custom of trimming and lighting a Christmas tree had its origin in pre-Christian Germany, the tree symbolizing the Garden of Eden. It was called the "Paradise Baum," or tree of Paradise. Gradually, the custom of decorating the tree with cookies, fruit and eventually candles evolved. Other countries soon adapted the custom. Charles Dickens called it "The Pretty German Toy."

    RECIPES...

    Reisbrei (Rice Porridge)

    ½ converted rice

    1 quart milk
    Pinch of salt
    4 tbls. sugar
    1 tbl. butter
    ¼ cup raisins, optional

    Cook rice in milk with salt and butter, very slowly until kernels are tender but have not lost their shape. If you have patience, do this in the top of a double broiler. It will take 1 ½ to 2 hours but will be worth it. The mixture should be very thick and can be stirred several times during cooking. When done, flavor with sugar, cinnamon and add raisins--if you are using them. This may be served hot or cold.

    Lebkuchen (Spice Bars)

    2 cups honey
    5 ½ cups flour
    ¾ cup grated unblanched almonds
    1 tsp. cinnamon
    ½ tsp. powdered cloves
    ¾ cup mixed candied fruits (orange, lemon and citron peel)
    ½ tsp. baking powder
    Egg White Icing (see recipe below)

    Heat honey until thin; do not boil. Mix in all other ingredients except icing. Turn onto floured board and knead until smooth, adding a little flour if necessary. Roll with a floured rolling pin to ½" thickness. Grease and flour a baking sheet and lay rolled dough on it. Bake in pre-heated 350 degrees oven about 20 minutes. Spread with icing while hot; cool before cutting into rectangles.

    Egg White Icing

    2 egg whites
    1 ¼ cups confectioner's sugar, shifted
    1 tbl. lemon juice

    Whip egg whites until they stand in stiff peaks. Add sugar and lemon and juice and continue beating until thick and glossy. Spread on cake or cookies with a spatula.

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